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How can better business systems protect your firm's profitability, and your sanity?In this episode of Practice Disrupted, Evelyn Lee is joined by Darguin Fortuna, founding principal of Flow Design Architects and chair of the AIA Small Firm Exchange. Darguin shares his incredible journey from moving to the United States from the Dominican Republic in 2010, learning English while working night shifts at Wendy's, to passing all six ARE exams in just over a year and earning his license the same day his daughter was born.Darguin's frustration with traditional architecture practice didn't stem solely from long hours; it also stemmed from the lack of transparency around business operations, the constant scope creep, and the inability to establish a healthy work-life balance. Determined to build something different, he and his partner, Marcos Severino, founded Flow with rigorous systems designed to protect profitability and empower their staff. They share how they categorize their services into three distinct levels, Ionic, Doric, and Corinthian, charge for initial consultations, and use a fictional office manager to handle difficult financial conversations."Every line is a source of good, and it's worth money. If I draw a map to a treasure that has billions of dollars of gold, how much is that map worth? You can't get the gold without the map." - Darguin FortunaThis episode is a masterclass in treating an architecture firm as a business first. Darguin explains his obsessive focus on process, from recording client meetings and creating standard email templates to building a vast library of internal training videos that enable the firm to run autonomously. Whether you are a firm owner struggling with profitability or a young architect looking to carve your own path, Darguin's story is a powerful reminder that you have the agency to design a career and a life on your own terms.Guest:Darguin Fortuna is the founding principal of Flow Design Architects in Salem, Massachusetts, and the first Dominican-born recipient of the AIA Young Architect Award. After immigrating to the U.S. and completing his architecture degree at the Boston Architectural College, Darguin became licensed and quickly recognized the flaws in traditional practice models. At Flow, he has pioneered highly systematic, business-first approaches to architecture, focusing on profitability, clear client communication, and robust internal training. He is also an entrepreneur with ventures in short-term rentals and childcare.This episode is especially for you if:✅ You are tired of scope creep and want to learn how to ensure you are paid for every service you provide. ✅ You want to understand how to implement tiered service offerings (like Flow's Ionic, Doric, and Corinthian models) to manage client expectations. ✅ You struggle with setting boundaries with clients and want strategies for maintaining work-life balance. ✅ You are interested in how to build internal training systems (SOPs) so your firm can operate without your constant oversight. ✅ You want to hear an inspiring story of resilience, entrepreneurship, and carving out a unique path in the architecture profession.What have you done to take action lately? Share your reflections with us on social and join the conversation.
rWotD Episode 3219: Henry Clay Monument Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Wednesday, 25 February 2026, is Henry Clay Monument.The Henry Clay Monument is a public monument in Pottsville, Pennsylvania, United States. Work on the monument, which consists of a state of Henry Clay atop a Doric column, began in 1852, shortly after his death, and ended in 1855.As a politician in the early 19th century, Clay was an advocate for the American System of protective tariffs that helped Pottsville's anthracite industry, and upon his death in 1852, several prominent citizens in the city advocated for the erection of a monument in his honor. Work commenced with the laying of a cornerstone on July 26, 1852, and ended in June 1855, with the structure dedicated on July 4 (Independence Day) of that year. The column was designed by Frank Hewson and created by George Fissler, while the statue was designed by sculptor H. Wesche and cast at the Robert Wood & Company foundry in Philadelphia. Both these structures are made of cast iron and painted white.This recording reflects the Wikipedia text as of 01:12 UTC on Wednesday, 25 February 2026.For the full current version of the article, see Henry Clay Monument on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Amy.
A wee puckly stories from today's P&J on the 23rd of February 2026. Thanks for listening, cheers. Allan
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Ernest Chausson (1855 - 1899) – Concerto per pianoforte, violino e quartetto d'archi in re maggiore, Op. 21 1. Décidé - Calme - Animé 2. Sicilienne. Pas vite - 14:583. Grave - Un peu plus vite - Mouvement - 19:174. Finale. Très animé - Très vif - Plus large - Plus animé - Premier Mouvement - 29:43 Jennifer Pike, violinoTom Poster, pianoforteDoric String Quartet
A wee suppy stories from today's P&J on the 17th of February 2026. Thanks for listening, cheers, Allan
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Happy Birthday Ashleigh! A wee puckly stories from today's P&J on the 12th of February 2026. Thanks for listening, cheers, Allan
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Latest Podcast from Spoken Label (Author / ArtistPodcast) features making her debut, Lucy Beth. Lucy Beth (she/her/hers) is a multi-award-winningemerging performer, theatre-maker and lecturer from Inverurie, Aberdeenshire.She graduated with Distinction from the University of Glasgow's MLitt Theatre & Performance Practices Course after being awarded a PGT Excellent Scholarship bythe University.Lucy has worked on various stage, screen, and audioprojects. Her recent credits include Blanca in Ten Feet Tall's production of "Guilty" by Rona Munro at Granite Noir Festival. Penny in “How To Train Your Dad To Be A Feminist” at the Aberdeen Arts Centre, and she has alsostarred in TMM Recruitment's Christmas Advert, “Scary Tale of New Work,”Beyond conventional performing, part of Lucy's practiceconcerns dialect preservation. She speaks Doric and seeks to create and perform works in Doric as a means of continuing to render the dialect present. Her Doric works have reached critical acclaim and have earned Lucy several awards.Her Doric solo theatre show, “Ma Name Is Isabelle” wasperformed at The Edinburgh Fringe Festival and was highlighted as one of SNACK Magazine's Picks of the Fringe. It also received an Edinburgh Fringe TheatreAward from the Fringe Theatre Awards. The show has received 5-star reviews in the press.Lucy won the Best Newcomer Award at The Doric FilmFestival for her film, "Fit Wye Nae" in 2024. In 2025 she performed in "Sticky Business", winner of the Best Film Award at the 2025 Doric Film Festival.Lucy's Doric poetry won her a place in the finals of the Loud Poet's Slam Poetry Competition in Aberdeen in June 2025 and made a guest appearance at the LoudPoet's Edinburgh Fringe show, which was awarded 5 stars. She was one of the Young Women's Movement's 30 Under 30 Honourees for 2025.Lucy was also a 2025 Scottish Emerging Theatre AwardsWinner. More details can be found at: https://www.lucy-beth-performer.com/
A wee puckly stories from today's P&J on the 3rd of February 2026. Thanks for listening, cheers, Allan
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Today on Ascend: The Great Books Podcast, host Dcn. Harrison Garlick, along with guests Alec Bianco and Sean Berube, explore St. Basil the Great's letter To Young Men, on the Right Use of Greek Literature, passionately arguing that Christians—especially young men—should actively read pagan classics like Homer, Plato, and Hesiod. Check out thegreatbookspodcast.comCheck out our LIBRARY OF WRITTEN GUIDES to the great books.Drawing on personal testimonies, the trio explains how these pre-Christian texts strengthened their own faith, trained natural virtue, sharpened Scripture reading, and revealed seeds of the Logos planted by divine providence. Through vivid analogies—leaves preparing fruit, bees gathering honey, and despoiling the Egyptians—they, supported by St. Jerome's defense, contend that pagan literature is not a threat but a providential gift that grace perfects, forming the soul, evoking wonder, and equipping believers to engage the world with confidence and love.SummaryThe conversation highlights how pagan texts address universal human questions—virtue, meaning, fate, and the divine—preparing the soul for revelation, much as leaves nourish fruit on a branch or mirrors help the immature soul see itself. St. Basil's analogies are unpacked: pagan literature as a shallow pool for beginners, bees selectively gathering honey from flowers, and the need to discriminate good from harmful elements through the standard of Christ. Examples include Odysseus's restraint with Nausicaa as a model of natural virtue and Socrates's near-Christian insights on non-retaliation. The guests stress that grace perfects nature, so training in natural virtue via pagan examples elevates rather than diminishes the supernatural call, challenging modern sloth and low expectations of human potential.Providence is a recurring theme: Hebrew faith and Greek reason converged under Roman order to prepare the world for Christ; parallels in myths (floods, giants, serpents) and the Hellenization of Scripture (Septuagint, New Testament in Greek) show God working through pagan culture. References to Tolkien, Lewis, and Justin Martyr's logos spermatikos underscore that truth found anywhere belongs to Christians. Music and athletics are explored as parallels—pagan modes and contests can form the soul when approached with discernment, just as Doric tunes sobered revelers in Pythagoras's story.The discussion shifts to St. Jerome's Letter 70, defending the use of secular literature against accusations of defiling the Church. Jerome cites Moses educated in Egyptian wisdom, Paul quoting pagan poets, and analogies like despoiling the Egyptians or David wielding Goliath's sword—Christianity takes the best of pagan thought and conquers paganism with it. His provocative image of shaving the captive woman (Deuteronomy) to make secular wisdom a “matron of the true Israel” illustrates stripping away seductive errors to reveal underlying beauty and truth.Ultimately, the episode frames engagement with pagan literature as an act of love: understanding providence, nurturing what is good, evangelizing by meeting souls where they are, and ascending toward the Logos who permeates all reality. The tone is confident and joyful, rejecting both puritanical fear and uncritical consumption in favor of prudent, Christ-centered discernment.KeywordsChristians read pagans, pagan literature Christians, St Basil pagan literature, St Basil Greek literature, why Christians read Homer, why Christians read Plato, classical education Christianity, great books Christianity, and pagan classics faith. Long-tail keywords to target specific searches are should Christians read pagan literature, why young Christian men read
A wee puckly stories from today's P&J on the 6th of January 2026. Thanks for listening, cheers, Allan. Dedicated to my late old man, Archibald Smith, born on this day a long long long time ago! A great dad.
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