Podcasts about Langston Hughes

In this special episode of Unstoppable Mindset, I had the privilege of sitting down with the remarkable Ivan Cury—a man whose career has taken him from the golden days of radio to groundbreaking television and, ultimately, the classroom.   Ivan began acting at just four and a half years old, with a chance encounter at a movie theater igniting a lifelong passion for storytelling. By age eleven, he had already starred in a radio adaptation of Jack and the Beanstalk and went on to perform in classic programs like Let's Pretend and FBI in Peace and War. His talent for voices and dialects made him a favorite on the air.   Television brought new opportunities. Ivan started out as a makeup artist before climbing the ranks to director, working on culturally significant programs like Soul and Woman, and directing Men's Wearhouse commercials for nearly three decades. Ivan also made his mark in academia, teaching at Hunter College, Cal State LA, and UCLA. He's written textbooks and is now working on a book of short stories and reflections from his extraordinary life.   Our conversation touched on the importance of detail, adaptability, and collaboration—even with those we might not agree with. Ivan also shared his view that while hard work is crucial, luck plays a bigger role than most of us admit.   This episode is packed with insights, humor, and wisdom from a man who has lived a rich and varied life in media and education. Ivan's stories—whether about James Dean or old-time radio—are unforgettable.     About the Guest:   Ivan Cury began acting on Let's Pretend at the age of 11. Soon he was appearing on Cavalcade of America, Theatre Guild on the Air,  The Jack Benny Program, and many others.  Best known as Portia's son on Portia Faces Life and Bobby on Bobby Benson and The B-Bar-B Riders.    BFA: Carnegie Tech, MFA:Boston University.   Producer-director at NET & CBS.  Camera Three's 25th Anniversary of the Julliard String Quartet, The Harkness Ballet, Actor's Choice and Soul! as well as_, _The Doctors and The Young and the Restless. Numerous television commercials, notably for The Men's Wearhouse.   Taught at Hunter, Adelphi, and UCLA.  Tenured at Cal State University, Los Angeles.  Author of two books on Television Production, one of which is in its 5th edition.    Ways to connect with Ivan:       About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:16 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi everyone, and welcome to another episode of unstoppable mindset where inclusion, diversity and the unexpected meet. And the fun thing is, most everything really deals with the unexpected. That is anything that doesn't have anything to do with diversity or inclusion. And our guest today, Ivan Cury, is certainly a person who's got lots of unexpected things, I am sure, and not a lot necessarily, dealing with the whole issue of disabilities, inclusion and diversity, necessarily, but we'll see. I want to tell you a little bit about Ivan, not a lot, because I want him to tell but as many of you know who listen to unstoppable mindset on a regular basis. I collect and have had as a hobby for many years old radio shows. And did a radio program for seven years, almost at UC Irvine when I was there on kuci, where every Sunday night we played old radio shows. And as it turns out, Ivan was in a number of those shows, such as, let's pretend, which is mostly a children's show. But I got to tell you, some of us adults listened and listened to it as well, as well as other programs. And we'll get into talking about some of those things. Ivan has a really great career. He's done a variety of different things, in acting. He's been in television commercials and and he is taught. He's done a lot of things that I think will be fun to talk about. So we'll get right to it. Ivan, I want to thank you for being here and welcome you to unstoppable mindset. Thanks. Thanks. Good to be here. Well, tell us a little bit about kind of the early Ivan growing up, if you will. Let's start with that. It's always good to start at the beginning, as it were,   Ivan Cury ** 03:04 well, it's sorry, it's a great, yes, it's a good place to start. About the time I was four and a half, that's a good time to start. I walked past the RKO 81st, street theater in New York, which is where we lived, and there was a princess in a in a castle kept in the front of this wonderful building that photographs all over the place. Later on, I was to realize that that Princess was really the cashier, but at the time, it was a princess in a small castle, and I loved the building and everything was in it. And thought at that time, that's what I'm going to do when I grow up. And the only thing that's kind of sad is it's Here I am, and I'm still liking that same thing all these years later, that's that's what I liked. And I do one thing or another, I wound up entertaining whenever there was a chance, which really meant just either singing a song or shaking myself around and pretending it was a dance or thinking it was a dance. And finally, wound up meeting someone who suggested I do a general audition at CBS long ago, when you could do those kinds of things I did and they I started reading when I was very young, because I really, because I want to read comics, you know, no big thing about that. And so when I could finally read comics, I wound up being able to read and doing it well. And did a general audition of CBS. They liked me. I had a different kind of voice from the other kids that were around at the time. And and so I began working and the most in my career, this was once, once you once they found a kid who had a different voice than the others, then you could always be the kid brother or the other brother. But it was clear that I wasn't a kid with a voice. I was the kid with the Butch boy. So who? Was who, and so I began to work. And I worked a lot in radio, and did lots and lots of shows, hundreds, 1000s,   Michael Hingson ** 05:07 you mentioned the comics. I remember when we moved to California, I was five, and I was tuning across the dial one Sunday morning and found KFI, which is, of course, a state a longtime station out here was a clear channel station. It was one of the few that was the only channel or only station on that frequency, and on Sunday morning, I was tuning across and I heard what sounded like somebody reading comics. But they weren't just reading the comics. They were dramatized. And it turns out it was a guy named David Starling who did other shows and when. So I got his name. But on that show, he was the funny paper man, and they read the LA Times comics, and every week they acted them out. So I was a devoted fan for many years, because I got to hear all of the comics from the times. And we actually subscribed to a different newspaper, so I got two sets of comics my brother or father read me the others. But it was fun reading and listening to the comics. And as I said, they dramatize them all, which was really cool.   Ivan Cury ** 06:14 Yeah, no doubt I was one day when I was in the studio, I was doing FBI and peace and war. I used to do that all the time, several it was a sponsored show. So it meant, I think you got $36 as opposed to $24 which was okay in those days. And my line was, gee, Dad, where's the lava soap. And I said that every week, gee, Dad, where's the lava soap. And I remember walking in the studio once and hearing the guy saying, Ah, this television ain't never gonna work. You can't use your imagination. And, yeah,   Michael Hingson ** 06:52 well, except you really don't use your imagination near especially now I find that everything is way too spelled out, so you don't get to use your imagination.   Ivan Cury ** 07:03 Radio required you to use your radio required you to use it. Yeah, and, and if you had a crayon book at the time, well, and you were 12 or No, no, much younger than that, then it was and that was what you did, and it was fun.   Michael Hingson ** 07:17 So what was the first radio program that you were   Ivan Cury ** 07:20 it was very peculiar, is it New Year's Eve, 19 four? No, I don't know. I'm not sure. Now, it was 47 or 48 I think it was 48 Yeah, I was 11, and it was New Year's Eve, and it was with Hank Severn, Ted Cott, and I did a Jack and the Beanstalk. It was recording for caravan records. It became the number one kids record. You know, I didn't, there was no he didn't get residuals or anything like that. And the next day I did, let's pretend. And then I didn't work for three months. And I think I cried myself to sleep every night after that, because I absolutely loved it. And, you know, there was nothing my parents could do about this, but I wanted, I wanted in. And about three months later, I finally got to do another show. Peculiarly. The next show I did was lead opposite Helen Hayes in a play called no room for Peter Pan. And I just looked it up. It was May. I looked it up and I lost it already. I think, I think I may know what it is. Stay tuned. No, now, nope, nope, nope, ah, so that's it was not. This was May 1949, wow. What was it? Well, yeah, and it was, it was a the director was a man named Lester O'Keefe, and I loved Barry Fitzgerald, and I find even at a very early age, I could do an Irish accent. And I've been in Ireland since then. I do did this, just sometimes with the people knowing that I was doing it and I was it was fine. Sometimes they didn't, and I could get it is, it is pretty Irish, I think, at any rate, he asked me father, who was born in Russia, if we spoke Gaelic at home, we didn't. And so I did the show, and it was fine. Then I did a lot of shows after that, because here was this 11 year old kid who could do all this kind of   Michael Hingson ** 09:24 stuff. So what was no room for Peter Pan about,   Ivan Cury ** 09:27 oh, it was about a midget, a midget who is a young man, a young boy who never grows up, and there's a mind. He becomes a circus performer, and he becomes a great star, and he comes back to his town, to his mother, and there's a mine disaster, and the only one who can save them is this little person, and the kid doesn't want to do it, and it's and there's a moment where Helen Hayes, who played the lead, explained about how important it is the to give up your image and be and be. Man, be a real man, and do the thing, right thing to do. And so that was the   Michael Hingson ** 10:04 story. What show was it on? What series?   Ivan Cury ** 10:07 Electric Theater, Electric Theater, Electric Theater with Ellen Hayes, okay,   Michael Hingson ** 10:10 I don't think I've heard that, but I'm going to find it.   Ivan Cury ** 10:14 Well, yes, there's that one. And almost very soon afterwards, I did another important part with Walter Hughes, Walter Hamden. And that was on cavalcade of America, Ah, okay. And that was called Footlights on the frontier. And it was about, Tom about Joseph Jefferson, and the theater of the time, where the young kid me meets Abraham Lincoln, Walter Houston, and he saves the company. Well, those are the first, first shows. Was downhill from there. Oh, I don't   Michael Hingson ** 10:50 know, but, but you you enjoyed it, and, of course, I loved it, yes, why?   Ivan Cury ** 11:00 I was very friendly with Richard lamparsky. I don't even remember him, but he wrote whatever became of series of books. Whatever became of him was did a lot, and we were chatting, and he said that one of the things he noticed is that people in theater, people in motion pictures, they all had a lot of nightmare stories to tell about people they'd work with. And radio actors did not have so much of that. And I believe that you came in, you got your script, you work with people you like, mostly, if you didn't, you'd see you'd lose, you know, you wouldn't see them again for another Yeah, you only had to deal with them for three or four hours, and that was in the studio. And after that, goodbye.   Michael Hingson ** 11:39 Yeah, what was your favorite show that you ever did?   Ivan Cury ** 11:42 And it seems to me, it's kind of almost impossible. Yeah, I don't know,   Michael Hingson ** 11:51 a lot of fun ones.   Ivan Cury ** 11:54 I'll tell you the thing about that that I found and I wrote about it, there are only five, four reasons really, for having a job. One of them is money, one of them is prestige. One of them is learning something, and the other is having fun. And if they don't have at least two, you ought to get out of it. And I just had a lot of fun. I really like doing it. I think that's one of the things that's that keeps you going now, so many of these old time radio conventions, which are part of my life now, at least Tom sometimes has to do with with working with some of the actors. It's like tennis. It's like a good tennis game. You you send out a line, and you don't know how it's going to come back and what they're going to do with it. And that's kind of fun.   Michael Hingson ** 12:43 Well, so while you were doing radio, and I understand you weren't necessarily doing it every day, but almost, well, almost. But you were also going to school. How did all that work out   Ivan Cury ** 12:53 there is, I went to Professional Children's School. I went to a lot of schools. I went to law schools only because mostly I would, I would fail geometry or algebra, and I'd have to take summer session, and I go to summer session and I'd get a film, and so I'd leave that that session of summer session and do the film and come back and then go to another one. So in all, I wound up to being in about seven or eight high schools. But the last two years was at Professional Children's School. Professional Children's School has been set up. It's one of a number of schools that are set up for professional children, particularly on the East Coast. Here, they usually bring somebody on the set. Their folks brought on set for it. Their professional school started really by Milton Berle, kids that go on the road, and they were doing terribly. Now in order to work as a child Lacher in New York and probably out here, you have to get permission from the mayor's office and permission from the American Society of Prevention of Cruelty to Children. And you needed permits to do it, and those both organizations required the schools to show to give good grades you were doing in school, so you had to keep up your grades, or they wouldn't give you a permit, and then you couldn't work. PCs did that by having correspondence. So if a kid was on the road doing a show out of town in Philadelphia or wherever, they were responsible for whatever that week's work was, and we were all we knew ahead of time what the work was going to be, what projects had to be sent into the school and they would be graded when I went, I went to Carnegie, and my first year of English, I went only, I think, three days a week, instead of five, because Tuesdays and Thursdays Were remedial. We wrote We were responsible for a term paper. Actually, every week, you we learned how to write. And it was, they were really very serious about it. They were good schools   Michael Hingson ** 14:52 well, and you, you clearly enjoyed it. And I know you also got very involved and interested in poetry as you went along. Too do. Yes, I did well, yeah, yeah. And who's your favorite poet?   Ivan Cury ** 15:07 Ah, my favorite poets. If that is hard to say, who my favorite is, but certainly they are more than one is Langston, Hughes, Mary, Oliver, wh Jordan, my favorite, one of my favorite poems is by Langston Hughes. I'll do it for you now. It's real easy. Burton is hard, and dying is mean. So get yourself some love, and in between, there you go. Yes, I love that. And Mary Oliver, Mary Oliver's memory, if I hope I do, I go down to the shore, and depending upon the hour, the waves are coming in and going out. And I said, Oh, I am so miserable. Watch. What should I do? And the sea, in its lovely voice, says, Excuse me, I have work to do.   Michael Hingson ** 15:56 Ooh. That puts it in perspective, doesn't   Ivan Cury ** 16:00 it? Yes, it certainly does.   Michael Hingson ** 16:03 So So you, you went to school and obviously had good enough grades that you were able to continue to to act and be in radio, yes, which was cool. And then television, because it was a television Lacher, yeah, yeah. It's beginning of television as well. So I know one of the shows that you were on was the Jack Benny show. What did you do for Jack? Oh, well,   Ivan Cury ** 16:28 I'm really stuffy. Singer is the guy who really did a lot of Jack Benny things. But what happened is that when Jack would come to New York, if there was a kid they needed, that was me, and so I did the Benny show, I don't know, two or three times when he was in New York. I, I did the Jack Benny show two or three times. But I was not so you were, you were nice, man. It came in. We did the show. I went   Michael Hingson ** 16:51 home. You were a part time Beaver, huh?   Ivan Cury ** 16:54 I don't know. I really don't know, but I was beaver or what? I don't remember anything other than I had been listening to the Jack Benny show as a kid. I knew he was a star and that he was a nice man, and when he came into the studio, he was just a nice man who who read Jack Benny's lines, and who was Jack Benny, and he said his lines, and I said my lines, and we had a nice time together. And there wasn't any, there wasn't any real interplay between us, other than what would be normal between any two human beings and and that was that. So I did the show, but I can't talk very much about Jack Benny.   Michael Hingson ** 17:32 Did you? Did you primarily read your scripts, or did you memorize them at all?   Ivan Cury ** 17:37 Oh, no, no, radio. That was the thing about radio. Radio that was sort of the joy you read. It was all about reading. It's all about reading, yeah. And one of the things about that, that that was just that I feel lucky about, is that I can pretty well look at a script and read it. Usually read it pretty well with before the first time I've ever seen it, and that's cold reading, and I was pretty good at that, and still am.   Michael Hingson ** 18:06 Did you find that as you were doing scripts and so on, though, and reading them, that that changed much when you went in into television and started doing television?   Ivan Cury ** 18:22 I don't know what you mean by change.   Michael Hingson ** 18:24 Did you you still read scripts and   Ivan Cury ** 18:26 yeah, no, no, the way. I mean the way intelligent show usually goes as an actor. Well, when I directed television, I used to direct a lot of soap operas, not a lot, but I directed soap operas, but there'd be a week's rehearsal for a show, danger, I'm syndicated, or anything, and so there'd be a week's rehearsal. The first thing you do is, we have a sit down read, so you don't read the script, and then you holding the script in your hand walk through the scenes. Sometimes the director would have, would have blocking that they knew you were going to they were going to do, and they say, here's what you do. You walk in the door, etc. Sometimes they say, Well, go ahead, just show me what you'd like, what you what it feels like. And from that blocking is derived. And then you go home and you try to memorize the lines, and you feel perfectly comfortable that as you go, when you leave and you come back the next day and discover you got the first line down. But from there on, it's dreadful. But after a while, you get into the thing and you know your lines. You do it. Soap opera. Do that.   Michael Hingson ** 19:38 The interesting thing about doing radio, was everything, pretty much, was live. Was that something that caused a lot of pressure for you?   Ivan Cury ** 19:51 In some ways, yes, and in some ways it's lovely. The pressure is, yes, you want to get it right, but if you got to get it but if you get it wrong, give it up, because it's all over. Uh, and that's something that's that isn't so if you've recorded it, then you start figuring, well, what can I do? How can I fix this? You know, live, you do it and it's done. That's, that's what it is, moving right along. And this, this comment, gets to be kind of comfortable, you know, that you're going to, there may be some mistakes. You do the best you can with it, and go on one of the things that's really the news that that happens, the news, you know, every night, and with all the other shows that are live every day,   Michael Hingson ** 20:26 one of the things that I've noticed in a number of radio shows, there are times that it's fairly obvious that somebody made a flub of some sort, but they integrated it in, and they were able to adapt and react, and it just became part of the show. And sometimes it became a funny thing, but a lot of times they just worked it in, because people knew how to do that. And I'm not sure that that is so much the case certainly today on television, because in reality, you get to do it over and over, and they'll edit films and all that. And so you don't have that, that same sort of thing, but some of those challenges and flubs that did occur on radio were really like in the Jack Benny shows and burns and Allen and Phil Harris and so on. They were, they just became integrated in and they they became classic events, even though they weren't necessarily originally part of the plan.   Ivan Cury ** 21:25 Absolutely, some of some of them, I suspect some of them, were planned and planned to sound as if they would just happen. But certainly mistakes. Gosh, good mistakes are wonderful. Yeah, in all kinds of I used to do a lot of live television, and even if we weren't live television, when we would just do something and we were going to tape it and do it later, I remember once the camera kind of going wrong, video going wrong. I went, Wait a minute. That's great. Let's keep it wrong like that, you know. And it was so is just lovely that that's part of the art of improvisation, with how   Michael Hingson ** 22:06 and and I think there was a lot more of that, certainly in radio, than there is on television today, because very few things are really live in the same   Ivan Cury ** 22:17 sense. No, there. There are some kinds of having written, there are some type formats that are live. The news is live, the news is live. There's no, you know, there are. There used to be, and there may still be some of the afternoon shows, the kind of morning and afternoon shows where Show and Tell Dr whatever his name is, Dr Phil, yeah, it may be live, or it's shot as live, and they don't, they don't really have a budget to edit, so it's got to be real bad before they edit. Yeah. So do a show like that called Woman of CBS. So there are shows that are live, like that, sport events are live. A lot of from Kennedy Center is live. There are, there are lots of programs that are live, concerts, that are that you are a lot of them. America's Got Talent might as well be live. So there's a lot of that. And certainly things go wrong in the ad lib, and that's the way, because, in fact, there's some lovely things that happen out of that, but mostly, you're absolutely right. Mostly you do show it's recorded. You intend to edit it, you plan it to be edited, and you do it. It's also different when you shoot multiple camera, as opposed to single camera, yeah, single camera being as you say, again and again and again, multiple camera, not so much, although I used to direct the young and the restless, and now there is a line cut which is almost never used. It's it's the intention, but every shot is isolated and then cleaned up so that it's whatever is, whatever is possibly wrong with it gets clean.   Michael Hingson ** 24:03 Yeah, it's, it's a sign of the changing times and how things, everything   Ivan Cury ** 24:09 is bad. It's just, it's different. In fact, that's a kind of question I'm really puzzled with right now for the fun of it. And that is about AI, is it good or bad?   Michael Hingson ** 24:20 Well, and it's like anything else, of course, it depends. One of the one of my, my favorite, one of my favorite things about AI is a few years, a couple of years ago, I was at a Christmas party when there was somebody there who was complaining about the fact that kids were writing their papers using AI,   Ivan Cury ** 24:43 and that's bad   Michael Hingson ** 24:44 and and although people have worked on trying to be able to detect AI, the reality is that this person was complaining that the kids were even doing it. And I didn't think about it until later, but I realized. Is one of the greatest blessings of AI is let the students create their papers using AI. What the teachers need to do is to get more creative. And by that I mean All right, so when children turn in and students turn in their papers, then take a day and let every student take about a minute and come up and defend the paper they wrote. You're going to find out really quickly who really knew the subject and who just let ai do it and didn't have any interaction with it. But what a great way to learn. You're going to find out very quickly. And kids are going to figure out very quickly that they need to really know the subject, because they're going to have to defend their   Ivan Cury ** 25:41 papers. Yeah, no, I think that's fine. I I don't like the amount of electricity that it requires and what it's doing to our to our needs for water, because it has to be cooled down. So there's some physical things that I don't like about AI, and I think it's like when you used to have to go into a test with a slide rule, and they you couldn't use your calculator. When I use a calculator, it's out of the bag. You can't put it back anymore. It's a part of our life, and how to use it is the question. And I think you're absolutely right. I don't even need to know whether. I'm not even sure you need to check the kids if they it. How will you use? How will we get to use? Ai, it is with us.   Michael Hingson ** 26:30 Well, but I think there's a the value of of checking and testing. Why I'm with you. I don't think it's wrong. I think, no, no, but I think the value is that it's going to make them really learn the subject. I've written articles, and I've used AI to write articles, and I will look at them. I'll actually have a create, like, eight or nine different versions, and I will decide what I like out of each of them, and then I will add my part to it, because I have to make it me, and I've always realized that. So I know anything that I write, I can absolutely defend, because I'm very integrally involved in what I do with it, although AI has come up with some very clever ideas. Yeah, I hadn't thought of but I still add value to it, and I think that's what's really important.   Ivan Cury ** 27:19 I did a I've been writing stuff for a while, and one of the things I did, I wrote this. I wrote a little piece. And I thought, well, what? What would ai do if they took the same piece? How would they do it? So I put it in and said, rewrite it. They did. It was kind of bland. They'd taken all the life out of it. It wasn't very Yeah. So then I said, Well, wait a minute, do the same thing, write it as if it were written by Damon Runyon. And so they took it and they did that, and it was way over the top and really ugly, but it I kind of had fun with what, what the potential was, and how you might want to use it. I mean, I think the way you using it is exactly right. Yeah, it's how you use it, when, when you when, I'm just as curious, when you do that, when you said, you write something, and you ask them to do it four or five times or many times. How do you how do you require them to do it differently.   Michael Hingson ** 28:23 Well, there are a couple different ways. One is, there are several different models that can use to generate the solution. But even leaving aside such as, Oh, let's see, one is, you go out and do more web research before you actually do the do the writing. And so that's one thing and another. I'm trying to remember there were, like, six models that I found on one thing that I did yesterday, and but, but the other part about it is that with AI, yeah, the other thing about AI is that you can just tell it you don't like the response that you   Ivan Cury ** 29:09 got. Aha, okay, all right, yep,   Michael Hingson ** 29:13 I got it. And when you do that, it will create a different response, which is one of the things that you want. So, so so that works out pretty well. And what I did on something, I wanted to write a letter yesterday, and I actually had it write it. I actually had it do it several times. And one time I told it to look at the web to help generate more information, which was pretty cool, but, but the reality is that, again, I also think that I need to be a part of the the solution. So I had to put my my comments into it as well, and, and that worked out pretty well. Okay, right? Yeah, so I mean, it's cool, and it worked. Right? And so the bottom line is we we got a solution, but I think that AI is a tool that we can use, and if we use it right, it will enhance us. And it's something that we all have to choose how we're going to do. There's no no come, yeah, no question about that. So tell me you were successful as a young actor. So what kind of what what advice or what kind of thoughts do you have about youth success, and what's your takeaway from that?   Ivan Cury ** 30:36 The Good, yeah, I There are a lot of things being wanting to do it, and I really love doing it, I certainly didn't want to. I wanted to do it as the best way I could Well, I didn't want to lose it up, is what it really comes down to. And that meant figuring out what it is that required. And one of the things that required was a sense of responsibility. You had to be there on time, you had to be on stage, and you may want to fidget, but that takes to distract from what's going on, so sit still. So there's a kind of kind of responsibility that that you learn, that I learned, I think early on, that was, that's very useful. Yeah, that's, that's really, I think that's, I wrote some things that I had, I figured, some of these questions that might be around. So there, there's some I took notes about it. Well, oh, attention to details. Yeah, to be care to be watch out for details. And a lot of the things can be carried on into later life, things about detailed, things about date. Put a date on, on papers. When, when did, when was this? No, when was this note? What? When did this happen? Just keeping track of things. I still am sort of astonished at how, how little things add up, how we just just noted every day. And at the end of a year, you've made 365 notes,   Michael Hingson ** 32:14 yeah, well, and then when you go back and read them, which is also part of the issue, is that you got to go back and look at them to to see what   Ivan Cury ** 32:23 right or to just know that they're there so that you can refer to them. When did that happen?   Michael Hingson ** 32:28 Oh, right. And what did you say? You know, that's the point. Is that when I started writing thunder dog, my first book was suggested that I should start it, and I started writing it, what I started doing was creating notes. I actually had something like 1.2 megabytes of notes by the time we actually got around to doing the book. And it was actually eight years after I started doing some, well, seven years after I started doing writing on it. But the point is that I had the information, and I constantly referred back to it, and I even today, when I deliver a speech, I like to if there's a possibility of having it recorded, I like to go back and listen, because I want to make sure that I'm not changing things I shouldn't change and or I want to make sure that I'm really communicating with the audience, because I believe that my job is to talk with an audience, not to an audience.   Ivan Cury ** 33:24 Yeah, yeah. I we say that I'm reading. There are three books I'm reading right now, one of them, one of them, the two of them are very well, it doesn't matter. One is called who ate the oyster? Who ate the first oyster? And it's a it's really about paleon. Paleological. I'm saying the word wrong, and I'm paleontological. Paleontological, yeah, study of a lot of firsts, and it's a lovely but the other one is called shady characters by Keith Houston, and it's a secret life of punctuation symbols and other typographical marks, and I am astonished at the number of of notes that go along with it. Probably 100 100 pages of footnotes to all of the things that that are a part of how these words came to be. And they're all, I'm not looking at the footnotes, because there's just too many, but it's kind of terrific to check out. To be that clear about where did this idea come from, where did this statement come from? I'm pleased about that. I asked my wife recently if you could be anything you want other than what you are. What would you want to be? What other what other job or would you want to have? The first one that came to mind for me, which I was surprised that was a librarian. I just like the detail. I think that's   Michael Hingson ** 34:56 doesn't go anywhere. There you go. Well, but there's so. There's a lot of detail, and you get to be involved with so many different kinds of subjects, and you never know what people are going to ask you on any given day. So there's a lot of challenge and fun to that.   Ivan Cury ** 35:11 Well, to me also just putting things in order, I was so surprised to discover that in the Dewey Decimal System, the theater is 812 and right next to it, the thing that's right next to it is poetry. I was surprised. It's interesting, yeah, the library and play that out.   Michael Hingson ** 35:29 Well, you were talking about punctuation. Immediately I thought of EE Cummings. I'll bet he didn't pay much attention to punctuation at all. I love him. He's great, yeah, isn't he? Yeah, it's a lot of fun. An interesting character by any standard. So, so you, you progressed into television, if, I guess it's progressing well, like, if we answer to Fred Allen, it's not, but that's okay.   Ivan Cury ** 35:54 Well, what happens? You know, after, after, I became 18, and is an interesting moment in my life, where they were going to do film with Jimmy Dean, James Dean, James Dean. And it came down and he was going to have a sidekick, a kid sidekick. And it came down to me and Sal Mineo. And Sal got it, by the way. Case you didn't know, but one of the things was I was asked I remember at Columbia what I wanted to do, and I said I wanted to go to college, and my there was a kind of like, oh, yeah, right. Well, then you're not going to go to this thing, because we don't. We want you to be in Hollywood doing the things. And yes, and I did go to college, which is kind of great. So what happened was, after, when I became 18, I went to Carnegie tech and studied theater arts. Then I after that, I studied at Boston University and got a master's there, so that I had an academic, an academic part of my life as well, right? Which ran out well, because in my later years, I became a professor and wrote some   Michael Hingson ** 36:56 books, and that was your USC, right? No, Cal State, Lacher State, LA and UCLA. And UCLA, not USC. Oh, shame on me. But that's my wife. Was a USC graduate, so I've always had loyalty. There you go. But I went to UC Irvine, so you know, okay, both systems, whatever.   Ivan Cury ** 37:16 Well, you know, they're both UC system, and that's different, yeah, the research institutes, as opposed to the Cal State, which   Michael Hingson ** 37:23 are more teaching oriented, yeah,   Ivan Cury ** 37:26 wow, yeah, that's, that's what it says there in the paper.   Michael Hingson ** 37:30 Yes, that's what it says. But you know, so you went into television. So what did you mainly do in the in the TV world?   Ivan Cury ** 37:44 Well, when I got out of when I got through school, I got through the army, I came back to New York, and I, oh, I got a job versus the Girl Scouts, doing public relations. I I taught at Hunter College for a year. Taught speech. One of the required courses at Carnegie is voice and diction, and it's a really good course. So I taught speech at Hunter College, and a friend of mine was the second alternate maker man at Channel 13 in New York. He had opera tickets, so he said, Look standard for me, it's easy, men seven and women five, and telling women to put on their own lipstick. So I did. I did that, and I became then he couldn't do it anymore, so I became the second alternate make a man. Then it didn't matter. Within within six months, I was in charge of makeup for any t which I could do, and I was able to kind of get away with it. And I did some pretty good stuff, some prosthetic pieces, and it was okay, but I really didn't want to do that. I wanted to direct, if I could. And so then I they, they knew that, and I they knew that I was going to leave if, if, because I wasn't going to be a makeup I didn't. So I became a stage manager, and then an associate director, and then a director at Channel 13 in New York. And I directed a lot of actors, choice the biggest show I did there, or the one that Well, I did a lot of I also worked with a great guy named Kirk Browning, who did the a lot of the NBC operas, and who did all of the opera stuff in for any t and then I wound up doing a show called Soul, which was a black variety show. But when I say black variety show, it was with James Baldwin and but by the OJS and the unifics and the delphonics and Maya Angelou and, you know, so it was a black culture show, and I was the only white guy except the camera crew there. But had a really terrific time. Left there and went and directed for CBS. I did camera three. So I did things like the 25th anniversary of the Juilliard stringer check. Quartet. But I was also directing a show called woman, which was one of the earliest feminist programs, where I was the only male and an all female show. And actually I left and became the only gringo on an all Latino show called aqui I ahora. So I had a strange career in television as a director, and then did a lot of commercials for about 27 years, I directed or worked on the Men's Warehouse commercials. Those are the facts. I guarantee it.   Michael Hingson ** 40:31 Did you get to meet George Zimmer? Oh, very, very, very often, 27 years worth, I would figure, yeah.   Ivan Cury ** 40:39 I mean, what? I'm enemies. When I met him, he's a boy, a mere boy.   Michael Hingson ** 40:45 Did you act during any of this time? Or were you no no behind the camera once?   Ivan Cury ** 40:50 Well, the only, the only acting I did was occasionally. I would go now in a store near you, got it, and I had this voice that they decided, Ivan, we don't want you to do it anymore. It just sounds too much like we want, let George do this, please.   Michael Hingson ** 41:04 So, so you didn't get to do much, saying of things like, But wait, there's more, right?   Ivan Cury ** 41:10 No, not at all. Okay, okay. Oh, but you do that very well. Let's try.   Michael Hingson ** 41:13 Wait, there's more, okay. Well, that's cool. Well, that was,   Ivan Cury ** 41:18 it was kind of fun, and it was kind of fun, but they had to, it was kind of fun to figure out things. I remember we did. We had a thing where some of those commercial we did some commercials, and this is the thing, I sort of figured out customers would call in. So we recorded their, their call ins, and I they, we said, with calls being recorded. We took the call ins and I had them sent to it a typist who typed up what they wrote that was sent to New York to an advertising agency would extract, would extract questions or remarks that people had made about the stuff, the remarks, the tapes would be then sent to who did that? I think we edited the tapes to make it into a commercial, but the tags needed to be done by an announcer who said, in a store near you were opening sooner, right? Wyoming, and so those the announcer for the Men's Warehouse was a guy in in Houston. So we'd send, we'd send that thing to him, and he'd send us back a digital package with the with the tags. And the fun of it was that was, it was from, the calls are from all over the world. The the edits on paper were done in New York, the physical work was done in San Francisco. The announcer was in Houston. And, you know? And it's just kind of fun to be able to do that, that to see, particularly having come from, having come from 1949 Yeah, where that would have been unheard of to kind of have that access to all that was just fun, kind   Michael Hingson ** 42:56 of fun. But think about it now, of course, where we have so much with the internet and so on, it'd be so much easier, in a lot of ways, to just have everyone meet on the same network and   Ivan Cury ** 43:09 do now it's now, it's nothing. I mean, now it's just, that's the way it is. Come on.   Michael Hingson ** 43:13 Yeah, exactly. So. So you know, one of the things that I've been thinking about is that, yes, we've gone from radio to television and a whole new media and so on. But at the same time, I'm seeing a fairly decent resurgence of people becoming fascinated with radio and old radio and listening to the old programs. Do you see that?   Ivan Cury ** 43:41 Well, I, I wish I did. I don't my, my take on it. It comes strictly from that such, so anecdotal. It's like, in my grandkids, I have these shows that I've done, and it's, you know, it's grandpa, and here it is, and there it's the bobby Benson show, or it's calculator America, whatever, 30 seconds. That's what they give me. Yeah, then it's like, Thanks, grandpa. Whoopie. I don't know. I think maybe there may there may be something, but I would, I'd want some statistical evidence about well, but   Michael Hingson ** 44:19 one of the things I'm thinking of when I talk about the resurgence, is that we're now starting to see places like radio enthusiasts to Puget Sound reps doing recreations of, oh yes, Carl Omari has done the Twilight Zone radio shows. You know, there are some things that are happening, but reps among others, and spurred back to some degree, yeah, spurred back is, is the Society for the Prevention, oh, gosh,   Ivan Cury ** 44:46 not cruelty children, although enrichment   Michael Hingson ** 44:49 of radio   Ivan Cury ** 44:50 drama and comedy, right? Society, right? Yeah, and reps is regional enthusiasts of Puget Sound, Puget   Michael Hingson ** 44:58 Sound and. Reps does several recreations a year. In fact, there's one coming up in September. Are you going to   Ivan Cury ** 45:04 that? Yes, I am. I'm supposed to be. Yes, I think I Yes. I am.   Michael Hingson ** 45:08 Who you're going to play? I have no idea. Oh, you don't know yet.   Ivan Cury ** 45:12 Oh, no, no, that's fun. You get there, I think they're going to have me do a Sam Spade. There is another organization up there called the American radio theater, right? And I like something. I love those people. And so they did a lot of Sam Spade. And so I expect I'm going to be doing a Sam Spade, which I look forward to.   Michael Hingson ** 45:32 I was originally going to it to a reps event. I'm not going to be able to this time because somebody has hired me to come and speak and what I was going to do, and we've postponed it until I can, can be the one to do it is Richard diamond private detective, which is about my most favorite radio show. So I'm actually going to play, able to play Richard diamond. Oh, how great. Oh, that'll be a lot of fun. Yeah. So it'll probably be next year at this point now, but it but it will happen.   Ivan Cury ** 45:59 I think this may, yeah, go ahead. This may be my last, my last show I'm getting it's getting tough to travel.   Michael Hingson ** 46:07 Yeah, yeah, I don't know. Let's see. Let's see what happens. But, but it is fun, and I've met several people through their Carolyn Grimes, of course, who played Zuzu on It's A Wonderful Life. And in fact, we're going to have her on unstoppable mindset in the not too distant future, which is great, but I've met her and and other people, which I   Ivan Cury ** 46:34 think that's part of the for me. That really is part of the fun. Yeah, you become for me now it has become almost a sec, a family, in the same way that when you do show, if you do a show regularly, it is, it really becomes a family. And when the show is over, it's that was, I mean, one of the first things as a kid that was, that was really kind of tough for every day, or every other day I would meet the folks of Bobby Benson and the B Barbie writers. And then I stopped doing the show, and I didn't see them and didn't see them again. You know, I Don Knotts took me to I had the first shrimp of my life. Don Knotts took me to take tough and Eddie's in New York. Then I did another show called paciolini, which was a kind of Italian version of The Goldbergs. And that was, I was part of that family, and then that kind of went away. I was Porsche son on Porsche faces life, and then that way, so the you have these families and they and then you lose them, but, but by going to these old events, there is that sense of family, and there are also, what is just astonishing to me is all those people who know who knows stuff. One day I mentioned Frank Milano. Now, nobody who knows Frank Milano. These guys knew them. Oh, Frank, yeah, he did. Frank Milano was a sound. Was did animal sounds. There were two guys who did animal sounds particularly well. One was Donald Baines, who I worked with on the first day I ever did anything. He played the cow on Jack and the Beanstalk and and Frank, Don had, Don had a wonderful bar room bet, and that was that he could do the sound effects of a fish. Wow. And what is the sound effect of a fish? So now you gotta be required. Here's the sound effect of a fish. This was what he went $5 bets with you. Ready? Here we go.   Michael Hingson ** 48:41 Good job. Yeah, good job. Yeah. It's like, what was it on? Was it Jack Benny? They had a kangaroo, and I think it was Mel Blanc was asked to do the kangaroo, which is, of course, another one where they're not really a sound, but you have to come up with a sound to do it on radio, right?   Ivan Cury ** 49:06 Yes. Oh my god, there were people who want I could do dialects, I could do lots of German film, and I could do the harness. Was very easy for me to do, yeah, so I did love and I got to lots of jobs because I was a kid and I could do all these accents. There was a woman named Brianna Rayburn. And I used to do a lot of shows in National Association of churches of Christ in the United States. And the guy who was the director, John Gunn, we got to know each other. He was talking about, we talked with dialects. He said Briana Rayburn had come in. She was to play a Chinese woman. And she really asked him, seriously, what part of China Do you want her to come from? Oh, wow. I thought that was just super. And she was serious. She difference, which is studied, studied dialects in in. In college not long after, I could do them, and discovered that there were many, many English accents. I knew two or three cockney I could do, but there were lots of them that could be done. And we had the most fun. We had a German scholar from Germany, from Germany, and we asked him if he was doing speaking German, but doing playing the part of an American what would it sound like speaking German with an American accent? You know, it was really weird.   Michael Hingson ** 50:31 I had a history teacher, yes, who was from the Bronx, who spoke German, yeah, and he fought in World War Two. And in fact, he was on guard duty one night, and somebody took a shot at him, and so he yelled back at them in German. The accent was, you know, I took German, so I don't understand it all that well, but, but listening to him with with a New York accent, speaking German was really quite a treat. The accent spilled through, but, but they didn't shoot at him anymore. So I think he said something, what are you shooting at me for? Knock it off. But it was so funny, yeah, but they didn't shoot at him anymore because he spoke, yeah, yeah. It was kind of cool. Well, so with all that you've learned, what kind of career events have have sort of filtered over into what you do today?   Ivan Cury ** 51:28 Oh, I don't know. We, you know. But one of the things I wanted to say, it was one of the things that I learned along the way, which is not really answering your question until I get back to it, was, I think one of those best things I learned was that, however important it is that that you like someone, or you're with somebody and everything is really terrific. One of the significant things that I wish I'd learned earlier, and I think is really important, is how do you get along when you don't agree? And I think that's really very important.   Michael Hingson ** 52:01 Oh, it's so important. And we, in today's society, it's especially important because no one can tolerate anyone anymore if they disagree with them, they're you're wrong, and that's all there is to it. And that just is so unfortunate. There's no There's no really looking at alternatives, and that is so scary   Ivan Cury ** 52:20 that may not be an alternative. It may not be,   Michael Hingson ** 52:23 but if somebody thinks there is, you should at least respect the opinion,   Ivan Cury ** 52:28 whatever it is, how do you get along with the people you don't   Michael Hingson ** 52:32 agree with? Right?   Ivan Cury ** 52:35 And you should one that you love that you don't agree with, right? This may sound strange, but my wife and I do not agree about everything all the time, right?   Michael Hingson ** 52:43 What a concept. My wife and I didn't agree about everything all the time. Really, that's amazing, and it's okay, you know? And in fact, we both one of the the neat things, I would say, is we both learned so much from each other when we disagreed, but would talk about it, and we did a lot of talking and communicating, which I always felt was one of the most important things about our marriage. So we did, we learned a lot, and we knew how to get along, and we knew that if we disagreed, it was okay, because even if we didn't change each other's opinion, we didn't need to try to change each other's opinion, but if we work together and learn to respect the other opinion, that's what really mattered, and you learn more about the individual that way,   Ivan Cury ** 53:30 yeah, and also you have you learn about giving up. Okay, I think you're wrong, but if that's really what you want exactly, I'll do it. We'll do it your way?   Michael Hingson ** 53:42 Yeah, well, exactly. And I think it's so important that we really put some of that into perspective, and it's so crucial to do that, but there's so much disagreement today, and nobody wants to talk to anybody. You're wrong. I'm right. That's all there is to it. Forget it, and that's just not the way the world should be.   Ivan Cury ** 53:59 No, no. I wanted to go on to something that you had asked about, what I think you asked about, what's now I have been writing. I have been writing to a friend who I've been writing a lot of very short pieces, to a friend who had a stroke and who doesn't we can't meet as much as we use. We can't meet at all right now. And but I wanted to just go on, I'm and I said that I've done something really every week, and I'd like to put some of these things together into a book. And what I've been doing, looking for really is someone to work with. And so I keep writing the things, the thing that I wrote just today, this recent one, had to do with I was thinking about this podcast. Is what made me think of it. I thought about the stars that I had worked with, you know, me and the stars, because I had lots. Stories with with people who are considered stars, Charles Lawton, Don Knotts, Gene crane, Maya, Angelou, Robert Kennedy, the one I wrote about today. I wrote about two people. I thought it'd be fun to put them together, James Dean and Jimmy Dean. James Dean, just going to tell you the stories about them, because it's the kind of thing I'm writing about now. James Dean, we worked together on a show called Crime syndicated. He had just become really hot in New York, and we did this show where there were a bunch of probably every teenage actor in New York was doing this show. We were playing two gangs, and Jimmy had an extraordinary amount of lines. And we said, What the hell are you going to do, Jim? If you, you know, if you lose lines, he's, this is live. And he said, No problem. And then what he said is, all I do is I start talking, and then I just move my mouth like I'm walking talking, and everybody will think the audio went out. Oh, and that's, that's what he was planning on doing. I don't know if he really is going to do it. He was perfect. You know, he's just wonderful. He did his show. The show was great. We were all astonished to be working with some not astonished, but really glad to just watch him work, because he was just so very good. And we had a job. And then stories with Jimmy Dean. There were a couple of stories with Jimmy Dean, the singer and the guy of sausage, right? The last one to make it as fast, the last one was, we were in Nashville, at the Grand Ole Opry Opperman hotel. I was doing a show with him, and I was sitting in the bar, the producer and someone other people, and there was a regular Graceland has a regular kind of bar. It's a small bar of chatter, cash register, husband, wife, team on the stage singing. And suddenly, as we were talking, it started to get very quiet. And what had happened is Jimmy Dean had come into the room. He had got taken the guitar, and he started to sing, and suddenly it just got quiet, very quiet in the room. The Register didn't ring. He sang one song and he sang another song. His applause. He said, Thank you. Gave the guitar back to the couple. Walked off the stage. It was quiet while a couple started to sing again. They were good. He started to sing. People began to chatter again. The cash register rang, and I, I certainly have no idea how he managed to command that room to have everybody shut up while he sang and listened to him. He didn't do anything. There was nothing, you know, no announcement. It wasn't like, oh, look, there's Jimmy. It was just his, his performance. It was great, and I was really glad to be working with him the next day well.   Michael Hingson ** 57:56 And I think that having that kind of command and also being unassuming about it is pretty important if you've got an ego and you think you're the greatest thing, and that's all there is to it. That shows too, yeah?   Ivan Cury ** 58:08 Well, some people live on it, on that ego, yeah, and I'm successful on it, I don't think that was what. It certainly   Michael Hingson ** 58:17 wasn't, no, no, no, and I'm not saying that. I'm sure it wasn't that's my point. Yeah, no, because I think that the ultimate best people are the ones who don't do it with ego or or really project that ego. I think that's so important, as I said earlier, for me, when I go to speak, my belief is I'm going to to do what I can to help whatever event I'm at, it isn't about me at all. It's more about the audience. It's more about what can I inspire this audience with? What can I tell the audience and talk with the audience about, and how can I relate to them so that I'm saying something that they want to hear, and that's what I have to do. So if you had the opportunity to go back and talk to a younger Ivan, what would you tell him?   Ivan Cury ** 59:08 Cut velvet? No, there you go. No, what? I don't. I really don't. I don't know.   Michael Hingson ** 59:18 Talk Like a fish. More often   Ivan Cury ** 59:20 talk like a fish. More on there. Maybe. No, I really don't know. I don't know. I think about that sometimes, what it always seems to be a question, what? Really it's a question, What mistakes did you make in life that you wish you hadn't done? What door you wish Yeah, you would open that you didn't? Yeah, and I really don't, I don't know. I can't think of anything that I would do differently and maybe and that I think there's a weakness, because surely there must be things like that. I think a lot of things that happen to one in life anyway have to do with luck. That's not, sort of not original. But I was surprised to hear one day there was a. It. Obama was being interviewed by who was by one of the guys, I've forgotten his name that. And he was talking about his career, and he said he felt that part of his success had been a question of luck. And I very surprised to hear him say that. But even with, within with my career, I think a lot of it had to do with luck I happen to meet somebody that right time. I didn't meet somebody at the right time. I think, I think if I were to do so, if you would, you did ask the question, and I'd be out more, I would be pitching more. I think I've been lazy in that sense, if I wanted to do more that. And I've come to the West Coast quicker, but I was doing a lot of was in New York and having a good time   Michael Hingson ** 1:00:50 Well, and that's important too, yeah. So I don't know that I changed, I Yeah, and I don't know that I would find anything major to change. I think if somebody asked me that question, I'd say, tell my younger self that life is an adventure, enjoy it to the fullest and have fun.   Ivan Cury ** 1:01:12 Oh, well, that's yes. That was the I always believe that, yeah, yeah. It's not a question for me, and in fact, it's one of the things I told my kids that you Abraham Lincoln, you know, said that really in it, in a way a long time ago. He said that you choose you a lot of what you way you see your life has to do with the way the choices you make about how to see it, right? Yeah, which is so cool, right? And one of the ways you might see it says, have fun,   Michael Hingson ** 1:01:39 absolutely well, Ivan, this has been absolutely fun. We've been doing it for an hour, believe it or not, and I want to thank you for being here. And I also want to thank everyone who is listening for being with us today. I hope you've enjoyed this conversation, and I'd love to hear what your thoughts are. Please feel free to email me. I'd love to hear your thoughts about this. Email me at Michael h i at accessibe, A, C, C, E, S, S, i, b, e.com, so Ivan, if people want to reach out to you, how do they do that?   Ivan Cury ** 1:02:10 Oh, dear. Oh, wait a minute, here we go. Gotta stop this. I curyo@gmail.com I C, u, r, y, o@gmail.com There you go. Cury 1r and an O at the end of it, not a zero. I curyo@gmail.com Yeah.   Michael Hingson ** 1:02:30 Well, great. Well, thank you again, and all of you wherever you're listening, I hope that you'll give us a great review wherever you're listening. Please give us a five star review. We appreciate it, and Ivan, for you and for everyone else listening. If you know anyone else who ought to be a guest on our podcast, love to hear from you. Love an introduction to whoever you might have as a person who ought to come on the podcast, because I think everyone has stories to tell, and I want to give people the opportunity to do it. So once again, I want to thank you, Ivan, for being here. We really appreciate it. Thanks for coming on and being with us today. Thank you.   1:03:10 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Derrick Barnes is a National Book Award Finalist for his graphic novel Victory. Stand!-Raising My Fist For Justice, which also won the YALSA Excellence in Young Adult Nonfiction Award, and a Coretta Scott King Award Author Honor. He is also the author of the critically acclaimed, multi-award-winning picture book Crown: An Ode to the Fresh Cut which received a Newbery Honor, a Coretta Scott King Author Honor, the Ezra Jack Keats New Writer Award, and the Kirkus Prize for Young Readers. He is a native of Kansas City, MO, but currently lives in Charlotte, NC with his enchanting wife, Dr. Tinka Barnes, and their four sons, the Mighty Barnes Brothers.Dr. Chandra Maxwell is a Lead English Language Arts teacher at David Wooster Middle School in Stratford, CT. She became interested in English Literature as a student at Central Magnet High School in Bridgeport, Connecticut. Through her English teacher, Mrs. Cynthia Fernandes, she learned about the power of intentional writing as found in the works of Langston Hughes and Lorraine Hansberry. As a result, Dr. Maxwell has done extensive research on equitable reading intervention programs for middle school students so that all students can be exposed to intentional reading and writing practices.

Steve and Cat discuss the celebrity or the influencer becoming a brand. Does it lesson their talent? Poet and reporter Langston Hughes is our tough SOB this week. The documentary on Netflix, DEVO, is our What Ca Watchin. Cocktail of the week is Cat's Pink Lady Appletini. Band of the week is Turnstile.

We take you inside a packed week of Georgia high school football. Valdosta head coach Shelton Felton details a 5–0 start and the realities of Region 1-6A road trips, while Langston-Hughes head coach Andrico Hines and Newnan's Chip Walker preview a high-scoring showdown. You get upsets, player spotlights, and a full look at the GPB Game of the Week.

Zwischen den beiden Weltkriegen etablierte sich im New Yorker Stadtteil Harlem eine afroamerikanische Bewegung, die nicht nur Keimzelle der späteren Bürgerrechtsbewegung war, sondern vielen als die wichtigste US-amerikanische Kulturbewegung des 20. Jahrhunderts gilt: The Harlem Renaissance. Die Harlem Renaissance erforschte die bislang unterdrückte und verachtete afroamerikanische Kultur, rückte sie selbstbewusst ins Rampenlicht und entwickelte sie kometenhaft weiter. Die Anthropologin und Schriftstellerin Zora Neale Hurston und der vor allem als Lyriker bekannte Langston Hughes gehörten zu den bedeutendsten Protagonisten der Bewegung. Ihre Werke sind in den USA heute Schulstoff und, wie die Bewegung überhaupt, erstaunlich modern geblieben. Wie sonst hätte sich die Lyrikerin Amanda Gorman an Joe Bidens Inauguration auf Langston Hughes' ikonisches Gedicht «I, Too» von 1926 berufen? Erstsendung: 17.3.2023

If you teach American literature, chances are you're touching on the theme of the American Dream somehow, through book clubs, a poetry unit, a look at Gatsby, or an essential question that binds together a variety of genres and perspectives. So when I received this request for our Plan my Lesson series, "How about a fun way to introduce the American Dream unit for juniors, about 36 of them," I was ready. In today's episode, we're going to talk about how you might introduce the concept of The American Dream through a series of multimedia activities, first letting students choose which ones to explore, then letting them respond with multimedia of their own, creating a collage of dream experiences for the class to view. American Dream Text Possibilities (Starter List): Death of a Salesman Trailer (Royal Shakespeare Company) American Gothic Painting (Painting at The Art Institute of Chicago) Reyna Grande: A Migrant's Story (Video on Youtube) The Sun is Also a Star (Movie Trailer) "American Dream" (Video from the Beltway Poetry Slam on Youtube) "Let America be America Again" (Poem by Langston Hughes at Poets.org) "Immigrant Photos by Augustus Sherman" (Photos from Ellis Island at the National Park Service) "An American Sunrise" (Poem by Joy Harjo at Poets.org) "American Dreamers Mural" (Mural by Shepard Fairey and Vils, Photo at Obey Giant) - you'd want to pull the photo out of the blog post "Lincoln, Nebraska 1977" (Photo by Keith Jacobshagen at the Spencer Museum of Art) American Dream Exhibit (Punto Urban Art Museum) "Gold Mountain Dreams" (PBS: Bill Moyer's Becoming American: The Chinese Experience") "This Hill we Climb" (Amanda Gorman on PBS Youtube) "I hear America Singing" (Poem by Walt Whitman at The Poetry Foundation) Start-up Story: "Jerry Yang" (The Immigrant Learning Center) Multimedia collage response example (one illustration, one quotation, and an interpretive 6 word memoir):  Go Further:  Explore alllll the Episodes of The Spark Creativity Teacher Podcast. Launch your choice reading program with all my favorite tools and recs, and grab the free toolkit. Join our community, Creative High School English, on Facebook. Come hang out on Instagram.  Enjoying the podcast? Please consider sharing it with a friend, snagging a screenshot to share on the ‘gram, or tapping those ⭐⭐⭐⭐⭐ to help others discover the show. Thank you!   

Adam's Paternity Leave is near its end, but while we still have a few weeks left of it, let's look at the first of a pair of episodes (we'll pick up the second installment next week) featuring a key Emmy presenter from last night. A few resourceful new Munchies have figured out a work-around where you can join as a free member and upgrade from there to a paid account which charges you for one month and unlocks the back catalog behind the respective tier of the paywall. After that first payment, you won't be charged again until we're dropping new content (which we'll warn everyone is coming), so if you want more of this it can be had, along with access to the fully uncut episodes from 100 to present and Movie Club episodes.Hot on the heels of an episode that nearly broke our rating scale, the Munchie Boys watched Part 1 of a two-parter featuring Ray Romano's kooky brother Robert from the hit turn-of-the-century sitcom for olds, Everybody Loves Raymond. Fans of that show will remember that the actor in question, Brad Garrett, is really, REALLY tall. This causes the kind of continuity problems that only SVU can create. We're obviously talking about complex genital geometry problems. We would, of course, be remiss if our discussion stayed on topic, so expect to hear about Chinese New Year, more car talk from Josh, Rikers Island, and Predator.Sources:A Look Inside Rikers - NY TimesMusic:Divorcio Suave - “Munchy Business”Thanks to our gracious Munchies on Patreon: Jeremy S, Jaclyn O, Amy Z, Diana R, Tony B, Barry W, Drew D, Nicky R, Stuart, Jacqi B, Natalie T, Robyn S, Amy A, Sean M, Jay S, Briley O, Asteria K, Suzanne B, Tim Y, John P, John W, Elia S, Rebecca B, Lily, Sarah L, Melsa A, Alyssa C, Johnathon M, Tiffany C, Brian B, Kate K, Whitney C, Alex, Jannicke HS, Roni C, Erin M, Florina C, Melissa H, and Olivia - y'all are the best!Be a Munchie, too! Support us on Patreon: patreon.com/munchmybensonBe sure to check out our other podcast diving into long unseen films of our guests' youth: Unkind Rewind at our website or on YouTube, Apple Podcasts, or wherever you listen to podcastsFollow us on: BlueSky, Facebook, Instagram, Threads, and Reddit (Adam's Twitter/BlueSky and Josh's BlueSky/Letterboxd/Substack)Join our Discord: Munch Casts ServerCheck out Munch Merch: Munch Merch at ZazzleCheck out our guest appearances:Both of us on: FMWL Pod (1st Time & 2nd Time), Storytellers from Ratchet Book Club, Chick-Lit at the Movies talking about The Thin Man, and last but not least on the seminal L&O podcast …These Are Their Stories (Adam and Josh).Josh discussing Jackie Brown with the fine folks at Movie Night Extravaganza, debating the Greatest Detectives in TV History on The Great Pop Culture Debate Podcast, and talking SVU/OC and Psych (five eps in all) on Jacked Up Review Show.Visit Our Website: Munch My BensonEmail the podcast: munchmybenson@gmail.comThe Next New Episode Once We're Back from Adam's Paternity Leave Will Be: Season 16, Episode 14 "Intimidation Game"Become a supporter of this podcast: https://www.spreaker.com/podcast/munch-my-benson-a-law-order-svu-podcast--5685940/support.

Some newer immigrants to Floodlandia were surprised by last week's article celebrating two West Virginia natives — Don Redmond and Chu Berry — who became legendary jazzmen.“I'm sorry,” one of the new friends confided, “but to me the idea of West Virginia conjures up fiddles and banjos. I've never thought of it for jazz.”He's forgiven. Many don't realize the Mountain State's musical traditions are more diverse than stereotypes suggest.Meet MaceoIn fact, this year marks the 100th anniversary of the publication of one of the greatest jazz standards of all times, and it was written by an extraordinarily prolific West Virginian who was a major influence in 20th century music.Maceo Pinkard, born in Bluefield, WV, in 1897, the son of a coal miner and a school teacher, was educated at the Bluefield Colored Institute, class of 1913, and wrote his first major song — called “I'm Goin' Back Home” — the following year. (Today Bluefield State University holds a festival each year to honor of its famous alumnus.)Pinkard wrote hundreds of tunes, including many for stage and screen, his greatest being “Sweet Georgia Brown,” which he published in March 1925. Yes, she might have been a sweet Georgia peach, she was mountain girl at heart. Click here for The Flood's latest take on the tune from a recent rehearsal.As reported here earlier, the song that would top Maceo Pinkard's obituary when he died in 1962 at age 65 was co-written with lyricist Ken Casey.Soon after “Sweet Georgia Brown” was composed, it was introduced to the dancing/singing/humming/whistling public by bandleader Ben Bernie. As that nationally known orchestra did much to popularize the number, Pinkard cut Bernie in for a share of the tune's royalties by giving him a co-writer credit. They both could have retired on the royalties.But Pinkard was far from done. He went on to compose iconic tunes such as “Sugar (That Sugar Baby of Mine)” and “Them There Eyes,” the latter famously popularized by the legendary Billie Holiday in 1939. Maceo and DukePinkard also was a mentor to a young Duke Ellington — 20 years his junior — introducing him to New York City's music publishing industry during the early stages of Duke's career. That kindness helped Ellington lay the foundation for future success. After meeting at Barron's nightclub in Harlem in the spring of 1926, Pinkard took Ellington downtown to "Tin Pan Alley," the center of the music publishing world on Broadway. There Pinkard arranged for Ellington to have his first meeting at Mills Music. Irving Mills later became Ellington's manager and business partner, a critical boost for the careers of both men.Years later, Ellington said “thank you” to Pinkard by recording some of his early champion's compositions, including the standards "Sweet Georgia Brown" and "Them There Eyes," highlighting Pinkard's musical legacy. Paul Whiteman and Bix BeiderbeckePaul Whiteman — whose band included Bing Crosby, Hoagy Carmichael, Frankie Trumbauer and Bix Beiderbecke — brought Pinkard in to write material for them. Segregation of the mid-1920s onward thwarted Whiteman's efforts to hire African-American musicians for his band, but he was determined to play the music of Black composers and Pinkard was his first choice. For instance, in 1927, Pinkard published "Sugar" and, in June 1928, Whiteman's band was the first to record it, scoring a huge hit. Since then, "Sugar" has been done by everyone from Louis Armstrong to Fats Waller (who performed it on the pipe organ). To this day, jazz artists still cover it. Beiderbecke and Pinkard became friends and when Bix went out on his own, Pinkard penned "I'll Be A Friend With Pleasure" for his band (featuring Gene Krupa on drums, Benny Goodman on clarinet and Jimmy Dorsey on sax). Recorded in September 1930, it was among the last numbers that Bix recorded before his death at 28 the following summer.African American West VirginiaPinkard's story embodies the resilience and creativity of the Black community of West Virginia's Mercer County. Growing up in Bluefield, Maceo was shaped by the region's rich heritage, which flourished around institutions like the Bluefield Colored Institute (now Bluefield State University), a hub of African-American culture in the early 20th century.Established in 1895, two years before Pinkard's birth, Bluefield State emerged as a beacon of opportunity for Black West Virginians. Besides providing access to higher education in the industrialized southern West Virginia, it also was a cultural epicenter, hosting luminaries such as Langston Hughes, Fats Waller and Duke Ellington. During the 1950s and 1960s, Bluefield emerged as a hidden gem on the map of the so-called “Chitlin Circuit,” a national network of venues and businesses that provided platforms for emerging Black jazz and pop musicians during the latter years of institutionalized segregation. More Jazz from the Floodisphere?The Flood constantly expands its repertoire of jazzier tunes from the 1920s onward. To sample a randomized playlist from the cooler corner of the songbag, drop by the Swingin' Channel of the free Radio Floodango music streaming service.Click here to give it a spin. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

We visit Edson Oda’s “Nine Days” and discuss: Cinematography, natural lighting, poor man’s process; Story & Writing, world building; and other such stuff and things and stuff. “Hold fast to dreams, For if dreams die, Life is a broken-winged bird, That cannot fly.“ – Langston Hughes “Dreams” Notes & References: Supports us on our Patreon […] The post Ep 337: “Nine Days” appeared first on The Pestle.

Diverse Voices Book Review host interviewed Robert Justice, author of the novel A DREAM IN THE DARK. Published in 2024, A DREAM IN THE DARK is his second novel in a planned trilogy focused on wrongful convictions. Justice shared how his novel incorporates themes of deferred dreams, systemic injustice, and jazz motifs, drawing on real-life wrongful conviction cases and literary influences like Ralph Ellison and Langston Hughes. We also discussed his involvement with the Crime Writers of Color organization and how it was founded by Walter Mosley and Kellye Garrett.  Diverse Voices Book Review Social Media: Facebook - @diversevoicesbookreview Instagram - @diverse_voices_book_review X - @diversebookshay Email: hbh@diversevoicesbookreview.com 

Send us a textWhat happens when dreams wait too long? This timeless question drives Lorraine Hansberry's masterpiece A Raisin in the Sun, now coming to life at Chino Community Theater under TonI Lynd's passionate direction.Set in 1950s Chicago, the play follows a family whose members each nurture distinct dreams while sharing cramped quarters in a run-down apartment. As director Toni explains, "Each one of the family members has a dream to get out of there and to go on with their life, and I think most people can relate to a dream." The title itself comes from Langston Hughes' poignant poem asking what happens to dreams postponed—do they "dry up like a raisin in the sun?"The production features a remarkable ensemble cast bringing authentic fire to their performances. JoJo, making his CCT debut as Walter, shares his approach to a complex character who is "very unlikable in many moments" yet undergoes profound transformation. Tachi, playing the maternal figure, draws from her experiences as a mother and her observations of older generations to create a richly nuanced performance. "I think about myself and my son and how I want him to pursue his dreams, and what parents have to sacrifice," she reflects, highlighting the universal themes that make this play resonate across generations.Behind the scenes, meticulous attention to detail brings 1950s Chicago to our stage. From an authentic vintage stove to period-appropriate furniture and costumes researched by Kathy Miller, every element transports audiences into the Younger family's world. The production also features special events including an opening night gala where audiences can meet the cast and Sunday talkbacks for deeper conversation about the play's themes.Don't miss this powerful American classic running September 12-27 with performances Fridays and Saturdays at 7:30pm and Sundays at 2:30pm. Reserve your tickets now by calling 909-590-1149 or visiting chinocommunitytheater.org and witness the magic that happens when community, art, and timeless storytelling come together.Find STTS:Steps To The Stage (@stepstothestage) | InstagramFacebookSteps To The Stage (buzzsprout.com)Steps To The Stage - YouTubePlease follow on your favorite podcast platform and we appreciate 5 Star ratings and positive reviews!

This week, we're bringing you a special episode from our play cousins over at the podcast "Our Ancestors Were Messy." We hear about how Zora Neale Hurston and Langston Hughes went from being best friends to not friends.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Daily QuoteIf our dreams come true, we are almost afraid to believe it; for that is the best of all good fortune, and nothing better can happen to any of us. (Willa Cather)Poem of the Day蝶恋花·庭院深深深几许欧阳修Beauty of WordsSalvationLangston Hughes

Join us as Ocean House owner and award-winning author Deborah Goodrich Royce moderates a conversation with our featured author, New York Times bestselling author Victoria Christopher Murray. About the Author: Victoria Christopher Murray is the best-selling author of more than 30 novels, including the New York Times Instant Best Sellers, The Personal Librarian, and The First Ladies. In both novels, Victoria co-wrote with Marie Benedict. A native New Yorker, Victoria Christopher Murray attended Hampton University, where she majored in Communication Disorders. After graduating, Victoria attended New York University's Stern Business School, where she received her MBA in Marketing. Victoria spent ten years in Corporate America before she tested her entrepreneurial spirit. She opened a Financial Services Agency for Aegon, USA, where she managed the number one division for nine consecutive years. However, Victoria always dreamed of writing, and in 1997, she pursued her dream. About The Book: She found the literary voices that would inspire the world…. The extraordinary story of the woman who ignited the Harlem Renaissance, written by Victoria Christopher Murray, New York Times bestselling coauthor of The Personal Librarian. In 1919, a high school teacher from Washington, D.C arrives in Harlem excited to realize her lifelong dream. Jessie Redmon Fauset has been named the literary editor of The Crisis. The first Black woman to hold this position at a preeminent Negro magazine, Jessie is poised to achieve literary greatness. But she holds a secret that jeopardizes it all. W. E. B. Du Bois, the founder of The Crisis, is not only Jessie's boss, he's her lover. And neither his wife, nor their fourteen-year-age difference can keep the two apart. Amidst rumors of their tumultuous affair, Jessie is determined to prove herself. She attacks the challenge of discovering young writers with fervor, finding sixteen-year-old Countee Cullen, seventeen-year-old Langston Hughes, and Nella Larsen, who becomes one of her best friends. Under Jessie's leadership, The Crisis thrives…every African American writer in the country wants their work published there. When her first novel is released to great acclaim, it's clear that Jessie is at the heart of a renaissance in Black music, theater, and the arts. She has shaped a generation of literary legends, but as she strives to preserve her legacy, she'll discover the high cost of her unparalleled success. Find out more about Victoria Christopher Murray and her books at victoriachristophermurray.com. For details on Deborah Goodrich Royce and the Ocean House Author Series, visit deborahgoodrichroyce.com

From "Bloody Sunday" to Modern Activism: Civil Rights Leaders Reflect on LegacyThis show is made possible thanks our members! To become a sustaining member go to https://LauraFlanders.org/donate   Thank you for your continued support!Description: 60 years ago in Selma, Alabama, state troopers beat peaceful protesters bloody on the Edmund Pettus Bridge as they marched for civil rights. The horror of “Bloody Sunday” and the resilience of the Civil Rights Movement ultimately led to the passage of the 1965 Voting Rights Act and many of the landmark achievements that are now directly under attack. As civil rights activists look to history to understand — and prepare for — the present, Laura walks the Bridge and talks with, among others, Sheyann Webb Christburg, who marched at the age of eight, Black Voters Matter co-founders LaTosha Brown and Clifford Albright; law professor and author Kimberlé Williams Crenshaw and Maya Wiley, President and CEO of the Leadership Conference on Civil and Human Rights. What does people power look like today? Plus, a commentary from Laura on name calling then and now.“We're not going to phone bank our way out of this. We're not going to text our way out of this. And in truth, we're not even going to vote our way out of this . . . It's going to take revisiting some of the same strategies that we saw here in Selma, in terms of nonviolent civil disobedience and direct action.” - Clifford Albright“When we see and hear and think about fascism, we think about anti-democratic movements in Europe. We think about the Holocaust . . . But for Black people, as Langston Hughes said, you don't have to explain to us what fascism is. We experienced it. That is what we were fighting, for the 60, 70 years after Reconstruction was overthrown.” - Kimberlé CrenshawGuests:• Clifford Albright: Co-Founder & Executive Director, Black Voters Matter• Willard and Kiba Armstead: Veteran & Spouse• Trayvon Bossa: Sigma Chapter Member, Miles College Phi Beta Sigma Fraternity• LaTosha Brown: Co-Founder, Black Voters Matter• Kimberlé Williams Crenshaw: Co-Founder & Executive Director, African American Policy Forum; Host of the Intersectionality Matters! Podcast• Noelle Damico: Director of Social Justice, The Workers Circle• Melinda Hicks: Military Family• Jaribu Hill: Executive Director & Founder, Mississippi Workers' Center for Human Rights• Myla Person: Jack and Jill Club, Columbus, Georgia• Ann Toback: CEO, The Workers Circle• Sheyann Webb-Christburg: Youngest Participant,1965 Bloody Sunday March• Maya Wiley: President & CEO, Leadership Conference on Civil and Human Rights Watch the broadcast episode cut for time at our YouTube channel and airing on PBS stations across the country Subscribe to episode notes via Patreon Music Credit:  "Tremole" "Jagged" "Thrum of Soil" & "Dawn Summit" by Blue Dot Sessions from the album Empty Outpost.  "Steppin" by Podington Bear. And original sound production and design by Jeannie Hopper.Podcast Endorsement:  Intersectionality Matters! Podcast Related Laura Flanders Show Episodes:•  Rep. John Lewis on Making Justice from Selma to the Present, Watch•  Kimberlé Crenshaw & Soledad O'Brien Call Out the Media on Critical Race Theory, Watch / Listen / Download Podcast•  Reporting on Policing at the Polls & BIPOC Voter Suppression in 2024, Watch / Listen/Download Podcast:  Full Uncut Conversation and Episode• Deciding the Fate of Democracy in North Carolina, Watch / Download Podcast •  The Georgia Way:  Strategies that Work for Winning Elections, Watch / Listen/Download Podcast:  Full Uncut Conversation and Episode Related Articles and Resources:•  Anniversary of ‘Bloody Sunday' Marks Continued Fight for Voting Rights, by Temi Adeoye, March 24, 2025, ACLU•  U.S. Civil Rights Trail, Learn More• United State of Amnesia, The Real History of Critical Race Theory, Hosted by Kimberlé Crenshaw Podcast Mini Series•  Documentary Trailer:  “Love, Joy, and Power: Tools for Liberation” follows Cliff Albright and LaTosha Brown as they reshape American democracy. As founders of Black Voters Matter Fund, they didn't just flip Georgia in 2020 - they sparked a movement that's still growing. April 8, 2025, Watch Laura Flanders and Friends Crew: Laura Flanders, along with Sabrina Artel, Jeremiah Cothren, Veronica Delgado, Janet Hernandez, Jeannie Hopper, Gina Kim, Sarah Miller, Nat Needham, David Neuman, and Rory O'Conner. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

“When we see and hear and think about fascism, we think about anti-democratic movements in Europe. We think about the Holocaust . . . But for Black people, as Langston Hughes said, you don't have to explain to us what fascism is. We experienced it. That is what we were fighting, for the 60, 70 years after Reconstruction was overthrown.” - Kimberlé CrenshawThis show is made possible by you! To become a sustaining member go to https://LauraFlanders.org/donate Thank you for your continued support!Description [Rewind]:  The following podcast features full uncut conversations with Law Professor Kimberlé Williams Crenshaw, an American civil rights advocate and leading scholar of critical race theory.  She's the Co-Founder of African American Policy Forum and the host of the podcast Intersectionality Matters! that includes the series “United States of Amnesia, the real history of critical race theory.  Also, you'll hear the uncut conversation with Clifford Albright, the co-founder of Black Voters Matter, one of the most significant organizations working for voters rights in the U.S.. Clips from both interviews are featured in our special report from Selma, Alabama where Americans marked the 60th anniversary of the Selma to Montgomery marches amidst a hail of executive orders by Trump reversing many of the gains of the Civil Rights movement and banning anti-discrimination measures and even the teaching of Civil Rights history. These audio exclusives are made possible thanks to our member supporters. (originally released spring 2025)Guests:• Kimberlé Williams Crenshaw: Co-Founder & Executive Director, African American Policy Forum; Host of the "Intersectionality Matters!" Podcast.• Clifford Albright: Co-Founder & Executive Director, Black Voters Matter Full Conversation Release: While our weekly shows are edited to time for broadcast on Public TV and community radio, we offer to our members and podcast subscribers the full uncut conversation. These audio exclusives are made possible thanks to our member supporters. RESOURCES:Watch the broadcast episode cut for time at our YouTube channel and airing on PBS stations across the country Full Episode Notes are located HERE. Related Laura Flanders Show Episodes:•  Rep. John Lewis on Making Justice from Selma to the Present, Watch•  Kimberlé Crenshaw & Soledad O'Brien Call Out the Media on Critical Race Theory, Watch / Listen / Download Podcast•  Reporting on Policing at the Polls & BIPOC Voter Suppression in 2024, Watch / Listen/Download Podcast:  Full Uncut Conversation and Episode• Deciding the Fate of Democracy in North Carolina, Watch / Download Podcast •  The Georgia Way:  Strategies that Work for Winning Elections, Watch / Listen/Download Podcast:  Full Uncut Conversation and EpisodeRelated Articles and Resources:•  Anniversary of ‘Bloody Sunday' Marks Continued Fight for Voting Rights, by Temi Adeoye, March 24, 2025, ACLU•  U.S. Civil Rights Trail, Learn More Laura Flanders and Friends Crew: Laura Flanders, along with Sabrina Artel, Jeremiah Cothren, Veronica Delgado, Janet Hernandez, Jeannie Hopper, Gina Kim, Sarah Miller, Nat Needham, David Neuman, and Rory O'Conner. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

We have Teri Johnson of Harlem Candle Co. and Harlem Perfume Co. talking about her historically reverent collection of perfumes inspired by the great artists of the Harlem Renaissance: Billie Holiday, Langston Hughes, Josephine Baker, Duke Ellington, and Eartha Kitt — who's perfume was made in collaboration with her daughter Kitt Shapiro (and whose grandaughter Nora Mae starred in the campaign!). Johnson chats with us about the significance of the Harlem Renaissance, how her candle brand took off during the pandemic, and how Eartha Kitt "oversaw" the formula of her namesake perfume. Also in this EP: We're still blush blind apparently The GAP scents are coming back (even though we already knew they never left) A lightning round sniff test of Harlem Perfume Co's new Sephora-launched fragrances [What we smell like today: Byredy Pulp, Prada Infusion De Rhubarbe]

Today the topic is about algorithms and how they try to shape us and what we ca. do. A self reflection.You can listen to the Malayalam translation of the Langston Hughes poem here - Poetry Translation VideoPlease email your comments to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PahayanMedia@Gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or on Spotify if you listen to the episode there.Please do check my other podcasts Agile Malayali, Vayanalokam, Penpositive Outclass, Cinema Malayali and Agile IndianI have planned to write and each day on a different blog. Personal notes and poetry in english at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vinodnarayan.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and personal notes and poems and translations in malayalam at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pahayanmedia.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and notes on profession, work and career in english at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠penpositive.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Also checkout the YouTube channels ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Agile Malayali⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for content on professional development and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Vayanalokam⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for malayalam reviews of books and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cinema Malayali⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for malayalam reviews of non-malayalam movies and my Hindi (Hinglish) vlog ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Agile Indian⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pahayan Media on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pahayan Media on Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Join us for an audio tour of the Paul Laurence Dunbar House in Dayton, Ohio. Ryan Qualls, Chief of Interpretation and Site Manager, walks listeners through Dunbar's final residence and sheds light on the life and work of this prolific, groundbreaking author. Take a step back into history to learn about Dunbar's early friendship with the Wright brothers; how a pivotal review launched him into literary fame; his dialect poetry; controversies and praise surrounding his writing; his influence on other American authors; and, of course, the house itself, including its furnishings and appliances, along with Dunbar's books, swagger sticks, and more. Finally, Qualls shares a musical interpretation of the poem “On the River” to showcase how Dunbar's poetry might have been performed during his lifetime. To see images from the tour, visit our accompanying blog post.   About Dunbar Born in 1872 in Dayton, Ohio, to formerly enslaved parents, Paul Laurence Dunbar would go on to become one of the first nationally recognized African American poets—and the first to support himself financially through his writing. Over the course of Dunbar's relatively short career, he authored twelve books of poetry, four novels, four short story collections, and two Broadway plays, as well as song lyrics. He died in 1906 at the age of thirty-three from tuberculosis, though his legacy endures today. Dunbar's work has inspired many great American authors, including Langston Hughes, Maya Angelou, and others.   About the Paul Laurence Dunbar House In 1904, Dunbar's mother, Matilda J. Dunbar, purchased a two-story brick house located at 219 N. Summit Street (since renamed N. Paul Laurence Dunbar Street) in Dayton, Ohio. The house became Dunbar's final residence, and following his death in 1906, Matilda meticulously maintained the house and her son's belongings. Today, the house is owned and managed by the state of Ohio, is part of the Dayton Aviation Heritage National Historical Park, and is open to the public for free tours.   Page Count is produced by Ohio Center for the Book at Cleveland Public Library. For full show notes and an edited transcript of this episode, visit the episode page. To get in touch, email ohiocenterforthebook@cpl.org (put “podcast” in the subject line) or follow us on Instagram or Facebook.

“I used to think there was one America, but there are two. There's no place for me in McPherson's and Hearst's America, but there is in Lincoln's and Roosevelts!”  This week on Cold War Cinema, we discuss Mikhaill Romm's 1948 drama, The Russian Question. In this Soviet production, winner of the 1948 Stalin Prize and based on a play of the same name by Konstantin Siminov, a mendacious newspaper editor sends columnist Harry Smith to the Soviet Union to write a book critical of socialism. But when the principled columnist returns to the United States, he quickly realizes that the American press intends to turn the Russian question—whether the Russians want war—into a statement with dangerous geopolitical ramifications.  Join hosts Jason Christian, Tony Ballas, and Paul T. Klein as we consider: The role of editing or montage in the construction of political critiques in aesthetic form Why the President of the Motion Picture Association called this a “sneering, lying attack on the United States” and an “open bid to stir contempt and hatred for America on the part of the Russian audiences,” and why he got it all wrong How a Soviet film about a sensationalist American news media helps us understand our current political moment _____________________ We love to give book or film recommendations on the podcast, so here are ours for this episode:  Paul recommends Clarence Brown's 1949 drama Intruder in the Dust. Tony recommends Langston Hughes 1961 collection, Ask Your Mama: 12 Moods for Jazz. Jason recommends Mikhail Romm's 1961 drama Nine Days in One Year. _____________________ Like and subscribe to Cold War Cinema, and don't forget to leave us a review! Want to continue the conversation? Drop us a line at any time at coldwarcinemapod@gmail.com. To stay up to date on Cold War Cinema, follow along at coldwarcinema.com, or find us online on Bluesky @coldwarcinema.com or on X at @Cold_War_Cinema.   

Robert Pinsky is a Rock Star Poet! He's the 3x United States Poet Laureate. He's won many awards and was a Pulitzer Prize finalist. As Poet Laureate he created the “Favorite Poem Project” where everyday Americans would select and read poems they admired by the greats including Emily Dickinson and Langston Hughes. He's performed with Bruce Springsteen and performed poetry with world class jazz musicians. And he was featured on “The Simpsons”. My featured song is my version of Miles Davis' “All Blues”, sung by the late, great Jon Lucien, from my 1994 debut album Miles Behind. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH ROBERT:www.robertpinskypoet.com________________________ROBERT'S RECENT SINGLES:“THE CUT OF THE KNIFE” is Robert's latest single. An homage to jazz legend Dave Brubeck and his hit “Take Five”. It features Guest Artist Kerry Marx, Musical Director of The Grand Ole Opry band, on guitar solo. Called “Elegant”, “Beautiful” and “A Wonder”! CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

What does it mean to speak truth in the face of injustice? Inspired by The Future of Commerce article on Juneteenth civil rights quotes, this episode revisits the enduring words of civil rights leaders who understood the urgency of voice, the danger of silence, and the power of collective action.From the fierce urgency of now to the dismantling of oppressive systems, we unpack the moral clarity of quotes from John Lewis, Ida B. Wells, Malcolm X, Marsha P. Johnson, Coretta Scott King, and others. Their words illuminate the work that remains—and challenge each of us to find our role in shaping a just future.What You'll Learn in This Episode:1. Justice, Truth, and Power: The Moral FoundationsWhy unchecked power undermines real peace (John Lewis)The call to expose injustice with truth (Ida B. Wells)The dangers of ignorance coupled with authority (James Baldwin)2. The Urgency of Action and the Myth of GradualismKing's warning against the “tranquilizing drug of gradualism”Marsha P. Johnson's reminder that history is built on choicesFrederick Douglass on the need to demand—not request—change3. Understanding and Resisting OppressionAudre Lorde on collective liberationToni Morrison on racism as a distraction tacticAlicia Garza on systems of power—not just individual prejudiceMalcolm X on media narratives and critical thinking4. Courage, Voice, and EnduranceLorde's warning: silence offers no safetySojourner Truth and Langston Hughes on rising with dignityCoretta Scott King on indivisible justice and universal rightsKey Takeaways:Language is a tool of liberation—and suppressionSpeaking out is not just brave, it's necessaryOppression is systemic, but resistance is personal and collectiveJuneteenth is both a commemoration and a challenge: to act, speak, and change what remains unjustSubscribe to our podcast for thoughtful explorations of justice, leadership, and social progress. Visit The Future of Commerce for more insights on culture, equity, and collective transformation. Share this episode with educators, advocates, and all who believe in the power of words to move the world forward.

Charlotte Osborne Mason was one of the biggest benefactors of the Harlem Renaissance but her patronage came with a cost. While she gave noted luminaries Langston Hughes and Zora Neale Hurston monthly stipends to make art, she wanted a say in what the art would be in order to realize her vision: a flaming bridge to connect America to Africa. Strange Country cohosts Beth and Kelly talk about this strange rich white lady who believed she knew more about being Black than the artists she supported with strings. Theme music: Big White Lie by A Cast of Thousands Cite your sources: Boyd, Valerie. “About Zora Neale Hurston.” Zora Neale Hurston, 18 September 2024, https://www.zoranealehurston.com/about/. Accessed 7 May 2025. Hosie, Rachel. “Powerful people act as if they've suffered a traumatic brain injury, find scientists.” The Independent, 26 June 2017, https://www.the-independent.com/life-style/powerful-people-brain-injury-traumatic-empathy-mirroring-keltner-study-science-a7807946.html. Accessed 13 June 2025. “When Hurston Had a (Mule) Bone to Pick with Hughes.” Proquest, 20 June 2018, https://about.proquest.com/en/blog/2018/when-hurston-had-a-mule-bone-to-pick-with-hughes/. Kaplan, Carla. Miss Anne in Harlem: The White Women of the Black Renaissance. HarperCollins, 2013. Panovka, Rebecca. “A Different Backstory for Zora Neale Hurston's “Barracoon.”” Los Angeles Review of Books, 7 July 2018, https://lareviewofbooks.org/article/different-backstory-for-zora-neale-hurstons-barracoon/. Accessed 7 May 2025.  

Hey lady! This week Terri and Dr. Dom welcome A'Lelia Bundles, a groundbreaking journalist and author, and the great granddaughter of A'Lelia Walker, the daughter of Madame C.J. Walker. She stops by the podcast to discuss her new book Joy Goddess: A'Lelia Walker and the Harlem Renaissance a riveting telling of her family's storied history.A'Lelia goes in depth about her journey to finding her place in her family's historic legacy while building her own legacy. She found that in digging into the lore of her lineage she had the type of gold that writer's dream of – stories full of innovation, trailblazing, love, lust, tough decisions, death, travel, luxury, joy, and triumph. Who wouldn't want to dive in?The ladies discuss how those stories hold gifts that we, as a collective, can use as we chart a new path through the current chaos. Our path of peaceful resistance centers around one key element – joy. A'Lelia Walker, known as the Joy Goddess by Harlem Renaissance luminary Langston Hughes, had a vision of creating community through sharing space, resources, and good vibes. Lady, tune in to this inspiring episode and let it be fuel for your dreams. And, be sure to share with a friend! We love welcoming new friends into our community. Holla at us on Instagram and let us know your favorite part of the book. Quote of the Day:"It is time she assumes her place- with all her complexity and dimensions- among the pantheon of Harlem Renaissance icons." – A'Lelia Bundles  Goal Map Like a Pro WorkbookCultivating H.E.R. Space Sanctuary  Where to find A'Lelia Bundles:Website: aleliabundles.comBook: Joy Goddess: A'Lelia Walker and the Harlem RenaissanceInstagram: @aleliabundlesLinkedIn: A'Lelia BundlesTwitter (X): @aleliabundlesFacebook: A'Lelia Bundles  Resources:Dr. Dom's Therapy PracticeBranding with TerriMelanin and Mental HealthTherapy for Black Girls Psychology TodayTherapy for QPOC  Where to find us:Twitter: @HERspacepodcastInstagram: @herspacepodcastFacebook: @herspacepodcastWebsite: cultivatingherspace.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/cultivating-h-e-r-space-uplifting-conversations-for-the-black-woman--5470036/support.

Coco Hill Productions’ new podcast, Our Ancestors Were Messy, might be my favorite new pod of the year, perfect for avoiding the heavy news cycle! LISTEN AND SUBSCRIBE: https://thesecretadventuresofblackpeople.com/our-ancestors-were-messy See omnystudio.com/listener for privacy information.

Charles Blow, former New York Times Opinion columnist, tells us about his Langston Hughes Fellowship at Harvard and why Democrats need to start fighting back.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

Welcome to the Paint The Medical Picture Podcast, created and hosted by Sonal Patel, CPMA, CPC, CMC, ICD-10-CM.Thanks to all of you for making this a Top 15 Podcast for 4 Years: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://blog.feedspot.com/medical_billing_and_coding_podcasts/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sonal's 15th Season starts up and Episode 5 features a Newsworthy spotlight on June as Cataract Awareness Month.Sonal's Trusty Tip and compliance recommendations focus on cataract surgery documentation.Spark inspires us all to reflect on hopes and aspirations based on the inspirational words of Langston Hughes.Cataract Awareness Month for June 2025:Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://preventblindness.org/cataract-awareness-month-2020/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Paint The Medical Picture Podcast now on:Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/6hcJAHHrqNLo9UmKtqRP3X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/paint-the-medical-picture-podcast/id153044217⁠7⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon Music: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://music.amazon.com/podcasts/bc6146d7-3d30-4b73-ae7f-d77d6046fe6a/paint-the-medical-picture-podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find Paint The Medical Picture Podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCzNUxmYdIU_U8I5hP91Kk7A⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find Sonal on LinkedIn:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.linkedin.com/in/sonapate/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠And checkout the website:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://paintthemedicalpicturepodcast.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you'd like to be a sponsor of the Paint The Medical Picture Podcast series, please contact Sonal directly for pricing: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PaintTheMedicalPicturePodcast@gmail.com⁠⁠⁠⁠⁠

In 1932, along with a group of African American activists and writers including novelist Dorothy West, Langston Hughes journeyed to the Soviet Union. Veering off from the “official” trip, Hughes met Arthur Koestler before venturing on to an extended journey through the newly formed republics of Central Asia. While Hughes' readers may be familiar with his A Negro Looks at Soviet Central Asia, this chapbook makes available previously unpublished material drawn from Hughes' notebooks, photographs, and collaborative translation projects with Uzbek poets. Just as his own work is being translated into Uzbek, Hughes—ever the participant—collaborates with his peer poets in the region to produce texts published in this collection for the first time.  Cholpon Ramizova is a London-based creator and researcher. She holds a Master's in Migration, Mobility and Development from SOAS, University of London. Her thematic interests are in migration, displacement, identity, gender, and nationalism - and more specifically on how and which ways these intersect within the Central Asia context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/central-asian-studies

Langston Hughes, the great African American poet, said decades ago, “Fascism is a new name for that kind of terror the Negro has always faced in America.” Fascism can and has led to genocide. Progressive African American intellectuals, writers, poets, and musicians have had a long tradition and history of solidarity and resisting fascism and genocide, from Frederick Douglass to Gil Scott-Heron, from Sojourner Truth to Angela Davis, from W.E.B. Du Bois to John Lewis, from Paul Robeson to Amiri Baraka, from Ida B. Wells to Malcolm X, from Ella Baker to Dr. King, from Harry Belafonte to Sonny Rollins, from James Baldwin to Cornel West and up to the present moment where Robin D. G. Kelley warns “We're witnessing the consolidation of a fascist police state.” Recorded at the University of Massachusetts.

Guests: Kevin Portteus, Daniel J. Mahoney, & Brent Cline Host Scot Bertram talks with Kevin Portteus, professor of politics and director of American Studies at Hillsdale College, about how the American Founders viewed the question of birthright citizenship and a recent essay he wrote on the subject. Daniel J. Mahoney, senior fellow at the Claremont Institute and senior writer at Law & Liberty, discusses his recent book The Persistence of the Ideological Lie: The Totalitarian Impulse Then and Now. And Brent Cline, associate professor of English at Hillsdale College, continues a short series on the Harlem Renaissance. This week, the life and work of poets Langston Hughes and Countee Cullen.See omnystudio.com/listener for privacy information.

From "Bloody Sunday" to Modern Activism: Civil Rights Leaders Reflect on LegacyThis show is made possible thanks our members! To become a sustaining member go to https://LauraFlanders.org/donate   Thank you for your continued support!Description: 60 years ago in Selma, Alabama, state troopers beat peaceful protesters bloody on the Edmund Pettus Bridge as they marched for civil rights. The horror of “Bloody Sunday” and the resilience of the Civil Rights Movement ultimately led to the passage of the 1965 Voting Rights Act and many of the landmark achievements that are now directly under attack. As civil rights activists look to history to understand — and prepare for — the present, Laura walks the Bridge and talks with, among others, Sheyann Webb Christburg, who marched at the age of eight, Black Voters Matter co-founders LaTosha Brown and Clifford Albright; law professor and author Kimberlé Williams Crenshaw and Maya Wiley, President and CEO of the Leadership Conference on Civil and Human Rights. What does people power look like today? Plus, a commentary from Laura on name calling then and now.“We're not going to phone bank our way out of this. We're not going to text our way out of this. And in truth, we're not even going to vote our way out of this . . . It's going to take revisiting some of the same strategies that we saw here in Selma, in terms of nonviolent civil disobedience and direct action.” - Clifford Albright“When we see and hear and think about fascism, we think about anti-democratic movements in Europe. We think about the Holocaust . . . But for Black people, as Langston Hughes said, you don't have to explain to us what fascism is. We experienced it. That is what we were fighting, for the 60, 70 years after Reconstruction was overthrown.” - Kimberlé CrenshawGuests:• Clifford Albright: Co-Founder & Executive Director, Black Voters Matter• Willard and Kiba Armstead: Veteran & Spouse• Trayvon Bossa: Sigma Chapter Member, Miles College Phi Beta Sigma Fraternity• LaTosha Brown: Co-Founder, Black Voters Matter• Kimberlé Williams Crenshaw: Co-Founder & Executive Director, African American Policy Forum; Host of the Intersectionality Matters! Podcast• Noelle Damico: Director of Social Justice, The Workers Circle• Melinda Hicks: Military Family• Jaribu Hill: Executive Director & Founder, Mississippi Workers' Center for Human Rights• Myla Person: Jack and Jill Club, Columbus, Georgia• Ann Toback: CEO, The Workers Circle• Sheyann Webb-Christburg: Youngest Participant,1965 Bloody Sunday March• Maya Wiley: President & CEO, Leadership Conference on Civil and Human Rights Watch the broadcast episode cut for time at our YouTube channel and airing on PBS stations across the country Subscribe to episode notes via Patreon Music Credit:  "Tremole" "Jagged" "Thrum of Soil" & "Dawn Summit" by Blue Dot Sessions from the album Empty Outpost.  "Steppin" by Podington Bear. And original sound production and design by Jeannie Hopper.Podcast Endorsement:  Intersectionality Matters! Podcast Related Laura Flanders Show Episodes:•  Rep. John Lewis on Making Justice from Selma to the Present, Watch•  Kimberlé Crenshaw & Soledad O'Brien Call Out the Media on Critical Race Theory, Watch / Listen / Download Podcast•  Reporting on Policing at the Polls & BIPOC Voter Suppression in 2024, Watch / Listen/Download Podcast:  Full Uncut Conversation and Episode• Deciding the Fate of Democracy in North Carolina, Watch / Download Podcast •  The Georgia Way:  Strategies that Work for Winning Elections, Watch / Listen/Download Podcast:  Full Uncut Conversation and Episode Related Articles and Resources:•  Anniversary of ‘Bloody Sunday' Marks Continued Fight for Voting Rights, by Temi Adeoye, March 24, 2025, ACLU•  U.S. Civil Rights Trail, Learn More• United State of Amnesia, The Real History of Critical Race Theory, Hosted by Kimberlé Crenshaw Podcast Mini Series•  Documentary Trailer:  “Love, Joy, and Power: Tools for Liberation” follows Cliff Albright and LaTosha Brown as they reshape American democracy. As founders of Black Voters Matter Fund, they didn't just flip Georgia in 2020 - they sparked a movement that's still growing. April 8, 2025, Watch Laura Flanders and Friends Crew: Laura Flanders, along with Sabrina Artel, Jeremiah Cothren, Veronica Delgado, Janet Hernandez, Jeannie Hopper, Sarah Miller, Nat Needham, David Neuman, and Rory O'Conner. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

“When we see and hear and think about fascism, we think about anti-democratic movements in Europe. We think about the Holocaust . . . But for Black people, as Langston Hughes said, you don't have to explain to us what fascism is. We experienced it. That is what we were fighting, for the 60, 70 years after Reconstruction was overthrown.” - Kimberlé CrenshawThis show is made possible by you! To become a sustaining member go to https://LauraFlanders.org/donate Thank you for your continued support!Description:  The following podcast features full uncut conversations with Law Professor Kimberlé Williams Crenshaw, an American civil rights advocate and leading scholar of critical race theory.  She's the Co-Founder of African American Policy Forum and the host of the podcast Intersectionality Matters! that includes the series “United States of Amnesia, the real history of critical race theory.  Also, you'll hear the uncut conversation with Clifford Albright, the co-founder of Black Voters Matter, one of the most significant organizations working for voters rights in the U.S.. Clips from both interviews are featured in our special report from Selma, Alabama where Americans marked the 60th anniversary of the Selma to Montgomery marches amidst a hail of executive orders by Trump reversing many of the gains of the Civil Rights movement and banning anti-discrimination measures and even the teaching of Civil Rights history. These audio exclusives are made possible thanks to our member supporters.Guests:• Kimberlé Williams Crenshaw: Co-Founder & Executive Director, African American Policy Forum; Host of the "Intersectionality Matters!" Podcast.• Clifford Albright: Co-Founder & Executive Director, Black Voters Matter Watch the special report released on YouTube April 11th 5pm ET; PBS World Channel April 13th, and on over 300 public stations across the country (check your listings) and airing on community radio & available as a podcast April 16th.Full Conversation Release: While our weekly shows are edited to time for broadcast on Public TV and community radio, we offer to our members and podcast subscribers the full uncut conversation. These audio exclusives are made possible thanks to our member supporters. RESOURCES:Watch the broadcast episode cut for time at our YouTube channel and airing on PBS stations across the country Full Episode Notes are located HERE. Related Laura Flanders Show Episodes:•  Rep. John Lewis on Making Justice from Selma to the Present, Watch•  Kimberlé Crenshaw & Soledad O'Brien Call Out the Media on Critical Race Theory, Watch / Listen / Download Podcast•  Reporting on Policing at the Polls & BIPOC Voter Suppression in 2024, Watch / Listen/Download Podcast:  Full Uncut Conversation and Episode• Deciding the Fate of Democracy in North Carolina, Watch / Download Podcast •  The Georgia Way:  Strategies that Work for Winning Elections, Watch / Listen/Download Podcast:  Full Uncut Conversation and EpisodeRelated Articles and Resources:•  Anniversary of ‘Bloody Sunday' Marks Continued Fight for Voting Rights, by Temi Adeoye, March 24, 2025, ACLU•  U.S. Civil Rights Trail, Learn More  Laura Flanders and Friends Crew: Laura Flanders, along with Sabrina Artel, Jeremiah Cothren, Veronica Delgado, Janet Hernandez, Jeannie Hopper, Sarah Miller, Nat Needham, David Neuman, and Rory O'Conner. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel

In March of 1924, more than 100 Black and white attendees were at a dinner party in downtown Manhattan. The party was organized by prominent thinkers Charles S. Johnson and Alain Locke and included people like W.E.B. DuBois. Their goal was to bring together Harlem’s young Black writers with white publishers to help the writers’ work find a national audience. The party was a success. So much so that it’s often considered the start of the period known as the Harlem Renaissance. The Harlem Renaissance saw a boom in the popularity of Black writers, just as the party’s organizers hoped. Writers like Langston Hughes and Zora Neale Hurston might get the most attention, but the period was not just about writing— music and visual arts also flourished. This hour, we’re listening back to our episode exploring the legacy of the Harlem Renaissance. UConn professor Erika Williams joins us to explain what the Harlem Renaissance was and to help us understand how people thought about queerness during the Harlem Renaissance. We’ll also hear from Denise Murrell who curated a recent exhibition at the Metropolitan Museum of Art called "The Harlem Renaissance and Transatlantic Modernism." She says exhibits like this one can help expand the museum-going public. GUESTS: Erika Williams: Associate Professor of English and Africana Studies at the University of Connecticut. Denise Murrell: Merryl H. & James S. Tisch Curator at Large at the Metropolitan Museum of Art. She recently curated an exhibit called "The Harlem Renaissance and Transatlantic Modernism," which was on view at the Metropolitan Museum of Art in 2024. Brandon Hutchinson: Associate Professor of English, Affiliate Faculty of Women and Gender Studies and Co-Coordinator of the Africana Studies Program at Southern Connecticut State University. Jonah Craggett: one of Brandon Hutchinson's former students John Guillemette: one of Brandon Hutchinson's former students Frankie Devevo: one of Erika Williams' former students and former CT Public intern To learn more about Zora Neale Hurston, you can listen to our interview with Tracy Heather Strain. This episode originally aired on December 20, 2024.See omnystudio.com/listener for privacy information.

Our Ancestors Were Messy, is a show about the ancestors and all their drama. On each episode, host Nichole Hill and her guests unpack the ancestors' historical schemes, feuds, and quests to examine how their relationships with one another shaped who we are today. Before the 1960s nearly every major city in the nation had a newspaper written for, by, and about Black Americans. During their “Golden Era” between the 1930s-50s, there were over ten thousand newspapers with an estimated subscriber count of over 1 million. The editors, reporters, and columnists for these papers included legends like Ida B. Wells, Frederick Douglass, Langston Hughes, W.E.B. DuBois, Mary McLeod Bethune, Zora Neale Hurston, and James Weldon Johnson. They reported on local, national, and international news from the Black perspective. They also kept track of what everyone was up to in their segregated neighborhoods and spoiler alert: there was never a dull moment! *** Listen to Our Ancestors Were Messy: https://thesecretadventuresofblackpeople.com/our-ancestors-were-messy Learn more about your ad choices. Visit podcastchoices.com/adchoices

Most people in North America have probably at least heard the name W. E. B. Dubois. In the early twentieth century, DuBois—the first African-American to earn a Ph.D. from Harvard—published and spoke extensively about his vision of equality through education. In particular, he edited The Crisis, the monthly magazine of the NAACP, while also writing such classics as The Souls of Black Folk. But if Dubois is well known, the same cannot be said these days of Jessie Redmon Fauset, the central character of Victoria Christopher Murray's Harlem Rhapsody (Berkley, 2025). In her day, Fauset—who held a degree from Cornell as well as a master's from Penn and a certificate from the Sorbonne in Paris—worked as the literary editor of The Crisis and its associated children's magazine, The Brownies Book, while writing the first of what would become four acclaimed novels. She fostered such stars of the Harlem Renaissance as Langston Hughes, Countee Cullen, Jean Toomer, Georgia Douglas Johnson, Nella Larsen, and Zora Neale Hurston. She was also romantically involved with W. E. B. Dubois, a reality that Murray uses to humanize a heroine who is in every other respect truly remarkable. Her story pulled me in and kept me reading to the very last page. Victoria Christopher Murray is the author of more than thirty novels, including The Personal Librarian and The First Ladies, both historical fiction co-written with Marie Benedict. Harlem Rhapsody is her most recent book. C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels. Her next book, Song of the Steadfast, is due in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Most people in North America have probably at least heard the name W. E. B. Dubois. In the early twentieth century, DuBois—the first African-American to earn a Ph.D. from Harvard—published and spoke extensively about his vision of equality through education. In particular, he edited The Crisis, the monthly magazine of the NAACP, while also writing such classics as The Souls of Black Folk. But if Dubois is well known, the same cannot be said these days of Jessie Redmon Fauset, the central character of Victoria Christopher Murray's Harlem Rhapsody (Berkley, 2025). In her day, Fauset—who held a degree from Cornell as well as a master's from Penn and a certificate from the Sorbonne in Paris—worked as the literary editor of The Crisis and its associated children's magazine, The Brownies Book, while writing the first of what would become four acclaimed novels. She fostered such stars of the Harlem Renaissance as Langston Hughes, Countee Cullen, Jean Toomer, Georgia Douglas Johnson, Nella Larsen, and Zora Neale Hurston. She was also romantically involved with W. E. B. Dubois, a reality that Murray uses to humanize a heroine who is in every other respect truly remarkable. Her story pulled me in and kept me reading to the very last page. Victoria Christopher Murray is the author of more than thirty novels, including The Personal Librarian and The First Ladies, both historical fiction co-written with Marie Benedict. Harlem Rhapsody is her most recent book. C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels. Her next book, Song of the Steadfast, is due in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The blues is more than just music—it's history, it's storytelling, and it's the soul of Black American life. In this compelling live broadcast, we explore Writing the Blues—the ways Black authors, poets, and filmmakers have infused their works with the rhythm, pain, resilience, and triumph of the blues.From Langston Hughes' poetic blues verses to Alice Walker's deeply emotional narratives, from August Wilson's stage masterpieces to period-piece films that use the blues as a backdrop, this discussion uncovers how Black storytelling in literature and cinema keeps the essence of the blues alive.Join us as we break down the themes of struggle, survival, love, and liberation found in both historical and contemporary works. We'll examine films like The Color Purple, Ma Rainey's Black Bottom, Ray, and Down in the Delta, alongside the written works of W.E.B. Du Bois, Zora Neale Hurston, and more.How does the blues shape Black narratives? How do these stories continue to evolve while honoring the legacy of the blues? Let's dive into these questions together in an insightful, thought-provoking, and culturally rich discussion.

DateMarch 9, 2025SynopsisIn this sermon, we kick off our Lenten series "Glitch" by confronting our impulse to possess rather than receive. When we move from "wow" to "mine," we reveal the twin sins of greed and gluttony—not moral failures to be ashamed of, but glitches in our connection to God and others. Through Jesus's loving encounter with the rich young man, we discover how our grasping hands reflect a deeper grief about our limitations, and how true liberation comes when we unclench our fists. What if the path to resurrection begins with honest recognition of what's "eating at the rind" of our souls?ReferencesScripture: Mark 10:17–22About The Local ChurchFor more information about The Local Church, visit our website. Feedback? Questions? Comments? We'd love to hear it. Email Brent at brent@thelocalchurchpbo.org.To invest in what God's doing through The Local Church and help support these podcasting efforts and this movement of God's love, give online here.

A while back, Victoria Christopher Murray set out on a mission to learn about the women of the Harlem Renaissance. But in her research, she mostly found stories about men – until she came across Jessie Redmon Fauset. Fauset, whom Langston Hughes called "the midwife of the Harlem Renaissance," was a writer who eventually became literary editor at The Crisis, the NAACP's magazine. Her life serves as inspiration for Murray's new historical fiction novel Harlem Rhapsody. In today's episode, Murray speaks with NPR's Pien Huang about the historical impact of Fauset's romantic relationship with W.E.B. Du Bois and Murray's decision to include the affair in the book.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Professor Karen Weingarten joins co-hosts Whitney Terrell and V.V. Ganeshananthan to talk about a new anthology she has edited, Abortion Stories: American Literature Before Roe v. Wade. Weingarten reflects on the complicated history of abortion, the varied use of abortifacients, abortion's ties to eugenics and state control of bodies, and the rise of the anti-abortion movement. She discusses how access to abortion facilitates other kinds of resistance, and explains how the book came to include authors like Maria Sybilla Merian, Langston Hughes, Dorothy Parker, Lucille Clifton, and Eugene O'Neill alongside oral histories from formerly enslaved persons and groundbreaking politicians like Shirley Chisholm. She talks about the stories she hopes to see represented in post-Dobbs writing and reads from her foreword to the anthology. To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/. This podcast is produced by Whitney Terrell and V.V. Ganeshananthan. Selected Readings: Karen Weingarten Abortion Stories: American Literature Before Roe v. Wade Pregnancy Test Abortion in the American Imagination: Before Life and Choice, 1880-1940 Others Dirty Dancing Fast Times at Ridgemont High The Cider House Rules The Mothers The Art of Subtext Jessica Valenti Abortion: Our Bodies, Their Lies, and the Truths We Use to Win Peyton Place Men Without Women by Ernest Hemingway (which includes “Hills Like White Elephants” Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's poem plays nicely against Hughes' more famous meditation on “dreams” (the deferred kind, in “Harlem”). Rather than emphasizing the danger of a dream under pressure, here he stresses the importance of a dream to men and women under pressure. Happy reading. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

When Vivian Harsh became a Chicago librarian, she began what was called at the time the “Special Negro Collection” – an archive housing Black history and literature. Harsh knew writers like Langston Hughes, Gwendolyn Brooks, Richard Wright and Zora Neale Hurston personally. Their work is also housed in the Vivian Harsh Research Collection, at Chicago's Woodson Regional Library. Reset chats with the unit head of the collection, Raquel Flores-Clemons, to learn about Harsh's life and legacy. For a full archive of Reset interviews, head over to wbez.org/reset.

Power of Reading Week S8 | "A Dream Deferred" BY  Langston Hughes | Season 8 2024-2025 Tune in another Power of Reading Week! Yay! Host, Nichel Anderson returns this week featuring the poem by Langston Hughes "Dream Differed" aka "Harlem", where during the month of February celebrating the power of reading. What are your favorite books? Ms. Anderson returns reading of the many talented writers, poets of the last century Langston Hughes that joined Dr. W.E.B. DuBois extraordinary concept of the Harlem Renaissance in literature and music, as well as, art. In which produced some of Mr. Hughes greatest work for generations. In this episode, Ms. Anderson reads the poem and provides an analysis of the poem thereafter.   Song music in background; "Kingship" by Nichel MOLIAE aka Nichel Anderson with featured Rapper "Chris Jenkins" | IG @chrisjenkinstvg     Listen, Download this song and share it here; Support Nichel's M-Film Dream;    -------- SHOP ON OFFICIAL WEBSITE; Purchase the Remix of Nichel's songs of her forthcoming song only here; You Know Me | SONG Remix;  https://moliae.com/song    or the catalog of songs here; https://moliae.com/shop   SHOP MOLIAE HOODI'S, Tshirts; https://moliae.com/product/wings-of-atlantis-moliae-hoodi/ ====== --- ***Apple Music My Song Links:    You Know Me:  https://music.lnk.to/yVTBWP     Don't You Remember The Times https://music.lnk.to/mXk8Xf   Atlantans https://music.lnk.to/Fgg572     Kingship   https://music.lnk.to/XORSTW   When love was divine      --- Stream Spotify Nichel's songs:  Kingship https://open.spotify.com/track/6PqzW6hkAkx0dHUMabj6pN?si=dc3e0b2c990f441b -- You Know Me https://open.spotify.com/album/4gd09XfrS5KFby3JbAjDxC?si=Jq-RRza7QrWDdY_aZ_53NQ -- Atlantans  https://open.spotify.com/album/1V2DjkvDteCb9UFwr0m6OC?si=AMNciL30SKyOz1agxoE7oA -- We Are Atlantans https://open.spotify.com/album/3ecYQyZ2INxYcTQ1yEUd9l?si=DzGSldhjRSS-ySjz_haVDA     --- When Love Was Divine https://open.spotify.com/track/6ta4GKvwYSBfffeZ2NHhaO?si=2cf54113cc434d6e   ----   ---- Get the NFTs Support the M-Film Project | Pyramids Mystery Temple Reunion (PMTR)   MOLIAEWorld.com Mint.MOLIAEWorld.com           ---- Check out another episode this week! Share this!      

Get out your UV lights & swabs--the queens play a game that fuses poems, then guess the poetic DNA samples. Then we spark up a fusion of a different strain!Please Support Breaking Form!Review the show on Apple Podcasts here.Pretty Please.....Buy our books:     Aaron's STOP LYING is available from the Pitt Poetry Series.     James's ROMANTIC COMEDY is available from Four Way Books.SHOW NOTES:Watch Jools Lebron get mindful and demure here, divaDon't soak tampons in vodka. Poems we discuss in the episode include:Philip Levine's "Bitterness"Laura Kasischke's "Champagne"Kay Ryan's "Shark's Teeth"Kenneth Koch's "One Train May Hide Another"Annie Finch's "Wild Yeasts"Dorothea Lasky's "Toast to my friend or why Friendship is the best kind of Love"Danusha Laméris's "Bonfire Opera"Marie Ponsot's "Among Women"Tina Chang's "God Country"Campbell McGrath's "Sunset, Route 90, Brewster County, Texas"Elizabeth Bishop's "The Fish"W.B. Yeats's "Leda and the Swan"Gerard Manley Hopkins's "The Windhover"Anne Sexton's "Jesus Awake" & "Wanting to Die" Langston Hughes's "The Negro Speaks of Rivers" & "I, Too"Philip Larkin's "Sad Steps" And Beyonce's "You Won't Break My Soul [Queens Remix]," in which she sampled Madonna's song "Vogue," returning it to the culture where it rightly belongs.

This year marks the 100th anniversary of Alain Locke's classic essay "The New Negro" and the literary anthology featuring the work of Langston Hughes, Zora Neale Hurston, Countee Cullen and other significant black writers of the day.The rising artistic scene would soon be known as the Harlem Renaissance, one of the most important cultural movements in American history. And it would be centered within America's largest black neighborhood -- Harlem, the "great black city," as described by Wallace Thurman, with a rising population and growing political and cultural influence.During the 1920s, Harlem became even more. Along "Swing Street" and Lenox Avenue, nightclubs and speakeasies gave birth to American music and fostered great musical talents like Count Basie, Billie Holiday and Duke Ellington. Ballrooms like the Savoy and the Alhambra helped turn Harlem into a destination for adventure and romance.What were these two worlds like -- the literary salons and the nightclubs? How removed were these spheres from the everyday lives of regular Harlem residents? How did the neighborhood develop both an energetic and raucous music scene and a diverse number of churches -- many (like the Abyssinian Baptist Church) still around today?Visit the website for more details and more podcastsGet tickets to our March 31 City Vineyard event Bowery Boys HISTORY LIVE! hereAnd join us for our Gilded Age Weekend in New York, May 29-June 1, 2025. More info here.This episode was edited by Kieran Gannon

Rose McClendon (1884–1936) was a trailblazing African-American actress and director who rose to prominence on Broadway during the Harlem Renaissance in the 1920s and 30s. Rose became known for her powerful performances in plays like the Pulitzer Prize-winning play In Abraham's Bosom and Langston Hughes’ Mulatto. Rose co-founded the Negro People's Theatre, contributed to the Federal Theatre Project, and championed opportunities for Black performers. For Further Reading: Black Past: Rose McClendon Rose McClendon scrapbooks Broadway Photographs: Rose McClendon First lady of the Black stage, Rose McClendon This Black History Month, we’re talking about Renaissance Women. As part of the famed cultural and artistic Harlem Renaissance movement, these women found beauty in an often ugly world. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn’t help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we’ll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones, Abbey Delk, Adrien Behn, Alyia Yates, Vanessa Handy, Melia Agudelo, and Joia Putnoi. Special thanks to Shira Atkins. Original theme music composed by Miles Moran. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

Host Meg Wolitzer hands off to stage and film actor Teagle F. Bougere, our guest host for a show that celebrates the protean literary master and social activist Langston Hughes (1901-1967). It features three of his most striking works.  In “Passing” Hughes reflects on a difficult aspect of the Black experience—the need some felt to “pass” as white.  Program host Teagle F. Bougere is the reader.  Pauletta Pearson Washington reads the humorous and much anthologized “Thank You, M'am." And Joe Morton performs one of Hughes' most celebrated works, “The Blues I'm Playing,” which charts the long and complex relationship between a brilliant young Black pianist and her white patron.  All three stories reflect Hughes' explorations of questions of race, identity, and personal destiny. 

Zora Neale Hurston (1891-1960) was the most published African American woman writer of the first half of the twentieth century; her signature novel Their Eyes Were Watching God is still read by students, scholars, and literature lovers everywhere. In this episode, Jacke talks to Hurston biographer Cheryl R. Hopson (Zora Neale Hurston: A Critical Life) about the life and creativity of this remarkable figure. PLUS Jacke takes a look at some newly resurfaced works by Jack Kerouac, which shed light on his dalliance with Buddhism. Additional listening: Zora Neale Houston and Langston Hughes (with Yuval Taylor) 431 Langston Hughes 644 Jack Kerouac (with Steven Belletto) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Regina M. Anderson Andrews (1901-1993) was a playwright, librarian, and key figure of the Harlem Renaissance, known for her role in fostering Black arts and culture. As a librarian in New York City, she created spaces for emerging Black writers and artists, hosting salons that connected creatives like Langston Hughes and Zora Neale Hurston. For Further Reading: Regina Anderson Andrews, librarian, playwright and patron of the arts Lost Voices in Black History: Regina M. Anderson The Dinner Party that Started the Harlem Renaissance The Librarian at the Nexus of the Harlem Renaissance This Black History Month, we’re talking about Renaissance Women. As part of the famed cultural and artistic Harlem Renaissance movement, these women found beauty in an often ugly world. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn’t help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we’ll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones, Abbey Delk, Hannah Bottum, Adrien Behn, Alyia Yates, and Vanessa Handy. Special thanks to Shira Atkins. Original theme music composed by Miles Moran. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

Back in the 1950s, America was very afraid of Soviet spies and communist sympathizers infiltrating the government and destroying the United States from within. And there were actual spies sharing secrets with the Soviets. But concern soon gave way to paranoia, and a political witch-hunt began, with a self-serving senator from Wisconsin leading a very misguided and ultimately anti-American and embarrassing Red Scare that destroyed the lives of many. If you are able to give extra support this holiday season, please consider supporting the annual Bad Magic Giving Tree by purchasing a digital amazon gift card and sending it to givingtree2024@badmagicproductions.comWe are accepting gift cards starting now through November 21st!Merch and more: www.badmagicproductions.com Timesuck Discord! https://discord.gg/tqzH89vWant to join the Cult of the Curious PrivateFacebook Group? Go directly to Facebook and search for "Cult of the Curious" to locate whatever happens to be our most current page :)For all merch-related questions/problems: store@badmagicproductions.com (copy and paste)Please rate and subscribe on Apple Podcasts and elsewhere and follow the suck on social media!! @timesuckpodcast on IG and http://www.facebook.com/timesuckpodcastWanna become a Space Lizard? Click here: https://www.patreon.com/timesuckpodcast.Sign up through Patreon, and for $5 a month, you get access to the entire Secret Suck catalog (295 episodes) PLUS the entire catalog of Timesuck, AD FREE. You'll also get 20% off of all regular Timesuck merch PLUS access to exclusive Space Lizard merch.