Podcast appearances and mentions of suzanne bona

Georg Philipp Telemann composed during the Baroque period, which ran from about 1600 to 1750. Suzanne Bona, host of the National Public Radio program Sunday Baroque, talks with Naomi Lewin about Baroque music.

In this virtual edition of Live from FM 91, we welcome two members of The Sylvan Trio: flutist (and Sunday Baroque host) Suzanne Bona, and pianist (and former WGTE host) Greg Kostraba. Suzanne and Greg talk about and share tracks from their latest album, Music for Flute, Cello & Piano by Women Composers, which you can find here: https://www.amazon.com/Music-Flute-Cello-Piano-Composers/dp/B08L22XY5C. The Sylvan Trio Website: http://www.sylvantrio.com/Sylvan_Trio/Home.html Sunday Baroque's "Beautiful Music in Difficult Times" blog: https://sundaybaroque.org/category/blog/ Please note: due to copyright restrictions, some musical selections have been truncated for this podcast.

In this virtual edition of Live from FM 91, we welcome two members of The Sylvan Trio: flutist (and Sunday Baroque host) Suzanne Bona, and pianist (and former WGTE host) Greg Kostraba. Suzanne and Greg talk about and share tracks from their latest album, Music for Flute, Cello & Piano by Women Composers, which you can find here: https://www.amazon.com/Music-Flute-Cello-Piano-Composers/dp/B08L22XY5C. The Sylvan Trio Website: http://www.sylvantrio.com/Sylvan_Trio/Home.htmlSunday Baroque's "Beautiful Music in Difficult Times" blog: https://sundaybaroque.org/category/blog/ Please note: due to copyright restrictions, some musical selections have been truncated for this podcast.

Most people who play period instruments like viola da gamba and baroque violin start their training using the modern versions of those instruments and ultimately stumble onto their Baroque ancestors. Usually they are adults, often training as musicians in college or working as professionals. But thanks to a unique and groundbreaking program founded by Angelo Moreno at Davis High School in Davis, California, students at the public high school can perform on period instruments using gut strings and baroque bows. Mr. Moreno established the DHS Baroque Ensemble, the first group of its kind at the high school level in the USA. As the group prepares to go on its third European concert tour, Angelo Moreno spoke to Suzanne Bona from the studios of Capital Public Radio in Sacramento.

"I have an opportunity to introduce someone to an amazing musical tradition. And I have an opportunity to share a really fine virtuostic performance by some top performers. And I have a chance to make an impression on someone who's maybe never heard this before ..." Suzanne Bona, host of Sunday Baroque talks about sharing her love of Baroque music, "listening like a listener" and why Sunday Baroque is made for Sundays.

For more than 15 years, the Naive recording label has been releasing performances of a huge collection of autograph manuscripts by Antonio Vivaldi contained in an archive in Turin, Italy. The extensive and varied contents illuminate the extent of Vivaldi's prolific and creative genius - an extraordinary cross-section of concertos, operas, and sacred music. Susan Orlando is the artistic director of the project, and she recalled one super-fan's message that the project should be worthy of a Nobel Prize because of its power to be 'better than Prozac' in helping her stay relaxed and content. Susan Orlando spoke with Sunday Baroque host Suzanne Bona via Skype about the Vivaldi Edition.

Join us as American Spark correspondent Carol Vassar introduces us to the Host and Executive Producer of SUNDAY BAROQUE on Public Radio… Suzanne Bona! American Spark correspondent Carol Vassar with Suzanne Bona

Georg Philipp Telemann composed during the Baroque period, which ran from about 1600 to 1750. Suzanne Bona, host of the National Public Radio program Sunday Baroque, talks with Naomi Lewin about Baroque music.

What you'll hear: Negotiating a job for yourself that may not be offered - the things Suzanne noticed that made it a “win-win” for everyone How her job gave her a *new* way of performing in addition to playing flute Unusual performing opportunities through radio stations that you may not have thought of yourself The enthusiasm that inherently exists in the public radio audience - and ways she contributes to them in live events A program that she has started to provide opportunities to Baroque musicians in communities Suzanne’s great advice to any musician about the definition of the word “musician” http://sundaybaroque.org/ Contact Suzanne through the website with your questions or collaboration ideas Follow Sunday Baroque on social media: Instagram and Twitter: @sunday_baroque Facebook: @sundaybaroque I want to thank Ficks Music for sponsoring Crushing Classical. When you’re looking for high quality sheet music, look no further than Ficks!  https://www.ficksmusic.com/discount/CRUSH Use the link above to get 10% off your order!

In Ep. 22 I am pleased to bring you a very special guest, Suzanne Bona, host of the syndicated radio program "Sunday Baroque". We met up at WGUC studios in downtown Cincinnati and enjoyed a wide ranging discussion about her show, her life, and lots of interesting musical things! She was also kind enough to let us hear a sample of her program at about 45 minutes in, a special treat indeed. Be sure to listen to Suzanne's show "Sunday Baroque" on your local radio station every Sunday morning. For more information, visit her website: http://sundaybaroque.org Music: -Bach Double Violin concerto in D minor mvt. 3 -Suzanne's show! -Vivaldi Double Violin concerto in A minor ---------------- For all things GCP Please rate, review, and subscribe on iTunes! The App!  https://apps.apple.com/us/app/the-great-composers-the-gcp/id1465809545?fbclid=IwAR0tQTElluT8I3jn6SYFcQst70IY0Ym52LjEz1Z3DR11oq5ZGDLV_URNyHk&ls=1 Like our Facebook page! https://www.facebook.com/thegreatcomposerspodcast/ A complete bibliography for all episodes can be found on my website: www.kevinnordstrom.com

TEM155: Embracing change and reaching a quarter of a million people every week - A conversation with Suzanne Bona Suzanne Bona is the host of Sunday Baroque, a radio show heard by over a quarter of a million people every week on over 200 stations nationwide. The TEM Question of the Week: What skills have you acquired from a non-dream job that you've been able to utilize as an entrepreneur and did you realize those skills might be eventually useful at the time?  Join the discussion by heading to http://www.andrewhitz.com/tem155 and leaving a comment. ***Sign up before October 1st for the brand new TEM Newsletter to be eligible to win a free consultation and also receive a free copy of "Seven Things I Learned from the First 100 Episodes of The Entrepreneurial Musician. Click here for details. What You'll Learn in TEM155: Suzanne's background in music and the winding path she has taken to get to today The importance that a couple of music teachers played in her life (and how awesome my wife is!) How she founded Sunday Baroque which is now carried by over 200 radio stations across the country and heard by a quarter million people every week The brilliant idea she negotiated for herself when she started a full-time sales job at a radio station which enabled her to learn the ropes of radio The skills she learned in her sales job that directly applied to her future entrepreneurial endeavors How she she ended up partnering with NPR to both produce and distribute Sunday Baroque and the factors that led them to amicably part ways after they had outgrown one another The benefits of being a small and nimble operation How technology is becoming a great equalizer in the world Her attitude that change is hard but change is also interesting Why Susan still tries to see each episode of Sunday Baroque through a different lens even after 31 years What made the pitch email from Suzanne's intern so well written and why it got her on the podcast when most of them don't even get answered Links: Sunday Baroque Joey Tartell: Big Picture vs. Little Picture Want to help the show? Here's a couple of ways you can do that! 1. Help me get to my next goal of $100 per episode on Patreon by pledging as little as $1 per episode to support the show: https://www.patreon.com/tempodcast. 2. My next iTunes goal is 100 ratings and 75 reviews. Take just a minute to leave a rating and review on iTunes to help me get there. Thank you! And finally, a huge thank you to Parker Mouthpieces for providing the hosting for TEM. Produced by Andrew Hitz Show notes for all episodes of TEM including topics discussed, links to all books and websites referenced can be found at: http://www.andrewhitz.com/shownotes

With Lew Smoley, and Suzanne Bona

Host of Sunday Baroque, a national syndicated radio show, and classical flutist, Suzanne Bona, meets with the Hero Radio team. Suzanne discusses embarrassing flute performances, spelling errors and supervisor’s orders that lead her to the music career she has today.

The visual arts and artists of the 17th century are much better known than the music and composers of that same time period, and guitarist Richard Savino wanted to address that oversight. He embarked on a comprehensive project to integrate the paintings of artists such as Artemisia Gentileschi and her contemporaries with music by composers such as Andrea Falconieri, Dario Castello, Giovanni Kapsberger and others. The result is the 2015 recording What Artemesia Heard featuring Richard Savino and his group El Mundo, and he spoke with Sunday Baroque host Suzanne Bona about it.

With its 6,183 pipes, 95 stops, 111 ranks, 2 consoles and 7 keyboards, installation of the new French organ at New York City's Church of the Ascension was completed in early 2011. Master builder Pascal Quoirin was chosen to design the instrument by the Church's Music Director, distinguished organist and conductor Dennis Keene. Suzanne Bona visited Dr. Keene to discuss the magnificent new instrument, what makes it so special and his plans to introduce it to the musical community.

Pianist Simone Dinnerstein made a big splash in 2007 with her recording of Johann Sebastian Bach's Goldberg Variations. Jan. 2011 brings her first recording for the Sony label, BACH: A Strange Beauty. The all-Bach recording includes the English Suite #3, transcriptions of three Chorale Preludes, and Keyboard Concertos #1 and #5. Once again, she demonstrates her artistry and her sensitivity to Bach's musical line and harmonic genius. Dinnerstein invited Suzanne Bona for a conversation in her parents' Brooklyn home, where she talked about her passion for Bach's music, her newest recording and her upcoming projects.

Nicholas McGegan is a man of many talents and interests: an art aficionado, avid gardener and epicure, to name just a few. He's also one of the most sought-after experts in baroque and early music - a conductor, harpsichordist and scholar. His zest for life is evident in everything he does, especially when he's leading an ensemble in music he knows and loves as much as George Frideric Handel's oratorio MESSIAH. Nicholas McGegan guest conducted the Cincinnati Symphony Orchestra and May Festival Chorus in Handel's beloved masterpiece, and joined Sunday Baroque host Suzanne Bona in the studios of WGUC Cincinnati to discuss his work and Handel's genius.

Harpsichordist and conductor Jeannette Sorrell founded the successful period instrument ensemble Apollo's Fire - The Cleveland Baroque Orchestra in 1992 after an interview for a job as assistant to a famous conductor went terribly wrong. Sorrell spoke with Sunday Baroque host Suzanne Bona about how her passion for music drove her to finagle free piano lessons as a child, what it's like to work with some of the world's leading early music instrumentalists, and why she thinks baroque and early music resonate with so many people.

When renowned conductor Nicholas McGegan spoke with Suzanne Bona, he shared his thoughts about how and why artificial barriers went up between baroque & early music and other kinds of music, and he offered suggestions for making the concert-going experience more enjoyable and popular. He also shared his fondness for Oregon pinot noirs and advice on growing roses when one is always traveling, and he admitted to a naughty musical passion.

The first use of the term viol d'amore is believed to be in John Evelyn's diary of 1679. He described it by saying of it, "I never heard a sweeter Instrument or more surprising..." Frequently heard in baroque music, viola d'amore resembles a violin, but it has extra resonating strings - sympathetic strings - which give it a rich, sonorous and unusual tone. It's also very hard to play, which explains why the specialized instrument isn't more commonly heard. Suzanne Bona spoke with one of the world's viola d'amore experts, Myron Rosenblum, about the instrument, its history, and why he's such a passionate and enthusiastic advocate.

Recorder virtuoso Matthias Maute -- who is featured prominently on many recordings you hear regularly on Sunday Baroque -- is also a composer, arranger, conductor and music professor. He spoke with host Suzanne Bona about having to carry around a few dozen different types of recorders for every performance, how he tried (unsuccessfully) to quit playing recorder as a boy, and why being married to a fellow musician is just like running any other family business.