Podcasts about aristide maillol

Brandon Zech and special guest Pete Gershon discuss the history of Houston's artist-run spaces, and also talk about Gershon's new position as Curator of Programs at the Orange Show Center for Visionary Art. "If a space lasted for a year or a couple of years and then the proprietor moved on to do something else, that's hardly a failure."  See related readings here: https://glasstire.com/2022/12/04/art-dirt-discussing-houstons-alternative-spaces-with-pete-gershon This week's podcast is sponsored in part by the Nasher Sculpture Center. Muse on art, the body, and change in "Nairy Baghramian: Modèle vivant," an exhibition that The Dallas Morning News calls a “human and industrial mix.” See new works by the artist and explore the dialogue with classic masterpieces at the Nasher Sculpture Center, including Roy Lichtenstein, Aristide Maillol, and Henri Matisse. Plan your visit here: https://www.nashersculpturecenter.org/art/exhibitions/exhibition/id/1897/nairy-baghramian-modle-vivant/utm_medium/referral-paid/utm_campaign/exh-1pr-ae/utm_source/glasstire/utm_content/baghramian

Gampert, Christianwww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei

Memòria 503 Juny 2021 - Memòria al Mas d'en Parrota, al Domini Berta-Maillol de Banyuls de la Marenda amb Ivon Berta Maillol, un indret que porta la memoria de l'escultor Aristide Maillol, que era el seu rebesoncle, el germa de la seua besàvia. Tenia 7 anys el 1944 quan l'artistava va morir a Banyuls.

“Aristide Maillol (1861-1944)“La quête de l'harmonieau Musée d'Orsay, Parisdu 12 avril au 21 août 2022Interview de Ophélie Ferlier-Bouat, Directrice du musée Bourdelle et conservatrice du patrimoine,et de Antoinette Le Normand-Romain, Directrice générale de l'INHA honoraire et conservatrice générale du patrimoine honoraire, et commissaires de l'exposition,par Anne-Frédérique Fer, à Paris, le 11 avril 2022, durée 21'59.© FranceFineArt.Communiqué de presse Commissariat : Ophélie Ferlier-Bouat, Directrice du musée Bourdelle et conservatrice du patrimoine Antoinette Le Normand-Romain, Directrice générale de l'INHA honoraire et conservatrice générale du patrimoine honoraireDepuis l'Hommage à Maillol organisé pour le centenaire de sa naissance au musée national d'art moderne en 1961, Aristide Maillol n'a pas bénéficié de véritable monographie dans un musée parisien. Souvent opposé à Rodin, Maillol l'intemporel a pourtant joué un rôle crucial dans la naissance de la modernité au début du XXe siècle. Le musée d'Orsay lui consacre enfin une rétrospective, qui met l'accent sur la période féconde et méconnue de l'avant-première guerre mondiale : le grand public connaît essentiellement les sculptures du jardin du Carrousel du Louvre, pour la plupart tardives. L'exposition bénéficie d'un partenariat avec la Fondation Dina Vierny – Musée Maillol, lieu incontournable pour toute étude de l'artiste. Des dessins et carnets de croquis inédits offrent ainsi une vision nouvelle de son processus créatif. Un autre partenariat exceptionnel avec la Fondation Oskar Reinhart de Winterthur permet de présenter pour la première fois hors de l'institution suisse, et à l'étape parisienne uniquement, quatre sculptures majeures de Maillol, dont la mythique Méditerranée réalisée pour le comte Kessler.L'exposition contient plus de 200 oeuvres : environ 90 sculptures, mais également dessins, gravures, peintures et arts décoratifs. Elles sont présentées en dialogue avec quelques oeuvres de contemporains de Maillol, mettant ainsi en évidence les échanges fructueux noués avec ses amis et relations – Maurice Denis, Auguste Rodin, Pierre Bonnard, Edouard Vuillard, Auguste Renoir notamment. Des oeuvres monumentales, placées dès la nef des sculptures, voisinent avec les dessins et esquisses préparatoires, afin de comprendre les étapes de travail d'un artiste obnubilé par les possibilités plastiques du corps féminin. À partir de 1905, il décline un répertoire de formes limité, poursuivant une quête de synthèse libérée de toute anecdote. [...] Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

durée : 00:04:35 - Mômes trotteurs - par : Ingrid Pohu - Banyuls-sur-Mer est située sur la partie la plus orientale de la chaîne pyrénéenne, où le massif des Albères se jette dans la Méditerranée. Aux pieds de vignes en terrasses, la cité portuaire est limitrophe avec l'Espagne.

Paris's Maillol Museum was founded in 1995 by Dina Vierny, a model and close associate for 19th and 20th-century sculptor Aristide Maillol. It is currently showing the works of Swiss artist Alberto Giacometti, along with several works by artists such as Maillol, Aguste Rodin and Germaine Richier. Interesting to compare. To listen to Rosslyn Hyams's radio report click on the arrow in the top right hand of the photo. Alberto Giacometti spent a lot of time in Paris, in his studio in Montparnasse, and his works have been more or less fashionable over the years since his death in 1966. Today he is considered as one of the most important sculptors of his generation. The exhibition at the Musée Maillol in association with the Giacometti Foundation, is laid out to enable an exploration of Giacometti's sculptures and drawing. In bright white spaces, the delicate heads in glass cubes look all the more vulnerable. How thin can a person be? Giacometti saw the human figure as frail, even cast in a solid metal like bronze. His rough-edged shapes contrast with the roundness and fullness of  Maillol's works. Although Giacometti himself went through a period of more classical creation before formulating the style he is best-known for.. The Giacometti Foundation has picked pieces for this exhibition which show how Giacometti played with ancient art   from North Africa, particularly Egypt, and Africa south of the Sahara, which corresponded to his times and remains strikingly adapted to tastes today. The exhibition runs till March 2019.

Paris's Maillol Museum was founded in 1995 by Dina Vierny, a model and close associate for 19th and 20th-century sculptor Aristide Maillol. It is currently showing the works of Swiss artist Alberto Giacometti, along with several works by artists such as Maillol, Aguste Rodin and Germaine Richier. Interesting to compare. To listen to Rosslyn Hyams's radio report click on the arrow in the top right hand of the photo. Alberto Giacometti spent a lot of time in Paris, in his studio in Montparnasse, and his works have been more or less fashionable over the years since his death in 1966. Today he is considered as one of the most important sculptors of his generation. The exhibition at the Musée Maillol in association with the Giacometti Foundation, is laid out to enable an exploration of Giacometti's sculptures and drawing. In bright white spaces, the delicate heads in glass cubes look all the more vulnerable. How thin can a person be? Giacometti saw the human figure as frail, even cast in a solid metal like bronze. His rough-edged shapes contrast with the roundness and fullness of  Maillol's works. Although Giacometti himself went through a period of more classical creation before formulating the style he is best-known for.. The Giacometti Foundation has picked pieces for this exhibition which show how Giacometti played with ancient art   from North Africa, particularly Egypt, and Africa south of the Sahara, which corresponded to his times and remains strikingly adapted to tastes today. The exhibition runs till March 2019.

Wim Noordhoek doet verslag van de Maillol-tentoonstelling in de Rotterdamse Kunsthal. Aristide Maillol (1861-1944) is vooral bekend om zijn monumentale vrouwenfiguren. ‘Ik werk in een dierenwinkel. We verkopen vissen, knaagdieren en vogels. Met honden en katten zijn we gestopt. Die markt ligt veel te veel open. Als dierenwinkel kun je niet concurreren met de prijzen [...]

In 1904 Constantin Brancusi walked all the way from Romania to Paris, where he first worked for Auguste Rodin for a time, but he didn’t endure the overpowering master for long.

Herzlich willkommen im Kunst Museum Winterthur. Ich begrüsse Sie zu unserem Rundgang, den wir hier, im Treppenhaus des Museums, beginnen.

Welcome to the Kunst Museum Winterthur, and welcome to our tour that begins here in the stairwell of the museum.

Les Nabis experimented with bold colouring and abstraction, taking inspiration from Paul Gauguin. They included Paul Sérusier, Maurice Denis, Pierre Bonnard, Aristide Maillol and Edouard Vuillard.

http://citygardenstl.org/podcast/702_Maillol.mp3 Mon, 29 Jun 2009 11:20:04 -0500 Visual Arts