Podcasts about house un american activities committee

McCarthyism, Whitaker Chambers, Alger Hiss, Julius and Ethel Rosenberg, Paul Robeson, House Un-American Activities Committee, the Smith Act, the Hollywood 10, the Joint Anti-Fascist Committee, the Truman Loyalty Program, the Blacklist, book burning, and communism – all subjects of controversy during the 1930s, 40s, and 50s here in the United States. Clay Risen, a reporter and editor at the New York Times, has a fresh look at all this in his book, "Red Scare." Mr. Risen writes in his preface that his grandfather was a career FBI agent who joined the Bureau during World War II, and he recounted stories of implementing loyalty tests for the federal government in the late 1940s. Learn more about your ad choices. Visit megaphone.fm/adchoices

The House Un-American Activities Committee marks a dark chapter for Congress. In targeting some advocacy groups for scrutiny, is HUAC making a comeback? Patrick Eddington comments. Hosted on Acast. See acast.com/privacy for more information.

Michael C. Moynihan, fellow podcaster extraordinaire and Lisan al-Gaib of the House Un-American Activities Committee, pays a visit to the Court of TheRemnant to defend Bill Buckley, discuss horseshoe theory as it relates to immigration, and critique cheap radicalism. Plus: the problems with post-liberalism, the slippery slope of foreign policy obsession, and a neocon apologia session. Show Notes: —The Fifth Column Podcast —Michael's work for The Free Press —Brother Stirewalt on Henry Wallace —Parable of the Broken Window The Remnant is a production of The Dispatch, a digital media company covering politics, policy, and culture from a non-partisan, conservative perspective. To access all of The Dispatch's offerings—including Jonah's G-File newsletter, weekly livestreams, and other members-only content—click here. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the tense years of the early Cold War, American and Soviet women conducted a remarkable pen-pal correspondence that enabled them to see each other as friends rather than enemies. In a compelling new perspective on the early Cold War, prizewinning historian Alexis Peri explores correspondence between American and Soviet women begun in the last years of World War II and continuing into the 1950s. Previously unexamined, the women's letters movingly demonstrate the power of the personal, as the pen pals engaged in a "diplomacy of the heart" that led them to question why their countries were so divided. Both Soviet and American women faced a patriarchal backlash after World War II that marginalized them professionally and politically. The pen pals discussed common challenges they faced, such as unequal pay and the difficulties of balancing motherhood with a career. Each side evinced curiosity about the other's world, asking questions about family and marriage, work conditions, educational opportunities, and religion. The women advocated peace and cooperation but at times disagreed strongly over social and economic issues, such as racial segregation in the United States and mandatory labor in the Soviet Union. At first both governments saw no risk in the communications, as women were presumed to have little influence and no knowledge of state secrets, but eventually Cold War paranoia set in. Amid the Red Scare, the House Un-American Activities Committee even accused some of the American women of being communist agents. A rare and poignant tale, Dear Unknown Friend: The Remarkable Correspondence Between American and Soviet Women (Harvard UP, 2024) offers a glimpse of the Cold War through the perspectives of women who tried to move beyond the label of "enemy" and understand, even befriend, people across increasingly bitter political divides. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the tense years of the early Cold War, American and Soviet women conducted a remarkable pen-pal correspondence that enabled them to see each other as friends rather than enemies. In a compelling new perspective on the early Cold War, prizewinning historian Alexis Peri explores correspondence between American and Soviet women begun in the last years of World War II and continuing into the 1950s. Previously unexamined, the women's letters movingly demonstrate the power of the personal, as the pen pals engaged in a "diplomacy of the heart" that led them to question why their countries were so divided. Both Soviet and American women faced a patriarchal backlash after World War II that marginalized them professionally and politically. The pen pals discussed common challenges they faced, such as unequal pay and the difficulties of balancing motherhood with a career. Each side evinced curiosity about the other's world, asking questions about family and marriage, work conditions, educational opportunities, and religion. The women advocated peace and cooperation but at times disagreed strongly over social and economic issues, such as racial segregation in the United States and mandatory labor in the Soviet Union. At first both governments saw no risk in the communications, as women were presumed to have little influence and no knowledge of state secrets, but eventually Cold War paranoia set in. Amid the Red Scare, the House Un-American Activities Committee even accused some of the American women of being communist agents. A rare and poignant tale, Dear Unknown Friend: The Remarkable Correspondence Between American and Soviet Women (Harvard UP, 2024) offers a glimpse of the Cold War through the perspectives of women who tried to move beyond the label of "enemy" and understand, even befriend, people across increasingly bitter political divides. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In the tense years of the early Cold War, American and Soviet women conducted a remarkable pen-pal correspondence that enabled them to see each other as friends rather than enemies. In a compelling new perspective on the early Cold War, prizewinning historian Alexis Peri explores correspondence between American and Soviet women begun in the last years of World War II and continuing into the 1950s. Previously unexamined, the women's letters movingly demonstrate the power of the personal, as the pen pals engaged in a "diplomacy of the heart" that led them to question why their countries were so divided. Both Soviet and American women faced a patriarchal backlash after World War II that marginalized them professionally and politically. The pen pals discussed common challenges they faced, such as unequal pay and the difficulties of balancing motherhood with a career. Each side evinced curiosity about the other's world, asking questions about family and marriage, work conditions, educational opportunities, and religion. The women advocated peace and cooperation but at times disagreed strongly over social and economic issues, such as racial segregation in the United States and mandatory labor in the Soviet Union. At first both governments saw no risk in the communications, as women were presumed to have little influence and no knowledge of state secrets, but eventually Cold War paranoia set in. Amid the Red Scare, the House Un-American Activities Committee even accused some of the American women of being communist agents. A rare and poignant tale, Dear Unknown Friend: The Remarkable Correspondence Between American and Soviet Women (Harvard UP, 2024) offers a glimpse of the Cold War through the perspectives of women who tried to move beyond the label of "enemy" and understand, even befriend, people across increasingly bitter political divides. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

In the tense years of the early Cold War, American and Soviet women conducted a remarkable pen-pal correspondence that enabled them to see each other as friends rather than enemies. In a compelling new perspective on the early Cold War, prizewinning historian Alexis Peri explores correspondence between American and Soviet women begun in the last years of World War II and continuing into the 1950s. Previously unexamined, the women's letters movingly demonstrate the power of the personal, as the pen pals engaged in a "diplomacy of the heart" that led them to question why their countries were so divided. Both Soviet and American women faced a patriarchal backlash after World War II that marginalized them professionally and politically. The pen pals discussed common challenges they faced, such as unequal pay and the difficulties of balancing motherhood with a career. Each side evinced curiosity about the other's world, asking questions about family and marriage, work conditions, educational opportunities, and religion. The women advocated peace and cooperation but at times disagreed strongly over social and economic issues, such as racial segregation in the United States and mandatory labor in the Soviet Union. At first both governments saw no risk in the communications, as women were presumed to have little influence and no knowledge of state secrets, but eventually Cold War paranoia set in. Amid the Red Scare, the House Un-American Activities Committee even accused some of the American women of being communist agents. A rare and poignant tale, Dear Unknown Friend: The Remarkable Correspondence Between American and Soviet Women (Harvard UP, 2024) offers a glimpse of the Cold War through the perspectives of women who tried to move beyond the label of "enemy" and understand, even befriend, people across increasingly bitter political divides. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In the tense years of the early Cold War, American and Soviet women conducted a remarkable pen-pal correspondence that enabled them to see each other as friends rather than enemies. In a compelling new perspective on the early Cold War, prizewinning historian Alexis Peri explores correspondence between American and Soviet women begun in the last years of World War II and continuing into the 1950s. Previously unexamined, the women's letters movingly demonstrate the power of the personal, as the pen pals engaged in a "diplomacy of the heart" that led them to question why their countries were so divided. Both Soviet and American women faced a patriarchal backlash after World War II that marginalized them professionally and politically. The pen pals discussed common challenges they faced, such as unequal pay and the difficulties of balancing motherhood with a career. Each side evinced curiosity about the other's world, asking questions about family and marriage, work conditions, educational opportunities, and religion. The women advocated peace and cooperation but at times disagreed strongly over social and economic issues, such as racial segregation in the United States and mandatory labor in the Soviet Union. At first both governments saw no risk in the communications, as women were presumed to have little influence and no knowledge of state secrets, but eventually Cold War paranoia set in. Amid the Red Scare, the House Un-American Activities Committee even accused some of the American women of being communist agents. A rare and poignant tale, Dear Unknown Friend: The Remarkable Correspondence Between American and Soviet Women (Harvard UP, 2024) offers a glimpse of the Cold War through the perspectives of women who tried to move beyond the label of "enemy" and understand, even befriend, people across increasingly bitter political divides. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the tense years of the early Cold War, American and Soviet women conducted a remarkable pen-pal correspondence that enabled them to see each other as friends rather than enemies. In a compelling new perspective on the early Cold War, prizewinning historian Alexis Peri explores correspondence between American and Soviet women begun in the last years of World War II and continuing into the 1950s. Previously unexamined, the women's letters movingly demonstrate the power of the personal, as the pen pals engaged in a "diplomacy of the heart" that led them to question why their countries were so divided. Both Soviet and American women faced a patriarchal backlash after World War II that marginalized them professionally and politically. The pen pals discussed common challenges they faced, such as unequal pay and the difficulties of balancing motherhood with a career. Each side evinced curiosity about the other's world, asking questions about family and marriage, work conditions, educational opportunities, and religion. The women advocated peace and cooperation but at times disagreed strongly over social and economic issues, such as racial segregation in the United States and mandatory labor in the Soviet Union. At first both governments saw no risk in the communications, as women were presumed to have little influence and no knowledge of state secrets, but eventually Cold War paranoia set in. Amid the Red Scare, the House Un-American Activities Committee even accused some of the American women of being communist agents. A rare and poignant tale, Dear Unknown Friend: The Remarkable Correspondence Between American and Soviet Women (Harvard UP, 2024) offers a glimpse of the Cold War through the perspectives of women who tried to move beyond the label of "enemy" and understand, even befriend, people across increasingly bitter political divides. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

In the tense years of the early Cold War, American and Soviet women conducted a remarkable pen-pal correspondence that enabled them to see each other as friends rather than enemies. In a compelling new perspective on the early Cold War, prizewinning historian Alexis Peri explores correspondence between American and Soviet women begun in the last years of World War II and continuing into the 1950s. Previously unexamined, the women's letters movingly demonstrate the power of the personal, as the pen pals engaged in a "diplomacy of the heart" that led them to question why their countries were so divided. Both Soviet and American women faced a patriarchal backlash after World War II that marginalized them professionally and politically. The pen pals discussed common challenges they faced, such as unequal pay and the difficulties of balancing motherhood with a career. Each side evinced curiosity about the other's world, asking questions about family and marriage, work conditions, educational opportunities, and religion. The women advocated peace and cooperation but at times disagreed strongly over social and economic issues, such as racial segregation in the United States and mandatory labor in the Soviet Union. At first both governments saw no risk in the communications, as women were presumed to have little influence and no knowledge of state secrets, but eventually Cold War paranoia set in. Amid the Red Scare, the House Un-American Activities Committee even accused some of the American women of being communist agents. A rare and poignant tale, Dear Unknown Friend: The Remarkable Correspondence Between American and Soviet Women (Harvard UP, 2024) offers a glimpse of the Cold War through the perspectives of women who tried to move beyond the label of "enemy" and understand, even befriend, people across increasingly bitter political divides. Learn more about your ad choices. Visit megaphone.fm/adchoices

New York AFL-CIO President Mario Cilento talks about his role in leading one of the most powerful state federations in the country on the latest episode of The Voice Podcast. Cilento and UUP President Fred Kowal, the podcast's host, talk about Cilento's role in making the state AFL-CIO into a year-round legislative action network that has only grown stronger since he became president in 2011. The NYS AFL-CIO represents more than 2.2 million members across the state in both public and private sectors.    They also discuss the November 2024 presidential election and the state AFL-CIO's role in helping Vice President Kamala Harris and Democrats running for Congress and state office win their races.   A new segment, Labor Lookback, spotlights important milestones in labor history. In this episode, Labor Lookback highlights songwriter and political activist Joe Hill, the House Un-American Activities Committee's 1947 hearings on alleged Communist influence in Hollywood's film industry and singer/songwriter Merle Travis, who wrote the smash working man's hit "Sixteen Tons."   In his Kowal's Coda segment, Kowal questions why MAGA supporters have the temerity to call themselves patriots when they—and their leader, Donald Trump—  are anything but. 

In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), renowned biographer Dr. Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb. Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), renowned biographer Dr. Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb. Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), renowned biographer Dr. Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb. Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), renowned biographer Dr. Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb. Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), renowned biographer Dr. Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb. Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), renowned biographer Dr. Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb. Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), renowned biographer Dr. Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb. Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), renowned biographer Dr. Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb. Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Ralph welcomes back Dr. Michael Osterholm for a COVID check-up. They'll discuss the latest vaccines, what we know about long-haul COVID, updated testing guidelines, and some of the key lessons we can take from COVID and apply to future outbreaks. Plus, a call to action from Ralph. Dr. Michael Osterholm is a professor and director of the Center for Infectious Disease Research and Policy at the University of Minnesota. In November 2020, Dr. Osterholm was appointed to President-elect Joe Biden's 13-member Transition COVID-19 Advisory Board. He is the author of Deadliest Enemy: Our War Against Killer Germs, and he has a weekly podcast called The Osterholm Update which offers discussion and analysis on the latest infectious disease developments.I think what we're trying to do today is use this vaccine to target those high-risk people in particular to say—you know what, you need to get it at least every four to six months, and that, unlike the flu vaccine, this is not going to be a once-a-year vaccine. If you did that— by just reducing serious illness, hospitalizations, and deaths—it would be a big accomplishment.Dr. Michael OsterholmThe last time you had me on, Ralph, we actually talked about the need for a panel to actually do a post-pandemic review. Not to point fingers, not to blame people, but—what should we have learned from that pandemic? And what I think is, for me, still a real challenge is we haven't seemed to learn through any of this. But more importantly—we haven't realized what happened with COVID could be child's play compared to what we could see, if this was anything like a “1918-like” pandemic of influenza.Dr. Michael OsterholmWe are using, today, virtually the same technology to make flu vaccines that we did in 1940. Now, that should wake everyone up. Dr. Michael Osterholm, on why we need to invest in vaccine developmentWe have, as a society, a cultural aversion to foreseeing and forestalling omnicides.Ralph NaderIn Case You Haven't Heard with Francesco DeSantisNews 8/28/241. Last week, the Uncommitted movement staged a sit-in at the DNC after the Democratic Party barred any Palestinian-American from speaking at the convention. According to Mother Jones, Uncommitted co-leader Abbas Alawieh, a delegate to the DNC, had been requesting a speaking slot for a Palestinian-American for two months in advance, and was only officially denied on the third night of the convention. Alawieh said he was “stunned” by the refusal, and added “We just want our voices to be heard.” As the article notes, “At the DNC, Republican staffers have been offered the chance [to speak]. An Uber lawyer who is high in the campaign got a prime-time slot. But not a single Palestinian has been given even five minutes on that stage.” Uncommitted gave the DNC an extensive list of potential speakers, including a physician just back from Gaza, and a Palestinian elected official from Georgia named Ruwa Romman. Her speech, available at Mother Jones, ended with the lines “To those who doubt us, to the cynics and the naysayers, I say, yes we can—yes we can be a Democratic Party that prioritizes funding our schools and hospitals, not…endless wars. That fights for an America that belongs to all of us—Black, brown, and white, Jews and Palestinians, all of us…together.” This was deemed unacceptable by the power brokers of the Democratic Party.2. In more bad news from the DNC, the New Republic reports that despite major progress in the party's foreign policy platform in 2020, “the center of gravity appears to have shifted almost as far—right back to where it had previously been.” Not only does the 2024 foreign policy platform include nothing about ending the sale and shipment of arms to Israel, the Democrats actually removed sections about ending the support for the Saudi war in Yemen, moving away from misguided forever wars, and cutting military spending – as well as criticizing Trump for being too soft on Iran. This article goes on to say “The Democratic platform abandons the progress made in 2020 in more subtle ways, too. The last platform noted that ‘when misused and overused, sanctions not only undermine our interests, they threaten one of the United States' greatest strategic assets: the importance of the American financial system.'…the new platform does not repeat these concerns…Both platforms call for competition with China, but in 2020 it said that Democrats would do so while avoiding the trap of a ‘new Cold War'—language that does not appear this time around.” In other words, the Democrats are trying desperately to scrub off any progress on foreign policy that pressure from the Bernie Sanders campaigns forced them to adopt into their platform. This is an ominous portend of what foreign policy could look like in a Kamala Harris administration.3. In yet more bad news from the DNC, the Huffington Post's Jessica Schulberg reports “The Democrats quietly dropped abolishing the death penalty from their party platform. This is the first time since 2012 the platform doesn't call for abolition and the first time since 2004 there's no mention of the death penalty at all.” Prior to 2012, the Democratic platform called for limiting the practice. This article continues, “Public support for the death penalty has been gradually declining. A Gallup poll last year found that 65% of Democrats oppose the punishment.” Yet despite this super-majority support the Democrats are abandoning this promise and did not even bother responding to her email asking if the party still supports death penalty abolition.4. On Monday, the Middle East Studies Association sent a letter to the University of Pennsylvania “denouncing its collaboration with the House Committee on Education and the Workforce's investigation of faculty members.” This letter expresses the association's, and its Committee on Academic Freedom's “grave concern about the apparent cooperation of the University…with the [Republican] witch-hunt…against…faculty, as well as faculty and students at other institutions of higher education.” Specifically, the Association accuses the university of providing the committee with materials – including course syllabi – despite no subpoena being issued. The Association compares this “witch-hunt,” to “the now-disgraced House Un-American Activities Committee hearings in the late 1940s and 1950s,” and makes clear that the House committee members are “less concerned with combatting invidious discrimination than with suppressing and punishing pro-Palestine speech.” This letter ends with a demand that the university “immediately desist from any form of cooperation…[and] to affirm [their] commitment to protect the academic freedom of [their] faculty, students and staff, and to vigorously defend them against all forms of governmental harassment and intimidation.”5. Remember the astronauts stranded on the International Space Station due to Boeing's incompetence? According to AP, “NASA decided Saturday it's too risky to bring [them] back to Earth in Boeing's…capsule, and they'll have to wait until next year for a ride home…What should have been a weeklong test flight for the pair will now last more than eight months.” As AP highlights, this is “a blow to Boeing, adding to the safety concerns plaguing the company on its airplane side. Boeing had counted on Starliner's first crew trip to revive the troubled spacecraft program after years of delays and ballooning costs. The company had insisted Starliner was safe based on all the recent thruster tests both in space and on the ground.” In other words, whether in the air or in space, Boeing craft are undependable and dangerous. According to Good Jobs First's Subsidy Tracker, Boeing has received nearly $100 billion in public subsidies, loans or bailouts since 1994.6. Robert F. Kennedy Jr. has dropped out of the presidential race and endorsed Donald Trump, the BBC reports. In a press conference, Kennedy said he would “seek to remove his name from the ballot in 10 battleground states…where his presence would be a ‘spoiler' to Trump's effort.” That said, election officials in Michigan, Wisconsin, and Nevada said it was too late to take his name off the ballot. In exchange for his endorsement, Kennedy's running mate Nicole Shanahan “entertained the idea that Kennedy could join Trump's administration as secretary of the Department of Health and Human Services,” per AP, a perch that would allow him to carry out his anti-vaccine agenda. Kerry Kennedy, his sister, released a statement saying his support for Trump was a “betrayal of the values that our father and our family hold most dear. It is a sad ending to a sad story.”7. Last year, the Department of Justice announced an antitrust lawsuit accusing the meat industry of colluding to fix prices with the help of a data company, Agri Stats, that “violated Section 1 of the Sherman Act by collecting, integrating, and distributing competitively sensitive information related to price, cost, and output among competing meat processors,” per Common Dreams. Now, More Perfect Union has released a video on the case featuring Errol Schweizer, the former vice president of Whole Foods' grocery division, saying “This is probably one of the top five food scandals of the 21st Century, and we can't underplay it…People f*****g need to go to jail…for this s**t.”8. Labor Notes' Luis Feliz Leon reports “Costco turned down a card check agreement with the Teamsters.” In a statement, the Teamsters explain “Costco Teamsters were forced to suspend negotiations for a new National Master Agreement after the wholesale giant, despite its claims of being pro-union, refused to accept a card check agreement that would make it easier for nonunion Costco workers to join the Teamsters…Despite Costco's public reputation as a ‘worker-friendly' company, the wholesaler has undergone a troubling shift in its corporate culture and governance. Increasingly…catering to Wall Street shareholders at the expense of workers.” Teamsters General President Sean O'Brien is quoted saying “Costco's so-called ‘pro-worker' image is now nothing more than a talking point for investors…We are not here for empty rhetoric — we're here to win an industry-leading contract that stops Costco's corporate backsliding and guarantees workers the right to organize with a card-check agreement.” This statement also notes that “Costco is ranked as the 11th largest U.S. corporation on the Fortune 500 and reported $242 billion in revenue and $29.7 billion in annual gross profits in 2023.”9. According to Vox, the 2019 US teacher strikes were “good, actually.” This piece cites “New research [which] finds labor stoppages raised wages without harming student learning.” As this article explains, “Answering…questions [like do these strikes work? Do they deliver gains for workers? Do they help or hurt students academically?] has been challenging…due to a lack of centralized data that scholars could use to analyze the strikes…Now, for the first time…researchers …have compiled a novel data set to answer these questions, providing the first credible estimates of the effect of US teacher strikes.” According to this data, which covers 772 teacher strikes across 610 school districts in 27 states between 2007-2023, “on average, strikes were successful,” delivering average compensation increases of 3 percent one year post-strike and reaching 8 percent five years out. Not only that, the data show strikes related to “improved working conditions, such as lower class sizes or increased spending on school facilities and non-instructional staff like nurses…were also effective…as pupil-teacher ratios fell by 3.2 percent and there was a 7 percent increase in spending dedicated to paying non-instructional staff by the third year after a strike.” Perhaps most critically, “the researchers find no evidence that US teacher strikes…affected reading or math achievement for students in the year of the strike, or in the five years after…In fact…they could not rule out that the…strikes actually boosted student learning over time, given the increased school spending associated with them.” The bottom line is this: teacher strikes get the goods, for teachers, staff, and students alike.10. Finally, Bloomberg reports China has achieved their renewable power target six years ahead of schedule. According to this report, “The nation added 25 gigawatts of turbines and panels in July, expanding total capacity to 1,206 gigawatts…Xi set a goal in December 2020 for at least 1,200 gigawatts from the clean energy sources by 2030.” As Bloomberg notes, “China by far outspends the rest of the world when it comes to clean energy, and has repeatedly broken wind and solar installation records in recent years. The rapid growth has helped lead to declines in coal power generation this summer and may mean the world's biggest polluter has already reached peak emissions well before its 2030 target.” Impressive as these achievements are, solar and wind still only account for around 14% of energy generation in China. In order to arrest catastrophic climate change, much much more remains to be done.This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe

GOOD EVENING: The show begins in Pennsylvania with Salena Zito commenting on the maverick and compelling Senator John Fetterman of Braddock, PA. 1912 Breaker Boys Pennsylvania CBS EYE ON THE WORLD WITH JOHN BATCHELOR FIRST HOUR 9-915 #KeystoneReport: John Fetterman just didn't care to go to Chicago. Salena Zito, Middle of Somewhere, @DCExaminer Pittsburgh Post-Gazette, New York Post, SalenaZito.com 915-930 #PacificWatch: #VegasReport: The Sphere brings in $1 million a day. @JCBliss 930-945 #SmallBusinessAmerica: The Fed and small business. @GeneMarks @Guardian @PhillyInquirer 945-1000 #SmallBusinessAmerica: Boomers sell to Millennials. @GeneMarks @Guardian @PhillyInquirer SECOND HOUR 10-1015 #CALIFORNIA: Gavin Newsom left off the stage at Chicago, why? Bill Whalen, Hoover Institution 1015-1030 #KURSK: Another nuclear power plant in a war zone. Henry Sokolski, NPEC 1030-1045 #SCOTUS: On "price-gouging" home mortgage "subsidizing" and other micromanagement tools. Richard Epstein, Hoover Institution 1045-1100 #SCOTUS: Both parties and candidates fail on entitlements. Richard Epstein, Hoover Institution THIRD HOUR 1100-1115 5/8: The Playbook: A Story of Theater, Democracy, and the Making of a Culture War by James Shapiro (Author) https://www.amazon.com/Playbook-Theater-Democracy-Making-Culture-ebook/dp/B0CGTQFQ8H From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two-thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft. It was the product of a moment when the arts, no less than industry and agriculture, were thought to be vital to the health of the republic, bringing Shakespeare to the public, alongside modern plays that confronted the pressing issues of the day—from slum housing and public health to racism and the rising threat of fascism. The Playbook takes us through some of its most remarkable productions, including a groundbreaking Black production of Macbeth in Harlem and an adaptation of Sinclair Lewis's anti-fascist novel It Can't Happen Here that opened simultaneously in 18 cities, underscoring the Federal Theatre's incredible range and vitality. But this once thriving Works Progress Administration relief program did not survive and has left little trace. For the Federal Theatre was the first New Deal project to be attacked and ended on the grounds that it promoted "un-American" activity, sowing the seeds not only for the McCarthyism of the 1950s but also for our own era of merciless polarization. It was targeted by the first House Un-American Activities Committee, and its demise was a turning point in American cultural life—for, as Shapiro brilliantly argues, "the health of democracy and theater, twin born in ancient Greece, have always been mutually dependent." A defining legacy of this culture war was how the strategies used to undermine and ultimately destroy the Federal Theatre were assembled by a charismatic and cunning congressman from East Texas, the now largely forgotten Martin Dies, who in doing so pioneered the right-wing political playbook now so prevalent that it seems eternal. 1115-1130 6/8: The Playbook: A Story of Theater, Democracy, and the Making of a Culture War Kindle Edition by James Shapiro (Author) 1130-1145 7/8: The Playbook: A Story of Theater, Democracy, and the Making of a Culture War Kindle Edition by James Shapiro (Author) 1145-1200 8/8: The Playbook: A Story of Theater, Democracy, and the Making of a Culture War Kindle Edition by James Shapiro (Author) FOURTH HOUR 12-1215 LANCASTER REPORT: zDiscounts: Jim McTague, former Washington Editor, Barrons. @MCTagueJ. Author of the "Martin and Twyla Boundary Series." #FriendsofHistoryDebatingSociety 1215-1230 #ITALY: Overtourism. Lorenzo Fiori, Ansaldo Foundation 1230-1245 #NASA: Starliner's fate. Bob Zimmerman BehindtheBlack.com 1245-100 am MOON: China strikes water. Bob Zimmerman BehindtheBlack.com

Imagine: a fiercely idealistic, politically progressive artist takes the stand at a hearing of the House Un-American Activities Committee. The chair of the committee is a hard-right demagogue with a gift for sound bites and a fixation with Communism. If you're picturing Joseph McCarthy's anti-Communist crusade in the 1950s… think two decades earlier. This story played during the Great Depression. The congressman was Martin Dies, a Democrat from Texas. On the stand was Hallie Flanagan, the director of the Federal Theater Project, Franklin D. Roosevelt's ambitious program to rescue live theater in America. The project attempted to create jobs for thousands of out-of-work playwrights, actors, directors, and backstage technicians. It commissioned new plays and staged productions all around the country. And, despite logistical hitches and ideological blowback, the Federal Theater managed to reach millions of Americans, many of whom had never seen a live production ever before. Columbia University Professor James Shapiro's new book, The Playbook: A Story of Theater, Democracy, and the Making of a Culture War, tells the story of that New Deal program and how it changed our cultural and political landscape. He discusses it with host Barbara Bogaev. From the Shakespeare Unlimited podcast. Published July 16, 2024. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. Final mixing services provided by Clean Cuts at Three Seas, Inc.

Noel Katz is a composer and lyricist. He is best known for Such Good Friends, an original musical comedy presented at the fourth annual New York Musical Theatre Festival in 2007, here it won five awards, including Talkin' Broadway's Citation as the season's best musical. It tells the story of three old friends working together in the early years of live television who are forced to name names before the House Un-American Activities Committee, and the consequences of the different choices each character makes. Katz composed Our Wedding, The Musical, a musical written for his own actual wedding, which was featured in The New York Times in 2003. Katz is also a specialist in theatrical improvisation. He has taught at Artistic New Directions' Summer Improv Retreat and currently teaches at The People's Improv Theatre. He has composed scores for a variety of Second City (NY) improv-based revues, including We Built This City on Rent Control, A Time For Heroes and Hoagies, and Generation F'd. He has also taught song improvisation at Fairleigh Dickinson University, Circle in the Square and the National Dance Institute. Rehearsing for Life sees eleven actors on the spectrum decide to form an improv troupe. We see them learn, rehearse and improve. Then, half of them do an actual improvised set, based on audience suggestions, and an epilogue illuminates how their lives have changed.

In this episode we delve into Pete Seeger's legal challenges in facing the House-Un American Activities Committee in 1955 and the impact of Seeger's decision not to cooperate with them. We also investigate how Seeger's status as a blacklisted artist resulted in the prolific amount of performing and music-making he did throughout the remainder of the 1950s into the early '60s. Specifically, we examine the multitude of his Folkways albums, live concerts and the musical foundation he worked towards establishing for other up-and-coming musicians and listeners.

The Socialist Program presents a new special 3-part, more than 5-hour-long podcast series on the legacy of Russian Marxist V.I. Lenin, based on a class series by Brian Becker at The People's Forum in November and December 2023, enhanced with historical audio recordings and more. This series provides a specific approach to studying Lenin's writings for a new generation of socialist organizers. It discusses the war in Gaza and the struggle of the Palestinian people for national liberation, and outlines Lenin's organizational and tactical outlook in the era of modern imperialism. This is Part 1 of Lenin and the Path to Revolution Below are details of historical audio clips included in this episode that may not be otherwise identified by listening: 5:50 - Tchaikovsky - Symphony No. 6 in B minor, Op. 74, written in 1893 (a favorite of Lenin) 8:53 - Excerpt of Lenin's speech “What is Soviet Power?” recorded March 1919 14:28 - Recording of Tsar Nicolas II addressing soldiers in 1910 37:45 - Journalist John Pilger speaking with a U.S. soldier in Vietnam, 1970 52:02 - Eyewitness account of the February Revolution from the Kennan Institute Russian History Audio Archive 1:21:14 - Marching Song of the First Arkansas Regiment (U.S. Civil War) 1:28:36, 1:28:56 - News report on House Un-American Activities Committee investigation in Hollywood, 1947 1:29:44, 1:30:15 - Anderson Cooper and Bernie Sanders at the Democratic Party presidential debate in Las Vegas, 2015 /// Help make this show possible by joining our Patreon community at patreon.com/thesocialistprogram

Matthew Bannister onNorma Barzman, the screenwriter from the Golden Age of Hollywood who fled to Europe after facing being blacklisted from the House Un-American Activities Committee for her Communist views. Lord Saye and Sele, the aristocrat who served in the army during the Second World War, then worked to restore the historic family seat Broughton Castle.James 'Jim' Hobson, the Assistant Chief Constable of West Yorkshire who was in charge of the Yorkshire Ripper enquiry when Peter Sutcliffe was arrested.Susan Campbell, the illustrator who co-founded the Walled Kitchen Garden Network.Interviewee: Larry Ceplair Interviewee: John Barzman Interviewee: Martin Fiennes Interviewee: Franco Pardini Interviewee: Jim Buckland Interviewee: Caroline ConranProducer: Gareth Nelson-DaviesArchive used:CSULB Human Rights Forum - Norma Barzman, the Advanced Media Production Center, California State University Long Beach, Beach TV CSULB, YouTube, uploaded 06/04/2009; The Locket (1946), RKO Radio Pictures; Norma Barzman, Hollywood Exiles, Podcast, BBC World Service, 15/01/2024; The House Committee of Un-American Activities Actuality, Omnibus, Hollywood on Trial, BBC Two, 04/11/1973; Give us This Day (1949) Dir, Edward Dmytryk; IMDB; Lord Saye and Seye interview, From D-Day to Bergen-Belsen: Lord Saye & Sele, Dir/Prod Nathan Portlock-Allan, YouTube uploaded 26/01/2021; Lord Seye and Sele, SignPost, BBC, 25/04/1962; News Conference, Newsbeat, BBC Radio, 04/09/1979; The Yorkshire Ripper Files: A Very British Crime Story, BBC Four, 11/04/2019; Susan Campbell "Trained Fruit in Historic Kitchen Gardens", Garden Conservation YouTube uploaded 30/09/2022; Susan Campbell makes her first visit to Althorp, Episode 8, Walled Garden Historian, spencer1508.com;

Narrated by Richard S. Rose. Richard S. Rose can also be heard, among other places, as the voice of Jarno in “Visionaries”, and the voice of Mac in “Mac (and Bonnie's)” (https://podcasts.apple.com/cy/podcast/mac-and-bonnie-s/id1591682328); he is also the voice of Walt Whitman in the documentary, “In Search of Walt Whitman” seen on PBS and elsewhere. You can hear him reciting Shakespeare in the Apple store (https://music.amazon.com/albums/B0BK3WB4SM).Contact: ricmros@gmail.com. Dashiell Hammett, born on May 27, 1894, in St. Mary's County, Maryland, was an American author renowned for his significant contributions to the hardboiled detective fiction genre. Hammett's distinctive style and gritty portrayal of crime and corruption left an indelible mark on American literature. Before his literary career, Hammett worked various jobs, including as an operative for the Pinkerton National Detective Agency. This experience greatly influenced his writing, providing him with firsthand knowledge of crime and the criminal underworld. His disillusionment with detective work and a desire for a more stable income led him to pursue a career as a writer. In the late 1920s and early 1930s, Hammett rose to prominence with a series of novels and short stories featuring the iconic detective characters Sam Spade and the Continental Op. His groundbreaking novel, "The Maltese Falcon" (1930), is considered a classic of the genre and one of the greatest detective novels ever written. The novel introduced readers to the cynical and hard-drinking private investigator Sam Spade, a character that became synonymous with Hammett's work. Hammett's writing is characterized by its sharp dialogue, realistic depictions of crime and its consequences, and a focus on the moral ambiguity of his characters. His influence extended beyond literature, shaping the film noir genre and inspiring countless writers in the detective fiction tradition. Despite his success, Hammett's career was cut short by personal and political challenges. He became involved in leftist political activities and was briefly imprisoned for his refusal to cooperate with the House Un-American Activities Committee during the McCarthy era. This tumultuous period in his life impacted his ability to write and publish. Dashiell Hammett passed away on January 10, 1961, but his legacy endures. His contributions to detective fiction and the noir genre continue to be celebrated, and his works remain essential reading for those interested in the evolution of American literature in the 20th century. Learn more about your ad choices. Visit megaphone.fm/adchoices

We follow Ivan's parents, the peripatetic idle rich leftist novelist/journalists Ira and Edita Morris, from their wartime career “writing” in Haiti on the eve of the coup that brought the progressive President Estimé to power, then making “democratic” anti-fascist propaganda for the American Office of War Information and the Voice of America while moving in Brecht's circle including the Eisler siblings, whose persecution by the House Un-American Activities Committee led the brothers to flee to Europe and the sister, Ruth Fischer, to turn anti-communist professor at Harvard. In this context, Edita leaves behind a most puzzling letter to a member of the Eisler family, talking mysteriously about “the step which I have taken”... Hosted on Acast. See acast.com/privacy for more information.

BELLA is a feature-length documentary about the life, work, influence, and impact of Los Angeles-based dancer, choreographer, and arts activist Bella Lewitzky, who was referred by dance critic Walter Terry as "one of the greatest American dancers of our age.” The film incorporates rare archival footage of Lewitzky's performances and interviews with Lewitzky's former students and dancers, and it demonstrates how a “uniquely Californian” artist with vision and tenacity influenced the lives of her fellow citizens. Bella Lewitzky joined Lester Horton's multi-racial modern dance company in 1934, became his lead dancer, and helped develop the Horton Technique. She formed her own dance company in 1966 and continued to dance at the age of 62. Lewitzky was as famous off stage as on, thanks to her battles for freedom of expression against the House Un-American Activities Committee in the 1950s and the National Endowment for the Arts in 1990. Director Bridget Murnane (Mia, a Dancer's Journey, The Ballerina) joins us for a conversation on the indomitable spirit and powerful grace that Bella Lewitsky brought to her dancing, teaching and her life over the course of her illustrious career. BELLA had its World Premiere at the 2022 Madrid International Film Festival and screened at over fifty festivals world-wide, including the Palm Springs International Film Festival. BELLA has won seventeen awards including Best Documentary at Dance Camera West. For more go to: bellasfilm.com

The Fat Man was a popular radio detective drama show that aired in the 1940s and early 1950s. The show was created by Dashiell Hammett, author of The Thin Man. It starred J. Scott Smart as the title character, a detective who started out anonymous but quickly acquired the name "Brad Runyon". The Fat Man originated on ABC radio in 1946 and ran until 1951. In 1948, it was one of the top 10 shows on Friday nights, with more than six million listeners every week. The show was on the verge of spinning off into a series of movies with Smart reprising his role of private eye Brad Runyon. However, Hammett ran afoul of the House Un-American Activities Committee. --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

Bob Enyart plugs tomorrow's interview with Bevelyn of Chaz, and our Pulitzer Prize for Fiction Russia collusion graphic (at kgov.com/russia), and reports on the efforts to tear down the pyramids and everything done in the name of kgov.com/racist-Darwin who wrote that white Europeans like him are most civilized and that blacks are closest to apes. Then Bob continues his "clear thinking segments" using as fodder the atheist "Euthyphro's Dilemma" argument. Google ranks Bob's Christian reply #1 at kgov.com/euthyphro. On Euthyphro Part 1 we introduced Socrates' argument. In Part 2 we evaluated the Divine Command View. In Part 3 we introduced what's called the Recognition View. And now in Part 4 the "Recognition View Meets the Trinity". To hear the full series, just click on over to kgov.com/euthyphro-1. * Liberals HATE Anti-Communists: Hollywood, Hillary, Homosexuals, Humanists, Hillary (did I say Hillary?), et al., HATE anti-communists like Sen. Joe McCarthy, the John Birch Society, and the House Un-American Activities Committee, even though none of these have ever murdered anyone, whereas the left has always had a soft spot in their hearts for the godless communist Soviet Union that killed about twenty million people, until... * Murdering Millions or Losing a Campaign? Which is the last straw for the Democrats? As long as the former Soviet Union was only guilty of murdering millions of their own people (via democide), leftists had a warm place in their heart for Russia. Let them imagine though the Russians tilting one election, and their disapproval rages. Ironically, the actual Russia campaign collusion was when the DNC and Hillary Clinton paid millions for a foreign spy to collect anonymous Russian disinformation in hopes the dossier would interfere with the election. Thus the New York Times won the 2018 Pulitzer Prize for Fiction by ignoring the real ones and connecting dots that never actually connected. Today's Video Resource: Get out of the Matrix Bob takes on a college professor and her philosophy class in a debate regarding absolutes. Who wins? The students have been taught that nothing is absolutely right or wrong, so Bob asks them if that is absolutely right. And they’ve been taught that they can only know that which their five senses have told them, so Bob asks them which of their five senses told them that. Is the lack of intellectualism in this college class representative of American higher education? You can decide as you view this video, one of Bob’s most extraordinary presentations.

Send us a Text Message.She could play the piano by ear at the age of 3 and was accepted into the prestigious Julliard school of music at age 8. By 19 she was headlining at Café Society, the first racially integrated club in New York City. She went on to become a successful Hollywood film star, fierce Civil Rights activist, and the first Black woman to host her own television show. She counted Frank Sinatra, Billie Holiday, and Dizzy Gillespie as close friends, dominating the jazz scene as a piano virtuoso who put her own spin on the classics. Her rise to the top was nothing short of inspirational, the American dream at its finest, loved by all, glowing, electric. But did you know, you've probably never even heard of her? Let's fix that. Sources: WNYC Archives 1951 Hazel Scott Radio Interview (full)The Hazel Scott Show 1950 video clipLibrary of Congress Magazine "Jazz's Lost Star"National Women's History Museum "Hazel Scott"The Washington Post "McCarthyism silenced this Black icon. Now dancers are making noise."Library of Congress Blogs "Hazel Scott: The Gorgeous Face of Jazz at the Mid-Century"Smithsonian Magazine "Hazel Scott's Lifetime of High Notes"Encyclopedia Britannica "House Un-American Activities Committee" The New Yorker "Joseph McCarthy and the Force of Political Falsehoods"The National WWII Museum of New Orleans "Cold Conflict"Support the show! Buy Me a CoffeeVenmo @Shea-LaFountaine

[S5.5 E3] Anti-Capitalist Chronicles: The Return of McCarthyism (Part 1)Stay connected with the latest news from Politics in Motion. Join our mailing list today: https://www.politicsinmotion.orgProfessor Harvey discusses the persecution of the scholar Owen Lattimore at the hands of Joseph McCarthy. Owen Lattimore was editor of Pacific Affairs, a journal published by the Institute of Pacific Relations. Lattimore taught at John's Hopkins University from 1938 to 1963 and then from 1963 to 1970, he was the first Professor of Chinese Studies at the University of Leeds in England. Professor Harvey had the opportunity to visit Lattimore in London. While doing ethnographic research in Afghanistan in 1950, Lattimore was met by the US consular official who said, you'd better rush back to the United States because Senator McCarthy has fingered you as one of "the top Russian espionage agent in the United States." He was called up in front of the House Un-American Activities Committee and subjected to years of interrogation based on false charges. The Senate Internal Security Subcommittee (the Senate version of HUAC), headed by Pat McCarran, came to the absurd conclusion that China was “lost” not because of Mao or because of the Chinese masses, but China was “lost” because of a small group of academics and intellectuals and State Department officials. Lattimore was red-baited and persecuted for many years. It is important to understand this history, because what we are seeing right now is a return to that paranoid style of American politics. David Harvey's Anti-Capitalist Chronicles is co-produced by Politics in Motion. Politics In Motion is a nonprofit organization founded in May 2023 by Prof. David Harvey and Prof. Miguel Robles-Durán, along with Dr. Chris Caruso, instructional technologist, and noted writer and art curator Laura Raicovich. Our anti-capitalist media platform offers piercing insights and thought-provoking analyses on political, social, spatial, cultural, environmental and economic issues through a range of engaging mediums, including YouTube streams, podcasts, and live events.If you would like to support this project and see more of Prof. Harvey, visit us at:https://patreon.com/PoliticsinMotion__________________________________________________________________________David Harvey's lastest book "A Companion to Marx's Grundrisse" (Verso 2023): https://www.versobooks.com/products/2930-a-companion-to-marx-s-grundrisse__________________________________________________________________________Follow Politics in Motion:Website: https://www.politicsinmotion.orgPatreon: https://patreon.com/PoliticsinMotionYouTube: https://www.youtube.com/@PoliticsInMotionInstagram: https://www.instagram.com/politicsinmotionTikTok: https://www.tiktok.com/@politicsinmotionTwitter: https://twitter.com/politicsnmotionFacebook: https://www.facebook.com/people/Politics-in-Motion/100092557227878/Threads: https://www.threads.net/@politicsinmotionFollow David Harvey:Website: http://davidharvey.orgTwitter: https://twitter.com/profdavidharvey#politics #mccarthyism #redscare

Christian Historical Fiction Talk is listener supported. When you buy things through this site, we may earn an affiliate commission.Become a patron and enjoy special perks and bonus content.I'm so thrilled to have Susie Finkbeiner returning to the show this week. She's so much fun to chat with. We talked about her new book, The All American, what the political climate was like in the early 1950s and how baseball played a role in Americana, and the wonderful woman she got to hear speak about her time in the women's baseball league, as well as what she loves about 1950s fashion. Patrons get to hear about her love for Shakespeare and the fun she has with that.The All American by Susie Finkbeiner Two sisters discover how much good there is in the world--even in the hardest of circumstancesIt is 1952, and nearly all the girls 16-year-old Bertha Harding knows dream of getting married, keeping house, and raising children in the suburbs of Detroit, Michigan. Bertha dreams of baseball. She reads every story in the sports section, she plays ball with the neighborhood boys--she even writes letters to the pitcher for the Workington Sweet Peas, part of the All-American Girls Professional Baseball League.When Bertha's father is accused of being part of the Communist Party by the House Un-American Activities Committee, life comes crashing down on them. Disgraced and shunned, the Hardings move to a small town to start over where the only one who knows them is shy Uncle Matthew. But dreams are hard to kill, and when Bertha gets a chance to try out for the Workington Sweet Peas, she packs her bags for an adventure she'll never forget.Join award-winning author Susie Finkbeiner for a summer of chasing down your dreams and discovering the place you truly belong.Get your copy of The All American by Susie Finkbeiner. Susie Finkbeiner is the CBA bestselling author of The All-American,  The Nature of Small Birds,  All Manner of Things — which was selected as a 2020 Michigan Notable Book — and Stories That Bind Us, as well as A Cup of Dust, A Trail of Crumbs, and A Song of Home.She serves on the Fiction Readers Summit planning committee, volunteers her time at Ada Bible Church in Grand Rapids, Michigan, and speaks at retreats and women's events across the country. Susie and her husband have three children and live in West Michigan.Find her at Facebook, Instagram, and BookBub.

What is the political economy of New Criticism? Are the racist and reactionary Cold War politics of the New Critics immanent to their trademark method: close reading? The episode begins with the story of Langston Hughes testifying before the the House Un-American Activities Committee on what goes into the interpretation of a poem. What constitutes "tactical criticism" [9:00]? Critics try to rescue close reading from the "bad politics" at its origins [38:00], endorse supplementary methods [59:00], and describe how New Criticism looks from outside the U.S. and U.K. [1:07.30]. Cast (in order of appearance): Langston Hughes, Andy Hines, Matt Seybold, Jed Esty, John Guillory, Anna Kornbluh, Christopher Newfield, Ignacio M. Sanchez Prado Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/NewCriticism, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.

You heard about Walt's war against the unions in our 2-part series on the animators' strike. This week's episode covers the time that Uncle Walt was called to testify before the House Un-American Activities Committee as a "friendly witness" in 1947. --- Support this podcast: https://podcasters.spotify.com/pod/show/disney-dependent/support

From 1944, it's the program New World A Coming. This episode is called the Negro in Entertainment, and features 24 year old Hazel Scott. A prominent movie actress, dazzling pianist, jazz singer, and civil rights activist throughout the 1930s, 40s and 50s. Scott is in the history books as the first black American to host her own network TV show. Scott's career in America was sabotaged after she was forced to testify before the House Un-American Activities Committee in 1950 during the era of McCarthyism. Scott subsequently moved to Paris in 1957 and began performing in Europe, not returning to the United States until 1967. Details at http://krobcollection.com

The anti-Communist hysteria rampant in the U.S. in the 1940s and 1950s is often called the McCarthy period. But the red-baiting and persecution started even before McCarthy was elected to the Senate in 1946. The notorious House Un-American Activities Committee led the crusade to ferret out alleged Communists in the U.S. They struck gold when they took on Hollywood, not because they actually found Communists but because of the public's media-fed fixation on movie stars. Perhaps the most interesting case involved the great director Elia Kazan who felt he had to name names and cooperate with HUAC. In this program Victor Navasky raises interesting moral choices and questions. His discussion of the actor Lee J. Cobb is most moving. Interview by David Barsamian and S.K. Levin. Recorded at KGNU.

On This Week's Show Voices Presents:  A rebroadcast of: Paul Robeson Aired Tuesday, June 13, 2023 | 8am PST on KPFK Pacifica 90.7fm  ON TODAY'S SHOW we're doing a rebroadcast honoring a great revolutionary superhero and friend Paul Robeson. Some of you may remember Paul Robeson as a Great Bass baritone and actor. But as we all have come to know, Paul was also a revolutionary thinker, activist, lawyer, linguist, cultural leader, and warrior. Paul spent his life, fighting injustice, standing up against racism, imperialism, and advocating for decolonization.  In 1956 Paul was call before the U.S. House Un-American Activities Committee, for just such stance.   Being the warrior that he is, Paul refused to cooperate with the Committee. Hence the U.S. systemic and historic persecution of Paul. But Despite that,  Paul Robeson strength and legacy lives on.    Join us in this rebroadcast, as Paul  helps us fundraise for KPFK, as his revolutionary spirit moves us, and lives on. Join Eric Mann, Channing Martinez, Allen Minsky and Paul Robeson in helping KPFK fundraise through your generosity and financial support. Call KPFK at 818-985-5735 to make a donation, or click HERE.

California's reparations task force is out with its final list of recommendations; An L.A. Museum opens a new exhibit looking back at Hollywood in the House Un-American Activities Committee; School kids are learning about an Asian-American photographer who captured moments in history. Support The L.A. Report by donating now at LAist.com/joinSupport the show: https://laist.com

In the Summer of 1949, the United States government called on Jackie Robinson to testify in front of the House Un-American Activities Committee against famed actor and activist Paul Robeson, for his ties to the Communist Party. In defending his country, Jackie would be forced to attack a fellow prominent Black voice, fighting the same fight he was - the ultimate no-win situation. But with this platform, he made his voice louder than ever. Authors Jonathan Eig and Michael G. Long join Bob Kendrick to tell the complex story of Jackie Robinson and his activism beyond the baseball field -  the one the history books largely ignore - with the voices of Buck O'Neil and Jackie Robinson. Read Jonathan Eig's "Opening Day: The Story of Jackie Robinson's First Season" - AmazonRed Michael G. Long's "Call Him Jack: The Story of Jackie Robinson, Black Freedom Fighter" - AmazonFollow Bob Kendrick on Twitter - @nlbmprezTo support the Negro Leagues Baseball Museum, and preserve the legacy of Buck O'Neil, please visit ThanksAMillionBuck.comVisit the Negro Leagues Baseball Museum in Kansas City - NLBM.com

18.7 million watched the show, up 12% from last year. What was the highest viewership the Oscars ever had?  EEAAO was the first movie to win 5 above the title Oscar; Best Picture, Best Director, Best Actress, Best Supporting Actress, Best Supporting Actor,  Best Original Script, and Best Editing.  It's the third movie in history to have won three acting awards but the only one to have also picked up Best Picture and Best Original Screenplay, “A Streetcar Named Desire” (it lost best pic to An American In Paris) and “Network” (which lost Best Pic to Rocky) Should Oscars come first in Awards season? Biggest surprise? What actors have appeared in 3 Best Picture nominees in one year?  Weird moments; Kimmell being like ‘Speilburg, your mom was whore, huh?' ‘You smoked a lot of hashish when you made ET.” “Seth Rogan and Steven Speilburg are the Joe and Hunter Biden of Hollywood.”   A24 won 9 awards; 7 for EEAAO and 2 for The Whale, Best Makeup And Hairstyling, and Best Actor. How does the A24-ifcation of Hollywood compare to other sea changes in decades past? New Hollywood, 90's indie craze. What Damian's Been Watching: Poker Face, TLOU Finale, Mandolorian episode 3, Ted Lasso S3 Premiere, Close, Holy Spider What Damian's Been Reading: Oscar Wars by Michael Schulman. Frank Capra was much less progressive than his movies would make him seem, he was against unionizing and was for the blacklist. Gregory Peck, however, was extremely progressive, being one of the very few big-name actors to be publicly and unabashedly against the House Un-American Activities Committee in 1947. The 1989 Oscar fiasco was fascinating, never heard of Allan Carr before.   What Derick's Been Watching: Poker Face, Operation Fortune: Ruse de Guerre, Ted Lasso, Skinamarink, Shazam: Fury of the Gods What Dion's Been Watching: Last Of Us, Ted Lasso, Shrinking, BCS rewatch, Rick and Morty. Letterboxd Assignments: Damian- My Heart Can't Beat Unless You Tell It To Read Damian's Blog at Medium.com Check out Damian's Letterboxd Check out Derick's Letterboxd , his podcast Underrated and check out his socials here. Write into the show at CanISaySomethingPodcast@gmail.com and @bisickle on Twitter. Subscribe on Stitcher, Google Podcasts, and Spotify. Rate and review it on Apple Podcasts. Tell a friend, family member, or stranger. --- Support this podcast: https://podcasters.spotify.com/pod/show/damian-j-sherman/support

Created by Dashiell Hammett, The Fat Man was one of radio's most popular mystery shows. It was on the verge of spinning off into a series of movies with radio star J. Scott Smart reprising his role of private eye Brad Runyon. But then Hammett ran afoul of the House Un-American Activities Committee and the crimesolving career of the Fat Man came to an end. In this month's bonus episode, I'm sharing my five favorite adventures of Runyon - "the fast-moving criminologist who tips the scales at 237 pounds." We'll start with the show's first episode - "The Nineteenth Pearl" (originally aired on ABC on January 21, 1946). Then, he tries to help a woman who's being pressured back into a life of crime in "The Black Angel" (originally aired on ABC on July 8, 1946). The Fat Man tries to help a friend who witnesses a murder in a neighboring apartment in "A Window for Murder" (originally aired on ABC on October 3, 1947), and Runyon heads to Mexico to solve a case south of the border in "Murder Wins the Draw" (originally aired on ABC on April 1, 1949). Finally, in "The NIghtmare Murder" (originally aired on ABC on January 17, 1951), a man hires Runyon to prove he's guilty of murder.

After losing much of her memory to dementia, one of the things the main character in the novel The Swimmers remembers is being forced into an incarceration camp for Japanese Americans during World War II. Author Julie Otsuka talks about the novel and her own family's experience in Japanese incarceration camps. Also, we remember Victor Navasky, the longtime editor and eventual publisher of The Nation. He also wrote the book Naming Names, now considered a classic, about the Hollywood 10 and the House Un-American Activities Committee.David Bianculli reviews the new Netflix mockumentary series Cunk on Earth.

Front Row Classics welcomes author Carla Valderrama to the podcast this week. Carla's 2020 book, "This Was Hollywood: Forgotten Stars and Stories" takes a look at personalities and events that have been, mostly, lost to history. Brandon and Carla discuss such wide-ranging events as the first Oscars ceremony and the death of Rudolph Valentino. Personalities such as Gracie Allen and Vera-Ellen are also covered. The interview concludes with the heart-wrenching story of John Garfield and the House Un-American Activities Committee. Carla's passion for classic Hollywood is infectious and we look forward to our listeners hearing these stories.  "This Was Hollywood: Forgotten Stars and Stories" is available wherever books are sold from Turner Classic Movies and Running Press. Carla Valderrama is an author, Hollywood historian, and the creator of the Instagram accounts @thiswashollywood and @thiswasfashion. "This Was Hollywood" is her first book. She lives in Los Angeles, where she can be seen wearing heart-shaped sunglasses and heard laughing anywhere within a five-mile radius.  

The Cold War was heating up in 1947 and the red scare had taken hold of America. The House Un-American Activities Committee was assembled to seek out possible suspects with ties to the communist party. As a prominent filmmaker in Hollywood Walt Disney was called to testify. John Redlingshafer takes a deep dive into this unique moment in Disney history. Plus, recent headlines indicating Disney's upcoming live-action Hercules will be "more experimental" and "inspired by TikTok" have some of us wondering what that means exactly. We'd love to hear from you. You can email or send us a recorded audio message at podcast@thehyperionhub.com. Find us on social media on Facebook, Instagram and on Twitter @HubHyperion. The Hyperion Hub is not affiliated with the Walt Disney Company or its subsidiaries.  facebook.com/The-Hyperion-Hub-103502041266061/

After World War 2 ended, the Nazis defeated, America feared communist infiltration of its institutions, among them, Hollywood. In November 1947, a number of high profile ‘friendly witnesses' in the film industry, including Walt Disney and Jack Warner of Warner Brothers, appeared before the House Un-American Activities Committee and named people and organisations they believed were associated with communists. As Don hears from Dr. Kathleen Feeley - Associate Dean, College of Arts and Sciences, University of Redlands, this began a witch hunt for communists in the entertainment industry, which lasted more than a decade. Hundreds of writers, producers and actors - many with no affiliation with communism - were left unable to work.Senior Producer: Charlotte Long. Producer: Benjie Guy. Mixed by Benjie Guy.For more History Hit content, subscribe to our newsletters here.If you'd like to learn even more, we have hundreds of history documentaries, ad-free podcasts, and audiobooks at History Hit - subscribe today!

Harry S. Truman thought a congressional committee ideally should be like a 'benevolent policeman' Not changing the facts but investigating them. He should know as he headed up one. Yet he was also critical of committees during his time that he felt did not meet the criteria. Since an investigation of a U.S. army defeat by a Native American tribe in the 1790's, to a look at an attack on the Capitol today, there is a voluminous history of Congressional committees. That makes even this hour and one half plus episode an incomplete history. We take a look at some of the committees, including HUAC the House Un-American Activities Committee, not only in the 1940's but it in it's earlies form under Martin Dies in the 1930, we take a look at Kefauver's crime commission that became a TV sensation and a Civil War era committee that is viewed by historians to have hurt the Union effort in that war. We are part of Airwave Media Network. OUR SPONSOR IS SHORTFORM - To get a 5 days of unlimited access and an additional 20% discount on the annual subscription, join Shortform through my special link, shortform.com/myhistory or click the link in the description. Learn more about your ad choices. Visit megaphone.fm/adchoices

TENE unpacks the 1951 House Un-American Activities Committee report on the massive American Slav Congress of the 1940s which organized millions of Slavs in the US under a banner of socialist anti-fascist resistance. Despite being almost entirely unknown today, the ASC was a profoundly influential institution that the post-FDR US Government saw as one of its greatest threats. Subscribe to  patreon.org/tenepod and twitter.com/tenepod.

Dan Bernstein and Laurence Holmes were joined by Matt Spiegel and Gabe Ramirez for the daily transition segment. They discussed the Bernstein & Holmes Show's conversation with Howard Bryant, the author of "Rickey: The Life and Legend of an American Original," the definitive biography of Hall of Fame outfielder Rickey Henderson. The guys also discussed his upcoming book on Jackie Robinson's testimony against Paul Roberson before the the House Un-American Activities Committee on July 18, 1949.