Podcasts about The Tonight Show

In this episode, John grinds out a handful of movies before becoming #1 on the call sheet, but misses out on Ghostbusters. He and Rose welcome a new addition to their growing family. And then John makes a true all-time classic in Planes, Trains and Automobiles, beginning a close collaborative partnership with John Hughes.John Candy: The Lou Gehrig of Comedy is a series that honours the timeless humour and heartfelt performances of John Candy, star of hits like Splash, Planes, Trains and Automobiles, and Home Alone.Follow us on our socials: Instagram, Bluesky, LinkedIn, YouTube & SubstackWritten & Hosted by Ryan BarnettProduced by Ryan Barnett & Sonia GemmitiRecorded by Tyler RaumanAdditional voices by Matthew Barnett & Sean QuinlanA Knockabout Media ProductionAdditional audio material:The Bobbie Wygant Archive, Later with Bob Costas, Late Night with David Letterman, Tonight Show with Johnny Carson, Columbia Pictures, Sesame Workshop, TriStar Pictures, Paramount Pictures, AppleTV+, Tribune Media, CBC*This program and all relevant content is for educational purposes only and to the best of our knowledge is being used under Fair Dealing/Fair Use Act guidelines and within Canadian and United States standards of fair dealing/fair use* Hosted on Acast. See acast.com/privacy for more information.

Jimmy addresses the latest news, like Trump crashing out and calling his supporters weaklings, before speaking with Rachel Brosnahan, Ronny Chieng and Dave Portnoy and welcoming Mandal for a stand-up comedy performance.

Abigail Gullo is New Orleans' cocktail queen. She is a mixology muse and award-winning bartender who has appeared on The Tonight Show and Steven Colbert Show and who travels the nation presenting cocktail pop-ups. In New Orleans, she's Creative Director for LOA Bar at the International Hotel where every cocktail tells a story tied to the unique culture of the Big Easy. Gullo shares tips on mixing up your drinks repertoire to create light and refreshing aperitivos for the Magic Hour.Fearless Fabulous You is broadcast live Wednesdays at 12 Noon ET on W4WN Radio - Women 4 Women Network (www.w4wn.com) part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com).Fearless Fabulous You Podcast is also available on Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

Jimmy addresses the latest news, like Trump's supporters burning their MAGA hats, before speaking with Russell Wilson, Lola Tung, Gavin Casalegno and Christopher Briney.

Someone help me. What happened. What's good bro. I think deadmau5 is my cat. Nah. You're serious? I'm…deadfuckingnserious. What makes you think that? [cat is deadmau5] lol isn't it super torturous as fuck as a woman knowing All you really want is for like, one man to like , Just like you, But dudes are notorious for like— Never ever really being able to just ”like” one person? Like dudes like everyone They are notorious whoooores. The like everybody. The older I get like the worse it gets Like here's this guy I like And I pretty much mostly just like him But then like, Look at all these girls! Fuuuuck that! NICOLE BYER OH LOOK. ITS DUM-DUM! this is because I keep forgetting you, isn't it? NICOLE BYER Yes it IS. this might actually be my favorite part of the story. BLŪ is taking a shower when suddenly— NICOLE BYER appears out of nowhere. HEY DUM-DUM. JIMMY KIMMEL uses his newfound ability to time shift (not time travel, persay, but to alter many parallels of a given time) to undo joining a college fraternity. Also in the present nothing appears altered. This invisibly and almost even silently skews several multidimensional parallels into disarray. Unknowing st all of this, he seems content with his decision. Then again, he always seems sort of... JIMMY KIMMEL is quietly enjoying his fishing trip. Basking in the wonderful allone ness of solitude and silence, he uncaps a bottle of [insert product placement here] and takes a very hearty swig, letting out a super contended sigh. …content. It is a picturesque and perfect day; however, something seems off; just then, as he admires his first catch, hanging from the line over the bow, a GIANT SHARK appears out of the water, snapping up his catch and retreating into the abyss with a thunderous SPLASH. Dripping with dismay (and lots of water) JIMMY KIMMEL explodes with an equally thunderous rage. WHAT THE FUCK! He teeters, sopping wet to the edge of the boat, peering momentarily into the rippling water before he realizes it may not be safe, and in the same glimpse from the side of his squinted unrelentlessly still glistening eyes, realizes that this shark has knocked over and spilled his entire bottle of [insert product placement here] He confusedly and exasperatedly cries out and upward into the skies—. THIS IS A LAKE!!! Just a note to remember that I finally perfected my recipe for the absolute best vegan breakfast burrito just previously to writing this. It was delicious. Yes, it was. I— Oh, my god! Parallels, remember! No! (Suddenly eating a burrito) Your memory sucks! It has to. Isn't it all in the culture? I don't know what you're all on about Turned it all on, now i'm off, man Turned it all off, but I laid here for it– Tuned it around, And I payed her for it! How's That Now For an awful apocalypse All on the top of the grant And the ground And the landmine The top of the mountain The tip of the iceberg the tell of the tails And tails of the sweet custom made to order Suits and ties Of course don't rock the boat If you know its yours! JIMMY KIMMEL stares into the distance as baby shark blares over the common room television screen–he appears to be babysitting, but his look is so far off, you wouldn't know he was in the room. The baby shark song seems to drum up some uncomfortable memories from fishing over the weekend. He squints with disdain over the incident with a weary glean in his eyes; this is not something you discuss with other people. Isn't it all in the coat tails? It's toxic, but i've never been a model Or even wanted, so What are all the hot blondes at the office on about? You wanted the host of the talk show, And woke up to croissants and roses, orange juice and probable cause for your lawsuit, But in the moment you loved it So what's everyone on about? Isn't it all in the cufflinks? The stuff you don't tell to your home folks; The homegrown and midwestern corn folks, Discussing your show over corn flakes? So what's everyone on about? Let us just be honest, I didn't know how deep it was Until i opened up pandoras box, And thought, “What the fuck, I've found a horxcrux.” I've found a goldmine, I've got the fox and the hare all in one here, What a show host What a conundrum, What a construct, What a hopeless homonid What a heart to want nothing but To put the top Back on the box And walk away Unknowing all Of what I saw –Middle Days. There's no Tonight Show where I'm from No late night, And no radio hosts No television, no songs No one to lead us on And then to no where No one to cut us off Before the road opens No one to Stop us at the railroad enclosures And no one at all named Love Don't you know that the idea of all of you at all Is just so comfortable, mountain or a horse? Capable and strong? Don't you know the mold of you has sunk into my heart And formed a hole Where all the world will go, When i'm no longer mourning? Are you sure you want to– No. Not at all? I already did! But I saw this thing– Don't tell me about my death. But you were there. That's the thing, actually, you're not understanding– I wasn't. But– Quite possibly everyone and everything around me– Possibly even, or most probably, everything ever– But I promise, Jimmy, if that is even your name– It isn't– exactly. Everything happening–or unhappening in the moment– was everything but me. But– Goodbye! But– Goodbye, I said! I told you it was a deathtrap. That lady is crazy. I'm telling you, have faith! It makes sense. It doesn't make sense! It does make sense. It's just random–gibberish. Its absolutely ludicrous, Jimmy. She's crazy! You're youre right; it is ludicrous, actually, but listen to me— I'm finished listening. Yeah. I think i've heard about enough. But you haven't heard anything! I have now what I needed to know. But these writings… We'll take it from here, Jim. [The suits walk away.] I hope you're flame retardant. I ought to be by now, i guess. Double check your coverage. How'd that go. As expected. At least you expected it. There isn't anything around here I haven't been expecting lately. I mean. V.O. I've been working here for over twenty years… At least you're not being haunted by ghosts or anything. [The irony is in that yes, actually, he is talking to a ghost.] I get it (ripped apart) He's in the music away and carrying with it –you're on! A signal, A ghost– A sacrifice, A ritual, you're on again, Then off again The pitter patter of the dismissive members of Upper society, High ranking elitists And businussmen whom you admire astonishingly Despite discomfort, Whom, happen to no doubt Disapprove of you by nature And yet, Are also drawn To your own power Circumstance Judgement Morals Traditions Honors, Representatives of the establishment The state (no longer a democracy) Repression– All in writer's room revisions What happened? I haven't kept it safe or sacred One tear over Only out the left eye Listen, the marytr I opened a death trap I opened my widened mind To the unknown and impossible, Swallowed it whole with the lot of you I died with knowing only the lowest of the totem pole And yet, low and behold Now, I rise to the top, And such is known that without the bottom, The whole log topples over. Oh wow. I'm famous. Yes, and? It kind of hurts. Eventually that goes away. What a sensation. It's always there. You just stop feeling it. It lingers in on a sunday night, And at most on the full moon, no wolves howling; It sets in in the bunny ears atop the chatterbox In the kitchen, where It outshines us, from the other room On the radio tower, Where in time the vines have climbed And now flower bloom In silent golden era tunes, The tombs of all our knowledge and our light To fade with every passing hour here Goodnight, my son I do not want to know you Goodbye, my father, I do not want to rust And again I wake in the pain and lure of autumn To never known a summer song, And ponder on the dusk It lingers deep on Sunday evening, Setting hard on Monday morn, and though i write so fond of JImmy I dare often dream of Lorne Chapter Four Donovan Arnold was a lover and not a fighter. He never much had to come up against any kind of battle, either, because he was quite prone to always getting exactly what he wanted. Louis Greenworth was not merely a friendly rival—but a challenge, and the two came head to heat in various bouts and brawls in their time at The Summit, where most if not many collide with one another for fortune, and in gratitude that there they had been chosen for greater purpose. Something told me not too far on that Donovan had many to will and tricks up his sleeve without showing it, and in Louis's visions, he cautioned that I should be wary—although, in the rarer and flickering lights of Donovan's knowing and unknown, I should be careful of Louis and his corners. Then, there wasn't a force amongst us which would lightly convey Louis—his doings and his shadows were dark--which is why I had been fashioned to it, and the powerful man he was beared such a heavy weight on all the world around him that he was nothing less than a storm to weather in total. Then, Donovan was such the luck and clever, loving sprite, that his wit and charm was assuring to my embark; there was no way of truly ever waning in the way that Donovan had winged his way into the arrangement in his favor, but at the very least— disappointing his approval would gain no absolute pleasure beyond the astonishing dissonance of loyalty. Then, there were keepers surrounding the might and the truth of The force that the shadows could not bare— there were times and marks and truths beyond the summit that were merely a facet of the things in the beyond, and in the way that The Source rules over its keepers, and its knowings—there was hardly any way for the niceties of pride, judgment most often throwing its way between dear Donovan Arnold and I. There was no nose that could t smell the stench if the foul odor that the rot of betrayal had done. The way of Donovan was seeking to know, without keeping or honor of heart—and I could not withstand another deep wound in the pit of my own truth. They called him Donovan Arnold Palmer because he made a mean Long Island iced tea— which of course he attributed to his affluent east coast heritage, hailing from a long line of the posh and uptight standard boys and girls of the fools and good old days. A clean cut brown nose and absolute stickler for circumstance and dedication, his placement within these sacred places was vanity, first and foremost—and with a sense of tradition and pride he carried on in the way any man would, with great relief that the world didn't rest on his shoulders the way it did on Louis— then, nothing really rested on anyone the way it did in Louis Greenworth. chapter 5 The gifted saint of revelations “Did he hurt you?” I looked away without knowing where to look at all but down, my body aching with the waves of having been pressed and clutched against the spirals of time. The things I pretend not to know. “Who?” Genie seemed disappointed but still, patiently coaxing me with the comfort of his warmth— calling my eyes and looking deeply into the soul. I was petrified “What happened?”, he persists. “I don't know what your talking about.” , I mumble guiltily. He pauses for a moment as if he knows the depth of it— somewhere inside of me I know he knows, and behind me my mind is reeling and screaming, like a desperate unearthed fortune of unknown. Barely breathing, and shallow in the dark of the luminescence of the moonlight night, my loyalty overwhelms my pride and brotherhood. “What did he say?” Now his eyes fill with the pain and begging for the mercy of truth, as he whispers almost with a whimper, even in his strength and grace. In all those prayers not once had I even the ounce of nerve to think that he had uttered my name— now looking into him but huddled under him in heaps and ruins, I could not remember a time more when I wanted to disacknowledge the unknown and send a heap of words into the capes and canyons of his holy ears, though these things I knew for any time but especially this, I could never speak. “He who?” I can't wake up, I'm a rockstar Can't wash it off And I'm just so high on drugs That no matter the cost I just don't want to come down Don't want to want you anymore Relax. Think about it never or none And wonder what the world becomes when Weather tides and moon songs are no more Remember, then the dolphin And temperament to want what of course All of us covet But still, waking up in a dungeon. What a curse. Also, however What a cure, as you wander up The slithering road that parts Los Angeles from all the north of her Southern coast, If you want specifics The Pacific is at most And much admires Where you are, No matter how far you wander I want I want I want And I get I get I get I'm a rockstar. Maybe after all those times Being just the girl that all might have died to have been And getting mad over it You wake up to find yourself A stalker Who doesn't Leave the apartment And just watches the come up Of the songbird Who just wishes She had've gone To Harvard Not for law school But the arts, You know You lost a fortune That wasn't clever You wrote a hospital long report And look what you got! A suffix And later on an honorary doctorate But look at Letterman Hardly recognizable And after all The stopwatch just starts over at one Doesn't it Doesn't it? I'm a rockstar And what you wanted Was no subtle front But a surfboard and a ping pong table Writing your fables in the quiet of the night With the ocean steady lapping under the docks And not Collapsing her whole structure What a thunderous wave If you think it's time Then you haven't caved yet I offer all the pleasures of the golden science And as alchemy concerned Its really only valuable on this planet As it stands the liquid gold mines here Haven't budged an ounce— There's an overflow of all you've ever wanted With a pungent odor Or wrongdoing done And lemonade To pucker And to ponder over S'mores for supper, anyone? I thought not -KR. {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

Someone help me. What happened. What's good bro. I think deadmau5 is my cat. Nah. You're serious? I'm…deadfuckingnserious. What makes you think that? [cat is deadmau5] lol isn't it super torturous as fuck as a woman knowing All you really want is for like, one man to like , Just like you, But dudes are notorious for like— Never ever really being able to just ”like” one person? Like dudes like everyone They are notorious whoooores. The like everybody. The older I get like the worse it gets Like here's this guy I like And I pretty much mostly just like him But then like, Look at all these girls! Fuuuuck that! NICOLE BYER OH LOOK. ITS DUM-DUM! this is because I keep forgetting you, isn't it? NICOLE BYER Yes it IS. this might actually be my favorite part of the story. BLŪ is taking a shower when suddenly— NICOLE BYER appears out of nowhere. HEY DUM-DUM. JIMMY KIMMEL uses his newfound ability to time shift (not time travel, persay, but to alter many parallels of a given time) to undo joining a college fraternity. Also in the present nothing appears altered. This invisibly and almost even silently skews several multidimensional parallels into disarray. Unknowing st all of this, he seems content with his decision. Then again, he always seems sort of... JIMMY KIMMEL is quietly enjoying his fishing trip. Basking in the wonderful allone ness of solitude and silence, he uncaps a bottle of [insert product placement here] and takes a very hearty swig, letting out a super contended sigh. …content. It is a picturesque and perfect day; however, something seems off; just then, as he admires his first catch, hanging from the line over the bow, a GIANT SHARK appears out of the water, snapping up his catch and retreating into the abyss with a thunderous SPLASH. Dripping with dismay (and lots of water) JIMMY KIMMEL explodes with an equally thunderous rage. WHAT THE FUCK! He teeters, sopping wet to the edge of the boat, peering momentarily into the rippling water before he realizes it may not be safe, and in the same glimpse from the side of his squinted unrelentlessly still glistening eyes, realizes that this shark has knocked over and spilled his entire bottle of [insert product placement here] He confusedly and exasperatedly cries out and upward into the skies—. THIS IS A LAKE!!! Just a note to remember that I finally perfected my recipe for the absolute best vegan breakfast burrito just previously to writing this. It was delicious. Yes, it was. I— Oh, my god! Parallels, remember! No! (Suddenly eating a burrito) Your memory sucks! It has to. Isn't it all in the culture? I don't know what you're all on about Turned it all on, now i'm off, man Turned it all off, but I laid here for it– Tuned it around, And I payed her for it! How's That Now For an awful apocalypse All on the top of the grant And the ground And the landmine The top of the mountain The tip of the iceberg the tell of the tails And tails of the sweet custom made to order Suits and ties Of course don't rock the boat If you know its yours! JIMMY KIMMEL stares into the distance as baby shark blares over the common room television screen–he appears to be babysitting, but his look is so far off, you wouldn't know he was in the room. The baby shark song seems to drum up some uncomfortable memories from fishing over the weekend. He squints with disdain over the incident with a weary glean in his eyes; this is not something you discuss with other people. Isn't it all in the coat tails? It's toxic, but i've never been a model Or even wanted, so What are all the hot blondes at the office on about? You wanted the host of the talk show, And woke up to croissants and roses, orange juice and probable cause for your lawsuit, But in the moment you loved it So what's everyone on about? Isn't it all in the cufflinks? The stuff you don't tell to your home folks; The homegrown and midwestern corn folks, Discussing your show over corn flakes? So what's everyone on about? Let us just be honest, I didn't know how deep it was Until i opened up pandoras box, And thought, “What the fuck, I've found a horxcrux.” I've found a goldmine, I've got the fox and the hare all in one here, What a show host What a conundrum, What a construct, What a hopeless homonid What a heart to want nothing but To put the top Back on the box And walk away Unknowing all Of what I saw –Middle Days. There's no Tonight Show where I'm from No late night, And no radio hosts No television, no songs No one to lead us on And then to no where No one to cut us off Before the road opens No one to Stop us at the railroad enclosures And no one at all named Love Don't you know that the idea of all of you at all Is just so comfortable, mountain or a horse? Capable and strong? Don't you know the mold of you has sunk into my heart And formed a hole Where all the world will go, When i'm no longer mourning? Are you sure you want to– No. Not at all? I already did! But I saw this thing– Don't tell me about my death. But you were there. That's the thing, actually, you're not understanding– I wasn't. But– Quite possibly everyone and everything around me– Possibly even, or most probably, everything ever– But I promise, Jimmy, if that is even your name– It isn't– exactly. Everything happening–or unhappening in the moment– was everything but me. But– Goodbye! But– Goodbye, I said! I told you it was a deathtrap. That lady is crazy. I'm telling you, have faith! It makes sense. It doesn't make sense! It does make sense. It's just random–gibberish. Its absolutely ludicrous, Jimmy. She's crazy! You're youre right; it is ludicrous, actually, but listen to me— I'm finished listening. Yeah. I think i've heard about enough. But you haven't heard anything! I have now what I needed to know. But these writings… We'll take it from here, Jim. [The suits walk away.] I hope you're flame retardant. I ought to be by now, i guess. Double check your coverage. How'd that go. As expected. At least you expected it. There isn't anything around here I haven't been expecting lately. I mean. V.O. I've been working here for over twenty years… At least you're not being haunted by ghosts or anything. [The irony is in that yes, actually, he is talking to a ghost.] I get it (ripped apart) He's in the music away and carrying with it –you're on! A signal, A ghost– A sacrifice, A ritual, you're on again, Then off again The pitter patter of the dismissive members of Upper society, High ranking elitists And businussmen whom you admire astonishingly Despite discomfort, Whom, happen to no doubt Disapprove of you by nature And yet, Are also drawn To your own power Circumstance Judgement Morals Traditions Honors, Representatives of the establishment The state (no longer a democracy) Repression– All in writer's room revisions What happened? I haven't kept it safe or sacred One tear over Only out the left eye Listen, the marytr I opened a death trap I opened my widened mind To the unknown and impossible, Swallowed it whole with the lot of you I died with knowing only the lowest of the totem pole And yet, low and behold Now, I rise to the top, And such is known that without the bottom, The whole log topples over. Oh wow. I'm famous. Yes, and? It kind of hurts. Eventually that goes away. What a sensation. It's always there. You just stop feeling it. It lingers in on a sunday night, And at most on the full moon, no wolves howling; It sets in in the bunny ears atop the chatterbox In the kitchen, where It outshines us, from the other room On the radio tower, Where in time the vines have climbed And now flower bloom In silent golden era tunes, The tombs of all our knowledge and our light To fade with every passing hour here Goodnight, my son I do not want to know you Goodbye, my father, I do not want to rust And again I wake in the pain and lure of autumn To never known a summer song, And ponder on the dusk It lingers deep on Sunday evening, Setting hard on Monday morn, and though i write so fond of JImmy I dare often dream of Lorne Chapter Four Donovan Arnold was a lover and not a fighter. He never much had to come up against any kind of battle, either, because he was quite prone to always getting exactly what he wanted. Louis Greenworth was not merely a friendly rival—but a challenge, and the two came head to heat in various bouts and brawls in their time at The Summit, where most if not many collide with one another for fortune, and in gratitude that there they had been chosen for greater purpose. Something told me not too far on that Donovan had many to will and tricks up his sleeve without showing it, and in Louis's visions, he cautioned that I should be wary—although, in the rarer and flickering lights of Donovan's knowing and unknown, I should be careful of Louis and his corners. Then, there wasn't a force amongst us which would lightly convey Louis—his doings and his shadows were dark--which is why I had been fashioned to it, and the powerful man he was beared such a heavy weight on all the world around him that he was nothing less than a storm to weather in total. Then, Donovan was such the luck and clever, loving sprite, that his wit and charm was assuring to my embark; there was no way of truly ever waning in the way that Donovan had winged his way into the arrangement in his favor, but at the very least— disappointing his approval would gain no absolute pleasure beyond the astonishing dissonance of loyalty. Then, there were keepers surrounding the might and the truth of The force that the shadows could not bare— there were times and marks and truths beyond the summit that were merely a facet of the things in the beyond, and in the way that The Source rules over its keepers, and its knowings—there was hardly any way for the niceties of pride, judgment most often throwing its way between dear Donovan Arnold and I. There was no nose that could t smell the stench if the foul odor that the rot of betrayal had done. The way of Donovan was seeking to know, without keeping or honor of heart—and I could not withstand another deep wound in the pit of my own truth. They called him Donovan Arnold Palmer because he made a mean Long Island iced tea— which of course he attributed to his affluent east coast heritage, hailing from a long line of the posh and uptight standard boys and girls of the fools and good old days. A clean cut brown nose and absolute stickler for circumstance and dedication, his placement within these sacred places was vanity, first and foremost—and with a sense of tradition and pride he carried on in the way any man would, with great relief that the world didn't rest on his shoulders the way it did on Louis— then, nothing really rested on anyone the way it did in Louis Greenworth. chapter 5 The gifted saint of revelations “Did he hurt you?” I looked away without knowing where to look at all but down, my body aching with the waves of having been pressed and clutched against the spirals of time. The things I pretend not to know. “Who?” Genie seemed disappointed but still, patiently coaxing me with the comfort of his warmth— calling my eyes and looking deeply into the soul. I was petrified “What happened?”, he persists. “I don't know what your talking about.” , I mumble guiltily. He pauses for a moment as if he knows the depth of it— somewhere inside of me I know he knows, and behind me my mind is reeling and screaming, like a desperate unearthed fortune of unknown. Barely breathing, and shallow in the dark of the luminescence of the moonlight night, my loyalty overwhelms my pride and brotherhood. “What did he say?” Now his eyes fill with the pain and begging for the mercy of truth, as he whispers almost with a whimper, even in his strength and grace. In all those prayers not once had I even the ounce of nerve to think that he had uttered my name— now looking into him but huddled under him in heaps and ruins, I could not remember a time more when I wanted to disacknowledge the unknown and send a heap of words into the capes and canyons of his holy ears, though these things I knew for any time but especially this, I could never speak. “He who?” I can't wake up, I'm a rockstar Can't wash it off And I'm just so high on drugs That no matter the cost I just don't want to come down Don't want to want you anymore Relax. Think about it never or none And wonder what the world becomes when Weather tides and moon songs are no more Remember, then the dolphin And temperament to want what of course All of us covet But still, waking up in a dungeon. What a curse. Also, however What a cure, as you wander up The slithering road that parts Los Angeles from all the north of her Southern coast, If you want specifics The Pacific is at most And much admires Where you are, No matter how far you wander I want I want I want And I get I get I get I'm a rockstar. Maybe after all those times Being just the girl that all might have died to have been And getting mad over it You wake up to find yourself A stalker Who doesn't Leave the apartment And just watches the come up Of the songbird Who just wishes She had've gone To Harvard Not for law school But the arts, You know You lost a fortune That wasn't clever You wrote a hospital long report And look what you got! A suffix And later on an honorary doctorate But look at Letterman Hardly recognizable And after all The stopwatch just starts over at one Doesn't it Doesn't it? I'm a rockstar And what you wanted Was no subtle front But a surfboard and a ping pong table Writing your fables in the quiet of the night With the ocean steady lapping under the docks And not Collapsing her whole structure What a thunderous wave If you think it's time Then you haven't caved yet I offer all the pleasures of the golden science And as alchemy concerned Its really only valuable on this planet As it stands the liquid gold mines here Haven't budged an ounce— There's an overflow of all you've ever wanted With a pungent odor Or wrongdoing done And lemonade To pucker And to ponder over S'mores for supper, anyone? I thought not -KR. {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

Today on "Someone You Should Know," Stuart welcomes to the show Frank King, The Mental Health Comedian. He's a former writer for the Tonight Show and comedian who speaks on suicide prevention and knows what the barrel of his gun tastes like.Visit Frank's website at https://thementalhealthcomedian.com/Join us on the 1st and 3rd Wednesdays on ⁠⁠Facebook, LinkedIn, or YouTube.⁠⁠#SomeoneYouShouldKnow⁠⁠ ⁠⁠#StuartSax⁠⁠ #podcast #comedian #burnout #mentalhealth #suicideprevention #keynotespeakerEach week, Stuart Sax interviews Someone You Should Know. Get to know people who have incredible stories to tell. It's their backstories that make the conversations come to life. From government officials, artists, writers, service providers, creators and dreamers; I share their stories in a casual way. Maybe your story will be the next one we share!Follow Stuart Sax on social media and see more shows at:⁠⁠⁠⁠https://linktr.ee/stuartsax⁠⁠⁠⁠

Someone help me. What happened. What's good bro. I think deadmau5 is my cat. Nah. You're serious? I'm…deadfuckingnserious. What makes you think that? [cat is deadmau5] lol isn't it super torturous as fuck as a woman knowing All you really want is for like, one man to like , Just like you, But dudes are notorious for like— Never ever really being able to just ”like” one person? Like dudes like everyone They are notorious whoooores. The like everybody. The older I get like the worse it gets Like here's this guy I like And I pretty much mostly just like him But then like, Look at all these girls! Fuuuuck that! NICOLE BYER OH LOOK. ITS DUM-DUM! this is because I keep forgetting you, isn't it? NICOLE BYER Yes it IS. this might actually be my favorite part of the story. BLŪ is taking a shower when suddenly— NICOLE BYER appears out of nowhere. HEY DUM-DUM. JIMMY KIMMEL uses his newfound ability to time shift (not time travel, persay, but to alter many parallels of a given time) to undo joining a college fraternity. Also in the present nothing appears altered. This invisibly and almost even silently skews several multidimensional parallels into disarray. Unknowing st all of this, he seems content with his decision. Then again, he always seems sort of... JIMMY KIMMEL is quietly enjoying his fishing trip. Basking in the wonderful allone ness of solitude and silence, he uncaps a bottle of [insert product placement here] and takes a very hearty swig, letting out a super contended sigh. …content. It is a picturesque and perfect day; however, something seems off; just then, as he admires his first catch, hanging from the line over the bow, a GIANT SHARK appears out of the water, snapping up his catch and retreating into the abyss with a thunderous SPLASH. Dripping with dismay (and lots of water) JIMMY KIMMEL explodes with an equally thunderous rage. WHAT THE FUCK! He teeters, sopping wet to the edge of the boat, peering momentarily into the rippling water before he realizes it may not be safe, and in the same glimpse from the side of his squinted unrelentlessly still glistening eyes, realizes that this shark has knocked over and spilled his entire bottle of [insert product placement here] He confusedly and exasperatedly cries out and upward into the skies—. THIS IS A LAKE!!! Just a note to remember that I finally perfected my recipe for the absolute best vegan breakfast burrito just previously to writing this. It was delicious. Yes, it was. I— Oh, my god! Parallels, remember! No! (Suddenly eating a burrito) Your memory sucks! It has to. Isn't it all in the culture? I don't know what you're all on about Turned it all on, now i'm off, man Turned it all off, but I laid here for it– Tuned it around, And I payed her for it! How's That Now For an awful apocalypse All on the top of the grant And the ground And the landmine The top of the mountain The tip of the iceberg the tell of the tails And tails of the sweet custom made to order Suits and ties Of course don't rock the boat If you know its yours! JIMMY KIMMEL stares into the distance as baby shark blares over the common room television screen–he appears to be babysitting, but his look is so far off, you wouldn't know he was in the room. The baby shark song seems to drum up some uncomfortable memories from fishing over the weekend. He squints with disdain over the incident with a weary glean in his eyes; this is not something you discuss with other people. Isn't it all in the coat tails? It's toxic, but i've never been a model Or even wanted, so What are all the hot blondes at the office on about? You wanted the host of the talk show, And woke up to croissants and roses, orange juice and probable cause for your lawsuit, But in the moment you loved it So what's everyone on about? Isn't it all in the cufflinks? The stuff you don't tell to your home folks; The homegrown and midwestern corn folks, Discussing your show over corn flakes? So what's everyone on about? Let us just be honest, I didn't know how deep it was Until i opened up pandoras box, And thought, “What the fuck, I've found a horxcrux.” I've found a goldmine, I've got the fox and the hare all in one here, What a show host What a conundrum, What a construct, What a hopeless homonid What a heart to want nothing but To put the top Back on the box And walk away Unknowing all Of what I saw –Middle Days. There's no Tonight Show where I'm from No late night, And no radio hosts No television, no songs No one to lead us on And then to no where No one to cut us off Before the road opens No one to Stop us at the railroad enclosures And no one at all named Love Don't you know that the idea of all of you at all Is just so comfortable, mountain or a horse? Capable and strong? Don't you know the mold of you has sunk into my heart And formed a hole Where all the world will go, When i'm no longer mourning? Are you sure you want to– No. Not at all? I already did! But I saw this thing– Don't tell me about my death. But you were there. That's the thing, actually, you're not understanding– I wasn't. But– Quite possibly everyone and everything around me– Possibly even, or most probably, everything ever– But I promise, Jimmy, if that is even your name– It isn't– exactly. Everything happening–or unhappening in the moment– was everything but me. But– Goodbye! But– Goodbye, I said! I told you it was a deathtrap. That lady is crazy. I'm telling you, have faith! It makes sense. It doesn't make sense! It does make sense. It's just random–gibberish. Its absolutely ludicrous, Jimmy. She's crazy! You're youre right; it is ludicrous, actually, but listen to me— I'm finished listening. Yeah. I think i've heard about enough. But you haven't heard anything! I have now what I needed to know. But these writings… We'll take it from here, Jim. [The suits walk away.] I hope you're flame retardant. I ought to be by now, i guess. Double check your coverage. How'd that go. As expected. At least you expected it. There isn't anything around here I haven't been expecting lately. I mean. V.O. I've been working here for over twenty years… At least you're not being haunted by ghosts or anything. [The irony is in that yes, actually, he is talking to a ghost.] I get it (ripped apart) He's in the music away and carrying with it –you're on! A signal, A ghost– A sacrifice, A ritual, you're on again, Then off again The pitter patter of the dismissive members of Upper society, High ranking elitists And businussmen whom you admire astonishingly Despite discomfort, Whom, happen to no doubt Disapprove of you by nature And yet, Are also drawn To your own power Circumstance Judgement Morals Traditions Honors, Representatives of the establishment The state (no longer a democracy) Repression– All in writer's room revisions What happened? I haven't kept it safe or sacred One tear over Only out the left eye Listen, the marytr I opened a death trap I opened my widened mind To the unknown and impossible, Swallowed it whole with the lot of you I died with knowing only the lowest of the totem pole And yet, low and behold Now, I rise to the top, And such is known that without the bottom, The whole log topples over. Oh wow. I'm famous. Yes, and? It kind of hurts. Eventually that goes away. What a sensation. It's always there. You just stop feeling it. It lingers in on a sunday night, And at most on the full moon, no wolves howling; It sets in in the bunny ears atop the chatterbox In the kitchen, where It outshines us, from the other room On the radio tower, Where in time the vines have climbed And now flower bloom In silent golden era tunes, The tombs of all our knowledge and our light To fade with every passing hour here Goodnight, my son I do not want to know you Goodbye, my father, I do not want to rust And again I wake in the pain and lure of autumn To never known a summer song, And ponder on the dusk It lingers deep on Sunday evening, Setting hard on Monday morn, and though i write so fond of JImmy I dare often dream of Lorne Chapter Four Donovan Arnold was a lover and not a fighter. He never much had to come up against any kind of battle, either, because he was quite prone to always getting exactly what he wanted. Louis Greenworth was not merely a friendly rival—but a challenge, and the two came head to heat in various bouts and brawls in their time at The Summit, where most if not many collide with one another for fortune, and in gratitude that there they had been chosen for greater purpose. Something told me not too far on that Donovan had many to will and tricks up his sleeve without showing it, and in Louis's visions, he cautioned that I should be wary—although, in the rarer and flickering lights of Donovan's knowing and unknown, I should be careful of Louis and his corners. Then, there wasn't a force amongst us which would lightly convey Louis—his doings and his shadows were dark--which is why I had been fashioned to it, and the powerful man he was beared such a heavy weight on all the world around him that he was nothing less than a storm to weather in total. Then, Donovan was such the luck and clever, loving sprite, that his wit and charm was assuring to my embark; there was no way of truly ever waning in the way that Donovan had winged his way into the arrangement in his favor, but at the very least— disappointing his approval would gain no absolute pleasure beyond the astonishing dissonance of loyalty. Then, there were keepers surrounding the might and the truth of The force that the shadows could not bare— there were times and marks and truths beyond the summit that were merely a facet of the things in the beyond, and in the way that The Source rules over its keepers, and its knowings—there was hardly any way for the niceties of pride, judgment most often throwing its way between dear Donovan Arnold and I. There was no nose that could t smell the stench if the foul odor that the rot of betrayal had done. The way of Donovan was seeking to know, without keeping or honor of heart—and I could not withstand another deep wound in the pit of my own truth. They called him Donovan Arnold Palmer because he made a mean Long Island iced tea— which of course he attributed to his affluent east coast heritage, hailing from a long line of the posh and uptight standard boys and girls of the fools and good old days. A clean cut brown nose and absolute stickler for circumstance and dedication, his placement within these sacred places was vanity, first and foremost—and with a sense of tradition and pride he carried on in the way any man would, with great relief that the world didn't rest on his shoulders the way it did on Louis— then, nothing really rested on anyone the way it did in Louis Greenworth. chapter 5 The gifted saint of revelations “Did he hurt you?” I looked away without knowing where to look at all but down, my body aching with the waves of having been pressed and clutched against the spirals of time. The things I pretend not to know. “Who?” Genie seemed disappointed but still, patiently coaxing me with the comfort of his warmth— calling my eyes and looking deeply into the soul. I was petrified “What happened?”, he persists. “I don't know what your talking about.” , I mumble guiltily. He pauses for a moment as if he knows the depth of it— somewhere inside of me I know he knows, and behind me my mind is reeling and screaming, like a desperate unearthed fortune of unknown. Barely breathing, and shallow in the dark of the luminescence of the moonlight night, my loyalty overwhelms my pride and brotherhood. “What did he say?” Now his eyes fill with the pain and begging for the mercy of truth, as he whispers almost with a whimper, even in his strength and grace. In all those prayers not once had I even the ounce of nerve to think that he had uttered my name— now looking into him but huddled under him in heaps and ruins, I could not remember a time more when I wanted to disacknowledge the unknown and send a heap of words into the capes and canyons of his holy ears, though these things I knew for any time but especially this, I could never speak. “He who?” I can't wake up, I'm a rockstar Can't wash it off And I'm just so high on drugs That no matter the cost I just don't want to come down Don't want to want you anymore Relax. Think about it never or none And wonder what the world becomes when Weather tides and moon songs are no more Remember, then the dolphin And temperament to want what of course All of us covet But still, waking up in a dungeon. What a curse. Also, however What a cure, as you wander up The slithering road that parts Los Angeles from all the north of her Southern coast, If you want specifics The Pacific is at most And much admires Where you are, No matter how far you wander I want I want I want And I get I get I get I'm a rockstar. Maybe after all those times Being just the girl that all might have died to have been And getting mad over it You wake up to find yourself A stalker Who doesn't Leave the apartment And just watches the come up Of the songbird Who just wishes She had've gone To Harvard Not for law school But the arts, You know You lost a fortune That wasn't clever You wrote a hospital long report And look what you got! A suffix And later on an honorary doctorate But look at Letterman Hardly recognizable And after all The stopwatch just starts over at one Doesn't it Doesn't it? I'm a rockstar And what you wanted Was no subtle front But a surfboard and a ping pong table Writing your fables in the quiet of the night With the ocean steady lapping under the docks And not Collapsing her whole structure What a thunderous wave If you think it's time Then you haven't caved yet I offer all the pleasures of the golden science And as alchemy concerned Its really only valuable on this planet As it stands the liquid gold mines here Haven't budged an ounce— There's an overflow of all you've ever wanted With a pungent odor Or wrongdoing done And lemonade To pucker And to ponder over S'mores for supper, anyone? I thought not -KR. {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

Someone help me. What happened. What's good bro. I think deadmau5 is my cat. Nah. You're serious? I'm…deadfuckingnserious. What makes you think that? [cat is deadmau5] lol isn't it super torturous as fuck as a woman knowing All you really want is for like, one man to like , Just like you, But dudes are notorious for like— Never ever really being able to just ”like” one person? Like dudes like everyone They are notorious whoooores. The like everybody. The older I get like the worse it gets Like here's this guy I like And I pretty much mostly just like him But then like, Look at all these girls! Fuuuuck that! NICOLE BYER OH LOOK. ITS DUM-DUM! this is because I keep forgetting you, isn't it? NICOLE BYER Yes it IS. this might actually be my favorite part of the story. BLŪ is taking a shower when suddenly— NICOLE BYER appears out of nowhere. HEY DUM-DUM. JIMMY KIMMEL uses his newfound ability to time shift (not time travel, persay, but to alter many parallels of a given time) to undo joining a college fraternity. Also in the present nothing appears altered. This invisibly and almost even silently skews several multidimensional parallels into disarray. Unknowing st all of this, he seems content with his decision. Then again, he always seems sort of... JIMMY KIMMEL is quietly enjoying his fishing trip. Basking in the wonderful allone ness of solitude and silence, he uncaps a bottle of [insert product placement here] and takes a very hearty swig, letting out a super contended sigh. …content. It is a picturesque and perfect day; however, something seems off; just then, as he admires his first catch, hanging from the line over the bow, a GIANT SHARK appears out of the water, snapping up his catch and retreating into the abyss with a thunderous SPLASH. Dripping with dismay (and lots of water) JIMMY KIMMEL explodes with an equally thunderous rage. WHAT THE FUCK! He teeters, sopping wet to the edge of the boat, peering momentarily into the rippling water before he realizes it may not be safe, and in the same glimpse from the side of his squinted unrelentlessly still glistening eyes, realizes that this shark has knocked over and spilled his entire bottle of [insert product placement here] He confusedly and exasperatedly cries out and upward into the skies—. THIS IS A LAKE!!! Just a note to remember that I finally perfected my recipe for the absolute best vegan breakfast burrito just previously to writing this. It was delicious. Yes, it was. I— Oh, my god! Parallels, remember! No! (Suddenly eating a burrito) Your memory sucks! It has to. Isn't it all in the culture? I don't know what you're all on about Turned it all on, now i'm off, man Turned it all off, but I laid here for it– Tuned it around, And I payed her for it! How's That Now For an awful apocalypse All on the top of the grant And the ground And the landmine The top of the mountain The tip of the iceberg the tell of the tails And tails of the sweet custom made to order Suits and ties Of course don't rock the boat If you know its yours! JIMMY KIMMEL stares into the distance as baby shark blares over the common room television screen–he appears to be babysitting, but his look is so far off, you wouldn't know he was in the room. The baby shark song seems to drum up some uncomfortable memories from fishing over the weekend. He squints with disdain over the incident with a weary glean in his eyes; this is not something you discuss with other people. Isn't it all in the coat tails? It's toxic, but i've never been a model Or even wanted, so What are all the hot blondes at the office on about? You wanted the host of the talk show, And woke up to croissants and roses, orange juice and probable cause for your lawsuit, But in the moment you loved it So what's everyone on about? Isn't it all in the cufflinks? The stuff you don't tell to your home folks; The homegrown and midwestern corn folks, Discussing your show over corn flakes? So what's everyone on about? Let us just be honest, I didn't know how deep it was Until i opened up pandoras box, And thought, “What the fuck, I've found a horxcrux.” I've found a goldmine, I've got the fox and the hare all in one here, What a show host What a conundrum, What a construct, What a hopeless homonid What a heart to want nothing but To put the top Back on the box And walk away Unknowing all Of what I saw –Middle Days. There's no Tonight Show where I'm from No late night, And no radio hosts No television, no songs No one to lead us on And then to no where No one to cut us off Before the road opens No one to Stop us at the railroad enclosures And no one at all named Love Don't you know that the idea of all of you at all Is just so comfortable, mountain or a horse? Capable and strong? Don't you know the mold of you has sunk into my heart And formed a hole Where all the world will go, When i'm no longer mourning? Are you sure you want to– No. Not at all? I already did! But I saw this thing– Don't tell me about my death. But you were there. That's the thing, actually, you're not understanding– I wasn't. But– Quite possibly everyone and everything around me– Possibly even, or most probably, everything ever– But I promise, Jimmy, if that is even your name– It isn't– exactly. Everything happening–or unhappening in the moment– was everything but me. But– Goodbye! But– Goodbye, I said! I told you it was a deathtrap. That lady is crazy. I'm telling you, have faith! It makes sense. It doesn't make sense! It does make sense. It's just random–gibberish. Its absolutely ludicrous, Jimmy. She's crazy! You're youre right; it is ludicrous, actually, but listen to me— I'm finished listening. Yeah. I think i've heard about enough. But you haven't heard anything! I have now what I needed to know. But these writings… We'll take it from here, Jim. [The suits walk away.] I hope you're flame retardant. I ought to be by now, i guess. Double check your coverage. How'd that go. As expected. At least you expected it. There isn't anything around here I haven't been expecting lately. I mean. V.O. I've been working here for over twenty years… At least you're not being haunted by ghosts or anything. [The irony is in that yes, actually, he is talking to a ghost.] I get it (ripped apart) He's in the music away and carrying with it –you're on! A signal, A ghost– A sacrifice, A ritual, you're on again, Then off again The pitter patter of the dismissive members of Upper society, High ranking elitists And businussmen whom you admire astonishingly Despite discomfort, Whom, happen to no doubt Disapprove of you by nature And yet, Are also drawn To your own power Circumstance Judgement Morals Traditions Honors, Representatives of the establishment The state (no longer a democracy) Repression– All in writer's room revisions What happened? I haven't kept it safe or sacred One tear over Only out the left eye Listen, the marytr I opened a death trap I opened my widened mind To the unknown and impossible, Swallowed it whole with the lot of you I died with knowing only the lowest of the totem pole And yet, low and behold Now, I rise to the top, And such is known that without the bottom, The whole log topples over. Oh wow. I'm famous. Yes, and? It kind of hurts. Eventually that goes away. What a sensation. It's always there. You just stop feeling it. It lingers in on a sunday night, And at most on the full moon, no wolves howling; It sets in in the bunny ears atop the chatterbox In the kitchen, where It outshines us, from the other room On the radio tower, Where in time the vines have climbed And now flower bloom In silent golden era tunes, The tombs of all our knowledge and our light To fade with every passing hour here Goodnight, my son I do not want to know you Goodbye, my father, I do not want to rust And again I wake in the pain and lure of autumn To never known a summer song, And ponder on the dusk It lingers deep on Sunday evening, Setting hard on Monday morn, and though i write so fond of JImmy I dare often dream of Lorne Chapter Four Donovan Arnold was a lover and not a fighter. He never much had to come up against any kind of battle, either, because he was quite prone to always getting exactly what he wanted. Louis Greenworth was not merely a friendly rival—but a challenge, and the two came head to heat in various bouts and brawls in their time at The Summit, where most if not many collide with one another for fortune, and in gratitude that there they had been chosen for greater purpose. Something told me not too far on that Donovan had many to will and tricks up his sleeve without showing it, and in Louis's visions, he cautioned that I should be wary—although, in the rarer and flickering lights of Donovan's knowing and unknown, I should be careful of Louis and his corners. Then, there wasn't a force amongst us which would lightly convey Louis—his doings and his shadows were dark--which is why I had been fashioned to it, and the powerful man he was beared such a heavy weight on all the world around him that he was nothing less than a storm to weather in total. Then, Donovan was such the luck and clever, loving sprite, that his wit and charm was assuring to my embark; there was no way of truly ever waning in the way that Donovan had winged his way into the arrangement in his favor, but at the very least— disappointing his approval would gain no absolute pleasure beyond the astonishing dissonance of loyalty. Then, there were keepers surrounding the might and the truth of The force that the shadows could not bare— there were times and marks and truths beyond the summit that were merely a facet of the things in the beyond, and in the way that The Source rules over its keepers, and its knowings—there was hardly any way for the niceties of pride, judgment most often throwing its way between dear Donovan Arnold and I. There was no nose that could t smell the stench if the foul odor that the rot of betrayal had done. The way of Donovan was seeking to know, without keeping or honor of heart—and I could not withstand another deep wound in the pit of my own truth. They called him Donovan Arnold Palmer because he made a mean Long Island iced tea— which of course he attributed to his affluent east coast heritage, hailing from a long line of the posh and uptight standard boys and girls of the fools and good old days. A clean cut brown nose and absolute stickler for circumstance and dedication, his placement within these sacred places was vanity, first and foremost—and with a sense of tradition and pride he carried on in the way any man would, with great relief that the world didn't rest on his shoulders the way it did on Louis— then, nothing really rested on anyone the way it did in Louis Greenworth. chapter 5 The gifted saint of revelations “Did he hurt you?” I looked away without knowing where to look at all but down, my body aching with the waves of having been pressed and clutched against the spirals of time. The things I pretend not to know. “Who?” Genie seemed disappointed but still, patiently coaxing me with the comfort of his warmth— calling my eyes and looking deeply into the soul. I was petrified “What happened?”, he persists. “I don't know what your talking about.” , I mumble guiltily. He pauses for a moment as if he knows the depth of it— somewhere inside of me I know he knows, and behind me my mind is reeling and screaming, like a desperate unearthed fortune of unknown. Barely breathing, and shallow in the dark of the luminescence of the moonlight night, my loyalty overwhelms my pride and brotherhood. “What did he say?” Now his eyes fill with the pain and begging for the mercy of truth, as he whispers almost with a whimper, even in his strength and grace. In all those prayers not once had I even the ounce of nerve to think that he had uttered my name— now looking into him but huddled under him in heaps and ruins, I could not remember a time more when I wanted to disacknowledge the unknown and send a heap of words into the capes and canyons of his holy ears, though these things I knew for any time but especially this, I could never speak. “He who?” I can't wake up, I'm a rockstar Can't wash it off And I'm just so high on drugs That no matter the cost I just don't want to come down Don't want to want you anymore Relax. Think about it never or none And wonder what the world becomes when Weather tides and moon songs are no more Remember, then the dolphin And temperament to want what of course All of us covet But still, waking up in a dungeon. What a curse. Also, however What a cure, as you wander up The slithering road that parts Los Angeles from all the north of her Southern coast, If you want specifics The Pacific is at most And much admires Where you are, No matter how far you wander I want I want I want And I get I get I get I'm a rockstar. Maybe after all those times Being just the girl that all might have died to have been And getting mad over it You wake up to find yourself A stalker Who doesn't Leave the apartment And just watches the come up Of the songbird Who just wishes She had've gone To Harvard Not for law school But the arts, You know You lost a fortune That wasn't clever You wrote a hospital long report And look what you got! A suffix And later on an honorary doctorate But look at Letterman Hardly recognizable And after all The stopwatch just starts over at one Doesn't it Doesn't it? I'm a rockstar And what you wanted Was no subtle front But a surfboard and a ping pong table Writing your fables in the quiet of the night With the ocean steady lapping under the docks And not Collapsing her whole structure What a thunderous wave If you think it's time Then you haven't caved yet I offer all the pleasures of the golden science And as alchemy concerned Its really only valuable on this planet As it stands the liquid gold mines here Haven't budged an ounce— There's an overflow of all you've ever wanted With a pungent odor Or wrongdoing done And lemonade To pucker And to ponder over S'mores for supper, anyone? I thought not -KR. {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

Someone help me. What happened. What's good bro. I think deadmau5 is my cat. Nah. You're serious? I'm…deadfuckingnserious. What makes you think that? [cat is deadmau5] lol isn't it super torturous as fuck as a woman knowing All you really want is for like, one man to like , Just like you, But dudes are notorious for like— Never ever really being able to just ”like” one person? Like dudes like everyone They are notorious whoooores. The like everybody. The older I get like the worse it gets Like here's this guy I like And I pretty much mostly just like him But then like, Look at all these girls! Fuuuuck that! NICOLE BYER OH LOOK. ITS DUM-DUM! this is because I keep forgetting you, isn't it? NICOLE BYER Yes it IS. this might actually be my favorite part of the story. BLŪ is taking a shower when suddenly— NICOLE BYER appears out of nowhere. HEY DUM-DUM. JIMMY KIMMEL uses his newfound ability to time shift (not time travel, persay, but to alter many parallels of a given time) to undo joining a college fraternity. Also in the present nothing appears altered. This invisibly and almost even silently skews several multidimensional parallels into disarray. Unknowing st all of this, he seems content with his decision. Then again, he always seems sort of... JIMMY KIMMEL is quietly enjoying his fishing trip. Basking in the wonderful allone ness of solitude and silence, he uncaps a bottle of [insert product placement here] and takes a very hearty swig, letting out a super contended sigh. …content. It is a picturesque and perfect day; however, something seems off; just then, as he admires his first catch, hanging from the line over the bow, a GIANT SHARK appears out of the water, snapping up his catch and retreating into the abyss with a thunderous SPLASH. Dripping with dismay (and lots of water) JIMMY KIMMEL explodes with an equally thunderous rage. WHAT THE FUCK! He teeters, sopping wet to the edge of the boat, peering momentarily into the rippling water before he realizes it may not be safe, and in the same glimpse from the side of his squinted unrelentlessly still glistening eyes, realizes that this shark has knocked over and spilled his entire bottle of [insert product placement here] He confusedly and exasperatedly cries out and upward into the skies—. THIS IS A LAKE!!! Just a note to remember that I finally perfected my recipe for the absolute best vegan breakfast burrito just previously to writing this. It was delicious. Yes, it was. I— Oh, my god! Parallels, remember! No! (Suddenly eating a burrito) Your memory sucks! It has to. Isn't it all in the culture? I don't know what you're all on about Turned it all on, now i'm off, man Turned it all off, but I laid here for it– Tuned it around, And I payed her for it! How's That Now For an awful apocalypse All on the top of the grant And the ground And the landmine The top of the mountain The tip of the iceberg the tell of the tails And tails of the sweet custom made to order Suits and ties Of course don't rock the boat If you know its yours! JIMMY KIMMEL stares into the distance as baby shark blares over the common room television screen–he appears to be babysitting, but his look is so far off, you wouldn't know he was in the room. The baby shark song seems to drum up some uncomfortable memories from fishing over the weekend. He squints with disdain over the incident with a weary glean in his eyes; this is not something you discuss with other people. Isn't it all in the coat tails? It's toxic, but i've never been a model Or even wanted, so What are all the hot blondes at the office on about? You wanted the host of the talk show, And woke up to croissants and roses, orange juice and probable cause for your lawsuit, But in the moment you loved it So what's everyone on about? Isn't it all in the cufflinks? The stuff you don't tell to your home folks; The homegrown and midwestern corn folks, Discussing your show over corn flakes? So what's everyone on about? Let us just be honest, I didn't know how deep it was Until i opened up pandoras box, And thought, “What the fuck, I've found a horxcrux.” I've found a goldmine, I've got the fox and the hare all in one here, What a show host What a conundrum, What a construct, What a hopeless homonid What a heart to want nothing but To put the top Back on the box And walk away Unknowing all Of what I saw –Middle Days. There's no Tonight Show where I'm from No late night, And no radio hosts No television, no songs No one to lead us on And then to no where No one to cut us off Before the road opens No one to Stop us at the railroad enclosures And no one at all named Love Don't you know that the idea of all of you at all Is just so comfortable, mountain or a horse? Capable and strong? Don't you know the mold of you has sunk into my heart And formed a hole Where all the world will go, When i'm no longer mourning? Are you sure you want to– No. Not at all? I already did! But I saw this thing– Don't tell me about my death. But you were there. That's the thing, actually, you're not understanding– I wasn't. But– Quite possibly everyone and everything around me– Possibly even, or most probably, everything ever– But I promise, Jimmy, if that is even your name– It isn't– exactly. Everything happening–or unhappening in the moment– was everything but me. But– Goodbye! But– Goodbye, I said! I told you it was a deathtrap. That lady is crazy. I'm telling you, have faith! It makes sense. It doesn't make sense! It does make sense. It's just random–gibberish. Its absolutely ludicrous, Jimmy. She's crazy! You're youre right; it is ludicrous, actually, but listen to me— I'm finished listening. Yeah. I think i've heard about enough. But you haven't heard anything! I have now what I needed to know. But these writings… We'll take it from here, Jim. [The suits walk away.] I hope you're flame retardant. I ought to be by now, i guess. Double check your coverage. How'd that go. As expected. At least you expected it. There isn't anything around here I haven't been expecting lately. I mean. V.O. I've been working here for over twenty years… At least you're not being haunted by ghosts or anything. [The irony is in that yes, actually, he is talking to a ghost.] I get it (ripped apart) He's in the music away and carrying with it –you're on! A signal, A ghost– A sacrifice, A ritual, you're on again, Then off again The pitter patter of the dismissive members of Upper society, High ranking elitists And businussmen whom you admire astonishingly Despite discomfort, Whom, happen to no doubt Disapprove of you by nature And yet, Are also drawn To your own power Circumstance Judgement Morals Traditions Honors, Representatives of the establishment The state (no longer a democracy) Repression– All in writer's room revisions What happened? I haven't kept it safe or sacred One tear over Only out the left eye Listen, the marytr I opened a death trap I opened my widened mind To the unknown and impossible, Swallowed it whole with the lot of you I died with knowing only the lowest of the totem pole And yet, low and behold Now, I rise to the top, And such is known that without the bottom, The whole log topples over. Oh wow. I'm famous. Yes, and? It kind of hurts. Eventually that goes away. What a sensation. It's always there. You just stop feeling it. It lingers in on a sunday night, And at most on the full moon, no wolves howling; It sets in in the bunny ears atop the chatterbox In the kitchen, where It outshines us, from the other room On the radio tower, Where in time the vines have climbed And now flower bloom In silent golden era tunes, The tombs of all our knowledge and our light To fade with every passing hour here Goodnight, my son I do not want to know you Goodbye, my father, I do not want to rust And again I wake in the pain and lure of autumn To never known a summer song, And ponder on the dusk It lingers deep on Sunday evening, Setting hard on Monday morn, and though i write so fond of JImmy I dare often dream of Lorne Chapter Four Donovan Arnold was a lover and not a fighter. He never much had to come up against any kind of battle, either, because he was quite prone to always getting exactly what he wanted. Louis Greenworth was not merely a friendly rival—but a challenge, and the two came head to heat in various bouts and brawls in their time at The Summit, where most if not many collide with one another for fortune, and in gratitude that there they had been chosen for greater purpose. Something told me not too far on that Donovan had many to will and tricks up his sleeve without showing it, and in Louis's visions, he cautioned that I should be wary—although, in the rarer and flickering lights of Donovan's knowing and unknown, I should be careful of Louis and his corners. Then, there wasn't a force amongst us which would lightly convey Louis—his doings and his shadows were dark--which is why I had been fashioned to it, and the powerful man he was beared such a heavy weight on all the world around him that he was nothing less than a storm to weather in total. Then, Donovan was such the luck and clever, loving sprite, that his wit and charm was assuring to my embark; there was no way of truly ever waning in the way that Donovan had winged his way into the arrangement in his favor, but at the very least— disappointing his approval would gain no absolute pleasure beyond the astonishing dissonance of loyalty. Then, there were keepers surrounding the might and the truth of The force that the shadows could not bare— there were times and marks and truths beyond the summit that were merely a facet of the things in the beyond, and in the way that The Source rules over its keepers, and its knowings—there was hardly any way for the niceties of pride, judgment most often throwing its way between dear Donovan Arnold and I. There was no nose that could t smell the stench if the foul odor that the rot of betrayal had done. The way of Donovan was seeking to know, without keeping or honor of heart—and I could not withstand another deep wound in the pit of my own truth. They called him Donovan Arnold Palmer because he made a mean Long Island iced tea— which of course he attributed to his affluent east coast heritage, hailing from a long line of the posh and uptight standard boys and girls of the fools and good old days. A clean cut brown nose and absolute stickler for circumstance and dedication, his placement within these sacred places was vanity, first and foremost—and with a sense of tradition and pride he carried on in the way any man would, with great relief that the world didn't rest on his shoulders the way it did on Louis— then, nothing really rested on anyone the way it did in Louis Greenworth. chapter 5 The gifted saint of revelations “Did he hurt you?” I looked away without knowing where to look at all but down, my body aching with the waves of having been pressed and clutched against the spirals of time. The things I pretend not to know. “Who?” Genie seemed disappointed but still, patiently coaxing me with the comfort of his warmth— calling my eyes and looking deeply into the soul. I was petrified “What happened?”, he persists. “I don't know what your talking about.” , I mumble guiltily. He pauses for a moment as if he knows the depth of it— somewhere inside of me I know he knows, and behind me my mind is reeling and screaming, like a desperate unearthed fortune of unknown. Barely breathing, and shallow in the dark of the luminescence of the moonlight night, my loyalty overwhelms my pride and brotherhood. “What did he say?” Now his eyes fill with the pain and begging for the mercy of truth, as he whispers almost with a whimper, even in his strength and grace. In all those prayers not once had I even the ounce of nerve to think that he had uttered my name— now looking into him but huddled under him in heaps and ruins, I could not remember a time more when I wanted to disacknowledge the unknown and send a heap of words into the capes and canyons of his holy ears, though these things I knew for any time but especially this, I could never speak. “He who?” I can't wake up, I'm a rockstar Can't wash it off And I'm just so high on drugs That no matter the cost I just don't want to come down Don't want to want you anymore Relax. Think about it never or none And wonder what the world becomes when Weather tides and moon songs are no more Remember, then the dolphin And temperament to want what of course All of us covet But still, waking up in a dungeon. What a curse. Also, however What a cure, as you wander up The slithering road that parts Los Angeles from all the north of her Southern coast, If you want specifics The Pacific is at most And much admires Where you are, No matter how far you wander I want I want I want And I get I get I get I'm a rockstar. Maybe after all those times Being just the girl that all might have died to have been And getting mad over it You wake up to find yourself A stalker Who doesn't Leave the apartment And just watches the come up Of the songbird Who just wishes She had've gone To Harvard Not for law school But the arts, You know You lost a fortune That wasn't clever You wrote a hospital long report And look what you got! A suffix And later on an honorary doctorate But look at Letterman Hardly recognizable And after all The stopwatch just starts over at one Doesn't it Doesn't it? I'm a rockstar And what you wanted Was no subtle front But a surfboard and a ping pong table Writing your fables in the quiet of the night With the ocean steady lapping under the docks And not Collapsing her whole structure What a thunderous wave If you think it's time Then you haven't caved yet I offer all the pleasures of the golden science And as alchemy concerned Its really only valuable on this planet As it stands the liquid gold mines here Haven't budged an ounce— There's an overflow of all you've ever wanted With a pungent odor Or wrongdoing done And lemonade To pucker And to ponder over S'mores for supper, anyone? I thought not -KR. {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

It's been a stormy first six months for the newly-formed coalition — from bitter rows over speaking rights to growing pressure on healthcare and housing. Has the government weathered the storm, or are cracks already showing?In this episode of The Tonight Show, Bríd Smith, John Lee, and Gabija Gataveckaite hand out gold stars (and some red cards) as they dissect a turbulent political term and what it signals for the months ahead. Hosted on Acast. See acast.com/privacy for more information.

Guggenheim Fellowship recipient and nine-time Grammy Winner, Jeff 'Tain' Watts has worked with Wynton and Branford Marsalis, Michael Brecker and the Mingus Big band, as well as a three year stint as the drummer on The Tonight Show. Jeff joins Michael Vosbein and Adam Nussbaum for a deep dive into his life in music.Support the show:www.patreon.com/drummernationhttps://buymeacoffee.com/mivouhttps://en.wikipedia.org/wiki/Jeff_%22Tain%22_Wattshttps://en.wikipedia.org/wiki/Adam_Nussbaumhttp://www.michaelvosbein.com

Jimmy addresses the latest news, like Trump losing control over his MAGA members amidst Epstein file contradictions, before speaking with David Corenswet and Lewis Capaldi.

JIMMY KIMMEL uses his newfound ability to time shift (not time travel, persay, but to alter many parallels of a given time) to undo joining a college fraternity. Also in the present nothing appears altered. This invisibly and almost even silently skews several multidimensional parallels into disarray. Unknowing st all of this, he seems content with his decision. Then again, he always seems sort of... JIMMY KIMMEL is quietly enjoying his fishing trip. Basking in the wonderful allone ness of solitude and silence, he uncaps a bottle of [insert product placement here] and takes a very hearty swig, letting out a super contended sigh. …content. It is a pictures and perfect day; however, something seems off; just then, as he admires his first catch, hanging from the line over the bow, a GIANT SHARK appears out of the water, snapping up his catch and retreating into the abyss with a thunderous SPLASH. Dripping with dismay (and lots of water) JIMMY KIMMEL explodes with an equally thunderous rage. WHAT THE FUCK! He teeters, sopping wet to the edge of the boat, peering momentarily into the rippling water before he realizes it may not be safe, and in the same glimpse from the side of his squinted unrelentlessly still glistening eyes, realizes that this shark has knocked over and spilled his entire bottle of [insert product placement here] He confusedly and exasperatedly cries out and upward into the skies— THIS IS A LAKE!!! Just a note to remember that I finally perfected my recipe for the absolute best vegan breakfast burrito just previously to writing this. It was delicious. Yes, it was. I— Oh, my god! Parallels, remember! No! (Suddenly eating a burrito) Your memory sucks! It has to. Isn't it all in the culture? I don't know what you're all on about Turned it all on, now i'm off, man Turned it all off, but I laid here for it– Tuned it around, And I payed her for it! How's That Now For an awful apocalypse All on the top of the grant And the ground And the landmine The top of the mountain The tip of the iceberg the tell of the tails And tails of the sweet custom made to order Suits and ties Of course don't rock the boat If you know its yours! JIMMY KIMMEL stares into the distance as baby shark blares over the common room television screen–he appears to be babysitting, but his look is so far off, you wouldn't know he was in the room. The baby shark song seems to drum up some uncomfortable memories from fishing over the weekend. He squints with disdain over the incident with a weary glean in his eyes; this is not something you discuss with other people. Isn't it all in the coat tails? It's toxic, but i've never been a model Or even wanted, so What are all the hot blondes at the office on about? You wanted the host of the talk show, And woke up to croissants and roses, orange juice and probable cause for your lawsuit, But in the moment you loved it So what's everyone on about? Isn't it all in the cufflinks? The stuff you don't tell to your home folks; The homegrown and midwestern corn folks, Discussing your show over corn flakes? So what's everyone on about? Let us just be honest, I didn't know how deep it was Until i opened up pandoras box, And thought, “What the fuck, I've found a horxcrux.” I've found a goldmine, I've got the fox and the hare all in one here, What a show host What a conundrum, What a construct, What a hopeless homonid What a heart to want nothing but To put the top Back on the box And walk away Unknowing all Of what I saw –Middle Days. There's no Tonight Show where I'm from No late night, And no radio hosts No television, no songs No one to lead us on And then to no where No one to cut us off Before the road opens No one to Stop us at the railroad enclosures And no one at all named Love Don't you know that the idea of all of you at all Is just so comfortable, mountain or a horse? Capable and strong? Don't you know the mold of you has sunk into my heart And formed a hole Where all the world will go, When i'm no longer mourning? Are you sure you want to– No. Not at all? I already did! But I saw this thing– Don't tell me about my death. But you were there. That's the thing, actually, you're not understanding– I wasn't. But– Quite possibly everyone and everything around me– Possibly even, or most probably, everything ever– But I promise, Jimmy, if that is even your name– It isn't– exactly. Everything happening–or unhappening in the moment– was everything but me. But– Goodbye! But– Goodbye, I said! I told you it was a deathtrap. That lady is crazy. I'm telling you, have faith! It makes sense. It doesn't make sense! It does make sense. It's just random–gibberish. Its absolutely ludicrous, Jimmy. She's crazy! You're youre right; it is ludicrous, actually, but listen to me— I'm finished listening. Yeah. I think i've heard about enough. But you haven't heard anything! I have now what I needed to know. But these writings… We'll take it from here, Jim. [The suits walk away.] I hope you're flame retardant. I ought to be by now, i guess. Double check your coverage. How'd that go. As expected. At least you expected it. There isn't anything around here I haven't been expecting lately. I mean. V.O. I've been working here for over twenty years… At least you're not being haunted by ghosts or anything. [The irony is in that yes, actually, he is talking to a ghost.] I get it (ripped apart) He's in the music away and carrying with it –you're on! A signal, A ghost– A sacrifice, A ritual, you're on again, Then off again The pitter patter of the dismissive members of Upper society, High ranking elitists And businussmen whom you admire astonishingly Despite discomfort, Whom, happen to no doubt Disapprove of you by nature And yet, Are also drawn To your own power Circumstance Judgement Morals Traditions Honors, Representatives of the establishment The state (no longer a democracy) Repression– All in writer's room revisions What happened? I haven't kept it safe or sacred One tear over Only out the left eye Listen, the marytr I opened a death trap I opened my widened mind To the unknown and impossible, Swallowed it whole with the lot of you I died with knowing only the lowest of the totem pole And yet, low and behold Now, I rise to the top, And such is known that without the bottom, The whole log topples over. Oh wow. I'm famous. Yes, and? It kind of hurts. Eventually that goes away. What a sensation. It's always there. You just stop feeling it. It lingers in on a sunday night, And at most on the full moon, no wolves howling; It sets in in the bunny ears atop the chatterbox In the kitchen, where It outshines us, from the other room On the radio tower, Where in time the vines have climbed And now flower bloom In silent golden era tunes, The tombs of all our knowledge and our light To fade with every passing hour here Goodnight, my son I do not want to know you Goodbye, my father, I do not want to rust And again I wake in the pain and lure of autumn To never known a summer song, And ponder on the dusk It lingers deep on Sunday evening, Setting hard on Monday morn, and though i write so fond of JImmy I dare often dream of Lorne Chapter Four Donovan Arnold was a lover and not a fighter. He never much had too come up against any kind of battle, either, because he was quite prone to always getting exactly what he wanted. Louis Greenworth was not merely a friendly rival—but a challenge, and the two came head to heat in various bouts and brawls in their time at The Summit, where most if not many collide with one another for fortune, and in gratitude that there they had been chosen for greater purpose. Something told me not too far on that Donovan had many to will and ticks up his sleeve without showing it, and in Louis's visions, he cautioned that I should be wary—although, in the rarer and flickering lights of Donovan's knowing and unknown, I should be csrefyl of Louis and his corners. Then, there wasn't a force amongst us which would lightly convey Louis—his doings and his shadows were dark/-which is why I had been fashioned to it, and the powerful man he was beared such a heavy weight on all the world around him that he was nothing less than a storm to weather in total. Then, Donovan was such the luck and clever, loving sprite, that his wit and charm was assuring to my embark; there was no way of truly ever waning in the way that Donovan had winged his way into the arrangement in his favor, but at the very least— disappointing his approval would gain no absolute pleasure beyond the astonishing dissonance of loyalty. Then, there were keepers surrounding the might and the truth if The force that the shadows could not bare— thee were times and marks and truths beyond the summit that were merely a facet of the things in the beyond, and in the way that The Source rules over its keepers, and its knowings—there was hardly any way for the nicities of pride, judgment most often throwing its way between dear Donovan Arnold and I. There was no nose that could t smell the stench if the foul odor that the rot of betrayal had done. The way of Donovan was seeking to know, without keeping or honor of heart—and I could not withstand another deep wound in the pit of my own truth. They called him Donovan Arnold Palmer because he made a mean Long Island iced tea— which of course he attributed to his affient east coast heritage, hailing from a long line of the posh and uptight standard boys and girls of the fools old days. A clean cut brown nose and absolute stickler for circumstance and dedication, his placement within these sacred places was vanity, first and foremost—and with a sense of tradition and pride he carried on in the way any man would, with great relief that the world didn't rest on his shoulders the way it did on Louis— then, nothing really rested on anyone the way it did in Louis Greenworth. chapter 5 The gifted saint of revelations “Did he hurt you?” I looked away without knowing where to look at all but down, my body aching with the waves of having been pressed and clutched against the spirals of time. The things I pretend not to know. “Who?” Genie seemed disappointed but still, patiently coaxing me with the comfort of his warmth— calling my eyes and looking deeply into the soul. I was petrified “What happened?”, he persists. “I don't know what your talking about.” , I mumble guiltily. He pauses for a moment as if he knows the depth of it— somewhere inside of me I know he knows, and behind me my mind is reeling and screaming, like a desperate unearthed fortune of unknown. Barely breathing, and shallow in the dark of the luminescence of the moonlight night, my loyalty overwhelms my pride and brotherhood. “What did he say?” Now his eyes fill with the pain and begging for the mercy of truth, as he whispers almost with a whimper, even in his strength and grace. In all those prayers not once had I even the ounce of nerve to think that he had uttered my name— now looking into him but huddled under him in heaps and ruins, I could not remember a time more when I wanted to disacknowlege the unknown and send a heap of words into the capes and canyons of his holy ears, though these things I knew for any time but especially this, I could never speak. “He who?” I can't wake up, I'm a rockstar Can't wash it off And I'm just so high on drugs That no matter the cost I just don't want to come down Don't want to want you anymore Relax. Think about it never or none And wonder what the world becomes when Weather tides and moon songs are no more Remember, then the dolphin And temperment to want what of course All of us covet But still, waking up in a dungeon. What a curse. Also, however What a cure, as you wander up The slithering road that parts Los Angeles from all the north of her Southern coast, If you want specifics The Pacific is at most And much admires Where you are, No matter how far you wander I want I want I want And I get I get I get I'm a rockstar. Maybe after all those times Being just the girl that all might have died to have been And getting mad over it You wake up to find yourself A stalker Who doesn't Leave the apartment And just watches the come up Of the songbird Who just wishes She had've gone To Harvard Not for law school But the arts, You know You lost a fortune That wasn't clever You wrote a hospital long report And look what you got! A suffix And later on an honorary doctorate But look at Letterman Hardly recognizable And after all The stopwatch just starts over at one Doesn't it Doesn't it? I'm a rockstar And what you wanted Was no subtle front But a surfboard and a ping pong table Writing your fables in the quiet of the night With the ocean steady lapping under the docks And not Collapsing her whole structure What a thunderous wave If you think it's time Then you haven't caved yet I offer all the pleasures of the golden science And as alchemy concerned Its really only valuable on this planet As it stands the liquid gold mines here Haven't budged an ounce— There's an overflow of all you've ever wanted With a pungent odor Or wrongdoing done And lemonade To pucker And to ponder over S'mores for supper, anyone? I thought not -KR. {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū. DJ NAMES: -Ū. | Happy Accidents! [H∆!], c o l o r s, Uptown A GENRE TAGS: ACID, ELECTRONIC, EXPERIMENTAL, DANCE, DUBSTEP DESCRIPTION: Prepare for sonic seismic activity! "Freaky Fridays" with the enigmatic -Ū. is about to detonate on the airwaves, bringing you the biggest bass explosion since the Big Bang itself! Climb aboard the mothership every Friday from 11 AM to 1 PM and launch your weekend into orbit with a mind-bending blend of clever soundwaves and subterranean bass frequencies that stretch from infinity and beyond. Forget the surface – the sound of the underground is pure fire and untamed heat with DJ -Ū. at the helm. This mononymous maestro, sometimes materializing under the mysterious and mesmerizing aliases Happy Accidents, c o l o r s, or even the warehouse tycoon Uptown A, is a sonic enigma. Though a Californian beach bum at heart, with a soul steeped in ocean vibes and sunshine, this DJ has found a home for her dance-fueled chaos in the industrial heartland of dance music, Brooklyn. Get ready for a swift punch of chaotic wonder as -Ū. seamlessly blends the Hollywood movie magic of her homeland – think swaying palms and suave vibes – with the gritty twists and turns from the bunkers of bass music: dubstep, UK garage, techno, new wave, drum-n-bass, and genre-bending mind-fluxes that defy categorization. But wait: There's More! -Ū. isn't just about the bass. This sonic time traveler digs deep into generations of music history, unearthing classic rock anthems, psychedelic soundscapes, trance-inducing rhythms, and those precious b-sides and rarities – forgotten gems from the stage, silver screen, and even the epic realms of fantasy, action, and adventure from blockbuster hits to obscure and insane. -Ū. is a one-of-a-kind Pandora's record box, unleashing a thrilling mix of sonic atrocities and unexpected delights – the sounds you didn't know you were craving. So, relax, strap in, and prepare for a sweet ride filled with magic, wonder, and jaw-dropping surprises as this time-traveling tycoon hits the radio waves with the freakiest, Friday-est, no-holds-barred, anything-goes sound the world has been waiting to hear! Tune in every Friday from 11 AM to 1 PM for literally 'whatever, man.' with your affectionate Captain, Blū Tha Gürū (-Ū.), and keep your ears peeled for guest appearances by [Any Alias Whatsoever.] Peace + Love. FREAKY FRIDAY 005. LIVE Originally Aired July 11th, 2025 Brooklyn, New York

JIMMY KIMMEL uses his newfound ability to time shift (not time travel, persay, but to alter many parallels of a given time) to undo joining a college fraternity. Also in the present nothing appears altered. This invisibly and almost even silently skews several multidimensional parallels into disarray. Unknowing st all of this, he seems content with his decision. Then again, he always seems sort of... JIMMY KIMMEL is quietly enjoying his fishing trip. Basking in the wonderful allone ness of solitude and silence, he uncaps a bottle of [insert product placement here] and takes a very hearty swig, letting out a super contended sigh. …content. It is a pictures and perfect day; however, something seems off; just then, as he admires his first catch, hanging from the line over the bow, a GIANT SHARK appears out of the water, snapping up his catch and retreating into the abyss with a thunderous SPLASH. Dripping with dismay (and lots of water) JIMMY KIMMEL explodes with an equally thunderous rage. WHAT THE FUCK! He teeters, sopping wet to the edge of the boat, peering momentarily into the rippling water before he realizes it may not be safe, and in the same glimpse from the side of his squinted unrelentlessly still glistening eyes, realizes that this shark has knocked over and spilled his entire bottle of [insert product placement here] He confusedly and exasperatedly cries out and upward into the skies— THIS IS A LAKE!!! Just a note to remember that I finally perfected my recipe for the absolute best vegan breakfast burrito just previously to writing this. It was delicious. Yes, it was. I— Oh, my god! Parallels, remember! No! (Suddenly eating a burrito) Your memory sucks! It has to. Isn't it all in the culture? I don't know what you're all on about Turned it all on, now i'm off, man Turned it all off, but I laid here for it– Tuned it around, And I payed her for it! How's That Now For an awful apocalypse All on the top of the grant And the ground And the landmine The top of the mountain The tip of the iceberg the tell of the tails And tails of the sweet custom made to order Suits and ties Of course don't rock the boat If you know its yours! JIMMY KIMMEL stares into the distance as baby shark blares over the common room television screen–he appears to be babysitting, but his look is so far off, you wouldn't know he was in the room. The baby shark song seems to drum up some uncomfortable memories from fishing over the weekend. He squints with disdain over the incident with a weary glean in his eyes; this is not something you discuss with other people. Isn't it all in the coat tails? It's toxic, but i've never been a model Or even wanted, so What are all the hot blondes at the office on about? You wanted the host of the talk show, And woke up to croissants and roses, orange juice and probable cause for your lawsuit, But in the moment you loved it So what's everyone on about? Isn't it all in the cufflinks? The stuff you don't tell to your home folks; The homegrown and midwestern corn folks, Discussing your show over corn flakes? So what's everyone on about? Let us just be honest, I didn't know how deep it was Until i opened up pandoras box, And thought, “What the fuck, I've found a horxcrux.” I've found a goldmine, I've got the fox and the hare all in one here, What a show host What a conundrum, What a construct, What a hopeless homonid What a heart to want nothing but To put the top Back on the box And walk away Unknowing all Of what I saw –Middle Days. There's no Tonight Show where I'm from No late night, And no radio hosts No television, no songs No one to lead us on And then to no where No one to cut us off Before the road opens No one to Stop us at the railroad enclosures And no one at all named Love Don't you know that the idea of all of you at all Is just so comfortable, mountain or a horse? Capable and strong? Don't you know the mold of you has sunk into my heart And formed a hole Where all the world will go, When i'm no longer mourning? Are you sure you want to– No. Not at all? I already did! But I saw this thing– Don't tell me about my death. But you were there. That's the thing, actually, you're not understanding– I wasn't. But– Quite possibly everyone and everything around me– Possibly even, or most probably, everything ever– But I promise, Jimmy, if that is even your name– It isn't– exactly. Everything happening–or unhappening in the moment– was everything but me. But– Goodbye! But– Goodbye, I said! I told you it was a deathtrap. That lady is crazy. I'm telling you, have faith! It makes sense. It doesn't make sense! It does make sense. It's just random–gibberish. Its absolutely ludicrous, Jimmy. She's crazy! You're youre right; it is ludicrous, actually, but listen to me— I'm finished listening. Yeah. I think i've heard about enough. But you haven't heard anything! I have now what I needed to know. But these writings… We'll take it from here, Jim. [The suits walk away.] I hope you're flame retardant. I ought to be by now, i guess. Double check your coverage. How'd that go. As expected. At least you expected it. There isn't anything around here I haven't been expecting lately. I mean. V.O. I've been working here for over twenty years… At least you're not being haunted by ghosts or anything. [The irony is in that yes, actually, he is talking to a ghost.] I get it (ripped apart) He's in the music away and carrying with it –you're on! A signal, A ghost– A sacrifice, A ritual, you're on again, Then off again The pitter patter of the dismissive members of Upper society, High ranking elitists And businussmen whom you admire astonishingly Despite discomfort, Whom, happen to no doubt Disapprove of you by nature And yet, Are also drawn To your own power Circumstance Judgement Morals Traditions Honors, Representatives of the establishment The state (no longer a democracy) Repression– All in writer's room revisions What happened? I haven't kept it safe or sacred One tear over Only out the left eye Listen, the marytr I opened a death trap I opened my widened mind To the unknown and impossible, Swallowed it whole with the lot of you I died with knowing only the lowest of the totem pole And yet, low and behold Now, I rise to the top, And such is known that without the bottom, The whole log topples over. Oh wow. I'm famous. Yes, and? It kind of hurts. Eventually that goes away. What a sensation. It's always there. You just stop feeling it. It lingers in on a sunday night, And at most on the full moon, no wolves howling; It sets in in the bunny ears atop the chatterbox In the kitchen, where It outshines us, from the other room On the radio tower, Where in time the vines have climbed And now flower bloom In silent golden era tunes, The tombs of all our knowledge and our light To fade with every passing hour here Goodnight, my son I do not want to know you Goodbye, my father, I do not want to rust And again I wake in the pain and lure of autumn To never known a summer song, And ponder on the dusk It lingers deep on Sunday evening, Setting hard on Monday morn, and though i write so fond of JImmy I dare often dream of Lorne Chapter Four Donovan Arnold was a lover and not a fighter. He never much had too come up against any kind of battle, either, because he was quite prone to always getting exactly what he wanted. Louis Greenworth was not merely a friendly rival—but a challenge, and the two came head to heat in various bouts and brawls in their time at The Summit, where most if not many collide with one another for fortune, and in gratitude that there they had been chosen for greater purpose. Something told me not too far on that Donovan had many to will and ticks up his sleeve without showing it, and in Louis's visions, he cautioned that I should be wary—although, in the rarer and flickering lights of Donovan's knowing and unknown, I should be csrefyl of Louis and his corners. Then, there wasn't a force amongst us which would lightly convey Louis—his doings and his shadows were dark/-which is why I had been fashioned to it, and the powerful man he was beared such a heavy weight on all the world around him that he was nothing less than a storm to weather in total. Then, Donovan was such the luck and clever, loving sprite, that his wit and charm was assuring to my embark; there was no way of truly ever waning in the way that Donovan had winged his way into the arrangement in his favor, but at the very least— disappointing his approval would gain no absolute pleasure beyond the astonishing dissonance of loyalty. Then, there were keepers surrounding the might and the truth if The force that the shadows could not bare— thee were times and marks and truths beyond the summit that were merely a facet of the things in the beyond, and in the way that The Source rules over its keepers, and its knowings—there was hardly any way for the nicities of pride, judgment most often throwing its way between dear Donovan Arnold and I. There was no nose that could t smell the stench if the foul odor that the rot of betrayal had done. The way of Donovan was seeking to know, without keeping or honor of heart—and I could not withstand another deep wound in the pit of my own truth. They called him Donovan Arnold Palmer because he made a mean Long Island iced tea— which of course he attributed to his affient east coast heritage, hailing from a long line of the posh and uptight standard boys and girls of the fools old days. A clean cut brown nose and absolute stickler for circumstance and dedication, his placement within these sacred places was vanity, first and foremost—and with a sense of tradition and pride he carried on in the way any man would, with great relief that the world didn't rest on his shoulders the way it did on Louis— then, nothing really rested on anyone the way it did in Louis Greenworth. chapter 5 The gifted saint of revelations “Did he hurt you?” I looked away without knowing where to look at all but down, my body aching with the waves of having been pressed and clutched against the spirals of time. The things I pretend not to know. “Who?” Genie seemed disappointed but still, patiently coaxing me with the comfort of his warmth— calling my eyes and looking deeply into the soul. I was petrified “What happened?”, he persists. “I don't know what your talking about.” , I mumble guiltily. He pauses for a moment as if he knows the depth of it— somewhere inside of me I know he knows, and behind me my mind is reeling and screaming, like a desperate unearthed fortune of unknown. Barely breathing, and shallow in the dark of the luminescence of the moonlight night, my loyalty overwhelms my pride and brotherhood. “What did he say?” Now his eyes fill with the pain and begging for the mercy of truth, as he whispers almost with a whimper, even in his strength and grace. In all those prayers not once had I even the ounce of nerve to think that he had uttered my name— now looking into him but huddled under him in heaps and ruins, I could not remember a time more when I wanted to disacknowlege the unknown and send a heap of words into the capes and canyons of his holy ears, though these things I knew for any time but especially this, I could never speak. “He who?” I can't wake up, I'm a rockstar Can't wash it off And I'm just so high on drugs That no matter the cost I just don't want to come down Don't want to want you anymore Relax. Think about it never or none And wonder what the world becomes when Weather tides and moon songs are no more Remember, then the dolphin And temperment to want what of course All of us covet But still, waking up in a dungeon. What a curse. Also, however What a cure, as you wander up The slithering road that parts Los Angeles from all the north of her Southern coast, If you want specifics The Pacific is at most And much admires Where you are, No matter how far you wander I want I want I want And I get I get I get I'm a rockstar. Maybe after all those times Being just the girl that all might have died to have been And getting mad over it You wake up to find yourself A stalker Who doesn't Leave the apartment And just watches the come up Of the songbird Who just wishes She had've gone To Harvard Not for law school But the arts, You know You lost a fortune That wasn't clever You wrote a hospital long report And look what you got! A suffix And later on an honorary doctorate But look at Letterman Hardly recognizable And after all The stopwatch just starts over at one Doesn't it Doesn't it? I'm a rockstar And what you wanted Was no subtle front But a surfboard and a ping pong table Writing your fables in the quiet of the night With the ocean steady lapping under the docks And not Collapsing her whole structure What a thunderous wave If you think it's time Then you haven't caved yet I offer all the pleasures of the golden science And as alchemy concerned Its really only valuable on this planet As it stands the liquid gold mines here Haven't budged an ounce— There's an overflow of all you've ever wanted With a pungent odor Or wrongdoing done And lemonade To pucker And to ponder over S'mores for supper, anyone? I thought not -KR. {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū. DJ NAMES: -Ū. | Happy Accidents! [H∆!], c o l o r s, Uptown A GENRE TAGS: ACID, ELECTRONIC, EXPERIMENTAL, DANCE, DUBSTEP DESCRIPTION: Prepare for sonic seismic activity! "Freaky Fridays" with the enigmatic -Ū. is about to detonate on the airwaves, bringing you the biggest bass explosion since the Big Bang itself! Climb aboard the mothership every Friday from 11 AM to 1 PM and launch your weekend into orbit with a mind-bending blend of clever soundwaves and subterranean bass frequencies that stretch from infinity and beyond. Forget the surface – the sound of the underground is pure fire and untamed heat with DJ -Ū. at the helm. This mononymous maestro, sometimes materializing under the mysterious and mesmerizing aliases Happy Accidents, c o l o r s, or even the warehouse tycoon Uptown A, is a sonic enigma. Though a Californian beach bum at heart, with a soul steeped in ocean vibes and sunshine, this DJ has found a home for her dance-fueled chaos in the industrial heartland of dance music, Brooklyn. Get ready for a swift punch of chaotic wonder as -Ū. seamlessly blends the Hollywood movie magic of her homeland – think swaying palms and suave vibes – with the gritty twists and turns from the bunkers of bass music: dubstep, UK garage, techno, new wave, drum-n-bass, and genre-bending mind-fluxes that defy categorization. But wait: There's More! -Ū. isn't just about the bass. This sonic time traveler digs deep into generations of music history, unearthing classic rock anthems, psychedelic soundscapes, trance-inducing rhythms, and those precious b-sides and rarities – forgotten gems from the stage, silver screen, and even the epic realms of fantasy, action, and adventure from blockbuster hits to obscure and insane. -Ū. is a one-of-a-kind Pandora's record box, unleashing a thrilling mix of sonic atrocities and unexpected delights – the sounds you didn't know you were craving. So, relax, strap in, and prepare for a sweet ride filled with magic, wonder, and jaw-dropping surprises as this time-traveling tycoon hits the radio waves with the freakiest, Friday-est, no-holds-barred, anything-goes sound the world has been waiting to hear! Tune in every Friday from 11 AM to 1 PM for literally 'whatever, man.' with your affectionate Captain, Blū Tha Gürū (-Ū.), and keep your ears peeled for guest appearances by [Any Alias Whatsoever.] Peace + Love. FREAKY FRIDAY 005. LIVE Originally Aired July 11th, 2025 Brooklyn, New York

JIMMY KIMMEL uses his newfound ability to time shift (not time travel, persay, but to alter many parallels of a given time) to undo joining a college fraternity. Also in the present nothing appears altered. This invisibly and almost even silently skews several multidimensional parallels into disarray. Unknowing st all of this, he seems content with his decision. Then again, he always seems sort of... JIMMY KIMMEL is quietly enjoying his fishing trip. Basking in the wonderful allone ness of solitude and silence, he uncaps a bottle of [insert product placement here] and takes a very hearty swig, letting out a super contended sigh. …content. It is a pictures and perfect day; however, something seems off; just then, as he admires his first catch, hanging from the line over the bow, a GIANT SHARK appears out of the water, snapping up his catch and retreating into the abyss with a thunderous SPLASH. Dripping with dismay (and lots of water) JIMMY KIMMEL explodes with an equally thunderous rage. WHAT THE FUCK! He teeters, sopping wet to the edge of the boat, peering momentarily into the rippling water before he realizes it may not be safe, and in the same glimpse from the side of his squinted unrelentlessly still glistening eyes, realizes that this shark has knocked over and spilled his entire bottle of [insert product placement here] He confusedly and exasperatedly cries out and upward into the skies— THIS IS A LAKE!!! Just a note to remember that I finally perfected my recipe for the absolute best vegan breakfast burrito just previously to writing this. It was delicious. Yes, it was. I— Oh, my god! Parallels, remember! No! (Suddenly eating a burrito) Your memory sucks! It has to. Isn't it all in the culture? I don't know what you're all on about Turned it all on, now i'm off, man Turned it all off, but I laid here for it– Tuned it around, And I payed her for it! How's That Now For an awful apocalypse All on the top of the grant And the ground And the landmine The top of the mountain The tip of the iceberg the tell of the tails And tails of the sweet custom made to order Suits and ties Of course don't rock the boat If you know its yours! JIMMY KIMMEL stares into the distance as baby shark blares over the common room television screen–he appears to be babysitting, but his look is so far off, you wouldn't know he was in the room. The baby shark song seems to drum up some uncomfortable memories from fishing over the weekend. He squints with disdain over the incident with a weary glean in his eyes; this is not something you discuss with other people. Isn't it all in the coat tails? It's toxic, but i've never been a model Or even wanted, so What are all the hot blondes at the office on about? You wanted the host of the talk show, And woke up to croissants and roses, orange juice and probable cause for your lawsuit, But in the moment you loved it So what's everyone on about? Isn't it all in the cufflinks? The stuff you don't tell to your home folks; The homegrown and midwestern corn folks, Discussing your show over corn flakes? So what's everyone on about? Let us just be honest, I didn't know how deep it was Until i opened up pandoras box, And thought, “What the fuck, I've found a horxcrux.” I've found a goldmine, I've got the fox and the hare all in one here, What a show host What a conundrum, What a construct, What a hopeless homonid What a heart to want nothing but To put the top Back on the box And walk away Unknowing all Of what I saw –Middle Days. There's no Tonight Show where I'm from No late night, And no radio hosts No television, no songs No one to lead us on And then to no where No one to cut us off Before the road opens No one to Stop us at the railroad enclosures And no one at all named Love Don't you know that the idea of all of you at all Is just so comfortable, mountain or a horse? Capable and strong? Don't you know the mold of you has sunk into my heart And formed a hole Where all the world will go, When i'm no longer mourning? Are you sure you want to– No. Not at all? I already did! But I saw this thing– Don't tell me about my death. But you were there. That's the thing, actually, you're not understanding– I wasn't. But– Quite possibly everyone and everything around me– Possibly even, or most probably, everything ever– But I promise, Jimmy, if that is even your name– It isn't– exactly. Everything happening–or unhappening in the moment– was everything but me. But– Goodbye! But– Goodbye, I said! I told you it was a deathtrap. That lady is crazy. I'm telling you, have faith! It makes sense. It doesn't make sense! It does make sense. It's just random–gibberish. Its absolutely ludicrous, Jimmy. She's crazy! You're youre right; it is ludicrous, actually, but listen to me— I'm finished listening. Yeah. I think i've heard about enough. But you haven't heard anything! I have now what I needed to know. But these writings… We'll take it from here, Jim. [The suits walk away.] I hope you're flame retardant. I ought to be by now, i guess. Double check your coverage. How'd that go. As expected. At least you expected it. There isn't anything around here I haven't been expecting lately. I mean. V.O. I've been working here for over twenty years… At least you're not being haunted by ghosts or anything. [The irony is in that yes, actually, he is talking to a ghost.] I get it (ripped apart) He's in the music away and carrying with it –you're on! A signal, A ghost– A sacrifice, A ritual, you're on again, Then off again The pitter patter of the dismissive members of Upper society, High ranking elitists And businussmen whom you admire astonishingly Despite discomfort, Whom, happen to no doubt Disapprove of you by nature And yet, Are also drawn To your own power Circumstance Judgement Morals Traditions Honors, Representatives of the establishment The state (no longer a democracy) Repression– All in writer's room revisions What happened? I haven't kept it safe or sacred One tear over Only out the left eye Listen, the marytr I opened a death trap I opened my widened mind To the unknown and impossible, Swallowed it whole with the lot of you I died with knowing only the lowest of the totem pole And yet, low and behold Now, I rise to the top, And such is known that without the bottom, The whole log topples over. Oh wow. I'm famous. Yes, and? It kind of hurts. Eventually that goes away. What a sensation. It's always there. You just stop feeling it. It lingers in on a sunday night, And at most on the full moon, no wolves howling; It sets in in the bunny ears atop the chatterbox In the kitchen, where It outshines us, from the other room On the radio tower, Where in time the vines have climbed And now flower bloom In silent golden era tunes, The tombs of all our knowledge and our light To fade with every passing hour here Goodnight, my son I do not want to know you Goodbye, my father, I do not want to rust And again I wake in the pain and lure of autumn To never known a summer song, And ponder on the dusk It lingers deep on Sunday evening, Setting hard on Monday morn, and though i write so fond of JImmy I dare often dream of Lorne Chapter Four Donovan Arnold was a lover and not a fighter. He never much had too come up against any kind of battle, either, because he was quite prone to always getting exactly what he wanted. Louis Greenworth was not merely a friendly rival—but a challenge, and the two came head to heat in various bouts and brawls in their time at The Summit, where most if not many collide with one another for fortune, and in gratitude that there they had been chosen for greater purpose. Something told me not too far on that Donovan had many to will and ticks up his sleeve without showing it, and in Louis's visions, he cautioned that I should be wary—although, in the rarer and flickering lights of Donovan's knowing and unknown, I should be csrefyl of Louis and his corners. Then, there wasn't a force amongst us which would lightly convey Louis—his doings and his shadows were dark/-which is why I had been fashioned to it, and the powerful man he was beared such a heavy weight on all the world around him that he was nothing less than a storm to weather in total. Then, Donovan was such the luck and clever, loving sprite, that his wit and charm was assuring to my embark; there was no way of truly ever waning in the way that Donovan had winged his way into the arrangement in his favor, but at the very least— disappointing his approval would gain no absolute pleasure beyond the astonishing dissonance of loyalty. Then, there were keepers surrounding the might and the truth if The force that the shadows could not bare— thee were times and marks and truths beyond the summit that were merely a facet of the things in the beyond, and in the way that The Source rules over its keepers, and its knowings—there was hardly any way for the nicities of pride, judgment most often throwing its way between dear Donovan Arnold and I. There was no nose that could t smell the stench if the foul odor that the rot of betrayal had done. The way of Donovan was seeking to know, without keeping or honor of heart—and I could not withstand another deep wound in the pit of my own truth. They called him Donovan Arnold Palmer because he made a mean Long Island iced tea— which of course he attributed to his affient east coast heritage, hailing from a long line of the posh and uptight standard boys and girls of the fools old days. A clean cut brown nose and absolute stickler for circumstance and dedication, his placement within these sacred places was vanity, first and foremost—and with a sense of tradition and pride he carried on in the way any man would, with great relief that the world didn't rest on his shoulders the way it did on Louis— then, nothing really rested on anyone the way it did in Louis Greenworth. chapter 5 The gifted saint of revelations “Did he hurt you?” I looked away without knowing where to look at all but down, my body aching with the waves of having been pressed and clutched against the spirals of time. The things I pretend not to know. “Who?” Genie seemed disappointed but still, patiently coaxing me with the comfort of his warmth— calling my eyes and looking deeply into the soul. I was petrified “What happened?”, he persists. “I don't know what your talking about.” , I mumble guiltily. He pauses for a moment as if he knows the depth of it— somewhere inside of me I know he knows, and behind me my mind is reeling and screaming, like a desperate unearthed fortune of unknown. Barely breathing, and shallow in the dark of the luminescence of the moonlight night, my loyalty overwhelms my pride and brotherhood. “What did he say?” Now his eyes fill with the pain and begging for the mercy of truth, as he whispers almost with a whimper, even in his strength and grace. In all those prayers not once had I even the ounce of nerve to think that he had uttered my name— now looking into him but huddled under him in heaps and ruins, I could not remember a time more when I wanted to disacknowlege the unknown and send a heap of words into the capes and canyons of his holy ears, though these things I knew for any time but especially this, I could never speak. “He who?” I can't wake up, I'm a rockstar Can't wash it off And I'm just so high on drugs That no matter the cost I just don't want to come down Don't want to want you anymore Relax. Think about it never or none And wonder what the world becomes when Weather tides and moon songs are no more Remember, then the dolphin And temperment to want what of course All of us covet But still, waking up in a dungeon. What a curse. Also, however What a cure, as you wander up The slithering road that parts Los Angeles from all the north of her Southern coast, If you want specifics The Pacific is at most And much admires Where you are, No matter how far you wander I want I want I want And I get I get I get I'm a rockstar. Maybe after all those times Being just the girl that all might have died to have been And getting mad over it You wake up to find yourself A stalker Who doesn't Leave the apartment And just watches the come up Of the songbird Who just wishes She had've gone To Harvard Not for law school But the arts, You know You lost a fortune That wasn't clever You wrote a hospital long report And look what you got! A suffix And later on an honorary doctorate But look at Letterman Hardly recognizable And after all The stopwatch just starts over at one Doesn't it Doesn't it? I'm a rockstar And what you wanted Was no subtle front But a surfboard and a ping pong table Writing your fables in the quiet of the night With the ocean steady lapping under the docks And not Collapsing her whole structure What a thunderous wave If you think it's time Then you haven't caved yet I offer all the pleasures of the golden science And as alchemy concerned Its really only valuable on this planet As it stands the liquid gold mines here Haven't budged an ounce— There's an overflow of all you've ever wanted With a pungent odor Or wrongdoing done And lemonade To pucker And to ponder over S'mores for supper, anyone? I thought not -KR. {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū. DJ NAMES: -Ū. | Happy Accidents! [H∆!], c o l o r s, Uptown A GENRE TAGS: ACID, ELECTRONIC, EXPERIMENTAL, DANCE, DUBSTEP DESCRIPTION: Prepare for sonic seismic activity! "Freaky Fridays" with the enigmatic -Ū. is about to detonate on the airwaves, bringing you the biggest bass explosion since the Big Bang itself! Climb aboard the mothership every Friday from 11 AM to 1 PM and launch your weekend into orbit with a mind-bending blend of clever soundwaves and subterranean bass frequencies that stretch from infinity and beyond. Forget the surface – the sound of the underground is pure fire and untamed heat with DJ -Ū. at the helm. This mononymous maestro, sometimes materializing under the mysterious and mesmerizing aliases Happy Accidents, c o l o r s, or even the warehouse tycoon Uptown A, is a sonic enigma. Though a Californian beach bum at heart, with a soul steeped in ocean vibes and sunshine, this DJ has found a home for her dance-fueled chaos in the industrial heartland of dance music, Brooklyn. Get ready for a swift punch of chaotic wonder as -Ū. seamlessly blends the Hollywood movie magic of her homeland – think swaying palms and suave vibes – with the gritty twists and turns from the bunkers of bass music: dubstep, UK garage, techno, new wave, drum-n-bass, and genre-bending mind-fluxes that defy categorization. But wait: There's More! -Ū. isn't just about the bass. This sonic time traveler digs deep into generations of music history, unearthing classic rock anthems, psychedelic soundscapes, trance-inducing rhythms, and those precious b-sides and rarities – forgotten gems from the stage, silver screen, and even the epic realms of fantasy, action, and adventure from blockbuster hits to obscure and insane. -Ū. is a one-of-a-kind Pandora's record box, unleashing a thrilling mix of sonic atrocities and unexpected delights – the sounds you didn't know you were craving. So, relax, strap in, and prepare for a sweet ride filled with magic, wonder, and jaw-dropping surprises as this time-traveling tycoon hits the radio waves with the freakiest, Friday-est, no-holds-barred, anything-goes sound the world has been waiting to hear! Tune in every Friday from 11 AM to 1 PM for literally 'whatever, man.' with your affectionate Captain, Blū Tha Gürū (-Ū.), and keep your ears peeled for guest appearances by [Any Alias Whatsoever.] Peace + Love. FREAKY FRIDAY 005. LIVE Originally Aired July 11th, 2025 Brooklyn, New York

Hey, Comedy Lovers! ✤ Welcome to "Ian Lara" ⭐ All advice is bad advice, please do adult things and put this podcast on in the background.

Andy Richter is best known for his work on Late Night with Conan O'Brien, The Tonight Show, and CONAN on TBS. Andy also starred and created the acclaimed TV shows Andy Richter Controls the Universe, and Andy Barker P.I. He has also appeared in movies like Cabin Boy, Talladega Nights, and Madagascar. Andy came up in the Chicago improv scene, performing at The Annoyance Theater, as well as Improv Olympic, where he studied with Del Close. Andy and Will talk about working together at CONAN, and on Andy's podcast The Three Questions with Andy Richter. They discuss the Chicago Improv Scene, and how it influenced both Late Night with Conan O'Brien, and the Upright Citizens Brigade Theatre. Andy also tells Will about his approach to the CONAN rehearsal process, and the "zen art of not giving a shit."Recorded at Jett Road Studios------------------LIFE IN COMEDYInstagramJETT ROAD STUDIOSWebsiteInstagramYouTube

Join us in discussing Beaches, directed by Garry Marshall and Starring Bette Midler and Barbara HersehyDid you know Bette Midler co-wrote two of the songs featured in this movie?Notable links:https://en.wikipedia.org/wiki/Beaches_(1988_film)https://en.wikipedia.org/wiki/Beaches_(soundtrack)Bette Midler Singing Otto Titsling on the Tonight Show with Johnny Carson in 1991Beaches Blooper ReelJoin our Book Club and get access to exclusive content on PatreonFollow us on InstagramFollow us on TiktokFollow us on Bluesky

Dave welcomes comedian David Deeble for a much needed dose of laughs and a reminder of the old adage that comedy reminds you things you already knew, but forgot to laugh at the first time. Mr. Deeble has performed all over the world, and appeared on “The Tonight Show with Jay Leno”, “The Late Late […]

Kendrick Kumar. This is the episode that made Jameela feel more at home around fellow sociopaths. She welcomes comedians Leslie Liao (Netflix, Tonight Show) and Skyler Higley (Conan, the Oscars). Leslie proves the extent to which she will flip on her friends, and Skyler reveals how ill-equipped he is to handle a kiss.Please support the show by subscribing, reviewing and telling your friends about us. Share your own Wrong Turns with us by emailing a voice memo to PersonalDisasterStories@gmail.com.Jameela's Substack is A Low Desire To Please.Wrong Turns was created and produced by Jameela Jamil and Stewart Bailey. Thank you to our launch producer Eve Bishop, our editor Shannon Joy Rodgers, and consulting producer Colin Anderson. Hosted on Acast. See acast.com/privacy for more information.

Carol Leifer entered comedy when a woman stand-up was considered a novelty or a niche, but even then she knew "things would eventually change." And change has come, due in no small part to Carol's own stelar show biz contributions. Carol joins us this week to talk about her formative years, her early standup, giving voice to iconic characters like Elaine Benes and Deborah Vance, and her new book, How to Write a Funny Speech!Carol's relationship with her father, an optometrist with an ear for comedy and a quick wit that delighted both patients and family, laid the foundation for her career trajectory. Her supportive parents encouraged her to pursue stand-up when the opportunity struck, and very soon, she was right at home at The Improv and on The Tonight Show.Even within the male-dominated comedy space, Carol found herself buoyed by peers and colleagues, in the clubs and on the sets of seminal sitcoms such as Seinfeld, The Larry Sanders Show and Curb Your Enthusiasm.Carol's Seinfeld contributions tapped into women's lived experiences and brought us the skinny mirror, the marble rye and the nail salon, but she reveals which of Elaine's iconic storylines was not her brainchild - 'sponge-worthy' was actually coined by male writer, Peter Mehlman!Enjoy an exciting spin on your favorite podcast showbiz trivia game as we invite Carol to play IMDB Roulette: Writer's Edition, where she dives into the intricacies of writing for: Seinfeld, Curb, Hacks, SNL and Ellen, plus traveling the globe with Henry Winkler, George Foreman, Terry Bradshaw and William Shatner! (She now calls him Bill.)Carol also shares her SNL writing regrets. (If she could only have gotten in better with Lorne.) We talk about her latest runaway hit book How To Write a Funny Speech and close the show with Fritz's favorite new Carol Leifer joke!In recommendations -- Weezy: The HBO original, My Mom Jayne: A Film By Mariska HargitayFritz: Netflix documentary, Trainwreck: The Cult Of American ApparelCarol LeiferHow To Write A Funny Speech: for a Wedding, Bar Mitzvah, Graduation & Every Other Event You Didn't Want to Go to in the First Place by Carol Leifer and Rick MitchellCarol Leifer on WikiCarol Leifer on InstagramCarol Leifer on FacebookCarol Leifer Amazon Author PageMy Mom Jayne from Mariska HargitayTrainwreck: The Cult Of American ApparelMedia Path PodcastMedia Path on Buy Me a Coffee

The U.S. Supreme Court just ended its 2024-2025 term. And along with issuing big decisions in big cases — they also had — in some oral arguments — big laughs. So, time now for our annual end-of-term Supreme Court comedy festival! Hear the top 8 laugh lines from this Supreme Court term – then find out why they were funny — then, find out how they could have been made even funnier still — Then, hear the jokes ranked. How are we going to pull of this daunting comedy feat? Simple: we'll be joined a very special guest — an actual comedy professional - to walk us through all this year's SCOTUS humor. It's legendary — and hilarious — comedy writer, Jon Macks. You've heard Jon Macks' work on "The Tonight Show with Jay Leno," the Academy Awards – and his jokes told by Chris Rock, Billy Crystal, Steve Martin, Martin Short, Ricky Gervais … and, over the years, by many, many politicians. And now you can hear him in this week's episode of C-SPAN's podcast "The Weekly." • What got big Supreme Court laughs this term – and why? • What does Jon Macks think of the jokes – rated and ranked? • Would the joke have worked at a comedy club? • And how would Jon Macks have told the joke if he were a Justice on the Supreme Court? Find out in "The Weekly." So - throw your head back and roar in laughter with Supreme Court justices — and find C-SPAN's "The Weekly" wherever you get podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Carrot Top (Scott Thompson) joins TigerBelly for the 1st time. We chat Tonight Show, Mission Impossible, cafeteria crowds, potato bottom, Fudge Middle, Betty White, U2 of comedy and Black Dudes at a Renaissance Faires. Download the DraftKings Casino app, sign up with code TIGERBELLY, and spin your favorite slots! The Crown is Yours That’s www.helixsleep.com/belly for 27% Off Sitewide. Exclusive for listeners of TigerBelly. Make sure you enter our show name after checkout so they know we sent you! www.helixsleep.com/belly

Iowa Lottery Fraud Which Led to Arrests and a Book. The story sounds like something out of a true crime documentary or Hollywood Crime Drama: cyber crime, deception, a mysterious offshore trust, and even Bigfoot hunting. But this wasn't fiction, it was real life in Iowa. And it led to one of the most shocking lottery fraud cases in U.S. history, resulting in arrests, a best-selling book, international news headlines, and millions in stolen winnings. The episode is also promoted across their Facebook , Instagram , LinkedIn , Medium and other social media platforms. At the center of the storm was Terry Rich, the former President and CEO of the Iowa Lottery. Under his leadership, the organization uncovered a plot so bizarre and calculated that it threatened to undermine the entire $80 billion lottery industry. This episode of The Law Enforcement Talk Radio Show and Podcast now streaming for free on their website, in addition to Apple Podcasts, Spotify, and most major social podcast platforms. “It was like nothing we had ever seen before,” said Rich in a recent interview. “We were dealing with someone on the inside who had found a way to game a system designed to be foolproof.” The scandal began to unravel in 2010 when a $14.3 million Hot Lotto jackpot went unclaimed for nearly a year. Eventually, a mysterious attempt to claim the prize emerged, through an anonymous trust in Belize. Suspicious of the secrecy, Rich and the Iowa Lottery refused to pay out. Iowa Lottery Fraud Which Led to Arrests and a Book. Look for supporting stories about this and much more from Law Enforcement Talk Radio Show and Podcast in platforms like Medium , Blogspot and Linkedin . “We had one simple rule: if we don't know who's behind the claim, we don't pay,” Rich explained. That decision kicked off a decade-long investigation, filled with twists and turns that investigators and journalists alike have described as “unbelievable.” Surveillance footage from a convenience store eventually led to the arrest of the primary suspect, the former information security director at the Multi-State Lottery Association (MUSL). Available for free on their website and streaming on Apple Podcasts, Spotify, and other podcast platforms He used his privileged access to install a rootkit, a hidden piece of software, on the computer that generated winning numbers for the Hot Lotto game. This allowed him to predict and rig lottery outcomes in multiple states including Iowa, Colorado, Wisconsin, Kansas, and Oklahoma. In 2015, the primary suspect was convicted on two counts of fraud for attempting to claim the Hot Lotto prize. He was sentenced to 10 years in prison and later received a 25-year sentence for broader conspiracy charges. However, he was released on parole in 2022 after serving just five years. Iowa Lottery Fraud Which Led to Arrests and a Book. The Law Enforcement Talk Radio Show and Podcast episode is available for free on their website , Apple Podcasts , Spotify and most major podcast platforms. But the thief didn't act alone. The scandal, now dubbed “The Hot Lotto Fraud”, eventually exposed a network of co-conspirators including his brother, a former Texas Justice of the Peace, and a Texas businessman. All were involved in a scheme that dated back as far as 2005 and exploited specific calendar dates to produce predictable winning numbers. “They figured out how to rig a random number generator,” said veteran journalist Perry Beeman, who co-authored the book The $80 Billion Gamble with Rich. “It was the perfect crime, until it wasn't.” You can listen to his stories and interview on our website for free in addition to platforms like Apple Podcasts and Spotify, and other major podcast platforms. Their book, which is now available wherever books are sold, takes readers deep inside the case using court documents, phone calls, emails, and public records. It's part true crime, part white-collar investigation, and fully jaw-dropping. “We wrote the book not just to tell the story,” said Beeman, “but to show how transparency and relentless pursuit of the truth led to justice.” The full podcast episode is streaming now on Apple Podcasts, Spotify, and across Facebook, Instagram, and LinkedIn. The story gained national attention, appearing in media outlets like CNN, CBS, 20/20, and The New York Times. Terry Rich also shared insights on various social media platforms, speaking candidly about the challenges his team faced. Iowa Lottery Fraud Which Led to Arrests and a Book. “When you realize someone on the inside is stealing from the public, it shakes your foundation,” Rich said in one Instagram video. “But we were committed to getting it right.” Following the scandal, Hot Lotto was discontinued in 2017, replaced by Lotto America. A subsequent lawsuit even saw a legitimate winner suing for damages after the jackpot he won had been reset due to the thieves' earlier rigged win. That case settled out of court in 2019. While the thieves crime stunned the country, Rich's role in uncovering it cemented his legacy. During his 25-year career, he not only led the Iowa Lottery to increase sales and profits by 50%, but also turned the Blank Park Zoo around financially and launched four successful businesses. His diverse career includes appearances on Johnny Carson's Tonight Show, executive roles in TV production, and creating other tv content. Be sure to follow the Law Enforcement Talk Radi Show on their website also promoted across their Facebook , Instagram , LinkedIn , Medium and other platforms. “I've always believed in integrity, whether it's in business, media, or government,” Rich said. “That belief is what guided us through this entire ordeal.” Today, Rich continues to share the story through keynote speeches, podcasts, and online content, hoping to inspire a new generation of leaders to put honesty and public trust above all. The Iowa Lottery, which has raised more than $2 billion for state programs since its launch in 1985, continues to be a key player in national lotteries like Powerball, Mega Millions, and others. In fact, the largest prize ever won in Iowa came in October 2018, when one ticket claimed $343.9 million. Iowa Lottery Fraud Which Led to Arrests and a Book. The full podcast episode is streaming now on Apple Podcasts, Spotify, and across Facebook, Instagram, and LinkedIn. As Rich puts it: “The lottery is about hope, dreams, and fairness. We had to protect that, at any cost.” For those fascinated by cyber crime, insider deception, and the power of persistence, The $80 Billion Gamble offers a gripping and insightful read. And for anyone curious about how modern fraud can be exposed, even when hidden in plain sight, it's a story worth sharing across every platform: from Facebook to YouTube, from Apple to Spotify, and across the news media landscape. The full podcast episode is streaming now on Apple Podcasts, Spotify, and across Facebook, Instagram, and LinkedIn. You can help contribute money to make the Gunrunner Movie . The film that Hollywood won't touch. It is about a now Retired Police Officer that was shot 6 times while investigating Gunrunning. He died 3 times during Medical treatment and was resuscitated. You can join the fight by giving a monetary “gift” to help ensure the making of his film at agunrunnerfilm.com . Your golden years are supposed to be easy and worry free, at least in regards to finances. If you are over 70, you can turn your life insurance policy into cash. Visit LetSavings.com , LetSavings.com or call (866) 480-4252, (866) 480-4252, again that's (866) 480 4252 to see if you qualify. Learn useful tips and strategies to increase your Facebook Success with John Jay Wiley. Both free and paid content are available on this Patreon page . Time is running out to secure the Medicare coverage you deserve! Whether you're enrolling for the first time or looking for a better plan, our experts help you compare options to get more benefits, lower costs, and keep your doctors, all for free! Visit LetHealthy.com , that's LetHealthy.com or call (866) 427-1225, (866) 427-1222 to learn more. Find a wide variety of great podcasts online at The Podcast Zone Facebook Page , look for the one with the bright green logo. Be sure to check out our website . Be sure to follow us on MeWe , X , Instagram , Facebook, Pinterest, Linkedin and other social media platforms for the latest episodes and news. Background song Hurricane is used with permission from the band Dark Horse Flyer. You can contact John J. “Jay” Wiley by email at Jay@letradio.com , or learn more about him on their website . Get the latest news articles, without all the bias and spin, from the Law Enforcement Talk Radio Show and Podcast on Medium , which is free. Iowa Lottery Fraud Which Led to Arrests and a Book. Attributions TerrySpeaks.com Amazon.com Wikipedia Youtube

Have you ever wondered how history's dark secrets inspire modern fiction? Ready to uncover the violent past of America's most iconic locales? I'm Reenita Hora, your host of the True Fiction Project, and today I'm thrilled to welcome Ed Moser—a former writer for Jay Leno's Tonight Show, presidential speechwriter, history tour guide, and author with a knack for unearthing gripping tales. In this episode, Ed takes us through the scandal-filled history of Washington, D.C.'s Lafayette Square, as detailed in his nonfiction book, The White House's Unruly Neighborhood, which exposes 230 years of crime. Ed reads an excerpt from his novel, The Old Town Horror: Murder and Theft in America's Most Historic Locale, which transports us to a bloody investigation taking place at The Carlisle Mansion, in Alexandria Virginia.IN THIS EPISODE:(01:32) Ed reflects on his professional journey and working on The Tonight Show(04:25) Ed shares that there have been violent events over 230 years around the White House(06:47) How the events of the past become fiction in the present day at the Carlisle Mansion(08:52) Paid subscribers will hear an excerpt from The White House's Unruly Neighborhood(11:44) Excerpt from The Old Town Horror, set in modern Alexandria, Virginia, where a bloody investigation taking placeKEY TAKEAWAYS:Moser's novel The Old Town Horror draws from real historical events in Alexandria, blending past and present for a thrilling narrative.Moser's research reveals a surprising history of violence, including murders and espionage, in iconic Washington, DC locales like Lafayette Square.Moser compares writing for The Tonight Show and the White House to making sausage, as both involve blending material from multiple writers.Subscribe to Reenita's Storytelling Den on Substack for free, or become a paid subscriber to watch the video version of this episode. You will also be eligible for other extras, such as exclusive content from podcast guests, short stories, exclusive fiction, and more! https://substack.com/@reenitahora GUEST RESOURCES:THE OLD TOWN HORROR: Murder and Theft in America's Most Historic LocaleLafayette Sq. Tours of Scandal, Assassination & Spies MeetupTHE OLD TOWN HORROR: Murder and Theft in America's Most Historic Locale - AmazonLafayette Square Tour of Scandal, Assassination & IntrigueEd Moser - LinkedInHOST RESOURCESWebsiteLinkedIn Tiktok Instagram Facebook Twitter (X) Substack Threads LinkTree BIO:Ed Moser is a former writer for Jay Leno's "Tonight Show"; operator of a history tours group; speechwriter for the President of the United States; a former editor for Time-Life Books; tech/science writer/editor/manager; and biotech writer.Support this podcast at — https://redcircle.com/true-fiction-project/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This episode is disabled and proud, listener! Tina Friml (Comedy Central, The Tonight Show) is an incredible stand up comedian and writer with cerebral palsy that has been taking the internet by storm, but today she's in the apartment GIVING the internet some TIPS on banging in the world of disabilities! We discuss dating with disabilities and its in's and out's, managing social anxieties around your disability, how male gaze affects even male strip clubs, and embracing disability pride because the gay pride flag sucks. Ashley is letting girls into her apartment. Lizzy is having lesbian sex in a straight relationship. Alex is being pimped out for views. Tina taking a break from touring! See her LIVE while you still can: https://linktr.ee/tinafriml  Follow Tina on IG and TikTok: https://www.instagram.com/tinafriml/  https://www.tiktok.com/@tinafriml  SUPPORT OUR PODCAST: Watch this UNCUT: https://www.patreon.com/WHGS Merch: https://shop.merchcentral.com/collections/ashley-gavin Watch on this YouTube: https://youtu.be/XhvnjwrSuXQ  FOLLOW ASHLEY GAVIN @ashgavs TikTok: https://www.tiktok.com/@ashgavscomedy Instagram: https://www.instagram.com/ashgavs/ YouTube: https://www.youtube.com/@ashgavs Twitter: https://twitter.com/ashgavs FOLLOW LIZZY CASSIDY @lizzycassidy TikTok: https://www.tiktok.com/@lizzycassidycomedy  Instagram: https://www.instagram.com/lizzycassidy/  Twitter: https://x.com/lizzaster  Tour Dates & Podcasts: https://linktr.ee/lizzycassidy  PRODUCED BY SWETSHOP: Instagram: https://www.instagram.com/swetshop.tv/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hey, Comedy Lovers! ✤ Welcome to "Ian Lara" ⭐ All advice is bad advice, please do adult things and put this podcast on in the background.

Jimmy Kimmel and other late-night programs have experienced a steady ratings decline...over the last few years. Jimmy Fallon has lost millions of viewers on The Tonight Show...while ad revenue across late-night has declined by hundreds of millions of dollars. As a result...late-night programming could cease to exist within the next couple of years. We discuss the decline of late-night television...and explain why hosts like Jimmy Kimmel are the main problem. We also explain why networks could cancel late-night shows by 2026...and how Stephen Colbert and Jimmy Fallon would be first to be cancelled. SUBSCRIBE TO BEHIND THE LINE - SHORTS: https://www.youtube.com/@btlshorts-84

Happy 4th of July, Wholigans who celebrate! On today's episode of Who's There, our weekly call-in show, we take questions from people who can't tell the difference between Kerry Condon and Rebecca Ferguson, people who don't understand why Bryce Dallas Howard is painting meerkats, people who want Zara Larsson to have a Themmy moment, people who want to make sure we saw Frankie Grande's performance on The Tonight Show, people who want to know why Michelle Obama is selling drinks on Facebook, and more! As always, call in at 619.WHO.THEM to leave questions, comments & concerns for a future episode of Who's There?. Get a ton of bonus content over on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/WhoWeekly⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Jameela welcomes writers and comedians Jay Jurden (HBO, the Tonight Show, The New Yorker) and Michael Cruz Kayne (Late Show w/ Stephen Colbert, Severance). Jay's sexual adventures in high school will make you feel Puritan by comparison, and Michael lets us know how much cheese is too much cheese.Please support the show by subscribing, reviewing and telling your friends about us. Share your own Wrong Turns with us by emailing a voice memo to PersonalDisasterStories@gmail.com. Jameela's Substack is A Low Desire To Please.Wrong Turns was created and produced by Jameela Jamil and Stewart Bailey. Thank you to our launch producer Eve Bishop, our editor Shannon Joy Rodgers, and consulting producer Colin Anderson. Hosted on Acast. See acast.com/privacy for more information.

Welcome to Puddles. Andrew and Micheal joke about everything. In this episode we cover delayed puberty, our IQs, and if Andrew can hold down Micheal. Micheal Rowland is a southern raised, NYC owned comedian & actor with sharp, observational humor and a growing TV presence. You may have seen him on his appearance on the Tonight Show with Jimmy Fallon and he is currently on the Fox comedy show Animal Control co-starring Joel Mchale. SUBSCRIBE!Puddles Youtube Feed: https://tinyurl.com/4u5mcxdtPuddles Podcast iTunes Audio Feed: https://tinyurl.com/4vanarmrPuddles Podcast Spotify Audio Feed: https://tinyurl.com/yyb8zc46FOLLOW US:Puddles - https://www.instagram.com/puddlespodcastAndrew - https://www.instagram.com/andrewtcollin/Micheal - https://www.instagram.com/michaelrowlando_o/?hl=enTheme song performed by: Ed GlaserEnding song written by: Andrew CollinVisuals and Graphics by: Melanie MeisnerProduced by: Brenna LaRocque

You'll believe a man can sigh as Supergeeks Javi, Paul and - indestructibly - Producer Brad discover the third time's not the charm with Superman III, though it does offer one unforgettable high-concept scene (and a truly funny setup and payoff). Our hosts boldly bend format this episode by picking three scenes each to examine (one of which may or may not involve bowling vandalism via Super-sneeze) as they struggle to maintain their sanity against the artificial Kryptonite of this threequel's seemingly never-ending inanities. In stark contrast to the wonders that Rocky III rewarded us with by adding iconic adversary Mr. T (as recounted in our very first episode!), here we get Superman vs. Supercomputer (that's an Atari) as programming prodigy Richard Pryor is extorted into villainy by evil tycoon Robert Vaughn. Despite their combined talents (and a psychic nutritionist stand-in for Miss Teschmacher), they are no Lex Luthor, just as director Richard Lester is no Richard Donner (and composer Ken Thorne is no John Williams). Still, while Margot Kidder's Lois Lane is conspicuously sidelined for most of the film, we're treated to Annette O'Toole's lovely Lana Lang, and Christopher Reeve gets to play a creepy, scuzzy new character (Man of Heel?). You will not believe a man can ski off a skyscraper and survive, but you will enjoy this episode full of love for Superman and our hosts' entertaining exasperation at this misguided misfire. 1983 Box OfficeJuly 8, 1983 Weekend Box OfficeSuperman III Box Office ResultsRichard Pryor's 1981 appearance on The Tonight Show displaying his Superman fandom.Follow us!InstagramBlueskyemail: Multiplexoverthruster@gmail.com Hosted on Acast. See acast.com/privacy for more information.

In this episode, John joins the army before returning to Melonville, then makes a big splash at the movies. John Candy: The Lou Gehrig of Comedy is a series that honours the timeless humour and heartfelt performances of John Candy, star of hits like Splash, Planes, Trains and Automobiles, and Home Alone.Follow us on our socials: Instagram, Bluesky, LinkedIn, YouTube & SubstackWritten & Hosted by Ryan BarnettProduced by Ryan Barnett & Sonia GemmitiRecorded by Tyler RaumanAdditional voices by Matthew Barnett & Sean QuinlanA Knockabout Media ProductionAdditional audio material:The Bobbie Wygant Archive, Later with Bob Costas, Late Night with David Letterman, Nebraska State Historical Society, Terrence Thompson, Tonight Show with Johnny Carson, Columbia Pictures*This program and all relevant content is for educational purposes only and to the best of our knowledge is being used under Fair Dealing/Fair Use Act guidelines and within Canadian and United States standards of fair dealing/fair use* Hosted on Acast. See acast.com/privacy for more information.

Humor isn't just for laughs—it can be a powerful tool for navigating awkward or uncomfortable situations with grace and confidence. In this story, keynote speaker Jan McInnis shares a memorable moment when a potentially embarrassing wardrobe mishap could've overshadowed an entire presentation. Instead, with a quick wit and a well-timed joke, she not only saved the moment but also connected with the audience and diffused the tension in the room. It's a great reminder that finding the funny can turn even the most cringeworthy situations into opportunities for connection. https://www.TheWorkLady.com  Jan McInnis is a top change management keynote speaker and comedian. She uses short funny stories to emphasize her tips on how businesses can use humor to handle change. Jan is a top conference keynote speaker, comedian, Master of Ceremonies, and comedy writer. She has written for Jay Leno's The Tonight Show monologues as well as many other people, places, and groups—radio, TV, syndicated cartoon strips, guests on The Jerry Springer Show (her parents are proud). For over 25 years, she's traveled the country as a keynote speaker and comedian, sharing her unique and practical tips on how to use humor in business (yes, it's a business skill!). She's been featured in The Huffington Post, The Wall Street Journal, and The Washington Post for her clean humor, and she's the author of two books: Finding the Funny Fast – How to Create Quick Humor to Connect with Clients, Coworkers, and Crowds, and Convention Comedian: Stories and Wisdom From Two Decades of Chicken Dinners and Comedy Clubs. She also has a popular podcast titled Comedian Stories: Tales From the Road in Under 5 Minutes. In her former life, she was a marketing executive in Washington, D.C. for national non-profits, and she received the Greater Washington Society of Association Executives “Excellence in Education” Award. Jan's been featured at thousands of events from the Federal Reserve Banks to the Mayo Clinic.  https://www.TheWorkLady.com https://youtu.be/BtjxzDn-QLE https://www.linkedin.com/in/janmcinnis https://twitter.com/janmcinnis https://www.pinterest.com/janmcinnis/pins/ https://www.youtube.com/c/JanMcInnisComedian https://www.facebook.com/ComedianJanMcInnis https://www.instagram.com/jan.mcinnis/  Jan has shared her humor keynotes from Fortune 500 companies to international associations. Groups such as . .. Healthcare. . . Mayo Clinic, Health Information Management Associations, Healthcare Financial Management Associations, Hospitals, Abbott Pharmaceuticals, Sanofi Aventis Pharmaceuticals, Kaiser-Permanente, Davita Dialysis Centers, Blue Cross, Blue Shield, Home Healthcare Associations, Assisted Living Associations, Healthcare Associations, National Council for Prescription Drug Companies, Organization of Nurse Leaders, Medical Group Management Associations, Healthcare Risk Associations, Healthcare Quality Associations  Financial. . . Federal Reserve Banks, BDO Accounting, Transamerica Insurance & Investment Group, Merrill Lynch, treasury management associations, bankers associations, credit unions, Money Transmitter Regulators Association, Finance Officers Associations, automated clearing house associations, American Institute of CPAs, financial planning companies, Securities, Insurance, Licensing Association  Government . . . purchasing officers associations, city clerks, International Institute of Municipal Clerks, National League of Cities, International Worker's Compensation Fund, correctional associations, LA County Management Association, Social Security Administration, Southern California Public Power Authority, public utilities, U.S. Air Force, public personnel associations, public procurement associations, risk management associations, Rehabilitation associations, rural housing associations, community action associations  Women's Events. . . American Heart Associations, Go Red For Women luncheons, Speaking of Women's Health, International Association of Administrative Professionals, administrative professionals events, Toyota Women's Conference, Women in Insurance and Financial Services, Soroptimists, Women in Film & Video, ladies night out events, Henry Ford Health Centers Women's Event, spirit of women events, breast cancer awareness,  Education . . . School Business Officials associations, school superintendent associations, school boards associations, state education associations, community college associations, school administrators associations, school plant managers associations, Head Start associations, Texas adult protective services, school nutrition associations, Association of Elementary and Middle School Principals, principal associations, library associations  Emergency, safety, and Disaster . . . International Association of Emergency Managers, Disney Emergency Managers, state emergency management associations, insurance groups, COPIC, Salt Lake County Public Works and Municipal Services Disaster Recovery Conference, Pennsylvania Governor's Occupational Safety and Health conference, Mid Atlantic Safety conference and Chesapeake Regional Safety Council, Risk associations.  

On this Friends Like Us... Ever wondered about the impact of AI on media or the hidden history of our college institutions?  Listen to my conversation with Kenice Mobley and Kimberly Clark, as we tackle topics and give our guests their flowers!  Give it a listen and spread the word!   Kimberly Clark - Originally from Syracuse, NY. She's been seen on Netflix's Tiffany Haddish presents: They Ready, The Late Late Show with James Corden, and Last Comic Standing. She was named one of Time Out L.A.'s Comics To Watch. Kenice Mobley performs stand up comedy around the world and recently made her late-night debut on The Tonight Show with Jimmy Fallon. She appears regularly on SiriusXM and is a Finalist in the StandUp NBC Competition. She was named to Vulture's 2021 list of Comedians You Should and Will Know. Kenice's debut comedy album Follow Up Question, filmed at Union Hall in New York, was released in December 2022. Kenice worked on the BET Awards and By Us For Us, a sketch comedy series presented by Color of Change. She hosts Complexify on ViceNews, Love About Town, an interview and relationship podcast, and Make Yourself Cry, available on Planet Scum. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf. Writer for HBO's 'Divorce' and the new Tracy Morgan show on Paramount Plus: 'Crutch'.          

CH101 Select: Jim Vallely was a writer/producer on the iconic comedy show: Arrested Development – which earned him an Emmy. Jim also worked on The Golden Girls, Two and a Half Men, The John Larroquette Show, and got his start on The Tonight Show with Johnny Carson - with his comedy duo: The Funny Boys. We do a masterclass deep-dive with Jim on comedy writing, producing, and what it was like having Larry David as a neighbor. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hey, Comedy Lovers! ✤ Welcome to "Ian Lara" ⭐ All advice is bad advice, please do adult things and put this podcast on in the background.

Stand-Up On The Spot! Featuring completely improvised sets from Josh Wolf, Tahir Moore, Sara Weinshenk, Jesus Trejo & Jeremiah Watkins. No material. Comedians create Stand-Up On The Spot off audience suggestions. Everything is covered from Mushrooms to Trump vs Elon Musk, X-Men, & more! Jeremiah Watkins you know from Trailer Tales, Dr. Phil Live, his special DADDY, and as the host and creator of Stand-Up On The Spot. Josh Wolf has multiple viral YouTube specials you can watch after this, and has a new special called The Campfire Special dropping this Fall. Tahir Moore you know from All Def Digital, KevOnStage Studios, and can be seen in the show Churchy on BET this summer. Sara Weinshenk you know from Kill Tony, the Joe Rogan Experience, and her podcasts with Kim Congdon. Jesus Trejo has an HBO special Stay at Home Son and has appeared on The Tonight Show with Jimmy Fallon and The Late Show with James Corden. Follow the Comedians! Jeremiah Watkins  @jeremiahwatkins   @TrailerTalesPod   @standupots  https://www.instagram.com/jeremiahstandup Josh Wolf  ⁨@JoshWolfComedy⁩  https://www.instagram.com/joshwolfcomedy Tahir Moore  ⁨@tahirmoore⁩  https://www.instagram.com/tahirmoore Sara Weinshenk  ⁨@sweinshenk⁩   ⁨@ThisBitchPodcast⁩  https://www.instagram.com/princessshenk Jesus Trejo  ⁨@TheJesusTrejo⁩  https://www.instagram.com/jesustrejo1 Stand-Up On The Spot https://www.instagram.com/standupots  @standupots  Sponsored by: Blue Chew Try your first month of BlueChew for free, just pay $5 for shipping. Use code SPOT at https://www.bluechew.com Sponsored by: Magic Spoon Support the show and get $5 off your Magic Spoon order at https://www.magicspoon.com/SPOT Interested in sponsoring the show? Email standupots@gmail.com for inquiries SOTS: #1HourSpecial #StandupComedy #JeremiahWatkins #JoshWolf #TahirMoore #SaraWeinshenk #JesusTrejo #CrowdWork #Funny #Viral SOTS: Josh Wolf, Tahir Moore, Sara Weinshenk, Jesus Trejo & Jeremiah Watkins Ep 76 

This week on YKWD Yakov Smirnoff comes on to discuss The Tonight Show, doing comedy in Branson, and to judge Soviet Russia's Got TalentUpgrade your wallet today! Get 10% Off @Ridge with code DUDE athttps://www.ridge.com/DUDEGet the EXTRA YKWD, Watch LIVE and UNEDITED AT https://www.patreon.com/robertkelly LIVE FROM THE SHED AND MORE ON PATREON DUDE!!! https://twitter.com/robertkelly https://twitter.com/YKWDpodcast http://instagram.com/ykwdudepodcast https://www.facebook.com/YkwdPodcast/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Rose Abdoo joined me to discuss us being birthday buddies; The Flintstones; staying up to watch The Tonight Show; going to Michigan State; moving to Chicago to join Second City; ETC with Stephen Colbert & Amy Sedaris; seeing seeing Mike Meyers & Geena Davis; Chris Farley "Whale Boy" sketch; Tim Meadows; Happy Happy Good Show with Conan O'Brien, Bob Odenkirk & Robert Smigel; winning a Joseph Jefferson Award; creating one person shows; performing in Utah; her TV debut Johnny Bago; my dog; heat wave; playing a version of her mother in My Best Friend's Wedding; Detroit Tigers; dressing for baseball games; Gilmore Girls; the greater great writing; always opposite weather than what was supposed to be in Stars Hallows; Gypsy never in a scene with Ms. Kim; working with Liz Torres & Sally Struthers; the show Reboot and and playing a version of Selma Diamond; Curb Your Enthusiasm; Good Night & Good Luck; George Clooney's generosity; Hacks; Jean Smart; Hannah Einbinder; wanting to not play a character with an accent; Selma Diamond; Happy Days; Lotsa Luck; water cooler moments; Hack fans; CBS Saturday 70's and NBC Thursday 80's lineups; Newhart finale; St. Elsewhere; 25th Anniversary of Gilmore Girls; fan theories; Del Close

In this episode of Game Dev Advice, writer and comedian Mike Drucker shares his journey across the worlds of television, video games, and comedy. Starting as an assistant and researcher at Saturday Night Live, Mike moved into game localization at Nintendo—where he even played basketball with Reggie Fils-Aimé—before joining The Tonight Show Starring Jimmy Fallon as a writer and then Full Frontal with Samantha Bee. He dives into the creative challenges of translating humor across mediums, from crafting jokes for a global audience to building narrative in games. We also discuss his book, Good Game, No Rematch, a funny and heartfelt exploration of growing up with games, self-doubt, and finding meaning in pop culture. Mike shares behind-the-scenes stories from working at IGN, creating mock news shows, and writing for Mystery Science Theater 3000. Packed with industry insights and honest advice for aspiring writers, this conversation highlights the importance of joy, resilience, and staying passionate in your craft. Bio: Mike Drucker is an Emmy-nominated, Writers Guild Award–winning comedian, writer, and producer based in New York. He's written for The Tonight Show Starring Jimmy Fallon, Full Frontal with Samantha Bee, Bill Nye Saves the World, and more. At Nintendo of America, he worked on Kid Icarus: Uprising and Mario Party 9. His latest book, Good Game, No Rematch, blends humor and heart in a memoir about growing up, video games, and pop culture. Show Links: *Good Game, No Rematch - https://www.amazon.com/dp/1668015477 *Late Night with Seth Meyers interview - https://www.youtube.com/watch?v=ltVPFFSgUkE *Chrono Trigger – https://en.wikipedia.org/wiki/Chrono_Trigger en.wikipedia.org+5en.wikipedia.org+5en.wikipedia.org+5 *Persona 5 – https://en.wikipedia.org/wiki/Persona_5 en.wikipedia.org+12en.wikipedia.org+12megamitensei.fandom.com+12 *Clair Obscur: Expedition 33 – https://en.wikipedia.org/wiki/Clair_Obscur:_Expedition_33 *IGN's Up at Noon - https://www.youtube.com/watch?v=l6fBaggwNcg *Mystery Science Theater 3000 - https://www.youtube.com/@MST3K *Bill Nye Saves Saves the World - https://www.youtube.com/watch?v=g-_HKOcYBK8 *The Onion Book of Known Knowledge - https://www.amazon.com/Onion-Book-Known-Knowledge-Encyclopaedia/dp/0316133264/ Connect With Links: Mike Drucker on Bluesky - https://bsky.app/profile/mikedrucker.bsky.social Mike Drucker on Instagram - https://www.instagram.com/mikedruckerisdead/ Mike Drucker on TikTok - https://www.tiktok.com/@mikedruckerisdead Game Dev Advice Links: * Website: show notes, links, stuff - https://www.gamedevadvice.com * Patreon: career coaching through the Gain Wisdom membership - https://www.patreon.com/gamedevadvice * YouTube: main channel link - https://www.youtube.com/channel/UCvkY8LxjGyOPqlQKuRlObhg * Game Dev Advice hotline: (224) 484-7733 * Email: reach out - info@gamedevadvice.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Erica returns to tell us about her beef with Mandy Moore and how Gloria Estefan surprised her mother for her 75th birthday! Jun is awkward around Nelly at The Today Show and gets beaten up by Monica at The Tonight Show. Plus, Toronto, Sabrina Carpenter, and Michelle Branch! Subscribe and follow us at @superexcitedpod Follow Rory: @itsRORYjames

Jimmy addresses the latest news, like Zohran Mamdani beating Andrew Cuomo in the Democratic mayoral primary, before speaking with Jonathan Bailey, Abby Elliott, Brandy and Monica.

Jimmy addresses the latest news, like Trump's administration pushing for crypto to be used for mortgages, before speaking with Jeremy Allen White and Karol G.

Zarna Garg is a force of nature with a microphone. The award-winning comedian, author, producer and screenwriter brought her sharp, relatable family humor to her first streaming special, “One in a Billion.” When Zarna's not at the Comedy Cellar opening for icons like Tiny Fey and Amy Poehler or appearing on The Tonight Show and Late Night, she's selling out headlining shows worldwide. Zarna made her acting debut in New York Times Critics pick “A Nice Indian Boy.” She also has a podcast, “The Zarna Garg Family Podcast,” that explores modern life with her husband and kids. She joins Google to discuss her book, “This American Woman: A One-In-A-Billion Memoir.” The memoir tells the story of her treacherous climb from a homeless teen in Mumbai to an unhinged stay-at-home mom in New York, and then to an internationally beloved stand-up comedian. It's an exuberant story of fighting for your right to determine your own destiny and triumph beyond what you dreamed was possible. Watch this episode at youtube.com/TalksAtGoogle.

Hey, Comedy Lovers! ✤ Welcome to "Ian Lara" ⭐ All advice is bad advice, please do adult things and put this podcast on in the background.

Godfrey talks to Yakov Smirnoff about his rise to fame, his latest apperance on The Tonight Show and more with Alexander Smirnoff, Akeem Woods & Dante NeroLegendary Comedian Godfrey is LIVE from New York, and joins some of his best friends in stand up comedy, Hip-Hop and Hollywood to talk current events, pop culture, race issues, movies, music, TV and Kung Fu. We got endless impressions, a white producer, random videos Godfrey found on the internet and so much more! We're not reinventing the wheel, we're just talking 'ish twice a week... with GODFREY on In Godfrey We Trust.Original Air Date 06.13.25-------------------------------

In this special snack episode of Parenting is a Joke, Ophira Eisenberg reconnects with comedian Liz Glazer to celebrate the release of Liz's new stand-up special Do You Know Who I'm Not?—a follow-up to her acclaimed debut tackling the heartbreak of stillbirth. Liz shares what it's like raising a two-year-old, obsessively documenting milestones like her daughter renaming bottles “babush,” and navigating the guilt and chaos of being a working comic mom. They unpack the newborn stage's anxiety—highlighting the absurd pressure of tummy time—and how Liz handles the grind of travel, not for adventure but to maximize earnings. The conversation touches on Liz's recent Tonight Show debut, the surreal behind-the-scenes moments (like spotting a donut yeti), and how she structured her set to reflect the awe of arriving at that moment in her career. Liz also reveals her love of public transportation, her obsession with capturing everything on camera, and the mental load of keeping every photo and video safe. The episode wraps with Liz sharing the thrill of having a brand-new joke hit right after taping The Tonight Show, calling it the comic's equivalent of discovering buried treasure. Liz compares the high of finding a working new bit after filming The Tonight Show to discovering the perfect pill—a boost so real, it rivals the euphoria of a new baby.

Jess is joined by standup comedian LIZ GLAZER, days after making her Tonight Show debut! Topics — Liz quitting her law career to pursue comedy, her failed SoulCycle instructor audition, being married to a (lesbian) rabbi, the ghost of Joan Rivers uniting her with Judy Gold, transcendental meditation, 12 step programs & more!  Cult of Body & Soul on all podcast platforms & YouTube Watch Liz' special on YouTube IG: @jessxnyc | @lizglazer