Podcasts about vivaldi

Pour vous abonner, sans pub et avec les bonushttps://m.audiomeans.fr/s/S-tavkjvmo Vivaldi, le chant du cygne de Venise 6/6Venise.Une ville qui ne domine plus l'Europe par les armes, mais qui décide de la séduire par l'art.Dans cette Sérénissime du début du XVIIIᵉ siècle, éclatante et fragile, naît un enfant chétif du quartier populaire de Castello : Antonio Vivaldi. Fils de barbier devenu violoniste, prêtre sans véritable ministère, pédagogue dans un hospice de jeunes filles, homme de théâtre ambitieux, il va incarner toutes les contradictions de sa ville.Car pendant que la République décline politiquement, elle devient la capitale du spectacle. Carnaval, opéras, fêtes somptueuses : Venise se transforme en scène permanente. Et Vivaldi en devient la voix la plus flamboyante.Mais son destin est à l'image de la lagune : instable.Admiré à l'étranger, discuté chez lui.Prolifique, mais sans protection durable.Exilé à Vienne, oublié après sa mort.Puis, deux siècles plus tard, coup de théâtre : des centaines de manuscrits réapparaissent dans une bibliothèque italienne. Une véritable enquête musicologique ressuscite un génie que l'histoire avait laissé dans l'ombre.Qui était vraiment le « Prêtre roux » ?Un simple compositeur des Quatre Saisons ?Ou le musicien d'un monde qui se savait fragile mais refusait de s'éteindre ?Cette émission vous emmène au cœur d'une Venise en clair-obscur, entre grandeur et déclin, entre foi et théâtre, entre oubli et renaissance.Un voyage où l'histoire d'un homme devient le miroir d'une civilisation entière. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour vous abonner, sans pub et avec les bonushttps://m.audiomeans.fr/s/S-tavkjvmo Vivaldi, le chant du cygne de Venise 5/6Venise.Une ville qui ne domine plus l'Europe par les armes, mais qui décide de la séduire par l'art.Dans cette Sérénissime du début du XVIIIᵉ siècle, éclatante et fragile, naît un enfant chétif du quartier populaire de Castello : Antonio Vivaldi. Fils de barbier devenu violoniste, prêtre sans véritable ministère, pédagogue dans un hospice de jeunes filles, homme de théâtre ambitieux, il va incarner toutes les contradictions de sa ville.Car pendant que la République décline politiquement, elle devient la capitale du spectacle. Carnaval, opéras, fêtes somptueuses : Venise se transforme en scène permanente. Et Vivaldi en devient la voix la plus flamboyante.Mais son destin est à l'image de la lagune : instable.Admiré à l'étranger, discuté chez lui.Prolifique, mais sans protection durable.Exilé à Vienne, oublié après sa mort.Puis, deux siècles plus tard, coup de théâtre : des centaines de manuscrits réapparaissent dans une bibliothèque italienne. Une véritable enquête musicologique ressuscite un génie que l'histoire avait laissé dans l'ombre.Qui était vraiment le « Prêtre roux » ?Un simple compositeur des Quatre Saisons ?Ou le musicien d'un monde qui se savait fragile mais refusait de s'éteindre ?Cette émission vous emmène au cœur d'une Venise en clair-obscur, entre grandeur et déclin, entre foi et théâtre, entre oubli et renaissance.Un voyage où l'histoire d'un homme devient le miroir d'une civilisation entière. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour vous abonner, sans pub et avec les bonushttps://m.audiomeans.fr/s/S-tavkjvmo Vivaldi, le chant du cygne de Venise 5/6Venise.Une ville qui ne domine plus l'Europe par les armes, mais qui décide de la séduire par l'art.Dans cette Sérénissime du début du XVIIIᵉ siècle, éclatante et fragile, naît un enfant chétif du quartier populaire de Castello : Antonio Vivaldi. Fils de barbier devenu violoniste, prêtre sans véritable ministère, pédagogue dans un hospice de jeunes filles, homme de théâtre ambitieux, il va incarner toutes les contradictions de sa ville.Car pendant que la République décline politiquement, elle devient la capitale du spectacle. Carnaval, opéras, fêtes somptueuses : Venise se transforme en scène permanente. Et Vivaldi en devient la voix la plus flamboyante.Mais son destin est à l'image de la lagune : instable.Admiré à l'étranger, discuté chez lui.Prolifique, mais sans protection durable.Exilé à Vienne, oublié après sa mort.Puis, deux siècles plus tard, coup de théâtre : des centaines de manuscrits réapparaissent dans une bibliothèque italienne. Une véritable enquête musicologique ressuscite un génie que l'histoire avait laissé dans l'ombre.Qui était vraiment le « Prêtre roux » ?Un simple compositeur des Quatre Saisons ?Ou le musicien d'un monde qui se savait fragile mais refusait de s'éteindre ?Cette émission vous emmène au cœur d'une Venise en clair-obscur, entre grandeur et déclin, entre foi et théâtre, entre oubli et renaissance.Un voyage où l'histoire d'un homme devient le miroir d'une civilisation entière. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour vous abonner, sans pub et avec les bonushttps://m.audiomeans.fr/s/S-tavkjvmo Vivaldi, le chant du cygne de Venise 4/6Venise.Une ville qui ne domine plus l'Europe par les armes, mais qui décide de la séduire par l'art.Dans cette Sérénissime du début du XVIIIᵉ siècle, éclatante et fragile, naît un enfant chétif du quartier populaire de Castello : Antonio Vivaldi. Fils de barbier devenu violoniste, prêtre sans véritable ministère, pédagogue dans un hospice de jeunes filles, homme de théâtre ambitieux, il va incarner toutes les contradictions de sa ville.Car pendant que la République décline politiquement, elle devient la capitale du spectacle. Carnaval, opéras, fêtes somptueuses : Venise se transforme en scène permanente. Et Vivaldi en devient la voix la plus flamboyante.Mais son destin est à l'image de la lagune : instable.Admiré à l'étranger, discuté chez lui.Prolifique, mais sans protection durable.Exilé à Vienne, oublié après sa mort.Puis, deux siècles plus tard, coup de théâtre : des centaines de manuscrits réapparaissent dans une bibliothèque italienne. Une véritable enquête musicologique ressuscite un génie que l'histoire avait laissé dans l'ombre.Qui était vraiment le « Prêtre roux » ?Un simple compositeur des Quatre Saisons ?Ou le musicien d'un monde qui se savait fragile mais refusait de s'éteindre ?Cette émission vous emmène au cœur d'une Venise en clair-obscur, entre grandeur et déclin, entre foi et théâtre, entre oubli et renaissance.Un voyage où l'histoire d'un homme devient le miroir d'une civilisation entière. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour vous abonner, sans pub et avec les bonushttps://m.audiomeans.fr/s/S-tavkjvmo Vivaldi, le chant du cygne de Venise 4/6Venise.Une ville qui ne domine plus l'Europe par les armes, mais qui décide de la séduire par l'art.Dans cette Sérénissime du début du XVIIIᵉ siècle, éclatante et fragile, naît un enfant chétif du quartier populaire de Castello : Antonio Vivaldi. Fils de barbier devenu violoniste, prêtre sans véritable ministère, pédagogue dans un hospice de jeunes filles, homme de théâtre ambitieux, il va incarner toutes les contradictions de sa ville.Car pendant que la République décline politiquement, elle devient la capitale du spectacle. Carnaval, opéras, fêtes somptueuses : Venise se transforme en scène permanente. Et Vivaldi en devient la voix la plus flamboyante.Mais son destin est à l'image de la lagune : instable.Admiré à l'étranger, discuté chez lui.Prolifique, mais sans protection durable.Exilé à Vienne, oublié après sa mort.Puis, deux siècles plus tard, coup de théâtre : des centaines de manuscrits réapparaissent dans une bibliothèque italienne. Une véritable enquête musicologique ressuscite un génie que l'histoire avait laissé dans l'ombre.Qui était vraiment le « Prêtre roux » ?Un simple compositeur des Quatre Saisons ?Ou le musicien d'un monde qui se savait fragile mais refusait de s'éteindre ?Cette émission vous emmène au cœur d'une Venise en clair-obscur, entre grandeur et déclin, entre foi et théâtre, entre oubli et renaissance.Un voyage où l'histoire d'un homme devient le miroir d'une civilisation entière. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour vous abonner, sans pub et avec les bonushttps://m.audiomeans.fr/s/S-tavkjvmo Vivaldi, le chant du cygne de Venise 3/6Venise.Une ville qui ne domine plus l'Europe par les armes, mais qui décide de la séduire par l'art.Dans cette Sérénissime du début du XVIIIᵉ siècle, éclatante et fragile, naît un enfant chétif du quartier populaire de Castello : Antonio Vivaldi. Fils de barbier devenu violoniste, prêtre sans véritable ministère, pédagogue dans un hospice de jeunes filles, homme de théâtre ambitieux, il va incarner toutes les contradictions de sa ville.Car pendant que la République décline politiquement, elle devient la capitale du spectacle. Carnaval, opéras, fêtes somptueuses : Venise se transforme en scène permanente. Et Vivaldi en devient la voix la plus flamboyante.Mais son destin est à l'image de la lagune : instable.Admiré à l'étranger, discuté chez lui.Prolifique, mais sans protection durable.Exilé à Vienne, oublié après sa mort.Puis, deux siècles plus tard, coup de théâtre : des centaines de manuscrits réapparaissent dans une bibliothèque italienne. Une véritable enquête musicologique ressuscite un génie que l'histoire avait laissé dans l'ombre.Qui était vraiment le « Prêtre roux » ?Un simple compositeur des Quatre Saisons ?Ou le musicien d'un monde qui se savait fragile mais refusait de s'éteindre ?Cette émission vous emmène au cœur d'une Venise en clair-obscur, entre grandeur et déclin, entre foi et théâtre, entre oubli et renaissance.Un voyage où l'histoire d'un homme devient le miroir d'une civilisation entière. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour vous abonner, sans pub et avec les bonushttps://m.audiomeans.fr/s/S-tavkjvmo Vivaldi, le chant du cygne de Venise 3/6Venise.Une ville qui ne domine plus l'Europe par les armes, mais qui décide de la séduire par l'art.Dans cette Sérénissime du début du XVIIIᵉ siècle, éclatante et fragile, naît un enfant chétif du quartier populaire de Castello : Antonio Vivaldi. Fils de barbier devenu violoniste, prêtre sans véritable ministère, pédagogue dans un hospice de jeunes filles, homme de théâtre ambitieux, il va incarner toutes les contradictions de sa ville.Car pendant que la République décline politiquement, elle devient la capitale du spectacle. Carnaval, opéras, fêtes somptueuses : Venise se transforme en scène permanente. Et Vivaldi en devient la voix la plus flamboyante.Mais son destin est à l'image de la lagune : instable.Admiré à l'étranger, discuté chez lui.Prolifique, mais sans protection durable.Exilé à Vienne, oublié après sa mort.Puis, deux siècles plus tard, coup de théâtre : des centaines de manuscrits réapparaissent dans une bibliothèque italienne. Une véritable enquête musicologique ressuscite un génie que l'histoire avait laissé dans l'ombre.Qui était vraiment le « Prêtre roux » ?Un simple compositeur des Quatre Saisons ?Ou le musicien d'un monde qui se savait fragile mais refusait de s'éteindre ?Cette émission vous emmène au cœur d'une Venise en clair-obscur, entre grandeur et déclin, entre foi et théâtre, entre oubli et renaissance.Un voyage où l'histoire d'un homme devient le miroir d'une civilisation entière. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Tota una setmana dedicada a Antonio Vivaldi, ara resumida en poc m

Pour vous abonner, sans pub et avec les bonushttps://m.audiomeans.fr/s/S-tavkjvmo Vivaldi, le chant du cygne de Venise 2/6Venise.Une ville qui ne domine plus l'Europe par les armes, mais qui décide de la séduire par l'art.Dans cette Sérénissime du début du XVIIIᵉ siècle, éclatante et fragile, naît un enfant chétif du quartier populaire de Castello : Antonio Vivaldi. Fils de barbier devenu violoniste, prêtre sans véritable ministère, pédagogue dans un hospice de jeunes filles, homme de théâtre ambitieux, il va incarner toutes les contradictions de sa ville.Car pendant que la République décline politiquement, elle devient la capitale du spectacle. Carnaval, opéras, fêtes somptueuses : Venise se transforme en scène permanente. Et Vivaldi en devient la voix la plus flamboyante.Mais son destin est à l'image de la lagune : instable.Admiré à l'étranger, discuté chez lui.Prolifique, mais sans protection durable.Exilé à Vienne, oublié après sa mort.Puis, deux siècles plus tard, coup de théâtre : des centaines de manuscrits réapparaissent dans une bibliothèque italienne. Une véritable enquête musicologique ressuscite un génie que l'histoire avait laissé dans l'ombre.Qui était vraiment le « Prêtre roux » ?Un simple compositeur des Quatre Saisons ?Ou le musicien d'un monde qui se savait fragile mais refusait de s'éteindre ?Cette émission vous emmène au cœur d'une Venise en clair-obscur, entre grandeur et déclin, entre foi et théâtre, entre oubli et renaissance.Un voyage où l'histoire d'un homme devient le miroir d'une civilisation entière. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:04:10 - Musique matin - par : Max Dozolme - Les Pokémon et la musique classique ne se limitent pas à l'existence d'Haydaim et de Vivaldaim, une référence aux compositeurs Haydn et Vivaldi. Les musiques cultes des versions Rouge et Bleu sur Game Boy peuvent aussi faire penser à des airs classiques plus ou mois célèbres ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Musique classique Jean Perron, Laurent Patenaude et Jean Lecomte Tous les samedis matins, de 9 h à 12 h, L'Accroche-coeur propose aux auditeurs et auditrices férus de découvertes et de musiques rares, plus de 1000 ans de musique, des premiers temps du Moyen-Âge à aujourd'hui.; musiques savantes ou populaires, profanes ou sacrées mettant en vedettes les plus grands artistes capables de mettre en valeurs les oeuvres des Pérotin, Machaut, Dufay, Bach, Vivaldi, Beethoven, Chopin, Debussy, Poulenc, Jarrett et tous ces anonymes dont la postérité n'a retenu que les oeuvres. Le samedi matin, c'est le moment privilégié que CKRL, la radio culturelle de Québec, vous offre pour entendre les plus belles oeuvres de la musique occidentale, celles qui ont fait la meilleure partie de l'humanité. Jean Perron, Laurent Patenaude et Jean Lecomte mettent, tour à tour, leurs connaissances et leur amour de la musique à la portée de tous et toutes. C'est le rendez-vous bien-être de la semaine sur nos ondes.

Pour vous abonner, sans pub et avec les bonushttps://m.audiomeans.fr/s/S-tavkjvmo Vivaldi, le chant du cygne de Venise 2/6Venise.Une ville qui ne domine plus l'Europe par les armes, mais qui décide de la séduire par l'art.Dans cette Sérénissime du début du XVIIIᵉ siècle, éclatante et fragile, naît un enfant chétif du quartier populaire de Castello : Antonio Vivaldi. Fils de barbier devenu violoniste, prêtre sans véritable ministère, pédagogue dans un hospice de jeunes filles, homme de théâtre ambitieux, il va incarner toutes les contradictions de sa ville.Car pendant que la République décline politiquement, elle devient la capitale du spectacle. Carnaval, opéras, fêtes somptueuses : Venise se transforme en scène permanente. Et Vivaldi en devient la voix la plus flamboyante.Mais son destin est à l'image de la lagune : instable.Admiré à l'étranger, discuté chez lui.Prolifique, mais sans protection durable.Exilé à Vienne, oublié après sa mort.Puis, deux siècles plus tard, coup de théâtre : des centaines de manuscrits réapparaissent dans une bibliothèque italienne. Une véritable enquête musicologique ressuscite un génie que l'histoire avait laissé dans l'ombre.Qui était vraiment le « Prêtre roux » ?Un simple compositeur des Quatre Saisons ?Ou le musicien d'un monde qui se savait fragile mais refusait de s'éteindre ?Cette émission vous emmène au cœur d'une Venise en clair-obscur, entre grandeur et déclin, entre foi et théâtre, entre oubli et renaissance.Un voyage où l'histoire d'un homme devient le miroir d'une civilisation entière. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour vous abonner, sans pub et avec les bonushttps://m.audiomeans.fr/s/S-tavkjvmo Vivaldi, le chant du cygne de Venise 1/6Venise.Une ville qui ne domine plus l'Europe par les armes, mais qui décide de la séduire par l'art.Dans cette Sérénissime du début du XVIIIᵉ siècle, éclatante et fragile, naît un enfant chétif du quartier populaire de Castello : Antonio Vivaldi. Fils de barbier devenu violoniste, prêtre sans véritable ministère, pédagogue dans un hospice de jeunes filles, homme de théâtre ambitieux, il va incarner toutes les contradictions de sa ville.Car pendant que la République décline politiquement, elle devient la capitale du spectacle. Carnaval, opéras, fêtes somptueuses : Venise se transforme en scène permanente. Et Vivaldi en devient la voix la plus flamboyante.Mais son destin est à l'image de la lagune : instable.Admiré à l'étranger, discuté chez lui.Prolifique, mais sans protection durable.Exilé à Vienne, oublié après sa mort.Puis, deux siècles plus tard, coup de théâtre : des centaines de manuscrits réapparaissent dans une bibliothèque italienne. Une véritable enquête musicologique ressuscite un génie que l'histoire avait laissé dans l'ombre.Qui était vraiment le « Prêtre roux » ?Un simple compositeur des Quatre Saisons ?Ou le musicien d'un monde qui se savait fragile mais refusait de s'éteindre ?Cette émission vous emmène au cœur d'une Venise en clair-obscur, entre grandeur et déclin, entre foi et théâtre, entre oubli et renaissance.Un voyage où l'histoire d'un homme devient le miroir d'une civilisation entière. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Moin! Eine neue Folge eures kleinen drolligen Familienpodcasts! Diesmal mit dabei: Silvan Dezini und das Ensemble Ostinato mit dem Album 'Vivaldi und Müller' und Nick Schofield und 'Blue Hour'. Danach sprechen wir über das Ich unter Druck und verkosten zu guter Letzt das Bolten Alt.

Pour vous abonner, sans pub et avec les bonushttps://m.audiomeans.fr/s/S-tavkjvmo Vivaldi, le chant du cygne de Venise 1/6Venise.Une ville qui ne domine plus l'Europe par les armes, mais qui décide de la séduire par l'art.Dans cette Sérénissime du début du XVIIIᵉ siècle, éclatante et fragile, naît un enfant chétif du quartier populaire de Castello : Antonio Vivaldi. Fils de barbier devenu violoniste, prêtre sans véritable ministère, pédagogue dans un hospice de jeunes filles, homme de théâtre ambitieux, il va incarner toutes les contradictions de sa ville.Car pendant que la République décline politiquement, elle devient la capitale du spectacle. Carnaval, opéras, fêtes somptueuses : Venise se transforme en scène permanente. Et Vivaldi en devient la voix la plus flamboyante.Mais son destin est à l'image de la lagune : instable.Admiré à l'étranger, discuté chez lui.Prolifique, mais sans protection durable.Exilé à Vienne, oublié après sa mort.Puis, deux siècles plus tard, coup de théâtre : des centaines de manuscrits réapparaissent dans une bibliothèque italienne. Une véritable enquête musicologique ressuscite un génie que l'histoire avait laissé dans l'ombre.Qui était vraiment le « Prêtre roux » ?Un simple compositeur des Quatre Saisons ?Ou le musicien d'un monde qui se savait fragile mais refusait de s'éteindre ?Cette émission vous emmène au cœur d'une Venise en clair-obscur, entre grandeur et déclin, entre foi et théâtre, entre oubli et renaissance.Un voyage où l'histoire d'un homme devient le miroir d'une civilisation entière. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

[@ 2 min] Alright, this week…Countertenor Hugh Cutting takes a Free Throw! The OBS artist-to-watch is set to perform with the Irish Baroque Orchestra in Manhattan later this month ,and joins us from England with dodgy audio...but we're thrilled to have him, at any rate. [@ 17 min] Plus, in the ‘Two Minute Drill'… Yuja Wang makes sure that disc is fully slipped... GET YOUR VOICE HEARD Stream new episodes every Saturday at 10 AM CT on amplisoundsradio.com operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

durée : 00:28:54 - Les Nuits de France Culture - par : Philippe Garbit - "Heures vénitiennes : Tiepolo et Vivaldi à la Piéta" (1ère diffusion : 03/10/1969). L'émission "Heures vénitiennes" proposait de partir dans la Venise du 18e siècle accompagné de Marcel Brion et René Huyghe sur les traces de Vivaldi et Tiepolo dans l'Église de la Pietà. - réalisation : Virginie Mourthé

Face à la domination des géants américains du numérique, Christofer Ciminelli lance “Le Switch”, une newsletter dédiée aux alternatives européennes. Son objectif : démontrer qu'il est possible de conjuguer performance, souveraineté et pragmatisme.Interview : Christofer Ciminelli, créateur de "Le Switch"PunchlinesIl existe des dizaines de logiciels français, mais on ne les connaît pas.Choisir européen ne suffit pas, il faut que ce soit performant.On peut déjà absorber 80 % de nos usages.En agissant, nous avons plus de pouvoir que le Parlement européen.Pourquoi avoir lancé “Le Switch” ?L'idée est partie d'un constat que je mûris depuis plusieurs mois et qui s'est accéléré avec l'élection de Donald Trump. On a toujours le réflexe d'utiliser des outils américains, que ce soit Google Workspace, Pipedrive ou Adobe. Quand on donne nos datas et notre argent à ces modèles SaaS, on affaiblit l'écosystème tech européen. S'il n'y a pas de marché local, il n'y a pas d'investissement. Et sans investissement, on ne peut pas recruter les meilleurs ingénieurs ni développer des produits compétitifs. C'est un cercle vicieux. Je me suis demandé s'il existait des alternatives européennes. J'ai commencé par les CRM et j'en ai trouvé une trentaine en France. L'offre existe, mais elle est méconnue. “Le Switch” est né pour montrer que ces solutions sont performantes et accessibles.Les alternatives européennes sont-elles vraiment au niveau ?Oui. Je ne parle que d'outils performants. Par exemple, j'utilise désormais Yousign, alternative européenne à DocuSign : c'est moins cher et l'interface est meilleure. Je parle aussi de Noota pour la prise de notes, de Brevo Meetings comme alternative à Calendly, de Lovable pour le développement, de Vivaldi comme navigateur ou encore de Swiss Transfer. Le vrai enjeu n'est pas la performance des outils, mais leur interconnexion. La force des GAFAM, c'est leur écosystème : tout dialogue avec tout. En Europe, on a encore du chemin à faire sur ces connexions API et cette logique de stack cohérente.Quels sont les freins à l'utilisation d'outils européens ?Certains détails manquent encore dans certaines applications. Ce sont les 20 % d'usages qui peuvent faire la différence. Mais si on absorbe déjà 80 % des besoins, c'est un énorme pas. Je constate aussi une vraie prise de conscience dans les grandes entreprises. On parle de plus en plus de dégaffamisation. Dans les appels d'offres, il y a désormais des critères qui valorisent les solutions développées en Europe. Il y a aussi un débat politique avec l'Industrial Accelerator Act, porté notamment par Stéphane Séjourné. Mais au-delà des décisions politiques, nous avons un pouvoir immédiat : flécher nos dépenses vers des acteurs européens.Concrètement, comment "switcher" ?Ça ne prend pas tant de temps. Pour une PME de 30 ou 50 salariés, changer un outil de visio ou de signature électronique est relativement simple. Je conseille de cartographier toute sa stack logicielle. On découvre souvent qu'on paie des outils inutilisés. Ensuite, commencer par les outils périphériques et avancer progressivement vers le cœur du système. Le plus complexe reste la messagerie, notamment Google Workspace, car tout est interconnecté. Mais à un moment, il faut se poser la question sérieusement. Sinon, on ne sortira jamais de cette dépendance.La newsletter Le Switch Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

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Musique classique Jean Perron, Laurent Patenaude et Jean Lecomte Tous les samedis matins, de 9 h à 12 h, L'Accroche-coeur propose aux auditeurs et auditrices férus de découvertes et de musiques rares, plus de 1000 ans de musique, des premiers temps du Moyen-Âge à aujourd'hui.; musiques savantes ou populaires, profanes ou sacrées mettant en vedettes les plus grands artistes capables de mettre en valeurs les oeuvres des Pérotin, Machaut, Dufay, Bach, Vivaldi, Beethoven, Chopin, Debussy, Poulenc, Jarrett et tous ces anonymes dont la postérité n'a retenu que les oeuvres. Le samedi matin, c'est le moment privilégié que CKRL, la radio culturelle de Québec, vous offre pour entendre les plus belles oeuvres de la musique occidentale, celles qui ont fait la meilleure partie de l'humanité. Jean Perron, Laurent Patenaude et Jean Lecomte mettent, tour à tour, leurs connaissances et leur amour de la musique à la portée de tous et toutes. C'est le rendez-vous bien-être de la semaine sur nos ondes.

Concert pianist Yirui Weng, 32, grew up in a communist, atheist family in China, where religion played no part in her life. Music, however, always did. As a gifted young pianist, she immersed herself in the great works of Western classical music. When Yirui moved to Italy to pursue her musical studies, curiosity began to replace indifference. While playing Vivaldi's Gloria, she found herself drawn not just to the beauty of the music, but to its unfamiliar language: “Lamb of God”, “Son of the Father”. What did these words mean and why had composers been inspired by them for centuries? After meeting a Chinese priest in Milan, Yirui began attending catechism classes and encountered the teachings of Jesus for the first time. In 2023, Yirui was baptised. John Laurenson travels to Rome to meet Yirui Weng. She reflects on her journey of faith and explores a deeper question: why is music such a powerful and universal expression of belief?

Musique classique Jean Perron, Laurent Patenaude et Jean Lecomte Tous les samedis matins, de 9 h à 12 h, L'Accroche-coeur propose aux auditeurs et auditrices férus de découvertes et de musiques rares, plus de 1000 ans de musique, des premiers temps du Moyen-Âge à aujourd'hui.; musiques savantes ou populaires, profanes ou sacrées mettant en vedettes les plus grands artistes capables de mettre en valeurs les oeuvres des Pérotin, Machaut, Dufay, Bach, Vivaldi, Beethoven, Chopin, Debussy, Poulenc, Jarrett et tous ces anonymes dont la postérité n'a retenu que les oeuvres. Le samedi matin, c'est le moment privilégié que CKRL, la radio culturelle de Québec, vous offre pour entendre les plus belles oeuvres de la musique occidentale, celles qui ont fait la meilleure partie de l'humanité. Jean Perron, Laurent Patenaude et Jean Lecomte mettent, tour à tour, leurs connaissances et leur amour de la musique à la portée de tous et toutes. C'est le rendez-vous bien-être de la semaine sur nos ondes.

In this episode of Acta Non Verba, Marcus Aurelius Anderson sits down with virtuoso guitarist Angel Vivaldi to explore the intersection of artistry, authenticity, and perseverance. Angel shares insights from his recent tour with legendary guitarist Steve Morse, discusses his creative process behind concept albums like "Synapse," and reveals how he balances being 65% artist and 35% business. The conversation dives deep into topics ranging from working with difficult people and learning from enemies, to the role of AI in music, the importance of vulnerability, and why the only thing worse than living with regret is dying with it. This is a masterclass in commitment, creativity, and staying true to yourself in an industry that constantly demands compromise. Episode Highlights [2:14] Learning from Steve Morse's Humility and Reinvention - Angel describes touring with guitar legend Steve Morse and witnessing him reinvent his playing technique due to arthritis. Despite being one of the greatest guitarists alive, Morse remained humble enough to learn legato and tapping techniques from Angel, demonstrating that true mastery includes the willingness to continuously evolve. [20:59] The Muse and Discipline: Speaking Her Language - Angel shares his philosophy on creativity and the muse: "She has a lot of people to visit and she's gonna favor those who know how to speak her language. What is her language? Music." He explains why showing up consistently to practice—even without inspiration—is essential, because you're refining how you speak music so the muse can work through you. [39:44] The Synapse Album: Painting Studios and Neurotransmitters - Angel reveals the extreme creative process behind his concept album "Synapse," where each song represents a different neurotransmitter. He painted his studio a different color for each song (red for adrenaline, green for serotonin), changed scents, and even wrote at specific times of day to embody each neurochemical state—a process that nearly broke him but resulted in some of his most authentic work. [82:13] Learning from Your Enemies: Unfiltered Feedback - Angel offers a provocative perspective: "Your enemies have no stake in you liking them or them liking you. If you want unfiltered, uncensored, direct feedback on your flaws as a human being, look to your enemies." He explains how to parse criticism from adversaries to find genuine insights while filtering out projection and insecurity. Angel Vivaldi is an American virtuoso guitarist, songwriter, and producer who has been pushing the boundaries of instrumental guitar music since beginning his solo career in 2003. Self-taught from age 15, Angel has released multiple concept albums including "Universal Language," "Away With Words Parts 1 & 2," and "Synapse," each showcasing his unique blend of progressive metal, fusion, and melodic sensibility. Beyond his solo work, Angel is a multifaceted creative force—he's a cinematographer, fashion enthusiast, interior designer, and entrepreneur who founded Zenith Council, an artist services company helping musicians with branding, marketing, and creative vision. Recently, he toured as a guest guitarist with legendary Steve Morse, managing Morse's career while contributing rhythm guitar and content creation. Angel's approach to music and life embodies his belief that authenticity and vulnerability are the keys to creating art that truly resonates. Learn more about the gift of Adversity and my mission to help my fellow humans create a better world by heading to www.marcusaureliusanderson.com. There you can take action by joining my ANV inner circle to get exclusive content and information.See omnystudio.com/listener for privacy information.

Todo el mundo a sus pupitres y con las orejas bien abiertas porque hoy hemos llenado el programa de profes. Hemos juntado un grupito de amiguetes, profesionales todos ellos de la docencia, para que nos cuenten cómo se explora esta figura en los tebeos y ya de paso, cómo no, para comentar un buen puñado de tebeos con el profe como figura prominente. Así que todo el mundo a darle al play o se tendrá que quedar después de clase a escribir 100 veces en la pizarra «no dejaré el podcast de las tortas sin escuchar». La noche es caliente como el infierno. Todo se te pega. Una asquerosa habitación de un asqueroso barrio de una asquerosa ciudad. El aparato de aire acondicionado es un pedazo de chatarra que no podría enfriar ni una bebida aunque la metieras dentro. Parece el sitio perfecto para escuchar el podcast 405 de ELHDLT Selección musical: 🎶 Hot for teacher, de Van Halen 🎶 Primavera, de Vivaldi

Comments/ideas: ACFpod@outlook.comHow is AI turning climate reporting from a tick‑box task into something useful? Greg Elders from Canbury Insights explains why financial materiality sits back at the heart of climate strategy. He shows how this shift affects investors, regulators and companies.We examine Europe pushing for real sustainable impact under CSRD, the US facing ESG uncertainty and mixed signals from regulators, and Asian firms juggling ISSB and TCFD standards while dealing with regional economic pressures.Greg sets out how large language models read annual reports, proxy statements and local media. They link business growth to physical climate risks such as water scarcity. The result is faster insight and sharper scrutiny.We discuss targeted stewardship, greenwashing risks and the future of global reporting frameworks. Greg also explains why a single global standard remains a “crazy dream”. Automated scrutiny is already changing corporate behaviour, and the pace is only accelerating.ABOUT GREG: Gregory Elders is Director, North America, at Canbury Insights. He is a recognised sustainable investing expert, leading Canbury's North American operations and client engagements. He advises investors and companies in navigating evolving sustainability and stewardship expectations, building robust assessment and reporting systems, and aligning sustainability strategies with financial performance.HOST, PRODUCTION, ARTWORK: Joseph Jacobelli | MUSIC: Ep76 onward excerpts from Vivaldi's La Follia, played by Luca Jacobelli.

durée : 01:58:50 - Le Bach du dimanche du dimanche 15 février 2026 - par : Corinne Schneider - Au programme de cette 371e émission : au lendemain de la Saint-Valentin, zoom sur les duos sans basse de Bach, ses fils Carl Philipp Emanuel et Wilhelm Friedemann, mais aussi de Hotteterre et Vivaldi ; puis l'anniversaire des 100 ans du compositeur hongrois György Kurtag (né le 19 février 1926). - réalisé par : Noé Mignard Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Kevin is the guitarist and composer of the instrumental rock band Pyramids on Mars.  Hard rock, industrial, and metal infused with lead guitar melodies inspired by violin melodies of Baroque classical composers Bach & Vivaldi. Kevin has always had a passion for UFO's, Extra-terrestrials.  He spent over 20 years researching to understand why they are here.  Kevin wanted to combine his passion of music with raising consciousness and awareness of the UFO and Extraterrestrial presence.  He felt it was always his purpose in life. This calling was affirmed on August 21, 2014, when he had contact with an inter-dimensional craft of unearthly origin.  Since then Kevin began having visitations by many different Extraterrestrial Nations and experiencing many other related incidents like incredible synchronicities, music downloads, symbol downloads through dreams. Kevin works with the P'ntl (Zetas) who reside at the Sandia Mountains, Albuquerque NM helping prepare humanity for Official First Contact. https://www.officialfirstcontact.com/ Become a supporter of this podcast: https://www.spreaker.com/podcast/spaced-out-radio--1657874/support.

Na bijna twee jaar stilstand heeft het Brusselse gewest ein-de-lijk een nieuwe regering. Dinsdagmiddag startte, op initiatief van MR-voorzitter Georges-Louis Bouchez, een conclaaf. Donderdagavond was er witte rook: een deal tussen zeven partijen (zonder de N-VA), die onder meer mikt op een begrotingsevenwicht in 2029. ­ 613 dagen lang lukte het niet, nu wel. Het lijkt een donderslag bij heldere hemel, al zagen enkele visionairen in de Wetstraat al iets aankomen “want er moeten nu eenmaal wat excellenties gaan skiën in de Krokusvakantie”... Je kunt er cynisch over doen, maar feit is: er is een akkoord over een nieuwe Brusselse regering, mét een meerderheid in elke taalgroep. Moeten we juichen of is het daarvoor al lang te laat? Bij de zeven partijen (MR, PS, Les Engagés, Groen, Vooruit, Anders en CD&V) overheerst opluchting, en zelfs een zekere trots. ­ "Dit is een ambitieus akkoord, ondanks de moeilijke politieke context", zo zei MR-voorzitter Georges-Louis Bouchez donderdagavond op de trappen van de Universitaire Stichting, waar hij finaal erin slaagde om een Brusselse regering op te tuigen. Hij is ontegensprekelijk één van de “winnaars” van deze formatie. ­ Wetstraatjournalist Jeroen Struys merkt op dat deze coalitie eigenlijk al in de zomer van 2024 (!) in de steigers stond, of liever: had kunnen staan. Toen was het CD&V dat het zaakje niet zag zitten. Vandaag blijft CD&V achter zónder ministerpost, al kan de partij wel uitpakken met een paar trofeeën - net als de zes anderen. De vraag is natuurlijk wat de regering écht gedaan krijgt de komende drie jaar. Er ligt meer werk op de plank dan ooit, en er is minder geld dan ooit. Toch gaat de regering – die voorlopig nog de gerecycleerde bijnaam Vivaldi torst – resoluut voor een begroting in evenwicht in 2029. Dat was en is een eis van Anders, die werd ingewilligd in ruil voor het lossen van de N-VA. ­ CREDITS ­ Journalist Jeroen Struys | Presentatie Marjan Justaert | (Eind)redactie Gijs op ‘t Roodt, Marjan Justaert | Audioproductie Joris Van Damme | Muziek Brecht Plasschaert | Chef podcast Alexander LippeveldSee omnystudio.com/listener for privacy information.

durée : 01:28:34 - Relax ! du vendredi 13 février 2026 - par : Lionel Esparza - Plongez au cœur de l'âge baroque et embarquez pour un voyage musical de l'Angleterre à l'Italie. Purcell, Monteverdi, Haendel, Vivaldi... Une heure avec les compositeurs qui ont façonné l'oratorio, le concerto et le madrigal, et qui illustrent toute la richesse musicale des XVIIe et XVIIIe siècles. - réalisé par : Doria Zénine Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:29:06 - Il Giardino Armonico, l'audace et le style - par : Aurélie Moreau - Fondé en 1985 et dirigé par Giovanni Antonini, l'ensemble Il Giardino Armonico est vite devenu une référence dans l'interprétation de la musique baroque, provoquant l'enthousiasme du public et de la critique. Aujourd'hui : Vivaldi, Haydn, Haendel… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

David Juritz started playing the violin at the age of five. After winning the Royal College of Music's top award he joined the English Chamber Orchestra before becoming the Leader of the London Mozart Players - a role he held for seventeen years. He is well known for his recordings, including Bach's Sonatas and Partitas for unaccompanied violin and Vivaldi's Four Seasons, and for his work with the London Tango Quintet. His recording of Bach's Goldberg Variations, transcribed for violin, guitar and cello, was released in 2021. In this conversation we explore the many intersecting strands of his professional career. https://davidjuritz.com/biography/

Microsoft is burning through billions on AI, but Wall Street is finally demanding to see where the payoff is. The earnings announcement triggered a $357 billion valuation wipe-out, the largest in Microsoft's history and the second-largest in history overall (Nvidia managed to lose $593 billion in value in the wake of DeepSeek in early 2025).Windows Windows 11 has over one billion users - and, surprise, it got their faster than Windows 10 without any of the shenanigans Microsoft to address the quality issues in Windows 11 in 2026 There is already evidence that Microsoft is trying to make Windows 11 suck less: Recent OneDrive changes that address a key ensh*ttification, and let's not forget all those security advances What did Microsoft really promise? Not much Microsoft has new EVPs for Security and Quality Microsoft belatedly delivered the January Week D update last Thursday, a preview of this month's Patch Tuesday Dev and Beta builds both deliver Mark Russinovich's sysmon tool Microsoft earnings deep dive Microsoft reported a net income of $38.5 billion on revenues of $81.3 billion in the quarter ending December 31. Those figures represent gains of 60 percent and 17 percent, respectively, year-over-year Earnings analysis: All eyes are on AI and no one is happy Microsoft spent $37.5 billion on AI infrastructure (capex) in the quarter, up 66 percent YOY, and it's on track to spend $150+ billion in the fiscal year Every single question was about this and how it will ever recoup the costs There are now 15 million paid Microsoft 365 Copilot seats out of 450+ million Microsoft 365 seats OpenAI is Microsoft's biggest Azure customer, but it's unclear if there is any real money there because of accounting tricks Windows, Edge, and Bing all "gained share," PC maker revenues were up just 1 percent, the Windows 10 upgrade cycle was mostly a bust (it's likely that most of it was tied to RAM pricing fears, too) Xbox fell off a cliff with content and services revenues down 5 percent in a holiday quarter somehow and Xbox hardware revenue declined an astonishing 32 percent YOY Standalone Office 2025 suite was a surprise hit, Hood is curious if that continues Microsoft 365 "cost of business" up 10 percent YOY because of AI costs AMD revenues up 34 percent to $10.3 billion Apple delivers record revenues of $143.8 billion; iPhone made more revenues by itself than all of Microsoft AI Microsoft is going to basically make an app store for content makers who wish to be paid for use by AI Anthropic advertises that Claude will be advertising-free, unlike ChatGPT The next Firefox will include the promised AI kill switch and Vivaldi "extends the middle fingerˮ to AI Xbox and games AMD reveals next Xbox console in 2027 We're getting a solid collection of Xbox Game Pass titles for the beginning of February Battlefield 6 was the best-selling shooter of 2025 and EA made $1.9 billion in Q4 Epic Games has big plans for its PC launcher/store Nintendo has now sold 17 million Switch 2s as OG Switch hits 155 million units Tips and picks Tip of the week: Make OneDrive Folder Backup work for you App pick of the week: Bitwarden (TWiT sponsor) RunAs Radio this week: Getting Started using Purview with Erica Toelle Brown liquor pick of the week: Glendronach Ode to These show notes have been truncated due to length. For the full show notes, visit https://twit.tv/shows/windows-weekly/episodes/969 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Sponsor: zscaler.com/security

Microsoft is burning through billions on AI, but Wall Street is finally demanding to see where the payoff is. The earnings announcement triggered a $357 billion valuation wipe-out, the largest in Microsoft's history and the second-largest in history overall (Nvidia managed to lose $593 billion in value in the wake of DeepSeek in early 2025).Windows Windows 11 has over one billion users - and, surprise, it got their faster than Windows 10 without any of the shenanigans Microsoft to address the quality issues in Windows 11 in 2026 There is already evidence that Microsoft is trying to make Windows 11 suck less: Recent OneDrive changes that address a key ensh*ttification, and let's not forget all those security advances What did Microsoft really promise? Not much Microsoft has new EVPs for Security and Quality Microsoft belatedly delivered the January Week D update last Thursday, a preview of this month's Patch Tuesday Dev and Beta builds both deliver Mark Russinovich's sysmon tool Microsoft earnings deep dive Microsoft reported a net income of $38.5 billion on revenues of $81.3 billion in the quarter ending December 31. Those figures represent gains of 60 percent and 17 percent, respectively, year-over-year Earnings analysis: All eyes are on AI and no one is happy Microsoft spent $37.5 billion on AI infrastructure (capex) in the quarter, up 66 percent YOY, and it's on track to spend $150+ billion in the fiscal year Every single question was about this and how it will ever recoup the costs There are now 15 million paid Microsoft 365 Copilot seats out of 450+ million Microsoft 365 seats OpenAI is Microsoft's biggest Azure customer, but it's unclear if there is any real money there because of accounting tricks Windows, Edge, and Bing all "gained share," PC maker revenues were up just 1 percent, the Windows 10 upgrade cycle was mostly a bust (it's likely that most of it was tied to RAM pricing fears, too) Xbox fell off a cliff with content and services revenues down 5 percent in a holiday quarter somehow and Xbox hardware revenue declined an astonishing 32 percent YOY Standalone Office 2025 suite was a surprise hit, Hood is curious if that continues Microsoft 365 "cost of business" up 10 percent YOY because of AI costs AMD revenues up 34 percent to $10.3 billion Apple delivers record revenues of $143.8 billion; iPhone made more revenues by itself than all of Microsoft AI Microsoft is going to basically make an app store for content makers who wish to be paid for use by AI Anthropic advertises that Claude will be advertising-free, unlike ChatGPT The next Firefox will include the promised AI kill switch and Vivaldi "extends the middle fingerˮ to AI Xbox and games AMD reveals next Xbox console in 2027 We're getting a solid collection of Xbox Game Pass titles for the beginning of February Battlefield 6 was the best-selling shooter of 2025 and EA made $1.9 billion in Q4 Epic Games has big plans for its PC launcher/store Nintendo has now sold 17 million Switch 2s as OG Switch hits 155 million units Tips and picks Tip of the week: Make OneDrive Folder Backup work for you App pick of the week: Bitwarden (TWiT sponsor) RunAs Radio this week: Getting Started using Purview with Erica Toelle Brown liquor pick of the week: Glendronach Ode to These show notes have been truncated due to length. For the full show notes, visit https://twit.tv/shows/windows-weekly/episodes/969 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Sponsor: zscaler.com/security

Microsoft is burning through billions on AI, but Wall Street is finally demanding to see where the payoff is. The earnings announcement triggered a $357 billion valuation wipe-out, the largest in Microsoft's history and the second-largest in history overall (Nvidia managed to lose $593 billion in value in the wake of DeepSeek in early 2025).Windows Windows 11 has over one billion users - and, surprise, it got their faster than Windows 10 without any of the shenanigans Microsoft to address the quality issues in Windows 11 in 2026 There is already evidence that Microsoft is trying to make Windows 11 suck less: Recent OneDrive changes that address a key ensh*ttification, and let's not forget all those security advances What did Microsoft really promise? Not much Microsoft has new EVPs for Security and Quality Microsoft belatedly delivered the January Week D update last Thursday, a preview of this month's Patch Tuesday Dev and Beta builds both deliver Mark Russinovich's sysmon tool Microsoft earnings deep dive Microsoft reported a net income of $38.5 billion on revenues of $81.3 billion in the quarter ending December 31. Those figures represent gains of 60 percent and 17 percent, respectively, year-over-year Earnings analysis: All eyes are on AI and no one is happy Microsoft spent $37.5 billion on AI infrastructure (capex) in the quarter, up 66 percent YOY, and it's on track to spend $150+ billion in the fiscal year Every single question was about this and how it will ever recoup the costs There are now 15 million paid Microsoft 365 Copilot seats out of 450+ million Microsoft 365 seats OpenAI is Microsoft's biggest Azure customer, but it's unclear if there is any real money there because of accounting tricks Windows, Edge, and Bing all "gained share," PC maker revenues were up just 1 percent, the Windows 10 upgrade cycle was mostly a bust (it's likely that most of it was tied to RAM pricing fears, too) Xbox fell off a cliff with content and services revenues down 5 percent in a holiday quarter somehow and Xbox hardware revenue declined an astonishing 32 percent YOY Standalone Office 2025 suite was a surprise hit, Hood is curious if that continues Microsoft 365 "cost of business" up 10 percent YOY because of AI costs AMD revenues up 34 percent to $10.3 billion Apple delivers record revenues of $143.8 billion; iPhone made more revenues by itself than all of Microsoft AI Microsoft is going to basically make an app store for content makers who wish to be paid for use by AI Anthropic advertises that Claude will be advertising-free, unlike ChatGPT The next Firefox will include the promised AI kill switch and Vivaldi "extends the middle fingerˮ to AI Xbox and games AMD reveals next Xbox console in 2027 We're getting a solid collection of Xbox Game Pass titles for the beginning of February Battlefield 6 was the best-selling shooter of 2025 and EA made $1.9 billion in Q4 Epic Games has big plans for its PC launcher/store Nintendo has now sold 17 million Switch 2s as OG Switch hits 155 million units Tips and picks Tip of the week: Make OneDrive Folder Backup work for you App pick of the week: Bitwarden (TWiT sponsor) RunAs Radio this week: Getting Started using Purview with Erica Toelle Brown liquor pick of the week: Glendronach Ode to These show notes have been truncated due to length. For the full show notes, visit https://twit.tv/shows/windows-weekly/episodes/969 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Sponsor: zscaler.com/security

Microsoft is burning through billions on AI, but Wall Street is finally demanding to see where the payoff is. The earnings announcement triggered a $357 billion valuation wipe-out, the largest in Microsoft's history and the second-largest in history overall (Nvidia managed to lose $593 billion in value in the wake of DeepSeek in early 2025).Windows Windows 11 has over one billion users - and, surprise, it got their faster than Windows 10 without any of the shenanigans Microsoft to address the quality issues in Windows 11 in 2026 There is already evidence that Microsoft is trying to make Windows 11 suck less: Recent OneDrive changes that address a key ensh*ttification, and let's not forget all those security advances What did Microsoft really promise? Not much Microsoft has new EVPs for Security and Quality Microsoft belatedly delivered the January Week D update last Thursday, a preview of this month's Patch Tuesday Dev and Beta builds both deliver Mark Russinovich's sysmon tool Microsoft earnings deep dive Microsoft reported a net income of $38.5 billion on revenues of $81.3 billion in the quarter ending December 31. Those figures represent gains of 60 percent and 17 percent, respectively, year-over-year Earnings analysis: All eyes are on AI and no one is happy Microsoft spent $37.5 billion on AI infrastructure (capex) in the quarter, up 66 percent YOY, and it's on track to spend $150+ billion in the fiscal year Every single question was about this and how it will ever recoup the costs There are now 15 million paid Microsoft 365 Copilot seats out of 450+ million Microsoft 365 seats OpenAI is Microsoft's biggest Azure customer, but it's unclear if there is any real money there because of accounting tricks Windows, Edge, and Bing all "gained share," PC maker revenues were up just 1 percent, the Windows 10 upgrade cycle was mostly a bust (it's likely that most of it was tied to RAM pricing fears, too) Xbox fell off a cliff with content and services revenues down 5 percent in a holiday quarter somehow and Xbox hardware revenue declined an astonishing 32 percent YOY Standalone Office 2025 suite was a surprise hit, Hood is curious if that continues Microsoft 365 "cost of business" up 10 percent YOY because of AI costs AMD revenues up 34 percent to $10.3 billion Apple delivers record revenues of $143.8 billion; iPhone made more revenues by itself than all of Microsoft AI Microsoft is going to basically make an app store for content makers who wish to be paid for use by AI Anthropic advertises that Claude will be advertising-free, unlike ChatGPT The next Firefox will include the promised AI kill switch and Vivaldi "extends the middle fingerˮ to AI Xbox and games AMD reveals next Xbox console in 2027 We're getting a solid collection of Xbox Game Pass titles for the beginning of February Battlefield 6 was the best-selling shooter of 2025 and EA made $1.9 billion in Q4 Epic Games has big plans for its PC launcher/store Nintendo has now sold 17 million Switch 2s as OG Switch hits 155 million units Tips and picks Tip of the week: Make OneDrive Folder Backup work for you App pick of the week: Bitwarden (TWiT sponsor) RunAs Radio this week: Getting Started using Purview with Erica Toelle Brown liquor pick of the week: Glendronach Ode to These show notes have been truncated due to length. For the full show notes, visit https://twit.tv/shows/windows-weekly/episodes/969 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Sponsor: zscaler.com/security

Microsoft is burning through billions on AI, but Wall Street is finally demanding to see where the payoff is. The earnings announcement triggered a $357 billion valuation wipe-out, the largest in Microsoft's history and the second-largest in history overall (Nvidia managed to lose $593 billion in value in the wake of DeepSeek in early 2025).Windows Windows 11 has over one billion users - and, surprise, it got their faster than Windows 10 without any of the shenanigans Microsoft to address the quality issues in Windows 11 in 2026 There is already evidence that Microsoft is trying to make Windows 11 suck less: Recent OneDrive changes that address a key ensh*ttification, and let's not forget all those security advances What did Microsoft really promise? Not much Microsoft has new EVPs for Security and Quality Microsoft belatedly delivered the January Week D update last Thursday, a preview of this month's Patch Tuesday Dev and Beta builds both deliver Mark Russinovich's sysmon tool Microsoft earnings deep dive Microsoft reported a net income of $38.5 billion on revenues of $81.3 billion in the quarter ending December 31. Those figures represent gains of 60 percent and 17 percent, respectively, year-over-year Earnings analysis: All eyes are on AI and no one is happy Microsoft spent $37.5 billion on AI infrastructure (capex) in the quarter, up 66 percent YOY, and it's on track to spend $150+ billion in the fiscal year Every single question was about this and how it will ever recoup the costs There are now 15 million paid Microsoft 365 Copilot seats out of 450+ million Microsoft 365 seats OpenAI is Microsoft's biggest Azure customer, but it's unclear if there is any real money there because of accounting tricks Windows, Edge, and Bing all "gained share," PC maker revenues were up just 1 percent, the Windows 10 upgrade cycle was mostly a bust (it's likely that most of it was tied to RAM pricing fears, too) Xbox fell off a cliff with content and services revenues down 5 percent in a holiday quarter somehow and Xbox hardware revenue declined an astonishing 32 percent YOY Standalone Office 2025 suite was a surprise hit, Hood is curious if that continues Microsoft 365 "cost of business" up 10 percent YOY because of AI costs AMD revenues up 34 percent to $10.3 billion Apple delivers record revenues of $143.8 billion; iPhone made more revenues by itself than all of Microsoft AI Microsoft is going to basically make an app store for content makers who wish to be paid for use by AI Anthropic advertises that Claude will be advertising-free, unlike ChatGPT The next Firefox will include the promised AI kill switch and Vivaldi "extends the middle fingerˮ to AI Xbox and games AMD reveals next Xbox console in 2027 We're getting a solid collection of Xbox Game Pass titles for the beginning of February Battlefield 6 was the best-selling shooter of 2025 and EA made $1.9 billion in Q4 Epic Games has big plans for its PC launcher/store Nintendo has now sold 17 million Switch 2s as OG Switch hits 155 million units Tips and picks Tip of the week: Make OneDrive Folder Backup work for you App pick of the week: Bitwarden (TWiT sponsor) RunAs Radio this week: Getting Started using Purview with Erica Toelle Brown liquor pick of the week: Glendronach Ode to These show notes have been truncated due to length. For the full show notes, visit https://twit.tv/shows/windows-weekly/episodes/969 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Sponsor: zscaler.com/security

SONGS in this podcast episode: M1 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) M2 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20). M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40). M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55). M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06). M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (2:56) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) PROGRAM NOTES Johann Sebastian Bach was a German composer and organist from the late Baroque period. He was born in Eisenach, in what is now central Germany. Bach lived from 1685 to 1750, The Baroque period was a 150-year period in music, dating from 1600 to 1750. Baroque music is Western Classical Music that followed the Renaissance period. Baroque music features drama, ornamentation, major and minor tones, and was presented in new ways – – like the Opera, Concerto, and Sonata, Baroque composers included BACH, HANDEL, VIVALDI. M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27). Bach probably used the CLAVICHORD to compose most of his music. The Clavichord is small, lightweight and would not disturb people. The clavichord was very temperamental, because it required tuning before each play, just like a violin or guitar.  The keyboard instruments of the day were referred to as a general category: the “KLAVIER”….these included HARPSICHORD, CLAVICHORD, ORGAN and PIANOFORTE. Bach's favorite KLAVIER instrument was the LAUTENWERK or LUTE HARPSICHORD with animal gut strings.  The writing of music was in support of GOD and KINGS. Over time, Baroque Music evolved into what is today known as the modern Orchestra. Bach was a prolific composer, writing hundreds of pieces for solo instruments, particularly the organ. He also wrote pieces for orchestra and choir. Bach is MOST known for writing two or more  melodies or voices against each other. Also called point against point, or, Counterpoint. Bit Bucket A BWV catalog number is a unique identifier for musical works composed by Johann Sebastian Bach, standing for Bach-Werke-Verzeichnis (Bach Works Catalogue).  Today I will present 9 compositions, dating from 1710 to 1731, during the time Bach was about age 25 to 45. M1 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20) Our first piece — TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). an ORGAN COMPOSITION.     It is taken from a 1959 album of BACH ORGAN WORKS   . The movement is called ADAGIO ….which indicates “At Ease”, or “Slow and Stately”. Tempo is only 66-76 BPM. like the resting heart rate for many people. Great liner notes. HERE IS AN  excerpt from the liner notes on that album – – QUOTE “OUR BACH” said the obituary notice, “was the greatest organ and clavier player that ever lived”. Though it may seem strange to us now, Bach's genius during his life was recognized only as a master of the organ—not as a composer. It was actually over a hundred years after his death that his works revealed him as a unique and mighty composer. His reputation as an organist brought many invitations to test new organs and advise on the construction of them.  UNQUOTE As with most of his organ works , there is no autograph or manuscript score from Bach, his organ work manuscript copies are lost.  This song has a CONCERTO style and rhythm.  We will hear the 2nd or ADAGIO movement. . It is all very calm and beautiful and pastoral and serene…until Bach pulls out all the stops in the last minute of this ADAGIO movement. He is really rocking the walls and windows of that church. Without any further adieu, here is TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). PLAY M2 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M2 MUSICAL CREDIT: This Bach organ work  was recorded on the Luneburg Organ at St. Johanniskirche, in the town of Luneburg, in northern Germany, the organist is Professor Michael Schneider. This LP was produced and released on the SOMERSET label here in the US in 1959 The album title is BACH The Majesty of the Luneburger Organ. M2 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) Our next piece is the most famous church cantata written in 1714 for THE FIRST SUNDAY IN ADVENT. NUN KOMM DER HEIDEN HEILAND or in English “NOW COME, SAVIOR OF THE HEATHANS” A HEATHAN is a person with no religion, i.e., a PAGAN. In this chorale, Jesus is asked to …  come and save the pagans.  In 1714, Bach would have been 29 years of age. It turns out that this song goes back almost two centuries before BACH's time.  It's based on a LUTERAN CHORALE with words written by Martin Luther for the 1523 first Advent Sunday.  For centuries, this was the first hymn for the first Sunday of ADVENT.  What I will play next is an arrangement for as modern symphony orchestra (the Philadelphia Orchestra) and it is definitely JS BACH heard in those phrases. But it is a large orchestra – – Conducted by Leopold Stokowski.  This is an extremely restrained, demure, and understated interpretation of a Bach piece the most restrained I have ever heard. The recording you will hear next is performed by the Philadelphia Orchestra, with conductor   Leopold Stokowski. This recording is on a Vinyl LP titled THE SOUND OF GENIUS, produced by COLUMBIA MASTERWORKS, in 1960. It was one of many records that were shipped by mail to members of the Columbia Record Club. My parents were enthusiastic members. A new disc would arrive in the mail every month, such as this LP of classical music. Without further delay here is NOW COME, SAVIOR OF THE HEATHANS PLAY M1 SHOW PLUG – SHOW PLUG – DON'T TOUCH THAT DIAL ! ! That was…M1 NOW COME, SAVIOR OF THE HEATHANS” MUSICAL CREDIT: Arranger and Composer JS Bach, sometime between the years 1708-1717 Performance: Philadelphia Orchestra, conducted by Leopold Stokowski. Album: The Sound of Genius Limited Edition LP (1960) Members Only ! Label: Columbia Master Works BIT BUCKET This piece also is based on a song listed in the ZAHN Lutheran chorales catalog. ZAHN 1174 M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40) The next three pieces are called TWO PART INVENTIONS, composed by JS Bach around 1720   The inventions were composed for use in instruction of Bach's oldest son WILHELM FRIEDEMANN BACH who was 12 years old. Today, these inventions are introduced to music students in school grades 4-7. Learning the Two-Part Invention requires ROTE learning, practicing over and over until the two hands work completely independently of one another. The inventions teach, among other things, the use of COUNTERPOINT. Bach is MOST known for writing two melodies against each other. Also called point against point, or, Counterpoint. That is the feature of these inventions, in each one there are TWO PARTS, left and right hand parts. COUNTERPOINT is found mostly in Bach's FUGUES and in his INVENTIONS. Perhaps a brief demonstration is in order. Here is an excerpt from one of Bach's inventions. FIRST the right-hand part or first point – the melody SECOND the left-hand part or second point – the bass line LAST both parts played in counterpoint. In some of Bach works, the roles reverse, The left hand plays the first point – the melody And the right hand plays the second point – the bass line Could you do this by crossing hands on the keyboard – yes, but, the roles are reversed, so no cross-hand playing. I will now play  WENDY CARLOS's rendition of three BACH TWO-PART INVENTIONS from her 1969 recording titled “SWITCHED ON BACH” .. I will play all three, back-to-back. Each one is short – – average length ONE MINUTE EACH! PLAY M3 PLAY M4 PLAY M5 Credits: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) And now….. PLAY M4 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M4 MUSICAL CREDIT: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55) PLAY M5 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M5 We heard three inventions – – Bach's 2-PART INVENTION in F MAJOR And the 2-PART INVENTION in B-FLAT MAJOR And the 2-PART INVENTION IN D MINOR Each invention is very different than the other. Not just a key change like the work title would suggest ! Bach stated that he wrote his inventions “to be models of composition” in other words, to enable the student to form ways of developing musical ideas and “acquire a strong taste of composition” Bach wrote the inventions, one for of the notes A to G and one for each minor and major key. Today these inventions are over 300 years old ! MUSICAL CREDIT: Composer JS Bach Estimated dates between 1720-1723 Performer – Wendy Carlos – early prototype Moog Synthesizer Arranger and Recording Engineer – Wendy Carlos on MOOG SYNTHESIZER in 1968. Record and label:  Switched-On Bach, Columbia/CBS BIT BUCKET M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06) Next is Bach's “The Well-Tempered Clavier” written in 1722. He was 37. The title page to the Well-tempered Clavier song book reads : “The well-tempered Clavier, or Preludes and Fugues, through all the tones and semitones, both the [major] and [minor]. For the profit and use of the studious musical young…” Bach wrote these preludes and fugues in all keys in the chromatic scale … 12 major and 12 minor keys I have the version in D MAJOR. It's two sections – the prelude, and the fugue The Prelude is the introduction. LISTEN FOR the Stride Piano on the left hand !! It's a short 1:10. The Fugue is the second section. It's slower but with a more Bold left hand. Also short at 1:54. And now….PRELUDE & FUGUE No. 5 D-Major fromThe Well-Tempered Clavier PLAY M6 SHOW PLUG – DON'T TOUCH THAT DIAL !  That was…M6  PRELUDE & FUGUE No. 5 D-Major from The Well-Tempered Clavier MUSICAL CREDIT: Composer JS Bach and the autograph date is 1722 Pianist: Vasso Devetzi Label Festival Classique (1978) M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (3:22) Our next song is Jesu, Joy of Man's Desiring This song was also composed by JS Bach in that same year of 1723 – – prolific at age 38. This was written for the Christian Feast of the Visitation- celebrated at the end of May in Western Christianity. The song is a Lutheran hymn. … a CANTATA and it has a CHORALE or chorus piece repeated twice within this cantata. There are many arrangements and versions because this song is one of Bach's most beautiful, well-known, and popular. The version we will hear next is arranged for SOLO PIANO. the pianist is Leon Fleisher. And Now, Here is Jesu, Joy of Man's Desiring – Bach       1723 PLAY M7 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M7  Jesu, Joy of Man's Desiring MUSICAL CREDIT: JS Bach composer 1723 Performance: Leon Fleisher – Pianist    (courtesy of EPIC records) Album  THE SOUND OF GENIUS VOLUME 3   Label Columbia, 1962   (3:22) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) Here is another Chorale recording titled Chorale Prelude VACKET OFF “Wachet Auf”, which translates to SLEEPERS, WAKE! This hymn was transcribed from a Lutheran hymn written in 1599 by written by Phillippe Nicolai. This Cantata is truly a work from the middle ages. In 1731, Bach took this hymn and created a 7-movement cantata, we will hear the first movement or PRELUDE”.  This cantata is sung in church on the Trinity Sunday. Today this piece is very popular piece in general…it is POPULAR CLASSICAL MUSIC.    J.S. Bach wrote 46 of these cantatas for church, in all. ODD FACT  about this song… it was performed only once by Bach, in Leipzig that year. And now the FIRST MOVEMENT  from  VACKET OFF …the Prelude PLAY M8 SHOW PLUG – DON'T TOUCH THAT DIAL ! that was M4    The Chorale Prelude “Wachet Auf”, also known as SLEEPERS, WAKE! Song credits M4 Credits: Hymn by Phillippe Nicolai in 1599 Transcribed by JS Bach in 1731 Performance: Wendy Carlos – on an early prototype Moog Synthesizer Wendy Carlos arranger and recording engineer Album:  Switched-On Bach Label: Columbia/CBS, 1968 M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27) Our next AND LAST piece is from the Switched-On Bach album and s titled AIR ON A G-STRING. This title comes from Johann Sebastian Bach's Orchestral Suite No. 3 in D major,  written almost 300 years ago.   So what is the meaning of the song title Air on a G-String? Well, Bach composed this as an orchestral suite in 1730. 141 years later, August Wilhelm arranged the second movement for SOLO VIOLIN and he did something unique. He transposed the song down from D so that the entire piece could be played on one string of the violin, the G-String, which is the lowest register on that instrument. Here is an example of what this sounds like on the Violin G-String, thjs example with piano accompaniment—pardon the scratchy sound, is from an old 78 RPM disc in 1935. Play example  – Jacques Dumont (Violin) Bach Air On The G String with Andre Collard (piano) We went from Bach's orchestral piece, to Wilhelm's transcription for solo violin, to Wendy Carlos modern interpretation with her MOOG Synthesizer. Now here is Wendy Carlos' arrangement of Air on a G String, from her debut album, SWITCHED-ON BACH, in 1968. PLAY M9 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M9  MUSICAL CREDIT: Composer JS Bach 1730 Performance Wendy Carlos on early prototype MOOG SYNTHESIZER Arranger and Recording Engineer: Wendy Carlos  Album:  Switched-On Bach Label: Columbia/CBS, 1968 END OF PROGRAM VV-031

Microsoft is burning through billions on AI, but Wall Street is finally demanding to see where the payoff is. The earnings announcement triggered a $357 billion valuation wipe-out, the largest in Microsoft's history and the second-largest in history overall (Nvidia managed to lose $593 billion in value in the wake of DeepSeek in early 2025).Windows Windows 11 has over one billion users - and, surprise, it got their faster than Windows 10 without any of the shenanigans Microsoft to address the quality issues in Windows 11 in 2026 There is already evidence that Microsoft is trying to make Windows 11 suck less: Recent OneDrive changes that address a key ensh*ttification, and let's not forget all those security advances What did Microsoft really promise? Not much Microsoft has new EVPs for Security and Quality Microsoft belatedly delivered the January Week D update last Thursday, a preview of this month's Patch Tuesday Dev and Beta builds both deliver Mark Russinovich's sysmon tool Microsoft earnings deep dive Microsoft reported a net income of $38.5 billion on revenues of $81.3 billion in the quarter ending December 31. Those figures represent gains of 60 percent and 17 percent, respectively, year-over-year Earnings analysis: All eyes are on AI and no one is happy Microsoft spent $37.5 billion on AI infrastructure (capex) in the quarter, up 66 percent YOY, and it's on track to spend $150+ billion in the fiscal year Every single question was about this and how it will ever recoup the costs There are now 15 million paid Microsoft 365 Copilot seats out of 450+ million Microsoft 365 seats OpenAI is Microsoft's biggest Azure customer, but it's unclear if there is any real money there because of accounting tricks Windows, Edge, and Bing all "gained share," PC maker revenues were up just 1 percent, the Windows 10 upgrade cycle was mostly a bust (it's likely that most of it was tied to RAM pricing fears, too) Xbox fell off a cliff with content and services revenues down 5 percent in a holiday quarter somehow and Xbox hardware revenue declined an astonishing 32 percent YOY Standalone Office 2025 suite was a surprise hit, Hood is curious if that continues Microsoft 365 "cost of business" up 10 percent YOY because of AI costs AMD revenues up 34 percent to $10.3 billion Apple delivers record revenues of $143.8 billion; iPhone made more revenues by itself than all of Microsoft AI Microsoft is going to basically make an app store for content makers who wish to be paid for use by AI Anthropic advertises that Claude will be advertising-free, unlike ChatGPT The next Firefox will include the promised AI kill switch and Vivaldi "extends the middle fingerˮ to AI Xbox and games AMD reveals next Xbox console in 2027 We're getting a solid collection of Xbox Game Pass titles for the beginning of February Battlefield 6 was the best-selling shooter of 2025 and EA made $1.9 billion in Q4 Epic Games has big plans for its PC launcher/store Nintendo has now sold 17 million Switch 2s as OG Switch hits 155 million units Tips and picks Tip of the week: Make OneDrive Folder Backup work for you App pick of the week: Bitwarden (TWiT sponsor) RunAs Radio this week: Getting Started using Purview with Erica Toelle Brown liquor pick of the week: Glendronach Ode to These show notes have been truncated due to length. For the full show notes, visit https://twit.tv/shows/windows-weekly/episodes/969 Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Sponsor: zscaler.com/security

Comments/ideas: asiaclimatefinpod@outlook.comUnlock the secrets of solar bankability in this episode with Harsh Goenka from Solargis, a leading solar data and software provider. We explore how high-quality satellite data and AI-driven forecasting reduce investment risk and manage weather variability. Discover how precise resource assessment helps grid operators transition from coal to reliable, base-load renewable energy by optimising battery storage. Learn why accurate solar data is the essential "fuel" for scaling climate finance and navigating extreme weather risks like hailstorms in emerging markets.ABOUT HARSH: Harsh Goenka is the Regional Sales Director for Europe and APAC at Solargis. An engineer by training, Harsh brings over a decade of expertise in the renewable energy sector, specialising in bridging the gap between technical solar engineering and financial risk assessment. Prior to his current leadership role, he was instrumental in mentoring commercial teams and forging strategic partnerships with major institutional investors and IPPs globally. He remains committed to advancing data-driven decision-making to accelerate the global transition to clean energy.HOST, PRODUCTION, ARTWORK: Joseph Jacobelli | MUSIC: Ep76 onward excerpts from Vivaldi's La Follia, played by Luca Jacobelli.

‘Nun the Wiser' is an irreverent new musical from the mind of Kat Carson. It is a satirical look at an imagined past where Italian nuns sing gospel music and dream of fame. It focusses on the lives of seven musical nuns. On the surface, they appear devout and ordinary, but beneath that exterior lies a world of interpersonal relationships, conflicts, love, and repressed emotion. Within the convent, the only permitted form of artistic expression is composing and performing religious music.Their lives are thrown into turmoil when the famous composer Antonio Vivaldi comes to hear their compositions. As a man, he has the power to change their lives and introduce their music to the outside world. The nuns ask Mr. Vivaldi to review their own works, but what will he make of their explicit writings about love and desire?Drawing on her extensive work on the music of the 17th and 18th centuries, and on her experiences in an all female education system, Kat has used the genre of musical theatre to examine LGBTQIA issues and to draw a picture of womanhood that is both funny and challenging. The nuns in the story are people first and foremost, and have their own dreams, lives, and troubles. The musical explores issues of sexual identity, living within a patriarchal society, and a love of music through the absurd lens of nuns in an 18th century convent.Website

Kater Vivaldi und Katze Zelda haben einen neuen Fall! Der führt sie zu den Krähen in den großen Ahornbäumen. Was steckt hinter den nächtlichen Schreien und welche Rolle spielen die Planeten dabei? Eine Geschichte von Cee Neudert.

Ein großer Talentwettbewerb für Katzen findet statt. Und Kater Vivaldi macht mit! Er will mit seinem Zaubertrick die Jury überzeugen und den Hauptpreis gewinnen! Doch etwas geht bei diesem Wettbewerb nicht mit rechten Dingen zu... | Von Cee Neudert

durée : 00:16:05 - Le Disque classique du jour du vendredi 23 janvier 2026 - Cet album célèbre les compositions d'Antonio Vivaldi pour un registre vocal particulier, l'alto, et pour des solistes issus de trois familles instrumentales différentes : les cordes, les bois (la flûte traversière) et les cuivres (le cor). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:16:05 - Le Disque classique du jour du vendredi 23 janvier 2026 - Cet album célèbre les compositions d'Antonio Vivaldi pour un registre vocal particulier, l'alto, et pour des solistes issus de trois familles instrumentales différentes : les cordes, les bois (la flûte traversière) et les cuivres (le cor). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

There's no more familiar piece of classical music than Antonio Vivaldi's The Four Seasons. But for all the recordings and broadcasts and interpretations of it that there has been over the past three centuries, there is still some mystery about the music. Why did Vivaldi write it? What were his inspirations? Where and when did The Four Seasons burst into life. The broadcaster and author Dr Hannah French has written a wonderful, incisive book called The Rolling Year that examines questions like this. In this special episode Peter and the violinist Min Kym sat down with Hannah to find out more about Vivaldi, his music, Mantua and Manchester. Enjoy the music. We'll be returning to the Travels Through Time format very soon! Show notes People/Social Interviewers: Peter Moore and Min Kym Guest: Dr Hannah French Production: Maria Nolan Music: John Harrison, The Four Seasons

תרגול להתבוננות בזרם המחשבות ובחירה מודעת בדרך שמיטיבה.שיר סיום מאת Vivaldi and Max Richter.למיקסטייפ המלא | To full mixtapeמדיטציה זו הוקלטה בשידור חי בזום באהנגמה, סרי לנקה בתאריך 8 בינואר 2026אם אתם מכירים מישהו שיכול להפיק תועלת מהמדיטציה הזו, אנא העבירו אותה הלאה.וגם,קבוצת וואטסאפ שקטה בה אני שולח הקלטות והזמנות לתרגולים שבועיים בזוםארכיון מתעדכן של מדיטציות לפי נושאים ומצבים בספוטיפייוגם באפל פודקאסטסערוץ היוטיוב שלי, עם ארכיון תרגולים בוידאושלכםעופר ✨About this podcastPractice and frequency for vibration management ///////////////// Free guided meditations for the benefit of all ///////////////// Ofer Shani is an International Meditation Recording Artist and a Tech Entrepreneur ///////////////// His sessions are unique and combine music with teachings of Mindfulness, Zen, Shamanism, Quantum physics and Neuroscience ///////////////// Linktree https://linktr.ee/ofershani An important noticeThis podcast celebrates music as a tool for transformation and well being.Each episode includes a link to a dedicated mixtape with all the tracks played during the meditation. If you don't want your music to be played here - please contact us oshani@gmail.com