Podcasts about sacramento

Live Action Moana full 375 Tue, 18 Nov 2025 18:17:00 +0000 vzzzB4mZaFkxTcS9miMihD5Qs2Xbt8p3 comedy The Wake Up Call comedy Live Action Moana The Wake Up Call is a morning radio show based in Sacramento, California, and heard weekday mornings on 106.5 the End. Gavin, Katie, and Intern Kevin wake up every morning to have FUN and be FUNNY, while you start your day. This show has unbelievable chemistry and will keep you laughing all morning! 2024 © 2021 Audacy, Inc. Comedy False https://player.amperwavepodcasting.com?feed-link=https%3A%2F%2Frss.amperwav

Family Recipes full 288 Tue, 18 Nov 2025 18:19:10 +0000 ojxTfAALXlde3rsLyXlVtTh5H1gsgQ84 comedy The Wake Up Call comedy Family Recipes The Wake Up Call is a morning radio show based in Sacramento, California, and heard weekday mornings on 106.5 the End. Gavin, Katie, and Intern Kevin wake up every morning to have FUN and be FUNNY, while you start your day. This show has unbelievable chemistry and will keep you laughing all morning! 2024 © 2021 Audacy, Inc. Comedy False https://player.amperwavepodcasting.com?feed-link=https%3A%2F%2Frss.amperwave.n

Bridge Cat full 337 Tue, 18 Nov 2025 18:19:59 +0000 au30SRfBRfHTx9Ps4VvexUNEqC9xgibT comedy The Wake Up Call comedy Bridge Cat The Wake Up Call is a morning radio show based in Sacramento, California, and heard weekday mornings on 106.5 the End. Gavin, Katie, and Intern Kevin wake up every morning to have FUN and be FUNNY, while you start your day. This show has unbelievable chemistry and will keep you laughing all morning! 2024 © 2021 Audacy, Inc. Comedy False https://player.amperwavepodcasting.com?feed-link=https%3A%2F%2Frss.amperwave.net%2

For the last few weeks, we've been sharing conversations between transgender and nonbinary kids and the people in their lives who love and support them — a series called Love You for You. As we enter Transgender Awareness Month, we shift the lens toward intergenerational stories — young people in their twenties in conversation with transgender elders whose lives trace the long arc of LGBTQ+ activism in California. These bonus episodes carry heavier histories and more mature themes than the family conversations featured earlier in the series. They offer deeper context to the ongoing fight for safety, dignity, and self-expression. This week, we meet Donna Personna, a 79-year-old transgender Chicana artist, activist, and playwright who grew up in San José and now lives in San Francisco. A longtime drag performer and advocate, Donna has devoted decades to uplifting the LGBTQ+ community. In 2019, she was named Lifetime Achievement Grand Marshal of the San Francisco Pride Parade. She also co-wrote Compton's Cafeteria Riot, an immersive play that brings to life a 1966 uprising in San Francisco's Tenderloin District — when trans women and drag queens stood up to police harassment, three years before Stonewall. In this episode, Donna speaks with Quetzali (who also goes by “Q”), a 23-year-old Latinx nonbinary organizer from Sacramento who uses they/them/elle pronouns and who is using only their first name to protect their identity. Together, they reflect on how Latinx gender-expansive identities have evolved across generations, from quiet survival in the shadows to living freely. Donna also shares how she continues to cultivate self-love and resilience in a world that still tests both — grounding today's struggles in a lifetime of resistance, care, and optimism. Read the transcript of this episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey green thumbs! This week Kevin sits down with Lesley Hamamoto, president of the Sacramento Valley Chapter of the California Native Plant Society. Learn why California native plants are so important to local ecosystems and hear Lesley's passion for growing natives at home. She shares her favorite species, practical tips for gardeners, and simple ways you can make a difference by getting involved with CNPS.Learn more and join the movement at: Sacramento Valley CNPSGreen Acres Garden PodcastGreen Acres Nursery & SupplyGreen Acres Garden Podcast GroupIn the greater Sacramento area? Learn how to make your yard Summer Strong and discover water-saving rebates at BeWaterSmart.info.

Newscast from Capital Public Radio

Smiling In Pics full 319 Mon, 17 Nov 2025 18:42:09 +0000 lyGEi444eOaVPulIHmeSIVaDUrGsjstt comedy The Wake Up Call comedy Smiling In Pics The Wake Up Call is a morning radio show based in Sacramento, California, and heard weekday mornings on 106.5 the End. Gavin, Katie, and Intern Kevin wake up every morning to have FUN and be FUNNY, while you start your day. This show has unbelievable chemistry and will keep you laughing all morning! 2024 © 2021 Audacy, Inc. Comedy False https://player.amperwavepodcasting.com?feed-link=https%3A%2F%2Frss.amperwave.

The world's okayest morning radio show offers you the entire broadcast from today with none of the music and limited commercials. Try to enjoy!

Are You Smarter Than Katie 11-17-25 full 497 Mon, 17 Nov 2025 18:28:40 +0000 iJZ22mfyO323i3kFfMSPeSuU5fLtSrP2 comedy The Wake Up Call comedy Are You Smarter Than Katie 11-17-25 The Wake Up Call is a morning radio show based in Sacramento, California, and heard weekday mornings on 106.5 the End. Gavin, Katie, and Intern Kevin wake up every morning to have FUN and be FUNNY, while you start your day. This show has unbelievable chemistry and will keep you laughing all morning! 2024 © 2021 Audacy, Inc. Comedy False https://player.amperwavepodcasting.com?feed-link=https%3A

In this week's Akem's Analysis, I recap Montana State's big road win against UC Davis. I also talk a bit about the missed call that took place in Sacramento. There are a ton of playoff implications in this week's results and more in the upcoming week. Is Beau Brungard the Walter Payton favorite? All of this and more in this week's Akem's Analysis. Like and comment your thoughts below! SUBSCRIBE BEFORE YOU LEAVE!!! SPORTS BET MONTANA LINK: https://sportsbetmontana.com/en0:00 - Intro2:50 - Montana State/UC Davis Recap11:19 - Idaho/Sac State Recap20:12 - SDSU/Illinois State Recap25:07 - South Dakota/SIU Recap31:47 - Lamar/SFA Recap37:17 - No Huddle Notes53:27 - Final Thoughts55:16 - End

Day 41 of the government shutdown — or as Congress calls it, “Sunday.” Senators gathered for a rare weekend session to “work things out,” which in D.C. language means grandstanding with snacks provided. Meanwhile, in Major League Baseball, the Cleveland Guardians are living up to their name by guarding their right to embarrass the sport. Two of their pitchers have been arrested for gambling, proving once again that MLB can't go more than a few months without hitting itself in the face with a Louisville Slugger. Back here in the Empire State, Assemblyman Zohran Mamdani's plan for free buses has hit… well, traffic. Governor Hochul says she's not ready to move forward with the proposal — which is politician-speak for “We're gonna study this until everyone forgets.” And yet — somewhere between the shutdowns, scandals, and stalled buses — there's still something to be thankful for. Maybe it's the people we love. Maybe it's the tiny wins. Or maybe it's just that the ferry still runs on time. Either way, gratitude's the one thing not on backorder this year.In the headlines on #TheUpdate this Monday, a FDNY firefighter died Saturday after suffering a medical episode while battling a five-alarm fire at a Brooklyn apartment building, authorities said.New York Gov. Kathy Hochul's office said that SNAP benefits went out to New Yorkers using federal funds after the longest-ever federal government shutdown cut off food stamp payments for the first time.And in Washington, President Trump's administration is demanding states “undo” full SNAP benefits paid out under judicial orders in recent days, now that the U.S. Supreme Court has stayed those rulings, marking the latest swing in a seesawing legal battle over the anti-hunger program used by 42 million Americans. Meanwhile, on the local level in Sacramento, Acorn squash, Spam and baby food lined the shelves on a recent day at a college food pantry in California's capital city, a resource that students receiving federal aid to purchase groceries may have to increasingly rely on because that assistance has been in limbo during the government shutdown.

Send us a text"Best Of" Series: Don't miss this fun show that features 6 comics, and all from the Northern California area. Closing we have two acts from Sacramento, Local MC and talent Bentoni, and regular Headliner from TV and One Man Shows...Jack Gallagher. From the Bay Area we showcase comic juggler Ungio, solid Feature Act Brian Leonard, Headliners Sam Guttman and Tree!This fast paced show has lots of terrific comedy talent...Enjoy!Support the show www.StandupComedyPodcastNetwork.com Website....check it out, podcast, jokes, blogs, and More!"NEW" Video Podcast: Tag Team Talent Podcast on Spotify & YouTube Podcast Quality List: https://www.millionpodcasts.com/heritage-podcasts/ Please Write a Review: in-depth walk-through for leaving a review.Interested in Standup Comedy? Check out my books on Amazon..."20 Questions Answered about Being a Standup Comic""Be a Standup Comic...or just look like one"

This episode contains references to adult themes including death and local legends of violence. Listener discretion is advised.Dyer Lane, a remote backroad in Sacramento County, has long been the focus of disturbing tales, from stories of a murdered coven and shadowy cults to the infamous ghost police car and phantom handprints. Combining verified criminal history with decades of first-hand accounts, this is one of California's darkest stretches of road.The BOOKBY US A COFFEESubscribe to our PATREONEMAIL us your storiesJoin us on INSTAGRAMJoin us on TWITTERJoin us on FACEBOOKVisit our WEBSITEResearch:https://www.placer.ca.gov/3563/Placer-Vineyardshttps://www.placer.ca.gov/8760/Watt-Avenue-Over-Dry-Creek-Bridge-Replachttps://fox40.com/news/local-news/woman-shares-video-of-terrifying-attack-on-dyer-lane/amp/https://www.unexplained-mysteries.com/forum/topic/199097-morrigans-coven-dyer-lane-the-demon-warrior-speaks/https://www.reddit.com/r/Sacramento/comments/q1h4j2/anyone_rememberhave_stories_of_dyer_lane/Thanks so much for listening, and I'll catch up with you again tomorrow.Sarah xx"Spacial Winds," Kevin MacLeod (incompetech.com)Licenced under Creative Commons: By Attribution 4.0 Licencehttp://creativecommons.org/licenses/by/4.0/SURVEY Hosted on Acast. See acast.com/privacy for more information.

Dallas and Brian discuss the all-time screw job in Sacramento.Tubs at the Club is presented by:Snake River Stampede Canadian Whiskyhttps://snakeriverstampede.com/shopping/srs-whisky/Tubs at the Club is sponsored by:Hughes River Expeditionswww.hughesriver.comPacific Custom Sportswearwww.vandalgear.com

Sacramento Kings vs. San Antonio Spurs NBA Pick Prediction by Tony T. Kings vs. Spurs Injuries Murray is out for Sacramento with Achiuwa and Sabonis questionable. Harper is out for San Antonio with Wembanyama questionable. Recent Box Score Key Stats Kings at Spurs 4PM ET— Sacramento fell to 3-10 following their 124-110 road defeat to Minnesota. The Kings shot 44% with 36% from three. Zach LaVine scored 25 points with six rebounds. Domantas Sabonis produced 34 points with 11 rebounds. Sacramento allowed 49% shooting with 32% from three. San Antonio drops to 8-4 with their 109-108 home defeat to Golden St. The Spurs hit 46% with 37% from three but 20 turnovers. Victory Wembanyama posted 26 points with 12 rebounds. De'Aaron Fox contributed 24 points with ten assists. San Antonio allowed 42% shooting with 38% from three.

Newscast from Capital Public Radio

Denver Nuggets vs. Minnesota Timberwolves NBA Pick Prediction by Tony T. Nuggets vs. Timberwolves Injuries Braun and Johnson are out for Denver with Jokic probable. Shannon is out for Minnesota. Recent Box Score Key Stats Nuggets at Timberwolves 8PM ET—Denver improved to 9-2 following their 130-116 road win at LA Clippers. The Nuggets shot 52% with 38% from three. Nikola Jokic scored 55 points with a Triple Double. Aaron Gordon contributed 18 points with five rebounds. Denver allowed 49% shooting with 43% from three. Minnesota is on a back-to-back after hosting Sacramento on Friday and winning 124-110.

Lactose Intolerant full 349 Fri, 14 Nov 2025 19:13:12 +0000 LLBTo5fv74lcJnzHdbfwfHpIdWu8Ftp4 comedy The Wake Up Call comedy Lactose Intolerant The Wake Up Call is a morning radio show based in Sacramento, California, and heard weekday mornings on 106.5 the End. Gavin, Katie, and Intern Kevin wake up every morning to have FUN and be FUNNY, while you start your day. This show has unbelievable chemistry and will keep you laughing all morning! 2024 © 2021 Audacy, Inc. Comedy False https://player.amperwavepodcasting.com?feed-link=https%3A%2F%2Frss.amperwa

That means a flashy court for fans to get a look at. Details from Steve Thomson who filled in for Henry Lake on The WCCO Morning News

Sacramento Kings vs. Minnesota Timberwolves NBA Pick Prediction by Tony T. Kings at Timberwolves 8PM ET—Sacramento fell to 3-9 with their 133-100 home defeat to Atlanta. The Kings shot 39% with 36% from three. Keon Ellis came off the bench with 20 points and one assist. Domantas Sabonis contributed 12 points and five boards. Sacramento allowed 58% shooting with 42% from three. Minnesota improved to 7-4 after their 120-113 road win at Utah. The Timberwolves shot 47% with 30% from three. Anthony Edwards scored 35 points with six assists. Julious Randle came in with 27 points and seven assists. Minnesota allowed 40% shooting with 33% from three.

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All The Paychecks full 365 Thu, 13 Nov 2025 18:41:01 +0000 y66oWNhPyPTDl2pZ6fk5l8q6STnguMiB comedy The Wake Up Call comedy All The Paychecks The Wake Up Call is a morning radio show based in Sacramento, California, and heard weekday mornings on 106.5 the End. Gavin, Katie, and Intern Kevin wake up every morning to have FUN and be FUNNY, while you start your day. This show has unbelievable chemistry and will keep you laughing all morning! 2024 © 2021 Audacy, Inc. Comedy False https://player.amperwavepodcasting.com?feed-link=https%3A%2F%2Frss.amperwav

Did You Know With Kevin 11-13-25 full 340 Thu, 13 Nov 2025 18:40:26 +0000 BJqjWNjWRuDHolzxH6pn5cNnaBZMlL5u comedy The Wake Up Call comedy Did You Know With Kevin 11-13-25 The Wake Up Call is a morning radio show based in Sacramento, California, and heard weekday mornings on 106.5 the End. Gavin, Katie, and Intern Kevin wake up every morning to have FUN and be FUNNY, while you start your day. This show has unbelievable chemistry and will keep you laughing all morning! 2024 © 2021 Audacy, Inc. Comedy False https://player.amperwavepodcasting.com?feed-link=https%3A%2F

Hire A Pro full 288 Thu, 13 Nov 2025 18:39:52 +0000 gwVFv6MLrTLLyyvQ2RM0aXhRk57QoElO comedy The Wake Up Call comedy Hire A Pro The Wake Up Call is a morning radio show based in Sacramento, California, and heard weekday mornings on 106.5 the End. Gavin, Katie, and Intern Kevin wake up every morning to have FUN and be FUNNY, while you start your day. This show has unbelievable chemistry and will keep you laughing all morning! 2024 © 2021 Audacy, Inc. Comedy False https://player.amperwavepodcasting.com?feed-link=https%3A%2F%2Frss.amperwave.net%2

The world's okayest morning radio show offers you the entire broadcast from today with none of the music and limited commercials. Try to enjoy!

Are You Smarter Than Katie 11-13-25 full 560 Thu, 13 Nov 2025 18:37:05 +0000 LjbR9H0rb8KzWYr5aisDINtaQfMcvsCr comedy The Wake Up Call comedy Are You Smarter Than Katie 11-13-25 The Wake Up Call is a morning radio show based in Sacramento, California, and heard weekday mornings on 106.5 the End. Gavin, Katie, and Intern Kevin wake up every morning to have FUN and be FUNNY, while you start your day. This show has unbelievable chemistry and will keep you laughing all morning! 2024 © 2021 Audacy, Inc. Comedy False https://player.amperwavepodcasting.com?feed-link=https%3A

Penny Is Gone full 333 Thu, 13 Nov 2025 18:37:52 +0000 fFjdGbE43QrtSfpNhVC6T5a8uYFeQlZs comedy The Wake Up Call comedy Penny Is Gone The Wake Up Call is a morning radio show based in Sacramento, California, and heard weekday mornings on 106.5 the End. Gavin, Katie, and Intern Kevin wake up every morning to have FUN and be FUNNY, while you start your day. This show has unbelievable chemistry and will keep you laughing all morning! 2024 © 2021 Audacy, Inc. Comedy False https://player.amperwavepodcasting.com?feed-link=https%3A%2F%2Frss.amperwave.ne

Katie's Carpal Tunnel full 314 Thu, 13 Nov 2025 18:38:30 +0000 QEnHaeoIAl8Yv07eIsC6tGcrYGyMybqo comedy The Wake Up Call comedy Katie's Carpal Tunnel The Wake Up Call is a morning radio show based in Sacramento, California, and heard weekday mornings on 106.5 the End. Gavin, Katie, and Intern Kevin wake up every morning to have FUN and be FUNNY, while you start your day. This show has unbelievable chemistry and will keep you laughing all morning! 2024 © 2021 Audacy, Inc. Comedy False https://player.amperwavepodcasting.com?feed-link=https%3A%2F%2Frss.ampe

We're kicking off our Texas Edition of the Green Acres Garden Podcast with one of Texas's favorite gardeners: Destin Noak, The Texas Garden Guy! Destin shares his passion for raised bed gardening with organic practices, the rise of ecological gardening using Texas native plants, and his favorite seed-starting tips.Check out Destin's podcast: The Garden Party Podcast

A husband and wife sit down together to share their full fertility journey - from trying earlier than expected, to three heartbreaking miscarriages, IVF, October 7th, and ultimately, welcoming two beautiful daughters. In this deeply personal conversation, Rabbi Danny and Tamara Stein speak openly about the experience from both perspectives: the pain of loss, the fear of pregnancy after miscarriage, the anxiety of parenting during times of crisis, and the ongoing work of staying connected as a couple. They also reflect on what it means for men to have space to grieve, hope, and believe, and what it's like to navigate infertility and loss while serving as clergy, balancing the role of comforting others with managing their own heartbreak. More about Rabbi Danny Stein: Danny Stein is the rabbi of the Selma and Lawrence Ruben Base UWS, a pluralistic Jewish community for 20s & 30s in New York-based out of his and his wife Tamara's home. He feels passionate about helping folks connect with Judaism in ways meaningful for themselves. After being supported by IWSTHAB amidst his own fertility journey filled with losses and uncertainty, Danny is proud to help change the conversation within Jewish communities. He loves studying Hasidut, eating sushi, and is an overjoyed abbah (father) to their IVF baby. Connect with Rabbi Danny Stein: -Contact his personal Instagram and Upper West Side BASE Instagram More about Tamara Stein (J.D.): Tamara is originally from Sacramento, CA, but has been living on the East Coast and in the Midwest for well over a decade. She moved to the Upper West Side of New York City in 2023 to create Base UWS, a pluralistic, diverse, vibrant Jewish community for 20s and 30s out of her and her husband Danny's home. Tamara is a lawyer who received her J.D. from Suffolk University in Boston, MA. On top of helping to run Base UWS, Tamara currently works full-time as the Deputy Director at Mayday Health, a non-profit that educates folks on medication abortion and how to access it in all 50 states. She is passionate about using her love of policy, law, operations, and strategic thinking to contribute to health equity and access, and feels privileged to have been given the opportunity to merge her passions with a career. Tamara loves (in no particular order): eating sushi, traveling to visit friends and family, trying new workout classes around the city, making challah, arguing about anything and everything, watching The Bachelor, and taking long walks on Shabbat with no destination in mind. Lastly, she is the very proud and grateful mom to her two favorite little kiddos- Ruthie (2) and Avi (almost 1!) Connect with Tamara Stein: -Visit her Instagram -Check out the Upper West Side BASE   Connect with us: -Check out our Website -Follow us on Instagram and send us a message -Watch our TikToks -Follow us on Facebook -Watch us on YouTube -Connect with us on LinkedIn  

The November 13 edition of the AgNet News Hour hit home for farmers across California as hosts Nick Papagni and Josh McGill sat down with Dusty Ference, Executive Director of the Kings County Farm Bureau, to discuss his ongoing lawsuit against the California State Water Resources Control Board. Ference and his team are challenging what they call “unfair and inconsistent enforcement” of the Sustainable Groundwater Management Act (SGMA) — a battle that could reshape how water is managed across the state. Ference explained that the Kings County Farm Bureau filed the lawsuit last year after the Tulare Lake Subbasin was placed on probation by the State Water Board. “We're not fighting SGMA itself,” he said. “We're fighting how the board applied it — selectively, inconsistently, and without transparency.” Initially, the Bureau won a temporary restraining order and injunction preventing the state from requiring groundwater meters and pumping reports. But in October, an appellate court overturned that injunction. Ference said the setback won't stop them. “We've still got a lot of fight left in us,” he said. “We're preparing to take part of the appeal to the California Supreme Court.” The case has already had statewide impact. Ference said that because of their legal challenge, other subbasins have avoided probation or been granted “good actor” status, protecting them from costly state fees. “We're seeing positive results beyond Kings County,” he said. “This fight is for every farmer in California.” Papagni praised the move, calling Ference “a modern-day David taking on the Goliath of Sacramento.” McGill agreed, saying, “This is what we need — people standing up to these unelected boards that make rules without understanding farming.” Ference described the fight as one for fairness and common sense. “If you're going to regulate, do it evenly and transparently,” he said. “We can't comply if the rules keep changing.” He added that the state's heavy-handed approach would devastate rural economies. “They're not going to build recharge projects or incentivize groundwater storage,” he said. “They're just going to cut pumping and leave communities high and dry.” The Kings County Farm Bureau represents growers in Hanford, Lemoore, Corcoran, and Kettleman City, but Ference emphasized that the issue extends far beyond county lines. “Agriculture is a billion-dollar industry here, supporting 15% of our jobs,” he said. “If we can't keep farmers farming, this county turns into a ghost town.” He also highlighted the importance of education, partnerships, and outreach. “We've got to keep kids connected to farming — through 4-H, FFA, and farm days,” he said. “That's how we grow the next generation of ag leaders.” Papagni ended the show by applauding Ference's leadership. “Dusty's the kind of guy California needs — someone who's not afraid to fight for farmers,” he said. “Water isn't just an issue; it's survival.” Listeners interested in supporting the Kings County Farm Bureau's legal efforts can visit kcfb.org or contact their office directly.

 After only 18 months in the laundry business, Craig & Michelle of Monster Laundry in Sacramento have tripled their revenue! Learn how they did it and the hard lessons they learned along the way. In this interview with Dave & Carla of The Laundromat Millionaire Show, they share their retooling mistakes, challenges of working with your partner, and their most successful moves thus far.Referenced Links: Our Guest: Monster Laundry: https://www.monsterlaundry.com/Our Sponsors: H-M Company Drain Troughs: https://www.draintroughs.com & LaundroBoost: https://laundroboostmarketing.comOur Website: https://www.laundromatmillionaire.comOur Online Course: https://dave-menz.mykajabi.com/sales-pageOur Youtube channel: https://youtube.com/c/LaundromatMillionaireOur Podcast: https://laundromatmillionaire.com/podcast/Our Facebook: https://www.facebook.com/laundromatmillionaire/Our Facebook Group: https://www.facebook.com/groups/laundromatmillionaireOur LinkedIn: https://www.linkedin.com/in/dave-laundromat-millionaire-menz/Our Instagram: https://www.instagram.com/laundromatmillionaire/Our laundromats: https://www.queencitylaundry.comOur pick-up and delivery laundry services: https://www.queencitylaundry.com/deliveryOur WDF & Delivery Workshop: https://laundromatmillionaire.com/pick-up-delivery-workshop/Suggested Services Page: https://www.laundromatmillionaire.com/servicesWDF & Delivery Dynamics: A Complete Business Blueprint: https://laundromatmillionaire.com/wdf-delivery-dynamics-a-business-blueprint/The Laundromat Millionaire Insurance Program: https://laundromatmillionaire.com/insurance/Previous episode with Dyna Robotics: https://www.youtube.com/watch?v=wpslRUFa6TgDyna Robotics: https://www.dyna.co/Western States Design – Will Klein distributor: https://www.westernstatedesign.com/Jordan Berry – Laundromat Resource: https://www.laundromatresource.com/Dexter Financial: https://www.dexterfinancial.com/Curbside Laundries Software: https://www.curbsidelaundries.com/Timestamps 00:00 Episode 109 Intro – Craig Taylor & Michelle See01:40 Backstory of meeting Craig03:10 Craig's Journey into the Industry – Due Diligence on Location11:48 Non-Passive Business & Working with Your Spouse15:22 Lease Negotiations & Financing19:16 Changing the Store Layout22:31 Renovating without Fully Closing the Store24:58 Staffing Challenges26:55 Mistakes During First Months30:54 Importance of Branding the Store34:07 Successes Over the First 2 Years39:37 Tripled their Revenue  42:55 Decision to Add Delivery Services44:53 Mission to Impact the Community46:33 Ideas for Children in Small Spaces48:31 Challenges with Homeless Population52:18 Plans for Future Growth of Monster Laundry55:39 Final Thoughts & Contact Information 

Nolan Gray — Senior Director of Legislation and Research at California YIMBY — is in good traffic this week for a discussion on how the state with America's biggest housing problem has become a national leader in reforming the rules of the built environment. California is often treated as both a cautionary tale and a blueprint — derided for its crises yet envied for its innovation. Nolan walks us through California's last decade of housing policy evolution — from failed early bills like SB 827 and SB 50 to seismic wins like SB 79, which legalized mid-rise multifamily housing near transit, and AB 130, which exempted infill housing from certain environmental reviews. He explains how bipartisan coalitions, local data, and a willingness to rethink outdated laws like CEQA have made real change possible.We also touch on: Why density is environmentalism. The cultural paradox of Los Angeles and car dependence. How Sacramento quietly became California's model midsized city. The future of transit funding and infill development. Lessons from working across political divides to make housing work. How storytelling and communication shape real policy progress.Timeline:00:00 The nuance of California.01:15 The contradictions of California's reputation.02:29 Economic powerhouse, housing failure.04:21 Newsom, YIMBYs, and the new momentum.05:20 Nolan Gray.07:23 California's housing crisis explained.08:47 Why families are leaving the state.09:51 The political wake-up call.10:12 Origins of recent SBs.11:33 Early lessons from failed reforms.12:24 The ADU revolution.13:20 Environmental review reform (AB 130).14:17 Construction costs and the next frontier.15:11 Inside the CEQA reform victory.20:02 Rethinking “environmentalism” in housing.22:47 How CEQA became weaponized.24:20 The irony of “greenfield” development.25:40 Real environmentalists vs. procedural ones.26:09 Bridging divides across California.27:37 Exporting the housing crisis inland.28:18 Bipartisan coalitions and shared values.29:28 Property rights and family housing narratives.30:14 SB 79 as a national model.31:14 The transit funding question.32:18 Transit agencies as landowners.33:02 Revenue models for sustainable transit.33:47 Building costs and American inefficiency.34:31 Transit as geometry, not ideology.35:14 The LA paradox.36:08 Car culture as identity.37:23 Angelenos waking up to change.38:38 Sacramento's quiet leadership.45:34 Practical vs. theoretical planning.47:20 UCLA and the civic responsibility of planners.48:06 Donald Shoup's influence.50:33 Communicating policy and nuance.52:24 The gap between research and perception.53:05 Policy storytelling and responsibility.54:16 How to make complexity accessible.55:06 Why housing reform depends on communication.56:22 Wrapping up.For context:Read Nolan's work on Substack.On SB79.On CEQA.California YIMBY.Nolan's book, on zoning.

How has the classical music industry approached representation and how has the new music community forged new paths to embrace diverse musics? On tonight's episode of Obbligato on APEX Express, Isabel Li is joined by violinist Shalini Vijayan, who discusses her vibrant career and reflects upon the ways contemporary classical music can build community.  Violinist Shalini Vijayan, deemed “a vibrant violinist” by Mark Swed of the Los Angeles Times is an established performer and collaborator on both coasts. Always an advocate for modern music, Shalini was a founding member and Principal Second Violin of Kristjan Jarvi's Absolute Ensemble, having recorded several albums with them including 2001 Grammy nominee, Absolution. Shalini was also a founding member of the Lyris Quartet, one of Los Angeles' most beloved chamber ensembles. With Lyris, she has performed regularly at Walt Disney Concert Hall on the Green Umbrella series, for Jacaranda Music and helped to found the Hear Now Music Festival in Venice, California, a festival dedicated to the music of living composers in Los Angeles.  Shalini performed for over a decade with Southwest Chamber Music and can be heard on their Grammy nominated Complete Chamber Works of Carlos Chávez, Vol. 3. She has been a featured soloist with the Los Angeles Master Chorale in Chinary Ung's Spiral XII and Tan Dun's Water Passion, including performances at the Ravinia Festival. As a chamber musician, Shalini has collaborated with such luminaries as Billy Childs, Chinary Ung, Gabriela Ortiz, and Wadada Leo Smith on whose Ten Freedom Summers she was a soloist. Shalini joined acclaimed LA ensemble, Brightwork New Music in 2019 and also serves as the curator for Brightwork's Tuesdays@Monkspace series, a home for contemporary music and performance in Los Angeles. As a teacher, she has been on the faculty of the Nirmita Composers Workshop in both Siem Reap and Bangkok and coaches composition students through the Impulse New Music Festival.  Shalini received her B.M. and M.M. degrees from Manhattan School of Music as a student of Lucie Robert and Ariana Bronne. As a member of the New World Symphony in Miami Beach, Florida, Shalini served as concertmaster for Michael Tilson Thomas, John Adams, Reinbert de Leeuw and Oliver Knussen. She was also concertmaster for the world premiere performances and recording of Steven Mackey's Tuck and Roll for RCA records in 2000. Shalini was a member of the Pacific Symphony Orchestra for ten seasons and also served as Principal Second Violin of Opera Pacific. She lives in Los Angeles with her son, husband and two dogs and spends her free time cooking Indian food and exploring the culinary landscape of Southern California.  Check out more of her work at:  https://brightworknewmusic.com/tuesdays-at-monk-space/  https://www.lyrisquartet.com/    Transcript  Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the APEX Express.    00:01:03 Isabel Li  You're listening to Obbligato, which is a segment about the Asian American Pacific Islander community, specifically in classical music.  00:01:11 Isabel Li  I'm your host, Isabel Li, and today joining me is Shalini Vijayan, who is a violinist, established performer, and always an advocate for modern music.  00:01:21 Isabel Li  Shalini is also a founding member of the Lyris Quartet, one of Los Angeles most beloved chamber ensembles. With Lyris, she has performed regularly at Walt Disney Concert Hall on the Green Umbrella series for Jacaranda Music, and helped to found the Here and Now Music Festival in Venice, California, a festival dedicated to the music of living composers in Los Angeles. She joined acclaimed LA ensemble Brightwork New Music in 2019, and also serves as the curator for Brightwork's Tuesdays at Monk Space series. She currently lives in Los Angeles with her son, husband and two dogs, and spends her free time cooking Indian food and exploring the culinary landscape of Southern California.  00:02:04 Isabel Li  Well, Shalini, thank you so much for joining me in this conversation today.  00:02:09 Shalini Vijayan  I'm so happy to be with you.  00:02:11 Isabel Li  Awesome. I'd like to just get to know you and your story. How do you identify and what communities do you consider yourself a part of?  00:02:18 Shalini Vijayan  I use the pronouns she, her, and I. Um, I identify as South Asian. I grew up in an Indian family. My parents immigrated to the US in the sixties to teach at medical school. And I grew up with a great deal of Indian culture. And I've spent a lot of time going back and forth to India from the time that I was very young. You know, it's interesting because I feel like in LA, where I live and work specifically, there is so much overlap between all of our different musical communities. You know, I went to school in New York, and I feel like there I was much more, I'm very connected to the new music community in New York and felt really kind of entrenched in that at the time I was there. And after coming to LA, I realized that, um, there are a lot of musicians doing so many different things. That's one of the things I love about Los Angeles, actually. And, you know, I'm definitely very, very rooted in the new music community in LA. And that was where I made my first sort of connections when I first moved to Los Angeles. But I also, you know, worked in an orchestra when I first came to LA. I played in the Pacific Symphony for almost ten seasons, and so I became a part of that community as well. And you know, as the years went on, I also became much more involved in the studio music community of LA studio musicians playing on movie scores, playing on television shows, records, what have you, Awards shows, all sorts of things. And these are all very distinct communities in LA in music. But I see a ton of overlap between all of them. There are so many incredibly versatile musicians in Los Angeles that people are able to really very easily move from one of these groups to the other and, you know, with a great deal of success. And I feel like it gives us so much variety in our lives as musicians in LA, you don't feel like you're ever just in one lane. You can really occupy all these different kinds of spaces.  00:04:23 Isabel Li  Right, yeah. So you're classically trained, from what I know, and you describe yourself as an advocate for modern music. So why modern music?  00:04:33 Shalini Vijayan  That's a great question. I have have had to answer this question quite a bit over the years, especially to non-musicians. And it's always an interesting story for me. You know, as a violinist in particular, you know, we have such a storied history of repertoire and pedagogy, and there is such an incredible, um, library of music that we have access to from the very standard classical repertoire. And there is a great deal to be learned about the instrument and about music from playing all that repertoire. I think at some point when I was in high school, I started to become interested in more modern music. And actually I grew up in Davis in Northern California.   My parents both taught at the university there, at the medical school and in Sacramento. Nearby there was a festival of modern American music that I think still goes on to this day at Cal State University, Sacramento. And it was really a great festival. And at that time, you know, they would bring professional artists, they'd have composers, they'd have commissions, all sorts of things. But at the time that I was like in high school, they also had a junior division to the festival, and I was asked to play a couple pieces in the Festival of, um, Modern Works, and I can't remember at this time what the pieces were, but it left such a huge impression on me. And I think what I really took away from that experience as a kid is that in my studies as a violinist, I was always being asked to sort of live up to this history and this legacy of violin music and violin playing in Western classical music. And it's a very high bar. And it's, um, you know, of course, there's so much great stuff there. But there was something so freeing about playing this music that had either never been played or not been recorded. So there was nothing to reference in terms of listening to a recording, um, and listening to how you, you know, quote, should be playing it that it made me feel, uh, you know, all this, this freedom to really interpret the music, how I felt, rather than feeling like I had to live up to a standard that had been set for me, you know, decades or centuries before. And I think that really something really clicked for me with that, that I wanted to have that kind of freedom when I, when I was playing. And so from there on out, um, you know, when I went to college and I really sought out opportunities in new music as much as I could.  00:07:00 Isabel Li  So you were first exposed to new music when you were in high school. Did that influence your decision to become a musician at all? Or were you already set on becoming a musician and that was just part of what shaped your works over the years.  00:07:15 Shalini Vijayan  I think by that time, I had already decided that I wanted to be a musician. I mean, as you know, so many of us as musicians and I think particularly string players, we decide so young because we start our instruments at such a young age and we start studying so early. Um, that I think by that time I, I had decided I wanted to do music, but this sort of opened another door for me that made me realize that it wasn't just one path in music necessarily. I think it's very easy as a, as a kid and as a violinist to think you admire these great soloists that you see and, you know, people like Perlman and, you know, Isaac Stern, who were the stars of the time when I was growing up. But, you know, you get to be in high school and you realize that hasn't happened yet. It's probably not going to happen. And so, you know, what's then then what's your path forward? How do you find a life in music if you're not going to be one of these stars? And I think, you know, new music really opened up that opportunity for me. And yeah, made me look at things a little differently for sure.  00:08:18 Isabel Li  And currently you're in the contemporary classical music ensemble, Brightwork newmusic, and you curate the ensemble's concert series, Tuesdays @ Monk Space. So how do you go about curating concerts with music by contemporary or living composers? What do you look for?  00:08:33 Shalini Vijayan  Well, right now I'm really focused on trying to represent our new music community in LA at Monk Space, which is such, you know, we have such a diverse community of musicians, not just in the makeup of who the people are making the music or writing the music, but also in just the styles of music. And so I think I try to really represent a very diverse set of aesthetics in our season. Um, you know, everything from, you know, last season we had, uh, Niloufar Shiri, who is a traditional Persian kamancheh player, but she also she can play very in a very traditional way, but she also plays with a jazz pianist. And, you know, it does all this very improvisatory stuff. And, you know, then we would have other programs where everything is very much written out and very through, composed and you know, it's been a very wide variety. And, you know, when I try to build the season, I try to make sure that it's really balanced in terms of, you know, the different types of things you'll be hearing because not every audience member is going to want to engage with every type of music. Um, or, you know, if we if we really stuck to one style and it was just in that language for the whole season, then I feel like we would, you know, alienate potential audience members. But with this, I feel like if we can bring people in for one concert and they're really into it, then hopefully they'll come to something else that is new and different for them and be exposed to something that they may really get into after that. So yeah, I think diversity and variety is really where I try to start from.  00:10:09 Isabel Li  How does that engage the community? Have you observed audience reception to this type of new music when there are composers from all different types of backgrounds?  00:10:20 Shalini Vijayan  Yeah, definitely. I mean, I think that each composer and each artist brings their own community into the space, which and so that's another. I feel like another strong reason why I try to make things very different from concert to concert. And, you know, we have some younger players who come in and bring in, you know, everyone from college students to, you know, their friends and family. And then, you know, really established composers. Like this season we have Bill Roper, who is kind of a legend in the music community in LA. Mult instrumentalist and composer who has been around for decades. And, you know, I think people will come out just because they want to see him and he's such a draw. And, um, you know, I, I also would love to be able to incorporate more world music into the series. Like I said, we did do Niloufar concert, which I felt like I really hoped would like engage with the Persian community in LA as well. And a couple seasons ago we had Rajna Swaminathan, who is, I just think, an incredible artist. Um, she plays mridangam, which is a South Indian percussion instrument, but she also writes for Western instruments, uh, and herself. And we had her and a pianist and then Ganavya, who's a vocalist who's amazing. And, you know, Ganavya had her own following. So we had and Rajna has her own following. So we had a whole full audience that night of people who I had never seen in the space before. And that was for me. That's a success because we're bringing in new friends and new engagement. And, um, I was really excited about that. When I'm able to make those kinds of connections with new people, then that feels like a success to me.  00:12:05 Isabel Li  Certainly.  00:12:06 Isabel Li  Let's hear one of Shalini's performances. This is an excerpt from the 10th of William Kraft's “Encounters”, a duologue for violin and marimba, performed here by Shalini Vijayan with Southwest Chamber Music.  00:12:20 [MUSIC – Encounters X: Duologue for Violin & Marimba]  00:17:18 Isabel Li  An excerpt from William Kraft's Encounters, the 10th of which is called Duologue for Violin and Marimba, that was performed by Shalini Vijayan, the violinist, with Southwest Chamber Music.  00:17:31 Isabel Li  And Shalini is here with me in conversation today. We've been discussing contemporary music and her involvement in the new music scene, specifically in Los Angeles.  00:17:40 Isabel Li  Music is all about community, drawing people together. So going back to how you describe yourself as an advocate for modern music, what are other ways that you have advocated for modern music besides curating the concert series?  00:17:53 Shalini Vijayan  Well, over the years, um, you know, I feel like in all the ensembles I've been in, there's been a real focus on commissioning composers and on performing works that have not been, uh, either performed or recorded before. And I feel like the only way to really get the music out there is to, obviously, is to play it and hopefully to be able to record it. We've worked especially with the lyrics quartet. We've worked with so many young composers in LA either just strictly, you know, contemporary classical composers or even film composers who, um, have works that they'd like to have recorded. And, you know, it's been great to see a lot of those people go on to really amazing things and to be a part of their journey, uh, and to help support them. And, uh, the other thing that the quartet has been heavily involved in and now Bright Work Ensemble has been involved in as well, is the Here Now music festival, which has been going on in LA for well over a decade now. We were involved in the first, um, seasons of that festival. We've been one of the resident ensembles since the very beginning, and that festival is dedicated to the music of LA and Southern California composers. And, um, we have a call for scores every year that we, the four of us in the quartet, are part of the panel that reviews all the scores, along with a lot of our other colleagues, um, who are involved with the festival, and Hugh Levick, who is the artistic director of the festival and has we've worked side by side with him on this for a very long time. And that's also been a fantastic avenue for, um, meeting new composers, hearing new works, having them performed. And the thing I always say about that festival every time it comes around, usually in the spring we have at least three concerts. It's this incredible coming together of the new music community in Southern California, where all these great composers and all these amazing players come together and play these series of concerts, because there's such a vast number of pieces that end up getting programmed. They can't rely on just like one group or one or two groups to play them. So it really pulls in a lot of players from all over town. And I don't know, it always just feels like a really fun time, a fun weekend for all of us to see each other and connect. And, um, and again, just build our community to be even stronger.  00:20:20 Isabel Li  That's really cool. How do you ignite interest in new music? Because this is a genre that I think is slightly underrepresented or just underrepresented in general in both the classical music community and the music industry as a whole.  00:20:35 Shalini Vijayan  That's a great question, and I think it's a really important question for our whole industry and community. How do you engage people in new music and get them into a concert? Um, you know, I think one of the biggest hurdles for classical music in general, I will say, um, when I talk to people about why they don't want to come to a concert or why they don't want to, you know, let's say, go see the LA Phil or, you know, wherever, whatever city they're in, the major cultural music institution. I think there is a misconception generally that, oh, it's, you know, I have to be dressed a certain way or I it's going to be really stuffy. And, um, I, you know, I don't know what to wear or I don't know how I'm supposed to dress or how I'm supposed to act when I'm in the concert. Am I going to clap at the wrong time? You know, is it going to be really long? And, you know, and I and I get it, you know, I mean, I understand why that would be uncomfortable for a lot of people.   And it's not, um, it's something that necessarily everyone has grown up with or that it's been a part of their life. So I think it's really up to us, as you know, when we're on the side of programming concerts or putting together festivals or whatever, um, that we make things more accessible in terms of, um, concert length and interaction with audience. And, um, you know, I think it's I know I've been told so many times and I really think it's important that I think audiences love it when performers talk to them, when they talk about the music and, and set things up for a listener. I think that puts a kind of context on things that makes it so much easier for perhaps a new audience member, someone who's never come to a concert before to feel at ease and feel like, okay, I know what I'm getting into.   One of our, actually our former executive director at Brightwork, Sarah Wass, who was fantastic, and I was very happy to work with when I was just starting out programming, Monk Space had the idea of putting on the program the running time of the pieces, and I think even that is just something that, like, can prepare people for what they're getting into when they're about to listen to something new. And in terms of the music itself, I think that if someone, especially a younger person, doesn't feel like they have any connection to Beethoven or Brahms or Mozart, they might actually feel more connected to someone who is their age or a little older.   Someone who has had similar life experiences to them, or grown up in the same era as them, rather than someone who grew up, you know, in the seventeen hundreds. You know, there can be more of a real connection there, and that that person is writing this music and reflection of their life and their experiences. And, um, you know, again, I think that kind of context is important for a listener. And yeah. And then just lastly, I would say also, I feel like our space at Monk space is very inviting. It's very low key. It's, um, you know, it's casual, it's comfortable. Role. Um, we have, you know, snacks and a bar and, you know, everyone is very relaxed at intermission and has a good time. And I mean, for me, every time we host one of those concerts, I feel like I'm hosting a little party, you know? That's what it feels like for me. And that's what I want it to feel like for the audience as well.  00:23:52 Isabel Li  That brings up a really good point in that new music can make classical music or a new classical music, contemporary music, more accessible to different audiences. And certainly I've definitely heard the complaint from people over the years about classical music being a little too uptight. Would you say that these are two different genres?  00:24:11 Shalini Vijayan  I think that there is overlap, and I think, you know, for an ensemble like ours, like Brightwork, we have chosen to make our focus new music. So that's our thing. That's what we do. Um, and, uh, all of our concerts and our programming reflect that. Very rarely do we do anything that's not considered a contemporary piece. Um, but, you know, if you do look at some of our major institutions, like I think the LA Phil and I think the San Francisco Symphony, um, earlier, you know, like in the nineties under MTT, really started to pave the way for incorporating contemporary music into a standard classical format. And, you know, I think that's been very important. And I think it's really changed the way that orchestras have programmed across the country. And there has been such a nurturing of contemporary music in larger spaces. Now that I think that kind of overlap has started to happen much more frequently. I think that in more conservative settings, sometimes there's pushback against that. And even even, you know, in some of the places that I play, you know, sometimes with with the lyrics quartet, um, we are asked to just purely program standard classical repertoire, and we will occasionally throw in a little short piece, you know, just to try and put something in there, you know, something that's very accessible. Um, and, uh, you know that we know the audience will like so that we can help them, you know, kind of get over that fear of connecting to a newer piece. And I, I think in some ways, that's where the path forward lies, is that we have to integrate those things, you know, in order to keep kind of the old traditions of classical music alive. I think we have to keep the newer tradition alive as well, and find a way to put them in the same space.  00:26:00 Isabel Li  I certainly agree with that.  00:26:01 Isabel Li  Let's hear more of Shalini's work in new music. This is a performance of the first movement of Atlas Pumas by Gabriela Ortiz. Violinist Shalini Vijayan is joined by percussionist Lynn Vartan.  00:26:18 [MUSIC – Atlas Pumas, mvt 1 by Gabriela Ortiz]  00:29:21 Isabel Li  The first movement of Gabriela Ortiz's Atlas Pumas played here by violinist Shalini Vijian, and Lynn Vartan plays the marimba.  00:29:30 Isabel Li  And Shalini is actually joining us here for a conversation about new music, performances, identity, and representation.  00:29:38 Isabel Li  Many Asian American Pacific Islander artists in music have varying relationships between their art and their identity. I was wondering, to what extent do you feel that perhaps your South Asian identity intersects or influences the work that you do with music?  00:29:54 Shalini Vijayan  Growing up, um, you know, I grew up in a in a university town in Northern California and, you know, a lot of highly educated and, you know, kids of professors and, you know, but still not the most terribly diverse place. And then going into classical music. And this was, you know, in the early nineties when I went to college, um, it still was not a particularly it was very much not a diverse place at all. And, um, there certainly were a lot of Asian students at, um, Manhattan School of Music where I did my my studies.   But I would say it was a solid decade before I was ever in any sort of classical music situation where there was another South Asian musician. I very, very rarely met any South Asian musicians, and it wasn't until I went to the New World Symphony in the early late nineties, early two thousand, and I was a musician there. I was a fellow in that program there for three years that I walked into the first rehearsal, and there were three other South Asian, I think, of Indian descent musicians in the orchestra, and I was absolutely blown away because I literally had not, um, other than here and there at some festivals, I had not met any other South Asian classical musicians.   So it was really like that was the hallmark moment for me. It was a really big deal. And coming with my family, coming from India, you know, there is such a strong tradition of Indian classical music, of Carnatic music and Hindustani music. And, um, it's such a long, long tradition. And, you know, the people who have studied it and lived with it are, you know, they study it their whole lives to be proficient in it. And it's such an incredible, incredible art form and something that I admire so much. And I did as a kid. Take a few lessons here and there. I took some Carnatic singing lessons, um, and a little bit of tabla lessons when I was very young. Um, but I think somewhere in middle school or high school, I kind of realized that it was, for me at least, I wasn't, um, able to put enough time into both because both of them, you know, playing the violin in a Western classical style and then studying Indian classical music require a tremendous amount of effort and a tremendous amount of study. And I at that point chose to go with Western classical music, because that's what I'd been doing since I was five years old. But there has always kind of been this longing for me to be more connected to Indian classical music. Um, I'll go back again to Rajna. When I presented Rajna Swaminathan on Monk Space a couple of years ago, it was a really meaningful thing for me, because that's kind of what I'd always wanted to see was a joining together of that tradition, the Indian tradition with the Western tradition. And, um, I'm so happy that I'm starting to see that more and more with a lot of the artists that are coming up now. But at the time when I was young, it just it felt almost insurmountable that to to find a way to bring the two together. And, um, I remember very clearly as a kid listening to this, um, there was an album that Philip Glass did with Ravi Shankar, and I thought that was so cool at the time. And I used to listen to it over and over again because I just again, I was so amazed that these things could come together and in a, in a kind of successful way. Um, but yeah, there is, you know, there there's a part of me that would still love to go back and explore that more that, that side of it. Um, and but I will say also, I'm very happy now to see a lot more South Asian faces when I, you know, go to concerts on stage and in the audience. And, you know, a lot of composers that I've worked with now, um, of South Asian descent, it's been, you know, I've worked with Reena Esmail and Anuj Bhutani and Rajna and, um, there's so many more, and I'm so glad to see how they're all incorporating their connection to their culture to, to this, you know, Western kind of format of classical music. And they're all doing it in different ways. And it's it's really amazing.  00:34:22 Isabel Li  That's fantastic.  00:34:24 Isabel Li  I was wondering if you could maybe describe what this merging or combination of different styles entails. Do you think this makes it more accessible to audiences of two different cultures?  00:34:36 Shalini Vijayan  For me, one example, before I started running the series at Tuesdays at Monk Space, Aron Kallay, who is our Bright Work artistic director, had asked me to come and do a solo show on Monk Space, which I did in November of 2019.  00:34:52 Shalini Vijayan  And at the time, I wanted to commission a piece that did exactly that, that, that, um, involved some sort of Indian classical instrument or kind of the language of Indian classical music. And so I actually did reach out to Reena Esmail, and she wrote me a very cool piece called blaze that was for tabla and violin. Um, and I really had so much fun doing that. And Reena, Reena really has a very fluid way of writing for the violin, which she actually was a violinist, too. So she's she's really good at doing that. But being able to write for any melodic instrument or for the voice, which she does quite a bit as well, and incorporating sort of the tonality of Indian classical music, which obviously has its own scales and, um, has its own harmonic, harmonic world that is different from the Western world, um, but finds a way to translate that into the written note notation that we require as, uh, Western classical musicians. And, you know, I think that's the biggest gap to bridge, is that in Indian classical music, nothing is notated. Everything is handed down in an oral tradition, um, over the generations. And for us, everything is notated. And in Indian classical music, you know, there's much more improvisation. And now, of course, with modern classical music, there now is a lot more improvisation involved. But in our old standard tradition, obviously there isn't. And in the way that we're trained, mostly we're not trained to be improvisers. And um, so it's it was great. She has a great way of writing so that it kind of sounds like things are being tossed off and sounding sounds like they're being improvised, but they are actually fully notated, um, which I really appreciated.  00:36:50 Isabel Li  Yeah.  00:36:51 Isabel Li  So your career has spanned orchestras, recording ensembles, chamber music. Having had so much experience in these types of performance, what does representation in classical music mean to you?  00:37:04 Shalini Vijayan  Well, representation is is very important because we're talking about a tradition that was built on white men from centuries ago, European white men. And and it's again, it's an incredible tradition and there's so much great repertoire. But I'm going to circle back to what you were saying or what you asked me about connecting to audiences and, you know, connecting to audiences with new music. It's I think people like to see themselves reflected in the art that they choose. They choose to consume. And, you know, whether that's movies or television or music, I think that's how you connect with your audience is by being a bit of a mirror.  I think the only way that we can really continue to connect with a diverse audience is by having that type of diverse representation on our stages and on our recordings. And again, also not just the people, but the types of music, too. You know, musical tastes run wide, genres run wide as well. And it's I think It's good for all of us to be exposed to a lot of different kinds of music, to figure out what we connect with the most. And, um, yeah, the only way we can do that is by really, you know, opening our arms to a, a much wider variety of styles of music. And so I, you know, I mentioned improvisation, improvisation earlier. And I think that is something that's now starting to happen so much more in modern classical music. And, you know, I think there's something about the energy that a player has when they're improvising that is maybe not something that an audience member could quantify verbally, but there's a looseness and a freedom there that I think, you know, for a lot of audience members, they probably really can connect to. And, you know, that's a lot of why people go and listen to jazz is because there's so much freedom and there's so much improvisation.   I've been very lucky to be able to work with, um, Wadada Leo Smith, who's a trumpet player and composer. I've worked with him for probably almost ten years now. And um, through Wadada, actually, I have learned to become much more comfortable with improvising on stage and not within a jazz language of any kind or any kind of harmonic structure necessarily, but within the language of his music, which is very unique and very open and very free and, um, but also has a really strong core in its connection to history. And, um, you know, he's written a lot of amazing works about the civil rights movement and about a lot of, you know, important moments in history for our country. And, um, that's been a real learning experience for me to connect with him in that, in that way and learn from him and learn to be more comfortable with improvisation. Because I think growing up, improvisation for me always meant jazz, and that was not a language I was comfortable in. And um, or even, you know, jazz or rock music or folk music or whatever, you know, it was just not something that came naturally to me as a kid to, I mean, I listened to all of it. I listened to everything when I was a kid, but I never played in any of those styles. And I think the older you get, the scarier it gets to start branching out in those ways. But, um, I think, uh, that's been a an incredible, like, new branch of my life in the last decade has been working with Wadada.  [MUSIC – “Dred Scott, 1857,” from Ten Freedom Summers, by Wadada Leo Smith]  00:42:23 Isabel Li  An excerpt of Wadada Leo Smith's music to give you a sense of the jazz influences in these types of contemporary new music pieces that also touch on pieces of history. This was an excerpt from his album, Ten Freedom Summers, which also consists of compositions based on pieces of American history. For example, what we just heard was from a piece called Dred Scott, 1857.  00:42:49 Isabel Li  Now that I realize that we've been having a conversation about new music, I realize that, hmm, when does new music really start? So if you take a look at maybe music history, when does new music really become new music?  00:43:07 Shalini Vijayan  I guess it depends on who you ask, probably. Um, it's it's pretty recent. You know, it has to be really legitimately pretty new. And, um, again, you know, if you ask an audience member, um, and I think of some of my friends or family who are maybe who are not musicians who come to concerts, and I'm always so interested in talking to them and hearing their opinions about things. Um, you know, they will listen to Bartok and say, oh, that sounds like new music to me. But, you know, Bartok, Bartok passed away a long time ago, and it's, you know, and for me, that's more like canon now. You know, that's like now for me, part of the the standard repertoire. But there was a time when Bartok was new music. And I think for, you know, maybe the listeners who are more comfortable with the very diatonic, you know, world of Beethoven, Brahms, Mozart, then something like Bartok really does sound so modern for me. Boy, maybe around the time that minimalism started, you know, John Adams and Steve Reich, Terry Riley, Philip Glass, all of that for me feels like maybe that's the older like the The edge of new music now even though that was that would be the eighties, probably seventies 80s, you know, but that we're talking about like, you know, fifty years ago. So yeah, I mean, it's not that new, but those are all still living composers. So maybe, maybe that's part of what it is for me is that it's the composers of our era, the composers who are alive, who we can communicate with and ask questions of. And, um, you know, at the very least, if you can't talk to John Adams, you can talk to somebody who has worked directly with him and get their impressions of how something should be played, um, as opposed to composers who have been gone for hundreds of years. And you can't have that level of communication with them. I think that, for me is what new music, new music is about. It's about working with living composers and, um, having that type of interaction.  00:45:15 Isabel Li  Yeah. So would the word or the phrase contemporary classical music, be a little oxymoronic in a sense?  00:45:26 Shalini Vijayan  No, I don't think so. I think it's still part of the same tradition. Um, yeah. I really do think it is, because I think there is a lineage there. Um, for a lot of composers, not all of them, um, that I mean, I think particularly if you're writing for, let's say, an orchestra or a string quartet or sort of one of these very standard classical ensembles. Um, even if you're writing in a very new language and you're writing in a very different way, I think there is still a through line to the canon of classical music. I guess for me, new music and classical music are not mutually exclusive. I think they can be the same. So I don't I don't think they're totally different. I think that there is a lot of a lot of overlap.  00:46:16 Isabel Li  For sure, considering how new music fits into the classical music or the classical music industry as a whole. Have you noticed any sorts of shifts in the classical music industry in the past several decades in regards to diversity, equity, inclusion? And have you just noticed any changes?  00:46:35 Shalini Vijayan  I have noticed some changes. I mean, I think that most organizations in this country are making an effort to be more inclusive in their programming now. And, um, you know, another another South Asian composer who I just think is fantastic is Nina Shekhar. And, um, she has had pieces played by the New York Phil for the last couple seasons. I mean, you know, so on on major, major stages, I feel like now I'm seeing more representation and that is definitely Encouraging and, um, you know, uh, same for Anuj and Rajna and Reena. They've all, you know, had their works done by major ensembles. And, um, I think I think there is definitely movement in that direction, for sure. I think it could always be more.   I think also for women and women composers, women performers, I think that has also always been a struggle to find enough representation of women composers and you know, especially if like as I mentioned before, when you're in a situation where an organization asks you to program a concert, like, let's say, for our quartet and wants much more standard repertoire than it does limit you, you know, how because there isn't much from the older canon. You know, there is. You know, there's Fanny Mendelssohn and Clara Schumann and, um, you know, I think in the last five to ten years they've both been played a lot more, which is great. But, you know, I think, uh, there's so many amazing female composers right now that I think are starting to get much more recognition. And I think that just needs to be more, more and more, um, but, uh, you know, that is why, again, like on those programs, sometimes we try to just sneak one modern piece in because it's important for those voices to be heard as well. But yes, I do see some forward movement in that direction with, um, classical programming. And, you know, you just have to hope that the intent is always genuine in those situations. And I think, um, you know, I think that's the most important thing. And giving a platform to those voices is really important.  00:48:59 Isabel Li  How would you go about arts advocacy during this current time when, well, the arts are being defunded and devalued by our current administration and how everything is going on right now?  00:49:10 Shalini Vijayan  Yeah, it's really, really difficult right now. And, um, you know, I think a lot of arts organizations are losing a lot of government funding. Obviously, I know of a couple projects that lost their NEA funding because of DEI, and which is so disheartening. And, um, I think, you know, there's going to be a lot of leaning on private donors to try and, uh, make up that difference or, you know, private foundations to make up the difference in funding, hopefully. And, um, uh, you know, it's yeah, it's scary. It's  a scary time. And I think, you know, even for private funding and, um, private donors, it's, you know, everyone is feeling stressed and feeling concerned about our future right now, just as a country. and there's so much uncertainty. And, um, but I think people who really rely on the arts for all the things that it can provide, you know, an escape and pleasure and, you know, stimulation of a different kind. And especially in a time like this, when you want to be able to get away from maybe what's going on around you, you know, I'm hoping we can find a way to really come together and, um, kind of, you know, rally around each other and find a way to support each other. But, um, I think it is going to be hard for the next few years if we can't find ways to replace that funding that so many people have lost. And I certainly don't think that anyone wants to back away from the progress that's been made with inclusion and representation, you know, just to get funding. So I know we have to be very creative with our path ahead and find a way to, to keep doing what we're doing in this current environment.  00:51:07 Isabel Li  Yeah, on a brighter note, I read about your work with Lyris Quartet earlier this year when you presented a concert with Melodia Mariposa called Altadena Strong with the Lyris Quartet, raising funds for those who have been affected by the LA fires. Can you talk a bit about the power of music? And we're going to end on a stronger note here about the power of music in bringing communities together and accelerating community healing.  00:51:31 Shalini Vijayan  Well, I have to say that concert was really a special one for us. You know, um, so many musicians were affected by the fires in LA. And, you know, I, I've lived in LA for over twenty years now, almost twenty five years and, um, certainly seen my share of wildfires and disasters, but this one hit so much more close to home than any of the other ones have. And, you know, I know at least twenty five people who lost their homes in between the Palisades and Altadena and Altadena in particular.   When I moved to LA, it was a place where a lot of musicians were moving to because you could it was cheaper and you could get a lot of space, and it's beautiful. And, you know, they really built a beautiful community there among all the musicians out there. And it's just heartbreaking, um, to see how many of them have lost everything. And I have to say, Irina Voloshina, who is the woman who runs Melodia Mariposa, and just an amazing violinist and an amazing, wonderful, warm, generous person. You know, she started that series in her driveway during COVID as a way to just keep music going during the pandemic, and it really turned into something so great. And she's, you know, got a whole organization with her now and puts on multiple concerts a year. And when she asked us if we would play that concert for the community in Altadena is, you know, there's no question that we were going to do it. I mean, we absolutely jumped at the chance to support her and support the organization and that community. And people really came out for that concert and were so excited to be there and were so warm and, um, you know, and and she talked to the crowd and really connected with everybody on a very personal level, because she also lost her home in Altadena and, um, you know, it was it was a really meaningful show for all of us. And again, those are the moments where you realize that you can use this art to really connect with people that you may have never met before and show your your love for them, you know, through music, as corny as that may sound, but it's true.  00:53:54 Isabel Li  Yeah, definitely. Well, thank you so much, Shalini, for sharing your visions, your knowledge with new music and community building with us today. Thank you so much for being on Obbligato.  00:54:07 Shalini Vijayan  Thank you so much for having me, Isabel. It was really a pleasure.  00:54:10 Isabel Li  What a wonderful conversation that was with LA-based violinist Shalini Vijayan. If you go to kpfa.org, you can check out more of her work. I put the links to two of her ensembles, Brightwork New Music and Lyris Quartet up on kpfa.org. And thank you for listening to our conversation here on Obbligato on Apex Express.  00:54:32 Isabel Li  We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world. Your voices are important.  00:54:42 Isabel Li  APEX Express is produced by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, and Cheryl Truong. Tonight's show was produced by Isabel Li. Thanks to the team at KPFA for their support. Have a great night.  [OUTRO MUSIC]  The post APEX Express – 11.13.25 – Obbligato with Violinist Shalini Vijayan appeared first on KPFA.

On the latest episode of Pickaxe and Roll, Ryan Blackburn breaks down the Denver Nuggets win in Sacramento last night and the Nikola Jokic and Jamal Murray performances. He also discusses the bench stepping up (again) as well as the back-to-back tonight against the Los Angeles Clippers. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

FunDelivered 1 11-12-25 full 258 Wed, 12 Nov 2025 18:07:19 +0000 9PXtvYMX6RsjJRz8wO58tkyRzchnbiYs comedy The Wake Up Call comedy FunDelivered 1 11-12-25 The Wake Up Call is a morning radio show based in Sacramento, California, and heard weekday mornings on 106.5 the End. Gavin, Katie, and Intern Kevin wake up every morning to have FUN and be FUNNY, while you start your day. This show has unbelievable chemistry and will keep you laughing all morning! 2024 © 2021 Audacy, Inc. Comedy False https://player.amperwavepodcasting.com?feed-link=https%3A%2F%2Frss.am

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The world's okayest morning radio show offers you the entire broadcast from today with none of the music and limited commercials. Try to enjoy!

Cupid came in the form of a UPS driver and delivered love in the mail room. That's how it all began for John and Jaqueline Brown. A chance encounter sparked 28+ years of love, learning, submission, triumph, and tragedy. Snooks and Lovey sit down with a couple that explains what it means to have a "No Back Door" policy and how they inspired each other to dream deeply, believe in one another, and dare to fail and achieve. If you are ready to take your marriage or relationship to the next level, this is the interview for you. Be prepared to learn how to: 1) Be The CEO Of YOU! (Jacqueline's newly released book) 2) Embrace the "Total Success System""  #totalsuccesssystem #businessgrowth #marriageadvice #marriedlife #marriedpreneur #marriedintocrazy  Get your tickets to the 2026 Married Into Crazy Winter Ball & Marriage Conference in Sacramento, CA on February 6 - 7, 2026. https://marriedintocrazy.ticketlocity.com/events/131874

The Great Debate Series: Best Boxing Movie I Doug Christie introduces himself to the Sacramento media I Perloff is not defending the Luka trade!

We respond to specific colors in the same way we respond to specific life experiences. Being receptive to the full spectrum of light, we embrace the full spectrum of life. The constant current of information by technology interrupts the flow of life. We must always remember our universal need for connection with each other and the world we live in. Spiritual Life Center is an Interfaith, Unity community located in Sacramento, California for spiritual seekers and life explorers. We honor the many paths to God and support people of all faiths in learning and applying positive spiritual principles in their daily lives. Follow SLC on Instagram @spiritual.life.center and on Facebook at facebook.com/SpiritualLifeCenter.

Following his big Prop 50 win last week, Governor Gavin Newsom hit the road, denouncing the Democrats' deal to end the federal shutdown, accepting the thanks of worshipful Democrats in Houston, and appearing as the highest-ranking American representative at the U.N.'s climate talks in Brazil. In other news, Golden State Warriors coach Steve Kerr and OpenAI's Sam Altman say they feel bad about making so much money, Santa Barbara County officials stand bravely athwart common sense and yell stop, and a federal judge orders AG Rob Bonta to explain himself on the state's policies regarding gender fluidity in California schools. On this day in history, we remember the Rickenbackers of California -- the World War I flying ace and his guitar-making cousin. Music by Metalachi.Email Us:dbahnsen@thebahnsengroup.comwill@calpolicycenter.orgFollow Us:@DavidBahnsen@WillSwaim@TheRadioFreeCAShow Notes:Newsom, Eyeing 2028, Tries to Mess With Texas: ‘Don't Poke the Bear'Newsom blasts shutdown deal‘China gets it. America is toast,' Newsom warns, blasting US climate driftNewsom in Brazil Blasts Trump, Praises ChinaSable's no good, very bad weekOpenAI's Sam Altman defends Bay Area billionaire when grilled over wealth gapOpenAI is asking for the federal government to help power a massive expansion of its data center networkJudge Orders California Education Officials to Explain Why They Shouldn't Be SanctionedSacramento: Charter school renewal denied by Sacramento school district. What comes next? Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

45 years ago, a Sacramento woman founded Mothers Against Drunk Driving after her 13-year-old daughter was struck and killed in Fair Oaks. MADD would go on to advocate for some of the nation's toughest DUI laws in the 1980s. But a new investigation from our California newsroom partner CalMatters found our home state now has some of the weakest DUI laws in the country, and that's led to a spike in alcohol-related roadway deaths. Guest: Robert Lewis, CalMatters California has filed a request for a temporary restraining order against the Trump administration, over its attempts to stop states from giving out SNAP benefits. Reporter: Carly Severn, KQED Learn more about your ad choices. Visit megaphone.fm/adchoices

When President Reagan nominated Anthony Kennedy to the U.S. Supreme Court in 1988, few could have expected that he would not only serve for 30 years but would also author landmark opinions on such contested issues in American society as abortion, gay rights, and free speech. At the ideological center of an increasingly divided court, Kennedy became the swing vote on many of the Roberts Court's 5–4 decisions following the retirement of Sandra Day O'Connor. He said his principles never wavered; “The cases swing, I don't.”  That role earned him the monicker “The Decider” by Time magazine. He is the 15th longest-serving Supreme Court justice in American history. But what judicial philosophy guided his time on the bench? How did he keep his judgments separate from his political and religious beliefs? He says it is all owed to a fundamental conviction that neutral principles must drive the decision and an unyielding commitment to the rule of law.  Join us for a live discussion in San Francisco with retired Supreme Court Associate Justice Anthony Kennedy to learn about his life—beginning in Sacramento, California, and taking him to the center of power in Washington, D.C.—and his approach to the rule of law. These are topics he explores in his new book Life, Law, and Liberty, and you can hear firsthand at Commonwealth Club World Affairs. Learn more about your ad choices. Visit megaphone.fm/adchoices

-House Speaker Mike Johnson joins "The Record with Greta Van Susteren" to weigh in on Republicans' areas of disagreement with Democrats. -Newsmax's Carl Higbie says that several Democratic senators backed ending the shutdown as a strategic move ahead of upcoming elections. -Rob Schmitt says Democrats are due for lots of "pain" from their own insane creations. -Former Capitol Police Chief Steven Sund joins Rob Schmitt to discuss a new bombshell report which alleges a link between the J6 pipe bomb Capital police. -A manhunt is underway for a man with a lengthy rap sheet after he opened fire in a Sacramento bar, killing two. Today's podcast is sponsored by : WEBROOT : Live a better digital life with Webroot Total Protection. Newsmax Daily listeners get 60% off at http://webroot.com/Newsmax  NOBLE GOLD : Open a new qualified IRA or cash account with Noble Gold and get a FREE 10-ounce Silver Flag Bar plus a Silver American Eagle Proof Coin. Visit http://NobleGoldInvestments.com/Newsmax Listen to Newsmax LIVE and see our entire podcast lineup at ⁠http://Newsmax.com/Listen⁠ Make the switch to NEWSMAX today! Get your 15 day free trial of NEWSMAX+ at ⁠http://NewsmaxPlus.com⁠ Looking for NEWSMAX caps, tees, mugs & more? Check out the Newsmax merchandise shop at : ⁠http://nws.mx/shop⁠ Follow NEWSMAX on Social Media:  -Facebook: ⁠http://nws.mx/FB⁠  -X/Twitter: ⁠http://nws.mx/twitter⁠ -Instagram: ⁠http://nws.mx/IG⁠ -YouTube: ⁠https://youtube.com/NewsmaxTV⁠ -Rumble: ⁠https://rumble.com/c/NewsmaxTV⁠ -TRUTH Social: ⁠https://truthsocial.com/@NEWSMAX⁠ -GETTR: ⁠https://gettr.com/user/newsmax⁠ -Threads: ⁠http://threads.net/@NEWSMAX⁠  -Telegram: ⁠http://t.me/newsmax⁠  -BlueSky: ⁠https://bsky.app/profile/newsmax.com⁠ -Parler: ⁠http://app.parler.com/newsmax⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In The People vs. the Golden State Killer, Thien Ho, the current District Attorney of Sacramento, recounts his harrowing and exhilarating experience as the lead prosecutor responsible for capturing and prosecuting Joseph DeAngelo. Referred to at various times by law enforcement and the media as the Visalia Ransacker, the East Bay Rapist, the Original Nightstalker, and finally the Golden State Killer, DeAngelo, a former policeman, is widely considered “one of the most notorious serial predators in American history.Ho's book is the first official account of how the Golden State Killer was apprehended and put behind bars for life. Ho led an elite team of law enforcement from six California prosecutor's offices, using a newly developed tool known as “investigative genetic genealogy” to connect DeAngelo to multiple cold cases stretching back nearly a half century.Many previous narratives about DeAngelo, including two bestselling books and multiple documentaries, focused largely on the killer and his heinous crimes. This book not only provides hundreds of facts and details never revealed to the public about the Golden State Killer's crimes, it also presents the real-life story of the people who worked tirelessly to bring DeAngelo to justice. It also offers the unprecedented authorized perspective of three survivors of DeAngelo's crimes who courageously turned their pain into empowerment and activism. A portion of the book's proceeds will be donated both by the author and Third State Books to Phyllis's Garden, a nonprofit advocating for victims' rights begun in honor of a GSK survivor.The People vs. the Golden State Killer also recounts Ho's fascinating personal journey, from escaping communist Vietnam with his family as a child to working his way up from an internship to an elite homicide division and eventually becoming one of only ten Asian American district attorneys out of 2,400 nationwide. THE PEOPLE vs THE GOLDEN STATE KILLER: Sacramento District Attorney—Thien Ho

Snag your ticket for the live Home for the Holidays event here: https://events.humanitix.com/swwxtgi  The Gathering Inn is a 501(c)(3) nonprofit serving Placer and Sacramento Counties. They provide shelter, housing, and wrap-around services to individuals and families in need. Their mission is to meet people where they are, inspire hope, and walk alongside them on their journey to sustainable housing. Today, The Gathering Inn serves over 468 individuals — adults and families with children — offering critical life-saving services like Emergency Shelter, Medical Respite Care, and Permanent Supportive Housing. Using a trauma-informed, wellbeing-oriented approach, they also provide comprehensive case management, clinical therapy in both group and individual settings, and connections to community supports — all intended to help guests and residents secure the tools they need to transform their circumstances. We can't wait to see you!