Podcast appearances and mentions of Matthew Arnold

Episode 87 Dover Beach by Matthew Arnold Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/87_Dover_Beach_by_Matthew_Arnold.mp3 Poet Matthew Arnold Reading and commentary by Mark McGuinness Dover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay.Come to the window, sweet is the night-air!Only, from the long line of sprayWhere the sea meets the moon-blanched land,Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; weFind also in the sound a thought,Hearing it by this distant northern sea. The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled.But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Ah, love, let us be trueTo one another! for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. Podcast Transcript This is a magnificent and haunting poem by Matthew Arnold, an eminent Victorian poet. Written and published at the mid-point of the nineteenth century – it was probably written around 1851 and published in 1867 – it is not only a shining example of Victorian poetry at its best, but it also, and not coincidentally, embodies some of the central preoccupations of the Victorian age. The basic scenario is very simple: a man is looking out at the sea at night and thinking deep thoughts. It's something that we've all done, isn't it? The two tend to go hand-in-hand. When you're looking out into the darkness, listening to the sound of the sea, it's hard not to be thinking deep thoughts. If you've been a long time listener to this podcast, it may remind you of another poet who wrote about standing on the shore thinking deep thoughts, looking at the sea, Shakespeare, in his Sonnet 60: Like as the waves make towards the pebbled shore,So do our minutes hasten to their end; Arnold's poem is not a sonnet but a poem in four verse paragraphs. They're not stanzas, because they're not regular, but if you look at the text on the website, you can clearly see it's divided into four sections. The first part is a description of the sea, as seen from Dover Beach, which is on the shore of the narrowest part of the English channel, making it the closest part of England to France: The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; – on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay. And as you can hear, the poem has a pretty regular and conventional rhythm, based on iambic metre, ti TUM, with the second syllable taking the stress in every metrical unit. But what's slightly unusual is that the lines have varying lengths. By the time we get to the third line: Upon the straits; – on the French coast the light There are five beats. There's a bit of variation in the middle of the line, but it's very recognisable as classic iambic pentameter, which has a baseline pattern going ti TUM, ti TUM, ti TUM, ti TUM, ti TUM. But before we get to the pentameter, we get two short lines: The sea is calm tonight.Only three beats; andThe tide is full, the moon lies fair – four beats. We also start to notice the rhymes: ‘tonight' and ‘light'. And we have an absolutely delightful enjambment, where a phrase spills over the end of one line into the next one: On the French coast the light,Gleams and is gone. Isn't that just fantastic? The light flashes out like a little surprise at the start of the line, just as it's a little surprise for the speaker looking out to sea. OK, once he's set the scene, he makes an invitation: Come to the window, sweet is the night-air! So if there's a window, he must be in a room. There's somebody in the room with him, and given that it's night it could well be a bedroom. So this person could be a lover. It's quite likely that this poem was written on Arnold's honeymoon, which would obviously fit this scenario. But anyway, he's inviting this person to come to the window and listen. And what does this person hear? Well, helpfully, the speaker tells us: Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Isn't that just great? The iambic metre is continuing with some more variations, which we needn't go into. And the rhyme is coming more and more to the fore. Just about every line in this section rhymes with another line, but it doesn't have a regular pattern. Some of the rhymes are close together, some are further apart. There's only one line in this paragraph that doesn't rhyme, and that's ‘Listen! You hear the grating roar'. If this kind of shifting rhyme pattern reminds you of something you've heard before, you may be thinking all the way back to Episode 34 where we looked at Coleridge's use of floating rhymes in his magical poem ‘Kubla Khan'. And it's pretty evident that Arnold is also casting a spell, in this case to mimic the rhythm of the waves coming in and going out, as they ‘Begin, and cease, and then again begin,'. And then the wonderful last line of the paragraph, as the waves ‘bring / The eternal note of sadness in'. You know, in the heart of the Victorian Age, when the Romantics were still within living memory, poets were still allowed to do that kind of thing. Try it nowadays of course, and the Poetry Police will be round to kick your front door in at 5am and arrest you. Anyway. The next paragraph is a bit of a jump cut: Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; So Arnold, a classical scholar, is letting us know he knows who Sophocles, the ancient Greek playwright was. And he's establishing a continuity across time of people looking out at the sea and thinking these deep thoughts. At this point, Arnold explicitly links the sea and the thinking:                                     weFind also in the sound a thought,Hearing it by this distant northern sea. And the thought that we hear when we listen to the waves is what Arnold announces in the next verse paragraph, and he announces it with capital letters: The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled. And for a modern reader, I think this is the point of greatest peril for Arnold, where he's most at risk of losing us. We may be okay with ‘the eternal note of sadness', but as soon as he starts giving us the Sea of Faith, we start to brace ourselves. Is this going to turn into a horrible religious allegory, like The Pilgrim's Progress? I mean, it's a short step from the Sea of Faith to the Slough of Despond and the City of Destruction. And it doesn't help that Arnold uses the awkwardly rhyming phrase ‘a bright girdle furled' – that's not going to get past the Poetry Police, is it? But fear not; Arnold doesn't go there. What comes next is, I think, the best bit of the poem. So he says the Sea of Faith ‘was once, too, at the full', and then: But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Well, if you thought the eternal note of sadness was great, this tops it! It's absolutely fantastic. That line, ‘Its melancholy, long, withdrawing roar,' where the ‘it' is faith, the Sea of Faith. And the significance of the line is underlined by the fact that the word ‘roar' is a repetition – remember, that one line in the first section that didn't rhyme? Listen! you hear the grating roar See what Arnold did there? He left that sound hovering at the back of the mind, without a rhyme, until it came back in this section, a subtle but unmistakeable link between the ‘grating roar' of the actual sea at Dover Beach, and the ‘withdrawing roar' of the Sea of Faith: Its melancholy, long, withdrawing roar, Isn't that the most Victorian line ever? It encapsulates the despair that accompanied the crisis of faith in 19th century England. This crisis was triggered by the advance of modern science – including the discoveries of fossils, evidence of mass extinction of previous species, and the theory of evolution, with Darwin's Origin of Species published in 1859, in between the writing and publication of ‘Dover Beach'. Richard Holmes, in his wonderful new biography of the young Tennyson, compares this growing awareness of the nature of life on Earth to the modern anxiety over climate change. For the Victorians, he writes, it created a ‘deep and existential terror'. One thing that makes this passage so effective is that Arnold has already cast the spell in the first verse paragraph, hypnotising us with the rhythm and rhyme, and linking it to the movement of the waves. In the second paragraph, he says, ‘we find also in the sound a thought'. And then in the third paragraph, he tells us the thought. And the thought that he attaches to this movement, which we are by now emotionally invested in, is a thought of such horror and profundity – certainly for his Victorian readers – that the retreat of the sea of faith really does feel devastating. It leaves us gazing down at the naked shingles of the world. The speaker is now imaginatively out of the bedroom and down on the beach. This is very relatable; we've all stood on the beach and watched the waves withdrawing beneath our feet and the shingle being left there. It's an incredibly vivid evocation of a pretty abstract concept. Then, in the fourth and final verse paragraph, comes a bit of a surprise: Ah, love, let us be trueTo one another! Well, I for one was not expecting that! From existential despair to an appeal to his beloved. What a delightful, romantic (with a small ‘r') response to the big-picture, existential catastrophe. And for me, it's another little echo of Shakespeare's Sonnet 60, which opens with a poet contemplating the sea and the passing of time and feeling the temptation to despair, yet also ends with an appeal to the consolation of love: And yet to times in hope my verse shall stand,blockquotePraising thy worth, despite his cruel hand. Turning back to Arnold. He says ‘let us be true / To one another'. And then he links their situation to the existential catastrophe, and says this is precisely why they should be true to each other: for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain; It sounds, on the face of it, a pretty unlikely justification for being true to one another in a romantic sense. But actually, this is a very modern stance towards romantic love. It's like the gleam of light that just flashed across the Channel from France – the idea of you and me against an unfeeling world, of love as redemption, or at least consolation, in a meaningless universe. In a world with ‘neither joy, nor love, nor light,' our love becomes all the more poignant and important. Of course, we could easily object that, regardless of religious faith, the world does have joy and love and light. His very declaration of love is evidence of this. But let's face it, we don't always come to poets for logical consistency, do we? And we don't have to agree with Matthew Arnold to find this passage moving; most of us have felt like this at some time when we've looked at the world in what feels like the cold light of reality. He evokes it so vividly and dramatically that I, for one, am quite prepared to go with him on this. Then we get the final three lines of the poem:We are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. I don't know about you, but I find this a little jarring in the light of what we've just heard. We've had the magnificent description of the sea and its effect on human thought, extending that into the idea of faith receding into illusion, and settling on human love as some kind of consolation for the loss of faith. So why do we need to be transported to a windswept plain where armies are clashing and struggling? It turns out to be another classical reference, to the Greek historian Thucydides' account of the night battle of Epipolae, where the two armies were running around in the dark and some of them ended up fighting their own side in the confusion. I mean, fine, he's a classical scholar. And obviously, it's deeply meaningful to him. But to me, this feels a little bit bolted on. A lot of people love that ending, but to me, it's is not as good as some of the earlier bits, or at least it doesn't quite feel all of a piece with the imagery of the sea. But overall, it is a magnificent poem, and this is a small quibble. Stepping back, I want to have another look at the poem's form, specifically the meter, and even more specifically, the irregularity of the meter, which is quite unusual and actually quite innovative for its time. As I've said, it's in iambic meter, but it's not strictly iambic pentameter. You may recall I did a mini series on the podcast a while ago looking at the evolution of blank verse, unrhymed iambic pentameter, from Christopher Marlowe and Shakespeare's dramatic verse, then Milton's Paradise Lost and finally Wordsworth's Tintern Abbey. ‘Dover Beach' is rhymed, so it's not blank verse, but most of the techniques Arnold uses here are familiar from those other poets, with variations on the basic rhythm, sometimes switching the beats around, and using enjambment and caesura (a break or pause in the middle of the line). But, and – this is quite a big but – not every line has five beats. The lines get longer and shorter in an irregular pattern, apparently according to Arnold's instinct. And this is pretty unusual, certainly for 1851. It's not unique, we could point to bits of Tennyson or Arthur Hugh Clough for metrical experiments in a similar vein, but it's certainly not common practice. And I looked into this, to see what the critics have said about it. And it turns out the scholars are divided. In one camp, the critics say that what Arnold is doing is firmly in the iambic pentameter tradition – it's just one more variation on the pattern. But in the other camp are people who say, ‘No, this is something new; this is freer verse,' and it is anticipating free verse, the non-metrical poetry with no set line lengths that came to be the dominant verse form of the 20th century. Personally, I think you can look back to Wordsworth and see a continuity with his poetic practice. But you could equally look forward, to a link with T. S. Eliot's innovations in ‘The Love Song of J. Alfred Prufrock' and The Waste Land. Eliot is often described as an innovator in free verse, which is true up to a point, but a lot of his writing in that early period isn't strictly free verse; it's a kind of broken up metrical verse, where he often uses an iambic metre with long and short lines, which he varies with great intuitive skill – in a similar manner to Arnold's ‘Dover Beach'. Interestingly, when ‘Dover Beach' was first published, the reviews didn't really talk about the metre, which is ammunition for the people who say, ‘Well, this is just a kind of iambic pentameter'. Personally, I think what we have here is something like the well-known Duck-Rabbit illusion, where you can look at the same drawing and either see a duck or a rabbit, depending how you look at it. So from one angle, ‘Dover Beach' is clearly continuing the iambic pentameter tradition; from another angle, it anticipates the innovations of free verse. We can draw a line from the regular iambic pentameter of Wordsworth (writing at the turn of the 18th and 19th century) to the fractured iambic verse of Eliot at the start of the 20th century. ‘Dover Beach' is pretty well halfway between them, historically and poetically. And I don't think this is just a dry technical development. There is something going on here in terms of the poet's sense of order and disorder, faith and doubt. Wordsworth, in the regular unfolding of his blank verse, conveys his basic trust in an ordered and meaningful universe. Matthew Arnold is writing very explicitly about the breakup of faith, and we can start to see it in the breakup of the ordered iambic pentameter. By the time we get to the existential despair of Eliot's Waste Land, the meter is really falling apart, like the Waste Land Eliot describes. So overall, I think we can appreciate what a finely balanced poem Arnold has written. It's hard to categorise. You read it the first time and think, ‘Oh, right, another conventional Victorian melancholy lament'. But just when we think he's about to go overboard with the Sea of Faith, he surprises us and with that magnificent central passage. And just as he's about to give in to despair, we get that glimmering spark of love lighting up, and we think, ‘Well, maybe this is a romantic poem after all'. And maybe Arnold might look at me over his spectacles and patiently explain that actually, this is why that final metaphor of the clashing armies is exactly right. Friend and foe are running in first one direction, then another, inadvertently killing the people on the wrong side. So the simile gives us that sense of being caught in the cross-currents of a larger sweep of history. With all of that hovering in our mind, let's go over to the window once more and heed his call to listen to the sound of the Victorian sea at Dover Beach. Dover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay.Come to the window, sweet is the night-air!Only, from the long line of sprayWhere the sea meets the moon-blanched land,Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; weFind also in the sound a thought,Hearing it by this distant northern sea. The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled.But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Ah, love, let us be trueTo one another! for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. Matthew Arnold Matthew Arnold was a British poet, critic, and public intellectual who was born in 1822 and died in 1888. His father was Thomas Arnold, the famed headmaster of Rugby School. Arnold studied Classics at Oxford and first became known for lyrical, melancholic poems such as ‘Dover Beach', ‘The Scholar-Gipsy', and ‘Thyrsis', that explore the loss of faith in the modern world. Appointed an inspector of schools, he travelled widely and developed strong views on culture, education, and society. His critical essays, especially Culture and Anarchy, shaped debates about the role of culture in public life. Arnold remains a central figure bridging Romanticism and early modern thought. A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Dover Beach by Matthew Arnold Episode 87 Dover Beach by Matthew Arnold Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold.Poet Matthew ArnoldReading and commentary by Mark McGuinnessDover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies... Recalling Brigid by Orna Ross Orna Ross reads and discusses ‘Recalling Brigid’ from Poet Town. 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In this episode, we journey to Elizabeth's house, the place of the Visitation. We reflect on Mary's haste as she makes the journey to visit Elizabeth and how Elizabeth creates space for Mary as the mystery of the incarnation unfolds. We also ponder Elizabeth's years of longing for a child, how God fulfills our desires in ways different than we expect, and why we should hold onto hope instead of disappointment. Finally, we talk about cultivating a deeper sensitivity to God's presence, trusting that even when His work is hidden, beauty is unfolding within our lives.   Heather's One Thing - High King of Heaven / Jesus We Love You by Bethel Music Sister Miriam's Half Thing - As part of the Sacred Anchor Marketplace, any Religious Order/ Clergy will have a free storefront with no charges to list or commission fees. (The only cost will be bank fees of about 3% of any sale). Sign up here! Sister Miriam's One Thing -  Forgiving as Unity with Christ by Dr. Robert Enright Michelle's One Thing - Notre Dame Football (especially Marcus Freeman)   And then, we travel to Elizabeth's house, high in the hills. Two women meet, and the air is thick with recognition. Promises leap, joy erupts, and prophecy dances between them. This is the place of friendship, of shared waiting, of laughter through tears. Because God often comes to us in the embrace of another who believes.   Journal Questions: In what places of my life can I allow mystery to breathe and unfold? Who can I share the deep places of disappointment with and not feel judged? Where do I feel disappointed? How can I be a nest for others? What promise is leaping within you right now wanting to be recognized? Where do I run when God is doing something new in me? Who is my Elizabeth?   Discussion Questions: When has the Holy Spirit asked you to do something that didn't make sense in the natural world? How can we cultivate a home for others within our own hearts? Where is the Holy Spirit moving in your life and in other's lives? When was the last time you experienced someone speaking prophetically over your life?   Quote to Ponder: "If there ever comes a time when the women of the world come together purely and simply for the benefit of mankind, it will be a force such as the world has never known." (Matthew Arnold)   Scripture for Lectio: "Blessed is she who believed that the Lord would fulfill His promises to her." (Luke 1:45)   Sponsor - Chews Life: Rosaries for Every Age and Season of Life. Sister Lucia of Fatima once said, "There is no problem, no matter how difficult, that we cannot solve by the prayer of the Holy Rosary."  At Chews Life , that isn't just a beautiful quote, it's the heartbeat of everything they do.  Chews Life is a Catholic-owned small business whose mission is simple but bold: to equip every Catholic, in every age and season of life, with Rosaries for life. Whether you're a new mom juggling family life, a student on the go, or someone rediscovering the beauty of prayer, Chews Life creates practical and beautiful ways to make the Rosary part of your everyday rhythm.   For the Littlest Catholics one of the most beloved parts of the Chews Life mission is their dedication to helping children grow up surrounded by prayer. Their silicone Rosaries  are soft, durable, and made for little hands to safely explore and grow in their love for the Rosary. Parents often say that watching their child hold one feels like watching them reach out to hold Our Lady's hand.  Each design is thoughtfully created to be both faith-filled and family-safe, something little ones can hold, and carry as they begin learning the gentle rhythm of prayer. It's never too early to begin planting those seeds of devotion.   For women, Chews Life offers their signature excuse-proof Rosary bracelet, a gemstone Rosary that is both beautiful and wearable. Designed to help you pray throughout the day, this bracelet is a quiet but powerful companion for busy women who long to stay connected to God in the middle of everyday life.  Whether you're at work, running errands, or caring for your family, these bracelets make it easy to keep prayer close. Each one includes Chews Life's signature "bookmark" crucifix charm, allowing you to pause your Rosary and pick it up right where you left off. Because real life and real prayer go hand-in-hand.  Made with genuine gemstones and durable materials, every bracelet is a tangible reminder that holiness grows in the middle of ordinary moments, and that beauty and faith were always meant to belong together.  For the Men in Your Life: Crux Invicta  That same level of craftsmanship and devotion extends to the men's line, Crux Invicta, Chews Life's brother brand. The name means "The Cross Invincible," and it captures the heart of what this collection stands for: bold, rugged faith rooted in strength and sacrifice.  Crux Invicta features paracord and gemstone Rosary bracelets designed for durability and purpose. Each piece carries the reminder that victory comes through the Cross, offering men a tangible way to live out their faith in the everyday battles of life. And for those looking to go deeper and learn more about the mysteries of the Rosary, Chews Life founder Shannon Wendt invites you on a journey of prayer through her new book, The Way of the Rosary: A Journey with Mary through Scripture, Liturgy, and Life .  This book is a heartfelt invitation to walk with Mary and discover the mysteries of the Rosary as they unfold through Scripture, the rhythm of the Liturgy, and the ordinary moments of daily life. Shannon's reflections reveal how Mary accompanies us in joy and in sorrow, guiding us always closer to her Son From their baby-safe silicone Rosaries, to their gemstone Rosary bracelets, to the Crux Invicta men's line and The Way of the Rosary book, every part of Chews Life's mission is designed to make prayer not just accessible but truly lived.  Because for Chews Life, prayer isn't something you fit in when you can. It's something that fits beautifully into the life you're already living.   You can explore the full collections and learn more at  ChewsLife.com  and CruxInvicta.com .  And as a special thank-you to Abiding Together listeners, use the code ABIDE15 for 15% off your order on either site.     Chapters:  00:00 Chews Life 01:37 Intro 02:30 Welcome to Elizabeth's House 06:02 The Shared Gift of the Visitation 08:15 Having A Safe Place to Allow Mystery to Unfold 10:08 The Holy Spirit Reveals Jesus 12:!5 Sacred Companionship 13:40 When We Carry Disappointments 16:50 Speaking Life Into Other People 18:36 Living Out of Our Insecurities 19:49 Being A Safe Place for Others 22:37 Having Sensitivity to the Presence of God 25:26 One Things   Music used under license i94Cr0 

When poets elegise other poets, the results are often more about self-scrutiny and analysis of the nature of poetry than about grief. Matthew Arnold commented on his elegy for Arthur Hugh Clough, ‘Thyrsis' (1865), that ‘one has the feeling that not enough is said about Clough in it.' In his elegy for W.B. Yeats (1939), Auden insists that ‘poetry makes nothing happen'. Both poems resist idealisation of their subject and use the elegy's pastoral tradition as a way of distancing themselves from the poetic sensibility of their subject. In this episode, Seamus and Mark discuss the ways in which Arnold and Auden's visions of what a poet should be aren't so far apart, and finish with a look at James Schuyler's similarly unromantic elegy for Auden, in which he finds ‘so little to say'. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrld⁠⁠⁠⁠⁠⁠⁠⁠ In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsld⁠⁠ Arnold's 'Thyrsis': ⁠⁠⁠⁠https://lrb.me/ldep11thyrsis⁠⁠⁠⁠ Auden's 'In Memory of W.B. Yeats': ⁠⁠⁠⁠https://lrb.me/ldep11yeats⁠⁠⁠⁠ More in the LRB: Seamus Perry on Auden: ⁠⁠⁠⁠https://lrb.me/ldep11auden⁠⁠⁠⁠ Stefan Collini on Arnold: ⁠⁠⁠⁠https://lrb.me/ldep11arnold⁠

In this thought-provoking episode of Thinking Out Loud, Nathan and Cameron dive deep into what it means to be Christian "people of the Book" in a society rapidly drifting into post-literacy. Drawing from James Marriott's article The Dawn of the Post-Literate Society, they explore the cultural, spiritual, and intellectual consequences of our screen-saturated age — and what it means for Christians committed to truth, Scripture, and careful thinking. From the decline in reading comprehension to the passive consumption of endless digital content, they examine how smartphones, edutainment, and modern distractions are shaping our minds and our theology. With references to thinkers like Neil Postman, Kant, and Matthew Arnold, this episode is for Christians who crave rich theological discussion, cultural critique, and a challenge to reclaim deep literacy in a distracted world. Subscribe for more Christian commentary on current events, media, and philosophy.LINK TO ARTICLE: https://jmarriott.substack.com/p/the-dawn-of-the-post-literate-society-aa1DONATE LINK: https://toltogether.com/donate BOOK A SPEAKER: https://toltogether.com/book-a-speakerJOIN TOL CONNECT: https://toltogether.com/tol-connect TOL Connect is an online forum where TOL listeners can continue the conversation begun on the podcast.

Which bio/pharmaceuticals, launched or approved thus far in 2025, may be potential blockbusters (defined as drugs with sales of $1 billion or more) in the mid term, and what upcoming launches or approvals and trends should be on the industry's radar? Matthew Arnold, Principal Analyst and Content Strategist, Clarivate, provides the latest developments and insights.  Support the show

Join the Nerd Initiative Bullpen as they talk with MATTHEW ARNOLD about his latest release: OUTER LANDS (Comixology Originals) OUTER LANDS: https://a.co/d/hOF2MNS Follow Ken at: https://linktr.ee/odphpodcast Follow Rich at: https://3fnpodcast.com/ Find Your Comic Store: https://findyourcomic.store/ Tom Jolu music: https://tomjolu.bandcamp.com/track/im... your NCBD reviews destination: https://nerdinitiative.com/comic-books/ Check out our website: https://nerdinitiative.com Follow Nerd Initiative on your favorite social accounts at: https://linktr.ee/nerd_initiative Fantasyverse: Where Comics, Manga and more Collide: https://www.fanatical.com/en/fantasyv... #comics #outerlands #mythology #action #suspense #edne #emeraldcity #siberia #television

In the recent Comixology release “Outer Lands,” a young prince living in a seemingly Ancient Grecian world is exiled to a prison isle to keep him from assuming the throne, he unintentionally discovers a massive global conspiracy. It's a great story with a twist that will really surprise you. Series writer Matthew Arnold joins us to talk about how the series lived for awhile in his mind, writing so much that when the time came to bring it to life, much of it was ready to go. We discuss the team behind this, including artist Davide Gianfelice, who is best known for his work on “Northlanders,” and a cover by artist Jock, whose comics work includes “Batman” and “Wytches.” Matthew dives into the in-depth worldbuilding and research that he did for “Outer Lands” and the modern-day themes that were blended into the story. We talk about characters, specifically Prince Heron, the series protagonist who may or may not be the hero of the story. Matthew also gives advice on getting that creative ball rolling and how to find a team to work with.

Editor's Note, by Art Middlekauff The 1880s featured a public debate between two leading thinkers, both of whom were cited favorably by Charlotte Mason. These two thinkers were Thomas Huxley (1825–95) and Matthew Arnold (1822–88). Paul White summarizes this debate: In the public statements that are taken to epitomize the Victorian debate, Huxley's 1880 lecture … The post Professor Huxley and the PNEU first appeared on Charlotte Mason Poetry.

Matthew Arnold is a writer, director, and producer known for television shows Siberia (2013) and Emerald City (2017), and the movie Shadow People (2013). Matthew has a new graphic novel coming out from Comixology Originals with artist Davide Gianfelice called OUTER LANDS, which will be out August 26th. Matt talks about the story of Outer Lands, working with Davide Gianfelice, and teases quite a bit about what fans can expect from this story. Plus Jimmy nerds out about the television show Siberia and Matt talks about how he got one of his first jobs as a PA on the set of Jackie Brown and what it was like watching Quentin Tarantino direct. If you're a newer creator or just about to take that leap into writing comics, you don't want to miss this episode.  Pre-Order OUTER LANDS From the Publisher When a young prince living in an Ancient Grecian world is exiled to a prison isle to keep him from assuming the throne, he unintentionally discovers a massive global conspiracy in this science-fiction fantasy mash-up. Buy EDEN Follow Comic Book Yeti

In this episode of the Woodpreneur Podcast, host Jennifer Alger interviews Matthew Arnold from KJP Select Hardwoods. They discuss Matthew's journey in the lumber industry, the evolution of e-commerce in woodworking, and the challenges of shipping and regulations.  Matthew shares insights on customer education, custom orders, and trends in the woodworking industry, including the shift away from live edge designs. The conversation also touches on the importance of marketing strategies and the unique stories that shape their business. Top 5 Takeaways Matthew Arnold is third generation in the lumber industry at KJP Select Hardwoods, a woodworking supply store in Ottawa.E-commerce has become a significant part of their business, though shipping lumber presents unique challenges due to its size and weight.Customer education is crucial in helping clients understand wood selection and finding value in lower-grade lumber.Design trends are shifting towards more contemporary styles over live edge furniture.The business experienced significant expansion during COVID-19, requiring robust marketing strategies in a competitive market. Chapters  00:00 Introduction to KJP Hardwoods 02:46 Matthew's Journey in the Lumber Industry 05:29 The Challenges of Urban Lumber 08:20 Processing and Custom Orders at KJP Hardwoods 11:11 Customer Experience and Custom Table Orders 14:01 Expansion During COVID-19 16:39 Navigating Business Growth and Challenges 19:15 Challenges in Sourcing Lumber 21:04 Shifts in Design Trends 24:03 Business Milestones and Growth 25:42 Educating Customers on Wood Buying 30:22 Navigating Cross-Border Regulations 33:03 Marketing Strategies for E-commerce The Woodpreneur Podcast brings stories of woodworkers, makers, and entrepreneurs turning their passion for wood into successful businesses - from inspiration to education to actionable advice. Hosted by Steve Larosiliere and Jennifer Alger  For blog posts and updates: woodpreneur.com See how we helped woodworkers, furniture-makers, millwork and lumber businesses grow to the next level: woodpreneurnetwork.com Empowering woodpreneurs and building companies to grow and scale: buildergrowth.io Connect with us at:  Instagram: https://www.instagram.com/woodpreneurnetwork/?hl=en Facebook: https://www.facebook.com/woodpreneurnetwork/ Join Our Facebook Group! https://www.facebook.com/groups/woodpreneurnetwork Join our newsletter: podcast.woodpreneur.com/ You can connect with Matthew at: https://www.instagram.com/kjpselecthardwoods/ kjpselecthardwoods.com https://www.facebook.com/kjpselecthardwoods

This is a free preview of a paid episode. To hear more, visit chrisryan.substack.comIn which I rip Fareed Zakaria a (new) new one, talk about the abject stupidity of the intelligensia, play a song sung by a bunch of cool alley cats, applaud a Scott Galloway rant on the hypocrisy of the American ruling class and ponder “Dover Beach,” a poem by Matthew Arnold.

Many architects dream of launching their own firm, but few do it with the level of preparation and insight that Matthew Arnold brings to the table. After nearly 15 years at a celebrated architecture practice, Matthew made a bold move, one inspired by a surprising encounter with two iconic projects in the Arizona desert. What followed was a shift not only in career, but in how he sees the role of architects in shaping their own futures. In this heartening and practical conversation, Rion explores what made Matthew take the leap, what he did beforehand to prepare, and how he now blends the roles of designer and developer. Listeners will hear about the surprising lessons from famous architects of the past, and the critical detail that helped Matthew win a key development deal without breaking the bank. Listen to learn: What a legendary gala tradition reveals about the business of architecture Why one dinner in the desert changed everything The mistake Matthew made selling a unit too early and how it backfired How one overlooked seller need gave him a development deal no one else could win To learn more about Matthew, visit his: Website: www.matthewdarnold.com LinkedIn: https://www.linkedin.com/in/matthew-arnold-48bb504/   ► Transcription: https://otter.ai/u/Uzlhs5qHQofHADRqKdXFyIaI_I8?utm_source=copy_url   ► Feedback? Email us at podcast@businessofarchitecture.com   ► Access your free training at http://SmartPracticeMethod.com/   ► If you want to speak directly to our advisors, book a call at https://www.businessofarchitecture.com/call   ► Subscribe to our YouTube Channel for updates: https://www.youtube.com/c/BusinessofArchitecture   *******   For more free tools and resources for running a profitable, impactful, and fulfilling practice, connect with me on: Facebook: https://www.facebook.com/groups/businessofarchitecture Instagram: https://www.instagram.com/businessofarch/ Website: https://www.businessofarchitecture.com/yt Twitter: https://twitter.com/BusinessofArch Podcast: http://www.businessofarchitecture.com/show iTunes: https://podcasts.apple.com/us/podcast/business-architecture-podcast/id588987926 Android Podcast Feed: http://feeds.feedburner.com/BusinessofArchitecture-podcast Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9idXNpbmVzc29mYXJjaGl0ZWN0dXJlLmxpYnN5bi5jb20vcnNz   *******   Access the FREE Architecture Firm Profit Map video here: http://freearchitectgift.com   Carpe Diem!

Matt Arnold, founder of architectural firm ArnoldAnd, has two decades working as an architect in greater Boston, most notably in a senior leader role.Matt has earned a reputation for masterfully blending modern design and sustainability features within historic homes and buildings. Modern Luxury Interiors Magazine recently named Matt one of its “Ones to Watch” class of 2025.He is a member of the BSA's Residential Design Committee, the Boston Preservation Alliance and LevelUp Mastermind.Winning Business Radio is broadcast live Mondays at 4PM ET and Music on W4CY Radio (www.w4cy.com) part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). Winning Business Radio is viewed on Talk 4 TV (www.talk4tv.com).Winning Business Radio Podcast is also available on Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.Become a supporter of this podcast: https://www.spreaker.com/podcast/winning-business-radio--3075598/support.

Today's Topics: 1) Gospel - Mark 4:21-25 - Jesus said to His disciples, “Is a lamp brought in to be placed under a bushel basket or under a bed, and not to be placed on a lampstand? For there is nothing hidden except to be made visible; nothing is secret except to come to light. Anyone who has ears to hear ought to hear.” He also told them, “Take care what you hear. The measure with which you measure will be measured out to you, and still more will be given to you. To the one who has, more will be given; from the one who has not, even what he has will be taken away.” Bishop Sheen quote of the day 2) Matthew Arnold on his new apostolic work 3) LA Fires show liberal, socialist policies have failed... again https://www.tfp.org/la-fires-show-liberal-socialist-policies-have-failed-again/ 4) To President Trump: Life begins at conception https://www.knightsrepublic.com/single-post/to-the-president-god-saved-your-life-to-save-the-unborn

Today's Topics: 1, 2, 3, 4) Matthew Arnold joins Terry Gospel - LK 11:42-46 - The Lord said: “Woe to you Pharisees! You pay tithes of mint and of rue and of every garden herb, but you pay no attention to judgment and to love for God. These you should have done, without overlooking the others. Woe to you Pharisees! You love the seat of honor in synagogues and greetings in marketplaces.   Woe to you! You are like unseen graves over which people unknowingly walk.” Then one of the scholars of the law said to Him in reply, “Teacher, by saying this You are insulting us too.” And He said, “Woe also to you scholars of the law! You impose on people burdens hard to carry, but you yourselves do not lift one finger to touch them.” Memorial of Saint Margaret Mary of Alacoque, Virgin Memorial of Saint Hedwig, Religious Saints Margaret Mary and Hedwig, pray for us! Bishop Sheen quote of the day

Today's Topics: 1, 2, 3, 4)  Matthew Arnold joins Terry Gospel - Lk 10:13-16  - Jesus said to them, "Woe to you, Chorazin! Woe to you, Bethsaida! For if the mighty deeds done in your midst had been done in Tyre and Sidon, they would long ago have repented, sitting in sackcloth and ashes. But it will be more tolerable for Tyre and Sidon at the judgment than for you. And as for you, Capernaum, 'Will you be exalted to heaven? You will go down to the netherworld.' Whoever listens to you listens to Me. Whoever rejects you rejects Me. And whoever rejects Me rejects the One Who sent Me." Bishop Sheen quote of the day

Today's poem demonstrates that, unlike Arnold's sideburns, loving the Bard never goes out of style. Although remembered now for his elegantly argued critical essays, Matthew Arnold, born in Laleham, Middlesex, on December 24, 1822, began his career as a poet, winning early recognition as a student at the Rugby School where his father, Thomas Arnold, had earned national acclaim as a strict and innovative headmaster. Arnold also studied at Balliol College, Oxford University. In 1844, after completing his undergraduate degree at Oxford, he returned to Rugby as a teacher of classics.After marrying in 1851, Arnold began work as a government school inspector, a grueling position which nonetheless afforded him the opportunity to travel throughout England and the Continent. Throughout his thirty-five years in this position Arnold developed an interest in education, an interest which fed into both his critical works and his poetry. Empedocles on Etna (1852) and Poems (1853) established Arnold's reputation as a poet and, in 1857, he was offered a position, which he accepted and held until 1867, as Professor of Poetry at Oxford. Arnold became the first professor to lecture in English rather than Latin. During this time Arnold wrote the bulk of his most famous critical works, Essays in Criticism (1865) and Culture and Anarchy (1869), in which he sets forth ideas that greatly reflect the predominant values of the Victorian era.Meditative and rhetorical, Arnold's poetry often wrestles with problems of psychological isolation. In “To Marguerite—Continued,” for example, Arnold revises John Donne's assertion that “No man is an island,” suggesting that we “mortals” are indeed “in the sea of life enisled.” Other well-known poems, such as “Dover Beach,” link the problem of isolation with what Arnold saw as the dwindling faith of his time. Despite his own religious doubts, a source of great anxiety for him, in several essays Arnold sought to establish the essential truth of Christianity. His most influential essays, however, were those on literary topics. In “The Function of Criticism” (1865) and “The Study of Poetry” (1880) Arnold called for a new epic poetry: a poetry that would address the moral needs of his readers, “to animate and ennoble them.” Arnold's arguments, for a renewed religious faith and an adoption of classical aesthetics and morals, are particularly representative of mainstream Victorian intellectual concerns. His approach—his gentlemanly and subtle style—to these issues, however, established criticism as an art form, and has influenced almost every major English critic since, including T. S. Eliot, Lionel Trilling, and Harold Bloom. Though perhaps less obvious, the tremendous influence of his poetry, which addresses the poet's most innermost feelings with complete transparency, can easily be seen in writers as different from each other as W. B. Yeats, James Wright, Sylvia Plath, and Sharon Olds. Late in life, in 1883 and 1886, Arnold made two lecturing tours of the United States.Matthew Arnold died in Liverpool on April 15, 1888.-bio via Academy of American Poets Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Send us a textThe full text of this podcast, including the links mentioned, can be found in the transcript of this edition or at the following link:https://andrewjbrown.blogspot.com/2024/09/far-back-through-creeks-and-inlets.htmlPlease feel free to post any comments you have about this episode there.The Cambridge Unitarian Church's Sunday Service of Mindful Meditation can be found at this link:https://www.cambridgeunitarian.org/morning-service/ Music, "New Heaven", written by Andrew J. Brown and played by Chris Ingham (piano), Paul Higgs (trumpet), Russ Morgan (drums) and Andrew J. Brown (double bass) Thanks for listening. Just to note that all the texts of these podcasts are available on my blog. You'll also find there a brief biography, info about my career as a musician, & some photography. Feel free to drop by & say hello. Email: caute.brown[at]gmail.com

Today's Topics: 1) Matthew Arnold joins Terry Gospel - LK 7:36-50 - A certain Pharisee invited Jesus to dine with him, and He entered the Pharisee's house and reclined at table. Now there was a sinful woman in the city who learned that He was at table in the house of the Pharisee. Bringing an alabaster flask of ointment, she stood behind Him at His Feet weeping and began to bathe His Feet with her tears. Then she wiped them with her hair, kissed them, and anointed them with the ointment. When the Pharisee who had invited Him saw this he said to himself, “If this Man were a prophet, He would know who and what sort of woman this is who is touching Him, that she is a sinner.” Jesus said to him in reply, “Simon, I have something to say to you.” “Tell me, Teacher,” he said. “Two people were in debt to a certain creditor; one owed five hundred days' wages and the other owed fifty. Since they were unable to repay the debt, he forgave it for both. Which of them will love him more?” Simon said in reply, “The one, I suppose, whose larger debt was forgiven.” He said to him, “You have judged rightly.” Then He turned to the woman and said to Simon, “Do you see this woman? When I entered your house, you did not give Me water for My Feet, but she has bathed them with her tears and wiped them with her hair. You did not give Me a kiss, but she has not ceased kissing My Feet since the time I entered. You did not anoint My Head with oil, but she anointed My Feet with ointment. So I tell you, her many sins have been forgiven; hence, she has shown great love. But the one to whom little is forgiven, loves little.” He said to her, “Your sins are forgiven.” The others at table said to themselves, “Who is This Who even forgives sins?” But He said to the woman, “Your faith has saved you; go in peace.” Memorial of Saint Januarius, Bishop and Martyr Saint Januarius, pray for us! Bishop Sheen quote of the day

Heartache and disappointment consumed the coronial inquest on its final day. The mothers of Rachel McCrow and Matthew Arnold deliver emotional statements, sharing the many “what ifs” that still haunt them from that day, and the critical questions that remain unanswered. In this episode, new details come to light around radio blackspots, body worn cameras, the Arnold family's agonising five-hour wait for answers, and Rachel McCrow's final message. And as Internal Investigations hone in on opportunities for improvement, the families are demanding more be done; fighting for Matt and Rachel's legacy to be one of change, so their sacrifice will protect others.See omnystudio.com/listener for privacy information.

A Queensland coroner is investigating the motivations of Gareth, Nathaniel and Stacey Train, who killed constables Matthew Arnold and Rachel McCrow and a neighbour, Alan Dare, at their remote property in Wieambilla. So far, the testimonies have included a forensic psychiatrist and an extremism academic. Queensland state reporter Andrew Messenger speaks to Tamsin Rose about the recommendations that have been made by police and experts to prevent a repeat of this tragedy You can support the Guardian and the Full Story podcast here

The first witness takes the stand; Queensland Detective Inspector Sue Newton, who led the 16-month-long police investigation.  Her evidence, and never-seen-before photos, take us inside the Train's property and house, revealing the weapons, the hiding places and some inexplicably bizarre items. The police investigation lays bare the Train's depraved actions, stripping the gear from the fallen officers bodies, and haunting images captured on one of those officers body worn cameras finally reveals who fired the fatal shots that killed Constable Rachel McCrow and Matthew Arnold.  In this podcast episode, host Melissa Downes is joined by producer Jess Lodge to break down the Detective Inspector's evidence.See omnystudio.com/listener for privacy information.

Chilling evidence was played to the Coroners Court on the opening day of the coronial inquest into the Wieambilla massacre, unveiling the tragic moments that led to the deaths of officers Rachel McCrow and Matthew Arnold, and neighbour Alan Dare. Footage from police body cameras established a clear timeline of the ambush, capturing the unfolding tragedy - and the heroic actions of the four young officers - in real time. There was also emotional testimony from the victim's families, a joint statement made outside the court. The McCrow and Arnold families said there was “no escaping our devastating loss … the all-consuming grief … and the tears”.In this podcast episode, host Melissa Downes is joined by 9News court reporter Anna Rawlings to discuss the opening day's key details and the nine key questions Queensland state coroner Terry Ryan seeks to answer.See omnystudio.com/listener for privacy information.

On December 12, 2022, Constables Rachel McCrow and Matthew Arnold were killed in the line of duty. A neighbour, Alan Dare, also died that day. As did the three people who were firing at them. But there are still many unanswered questions from that night, which will be examined when an inquest gets underway at the end of this month. 9News presenter and host of podcast The Ultimate Sacrifice, Melissa Downes, joins us to discuss the deadliest shooting in Queensland Police history. THE END BITS Subscribe to Mamamia Listen to The Ultimate Sacrifice here. Find out more about Mamamia's charity partner RizeUp Australia here. And if this episode has brought up anything for you or if you just feel like you need to speak to someone, call 1800 RESPECT (1800 737 732). CREDITS Guest: 9News presenter and host of podcast The Ultimate Sacrifice, Melissa Downes Host: Gemma Bath Executive Producer: Liv Proud Audio Producer: Scott Stronach GET IN TOUCH: Feedback? We're listening! Email us at truecrime@mamamia.com.au or send us a voice note, and one of our Podcast Producers will come back to you ASAP. If any of the contents in this episode have caused distress, know that there is help available via Lifeline on 13 11 14 or Beyond Blue on 1300 22 4636 Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present and extend that respect to all Aboriginal and Torres Strait Islander cultures.  Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Episode #244: Matthew Arnold details the aftermath of Operation 1027, and how this has dramatically shifted the landscape of conflict in Myanmar. The junta's inability to maintain control, compounded by losing key territories, showcases a dramatic shift in power dynamics. Arnold emphasizes that the ceasefire brokered by China, although seemingly significant, is more a tactical pause than a strategic peace, driven by the junta's need to save face amid substantial defeats.The broader conflict is marked by a series of insurgencies and the junta's heavy reliance on violence against civilians, illustrating its desperation. Arnold points out that the junta's attempts to stabilize their rule through ceasefires often fail, revealing a pattern of transactional and insincere agreements meant to temporarily halt fighting rather than foster long-term political solutions.Arnold's insights highlight the junta's eroding military capacity, strained logistics, and diminishing strategic depth. This scenario underscores a critical juncture where local resistance, ethnic alliances, and international diplomatic pressures converge, potentially leading to the junta's collapse and a reconfiguration of Myanmar's political landscape.Matthew Arnold concludes with a powerful message to those continuing on in the resistance movement: “The Myanmar people should take heart. This has been your revolution, you have been the ones who have pushed it, you've succeeded more than any other country has when confronted with a deeply entrenched, genocidal military, and one that is willing to use mass violence against the population. All of this has been through the determination and dedication of the Myanmar people.”

In this episode we're discussing two SXSW Film Festival narrative films that center around being lost and searching for something.In We're All Gonna Die, an alien spike has materialized onto the earth's atmosphere, and a struggling beekeeper and a grieving EMT are forced to join forces on a roadtrip after the spike has mysteriously caused the teleportation of his car and her bees. Co-directors/co-writers Freddie Wong and Matthew Arnold join us to discuss their decision to set  the apocalypse in our regular world, expressing honesty through lies, and the funny story behind the main character's calf fetish.Desert Road is a horror/sci-fi about a woman who crashes her car in the middle of the desert and walks down the road for help - only to realize no matter which way she walks, she ends up back at her crashed car. Director/writer Shannon Triplett shares the true story this film is based on, the brilliance of her lead actress who carries the film, Kristine Froseth, and the importance of casting (including heavyweights Beau Bridges and Frances Fisher), and how the success of the shoot was centered on the full moon. Follow director/writer Freddie Wong on IGFollow director/writer Matthew Arnold on IGFollow director/writer Shannon Triplett on IGAudio engineering by Jeff Hunt from Storied: San FranciscoSupport the showThanks for listening and for your support! We couldn't have reached 10 years, recorded 700+ episodes, and won Best of the Bay Best Podcast in 2022 and 2023 without your help! -- Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal. -- Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram & Facebook Listen every Tuesday at 9 - 10 am on BFF.FM

From Hebrew scriptures to contemporary television, from Medieval manuscripts to Victorian greeting cards, angels loom large in the collective imagination of Western culture, and not only for Christians. But the word angel seems to cover a multitude of possible beings. To judge from their many and varied representations, a vision of an angel might involve a giant three-headed winged monster, a chubby winged baby, or maybe an elegant androgynous figure. Given the diverse ways angels have been represented across different eras and traditions, it is difficult to get a sense of what Christians actually believe about angels. Where did the idea of angels originate? Are there really different ranks of angels? What about guardian angels? Or fallen angels? And why are they so frequently depicted with wings? On this episode of the Glad You Asked podcast, hosts Emily Sanna and Rebecca Bratten Weiss speak with guest Matthew Arnold about angels in the Bible and why our ideas about them are so varied.  Arnold has written extensively on the paranormal in the Bible and spent over 10 years investigating the paranormal from a Christian perspective, drawing on his background in both theology and science. He is author of The Invisible Dimension: Spirit-Beings, Ghosts, and the Afterlife (Anamchara Books), and the editor of The Christian Parapsychologist, a publication of The Churches' Fellowship for Psychical and Spiritual Studies. Learn more about angels and read some of Arnold's writings in the links below. “Messengers of comfort and courage: The truth about angels,” By Lisa Raatikainen. https://uscatholic.org/articles/202006/messengers-of-comfort-and-courage-the-truth-about-angels/  “Fallen Angels and Satan,” By Matt Arnold. https://ghostsghoulsandgod.co.uk/2020/06/fallen-angels/  “Did Angels Marry Human Women?” By Matt Arnold. https://ghostsghoulsandgod.co.uk/2020/09/did-angels-marry-human-women/  “Guardian angels are life's traveling companions, pope says,” By Junno Arocho Esteves. https://www.ncronline.org/vatican/francis-comic-strip/francis-chronicles/guardian-angels-are-lifes-traveling-companions-pope  “The Angels,” From The Catechism of the Catholic Church. https://www.usccb.org/sites/default/files/flipbooks/catechism/86/  The Invisible Dimension: Spirit-Beings, the Afterlife, and Ghosts, By Matt Arnold. https://a.co/d/70V0iOi  Glad You Asked is sponsored by the Claretian Missionaries. https://claretiansusa.org https://myclaret.org   

Recorded by Academy of American Poets staff for Poem-a-Day, a series produced by the Academy of American Poets. Published on March 9, 2024. www.poets.org

Episode: 2193 Matthew Arnold's honeymoon on Dover Beach: an odd Valentine's Day greeting.  Today, a Valentine's Day greeting.

Today's poem is the one you had to read in high school without really understanding it. (Or was that just me?)Among the major Victorian writers, Matthew Arnold (1822-1888) is unique in that his reputation rests equally upon his poetry and his poetry criticism. Only a quarter of his productive life was given to writing poetry, but many of the same values, attitudes, and feelings that are expressed in his poems achieve a fuller or more balanced formulation in his prose. This unity was obscured for most earlier readers by the usual evaluations of his poetry as gnomic or thought-laden, or as melancholy or elegiac, and of his prose as urbane, didactic, and often satirically witty in its self-imposed task of enlightening the social consciousness of England.Assessing his achievement as a whole, G.K. Chesterton said that under his surface raillery Arnold was, “even in the age of Carlyle and Ruskin, perhaps the most serious man alive” [though, from Chesterton, this is not entirely a compliment.] H.J. Muller declared that “if in an age of violence the attitudes he engenders cannot alone save civilization, it is worth saving chiefly because of such attitudes.” It is even more striking, and would have pleased Arnold greatly, to find an intelligent and critical journalist telling newspaper readers in 1980 that if selecting three books for castaways, he would make his first choice The Poetical Works of Matthew Arnold (1950), because “Arnold's longer poems may be an acquired taste, but once the nut has been cracked their power is extraordinary.” Arnold put his own poems in perspective in a letter to his mother on June 5, 1869: “It might be fairly urged that I have less poetical sentiment than Tennyson, and less intellectual vigour and abundance than Browning; yet, because I have perhaps more of a fusion of the two than either of them, and have more regularly applied that fusion to the main line of modern development, I am likely enough to have my turn, as they have had theirs.”-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Matthew Arnold, expert on Our Lady of Good Success which occurred in Quito, Ecuador, shares the history of this Marian apparition. + Sister Mark Randall from the Carmelite Sisters of the Aged and Infirm talks about the amazing life Venerable Mother Mary Angeline Theresa McCrory and gives an update on her cause for canonization.

Matthew Arnold, expert on Our Lady of Good Success which occured in Quito, Ecuador, shares the history of this Marian apparition. + Sister Mark Randall from the Carmelite Sisters of the Aged and Infirm talks about the amazing life Venerable Mother Mary Angeline Theresa McCrory and gives an update on her cause for canonization.

Join us in this enlightening episode of the Classical Etc. podcast from Memoria Press. Dive into a rich and thought-provoking discussion on faith and reason with Martin Cothran, Tanya Charlton, and Paul Schaeffer, as they delve into the intricate intersection of Athens and Jerusalem in classical education. The core of today's discussion revolves around Martin's article in "The Classical Teacher". It presents three historical perspectives on the relationship between Greek (Athens) and Hebrew (Jerusalem) cultures: the Conflict View by Tertullian, the Reconciliation Theory by Matthew Arnold, and the Dialectic Theory by Joseph Strauss. Join us in exploring how these theories influence the modern classical education model. How do the balance of Greek intellectualism and Hebrew holiness shape our understanding and teaching methodologies? Engage with our deep dive into the philosophical backgrounds of these theories and their significant influence on Western history, civilization, and thought. This episode is a must-listen for educators, students, and anyone interested in the profound connection between historical cultures and modern education. Subscribe to our channel for more insightful discussions and join the journey through the fascinating world of classical education. For more information on how Memoria Press can get you started with new books for your home and school visit us at memoriapress.com

Today's Topics: 1, 2, 3, 4) Father Murr and Matthew Arnold join Terry Barber to discuss the recently uncovered, scandalous 1998 book by Cardinal Fernandez on "Spirituality and Sensuality"

Are you living the life you want to live, or the one you want others to see? That was the question on the mind of today's guest when he hit his first year of university. At the time. life seemed good. He had an academic scholarship to a top-tier school and a dream of making the U-19 Canadian Rugby Team had become a reality. But then it all came crashing down... In this episode of The Greatness Machine, Darius chats with Ben Nemtin, a #1 New York Times bestselling author of 'What Do You Want To Do Before You Die?,' co-founder of The Buried Life movement and inspirational keynote speaker. He has delivered over 500 keynotes to brands and Fortune 500 companies around the globe.  In this episode you'll discover: How Ben overcame crippling depression, including his list of 100 things to do before he dies (of which he has achieved 96!) How a poem called 'The Buried Life' led him to a TV show on MTV, where he played basketball with President Obama among other things Answers to questions such as: 'What do you want to do before you die?' And 'What are the top five things people regret on their deathbeds?' Join Darius and Ben as they discuss creating the life you want for yourself - not the one you want others to see. Topics include: How Ben conquered depression in his youth to create a list of 100 things to do before he dies Why a 150 year-old poem called 'The Buried Life' by Matthew Arnold led Ben to create a show for MTV How to discover what you want to do before you die, and how you can avoid having regrets at the end of your life And other topics... Connect with Ben: Website: https://www.bennemtin.com/ LinkedIn: https://www.linkedin.com/in/bennemtin Instagram: https://www.instagram.com/bennemtin/ Facebook: https://www.facebook.com/Nemtin/  Connect with Darius: Website: https://therealdarius.com/ Linkedin: https://www.linkedin.com/in/dariusmirshahzadeh/ Instagram: https://www.instagram.com/whoompdarius/ YouTube: https://therealdarius.com/youtube Book: The Core Value Equation https://www.amazon.com/Core-Value-Equation-Framework-Limitless/dp/1544506708 Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt Seybold joins Rob Hawkes and Scott Ferguson to discuss the political economy of literary criticism from past to present, amateur to professional. Seybold is Associate Professor of American Literature at Elmira College and Resident Scholar at the Center for Mark Twain Studies. In addition to writing and teaching in the field of literature & economics, Seybold produces and hosts The American Vandal podcast, an ever-growing collection of conversations and presentations about literature, humor, and history in America that is inspired by Mark Twain's life and legacy. Our conservation focuses, in particular, on The American Vandal's magisterial eighth series titled, “Criticism LTD.” With 16 episodes totaling 24-hours of listening, “Criticism LTD” marshals a diverse cast of over 50 voices to provide fresh perspectives on the origins & trajectories of literary criticism and the so-called “crisis of humanities.” Episodes take on a wide range of topics, including: the marked contrast between today's “golden age of criticism” (Ryan Ruby) in amateur and para-academic venues and the “Ponzi Austerity” (Yanis Varoufakis) and “Ed-Tech Griftopia” (Seybold) undermining contemporary academic research and instruction; the mid-20th-century trouncing of the neo-Aristotelian Chicago School Critics by the neoliberal Chicago School Economists; how the ugly politics of race, class, gender, and colonialism have both informed and met resist in practices of close reading; and the importance of the 19th-century feud over literary criticism between Matthew Arnold and Mark Twain for imaginatively contesting imperialism, then and now. “Criticism LTD” has much to offer teachers, researchers, organizers, and creators interested in building a more humane, collaborative, and democratic education system in the shell of the old. Visit our Patreon page here: https://www.patreon.com/MoLsuperstructureMusic by Nahneen Kula: www.nahneenkula.com

Editor's Note, by Art Middlekauff In April 1890, the third issue of a fledgling periodical entitled The Parents' Review was delivered to subscribers. Under the standard subtitle “A Monthly Magazine of Home-Training and Culture,” this third issue included yet another heading: “Education is an atmosphere, a discipline, a life.”—Matthew Arnold.[1] The next and following issues … The post Conversation Piece first appeared on Charlotte Mason Poetry.

You're listening to a Special Release episode of Insight Myanmar Podcast. In the aftermath of Operation 1027, a pivotal military action initiated by the Three Brotherhood Alliance, and further supported by a coalition of ethnic fighters and PDF units, Myanmar is undergoing a transformative moment and so we are launching this series in response.Our guest is Matthew Arnold, an academic and independent policy analyst specializing in politics, governance, and peace and conflict, with extensive experience in Myanmar and a background encompassing roles at The Asia Foundation, academic research, and with the UN World Food Program in various conflict zones and humanitarian crises.Arnold notes that Myanmar now stands at a critical juncture, marked by 33 months of both armed and peaceful resistance against military dictatorship. He describes how Operation 1027, executed by competent and strategically inclined Ethnic Armed Organizations (EAOs), reflects a carefully considered move based on the evolving trajectory of the conflict. In his view, the junta, facing widespread and entrenched resistance, lacks the depth to recover, evidenced by its inability to launch significant counter-offensives.To Arnold, the pro-democracy resistance, a bottom-up revolt evolving into a national uprising for federal democracy, remains steadfast despite criticisms and flaws. The junta's brutal tactics have ignited an unquenchable fire of revolution, and its continued atrocities are unlikely to shift the tide. Arnold boldly predicts that the democratic movement, now viable and ascendant, is poised for outright victory within the next 3 to 6 months, shaping a post-conflict peace that, while potentially messy, is distinguished by social goodwill and solidarity among the Myanmar people.Amid calls for international support, Arnold urges an open-minded approach, emphasizing Myanmar's potential for positive collective change and dismissing notions of irreparable fracture. In his view, Operation 1027 serves as a catalyst, signaling a ray of hope in a dark world, inviting contemplation, preparation, and celebration of the impending collapse of the genocidal junta.

You're listening to a Special Release episode of Insight Myanmar Podcast. In the aftermath of Operation 1027, a pivotal military action initiated by the Three Brotherhood Alliance, and further supported by a coalition of ethnic fighters and PDF units, Myanmar is undergoing a transformative moment and so we are launching this series in response.Our guest is Matthew Arnold, an academic and independent policy analyst specializing in politics, governance, and peace and conflict, with extensive experience in Myanmar and a background encompassing roles at The Asia Foundation, academic research, and with the UN World Food Program in various conflict zones and humanitarian crises.Arnold notes that Myanmar now stands at a critical juncture, marked by 33 months of both armed and peaceful resistance against military dictatorship. He describes how Operation 1027, executed by competent and strategically inclined Ethnic Armed Organizations (EAOs), reflects a carefully considered move based on the evolving trajectory of the conflict. In his view, the junta, facing widespread and entrenched resistance, lacks the depth to recover, evidenced by its inability to launch significant counter-offensives.To Arnold, the pro-democracy resistance, a bottom-up revolt evolving into a national uprising for federal democracy, remains steadfast despite criticisms and flaws. The junta's brutal tactics have ignited an unquenchable fire of revolution, and its continued atrocities are unlikely to shift the tide. Arnold boldly predicts that the democratic movement, now viable and ascendant, is poised for outright victory within the next 3 to 6 months, shaping a post-conflict peace that, while potentially messy, is distinguished by social goodwill and solidarity among the Myanmar people.Amid calls for international support, Arnold urges an open-minded approach, emphasizing Myanmar's potential for positive collective change and dismissing notions of irreparable fracture. In his view, Operation 1027 serves as a catalyst, signaling a ray of hope in a dark world, inviting contemplation, preparation, and celebration of the impending collapse of the genocidal junta.

The tripartite finale of "Criticism LTD" begins with a the feud between Matthew Arnold and Mark Twain, followed by "Bed Glee" [14:00], "Outing Criticism" [40:00], and "The Fate of Professional Reading" [59:00] Cast (in order of appearance): Beci Carver, Kim Adams, Ryan Ruby, Ainehi Edoro, Jed Esty, Matt Seybold, Gerald Graff, Harry Stecopoulos Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/EmpireOfCriticism, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.

Daily Quote Human speech is like a cracked tin kettle, on which we hammer out tunes to make bears dance when we long to move the stars. (Gustave Flaubert) Poem of the Day Tear by Arthur Rimbaud Beauty of Words Ideas in England Matthew Arnold

Do you want to see the world as it is, or as it ought to be? This difficult question is at the heart of the millennia-old debate over morality and art. Pulling back the camera to ask how we got to our current dysfunction, Spencer moves from Homer and Isaiah to Nabokov and Matthew Arnold, looking for answers to the questions that are currently wracking the culture. The digital age has shattered a lot of our old systems, but somewhere in the aftermath there is hope for a new middle ages and a re-enchanted world. Check out our sponsor, the Ancient Language Institute: https://ancientlanguage.com/youngheretics/ Sign up to be in the mailbag: https://rejoiceevermore.substack.com/ Pick up my book, How to Save the West: https://a.co/d/9S57cfh

Episode: 2699 Heligoland, a bucolic magnet for the machines of war.  Today, we visit Heligoland.

Today's Topics: 1, 2, 3, 4) Matthew Arnold joins Terry today to discuss Our Blessed Mother's appearances and what she asks of us Gospel - John 4:43-53 -  After the two days, He left there for Galilee. For Jesus himself testified that a prophet has no honor in his native place. When He came into Galilee, the Galileans welcomed Him, since they had seen all He had done in Jerusalem at the feast; for they themselves had gone to the feast. Then He returned to Cana in Galilee, where He had made the water wine. Now there was a royal official whose son was ill in Capernaum. When he heard that Jesus had arrived in Galilee from Judea, he went to Him and asked Him to come down and heal his son, who was near death. Jesus said to him, “Unless you people see signs and wonders, you will not believe.” The royal official said to him, “Sir, come down before my child dies.” Jesus said to him, “You may go; your son will live.” The man believed what Jesus said to him and left. While he was on his way back, his slaves met him and told him that his boy would live. He asked them when he began to recover. They told him, “The fever left him yesterday, about one in the afternoon.” The father realized that just at that time Jesus had said to him, “Your son will live,” and he and his whole household came to believe. Now this was the second sign Jesus did when He came to Galilee from Judea. Solemnity of Saint Joseph, spouse of the Blessed Virgin Mary Saint Joseph, pray for us! Bishop Sheen quote of the day

God seems to like material! He made it. He made us. He comes to us through the manger and the cross. Instead of giving up something for Lent, perhaps we should practice appreciation for God's gift of creation. Joel Hess from Ringside Preachers Podcast and Donavon Riley from Banned Books Podcast expose things you won't hear in church. “The Ringers” talk philosophy, heresy, literature, art, and faith to expand your mind this Lent.   TOPICS & SOURCES:   Matthew Arnold   Spiritual Art   Incantation in music   Dominion over the precious ecosystem   Jordan Peterson   Appreciate Material for Lent       Music: Lets Roll by Joel A Hess     Check out Joel's & Donavon's Regular Podcasts: Ringside Preachers  Banned Books

Today's Topics: 1, 2, 3, 4) Gospel - Mt 20:17-28 - As Jesus was going up to Jerusalem, he took the Twelve disciples aside by themselves, and said to them on the way, “Behold, we are going up to Jerusalem, and the Son of Man will be handed over to the chief priests and the scribes, and they will condemn him to death, and hand him over to the Gentiles to be mocked and scourged and crucified, and he will be raised on the third day.” Then the mother of the sons of Zebedee approached Jesus with her sons and did him homage, wishing to ask him for something. He said to her, “What do you wish?” She answered him, “Command that these two sons of mine sit, one at your right and the other at your left, in your kingdom.” Jesus said in reply, “You do not know what you are asking. Can you drink the chalice that I am going to drink?” They said to him, “We can.” He replied, “My chalice you will indeed drink, but to sit at my right and at my left, this is not mine to give but is for those for whom it has been prepared by my Father.” When the ten heard this, they became indignant at the two brothers. But Jesus summoned them and said, “You know that the rulers of the Gentiles lord it over them, and the great ones make their authority over them felt. But it shall not be so among you. Rather, whoever wishes to be great among you shall be your servant; whoever wishes to be first among you shall be your slave. Just so, the Son of Man did not come to be served but to serve and to give his life as a ransom for many.” Memorial of Saint John of God, Religious Saint John, pray for us! Matthew Arnold joins Terry to discuss the importance the Church places on marriage and the family in a successful society Bishop Sheen quote of the day

On today's ID the Future, host Peter Robison continues a lively conversation with Douglas Murray, author of The War on the West, Tom Holland, author of Dominion: How the Christian Revolution Remade the World, and Stephen Meyer, author of Return of the God Hypothesis. Here in the concluding part of the interview, the four consider English Victorian poet Matthew Arnold's elegiac depiction of the West bereft of religious faith. What does this retreating “sea of faith” mean in practical terms for Western culture, and what path, if any, is there to a renewal of Western culture? Can we embrace the Christian ethical framework without belief in God, miracles, and the afterlife? Meyer warns that attempting to borrow some form of Read More › Source

In 1878, critic Matthew Arnold wrote, "Goethe is the greatest poet of modern times... because having a very considerable gift for poetry, he was at the same time, in the width, depth, and richness of his criticism of life, by far our greatest modern man." In this episode, Jacke talks to Ritchie Robertson, author of Goethe: A Very Short Introduction, about the life and works of Johann Wolfgang von Goethe (1749-1832): scientist, administrator, artist, art critic, and supreme literary writer in a vast variety of genres. Ritchie Robertson is Taylor Professor of German in the University of Oxford. He is the author of The 'Jewish Question' in German Literature, 1749-1939: Emancipation and its Discontents (OUP, 1999), Mock-Epic Poetry from Pope to Heine (OUP, 2009), and Kafka; A Very Short Introduction (OUP, 2004). He has translated several German authors into English for the Oxford World's Classics and Penguin Classics series, and has been a Fellow of the British Academy since 2004. Additional listening: 463 Friedrich Nietzsche (with Ritchie Robertson) George Eliot 111 The Americanest American - Ralph Waldo Emerson Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

A gloriously dark Tech House mix. Donations, Merchandise, Newsletter, more: https://www.groovelectric.com Podrunner: Workout Music mixes: https://www.podrunner.com PLAYLIST 01. Matthew Arnold, Dover Beach (reader unknown) 02. Bedrock - Heaven Scent (Marc Romboy & Miki Kekenj Rework) 03. Vidno - After Coma 04. Vortex - Stupendulous 05. Mirko Worz - Over (Daniel Hecke Remix) 06. Doomwork - Ram Bam (Extended Mix) 07. Jirus Manley - Flatout 08. The Cube Guys, StevAxel - WollyHood (Club Mix) 08. Tony Thomas - Neutral Density 19. Angel Heredia - Zurek 11. Nora En Pure, Lika Morgan - In the Air Tonight (Leventina Remix) 12. Mr. V, Sted-E & Hybrid Heights - Back to Basics (Extended Mix) 13. Kevin Andrews, Jason Chance - Krin (Extended Mix) 14. Siwell - Endless (Extended Mix) 15. Melt - Fun Factory 16. Pagano - Ipanema (Extended Mix) 17. Alex Preston, Siege - Save Me (Extended Mix) 18. Medusa, ACAY - Rising Up (Extended Mix) 19. Italobros - Dilan (Extended Mix) 20. Drauf & Dran - Gospletrain == Please support these artists == Music copyright the respective artists. All other material c2006, 2022 by Steve Boyett. For personal use only. All rights reserved. Any unauthorized copying editing, exhibition, sale, rental, exchange, public performance, or broadcast of this audio is prohibited.

Marcus Aurelius was a Roman emperor, born nearly two millennia ago (121 – 180). Marcus became the Emperor of the Roman Empire in 161 and ruled for nearly two decades until his death in 180. It is important to realize the gravity of that position and the magnitude of power that Marcus possessed. He held one of—if not the most—powerful positions in the world at the time. If he chose to, nothing would be off limits. There is a reason the adage that power in absolute absolutely corrupts has been repeated throughout history—it unfortunately tends to be true. And yet, as the essayist Matthew Arnold remarked, Marcus proved himself worthy of the position he was in.Marcus has only one core work, which was actually never intended for publication: his Meditations (originally titled “To Himself”). This is not only one of greatest books ever written but perhaps the only book of its kind. It is the definitive text on self-discipline, personal ethics, humility, self-actualization and strength. This episode of the podcast is a collection of some of our favorite quotes from this book.