Podcast appearances and mentions of Antonio Vivaldi

Once upon a time, there was a heroic knight, the greatest of Charlamagne's famed paladins, and his name was Orlando (or Roland, depending on whom you ask.)  Among his many heroic deeds and great journeys was this: a quest to a magical isle to abduct the headstrong princess Angelica and steal the ashes of Melin (yes, that Merlin).  As his failure to win Angelica's heart leads him down the path to madness, we must ask: is there hope for this broken hero after all? Antonio Vivaldi, famed composer of The Four Seasons, is not widely known for his operas, however, he composed between 70 and 100 in his lifetime.  Join us for a discussion of this treasure of Baroque opera. Hosted by Pat and Jeff Counts (General Manager of the Grand Teton Music Festival, and KHOL's film critic) Grand Teton Music Festival

Neste primeiro episódio especial da série dedicada à Semana da Mãe Terra, os professores voluntários da Nova Acrópole do Brasil propõem uma profunda reflexão sobre a ideia de Unidade, a partir da conexão entre o micro e o macrocosmos. Partindo da máxima do Templo de Delfos – "Conhece-te a ti mesmo" – os professores Raíssa Moraes, Roberto Pertile e Pedro Guimarães exploram como a filosofia clássica ensina que o autoconhecimento é chave para a integração do ser humano com a Natureza e com a Vida. O episódio convida à observação da natureza como um espelho de leis universais que também regem o interior humano, e ressalta que reconhecer-se como parte de um todo maior conduz à vivência de uma ética fraterna e integradora. São discutidos temas como a pedagogia filosófica, a harmonia entre razão e sentimento, o simbolismo do Homem Vitruviano, o papel do voluntariado e a importância de cultivar valores como a generosidade e a amizade para a construção de um mundo mais justo e natural. A celebração do Dia Internacional da Mãe Terra é, assim, um marco simbólico para despertar a consciência de que todos habitamos uma mesma casa: o planeta Terra. E que essa casa, como ensinam as tradições antigas, deve ser cuidada com o mesmo respeito e amor que dedicamos a uma mãe. Participantes: Raíssa Moraes, Roberto Pertile e Pedro Guimarães Trilha Sonora: Concerto para dois Mandolins em Sol Maior, RV 532 – Antonio Vivaldi

This week on The Sound Kitchen you'll hear the answer to the question about the seven-time Olympic medallist Kirsty Coventry. There's “The Listener's Corner” with Paul Myers, Erwan Rome's “Music from Erwan”, and the new quiz and bonus questions too, so click the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winners' names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr Tell us why you like the piece of music, too – it makes it more interesting for us all!Facebook: Be sure to send your photos to thesoundkitchen@rfi.fr for the RFI English Listeners Forum banner!More tech news: Did you know we have a YouTube channel? Just go to YouTube and write “RFI English” in the search bar, and there we are! Be sure to subscribe to see all our videos.Would you like to learn French? RFI is here to help you!Our website “Le Français facile avec RFI” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard.Go to our website and get started! At the top of the page, click on “Test level”. According to your score, you'll be counselled to the best-suited activities for your level.Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service told me: “Bathe your ears in the sound of the language, and eventually, you'll get it.” She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it!Be sure you check out our wonderful podcasts!In addition to the news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more.There's Spotlight on France, Spotlight on Africa, The International Report, and of course, The Sound Kitchen. We also have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service. Please keep checking our website for updates on the latest from our journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St. Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr., too. They are also a good way to help you improve your English - that's how I worked on my French, reading books that were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload!We have new RFI Listeners Club members, Jocelyne D'Errico, a Frenchwoman who lives in New Zealand - and Alexander Konak from Zaporizhzhia, Ukraine.Welcome Jocelyne, welcome Alexander!  So glad you have joined us!You too can be a member of the RFI Listeners Club – just write to me at english.service@rfi.fr and tell me you want to join, and I'll send you a membership number. It's that easy. When you win a Sound Kitchen quiz as an RFI Listeners Club member, you'll receive a premium prize.This week's quiz: On 22 March,I asked you a question about Paul's article “Zimbabwe's aspiring Olympics supremo Coventry targets development of athletes”, which profiled seven-time Olympic medalist Kirsty Coventry, the most decorated African in the 129-year history of the Games.Kirsty Coventry was one of the candidates vying for the presidency of the International Olympic Committee, which was decided a few days after the podcast … and she won! She's the first woman, and the first African, to hold the post. Congratulations Ms. Coventry!You were to send in a list of the medals the swimmer won, along with the dates of the Games in which she won them.The answer is, to quote Paul: “… in 2004 at the Athens Games, she won gold in the 200m backstroke, silver in the 100m backstroke and bronze in the 200m individual medley.In Beijing in 2008, she retained her backstroke title and claimed silver again in the 100m backstroke as well as silvers in the 200 and 400m individual medley.”In addition to the quiz question, there was the bonus question, suggested by Alan Holder from England's Isle of Wight. His question was: “Do you believe that people have a sixth sense - that is, an ability to know something without using the ordinary five senses of smell, sight, taste, hearing, and touch?  Can you recall any personal experiences to justify your belief?”Do you have a bonus question idea? Send it to us! The winners are: RFI Listeners Club member Dipita Chakrabarty. Dipita is also this week's bonus question winner. Congratulations, Dipita, on your double win!Also on the list of lucky winners this week are RFI Listeners Club member Bidhan Chandra Sanyal from West Bengal, India, and Paresh Hazarika, a member of the RFI United Listeners Club in Assam, India. Last but not least, there are RFI English listeners Khondaker Rafiqul Islam from Naogaon, Bangladesh, and Ahmad, who's a member of the International Radio Fan and Youth Club in Khanewal, Pakistan.Congratulations, winners!Here's the music you heard on this week's programme: “Koud Min” by Aurélien Chambaud and Yon Kalawang; “Hip Hotheads” by Rick Braun; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and Antonio Vivaldi's Bassoon Concerto in a minor, RV 499, performed by Daniel Smith with the English Chamber Orchestra conducted by Philip Ledger.Do you have a music request? Send it to thesoundkitchen@rfi.frThis week's question ... you must listen to the show to participate. After you've listened to the show, re-read Paul Myers' article “Nobel prize-winning author Mario Vargas Llosa dies aged 89”, which will help you with the answer.You have until 12 May to enter this week's quiz; the winners will be announced on the 17 May podcast. When you enter, be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceClick here to learn how to win a special Sound Kitchen prize.Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club.   

Antonio Vivaldi (1678 - 1741) - Stabat Mater per Alto solo, RV 6211. Stabat Mater2. Cuius animam3. O quam tristis4. Quis est homo5. Quis non posset6. Pro peccatis7. Eja Mater8. Fac ut ardeat9. Amen Sytse Buwalda, altoNetherlands Bach CollegiumPieter van Leusink, conductor

Interpreten: Sophie Dervaux, La Folia BarockorchesterLabel: Berlin ClassicsEAN: 885470037240Die Fagottistin Sophie Dervaux hat sich vorgenommen, alle Fagott Konzerte von Antonio Vivaldi auf CD aufzunehmen. Vielleicht kein Monstervorhaben, so als ob man alle 241 Violinkonzerte aufnehmen wollte, aber immerhin liegen die Werke für Fagott als Soloinstrument mit 39 bzw. 37 vollständig überlieferten schon an zweiter Stelle. Vor wenigen Tagen ist die zweite Folge der geplanten Gesamt-Reihe erschienen.Nach dem Vivaldi, ist vor dem Vivaldi. So oder so ähnlich muss es sich für die Fagottistin Sophie Dervaux anfühlen. Zumindest was ihre Aufnahmetätigkeit als Solistin betrifft. Mit Vivaldi Bassoon Concerti setzt sie nun mit sieben weiteren Konzerten ihre Reihe fort, und hat somit quasi ein Drittel aller Konzerte im Kasten. Auch hier spielt die philharmonische Solofagottistin auf einem modernen Instrument, sie ist ja seit 2014 Püchner-Künstlerin, während ihr ein herausragend besetztes Ensemble an historischem Instrumentarium zur Seite steht. Das ist jedoch in keinster Weise ihrer Ablehnung gegenüber historischen Fagotten geschuldet, im Gegenteil hat sie sich selbst sehr intensiv mit dem Spiel auf historischen Instrumenten beschäftigt. Nein, das moderne Fagott erlaubt ihr, sich der historischen Spielweise auf zeitgemäße Art anzunähern. Robin Peter Müller und seine Musikerinnen und Musiker von La Folia legen Sophie Dervaux einmal mehr ein perfekt abgestimmtes Klangbett, in das sie ihren feinen Fagottklang legen kann. Hochvirtuos spielt sich die Fagottistin durch sieben Konzerte von Antonio Vivaldi, mit den großen Sprüngen von hohen ins tiefe Register, mit den vielen Läufen und unterschiedlichsten Klangfarben. Schon alleine beim Anhören dieser sieben Konzerte ist die angebliche Aussage Strawinskys über die 500 immergleichen Konzerte Vivaldis nicht nachvollziehbar. Farblich und rhythmisch kontrastreich kommen sie daher, mal lyrisch und gesanglich, dann wieder aggressiv und stürmisch. Ich freue mich schon auf März 26, wenn wir wohl die nächste Ausgabe erwarten dürfen! (mg)

Klassiekuur brengt u muziek van de toondichters Antonio Vivaldi, Carl Philipp Emanuel Bach, Felich Mendelssohn, Ludwig Spohr, Johann Sebastian Bach, Tarquino Merula en Georg Philipp Telemann. Zij hebben een bonte mengeling aan muziek klaar, waarin zowel lente als vasten doorklinkt. Barokke, klassieke en romantische muziektaal wisselen hierin af.

Antonio Vivaldi - Concerto for Two FlutesJiri Valek, flute Jiri Novotny, fluteMore info about today's track: Naxos 8.550385Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

On the latest episode of ‘New Classical Tracks,' with host Julie Amacher, the Janoska ensemble gives Antonio Vivaldi's ‘The Four Seasons' a makeover in its signature style. Listen now!

Fast jeder kennt sie: Vor 300 Jahren ertönten zum ersten Mal die „Vier Jahreszeiten“ von Antonio Vivaldi. Was macht dieses Werk so besonders?

On the latest episode of ‘New Classical Tracks,' with host Julie Amacher, the Janoska ensemble gives Antonio Vivaldi's ‘The Four Seasons' a makeover in its signature style. Listen now!

Sie zwitschern, pfeifen, trällern: Die Singvögel geben wieder ihr Frühjahrskonzert. Kein Wunder, dass Komponisten sich seit Jahrhunderten von Vögeln inspirieren lassen. Wir stellen Ihnen fünf musikalische Vogelrufe vor.

Sie zwitschern, pfeifen, trällern: Die Singvögel geben wieder ihr Frühjahrskonzert. Kein Wunder, dass Komponisten sich seit Jahrhunderten von Vögeln inspirieren lassen. Wir stellen Ihnen fünf musikalische Vogelrufe vor.

La magie de Venise au théâtre !Alors que le Carnaval de Venise vient tout juste de prendre fin, certains artistes font perdurer la magie de la Sérénissime sur scène et depuis la France ! « Titizé » est un spectacle dédié et créé à Venise l'été dernier, au Teatro Goldoni. Après avoir enchanté 15 000 spectateurs, ce « rêve vénitien » démarre sa tournée et fait sa grande 1ère française au Théâtre le 13ème art à Parigi ! Vous avez jusqu'au 6 avril pour vous offrir cette échappée belle onirique en Vénétie qui fait s'entremêler les arts du cirque, du théâtre et de l'opéra !Le voyage est le terrain de jeu de la compagnia Finzi Pasca ! C'est en parcourant le monde, en se produisant dans une cinquantaine de pays, depuis 40 ans, que ces artistes vagabonds « collectionnent les histoires qui soignent ». Et à chaque fois, leur poésie circassienne, devenue leur langage à part entière, nous entraine sur les routes de la vie, à leurs côtés !Le « Maestro » suisse-italien qui l'orchestre semble doté d'un pouvoir magique ! Des formes scéniques les plus confidentielles, jusqu'aux cérémonies de Jeux Olympiques qu'il a mises en scène à Turin en 2006 ou Sotchi en 2014, sans oublier les spectacles en collaboration avec le célèbre Cirque du soleil, il nous dépose à chaque fois « une caresse », ce geste d'empathie dont il a fait l'emblème de son théâtre.Bell'ascolto tout en douceur !Conçu, réalisé et présenté par Claire PlantinetMontage Générique : François PraudMusique : Happy Clapping Cinematic Score / PaBlikMM / Envato ElementsCréation visuelle : Thomas JouffritPodcast hébergé par Ausha· L'univers artistique de Daniele Finzi Pasca :Instagram : @danielefinzipasca & @compagniafinzipascaSite Internet : www.finzipasca.com/fr/Retrouvez la dernière création du metteur en scène, « Titizé - Un rêve vénitien » jusqu'au 6 avril, au théâtre le 13ème art, Place d'Italie à Paris.Instagram : @le13emeartSite Internet : www.le13emeart.comAdresse : Centre Commercial Italie Deux, 30 Pl. d'Italie, 75013 ParisTéléphone : 01 48 28 53 53· Les inspirations italiennes de Daniele Finzi Pasca :Le dramaturge italien et qui plus est... vénitien, Carlo Goldoni, qui a donné son nom au Teatro Goldoni di Venezia, le plus ancien théâtre de Venise toujours en activité, où « Titizé » a été créé l'été dernier !Les peintures vénitiennes de l'artiste Giambattista Tiepolo, source d'inspiration du spectacle !Dario Fo, Roberto Benigni, Massimo Troisi : les comédiens italiens qui maîtrisent l'art de la clownerie avec délicatesse et profondeur !Les œuvres sur Venise : Lire Marco Polo et pourquoi pas sa « Description du monde » (Ed. Le livre de poche), écouter Antonio Vivaldi et regarder « Mort à venise » de Luchino Visconti.· Archives épisodes : © Extraits « Titizé » de la Compagnia Finzi Pasca et BO du spectacle signée Maria Bonzanigo, Artesplorando « Tiepolo: vita e opere in 10 punti », Film « La Vita è Bella » scène de l'ombelico avec Roberto Benigni, Bande annonce spectacle « La Verità » de la Compagnia Finzi Pasca, spectacle « Icaro » avec Daniele Finzi Pasca, spectacle « Corteo » avec le Cirque du soleil, Bande Originale du film « Mort à venise » de Luchino Visconti.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Antonio Vivaldi (1678-1741) - Scanderbeg, RV 732  (Ricostruzione da vari frammenti poiché la partitura è andata perduta, resta solo il libretto). Scanderbeg è un'opera in tre atti su libretto di Antonio Salvi. Fu eseguita per la prima volta al Teatro della Pergola di Firenze il 22 giugno 1718 per celebrare la riapertura del teatro alle rappresentazioni pubbliche.  Il soggetto dell'opera è Skanderbeg, l'eroe albanese del XV secolo.Sinfonia RV 131 (Bela Banfalvi, direttore d'orchestra) - 0:001. Aria (Doneca) "Fra catene ognor penando" (Atto 1, Scena 8) - 4:26 2. Aria (Doneca) "Nelle mie selve natie" (Atto 2, Scena 2) - 9:29Emiljana Palushaj – sopranoOrchestra d'archi dell'Accademia delle Arti di TiranaZhani Ciko, direttore d'orchestra 3. Recitativo (Ormondo, Scanderbeg) e Aria (Scanderbeg) "Con palme ed allori" (Atto 2, Scena 9) - 14:074. Recitativo (Ormondo) e Aria (Ormondo) "S`a voi penso luci belle" (Atto 2, scena 10) - 19:22Sonia Prina, mezzosopranoAccademia BizantinaOttavio Dantone, direttore

Zapata habla sobre Antonio Vivaldi, conocido como el "Cura Rojo" debido a su cabello pelirrojo y su rol como sacerdote. Comienzan explorando su infancia y formación musical bajo la tutela de su padre, su carrera como maestro en el Ospedale della Pietà en Venecia, y su producción musical, especialmente sus conciertos y óperasEscuchar audio

À l'époque baroque, l'opéra est un milieu de rivalités et de scandales . Cet épisode explore la jalousie du compositeur Benedetto Marcello envers Antonio Vivaldi , un musicien prodigieux et influent à Venise. Dans son pamphlet Il Teatro alla moda (1720), Marcello critique violemment la musique « facile » de Vivaldi et tourne en dérision les excès de l'opéra. Vivaldi, visionnaire et controversé, est attaqué pour son mode de vie et sa proximité avec des chanteuses, notamment Anna Giraud , ce qui lui vaut le mépris du cardinal Ruffo. L'épisode évoque également Joseph Bologne, Chevalier de Saint-Georges , un violoniste métisse, talentueux mais victime de racisme à la cour de Versailles. Venise devient un centre de spectacles fastueux, où l'opéra se démocratise, mais aussi un lieu de décors grandioses et de machineries extravagantes . Malgré les critiques, Vivaldi reste une icône musicale, tandis que Marcello sombre dans l'oubli. Réalisation Axelle Thiry. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

When you go through a tough time, you will have people tell you that “it could be worse.” Frequently, the consolation of “worse things have happened to better people” is offered - as if to diminish the gravity of our suffering. But to imply that something could be “worse” is to state that it could be “different.” In tonight's story, we find out what truly lies behind the facade of a set of circumstances that appear to be “different” than the circumstances that have come before. So pay close attention, and be prepared to take notes, lest you have to go through all of this Again. This story was written by Phillip Clark. It was directed, engineered, and edited by Phillip Clark. The Hidden Archives is created by Phillip Clark, and is produced by Phillip Clark and Nicole Clark of the Rhodes Collaborative Experience LLC.   Executive Producer: Phillip Clark   Co-Executive Producer: Nicole Clark   The “Curator” was voiced by Nicole Clark, and “the Dictator” was voiced by Phillip Clark.   This, and every story, presented by the Hidden Archives is completely fictional. Any resemblance to actual people or events is purely coincidental. But, when it happens, it is somewhat disturbing, pretty cool, and kind of the point (sometimes).   Music: Theme is “Goldberg Variations, BWV 988 – 22 Variatio 21 Canone alla Settima” by J.S. Bach, and the story music was: “Concerto in B minor, RV 580” by Antonio Vivaldi.    Please remember to follow us on Facebook and Instagram (for now) at hiddenarchivespodcast. We have left Twitter (“X”), but we may join Buesky. Keep tuned for more updates.   As always, feel free to message us on any or all of our social media platforms listed. Have a story idea, and theories on canon, or think you know something that might (or should) be in the Hidden Archives? Drop us a message and we'll see if you are curator material. We always respond to every direct message!

Nhà soạn nhạc người Ý Antonio Vivaldi không phải là kẻ si tình duy nhất trao trọn trái tin cho Nàng Xuân. Bản Symphonie số 1 của nhạc sĩ người Đức Robert Schumann cũng mang tên Xuân. Trong sự nghiệp ngắn ngủi, nhạc sĩ dương cầm Mendelssohn đã để lại cho hậu thế khúc Xuân Ca. Vũ điệu mùa Xuân của tác giả người Pháp Debussy là sự vui tươi trong một ngày mới. Nhịp điệu dồn dập, thôi thúc trong Lễ Đăng Quang Mùa Xuân của Stravinsky hừng hực nhựa sống. Ý xuân trong những khúc xuân caNhưng đâu cần phải mang tên Xuân mới là là hơi thở mùa xuân. Nhạc phẩm Die Moldau mang tên con sông Vltava chảy qua thành phố Praha, Tiệp Khắc đã trở một trong những biểu tượng lớn nhất của Mùa Xuân nhờ nhà soạn nhạc Bedrich Smetana (1824-1881).Vlatava là con sông dài nhất, hơn 430 km, của Tiệp Khắc và dưới thời kỳ còn bị vương quốc Áo đô hộ, con sông được biết đến nhiều hơn dưới tên gọi là dòng Die Moldau. Nhạc sĩ Smetana năm 1874, trên đỉnh cao danh vọng, đã mang hết bầu nhiệt huyết để soạn một tuyển tập nhạc gồm 6 bản, mà trong đó Die Moldau được biết đến nhiều hơn cả. Khúc nhạc này nổi tiếng nhờ giai điệu du dương, bay bổng nhẹ nhàng với một vài nốt nhạc dễ nghe, dễ nhớ. Dường như giai điệu ấy bắt nguồn từ một bài hát dân gian, đậm tình dân tộc của người dân sứ Tiệp. Nhưng không chỉ có thế. Trong tác phẩm này Smetana thả bước theo hai dòng suối nhỏ ở thượng nguồn sâu thẳm trong vùng Bohemia : hai mạch nước quấn vào nhau thành một con sông nấp mình trong rừng sâu, đem nước sống tưới mát đồng cỏ, làng quê, vươn ra đến thành phố trước khi hòa nhập vào với con sông lớn Elbe … Trong suốt hành trình đó, có tiếng suối reo, có đám cưới đồng quê, có ánh trăng vàng… Nước có lúc hiền hoà, khi thì cuồng nhiệt siết chảy như như thác đổ …Khát vọng tự doNhạc sĩ Bedrich Smetana sinh ra trong một gia đình đông con tại thị trấn Litomysl vùng Bohemia Tiệp Khắc. Là một người có tinh thần yêu nước cao, ông sớm sáng tác những khúc quân ca, hòa mình với cuộc nổi dậy năm 1848 bùng lên tại Praha. … Smetana cũng đã trải qua một thời gian dài ở Thụy Điển trước khi về điều hành trường nhạc và một nhà hát ở thủ đô Tiệp Khắc… Từ thập niên 1860 ông ấp ủ dự án sáng tác một tập nhạc với những bài ca yêu nước. Năm 1874 ông bắt đầu soạn tuyển tập lấy tên là Ma Vlast, Tổ Quốc Tôi. Trong nhạc phẩm Die Moldau Smetana mượn hình ảnh con sông hiền hòa để nói lên khát vọng tự do của cả một dân tộc. Cũng chính vì thế mà bản nhạc này luôn đồng hành với người dân Tiệp Khắc trong mỗi cuộc đấu tranh : Thập niên 1940, Die Moldau là biểu tượng kháng chiến của người dân Tiệp chống Đức Quốc Xã. Nhạc phẩm này hành với phong trào nổi dậy Mùa Xuân Praha năm 1968 chống lại bàn tay sắt của Liên Xô. Cũng ca khúc này trở thành biểu tượng của cuộc Cánh Mạng Nhung 1989 lật đổ chế độ Cộng Sản.Từ năm 1946 bản Die Moldau luôn là tác phẩm đầu tiên trỗi lên vào mỗi lễ hội âm nhạc Festival Mùa Xuân Praha, được tổ chức đúng ngày giỗ nhạc sĩ Bedrich Smetana 12 tháng 5 hàng năm. Tháng 5 ở Tiệp vẫn còn là mùa xuân…Vỗ cánh chim bayChim hót trên cành hay con chim rời tổ cũng là biểu tượng của mùa xuân. Phải chăng vì thế mà nhạc phẩm ít được biết đến The Lark Ascending của nhà soạn nhạc người Anh Raph Vaughan Williams (1872-1958) được xem là một trong những khúc xuân ca độc đáo nhất. Đến với tác phẩm này, ta không khỏi nghĩ đến bài thơ của Huy Cận được sáng tác năm 1964 : « Con chim chiền chiệnBay vút, vút caoLòng đầy yêu mếnKhúc hát ngọt ngào  (…)Con chim chiền chiện,Hồn xanh quê nhàSáng nay lại hót,Tưng bừng lòng ta » Được xem là một trong những nhà soạn nhạc có ảnh hưởng lớn nhất của Anh Quốc ở nửa đầu thế kỷ XX, Raph Vaughan Williams lấy nguồn cảm hứng từ hình cảnh con chim rời tổ, tự do bay lượn, ca hát trên trời cao khi ông sáng tác bản concerto The Lark Ascending. Tiếng vĩ cầm ở đây thánh thót như tiếng chim, « vút, vút cao » để một ngày nào nó « tung cánh chim tìm về tổ ấm »  …Bảo Giao hưởng Đồng quê Bức họa đồng quê, cảnh sông nước hữu tình, tiếng chim hót… cũng gợi lên hình ảnh mùa xuân trong lòng nhạc sĩ Beethoven (1770-1827) khi ông soạn bản Giao Hưởng Đồng Quê -La Symphonie Pastorale. Đây là bản giao hưởng số 6, được soạn cùng lúc với bản Symphonie số 5 mà chính tác giả đã gọi là bản Giao Hưởng của Định Mệnh. Beethoven trong vai nhạc trưởng đã điều khiển dàn nhạc suốt hơn 4 giờ đồng hồ trong đêm 22/12/1808. Một chương trình quá dài khiến cả hai bản giao hưởng rất nổi tiếng của ông đã bị nhiều tiếng chê bai. Khán giả thành Vienne khi đó hoàn toàn lạnh nhạt với hai trong số 9 bản symphonie mang tên Beethoven.Trở lại với bản Giao Hưởng Đồng Quê : khác với thường lệ đây là một bản Symphonie gồm đến 5 phần, ngay từ khuông nhạc đầu teien, tác giả đã đưa người nghe bước vào một khung trời bình yên, nơi có nắng ấm. nhạc phẩm này như một bức họa đồng quê : ta trông thấy Beethoven thả bước trên những cánh đồng, hương cỏ và những nụ hoa chớm nở chào đón khách bộ hành.Những con lạch tưới mát ruộng đồng, những bầy sơn ca, họa mi, chim sáo hòa vang tiếng hót.. Những đôi trai gái cười vui dưới bóng hàng cây ...  Rồi những hạt mưa xuân, giông tố, chim muông thu mình vào tổ.. .. những hạt mưa nhẹ dần, những mầm cây đâm trồi nẩy lộc … 

Nhà soạn nhạc người Ý Antonio Vivaldi không phải là kẻ si tình duy nhất trao trọn trái tin cho Nàng Xuân. Bản Symphonie số 1 của nhạc sĩ người Đức Robert Schumann cũng mang tên Xuân. Trong sự nghiệp ngắn ngủi, nhạc sĩ dương cầm Mendelssohn đã để lại cho hậu thế khúc Xuân Ca. Vũ điệu mùa Xuân của tác giả người Pháp Debussy là sự vui tươi trong một ngày mới. Nhịp điệu dồn dập, thôi thúc trong Lễ Đăng Quang Mùa Xuân của Stravinsky hừng hực nhựa sống. Ý xuân trong những khúc xuân caNhưng đâu cần phải mang tên Xuân mới là là hơi thở mùa xuân. Nhạc phẩm Die Moldau mang tên con sông Vltava chảy qua thành phố Praha, Tiệp Khắc đã trở một trong những biểu tượng lớn nhất của Mùa Xuân nhờ nhà soạn nhạc Bedrich Smetana (1824-1881).Vlatava là con sông dài nhất, hơn 430 km, của Tiệp Khắc và dưới thời kỳ còn bị vương quốc Áo đô hộ, con sông được biết đến nhiều hơn dưới tên gọi là dòng Die Moldau. Nhạc sĩ Smetana năm 1874, trên đỉnh cao danh vọng, đã mang hết bầu nhiệt huyết để soạn một tuyển tập nhạc gồm 6 bản, mà trong đó Die Moldau được biết đến nhiều hơn cả. Khúc nhạc này nổi tiếng nhờ giai điệu du dương, bay bổng nhẹ nhàng với một vài nốt nhạc dễ nghe, dễ nhớ. Dường như giai điệu ấy bắt nguồn từ một bài hát dân gian, đậm tình dân tộc của người dân sứ Tiệp. Nhưng không chỉ có thế. Trong tác phẩm này Smetana thả bước theo hai dòng suối nhỏ ở thượng nguồn sâu thẳm trong vùng Bohemia : hai mạch nước quấn vào nhau thành một con sông nấp mình trong rừng sâu, đem nước sống tưới mát đồng cỏ, làng quê, vươn ra đến thành phố trước khi hòa nhập vào với con sông lớn Elbe … Trong suốt hành trình đó, có tiếng suối reo, có đám cưới đồng quê, có ánh trăng vàng… Nước có lúc hiền hoà, khi thì cuồng nhiệt siết chảy như như thác đổ …Khát vọng tự doNhạc sĩ Bedrich Smetana sinh ra trong một gia đình đông con tại thị trấn Litomysl vùng Bohemia Tiệp Khắc. Là một người có tinh thần yêu nước cao, ông sớm sáng tác những khúc quân ca, hòa mình với cuộc nổi dậy năm 1848 bùng lên tại Praha. … Smetana cũng đã trải qua một thời gian dài ở Thụy Điển trước khi về điều hành trường nhạc và một nhà hát ở thủ đô Tiệp Khắc… Từ thập niên 1860 ông ấp ủ dự án sáng tác một tập nhạc với những bài ca yêu nước. Năm 1874 ông bắt đầu soạn tuyển tập lấy tên là Ma Vlast, Tổ Quốc Tôi. Trong nhạc phẩm Die Moldau Smetana mượn hình ảnh con sông hiền hòa để nói lên khát vọng tự do của cả một dân tộc. Cũng chính vì thế mà bản nhạc này luôn đồng hành với người dân Tiệp Khắc trong mỗi cuộc đấu tranh : Thập niên 1940, Die Moldau là biểu tượng kháng chiến của người dân Tiệp chống Đức Quốc Xã. Nhạc phẩm này hành với phong trào nổi dậy Mùa Xuân Praha năm 1968 chống lại bàn tay sắt của Liên Xô. Cũng ca khúc này trở thành biểu tượng của cuộc Cánh Mạng Nhung 1989 lật đổ chế độ Cộng Sản.Từ năm 1946 bản Die Moldau luôn là tác phẩm đầu tiên trỗi lên vào mỗi lễ hội âm nhạc Festival Mùa Xuân Praha, được tổ chức đúng ngày giỗ nhạc sĩ Bedrich Smetana 12 tháng 5 hàng năm. Tháng 5 ở Tiệp vẫn còn là mùa xuân…Vỗ cánh chim bayChim hót trên cành hay con chim rời tổ cũng là biểu tượng của mùa xuân. Phải chăng vì thế mà nhạc phẩm ít được biết đến The Lark Ascending của nhà soạn nhạc người Anh Raph Vaughan Williams (1872-1958) được xem là một trong những khúc xuân ca độc đáo nhất. Đến với tác phẩm này, ta không khỏi nghĩ đến bài thơ của Huy Cận được sáng tác năm 1964 : « Con chim chiền chiệnBay vút, vút caoLòng đầy yêu mếnKhúc hát ngọt ngào  (…)Con chim chiền chiện,Hồn xanh quê nhàSáng nay lại hót,Tưng bừng lòng ta » Được xem là một trong những nhà soạn nhạc có ảnh hưởng lớn nhất của Anh Quốc ở nửa đầu thế kỷ XX, Raph Vaughan Williams lấy nguồn cảm hứng từ hình cảnh con chim rời tổ, tự do bay lượn, ca hát trên trời cao khi ông sáng tác bản concerto The Lark Ascending. Tiếng vĩ cầm ở đây thánh thót như tiếng chim, « vút, vút cao » để một ngày nào nó « tung cánh chim tìm về tổ ấm »  …Bảo Giao hưởng Đồng quê Bức họa đồng quê, cảnh sông nước hữu tình, tiếng chim hót… cũng gợi lên hình ảnh mùa xuân trong lòng nhạc sĩ Beethoven (1770-1827) khi ông soạn bản Giao Hưởng Đồng Quê -La Symphonie Pastorale. Đây là bản giao hưởng số 6, được soạn cùng lúc với bản Symphonie số 5 mà chính tác giả đã gọi là bản Giao Hưởng của Định Mệnh. Beethoven trong vai nhạc trưởng đã điều khiển dàn nhạc suốt hơn 4 giờ đồng hồ trong đêm 22/12/1808. Một chương trình quá dài khiến cả hai bản giao hưởng rất nổi tiếng của ông đã bị nhiều tiếng chê bai. Khán giả thành Vienne khi đó hoàn toàn lạnh nhạt với hai trong số 9 bản symphonie mang tên Beethoven.Trở lại với bản Giao Hưởng Đồng Quê : khác với thường lệ đây là một bản Symphonie gồm đến 5 phần, ngay từ khuông nhạc đầu teien, tác giả đã đưa người nghe bước vào một khung trời bình yên, nơi có nắng ấm. nhạc phẩm này như một bức họa đồng quê : ta trông thấy Beethoven thả bước trên những cánh đồng, hương cỏ và những nụ hoa chớm nở chào đón khách bộ hành.Những con lạch tưới mát ruộng đồng, những bầy sơn ca, họa mi, chim sáo hòa vang tiếng hót.. Những đôi trai gái cười vui dưới bóng hàng cây ...  Rồi những hạt mưa xuân, giông tố, chim muông thu mình vào tổ.. .. những hạt mưa nhẹ dần, những mầm cây đâm trồi nẩy lộc … 

Interpreten: Philipp Schupelius, Yukino Kaihara, Metamorphosen Berlin, Wolfgang Emanuel Schmidt Label: Genuin EAN: 4260036258967 Mit unserer CD der Woche präsentieren wir Ihnen diesmal einen neuen, sehr hell leuchtenden Stern am jungen Cellohimmel. Philipp Schupelius, Gewinner des Deutschen Musikwettbewerbes 2023, ist nun erstmals auf CD zu erleben, nämlich mit mit Vivaldi und Rachmaninow. Eine ungewöhnliche Kombination. Michael Gmasz weiß mehr über den jungen ausgezeichneten Künstler und die Programmzusammenstellung. Philipp Schupelius, vorwiegend ausgebildet von Wolfgang Emanuel Schmist, ist ein junger Künstler, der in den vergangenen Jahren zum wahren Preisesammler geworden ist. Discovery Award der ICMA, Fanny-Mendelssohn Förderpreis, Boris Pergamenschikow Grant und nicht zuletzt im August 2023 auch Deutscher Musikwettbewerb. Die vorliegende CD ist Teil dieses ersten Preises und Philipp Schupelius hat sie mit für ihn besonderer Musik gefüllt. Konzerte von Antonio Vivaldi und Kammermusikwerke von Sergej Rachmaninow hat er dafür eingespielt, beides Menschen, die „lebenszugewandt und voller Energie waren“, wie der junge Musiker findet. Energie ist ein gutes Stichwort für das Cellospiel von Philipp Schupelius, denn energisch geht es mit Vivaldis h-Moll Konzert RV 424 gleich richtig zur Sache. Auf modernem Cello, frei nach seiner eigenen Interpretation, also weniger mit Blick auf historische Musizierpraxis. Hat in unserer Zeit absolut seine Berechtigung, wie ich finde. Mit leichtem Bogen und schnellen Fingern spielt sich der Solist über halsbrecherische Sechzehntel Kaskaden. Da hat er sich den langsamen Satz redlich zum Ausruhen verdient, wobei dieser zwar ruhiger aber mit der gleichen Energie versehen ist. Ebenso kräftig und flott gelingt das a-Moll Konzert RV 418, zu dem Schupelius auch gleich einen eigenen Kadenzsatz beisteuert, in dem er Vivaldi und Rachmaninow musikalisch aufeinandertreffen lässt. Apropos Rachmaninow. Eine ganz andere Energie und auch Klangfarbe bringt Philipp Schupelius bei den Kammermusikwerken des romantischen Komponisten ein. Hier liegt der Bogen flach und satt auf den Saiten, wie ein Maler trägt er die Musik teils pastos auf. Trotzdem wirkt auch hier nichts schwer und träge. Das Kammerorchester Metamorphosen Berlin sowie die Pianistin Yukino Kaihara sind verlässliche Stützen an seiner Seite. Hier lernen wir einen Musiker kennen, der uns sicher noch viel Freude bereiten wird! (mg)

Warm up to recommendations that we know you'll love so much! Charles continues as host while Dave continues working with his team to build a new website. Charles is joined by Patron Support Specialist Kelsey and Program Support Clerk Cara to share Winter Wonders picks from our collection. But we don't stop there as Brian reads Charles' "'Twas the Night Before the Podcast"—a re-conception of "'Twas the Night Before Christmas" and Charles treats us to his mad skills on the euphonium as he shares "Concerto No. 4 in F minor, Op. 8, RV 297, 'Winter'" by Antonio Vivaldi. Listen and please let these wonders brighten those dark days of winter! Check out the recommendations mentioned in this episode »

Listen to author and critic Erica Wagner in conversation with Harriet Constable, writer of “The Instrumentalist”, her first novel published by Bloomsbury in 2024, in which she retraces the story of musical prodigy Anna Maria della Pietà, student of Antonio Vivaldi. Through this conversation with Erica Wagner, Harriet Constable talks about her professional background as a journalist and filmmaker, her creative process and the importance of artistic solidarity in the journey of publishing a first novel. Together, they also discuss how narrating the untold stories of inspiring women is inseparable with both historical research and perseverance.As part of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon], the podcast "les Rencontres" highlights the birth of a writer in a series imagined by CHANEL and House ambassador and spokesperson Charlotte Casiraghi.© Harriet Constable 2024, 'The Instrumentalist', Bloomsbury Publishing PlcCopyright Guardian News & Media Ltd 2024The Rough Guide to Kenya by Richard Trillo © Rough Guide, 2024The Queen's Gambit by Walter Trevis © Walter Trevis, 1983. Published by Penguin RandomHouse USCopyright © Diogenes Verlag A G, Zurich, 1985 Translation Copyright © John E. Woods, 1986Maggie O'Farrell, Hamnet, Knopf, 2020Antonio Vivaldi, Le Quattro Stagioni, 1723-1725William Shakespeare, Hamlet, 1623Teatro La Fenice © Gian Antonio Selva, Aldo Rossi, Giovanni Battista Meduna, 1792© The New School

This episode is devoted to a guest straight from America: Karin Cuéllar Rendón, from the Early Music America network, historic Bolivian violinist, researcher and social justice advocate. Together with Darina, they will discuss issues of inclusivity and diversity in the field of early music, as well as interaction with the LGBTQI+ community and enlarging audiences, resources and funding.CREDITSguest Karin Cuéllar Rendón, Early Music Americainterview & editing Darina Abloginaproduction REMAdesign Doretta Rinaldimusic"La Primavera - Le Quattro Stagioni", Antonio Vivaldi performed by Karin Cuéllar Rendón and L'Harmonie des saisons2023Musicking Off the Cuff: Models for Early Music Improvisationperformed by Karin Cuéllar Rendón and Linda Pearse2020"Una panthera", Johannes Ciconiaperformed by CWRU Medieval Ensemble2015

Listen to author and critic Erica Wagner in conversation with Harriet Constable, writer of “The Instrumentalist”, her first novel published by Bloomsbury in 2024, in which she retraces the story of musical prodigy Anna Maria della Pietà, student of Antonio Vivaldi. Through this conversation with Erica Wagner, Harriet Constable talks about her professional background as a journalist and filmmaker, her creative process and the importance of artistic solidarity in the journey of publishing a first novel. Together, they also discuss how narrating the untold stories of inspiring women is inseparable with both historical research and perseverance.As part of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon], the podcast "les Rencontres" highlights the birth of a writer in a series imagined by CHANEL and House ambassador and spokesperson Charlotte Casiraghi.© Harriet Constable 2024, 'The Instrumentalist', Bloomsbury Publishing PlcCopyright Guardian News & Media Ltd 2024The Rough Guide to Kenya by Richard Trillo © Rough Guide, 2024The Queen's Gambit by Walter Trevis © Walter Trevis, 1983. Published by Penguin RandomHouse USCopyright © Diogenes Verlag A G, Zurich, 1985 Translation Copyright © John E. Woods, 1986Maggie O'Farrell, Hamnet, Knopf, 2020Antonio Vivaldi, Le Quattro Stagioni, 1723-1725William Shakespeare, Hamlet, 1623Teatro La Fenice © Gian Antonio Selva, Aldo Rossi, Giovanni Battista Meduna, 1792© The New School

Welcome to the Music with Miss Jen podcast, an engaging early childhood music class full of playful songs, imaginative lyrics, and music that will make your child want to clap, dance, and sing along! While designed especially for the younger listener, this music class is one the whole family can enjoy, with simple instrumentation and a focus on high-quality music selections.In this episode, we are singing about Fall with these songs:"Let's Sing Hello Together" - words © 2000 Music with Miss Jen, traditional music“We're Gonna Shake” - words and music © 2024 Music with Miss Jen"Apples and Bananas" - traditional"Turkey Wore His Red Feather" - words and music © 2024 Music with Miss Jen"My Turkey Ran Away" - music © Kathy Reid-Naiman from Sing the Cold Winter Away; additional words © 2024 Music with Miss Jen. Find more of her songs at https://www.kathyreidnaiman.com/Autumn from Antonio Vivaldi's Four Seasons“The Bear Song” - traditional“Goodbye, My Friends” - words and music © 2024 Music with Miss JenVisit my website for printable song pages to go along with some of today's songs: https://www.musicwithmissjen.com/podcast/ep-18You can find these and other songs in my digital products available in my Teachers Pay Teachers store or on Etsy.Where to find more Music with Miss Jen:Website: https://www.musicwithmissjen.comYouTube: https://www.youtube.com/@musicwithmissjenInstagram: https://www.instagram.com/musicmissjen/About Miss Jen -Miss Jen has been making music with young children for over 25 years. While she has taught all ages, early childhood has been her area of expertise for her entire teaching career. She has taught in both public and independent schools in a number of urban, suburban, and rural settings in 3 states. For the past 20 years, she has taught music outreach programs in preschools and day care centers, as well as conservatory-based music programs for infants up through fourth grade. She still actively teaches in multiple preschools and daycare centers, working with nearly 300 students and 45 teachers each year.

Ab 1703 arbeitete Antonio Vivaldi am Ospedale della Pietà. Aber weil sein Vertrag jährlich verlängert werden musste und das Verhältnis zu seinen Vorgesetzten nicht immer unproblematisch war, suchte er sich ein zweites Standbein, wurde Opernkomponist und Impresario. Durch diesen Beruf lernte er auch eine Frau kennen, die sein Leben maßgeblich beeinflussen sollte: Die Sängerin Anna Girò. Unser heutiges ZOOM berichtet von ihr.

Antonio Vivaldi - The Four Seasons: Autumn: 1st movementTakako Nishizaki, violinCapella IstropolitanaStephen Gunzenhauser, conductorMore info about today's track: Naxos 8.550056Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Harriet Constable's debut novel was inspired by the true story of an orphan who was a musical prodigy and student of one of the great Baroque composer, Antonio Vivaldi. 

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Isn't it Time by The Beach Boys (2012)Song 1: Can the Circle Be Unbroken (By and By) by the Carter Family (1927)Song 2: I'm Always in Love by Wilco (1999)Song 3: Rip This Joint by The Rolling Stones (1972)Song 4: Rocket 88 by Jackie Brenton & His Delta Cats (1951)Song 5: Twist and Shout by The Top Notes (1961)Song 6: The Woman Before Me by Trisha Yearwood (1991)Song 7: Cemetry Gates by The Smiths (1986)Song 8: There's No Secrets This Year by Silversun Pickups (2009)Song 9: Concerto No. 1 in E (La Primavera - Spring) by Antonio Vivaldi (1723)Song 10: Kiss by Prince & the Revolution (1986)Note: We weren't able to record an episode for Greg's podcast, so we'll get that next summer!!

Erik Orsenna "La cinquième saison" (Robert Laffont)À Venise, le temps s'est arrêté. Les Éléments sont déchaînés. Et Vivaldi a ressuscité...Lorsqu'un énième paquebot plein de touristes, le Wonder of the Seas, s'attaque à Venise, la Nature se révolte : elle arrête le Temps. L'horloge de la place Saint-Marc reste bloquée sur deux heures du matin. Le jour reviendra si les hommes reviennent à la raison. Du palais des Doges à la Fenice, l'affolement est général. Qui saura redémarrer la Grande Machine ?Au cœur de cette nuit qui s'entête apparaît un drôle de personnage – vêtu d'une soutane, les cheveux roux, le timbre de voix décalé. Voilà Antonio Vivaldi, ressuscité par le chaos moderne. Désormais, plus aucune barrière ne sépare les vivants et les morts. Le compositeur va écrire sa Cinquième Saison, celle où se réconcilieront les Éléments, l'Eau et le Feu, la Forêt et la Ville, l'Air et le Temps.Musique : Vivaldi « L'hiver »Beethoven « L'hymne à la joie » 9ème symphonieHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Harriet Constable learned a lot about the real life of Anna Maria della Pietà — that she grew up in an orphanage, that she was a star violinist and a favored student of Antonio Vivaldi. But in her new novel, The Instrumentalist, Constable also merges fact with fiction to tell the story of Anna Maria's synesthesia and musical talents. In today's episode, she speaks with NPR's Scott Simon about Anna Maria's life, the challenges and excitement of the classical music world at the time, and what we make of Vivaldi today. To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Who needs to prepare for winter when you can play all day during the other seasons? But is it possible to have too much fun? Find out in ‘The Ant and the Grasshopper,' the latest episode of YourClassical Storytime – featuring narration by Scott Blankenship, illustrations by Mia Jennings and music by Antonio Vivaldi.

Sarah Raven is one of Britain's best known gardeners. Since her debut book, The Cutting Garden in 1996 she has written for national newspapers and magazines and shared her gardening knowledge as a broadcaster. Sarah's love for gardening started with her family. Her father John was a Classics scholar at Cambridge and a keen amateur botanist and her mother Faith introduced Sarah to the joys of cutting and arranging flowers.Following her father's death when she was just seventeen, Sarah read History at the University of Edinburgh before deciding to pursue a career as a doctor. It was whilst she was on maternity leave from her medical training that Sarah began to cultivate her own garden which led to her first book, The Cutting Garden.After the success of her first book, Sarah set up her eponymous business which has evolved from a kitchen table start-up to successful global brand. Sarah continues to write, her latest book, A Year Full of Pots was published earlier this year.Sarah lives in East Sussex with her husband, the writer Adam Nicholson. She has three stepsons and two daughters.DISC ONE: See My Baby Jive - Wizzard DISC TWO: Dashing White Sergeant - Jimmy Shand DISC THREE: Don't You (Forget About Me) - Simple Minds DISC FOUR: You Can Dance (If You Want To) - Go Go Lorenzo & The Davis Pinckney Project DISC FIVE: September - Earth, Wind and Fire DISC SIX: Can't Take My Eyes Off You - Andy Williams DISC SEVEN: Rocket Man (I Think It's Going To Be A Long, Long Time) - Elton John DISC EIGHT: Spring 1. Composed by Antonio Vivaldi, recomposed by Max Richter and performed by Daniel Hope (violin) with the Konzerthausorchester Berlin, conducted by André de RidderLuxury: An ever-cleaning linen sheet bed with a hot (and cold) water bottle Book: The Flowers of Crete by John Fielding & Nicholas Turland Castaway's Favourite: September - Earth, Wind and FirePresenter: Lauren Laverne Producer: Mugabi Turya

durée : 00:25:23 - Anna Lucia et les statues, sur des musiques de Vivaldi - par : Anne-Charlotte Rémond - Dans ce conte musical, Anne-Charlotte Rémond s'est laissé inspirer par la musique du compositeur italien Antonio Vivaldi, et nous donne rendez-vous à Venise aux côtés d'Anna Lucia, une jeune fille qui remonte le temps pour retrouver sa sœur... - réalisé par : Philippe Petit

Anna Maria della Pieta. Chances are you've heard of Antonio Vivaldi, but you've never heard of Anna Maria or her fellow female orphans at the Ospedale della Pieta, which in 18th century Venice boasted the greatest orchestra in the world. Without these ridiculously talented girls and women, The Four Seasons might not exist.  Harriet Constable's debut historical fiction, The Instrumentalist, is the story of Anna Maria, Vivaldi's favourite student and violin prodigy, shining a light on the women and girls we should have been talking about for the last 300 years. The Instrumentalist is published by Bloomsbury on August 15.  @HarriConstable – Instagram @HConstable – X Learn more about your ad choices. Visit megaphone.fm/adchoices

Who needs to prepare for winter when you can play all day during the other seasons? But is it possible to have too much fun? Find out in ‘The Ant and the Grasshopper,' the latest episode of YourClassical Storytime – featuring narration by Scott Blankenship, illustrations by Mia Jennings and music by Antonio Vivaldi.

In early 18th century Venice, the Ospedale della Pietà took in abandoned baby girls through a tiny gap in the wall.  In addition to ensuring the girls' survival, the orphanage employed one of the world's greatest ever composers - Antonio Vivaldi - to train the girls in music.  One of his pupils, Anna Maria della Pietà, became his star protegé and went on to a phenomenal career as a violinist and the maestro's biggest rival.Anna Maria's largely forgotten life is compellingly recovered and reimagined in this summer's most eagerly anticipated historical novel, The Instrumentalist by Harriet Constable. She joins Professor Suzannah Lipscomb to talk about how she discovered and brought Anna-Maria's heart-rending story to life.Presented by Professor Susannah Lipscomb. The researcher is Alice Smith and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff."Et in Terra Pax" from Vivaldi's Gloria in D used with the kind permission of the Girl Choir of South Florida. Watch here >Not Just the Tudors is a History Hit podcastEnjoy unlimited access to award-winning original TV documentaries that are released weekly and AD-FREE podcasts. Sign up HERE for 50% off your first 3 months using code ‘TUDORS' You can take part in our listener survey here >

Antonio Vivaldi - Gloria: Gloria in ExcelsisOxford Schola Cantorum Northern Chamber Orchestra Nicholas Ward, conductorMore info about today's track: Naxos 8.554056Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Antonio Vivaldi - Flute Concerto No. 3 'Il gardellino': 1st movementBela Drahos, flute Nicolaus Esterhazy SinfoniaMore info about today's track: Naxos 8.553101Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Antonio Vivaldi - Oboe Concerto: MinuettoStefan Schilli, oboeBudapest Failoni Chamber Orchestra Pier Giorgio Morandi, conductorMore info about today's track: Naxos 8.554040Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Antonio Vivaldi - Concerto for Two Horns: 1st movementBedrich Tylsar, hornZdenek Tylsar, horn Capella IstropolitanaFrantisek Vajnar, conductorMore info about today's track: Naxos 8.550393Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Antonio Vivaldi - Guitar Concerto: LargoDagoberto Linhares, guitarCamerata CassoviaJohannes Wildner, conductorMore info about today's track: Naxos 8.550483Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Antonio Vivaldi - The Four Seasons: Summer: AdagioTakako Nishizaki, violinCapella IstropolitanaStephen Gunzenhauser, conductorMore info about today's track: Naxos 8.556779Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

El autor de 'Las cuatro estaciones' fue un virtuoso del violín y un prolífico compositor de conciertos y óperas, pero murió en la pobreza lejos de su ciudad natal.

Esta semana viajamos en el cronovisor junto a Jesús Callejo a explorar la vida y misterios de Antonio Vivaldi. Luego nos visita el escritor José Calvo Poyato que acaba de publicar su nueva novela El rey regente (HarperCollins 2024), sobre la vida de Fernando el Católico. Acabamos con un buen amigo, el periodista y premio Planeta 2017 Javier Sierra. Él ha reeditado recientemente el libro Roswell secreto de estado (Planeta 2024), sobre los extraños sucesos en esta localidad de Nuevo México en el año 1947

Antonio Vivaldi es uno de los autores barrocos más pop de la historia de la música. Sus Cuatro estaciones o el Magníficat son algunas de las obras maestras de la historia de la música. Jesús Callejo se adentra en los misterios de la vida de este sacerdote veneciano. Nos acompaña Luis Antonio Muñoz, musicólogo

Private Water Taxis: Navigating Venice's Waterways in StyleVenice is comprised of an intricate network of canals. For a truly luxurious experience, opt for a private water taxi to whisk you away to your destination. Glide through the shimmering waters of the Grand Canal, passing historic palaces and ornate bridges, as your knowledgeable guide tells the tales of Venice's storied past! Private water taxis typically cost 70-80 Euros and are well worth the ride.Hotel ai Cavalieri di Venezia: A Luxurious RetreatUnwind in style at the Hotel ai Cavalieri di Venezia, a luxurious boutique hotel nestled in the heart of Venice's historic center. Indulge in elegant accommodations adorned with sumptuous furnishings and modern amenities, and savor exquisite Venetian cuisine at the Hotel's gourmet restaurant. With its impeccable service and prime location, Hotel ai Cavalieri di Venezia offers the perfect base for exploring all that Venice has to offer.Mask Stores: Unveiling Venice's Carnival TraditionStroll through Venice's enchanting mask stores, which hark back to the city's famous Carnival celebrations. In addition, you can explore the narrow alleys of this "City of Mazes" to discover hidden gems where artisans craft exquisite masks using traditional techniques passed down through generations. Whether you're seeking a whimsical souvenir or a stunning piece of wearable art, Venice's mask stores offer something for every taste. Shopping: A Venetian Retail TherapyIndulge your inner shopaholic as you meander through Venice's charming streets lined with boutiques and artisanal shops. From high-end fashion boutiques showcasing Italian luxury brands to quaint artisan workshops selling handcrafted goods, Venice offers a shopping experience like no other. Treat yourself to Venetian lace, Murano glass jewelry, or delectable Venetian delicacies. Venice is the perfect place to find a souvenir. This way, you can remember Venice long after you've returned home. My favorite souvenirs from Venice were a porcelain blue and gold mini mask I bought the first time I visited and a matching red and gold leather crossbody purse and wallet, which I was gifted by family members who visited Venice.Basilica di San Marco and Doge's Palace Tour: A Glimpse into Venice's Glorious PastStep back in time as you explore the iconic landmarks of Venice, including the magnificent Basilica di San Marco and the imposing Doge's Palace. Marvel at the intricate mosaics adorning the basilica's façade, depicting scenes from biblical tales and Venetian history. Then, venture inside to admire the opulent interior adorned with shimmering gold leaf and precious marbles. Next, embark on a guided tour of the Doge's Palace, once the seat of Venetian political power, and immerse yourself in the grandeur of its ornate chambers and lavish frescoes.Private Gondola Rides: Romance on Venice's CanalsNo trip to Venice would be complete without a romantic gondola ride along its tranquil waterways. Snuggle up with your loved one as your gondolier serenades you with melodic Italian ballads, offering a unique perspective of Venice's iconic landmarks bathed in the golden light of dusk. Opt for a private gondola ride for an intimate experience that promises to create cherished memories that will last a lifetime.Theater La Fenice: A Cultural ExtravaganzaImmerse yourself in Venice's vibrant cultural scene with a visit to the illustrious Teatro La Fenice. Renowned for its spectacular opera performances and classical concerts, La Fenice promises an unforgettable evening of artistic excellence. Marvel at the theater's opulent interiors adorned with gilded stucco work and intricate frescoes as you enjoy a captivating performance by world-class artists. If you don't have time to see a show but still want to visit the gorgeous Teatro, you can take an audio tour.Concerts at Vivaldi's Four Seasons: Musical Magic in VeniceFor music aficionados, a visit to Vivaldi's Four Seasons promises an unforgettable auditory experience. Situated in the heart of Venice, this historic venue hosts a series of concerts showcasing the timeless works of the legendary composer Antonio Vivaldi. Lose yourself in the sublime melodies of Vivaldi's masterpieces as you bask in the intimate ambiance of this historic concert hall.Murano Glass Factory Tours: A Fascinating Artisanal TraditionEmbark on a journey to the nearby island of Murano to discover the centuries-old tradition of Murano glassmaking. Witness skilled artisans at work as they transform molten glass into exquisite works of art using age-old techniques passed down through generations. Marvel at the dazzling array of glass sculptures, chandeliers, and jewelry on display, and perhaps even purchase a one-of-a-kind piece to adorn your home.A Day Trip to The Colorful Fishing Village of Burano: A Photographic ParadiseEscape the crowds of Venice and venture off the beaten path to the picturesque island of Burano. Famous for its vibrant pastel-colored houses and intricate lacework, Burano offers a tranquil retreat from the hustle and bustle of the city. Explore the quaint streets lined with charming cafes and artisanal shops, and don't forget to capture the postcard-perfect scenes that abound at every turn.Venice captivates the imagination with its timeless beauty, rich history, and vibrant culture. Whether you're gliding along its tranquil waterways in a private gondola, exploring its iconic landmarks, or immersing yourself in its rich art and music scene, Venice promises a truly magical experience that will linger in your memory long after you've bid arrivederci to this enchanting city.

SynopsisAntonio Lucio Vivaldi came into the world on today's date in 1678 a few days after an earthquake shook Venice. The newborn was baptized immediately — just in case little Antonio's first day also turned out to be his last.Vivaldi's father was a violinist, and even though Antonio quickly became a virtuoso on that instrument himself, he became a Roman Catholic priest.Vivaldi complained of chest pains whenever he celebrated Mass — a medical excuse that allowed him to forgo his priestly duties and to concentrate on writing music, including dozens of operas and hundreds of concertos.By his mid-40s, Vivaldi was a major figure on the European musical scene, but his fortunes gradually took a turn for the worse. The church ordered him to stop composing music for the theater and, for heaven's sake, to stop gadding around Europe in the company of female opera singers!Vivaldi went to Vienna in 1740, hoping to find a court position with Emperor Charles VI, a big fan of his music, but after eating some bad mushrooms, the emperor died. And the following year, Vivaldi died — from an internal infection, not an earthquake — at 63 and heavily in debt.Music Played in Today's ProgramAntonio Vivaldi (1678-1741): ‘The Four Seasons'; Enrico; Onofri, violin; Il Giardino Armonico; Giovanni Antonini, cond. Teldec 97671

Antonio Vivaldi - Concerto for Two Trumpets: 3rd movementCrispian Steele-Perkins, trumpetMichael Meeks, trumpetCity of London SinfoniaNicholas Kraemer, conductorMore info about today's track: Naxos 8.553204Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon