Scottish Poetry Library Podcast

On 15 February 2013, Jennifer Williams and poet/author Tracey S. Rosenberg had a chat about that dreaded and unavoidable demon that every publishing writer must do battle with: rejection.  We hope this podcast will be of interest to all writers who have to deal with inevitable rejection, and especially to young and emerging writers who are starting down the challenging path towards publication.  Music by James Iremonger. Photo by Chris Scott.

The multidimensional Kenyan poet, filmmaker and writer Ngwatilo Mawiyoo is the subject of this month's Nothing But The Poem podcast. Keguro Macharia, in The New Inquiry, writes that Ngwatilo's poetry "draws out my own memories [which] speaks to its generative power: its particularity is generous, opening ways for readers to encounter and inhabit it." Hers is a voice that insists on the personal and political being unified. Our resident podcast host Sam Tongue selected: Found: Portrait Of Umau's Early Days, Found: Eulogy For My Father and Night Swim. Find out what Sam – and the Friends Of The SPL group – took from these poems in this Nothing But The Poem podcast.

Who was Eddie Linden (1935-2023)? A poet, an editor, and a man with an extraordinary range of contacts and friends who ranged from Tom Leonard to Harold Pinter. Linden was a person who achieved much considering his incredibly tough childhood. Born illegitimate, he was passed from pillar to post as a boy in Glasgow. Later, he suffered much anguish when his Roman Catholicism conflicted with his sexuality. In the 1960s, after moving to London, he began an extraordinary literary magazine Aquarius, which-over 30 years-became a veritable Who's Who of contemporary poets. In this 2013 podcast, he discussed his life and verse from his home in Maida Vale. Image by Mazengarb

Born in Budapest and brought up in England after coming to the UK as a refugee in 1956, George Szirtes has remained one of the country's most interesting poets since his first prize-winning collection, The Slant Door, was published in 1979. That wasn't the last trophy he was to take home; he won the T S Eliot Prize for his 2005 collection Reel. The SPL caught up with Szirtes at the StAnza poetry festival in March, 2013. In town to read from his collection Bad Machine (Bloodaxe), he spoke to Colin Waters about memory, photography, Twitter and 1960s garage pop. Photo by Caroline Forbes.

Good poetry gets beneath the skin of readers. This episode features a poet who, for a short period, literally got ‘under the skin'. In the autumn of 2008, poet and essayist Marianne Boruch was awarded a ‘Faculty Fellowship in a Second Discipline', permitting her to study something new for a semester. Her choice? Anatomy classes. ‘Cadaver, Speak', a long poem, was her response to her time dissecting bodies, and in this 2013 podcast, she talks about her experiences in an interview conducted in the Edinburgh University Medical School's historical lecture theatre.

In 1972, Liz Lochhead published her debut collection, Memo For Spring, a landmark in Scottish literature. In an extended interview with Colin Waters, the then Scots Makar discusses what the early 1970s poetry scene she emerged into was like, one in which women poets were few and far between. She recalls early meetings with the elder generation – Norman MacCaig, Edwin Morgan, Robert Garioch – and with contemporaries such as Tom Leonard, James Kelman and Alasdair Gray. She also speaks about life during the era of the three-day week and compares it with an economically troubled present-day that, in some respects, mirrors 1972. And she reads several poems from Memo For Spring. Photo by Norman McBeath.

In 2013, Edinburgh-born Ross Sutherland was described as one of the most interesting young poets working in Britain. Inspired by cut-ups and technology, his collection Emergency Window (Penned in the Margins) featured a sequence of classic poems fed through Google Translate many times until they become something else entirely. He wrote a sequence of sonnets about the characters in the video game Street Fighter 2, and yet his work is never gimmicky or unemotional. Ross talked to the SPL about the hairstyles of millionaires, how John Cooper Clarke inspired him, and about taking part in one of the more unusual poetry readings of the time. Photo by James Lyndsay.

In this episode of Nothing But The Poem podcast, our usual host Samuel Tongue goes in deep on two weel kent poems by Norman MacCaig, one of Scotland's most loved and influential poets. Norman MacCaig famously, and self-deprecatingly, described writing his poems as "one fag" poems or "two fag" poems. Nothing could be further from the truth for readers, who can spend hours returning again and again to his best work. The two poems featured here are generally considered among Maccaig's finest. Rich in observation with similes to die for Aunt Julia is often rated as MacCaig's most popular poem, with it's famous opening lines:   Aunt Julia spoke Gaelic very loud and very fast.   Stars and Planets is the other poem featured in this podcast. A short cosmic stunner of a poem with more of MacCaig's surprising similes and deft observations. Samuel Tongue and the Friends of the SPL group had fun discussing these two poems as they looked beneath the bonnets of both.  

Iain Sinclair is one of the UK's greatest living writers. Famed for his novels, such as Downriver, and documentary prose, of which London Orbital is perhaps the best known, Sinclair began his career self-publishing his own poetry on his Albion Village Press in the 1970s. 2013 saw the publication of three books – two poetry collections and a longer book on his relationship with the Beats, American Smoke. Colin Waters travelled to Sinclair's home in Hackney, where he asked Sinclair about his Scottish roots, John Clare and his lost 1970s collection Red Eye, which was being published by Test Centre. Picture of Iain Sinclair by Luca Del Baldo.

We have all heard the arguments in favour of Scotland's best poet or favourite poem, but what about its greatest collection? In this recording from 2012, the SPL invited two guests – James Robertson, poet, publisher and author of the novels And the Land Lay Still and The Testament of Gideon Mack, and Dorothy McMillan, editor of Modern Scottish Women Poets and former Senior Lecturer in English Literature at the University of Glasgow – to join then SPL director Robyn Marsack to discuss what might be Scotland's best collections of poetry in an extended podcast. Image: Seaweed by Lucy Burnett

Anita Govan has been involved in performance poetry for many years, long before it became as widespread as it is today, both as a performer and an organiser of events. Sceptical of the competitive aspects of slams, she still takes part in them and organises them for young people as she recognises their part in giving people a forum in which to share their experiences. In this podcast Jennifer Williams talks to Govan about her time as the Stirling Makar, coping with dyslexia, and standing up for young people.

The Written World was the Scottish Poetry Library's London 2012 project. To mark the Olympics, we launched a scheme to find a poem for each of the 204 countries taking part, which were then broadcast on BBC Radio. In October 2012, with the project over, we took the chance to look back on The Written World with its project manager Sarah Stewart. We also talked to Richard Price, whose poem ‘Hedge Sparrows' was chosen to represent Team GB, and William Letford, who the SPL asked to write a poem marking the end of the tournament. A trio of poets is rounded out by Mariama Khan, a poet representing Gambia at Poetry Parnassus, another international event linked to the Olympics.

Aonghas MacNeacail (1942-2022) was a leading voice in Gaelic poetry for decades, as poet, and as a regular literary commentator in print and on Gaelic radio. To celebrate his seventieth birthday in 2012 he published a new selected poems, Laughing at the Clock / Déanamh Gáire Ris A' Chloc. MacNeacail came into the SPL in 2013 to talk about his life and career, from his childhood in Uig on the Isle of Skye to his membership of Philip Hobsbaum's legendary writing group. He also talked about his struggles as a Gaelic speaker in an English language-dominated culture, including an oddly strenuous struggle with the telephone directory people.

Bob Dylan has played many roles in his life: voice of a generation, rock ‘n' roll Judas, Christian convert, even Victoria's Secret salesman. The one that concerned the SPL podcast in 2013 was ‘poet'. Across two biographies – Once Upon A Time and Time Out of Mind (both Mainstream) – Ian Bell (1956-2015) considered Dylan in a more literary context than any other biographer of His Bobness. Over the course of this podcast, we discussed whether Dylan can really be considered a poet, the writers who influenced him, his Scottish connection, and his encounters with poets such as Carl Sandburg, Archibald McLeish and Allen Ginsberg. Image: Bob Dylan, Paris, France 1966 by Paul Townsend, under a Creative Commons licence.

Lorna Fleming and Anna Gray lead small groups of (mostly) women to let loose their wild side, to dive in to their unconscious and find their buried treasure. Wild Writers are creatives, public sector workers, teenagers or any other type of human who is boldly and often messily transforming on their hero's or heroine's journey. Ahead of their workshops at the SPL in April and May 2025, Kevin Williamson chats to Lorna and Anna about their wild work. Tickets for the SPL Wild Writing workshops are available here. Other Wild Writing courses can be found here.

Best Scottish Poems is the Scottish Poetry Library's annual online anthology of the 20 Best Scottish Poems, edited each year by a different editor. Bookshops and libraries – with honourable exceptions – often provide a very narrow range of poetry, and Scottish poetry in particular. Best Scottish Poems offers readers in Scotland and abroad a way of sampling the range and achievement of our poets, their languages, forms, concerns. It is in no sense a competition but a personal choice, and this year's editors, the novelists Louise Welsh and Zoë Strachan, checked and balanced each other's predilections. Their introduction demonstrates how widely they read, and how intensely. All the Best Scottish Poems selections are available on the SPL website. This special podcast features readings by established voices and emerging talent. With readings by Kathleen Jamie, Liz Lochhead, Robin Robertson, John Burnside, and many more.  Photo by Jen Hadfield.

In this podcast the poet and artist MacGillivray reads from and discusses her book, The Last Wolf of Scotland (Pighog). The collection is an exploration of connections between Scotland and the American Frontier whose form brilliantly reflects the subject matter of the poems. MacGillivray joins Jennifer Williams in a conversation that maps the rich web of influences from which her poetry emerges, taking in Doors front-man Jim Morrison, mock ancient Scottish bard Ossian, and the mysterious ‘Man with Fourteen Lives'. Plus a debate about whether poetry works better on the page or read aloud, or memorised and recited.

In this 2013 podcast, Jennifer Williams talks to poet, playwright and recording artist Kate Tempest* about hip hop, poetry, their play Brand New Ancients, mythology, world peace and much more. Kate has written plays for Paines Plough and the Battersea Arts Centre, written poetry for the Royal Shakespeare Company, Channel 4 and the BBC, worked in schools and won the Ted Hughes Award for New Work in Poetry 2012, for Brand New Ancients.  *In 2020 the musician and poet formerly named Kate Tempest changed their name to Kae Tempest, and announced they are non-binary. In the announcement on Instagram, Tempest said they were changing the pronouns they use, from she and her to they and them. Image © Melanie Flash

Jenny Lindsay was co-creator of the popular ‘poetry cabaret' Rally and Broad (which ran from 2012-2016), a hit originally in Edinburgh that spread its wings to Glasgow. In this 2014 podcast, we talked to Jenny about her poetry and the lively spoken word scene in Scotland. Photo by Alex Aitchison.

The famous Welsh poet RS Thomas is the subject of this month's Nothing But The Poem podcast. Anne Stevenson of the Listener describes Thomas as a religious poet who 'sees tragedy, not pathos, in the human condition' ... 'He is one of the rare poets writing today who never asks for pity.' 'Like the Welsh countryside he writes about, Thomas's poetry is often harsh and austere, written in plain, somber language, with a meditative quality.' - The Poetry Foundation  Our resident podcast host Sam Tongue took an immersive dive into two RS Thomas poems: From The Farm  and Reservoirs. Find out what Sam - and the Friends Of The SPL group - took from these poems in this Nothing But The Poem podcast.

Poet Chrys Salt talks about who has the right to write about certain subjects, about writing war poetry when you have a son who is a soldier, and how poetry can benefit from a good performance. Thanks to James Iremonger for the music in this podcast.

Brian Johnstone (1950 - 2021) was a poet and former director of the StAnza poetry festival. In this archive podcast he discusses the highlights of his StAnza career, what he thinks makes a good poetry festival, his own work and his creative improvisations as part of jazz-poetry combo Trio Verso. Featuring the tracks ‘Storm Chaser' and ‘The Sound of Breaking Glass'. Presented by Ryan Van Winkle. Produced by Colin Fraser. Incidental music by Ewen Maclean.

Alexander Hutchison (1942-2015) was a poet and translator in Scots and English. His first book Deep-Tap Tree (University of Massachusetts Press, 1978) is still in print. Other collections include The Moon Calf (Galliard, 1990) and Carbon Atom (Link-Light, 2006). Melodic Cells, an interview with Hutchison conducted by Andrew Duncan appears in Don't Start Me Talking: Interviews with Contemporary Poets (Salt: Cambridge, 2006). Salt also published Scales Dog: New and Selected Poems in 2007. In this podcast former SPL Programme Manager Jennifer Williams talks to Alexander about his then most recent collection, Bones & Breath (Salt), tardigrades, ancient spears, the poet's voice and much more!

Niall Campbell is the subject of this month's Nothing But The Poem podcast. The South Uist poet has had three collections of poetry published, has won many major poetry prizes, and is currently poetry editor of Poetry London. ​‘Noctuary is a homage to night-time, to "that midnight thrill of being alive", to the small, stray moments that make up a life. It is also a passionately tender examination of what it means to have and care for a small child.' – Suzannah V. Evans, Times Literary Supplement 'The poems in the book place his Hebridean homeland in an ever-shifting mosaic of tidal gifts, memories, folklore, conversations and people. Always there is an awareness of the sea that surrounds, that change is constant, and that there is no going back.' – The Scotsman, Poem of the Week, on The Island in the Sound Our resident podcast host Sam Tongue took an immersive dive into two Niallcampbel poems. The Night Watch from his second collection 'Noctuary' (2019, Bloodaxe) and Apprenticeship from his third collection 'The Island in the Sound' (2024, Bloodaxe). Find out what Sam - and the Friends Of The SPL group - took from these poems in this Nothing But The Poem podcast.

Walking With Poets was an SPL project that looked at an old subject, nature, using new media. We put four poets – Sue Butler, Mandy Haggith, Jean Atkin and Gerry Loose – into Scotland's botanic gardens. For this special podcast, we interviewed each of the poets in their garden.

Possessing a friendship that spanned the Atlantic, Scotland's John Burnside (1955-2024) and America's Allison Funk were captured in conversation, speaking about what they enjoy about each other's countries, from poetry and music to the mutability of the landscape and people. Allison Funk is the author of four volumes of verse, including The Tumbling Box (2009). John Burnside's Black Cat Bone (2011), is one of only two titles to have won both the Forward Prize and the TS Eliot Prize for Poetry. In a conversation that runs from delta blues to Virginia Woolf, Funk and Burnside explain the way in which they've influenced each other's work while still being ‘opposite sides of the same coin'.

Victoria Chang is the subject of this month's Nothing But The Poem podcast. The Taiwanese-American poet has had seven collections of poetry published, her most recent - With My Back To The World (2024) - winning the Forward Prize for Best Poetry Collection. ​'Chang has liberated the Ekphrastic form to new lyric heights and depths. Inventive, meditative, audacious, strange and soulful ... that engages the eye and mind as much as the ear and heart' ​- Raymond Antrobus 'Chang invites readers to query depression, grief, and the purpose of art. There are no answers here, only an ongoing conversation.' - Emily Pèrez Our resident podcast host Sam Tongue took an immersive dive into two Victoria Chang poems Mr Darcy and Edward Hopper's Office at Night. Find out what Sam - and the Friends Of The SPL group - took from these poems in our Nothing But The Poem podcast.

In this extended version of Nothing But The Poem Kevin Williamson interviews Donny O'Rourke, editor of Dream State - The New Scottish Poets which was published in 1994 and remains the gold standard of poetry anthologies, and, arguably, the most visionary poetry anthology ever published in Scotland. Dream State's contributors were all aged under 40 at the time and were assembled by fellow poet and broadcaster Donny O'Rourke. Only 6 of these poets - John Burnside, Carol Ann Duffy, Kathleen Jamie, Jackie Kay, W N Herbert and Robert Crawford had appeared in The New Poetry - Bloodaxe's high profile generational anthology - the year before. Donny O'Rourke had his finely tuned ear to the ground, and, as well as the 6 poets listed above, he brought together another 19 Scottish poets under the age of 40, all overlooked by the Bloodaxe anthology. These included Don Paterson, David Kinloch, Meg Bateman, Richard Price, Graham Fulton, Robert Alan Jamieson, Maud Sulter, Alan Riach, and a 28 yer old - and as yet bookless poet - Roddy Lumsden. Donny O'Rourke was no ordinary editor. He was a visionary with an agenda who not only hoped to achieve a "gathering of forces' but wanted an anthology with zero fillers and, crucially, for the anthology to be a vital energetic snapshot of all aspects of Scottish life at a time the country had entered a tumultuous phase in its history. Dream State's ambition was huge: poetry as "news that stays news" as Ezra Pound once wrote. Popular culture, street smart wit, political tensions, scientific discoveries and radical re-imaginings infuse every page. O'Rourke was no narrow nationalist, as is stated in the introduction, but drew upon Edwin Morgan as the anthology's outward looking internationalist and hyper curious guiding spirit. Dream State was egalitarian in its sense of purpose from the outset. From Alasdair Gray came the inclusive definition of Scots as anyone who lived in Scotland, or who was from Scotland and left. Dream State was relatively balanced gender-wise too (for the 1990s). 15 male poets and 10 female poets. The New Poetry, despite its vitality and excellence, on the other hand had just 17 women poets out of its 55 contributors. We also hear the words of many working class poets in Dream State, perhaps abandoned by much of the politics of the time, making their voices heard. In this podcast Donny O'Rourke sits down in the Scottish Poetry Library with Kevin Williamson (who was publishing and editing Rebel Inc magazine at the same time) to revisit the creative riot that was the early 1990s. They discuss Dream State and the time and place which gave birth to it. Dream State The New Scottish Books was published by Polygon.

The poetry community was shocked and saddened when the much-loved young poet Gboyega Odubanjo died last year. Since then a full length collection of his poetry titled Adam has been published posthumously by Faber; and the Gboyega Odubanjo Foundation for low-income Black writers has been established to honour his legacy. His poetry hit many raw nerves among readers. Fellow poet Luke Kennard praised his work as 'Deep, funny, thought provoking - a powerful evocation of culture and family with the most assured phrasing and imagery and confident formal innovation.' Our usual podcast host Samuel Tongue - via an online meet up of the Friends of the SPL group - discussed in depth two of Gboyega's poems: Brother and The Garden

Into Poetry is an exciting new outlet for poetry in both print and online based in Scotland. In the run up to its launch its editor, David Cameron, dropped into the Scottish Poetry Library to chat with Samuel Tongue about the ideas behind the project, its origins and remit, its international reach, including how to submit work and what to expect. Into Poetry is part of the artistic hub Into Creative which was established in 2013 by Stephen Cameron and can be found at https://intocreative.co.uk  The website also features articles on Music, Art, Movies and Books. The imprint, Into Books, was established in 2019 with a view to publishing one or two titles per year; with the remit of being "imaginative, challenging and accomplished titles".

“To make art out of something painful, uncertain or damaging is an act of real empowerment” wrote Kathryn Bevis, who died in May 2024. Her first full-length poetry collection, The Butterfly House, was published two months earlier and tells the story of a life before and after a late-stage cancer diagnosis. The poems examine both life and death, encompassing experiences, terrible and sublime. Her publishers Seren wrote in her obituary that she was "Perhaps one of the finest poets of her generation... (who) captured hearts and minds with her innovative use of form, language and metaphor to describe everyday life, experiences of women and terminal illness. She had a skill for finding light in the dark, celebration in sadness, and joy in the smallest moments." Don Paterson described her as: " A poet of real wisdom, compassion, and fearlessness." Sam Tongue took an immersive dive into two Kathryn Bevis poems My Cancer as a Ring-Tailed Lemur and Matryoshka. Find out what Sam - and the Friends Of The SPL group - took from these poems in our Nothing But The Poem podcast.

Our usual host, Sam Tongue, puts two poems by the wonderful Yorkshire poet Caroline Bird, under the groupchat microscope. Caroline Bird has published eight collections of poetry to date; usually to great acclaim, awards and rave reviews. Her latest collection, Ambush at Still Lake (Carcanet) has her trademark surreal wit, and is a kaleidoscope of startling imagery, lyrical unexpectedness, and is typically hard to classify, but so easy to fall in love with. UK Poet Laureate, Simon Armitage said of her: "Bird is irrepressible; she simply explodes with poetry. The work erupts, spring-loaded, funny, sad, deadly - you don't know if a bullet will come out of the barrel or a flag with the word BANG on it." Sam Tongue took his customary immersive dive into two poems from Ambush at Still Lake: RSVP and Cuckoo. Find out what Sam - and the Friends Of The SPL group - got from these poems in our Nothing But The Poem podcast.

Ann an Hai-Àidh #7, tha Petra Johana Poncarová agus Donnchadh Sneddon a' coimhead air dìleab Ruaraidh MhicThòmais mar bhàrd, neach-deasachaidh, agus iomairtiche, agus a' bruidhinn mun leabhar-rannsachaidh a nochd am bliadhna bho Chlò Oilthigh Dhùn Èideann, Derick Thomson and the Gaelic Revival.   In Hai-Àidh #7, Petra Johana Poncarová and Duncan Sneddon look at Derick Thomson's legacy as a poet, editor, and activist, and discuss the academic monograph Derick Thomson and the Gaelic Revival which came out earlier this year from Edinburgh University Press.

Ann an Hai-Àidh #6, thagh Niall O'Gallagher ‘Bisearta' le Deòrsa Mac Iain Dheòrsa agus Alasdair C. MacIlleBhàin ‘Gur fad 'am thàmh mi gu tostach sàmhach' le Dòmhnall Eachainn à Muile. Tha Niall agus Alasdair a' leughadh nan dàin agus a' bruidhinn orra, a' lorg cheanglaichean eadar bàrdachd-cogaidh anns an fhicheadamh linn agus bàrdachd nam Fuadaichean anns an naoidheamh linn deug, agus a' beachdachadh air an dàimh eadar snas an fhoirm agus cuspairean aognaidh.   For Hai-Àidh #6, Niall O'Gallagher chose George Campbell Hay's ‘Bisearta' and Alasdair C. Whyte went for ‘Gur fad 'am thàmh mi gu tostach sàmhach' by Donald MacGillivray. They read the poem and discuss them, finding connections between twentieth-century war poetry and nineteenth-century poetry of the Clearances, and consider the tensions between formal beauty and disturbing subject matters.

The much-loved and much-missed Scottish poet and translator, Alexander 'Sandy' Hutchison, is the latest subject of the Nothing But The Poem podcast, presented by our regular host, Samuel Tongue. David Kinloch said of his work: "Alexander Hutchison's poetry is elegant, flighty and absurdist by turns." WN Herbert wrote: "Sandy Hutchison's poetry exhibits a gleeful acquisitive fascination with the language." "A mentor, a bristling master, and a total original." - August Kleinzahler The two poems by Alexander Hutchison discussed by the Friends of the SPL group in this podcast are Gavia Stellata and Everything. 

A short audio recording to accompany the Moon Tell Me Truth exhibition at the Scottish Poetry Library.

Ann an Hai-Àidh #5, thagh Peigi Nic a' Phiocair ‘Oidhche Na' Mo Chadal Dhomh' le Nellie Ruadh, dàn a chaidh lorg o chionn ghoirid ann an tasglann, agus Joy Dunlop ‘An Roghainn', aon de Dàin do Eimhir le Somhairle MacGill-Eain, mar òran le fonn ùr a rinn Dòmhnall Seathach. Tha Peigi agus Joy a' leughadh, a' seinn, agus a' còmhradh air briathran blasta agus faireachdainnean làidir.   For Hai-Àidh #5, Peigi MacVicar picks Nellie Ruadh's song ‘Oidhche Na' Mo Chadal Dhomh', a recent archival discovery, and Joy Dunlop brings in ‘An Roghainn', one of Sorley MacLean's Dàin do Eimhir, set to music by Donald Shaw. Peigi and Joy read, sing, and chat about tasty words and strong feelings.

Our usual host, Sam Tongue, is back from paternity leave, and between feeds and nappy changes has recorded the latest episode of our regular Nothing But The Poem poetry podcast. Special thank you to Aoife Lyall for stepping in and producing 3 wonderful NBTP podcasts on Jane Clarke, Eavan Boland and Billy Collins. Much appreciated. Sam's subject this month is Nuala Watt, an emerging poet, whose work is increasingly recognised for its unique voice, formal daring, and fierce authenticity. Nuala Watt is partially sighted and her poems lead us through "the bureaucratic labyrinth of government assessment, the anxious joy of expecting a child and, with verve and originality, the realities of being a disabled parent". Fellow poet Alyson Hallett commented: "Sit down before you read these poems. Open the window. Open the door. There's a bolt of pure electric coming for you." My thoughts have arrived in the post. I don't know which ones. I think they may be cyclists in the dark. Sam took a deep dive into two poems from Nuala's debut poetry collection, The Department of Work and Pensions Assesses a Jade Fish, which has just been published by Blue Diode  Press. Find out what Sam - and the Friends Of The SPL group - got from these poems in our Nothing But The Poem podcast.

Ann an Hai-Àidh #4, thagh Meg Bateman ‘Cànan na Deighe' le Beth Frieden agus Joy Dunlop ‘Nam Aonar le Mo Smaointean' le Iain MacLeòid. Tha Meg agus Joy a' leughadh nan dàin agus a' bruidhinn orra, a' lorg ceanglaichean eadar dàn a tha cho ùr 'sa ghabhas agus òran tradaiseanta. Cuspairean a' mhìos: dàimh ri àite, fuaimean fuachd, agus bàrdachd mar tùs-ùrachaidh agus mar chomas-iongantais.   In Hai-Àidh #4, Meg Bateman chose ‘Cànan na Deighe' by Beth Frieden, and Joy Dunlop brought in ‘Nam Aonar le Mo Smaointean' by John MacLeod. Meg and Joy read the poems and have a chat about them, bringing together a very recent Gaelic poem with a traditional song. This month's themes include relationship to place, the sound of ice, and the power of poetry to make us look anew.

Billy Collins, the former Poet Laureate of the United States, is the latest subject of the Nothing But The Poem podcast. With our regular podcast host Sam Tongue on paternity leave this edition has Bloodaxe poet Aoife Lyall taking a deep dive into two of Billy Collins's poems, which were discussed at the online monthly meet-up of the Nothing But The Poem group. Billy Collins is one of the world's most loved poets, famed for his directness, accessibility and playful wit. Carol Ann Duffy could not have given higher praise when she said: "Billy Collins is one of my favourite poets in the world." The Minneapolis Star-Tribune concurred: "Collins is absolutely charming. He deserves every rose he's flung these days... His poems are irresistible." John Updike commented: "Billy Collins writes lovely poems... Limpid, gently and consistently startling, more serious that they seem, they describe all the worlds that are and were and some others beside." The two poems discussed in this podcast are Introduction to Poetry from The Apple That Astonished Paris (1988) and Tension from Ballistics (2008).

Eavan Boland is the latest subject of the Nothing But The Poem podcast. With our regular podcast host Sam Tongue on paternity leave this edition has Bloodaxe poet Aoife Lyall taking an immersive look into two of Eavan Boland's poems, which were discussed at the online monthly meet-up of the Nothing But The Poem group. Eavan Boland is one of the central figures of modern Irish poetry, a poet who, according to her publishers Carcanet, "came to be known for her exquisite ability to weave myth, history, and the life of an ordinary woman into mesmerising poetry." Elaine Feinstein, writing in the Poetry Review, said: "Boland is one of the finest and boldest poets of the last half-century." Iain Crichton Smith wrote: "She has the equipment of the true poet, that is to say an image-making faculty, a true devoted eye and an ear for rhythm." The two poems discussed in this podcast are The Poets from New Territory (Allen Figgis, 1967) and Moths from In A Time Of Violence (Carcanet, 1994).

Jane Clarke is the latest subject of the Nothing But The Poem podcast. Jane Clarke is an Irish poet; the author of three poetry collections and an illustrated poetry booklet. Our regular podcast host Sam Tongue is currently on paternity leave and this edition has Bloodaxe poet Aoife Llyall taking an immersive look into three of Jane Clarke's poems, which were discussed at the online monthly meet-up of the Nothing But The Poem group. Poet Carol Rumens wrote that Jane Clarke's poems were "rooted in the landscape of the west of Ireland and the farming context in which the lives of individual humans are played out asserts its own rhythm and narrative. In honouring this larger context Clarke enlarges her poetic field with an unobtrusive but important ecopoetic dimension." The Irish novelist Anne Enright has praised her poems for their "clean, hard-earned simplicity and a lovely sense of line." The three poems discussed in this podcast are When Winter Comes and Hers both from When The Tree Falls (Bloodaxe Books, 2019) and Daily Bread from The River (Bloodaxe Books, 2015).

On Wednesday 27th September 2023 the acclaimed Haitian poet Bertony Louis visited the Scottish Poetry Library to speak at an event where he discussed how his poetry intersects with the situation in Haiti.   Before the event Bertony recorded a podcast with the SPL; speaking about his life and work. Bertony spoke in French, which was translated simultaneously.

Kei Miller is the latest subject of the Nothing But The Poem podcast. Kei Miller is a Forward Prize-winning Jamaican poet; a prolific author who has published 5 collections of poetry as well as many books of fiction and essays. Our regular podcast host Sam Tongue takes a deep dive into two of his poems, which were discussed at the online monthly meet-up of the Nothing But The Poem group. Jamaica Gleaner wrote: "Kei Miller is a poet who tells his stories in the haunting voices of Jamaica's underprivileged. His tales are stories that haven't been told; they call out from the pages to be heard by Caribbean readers and by the wider world." In the PN Review, John Robert Lee wrote: "His prose – fiction and non-fiction – and his poetry... do not avoid the murky ‘corners' of life in Jamaica, racism in the UK and wider world, personal encounters with religion and gender issues. In navigating ‘away from' and through our contemporary world, he is redrawing our literary maps." The two poems discussed in this podcast are Book of Genesis and Speaking in tongues. Both poems are from the 2007 collection, There Is an Anger that Moves, and both poems can also be found on the Poetry Archive website read by Kei Miller himself.

Douglas Dunn is one of Scotland's most decorated poets - he has an OBE and a Queen's Medal - as well as one of Scotland's most loved poets. He is undoubtedly a major Scottish poet, editor and critic, whose Elegies (1985), is a moving account of his first wife's death. The book became a critical and popular success. His books – including 10 collections of poetry and 2 of short stories, and a translation of Racine's Andromache – are consistently well reviewed in the national press, while his work has been the object of much academic attention and has been extensively translated (there are editions in French, German, Spanish, Italian, Norwegian, Slovak, Armenian and Japanese, at least). In this Nothing But The Poem podcast, regular host Sam Tongue and the NBTP group appraise 3 of Dunn's poems. The poems span almost 5 decades: from Terry Street in 1969 to his most recent collection in 2017.  Dunn himself "once observed that much of poetry ‘depends on the exposure of the heart', and that ‘there should be no holding back'. This is true of his work, for all its formal restraint. Whether writing of civic society, mourning, or domestic contentment, Douglas Dunn gives us heart-felt witness that ‘life is the best thing that can happen to us'." - Dr Jules Smith The poems discussed in the podcast are TAY BRIDGE (1'10) and SECOND OPINION (7'35). Sam also reads a third poem THURSDAY (14'15). The texts for all 3 poems can be found here on the Scottish Poetry Library website.

In a fair and equal world Toronto-based poet Dionne Brand would be widely recognised as one of the world's foremost practitioners of poetry. Yet, in the UK for instance, her work hasn't always been easy to find. Until, that is, Penguin Modern Classics published Nomenclature: New and Collected Poems in 2023.   Nomenclature is a huge tome – 623 pages long – which collects together 8 of Brand's previous poetry collections as well as a new long form poem which gives the book its title. This is the essential Dionne Brand all gathered together in one place.   Brand's work has a clear-eyed politically-conscious intensity, underpinning her textual experiments and linguistic adventures. She is immersed in the unflinching world of testimony, while looking forward, dreaming of a less hostile tomorrow. She chooses not to wrap human struggles or the human condition in a transcendent glow nor to swaddle in cotton wool memories. In Inventory she writes:   I have nothing soothing to tell you that's not my job my job is to revise and revise this bristling list hourly.   In Lux magazine Brand was described by Sarah Matthews as “resolutely Black, decolonial, internationalist, lesbian, and staunchly, unswervingly leftist. Both her poetry and her activism take that fateful youthful epiphany of realizing the tear in the world, then make it a portal of observance and imagining.”   Dionne Brand was the subject of the SPL's Nothing But The Poem podcast. Our usual host, Sam Tongue, took a deep dive into two of her poems. Both can be found online at the Griffin Poetry Prize website.   THIRSTY FROM VERSO 4   Find out what Sam - and the Friends Of The SPL group - got from the two poems in our Nothing But The Poem podcast.   (KW)

Welsh poet Jonathan Edwards is the latest subject of the Nothing But The Poem podcast. As always our host Sam Tongue takes a deep dive into two of his poems which were discussed at the online monthly meet-up of the Nothing But The Poem group. Jonathan Edwards is a multi-award winning poet - including the Costa Book Prize for Poetry (2014) and the Troubadour Poetry Prize in 2022 - and has had two full collections of poetry published: My Family And Other Superheroes (2014) and Gen (2018). Edwards' poems draw lovingly from pop culture and sport, as well as from his family, community and a sense of Welshness. His first collection was described by critic Alice Vincent as having poems "in which celebrities and fictional characters such as Sophia Loren and Evel Knievel collide with reflections on the social architecture of working class Welsh valleys." The two poems discussed in this podcast are Evel Knievel Jumps Over My Family and Gregory Peck and Sophia Loren in Crumlin for the Filming of Arabesque, June 1965

American poet Ross Gay is the subject of the new Nothing But The Poem podcast. The SPL's regular podcast host, Sam Tongue, takes a deep dive into two of his poems which were discussed at the online monthly meet-up of the Nothing But The Poem group. Ross Gay was born in Ohio and now teaches at Indiana University. He's the author of 4 poetry collections and 3 books of essays. His specialist subject is joy! On his website intro it states: Ross Gay is interested in joy. Ross Gay wants to understand joy. Ross Gay is curious about joy. Ross Gay studies joy. Something like that. Robert Eric Shoemaker wrote on the Poetry Foundation website: Poet Ross Gay takes his office hours in his garden and is often unreachable by technology. Imagine the delight (little delights, perhaps, in his Book of Delights) of being unreachable among the dirt and the plants, or of smiling in discussion with a friend, student, or colleague among the smell of apples trees. Go try it! The two poems discussed in this podcast are Poem To My Child If Ever You Should Be and Sorrow Is Not My Name

As part of our Poetry Unravelled project, we invited three poets – Victoria McNulty, Beth McDonough and Craig Houston - to join project-lead Julie McNeil for conversation and readings around their experiences of dyslexia and neurodiversity. We discussed how they first engaged with poetry and the challenges raised by educational settings, especially around identifying a lack of dyslexia-friendly poetry resources available for individuals and schools. We also recorded poems reflecting on these themes, showcasing the transformative power of poetry, whether listening, reading, or creating. The resources from the project will be made available on our website soon. For more information, please contact project and learning coordinator Samuel Tongue.

Anthony Vahni Capildeo is the subject of the new Nothing But The Poem podcast. The SPL's regular podcast host, Sam Tongue, takes a deep dive into two of their poems which were discussed at the online monthly meet-up of the Nothing But The Poem group. A Trinidadian-Scottish writer of poetry and non-fiction, Anthony Vahni Capildeo has published eight books and eight pamphlets, including Measures of Expatriation which won the 2016 Forward Prize. Their most recent poetry collection is Like a Tree, Walking (Carcanet, 2021). Beth Cochrane in The Skinny said of the collection: ‘ 'Vahni Capildeo has always been a remarkable and singular poet, and Like a Tree, Walking is yet another triumph of their warm wit, direct vision, and almost spiritual connection to the page....The collection is welcoming, disarming, and - as its blurb commands - 'defined by how it writes about love.' The poetry within is to be celebrated, read, and reread by poets and not-poets alike.'' Jen Campbell wrote: 'I would follow Vahni Capildeo's poetry to the ends of the Earth, I just think that they're amazing...I love this book very much.'  High praise indeed! The two poems discussed in this podcast are To London and Migraine Improv.

Helen Mort is the subject of the new Nothing But The Poem podcast. The SPL's regular podcast host, Sam Tongue, takes a deep dive into two of Helen Mort's poems which were discussed at the online monthly meet-up of the Nothing But The Poem group. Helen Mort is an award winning poet from Sheffield who's had 3 collections of poetry published. Her most recent collection, The Illustrated Woman (2022), was shortlisted for the Forward Poetry Prize. The book's blurb at HelenMort.com reads: 'The Illustrated Woman is a tender and incisive collection about what it means to live in a female body - from the joys and struggles of new motherhood to the trauma of deepfakes. Andrew McMillan said of the collection: 'These are poems that will leave their indelible mark' Kate Kellaway, reviewing the book in the Guardian, wrote: The Illustrated Woman explores tattoos through history and, lucid though these poems are, you need to reread them often to acquire the deepest sense of what is being said. Mort presents tattoos variously: as painful and cherished keepsakes, exposure and concealment combined, flirtations with indelibility. The two poems discussed in this podcast – Ablation and The Tattooed Lady – can be found in No Map Could Show Them (Chatto) and The Illustrated Woman (Penguin).