Podcast appearances and mentions of quinn eades

This panel explores how mental health informs the writing process (and vice versa), the lived experience in first person memoir and poetry, and the power of reclaiming language from institutions. Quinn Eades, Helena Fox and Sam Twyford-Moore join David Stavanger to discuss their work and the fine line between page and prescription. SHOWNOTES: Writes4Festivalshttp://www.writes4women.com/writes4festivals/Facebook - @Writes4FestivalsTwitter / Instagram - @w4wpodcast Wollongong Writer's Festivalhttps://wollongongwritersfestival.comFacebook @wollongongwritersfestival/Twitter @WGongWritFest David Stavangerhttps://www.uqp.com.au/authors/david-stavangerFacebook @profile.php?id=634053109 Quinn EadesFacebook @quinneadesTwitter @quinn_writes Helena Foxhttps://helenafoxauthor.comFacebook @helenafoxwriterTwitter @helenafoxoz Sam Twyford-Moorehttp://www.samtwyfordmoore.comFacebook @sam.twyfordmooreTwitter @samtwyfordmoore Pamela Cookwww.pamelacook.com.auFacebook - @pamelacookauthorTwitter - @PamelaCookAU Listen Up Podcasting (Kel Butler)www.listenuppodcasting.com.auFacebook / Twitter - @kelbutler @listenuppodcasting

It’s not just you. We’re all feeling it. The strange materiality of bodies, our ever-unfolding understanding of the psycho-physiology ofour fantasies, traumas, attachments and our intimate windows into the lives of others in a culture of oversharing. Let’s explorethe weird, wonderful and wrong of it all. FEATURING: Gala Vanting, Clementine Ford, Quinn Eades, Benjamin Law, Amee Baird SHOWNOTES: Writes4Festivalshttp://www.writes4women.com/writes4festivals/Facebook - @Writes4FestivalsTwitter / Instagram - @w4wpodcast Wollongong Writer's Festivalhttps://wollongongwritersfestival.comFacebook @wollongongwritersfestival/Twitter @WGongWritFest Clementine FordTwitter @clementine_ford Gala Vantinghttp://msgalavanting.comFacebook @the.gala.vantingTwitter @gala_vanting Quinn EadesFacebook @quinneadesTwitter @quinn_writes Benjamin LawFacebook @Benjamin LawTwitter @mrbenjaminlaw Amee BairdTwitter @AmeeBaird_Neuro Pamela Cookwww.pamelacook.com.auFacebook - @PamelaCookTwitter - @PamelaCookAU Listen Up Podcasting (Kel Butler)www.listenuppodcasting.com.auFacebook / Twitter - @kelbutler @listenuppodcasting

For our second last episode of Agenda, we went a bit rogue with our music selection and played some of our favourite pop songs, from All Saints, Carly Rae Jepsen and M.I.A. We also heard from writer Quinn Eades about Queerstories: Chosen Family Xmas and the release of the book Going Postal: More Than ‘Yes’ or ‘No’ - a collection of queer marginalised voices on the experience of life during Australia’s 2017 voluntary marriage survey, and in the year since. The book is being launched in Sydney at The Imperial Hotel on December 9. Plus, we heard from Alex DeGaris one of the co-directors of Sister Gallery, an Artist Run Initiative in Adelaide that recently moved all of their programming online. Sister’s current online exhibition is Xenoblood and we spoke to Virginia Barratt from the collective In Their Interior about the new work.

GOING POSTAL: WRITINGS FROM THE MARRIAGE EQUALITY SURVEY edited by Quinn Eades & Son Vivienne Whether you are ‘gay, straight, black, or white'—or beyond reductive binaries—this edited collection guides the reader... LEARN MORE The post GOING POSTAL: MORE THAN ‘YES' OR ‘NO' appeared first on Family Matters.

- Katie is back for this episode and we discuss the Netflix show Dear White People, as well as ethical sneakers and travel.- We also bring you some of the talks from the Community as Activism event that we discussed on episode 211, including Leah Avene on privilege, Beth Allan on challenging sexism in animal advocacy and Quinn Eades on imaging the future we want to create.- For more information on this episode and for links to all of the stories and clips from it, go to: https://progressivepodcastaustralia.com/2018/09/22/213/

Quinn Eadesgrew up in the Sydney lesbian community during the 70s and 80s, was assigned female at birth. He lived as a dyke for 25 years before becoming a transmasc person at the age of 41. This story is a tracery of his lesbian heritage, and a letter to all the lesbians he's loved before. Quinn Eades is a researcher, writer, and award-winning poet whose work lies at the nexus of feminist, queer and trans theories of the body, autobiography, poetry, and philosophy. Eades has been published nationally and internationally, and is the author of all the beginnings: a queer autobiography of the body, and Rallying. He won the 2017 Arts Queensland XYZ Award for Innovation in Spoken Word, and is currently working on a book-length collection of fragments written from the transitioning body, titled Transpositions. Quinn Eades is featured in the Queerstories book which can be ordered on Booktopia. Queerstories is an LGBTQI+ storytelling night programmed by Maeve Marsden, with regular events around Australia. For Queerstories event dates, visit www.maevemarsden.com, and follow Queerstories on Facebook. The Queerstories book is published by Hachette Australia, and can be purchased from your favourite independent bookseller or on Booktopia. To support Queerstories, become a patron at www.patreon.com/ladysingsitbetter And for gay stuff and insomnia rants follow me - Maeve Marsden - on Twitter and Instagram.   See omnystudio.com/policies/listener for privacy information.

The Guilty Feminist Presented by Deborah Frances-White and Jamila Rizvi   Episode 74: What the Hell? The Handmaid’s Tale in 2017 with special guests Quinn Eades, Celeste Liddle, Krissy Kneen, Lauren Duca Recorded 15 October 2017 at The Wheeler Centre, Melbourne. Released 20 November.  Music by Mark Hodge and produced by Euan Maco McAleece. Photo credit: Jon Tjhia / The Wheeler Centre More about Deborah Frances-White http://deborahfrances-white.com https://twitter.com/DeborahFW Global Pillage https://www.timepeaceapp.org Standard Issue in Conversation, 14 December at Leicester Square Theatre. Tickets on sale now. More about Jamila Rizvi   https://www.jamilarizvi.com.au https://twitter.com/JamilaRizvi https://www.instagram.com/jamilarizvi More about our guests https://twitter.com/quinn_writes https://twitter.com/Utopiana https://twitter.com/krissykneen https://twitter.com/laurenduca For more information about this and other episodes… visit guiltyfeminist.com tweet us twitter.com/guiltfempod like our Facebook page https://www.facebook.com/guiltyfeminist check out our Instagram instagram.com/theguiltyfeminist or join our mailing list eepurl.com/bRfSPT  Buy our merch http://guiltyfeminist.instantcart.com/ The Negotiations special episode of the podcast is now available to purchase http://guiltyfeminist.com/product/include-yourself-podcast/ Come to a live recording! 21 November at The Round House. Tickets on sale now. 1 December at The Y Theatre, Leicester. Tickets on sale now. 4 December at Kings Place. Tickets on sale now. 6 February at The London Palladium. Tickets on sale now. 19 February at The Royal Albert Hall. Tickets on sale now Leave us a review and rate us on Apple Podcasts

Threadbare   Featuring: Fipe Preuss, Elnaz Sheshgelani and Phillipa Russell Choreographer: Kathleen Gonzales Producer: Natasha Jynel Threadbare is a three-part multidisciplinary show that celebrates the diversity of Australian identity through dance, poetry and visual art. The show is presented in languages including English, Spanish, Tongan, Arabic and Auslan. Threadbare invites audiences to shift their perspectives and open their eyes with ideas that challenge convention in modern Australian society. It brings together artists from diverse backgrounds to explore the commonalities of human experience.   Each artist brings a personal reflection and identity to the show. In Threadbare, there is poetry featuring Dr Quinn Eades exploring feminist, queer and trans series of the body. His poem The Urge to Speak encourages gender queer people to find a voice. What does it mean to be in contemporary Australia? How do our languages, culture, heritage and traditions connect us? As a society, the most difficult thing is to look at ourselves and to ask ourselves what work is still needed to foster healing an inclusion. Threadbare explores the conflict between the “otherness” and belonging in contemporary Australia. The show also features Phillipa Russell, the only deaf actress in the show. Phillipa’s solo is performed entirely in Auslan and alludes to the theme of arriving into an unknown country. She performs of a curious bystander who arrives in a land inhabited by Indigenous peoples – a young white woman who arrives on the scene completely not knowing what’s going on. The show begins with the steady sound of a heartbeat, which leaves the audience wondering what will happen next. The atmosphere felt strangely chaotic, as the entire room is engulfed in darkness, and two women slowly appear dressed in white robes with their faces concealed, chanting an interpretation of Welcome to Country.   Written by Caroline Tung

Threadbare Featuring: Fipe Preuss, Elnaz Sheshgelani and Phillipa Russell Choreographer: Kathleen Gonzales Producer: Natasha Jynel Threadbare is a three-part multidisciplinary show that celebrates the diversity of Australian identity through dance, poetry and visual art. The show is presented in languages including English, Spanish, Tongan, Arabic and Auslan. Threadbare invites audiences to shift their perspectives and open their eyes with ideas that challenge convention in modern Australian society. It brings together artists from diverse backgrounds to explore the commonalities of human experience. Each artist brings a personal reflection and identity to the show. In Threadbare, there is poetry featuring Dr Quinn Eades exploring feminist, queer and trans series of the body. His poem The Urge to Speak encourages gender queer people to find a voice. What does it mean to be in contemporary Australia? How do our languages, culture, heritage and traditions connect us? As a society, the most difficult thing is to look at ourselves and to ask ourselves what work is still needed to foster healing an inclusion. Threadbare explores the conflict between the “otherness” and belonging in contemporary Australia. The show also features Phillipa Russell, the only deaf actress in the show. Phillipa’s solo is performed entirely in Auslan and alludes to the theme of arriving into an unknown country. She performs of a curious bystander who arrives in a land inhabited by Indigenous peoples – a young white woman who arrives on the scene completely not knowing what’s going on. The show begins with the steady sound of a heartbeat, which leaves the audience wondering what will happen next. The atmosphere felt strangely chaotic, as the entire room is engulfed in darkness, and two women slowly appear dressed in white robes with their faces concealed, chanting an interpretation of Welcome to Country. Written by Caroline TungSee omnystudio.com/listener for privacy information.