Podcasts about texas chainsaw massacre

This week talk concert educate, the loss of a genre, and we roll into summer genre blockbusters discussing Curry Barker's 'Obsession'.   Stream on Spotify: https://open.spotify.com/show/14ioP0zfFczK8hKPsDUmko?si=cff351ada3944a9a 0:00 Cold open 0:34 The Avett Brothers, a Yes Day, and a drunk guy at the pit 7:30 RIP Sam Neill 10:00 Housekeeping: the Allentown saga and the SD card mystery 14:00 Staff Picks: The Love Witch and Willow Creek 25:00 OBSESSION review begins 29:00 Who is Curry Barker 34:00 The art department pay controversy 42:00 Spoilers begin 1:08:00 Final ratings OBSESSION (2026) is a supernatural horror film written, directed, and edited by Curry Barker, starring Inde Navarette and Cooper Tomlinson. Barker and Tomlinson are the duo behind the sketch channel That's a Bad Idea, the horror short The Chair, and the viral found footage feature Milk and Cereal. Barker is attached next to Anything But Ghosts and a Texas Chainsaw Massacre remake. Want more? Join the Frightday Society, at http://thefrightdaysociety.org As a Society Member, you'll have access to all Screamium content (Behind the Screams, It's Been a Weird Week, A Conversation With..., Toast to Toast PM with Wine Kelly, Cinema Autopsy, the Writers' Room, bonus episodes of Captain Kelly's Cryptids & Conspiracies, Byron's Serial Corner, and so much more! You'll also be part of our interactive community dedicated to the advancement of horror, hauntings, cryptids, conspiracies, aliens, and true crime. All things frightening. Keep our mini-fridges full of blood...I mean...not blood...normal things that people drink...by going to http://shop.frightday.com  Theme music by Yawns Produced by Byron McKoy Follow us in the shadows at the following places: @byronmckoy @kellyfrightday @frightday  TALKING POINTS The comedy to horror pipeline (Jordan Peele, Zach Cregger, Jim Cummings, and now Barker), the Monkey's Paw and Treehouse of Terror origin of the wish premise, the Sally Choi art department pay conversation and Barker's response, and where OBSESSION sits in the current wave of low budget horror breakouts. This is an Audio Wool Original. #Obsession2026 #CurryBarker #HorrorReview #Frightday #IndeNavarette #MonkeysPaw #HorrorPodcast

The Fork In Your Ear Ep#218 Jimonthy Crickets! - Podcast Show Notes & Summery 8-1-26 Quick Summary Tim and Nate open with the usual technical chaos—Nate's ancient camera older than his kids, USB hub murders, Windows being Windows, and a new meshy chair—before Tim scrapes himself off the floor with minimal coffee. The big gaming bombshell is Nintendo snagging a FromSoftware exclusive (Dustbloods) led by Miyazaki himself: Bloodborne-vibes, industrial revolution setting, up to eight-player PvE, and Tim is currently in the closed NDA network test. Microsoft brings four original Xbox classics to PC (Fusion Frenzy, Crimson Skies, Conker's Live and Reloaded), sparking preservation vs. "just sell it again" debate. Nate digs into the new Halo campaign on PC while Tim's wrist is still sidelining him. Entertainment covers Spider-Man: Brand New Day (Tim is all-in), American Psycho after a four-and-a-half-hour serial-killer museum visit, and the couple literally dodging the Bite of Seattle shooting by having a fight and going home. Life wraps with raccoon babies, the local "Jimmathy" meme, and Nate's wife getting back on two wheels with a nearly-new 2025 Triumph Speed Twin 900. Classic Fork energy from start to duck-call finish. Detailed Show Notes

This week we're firing up the van and heading deep into the blazing heat of The Texas Chain Saw Massacre — the grimy, sweaty, anxiety-inducing masterpiece that changed horror forever.What starts as a simple trip through the countryside quickly turns into one of the most terrifying family reunions in cinema history. No ghosts. No demons. Just bad luck, bad decisions, and one very loud power tool.

Hollywood nos ha regalado algunas de laspelículas más inolvidables de la historia. Historias que nos hicieron reír, llorar y temblar de miedo. Pero detrás de algunas de esas producciones se esconden tragedias reales, accidentes escalofriantes y sucesos que, hasta el día de hoy, siguen generando preguntas.En esta nueva edición de TerrorInformal, nos adentraremos en uno de los niveles más oscuros del séptimo arte. Conoceremos la desgarradora historia de Judith Barsi, la inolvidable voz de Ducky; descubriremos qué ocurrió realmente durante el rodaje de The Texas Chain Saw Massacre y la caótica producción de Roar, considerada por muchos la película más peligrosa jamás filmada. También analizaremos el trágico accidente de The Twilight Zone: The Movie, un hecho que cambió para siempre las normas de seguridad en Hollywood, y exploraremos los inquietantes sucesos que rodearon el rodaje El Exorcismo de Emily Rose.Durante este recorrido separaremos los hechos comprobados de las leyendas que han nacido con el paso de los años, porque en ocasiones la realidad resulta mucho más aterradora que cualquier ficción.Prepárate para un viaje donde cada nivel del Iceberg se vuelve más oscuro que el anterior.Apaga las luces, ponte cómodo... y comienza El Descenso.Terror Informal, el lugar donde el misterio, el horror, las tragedias reales y lo inexplicable se encuentran para contarte las historias que muchos prefieren no recordar.Si disfrutas este tipo de contenido, no olvides suscribirte, dejar tu "Me gusta" y compartir este episodio para que más personas se atrevan a descender con nosotros.#Terrorlnformal​ #ElDescenso​ #Iceberg​ #Cine​ #Hollywood​ #JudithBarsi​ #TheTexasChainSawMassacre​ #Roar​ #TheTwilightZone​ #EmilyRose​ #Misterio​ #Terror​ #HistoriasReales​#CuriosidadesDelCine​ #CineDeTerror​

The Hussies review another Tobe Hooper classic. Don't @Dana because this was her 1st time watching this quintessential horror film, just be glad that she finally did and hear out her rant about Sally.

This week, Eric and Josh are joined by Saturday Night Sinema co-host Daimion! They discuss: Box office adjusted for inflation, 101 Dalmatians, The Texas Chain Saw Massacre, false memories, Messiah of Evil, executive producers, liminal movies, West Side Story, The Wonderful World of Disney, Star Trek 60th Anniversay, and more! They also mention the movies screening the week of Friday July 31 - Thursday August 6: The Invite, The Rocky Horror Picture Show, Disclosure Day, and Robin Hood! They neglect to mention Gail Daughtry and the Celebrity Sex Pass, and the return of The Sheep Detectives, both of which got booked at the last minute, after the podcast recording. You can always check up to the moment programming listings at mayfaitheatre.ca!

Degens Andy S and Brandon Bombay discuss one of the greatest, scariest, and most sweltering movies of all-time, 'The Texas Chainsaw Massacre.' 

This week on Lunatics Radio Hour we're talking through the fascinating history of horror taglines. We get into the history of film marketing, the evolution of taglines and some of the most iconic of all time.Sources10 Greatest Horror Movie Taglines, Ranked Collider Article by Chris WilliamsFangoria article by Justin Lockwood: How Much Shock Can You Stand? Top Horror Taglines Across The DecadesAn article from the Museum of The Moving Image on The Silent Film EraGet Lunatics Merch here. Join the discussion on Discord. Check out Abby's book Horror Stories. Available in eBook and paperback. Music by Michaela Papa, Alan Kudan & Jordan Moser. Poster Art by Pilar Keprta @pilar.kep.Watch Voices Carry for free on Tubi now! Consider joining our Patreon for bonus episodes, spooky literature and deep dives into horror and history. Click here to learn more. Follow us on TikTok, X, Instragram and YouTube. Join the conversation on Discord. Support us on Patreon. Support the show

Hey kid, there’s a spider in your bed! From Kingdom of the Spiders (1977) We’re going back to horror history class with Episode 212: Slashers Come of Age and Horror Finds Religion 1975-1979. Seven years ago, in the early days of the Scariest Things, we did some horror history, diving into some of the more obscure titles that you may not be aware of. We stopped at the early seventies, and then went on a very long hiatus. But now we are back with some (maybe) forgotten gems from 1975 to 1979. Friend of the podcast Ian Parker joins Eric and Mike in this deep dive. It took a while, but we are back to our chronology of horror movies. We have picked up the baton and are moving our movie history lessons forward. The seventies were a turbulent period in history. The Hayes Code, now dead and defeated, is no longer. The early seventies started playing around in the margins with movies that pushed the boundaries of what was possible. The advent of the massive summer blockbuster began to separate movies into big-budget and indie-budget films, and horror was part of that trend. Jaws (1975) and The Exorcist (1972) proved that with the right director, scary movies could bring in big money and be legitimate critical darlings as well. The doors opened for studios to pour big money into movies that would become The Omen, Alien, Invasion of the Body Snatchers, and Carrie, landmark movies all. Big-name actors with great pedigrees were coaxed into performing in big studio horror projects. Gregory Peck did The Omen. Faye Dunaway at the height of her career did The Eyes of Laura Mars. It wouldn’t be long before Jack Nicholson got cast in The Shining (1980), but we’ll get to that one later. Having said all that, the studios weren’t quite all-in yet. There were a few pet projects out there. But the domain of the horror movie was still in the dilapidated old downtown movie houses and drive-in theaters. You couldn’t yet rent movies for home viewing. If you wanted to go see independent horror movies, you had to be willing to get down and dirty. The Cineplex wasn’t yet ready for showing off the gory delicacies that were being cooked up in the era when the boundaries between R and X hadn’t been settled yet. Slasher Movies Come of Age Horror never forgot its roots. You could still make a low-budget movie, with no-name actors, scare some teenagers, and turn a profit. But a guy in a rubber suit wasn’t going to cut it anymore. Real explicit violence and raw visceral horror are now how to make a memorable mark. Following in the footsteps of Black Christmas (1972), Last House on the Left (1972), and The Texas Chainsaw Massacre (1974), the slasher film was going to find the sweet spot of low budget and mass appeal. Enter Halloween (1978). Stabbing and spooking were now moving into the suburbs. On a budget of $325,000, Halloween would go on to earn $47,160,000. On a budget of $325,000, Halloween would go on to earn $47,160,000. Hollywood noticed. The impact of Halloween would be felt primarily in the early eighties, but a few filmmakers picked up on the trend early. The slasher films influenced directly in the wake of Halloween include: Don’t Go Into the House (1979), Silent Scream (1979), Tourist Trap (1979), Driller Killer (1979), Prom Night (1980), Maniac (1980), Friday the 13th (1980), Don’t Go into the Woods (1981), Madman (1981), Happy Birthday to Me (1981), My Bloody Valentine (1981), The Burning (1981), The House on Sorority Row (1982), and The Slumber Party Massacre (1982). All of these films featured a masked killer (usually) and some sort of stabbing weapon (usually), and oblivious teen victims (usually), with sexual activity usually as part of the equation (usually)… and a final girl (usually). That’s the modern slasher template. It didn’t take long for filmmakers to figure out the formula. Our great directors who would lead horror for the next twenty years were in place. John Carpenter, Tobe Hooper, and Wes Craven had their knives out and were ready to dominate the field. This genre still felt fresh. The sequels had yet to take control of the industry, and the concept felt raw and scary. This trend would find its killer’s stride in the 80’s, but this is when the slasher movie came out of the shadows. Horror Gets Really Weird, and Discovers God While the sixties still had a safety belt on, and the eighties went for the reliable thrills, the seventies was a period that allowed directors to stretch out their ideas. The early seventies also contributed a number of strange films, but it is hard to match the back half of the seventies with the likes of The Manitou (1976), Phantasm (1979), Hausu (1977), and Eraserhead (1977), which brought wildly original concepts to the table. Religion was a big thing too. Conventionally, there were movies like The Omen and The Exorcist that were, while very scary, using traditional good-and-evil concepts. This era also had a more counter-cultural and artistic interpretation of holy horror. God Told Me To (1976) and The Visitor (1979) were gonzo strange concepts that never found an audience, but were challenging with their takes of what celestial beings might be. What is Jesus, really? For that matter, what is God? An alien? Perhaps. Truly strange, blasphemous stuff. Perhaps it was all the hallucinogens that were popular of the era. Cosmic horror found truth in a far-out metaphysical moment. It wouldn’t take long for the politicians and the morality police to put an end to such wild concepts. But in truth, the conservative backlash was waiting in the next decade. In the seventies, the liberal notions of acceptable content had plenty of room. That would be coming to an end soon, especially when movies could come home on cable TV and VHS. The Scariest Things History of Horror Episodes Episode 22: The Silent Era 1920s Episode 25: The Rise and Fall of the Golden Age 1930’s and 1940s Episode 29: Horror Comes Back – The Matinee Era Part 1 1950-1954 Episode 31: The Height of the Atomic Age – The Matinee Era Part 2 1955-1959 Episode 51: The International Gothic Trend – Horror From 1960-1964 Episode 53: The Diversification of Horror – Horror From 1965-1969 Episode 57: Horror Gets Trippy – Horror From 1970-1974 Episode 213: Slashers Come of Age and Horror Finds Religion 1975-1979 Friend of the Podcast Ian Parker joins Eric and Mike to talk about some deep cut movies from the late seventies. We have tried to avoid the obvious stuff and to notify our audience about some curious gems that you might have missed when shuffling through your streaming options: Burnt Offerings (1976) Don’t Go Into the House (1979) God Told Me To (1976) Kingdom of the Spiders (1977) Rabid (1977) Shock Waves (1977) The Witch Who Came From the Sea (1976) The Eyes of Laura Mars (1978) The Manitou (1978)

Send us Fan MailEps.4 S3 Faith, Free Speech, and the Cost of Speaking TruthThe hosts draw powerful parallels between Kirk's assassination and historical political murders, noting how figures like Martin Luther King Jr. and Robert F. Kennedy met similar fates for speaking truths that challenged the status quo. They examine how mainstream media has selectively quoted Kirk to vilify him while ignoring the nuance of his positions, including his refusal to accept funding offers from political powers.Eps 5 S3 Brothers ReflectThe conversation weaves through personal reflections on loss, with powerful memories of their parents' passings and how those experiences transformed their emotional landscape. "My emotions are different after our parents passed away," one brother admits, highlighting how profound loss reshapes our perspectives on life. Their planned visit to their grandmother takes on special significance as they acknowledge it may be "unfortunately for the last time," while still hoping for more time together.Eps 6 S3 Spiritual Warfare in a Divided WorldThroughout our conversation runs an undercurrent of spiritual warfare—the sense that today's events reflect not just political or cultural struggles but a deeper conflict between good and evil. Eps.7 S3 A Conservative TalkFrom there, we widen the lens and tackle the mess of the moment: a grim Texas headline, claims of police stand‑downs, and the way leadership and media shape what we fear and what we ignore. We argue about the government shutdown, funding fights, and how outrage becomes a script. Then we crash straight into culture wars with a spicy take on the Super Bowl halftime debate and the Bad Bunny backlash—who gets the biggest stage, who decides, and why the choice feels bigger than music.Eps.8 S3 Everything Is Bad NewsEd Gein's crimes shaped Psycho, The Texas Chainsaw Massacre, and Silence of the Lambs, and talk about what the series gets right: the psychology, the casting, and the uneasy line between truth and myth.Eps.35 S3Saturday Night FeverA bad day of Uber driving, tips, and not wasting gas • Banking fraud scare, cancelling a card too fast, and getting stuck at Walmart checkout • Claims of political corruption, investigations that go nowhere, and distrust in accountability Eps 37 S3 A Hot Summer Talk, Work and Media ScandalsJoe buys two lottery tickets and if he wins, he will buy a house for Thee Gooch, Sis, Remo and pay for being in the show and partial for the family, and Thee Gooch will built his own houseEps 38 S3 WIFI Technical Difficulties And Media Thee Gooch's having trouble login in the showJoe describing Thee Gooch audio dropping Thee Gooch is getting annoyed with his Wi-Fi Thee Gooch notifies Joe that he wont be on the podcast next weekJoe explains he was tired from work, he ate and drank 3 beers he fell asleep and threw up while he was sleeping and woke up choking and couldn't breathe and was coughing.Thee Gooch explains why are you eating while you go to sleep, there's people that die from that cause.Support our podcastTip us : http://paypal.me/theetalkerspodcasthttps://www.patreon.com/c/theetalkerspodTip us: https://buymeacoffee.com/theetalkers4uTip us : https://cash.app/$TheeTalkers

A headless body hung in a Wisconsin barn, strung up like a deer carcass. That was what police found when the Ed Gein case broke open on the first day of hunting season in 1957, and it was only the beginning of what waited inside his farmhouse. This is the true story of Ed Gein, the quiet, polite handyman from Plainfield, Wisconsin, who became known as the Butcher of Plainfield and inspired some of the most terrifying characters in film history. We trace how a domineering, deeply religious mother named Augusta shaped a lonely boy who never broke free, and how that obsession curdled into something monstrous after her death. You'll hear what really happened to shopkeeper Bernice Warden and tavern owner Mary Hogan, what investigators discovered among the rubbish and rot inside his home, and the detail most people get wrong: Gein only ever confirmed two murders. The rest of his grim collection, he said, came from graves he had robbed. We also untangle how one man's life fed three wildly different films; Psycho, The Texas Chain Saw Massacre and  The Silence of the Lambs, and ask the uncomfortable question of how much sympathy a story like this can hold. A true crime story about isolation, control and the real horror behind Hollywood's nightmares. Topics included The discovery in the barn on the first day of hunting season The murder of Bernice Warden and the antifreeze receipt that gave Gein away Augusta Gein and a childhood built on isolation and religious fear The suspicious death of Ed's brother Henry What police found inside the farmhouse The confirmed victims versus the grave robbing Mary Hogan and the women who resembled his mother The schizophrenia diagnosis and a lifetime in an institution How Gein inspired Norman Bates, Leatherface and Buffalo Bill Whether the story deserves any sympathy at all Resources and Further Reading Ed Gein - Wikipedia Deviant: The Shocking True Story of Ed Gein, the Original ‘Psycho' – by Harold Schechter "Monster, The Ed Gien Story (2025) - Netflix Host & Show InfoHosts: Kyle Risi & Adam CoxIntro Music: Alice in dark WonderlandCommunity & Calls to ActionReview & follow on: Spotify & Apple PodcastsInstagram: @theCompendiumPodcastWebsite: thecompendiumpodcast.comSupport us: Sign up to PatreonShare this episode with a friend! If you enjoyed it, tag us on social media and let us know your favourite takeaway. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

 Movie Meltdown - Episode 662 Join us for an epic Merrye family reunion… of sorts. This episode has been years in the making, as we visit a never before heard interview we did with the legendary Sid Haig! We not only get a blast from the past discussion with Sid about working on "Spider Baby", but we also recently sat down with Beverly Washburn to get her memories of the film as well as her take on the legacy this movie has had on her life and fans around the world. Then after the interviews with the stars of the film we settle in for a lengthy discussion on this horror classic and many of the reasons it not only still holds up today - but was also way ahead of its time.  And while we bust out our cheap, horror VHS tapes, we also mention… Pasadena Playhouse, horrible bastardized version of the nuclear family, having a passion for something, Zacherley, worldwide fanbase, House of 1000 Corpses, the creepy girl "type", self referential horror, Carnival of Souls, buy your alter ego a top hat, Ozzie and Harriet, you regress more until you just become an animal, Dusty Bluffs, upper class deviants, operating on instinct, unconditional love, Beetlejuice, handled in monster kid fashion, The Texas Chain Saw Massacre, these kids today, Pit Stop, independent filmmaking, fighting their demons, going no contact with your family, Scream, the missing link of horror movies, Leave it to Beaver, completely unburdened by psychosis, professional playfulness, Wednesday Addams, cleaning up the sound, psychological warfare at the dinner table, the mummy movies, and it all started at Ralphs grocery.  Spoiler Alert: Full spoilers as we dig into the entirety of "Spider Baby" - so go watch the movie. "You know, I think I'm learning a lot about life… from Spider Baby."

Highway dust, broken promises, and a stolen badge set the stage as The Blind Rage Podcast rips into THE TEXAS CHAINSAW MASSACRE: THE BEGINNING (2006), the prequel that decides subtlety is for other franchises. Set against the final days of the Vietnam draft, a group of young friends heads out on one last carefree trip and instead collides with the Hewitt family at their most feral. When a deranged drifter murders the local sheriff and slips into his uniform like it is just another piece of skin, the road to freedom turns into a sadistic masquerade of authority, brutality, and raw meat. This is Leatherface before the legend calcified, shaped by slaughterhouse scraps and a family that treats torture like a bonding exercise. We dig into the grime, the performances, the outrageous escalation, and how this chapter doubles down on cruelty while trying to carve its own bloody identity.

Devin & James are back in the Den, and it's gonna be a hot one! That's because we are taking a look at SUMMER HORROR MOVIES, in which characters have their summer in the wilderness ruined by maniacs or savage beasts. Largely inspired by any combinations of Deliverance, Texas Chainsaw Massacre, or Jaws, these films filled the theaters for several years, with results being among both the most unique and the most formulaic of the 1970s, 80s, and early 90s.We start with 1976's "Jaws with Claws", GRIZZLY. Then we discuss the underrated RITUALS, starring the great Hal Holbrook. Then we dive into Joe Dante's brilliant PIRANHA. Things get bizarre when we visit the 1979 slasher TOURIST TRAP. Then we take a look at WITHOUT WARNING, about a pre-Predator alien on a hunting trip. We discuss what makes JUST BEFORE DAWN, THE FOREST, and THE PREY interesting among the many Friday the 13th wannabes before we check into the best of those, SLEEPAWAY CAMP. We finish off in 1993 with the video store classic, TICKS, starring Seth Green and Alfonso Ribeiro.So grab a six-pack of Mountain Dew and some frozen Otter Pops, because it's time to cool off with a summer movie marathon!

Get revved up, Junkions, because this new episode has a lot of buzz! Brian and Cargill are joined by David Weiner (director of the In Search of Darkness documentary series) to brutally dissect one of the most foundational and terrifying horror films of all time. Who will survive The Texas Chain Saw Massacre (episode)?And what will be left of them?Support us on Patreon! 

Send us Fan MailThis week we're drafting the best summer horror movies. We define the essential ingredients of summer horror, defend our selections across six themed categories, and assemble three competing twelve-film rosters.Mentioned in the EpisodeMain EpisodeBest Summer Horror Movies Draft - YouTubeRelated Episodes⁠Episode 453: Summerween Starter Pack⁠Episode 401: I Know What You Did Last Summer (2025)⁠Episode 398: I'll Always Know What You Did Last Summer (2006)⁠Episode 390: Honeydew (2020)⁠Episode 386: Hell of a Summer (2025)⁠Episode 342: The Omen (1976 vs. 2006)⁠Episode 337: Uncle Sam (1996)⁠Episode 334: In a Violent Nature (2024)⁠Episode 332: Summer of '84 (2018)⁠Episode 292: Infinity Pool (2023)⁠Episode 280: The Devil's Rejects (2005)⁠Episode 270: Piranha (1978)⁠Episode 261: Evil Dead II (1987)⁠Episode 254: Friday the 13th Part VI: Jason Lives (1986)⁠Episode 244: Barbarian (2022)⁠Episode 241: The Lost Boys (1987)⁠Episode 232: Pearl (2022)⁠Episode 230: Tourist Trap (1979)⁠Episode 227: Bodies Bodies Bodies (2022)⁠Episode 222: Jaws 3-D (1983)⁠Episode 217: Rosemary's Baby (1968)⁠Episode 206: X (2022)⁠Episode 202: Texas Chainsaw Massacre (2022)⁠Episode 176: Fear Street Part Two: 1978 (2021)⁠Episode 169: The Evil Dead (1981 vs. 2013)⁠Episode 163: Rear Window (1954)⁠Episode 144: Wrong Turn (2021)⁠Episode 138: Wrong Turn (2003)⁠Episode 127: Friday the 13th Part III (1982)⁠Episode 104: I Know What You Did Last Summer (1997)⁠Episode 102: Midsommar (2019)Support the showThanks for listening to Hack or Slash! Want more from the show? Join us on Patreon for extended episodes, bonus reviews, B-sides, watchalongs, behind-the-scenes extras, and more ways to help keep the show alive and slashing.Support us on PatreonYou can also hang out with us between episodes in our community spaces. Join the Discord for watch parties, episode discussions, horror recommendations, and general spooky nonsense.Join our DiscordFollow Hack or Slash:WebsiteYouTubeRedditInstagramTikTokHave thoughts on this week's movie? Leave a comment, send us a voicemail, or tag us online. We love hearing your thoughts on the movies we cover.Happy slashing!Music Credits: "Hack or Slash" by Daniel Stapleton

After a divisive week one of Lucas' new theme, “Everyone is Stupid Except for Me”, we ease on back to something a little more… well, just as divisive, but in different ways, as Cody's selection of THE TEXAS CHAINSAW MASSACRE: THE NEXT GENERATION grabs us by our faces. On our way to Texas, we discuss a little sports (I know!), fireworks, drone shows, some fourth of July watches, and much much more. VILLLMMEEERRRRR!!!!   Go to patreon.com/SHUDcast where you can sign up for all kinds of extra goodies!   00:00 - 17:00ish - Intros: Austin's lungs, Football (soccer) & some sports, fireworks & drone shows   17:00ish - 42:00ish -  The other stuff we watched this time!   Austin - For All Mankind, Widow's Bay, Top Gun: Maverick   Cody - Widow's Bay, Masters of the Universe, Jackass: Best and Last, Minions & Monsters, Supergirl, Jennifer's Body   Curtis - The Bear, The Kindred, Return of the Living Dead, Dangerous Animals, National Treasure   Lucas - Spider-Man: Homecoming, Sheep Detectives   42:00ish - 1:14:00ish - The Texas Chainsaw Massacre: The Next Generation - SHUDdown & discussion!   1:14:00ish - End - The next pick in “Everyone's Stupid Except for Me!” brought to you by Curtis!

Who are the greatest female heroes in horror movie history? In this episode, we celebrate the courageous women who faced unimaginable terror and refused to give up. From Marilyn Burns' Sally Hardesty surviving the nightmare of The Texas Chain Saw Massacre, to Olivia Hussey's Jess in Black Christmas, Shelley Duvall's Wendy Torrance fighting for her son's life in The Shining, and Maika Monroe's Jay Height confronting an unstoppable curse in It Follows, these unforgettable characters proved that courage isn't the absence of fear, but the determination to keep going.  We also spotlight Greta Schroder's Ellen in the silent horror masterpiece Nosgeratu, Emily Perkins' Brigitte Fitzgerald from Ginger Snaps, Sigourney Weaver's Ellen Ripley in Alien, Frieda Inescourt's Lady Jane Ainsley in Return of the Vampire, and the legendary Jamie lee Curtis as Laurie Strode in Halloween. Join us as we discuss what makes these women true horror icons, how they changed the genre, and why they continue to inspire audiences decades later. Who is your favorite heroic women in horror? Let us know in the comments! If you enjoy classic horror, movie retrospectives, and discussions celebrating horror's greatest characters, be sure to Like, Subscribe, and hit the notification bell for more!

Kane Hodder has played many of horror's favorite monsters. From his definitive turn under the hockey mask as Jason Voorhees, to cult icon Victor Crowley, and even a cameo as a primary character from The Texas Chain Saw Massacre. In this hilarious and revealing conversation with Misfit Parade's Josh Griffey and Sophia Spiegel at Days of the Dead in Indianapolis, Hodder opens up about getting the rug pulled on him before production on Freddy vs Jason, reprising the character for a video game, what stars like Brad Pitt and Charlize Theron taught him and his upcoming appearance in another beloved serial killer franchise - Dexter. Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod

Andy joins us once again as we talk about Hobbiton LARP in Kentucky, Odyssey Manor, Phenomenomoly, 5 Minute Mystery, board games, Crimson Desert, Mortal Kombat, Umbrellas of Cherbourg, Gojira, Dr. Becky, Exit to Eden, Interview with the Vampire, The Vampire Lestat, Partially Devoured, The Odyssey, Mage Tank 2, Dungeon Crawler Carl, rotoscoping, Elon's Odyssey, Steam Deck sales fall, the non-human internet, Texas Chainsaw Massacre animated, Marvel 2042, Joker: Laugh Riot, and the return of the Cinerama Dome. So, find your moxie, it's time for a GeekShock!

Believe it or not, there was a time when instant access to hundreds of horror movies didn't exist. Scary thought, huh? Before the late 1950s, unless you caught a movie in the theater, you probably weren't going to see it again, especially when it came to the classic monster films like Dracula and Frankenstein. But in October 1957, Universal released 52 of its horror films to television in what became known as the Shock Theater package. To help promote the broadcasts, television stations were encouraged to create "horror hosts" to introduce the films. Simply put, it exploded, and helped give birth to the Monster Kid generation. Then, the following year, Famous Monsters of Filmland magazine debuted, and there was really no turning back. Now you could watch these monsters in the safety of your own home. It was a far cry from today's world, where you can hop on a computer or streaming service and have thousands of horror titles at your fingertips. But this was the beginning of modern horror fandom: getting your weekly fix of classic monsters on television, reading Famous Monsters, building Aurora monster model kits... life was pretty great. In this episode, we discuss the importance of this moment in horror history and why it was such a game changer for horror fans. Films mentioned in this episode: Abbott & Costello Meet Frankenstein (1948), The Addams Family (1964-66), The Black Cat (1934), Blood of Dracula (1957), The Curse of Frankenstein (1957), Dark Shadows (1966-71), Dawn of the Dead (1978), Day of the Dead (1985), Dracula (1931), The Exorcist (1973), Frankenstein (1931), The Gorgon (1964), Invasion of the Body Snatchers (1956), The Invisible Man (1933), I Was a Teenage Frankenstein (1957), I Was a Teenage Werewolf (1957), Jaws (1975), The Jungle Captive (1945), King Kong (1933), The Last Warning (1938), The Mummy (1932), The Munsters (1964-66), The Mystery of Edwin Drood (1935), Night of the Living Dead (1968), Return of Dracula (1958), Rosemary's Baby (1968), Smokey and the Bandit (1977), Son of Kong (1933), The Spy Ring (1938), Star Wars (1977), Texas Chain Saw Massacre (1974), Them (1954), The Wolf Man (1941)

Sunlight blasts through a grimy Texas window as The Blind Rage Podcast squares up with THE TEXAS CHAINSAW MASSACRE (2003), the moment the 2000s decided every dusty nightmare needed a factory reset. The '70s felt dangerous because it looked like it might fall apart on camera. This one feels assembled, tightened, stress tested. The grime is measured. The violence is amplified. The silence between screams feels engineered for surround sound. It is definitely not the last time the aughts would dig up a classic and repackage it with heavier boots and sharper edges. It is the opening bell for a decade that mistook louder for harsher and harsher for better. We talk about remake fatigue before it even had a name, about how a franchise built on raw nerve became a blueprint for the assembly line. THE TEXAS CHAINSAW MASSACRE is less a singular shock and more a signpost pointing toward the wave that followed. Platinum Dunes fingerprints all over the genre. A shift in tone. A shift in texture. A shift that left some of us standing there, arms crossed, wondering when horror stopped feeling unpredictable and started feeling focus tested.

It's a new episode of the Terrible Terror Podcast and have I got one for you this week. We're looking at The Texas Chainsaw Massacre: The Next Generation! What the hell are they trying do with the lore? Is that really the best answer you can give to save your life? What the hell is a prostrate? Find out the answers to all this and more in an all new Terrible Terror Podcast!Terrible Terror:Facebook: https://facebook.com/terriblet...Instagram: https://instagram.com/terrible...Twitter: https://twitter.com/T_T_Podcas...YouTube: https://www.youtube.com/@terribleterrorpodcastTwitch: https://twitch.tv/terribleterr...Suno: https://suno.com/@terribleterrorsDiscord: https://discord.gg/vvKuCVNYCheck out the Terrible Terror Store On TeePublic! The new Corn Tree design is now available:http://tee.pub/lic/e7et5lQSSbwCheck out Dubby and use TerribeTerrors for 10% off your next order: https://www.dubby.gg/

"Well does anyone care about me and my boy?"The Horror Bulls fire up the chainsaw for The Texas Chainsaw Massacre (2003), Marcus Nispel's grimy remake that transformed Leatherface into an unstoppable force of terror. We break down the suffocating atmosphere, R. Lee Ermey's unforgettable performance, and why this remake still stands among the strongest horror reboots of the 2000s.

Emma and Ally are taking a road trip through Texas with absolutely zero plans to stop for strangers, because this week on Spooky Chicks and Horror Flicks, the hosts recap and review The Texas Chainsaw Massacre (2003). The gnarly remake that introduced a new generation to Leatherface and remains one of Emma's all-time favorite horror movies.Starring Jessica Biel and her iconic tank top, the film once again follows a group of friends whose cross-country adventure takes a horrifying detour into the Hewitt family's backyard.Support the showWe Have Merch! - shop.spookychickspod.comWebsite - spookychickspod.comInstagram - instagram.com/spookychickshorrorflicksTiktok - tiktok.com/@spookychickshorrorflicksLetterboxd - letterboxd.com/spookychickspod/ Patreon - patreon.com/SpookyChicksandHorrorFlicks

Send us Fan Mail"My family's always been in meat."

Send us Fan MailTexas, the final frontier.  It's big, bold and a little strange but most of all, don't mess with it.  Well dear listener, that's our new theme for this cycle in a nutshell: "don't mess with Texas".In this episode we will explore some interesting facts and figures about our second largest state,  but mostly we will dig into the phrase "don't mess with Texas"; what it means, where it came from and what it has turned into over time.What better movie to kick things off than what many consider the best horror movie of all time, The Texas Chainsaw Massacre.  Five friends head out to rural Texas to visit the grave of a grandfather. On the way they stumble across what appears to be a deserted house, only to discover something sinister within. Something armed with a chainsaw.  This 1974 classic still has staying power and we dig into why and what it means to us as fans.

Hello and welcome back to another episode of B Bin Horror! On this week's episode we talk about the 1974 (NOT 1978) horror film, The Texas Chain Saw Massacre! Texas Chain Saw Massacre was produced, co-composed, co-wrote and directed by Tobe Hooper and stars Marilyn Burns, Paul A. Partain, Edwin Neal, Jim Siedow and Gunnar Hansen. On this week's episode we discuss the film and the impact it had on horror movies, we mess the date up the entire episode and we compare Leatherface's skull collection to Doug's skull collection. If you like what you hear please follow us on Instagram and Facebook @bbinhorror. You can also send us emails at bbinhorror@gmail.com and please don't forget to subscribe to B Bin Horror on whatever podcast platform you listen on!*B Bin Horror theme music - "Uprising" by Karl Casey @ White Bat Audio*

A radio station booth rattles with feedback and The Blind Rage Podcast cranks up THE TEXAS CHAINSAW MASSACRE, PART 2 (1986), where the '70s grit mutates into '80s carnival insanity. Fluorescent lights buzz, chili steam curls into the air, and suddenly Leatherface is revving a chainsaw like it's a love language. The grime is louder, the colors hotter, and Tobe Hooper turns the volume knob until it snaps clean off. Dennis Hopper storms through the chaos with wild eyed determination and a pair of chainsaws that look like they were purchased during a hardware store exorcism. Bill Moseley's Chop Top chatters and scrapes at his metal plate with that coat hanger, a sound so specific it practically scratches your own scalp. Meanwhile, Caroline Williams plants herself in the madness and refuses to blink. THE TEXAS CHAINSAW MASSACRE, PART 2 doesn't creep under the skin. It cannonballs straight into the bloodstream wearing neon and motor oil.

Send us Fan MailThis week we're building a Summerween starter pack. We define what makes a Summerween movie, recommend sweaty seasonal essentials across camps, beaches, and back roads, and map out ways to celebrate beyond the watchlist.Mentioned in the EpisodeMain EpisodeGravity Falls: “Summerween”Spirit Halloween SummerweenSummerween 2026: Alternate picks if you missed out on Spirit Halloween's “Terrifier” dropSummerween Home Décor | Official LEGO® ShopOld (2021)Super 8 (2011)Addams Family Values (1993)Lake Placid (1999)Dangerous Animals (2025)Jaws (1975)The Deep House (2021)Leviathan (1989)47 Meters Down (2017)Ghost Shark (2013)Jeepers Creepers (2001)Robert the DollAre You Afraid of the Dark?St. Augustine Lighthouse Dark of the Moon Ghost TourRelated Episodes020: The Texas Chain Saw Massacre (1974)104: I Know What You Did Last Summer (1997)112: The Hills Have Eyes (1977 vs 2006)169: The Evil Dead (1981 vs 2013)176: Fear Street Part Two: 1978 (2021)152: The Texas Chainsaw Massacre 2 (1986)202: Texas Chainsaw Massacre (2022)230: Tourist Trap (1979)241: The Lost Boys (1987)261: Evil Dead 2 (1987)268: Evil Dead Rise (2023)280: The Devil's Rejects (2005)341: I Still Know What You Did Last Summer (1998)398: I'll Always Know What You Did Last Summer (2006)332: Summer of 84 (2018)334: In a Violent Nature (2024)386: Hell of a Summer (2025)270: Piranha (1978)390: Honeydew (2020)138: Wrong Turn (2003)090: The Last House on the Left (1972 vs 2009)102: Midsommar (2019)292: Infinity Pool (2023)258: Knock at the Cabin (2023)217: Rosemary's Baby (1968)362: From Dusk Till Dawn (1996)⁠342: The Omen (1976 vs 2006)Support the showThanks for listening to Hack or Slash! Want more from the show? Join us on Patreon for extended episodes, bonus reviews, B-sides, watchalongs, behind-the-scenes extras, and more ways to help keep the show alive and slashing.Support us on PatreonYou can also hang out with us between episodes in our community spaces. Join the Discord for watch parties, episode discussions, horror recommendations, and general spooky nonsense.Join our DiscordFollow Hack or Slash:WebsiteYouTubeRedditInstagramTikTokHave thoughts on this week's movie? Leave a comment, send us a voicemail, or tag us online. We love hearing your thoughts on the movies we cover.Happy slashing!Music Credits: "Hack or Slash" by Daniel Stapleton

This week, the CREEP-O-RAMA crew trades ghost stories for story structure as we pull up a chair with Jeff Barker for an incredibly fun deep dive into horror filmmaking, screenwriting, and why the best stories are built on unforgettable characters – not just monsters.  Jeff shares some behind-the-scenes stories about his son,filmmaker Curry Barker, whose film Obsession has dominated the box office and offers some insight into why authentic storytelling will always outlive Hollywood trends. The conversation also touches on Curry's upcoming projects, including Anything but Ghosts and the upcoming The Texas Chainsaw Massacre, while celebrating the passion, persistence, and occasional creative chaos that comes with independent filmmaking. Of course, this is CREEP-O-RAMA, so staying on topic lastsapproximately six minutes. One minute we're talking about screenplay structure, and thenext we're passionately dissecting what makes horror characters unforgettable, why the best monsters are usually human, and delivering some necessary dad-wisdom about secretly believing our first draft is somehow also our final draft is just us procrastinating.  We gotta face the truth at some point. (Talking to myself here.) Jeff's background in psychology opens the door to discussing why some of the best horror stories aren't built around just jump scares, but believable people making impossible decisions -- especially spectacularly terrible ones. By the end of the episode, we've solved exactly all ofHollywood's problems, accidentally convinced ourselves we all need to rewrite everything we've ever created, and somehow turned a filmmaking interview into the cinematic equivalent of four friends getting kicked out of a coffee shop because they wouldn't stop talking about just how intense that head-smash scene was.  Just make sure to credit Jeff when you suddenly decide your script needs “one tiny rewrite” and emerge six months later with an entirely different movie. CREEP-O-RAMA is: Store: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CREEP-O-RAMA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@creep-o-rama⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Josh: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@joshblevesque⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Artwork: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@bargainbinblasphemy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theme: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@imfigure⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Audio: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@stranjlove

This week, EJ and Rory are looking to build brand new headquarters for the pod! As luck would have it, a group of horribly annoying influencers has purchased a small town in Texas and are offering up an elderly woman's home for a low low price! Sure she still lives there, but that's what throwing her in the dust and stealing her house is for! Anywho, I guess Leatherface has some kind of stupid attachment to the old timer and is now on a killing rampage, cutting up influencers like it's going out of style. Supporting their grizzly demise, the gang hides out and discusses the 2022 Netflix misfire “TEXAS CHAINSAW MASSACRE” with Shane and Leo Purdy until Mr. Face quenches his sweet sweet bloodlust!

Holy head cheese! This week we're going back to 1974 and watching the original slasher classic THE TEXAS CHAINSAW MASSACRE. Next time we'll be watching SAVAGELAND (2005).Stay spoopy ya'll!Timestamps:00:00:26 Intro00:03:16 Start of Episode00:06:51 Tobe Hooper and the Texas Heat00:10:23 Everybody Hates Franklin00:12:48 Onset Mishaps and Money Mismanagement00:22:05 The Sequels00:28:18 Remakes and Re-don'ts (Small SPOILERS)00:38:21 Extended Cut Version00:42:29 Establishing the Slasher Genre and Its Legacy00:55:06 Run-Down00:56:19 SPOILERS01:27:58 Ratings01:35:20 Next Time: SAVAGELAND (Screambox and Tubi)01:43:37 GoodbyesThe Grindhouse Girls Podcast is created by Katie Dale and Brit Ray. This week's episode is edited by Katie Dale.Part of the Redacted Entertainment Network.Royalty free music used: Ready Set Go and Outro White SmokeCopyright 2020 Grindhouse Girls PodcastThis podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy

The Toolbox Murders (1978) and Toolbox Murders (2004) In this Twice Told Tales episode, we examine a film and its "remake," though few pairs could be more different. Some would argue that the 2004 film is a remake in name only. Even so, in addition to the name, the two share enough connections, both on screen and behind the scenes, to make for an interesting comparison. On one side is an unflinching exploitation film; on the other, a more modern story infused with supernatural elements—or is it? Both films are unmistakably products of their respective eras, reflecting the cultural anxieties, filmmaking styles, and audience expectations of their time. What they choose to show us, and what they feel compelled to say, reveals as much about the decades that produced them as the stories themselves. The most obvious connection between the two is their inventive use of tools as murder weapons. Whether those kills are clever, outrageous, or simply exploitative is for you to decide. The same goes for whether the 2004 film deserves to be called a true remake or is merely a title borrowed for recognition. But if both films succeed on their own terms as entertaining horror, perhaps that distinction matters less than we think. Films mentioned in this episode: The Blob (1958), Curse of Frankenstein (1957), Five Nights at Freddys (2023), The Fly (1958), The Fly (1986), Frankenstein (1931), Frankenstein (2025), Freddy vs Jason (2003), Friday the 13th (1980), The Funhouse (1981), Goodnight Mommy (2014), Goodnight Mommy (2020), The Grudge (2004), Halloween Kills (2021), Hostel (2005), Inside (2007), Ju-on: The Grudge (2002), Let Me In (2010), Let the Right One In (2008), Maniac (1980), Mother of Tears (2007), Mrs. 45 (1981), Nosferatu (1922), Nosferatu (1979), Poltergeist (1982), Psycho (1960), Psycho (1998), Quarantine (2008), [REC] (2007), The Ring (2002), Ringu (1998), The Thing (1982), The Thing from Another World (1951), Texas Chain Saw Massacre (1974), The Texas Chainsaw Massacre (2004), The Toolbox Murders (1978), Toolbox Murders (2004), Toolbox Murders 2: Coffin Baby (2013)

A rusted meat hook sways in the dark as The Blind Rage Podcast fires up THE TEXAS CHAINSAW MASSACRE (1974) and inhales the gasoline and bone dust of 70s horror. Shot on blistering Texas afternoons with sweat soaking through every frame, this film feels less like a movie and more like found evidence. The camera jitters, the air looks thick enough to chew, and somewhere in that farmhouse the generator hum turns into a lullaby you never wanted. Gunnar Hansen's towering Leatherface lumbers through doorways like a startled bull in an apron, while Marilyn Burns delivers a performance so raw it practically scrapes the inside of your skull. Even the dinner table seems alive, rattling with metallic clatter and heatstroke hysteria. THE TEXAS CHAINSAW MASSACRE does not beg for attention. It grips your collar with greasy fingers and drags you across sun baked gravel.

Summer is officially here and as we prepare for our annual Summer Slasher Season, we thought we'd kick things off with some Must See Horror debates. We're revving up the gore for this selection of Must See Horrors, and as we've already covered the iconic 1974 original, we thought we'd take a look at the slasher remake that kickstarted the whole early to late 2010s slasher remake craze. Featuring Jessical Biel in a white vest and a cowboy hat, and a phenomenal performance by the late, great R. Lee Emery, 2003s Texas Chainsaw Massacre looks at modernising the original without treading the same old ground. There's more gore, more grime and plenty of blood good times. But how does it stack up to the original? Find out as we discuss the Texas Chainsaw Massacre (2003 Remember to hit that subscribe button and leave us a lovely review. There're new episodes every week, and we cover horror movies from new releases with spoiler filled and spoiler free reviews, to old classics and B movie gems.  You can find us on twitter and instagram @cmthpodcast or check out our website at https://castmetohell.podbean.com Theme by Dan Motti   

Join the squad as they start Classic/Influential Month with one of the most amazing scary movies starring Leatherface.   Email us at AllentownPresents@gmail.com

Welcome back to The Rotten Horror Picture Show Podcast! Things are a little different this week, as Amanda is out of town, leaving Clay to hold down the fort all by himself. But don't worry—he's not completely alone. Joining him are two longtime friends of the show, Grim Santo, proprietor of the horror-themed bakery Grim Delights, and Listener Kyle, who will no doubt remind everyone that he is the "co-creator" of The Rotten Horror Picture Show—a claim that is enthusiastic, persistent, and, as always, entirely non-legally binding. Together, the trio square off in a heated game of Horror Movie Trivial Pursuit, testing their knowledge of slashers, monsters, sequels, and obscure genre minutiae in an episode that's equal parts competition and chaos.Now, I have to admit something: I've never understood the appeal of trivia games. Everybody gets so excited to answer questions they either already know or don't know. Where's the suspense? Where's the giant wheel? Personally, I've always been a Wheel of Fortune person. Spin the wheel! Buy a vowel! Hope you don't land on Bankrupt! That's entertainment. On Jeopardy! they're all standing there pretending it's perfectly normal to answer every question with another question. If I went to the grocery store and the cashier said, "That'll be $42.17," and I replied, "What is forty-two dollars and seventeen cents?" they'd ask me to leave.So while Clay, Grim, and Kyle are battling over horror trivia, I'm over here wondering why nobody's trying to solve "R _ B E R T E N G L U N D" for a new dining room set. Grim can sweeten the competition with haunted pastries from Grim Delights, Kyle can continue campaigning for official co-creator status, and Clay can try to keep the whole thing on the rails.Me? I'll be at home hoping someone wins a lovely trip to Aruba... preferably without having to answer who directed The Texas Chain Saw Massacre first.Be sure to check out Grim's dark delights over at https://www.grimdelights.shop/And follow Clay and Amanda down the rocky road of horror sequels at patreon.com/thepenskyfile

This week, we tip our hat to the 250th Anniversary of the USA by reviewing an American classic, The Texas Chain Saw Massacre. Also in this episode, Steve reviews one of the most controversial films of all time in the What Watched segment, Todd reminds listeners of the dangers of doing your own fireworks display and the guys divide deep into what makes The Texas Chain Saw Massacre such a beloved film. All that and more! Music provided by www.purple-planet.com

Everyone's invited to enjoy “Rock Show,” the new fresh fun anthem from RFK Media artist Robby Vegas.“Rock Show” explodes on all digital/streaming platforms on April 10, in conjunction with Robby's appearances on the 2026 Monsters Of Rock Cruise April 12-17. The CD single will be available on the cruise, and Robby's looking forward to autographing your copy on board (performances are in The Social Night Club on Deck 6 – check the MORC schedule and support this exciting new artist).Other big 2026 shows include a VIP side stage gig in Darien, NY, right before the Triumph/April Wine concert. Find his full schedule and more at https://robbyvegas.com/Robby Vegas lives at the crossroads of rock 'n' roll and professional wrestling — a larger-than-life performer who brings the same energy to the stage, the ring, and the mic.Robby has opened for cult favorites like Bang Tango and Wednesday 13, and has played VIP side stage shows for icons ranging from Kiss, Def Leppard, Motley Crüe, Judas Priest, and Deep Purple to Linkin Park, Goo Goo Dolls, Kings of Leon, Paramore, and Avril Lavigne. His relentless drive has put him alongside legends across generations, proving he belongs in the mix with the best.Robby broke into pro wrestling at 23 and quickly made his mark, capturing multiple Tag Team and Heavyweight titles. He's wrestled legends including the Powers of Pain, Fandango, and Super Crazy, and has teamed with ECW original Tommy Dreamer and WWE Legend Headbanger Thrasher. His work has taken him across the U.S. and Canada, with appearances on WWE's Monday Night Raw and Friday Night SmackDown. Beyond competing, Robby also trains the next generation of wrestlers at the Buffalo Wrestling Academy, passing on his knowledge and experience to future stars of the ring.Beyond the stage and the ring, Robby is the voice behind the growing podcast “All Bets Are Off with Robby Vegas” where he's interviewed rock giants like Dee Snider, Bruce Kulick, and members of LA Guns and Vixen, along with actors from Friday the 13th, Texas Chainsaw Massacre, Sleepaway Camp, and even The Fresh Prince of Bel-Air. His interview with Karyn Parsons was spotlighted by People Magazine. Robby has also stepped into film with cameos in indie projects like Slapped Straight, Special Needs Revolt, and the Dan Licata comedy special "For the Boys".Whether tearing up a stage, battling in the ring, or digging into conversations behind the mic, Robby Vegas delivers chaos, charisma, and pure rock 'n' roll attitude.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

A horror movie based on a true story is a gimmick in film that has has existed for many decades but one of the most legendary of being based possibly just by name itself of a true occurrence is this months film. Introducing the world to a skin masked horror icon this dingy rough film fall into the category of teens knocking on a door (multiple times in fact) that they should not be. So grab some questionable Barbecue and listen as we discuss the original... Texas Chainsaw MassacreFollow Us!Instagram: @undercastcompanyBluesky: @undercastcompanyX: @undercastcoFacebook: Undercast Company @undercastcompanyEmail us at undercastcompany@gmail.comTheme music by Will Van De

This week on Sidetracks, we cover the recent theatrical releases BACKROOMS and DISCLOSURE DAY along with some of Netflix's most scandalous documentaries. Plus, we look at WIDOW'S BAY's comedic-horror brilliance and the romantic mini-series THE OTHER BENNET SISTER.Next time we'll be watching the original THE TEXAS CHAINSAW MASSACRE.Stay spoopy ya'll!Timestamps:00:00:27 Intro00:00:50 THE OTHER BENNET SISTER (BritBox/Prime)00:06:34 Casting Real People (TW: Body Talk)00:19:09 DISCLOSURE DAY (In Theatres)00:31:30 BACKROOMS (In Theatres) (SPOILERS)00:38:40 KEEPER (Hulu)00:46:28 SHELBY OAKS (Hulu)/STRANGE HARVEST (Hulu)00:48:49 WHISTLE (SHUDDER/AMC+)00:49:50 MATERNAL INSTINCTS (Netflix) (SPOILERS)00:53:35 SHOULD I MARRY A MURDERER? (Netflix) (SPOILERS)00:59:42 PILLION (HBO Max)01:07:03 WIDOW'S BAY, Season 1, Ep 1-9 (APPLE TV+) (SPOILERS)01:22:20 HOTD Season 3 Predictions (HBO Max)01:26:08 World Cup and Knicks In Five (AKA Sports Talk?)01:36:56 Forensics Talk01:50: 26 Next Time and Goodbyes - THE TEXAS CHAINSAW MASSACRE (AMC+/Tubi/Prime)The Grindhouse Girls Podcast is created by Katie Dale and Brit Ray. This week's episode is edited by Katie Dale.Part of the Redacted Entertainment Network.Royalty free music used: Ready Set Go and Outro White SmokeCopyright 2020 Grindhouse Girls PodcastThis podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy

Keeping the Horrorhound interviews rolling, tonight we are joined by the big winner at Horrorhound Filmfest of 5 awards including Best Feature for the movie "Jump Scare," writer and director Donnie Robbie. Shot very grindhouse, guerilla style, this Texas Chainsaw Massacre inspired film is about a metal band that encounters a crazy cannibal family. We discussed the process of making the film, the inspiration, our love of the horror genre and everything Eric Roberts. Big thanks to Donnie for tonight and follow Jump Scare on Instagram for all the updates.    'Salem's Secret' by Peter Gundry   Merchandise: https://dfwtopodcast.creator-spring.com/   Sponsored by:   Dietsmoke.com - use promo code DFWTO for 50% off your purchase Nourish - usenourish.com #NourishAffiliate Betterhelp: Visit betterhelp.com/dfwto to get 10% off when you sign up for your first month.

100 massacres and episodes later and we're still at it! Pour yourself a fancy Ranch Water and listen along as we rewatch our very first Spooky Sips' pick, The Texas Chainsaw Massacre. We're reminiscing our early days and our very first episode, plus our in-house Not-so-Dr. Laura is giving TCM the psych segment it deserves. We decided to take our dream analysis skills and apply them to the fans and their (wild) dreams! Hear Laura pick apart the meanings and give some sage advice on what to do if your dream is recurring. And for our final 100th surprise, listen along to our special guest star cameo, Edwin Neal and his buddy, Little Hitch. (If the name is familiar, yes, it really is the actor that played the hitchhiker in the OG TCM!!!).A special thanks to all our listeners for your continued love and support. We literally would not be here without you

For years Chris and Daniel have been saying the corner was going to turn, that history would repeat itself the way it did in the 1970s. It turned. Jason Blum said the same thing last week. Two horror films made by twenty-something YouTubers just proved everything the studio system has been getting wrong, and the box office numbers are not being polite about it. Obsession cost under a million dollars. Backrooms cost ten million. Both are outperforming movies that cost a hundred times more. Chris and Daniel break down both films as filmmakers. They get into what Obsession borrows from Takashi Miike's Audition and why that works, how Backrooms uses the architecture of infinite scroll and TikTok as genuine psychological horror, why sound design and shadows are a more effective budget tool than any AI pipeline, what the economics of AMC A-list are doing to studio revenue models, and why the wrong lesson from all of this is to go hire these directors to make a Texas Chainsaw Massacre sequel. Referenced in this episode: Obsession (2025) Backrooms (2026) Audition (1999, dir. Takashi Miike) Avatar 3 (2025) The Odyssey (Christopher Nolan) (2026) Mandalorian and Grogu (2026) AMC A-list > A24 > Blumhouse > This episode is sponsored by: Center Grid Virtual Studio Kitbash 3D (Use promocode "CGGarage" for 10% off)

Just 60 seconds. One phone call to your past self. What do you say? Doug's answer is immediate and unapologetic: buy Bitcoin. Justin agrees — and then they both go deeper than expected, landing on advice that's somehow funnier and more meaningful than any financial tip: walk more, stop shaving everything off, brace for the subscription apocalypse, and enjoy social media while you still can because it is about to get a lot worse. The conversation spirals into a genuine reflection on June 2016 — what life looked like before the darkest timeline arrived, before every business demanded an app download, and before two-factor authentication became a personality trait. Plus: Doug makes a passionate, sincere case for mobile ordering as the single greatest innovation of the last decade. He's not wrong. Then things get messier. Doug ripped a significant fart at grocery store self-checkout and had a moment of clarity about it. He also sat Natalie down to explain something important about her school's girl squad — specifically that every single one of them takes painful shits, and they are not better than her. Justin tells the story of Benny and the Birds — a harrowing account of his dog chasing a fledgling robin while an increasingly large coalition of robins, finches, a starling, and a squirrel formed a perimeter and launched a coordinated aerial assault. They have maintained that perimeter for four days. Justin cannot use his own backyard. Doug responds with his own bird story: Bruno has now claimed his third life, this time on a Michigan rental property, approximately 30 seconds after Doug told Natalie that nature is brutal and you simply have to accept it. Then: Doug takes Justin to Korean BBQ and hot pot for the first time. Justin immediately eats a large slice of raw pork belly with complete confidence. It tastes great. They use every second of their 90-minute window and already have a game plan for the next visit. Some food poisoning anxiety. No actual regrets. The movie audio clip guessing game returns. Justin picks three of seven clips and must identify the film from the quote alone. This round covers Aliens ("They mostly come at night. Mostly."), Donnie Brasco, and Lucky Number Slevin — and the one-legged man line lands exactly as hard as Doug hoped it would. This week's recommendations: Justin — Obsession (2025). Corey Barker made this horror film for $750K. It has since grossed over $250 million. A unique concept, edge-of-your-seat tension, and the kind of filmmaking that gets a 26-year-old handed the Texas Chainsaw Massacre reboot without blinking. Go support it.   Doug — The Wire (HBO). Five seasons. Rewatched it. Still one of the best shows ever made. Young Idris Elba, young Michael B. Jordan, and the most honest portrait of policing, crime, and politics ever put on television. A commitment worth making.   Subscribe: youtube.com/mindgappodcast  Join the Discord: https://discord.gg/T3HwyEw5v7  Listen everywhere you get podcasts  Support us on Patreon: https://www.patreon.com/mindgappodcast Merch on Redbubble: https://www.redbubble.com/shop/ap/67768184  

Sometimes a movie comes along that refuses to sit neatly in any one box, and COBWEB (2023) is exactly that kid at the genre lunch table — the one stirring their mashed potatoes while whispering, “I'm totally a horror film… probably.” Is it supernatural? Is it psychological? Is it just your imagination tapping politely on the wall at 3 a.m.? No one seems to know, and your co‑hosts certainly don't pretend to. They're just along for the ride, clutching their popcorn and questioning their life choices.Rotten Tomatoes offers a synopsis that is equal parts spooky and “should we call someone?”: eight‑year‑old Peter keeps hearing a mysterious tap, tap from inside his bedroom wall, which his parents insist is nothing but his imagination. Naturally, as Peter's fear grows, he begins to suspect that Mom and Dad — played by Lizzy Caplan and Antony Starr — might be hiding a terrible secret. And honestly, for a child, what's more terrifying than realizing your parents might be the real monsters? Forget ghosts; try explaining that at show‑and‑tell.Directed by Samuel Bodin and written by Chris Thomas Devlin (yes, the same mind behind Texas Chainsaw Massacre 2022), the film stars Lizzy Caplan, Cleopatra Coleman, Antony Starr, and young Woody Norman. Critics were split, audiences were slightly kinder, and the box office… well, the box office politely declined, with the movie earning under $8M on a $10M budget. But financial success isn't everything — sometimes a film is just weird enough, creepy enough, and ambiguous enough to earn a cult following. Your co‑hosts dive into this odd little cinematic riddle and share their thoughts, tapping gently on the walls of the plot to see what answers fall out.

OBSESSION has rewritten the Hollywood rulebook and one man is responsible for that -- director Curry Barker, all of 26 years old. Since his under million dollar horror feature debuted last month, the film and Barker's reputation have grown week by week. Josh catches up with Curry in the middle of this amazing run to find out what it's like to have THE film everyone is talking about, getting shouted by Steven Spielberg, getting offered projects like TEXAS CHAINSAW MASSACRE, and maintaining artistic integrity even as offers come flooding in. #happysadconfused #joshhorowitz #obsession #currybarker NOTE: This conversation contains OBSESSION spoilers! SUPPORT THE SHOW BY SUPPORTING OUR SPONSORS! Rula -- Rula patients typically pay $15 per session when using insurance. Connect with quality therapists and mental health experts who specialize in you at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.rula.com/happy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #rulapod Quince -- Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Quince.com/HAPPYSAD ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for free shipping and 365-day returns. Limited Time Offer–Get Huel today with my exclusive offer of 15% OFF online with my code happy15 at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://huel.com/happy15.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ New Customers Only. Thank you to Huel for partnering and supporting our show! UPCOMING EVENTS! 6/16 -- Matt Smith in NY -- ⁠⁠⁠⁠⁠⁠⁠⁠⁠Tickets here⁠⁠⁠⁠ 6/22 -- Millie Bobby Brown -- ⁠⁠⁠Tickets here⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Long before serial killers became podcast and true crime doc celebrities in the US, there was Joe Ball: a bootlegger, bar owner, womanizer, and suspected murderer who kept a pit full of hungry alligators behind his Texas tavern. In the late 1930s, as women connected to Ball began disappearing one after another, rumors spread that "The Alligator Man" wasn't just feeding stray animals to his reptiles—he might have been feeding them people... For Merch and everything else Bad Magic related, head to: https://www.badmagicproductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It's fun questions for Pride Month! This episode's topic: LGBTQ+ ICONS THIS MONTH TRIVIA WITH BUDDS IS BROUGHT TO YOU BY ZERO SLOPE EVENTS! For the ultimate events-hosting company, look no further than www.ZeroSlopeEvents.com  Fact of the Day: The phrase "Dumpster Fire" was popularized by a review of the 2003 remake of The Texas Chainsaw Massacre. Triple Connections: Fox, Screen, Spoon THE FIRST TRIVIA QUESTION STARTS AT 01:47 SUPPORT THE SHOW MONTHLY, LISTEN AD-FREE FOR JUST $3 A MONTH: www.Patreon.com/TriviaWithBudds INSTANT DOWNLOAD DIGITAL TRIVIA GAMES ON ETSY, GRAB ONE NOW! GET A CUSTOM EPISODE FOR YOUR LOVED ONES: Email ryanbudds@gmail.com Theme song by www.soundcloud.com/Frawsty Bed Music: "Laser Groove" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ http://TriviaWithBudds.comhttp://Facebook.com/TriviaWithBudds http://Instagram.com/ryanbudds Book a party, corporate event, or fundraiser anytime by emailing ryanbudds@gmail.com or use the contact form here: https://www.triviawithbudds.com/contact SPECIAL THANKS TO ALL MY AMAZING PATREON SUBSCRIBERS, INCLUDING: Samantha Wheeler Boomer Cates Mark Kloppenburg Cadi Snow-Brine Amber Shiels Alan Kreisel Rich Sommer Joe Heiman Waqas Ali Logan Booker Bringeka Sam Nathan Stenstrom Brooks Martin Robyn Price Gee Brian Clough Charles Glanville IV Lauren Schuette Evan Lemons AnneMarie Mattacchione Yves Bouyssounouse Kenny Zail York yates Gay Geek Fabulous Mollie Dominic Nathalie Avelar Natasha raina leslie gerhardt Diane White Youngblood Trophy Husband Trivia Lynnette Keel Lillian Campbell Jerry Loven Jamie Greig Gail Lancman Jeremy Yoder Adam Jacoby rondell Adam Suzan Tiffany Poplin Bill Bavar Sarah Daniel Hoisington Keith Martin Sue First Steve Hoeker Jessica Allen Lauren Glassman Brian Williams Brett Livaudais Linda Elswick Carter A. Fourqurean Justly Maya Brandon Lavin Kathy McHale Chuck Nealen Courtney French Nikki Long Mark Zarate Laura Palmer  JT Dean Bratton Kristy Erin Burgess Trenton Sullivan Jen and Nic Michael Redman Timothy Heavner Jeff Foust Richard Lefdal Myles Bagby Jenna Leatherman Vernon Heagy Albert Thomas Kimberly Brown Tracy Oldaker Sara Zimmerman Madeleine Garvey Jenni Yetter Patrick Leahy Dillon Enderby James Brown Christy Shipley Clayton Polizzi Alexander Calder Ricky Carney Paul McLaughlin Willy Powell Robert Casey Matthew Frost Brian Salyer Greg Bristow Megan Donnelly Jim Fields Mo Martinez Luke Mckay Simon Time Feana Nevel Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.