Podcast appearances and mentions of Antonio Vivaldi

Music Credits: Intro: "Zero Signal," Sean Kolton, MechWarrior 5 Mercenaries Round 1 Mix: "Mars, the Bringer of War," Gustav Holst, The Planets, Op. 32; "Ride of the Valkyries," Richard Wagner, The Valkyrie; "Montagues and Capulets," Sergei Prokofiev, Romeo and Juliet, Op. 64 "3, Allegro Non Troppo," Dmitri Shostakovich, String Quartet No. 3 in F Major Round 2 Mix: "1, Allegro Con Brio," Ludwig von Beethoven, Symphony No. 5 in C Minor "Night on Bald Mountain," Modest Mussorgsky Round 3 Mix: "Danse Macabre, Op. 40," Camille Saint-Saens "Moonlight Sonata," Ludwig von Beethoven, Piano Sonata No. 14 "Summer 1, Allegro Non Molto," Antonio Vivaldi, The Four Seasons "1, Mist," Alfred J. Fissinger, Suite for Solo Marimba Round 4 Mix: "Nocturne in E Flat Major," Frederic Chopin, The Nocturnes, Op. 9 "Sonata Pathetique 2, Adagio Cantabile," Ludwig von Beethoven, Piano Sonata No. 8 "Canon in D Major," Johann Pachelbel Johnny Treble Fight: "Charge Assault," Keiki Kobayashi, Ace Combat 7 Post-Fight: "Clean Slate," Sean Kolton, MechWarrior 5 Mercenaries Soundtrack

"Klasikā" tiekamies ar diriģentu Intu Teterovski, un šoreiz sarunas tēmas ir divas. Pirmkārt, 23. maijā Alojā gaidāmie VI Virsdiriģentu svētki, kas veltīti pirmo trīs Vispārējo latviešu Dziesmu svētku virsdiriģenta Indriķa Zīles 185. dzimšanas dienai. Svētkos piedalīsies Dziesmu un Deju svētku virsdiriģenti, viņu vadītie kori un Limbažu novada kori, un Ints Teterovskis ir šo svētku mākslinieciskais vadītājs. Sarunājamies par šo svētku tradīciju un šī gada koncertu, kura veidošanā iesaistījušies visi virsdiriģenti, kuri izvēlējušies savas mīļākās dziesmas; par notikumiem bagāto dienu, ozolu stādīšanu un Indriķa Zīles kuplo ģimeni, kura arī būšot klāt. Vairāk par Virsdiriģentu svētkiem šeit! Bet interviju turpinām par Īles baznīcas koncertdzīvi un sadarbību ar Amerikas koriem, vietas atdzīvināšanu un īpašo auru, kas šeit valda, piesaistot vietējo publiku.  22. maijā plkst. 20.00 Īles luterāņu baznīcā risināsies starptautisks koru koncerts Voces Unitatis. Tajā piedalīsies Nevadas Universitātes sieviešu koris "Argenta" (Lasvegasa, ASV), diriģentes Stefānija Kounsila (Stephanie Council) un Sāra Norda (Sarah Noorda), kā arī jauniešu koris "Balsis" un diriģents Ints Teterovskis vadībā. Voces Unitatis ir tradicionāls starptautisks koru koncerts, kas ik gadu apvieno dziedātājus no dažādām valstīm kopīgā mākslinieciskā dialogā. Programma piedāvā daudzveidīgu muzikālo pieredzi, savijot dažādu tautu mūzikas tradīcijas ar sakrālo kormūziku, izceļot katrā kultūrā nozīmīgāko. Koncertā skanēs Palestrīnas, Lasso renesanses mūzikas paraugi, kā arī mūsdienu igauņu, latviešu un Ziemeļamerikas komponistu mūzika - Tormis, Ūsbergs, Kalniņš, Pauls, Vasks, Tiguls, Hogans, Smailija, Remzija, Betina, Kartela un Ezmeila. Atzīmējot izcilā latviešu komponista Pētera Vaska 80 gadu jubileju, kori apvienosies, lai atskaņotu “Fruit of Silence” ar Mātes Terēzes lūgšanas vārdiem. Tikām 30. maijā plkst. 20.00 kamermūzikas koncerts "Itālijas baroks Īlē", kurā skanēs krāšņa 17. un 18. gadsimta itāļu komponistu mūzikas programma. Zināmākais no programmā iekļautajiem komponistiem ir venēcietis Antonio Vivaldi, par kura kompozīciju "Nakts" un tās iespējamo saistību ar šausmu žanru, kā arī citiem skaņražiem, viņu opusiem un dažādiem interesantiem faktiem vēsta sagatavotie stāstījumi. Radoši un emocionāli jaudīgi šo baroka mūzikas partitūru lasījumi ir viens no aspektiem, ko vērts dzirdēt. Kā īpašs pārsteigums jeb bonuss – patiešām unikāls skanējums, ko veido meistarīga, šķiet, ar baroka mūziku nesavienojama mūzikas instrumentu saspēle. Cik kaislīgi skan bandoneons un akordeons, izpildot, piemēram, tango, vai kokle tautas un mūsdienu mūzikas kompozīcijās, tik pat spilgti un emocionāli sakāpināti šie instrumenti izdzied mīlas pārdzīvojumus, smieklus un asaras baroka mūzikas ietvarā. Pārsteigumiem un arī skaistas mūzikas baudījumam būs būt! Koncertā uzstāsies mūziķu apvienība: akordeonists un bandoneonists Artūrs Noviks, koklētājas Anda Eglīte un Dace Priedīte, un baroka vijolniece Lāsma Meldere-Šestakova.

„Vivaldi und ich“ ist die Verfilmung eines historischen Romans. Der Film erzählt eine fiktive Geschichte an einem realen Ort, einem venezianischen Waisenhaus, an dem Antonio Vivaldi in der Tat viele Jahre gewirkt hat. Der italienische Regisseur Damiano Michieletto ist in erster Linie als Opernregisseur bekannt und gefragt. Im Sommer wird er Verdis Oper „La Traviata“ erstmals auf die Seebühne der Bregenzer Festspiele bringen.

L'Amfiteatre dels Jardins de Santa Clotilde de Lloret de Mar serà aquest estiu l'escenari d'un nou cicle de concerts del projecte Candlelight, una proposta cultural que combina música en directe, patrimoni i una posada en escena marcada per la llum de les espelmes. El programa inclourà quatre actuacions entre els mesos de juliol i agost en un entorn emblemàtic del municipi. La iniciativa busca oferir una experiència cultural immersiva i, al mateix temps, contribuir a la difusió i posada en valor d'espais patrimonials singulars. Candlelight es defineix com un projecte musical i artístic que permet redescobrir el patrimoni de ciutats i municipis a través d'una oferta cultural diversa i de qualitat. El cicle començarà el 18 de juliol amb l'actuació de Barcelona Quartet, que presentarà l'espectacle “Queen vs ABBA”, amb un recorregut per alguns dels temes més coneguts de les dues formacions. El 25 de juliol, serà el torn de Musical Sensus, que interpretarà peces del compositor de bandes sonores de cinema Hans Zimmer (‘Interstellar’, ‘Los Piratas del Caribe’ i ‘Gladiator’). Ja a l'agost, el 8 d'agost, actuarà Manfred Quartet amb el concert “Coldplay vs Imagine Dragons”, un tribut als grans èxits d'aquestes bandes internacionals. El cicle es tancarà el 15 d'agost amb una nova actuació de Barcelona Quartet, que oferirà “Les Quatre Estacions” del compositor barroc Antonio Vivaldi. La regidora de Patrimoni Cultural, Cristina Aymerich, ha destacat que serà una «l’experiència musical i artística de primer nivell que posa en valor l’amfiteatre». Els concerts començaran a les 21.30h i les entrades ja es poden adquirir a través del web de Fever.

Send us Fan MailWhy has The Four Seasons remained one of the world's most recognizable pieces of classical music?In this episode of The Classical Music Minute, we explore the enduring popularity of Antonio Vivaldi's famous set of violin concertos. Written in the early eighteenth century, The Four Seasons uses music to depict scenes from nature, including birdsong, storms, flowing water, hunting scenes, and winter winds.This approach, known as program music, helped make the work vivid and accessible to audiences. Combined with energetic rhythms, memorable melodies, and dazzling violin writing, the music continues to captivate listeners centuries after it was composed.Today, The Four Seasons remains a staple of concert halls and one of the most frequently used classical works in film and television.In just sixty seconds, discover why Vivaldi's musical portrait of the seasons still resonates today.Fun FactEach concerto in The Four Seasons was originally published alongside a sonnet—possibly written by Vivaldi himself—describing the scenes and imagery the music was intended to portray.About The Classical Music MinuteThe Classical Music Minute is a short podcast exploring fascinating stories, quirky history, and surprising facts from the world of classical music—all in about sixty seconds.Each episode offers a quick and entertaining glimpse into composers, masterpieces, musical traditions, and the curious moments that shaped music history.You can also read the written versions of these episodes on Substack, where they're published as short articles delivered directly to subscribers.About Steven, HostSteven Hobé is a Canadian composer and actor based in Toronto and a member of the Canadian League of Composers. He is the creator and host of The Classical Music Minute, a series devoted to making classical music history engaging, surprising, and accessible.Topics CoveredVivaldi Four Seasons, why is Four Seasons popular, Antonio Vivaldi, Four Seasons explained, program music, Baroque violin music, famous violin concertos, classical music for beginners, Four Seasons history, Vivaldi masterpieceJoin me on Substack

Trešdien, 13. maijā, koncertzālē ”Latvija” Ventspils kamerorķestris diriģenta Aigara Meri vadībā godinās trīs 2026. gada lieljubilārus - spāni Manuelu de Falju, kuram aprit 150. gadskārta, 90. dzimšanas dienā pieminēs izcilo simfoniķi Romualdu Kalsonu un suminās Pēteri Vasku, kuram šopavasar svinam 80. Koncerta solisti – vijolniece Elīna Bukša, klarnetists, Igaunijas Nacionālās operas orķestra mūziķis Edmunds Altmanis un soprāns Katrīna Paula Felsberga. Intervijā ar Aigaru Meri uzzinām par gaidāmā koncerta ideju un sadarbību ar solistiem, koncertdzīvi Ventspilī un publikas izglītošanu, tuvākajiem radošajiem plāniem ar Ventspils kamerorķestri, jaukto kori "Ventspils", un, atklājot sava darba aktualitātes Jelgavā, Aigars atcerējas arī savus soļus, uzsākot ceļu diriģenta profesijā. Aigars Meri: Veidojot koncertprogrammas, skatos kopsakarības, kurā gadā ir vai nav apaļa jubileja, lai būtu šī saistība, bet tas noteikti nav noteicošais un vienīgais faktors. Manuels de Falja. Kā nonācu līdz Septiņām spāņu dziesmām? Pirms dažiem gadiem bija brīnišķīgs koncerts Jelgavā, kur mēs šīs dziesmas atskaņojām kopā ar Ilonu Bageli. Pēc neilga laika man bija tas gods atskaņot Osvaldo Golihova dziesmu ciklu ar Katrīnu Paulu Felsbergu. Mēs ar Katrīnu uzreiz vienojāmies, ka skatāmies tālāk nākotnē. Tad, neatceros gadalaiku, neatceros mēnesi, no manas puses bija piedāvājums: “Varbūt tu vēlies nodziedāt “Septiņas spāņu dziesmas”?” Katrīna bija ļoti atsaucīga un teica “jā, mana skolotāja Berlīnē tieši man kādreiz ieteica un atsūtīja vienu no šī cikla dziesmām”. Tā mēs nonācām pie šī cikla atskaņojuma. Ar Edmundu Altmani esam klasesbiedri jau no Emīla Dārziņa skolas, pēc tam esam mācījušies un muzicējuši kopā. Man ir igauņu izcelsme, Edmunds tīrs latvietis, Zemgales dēls, kuram bija iespēja doties studēt uz Igauniju. Pēc tam viņš tur iesakņojās un šobrīd tur strādā un dzīvo.  Sadarbība iecerēta jau ilgāku laiku, ar Operu arī salīdzinoši bieži ir viesizrādes Igaunijā. Atceros sarunu, kad Edmundam zvanīju un teicu: “Edmund, nākamgad mums ir šād jubilāri. Varbūt Romualds Kalsons?”. Viņš atbildēja: “Jā, jau vairākas reizes esmu piedāvājis Arvo Volmeram viņa Klarnetes koncertu nospēlēt Igaunijā, bet diriģents vienmēr sliecies par labu Mocartam". Tā mēs nonācām pie Romualda Kalsona. Šī gada jubilārs - Pēteris Vasks. Pie šī Vijoļkoncerta mēs nonācām netradicionāli, jo sazināties ar Elīnu Bukšu ieteica Ventspils koncertzāles “Latvija” mākslinieciskais vadītājs Guntis Cimiņš. Tā sākās mūsu komunikācija. Sākumā ideja bija par Filipu Glāsu, pēc tam par Antonio Vivaldi un beigās mēs nonācām pie šī brīnišķīgā vijoļkoncerta. Šī būs mūsu pirmā sadarbība, tāpēc ar nepacietību gaidu un ceru uz brīnišķīgu kopdarbu."

Led by Dr. Daniel Parsley, Music Director Worship service given May 3, 2026 Prayer by David Klingsberg, Worship Associate https://firstparish.info/ First Parish A liberal religious community, welcoming to all First gathered 1739 Each spring, the First Parish choir, accompanist Ken Seitz and special musical guests, led by Music Director Dr. Daniel Parsley, delight us with a service of music and reflections. Join us to celebrate First Parish's music ministry. This edited version of the service includes the following musical pieces: Gloria in Excelsis Deo, Et in terra pax, and Laudamus Te by Antonio Vivaldi, featuring the First Parish Choir and Music Sunday Orchestra with Zoe Bennet, choral scholar soprano and Jennifer Kobayashi, soprano. Hostias from Requiem by Gabriel Fauré featuring Andrew Leonard, tenor, and Kenneth Seitz, piano. Qui sedes ad dexteram Patris, Quoniam tu solus sanctus, and Cum Sancto Spiritu by Antonio Vivaldi, featuring the First Parish Choir & Music Sunday Orchestra with Sinead O'Mahoney, choral scholar/student conductor and Roshan Sivaraman, choral scholar. Offering and Giving First The Giving First program donates 50% of the non-pledge offering each month to a charitable organization that we feel is consistent with Unitarian Universalist principles. The program began in November 2009, and First Parish has donated over $200,000 to more than 70 organizations. For May 2026, The First Pioneer Valley Dream Center will share half the offering collected during Sunday worship at First Parish.  The First Pioneer Valley Dream Center, based in Springfield, MA, provides essential services like food and clothing at no cost to struggling families and individuals from all walks of life. Living their call to love and serve God and others, their goal is to inspire hope and empower lives. One of their services is to provide purpose-driven volunteer work to the residents of the local correctional facility where one of our First Parish members was housed recently. This member nominated the organization in recognition of their excellent work and in gratitude for the care and support they offered her during her service at the Dream Center. Learn more at their website: https://firstpvdreamcenter.org/. The remaining half of your offering supports the life and work of this Parish. To donate using your smartphone, you may text "fpuu" to 73256. Then follow the directions in the texts you receive.

In today's episode, we're wrapping up our three-part series on Antonio Vivaldi with a piece that feels both intimate and expressive—the Concerto for Two Violins in A Minor. If you've been listening along with this series, you already know how much I've loved exploring Vivaldi with you. Today's piece gives us something a little different from The Four Seasons—and it invites us to listen in a whole new way.

Avec Tecla Insolia et Michele Riondino Venise, 1716. LʹHospice della Pietà recueille et forme de jeunes orphelines à la musique. Dissimulées au public, souvent masquées ou derrière une grille, lʹorchestre de jeunes filles se produit pour les riches mécènes de l'institution. Cécilia, 20 ans, y excelle en tant que violoniste. Jusqu'au jour où l'arrivée dʹun nouveau maître de musique, Antonio Vivaldi, vient bousculer sa vie et celle de lʹHospice. Connu pour ses mises en scènes de théâtre et dʹopéra, Damiano Michieletto, sʹinspire, pour son premier long métrage, du roman Stabat Mater de Tiziano Scarpa et reconstitue une partie méconnue de la vie de Vivaldi. Par Rafael Wolf et Stéphane Gobbo.

Antonio Vivaldi (1678–1741) – Concerto n. 5 in Mi bemolle maggiore per violino, archi e basso continuo, RV 253 "La Tempesta di Mare" (da Il cimento dell'armonia e dell'inventione, Op. 8) 1.      Presto 2.      Largo 2:343.      Presto 5:20 Il Giardino Armonico Patricia Kopatchinskaja, violinoGiovanni Antonini, conductor

In this episode of Busy Kids Love Music, we continue our three-part series on Antonio Vivaldi with a deep dive into one of the most famous pieces of classical music ever written: The Four Seasons.Even if you've never heard Vivaldi's name before, there's a good chance you've heard this music! Today, we explore how Vivaldi used sound to paint vivid pictures of nature—from birds singing in spring to icy winds in winter.As you listen, you'll discover how music can tell a story without using any words. Download Your Four Seasons Weather Map Make listening interactive and fun! Download your Four Seasons Weather Map + Musical Meteorologist Badge by clicking here. With this printable, your child can: Draw or write what they hear in each season Act like a "musical weather reporter" Color and earn their Musical Meteorologist badge Key Concepts Concerto: A piece featuring a solo instrument (like the violin) with orchestra Program Music: Music that tells a story or paints a picture Baroque Style: Energetic rhythms, contrast, and expressive musical storytelling Links Mentioned in This Episode Explore different performances and interpretations of The Four Seasons with my curated playlist here. Enrollment for Busy Kids Do Piano opens May 1! If your child is inspired to not just listen to music—but to play it, join the waitlist here. Keep Listening Until next time…

Para celebrar el 50º aniversario del estreno de Todos los hombres del presidente, el thiller periodístico sobre el escándalo Watergate, hemos decidido reunirnos en la sala de prensa y arrancar una investigación exhaustiva y rigurosa sobre la película. Javier Muñoz y Francisco Javier Santiago buscan fuentes de confianza para hablar no solo de la película en sí, si no del marco en la cual fue realizada, hablando de Nixon, Vietnam, los papeles del Pentágono, la prensa de investigación, etc., y para ello se acompañan de Mario Agudo, periodista, escritor y divulgador, y Belén Ester, periodista y amante del cine clásico, como así lo profesa en su pódcast FilmoteCast. ¡Sigue el dinero! Contacto, redes sociales, Patreon, etc., en nuestra web: https://cineactual.net/ Canción inicial «Concierto para dos trompetas en do mayor, RV 537 (arreglos de Rondeau) - I. Allegro» compuesta por Antonio Vivaldi e interpretada por Michel Rondeau, cuya grabación está liberada al dominio público (licencia CC0 1.0), vía Musopen. Canción final «Ocaso» compuesta e interpretada por Laia Salvat, Francisco Javier Santiago y Albert Vilella, bajo licencia CC BY-NC-ND 4.0.

Det är april och Kritcirkeln har sett feta dansgästspel, gått på kalas för en pigg 100-åring, mött Jesus i Gubbängen, varit på nattorientering vid Stureplan, sett idioter både vid Sergels Torg och i en mysglänta på Reimersholme. Dessutom kollat in en turbooperatävling som gett känslan av att det våras för musiken. Vid mikrofonerna: Loretto Villalobos och Cecilia Djurberg (klipp och prod) Vi pratar om följande verk: 100 år i Konserthuset - Konserthusets jubileumskonsert: Hilding Rosenbergs "Danssvit ur Orfeus i sta'n", Tebogo Monnakgotlas "Bombus - konsert för cello och orkester" Ludwig van Beethovens Symfoni nr 7, framförda av Kungliga Filharmonikerna, dirigent: Andrew Manze, celllo: Senja Rummukainen Il Cimento dell'Armonia e dell'Inventione, där koreograferna Anne Teresa De Keersmaeker och Radouan Mriziga tolkar "De fyra årstiderna" av Antonio Vivaldi, gästspel på Dansens hus i Stockholm Skatepark av Mette Ingvartsen, gästspel på Dansens hus i Stockholm Turboopera på Folkoperan i Stockholm Bön för idioter av David Wiberg, regi Ada Berger, Kulturhuset Stadsteatern i Stockholm Misantropen av Jens Ohlin och Hannes Meidal på Dramaten i Stockholm Små barn och stora föräldrar av Kristian Hallberg, Teater Kaleido på Reimersholme hotell Herren Jesus Krist, vår Frälsare och Pojkvän, regi och manus: Josefin Ankarberg, Moment Teater Nattorienterarna av Kristina Lugn, regi Melody Parker, Teater Brunnsgatan fyra, Stockholm I programmet hörs ljud ur föreställningarna Il Cimento dell'Armonia e dell'Inventione, Skatepark, Bön för idioter, Turboopera (vinnarlaget, kompositör Elias Frisk, librettist Agnes Matsdsotter) samt Hilding Rosenbergs "Danssvit ur Orfeus i sta'n" från Konserthusets Jubileumskonsert 9 april. Allt ljud använt med tillstånd av respektive upphovsperson

Parmi les plus grands violonistes de tous les temps, on retrouve Antonio Vivaldi, l'auteur du chef d'œuvre "Les Quatre saisons", qu'il compose en 1725. Soixante ans plus tard, en 1782 nait Nicollò Paganini, violoniste à la renommée tout aussi grandiose, qui se démarquera par sa réputation inquiétante de "violoniste du diable". De nombreux mystères entourent la vie, l'œuvre et la mort de Paganini. Nicollò Paganini est né en 1782 à Gênes, en Italie. A 4 ans, il commence à développer de nombreuses maladies, dont la rougeole, qui le laisseront dans un état chétif, fébrile et très blanc toute sa vie. Ce qui ne l'empêchera pas de se dévouer corps et âme à sa passion avec son talent hors norme : le violon. Pourquoi était-il surnommé le violoniste du diable ? Comment est-il devenu célèbre ? Écoutez la suite de cet épisode de "Maintenant Vous Savez - Culture". Un podcast Bababam Originals, écrit et réalisé par Carole Beaudouin. Première diffusion : décembre 2023 À écouter aussi : ⁠Quels sont les pires scandales écologiques causés par des tournages de films ?⁠ ⁠Sylvester Stallone, Fabrice Luchini, Cameron Diaz... qui sont ces célébrités passées par le porno ?⁠ ⁠Qu'est-ce que le toying, cette pratique mal considérée dans le graffiti ?⁠ Retrouvez tous les épisodes de ⁠"Maintenant vous savez - Culture"⁠. Suivez Bababam sur ⁠Instagram⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Led by Rev. Jonipher Kwong, Interim Lead Minister, Rev. Stevie Carmody, Minister of Religious Education, and Rev. Carolyn Patierno, Adjunct Minister Worship service given April 5, 2026 Prayer by Rev. Stevie Carmody, Minister of Religious Education https://firstparish.info/ First Parish A liberal religious community, welcoming to all First gathered 1739 Join us for a multigenerational Easter service exploring the question of what happens with seeds we plant? Who is responsible for the work, how do we enjoy the harvest, and what happens after we die? This is also our annual communion service, and we will welcome Adjunct Minister Rev. Carolyn Patierno. The First Parish Choir will sing selections from Antonio Vivaldi's Gloria, accompanied by Ken Seitz and guest organist Mark Nelson. Children and families are invited after the service to join our annual Easter Egg Hunt. Offering and Giving First The Giving First program donates 50% of the non-pledge offering each month to a charitable organization that we feel is consistent with Unitarian Universalist principles. The program began in November 2009, and First Parish has donated over $200,000 to more than 70 organizations. For April 2026, The Cambridge Women's Center will share half the offering collected during Sunday worship at First Parish. The Cambridge Women's Center is a physical and digital community space open to anyone for whom woman is a meaningful identifier or lived experience. They offer a safe space for learning, emotional support, empathy, and empowerment through self-determination. Learn more at their website: https://www.cambridgewomenscenter.org/. The remaining half of your offering supports the life and work of this Parish. To donate using your smartphone, you may text "fpuu" to 73256. Then follow the directions in the texts you receive.

In this episode of Busy Kids Love Music, we begin a brand-new three-part composer series all about Antonio Vivaldi—one of the most famous composers of the Baroque period. You may already recognize Vivaldi's name from some of his nature-inspired music, but in this series, we're slowing down to take a closer look at his life, his music, and what makes his style so unique. In today's episode, we explore Vivaldi's early life, family, and musical training, and discover how a boy growing up in Venice became a composer known all across Europe. Download Your Audio Treasure Map Make listening interactive! Click here to download your Audio Treasure Map to follow along and answer questions as you listen. This printable helps students: Listen more carefully Remember key details Engage with the story of the music What You'll Learn in This Episode

When you think of the violin, or in country and roots music circles its kissing cousin the fiddle, what comes to mind? The Suzuki method, or Antonio Vivaldi perhaps? Maybe a song like “Ashokan Farewell” or “The Devil Went Down To Georgia”? But have you heard of Stuff Smith, Regina Carter, Papa John Creach, or Stéphane Grappelli? Charlotte artist Emanuel Wynter certainly has, and having grown up learning the Suzuki method, he would go on to take inspiration from violinists in a variety of genres to interpret his own love for blues, rock, soul and jazz. The result is a fresh take on the instrument in an electric and eclectic setting that also showcases his band's lock-tight grooves and his own clear and confident vocals. I spoke with Emanuel Wynter in his hometown of Charlotte about how he plays violin in a variety of music settings, from his own style over to session work and a praise band, and how his early love of blues and rock music translates to the instrument, which is far more versatile and expressive than you might expect. We touch on the three boxes that he needs to check before taking on a gig, and what he wants to get across with his lyrics as well. From vintage tube amps, double stops and a love for astronomy, architecture, and spontaneity, our conversation covers a lot of ground, and along the way, we feature a number of songs from Emanuel Wynter's live album From Orbit. Emanuel Wynter performs in Elkin, NC on October 11, 2025 (photo: Daniel Coston) Songs heard in this episode: “From Orbit” by Emanuel Wynter, from From Orbit“Stranger” by Emanuel Wynter, from From Orbit, excerpt“Barefoot Fiddler” by Johnny Gimble, from The Texas Fiddle Collection, excerpt“Bonaparte's Retreat” by Fidllin' Arthur Smith & His Dixieliners, from Fidllin' Arthur Smith & His Dixieliners, excerpt“Pastel Skies” by Emanuel Wynter, from From OrbitThank you for stopping by, and we hope you can spread the word about this series and help us reach more music fans just like yourself. Please take a moment and give us a top rating on your podcast platform of choice, and where you can, a review. Doing either, and especially both, boosts the ranking and therefore the visibility of this series to all the other music fans who also follow podcasts. Thanks to Charlotte photographer, writer and music producer Daniel Coston for letting me use his photo of Emanuel Wynter from his band's set in Elkin, NC at the Milltown Get Down in fall 2025. Daniel also shot the cover for the album From Orbit. This is Southern Songs and Stories, where our quest is to explore and celebrate the unfolding history and culture of music rooted in the American South, and going beyond to the styles and artists that it inspired and informed. - Joe Kendrick

Antonio Vivaldi (1678 - 1741)  Concerto per violino, archi e basso continuo in mi minore, RV278 1.      Allegro molto2.      Largo3.      Allegro Guiliano Carmignola, violinoVenice Baroque OrchestraAndrea Marcon, clavicembalo e direttore

Op deze feestdag van Witte Donderdag, waarop Jezus Christus de Heilige Eucharistie instelde, wensen wij alle priesters een gelukkige feestdag toe, mede op gezang van The Priests. Ook priester-componisten komen ook aan de beurt. Deze uitzending bevat dan ook werken van de priester Marco Frisina, ook van priesters als, Antonio Vivaldi en Franz Liszt, naast […]

Andrés Amorós dedica el programa Música y Letra a las músicas religiosas favoritas de Benedicto XVI.

Met een “Ave Maria” gebracht door Floriani, een 5-delige “Psalm 42” van Felix Mendelssohn, het “Lux Aeterna” uit W.A.Mozarts Requiem, de Byzantijnse versie van “De Bruidegom komt om middernacht”, het gregoriaanse “Pueri Hebraeorum” en “Ave Regina Caelorum”, een spiritueel lied van Targuino Merula, een driedelig “Filiae maestae Jerusalem” van Antonio Vivaldi en een “Ave Verum […]

La madrugada del lunes 16 de marzo se entregaron los premios de la 98ª edición de los Oscar, donde Una batalla tras otra se coronó como la mejor película del año según la Academia de Artes y Ciencias Cinematográficas. Javier Muñoz, Laura Álvarez, Samuel Úbeda y Francisco Javier Santiago comentan lo vivido en la gala, hacen un balance de los premios y acompañan el análisis de una serie de «píldoras» donde se explican algunas anécdotas y curiosidades históricas de los premios. Además, sorteamos un ejemplar de la Enciclopedia de los Oscar: 1927-2015; si queréis participar es muy fácil: seguid las instrucciones que indicamos en el episodio —dejadnos un comentario en iVoox y Spotify y un me gusta, además de suscribiros a nuestro pódcast en iVoox y Spotify— y entraréis en el sorteo que realizaremos (solo para residentes en España). Tenéis desde el día 17 al 30 de marzo de 2026 para participar. ¡Suerte! Contacto, redes sociales, Patreon, etc., en nuestra web: https://cineactual.net/ Canciones inicial «Amanecer» y final «Ocaso» compuestas e interpretadas por Laia Salvat, Francisco Javier Santiago y Albert Vilella, bajo licencia CC BY-NC-ND 4.0. Canciones de las píldoras: «Concierto para violín n.º 5 en la menor, Op. 9, RV 358, "La cetra"» compuesta por Antonio Vivaldi e interpretada por Carl Pini, John Tunnell, Anthony Pini y Harold Lester, «Concierto para violín n.º 4 en fa menor, Op. 8, RV 297, "El invierno" (de Las cuatro estaciones)» compuesta por Antonio Vivaldi e interpretada por la Orquesta de Cámara de Módena y «Nocturno en si mayor, Op. 9 n.º 3» compuesta por Frédéric Chopin e interpretada por Xuan He, cuyas grabaciones están liberadas al dominio público (licencia CC0 1.0), vía Musopen.

I denne episoden forteller Anne Teresa De Keersmaeker og Radouan Mriziga om å samskape forestillingen Il Cimento dell'Armonia e dell'Inventione . De snakker om co-authorship som skapelsesformat, potensialet i å bryte hierarkier,  hva det vil si å arbeide med det hyperpopulære musikkverket De Fire Årstider av Antonio Vivaldi, om musikkananalyse og potensialet som ligger i det allmennkjente.

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‘Nun the Wiser' is an irreverent new musical from the mind of Kat Carson. It is a satirical look at an imagined past where Italian nuns sing gospel music and dream of fame. It focusses on the lives of seven musical nuns. On the surface, they appear devout and ordinary, but beneath that exterior lies a world of interpersonal relationships, conflicts, love, and repressed emotion. Within the convent, the only permitted form of artistic expression is composing and performing religious music.Their lives are thrown into turmoil when the famous composer Antonio Vivaldi comes to hear their compositions. As a man, he has the power to change their lives and introduce their music to the outside world. The nuns ask Mr. Vivaldi to review their own works, but what will he make of their explicit writings about love and desire?Drawing on her extensive work on the music of the 17th and 18th centuries, and on her experiences in an all female education system, Kat has used the genre of musical theatre to examine LGBTQIA issues and to draw a picture of womanhood that is both funny and challenging. The nuns in the story are people first and foremost, and have their own dreams, lives, and troubles. The musical explores issues of sexual identity, living within a patriarchal society, and a love of music through the absurd lens of nuns in an 18th century convent.Website

Die Mezzosopranistin präsentiert auf ihrem Album sakrale Werke von Antonio Vivaldi, Nicola Porpora und Giovanni Porta.

There's no more familiar piece of classical music than Antonio Vivaldi's The Four Seasons. But for all the recordings and broadcasts and interpretations of it that there has been over the past three centuries, there is still some mystery about the music. Why did Vivaldi write it? What were his inspirations? Where and when did The Four Seasons burst into life. The broadcaster and author Dr Hannah French has written a wonderful, incisive book called The Rolling Year that examines questions like this. In this special episode Peter and the violinist Min Kym sat down with Hannah to find out more about Vivaldi, his music, Mantua and Manchester. Enjoy the music. We'll be returning to the Travels Through Time format very soon! Show notes People/Social Interviewers: Peter Moore and Min Kym Guest: Dr Hannah French Production: Maria Nolan Music: John Harrison, The Four Seasons

Elisabetta Tiveron"Natale a Venezia"Musica sull'acquaNeos Edizioniwww.neosedizioni.itSedici racconti natalizi che narrano Venezia come città musicaleA cura di Elisabetta Tiveron e Caterina SchiavonCon una “ouverture” di Ilaria Serra Venezia è canto. La voce di Venezia non è mai un suono solitario. La sua musica è un'orchestra di rimbalzi, di rimandi, di rincorse. A Venezia l'acqua suona all'unisono: i remi, le prue, le voci, i passi, le sirene, le campane e i gabbiani orchestrano melodie fatte di sciabordii. Le onde incontrano sempre una sponda, un muro di mattoni, l'angolo di una calle, il fianco di uno scafo, la volta di un sotoportego da cui riverberare, intrecciandosi in un mosaico sonoro.Sedici racconti che narrano Venezia nel periodo natalizio attraverso una chiave di lettura speciale, la musica, che della città lagunare è stata sempre elemento distintivo.Venezia è una città musicale. Per la sua storia, che l'ha vista capitale europea della musica tra il Cinquecento e il Settecento: Claudio Monteverdi e il melodramma, Antonio Vivaldi, Benedetto e Alessandro Marcello, Tomaso Albinoni, Baldassare Galuppi, ecc. E per la sua conformazione unica, così facile alle sonorità spontanee.«La musica parla di Venezia quanto e più delle sue immagini da cartolina, e permette alle autrici e agli autori di questa antologia di muoversi liberi, creativi, curiosi. Natale, in queste pagine, è atmosfera, suggestione, ricordo, invenzione. È il momento in cui la musica interiore di ciascun personaggio si intreccia con la colonna sonora della città, e si fa racconto» (Elisabetta Tiveron e Caterina Schiavon).Giunta alla sua sesta edizione, l'antologia «Natale a Venezia» quest'anno si propone in modalità musicale, una vera e propria “partitura letteraria”, con note di programma, ouverture, movimenti e finale. Un puzzle di coinvolgenti storie, che risuonano e toccano corde nel profondo. In una gelida sera di dicembre un gruppo eterogeneo di donne si riunisce per le prove del coro e attraverso il canto richiamano la perduta anima sonora di Venezia, fatta di antiche canzoni di barcaioli, canti di lavoro e cori storici, un piccolo miracolo natalizio contro il silenzio e l'oblio; la pasticcera Sofia e un uomo misterioso a bordo di una barca che le offre una “musica della laguna” prodotta da fili di conchiglie; la musicista Sabine Perrin, detta La Gioconda dai suoi vecchi compagni si scuola, è insoddisfatta della sua vita da single e spera di trovare un marito a Venezia, ma di fronte ad un dono inaccettabile fugge; una donna, reduce da una storia finita, affronta la vigilia di Natale tra malinconia e ironia, l'incontro casuale con la canzone Driving Home for Christmas la spinge verso la sorella che l'aspetta e riscopre che “tornare a casa per Natale” significa, prima di tutto, sentirsi a proprio agio con se stessa; nel dicembre del 1755, l'Archiatra imperiale Gerard Van Swieten indaga sul misterioso deperimento della giovane Sofia e sospetta che il precettore, un abile violinista, stia usando antiche e nefaste armonie per un proprio scopo; un uomo morto vaga in una Venezia sospesa nella vigilia di Natale, cercando la strada di casa e la moglie che ha amato: guidato da un bambino misterioso, segue la musica dei ricordi attraverso le calli addobbate a festa; Sofia sosta sulla panchina rossa della Giudecca per onorare il ricordo del primo incontro dei nonni, Ilaria e Alberto; un giovane seminarista abruzzese, Gaetano, viene mandato a Venezia per inaugurare a Natale il nuovo, maestoso organo della chiesa di San Gurian; le prove del Concerto di Natale sono turbate dal pianto lamentoso di un bimbo nell'adiacente orfanotrofio della Pietà, l'antico istituto di Vivaldi; l'Agente 239 è a Venezia la Vigilia di Natale per estrarre l'anima di un caso irrisolto, un'esperienza resa una tortura dalla musica onnipresente e ossessiva di Last Christmas; Sorella Milagros, giovane suora filippina, rovescia la spesa del convento e teme di essere rispedita a Manila ma durante la messa di mezzanotte, la sua voce pura si innalza in canto, portando speranza, redenzione e pace a tutta la città; Clara eredita dalla cugina un piccolo ritratto del compositore Baldassare Galuppi che, appeso dietro una porta, prende vita; Guano da Piccione, musicista purista, si scontra con la commercializzazione ossessiva delle Quattro Stagioni di Vivaldi e preferisce esibirsi in strada la notte di Capodanno con musiche meno note, finendo arrestato; un violinista profugo, sopravvissuto al naufragio in cui ha perso moglie e figlia, trova rifugio a Venezia accolto da una donna di nome Maria, che gli restituisce dignità e voce facendogli riparare il violino; la giovane e squattrinata Matilde, con la passione per il canto, è assunta come maschera al Teatro La Fenice di Venezia per l'allestimento dell'atto veneziano de I racconti di Hoffmann, la celebre Barcarola. A cura di: Elisabetta Tiveron e Caterina SchiavonRacconti di: Isabella Albano, Philippe Apatie, Elisabetta Baldisserotto, Gianluigi Bodi, Gabriella Bosmin, Lorenzo Bottazzo, Diana Chiarin, Claudio Ellero, Michela Fregona, Nilla Patrizia Licciardo, Daniela Rossi, Mauro Rugger, Caterina Schiavon, Ilaria Serra, Elisabetta Tiveron, Francesco Zanolla.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

durée : 00:13:14 - Le Disque classique du jour du vendredi 05 décembre 2025 - À l'automne 1725, alors que la France célèbre l'union de Louis XV et de Marie Leszczynska, l'ambassadeur en poste à Venise confie à Vivaldi la composition d'une serenata en hommage au jeune couple royal. De cette commande naît une œuvre somptueuse, portée par deux figures allégoriques. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:13:14 - Le Disque classique du jour du vendredi 05 décembre 2025 - À l'automne 1725, alors que la France célèbre l'union de Louis XV et de Marie Leszczynska, l'ambassadeur en poste à Venise confie à Vivaldi la composition d'une serenata en hommage au jeune couple royal. De cette commande naît une œuvre somptueuse, portée par deux figures allégoriques. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:49 - Relax ! du mardi 11 novembre 2025 - par : Lionel Esparza - Les feuilles se font rares, les jours raccourcissent, l'air se rafraîchit... En ce mois de novembre annonciateur, avançons jusque dans les tréfonds de l'hiver, un thème particulièrement porteur chez les compositeurs comme Franz Schubert, Henry Purcell et bien sûr Antonio Vivaldi. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

With both a U.S. tour and a new session of Sky Academy booked for April/May, Uli Jon Roth is headed for an exciting Spring of 2026. It's all part of his passion to reach (and help his Sky Academy students reach) new musical heights. “A great musician is always growing,” says the German-born, U.K.-based guitar hero. Indeed, Uli could have rested on his laurels as the lava-hot lead player of '70s-era Scorpions hard rock. But, taking inspiration from the music of heroes such as Keith Jarrett, Jimi Hendrix, and Antonio Vivaldi, he has always strived for a much deeper level of artistic expression. In this exclusive visit to Sky Academy, we plug in with Uli and embark on some epic improvisational odysseys, gain insights into his hugely influential rock masterpiece “The Sails of Charon,” learn about his unique extended-neck Sky Guitars, and, best of all, learn why, as he says, “the fingers are the least important part of your sound.” Hosted by Jude Gold, this episode is brought to you by your online guitar instruction friends at TrueFire. TrueFire offers thousands of hours of guitar instruction from A-list players. For a free 30-day all-access membership (no credit card required!), click to truefire.com/safe.

It's spooky season and this is my third annual Halloween episode! It's the story of Aqua Tofana, a colorless, odorless, tasteless, and utterly deadly poison invented by a network of female poisoners in 17th century Italy. The music is from The Four Seasons by Antonio Vivaldi, recorded by The Wichita State University Chamber Players with John Harrison on Violin and Robert Turizziani and as Conductor. The recording is licensed under the Creative Commons and available under the classicals.de website. Visit the ⁠website⁠ (herhalfofhistory.com) for sources, transcripts, and pictures. Support the show on my ⁠Patreon page⁠ for bonus episodes, polls, and a general feeling of self-satisfaction. Or make a one-time donation on ⁠Buy⁠ ⁠Me a Coffee⁠. Join ⁠Into History⁠ for a community of ad-free history podcasts plus bonus content. Visit ⁠Evergreen Podcasts⁠ to listen to more great shows. Follow me on ⁠Threads⁠ as Her Half of History. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textHost: Welcome to the "Echoes of Genius series” -  the podcast where we explore the lives and legacies of the greatest classical composers.  This is episode 480 - Red Priest Rising.  The music that you have heard at the beginning of each episode, and will continue to hear throughout this podcast series is a brief the ghost of the composer who stands at the pinnacle of the Italian Baroque movement -maestro Antonio Vivaldi   section of spring from The Four Seasons written by the ghost or if you will spirit - of our guest today(Sound of a short, elegant musical flourish)Ghost soundCiao, Maestro Vivaldi! La tua musica ancora ci incanta musica.For our English listeners, that is  Hello, Maestro Vivaldi! Your music still enchants us.  And before we go any further, Maestro Vivaldi, I have to say, I never realized your hair was quite that red.  With that shock of red hair, you'd look at home in a rock bandSupport the showThank you for experiencing Celebrate Creativity.

Send us a textSpring intro“Welcome, my friends, to The Microphone Episode. Yes, this is the one where the.  greatest composers of all time—individuals who shuffled off their mortal coil long ago—are handed a microphone for the very first time.Now you might also think of this episode as a promo or the introduction to the majority of the episodes in October where I take a deep dive into the life and music of approximately 25 noted classical musicians prior to 1900. Before I actually start, I wanna talk a little bit about the challenges involved in doing such a program.First, was the actual writing of the transcript for each podcast episode. I would read about and do research regarding each musician. Then I would know what questions to ask ChatGPT to give me a more interesting answer. For example, if I just asked ChatGPT to tell me about Beethoven - it really wouldn't have that much to go on - but if I specifically asked if Beethoven wrote any letters regarding his hearing loss, then it could give me some very useful answers.  In fact, in one of the most moving documents in all of music history, Beethoven wrote in a letter to his brothers Carl and Johann in October 1802. He was only 31 at the time, but his hearing loss was advancing, and he poured out his despair, frustration, and longing for life and art. He never sent the letter—it was found among his papers after his death in 1827.[Closing music – Spring from The Four Seasons by Antonio Vivaldi, Performed by John Harrison,. Source: Wikimedia Commons - CC BY-SA ,License: Public Domain (composition) / Creative Commons (recording)Ghost Entrance: Source: https://www.zapsplat.com/page/6/?s=ghost&post_type=music&sound-effect-category-idhttps://zapsplat.net/zapsplat-sounds/download.php?fileName=sound_design_texture_ghostly_pass.mp3&expiry=1601608139,LLicense: Creative Commons.“Vespro Della Beata Vergine/ Deus In Adiutorium - Domine Ad Adiuvandum”, by Claudio Monteverdi, Performed by Schwäbischer Singkreis; Hans Grischkat, Source: https://dn721902.ca.archive.org/0/items/lp_vespro-della-beata-vergine_claudio-monteverdi-schwabischer-singkredisc1/01.01.%20Vespro%20Della%20Beata%20Vergine%3A%20Deus%20In%20Adiutorium%20-%20Domine%20Ad%20Adiuvandum.mp3. License: Public Domain (composition) / Creative Commons (recording)  0:00-00:30.Support the showThank you for experiencing Celebrate Creativity.

Antonio Vivaldi - The Four Seasons: Autumn: AdagioTakako Nishizaki, violinCapella IstropolitanaStephen Gunzenhauser, conductorMore info about today's track: Naxos 8.550056Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Antonio Vivaldi - The Four Seasons: Summer: PrestoTakako Nishizaki, violinCapella Istropolitana Stephen Gunzenhauser, conductorMore info about today's track: Naxos 8.550056Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

We talk about Vengeance of a Showgirl (1971) directed by Lo Wei.    Music by Antonio Vivaldi published in 1725; Recording copyright John Harrison (JohnHarrisonViolin.com) Concerto No. 4 in F minor, Op. 8, RV 297, "L'inverno" (Winter) — Movement 1: Allegro non molto This work is free and may be used by anyone for any purpose. If you wish to use this content, you do not need to request permission as long as you follow any licensing requirements mentioned on this page.

A animação Divertidamente 2 oferece uma rica oportunidade de refletirmos sobre o universo interior do Ser Humano. Nesta sequência, acompanhamos Riley entrando na adolescência, enfrentando os desafios naturais desta etapa: mudanças de escola, amizades, inseguranças e o surgimento de novas emoções como a ansiedade, a vergonha, o tédio e a inveja. Neste episódio do podcast filosófico da Nova Acrópole, os professores voluntários Paula Poloni e Gustavo Massen exploram, com base filosófica, como essas transformações internas são representadas de forma simbólica e educativa no filme. A crise de identidade vivida pela protagonista é analisada à luz do conceito de “senso de si”, destacando a importância da assimilação das experiências, inclusive das dolorosas, como fator essencial para a construção de uma personalidade equilibrada e madura. O episódio convida os jovens e adultos a refletirem sobre o poder das experiências vividas, a importância da educação de si mesmos e o papel fundamental dos valores humanos na formação do caráter.  Confira as reflexões do filme Divertidamente 1 Participantes: Paula Poloni, Gustavo Massen e Danilo Gomes Trilha Sonora: As Quatro Estações, de Antonio Vivaldi

Franck Ferrand vous plonge dans le parcours du « Prêtre roux », un virtuose du violon, un des compositeurs baroques les plus célèbres Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Louis XIV is dead, and his heir is a 5-year-old child. With so many deaths occurring in the royal family, it falls to an unlikely royal nephew, Philippe, duke of Orléans, to govern France until Louis XV comes of age. Completely unlike the callous old Sun King, Philippe is a man of the people who spurned Versailles and lived as a boisterous libertine. What kind of regent will this man be? ⚜️ Visit our Wordpress for episode images, score summaries, contact details and more! Contact us by Email, or follow us on Instagram, our Facebook Group or BlueSky. Make sure you leave us a review on Apple Podcasts, Spotify or wherever you listen. You can also support the show on Patreon! Join the official Angry Mob and get access to our bonus content: movie reviews, deep dives, bonus biographies and our exclusive spinoff series rating the Royal Mistresses. ⚜️ Battle Royale's intro/outro music is "Dansez" by Fasion. Other music used for this episode: "Sonata for cello and Continuo in B flat, RV.47 - 1. Largo" by Antonio Vivaldi, performed by Christophe Coin, Ageet Zweistra and Christopher Hogwood. ℗ 1987 Decca Music Group Limited ⚜️ CATEGORIES Ben and Eliza each give a score out of 10 for the first 4 categories. The 5th is determined by maths! The result is a total score out of 100. 1. Enchanté: The shallow, first-impressions round: How fabulous and iconic an image have they passed down to us? 2. En Garde: (A.K.A. “Selfish Wins”) How well did they gain and increase their personal power, either through scheming, statesmanship or good old fashion battles? 3. Voulez-Vous: (A.K.A. “Selfless Wins”) How much would we want to live under their regime? How well did they better the world around them through law reforms and cultural projects? 4. Ouh-Là-Là: How pearl-clutchingly scandalous were the events of their life, both in their time and down through the ages? How mad, bad and dangerous were they to know? 5. La Vie en Throne: How many years did they reign, and how many of their children survived them? For more details on the scores, how they are calculated and how our kings are ranking, visit our website. Learn more about your ad choices. Visit megaphone.fm/adchoices

Antonio Vivaldi - Four Seasons: Summer: AdagioTakako Nishizaki, violinCapella IstropolitanaMore info about today's track: Naxos 8.556779Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

The United States has gone, in less than six months, from being seen by many as a defender of democracy and human rights, to being the latest – and most powerful - administration to embrace authoritarianism.  Amid a head-spinning flood of presidential orders and harsh policies - towards women, immigrants, the poor, the disabled and the sick, it's hard to know where to focus. In this episode, veteran Turkish journalist and human rights activist Murat Celikkan tells host Akwe Amosu what he has been paying attention to, and reflects on how Turkey's human rights  movement has been trying to strengthen its own work.And in the Coda, why a dose of Baroque music might ease your mind. Contact us at pod@strengthandsolidarity.org We are now publishing our newsletter on Substack, if youwould like to subscribe: ⁠https://substack.com/@strengthsolidarity⁠Quick LinksInterviewBio: Murat Celikkan: https://hakikatadalethafiza.org/en/teamLitHub: Murat Celikkan: Another Turkish Journalist in Prison for ‘Unspecified Reasons' https://lithub.com/murat-celikkan-another-turkish-journalist-in-prison-for-unspecified-reasons/StrengthandSolidarity.org: Murat Celikkan reads Ariel Dorfman: https://strengthandsolidarity.org/podcast/rebuilding-a-movements-culture-after-crisis/Hafiza Merkezi: https://hakikatadalethafiza.org/en/en/why-hafiza-merkeziChatham House: The future of the Trukish opposition after Imamoglu's arrest https://www.chathamhouse.org/2025/05/future-turkish-opposition-after-imamoglus-arrestHRW: Turkey Events of o2024 https://www.hrw.org/world-report/2025/country-chapters/turkiyeWikipedia: Gezi Park protests https://en.wikipedia.org/wiki/Gezi_Park_protestsWikipedia: Saturday mothers https://en.wikipedia.org/wiki/Saturday_MothersCodaFrancoise Girard: https://www.fmus.org/aboutFeminism Makes Us Smarter (FMUS): https://www.fmus.org/Wikipedia: Baroque Music https://en.wikipedia.org/wiki/Baroque_musicFMUS podcast: https://www.fmus.org/fmus-podcastMusic credits:Juditha triumphans, RV 644: Air "Veni, veni me sequere fida" by Antonio Vivaldi, performed by Lea Desandre, Jupiter Ensemble, Thomas DunfordJuditha triumphans, RV 644: “Air Armatae face et anguibus” by Antonio Vivaldi, performed by Jupiter EnsembleAriodante, HWV 33, Act 2: Aria. "Se l'inganno sortisce felice" (Polinesso) by George Frideric Handel, performed by·Marie-Nicole Lemieux, Alan Curtis, Il Complesso Barocco“Forêts paisibles” from Les Indes Galantes by Jean-Philippe Rameau, performed by Les Arts FlorissantsStrength&Solidarity podcast:Episodes 1-50 shows and transcripts:Episodes 51 onwards, shows and transcripts

Bird song caught the ear of Italian composer Antonio Vivaldi. And he even named a 1729 flute concerto for a bird — the goldfinch. The source of inspiration for Vivaldi's Goldfinch concerto, or Il Gardellino, was the European Goldfinch, a tiny bird found throughout much of Europe, where it frequents gardens and roadsides. No wonder Vivaldi found the goldfinch irresistible. More info and transcript at BirdNote.org.Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks. BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible.

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Once upon a time, there was a heroic knight, the greatest of Charlamagne's famed paladins, and his name was Orlando (or Roland, depending on whom you ask.)  Among his many heroic deeds and great journeys was this: a quest to a magical isle to abduct the headstrong princess Angelica and steal the ashes of Melin (yes, that Merlin).  As his failure to win Angelica's heart leads him down the path to madness, we must ask: is there hope for this broken hero after all? Antonio Vivaldi, famed composer of The Four Seasons, is not widely known for his operas, however, he composed between 70 and 100 in his lifetime.  Join us for a discussion of this treasure of Baroque opera. Hosted by Pat and Jeff Counts (General Manager of the Grand Teton Music Festival, and KHOL's film critic) Grand Teton Music Festival