Podcasts about Double bass

With Chris on guitar and vox, Looney with the occasional vox, Yuni on Guitar and Favian slapping the Double Bass accompanied by Christian the designated mastermind, Nueva Elegancia are a musical group with traditional Mexican guitar style but I wouldn't call them a mariachi band.  Young fellas with an average age around 20, playing the […]

Back to basics on my bass

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Giovanni Bottesini - Double Bass Concerto No. 1: FinaleThomas Martin, double bass English Chamber OrchestraAndrew Litton, conductorMore info about today's track: Naxos 8.570397Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Margarethe Maierhofer-Lischka, born 1984 in Regensburg, is a double bassist, improviser, researcher, and sound artist. As an active ensemble musician, she collaborates with artists across disciplines to create performances, radio art, and sound installations. She is a member of several initiatives focusing on contemporary music, improvisation, and interdisciplinary art. Her work has been recognized with scholarships from the Austrian Federal Government, the DOMS Foundation Basel, and the Karlheinz Stockhausen Foundation. In 2018, she received the Theodor Körner Award for arts and science. We explore her journey with podcasting, ensemble management, pedagogical innovations for the double bass, and much more. Enjoy, and check out the following links to learn more about Maggie and her fascinating work: Maggie's website the podcast she does with her ensemble Schallfeld Ensemble website Maggie's website outlining resources about contemporary playing techniques her artsy non-bass projects the list of solo double bass recordings we talked about   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsor!   Upton Bass - From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg

Franz Anton Hoffmeister - Double Bass Quartet No. 2: RondoNorbert Duka, double bassErno Sebestyen, violin Helmut Nicolai, viola Martin Ostertag, celloMore info about today's track: Naxos 8.572187Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

This week on ImVibes Podcast, we welcome Charlotte's freshest punk disruptors, Stinkbuggg—a band that proves two basses are definitely better than one. We dive into their live shows, upcoming tracks that are bound for vinyl, and the actual aroma of a stinkbug. Plus, we get into what it's really like having a dual-bass dynamic, all wrapped in our usual swirl of comedy and questionable tangents. It's loud, it's real, and it's pure Stinkbuggg.https://stinkbuggg.bandcamp.com/https://open.spotify.com/artist/09sxPtYeY98E98xC8A3KJ0?si=0daK1ELORSG60ULsQDb3-whttps://www.facebook.com/people/Stinkbuggg/61565715171895/?_rdrhttps://www.instagram.com/stinkbugggband/

Welcome to the Blink Friction Arts Podcast and the Music Crazy Robots.Today we are holding the Low End: exploring Renowned Female Double Bass Players Who Changed the GameWhen we think of double bass players, it's easy to conjure images of towering instruments, smoky jazz clubs, and the deep rumble of classical orchestras. But while the double bass has long been considered a male-dominated instrument—perhaps due to its sheer size and physicality—women have not only held their own but reshaped the narrative in profound and inspiring ways.Here's a celebration of some of the most renowned female double bass players, spanning genres from classical to jazz, who continue to break boundaries and make their mark.1. Esperanza SpaldingIf there's a modern icon of bass brilliance, it's Esperanza Spalding. A musical prodigy, Spalding plays both double bass and electric bass with virtuosic ease, weaving jazz, fusion, classical, and soul into a genre-defying tapestry. She made headlines in 2011 by winning the Grammy for Best New Artist—an award rarely given to jazz musicians. With a string of critically acclaimed albums and boundary-pushing live performances, Spalding's influence reaches far beyond the bass community. She's also a professor at Harvard, emphasizing innovation in music and performance.2. Chi-chi NwanokuBritish-born Chi-chi Nwanoku is a trailblazer in the classical music world. As the founder of the Chineke! Orchestra—the first professional orchestra in Europe made up of majority Black and ethnically diverse musicians—she has made it her mission to open doors in a traditionally exclusionary space. A formidable double bassist in her own right, Chi-chi was a principal bassist with the Orchestra of the Age of Enlightenment for over 30 years. Her career blends musical excellence with social justice, making her a vital voice in contemporary classical music.3. Linda May Han OhHailing from Australia and now based in New York, Linda May Han Oh has become one of the most in-demand jazz bassists of her generation. Whether leading her own projects or playing with legends like Pat Metheny, Joe Lovano, or Vijay Iyer, Oh brings a deep musicality and sharp improvisational mind to every performance. Her tone is warm, articulate, and commanding, with an emotional range that speaks volumes. She also teaches at the Berklee College of Music and the New School, nurturing the next wave of bass talent.4. Kristin KorbA rare mix of bassist and vocalist, Kristin Korb blends bebop agility with a velvet voice. Originally from the U.S. and now based in Denmark, Korb carries forward the tradition of singing bassists (think Ray Brown or Slam Stewart) but with a distinctively elegant and lyrical touch. Her interpretations of jazz standards are joyful, inventive, and rhythmically tight, making her performances feel both timeless and fresh.5. Caroline EmeryFor lovers of classical double bass pedagogy, Caroline Emery is a key figure. A professor at the Royal College of Music in London, Emery has trained a generation of outstanding bassists, many of whom now play in top orchestras worldwide. She's known for her work with young musicians and her emphasis on posture, breath, and physical awareness—an essential contribution to transforming how double bass is taught and performed.6. Jennifer LeithamJennifer Leitham, a veteran of the jazz scene and an accomplished composer, performer, and educator, is best known for her work with the likes of Mel Tormé and Doc Severinsen. Her playing is powerful and deeply rooted in jazz tradition, but she's also known for pushing the envelope both musically and personally. As a transgender woman in jazz, Leitham has been an advocate for visibility and acceptance in the music world, proving that artistry and authenticity go hand in hand.7. Amy DominguesClassically trained yet artistically adventurous, Amy Domingues has explored everything from Baroque continuo playing to post-rock collaborations and experimental sound art. Based in Washington, D.C., she's a cellist and double bassist with a unique voice. Her work highlights the double bass's capacity for subtlety, beauty, and textural depth across genres.Why Representation MattersThe double bass may be one of the largest and most physically imposing instruments in the orchestra or on the bandstand, but these women show that passion, skill, and vision aren't confined by size or stereotype. They've not only expanded what's possible on the instrument—they've redefined who gets to play it.Whether you're a student, a listener, or a player yourself, exploring the work of these bassists is a powerful reminder of music's capacity to evolve—and to include.Want to dive deeper? Check out performances by these players on YouTube, explore their discographies on streaming platforms, and follow their latest work on social media. And if you're learning bass yourself—take heart: these legends prove that the possibilities are endless.Follow the music crazy team on YouTub @taletellerclub

Today's episode features a conversation with Gary Upton, the founder of Upton Bass. Since founding the company in 1999, Gary has built it into one of the most established and trusted names in the world of double bass. Besides exploring the backstory of Upton Bass, we delve into their latest innovations, including amplifiers, strings, BuildBass.com and rosin. Enjoy!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsor! Upton Bass - From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg

Our and about with artist musician Sarnia de la Mare

Art and music

Comparing Rabbath, Simandl, and Suzuki Methods for Double BassWhen learning the double bass, choosing the right method can shape a musician's technique, interpretation, and overall approach to the instrument. Three of the most influential double bass pedagogical methods—François Rabbath, Franz Simandl, and Shinichi Suzuki—offer distinct philosophies, each with its strengths and limitations.Simandl Method: The Traditional FoundationFranz Simandl's New Method for the Double Bass (published in 1874) remains a cornerstone of classical double bass pedagogy. Rooted in the Viennese school of playing, it emphasizes strict positional playing, a systematic approach to shifting, and progressive technical development.Strengths:Structured Learning: Simandl's method divides the fingerboard into positions, with most of the left-hand technique built around half position and first position, progressively expanding.Orchestral Application: It prepares bassists well for classical and orchestral playing, focusing on intonation and bow control.Comprehensive Exercises: Etudes and exercises provide a solid technical foundation for developing consistent tone and precision.Limitations:Shifting Complexity: The heavy reliance on shifting (as opposed to pivoting or extended techniques) can make rapid passages feel cumbersome.Rigid Approach: Some bassists find Simandl's method too mechanical, limiting expression and modern techniques.The Simandl method is ideal for students who want a solid classical foundation, particularly those aiming for orchestral careers.Rabbath Method: A Revolutionary ApproachFrançois Rabbath, a Syrian-born French bassist, developed a modern approach to double bass playing, challenging many traditional techniques. His method, documented in Nouvelle Technique de la Contrebasse, promotes fluidity, efficiency, and musicality.Strengths:Fewer Positions, More Freedom: Instead of the rigid positional system of Simandl, Rabbath divides the fingerboard into six broad positions, relying on pivoting and natural hand shapes for smoother transitions.Expressive Playing: Encourages musical phrasing and a natural approach to technique, making it highly suitable for soloists and contemporary bassists.Ergonomic Efficiency: Advocates for economy of motion, reducing unnecessary tension and allowing faster, more agile playing.Thumb Position Mastery: Introduces thumb position early, which helps players navigate the upper register with ease.Limitations:Difficult to Adapt for Traditionalists: Bassists trained in Simandl may find Rabbath's method disorienting at first.Soloist-Oriented: While beneficial for expressive playing, some orchestral musicians feel it lacks the same rigor in foundational orchestral technique as Simandl.Rabbath's method is ideal for bassists seeking a freer, more modern approach, especially those interested in solo repertoire, jazz, and contemporary music.Suzuki Method: An Aural Approach for Early LearnersShinichi Suzuki's method, originally developed for violinists, has been adapted for double bass and emphasizes learning by ear, early musicality, and group learning. The Suzuki method introduces bassists to music through listening, imitation, and repetition, fostering strong fundamental technique from a young age.Strengths:Early Start: Suitable for very young learners, using simplified repertoire to build intonation, rhythm, and bowing technique.Emphasis on Ear Training: Develops intonation and phrasing naturally through listening and repetition.Group Learning: Encourages ensemble playing, making it highly engaging for young musicians.Limitations:Limited Repertoire for Advanced Players: While great for beginners, Suzuki's method lacks the depth of Simandl or Rabbath for professional-level development.Less Emphasis on Reading Music Initially: Since it focuses on aural learning, students might develop reading skills later compared to traditional methods.Suzuki is an excellent method for young beginners, offering a nurturing and ear-focused introduction to the double bass.Which Method is Best?The “best” method depends on the player's goals:For Orchestral Players: Simandl provides the most structured foundation.For Soloists and Contemporary Bassists: Rabbath offers fluidity and expressiveness.For Young Beginners: Suzuki nurtures musicality and ear training in an engaging way.Many modern bassists incorporate elements from all three—using Simandl for traditional technique, Rabbath for agility and expression, and Suzuki's principles for early training and musical development.No matter which method you choose, the key to mastering the double bass lies in dedicated practice, strong fundamentals, and musical expression.

Oliver is joined by principal bass player with the Irish Chamber Orchestra for 30 years, Malachy Robinson

In today's podcast, we speak with Kathryn Schulmeister and Andrew Mell. Kathryn and Andrew joined the double bass faculty at the University of the Pacific's Conservatory of Music in fall 2023, where they recently hosted the inaugural Pacific Bass Day in January 2025. We explore their backgrounds, discuss the experience of launching their first bass day, and delve into their plans for the future, among other topics. Enjoy! We explore their backgrounds, discuss the experience of launching their first bass day, and delve into their plans for the future, among other topics. Enjoy! Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music theme music by Eric Hochberg

Matt and Jethro leave behind the soothing sounds of the double bass and journey to small town America for some frozen delights! What will they find? FIND out!

We're back in Kansas City with a 17-year-old double bassist who gives a heartfelt performance of Bottesini's Elegy No. 1. We meet a teen composer and learn about her journey in writing music, including creating an imaginative ocean adventure for the famous Kronos Quartet which you'll hear! Finally, we enjoy a flashback performance by prize-winning violinist Maria Ioudenitch from when she was a teen living in Kansas City.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

On episode one hundred and forty one of Holy Ghost Notes, Matt and Tim have way more energy than normal and channel that energy into a productive rant about how you can't take advice from just anyone. They find a natural segway into their drum topic, revisiting double bass in light of Matt's recent course. From there, the guys shift into the topic of health, where they weigh the balance of mind, body, and soul.

A little something called a Master Photographer on, oh I don't know, Google Maps? Ever heard of it. #HardScience #Mathematics #CrookedCops #Cowards

In today's episode, Yuka Tadano shares her musical journey. Starting with her current gigs, including a new Broadway show, "Swept Away,” and preparing for a cast album of "Suffs," she reflects on her extensive experience in musical theater.   Yuka discusses her involvement in several productions, including the Neil Diamond show "Beautiful Noise." She also touches on her passion for jazz, her educational background at the University of North Texas, and her transition to New York's vibrant scene.   We also discuss the blend of stability and uncertainty in a musician's life, her experiences with both electric and acoustic bass, and the importance of creativity and attention to detail. Don't miss this conversation with one of Broadway's first-call bassists.   Enjoy, and check out Yuka's CASE-4-BASS interview to learn more about her electric bass and great and playing.   photo credit: Erika Kapin   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsor! Upton Bass - From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg

This episode is an in-depth and inspiring conversation with 2022 Sphinx Competition winner Kebra-Seyoun Charles (they/them), a classical bassist and composer renowned for overcoming barriers and diversifying the landscape of classical music.   As a modern virtuoso and composer of concerti, ballets, and pop ballads, Kebra's music has been praised for its "buoyancy and verve — pushing the far reaches of tonality while savoring hummable grooves" (ICareIfYouListen). A rising star and advocate for a more inclusive classical music community, The Strad confirms that "Versatility defines Charles's approach."   We cover their musical journey, the importance of inclusive music education, experiences with stage fright and imposter syndrome, and the critical role of classical music in today's world. Kebra-Seyoun also shares insights into their creative process, the impact of mentorship, and the goal of merging classical music with mainstream culture.   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsor! Upton Bass - From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg

In this episode, I chat with Szymon Marciniak about his newly released album 'Lost Beauty: Music for Double-Bass by František Hertl and Contemporaries.' Szymon shares the recording process, the repertoire's significance, and his experience using gut strings. We discuss the challenges and inspirations behind the project, including the role of early 20th-century performance practices. The episode delves into the technical and emotional aspects of music-making and sheds light on how historical sound aesthetics shaped the album.   Check out this great new release from Szymon and Jongsuk Kim on the Solaire Records website, Apple Music, Spotify, or wherever you listen to music!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsor!   Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

In this episode, Emilse Rios recounts her journey from studying music at the José Luis Paz Music Conservatory in Venezuela to balancing her academic pursuits in sociology at La Universidad del Zulia. Emilse talks about the challenges and cultural richness of moving to Buenos Aires, her experiences as one of the few female double bass players, and the influence of her sociology background on teaching music. Through Venezuela's national orchestra system, El Sistema, she has managed to blend her dual interests seamlessly. She also delves into her strategies for maintaining an online presence on platforms like Instagram and YouTube, especially during the pandemic, and discusses the importance of efficient time management to balance her professional life and content creation. Emilse shares valuable insights on finances, sustaining creativity, the myth of perfectionism in classical music, and the importance of building a supportive community through newsletters and independent platforms. Enjoy, and connect with Emilse on her website and on Instagram! Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music Thank you to our sponsors! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

In this episode of One Symphony with conductor Devin Patrick Hughes, Devin has an inspiring conversation with bass virtuoso and composer Kebra Seyoun Charles. From their early exposure to African drumming and gospel music to becoming a celebrated classical musician, Charles shares their unique journey and vision for the future of classical music through their "Counter Classical" style. Charles's work embodies a fresh perspective on classical music's future, one that honors tradition while embracing innovation and inclusivity. Their approach shows that classical music's evolution doesn't require abandoning its foundations, but rather expanding its boundaries to embrace diverse influences and experiences. As they put it, "Classical music is so beautiful and so ephemeral and it can't be contained." Charles explores growing up in a musical household and how that led to their disvoery of the film composer, Erich Woflgang Korngold. They also discuss the autobiographical ballet project, Enby, that's based on their experience as a nonbinary person developing in the world.  Kebra-Seyoun Charles is able to give prominence to the dance qualities in all forms of music. Kebra-Seyoun has performed alongside esteemed improvisers and composers such as Jon Batiste, at Carnegie Hall, and Tyshawn Sorey, at the New England Conservatory. Kebra-Seyoun was also featured in “Slugs' Saloon” at the Institute of Contemporary Art in Boston, an interactive installation created by famed jazz musician and composer Jason Moran. Kebra-Seyoun Charles is also a passionate chamber musician. Playing with groups like East Coast Chamber Orchestra, A Far Cry, Palaver Strings, and the Sphinx Virtuosi afford Kebra the opportunity to showcase virtuosity while still playing within an ensemble. A prime example of this is their tenure on the 2019 Emmy award-winning Broadway production “Hadestown”. Thank you for joining us on One Symphony. Thanks to Kebra-Seyoun Charles for sharing their amazing spirit and music-making. You can find  more info at https://www.kscharles.com. Recordings from the episode include:  Koussevitsky: Concerto for Double Bass, First Movement. Featuring Kebra-Seyoun Charles on Double Bass. Performed with the Boston Philharmonic Youth Orchestra, Benjamin Zander conducting. Dating in NY. Composed by Kebra-Seyoun Charles. Featuring Charles on bass and musicians from the Juilliard School.  The third movement from Andres Martin's Bass Concerto. Performed by Charles with the New World Symphony under the direction of Chad Goodman. First movement from Erich Korngold's Piano Quintet, op. 15. Performed by the ARC Ensemble from the Royal Conservatory, Toronto.  Erich Korngold's Cello Concerto in One Movement. Featuring Victor Julien-Laferrière on cello performing with the Frankfurt Radio Symphony. Conducted by Marie Jacquot. “Another Breakup Song.” Composed by Kebra-seyoun Charles. Featuring Charles on bass. Kayla Williams on viola, Joseph Brent on mandolin, Sommer Alteir on violin, and Kabir Adiya-Kumar on percussion.  “Galaxy,” composed by Xavier Foley. Featuring Kebra-seyoun Charles and Xavier Foley on bass accompanied by the Sphinx Virtuosi.  Holdberg Suite. Composed by Edvard Grieg. Performed by the Palaver Strings featuring Kebra-Seyoun Charles on bass.  You can always find more info at OneSymphony.org or DevinPatrickHughes.com including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music.   

Today's episode features Brian Powell, double bass faculty at the Frost School of Music, discussing his recently released album, 'Suite Italienne Double Bass and Piano.' This album marks the first full arrangement and recording of Igor Stravinsky's Suite Italienne for double bass and piano, approved by Stravinsky's estate and published by Boosey & Hawkes.  It features 8 movements, incorporating elements of Pulcinella, with contributions from artists Oleksii Ivanchenko, Karen Lord-Powell, and Ross Harbaugh. Recorded in 2023 at the University of Miami, the album aims to contribute to the double bass repertoire, highlighting Powell's ongoing efforts to promote new music for the instrument.   Subscribe to the podcast to get these interviews delivered to you automatically! Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today!   Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. Double Bassists: Register for the Grunewald International Music Competition, which will take place in the former Mendelssohn family palace in Berlin's Grunewald from December 2nd to 7th. Klaus Trumpf and Miloslav Gadjoš are double bass jury members.   theme music by Eric Hochberg

In this episode, double bass performer and educator Lauren Pierce delves into the inspiration and development of her new book on intonation titled 'Please Play in Tune.' She shares her personal journey and challenges in tackling the daunting topic! We explore the concepts of ear, technique, and response as key elements in mastering intonation. Lauren covers the importance of making intonation a fun and rewarding process, while addressing common misconceptions such as the belief that intonation is an innate ability. Through detailed exercises, etudes, and repertoire examples, she provides a structured method for musicians to improve their playing technique. Her approach aims to demystify the process and make it accessible, even for individuals learning without a teacher.   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today!   Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

Do you ever feel torn between your performing life, your teaching life, and your family life? Our guest this week on Tales from The Lane, Heather Miller Lardin, was feeling exactly that way until she figured out how to balance it all--making space for what was most important:  Being at the top of her game as a performer Being an incredibly generous mentor and guide for her beloved students Being present for her family (and having the energy they deserve from her) You'll hear how she crafted a bespoke teaching program that gives her students the absolute gold standard of historical performance pedagogy, and has carved out the rest of her schedule with the utmost intentionality to make time for the other parts of her life that are important to her as well.  This episode is full of gems and words of wisdom and experience. You won't want to miss it!  And if you're curious about how the Creatives Leadership Academy can help you to design your life and career with more intentionality so that you can take things up a notch, earn more income, do the gold-standard of whatever it is you love to do, AND have time for the rest of your life, Book a call with me today so we can discuss it! ---> CHAT WITH KATE   Heather Miller Lardin is principal double bassist of the Handel + Haydn Society, director of the Temple University Early Music Ensemble, and co-director of the Philadelphia-based period instrument ensemble Night Music. This season she also appeared with Tempesta di Mare, Bach Choir of Bethlehem, Charlotte Bach Festival, Staunton Music Festival, and Brandywine Baroque. In addition to serving on the faculties of Amherst Early Music and the Viola da Gamba Society of America Conclave, Heather has presented historical bass workshops and master classes at Yale University, James Madison University, and Peabody Conservatory.  Intensely curious about all things historical bass, Heather designs online and in-person workshops engaging like-minded bassists worldwide. Her Baroque Double Bass course is available on discoverdoublebass.com. A graduate of the Curtis Institute of Music, Heather holds a DMA in Historical Performance Practice from Cornell University. She makes her home in the Western suburbs of Philadelphia, where she started playing bass in 6th-grade orchestra. When not teaching, tuning, or chauffeuring teenagers, she might be enjoying a cozy mystery and a good cup of coffee with her two Maine Coon cats. Follow her on IG @heathermillerlardin And be sure to say hi over at @kkayaian 

photo credit: Marco Borggreve This episode features a conversation with Sasha Witteveen, who recently released her debut album titled ‘…Into the Light.' We dig into the creative process behind the album, upcoming concerts, including her upcoming Concertgebouw recital featuring the 'Alice in Wonderland Suite' and Bottesini pieces with a mix of visual elements like stage lights and props. We also talk about the challenges and experiences of transitioning from French to German bow technique, her time studying in Düsseldorf, and reflections on various compositions including works by Xavier Foley and Dave Anderson. Enjoy, and follow along with Sasha and her career through the following links: Website Album '...Into the Light' Spotify Youtube Concert calendar 27-09-24, Concertgebouw, Amsterdam 17-11-24, Tonhalle, Düsseldorf (Martín - Bass Concerto with orchestra) Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsors!   Upton Bass - From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today!   Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

Join Brendan Fitzgerald, Assistant Principal Double Bass for the St. Louis Symphony Orchestra, as he shares his comprehensive approach to preparing for and succeeding in orchestra auditions. From practicing at half tempo and balancing practice with a full-time job to managing nerves with beta-blockers, Brendan covers all aspects of his preparation process. Learn how to handle the audition day, manage your workload, and ensure your best performance under pressure. Don't miss his key takeaways for musicians looking to secure a professional orchestra position. Check out Brendan's past podcast appearance here as well as his appearance on Ryan Beach's podcast.     Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsors!   Upton Bass Rosin, developed by Gary Upton, boasts an excellent feel, response, and tone for double bass bows. Gary believes it's the best bass rosin available. It's appreciated by users like Blake Hinson from the New York Philharmonic for its quality and performance.  Learn more about Upton's rosin, basses, and more at uptonbass.com. Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

In this episode, Pascale Delache Feldman, Emmanuel Feldman, and Victor Cayres discuss their newly released tango album, 'Let's Tango.' The conversation dives into the intricacies of tango music, its cultural roots, and the creative process behind their collaboration. With stories about their musical journeys, unique tango techniques, and the joy of performing live, this episode offers a rich look into the world of tango. Listeners are provided with insights on musical improvisation, the influence of dance on their performances, and the joy of artistic experimentation. The episode is a celebration of the trio's synergy and the vibrant musical landscape of tango.   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsors! Upton Bass Rosin, developed by Gary Upton, boasts an excellent feel, response, and tone for double bass bows. Gary believes it's the best bass rosin available. It's appreciated by users like Blake Hinson from the New York Philharmonic for its quality and performance.  Learn more about Upton's rosin, basses, and more at uptonbass.com. Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg