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On episode 27 of The Ian Ira Rousso Show, I spoke to comedian and author, Lue Deck, who I met at a storytelling show in January. I read about some of Lue's experiences in William Knoedelseder's “I'm Dying Up Here”, a book whose accounts became the inspiration of the Showtime series of the same name. Some of these stories left me in absolute awe so when I finished, I invited Lue to be on the podcast. In the early-1970's, Lue quit law to pursue comedy in Houston before moving to Los Angeles where he found work at The World-Famous Comedy Store both on Sunset and in Westwood. Dubbed one of Mitzi's Boys, Lue would work with soon-to-be household names, originated The Comedy Channel and eventually becoming the club's archivist, as well as the head of security. The camaraderie of the young club was put to the test in 1979 when much of the club's talent would go on strike; an issue that has caused contention even 45 years later. Lue talks about his experience working The Comedy Store during the strike, as well as some of the remaining tension with a then soon-to-be Tonight Show even today. Over the course of a career most new to this business would only dream of (including myself), Lue has performed stand-up comedy all over the WORLD. He recalls fondly of getting to perform in North and South Korea literally AT THE SAME TIME, performing for Apple, Microsoft and NASA, as well as a story of performing for the president of The Philippines; a story that he says resulted in the best thing that's ever happened as the result of being a comedian. When you have a career that long, you might have some wisdom to dispense. Lue's is to learn to say “thank you” in as many languages as you can. For him, it's literally 40! I know TWO! That, and it all starts with a smile! Lue has performed thousands and thousands of shows; clubs, USO tours. He was featured in “I Am Sam Kinison” and even had the honor of being nominated for a Peabody award. He has a book out now called Stand-Up Decoded. This was one of those episodes where I tried listening far more than I did talking. Did I knock it out of the park? Absolutely not! However, I am absolutely grateful for the opportunity. Order Lue Deck's book titled "Stand-Up Decoded" https://www.amazon.com/Stand-Up-Decoded-Inside-Lifetime-Secrets/dp/1640070869 Follow me on the things: https://www.instagram.com/ianirarousso https://www.threads.net/@ianirarousso https://www.tiktok.com/@ianirarousso https://www.twitter.com/ianirarousso See me perform stand-up comedy live, maybe order a shirt? https://www.ianirarousso.com #TheIanIraRoussoShow #TIIRS #ImDyingUpHere #TheComedyStore
Dan, Patrick, and Laec wake up early for a meeting of Lincolns Anonymous, where they all confess stories of horror and poor build quality from the venerable FoMoCo. Various sidetracks include Dan's experience at Sizzler, a book review of Fins by William Knoedelseder, and also Clay (Laec's brother) gives a Blue Whale 2 update. Links Featured In This Episode!Fins by William Knoedelseder https://www.amazon.com/Fins-Harley-General-Motors-Detroit/dp/0062289071/ IG: @corinthian_cowboys https://www.facebook.com/CorinthianCowboys https://www.facebook.com/groups/453295002598271 https://www.youtube.com/channel/UCpukJy7K1i-mefgYJn_USPg Merch: https://tinyurl.com/CowboysShop
Thank you to Erik Griffin for his lame dad jokes! You can find out more info about his podcast, YouTube channel and Twitch Gaming channel here: erikgriffin.com About Erik: A towering force of comedy, Erik Griffin is most recognizable as the mustachioed Montez Walker on the hit Comedy Central series WORKAHOLICS, which recently wrapped its seventh and final season. Griffin will next stared as a series regular in Showtime's dark-comedy series I'M DYING UP HERE . Based on the book by former L.A. Times writer William Knoedelseder, the fictionalized series is set in the celebrated yet infamous L.A. stand-up comedy scene of the '70s, and co-stars Melissa Leo, Al Madrigal and Ari Graynor, under executive producer Jim Carrey. Griffin's first hour-long comedy special, THE UGLY TRUTH, also air on Showtime. Previous television credits include a recurring role on the Starz! comedy BLUNT TALK with Patrick Stewart, Netflix's ONE DAY AT A TIME, FX's YOU'RE THE WORST, Fox's BOB'S BURGERS, ARRESTED DEVELOPMENT and Nickelodeon's HARVEY BREAKS. On the big screen, Griffin can be seen in Jake Szymanski's MIKE & DAVE NEED WEDDING DATES and Kerem Sanga's FIRST GIRL I LOVED. Distinguished as a nationally touring comedian who headlines comedy clubs and colleges nearly every weekend, Griffin's comedy is immortalized on his debut comedy album, Technical Foul: Volume One, and his Comedy Central Presents half-hour stand-up special. Griffin started his career in comedy after making the decision in 2003 to quit his job and pursue comedy full-time. He first gained national exposure in Comedy Central's LIVE AT GOTHAM, NBC's LAST COMIC DRIVING, Showtime's COMICS WITHOUT BORDERS, nationally syndicated COMICS UNLEASHED and performing on the ALMA Award-nominated PAYASO COMEDY SLAM on Showtime and Comedy Central networks.See omnystudio.com/listener for privacy information.
For our seventh episode, Jason and Max get down to the economics. First, they interview journalist William Knoedelseder about the Comedy Store strike of 1979 and Garry Shandling's role in the labor struggle which still impacts stand-up comedy today. Then Jason and Max break down Hank's hardball contract negotiating techniques in the episode Hank's Contract, which includes guest stars Robin Williams and George Foreman.William Knoedelseder is a journalist and author who has written in-depth investigations of the auto industry, the music industry, and Anheuser-Busch. He's the author of I'm Dying Up Here: Heartbreak and High Times in Standup Comedy's Golden Age, published in 2010. The book was adapted into a Showtime series of the same name, which aired for two seasons from 2017 to 2018.Hank's ContractOriginally aired: September 26, 1992Written by: Paul SimmsDirected by: Roy LondonProduction Number: 112Are you enjoying It's The Larry Sanders Show's Show? Please consider following us on all social media @larrysanderspod and giving us a rating or review on your podcast distributor of choice!
Kirstie starts the episode with a brief summary on Degrassi a tv show geared towards teenagers that she is currently hooked on. How embarrassing! Starting at the 12:00 min mark, she decides to share some opinions on the Justice for George FloydAnti-RacistWhite Supremacy protests that have been occurring. She discusses the impact of social media on the issues. She shares some of her favorite posts and favorite organizations where you can donate and support BLACK LIVES MATTER. Credits: Insta- @barackobamaInsta- @chloegmoretz "40 Ways You Can Help Right Now"Insta- @courtneyahndesign Insta- @dallasites101 "Your Guide To Black-Owned Restaurants in Dallas"Facebook- KeLanna Spiller, Dallas Local ComicInsta- @theweeknd "Black Lives Matter" Websites to Donate/ Petitions to Sign: www.blacklivesmatter.comwww.change.org "Justice for George Floyd" Kirstie ends the podcast on a some what 'lighter note', by continuing a review on the book: "Im Dying Up Here" by William Knoedelseder. The first half of the book, she reviewed in Episode 9. Contact at: Twitter: @krst_oneInstagram: @kirstiehayyyden Email: thethirdchildpodcast@gmail.com
Kirstie finally returned to standup for the first time since the reopening of comedy clubs. She is struggling with the transition from quarantine routine to regular routine. She is finally reading "Im Dying Up Here" by William Knoedelseder and shares a review based on the facts provided. She vents about the struggle of adapting to social media popularity and what she knows about "instagram influencing." Contact At: Twitter: @krst_oneInstagram: @kirstiehayyyden Gmail: thethirdchildpodcast@gmail.com
Comedian Kelsey Lane comes on to talk about I'm Dying Up Here: Heartbreak and High Times in Stand-up by William Knoedelseder. Also, the business of comedy in LA past and current, opening for bands, camaraderie in comedy, stand-up comedy's golden era, the transition from being on stage to being alone, representation, negotiating gigs on your own. Rebecca says "like" too many times & talks too much and does not do this on the episodes she records during the apocalypse. @IAmKelseyLane @ComicsBookClub
.... But where's that familiar intro music?! If you're looking for the regular Strong Towns Podcast, never fear—it'll be back next week. Today we're cross-posting a recent episode of Upzoned, a podcast we launched in September featuring Strong Towns's own Kea Wilson, Chuck Marohn, and occasional guests. Each week, they pick one recent news story that's part of the Strong Towns conversation, and they discuss it in depth. We wanted to make sure you haven't missed Upzoned—there's a new episode every Friday if you like what you're hearing! If you’re plugged into the urbanist blogosphere, you’ve probably heard something about the new federal Opportunity Zones by now. And you might even think they sound pretty good. After all, anything that incentivizes investment in underserved areas sounds like a pretty good deal—and by eliminating capital gains taxes on new development in some of the poorest regions of your state, there’s no doubt that the money will come pouring in. But Upzoned hosts Kea and Chuck aren’t so sure. Is a big bucket of money really what these neighborhoods need? Will outside developers really build the kind of locally responsive, fine-grained stuff that would make these towns strong and lift up the people who are already there? What would a better Opportunity Zones program look like—or is using a federal program to develop a neighborhood like steering an ocean liner with a canoe paddle? And then in the Downzone, Chuck and Kea talk about their recent reads. Hear Chuck’s final thoughts on Mariana Mazzucato’s The Value of Everything, and get the behind-the-scenes scoop on Kea’s recent interview with author William Knoedelseder on his new bookFins: Harley Earl, The Rise of General Motors and the Glory Days of Detroit.
If you’re plugged into the urbanist blogosphere, you’ve probably heard something about the new federal Opportunity Zones by now. And you might even think they sound pretty good. After all, anything that incentivizes investment in underserved areas sounds like a pretty good deal—and by eliminating capital gains taxes on new development in some of the poorest regions of your state, there’s no doubt that the money will come pouring in.But Upzoned hosts Kea and Chuck aren’t so sure. Is a big bucket of money really what these neighborhoods need? Will outside developers really build the kind of locally responsive, fine-grained stuff that would make these towns strong and lift up the people who are already there? What would a better Opportunity Zones program look like—or is using a federal program to develop a neighborhood like steering an ocean liner with a canoe paddle?And then in the Downzone, Chuck and Kea talk about their recent reads. Hear Chuck’s final thoughts on Mariana Mazzucato’s The Value of Everything, and get the behind-the-scenes scoop on Kea’s recent interview with author William Knoedelseder on his new book Fins: Harley Earl, The Rise of General Motors and the Glory Days of Detroit.
On Thursday's St. Louis on the Air, host Don Marsh spoke with author and St. Louis native William Knoedelseder about his latest book, "Fins: Harley Earl, the Rise of General Motors, and the Glory Days of Detroit.”
In this age of startups, creative destruction, public companies and activist investors, it's hard to imagine the idea of creating a huge industrial empire, run by successive generations of familyFew empires exemplify this better than the history of Anheuser-Busch. From its Germanic roots in St. Louis, it’s a story of all that is American culture, good and bad. Ambition, philandering divorce, substance abuse, violence, family feuds, all washed down with a beer.It’s a saga of an American family and an American beer, told by longtime LA Times reporter William Knoedelseder in Bitter Brew: The Rise and Fall of Anheuser-Busch and America's Kings of Beer.My conversation with William Knoedelseder:
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