Podcast appearances and mentions of ab major

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Best podcasts about ab major

Latest podcast episodes about ab major

Guitar Serious Fun
How to Unlock Your Fretboard With Your Capo

Guitar Serious Fun

Play Episode Listen Later Feb 28, 2024 9:12


Pro tip: please watch the short video version of this post that I link to www.guitarsuccess4u.com/CapoReality. It will give you a much clearer grasp of what I'm sharing here.Abbreviated transcript and table included below…If you play the guitar, you probably use a capo sometimes. But is your capo holding you hostage? Do you sometimes get confused about which key you're actually in when you use it? No more!We as guitarists make use of a variety of tools, but perhaps one of the most common is the capotasto, better known as the capo. The capo gets its name from a phrase that means “head tie,” which implies that it's being tied to the guitar near the headstock.But when we put a capo on our guitar, what is happening, exactly? We're shortening the length of the strings. This can allow us to play in some keys with open chord shapes to access actual chords that would normally all be bar chords. Allow me to demonstrate (see the video for a clearer picture of this.) The key of Ab Major, for example, has zero open chords, so they all need to have 100% fretted notes. The chords are: Ab Major, Bb minor, C minor, Db Major, Eb Major, F minor, G diminished, and we can come back around to Ab Major.In the video, I play all of those chords again, but with my capo on fret 1. The chords are the same, but many of them are much easier to play, because I use the shapes: G Major, A minor, B minor, C Major, D Major, E minor, F sharp diminished, and ending on G Major.But let's not confuse shapes with chords.Because unless we're only collaborating with a drummer or a percussionist, there are harmonic consequences to everything we do with the capo. Do you believe it?If you're collaborating with a piano player, a synth player, a bass player, another guitar player, a vocalist, someone who plays strings or woodwinds, or any type of harmonic or melodic instrument or voice, they're going to be playing or singing in a specific key.And if you are the guitarist who's leading that band, it's super important to know which key you're all in.Here are some helpful tips so you can be sure of what's going on. Memorize marker pointsFirst, memorize the bottom 3 strings, strings 6, 5 and 4. I walk you through these markers in the video, but you're welcome to reference the diagram I'm including with this article.There's more, but this can give us plenty to work with here.Which key are we in?Our first approach is to place the capo and discover which keys we end up playing in when we play shapes.Let's say I place the capo on the 3rd fret. If I strum shapes around the tonal center of E, with the open 6th string for the low root, which key am I in? G. If I strum A shapes, which key am I in? C. If I strum D shapes, which key am I in? F.Why? Because the “open” notes at our new “nut” with the capo are G, C, and F. Right? Did you know all of those? This works best with your guitar and capo in hand.Which key do we want to play in?Let's try the opposite approach with placing the capo for keys we want to play in.Now, let's say I want to play in Eb Major with a piano player, by leveraging the capo. For a moment, let's temporarily call that the key of D#. It's a theoretical key, I know, but go with me. If I place the capo on fret 1 and play a D shape, it sounds a D#, better known as Eb. That open 4th string is our low root on Eb.If you want to think in the key of D, this can work for you, but remember, you're accountable for actually playing chords in the keys the capo has given you access to. So if the capo is on fret 1, and we play D, G and A shapes, we've actually achieved Eb, Ab and Bb chords. Right?Starting with chords that have open roots like E, A, and D can be pretty attainable, because the capo at the new “nut” easily tells us what those notes are, without fretting above it.But what about chords like G and C that do have a fretted root? Don't worry, I got you.Play an open G chord for a moment. That root on the 3rd fret is a minor 3rd above the nut.Let's just make a new “nut” with the capo! Let's say we want to play in the key of B. Well, a moment ago, we said that B on the 6th string is on fret 7. So, let's fret the G shape that's got that 7th fret B as the root, and place our capo down a minor 3rd – a distance of 3 frets, on the 4th fret. With the capo on the 4th fret, using G shapes, we've accessed the key of B.One more. Play an open C chord, the root for which is on the 3rd fret of the 5th string. It's a minor 3rd above the open A note at the nut. Let's make a new “nut” with our capo for the key of F. Where is F on the 5th string? It's all the way up at fret 8, just above the 7th fret E we talked about a moment ago. So, we can start with a C shape with our root on the 8th fret for F, and go down 3 frets to the 5th fret and place the capo there. We can now play C shapes, with capo 5, in the key of F.This process works for any Major key, minor key, or even modes, but we have to know the real key we're in, and at least some of the chords the capo is helping us play. Our charts, especially the ones we print up for the band, have to reflect this reality. Otherwise, we'll have an alternate reality that leads to confusion, or at the very least, a comedy of errors.I hope this was helpful, and I look forward to next time!Thanks for reading Guitar Serious Fun! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit guitarseriousfun.substack.com

8090有限公司
独木成林的粤语歌坛新生代,林家谦

8090有限公司

Play Episode Listen Later Jan 12, 2024 95:56


如果你曾在观看电影《春娇救志明》时为杨千嬅演唱的《余春娇》伤怀感慨,也曾一时惊讶于林奕匡《停止繁殖》不寻常规的旋律,那么这些作品背后的功臣——作曲家林家谦 2019 年以唱作人身份出道的林家谦,早在 2014 年就开始从事音乐行业的幕后工作——他曾为陈奕迅、容祖儿等粤语流行前辈作曲,也参与了 Gin Lee、邓小巧等正当活跃的乐坛中坚力量的专辑,六年间积累了超过 90 首作品,丰沛创作能量有目共睹。擅长中慢板抒情歌的他,既能为容祖儿谱写极具天后气度的大势流行乐《心之科学》,也能为曾沛慈合作写出轻诉腼腆少女情怀的《水深火热》。在他的众多作品中值得一提的是,《红线》里马天佑与卢巧音一高一低、双线并行的副歌旋律——这种流行乐里较为罕见的复调处理令人印象深刻。 务实又大胆的林家谦,2017年开始因《一人之境》走到歌坛的舞台中央,五年时间过去2022年他就拿到了叱咤男歌手与创作人等多项大奖,如奔跑版闯荡歌坛的他是如何写自己唱的歌的呢?这次我们来聊一聊他。 嘉宾:劳劳 00:00 《特伦斯梦游仙境》 06:48 《独家村》 Live 09:06 从独家村认识后,180度态度转变 11:17 初识林家谦 14:26 林家谦出道的历程 18:58 《一人之境 in C major》 12:15 一人之境的特殊之处 30:31 JC陈咏凯、林家谦《隔离》 33:17 林家谦嗓音条件与常见粤语歌手的差别 37:00 《坏与更坏 Live》 42:26 林家谦作品集专辑与单曲 45:45 《doodoodoo 》Summer Blues Live 50:48 与其他同辈男歌手的比较 1:00:35 《某种老朋友》 1:06:06 《下一位前度in Ab Major》 1:11:18 Serrini、林家谦《树木真美》Summer Blues Live 1:13:30 14年进入歌坛以后林家谦的发展思路 1:21:43 《难道喜欢处女座》 1:25:17 对林家谦的总结 1:32:53 《想创》Summer Blues Live background 《just carry on》《列车上对着坐的两个人》 加入8090有限公司听众群的方法 +VX Frankie461 飞飞申请加入8090有限公司的听众群 • 8090时光机: • 男歌手 • 卢广仲 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(https://www.xiaoyuzhoufm.com/episode/5e425da0418a84a04698771c?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) 张惠妹 C (https://www.xiaoyuzhoufm.com/episode/5e425da0418a84a04698771b?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) 梁咏琪 (https://www.xiaoyuzhoufm.com/episode/5e425da0418a84a046987723?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) 齐豫 (https://www.xiaoyuzhoufm.com/episode/5e425da0418a84a046987729?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) • 组合 F.I.R.飞儿乐团 (https://www.xiaoyuzhoufm.com/episode/62303a2f73922fc7bc32b408?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) 锦绣二重唱 (https://www.xiaoyuzhoufm.com/episode/620a220da600bce0e55e879a?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) 蟑螂合唱团IPIS (https://www.xiaoyuzhoufm.com/episode/61f3a0b9b9923aeb4642c99b?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) 无印良品 (https://www.xiaoyuzhoufm.com/episode/5e425da0418a84a04698772c?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) 凡人二重唱 (https://www.xiaoyuzhoufm.com/episode/5e425da0418a84a046987718?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) 五月天A (https://www.xiaoyuzhoufm.com/episode/5e425da0418a84a0469876fd?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) 五月天B (https://www.xiaoyuzhoufm.com/episode/5e425da0418a84a0469876fc?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) 优客李林 (https://www.xiaoyuzhoufm.com/episode/5e425da0418a84a0469876eb?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) 与非门 (https://www.xiaoyuzhoufm.com/episode/6114bff512ce740b222ea8d7?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) • • • 时代眼泪 • 厉曼婷作词的歌 (https://www.xiaoyuzhoufm.com/episode/61e17dfad1d1fc34a7c74e39?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) 飞碟拾遗 (https://www.xiaoyuzhoufm.com/episode/5e425da0418a84a046987731?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) 电视剧金曲A (https://www.xiaoyuzhoufm.com/episode/5e425da0418a84a046987730?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) 电视剧金曲B (https://www.xiaoyuzhoufm.com/episode/5e425da0418a84a04698772e?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) 彩铃时代 (https://www.xiaoyuzhoufm.com/episode/5e425da0418a84a046987707?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) 魔岩 (https://www.xiaoyuzhoufm.com/episode/5e425da0418a84a0469876e9?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) 飞碟与滚石 (https://www.xiaoyuzhoufm.com/episode/5e425da0418a84a0469876ea?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) 94新生代 (https://www.xiaoyuzhoufm.com/episode/6028b8349e2ee57ebee0041b?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) 卡拉OK (https://www.xiaoyuzhoufm.com/episode/61290d455654912f99966ac9?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) MV回忆 (https://www.xiaoyuzhoufm.com/episode/61533f20bb2e3125042e505e?s=eyJ1IjogIjVlOTg3ZWE0M2YyNzIxYzk0NWMxOGVmOCJ9) • • 流行小科普 • 四大天王 (https://www.xiaoyuzhoufm.com/episode/643a84ec55becba361574c2e) 谭张争霸 (https://www.xiaoyuzhoufm.com/episode/62e55a3363741c63ae00a387) •

live jc ab major
VSM: Mp3 audio files
Waltz Op.42 In Ab Major from Waltzes (collection 2) for piano solo - Mp3 audio file

VSM: Mp3 audio files

Play Episode Listen Later Feb 12, 2023 3:00


JazzPianoSkills
Key of Ab Major Melodic Workout

JazzPianoSkills

Play Episode Listen Later May 24, 2022 56:57 Transcription Available


Welcome to JazzPianoSkills; it's time to discover, learn, and play Jazz Piano!Every JazzPianoSkills weekly podcast episode introduces aspiring jazz pianists to essential Jazz Piano Skills. Each Podcast episode explores a specific Jazz Piano Skill in depth. Today you will discover, learn, play a Key of Ab Major Melodic Workout. In this Jazz Piano Lesson you will:DiscoverA Key of Ab Major Melodic WorkoutLearnHow to "think" within the Key of Ab Major, MelodicallyPlayThe Modes of the Key of Ab Major plus Inverted Melodic Arpeggios from various entry points (Root, 3rd, 5th, 7th).ANDYou are going to play Melodic lines using various 8th Note Rhythmic Configurations played over the II-V-I Progression.For maximum musical growth, be sure to use the Jazz Piano Podcast Packets for this Jazz Piano Lesson. All three Podcast Packets are designed to help you gain insight and command of a specific Jazz Piano Skill. The Podcast Packets are invaluable educational tools to have at your fingertips while doing a Key of Ab Major Melodic Workout.Open Podcast PacketsIllustrations(detailed graphics of the jazz piano skill)Lead Sheets(beautifully notated music lead sheets)Play Alongs(ensemble assistance and practice tips)Educational SupportCommunity ForumSpeakPipeEpisode OutlineIntroductionDiscover, Learn, PlayInvite to Join JazzPianoSkillsRationaleExploration of Jazz Piano SkillsConclusionClosing CommentsVisit JazzPianoSkills for more educational resources that include a sequential curriculum with comprehensive Jazz Piano Courses, private and group online Jazz Piano Classes, a private jazz piano community hosting a variety of Jazz Piano Forums, an interactive Jazz Fake Book, plus unlimited professional educational jazz piano support.If you wish to support JazzPianoSkills with a donation you can do so easily through the JazzPianoSkills Paypal Account.Thank you for being a JazzPianoSkills listener. It is my pleasure to help you discover, learn, and play jazz piano!Support the show

JazzPianoSkills
Key of Ab Major Harmonic Workout

JazzPianoSkills

Play Episode Listen Later May 17, 2022 56:17 Transcription Available


Welcome to JazzPianoSkills; it's time to discover, learn, and play Jazz Piano!Every JazzPianoSkills weekly podcast episode introduces aspiring jazz pianists to essential Jazz Piano Skills. Each Podcast episode explores a specific Jazz Piano Skill in depth. Today you will discover, learn, and play a Key of Eb Major Melodic Workout. In this Jazz Piano Lesson, you will:DiscoverA Key of Ab Major Harmonic WorkoutLearnHow to "think" within the Key of Ab Major, HarmonicallyPlayBlock Chords, Traditional and Contemporary Shells, Two-Handed Voicings using common harmonic motion AND various Rhythmic Comping PatternsFor maximum musical growth, use the Jazz Piano Podcast Packets for this Jazz Piano Lesson. All three Podcast Packets are designed to help you gain insight and command of a specific Jazz Piano Skill. The Podcast Packets are invaluable educational tools to have at your fingertips while doing a Key of Ab Major Harmonic Workout.Open Podcast PacketsIllustrations(detailed graphics of the jazz piano skill)Lead Sheets(beautifully notated music lead sheets)Play Alongs(ensemble assistance and practice tips)Educational SupportCommunity ForumSpeakPipeEpisode OutlineIntroductionDiscover, Learn, PlayInvite to Join JazzPianoSkillsRationaleExploration of Jazz Piano SkillsConclusionClosing CommentsVisit JazzPianoSkills for more educational resources, including a sequential curriculum with interactive Jazz Piano Courses, private and group online Jazz Piano Classes, and a private jazz piano community, Jazz Piano Forums.If you wish to support JazzPianoSkills with a donation, you can do so easily through the JazzPianoSkills Paypal Account.Thank you for being a JazzPianoSkills listener. I am pleased to help you discover, learn, and play jazz piano!Support the show

VSM: Mp3 audio files
Waltz Op.69 In Ab Major from Waltzes (collection 1) for piano solo - Mp3 audio file

VSM: Mp3 audio files

Play Episode Listen Later Dec 30, 2021 3:28


Sonata Secrets
Brahms Waltz in Ab major, Op. 39 no. 15: Ever so Elegant!

Sonata Secrets

Play Episode Listen Later Dec 19, 2021 5:30


This is one of Brahms' most famous melodies; it captures perfectly the elegant dancing of the Viennese ballrooms in a piano piece. Video: https://youtu.be/6sYxmVYHD30

The Stress Factor Drum and Bass Podcast
Stress Factor Podcast 272 - DJ Tribo - July 2021 Drum and Bass Studio Mix

The Stress Factor Drum and Bass Podcast

Play Episode Listen Later Jul 11, 2021


Hello and welcome to The Stress Factor Drum and Bass Podcast number 272. We have DJ Tribo back with a wicked studio mix for the month of July 2021.Tribo has a nice summertime mix here that features 28 tracks and is 104 minutes long. This episode features track, remixes and labels Unknown Artist, Celsius Recordings, Minos, Fokuz Recordings, Response, Metalheadz, Linguistics, Shogun Audio, Ben Soundscape, Dispatch Recordings, B-complex, L-Side, Hospital Records, Physical Illusion, Electrosoul System, Intelligent Recordings, Pliskin, Break, Symmetry Recordings, Pola and Bryson, Ruth Royall, Netsky, Flava D, Q Project, Myth, Ab Major, Elixr, Influenza Media, Jazzatron, Code Recordings, A K A, Ekou Recordings, Bou, Gossip, Lenzman, Jubei, The North Quarter, DJ Hybrid, Mrs Magoo, Deep In The Jungle Records, Blame, DJ Marky, Enei, Critical Music, Dub Elements, Critical Music, Kasra, ThirtyOne Recordings, Stimpy, Riya, and Monrroe. Tracklist 01. Unknown Artist - Need To Feel Loved (DNB Remix) [Celsius Recordings] 02. Minos - Echoes (Original Mix) [Fokuz Recordings] 03. Response - Betrayal (Original Mix) [Metalheadz] 04. Linguistics - Think Too Much (Extended Mix) [Shogun Audio] 05. Ben Soundscape - Desert Swim (Original Mix) [Dispatch Recordings] 06. B-complex - Beautiful Lies (L-Side Remix) [Hospital Records] 07. Physical Illusion - Pensive Mood (Electrosoul System Remix) [Intelligent Recordings] 08. Response, Pliskin - The Pusher (Original Mix) [Metalheadz] 09. Break - Never Say Never (Original Mix) [Symmetry Recordings] 10. Pola and Bryson, Ruth Royall - Friend (Original Mix) [Shogun Audio] 11. Physical Illusion - Rock climber (Original Mix) [Intelligent Recordings] 12. Netsky - Memory Lane (Flava D Remix) [Hospital Records] 13. Ben Soundscape - Instances (Original Mix) [Dispatch Recordings] 14. Q Project, Myth - Demonz (Original Mix) [Ab Major] 15. Elixr - Lost In Thought (Original Mix) [Influenza Media] 16. Elixr - Wanted You To Know (Original Mix) [Influenza Media] 17. Jazzatron - SG (Original Mix) [Code Recordings] 18. A K A - Surrender (Original Mix) [Ekou Recordings] 19. Bou - Cous Cous (Instrumental) [Gossip] 20. Lenzman - Down for Whatever (Jubei Remix) [The North Quarter] 21. DJ Hybrid, Mrs Magoo - Back To 96 (Original Mix) [Deep In The Jungle Records] 22. Blame - Hindsight (DJ Marky Remix) [Hospital Records] 23. Enei - Dirty (Original Mix) [Critical Music] 24. Dub Elements - Dope (VIP) [Critical Music] 25. Kasra - Die 4 It (Original Mix) [ThirtyOne Recordings] 26. Stimpy - I and I (Original Mix) [Celsius Recordings] 27. A K A - Timelines (Original Mix) [Ekou Recordings] 28. Riya, Monrroe - Closer (Original Mix) [Shogun Audio]

stress myth blame factor gossip linguistics pola magoo stimpy drum and bass riya bou minos tribo netsky enei dj marky lenzman kasra studio mix metalheadz unknown artist jubei hospital records l side bass podcast monrroe shogun audio dub elements flava d ben soundscape electrosoul system critical music dj hybrid q project fokuz recordings pliskin north quarter physical illusion celsius recordings dispatch recordings ab major influenza media
Classical Music: The Stories
Liebestraum no. 3 in Ab major - Franz Liszt

Classical Music: The Stories

Play Episode Listen Later Feb 21, 2021 20:41


This week, solo piano is on the repertoire, as Carl looks at the music revolutionary, Franz Liszt.

franz liszt liebestraum ab major
Snowmass Chapel
10 11 2020 - Trois Nouvelles Études, #2 In Ab Major

Snowmass Chapel

Play Episode Listen Later Oct 11, 2020 2:15


10 11 2020 - Trois Nouvelles Études, #2 In Ab Major by Snowmass Chapel

Harmony&Improvisation
A Diatonic Four Note Chords

Harmony&Improvisation

Play Episode Listen Later Oct 7, 2020 5:03


- A Major four note chords - Ab Major four note chords  Episode Image Link - https://harmonyimprovisati.wixsite.com/harmonyimprov/downloads YouTube Channel - https://www.youtube.com/user/tpfbb Podcast Link - https://open.spotify.com/show/3s7KQqOZlrbk0vZkoe4buC?si=jk14dlxoQJ-V4jhpNeU6sA Website - https://harmonyimprovisati.wixsite.com/harmonyimprov

VSM: Mp3 audio files
Polonaise-Fantaisie Op.61 In Ab Major from Polonaises Op.44, Op.53, Op.61 (collection 4) for piano solo - Mp3 audio file

VSM: Mp3 audio files

Play Episode Listen Later Jun 3, 2020 8:51


Sonata Secrets
Chopin Nocturne Ab major Op 32 no 2: Wound up Waltzing

Sonata Secrets

Play Episode Listen Later Nov 14, 2019 17:30


Pianist Henrik Kilhamn explains this Chopin Nocturne in A flat major, where Chopin fuses the Nocturne style with a crazy waltz middle section. The initial melody is at first comfortable and reassuring, but after the wlatz section it returns in fortissimo and apassionato! Performance: 13:05

brainWaves: the neurocomm podcast
Episode 2: The First Wave

brainWaves: the neurocomm podcast

Play Episode Listen Later Oct 9, 2019 39:43


Started from the bottom, now we here. Maansi and Garret tell their life stories to set the stage for the rest of the podcast.Piano sample at 1:35 is Ballade No. 3 in Ab Major, Op. 47 (Frederic Chopin), performed by our very own Maansi Desai.Thanks as always to Riohso for our intro and outro music: https://soundcloud.com/riohsoFollow us on Twitter: https://twitter.com/brainwaves_castGot questions? Send us an email at brainwaves.neurocomm [at] gmail.com

Data Cult Audio
Data Cult Audio 0009 - Walker Farrell

Data Cult Audio

Play Episode Listen Later Jun 9, 2017 47:24


Walker Farrell Is part of the Make Noise crew. When he was about 17 Walker composed a piano piece that was based around a chord he had "discovered". This particular chord, when broken out and arpeggiated, had a feeling that was both longing and uplifting simultaneously, a never-ending cadence, an equal temperament Shepard scale. It turned out to be minor-flat-6, though the phrasing was as important as the content. In C it was spelled C, G, Gb, Eb from bottom to top. Two perfect fifths separated by a minor second. It's also notable as the core of the Rachmaninoff Prelude in c# minor, which was a favorite of Walker’s at that time. Repeated, transposed, or reiterated in successively higher octaves, it had, for him, a sense of endless reaching. (It could also be spelled as an Ab Major 7th chord, but he always felt the C as the root.)  In this decade Walker has been musically more interested in structural grounding than in goal-oriented results. He makes music without specific results in mind, in two branches: one concerned with the creation of structures within which to improvise, and the other concerned with generative music (music that creates itself). "Green Fiber" is one of his proudest examples of the latter. It is realized on a modular synthesizer, and based on three ideas:  1. The notion that any given "state" of the system should follow from the previous state, and should lay the grounds for the next state.  2. The oxymoronic or perhaps redundant idea of processing an additive oscillator with a frequency-specific resonator; this leads to occasional periods of great intensity when particular frequencies are emphasized twice over.   3. The above-mentioned chord and the feelings it still inspires in him. The sense of "always ending and always beginning" seems appropriate for generative music that cannot have a larger structure imposed upon it.  The piece is played without any input from the performer. In other words the system is the performer. The recording was made without being monitored by a human. On 6/2/17 Walker released a new EP of improvised computer music. Please check it out!

data cult gb eb inc. make noise ab major walker farrell
Bill Bentgen's Double Bass Scales
h160-13 Ab Major 160 bpm w/dotted rhythm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Feb 3, 2010 1:33


Ab Major scale for double bass played 5 times at 160 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
160-13 Ab Major 160 bpm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Feb 2, 2010 1:33


Ab Major scale for double bass played 5 times at 160 beats per minute for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
h155-13 Ab Major 155 bpm w/dotted rhythm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Feb 1, 2010 1:36


Ab Major scale for double bass played 5 times at 155 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
155-13 Ab Major 155 bpm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 31, 2010 1:36


Ab Major scale for double bass played 5 times at 155 beats per minute for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
h150-13 Ab Major 150 bpm w/dotted rhythm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 30, 2010 1:40


Ab Major scale for double bass played 5 times at 150 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
150-13 Ab Major 150 bpm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 29, 2010 1:40


Ab Major scale for double bass played 5 times at 150 beats per minute for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
h145-13 Ab Major 145 bpm w/dotted rhythm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 28, 2010 1:43


Ab Major scale for double bass played 5 times at 145 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
145-13 Ab Major 145 bpm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 27, 2010 1:43


Ab Major scale for double bass played 5 times at 145 beats per minute for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
h140-13 Ab Major 140 bpm w/dotted rhythm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 26, 2010 1:47


Ab Major scale for double bass played 5 times at 140 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
140-13 Ab Major 140 bpm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 25, 2010 1:47


Ab Major scale for double bass played 5 times at 140 beats per minute for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
h135-13 Ab Major 135 bpm w/dotted rhythm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 24, 2010 1:51


Ab Major scale for double bass played 5 times at 135 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
135-13 Ab Major 135 bpm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 23, 2010 1:51


Ab Major scale for double bass played 5 times at 135 beats per minute for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
h130-13 Ab Major 130 bpm w/dotted rhythm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 22, 2010 1:55


Ab Major scale for double bass played 5 times at 130 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
130-13 Ab Major 130 bpm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 21, 2010 1:55


Ab Major scale for double bass played 5 times at 130 beats per minute for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
h125-13 Ab Major 125 bpm w/dotted rhythm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 20, 2010 2:00


Ab Major scale for double bass played 5 times at 125 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
125-13 Ab Major 125 bpm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 19, 2010 2:00


Ab Major scale for double bass played 5 times at 125 beats per minute for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
h120-13 Ab Major 120 bpm w/dotted rhythm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 18, 2010 2:05


Ab Major scale for double bass played 5 times at 120 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
120-13 Ab Major 120 bpm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 17, 2010 2:05


Ab Major scale for double bass played 5 times at 120 beats per minute for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
h115-13 Ab Major 115 bpm w/dotted rhythm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 16, 2010 2:10


Ab Major scale for double bass played 5 times at 115 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
115-13 Ab Major 115 bpm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 15, 2010 2:10


Ab Major scale for double bass played 5 times at 115 beats per minute for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
h110-13 Ab Major 110 bpm w/dotted rhythm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 14, 2010 2:16


Ab Major scale for double bass played 5 times at 110 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
110-13 Ab Major 110 bpm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 13, 2010 2:16


Ab Major scale for double bass played 5 times at 110 beats per minute for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
h105-13 Ab Major 105 bpm w/dotted rhythm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 12, 2010 2:22


Ab Major scale for double bass played 5 times at 105 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
105-13 Ab Major 105 bpm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 11, 2010 2:22


Ab Major scale for double bass played 5 times at 105 beats per minute for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
h100-13 Ab Major 100 bpm w/dotted rhythm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 10, 2010 2:29


Ab Major scale for double bass played 5 times at 100 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
100-13 Ab Major 100 bpm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 9, 2010 2:29


Ab Major scale for double bass played 5 times at 100 beats per minute for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
h095-13 Ab Major 95 bpm w/dotted rhythm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 8, 2010 2:37


Ab Major scale for double bass played 5 times at 95 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
095-13 Ab Major 95 bpm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 7, 2010 2:37


Ab Major scale for double bass played 5 times at 95 beats per minute for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
h090-13 Ab Major 90 bpm w/dotted rhythm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 6, 2010 2:46


Ab Major scale for double bass played 5 times at 90 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
090-13 Ab Major 90 bpm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 5, 2010 2:46


Ab Major scale for double bass played 5 times at 90 beats per minute for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
h085-13 Ab Major 85 bpm w/dotted rhythm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 4, 2010 2:56


Ab Major scale for double bass played 5 times at 85 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
085-13 Ab Major 85 bpm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 3, 2010 2:56


Ab Major scale for double bass played 5 times at 85 beats per minute for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
h080-13 Ab Major 80 bpm w/dotted rhythm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 2, 2010 3:07


Ab Major scale for double bass played 5 times at 80 beats per minute with dotted rhythm for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
080-13 Ab Major 80 bpm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Jan 1, 2010 3:07


Ab Major scale for double bass played 5 times at 80 beats per minute for 3 octaves with cello playing an octave higher.

Bill Bentgen's Double Bass Scales
040-13 Ab Major 40 bpm

Bill Bentgen's Double Bass Scales

Play Episode Listen Later Dec 31, 2009 6:08


Ab Major scale for double bass played 5 times at 40 beats per minute for 3 octaves with cello playing an octave higher.

Emily Bentgen's Oboe Scales
149 Ab Major mm=220

Emily Bentgen's Oboe Scales

Play Episode Listen Later Sep 10, 2007 0:46


Ab Major Scale played 5 times at 220 beats per minute.

scales oboe ab major
Emily Bentgen's Oboe Scales
104 Ab Major mm=200

Emily Bentgen's Oboe Scales

Play Episode Listen Later Sep 7, 2007 0:51


Ab Major Scale played 5 times at 200 beats per minute.

scales oboe ab major
Emily Bentgen's Oboe Scales
059 Ab Major mm=160

Emily Bentgen's Oboe Scales

Play Episode Listen Later Sep 4, 2007 1:04


Ab Major Scale played 5 times at 160 beats per minute.

scales oboe ab major
Emily Bentgen's Oboe Scales
014 Ab Major mm=120

Emily Bentgen's Oboe Scales

Play Episode Listen Later Sep 1, 2007 1:25


Ab Major Scale played 5 times at 120 beats per minute.

scales oboe ab major