Podcasts about vivaldi

It's Christmas week, and for me, this is a week to finally settle into the holiday mood. This is the time we decorate our tree, get in touch with friends and family, and start reveling in the spirit of joy and peace that feels so elusive other times of the year. So this is not the week I want to dive into a heavy teaching topic here on the podcast. What I want to do today is spread a little holiday harp happiness with a short musical program for you to enjoy.  The theme of the program is "Classics for a Relaxing Holiday," classical music that is appropriate for the holidays, but isn't specific to this time of year. In other words, no jingling bells or Santa Claus songs - just calm, perhaps even meditative harp music, assembled from my various recordings and videos.  I've listed the program in the show notes, and for some of the pieces, you'll also find links to sheet music arrangements in our Harp Mastery® shop. I've also included spoken introductions to each piece to give you a little of the background to the piece or what I love about it. But I realize you might want to make this music part of the background to your holidays without the narration, so in the show notes I have put links to alternate ways to download or listen to the music. One is a bonus podcast episode that has only the music, without the speaking. The other is a link to the music on YouTube where I've added some harp photographs that I have taken on my recent travels. PROGRAM: all arrangements by Anne Sullivan Largo, from Winter by Vivaldi  from Break Forth CD Two from Messiah by Handel   LINK TO SHEET MUSIC Mozart in a Minute LINK TO SHEET MUSIC Ave Maria by Schubert  from Break Forth CD Jesu, Joy of Man's Desiring (Bach)/Ode to Joy  (Beethoven)  LINK TO SHEET MUSIC Peace, a Fantasy on Dona Nobis Pacem  LINK TO SHEET MUSIC Links to things I think you might be interested in that were mentioned in the podcast episode:  Download the playlist to your device. Listen to the playlist on YouTube Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com Looking for a transcript for this episode? Did you know that if you subscribe to this podcast on Apple Podcasts you will have access to their transcripts of each episode? LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-240  

Playlist Program: All selections performed by Anne Sullivan All selections arranged for harp by Anne Sullivan Largo, from Winter by Vivaldi  from Break Forth CD Two from Messiah by Handel   LINK TO SHEET MUSIC Mozart in a Minute LINK TO SHEET MUSIC Ave Maria by Schubert  from Break Forth CD Jesu, Joy of Man's Desiring (Bach)/Ode to Joy  (Beethoven)  LINK TO SHEET MUSIC Peace, a Fantasy on Dona Nobis Pacem  LINK TO SHEET MUSIC

Musique classique Jean Perron, Laurent Patenaude et Jean Lecomte Tous les samedis matins, de 9 h à 12 h, L'Accroche-coeur propose aux auditeurs et auditrices férus de découvertes et de musiques rares, plus de 1000 ans de musique, des premiers temps du Moyen-Âge à aujourd'hui.; musiques savantes ou populaires, profanes ou sacrées mettant en vedettes les plus grands artistes capables de mettre en valeurs les oeuvres des Pérotin, Machaut, Dufay, Bach, Vivaldi, Beethoven, Chopin, Debussy, Poulenc, Jarrett et tous ces anonymes dont la postérité n'a retenu que les oeuvres. Le samedi matin, c'est le moment privilégié que CKRL, la radio culturelle de Québec, vous offre pour entendre les plus belles oeuvres de la musique occidentale, celles qui ont fait la meilleure partie de l'humanité. Jean Perron, Laurent Patenaude et Jean Lecomte mettent, tour à tour, leurs connaissances et leur amour de la musique à la portée de tous et toutes. C'est le rendez-vous bien-être de la semaine sur nos ondes.

19. decembrī pulksten 19  Latvijas Universitātes Lielajā aulā pirmo reizi Latvijā koncertu sniegs  izcilā baroka vijolniece Alfija Bakijeva, kura festivālā "Eiropas Ziemassvētki" muzicēs kopā ar kamerorķestri "Sinfonietta Rīga" gan kā soliste, gan vienlaikus kā orķestra vadītāja. No Roskildes festivāla decibeliem, ekspresīviem tango ritmiem un tatāru tautas melodijām līdz baroka mūzikas zeltītajai spozmei un alegorijām. Tāds ir vijolnieces Alfijas Bakijevas radošais lidojums, kas šķērso žanru un kultūru robežas. Baroka vijoles spēli viņa slīpējusi pie Enriko Onofri – leģendārā "Il Giardino Armonico" dibinātāja un ilggadēja šī ansambļa koncertmeistara. Kā soliste, koncertmeistare un atskaņojuma vadītāja viņa muzicē kopā ar senās mūzikas grandiem – Žordi Savalu un viņa "Le Concert des Nations" vai izcilo itāļu ansambli "Il Pomo d'Oro". Šim laikam pirms Ziemassvētkiem māksliniece izvēlējusies spožākās Georga Fīlipa Tēlemaņa, Jana Dīsmasa Zelenkas un Johana Sebastiāna Baha partitūras. Koncerta norisei ikviens varēs sekot "Klasikas" tiešraidē. Alfija Bakijeva spēlē Frančesko Rudžēri vijoli, kas izgatavota 1680. gadā Itālijas pilsētā Kremonā, un kuru viņai uztic Jumpstart Jr. fonds. Inta Zēgnere: Prieks jūs satikt Rīgā: esat šeit pirmo reizi, un šī ir arī jūsu pirmā sadarbība ar orķestri “Sinfonietta Rīga”. Kādi ir jūsu iespaidi par mūsu mūziķiem? Alfija Bakijeva: Man ir liels prieks būt šeit! Patiešām, esmu Rīgā pirmo reizi. Biju ļoti laimīga, kad orķestris ar mani sazinājās, un esmu sajūsmā, ierodoties šeit. Patiešām – ar prieku gaidīju šo sadarbību! Strādāt ar šo orķestri ir liels prieks. Viņi ārkārtīgi dziļi jūt mūziku. Ļoti bieži man pat nav nekas jāsaka, jo viņi tik uzmanīgi un precīzi visu uztver… Ir liels prieks sadarboties un veidot šo skaisto programmu kopā. Mēs nākam no dažādām vidēm: es spēlēju vijoli, kura ir zarnu  stīgas, orķestra mūziķu rīcībā savukārt ir instrumenti ar metāla stīgām, bet skaņas saplūsme man šķiet pārsteidzoši skaista! Tāpat frāzēšanas izjūta dažādos stilos ir lieliska. Es patiešām apbrīnoju viņu meistarību. Kā jūs varētu izskaidrot to, ka skaņas saplūsme ir tik veiksmīga, ja Sinfonietta spēlē modernos instrumentus, bet jūs – baroka vijoli? Domāju, tas ir tāpēc, ka mūzikai nav robežu un mūziķiem piemīt liels jūtīgums, radot  skaņu, kā arī spēja pielāgoties un sekot. Tas liecina par orķestra augsto profesionalitāti. Jūs minējāt, ka spēlējat baroka laika instrumentu ar zarnu stīgām. Pastāstiet, lūdzu, par savu vijoli! Man ir ļoti īpašs instruments. Man bija gods parakstīt līgumu ar "Jumpstart Junior Foundation" Amsterdamā. Fondam ir privāta kolekcija, tika rīkots  konkurss , kurā mani uzaicināja uz noklausīšanos. Kopumā bija uzaicināti 14 vijolnieki no visas pasaules. Tajā brīdī kolekcijā bija divi instrumenti, un man bija gods parakstīt līgumu par vienu no tiem – Frančesko Rudžēri instrumentu. Viņš  tiek uzskatīts par Nikolo Amati skolnieku. Mana vijole izgatavota ap 1680. gadu Kremonā. Instruments ir īsts šedevrs ar skaistu toni, un ir liels gods to spēlēt. Katrs instruments ir mākslas darbs,  tāpat kā glezna. Katram instrumentam ir unikāla skaņa un īpašības. Kādus komplimentus jūs varētu veltīt savai ļoti retajai vijolei? Neesmu skaitījusi, cik pasaulē ir šī meistara būvēto instrumentu, bet, cik saprotu, šāda vijole pieejama tikai fondiem, un to piešķir īpašiem mūziķiem. Konkrēti šim fondam pieder divas Rudžēri vijoles: otru spēlē mans kolēģis un draugs Emanuels Rečs (Emmanuel Resch), kurš dzīvo Parīzē un ir viens no "Les Arts Florissants" koncertmeistariem. Mana vijole reaģē uz visu, ko vēlos izteikt  frāzējot — tā ne tikai reaģē, bet bieži padara to vēl labāku, nekā biju iedomājusies. Dažreiz man jāsaka: “Ak, Dievs, nebiju iedomājusies, ka tas būs tik skaisti!” Tas ir neticams partneris mūzikā. Notiek  savstarpējs mijiedarbības process frāzēšanā. Tas ir ļoti interesanti, kā senie instrumenti māca mums interpretēt baroka laikmeta mūziku. Atceros, kā Kristians Bezeidenhauts stāstīja, ka vecie Mocarta laika instrumenti viņam iemācīja saprast , ko pats Mocarts bija domājis, rakstot savu mūziku. Tieši tā. Man bija gods spēlēt Mocarta vijoli pirms gada — itāļu vijoli no fonda “Mozart Stiftung della Costa”. Tā bija viena no visdziedošākajām  itāļu balsīm, ko es jebkad esmu dzirdējusi. Bija satriecoši skaisti. Iemācījos tik daudz no šīs nelielās iespējas spēlēt šo instrumentu — tās bija tikai dažas stundas, mēģinājumā un koncertā. Tā kā tas ir valsts dārgums, protams, nevarēju to ņemt līdzi. Kad Rīgā satiku Enriko Onofri, viņš izstāstīja, kā vijole ienāca viņa dzīvē. Tas bija ļoti neparasts stāsts: Enriko jau bija 14 gadi, kad tēvs atnesa mājās instrumentu. Viņš bija gleznotājs un vēlējās to uzgleznot. Un Enriko iemīlējās šajā vijolē. Enriko Onofri ir jūsu skolotājs, bet kāds ir jūsu piedzīvojums  ar vijoli? Kā jūs sākat spēlēt šo instrumentu? Mani vecāki nav mūziķi. Ģimenē esam trīs bērni, es esmu vecākā. Brālis spēlē vijoli, māsa – čellu, un viņa ir arī folkloras, popmūzikas un džeza dziedātāja. Kad biju bērns, vecāki vēlējās, lai es studēju mūziku, un jautāja, vai gribu to darīt. Es atbildēju – jā, jo neuztvēru to kā jautājumu, bet drīzāk kā pavēli… Vecāki nolēma, ka mācīšos klavieres, bet skolā nebija brīvu vietu, tāpēc sāku ar vijoli. Tādējādi tā kļuva par manu instrumentu un manu likteni. Bet starp baroka vijoli un mūsdienu vijoli ir atšķirība. Kā jūs nonācāt pie baroka instrumenta un sapratāt, ka vēlaties veltīt dzīvi baroka mūzikai? Es pat atceros precīzu dienu, kad tas notika! Strādāju operā, kurā pirms daudziem, daudziem gadiem galvenais diriģents bija Teodors Kurencis. Biju pavisam jauna, 17–18 gadi, un skolotājs man teica, ka ir kāds jauns grieķu diriģents un ir brīva vieta orķestrī – lai eju uz noklausīšanos. Aizgāju ar moderno  vijoli. Izturēju konkursu un kļuvu par koncertmeistara asistenti operā, Novosibirskā... Diriģents bija liels baroka mūzikas cienītājs, viņš iegādājās mums baroka vijoles, zarnu stīgas un baroka lociņus. Tad viņš mums iedeva kompaktdiskus, DVD un sacīja: “Es nevaru jums iemācīt spēlēt – vienkārši klausieties un mēģiniet atdarināt.” Es patiesi iemīlējos tajā mūzikā… Kad sāku mājās klausīties pirmo albumu, raudāju no pašas pirmās nots – tas bija tik apbrīnojami un skāra mani tik dziļi, ka sapratu: tas ir tas, ko vēlos darīt visu mūžu. Un tad es atvēru šī albuma bukletu, lai uzzinātu, kas spēlē, un tur bija rakstīts – Enriko Onofri. Tūlīt pat gūglē sameklēju viņa vārdu, un tur bija rakstīts, ka 2006. gadā viņš rīko meistarklases. Sapratu: lai tur vai kas – es braukšu! Tas pilnībā mainīja manu dzīvi. No tās dienas es atradu savu spēles veidu, kas ir ļoti tuvs manai  sirdij un dvēselei, ko vēlējos īstenot savā dzīvē. Es vēlējos kļūt par šī visuma daļu un izzināt to. Un man palīdzēja Enriko Onofri. Tad jūs kļuvāt par Onofri studentu Palermo? Jā. Tad sekoja lidojums no Novosibirskas uz Palermo, un es kļuvu par viņa studenti. Tās bija ļoti lielas pārmaiņas. Viss bija jauns – krāsas, garšas, jūra, draudzīgums, Vidusjūras mentalitāte, jauna valoda, klase, spēles veids. Vesela odiseja – tik daudz atklājumu! Palermo studēju sešus gadus, bet nodzīvoju tur astoņus. Savukārt pēc tam devos uz  Austriju, kur studēju Vīnes klasiku – klasisku, vēsturiski pamatotu interpretāciju, kā arī romantisko mūziku. Studēju "Mozarteum" Universitātē Zalcburgā, kur mācījos pie Hiro Kurosaki un spēlēju klasisko uz romantisko repertuāru, izmantojot zarnu stīgas. Bet tagad noteikti esat laimīga par savu Kremonas dārgumu. Jā, ļoti laimīga, bet līgums ir ierobežots: vēl trīs gadi, un pēc tam vijole tiks piešķirta citam mūziķim, kurš to varēs lietot nākamos septiņus gadus. Tomēr ar šo vijoli ir jau daudz paveikts: ierakstīta Vivaldi mūzika kopā ar Žordi Savaļu un viņa ansambli "Les Musiciens de Concert de Nation". (..) Gribu pavaicāt arī par tatāru mūziku – jūs esat izveidojusi  savu ansambli Jā, ar māsu un sicīliešu perkusionistu. Manā ģimenē mana vecmāmiņa un vecvecmāmiņa bija amatierdejotājas un dziedātājas, un viņas saglabāja ģimenes mūzikas tradīciju. Es nolēmu to turpināt. Lūdzu mammai filmēt vecmāmiņu dziedam un fiksēt viņas uzkrāto tautas mantojumu. Viņa to izdarīja, savukārt es pierakstīju visus tekstus un melodijas un mēs ar māsu izveidojām aranžējumus, lai iepazīstinātu cilvēkus ar mūsu mākslu un mantojumu. Jūsu māsa dzied. Jā, gan dzied, gan spēlē dažādus instrumentus. Kad uzstājamies, vienlaikus piedzīvojam arī skaistu un siltu ģimenes sajūtu. Mēs svinam mūziku un dejojam! Un uzstājaties savos tautastērpos. Jā, tos izgatavoja mana mamma, kas ir tērpu darinātāja. Tā ir ģimenes sadarbība. Vairāk - ierakstā.   

Tras triunfar con La naranja mecánica y quedarse con las ganas de llevar al cine su ambicioso proyecto sobre la vida de Napoleón, Kubrick nos sumerge en batallas de la Guerra de los 7 años, en partidas de naipes iluminadas por velas, en duelos absurdos de hombres que sacan pecho y esperan el disparo a pocos metros, sacar pecho a la muerte, entre árboles y prados irlandeses. El film avanza a través de la compasión distanciada hacia la especie humana, el joven Redmond Barry, un ser del que nos compadecemos antes sus desgracias, nos alegraremos de sus venturas y también podremos aborrecer por sus acciones. Un irlandés intrépido, vividor, se propone convertirse en un caballero distinguido en la Europa dieciochesca. Una época presentada a base de planos de gran belleza. Cuadros vivos, Kubrick se inspiró en pintores del siglo XVIII como William Hogarth, George Stubbs o John Constable. La sarabanda de Handel, las piezas de Vivaldi y Schubert, o las canciones irlandesas tradicionales escogidas realzan la emoción de cada escena, añaden solemnidad, erotismo o melancolía según corresponda, un ejemplo, la escena del juego erótico de la cinta entre el joven inexperto y la prima (Gay Hamilton), o el intercambio de miradas entre la señora Lyndon y Barry, a la luz de las velas y el piano de Schubert la pasión se abre paso. Ryan O´Neal y Marisa Berenson están a la altura en la felicidad y la desgracia, él, egoísta y mujeriego, ella, la condesa aburrida de un esposo enfermo será fácil de seducir. Al fin, la providencia les dará la espalda y se trasladará a otra jaula contigua. Las escenas en los salones buscan el realismo. La excepcional recreación pictórica, ambiental y figurativa del director británico, con zooms inversos y panorámicos. Kubrick se empeñó en rodar con luz natural para dar más credibilidad a las imágenes de una era en que no existían las bombillas, por que consiguió tres lentes Zeiss, utilizadas por la NASA para capturar el lado oculto de la Luna en 1966. Esta noche recorremos las cortes de Europa en busca de grandeza... José Miguel Moreno, Rosario Medina, Zacarías Cotán, Salvador Limón y Raúl Gallego

Many radio stations and apps offer the chance to ‘relax and unwind' with peace-inducing music and sounds – and such things definitely have their place, including within the Ruach Breath of Life Ministries. But many situations require us to ‘vent' and cry out to the Lord for His power to break through. And for that, what we want are not smooth and soothing pieces, but those that are decidedly sharp and ‘spiky'! When we invited our dear musician friends to record the opening movement of Vivaldi's ‘Winter' concerto from the Four Seasons, it was because we sensed that this is a piece that will help us respond to circumstances that rouse the godly passion and righteous anger within us. Sometimes, it is necessary to cry out for the ‘storm of the LORD' to come swirling in, and His anger to ‘fully accomplish the purposes of His heart,' as the Lord declares through Jeremiah. (Jer. 23:19-20) How would the Lord have you pray for the situations and injustices you are aware of? May this music help you find ways to give voice to these things – and may the God of breakthrough come as you do so! Many thanks to Susanne Herzog, Shirley Richards Anne Seidler, Gabriele Kröhnert, Peter Richards and Alexander Koderich for this wonderful recording. https://on.soundcloud.com/Un1bFkNXJGN483tbU5

durée : 00:24:32 - Disques de légende du lundi 15 décembre 2025 - Paru en 1999, le "Vivaldi Album" de Cecilia Bartoli a marqué un tournant dans la redécouverte de l'opéra baroque. Avec plus de 700 000 exemplaires vendus et des disques d'or dans six pays, ce disque gravé avec l'ensemble Il Giardino Armonico a propulsé la musique de Vivaldi sous les projecteurs. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:24:32 - Disques de légende du lundi 15 décembre 2025 - Paru en 1999, le "Vivaldi Album" de Cecilia Bartoli a marqué un tournant dans la redécouverte de l'opéra baroque. Avec plus de 700 000 exemplaires vendus et des disques d'or dans six pays, ce disque gravé avec l'ensemble Il Giardino Armonico a propulsé la musique de Vivaldi sous les projecteurs. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Martim Sousa Tavares celebra os 300 anos de "As Quatro Estações" de Vivaldi. Qual é a importância desta obra e como é que o compositor retratou de forma inovadora as estações do ano através da música? See omnystudio.com/listener for privacy information.

Martim Sousa Tavares celebra os 300 anos de "As Quatro Estações" de Vivaldi. Qual é a importância desta obra e como é que o compositor retratou de forma inovadora as estações do ano através da música? See omnystudio.com/listener for privacy information.

Musique classique Jean Perron, Laurent Patenaude et Jean Lecomte Tous les samedis matins, de 9 h à 12 h, L'Accroche-coeur propose aux auditeurs et auditrices férus de découvertes et de musiques rares, plus de 1000 ans de musique, des premiers temps du Moyen-Âge à aujourd'hui.; musiques savantes ou populaires, profanes ou sacrées mettant en vedettes les plus grands artistes capables de mettre en valeurs les oeuvres des Pérotin, Machaut, Dufay, Bach, Vivaldi, Beethoven, Chopin, Debussy, Poulenc, Jarrett et tous ces anonymes dont la postérité n'a retenu que les oeuvres. Le samedi matin, c'est le moment privilégié que CKRL, la radio culturelle de Québec, vous offre pour entendre les plus belles oeuvres de la musique occidentale, celles qui ont fait la meilleure partie de l'humanité. Jean Perron, Laurent Patenaude et Jean Lecomte mettent, tour à tour, leurs connaissances et leur amour de la musique à la portée de tous et toutes. C'est le rendez-vous bien-être de la semaine sur nos ondes.

'The light shines in the darkness and the darkness has not overcome it.' (Jn. 1:5) In the opening movement of Vivaldi's powerful Winter concerto* we hear the sharp and strident sounds of a storm, prompting us to cry out to the Lord both for protection and for His justice to prevail in many challenging situations. This second movement offers a different perspective of winter. A lovely and lyrical violin sings over busy pizzicato (plucked) strings. Winter brings more than its share of icy storms and other hazards, but it also brings scenes of astonishingly beautiful crystalline transparency. May the Lord shed the light of His clarity and presence on many who find themselves either in the midst of a storm, or bowed down in unrelenting dreariness. 'As the rain and the snow come down from heaven, and do not return to it without watering the earth and making it bud and flourish, so that it yields seed for the sower and bread for the eater, so is My word that goes out from My mouth: It will not return to Me empty, but will accomplish what I desire and achieve the purpose for which I sent it.' (Is. 55:10-11)

Que signifie « Magnificat », le titre du dernier album de Vald ? À quoi cette expression latine fait-elle référence ? Pourquoi on parle aussi de « cantique de Marie » ? Quel est le lien entre le cantique de Marie et le cantique d'Anne, dans l'Ancien Testament ?Réponse avec une cohorte de compositeurs et musiciens, à commencer par Vald, JS Bach, Vivaldi, Monteverdi et Georges Brassens ! Autant dire que ça va danser sec entre deux interstices d'analyse théologiques !!Bonus : on parlera aussi de Paul Claudel...Si vous le souhaitez, on vous invite à nous faire part de tous vos retours en commentaire de cet épisode, ou bien directement à notre adresse : contact@prixm.orgPRIXM est un média associatif, gratuit, indépendant et sans publicité. Notre association PRIXM-Bernardins repose exclusivement sur les dons de ses abonnés et mécènes. Pour nous soutenir, c'est ici : https://don.fondationnotredame.fr/prixm-bernardins-1-1Pour retrouver tous nos articles et s'abonner à notre pétillante newsletter hebdo, c'est là : https://www.prixm.org/articlesUn immense merci... et bonne écoute !!!Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Elisabetta Tiveron"Natale a Venezia"Musica sull'acquaNeos Edizioniwww.neosedizioni.itSedici racconti natalizi che narrano Venezia come città musicaleA cura di Elisabetta Tiveron e Caterina SchiavonCon una “ouverture” di Ilaria Serra Venezia è canto. La voce di Venezia non è mai un suono solitario. La sua musica è un'orchestra di rimbalzi, di rimandi, di rincorse. A Venezia l'acqua suona all'unisono: i remi, le prue, le voci, i passi, le sirene, le campane e i gabbiani orchestrano melodie fatte di sciabordii. Le onde incontrano sempre una sponda, un muro di mattoni, l'angolo di una calle, il fianco di uno scafo, la volta di un sotoportego da cui riverberare, intrecciandosi in un mosaico sonoro.Sedici racconti che narrano Venezia nel periodo natalizio attraverso una chiave di lettura speciale, la musica, che della città lagunare è stata sempre elemento distintivo.Venezia è una città musicale. Per la sua storia, che l'ha vista capitale europea della musica tra il Cinquecento e il Settecento: Claudio Monteverdi e il melodramma, Antonio Vivaldi, Benedetto e Alessandro Marcello, Tomaso Albinoni, Baldassare Galuppi, ecc. E per la sua conformazione unica, così facile alle sonorità spontanee.«La musica parla di Venezia quanto e più delle sue immagini da cartolina, e permette alle autrici e agli autori di questa antologia di muoversi liberi, creativi, curiosi. Natale, in queste pagine, è atmosfera, suggestione, ricordo, invenzione. È il momento in cui la musica interiore di ciascun personaggio si intreccia con la colonna sonora della città, e si fa racconto» (Elisabetta Tiveron e Caterina Schiavon).Giunta alla sua sesta edizione, l'antologia «Natale a Venezia» quest'anno si propone in modalità musicale, una vera e propria “partitura letteraria”, con note di programma, ouverture, movimenti e finale. Un puzzle di coinvolgenti storie, che risuonano e toccano corde nel profondo. In una gelida sera di dicembre un gruppo eterogeneo di donne si riunisce per le prove del coro e attraverso il canto richiamano la perduta anima sonora di Venezia, fatta di antiche canzoni di barcaioli, canti di lavoro e cori storici, un piccolo miracolo natalizio contro il silenzio e l'oblio; la pasticcera Sofia e un uomo misterioso a bordo di una barca che le offre una “musica della laguna” prodotta da fili di conchiglie; la musicista Sabine Perrin, detta La Gioconda dai suoi vecchi compagni si scuola, è insoddisfatta della sua vita da single e spera di trovare un marito a Venezia, ma di fronte ad un dono inaccettabile fugge; una donna, reduce da una storia finita, affronta la vigilia di Natale tra malinconia e ironia, l'incontro casuale con la canzone Driving Home for Christmas la spinge verso la sorella che l'aspetta e riscopre che “tornare a casa per Natale” significa, prima di tutto, sentirsi a proprio agio con se stessa; nel dicembre del 1755, l'Archiatra imperiale Gerard Van Swieten indaga sul misterioso deperimento della giovane Sofia e sospetta che il precettore, un abile violinista, stia usando antiche e nefaste armonie per un proprio scopo; un uomo morto vaga in una Venezia sospesa nella vigilia di Natale, cercando la strada di casa e la moglie che ha amato: guidato da un bambino misterioso, segue la musica dei ricordi attraverso le calli addobbate a festa; Sofia sosta sulla panchina rossa della Giudecca per onorare il ricordo del primo incontro dei nonni, Ilaria e Alberto; un giovane seminarista abruzzese, Gaetano, viene mandato a Venezia per inaugurare a Natale il nuovo, maestoso organo della chiesa di San Gurian; le prove del Concerto di Natale sono turbate dal pianto lamentoso di un bimbo nell'adiacente orfanotrofio della Pietà, l'antico istituto di Vivaldi; l'Agente 239 è a Venezia la Vigilia di Natale per estrarre l'anima di un caso irrisolto, un'esperienza resa una tortura dalla musica onnipresente e ossessiva di Last Christmas; Sorella Milagros, giovane suora filippina, rovescia la spesa del convento e teme di essere rispedita a Manila ma durante la messa di mezzanotte, la sua voce pura si innalza in canto, portando speranza, redenzione e pace a tutta la città; Clara eredita dalla cugina un piccolo ritratto del compositore Baldassare Galuppi che, appeso dietro una porta, prende vita; Guano da Piccione, musicista purista, si scontra con la commercializzazione ossessiva delle Quattro Stagioni di Vivaldi e preferisce esibirsi in strada la notte di Capodanno con musiche meno note, finendo arrestato; un violinista profugo, sopravvissuto al naufragio in cui ha perso moglie e figlia, trova rifugio a Venezia accolto da una donna di nome Maria, che gli restituisce dignità e voce facendogli riparare il violino; la giovane e squattrinata Matilde, con la passione per il canto, è assunta come maschera al Teatro La Fenice di Venezia per l'allestimento dell'atto veneziano de I racconti di Hoffmann, la celebre Barcarola. A cura di: Elisabetta Tiveron e Caterina SchiavonRacconti di: Isabella Albano, Philippe Apatie, Elisabetta Baldisserotto, Gianluigi Bodi, Gabriella Bosmin, Lorenzo Bottazzo, Diana Chiarin, Claudio Ellero, Michela Fregona, Nilla Patrizia Licciardo, Daniela Rossi, Mauro Rugger, Caterina Schiavon, Ilaria Serra, Elisabetta Tiveron, Francesco Zanolla.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

durée : 01:28:53 - Café Zimmermann, dans la descendance de Bach - par : Aurélie Moreau - L'ensemble baroque Café Zimmermann est réputé pour la vivacité de son jeu, la beauté de ses timbres, le caractère généreux et solaire de ses interprétations, au concert comme au disque. Aujourd'hui : Bach, C.P.E. Bach, Vivaldi, Avison et Geminiani. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

I am writing on musical adrenalin alone...

Kevin is the guitarist and composer of the instrumental rock band Pyramids on Mars. Hard rock, industrial, and metal infused with lead guitar melodies inspired by violin melodies of Baroque classical composers Bach & Vivaldi. Kevin has been a guest on over 70 UFO Radio talk shows describing his UFO and ongoing Extraterrestrial Experiences. Kevin's latest album Cosmic Angels is inspired by his visitations by Extraterrestrials. Elements in all his albums incorporate many things that have been taught to him by these otherworldly visitors including, but not limited to telepathic storytelling, and tonal language (of the cetaceans and whales). Kevin has always had a passion for UFOs and Extraterrestrials. He spent over 20 years researching to understand why they are here. Kevin wanted to combine his passion for music with raising consciousness and awareness of the UFO and Extraterrestrial presence. He felt it was always his purpose in life. This calling was affirmed for him on August 21, 2014, when he had contact with an inter-dimensional craft of unearthly origin. Since then, Kevin began experiencing many related incidents like incredible synchronicities, music downloads, symbol downloads, through dreams (Neck Illusions DNA Double Helix design on his guitar), and increased Telepathy. His musical downloads are discussed in UFO Researcher Grant Cameron's book "Tuned In: The Paranormal World of Music." Many of Kevin's personal (CE5) ET encounters are discussed in "Inviting ET" by Su Walker. Kevin works with the P'ntl (Zetas) who reside in the Sandia Mountains, Albuquerque NM helping prepare humanity for Official First Contact. https://www.officialfirstcontact.com/ Kevin is the host of Pyramids on Mars UFO radio (since 2016 https://artistfirst.com/pyramidsonmars.htm ) on the Artistfirst. Kevin has a large network of friends, colleagues, and researchers in the UFO community who are Experiencers, Starseeds & Star Nation/Human Hybrids. He brings their stories to Artistfirst network.

Gepresenteerd door: Saskia Voorbach Het Zondagochtend Concert is een serie concerten met toegankelijke muziek, op zondag om 11:02 uur, rechtstreeks vanuit het Concertgebouw in Amsterdam. Akademie für Alte Musik Berlin Georg Kallweit, concertmeester Mayumi Hirasaki, concertmeester Kerst komt vroeg dit jaar! Het beroemde barokorkest Akademie für Alte Musik komt met een heerlijk kerstprogramma met muziek van Telemann, Corelli, Vivaldi, Locatelli en Bach.

Musique classique Jean Perron, Laurent Patenaude et Jean Lecomte Tous les samedis matins, de 9 h à 12 h, L'Accroche-coeur propose aux auditeurs et auditrices férus de découvertes et de musiques rares, plus de 1000 ans de musique, des premiers temps du Moyen-Âge à aujourd'hui.; musiques savantes ou populaires, profanes ou sacrées mettant en vedettes les plus grands artistes capables de mettre en valeurs les oeuvres des Pérotin, Machaut, Dufay, Bach, Vivaldi, Beethoven, Chopin, Debussy, Poulenc, Jarrett et tous ces anonymes dont la postérité n'a retenu que les oeuvres. Le samedi matin, c'est le moment privilégié que CKRL, la radio culturelle de Québec, vous offre pour entendre les plus belles oeuvres de la musique occidentale, celles qui ont fait la meilleure partie de l'humanité. Jean Perron, Laurent Patenaude et Jean Lecomte mettent, tour à tour, leurs connaissances et leur amour de la musique à la portée de tous et toutes. C'est le rendez-vous bien-être de la semaine sur nos ondes.

Okay, I confess that the title of this week's episode is intentionally misleading, but if I told you what it actually was outright, you might not listen, and that would be a great loss! On Monday I celebrated Larry Kert for World AIDS Day, and today, I have made a selection of musical settings of the Marian Antiphon Salve Regina, which translated means, “Hail, Queen,” so there you have the inspiration for the episode. In fact, this is an episode chock-full of particularly glorious singing, and I don't think you'll regret spending the time with these glorious Queens of Song (with a few Kings tossed in)! The 11th-century Salve Regina text, far from being dry and dull, provided inspiration for a wide range of composers, primarily of the Baroque (Handel, Vivaldi, Hasse, the Scarlattis, Monteverdi, and a number of others), but also of later vintage (Mozart, Johann Christian Bach, Schubert, and even Puccini). The singers who perform these works are a Who's Who of Countermelody favorites (Helen Donath, Rachel Yakar, Margaret Marshall, Francisco Araiza, Elly Ameling, and Roberta Alexander) and new friends, including three countertenors (Gérard Lesne, John Angelo Messana, and Jochen Kowalski) who provided inspiration to me as a young singer. Dive right in to this episode, my friends, and never fear: would I steer you wrong? Never! The episode begins with a tribute to Madeline Kahn, who died 26 years ago this week. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

durée : 00:13:14 - Le Disque classique du jour du vendredi 05 décembre 2025 - À l'automne 1725, alors que la France célèbre l'union de Louis XV et de Marie Leszczynska, l'ambassadeur en poste à Venise confie à Vivaldi la composition d'une serenata en hommage au jeune couple royal. De cette commande naît une œuvre somptueuse, portée par deux figures allégoriques. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:13:14 - Le Disque classique du jour du vendredi 05 décembre 2025 - À l'automne 1725, alors que la France célèbre l'union de Louis XV et de Marie Leszczynska, l'ambassadeur en poste à Venise confie à Vivaldi la composition d'une serenata en hommage au jeune couple royal. De cette commande naît une œuvre somptueuse, portée par deux figures allégoriques. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Cela aurait dû être le dernier. Quand la Belgique a décidé de sortir du nucléaire, le réacteur de Doel 2 devait être le dernier éteint. Mais les volontés des gouvernements Vivaldi et Arizona en ont décidé autrement. On avait plein de questions à poser à notre expert énergie. Quelles sont les prochaines étapes pour le démantèlement du réacteur anversois ? Avec un réacteur de moins, existe-t-il un risque de blackout ? Va-t-on construire de nouvelles centrales dans notre pays ? Bernard Padoan du pôle Planète est passé en studio pour répondre à toutes nos questions.« À propos », c'est notre sélection de l'actualité, du lundi au vendredi dès 5 heures sur Le Soir et votre plateforme de podcasts préférée. Retrouvez tous les podcasts du journal « Le Soir » sur https://podcasts.lesoir.be

Cela aurait dû être le dernier. Quand la Belgique a décidé de sortir du nucléaire, le réacteur de Doel 2 devait être le dernier éteint. Mais les volontés des gouvernements Vivaldi et Arizona en ont décidé autrement. On avait plein de questions à poser à notre expert énergie. Quelles sont les prochaines étapes pour le démantèlement du réacteur anversois ? Avec un réacteur de moins, existe-t-il un risque de blackout ? Va-t-on construire de nouvelles centrales dans notre pays ? Bernard Padoan du pôle Planète est passé en studio pour répondre à toutes nos questions.

Kater Vivaldis geliebte Spielzeugmaus ist weg! Mit Hilfe seiner Freundin Zelda bahnt er sich seinen Weg durch die Stadt und landet auf einem Weihnachtsmarkt. Wird er seine Maus dort wiederfinden? | Eine Geschichte von Cee Neudert.

Dear listener, Finally on their way, the group head down the mountain, across the crystal and into The Cradle proper as they make their way to Korentus, but with night drawing in, will they be able to find a safe haven for the night? I guess you're about to find out. The kindness of strangers seems to be a fickle thing - sometimes it is dependent on the needs of the asker, the availability of resources of the stranger, and sometimes it comes solely down to mood. I am personally grateful upon the kindness of strangers; Zlata spreading my word when needed, Seraphine for her understanding, Vivaldi for his trust and companionship. Kindness, in all it's forms, should be treasured when gifted, regardless of the origin of it. --- You can help support the show and get ad free episodes on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.Patreon.com/blighthouse⁠⁠⁠ ⁠⁠⁠⁠⁠⁠ Find the authors: Email: sprouting@blighthouse.studio Website: ⁠⁠⁠⁠⁠⁠https://linktr.ee/thesprouting⁠⁠⁠⁠⁠⁠ Discord: ⁠⁠⁠⁠⁠⁠https://discord.gg/vtgnVAZY44 ⁠⁠⁠⁠⁠⁠ This is a ⁠⁠⁠⁠⁠⁠Blighthouse Studio⁠⁠⁠⁠⁠⁠ production. Our Amazing Sponsors: ⁠⁠⁠⁠⁠⁠⁠https://www.questportal.com/⁠⁠⁠⁠⁠⁠⁠ to use the awesome Virtual Tabletop system that allows us to play across the globe, use SPROUT30 at checkout for a one time 30% of a Pro Subscription! Use Sprout10 for 10% off at ⁠⁠⁠www.sybotanica.de⁠⁠ to start your botanical adventures! Go to ⁠⁠⁠⁠⁠⁠⁠SkullSplitter Dice⁠⁠⁠⁠⁠⁠⁠ and use the code SPROUTING to get 20% off of your purchase! ⁠⁠⁠⁠⁠⁠⁠https://bit.ly/3THtLXs⁠⁠⁠⁠⁠ --- Find and support our sponsors at: ⁠⁠⁠fableandfolly.com/partners⁠⁠ ⁠⁠Transcript⁠⁠ - Apparently transcription services can't cope with our non US accents, so beware. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:14:26 - Le Disque classique du jour du lundi 24 novembre 2025 - Dans ce nouvel album, qui marque son retour après plusieurs années de silence, le pianiste David Fray présente un répertoire comprenant des œuvres pour clavier originales de Bach, Rameau ou Scarlatti, ainsi que des transcriptions pour piano de Haendel, Vivaldi, Royer... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:31 - En pistes ! du lundi 24 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - L'Ensemble Caprice et Matthias Maute redonnent vie aux Quatre Nations en respectant scrupuleusement le style du « Prêtre roux ». En Pistes revient aussi sur le dernier disque de David Fray qui explore l'univers baroque à travers Couperin, Rameau, sans oublier Bach. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:14:26 - Le Disque classique du jour du lundi 24 novembre 2025 - Dans ce nouvel album, qui marque son retour après plusieurs années de silence, le pianiste David Fray présente un répertoire comprenant des œuvres pour clavier originales de Bach, Rameau ou Scarlatti, ainsi que des transcriptions pour piano de Haendel, Vivaldi, Royer... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:31 - En pistes ! du lundi 24 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - L'Ensemble Caprice et Matthias Maute redonnent vie aux Quatre Nations en respectant scrupuleusement le style du « Prêtre roux ». En Pistes revient aussi sur le dernier disque de David Fray qui explore l'univers baroque à travers Couperin, Rameau, sans oublier Bach. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this episode, we discuss recordings of “Vivaldi 8+, Volume 2” (Signum) by La Serenissima & Adrian Chandler, “Ravel: The Flute Album” (Aparté) by Julien Beaudiment, Célia Oneto Bensaid & Karine Deshayes, “Gaïa” (Erato) by Gautier Capuçon, “Growing Roots” (Tom-Tom Records) by the Zoltán Kalmár Quartet, “Rust” (Hypnote Records) by Amaury Faye & NOLA Quartet, and “Smoke Shifter” (Otherly Love Records) by the Chad Taylor Quintet.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 236 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Vivaldi 8+, Volume 2” (Signum) La Serenissima, Adrian Chandler https://open.spotify.com/album/3hU2lWUtJ72N51KRdF5yXe https://music.apple.com/us/artist/la-serenissima/107516292 https://music.amazon.com/albums/B0FPMQY7CL   “Ravel: The Flute Album” (Aparté) Julien Beaudiment, Célia Oneto Bensaid, Karine Deshayes https://open.spotify.com/album/2nZOSXPhO0EIz45LBTMh4q https://music.apple.com/us/album/ravel-the-flute-album/1824333181 https://music.amazon.com/albums/B0FGGQZ9RD   “Gaïa” (Erato) Gautier Capuçon https://open.spotify.com/album/6l3JRf1uM8DZLR7mmxi4jl https://music.apple.com/us/album/gaïa/1821724442 https://music.amazon.com/albums/B0FDS3W7GQ   “Growing Roots” (Tom-Tom Records)  Zoltán Kalmár Quartet https://open.spotify.com/album/1MCmBRDgZvWzUDHbnms4yz https://music.apple.com/us/album/growing-roots/1847621291 https://music.amazon.com/albums/B0FX54XYC7   “Rust” (Hypnote Records)  Amaury Faye & NOLA Quartet https://open.spotify.com/album/4OsGsUmunboaDQbAb1tA0e https://music.apple.com/us/album/rust/1850766717 https://music.amazon.com/albums/B0FSDLW6P4   “Smoke Shifter” (Otherly Love Records) drum quintet, 11/14/2025 Chad Taylor Quintet https://open.spotify.com/album/2a28CVCb8OfAOs2rkeAP5i https://music.apple.com/us/album/smoke-shifter/1823115618 https://music.amazon.com/albums/B0FFS9TVLC

Can music help us notice nature more deeply? In this episode, Dr Leah Broad speaks to broadcaster and author Dr Hannah French about the enduring influence and legacy of Vivaldi's Four Seasons. This year is the 300th anniversary of Vivaldi's Four Seasons. It's therefore the perfect occasion for Dr Hannah French to explore the seasons as Vivaldi would have experienced them. Whether it's the song of local birds or an impending storm, Vivaldi's Four Seasons intimate relationship with nature remains a source of inspiration for many musicians, authors and artists. Once an academic and baroque flautist, Dr Hannah French now presents BBC Radio 3's Early Music Show, Saturday Breakfast Show, and live concerts including the BBC Proms. Her first book was Sir Henry Wood Champion of J.S. Bach. Her latest book is The Rolling Year: Listening to the Seasons with Vivaldi. --- If you'd like to become a Member and get access to all our full conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

#HerkeseSanat

In the news today- Miss Universe Japan 2024 visits Michigan State University, West Circle Series in full bloom with Vivaldi's "The Four Seasons", MSU men's basketball looks for statement win at Champions Classic

Præludium: Johann Pachelbel: Ak Gud, fra himlen se herned Davidssalme: 116,5-8 Salme: 305 "Kom, Gud Helligånd, kom brat!" Fra det N.T.: Filipperbrevet 1, 6-11 Trosbekendelsen Salme: 522 "Nåden er din dagligdag" Postludium: Johann Sebastian Bach: 5. sats fra Concerto d-mol efter Vivaldi, BWV 596

Die spanische Sängerin Rosalía stürmt mit Orchester und Ariengesang die Pop-Charts. Was steckt dahinter?

Our 25th birthday celebration continues with a dazzling performance of Chopin by a gifted 16-year-old cellist. We are treated to a performance of Vivaldi by a young bassoonist and witness a life-changing surprise. Peter sends us off with a flashback performance from when the legendary Paquito D'Rivera appeared on the show.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Guest Ilya Zlotnik, Partner, Wealth Adviser, Vivaldi Capital ManagementWebsite www.vivaldicap.comAUM ~$6bn BioIlya is a Wealth Advisor and Partner at Vivaldi Capital Management in Chicago. For over a decade, he has guided high-net-worth individuals and families through every aspect of their financial life—from strategic asset allocation and portfolio management to complex tax and generational planning. His client-centric approach and deep expertise have earned him recognition as a Forbes Best-In-State Wealth Advisor for two consecutive years. Prior to joining Vivaldi, Ilya served as an Investment Consultant at TD Ameritrade and was a member of the Private Wealth Group at RMB Capital Management. He holds a BS in Finance from the Kelley School of Business at Indiana University and an MBA with concentrations in Finance and Entrepreneurship from the Booth School of Business at the University of Chicago.Disclaimer: This is one Advisor's perspective and not reflective of VCM.Read the full disclaimer and learn more here: https://www.vivaldicap.com/

Diesmal gerät Kater Vivaldi in eine nervenaufreibende Rettungsaktion: drei kleine Kätzchen auf einem instabilen Müll-Floß treiben auf einen gefährlichen Wasserfall zu! Ob Vivaldi sie retten kann? Eine Geschichte von Cee Neudert

durée : 01:28:46 - Relax ! du vendredi 07 novembre 2025 - par : Lionel Esparza - Plongée dans quelques nouveautés : Jean-Baptiste Fonlupt qui joue avec talent les Préludes de Rachamninov, Thibaut Garcia qui revisite les Variations Goldberg à la guitare, Julien Libeer dans un florilège d'œuvres de Ravel, sans oublier le retour inspiré d'Amandine Beyer dans Bach et Vivaldi. - réalisé par : Doria Zénine Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Grab your cowboy (or cowgirl!) hats and get ready to dance! In this episode, we're celebrating the sounds of fall with music that will have your little ones bouncing, swaying, and giggling to the beat. We'll sing some of our favorite autumn songs — “Golden Corn” and “Down Down Yellow and Brown” — and then we'll listen to part of Aaron Copland's “Hoedown” from Rodeo, a festive piece full of rhythm, percussion, and energy! This episode is perfect for toddlers, preschoolers, and early elementary learners — and grownups who love to join in the fun.

RightSide is a Core Contributor at Pendle and Vivaldi is a CoFounder at Symphony.In this live session of Yield Talks, we explore whether AI can improve upon the work of human curators in evaluating, managing, transacting, and securing DeFi markets.------

Esta mañana Miguel y Núria nos han contado cómo fue su cita a ciegas en Barcelona. Él se presentó con un detalle a la cita y ella le invitó a su grupo de excursionistas. ¿Surgió el amor? Además, Carmen Lomana se ha enfrentado a dos nuevos casos en su tribunal, uno de ellos con la periodista María Casado como implicada. Y en nuestro repaso a las redes sociales hemos fantaseado con la idea de que Vivaldi compusiera ahora las Cuatro Estaciones con el otoño pareciendo verano.See omnystudio.com/listener for privacy information.

If your are an adult human being, you have experienced situational anxiety. It is when you know that this specific thing is making you upset or anxious. It could be about money, your job, the lack of prospects of getting a job. Housing insecurity. Your car breaks down and you do not have cash or credit for the repair bill.   In this episode, a look at situational anxiety. Resources Mentioned:  To learn more about situational anxiety you can take a look at the page on VeryWell Mind. They do tend to go long with their description on the condition, symptoms and treatment options.  VeryWell Mind is a commercial site. It is advertiser supported. If possible, I would suggest that you use a browser like Duck Duck Go in fire mode or Vivaldi in anonymous mode.   Dennis the Anxiety Guy has a video from six years ago about handling situational anxiety.    Dr. Andrea Dinardo, Ph.D has an extract from a longer video on the experience.  The University of Michigan on five red flags you are dealing with situational depression.    Emergency Resources:   The Trevor Project: Provides crisis support specifically for LGBTQ+ youth through phone (1-866-488-7386), text (START to 678-678), and online chat. Available 24/7. They also provide peer support and community.    Veterans Crisis Line: Call 988 and press 1, text 838255, or chat online. There are phone lines for those serving overseas. Visit the website to find the current status of the Veteran line and international calling options.    National Crisis Text Line: Text HOME to 741741 for free, confidential support 24/7. This service operates independently of the 988 service. Users can use text, chat or WhatsApp as a means of contact.   Disclaimer:  Links to other sites are provided for information purposes only and do not constitute endorsements.  Always seek the advice of a qualified health provider with questions you may have regarding a medical or mental health disorder. This blog and podcast is intended for informational and educational purposes only. Nothing in this program is intended to be a substitute for professional psychological, psychiatric or medical advice, diagnosis, or treatment.

In 1291, two Genoese brothers, Vandino and Ugolino Vivaldi, led the first known attempt to sail from Europe to India by going around the southern tip of Africa. The attempt - which failed - would generate rumors and speculation for hundreds of years. Sponsors: Quince. Get free shipping with your order by using code EXPLORERS at quince.com/explorers Visit https://rexmd.com/explorers and get up to 95% off ED treatment Get an exclusive 15% discount on your first Saily data plans! Use code EXPLORERS at checkout. Download Saily app or go to to https://saily.com/explorers The Explorers Podcast is part of the Airwave Media Network: www.airwavemedia.com Interested in advertising on the Explorers Podcast? Email us at advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The French countertenor Philippe Jaroussky has just released a new Erato album of cantatas da camera by Alessandro Scarlatti, Porpora, Galuppi, Handel and Vivaldi, ‘Gelosia!'. On it he also conducts his ensemble Artaserse, which he founded in 2002, and with which he increasingly appears solely as conductor rather than as singer. Gramophone's James Jolly went to talk to him in Paris about the new album, but also about a major milestone in his musical career, 25 years of making recordings for Erato.

Author Dick Ryan, joins us for part 2 of a 3-part series on advanced recovery. In this episode Dick, a musician by trade, shares from his experience mentoring performing artists. He addresses an issue all too common among artists: the problem of defining your identity by your performance. This concept is not just for artists. Transforming how we define our identity is at the core of recovery. Get the full show notes here: https://recoveredman.com/360   PLUS: Whenever you're ready... here are 4 ways I can help you in your recovery:   Porn Free This Year (Free video course) http://recoveredman.com/thisyear   Buy the book, Porn Free by Matt Dobschuetz http://pornfreebook.com Join a REV Group http://recoveredman.com/rev   1-on-1 Coaching with Matt Dobschuetz https://recoveredman.com/coaching   This podcast contains a Vivaldi recording used with attribution. Autumn Mvt 1 Allegro by John Harrison with the Wichita State University Chamber Players is licensed under a Attribution-ShareAlike 3.0 International License.

On Friday's show: From Katy's Pride celebration being moved last-minute when the venue that had agreed to host it bowed to pressure brought by conservative leaders, to some Texas airports deciding not to show a video blaming Democrats for the federal government shutdown, we break down The Good, The Bad, and The Ugly of the week.And we preview a performance from Mercury Chamber Orchestra of Vivaldi's "The Four Seasons" as one of the most famous pieces in classical music turns 300 years old this year.Watch

Johann Sebastian Bach is a towering cultural icon, a composer who might be seen as the poster boy for “serious music” and spent most of his career in the service of the church. But he played many roles in the course of his life, and could be funny, sassy, conniving, obstinate, and rebellious. Donald Macleod dives into Bach's secular music, and follows his trail as he makes his way in the world, from courts to coffee houses, building a family, two-timing his bosses, and even a stint behind bars.Featured music: Brandenburg Concerto No 5, BWV1050 (i. Allegro) Flute Sonata in E minor, BWV1034 Capriccio in honorem Johann Christoph Bach BWV993 Partita for solo violin No. 2 in D minor, BWV1004 (v. Chaconne) Organ Sonata No 4, BWV528 Lute Suite No 1 in E minor, BWV996 Partita for Solo Violin in E major, BWV1006 (IV. Menuet) Fugue in G minor for violin and basso continuo, BWV1026 Trio Sonata No 2 in C minor, BWV 526 Concerto after Vivaldi in A minor, BWV593 (i. Allegro) Cantata BWV208 'Was mir behagt, ist nur die muntre Jagd!' (excerpt) Toccata and Fugue in D minor, BWV565 Prelude and Fugue in F minor Prelude in D minor, BWV851 Brandenburg Concerto No 5, BWV1050 (iii. Allegro) Cantata BWV134a ‘Die Zeit, die Tag und Jahre macht': Ergetzet auf Erden Bach Collegium Japan Cello Suite No 2 in D minor, BWV1008 (Sarabande and minuets) French Suite No 4 in E-flat major, BWV815 (1st-4th movements) Brandenburg Concerto No 4 in G major, BWV1049 Harpsichord Concerto BWV 1054 (iii. Allegro) Double Violin Concerto, BWV1043 (1st movement) Cantata, BWV214 “'Tönet, ihr Pauken'” (opening chorus) Orchestral Suite No 2, BWV1067 (3rd – 7th movements) Cantata BWV211 'Schweigt stille, plaudert nicht' (Coffee Cantata) “Peasant” Cantata – Mer hahn ein neue Oberkeet, BWV212: “Wir gehn nun wo der Dudelsak” Double Violin Concerto, BWV1043 (2nd movement) Orchestral Suite No 3, BWV1068 (iii. Gavotte to v. Gigue) Goldberg Variations, BWV988 (Aria and Variations 1-5) Musical Offering, BWV1079: Ricercar a 6 The Contest Between Phoebus and Pan, BWV201 (“Pan ist Meister”….end)Presented by Donald Macleod Produced by Amelia Parker for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Johann Sebastian Bach: https://www.bbc.co.uk/programmes/m002kdkg And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Tawny and Lisa talk with their friend Chris Marshall, the creator of Sans Bar, the first non-alcoholic bar in North America. Sans Bar broke new ground in creating IRL sober spaces and providing support for soberpreneurs. They talk about how getting sober is an act of liberation, and Chris shares how his sobriety has led to all kinds of personal revelations and creativity. They also talk about his memoir, Faster Than Light.  Music Minute features Vivaldi's “Seasons,” Mozart, Laufey's bossa nova, and alt country Order The Sobriety Deck  Listen to The Sobriety Deck Playlist by Hannah Gardner Order Tawny's book, DRY HUMPING: A Guide to Dating, Relating, and Hooking Up Without the Booze Subscribe to Tawny's newsletter, "Beyond Liquid Courage" Order Tawny's new NA drink, (parentheses) Purchase Lisa's memoir, Girl Walks Out of a Bar