Podcast appearances and mentions of jed esty

"Criticism LTD" concludes its lengthy examination of the unanswerable questions about the state of literary studies with a lengthy consideration of "The Future of Decline" [8:00], the delusion of progress [16:00], the British model of declinist politics [22:00] and literary criticism [29:00], an insider's account of the long tail of "The Chicago Fight" [45:00], the libertarian rejoinder [54:00], and the curriculum of cruelty [61:00]. Cast (in order of appearance): Kim Adams, Saronik Bosu, Matt Seybold, Jed Esty, Bruce Robbins, Beci Carver, Gerald Graff, Jeffrey Herlihy-Mera Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/EmpireOfCriticism, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.

In the second part of the finale of "Criticism LTD," we hear about the origins of Jacque Derrida's "Limited Inc." from its editor, the fraught alliance between criticism and history [17:00], the Center For The Literary Arts at Washington University in St. Louis [33.00], the transition from creative writer to working critic [62:00], and critical vocationalism [72:00]. Cast (in order of appearance): Gerald Graff, Matt Seybold, Jed Esty, Ignacio Infante, Danielle Dutton, Ryan Ruby Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/EmpireOfCriticism, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.

The tripartite finale of "Criticism LTD" begins with a the feud between Matthew Arnold and Mark Twain, followed by "Bed Glee" [14:00], "Outing Criticism" [40:00], and "The Fate of Professional Reading" [59:00] Cast (in order of appearance): Beci Carver, Kim Adams, Ryan Ruby, Ainehi Edoro, Jed Esty, Matt Seybold, Gerald Graff, Harry Stecopoulos Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/EmpireOfCriticism, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.

What is the political economy of New Criticism? Are the racist and reactionary Cold War politics of the New Critics immanent to their trademark method: close reading? The episode begins with the story of Langston Hughes testifying before the the House Un-American Activities Committee on what goes into the interpretation of a poem. What constitutes "tactical criticism" [9:00]? Critics try to rescue close reading from the "bad politics" at its origins [38:00], endorse supplementary methods [59:00], and describe how New Criticism looks from outside the U.S. and U.K. [1:07.30]. Cast (in order of appearance): Langston Hughes, Andy Hines, Matt Seybold, Jed Esty, John Guillory, Anna Kornbluh, Christopher Newfield, Ignacio M. Sanchez Prado Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/NewCriticism, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.

How has the systemic defunding and deprofessionalizing of humanities academia impacted literary criticism? Why is there such a flourishing culture industry if demand for cultural education is supposedly declining? We look to megatrends like U.S. hegemony, organizations like the MLA (6:30), analogues like the Eurozone Debt Crisis (19:30), mechanisms of funding and distribution (28:00), and potential futures of disruption and declinism (1:01.30). Cast (in order of appearance): Jed Esty, Matt Seybold, Anna Kornbluh, Christopher Newfield, Yanis Varoufakis Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/PonziAusterity, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.

In this episode of High Theory, Jed Esty talks about the Rhetoric of Decline. Declinism names the contradictory political narrative that America will always be the greatest country in the world, yet is in constant danger of losing its place in the global pecking order. Studying this rhetorical log-jam reveals its prominence on both the left and the right, and its toxic effects on our national discourse. But comparing the end of America's empire to Britain's imperial decline in the twentieth century can help us muddle out of this mess. The basis of our conversation is Jed's recent book The Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022). It's a cool short book with an x-ray spaceman on the cover. You should read it, even if this isn't usually your cup of tea. Jed Esty is the Vartan Gregorian Professor of English at the University of Pennsylvania, where he teaches and writes about Anglophone literature after 1850, with special interests in modernism, critical theory, history and theory of the novel, colonial and postcolonial studies, the Victorian novel, and post-45 U.S. culture. He is the author of Unseasonable Youth: Modernism, Colonialism, and the Fiction of Development (Oxford 2012) and A Shrinking Island: Modernism and National Culture in England (Princeton 2004). Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Jed Esty talks about the Rhetoric of Decline. Declinism names the contradictory political narrative that America will always be the greatest country in the world, yet is in constant danger of losing its place in the global pecking order. Studying this rhetorical log-jam reveals its prominence on both the left and the right, and its toxic effects on our national discourse. But comparing the end of America's empire to Britain's imperial decline in the twentieth century can help us muddle out of this mess. The basis of our conversation is Jed's recent book The Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022). It's a cool short book with an x-ray spaceman on the cover. You should read it, even if this isn't usually your cup of tea. Jed Esty is the Vartan Gregorian Professor of English at the University of Pennsylvania, where he teaches and writes about Anglophone literature after 1850, with special interests in modernism, critical theory, history and theory of the novel, colonial and postcolonial studies, the Victorian novel, and post-45 U.S. culture. He is the author of Unseasonable Youth: Modernism, Colonialism, and the Fiction of Development (Oxford 2012) and A Shrinking Island: Modernism and National Culture in England (Princeton 2004). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In this episode of High Theory, Jed Esty talks about the Rhetoric of Decline. Declinism names the contradictory political narrative that America will always be the greatest country in the world, yet is in constant danger of losing its place in the global pecking order. Studying this rhetorical log-jam reveals its prominence on both the left and the right, and its toxic effects on our national discourse. But comparing the end of America's empire to Britain's imperial decline in the twentieth century can help us muddle out of this mess. The basis of our conversation is Jed's recent book The Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022). It's a cool short book with an x-ray spaceman on the cover. You should read it, even if this isn't usually your cup of tea. Jed Esty is the Vartan Gregorian Professor of English at the University of Pennsylvania, where he teaches and writes about Anglophone literature after 1850, with special interests in modernism, critical theory, history and theory of the novel, colonial and postcolonial studies, the Victorian novel, and post-45 U.S. culture. He is the author of Unseasonable Youth: Modernism, Colonialism, and the Fiction of Development (Oxford 2012) and A Shrinking Island: Modernism and National Culture in England (Princeton 2004). Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, Jed Esty talks about the Rhetoric of Decline. Declinism names the contradictory political narrative that America will always be the greatest country in the world, yet is in constant danger of losing its place in the global pecking order. Studying this rhetorical log-jam reveals its prominence on both the left and the right, and its toxic effects on our national discourse. But comparing the end of America's empire to Britain's imperial decline in the twentieth century can help us muddle out of this mess. The basis of our conversation is Jed's recent book The Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022). It's a cool short book with an x-ray spaceman on the cover. You should read it, even if this isn't usually your cup of tea. Jed Esty is the Vartan Gregorian Professor of English at the University of Pennsylvania, where he teaches and writes about Anglophone literature after 1850, with special interests in modernism, critical theory, history and theory of the novel, colonial and postcolonial studies, the Victorian novel, and post-45 U.S. culture. He is the author of Unseasonable Youth: Modernism, Colonialism, and the Fiction of Development (Oxford 2012) and A Shrinking Island: Modernism and National Culture in England (Princeton 2004). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In this episode of High Theory, Jed Esty talks about the Rhetoric of Decline. Declinism names the contradictory political narrative that America will always be the greatest country in the world, yet is in constant danger of losing its place in the global pecking order. Studying this rhetorical log-jam reveals its prominence on both the left and the right, and its toxic effects on our national discourse. But comparing the end of America's empire to Britain's imperial decline in the twentieth century can help us muddle out of this mess. The basis of our conversation is Jed's recent book The Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022). It's a cool short book with an x-ray spaceman on the cover. You should read it, even if this isn't usually your cup of tea. Jed Esty is the Vartan Gregorian Professor of English at the University of Pennsylvania, where he teaches and writes about Anglophone literature after 1850, with special interests in modernism, critical theory, history and theory of the novel, colonial and postcolonial studies, the Victorian novel, and post-45 U.S. culture. He is the author of Unseasonable Youth: Modernism, Colonialism, and the Fiction of Development (Oxford 2012) and A Shrinking Island: Modernism and National Culture in England (Princeton 2004). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode of High Theory, Jed Esty talks about the Rhetoric of Decline. Declinism names the contradictory political narrative that America will always be the greatest country in the world, yet is in constant danger of losing its place in the global pecking order. Studying this rhetorical log-jam reveals its prominence on both the left and the right, and its toxic effects on our national discourse. But comparing the end of America's empire to Britain's imperial decline in the twentieth century can help us muddle out of this mess. The basis of our conversation is Jed's recent book The Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022). It's a cool short book with an x-ray spaceman on the cover. You should read it, even if this isn't usually your cup of tea. Jed Esty is the Vartan Gregorian Professor of English at the University of Pennsylvania, where he teaches and writes about Anglophone literature after 1850, with special interests in modernism, critical theory, history and theory of the novel, colonial and postcolonial studies, the Victorian novel, and post-45 U.S. culture. He is the author of Unseasonable Youth: Modernism, Colonialism, and the Fiction of Development (Oxford 2012) and A Shrinking Island: Modernism and National Culture in England (Princeton 2004). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

In this episode of High Theory, Jed Esty talks about the Rhetoric of Decline. Declinism names the contradictory political narrative that America will always be the greatest country in the world, yet is in constant danger of losing its place in the global pecking order. Studying this rhetorical log-jam reveals its prominence on both the left and the right, and its toxic effects on our national discourse. But comparing the end of America's empire to Britain's imperial decline in the twentieth century can help us muddle out of this mess. The basis of our conversation is Jed's recent book The Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022). It's a cool short book with an x-ray spaceman on the cover. You should read it, even if this isn't usually your cup of tea. Jed Esty is the Vartan Gregorian Professor of English at the University of Pennsylvania, where he teaches and writes about Anglophone literature after 1850, with special interests in modernism, critical theory, history and theory of the novel, colonial and postcolonial studies, the Victorian novel, and post-45 U.S. culture. He is the author of Unseasonable Youth: Modernism, Colonialism, and the Fiction of Development (Oxford 2012) and A Shrinking Island: Modernism and National Culture in England (Princeton 2004). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this episode of High Theory, Jed Esty talks about the Rhetoric of Decline. Declinism names the contradictory political narrative that America will always be the greatest country in the world, yet is in constant danger of losing its place in the global pecking order. Studying this rhetorical log-jam reveals its prominence on both the left and the right, and its toxic effects on our national discourse. But comparing the end of America's empire to Britain's imperial decline in the twentieth century can help us muddle out of this mess. The basis of our conversation is Jed's recent book The Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022). It's a cool short book with an x-ray spaceman on the cover. You should read it, even if this isn't usually your cup of tea. Jed Esty is the Vartan Gregorian Professor of English at the University of Pennsylvania, where he teaches and writes about Anglophone literature after 1850, with special interests in modernism, critical theory, history and theory of the novel, colonial and postcolonial studies, the Victorian novel, and post-45 U.S. culture. He is the author of Unseasonable Youth: Modernism, Colonialism, and the Fiction of Development (Oxford 2012) and A Shrinking Island: Modernism and National Culture in England (Princeton 2004). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The UK spent decades in its the post imperial phase trying to work out how it should think of itself and align itself in the world - a debate that Brexit showed is far from over. Will the US find it as hard? The debate about American decline rests on a widespread assumption in the country that global supremacy is the US's national purpose. How difficult will it be to get beyond that? Owen Bennett Jones speaks to Professor Jed Esty of the University of Pennsylvania and author of The Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022). Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

The UK spent decades in its the post imperial phase trying to work out how it should think of itself and align itself in the world - a debate that Brexit showed is far from over. Will the US find it as hard? The debate about American decline rests on a widespread assumption in the country that global supremacy is the US's national purpose. How difficult will it be to get beyond that? Owen Bennett Jones speaks to Professor Jed Esty of the University of Pennsylvania and author of The Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022). Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

The UK spent decades in its the post imperial phase trying to work out how it should think of itself and align itself in the world - a debate that Brexit showed is far from over. Will the US find it as hard? The debate about American decline rests on a widespread assumption in the country that global supremacy is the US's national purpose. How difficult will it be to get beyond that? Owen Bennett Jones speaks to Professor Jed Esty of the University of Pennsylvania and author of The Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022). Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices

The UK spent decades in its the post imperial phase trying to work out how it should think of itself and align itself in the world - a debate that Brexit showed is far from over. Will the US find it as hard? The debate about American decline rests on a widespread assumption in the country that global supremacy is the US's national purpose. How difficult will it be to get beyond that? Owen Bennett Jones speaks to Professor Jed Esty of the University of Pennsylvania and author of The Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022). Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/national-security

The UK spent decades in its the post imperial phase trying to work out how it should think of itself and align itself in the world - a debate that Brexit showed is far from over. Will the US find it as hard? The debate about American decline rests on a widespread assumption in the country that global supremacy is the US's national purpose. How difficult will it be to get beyond that? Owen Bennett Jones speaks to Professor Jed Esty of the University of Pennsylvania and author of The Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022). Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

The UK spent decades in its the post imperial phase trying to work out how it should think of itself and align itself in the world - a debate that Brexit showed is far from over. Will the US find it as hard? The debate about American decline rests on a widespread assumption in the country that global supremacy is the US's national purpose. How difficult will it be to get beyond that? Owen Bennett Jones speaks to Professor Jed Esty of the University of Pennsylvania and author of The Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022). Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The UK spent decades in its the post imperial phase trying to work out how it should think of itself and align itself in the world - a debate that Brexit showed is far from over. Will the US find it as hard? The debate about American decline rests on a widespread assumption in the country that global supremacy is the US's national purpose. How difficult will it be to get beyond that? Owen Bennett Jones speaks to Professor Jed Esty of the University of Pennsylvania and author of The Future of Decline: Anglo-American Culture at Its Limits (Stanford UP, 2022). Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

As the US becomes a second-place nation, can it shed the superpower nostalgia that still haunts the UK? The debate over the US's fading hegemony has raged and sputtered for 50 years, glutting the market with prophecies about American decline. Media experts ask how fast we will fall and how much we will lose, but generally ignore the fundamental question: What does decline mean? What is the significance, in experiential and everyday terms, in feelings and fantasies, of living in a country past its prime?  Drawing on the example of post-WWII Britain and looking ahead at 2020s America, Jed Esty suggests that becoming a second-place nation is neither disastrous, as alarmists claim, nor avoidable, as optimists insist. Contemporary declinism often masks white nostalgia and perpetuates a conservative longing for Cold War certainty. But the narcissistic lure of "lost greatness" appeals across the political spectrum. As Esty argues, it resonates so widely in mainstream media because Americans have lost access to a language of national purpose beyond global supremacy. It is time to shelve the shopworn fables of endless US dominance, to face the multipolar world of the future, and to tell new American stories. The Future of Decline: Anglo-American Culture at Its Limits (Stanford Briefs, 2022) is a guide to finding them. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

As the US becomes a second-place nation, can it shed the superpower nostalgia that still haunts the UK? The debate over the US's fading hegemony has raged and sputtered for 50 years, glutting the market with prophecies about American decline. Media experts ask how fast we will fall and how much we will lose, but generally ignore the fundamental question: What does decline mean? What is the significance, in experiential and everyday terms, in feelings and fantasies, of living in a country past its prime?  Drawing on the example of post-WWII Britain and looking ahead at 2020s America, Jed Esty suggests that becoming a second-place nation is neither disastrous, as alarmists claim, nor avoidable, as optimists insist. Contemporary declinism often masks white nostalgia and perpetuates a conservative longing for Cold War certainty. But the narcissistic lure of "lost greatness" appeals across the political spectrum. As Esty argues, it resonates so widely in mainstream media because Americans have lost access to a language of national purpose beyond global supremacy. It is time to shelve the shopworn fables of endless US dominance, to face the multipolar world of the future, and to tell new American stories. The Future of Decline: Anglo-American Culture at Its Limits (Stanford Briefs, 2022) is a guide to finding them. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

As the US becomes a second-place nation, can it shed the superpower nostalgia that still haunts the UK? The debate over the US's fading hegemony has raged and sputtered for 50 years, glutting the market with prophecies about American decline. Media experts ask how fast we will fall and how much we will lose, but generally ignore the fundamental question: What does decline mean? What is the significance, in experiential and everyday terms, in feelings and fantasies, of living in a country past its prime?  Drawing on the example of post-WWII Britain and looking ahead at 2020s America, Jed Esty suggests that becoming a second-place nation is neither disastrous, as alarmists claim, nor avoidable, as optimists insist. Contemporary declinism often masks white nostalgia and perpetuates a conservative longing for Cold War certainty. But the narcissistic lure of "lost greatness" appeals across the political spectrum. As Esty argues, it resonates so widely in mainstream media because Americans have lost access to a language of national purpose beyond global supremacy. It is time to shelve the shopworn fables of endless US dominance, to face the multipolar world of the future, and to tell new American stories. The Future of Decline: Anglo-American Culture at Its Limits (Stanford Briefs, 2022) is a guide to finding them. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

As the US becomes a second-place nation, can it shed the superpower nostalgia that still haunts the UK? The debate over the US's fading hegemony has raged and sputtered for 50 years, glutting the market with prophecies about American decline. Media experts ask how fast we will fall and how much we will lose, but generally ignore the fundamental question: What does decline mean? What is the significance, in experiential and everyday terms, in feelings and fantasies, of living in a country past its prime?  Drawing on the example of post-WWII Britain and looking ahead at 2020s America, Jed Esty suggests that becoming a second-place nation is neither disastrous, as alarmists claim, nor avoidable, as optimists insist. Contemporary declinism often masks white nostalgia and perpetuates a conservative longing for Cold War certainty. But the narcissistic lure of "lost greatness" appeals across the political spectrum. As Esty argues, it resonates so widely in mainstream media because Americans have lost access to a language of national purpose beyond global supremacy. It is time to shelve the shopworn fables of endless US dominance, to face the multipolar world of the future, and to tell new American stories. The Future of Decline: Anglo-American Culture at Its Limits (Stanford Briefs, 2022) is a guide to finding them. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

As the US becomes a second-place nation, can it shed the superpower nostalgia that still haunts the UK? The debate over the US's fading hegemony has raged and sputtered for 50 years, glutting the market with prophecies about American decline. Media experts ask how fast we will fall and how much we will lose, but generally ignore the fundamental question: What does decline mean? What is the significance, in experiential and everyday terms, in feelings and fantasies, of living in a country past its prime?  Drawing on the example of post-WWII Britain and looking ahead at 2020s America, Jed Esty suggests that becoming a second-place nation is neither disastrous, as alarmists claim, nor avoidable, as optimists insist. Contemporary declinism often masks white nostalgia and perpetuates a conservative longing for Cold War certainty. But the narcissistic lure of "lost greatness" appeals across the political spectrum. As Esty argues, it resonates so widely in mainstream media because Americans have lost access to a language of national purpose beyond global supremacy. It is time to shelve the shopworn fables of endless US dominance, to face the multipolar world of the future, and to tell new American stories. The Future of Decline: Anglo-American Culture at Its Limits (Stanford Briefs, 2022) is a guide to finding them. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

As the US becomes a second-place nation, can it shed the superpower nostalgia that still haunts the UK? The debate over the US's fading hegemony has raged and sputtered for 50 years, glutting the market with prophecies about American decline. Media experts ask how fast we will fall and how much we will lose, but generally ignore the fundamental question: What does decline mean? What is the significance, in experiential and everyday terms, in feelings and fantasies, of living in a country past its prime?  Drawing on the example of post-WWII Britain and looking ahead at 2020s America, Jed Esty suggests that becoming a second-place nation is neither disastrous, as alarmists claim, nor avoidable, as optimists insist. Contemporary declinism often masks white nostalgia and perpetuates a conservative longing for Cold War certainty. But the narcissistic lure of "lost greatness" appeals across the political spectrum. As Esty argues, it resonates so widely in mainstream media because Americans have lost access to a language of national purpose beyond global supremacy. It is time to shelve the shopworn fables of endless US dominance, to face the multipolar world of the future, and to tell new American stories. The Future of Decline: Anglo-American Culture at Its Limits (Stanford Briefs, 2022) is a guide to finding them. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

As the US becomes a second-place nation, can it shed the superpower nostalgia that still haunts the UK? The debate over the US's fading hegemony has raged and sputtered for 50 years, glutting the market with prophecies about American decline. Media experts ask how fast we will fall and how much we will lose, but generally ignore the fundamental question: What does decline mean? What is the significance, in experiential and everyday terms, in feelings and fantasies, of living in a country past its prime?  Drawing on the example of post-WWII Britain and looking ahead at 2020s America, Jed Esty suggests that becoming a second-place nation is neither disastrous, as alarmists claim, nor avoidable, as optimists insist. Contemporary declinism often masks white nostalgia and perpetuates a conservative longing for Cold War certainty. But the narcissistic lure of "lost greatness" appeals across the political spectrum. As Esty argues, it resonates so widely in mainstream media because Americans have lost access to a language of national purpose beyond global supremacy. It is time to shelve the shopworn fables of endless US dominance, to face the multipolar world of the future, and to tell new American stories. The Future of Decline: Anglo-American Culture at Its Limits (Stanford Briefs, 2022) is a guide to finding them. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

As the US becomes a second-place nation, can it shed the superpower nostalgia that still haunts the UK? The debate over the US's fading hegemony has raged and sputtered for 50 years, glutting the market with prophecies about American decline. Media experts ask how fast we will fall and how much we will lose, but generally ignore the fundamental question: What does decline mean? What is the significance, in experiential and everyday terms, in feelings and fantasies, of living in a country past its prime?  Drawing on the example of post-WWII Britain and looking ahead at 2020s America, Jed Esty suggests that becoming a second-place nation is neither disastrous, as alarmists claim, nor avoidable, as optimists insist. Contemporary declinism often masks white nostalgia and perpetuates a conservative longing for Cold War certainty. But the narcissistic lure of "lost greatness" appeals across the political spectrum. As Esty argues, it resonates so widely in mainstream media because Americans have lost access to a language of national purpose beyond global supremacy. It is time to shelve the shopworn fables of endless US dominance, to face the multipolar world of the future, and to tell new American stories. The Future of Decline: Anglo-American Culture at Its Limits (Stanford Briefs, 2022) is a guide to finding them. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

As the US becomes a second-place nation, can it shed the superpower nostalgia that still haunts the UK? The debate over the US's fading hegemony has raged and sputtered for 50 years, glutting the market with prophecies about American decline. Media experts ask how fast we will fall and how much we will lose, but generally ignore the fundamental question: What does decline mean? What is the significance, in experiential and everyday terms, in feelings and fantasies, of living in a country past its prime?  Drawing on the example of post-WWII Britain and looking ahead at 2020s America, Jed Esty suggests that becoming a second-place nation is neither disastrous, as alarmists claim, nor avoidable, as optimists insist. Contemporary declinism often masks white nostalgia and perpetuates a conservative longing for Cold War certainty. But the narcissistic lure of "lost greatness" appeals across the political spectrum. As Esty argues, it resonates so widely in mainstream media because Americans have lost access to a language of national purpose beyond global supremacy. It is time to shelve the shopworn fables of endless US dominance, to face the multipolar world of the future, and to tell new American stories. The Future of Decline: Anglo-American Culture at Its Limits (Stanford Briefs, 2022) is a guide to finding them. Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

As the US becomes a second-place nation, can it shed the superpower nostalgia that still haunts the UK? The debate over the US's fading hegemony has raged and sputtered for 50 years, glutting the market with prophecies about American decline. Media experts ask how fast we will fall and how much we will lose, but generally ignore the fundamental question: What does decline mean? What is the significance, in experiential and everyday terms, in feelings and fantasies, of living in a country past its prime? Drawing on the example of post-WWII Britain and looking ahead at 2020s America, Jed Esty suggests that becoming a second-place nation is neither disastrous, as alarmists claim, nor avoidable, as optimists insist. Contemporary declinism often masks white nostalgia and perpetuates a conservative longing for Cold War certainty. But the narcissistic lure of "lost greatness" appeals across the political spectrum. As Esty argues, it resonates so widely in mainstream media because Americans have lost access to a language of national purpose beyond global supremacy. It is time to shelve the shopworn fables of endless US dominance, to face the multipolar world of the future, and to tell new American stories. The Future of Decline is a guide to finding them.

 This week on The Spectator Film Podcast… The Human Centipede (First Sequence) (2009) 4.17.20 Featuring: Austin, Maxx Commentary track begins at 11:41 — Notes — The Penguin Dictionary of Literary Terms & Literary Theory by J. A. Cuddon — This book’s a very helpful resource for grappling with the otherwise challenging or inscrutable terminology frequently encountered in academic writing. I’m linking to the 5th Edition, which also credits M. A. R. Habib, although I used to 4th Edition for the definition of diachronic/synchronic I’m including below: “A term coined c. 1913 by Ferdinand de Saussure (1857-1913). A diachronic approach to the study of language (or languages) involves an examination of its origins, development, history and change. In contrast, the synchronic approach entails the study of a linguistic system in a particular state, without reference to time. The importance of a synchronic approach to an understanding of language lies in the fact that for Saussure each sign has not properties other than the specific relational ones which define it within its own synchronic system.” “Eat Shit and Die: Coprophagia and Fimetic Force in Tom Six’s The Human Centipede (First Sequence) and The Human Centipede II (Full Sequence)” by Dolores B. Phillips from The Projector — This essay by Dolores B. Phillips provides lots of insightful analysis, examining the politics of coprophagia and how it’s been depicted on film. Additionally, this essay comes from The Projector: A Journal on Film, Media, and Culture, which is completely open-access! This particular issue of The Projector focuses on the theme of food and consumption in horror cinema. We’ll include some insightful passages from Phillips’ essay below: “The Human Centipede's cult and commercial success suggest that it readmits excrementality—and that it is the epilogue of Laporte’s History of Shit, which tracks the return of excrement to the fields of cultural production. Excrement becomes capital, shit alchemically transformed into the coin of the realm. The films shift the register of excremental politics: much of its study (Warwick Anderson, Jed Esty, David Inglis, Achille Mbembe, George Bataille) concentrates upon the purgation, elimination, and celebration of shit. Indeed, excrement has a particularly potent political resonance in postcolonial fiction, where shitting in beds and leaving heaping mounds of filth in toilets is a particularly insulting intrusion into the homes of dispossessed middle class citizens and intellectuals whose lives are disrupted by political flux. Its ingestion adds a new dimension of cruelty and spite to images of effusive excretion and excessive consumption. As they avail themselves of an ironic posture toward recycling waste,images of coprophagy also align themselves with themes of decadence, humiliation, and hyper or mismanagement of the body.” “…a deconstruction of the conflicting social settings of the subject in an age of information oversaturation. Instead of a solitary figure bent over a keyboard or a mobile device, face illumined by a single screen into which she stares, rapt, substituting virtual interactions for real-life connections with others, and instead of the endless connectivity with others offered by social media and the instantaneousness of immersion in the internet, the HUMANCENTiPAD and Six’s precursor films offer an intermediary: the individual sutured to others, ingesting excrement and extruding it. The solitary netizen is revealed as a fiction—she reads and is read by others. She is bound to them by the streams of information into which she dives, searching for stimulation and novelty, impatiently demanding updates by obsessively and repeatedly pressing F5. This is because the viewer is as much a segment in the centipede as its victims” “Our own vertiginous enjoyment of the film’s horrors highlight the absurd, disturbing excess Gwendolyn Audrey Foster laments as she observes ‘the cyclical loop’ of ‘capitalism eating itself.’ She argues that television culture in the US disgorges its excess to feast upon it again in the forms of exploitative gluttony. She describes television as ‘coprophagic and cannibalistic in this way; TV is largely feces, our own regurgitated feces, which we ultimately pay to eat.’ Se notes that ‘shows such as Hoarders exploit and engage in coprophagia for better ratings, ultimately supporting gluttonous capitalism.’ Tom Six’s films make this the literal foundation for their appeal, especially as they sink deep roots in other moments of coprophagy in film and internet culture” [The writing by Gwendolyn Audrey Foster referenced in this passage from “Capitalism Eats Itself: Gluttony and Coprophagia from Hoarders to La Grande Bouffe“] “Grotesque Realism and the Carnivalesque in Tom Six’s The Human Centipede (First Sequence) and The Human Centipede II Full Sequence” by Ellen N. Freeman from Monstrum — We didn’t make use of this essay to help frame our conversation of the film, but it remains an insightful read. Freeman examines The Human Centipede in light of Mikhail Bakhtin’s writing on the carnivalesque and grotesque in Rabelais. Furthermore, Monstrum is an awesome multilingual, peer-reviewed open-access journal on horror and you should absolutely check out the other essays and reviews, which include writing on The Texas Chainsaw Massacre (1974), Lucio Fulci, the occult in Hammer Studios Horror, Peeping Tom (1960). — Listener Picks — Do you want to pick a movie for us to discuss on the show? Here’s how: Make a donation of $20 or more to ofwemergencyfund.org Check your email for a donation receipt, and send a screenshot of your donation to austin@spectatorfilmpodcast.com or @spectatorfilmpodcast on Instagram In your email or DM, include 1.) your name 2.) the movie you’d like discussed on the show and 3.) a brief overview of your thoughts on the movie That’s it! Don’t pick Satantango or Shoah!