Podcast appearances and mentions of Antonio Vivaldi

Stāsta komponists un kontrabasists Kristaps Pētersons; pārraides producente – Rūta Paula Valmierā 1996. gada 7. janvārī, plkst. 19:00 "uz papīra" tanī pat laikā notiekošais "Foo Fighters" [1] koncerts Frīmentlā Austrālijā īstenībā bija beidzies jau vismaz trīs stundas un tur – Frīmentlā – jau bija 8. janvāris. Laiks arī bija visai auksts – Latvijas Vides ģeoloģijas un meteoroloģijas centra Priekuļu stacija ziņo par aptuveni -5° grādu salu, par Frīmentlu nezinu. Tādēļ Andris Veismanis, iespējams, atceras savu interpretāciju Volfganga Amadeja Mocarta [2] stīgu Serenādei Nr. 13 "Mazā naktsmūzika" Solmažorā, K. 525 īstenotu ar Vidzemes kamerorķestra stīgām tovakar, Raiņa ielā 3, Valmieras 5. vidusskolas Lielajā zālē. Katra no melodijām bija īpašā godā. Raugoties pagātnē, gribas secināt, ka šī interpretācija būs bijusi viens no neredzamajiem Andra Veismaņa karjeras virzītājspēkiem. Šo izcilo meistardarbu meistars tika atskaņojis arī iepriekšējā – IV Senās Mūzikas festivālā Valmierā 6. janvārī, plkst. 18:30 turpat ar to pašu orķestri, un togad Priekuļos esot bijis pat -7° grādu sals. Tomēr tādu radošu veiksmi mierīgi var atkārtot, un šoreiz šim darbam turklāt bija atrasts konģeniāls turpinājums. "Foo Fighters" 1995. gada 6. janvārī vēl pirmo koncertu nebija nospēlējuši. Bet par to nedaudz vēlāk. Divas ar "Mazo nakts mūziku" saistītas raksturīgas detaļas aprakstījis Orins Hovards [3] Losandželosas filharmoniķu mājaslapā anotējot kādu citu – ne "Foo Fighters" – koncertu [4]. Pirmā: "18. gs. otrajā pusē serenāde tipiski tika rakstīta pietiekami mazam ansamblim (bieži pūtēju ansamblim), lai būtu ērti izpildāma ārpus telpām, un atšķirībā no simfonijas tajā parasti bija vairāk nekā četras daļas." Otrā: "Savu darbu katalogā "Mazo nakts mūziku" Mocarts iegrāmato kā piecdaļīgu. Diemžēl saglabājušās tikai četras daļas. Pirmā – menuets – aizgājusi zudībā." [5] Maestro Veismanis noteikti zina nesalīdzināmi vairāk ar šo skaņdarbu saistītu detaļu. Tomēr galvenais – viņš ir īsts interprets ar daudzkārt apliecinātu vēlmi skrupulozi iedziļināties senpagājušu laikmetu autoru darbos. Andrim Veismanim šie darbi interesē. Tajos viņš jūtas kā mājās. Domāju, ka diriģentu sajūsmina iespēja tur atrasto no sirds triekt esošajam laikmetam sirdī kā Amoram bultu. Vēlu meistaram turpināt triekt bultas laikmetam sirdī vēl un vēl! Bet tovakar Valmierā pēc Mocarta "Mazās naktsmūzikas" Andris Veismanis ar pārējiem mūziķiem sasniedza vēl otru virsotni. Sekoja triumfāla interpretācija slavenākajai no Antonio Vivaldi trim "Gloria" – Re mažorā, RV 589. Uzreiz jāmin Cēsu Pils kora devums šī venēciešu dižgara šedevra iedzīvināšanā. Pateicoties lieliski sagatavotajam korim, Veismaņa žests absolūtā pazemībā Dieva vārda priekšā varēja izteikt vārdos neizsakāmo. No sirds. Taisnība ir Emanuēla Svēdenborga [6] atziņā, ka tā Kunga žēlsirdība ir universāla un Viņš nevienu ellē negrūž – dvēsele pati vai nu turp tiecas, vai pie tā Kunga uz debesīm. "Kad cilvēkā – garā – labais ir saistīts ar patieso, tad viņš nāk debesī, tāpēc ka šis saistījums, kā teikts, ir debess viņā; bet kad cilvēkā – garā – ļaunais ir saistīts ar nepatieso, tad viņš nāk ellē, tāpēc ka šis saistījums ir elle viņā." [7] Bet "Foo Fighters" savu pirmo koncertu nospēlēja Sietlā, Mercera ielā, "West Marine" laivošanas piederumu veikala 2. stāvā, 1995. gada 19. februārī. Lūgtiem viesiem. Viņi nospēlēja 12 dziesmas – "Big Me" arī. Laiks tovakar Sietlā bija 55°F (ap 13°C) – nekas neparasts. Lija lietus, un veidojās migla. Komponiste un tobrīd Valmieras Mūzikas skolas skolotāja Līga Liepiņa (tolaik Kaņepe) laikrakstā "Liesma" vēstīja: "Sala spēcīgais kniebiens un bagātīgais sniega birums jaunā gada sākumā – tas bija diezgan negaidīti, bet V Senās mūzikas festivāls Valmierā no 3. līdz 7. janvārim – ļoti gaidīts. [..] Par spilgtāko sniegumu klausītāju lielākā daļa atzina Vidzemes kamerorķestri ar V. A. Mocarta "Mazo naktsmūziku" un A. Vivaldi "Gloria", kur diriģenta Andra Veismaņa (Rīga) vadībā orķestris apvienojās ar Cēsu Pils kori, kuram šī sadarbība bija visveiksmīgākā." [8] Man ir patiesi žēl, ka es tos koncertus nedzirdēju. Esmu drošs, ka varu parakstīties zem katra šeit rakstītā vārda. "Was aus Liebe getan wird, geschieht immer jenseits von Gut und Böse." (Frīdrihs Nīče) [9] "Kas paveikts mīlestībā, ir allaž viņpus laba un ļauna." [10] Avoti Raksts sagatavots, izmantojot Oksfordas mūzikas vārdnīcas, portālu foofighterslive.com un concertarchives.org, Valmieras integrētās bibliotēkas, Valmieras zonālā Valsts arhīva un Valmieras muzeja materiālus [1] Amerikāņu rokgrupa no Sietlas, radusies 1994. gadā [2] Mozart, Johannes Chrysostomus Wolfgangus Theophilius (dzimis Zalcburgā 1756. g. – miris Vīnē 1791. g.) austriešu komponists, pianists, vijolnieks, altists un diriģents [3] Howard, Orrin (dzimis Čikāgā 1924. g. – miris Losandželosā 2015. g.) bija amerikāņu pianists, mūzikas kritiķis, publicists un skolotājs [4] https://www.laphil.com/musicdb/pieces/324/eine-kleine-nachtmusik [5] Kristapa Pētersona tulkojums [6] Swedenborg, Emanuel (dzimis Stokholmā 1688. g. – miris Londonā 1772. g.) zviedru zinātnieks un mistiķis [7] Svēdenborgs E. "Par debesi ar tās brīnumiem un elli" (tulk. R. Gŗava) nod. "Kas ir garu pasaule"; 422. [8] piektdien, 1996. gada 19. janvārī [9] Nietzsche, Friedrich (dzimis Rokenē 1844. g. – miris Veimārā 1900. g.) vācu filozofs. Citāts no Nīče F. Viņpus laba un ļauna [10] Ievas Ginteres tulkojums

durée : 00:03:15 - Capture d'écrans - par : Dorothée Barba - À l'occasion du 300ᵉ anniversaire de la publication des "Quatre Saisons" d'Antonio Vivaldi, un documentaire musical décrypte avec enthousiasme la partition et nous invite dans le monde du compositeur. Avec les expertises des violonistes Fabio Biondi et Marina Chiche. À voir sur France 4. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

‘Nun the Wiser' is an irreverent new musical from the mind of Kat Carson. It is a satirical look at an imagined past where Italian nuns sing gospel music and dream of fame. It focusses on the lives of seven musical nuns. On the surface, they appear devout and ordinary, but beneath that exterior lies a world of interpersonal relationships, conflicts, love, and repressed emotion. Within the convent, the only permitted form of artistic expression is composing and performing religious music.Their lives are thrown into turmoil when the famous composer Antonio Vivaldi comes to hear their compositions. As a man, he has the power to change their lives and introduce their music to the outside world. The nuns ask Mr. Vivaldi to review their own works, but what will he make of their explicit writings about love and desire?Drawing on her extensive work on the music of the 17th and 18th centuries, and on her experiences in an all female education system, Kat has used the genre of musical theatre to examine LGBTQIA issues and to draw a picture of womanhood that is both funny and challenging. The nuns in the story are people first and foremost, and have their own dreams, lives, and troubles. The musical explores issues of sexual identity, living within a patriarchal society, and a love of music through the absurd lens of nuns in an 18th century convent.Website

We gaan het weekend in met een meditatie op de winter door Antonio Vivaldi. Zijn Vier seizoenen is een zeer bekend en geliefd muziekstuk, maar wist je ook dat Vivaldi bij elk van de vier jaargetijden een passend sonnet schreef? Je hoort het gedicht en de muziek. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7). 

Die Mezzosopranistin präsentiert auf ihrem Album sakrale Werke von Antonio Vivaldi, Nicola Porpora und Giovanni Porta.

There's no more familiar piece of classical music than Antonio Vivaldi's The Four Seasons. But for all the recordings and broadcasts and interpretations of it that there has been over the past three centuries, there is still some mystery about the music. Why did Vivaldi write it? What were his inspirations? Where and when did The Four Seasons burst into life. The broadcaster and author Dr Hannah French has written a wonderful, incisive book called The Rolling Year that examines questions like this. In this special episode Peter and the violinist Min Kym sat down with Hannah to find out more about Vivaldi, his music, Mantua and Manchester. Enjoy the music. We'll be returning to the Travels Through Time format very soon! Show notes People/Social Interviewers: Peter Moore and Min Kym Guest: Dr Hannah French Production: Maria Nolan Music: John Harrison, The Four Seasons

ŞU AN HAYATININ KIŞINDA MISIN? Her şeyin donduğunu, hiçbir şeyin değişmeyeceğini mi sanıyorsun? Antonio Vivaldi, 300 yıl önce kemanının telleriyle bir söz verdi: "Hiçbir fırtına sonsuza kadar sürmez." Bu bölümde, Dört Mevsim'in notaları arasında kaybolurken, kendi içimizdeki baharı nasıl yeniden uyandıracağımızı keşfediyoruz.Bazı melodiler sadece kulakla duyulmaz, iliklerde hissedilir. Vivaldi'nin Dört Mevsim eseri, sadece doğayı değil; senin düşüşlerini, hayal kırıklıklarını ve o muazzam yeniden doğuşlarını anlatır.❄️ Kışın ortasındaysan hatırla: Doğa ölmez, sadece doğru zaman için derin bir nefes alır. Tıpkı senin gibi.

Antonio Vivaldi (1678 - 1741) - Concerto in fa minore per violino, archi e continuo "L'inverno", op. 8 n. 4, RV 297 1.      Allegro non molto               00:002.      Largo                                  03:313.      Allegro                                05:28 Cynthia Miller Freivogel, violino solista

Elisabetta Tiveron"Natale a Venezia"Musica sull'acquaNeos Edizioniwww.neosedizioni.itSedici racconti natalizi che narrano Venezia come città musicaleA cura di Elisabetta Tiveron e Caterina SchiavonCon una “ouverture” di Ilaria Serra Venezia è canto. La voce di Venezia non è mai un suono solitario. La sua musica è un'orchestra di rimbalzi, di rimandi, di rincorse. A Venezia l'acqua suona all'unisono: i remi, le prue, le voci, i passi, le sirene, le campane e i gabbiani orchestrano melodie fatte di sciabordii. Le onde incontrano sempre una sponda, un muro di mattoni, l'angolo di una calle, il fianco di uno scafo, la volta di un sotoportego da cui riverberare, intrecciandosi in un mosaico sonoro.Sedici racconti che narrano Venezia nel periodo natalizio attraverso una chiave di lettura speciale, la musica, che della città lagunare è stata sempre elemento distintivo.Venezia è una città musicale. Per la sua storia, che l'ha vista capitale europea della musica tra il Cinquecento e il Settecento: Claudio Monteverdi e il melodramma, Antonio Vivaldi, Benedetto e Alessandro Marcello, Tomaso Albinoni, Baldassare Galuppi, ecc. E per la sua conformazione unica, così facile alle sonorità spontanee.«La musica parla di Venezia quanto e più delle sue immagini da cartolina, e permette alle autrici e agli autori di questa antologia di muoversi liberi, creativi, curiosi. Natale, in queste pagine, è atmosfera, suggestione, ricordo, invenzione. È il momento in cui la musica interiore di ciascun personaggio si intreccia con la colonna sonora della città, e si fa racconto» (Elisabetta Tiveron e Caterina Schiavon).Giunta alla sua sesta edizione, l'antologia «Natale a Venezia» quest'anno si propone in modalità musicale, una vera e propria “partitura letteraria”, con note di programma, ouverture, movimenti e finale. Un puzzle di coinvolgenti storie, che risuonano e toccano corde nel profondo. In una gelida sera di dicembre un gruppo eterogeneo di donne si riunisce per le prove del coro e attraverso il canto richiamano la perduta anima sonora di Venezia, fatta di antiche canzoni di barcaioli, canti di lavoro e cori storici, un piccolo miracolo natalizio contro il silenzio e l'oblio; la pasticcera Sofia e un uomo misterioso a bordo di una barca che le offre una “musica della laguna” prodotta da fili di conchiglie; la musicista Sabine Perrin, detta La Gioconda dai suoi vecchi compagni si scuola, è insoddisfatta della sua vita da single e spera di trovare un marito a Venezia, ma di fronte ad un dono inaccettabile fugge; una donna, reduce da una storia finita, affronta la vigilia di Natale tra malinconia e ironia, l'incontro casuale con la canzone Driving Home for Christmas la spinge verso la sorella che l'aspetta e riscopre che “tornare a casa per Natale” significa, prima di tutto, sentirsi a proprio agio con se stessa; nel dicembre del 1755, l'Archiatra imperiale Gerard Van Swieten indaga sul misterioso deperimento della giovane Sofia e sospetta che il precettore, un abile violinista, stia usando antiche e nefaste armonie per un proprio scopo; un uomo morto vaga in una Venezia sospesa nella vigilia di Natale, cercando la strada di casa e la moglie che ha amato: guidato da un bambino misterioso, segue la musica dei ricordi attraverso le calli addobbate a festa; Sofia sosta sulla panchina rossa della Giudecca per onorare il ricordo del primo incontro dei nonni, Ilaria e Alberto; un giovane seminarista abruzzese, Gaetano, viene mandato a Venezia per inaugurare a Natale il nuovo, maestoso organo della chiesa di San Gurian; le prove del Concerto di Natale sono turbate dal pianto lamentoso di un bimbo nell'adiacente orfanotrofio della Pietà, l'antico istituto di Vivaldi; l'Agente 239 è a Venezia la Vigilia di Natale per estrarre l'anima di un caso irrisolto, un'esperienza resa una tortura dalla musica onnipresente e ossessiva di Last Christmas; Sorella Milagros, giovane suora filippina, rovescia la spesa del convento e teme di essere rispedita a Manila ma durante la messa di mezzanotte, la sua voce pura si innalza in canto, portando speranza, redenzione e pace a tutta la città; Clara eredita dalla cugina un piccolo ritratto del compositore Baldassare Galuppi che, appeso dietro una porta, prende vita; Guano da Piccione, musicista purista, si scontra con la commercializzazione ossessiva delle Quattro Stagioni di Vivaldi e preferisce esibirsi in strada la notte di Capodanno con musiche meno note, finendo arrestato; un violinista profugo, sopravvissuto al naufragio in cui ha perso moglie e figlia, trova rifugio a Venezia accolto da una donna di nome Maria, che gli restituisce dignità e voce facendogli riparare il violino; la giovane e squattrinata Matilde, con la passione per il canto, è assunta come maschera al Teatro La Fenice di Venezia per l'allestimento dell'atto veneziano de I racconti di Hoffmann, la celebre Barcarola. A cura di: Elisabetta Tiveron e Caterina SchiavonRacconti di: Isabella Albano, Philippe Apatie, Elisabetta Baldisserotto, Gianluigi Bodi, Gabriella Bosmin, Lorenzo Bottazzo, Diana Chiarin, Claudio Ellero, Michela Fregona, Nilla Patrizia Licciardo, Daniela Rossi, Mauro Rugger, Caterina Schiavon, Ilaria Serra, Elisabetta Tiveron, Francesco Zanolla.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

durée : 00:13:14 - Le Disque classique du jour du vendredi 05 décembre 2025 - À l'automne 1725, alors que la France célèbre l'union de Louis XV et de Marie Leszczynska, l'ambassadeur en poste à Venise confie à Vivaldi la composition d'une serenata en hommage au jeune couple royal. De cette commande naît une œuvre somptueuse, portée par deux figures allégoriques. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:13:14 - Le Disque classique du jour du vendredi 05 décembre 2025 - À l'automne 1725, alors que la France célèbre l'union de Louis XV et de Marie Leszczynska, l'ambassadeur en poste à Venise confie à Vivaldi la composition d'une serenata en hommage au jeune couple royal. De cette commande naît une œuvre somptueuse, portée par deux figures allégoriques. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:03:56 - Quand Joe Hisaishi rencontre Antonio Vivaldi - par : Max Dozolme - Ses plus grands modèles sont Debussy et Mahler et pourtant Joe Hisaishi, le compositeur phare des films de Kitano et Miyazaki apprécie aussi beaucoup la musique baroque. Il a même arrangé une œuvre célèbre de Vivaldi pour un court-métrage méconnu du Studio Ghibli. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:49 - Relax ! du mardi 11 novembre 2025 - par : Lionel Esparza - Les feuilles se font rares, les jours raccourcissent, l'air se rafraîchit... En ce mois de novembre annonciateur, avançons jusque dans les tréfonds de l'hiver, un thème particulièrement porteur chez les compositeurs comme Franz Schubert, Henry Purcell et bien sûr Antonio Vivaldi. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:49 - Relax ! du mardi 11 novembre 2025 - par : Lionel Esparza - Les feuilles se font rares, les jours raccourcissent, l'air se rafraîchit... En ce mois de novembre annonciateur, avançons jusque dans les tréfonds de l'hiver, un thème particulièrement porteur chez les compositeurs comme Franz Schubert, Henry Purcell et bien sûr Antonio Vivaldi. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

With both a U.S. tour and a new session of Sky Academy booked for April/May, Uli Jon Roth is headed for an exciting Spring of 2026. It's all part of his passion to reach (and help his Sky Academy students reach) new musical heights. “A great musician is always growing,” says the German-born, U.K.-based guitar hero. Indeed, Uli could have rested on his laurels as the lava-hot lead player of '70s-era Scorpions hard rock. But, taking inspiration from the music of heroes such as Keith Jarrett, Jimi Hendrix, and Antonio Vivaldi, he has always strived for a much deeper level of artistic expression. In this exclusive visit to Sky Academy, we plug in with Uli and embark on some epic improvisational odysseys, gain insights into his hugely influential rock masterpiece “The Sails of Charon,” learn about his unique extended-neck Sky Guitars, and, best of all, learn why, as he says, “the fingers are the least important part of your sound.” Hosted by Jude Gold, this episode is brought to you by your online guitar instruction friends at TrueFire. TrueFire offers thousands of hours of guitar instruction from A-list players. For a free 30-day all-access membership (no credit card required!), click to truefire.com/safe.

It's spooky season and this is my third annual Halloween episode! It's the story of Aqua Tofana, a colorless, odorless, tasteless, and utterly deadly poison invented by a network of female poisoners in 17th century Italy. The music is from The Four Seasons by Antonio Vivaldi, recorded by The Wichita State University Chamber Players with John Harrison on Violin and Robert Turizziani and as Conductor. The recording is licensed under the Creative Commons and available under the classicals.de website. Visit the ⁠website⁠ (herhalfofhistory.com) for sources, transcripts, and pictures. Support the show on my ⁠Patreon page⁠ for bonus episodes, polls, and a general feeling of self-satisfaction. Or make a one-time donation on ⁠Buy⁠ ⁠Me a Coffee⁠. Join ⁠Into History⁠ for a community of ad-free history podcasts plus bonus content. Visit ⁠Evergreen Podcasts⁠ to listen to more great shows. Follow me on ⁠Threads⁠ as Her Half of History. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textHost: Welcome to the "Echoes of Genius series” -  the podcast where we explore the lives and legacies of the greatest classical composers.  This is episode 480 - Red Priest Rising.  The music that you have heard at the beginning of each episode, and will continue to hear throughout this podcast series is a brief the ghost of the composer who stands at the pinnacle of the Italian Baroque movement -maestro Antonio Vivaldi   section of spring from The Four Seasons written by the ghost or if you will spirit - of our guest today(Sound of a short, elegant musical flourish)Ghost soundCiao, Maestro Vivaldi! La tua musica ancora ci incanta musica.For our English listeners, that is  Hello, Maestro Vivaldi! Your music still enchants us.  And before we go any further, Maestro Vivaldi, I have to say, I never realized your hair was quite that red.  With that shock of red hair, you'd look at home in a rock bandSupport the showThank you for experiencing Celebrate Creativity.

Send us a textSpring intro“Welcome, my friends, to The Microphone Episode. Yes, this is the one where the.  greatest composers of all time—individuals who shuffled off their mortal coil long ago—are handed a microphone for the very first time.Now you might also think of this episode as a promo or the introduction to the majority of the episodes in October where I take a deep dive into the life and music of approximately 25 noted classical musicians prior to 1900. Before I actually start, I wanna talk a little bit about the challenges involved in doing such a program.First, was the actual writing of the transcript for each podcast episode. I would read about and do research regarding each musician. Then I would know what questions to ask ChatGPT to give me a more interesting answer. For example, if I just asked ChatGPT to tell me about Beethoven - it really wouldn't have that much to go on - but if I specifically asked if Beethoven wrote any letters regarding his hearing loss, then it could give me some very useful answers.  In fact, in one of the most moving documents in all of music history, Beethoven wrote in a letter to his brothers Carl and Johann in October 1802. He was only 31 at the time, but his hearing loss was advancing, and he poured out his despair, frustration, and longing for life and art. He never sent the letter—it was found among his papers after his death in 1827.[Closing music – Spring from The Four Seasons by Antonio Vivaldi, Performed by John Harrison,. Source: Wikimedia Commons - CC BY-SA ,License: Public Domain (composition) / Creative Commons (recording)Ghost Entrance: Source: https://www.zapsplat.com/page/6/?s=ghost&post_type=music&sound-effect-category-idhttps://zapsplat.net/zapsplat-sounds/download.php?fileName=sound_design_texture_ghostly_pass.mp3&expiry=1601608139,LLicense: Creative Commons.“Vespro Della Beata Vergine/ Deus In Adiutorium - Domine Ad Adiuvandum”, by Claudio Monteverdi, Performed by Schwäbischer Singkreis; Hans Grischkat, Source: https://dn721902.ca.archive.org/0/items/lp_vespro-della-beata-vergine_claudio-monteverdi-schwabischer-singkredisc1/01.01.%20Vespro%20Della%20Beata%20Vergine%3A%20Deus%20In%20Adiutorium%20-%20Domine%20Ad%20Adiuvandum.mp3. License: Public Domain (composition) / Creative Commons (recording)  0:00-00:30.Support the showThank you for experiencing Celebrate Creativity.

Luister en leer hoe grote klassieke componisten hun belangrijke werken hebben gemaakt en hoe hun levenspad daarop van invloed was, zoals Antonio Vivaldi. Uitgegeven door Ontmoeting met... Sprekers: Joan Remmelts, Petra Laseur

Antonio Vivaldi - The Four Seasons: Autumn: AdagioTakako Nishizaki, violinCapella IstropolitanaStephen Gunzenhauser, conductorMore info about today's track: Naxos 8.550056Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Die Jahreszeiten und ihr Wechsel in der Natur haben viele bildende Künstler inspiriert, aber auch Musiker wie Giuseppe Verdi oder Astor Piazzolla. Die berühmtesten Jahreszeiten sind zweifellos «Le quattro stagioni» von Antonio Vivaldi. In vier Violinkonzerten schildert Vivaldi plastische Landschaftsbilder, die bis heute nichts von ihrer Faszination verloren haben: Süss murmelnde Bächlein und sanften Wind, schlafende Hirten, aber auch Blitz und Donner – der Fantasie sind bei dieser Musik keine Grenzen gesetzt. Vivaldi stellt den einzelnen Konzerten Sonette voran, die er wahrscheinlich selbst geschrieben hat. Der «Sommer» mit seiner unerträglichen Hitze, den surrenden Fliegen, dem Gesang von Kuckuck, Turteltaube und Stieglitz, aber auch dem heftigen Gewitter steht im Zentrum der Diskothek. Eva Oertle vergleicht mit ihren Gästen, den beiden Geigerinnen Barbara Doll und Leila Schayegh sechs Aufnahmen von Antonio Vivaldis berühmtem Violinkonzert op. 8 Nr. 2. Erstausstrahlung: 26.07.2021

Con Mario Mora y 'IA Alex' | Quizá éste es el episodio en el que todo el mundo estaría de acuerdo si preguntamos: ¿qué obra de Vivaldi debemos salvar? ¿Cuál es la más importante e imprescindible del compositor? Veremos si Alex IA cumple las expectativas, o nos sorprende, como ya ha hecho alguna vez... - - - - > Hazte mecenas de Clásica FM antes del 31 de agosto de 2025 y te regalamos una camiseta o una totebag: https://clasicafmradio.es/hazte-mecenas/

Antonio Vivaldi - The Four Seasons: Summer: PrestoTakako Nishizaki, violinCapella Istropolitana Stephen Gunzenhauser, conductorMore info about today's track: Naxos 8.550056Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

durée : 00:24:56 - Antonio Vivaldi, Concerto n°4 en fa mineur op.8 " L'Hiver " - par : Anne-Charlotte Rémond - Tout le monde, ou presque, connaît les concertos des ''Quatre saisons'' de Vivaldi, mais que savons-nous des circonstances de leur composition ? Dans Musicopolis, Anne-Charlotte Rémond mène l'enquête sur la piste de ''L'Hiver''… - réalisé par : Claire Lagarde Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

We talk about Vengeance of a Showgirl (1971) directed by Lo Wei.    Music by Antonio Vivaldi published in 1725; Recording copyright John Harrison (JohnHarrisonViolin.com) Concerto No. 4 in F minor, Op. 8, RV 297, "L'inverno" (Winter) — Movement 1: Allegro non molto This work is free and may be used by anyone for any purpose. If you wish to use this content, you do not need to request permission as long as you follow any licensing requirements mentioned on this page.

A animação Divertidamente 2 oferece uma rica oportunidade de refletirmos sobre o universo interior do Ser Humano. Nesta sequência, acompanhamos Riley entrando na adolescência, enfrentando os desafios naturais desta etapa: mudanças de escola, amizades, inseguranças e o surgimento de novas emoções como a ansiedade, a vergonha, o tédio e a inveja. Neste episódio do podcast filosófico da Nova Acrópole, os professores voluntários Paula Poloni e Gustavo Massen exploram, com base filosófica, como essas transformações internas são representadas de forma simbólica e educativa no filme. A crise de identidade vivida pela protagonista é analisada à luz do conceito de “senso de si”, destacando a importância da assimilação das experiências, inclusive das dolorosas, como fator essencial para a construção de uma personalidade equilibrada e madura. O episódio convida os jovens e adultos a refletirem sobre o poder das experiências vividas, a importância da educação de si mesmos e o papel fundamental dos valores humanos na formação do caráter.  Confira as reflexões do filme Divertidamente 1 Participantes: Paula Poloni, Gustavo Massen e Danilo Gomes Trilha Sonora: As Quatro Estações, de Antonio Vivaldi

2025晨鐘課－每天，都是新的起點 以歷史智慧滋養生活，點亮2025每一天！ 借鑑過去，活在當下，展望未來！ 粵語廣播網站 (時兆出版社授權錄製) https://soundcloud.com/mediahk Podcast@靈修廣播站 7月28日 「做工的果效也隨著他們」 我聽見從天上有聲音說：「你要寫下：從今以後，在主裡面而死的人有福了！」聖靈說：「是的，他們息了自己的勞苦，做工的果效也隨著他們。」 啟示錄 14：13 在德國萊比錫的聖多瑪斯教堂的地板上，人們可以看到一塊刻有「約翰．塞巴斯汀．巴哈」（Johann Sebastian Bach）字樣的銅牌，表明這就是他的長眠之地。雖然只是一個名字，但它足以喚起人們對這位偉大作曲家及其動人作品的回憶。 值得注意的是，在極具影響力的巴洛克音樂代表人物中，有兩位都在7月28日去世。第一位是義大利作曲家和小提琴大師安東尼奧．韋瓦第（Antonio Vivaldi，1678–1741年），他於1741年7月28日在奧地利維也納逝世。他一生創作了大約500首協奏曲，其中包括由小提琴和室內樂團演奏的著名協奏曲《四季》。第二位則是德國作曲家和音樂家約翰．塞巴斯汀．巴哈（1685–1750年），他於1750年7月28日在德國萊比錫去世。專家稱巴哈的音樂作品現今存世數量為1128首，有許多已經散佚。你能想像有多少人曾演奏或欣賞過這兩位作曲家的作品嗎？雖然他們逝去已久，但「做工的果效也隨著他們」。 也許你永遠不會像韋瓦第或巴哈那樣聲名大噪，但你的影響力或許比你想像的更為深遠。思考這句話：「你們日常的行動在別人的生活史上有什麼影響，這件事你們知道得很少！你們也許以為自己的言行無足輕重；然而那最重要的、或善或惡的結局，卻是我們的言語及行為所種之果。日常的言語及行動看來微不足道，卻是人生大事長鏈的一環。」上帝會檢視那「或善或惡的影響」及「其深遠的結果」。 如果你的名字出現在聖多馬斯教堂裡的那塊銅牌上，你認為你有什麼值得人們銘記的地方呢？你留下的遺產是什麼？無論我們的影響力如何，上帝都呼召我們要對身邊的人產生拯救的效果。我希望，凡跟隨我們腳步的人，都能被領進永恆的國度！ #媒體佈道部 #港澳區會 #聲音書 #時兆出版社 #每天，都是新的起點 #本書由時兆出版社授權刊載

Franck Ferrand vous plonge dans le parcours du « Prêtre roux », un virtuose du violon, un des compositeurs baroques les plus célèbres Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Louis XIV is dead, and his heir is a 5-year-old child. With so many deaths occurring in the royal family, it falls to an unlikely royal nephew, Philippe, duke of Orléans, to govern France until Louis XV comes of age. Completely unlike the callous old Sun King, Philippe is a man of the people who spurned Versailles and lived as a boisterous libertine. What kind of regent will this man be? ⚜️ Visit our Wordpress for episode images, score summaries, contact details and more! Contact us by Email, or follow us on Instagram, our Facebook Group or BlueSky. Make sure you leave us a review on Apple Podcasts, Spotify or wherever you listen. You can also support the show on Patreon! Join the official Angry Mob and get access to our bonus content: movie reviews, deep dives, bonus biographies and our exclusive spinoff series rating the Royal Mistresses. ⚜️ Battle Royale's intro/outro music is "Dansez" by Fasion. Other music used for this episode: "Sonata for cello and Continuo in B flat, RV.47 - 1. Largo" by Antonio Vivaldi, performed by Christophe Coin, Ageet Zweistra and Christopher Hogwood. ℗ 1987 Decca Music Group Limited ⚜️ CATEGORIES Ben and Eliza each give a score out of 10 for the first 4 categories. The 5th is determined by maths! The result is a total score out of 100. 1. Enchanté: The shallow, first-impressions round: How fabulous and iconic an image have they passed down to us? 2. En Garde: (A.K.A. “Selfish Wins”) How well did they gain and increase their personal power, either through scheming, statesmanship or good old fashion battles? 3. Voulez-Vous: (A.K.A. “Selfless Wins”) How much would we want to live under their regime? How well did they better the world around them through law reforms and cultural projects? 4. Ouh-Là-Là: How pearl-clutchingly scandalous were the events of their life, both in their time and down through the ages? How mad, bad and dangerous were they to know? 5. La Vie en Throne: How many years did they reign, and how many of their children survived them? For more details on the scores, how they are calculated and how our kings are ranking, visit our website. Learn more about your ad choices. Visit megaphone.fm/adchoices

Antonio Vivaldi - Four Seasons: Summer: AdagioTakako Nishizaki, violinCapella IstropolitanaMore info about today's track: Naxos 8.556779Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

durée : 01:29:08 - Une heure et plus, un compositeur : Antonio Vivaldi au fil des saisons - par : Aurélie Moreau - Vivaldi, maître du baroque italien, a révolutionné le concerto en lui donnant sa forme et une expressivité inédites. Admiré dans toute l'Europe de son vivant, son impétuosité lui a permis de mener une carrière riche, entre ses fonctions à l'Ospedale della Pietà, ses activités théâtrales à Venise.

The United States has gone, in less than six months, from being seen by many as a defender of democracy and human rights, to being the latest – and most powerful - administration to embrace authoritarianism.  Amid a head-spinning flood of presidential orders and harsh policies - towards women, immigrants, the poor, the disabled and the sick, it's hard to know where to focus. In this episode, veteran Turkish journalist and human rights activist Murat Celikkan tells host Akwe Amosu what he has been paying attention to, and reflects on how Turkey's human rights  movement has been trying to strengthen its own work.And in the Coda, why a dose of Baroque music might ease your mind. Contact us at pod@strengthandsolidarity.org We are now publishing our newsletter on Substack, if youwould like to subscribe: ⁠https://substack.com/@strengthsolidarity⁠Quick LinksInterviewBio: Murat Celikkan: https://hakikatadalethafiza.org/en/teamLitHub: Murat Celikkan: Another Turkish Journalist in Prison for ‘Unspecified Reasons' https://lithub.com/murat-celikkan-another-turkish-journalist-in-prison-for-unspecified-reasons/StrengthandSolidarity.org: Murat Celikkan reads Ariel Dorfman: https://strengthandsolidarity.org/podcast/rebuilding-a-movements-culture-after-crisis/Hafiza Merkezi: https://hakikatadalethafiza.org/en/en/why-hafiza-merkeziChatham House: The future of the Trukish opposition after Imamoglu's arrest https://www.chathamhouse.org/2025/05/future-turkish-opposition-after-imamoglus-arrestHRW: Turkey Events of o2024 https://www.hrw.org/world-report/2025/country-chapters/turkiyeWikipedia: Gezi Park protests https://en.wikipedia.org/wiki/Gezi_Park_protestsWikipedia: Saturday mothers https://en.wikipedia.org/wiki/Saturday_MothersCodaFrancoise Girard: https://www.fmus.org/aboutFeminism Makes Us Smarter (FMUS): https://www.fmus.org/Wikipedia: Baroque Music https://en.wikipedia.org/wiki/Baroque_musicFMUS podcast: https://www.fmus.org/fmus-podcastMusic credits:Juditha triumphans, RV 644: Air "Veni, veni me sequere fida" by Antonio Vivaldi, performed by Lea Desandre, Jupiter Ensemble, Thomas DunfordJuditha triumphans, RV 644: “Air Armatae face et anguibus” by Antonio Vivaldi, performed by Jupiter EnsembleAriodante, HWV 33, Act 2: Aria. "Se l'inganno sortisce felice" (Polinesso) by George Frideric Handel, performed by·Marie-Nicole Lemieux, Alan Curtis, Il Complesso Barocco“Forêts paisibles” from Les Indes Galantes by Jean-Philippe Rameau, performed by Les Arts FlorissantsStrength&Solidarity podcast:Episodes 1-50 shows and transcripts:Episodes 51 onwards, shows and transcripts

Ein dunkler Strom, der alles mitreißt und aus Deinem Inneren kommt. Wenn die Hände zittern und die Stimme versagt. Diese Musikstücke begleiten Dich durch den Ausbruch des Vulkans bis hin zur Ruhe nach dem Sturm: Bela Bartok – "Allegro Barbaro" // Antonio Vivaldi – "Fantasmi – Presto" // Sergej Prokoffjew – "Tanz der Ritter" // Marta Lutrzykowska – "Anger Dance" // Wings – "With a Little Luck" // Den Podcast "Liebe erzählt – Wie geht Beziehung?" von SWR Kultur findest Du hier: https://www.ardaudiothek.de/sendung/liebe-erzaehlt-wie-geht-beziehung/14338487 Wenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de

Bird song caught the ear of Italian composer Antonio Vivaldi. And he even named a 1729 flute concerto for a bird — the goldfinch. The source of inspiration for Vivaldi's Goldfinch concerto, or Il Gardellino, was the European Goldfinch, a tiny bird found throughout much of Europe, where it frequents gardens and roadsides. No wonder Vivaldi found the goldfinch irresistible. More info and transcript at BirdNote.org.Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks. BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible.

Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The FPC choir, under the direction of Mrs. Melissa McMillan and Mrs. Florence Rayburn, presents an evening of music from Morten Lauridsen’s Lux Aeterna and Antonio Vivaldi’s Gloria.

Once upon a time, there was a heroic knight, the greatest of Charlamagne's famed paladins, and his name was Orlando (or Roland, depending on whom you ask.)  Among his many heroic deeds and great journeys was this: a quest to a magical isle to abduct the headstrong princess Angelica and steal the ashes of Melin (yes, that Merlin).  As his failure to win Angelica's heart leads him down the path to madness, we must ask: is there hope for this broken hero after all? Antonio Vivaldi, famed composer of The Four Seasons, is not widely known for his operas, however, he composed between 70 and 100 in his lifetime.  Join us for a discussion of this treasure of Baroque opera. Hosted by Pat and Jeff Counts (General Manager of the Grand Teton Music Festival, and KHOL's film critic) Grand Teton Music Festival

Neste primeiro episódio especial da série dedicada à Semana da Mãe Terra, os professores voluntários da Nova Acrópole do Brasil propõem uma profunda reflexão sobre a ideia de Unidade, a partir da conexão entre o micro e o macrocosmos. Partindo da máxima do Templo de Delfos – "Conhece-te a ti mesmo" – os professores Raíssa Moraes, Roberto Pertile e Pedro Guimarães exploram como a filosofia clássica ensina que o autoconhecimento é chave para a integração do ser humano com a Natureza e com a Vida. O episódio convida à observação da natureza como um espelho de leis universais que também regem o interior humano, e ressalta que reconhecer-se como parte de um todo maior conduz à vivência de uma ética fraterna e integradora. São discutidos temas como a pedagogia filosófica, a harmonia entre razão e sentimento, o simbolismo do Homem Vitruviano, o papel do voluntariado e a importância de cultivar valores como a generosidade e a amizade para a construção de um mundo mais justo e natural. A celebração do Dia Internacional da Mãe Terra é, assim, um marco simbólico para despertar a consciência de que todos habitamos uma mesma casa: o planeta Terra. E que essa casa, como ensinam as tradições antigas, deve ser cuidada com o mesmo respeito e amor que dedicamos a uma mãe. Participantes: Raíssa Moraes, Roberto Pertile e Pedro Guimarães Trilha Sonora: Concerto para dois Mandolins em Sol Maior, RV 532 – Antonio Vivaldi

Antonio Vivaldi - Concerto for Two FlutesJiri Valek, flute Jiri Novotny, fluteMore info about today's track: Naxos 8.550385Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

On the latest episode of ‘New Classical Tracks,' with host Julie Amacher, the Janoska ensemble gives Antonio Vivaldi's ‘The Four Seasons' a makeover in its signature style. Listen now!

On the latest episode of ‘New Classical Tracks,' with host Julie Amacher, the Janoska ensemble gives Antonio Vivaldi's ‘The Four Seasons' a makeover in its signature style. Listen now!

Zapata habla sobre Antonio Vivaldi, conocido como el "Cura Rojo" debido a su cabello pelirrojo y su rol como sacerdote. Comienzan explorando su infancia y formación musical bajo la tutela de su padre, su carrera como maestro en el Ospedale della Pietà en Venecia, y su producción musical, especialmente sus conciertos y óperasEscuchar audio

À l'époque baroque, l'opéra est un milieu de rivalités et de scandales . Cet épisode explore la jalousie du compositeur Benedetto Marcello envers Antonio Vivaldi , un musicien prodigieux et influent à Venise. Dans son pamphlet Il Teatro alla moda (1720), Marcello critique violemment la musique « facile » de Vivaldi et tourne en dérision les excès de l'opéra. Vivaldi, visionnaire et controversé, est attaqué pour son mode de vie et sa proximité avec des chanteuses, notamment Anna Giraud , ce qui lui vaut le mépris du cardinal Ruffo. L'épisode évoque également Joseph Bologne, Chevalier de Saint-Georges , un violoniste métisse, talentueux mais victime de racisme à la cour de Versailles. Venise devient un centre de spectacles fastueux, où l'opéra se démocratise, mais aussi un lieu de décors grandioses et de machineries extravagantes . Malgré les critiques, Vivaldi reste une icône musicale, tandis que Marcello sombre dans l'oubli. Réalisation Axelle Thiry. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Sarah Raven is one of Britain's best known gardeners. Since her debut book, The Cutting Garden in 1996 she has written for national newspapers and magazines and shared her gardening knowledge as a broadcaster. Sarah's love for gardening started with her family. Her father John was a Classics scholar at Cambridge and a keen amateur botanist and her mother Faith introduced Sarah to the joys of cutting and arranging flowers.Following her father's death when she was just seventeen, Sarah read History at the University of Edinburgh before deciding to pursue a career as a doctor. It was whilst she was on maternity leave from her medical training that Sarah began to cultivate her own garden which led to her first book, The Cutting Garden.After the success of her first book, Sarah set up her eponymous business which has evolved from a kitchen table start-up to successful global brand. Sarah continues to write, her latest book, A Year Full of Pots was published earlier this year.Sarah lives in East Sussex with her husband, the writer Adam Nicholson. She has three stepsons and two daughters.DISC ONE: See My Baby Jive - Wizzard DISC TWO: Dashing White Sergeant - Jimmy Shand DISC THREE: Don't You (Forget About Me) - Simple Minds DISC FOUR: You Can Dance (If You Want To) - Go Go Lorenzo & The Davis Pinckney Project DISC FIVE: September - Earth, Wind and Fire DISC SIX: Can't Take My Eyes Off You - Andy Williams DISC SEVEN: Rocket Man (I Think It's Going To Be A Long, Long Time) - Elton John DISC EIGHT: Spring 1. Composed by Antonio Vivaldi, recomposed by Max Richter and performed by Daniel Hope (violin) with the Konzerthausorchester Berlin, conducted by André de RidderLuxury: An ever-cleaning linen sheet bed with a hot (and cold) water bottle Book: The Flowers of Crete by John Fielding & Nicholas Turland Castaway's Favourite: September - Earth, Wind and FirePresenter: Lauren Laverne Producer: Mugabi Turya

In early 18th century Venice, the Ospedale della Pietà took in abandoned baby girls through a tiny gap in the wall.  In addition to ensuring the girls' survival, the orphanage employed one of the world's greatest ever composers - Antonio Vivaldi - to train the girls in music.  One of his pupils, Anna Maria della Pietà, became his star protegé and went on to a phenomenal career as a violinist and the maestro's biggest rival.Anna Maria's largely forgotten life is compellingly recovered and reimagined in this summer's most eagerly anticipated historical novel, The Instrumentalist by Harriet Constable. She joins Professor Suzannah Lipscomb to talk about how she discovered and brought Anna-Maria's heart-rending story to life.Presented by Professor Susannah Lipscomb. The researcher is Alice Smith and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff."Et in Terra Pax" from Vivaldi's Gloria in D used with the kind permission of the Girl Choir of South Florida. Watch here >Not Just the Tudors is a History Hit podcastEnjoy unlimited access to award-winning original TV documentaries that are released weekly and AD-FREE podcasts. Sign up HERE for 50% off your first 3 months using code ‘TUDORS' You can take part in our listener survey here >