An ever-growing collection of conversations and presentations about literature, humor, and history in America, produced by the premier source for programming and funding scholarship on Mark Twain's life and legacy.
Episode opens with journalism's "race to the bottom," described by a journalist who lived it, followed by what "The Facebook Files" revealed about social media's relationship to news [8:00], the tactics of parallel journalism [27:00}, the difference between fake news and fake journalism [38:00], the fate worse than death for periodicals, but not books [48:00], what the acquisition of Twitter taught us about technofeudalism [65:00], and a call to return to institutional media [82:00]. Cast (in order of appearance): Samuel Freedman, Matt Seybold, Jeff Horwitz, Gil Duran, Andie Tucher, Jeff Jarvis, Yanis Varoufakis, Tressie McMillan Cottom Soundtrack: DownRiver Collective For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/Newspapers, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com
A two-part meditation on the history of journalism and the fate of investigative journalism under tech fascism begins with the model of Ida Tarbell, the epochal Wall Street Journal reporting on Facebook in 2021 [6:00], the professionalization of journalism during the Gilded Age and interbellum periods [38:00], the relationship between Silicon Valley and news organizations in the 21st century [54:00], the legacy of newspapers [63:00], and a periodization of print media [71:00]. Cast (in order of appearance): Gil Duran, Matt Seybold, Jeff Horwitz, Andie Tucher, Jacob Silverman, Jeff Jarvis Soundtrack: DownRiver Collective Narration: Nathan Osgood & SNR Audio For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/Gutenberg, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com
Our 150th anniversary celebration of Mark Twain and Charles Dudley Warner's "The Gilded Age: A Tale of Today" turns to political economies of mass media, then and now, beginning with a close reading of the novel's title. We are then introduced to the tech fascist fantasy of the Network State [21:00], theories of post-capitalism [47:00], ways of reading from the right [58:00], and a more optimistic technofuturism [77:00} Cast (in order of appearance): Matt Seybold, Jeffrey Insko, Anna Kornbluh, Gil Duran, Eleanor Courtemanche, Jordan Carroll, Douglas Dowland, Jeff Jarvis Soundtrack: DownRiver Collective Narration: Nathan Osgood & SNR Audio For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/GildedNetwork, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com
The second act of "A Tale of Today," focused on HBCUs and the political economy of education in Gilded Ages old and new, concludes with a journey of curiosity through the unschooling movement, a historicist close reading of Ruth Bolton's time at Women's Medical College of Pennsylvania [24:40], analysis of the transition from secondary schools to higher education [35:00], a summary of this part of the series [82:00], and hope from the forgotten migration [87:30]. Cast (in order of appearance): Astra Taylor, Matt Seybold, Laura Heffernan, Rachel Sagnar Buurma, Alexander Manshel, Annie Abrams, Crystal Sanders Soundtrack: DownRiver Collective Narration: Nathan Osgood & SNR Audio For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/JourneyOfCuriosity, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com
Following Jelani Favors's description of how the second curriculum of HBCUs has been compromised since the 1980s, we look back at the origins of Howard University in the Freedman's Bureau [10:00], discuss the labor history of literature instruction [28:00], and mark the college football playoffs by discussing the dehumanization of athletic workers with the authors of "The End of College Football" [44:30]. Cast (in order of appearance): Matt Seybold, Jelani Favors, Laura Heffernan, Rachel Sagnar Buurma, Nathan Kalman-Lamb, Derek Silva Soundtrack: DownRiver Collective Narration: Nathan Osgood & SNR Audio For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/StudentWorkers, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com
Archives, physical and digital, are suffering from austerity, enshittification, and censorship. In this episode scholars discuss the ambivalent impacts of digitization, what information matters in the data economy [8:30], an analogy involving European colonialism [23:00], the competition to document between corporations and universities [46:00], the duty to tell the truth freely [73:30], preserving the counternarratives to empire [81:00], and managing an archive through Orbanization [95:30]. Cast (in order of appearance): Laura Heffernan, Rachel Sagnar Buurma, Matt Seybold, Kelly Grotke, Asheesh Kapur Siddique, Leigh Claire La Berge, Crystal Sanders, Jared Loggins, Andrew Douglas, Timothy Barber Soundtrack: DownRiver Collective Narration: Nathan Osgood & SNR Audio For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/ArchiveOfEmpire, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com
"A Tale Of Today" returns with an episode inspired by "The Teaching Archive." Its authors discuss the pedagogical innovations of HBCUs and strategies for teaching literary history, followed by the legacy of New Historicism in the classroom [14:00], the model of the Monks of Lindisfarne [24:00], the historical rivalry between professors and journalists [36:30], the archives of HBCU student newspapers [43:00], and a reporter who spent decades on the education beat [64:00]. Cast (in order of appearance): Laura Heffernan, Rachel Buurma, Matt Seybold, Jeffrey Insko, Anna Kornbluh, Eleanor Courtemanche, Tressie McMillan Cottom, Jelani Favors, Samuel Freedman Soundtrack: DownRiver Collective Narration: Nathan Osgood & SNR Audio For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/TeachingArchive, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com
An episode built around an interview with Tressie McMillan Cottom covers what lessons the rest of Higher Ed can learn from HBCUs [3:00], the vectors of financialization in the New Gilded Age [19:00], the migration of the for-profit model into not-for-profit institutions [60:00], and how Modern Monetary Theory might invigorate the Black University Concept [84:00]. Cast (in order of appearance): Jared Loggins, Matt Seybold, Tressie McMillan Cottom, Kelly Grotke, Andrew Douglas Soundtrack: DownRiver Collective Narration: Nathan Osgood & SNR Audio For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/LoweEd, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com
A Morehouse college commencement speaker makes an extraordinary financial commitment, but there's a "profound story" to tell about the durable funding of HBCUs in the US since the Gilded Age [12:00]. How does philanthrocapitalism work? [42:00] What is the Double Tax? [48:00] How might EdTech extract "intellectual capital" from HBCUs? [54:00] Can the second curriculum be sustained inside a philanthrocapitalist university? [64:00] Are HBCUs the vanguard of a new era of disruption to education? [74:00] Cast (in order of appearance): Matt Seybold, Andrew Douglas, Jared Loggins, Kelly Grotke, Crystal Sanders, Jelani Favors, Dominique Baker Soundtrack: DownRiver Collective Narration: Nathan Osgood & SNR Audio For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/Morehouse, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com
A brief history of HBCUs through conversations with five scholars about the second curriculum which informs movements for Civil Rights in the midcentury US, segregation scholars and the long withholding of postbaccalaureate education from HBCUs [40:00], the aspirational Black University Concept in W.E.B. DuBois and Vincent Harding [75:00], and the challenges facing HBCU students today [84:00]. Cast (in order of appearance): Matt Seybold, Jelani Favors, Crystal Sanders, Andrew Douglas, Jared Loggins, Dominique Baker Soundtrack: DownRiver Collective Narration: Nathan Osgood & SNR Audio For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/HBCU, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com
As Nathan Wolff himself puts it, his recent keynote address at the 2024 Quarry Farm Fall Symposium is "very much in dialogue with The American Vandal." In this talk, Wolff not only summarizes Mark Twain and Charles Dudley Warner's "The Gilded Age" (1873), but further interpolates it with concepts like Lauren Berlant's cruel optimism, György Lukács's historical novel, and Raymond Williams's structures of feeling, all of which have been cited frequently in our "A Tale of Today" series. While this episode departs from the usual format of this podcast, listeners to the current season will undoubtedly see the synergy between recent episodes and Wolff's excellent keynote. Cast (in order of appearance): Matt Seybold, Nathan Wolff Soundtrack: DownRiver Collective Narration: Nathan Osgood & SNR Audio For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/FirstAsFarce, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com If you would prefer to watch Nathan Wolff speak, the keynote is also available via our YouTube Channel.
Organized around a comparison of György Lukács's "The Historical Novel" and Mark Twain & Charles Dudley Warner's "The Gilded Age," in this episode we take a detour from Jameson to Lukács, question what realism means [8:30], whether "The Gilded Age" is a historical novel [19:30], whether historical novels are intrinsically conservative [33:30}, whether novelists can live up to Lukács's high expecations [41:00], what distinguishes historical novels from historical fictions [64:30], and who are the "spreasheet men" [85:00]. Cast (in order of appearance): Brandon Taylor, Matt Seybold, Eleanor Courtemanche, Nathan Wolff, Anna Kornbluh, Jeffrey Insko, Alexander Manshel Soundtrack: DownRiver Collective Narration: Nathan Osgood & SNR Audio For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/Lukacs, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com
From Fredric Jameson on why "the most important goal is history itself" follows a series of conversations about dialectical criticism vs. new historicism [5:00], the wisdom of "always historicizing" [17:30], the anxiety of influence between new historicism and literary fiction [34:00] as well as between literary fiction and history [53:00], hinge points and shadow presentisms [59:00], and the layers of discourse about history in 2024 [88:30]. Cast (in order of appearance): Matt Seybold, Eleanor Courtemanche, Jeffrey Insko, Anna Kornbluh, Robert Tally, Alexander Manshel, Walter Johnson Soundtrack: DownRiver Collective Narration: Nathan Osgood & SNR Audio For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/AlwaysHistoricize, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com
What's the difference? The episode opens with defenses of presentism by two literary critics and a reception history of "The Gilded Age" [6:30] before turning to a critique of resistance history from within the discipline [12:30], a response from a prominent historian [44:30], a consideration of the standpoint of resistance history [67:30], and why aren't there more literary critics on MSNBC? [75:30] Cast (in order of appearance): Matt Seybold, Jeffrey Insko, Anna Kornbluh, Asheesh Kapur Siddique, Walter Johnson, Astra Taylor Soundtrack: DownRiver Collective For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/ResistanceHistory, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com
Earlier this Summer, Matt Seybold asked Anna Kornbluh what Fredric Jameson meant to literary criticism. On the occasion of his passing, we'd like to share her answer.
A new episode of "A Tale of Today" begins with an explanation of the forest charter and the enclosure of the commons through a revisionist version of a familiar story. The enclosure of the commons is then traced into The Gilded Age [8:00], before two scholars of the novel discuss its affective registers, as well as Mark Twain and Charles Dudley Warner's fraught attempts to periodize and historicize its contemporary political moment [21:00]. Cast (in order of appearance): Astra Taylor, Matt Seybold, Nathan Wolff Soundtrack: DownRiver Collective Narration: Nathan Osgood & SNR Audio For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/RobinHood, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com
A new season inspired by Mark Twain and Charles Dudley Warner's 150-year-old novel, "The Gilded Age: A Tale of Today," launches with an introduction to Colonel Sellers; a discussion of Astra Taylor's "The Age of Insecurity" (2023) [10:00]; questions about the discipline of history in the contemporary moment [28:00]; and Walter Johnson reflecting on resistance and his 20-year-old essay "On Agency" [41:00]. Cast (in order of appearance): Matt Seybold, Astra Taylor, Asheesh Kapur Siddique, Walter Johnson Soundtrack: DownRiver Collective Narration: Nathan Osgood & SNR Audio For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/AgeOfInsecurity, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com
Recorded at The Ohio State University, as part of the Project Narrative series, Matt Seybold reflects on the making of "Criticism LTD" [3:15], as well as ongoing Ponzi austerity, reassessment of close reading, and AI speculative euphoria since its conclusion [14:30]. James Phelan (Director of Project Narrative) argues for narrative theory's contributions to literary studies as a discipline [35:30] and they take questions from the audience [47:50]. Theme Song: "A Little Bit Strange To Begin With" by Redd Holt & The Heptet Cast (in order of appearance): Matt Seybold, James Phelan, Amanpal Garcha, Sandra Macpherson, Brian McHale, Christine Tulley For a bibliography of this episode, please visit MarkTwainStudies.com/AfterCriticismLTD or subscribe to Matt Seybold's substack at TheAmericanVandal.Substack.com
From the production studios of Ohio State University, American Vandal host, Matt Seybold, and James Phelan, the Director of Project Narrative, read aloud Chapter 18 of "Adventures of Huckleberry Finn" by Mark Twain [3:40], then discuss it [30:00] with emphases on the opportunities the chapter presents for types of close reading. This episode is a crossover with the Project Narrative podcast, which you can learn more about at ProjectNarrative.osu.edu. For our episode bibliography, please visit MarkTwainStudies.com/ProjectNarrative or subscribe to Matt Seybold's newsletter at TheAmericanVandal.Substack.com
The finale episode of our miniseries on corporate allegory was recorded the day after the publication of Anna Kornbluh's "Immediacy, or The Style of Too Late Capitalism" by Verso. With numerous allusions to the book, Matt Seybold asks Kornbluh and "City of Industry" blogger J. D. Connor to consider the potential "perfect storm" of media disruption in 2024. Among the topics they cover are the enshittification of social, search, & and streaming, the investor-led rush to profitability justifiying downsizing across media sectors, the speculative euphoria associated with AI-generated art, and the eroding boundaries between media forms. Theme Song: "This Year" by The Steel Wheels For more about this episode, please visit MarkTwainStudies.com/TwentyTwentyFour or subscribe to Matt Seybold's newsletter at TheAmericanVandal.Substack.com
Our series on corporate allegory continues with an extended discussion of Apple TV+, both its film and television offerings, as well as the relationship between such "content" and the corporation's primary business: selling iPhones and other hardware. Among the specific works discussed are "Severance," "Killers Of The Flower Moon," "Lessons In Chemistry," "Fingernails," "Gutsy," "The Foundation," "Silo," "Ted Lasso," "The Last Thing He Told Me," and, most extensively, "The Morning Show." Theme Song: "This Year" by The Steel Wheels For more about this episode, please visit MarkTwainStudies.com/AppleTV or subscribe to Matt Seybold's newsletter at TheAmericanVandal.Substack.com
In an episode which operates as both coda to "Criticism LTD" and herald of 2024, Matt Seybold is joined by two scholars working on the complex history and sometimes conflicting methods of close reading. They also discuss the reception of Big Fiction: How Conglomeration Changed The Publishing Industry (Columbia UP, 2023) [31:00] and a bevy of novels by Danielle Steel, including The Promise (1978), Happiness (2023), and Worthy Opponents (2023) [39:00]. Theme Song: "This Year" by The Steel Wheels For more about this episode, please visit MarkTwainStudies.com/Steel or subscribe to Matt Seybold's newsletter at TheAmericanVandal.Substack.com
A new season on corporate allegory, business melodrama, and new releases from academic presses kicks off with a discussion of the recent Mike Flanagan adaptation of Edgar Allen Poe's "The Fall Of The House of Usher" for Netflix. For more about this episode, please visit MarkTwainStudies.com/Usher or TheAmericanVandal.Substack.com
"Criticism LTD" concludes its lengthy examination of the unanswerable questions about the state of literary studies with a lengthy consideration of "The Future of Decline" [8:00], the delusion of progress [16:00], the British model of declinist politics [22:00] and literary criticism [29:00], an insider's account of the long tail of "The Chicago Fight" [45:00], the libertarian rejoinder [54:00], and the curriculum of cruelty [61:00]. Cast (in order of appearance): Kim Adams, Saronik Bosu, Matt Seybold, Jed Esty, Bruce Robbins, Beci Carver, Gerald Graff, Jeffrey Herlihy-Mera Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/EmpireOfCriticism, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
In the second part of the finale of "Criticism LTD," we hear about the origins of Jacque Derrida's "Limited Inc." from its editor, the fraught alliance between criticism and history [17:00], the Center For The Literary Arts at Washington University in St. Louis [33.00], the transition from creative writer to working critic [62:00], and critical vocationalism [72:00]. Cast (in order of appearance): Gerald Graff, Matt Seybold, Jed Esty, Ignacio Infante, Danielle Dutton, Ryan Ruby Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/EmpireOfCriticism, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
The tripartite finale of "Criticism LTD" begins with a the feud between Matthew Arnold and Mark Twain, followed by "Bed Glee" [14:00], "Outing Criticism" [40:00], and "The Fate of Professional Reading" [59:00] Cast (in order of appearance): Beci Carver, Kim Adams, Ryan Ruby, Ainehi Edoro, Jed Esty, Matt Seybold, Gerald Graff, Harry Stecopoulos Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/EmpireOfCriticism, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
A sometimes uncanny Halloween week exploration of the EdTech griftopia. Who's monetizing our data? How is EdTech being used to bust unions [8:00]? How does EdTech reveal the interdependence of teaching and research, and the horror of their unbundling [36:00]? How does being a union member effect literary studies research [61:00]? Is AI the end of literary criticism [81:00]? Cast (in order of appearance): Annie McClanahan, Sarah Brouillette, Matt Seybold, Bryan Alexander, Brian Deyo, Louise McCune, Max Chapnick, Lawrence Lorraine Mullen, Francesca Colonese, Ted Underwood Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/Unbundling, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
An appropriately rangy discussion of the podcast medium and its debts to existing print and audio forms. The origin story of The American Vandal Podcast is followed by comparison with several other podcasts, including Revisionist History [11:30], Remarkable Receptions [30:00], and High Theory [68:00], interspersed with analysis of podcast editing as criticism [50:00], the conservative traditions of orality and radio [60:00], and how podcasting might by made to "count" for disciplinary professionalization [90:00]. Cast (in order of appearance): Sheri-Marie Harrison, Matt Seybold, Joe Locke, Kim Adams, Saronik Bosu, Howard Rambsy II Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/PodcastingCriticism, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
As mass-market literature has been consolidated into a small handful of publishing conglomerates, the critical work once done by publicity and editorial departments has been offloaded. In this episode we discuss the rise of literary agents and their function as critics [8:00] and the role of literary awards in canon formation and other processes of homogenization [28:00]. Finally, we ask, can criticism be a countervailing force against conglomeration? [60:00] Cast (in order of appearance): Dan Sinykin, Matt Seybold, Laura McGrath, Sheri-Marie Harrison, Ainehi Edoro, Howard Rambsy Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/conglomerate, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
What is literary knowledge? And, for that matter, what is literature? A survey of new literary media takes on audiobooks [5:00], BookTube and BookTok [26:00], and Wattpad [75:00]. Cast (in order of appearance): Christopher Newfield, Matt Seybold, Laura McGrath, Mark McGurl, Sarah Brouillette Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/parabooks, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
What is the relationship between literary criticism and media studies? How has criticism adapted to the digital revolution? These questions are considered by examining the origins of the blogosphere [5:00], its recent reemergence [17:00], the specific case of "Brittle Paper" [29:00], and strategies of adaptation within the profession [46:00]. The episode then turns to two examinations of multimedia parasitical criticism: Jacque Derrida's "Limited Inc." [60:00] and Ryan Ruby's "Context Collapse" [71:00]. Cast (in order of appearance): Ainehi Edoro, Matt Seybold, Howard Rambsy, Sheri-Marie Harrison, John Guillory, Ryan Ruby Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/Parasite, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts
An attempt to triangulate politicization, professionalization, and publication by examining several periods in the history of criticism. The episode begins with Joe Locke describing an overt turn towards social justice in his music following police murder of George Floyd, followed by a discussion of the misperception of "Professing Criticism" as a call to depoliticize [7:00]. An epilogue to "The Chicago Fight" [17:00] and humanist criticism [24:00]. Discussion of the implicit politics of the paracademy [51:00], its emergence in response to conglomeration [56:00], and the reemergence of patronage [68:00] precede profile of Las Vegas Review of Books [81:00] and epilogue at University of Puerto Rico [100:30]. Cast (in order of appearance): Matt Seybold, Joe Locke, Bruce Robbins, John Guillory, Eddie Nik-Khah, Tom Lutz, Katie Kadue, John Hay, Jeffrey Herlihy-Mera Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/Paracademy, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
The Chicago Critics won the Chicago Fight of the 1930s, but they lost the Chicago Cold War. Chicago Economics got its start dismantling the Chicago Plan. This episode covers the brief victory of the Neo-Aristotelians, the long tail of Economics Imperialism [18:30], the rivalry between economics and literary criticism [39:00], the Chicago Economists' parody of "Treasure Island" [55:00], the implicit alliance between Chicago Economics and the New Critics [60:00], and Robert Hutchins's dream of "The University of Utopia" [72:00] Cast (in order of appearance): Edward Nik-Khah, Matt Seybold, Studs Terkel, Robert Hutchins, Anna-Dorothea Schneider, Christopher Newfield, Anna Kornbluh Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/ChicagoFight, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
A deep dive into the Chicago Critics who inspired John Crowe Ransom's 1937 essay, "Criticism Inc.," as well as their working conditions at the University of Chicago under Robert Maynard Hutchins. His implementation of "The Chicago Plan" and the resulting "Chicago Fight" [9:00], the afterlives of the Chicago Critics in contemporary literary studies [30:00], the import of the Walgreen Hearings [49:00], and the seeding of the Chicago School of Economics. Cast (in order of appearance): Matt Seybold, Bruce Robbins, Anna-Dorothea Schneider, John Guillory, Harold Langer, Edward Nik-Khah, Robert Maynard Hutchins Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/ChicagoFight, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
What is the political economy of New Criticism? Are the racist and reactionary Cold War politics of the New Critics immanent to their trademark method: close reading? The episode begins with the story of Langston Hughes testifying before the the House Un-American Activities Committee on what goes into the interpretation of a poem. What constitutes "tactical criticism" [9:00]? Critics try to rescue close reading from the "bad politics" at its origins [38:00], endorse supplementary methods [59:00], and describe how New Criticism looks from outside the U.S. and U.K. [1:07.30]. Cast (in order of appearance): Langston Hughes, Andy Hines, Matt Seybold, Jed Esty, John Guillory, Anna Kornbluh, Christopher Newfield, Ignacio M. Sanchez Prado Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/NewCriticism, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
Last week, West Virginia University announced that it would abolish its World Languages, Literatures, & Linguistics Department, proposing to replace it with automated digital instruction. This is the apotheosis of trends going back decades. In this episode we talk about the effects of monolingual education, the case study in Ponzi Austerity at WVU [5:00], alternative paths for literary studies [11:00], the cosmopolitan cultural abundance that is sometimes overlooked by Anglophone criticism [50:00], and Matt Seybold interviews Joe Locke about "Makram" and jazz education [57:00]. Cast (in order of appearance): Jeffrey Herlihy-Mera, Ignacio M. Sanchez Prado, Matt Seybold, Joe Locke Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/GeeGordonPonzi, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
How has the systemic defunding and deprofessionalizing of humanities academia impacted literary criticism? Why is there such a flourishing culture industry if demand for cultural education is supposedly declining? We look to megatrends like U.S. hegemony, organizations like the MLA (6:30), analogues like the Eurozone Debt Crisis (19:30), mechanisms of funding and distribution (28:00), and potential futures of disruption and declinism (1:01.30). Cast (in order of appearance): Jed Esty, Matt Seybold, Anna Kornbluh, Christopher Newfield, Yanis Varoufakis Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/PonziAusterity, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
What is criticism? Why should it matter? Can it be saved from the gun-toting businessman? A crossover episode with the High Theory podcast connects internal and external crises (6:00), imagines confrontations with gun-toting businessmen (22:00) and sociopathic administrators (33:00), salutes the vanguard of academic labor (45:00), eulogizes the star system (59:00), demystifies the bad old days of high theory (1.13:00), and recommends "The Shush" (1.24:00). Cast (in order of appearance): Kim Adams, Matt Seybold, Saronik Bosu, John Guillory, Christopher Newfield, Bruce Robbins, Ryan Ruby, Sarah Brouillette, Katie Kadue, Kyla Wazana Tompkins, and Michelle Chihara Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/HighTheory, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
The premiere of a new series, "Criticism LTD," on the contemporary state of criticism. This episode covers proclamations of crisis from legacy media earlier this year, demands for a cosmopolitan turn in literary studies (11:15), an alleged golden age of popular criticism (28:00), and the role of para-academic publications like the Los Angeles Review of Books (54:30). Cast (in order of appearance): Matt Seybold, John Guillory, Ignacio M. Sanchez Prado, Justin Smith-Ruiu, Ryan Ruby, Michelle Chihara For episode bibliography, please visit MarkTwainStudies.com/GoldenAge, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
A first look at the eighth season of The American Vandal Podcast, an assessment of the contemporary state of literary criticism and literary studies through conversations with more than two dozen scholars, students, editors, working critics, and other creators.
On the eve of the largest annual gathering of literary scholars, the MLA convention in San Francisco, a discussion of this year's presidential theme, Working Conditions, with the MLA President. For more about this episode, please visit MarkTwainStudies.com/WorkingConditions
Two scholars embedded in publishing discuss the impact of chaos at Twitter and in social media more generally upon journalism and academic presses. Also, some brief discussion of "The Twitter Files" and Mastodon migration. For more about this episode, including a bibliography, please visit MarkTwainStudies.com/TheTwitterElegies
As the Elon Musk era at Twitter descends ever further into chaos, we discuss the canaries in the coal mine of surveillance, shadowbanning, algorithmic censorship, data firesales, and deplatforming: sex workers. For more about this episode, including a bibliography, please visit MarkTwainStudies.com/Bollocks
Earlier this month, The Atlantic published an essay by our guest, Ian Bogost, titled "The Age of Social Media is Ending." Since then there have been layoffs at several social media companies, including Facebook and Twitter, and collapsing stock prices throughout the industry. What's happening? And what's next? For more about this episode, please visit MarkTwainStudies.com/Downscaling
With the end of Twitter seemingly imminent, content moderation and social media expert, Sarah T. Roberts, discusses Elon Musk's ideology, the labor of social media, and the migration to Mastodon. For more about this episode, please visit MarkTwainStudies.com/TheEndOfTwitter
The series finale finds "Dear Television" correspondents joining the podcast to discuss the Fall 2022 franchise season, foremost HBO's "House of the Dragon," but also Disney+'s "Andor" and Amazon's "Rings of Power." For more about this episode, including a bibliography, please visit MarkTwainStudies.com/CashDragons
A ranging conversation inspired by two forthcoming books about genre, work, and visual culture. The authors consider HBO series like "The Baby," "Barry," "Curb Your Enthusiasm," and "The Larry Sanders Show." For more about this episode, including a bibliography, please visit MarkTwainStudies.com/Cringe
Inspired by HBO shows "Insecure" and "Rap Sh!t," as well as Yvonne Orji's new stand-up special and recent Emmy wins for Quinta Brunson's "Abbott Elementary" and Jerrod Carmichael's "Rothaniel," Matt Seybold discusses the often precarious role of Black comic creators with two scholars of race, gender, and comedy in the U.S. For more about this episode, please visit MarkTwainStudies.com/RootingForEverybodyBlack
No single program transformed the HBO brand like "The Sopranos," which became a hit all over again upon the launch of HBOMax in the midst of the 2020 lockdown. For more about this episode, please visit MarkTwainStudies.com/TheSopranosRevival
Is Nathan Fielder's "The Rehearsal" a critique of Reality TV? Moreover, might it be read as an attack on HBO's new parent company, Warner Bros Discovery? A conversation about the show, the network, the conglomerate, and the streaming wars. For more about this episode, including a bibliography of works mentioned, please visit MarkTwainStudies.com/TheRehearsal
Our sixth season - "HBO, From Pulp to Prestige" - kicks off with a discussion of conglomeration, collective intention, and corporate authorship through HBO's original programming and especially "Succession," the Emmy-winning tentpole drama produced by Jesse Armstrong and Adam McKay. For more about this episode, including a bibliography, please visit MarkTwainStudies.com/Succession
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