Podcasts about piatote

Emily Pauline Johnson, also known as Tekahionwake, made a career writing poetry and prose and performing it onstage in the late 19th and early 20th centuries. Research:  "Pauline Johnson." Encyclopedia of World Biography Online, vol. 23, Gale, 2003. Gale In Context: U.S. History, link.gale.com/apps/doc/K1631008167/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=90bf3cec. Accessed 5 Oct. 2022. Chiefswood. https://chiefswoodnhs.ca/ Gary, Charlotte. “Flint & Feather: The Life and Times of E. Pauline Johnson, Tekahionwake.” Harper Flamingo Canada. 2002. Gerson, Carole. “Postcolonialism Meets Book History: Pauline Johnson and Imperial London.” From Home-Work: Postcolonialism, Pedagogy, and Canadian Literature. University of Ottawa Press. Via JSTOR. https://www.jstor.org/stable/j.ctt1ckpc18.27 Gerson, Carole. “Rereading Pauline Johnson.” Journal of Canadian Studies/Revue d'études canadiennes, Volume 46, Number 2, Spring 2012. https://muse.jhu.edu/article/515012 Jones, Manina and Neal Ferris. “Flint, Feather, and Other Material Selves: Negotiating the Performance Poetics of E. Pauline Johnson.' American Indian Quarterly/spring 2017/Vol. 41, No. 2. Mobbs, Leslie. “E. Pauline Johnson (Tekahionwake), 1861 -1913.” https://www.vancouverarchives.ca/2013/03/07/epaulinejohnson/ Piatote, Beth H. “Domestic Trials: Indian Rights and National Belonging in Works by E. Pauline Johnson and John M. Oskison.” American Quarterly , March 2011, Vol. 63, No. 1 (March 2011). https://www.jstor.org/stable/41237533 Poetry Foundation. “Emily Pauline Johnson.” https://www.poetryfoundation.org/poets/emily-pauline-johnson Quirk, Linda. "Labour of love: legends of Vancouver and the unique publishing enterprise that wrote E. Pauline Johnson into Canadian Literary History." Papers of the Bibliographical Society of Canada, vol. 47, no. 2, fall 2009, pp. 201+. Gale General OneFile, link.gale.com/apps/doc/A222315631/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=f22179cc. Accessed 5 Oct. 2022. Quirk, Linda. "Skyward floating feather: a publishing history of E. Pauline Johnson's Flint and Feather." Papers of the Bibliographical Society of Canada, vol. 44, no. 1, spring 2006, pp. 69+. Gale General OneFile, link.gale.com/apps/doc/A146635929/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=e93105ca. Accessed 5 Oct. 2022. Robinson, Amanda. "Pauline Johnson (Tekahionwake)". The Canadian Encyclopedia, 24 January 2020, Historica Canada. www.thecanadianencyclopedia.ca/en/article/pauline-johnson. Accessed 06 October 2022. Rogers, Janet. “E. Pauline Johnson Research at the NMAI, by Janet Rogers.” Via YouTube. 6/29/2012. https://www.youtube.com/watch?v=hmdBN-m_ZNI Rose, Marilyn J. “Johnson, Emily Pauline.” Dictionary of Canadian Biography. 1998. http://www.biographi.ca/en/bio/johnson_emily_pauline_14E.html Rymhs, Deena. “But the Shadow of Her Story: Narrative Unsettlement, Self-Inscription, and Translation in Pauline Johnson's Legends of Vancouver.” Studies in American Indian Literatures , Winter 2001, Series 2, Vol. 13, No. 4 (Winter 2001). Via JSTOR. https://www.jstor.org/stable/20737034  Salyer, Greg. “Of Uncertain Blood: Tekahionwake/E. Pauline Johnson.” The Philosophical Research Society. 3/12/2020. Via YouTube. https://www.youtube.com/watch?v=xs4LctCCYHA Strong-Boag, Veronica and Carole Gerson. “Paddling Her Own Canoe: The Times and Texts of E. Pauline Johnson, Tekahionwake.” University of Toronto Press. 2000. Van Kirk, Sylvia. “From "Marrying-In" to "Marrying-Out": Changing Patterns of Aboriginal/Non-Aboriginal Marriage in Colonial Canada.” Frontiers: A Journal of Women Studies , 2002, Vol. 23, No. 3 (2002). Via JSTOR. https://www.jstor.org/stable/3347329 VanEvery, L.M. and Janet Marie Rogers. “The Road to Your Name - Season 1, Episode 2: E. Pauline Johnson, Tekahionwake.” January 11, 2021. Podcast. https://theroadtoyournamepodcast.transistor.fm/2 Viehmann, Martha L. “Speaking Chinook: Adaptation, Indigeneity, and Pauline Johnson's British Columbia Stories.” Western American Literature , Fall 2012, Vol. 47, No. 3 (Fall 2012). https://www.jstor.org/stable/43023017 Weaver, Jace. “Native American Authors and Their Communities.” Wicazo Sa Review , Spring, 1997, Vol. 12, No. 1 (Spring, 1997). Via JSTOR. https://www.jstor.org/stable/1409163  See omnystudio.com/listener for privacy information.

This week, Esther Belin and Beth Piatote map out some unique qualities of the Navajo and Nez Perce languages. Piatote is a writer, scholar, and member of the Nez Perce nation, and she offers insight into the embodied experience of language revitalization. We hear her poem “1855,” which borrows language from—and interrupts—Walt Whitman's “Song of Myself.” The year 1855 marks both the publication of Leaves of Grass and the signing of the treaty between the Nez Perce and the US, and Piatote's poem highlights the relationship between Whitman's vision of America and the confinement and genocide of Native people. Piatote says, “I'm a big fan of nineteenth-century literature. I love Whitman. I love Emily Dickinson. But I also recognize their specific project of making American literature and creating a type of settler colonial identity through art.” You can read “1855,” along with two other poems by Piatote, in the July/August 2022 issue of Poetry.

This week, Esther Belin and Beth Piatote map out some unique qualities of the Navajo and Nez Perce languages. Piatote is a writer, scholar, and member of the Nez Perce nation, and she offers insight into the embodied experience of language revitalization. We hear her poem “1855,” which borrows language from—and interrupts—Walt Whitman's “Song of Myself.” The year 1855 marks both the publication of Leaves of Grass and the signing of the treaty between the Nez Perce and the US, and Piatote's poem highlights the relationship between Whitman's vision of America and the confinement and genocide of Native people. Piatote says, “I'm a big fan of nineteenth-century literature. I love Whitman. I love Emily Dickinson. But I also recognize their specific project of making American literature and creating a type of settler colonial identity through art.” You can read “1855,” along with two other poems by Piatote, in the July/August 2022 issue of Poetry.

In her debut short story collection, Beth Piatote (Ethnic Studies Department, UC Berkeley) explores Native American life in the modern world. The stories find unifying themes in the strength of kinship, the pulse of longing, and the language of return: a woman teaches her niece to make a pair of beaded earrings while ruminating on a fractured relationship; in 1890, two young men at college — one French and the other Lakota — each contemplates a death in the family; a Nez Perce-Cayuse family is torn apart as they debate the fate of ancestral remains in a reimagining of the Greek tragedy Antigone. The Beadworkers (Counterpoint, 2019) draws on indigenous aesthetics and forms to offer a powerful and sustaining vision of Native life. Piatote is joined by Kathleen Donegan (English Department).

The suspension of the so-called “Indian Wars” did not signal colonialism’s end, only a different battlefield. “The calvary man was supplanted–or, rather, supplemented–by the field matron, the Hotchkiss by the transit, and the prison by the school,” writes Beth H. Piatote. “A turn to the domestic front, even as the last shots at Wounded Knee echoed in America’s collective ear, marked not the end of conquest but rather its renewal.” Yet the domestic space was not only a target of invasion; it was also a site of resistance, a fertile ground for Native authors to define what counted as love, home, and kin in an era of coercive assimilation. In Domestic Subjects: Gender, Citizenship, and Law in Native American Literature (Yale University Press, 2013), Piatote brilliantly reads the work of late nineteenth century writers like Pauline Johnson, S. Alice Callahan, D’arcy McNickle and others as a contest over settler domestication. Piatote offers an eloquent exploration of incredible courage and literary acumen, with resonance in our own political moment. Learn more about your ad choices. Visit megaphone.fm/adchoices

The suspension of the so-called “Indian Wars” did not signal colonialism’s end, only a different battlefield. “The calvary man was supplanted–or, rather, supplemented–by the field matron, the Hotchkiss by the transit, and the prison by the school,” writes Beth H. Piatote. “A turn to the domestic front, even as the last shots at Wounded Knee echoed in America’s collective ear, marked not the end of conquest but rather its renewal.” Yet the domestic space was not only a target of invasion; it was also a site of resistance, a fertile ground for Native authors to define what counted as love, home, and kin in an era of coercive assimilation. In Domestic Subjects: Gender, Citizenship, and Law in Native American Literature (Yale University Press, 2013), Piatote brilliantly reads the work of late nineteenth century writers like Pauline Johnson, S. Alice Callahan, D’arcy McNickle and others as a contest over settler domestication. Piatote offers an eloquent exploration of incredible courage and literary acumen, with resonance in our own political moment. Learn more about your ad choices. Visit megaphone.fm/adchoices

The suspension of the so-called “Indian Wars” did not signal colonialism’s end, only a different battlefield. “The calvary man was supplanted–or, rather, supplemented–by the field matron, the Hotchkiss by the transit, and the prison by the school,” writes Beth H. Piatote. “A turn to the domestic front, even as the last shots at Wounded Knee echoed in America’s collective ear, marked not the end of conquest but rather its renewal.” Yet the domestic space was not only a target of invasion; it was also a site of resistance, a fertile ground for Native authors to define what counted as love, home, and kin in an era of coercive assimilation. In Domestic Subjects: Gender, Citizenship, and Law in Native American Literature (Yale University Press, 2013), Piatote brilliantly reads the work of late nineteenth century writers like Pauline Johnson, S. Alice Callahan, D’arcy McNickle and others as a contest over settler domestication. Piatote offers an eloquent exploration of incredible courage and literary acumen, with resonance in our own political moment. Learn more about your ad choices. Visit megaphone.fm/adchoices

The suspension of the so-called “Indian Wars” did not signal colonialism’s end, only a different battlefield. “The calvary man was supplanted–or, rather, supplemented–by the field matron, the Hotchkiss by the transit, and the prison by the school,” writes Beth H. Piatote. “A turn to the domestic front, even as the last shots at Wounded Knee echoed in America’s collective ear, marked not the end of conquest but rather its renewal.” Yet the domestic space was not only a target of invasion; it was also a site of resistance, a fertile ground for Native authors to define what counted as love, home, and kin in an era of coercive assimilation. In Domestic Subjects: Gender, Citizenship, and Law in Native American Literature (Yale University Press, 2013), Piatote brilliantly reads the work of late nineteenth century writers like Pauline Johnson, S. Alice Callahan, D’arcy McNickle and others as a contest over settler domestication. Piatote offers an eloquent exploration of incredible courage and literary acumen, with resonance in our own political moment. Learn more about your ad choices. Visit megaphone.fm/adchoices

The suspension of the so-called “Indian Wars” did not signal colonialism’s end, only a different battlefield. “The calvary man was supplanted–or, rather, supplemented–by the field matron, the Hotchkiss by the transit, and the prison by the school,” writes Beth H. Piatote. “A turn to the domestic front, even as the last shots at Wounded Knee echoed in America’s collective ear, marked not the end of conquest but rather its renewal.” Yet the domestic space was not only a target of invasion; it was also a site of resistance, a fertile ground for Native authors to define what counted as love, home, and kin in an era of coercive assimilation. In Domestic Subjects: Gender, Citizenship, and Law in Native American Literature (Yale University Press, 2013), Piatote brilliantly reads the work of late nineteenth century writers like Pauline Johnson, S. Alice Callahan, D’arcy McNickle and others as a contest over settler domestication. Piatote offers an eloquent exploration of incredible courage and literary acumen, with resonance in our own political moment. Learn more about your ad choices. Visit megaphone.fm/adchoices