Podcasts about native american literature

We've reached the end of the line withThe Only Good Indians by Stephen Graham Jones!But feel free to email us any feelings/questions/thoughts at filmliteratepodcast@gmail.com.Support Film Literate on Patreon!Co-host: Ewa Mykytyn (Goodreads|Instagram)

As the fella said, you ain't seen nothin' yet. Devin Diazoni and Ewa Mykytyn are back to discuss the second part of The Only Good Indians by Stephen Graham Jones.Support Film Literate on Patreon!Co-host: Ewa Mykytyn (Goodreads|Instagram)

They're back! The Film Literate Book Club returns to read and talk about The Only Good Indians by Stephen Graham Jones. In this episode, Devin Diazoni and Ewa Mykytyn discuss "The House That Ran Red," the first of three sections in the 2020's winner of the Shirley Jackson and Bram Stoker Awards for Novel. So, buckle up and bring your barf bag.Support Film Literate on Patreon!Guest: Ewa Mykytyn

Misty Shipman is an enrolled member of the Shoalwater Bay Tribe of Indians. She is a filmmaker and grant writer based in Eastern Washington. Her past films include The Handsome Man, which won Best Narrative Short at the Native Awards of Excellence, Polly, Paulina, Pauline!, and Blindfold. Misty holds an MFA in Creative Writing from the University of Idaho, and a PhD in Native American Literature with a concentration in Film from Washington State University. She is the New Works Festival director at Stage Left Theater and loves supporting art in her local community.For more information:instagram.com/mermaidmotelmedia________Guests share stories of adversity and perseverance which inspire, encourage and challenge us. Host Hara Allison embraces these tough conversations, intimately exploring our loves, fears and hopes with a delicious combination of depth and lightness. Beneath Your Beautiful won first place in Self Help and Health & Wellness in the 2022 International Positive Change Podcast Awards and was a nominee in the 2023 Publisher Podcast Awards in Health & Wellbeing and in the 18th Annual People's Choice Podcast Awards in Health. To get in touch with Hara Allison:Magazine + Podcast: beneathyourbeautiful.orgPhotography: hara.photographyDesign: studioh-creative.com

Drew LopenzinaProfessor of Early American Literature and Native American Literature, Old Dominion UniversityThrough an Indian's Looking-Glass: A Cultural Biography of William Apess by Drew Lopenzinahttps://www.umasspress.com/9781625342591/through-an-indians-looking-glass/Introduction to Native American Literature by Drew Lopenzinahttps://www.routledge.com/The-Routledge-Introduction-to-Native-American-Literature-1st-Edition/Lopenzina/p/book/9781138630246Red Ink: Native Americans Picking up the Pen in the Colonial Period. by Drew Lopenzinahttps://sunypress.edu/Books/R/Red-Ink

Tyler and Erika take a field trip to a taxidermist's shop, then talk with an ancestral skills expert who collects roadkilled deer for meat, hides, and bones. We're pondering what it is that gets memorialized or honored by these practices, what it means to be a hunter or a scavenger, and the long history of humans finding ways to use the bodies of deer. Along the way: deer stories, poetry, songs, and more. Show Notes: The Age of Deer: Trouble and Kinship with our Wild Neighbors is available through books.catapult.co/books/the-age-of-deer/. A brief history of taxidermy, and news on how it's changing, are at smithsonianmag.com/arts-culture/why-taxidermy-being-revived-21st-century-180955644/. Josh Barnwell is at bewelloutdoors.com/, and the gathering where we met is fireflygathering.org/. The Bulletin of Primitive Technology is at primitive.org. The poet Meesha Goldberg is at meeshagoldberg.com. The story of Wesucechak was published in Recovering the Word: Essays on Native American Literature, edited by Brian Swann and Arnold Krupat. The Virginia Audio Collective is at virginiaaudio.org.

Today's guest is the delightful Joy Porter. Joy is Professor of Indigenous and Environmental History at the University of Hull. She is a principal investigator of the Treatied Spaces Research Group and a Leverhulme Major Research Fellow. Joy is also the principal investigator for the Arts and Humanities Research Council's project "Brightening the Covenant Chain: Revealing Cultures of Diplomacy Between the Iroquois and the British Crown." Joy was a Fulbright Scholar at Dartmouth College and has also held visiting professorships at Paris Diderot University and The Clinton Institute, Dublin. She started her career as a Senior Lecturer at Anglia Ruskin University, and she also spent eight years as a Senior Lecturer and Associate Dean at Swansea University. Joy was educated at the University of Nottingham, where she received her MA and PhD. Joy has more than 38 publications to her credit, including her fascinating recent monograph Trauma, Primitivism, and the First World War: The Making of Frank Prewett (Bloomsbury). Her other monographs include Native American Environmentalism (Nebraska), Native American Indian Freemasonry: Associationalism & Performance in America, (Nebraska) and To Be Indian: The Life of Seneca-Iroquois Arthur Caswell Parker (Oklahoma), which won a Choice Outstanding Academic Title Award. Joy also won the 2006 Writer of the Year Award from the Wordcraft Circle of Native Writers for the Cambridge Companion to Native American Literature. Her forthcoming book is titled Canada's Green Challenge (McGill-Queen's). Joy is a lead editor of the Cambridge University Press book series, Elements in Indigenous Environmental Research. She is also a Senior Fellow of the Higher Education Academy and a National Teaching Fellow. Join us for a fun, quirky, and very interesting chat with Joy Porter. We'll talk growing up in Derry during The Troubles, interdisciplinary approaches to military history, the compulsion to write, John Prine, soldier trauma in the First World War, and fish tacos, among other topics! Shoutout to Deckhand Dave's in Juneau, Alaska! Rec.: 09/08/2023

EPISODE 1464: In this KEEN ON show, Andrew talks to the author of WARRIOR GIRL UNEARTHED, Angeline Boulley, about her Native American community, her traditional firekeeping father and the need to get beyond "trauma" in Native American literature Angeline Boulley, an enrolled member of the Sault Ste. Marie Tribe of Chippewa Indians, is a storyteller who writes about her Ojibwe community in Michigan's Upper Peninsula. She is a former Director of the Office of Indian Education at the U.S. Department of Education. Angeline lives in southwest Michigan, but her home will always be on Sugar Island. Warrior Girl Unearthed  is her latest novel. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, host Angie Trudell Vasquez speaks to Oscar Hokeah on his debut novel, Calling For A Blanket Dance (Algonquin Books of Chapel Hill, 2022). Angie and Oscar share stories about going to the Institute of American Indian Arts, how his book came to be, and examine the role families can play in healing.About the GuestOscar Hokeah is a citizen of Cherokee Nation and the Kiowa Tribe of Oklahoma from his mother's side and has Mexican heritage through his father. He holds an MA in English with a concentration in Native American Literature from the University of Oklahoma, as well as a BFA in Creative Writing from the Institute of American Indian Arts (IAIA), with a minor in Indigenous Liberal Studies. He is a recipient of the Truman Capote Scholarship Award through IAIA and is also a winner of the Native Writer Award through the Taos Summer Writers Conference. His short stories have been published in South Dakota Review, American Short Fiction, Yellow Medicine Review, Surreal South, and Red Ink Magazine. You can find more about him on his website, oscarhokeah.com.

Today I will be chatting with my friend Victoria about the critically acclaimed book Firekeepers Daughter, by Angeline Boulley. *Content Warning: This book deals with drug abuse, gun violence, murder, physical assault, and sexual assault. Please keep that in mind before you read the book and/or listen to this episode.*In this episode, Victoria and I chat not just about the plot of the book, but about the importance of representation of Indigenous peoples in literature, and some of the challenges Indigenous women specifically, face each day. We also chat about drug abuse, violence, and sexual assault (as per the content of the book). A little about Firekeeper's Daughter: Eighteen-year-old Daunis Fontaine has never quite fit in, both in her hometown and on the nearby Ojibwe reservation. She dreams of a fresh start at college, but when family tragedy strikes, Daunis puts her future on hold to look after her fragile mother. The only bright spot is meeting Jamie, the charming new recruit on her brother Levi's hockey team.Yet even as Daunis falls for Jamie, she senses the dashing hockey star is hiding something. Everything comes to light when Daunis witnesses a shocking murder, thrusting her into an FBI investigation of a lethal new drug.Reluctantly, Daunis agrees to go undercover, drawing on her knowledge of chemistry and Ojibwe traditional medicine to track down the source. But the search for truth is more complicated than Daunis imagined, exposing secrets and old scars. At the same time, she grows concerned with an investigation that seems more focused on punishing the offenders than protecting the victims.Now, as the deceptions - and deaths - keep growing, Daunis must learn what it means to be a strong Anishinaabe kwe (Ojibwe woman) and how far she'll go for her community, even if it tears apart the only world she's ever known.Victoria is becoming a published author! Follow along with her on this journey on social media: Victoria's InstagramVictoria's WebsiteVictoria's TikTokVictoria's FacebookHave a question about Firekeeper's Daughter? Have a book you want me to review on the podcast? Just want to say hi? Send me an email at yabookchat@gmail.comDon't forget to give the podcast a 5 star rating, and leave a review! Thank you for your support!Check out my Patreon! Join now for some great benefits and perks!

Louise Erdrich is one of the most important, prolific, and widely read contemporary Indigenous writers. In Louise Erdrich's Justice Trilogy: Cultural and Critical Contexts, edited by my guests Connie A. Jacobs and Nancy J. Peterson, leading scholars analyze three critically acclaimed recent novels—The Plague of Doves (2008), The Round House (2012), and LaRose (2016)—which make up what has become known as Erdrich's “justice trilogy.” Set in small towns and reservations of northern North Dakota, these three interwoven works bring together a vibrant cast of  characters whose lives are shaped by history, identity, and community. Individually and collectively, the essays in this volume illuminate Erdrich's storytelling abilities; the complex relations among crime, punishment, and forgiveness that characterize her work; and the Anishinaabe contexts that underlie her presentation of character, conflict, and community. The volume also includes a reader's guide to each novel, a glossary, and an interview with Erdrich that will aid readers as they navigate the justice novels. These timely, original, and compelling readings make a valuable contribution to Erdrich scholarship and, subsequently, to the study of Native literature and women's authorship as a whole.CONNIE A. JACOBS is professor emerita at San Juan College and the author of The Novels of Louise Erdrich: Stories of Her People. She is also a coeditor of Modern Language Association's Approaches to Teaching the Works of Louise Erdrich and a coeditor of The Diné Reader: An Anthology of Navajo Literature. NANCY J. PETERSON is professor of English at Purdue University and the author of Against Amnesia: Contemporary Women Writers and the Crises of Historical Memory and Beloved: Character Studies. She is also the editor of Toni Morrison: Critical and Theoretical Approaches and Conversations with Sherman Alexie.Louise Erdrich's Justice Trilogy: Cultural and Critical Contexts is available at msupress.org and other fine booksellers, including Louise Erdrich's own Birchbark books in Minneapolis, Minnesota, or online at birchbarkbooks.com. You can connect with the press on Facebook and @msupress on Twitter, where you can also find me @kurtmilb.The MSU Press podcast is a joint production of MSU Press and the College of Arts & Letters at Michigan State University. Thanks to the team at MSU Press for helping to produce this podcast. Our theme music is “Coffee” by Cambo. Michigan State University occupies the ancestral, traditional, and contemporary Lands of the Anishinaabeg – Three Fires Confederacy of Ojibwe, Odawa and Potawatomi people. The University resides on Land ceded in the 1819 Treaty of Saginaw.Thank you all so much for listening, and never give up books.

An interview with Kelly Wisecup, professor of English at Northwestern University. The interview focuses on Professor Wisecup's most recent book Assembled for Use: Indigenous Compilation and the Archives of Early Native American Literatures.        

In this episode of Doing Diversity in Writing, we—Bethany and Mariëlle—interview Professor Grace L. Dillon about Indigenous Futurisms and how (not) to write Indigenous characters.    Grace L. Dillon (Anishinaabe with family, friends, and relatives from Bay Mills Nation and Garden River Nation with Aunties and Uncles also from the Saulteaux Nation) is Professor in the Indigenous Nations Studies Department in the School of Gender, Race, and Nations and also Affiliated Professor at English and Women, Gender, and Sexualities Departments at Portland State University in Portland, Oregon, where she teaches undergraduate and graduate courses on a range of interests including Indigenous Futurisms, Queer Indigenous Studies, Gender, Race, and Nations Theories and Methodologies courses, Climate and Environmental Justice(s) from Indigenous Perspectives, Reparations Justice, Resurgence Justice, Science Fiction, Indigenous Cinema, Popular Culture, Race and Social Justice, and early modern literature. (For her full biography, please check out the episode page on our website.)   What Grace shared with us   Why and how she coined the term Indigenous Futurisms What it was like to be a consultant as an Anishinaabe person to directors Scott Cooper and Guillermo del Toro Some behind-the-scenes stories about the filming of Twilight What true allyship looks like and how we can become an ally How we can honour someone else's story Best practices of engaging with Indigenous communities Grace L Dillion's academic email is: dillong@pdx.edu   (Re)sources mentioned on the show and other recommendations by Grace L. Dillon, many of which are LGBTQ2+   Routledge Handbook of CoFuturisms, edited by Grace L. Dillon, Isiah Lavender III, Taryne Taylor, and Bodhisattva Chattopadhyay (forthcoming) Hachette Australia: https://www.hachette.com.au  Claire G. Coleman's Terra Nullius (2017) and The Old Lie (2019) (South Coast Noongar People): https://clairegcoleman.com  Ellen Van Neerven's Heat and Light (2014): https://ellenvanneervencurrie.wordpress.com/heat-and-light  Louise Erdrich's Future Home of the Living God: A Novel (2017) (Anishinaabe): https://www.goodreads.com/book/show/34217599-future-home-of-the-living-god  Leanne Betasamosake Simpson's This Accident of Being Lost: Songs and Stories (2017), Noopiming: The Cure for White Ladies (2021) and As We Have Always Done: Indigenous Freedom Through Radical Resurgence (2017) (Anishinaabe): https://www.leannesimpson.ca  Cherie Dimaline's The Marrow Thieves (2017) and Hunting by the Stars (Metis): https://cheriedimaline.com  Waubgeshig Rice's Moon of the Crusted Snow (2018) (Anishinaabe): https://www.waub.ca  Harold Johnson's Corvus (2015) (Cree): https://www.goodreads.com/book/show/26840855-corvus  Alexis Wright's The Swan Book (2013 rpt. 2018) (Waanyi Nation): https://www.goodreads.com/book/show/18247932-the-swan-book  Gerald Vizenor's Bearheart (1978) (Anishinaabe): https://www.goodreads.com/book/show/871536.Bearheart  Leslie Marmon Silko's Almanac of the Dead (1991) (Laguna Nation): https://www.goodreads.com/book/show/52385.Almanac_of_the_Dead  Australian First Nations Ambelin Kwaymullina's trilogy The Interrogation of Ashala the Wolf (2012), The Disappearance of Ember Crow (2013), and The Foretelling of Georgie the Spider (2015): https://ambelin-kwaymullina.com.au  Indigenous Hawai'ian Christopher Kahunahana's film Waikiki: http://www.waikikithemovie.com  Nalo Hopkinson's many stories, including YA novels Sister Mine (2013) and The Chaos (2012): https://www.nalohopkinson.com  Andrea Hairston's novels such as Mindscape, Redwood and Wildfire, Will Do Magic for Change, and Master of Poisons: http://andreahairston.com  Darcie Little Badger's Elatsoe (2020) and A Snake Falls to Earth (2022) (Lipan Apache Nation): https://darcielittlebadger.wordpress.com  Zainab Amadahy's Resistance (Afro-Canadian and Cherokee): https://www.swallowsongs.com  Daniel Heath Justice's The Way of Thorn and Thunder: The Kynship Chronicles (2011) and Why Indigenous Literatures Matter. His story “The Boys Who Became the Hummingbirds” in Hope Nicholson's edited collection of Love Beyond Body, Space, and Time: An Indigenous LGBT Sci-Fi Anthology (2016) is also explored in graphic novel form in Moonshot: The Indigenous Comics Collection, Volume 2 (2017) (Cherokee): https://danielheathjustice.com  Joshua Whitehead's Indigiqueer Metal, Johnny Appleseed, and Love After the End: An Anthology of Two-Spirit & Indigiqueer Speculative Fiction (2020): https://www.joshuawhitehead.ca  Moonshot: The Indigenous Comics Collection, Volume 3, edited by Anishinaabe and  Metís Nations Elizabeth La Pensèe and Michael Sheyahshe (2020): https://www.goodreads.com/book/show/51456434-moonshot  Deer Women: An Anthology (2017) published by Native Realities Press and headed by Lee Francis IV. (Laguna Pueblo Nation): https://www.goodreads.com/book/show/38219794-deer-woman  Sovereign Traces Volume 2: Relational Constellations edited by Elizabeth La Pensèe: https://www.goodreads.com/book/show/42686187-sovereign-traces-volume-2  Sloane Leong's graphic novel Prism Stalker (2019): https://prismstalker.com  Smokii Sumac's you are enough: love poems for the end of the world (2018) (Ktunaxa Nation): https://www.goodreads.com/book/show/41677143-you-are-enough  Michelle Ruiz Keil's All of Us With Wings (2019): https://www.goodreads.com/book/show/40177227-all-of-us-with-wings  Carmen Maria Machado's Her Body and Other Parties (2017) and In the Dream House: A Memoir (2019): https://carmenmariamachado.com  Sabrina Vourvoulias's Ink (2012): https://www.goodreads.com/book/show/15721155-ink  Rita Indiana's Tentacle (2018): https://www.goodreads.com/book/show/40679930-tentacle  Qwo-Li Driskill's Asegi Stories: Cherokee Queer and Two-Spirit Memory (2016): https://www.goodreads.com/book/show/27777916-asegi-stories  Tiffany Lethabo King, et. al's Otherwise Worlds: Against Settler Colonialism and Anti-Blackness (2020): https://www.dukeupress.edu/otherwise-worlds  Lisa Tatonetti's The Queerness of Native American Literature (2014): https://www.goodreads.com/book/show/21944614-the-queerness-of-native-american-literature  Bawaajigan: Stories of Power edited by Anishinaabe Nathan Niigan Noodin Adler and Christine Miskonoodinkwe Smith (2019):   https://www.goodreads.com/book/show/45180942-bawaajigan  mitêwâcimowina: Indigenous Science Fiction and Speculative Storytelling edited by Cree Nation Neal McLeod (2016): https://www.goodreads.com/book/show/34105770-mit-w-cimowina  Walking the Clouds: An Anthology of Indigenous Science Fiction edited by Grace L. Dillon (2012) (Anishinaabe): https://www.goodreads.com/book/show/13226625-walking-the-clouds  Amy Lonetree's Decolonizing Museums (2012) (Hochunk Nation): https://uncpress.org/book/9780807837153/decolonizing-museums  The work of Debra Yeppa Pappan (Korean and Jemez Pueblo) at the Chicago Field Museum: https://www.fieldmuseum.org/about/staff/profile/2486 Laura Harjo's Spiral to the Stars: Mvskoke Tools of Futurity (2019) (Cherokee): https://uapress.arizona.edu/book/spiral-to-the-stars  Bethany's Editing Your Novel's Structure: Tips, Tricks, and Checklists to Get You From Start to Finish: https://theartandscienceofwords.com/new-book-for-authors/   This week's episode page, with Grace L. Dillon's full bio, can be found here: https://representationmatters.art/2022/02/17/s2e5/   Subscribe to our newsletter here and get out Doing Diversity in Writing Toolkit, including our Calm the F*ck Down Checklist and Cultural Appropriation Checklist: https://landing.mailerlite.com/webforms/landing/r3p6g8    As always, we'd love for you to join the conversation by filling out our questionnaires.    Our Doing Diversity in Writing – Writer Questionnaire can be filled in at https://forms.gle/UUEbeEvxsdwk1kuy5   Our Doing Diversity in Writing – Reader Questionnaire can be filled in at https://forms.gle/gTAg4qrvaCPtqVJ36    Don't forget, you can find us at https://representationmatters.art/ and on https://www.facebook.com/doingdiversityinwriting   

“Our own passion and excitement about being human are contagious and our students get excited too. If it's authentic, they see a mentor modeling humility and that's where the engendering of interests in diversity begins," said Jessica Jones, guest of the Writers on Writing Podcast. ABOUT THIS PODCAST: This podcast platform interviews authors who openly discuss their books, writing journeys, goals, and accomplishments. It also provides practical tips and motivation for writers at all stages of their writing journey. The diverse number of guest authors will almost certainly provide an educational environment in which all authors will make discoveries about crafting particular genres. Topics discussed on the podcast cover the entire spectrum of writing, self-publishing, indie publishing, marketing, and distribution. Listeners are encouraged to review and share this podcast with other writers. HOST: For the past 50 years, Anthony Manna has taught reading, writing, literacy development, drama and language arts in schools and universities in the United States and around the world. His goal is to help kids and teens discover great books and exciting activities and games that'll get them reading, writing, and thinking. His website provides parents and educators with information and guides that support the success of their children, tweens, and, teens as readers and writers and encourage them to enjoy discovering books that will inspire them to become life-long readers. You can learn about Anthony's award-winning books such as Loukas and the Game of Chance, The Orphan: A Cinderella Story from Greece, Mr. Semolina-Semolinus: A Greek Folktale, and Greek Folktales: A Treasury of Delights by her website.

Mysti S. Milwee is an International award-winning and published synesthesia artist (paints to music), poetess, writer, screenwriter, book cover art designer, and illustrator from Southside, Alabama. She is the editor and publisher of Sequoyah Cherokee River Journal. She has Native American background and is a Sequoyah-Cherokee translator. Her poetry, writings, and visual art has been published in over 3,000 + publications worldwide and in over 12 countries. She is the “Poet Laureate” of Fire Eagle Ministries, and over 1,000 poems has been written for over 50 ministries and outreach in over 12 countries. Her poetry, writings, and art has been used for academic and ministry studies across the US and abroad. She is the recipient of the 2021 International Cultural Arts & Literature Communications Collaborator Award, 2021 Global Translation Award in Native American Literature, 2020 International Native American Literary Translation Award, 2020 International Key to Success Award, 2020 International Golden Feather Leadership Scholar, 2020 Best Short Story for Documentary, 2020 Best Lyrics for Christian Music (for song “Unsung Hero”), 2020 Best Lyrics for Music Video (for song lyrics “Through the Fire”, 2020 Global Arts & Humanities Award, 2020 Global Arts & Literary CultureAward and was awarded the 2020 Best Screenplay for “The Loner”. She is a “literary and arts mentor” with the International Team with One Million Talent Academy Plus, Assessment for Development.She is the Author of her poetry book “Human Reaction” Inspirational Life Lessons Expressed in the Poetry of a Native American Woman’s Soul, and is available for purchase on Amazon.To view more about the author visit: http://www.mystismilwee.wordpress.com/Visit her online poetry and visual arts journal at: http://www.sequoyahcherokeeriverjournal.wordpress.com/

“Citizen” by author Greg Sarris, tells the story of Salvador, born in the U.S., raised in Mexico; son of an American Indian mother and a Mexican father. He has returned to California to find his mother, or rather, her grave. Working in the fields and ranches around Santa Rosa, he meets his mother's family, encountering both kindness and opportunism, as well as glimmers of hope. An American citizen, who speaks no English, Salvador procures his proof of citizenship and begins to discover his true identity, and what it means to belong.WORD for WORDcast is Word for Word Theater Company's podcast. We specialize in bringing works of literature to the stage, using every word of a text in a dynamic, evocative style that preserves the original beauty of the prose or poetry. To maximize your experience, we recommend listening with headphones or good stereo speakers.If you've enjoyed this podcast, please consider a donation at zspace.org/pod. We are committed to paying the creative staff a profession rate for their work.Credits:Directed by Gendell Hing-HernándezCast:Carlos Aguirre* - Marco, Eduardo, EnsembleCarolyn Dunn - EldineMarie-Claire Erdynast - Lily, Candy, EnsembleRodrigo García - SalvadorEdie Flores - Salvador's Father, Al, Ioncencio, EnsembleRegina Morones - Catarina, Ofelia, EnsembleRyan Tasker* - Mike, EnsembleDavid R. Molina: Sound Design, Original Music, Editor and Mix EngineerImpuritan: Additional Original Music ("Light is Mortal Too")Carlos Aguirre: Heart Beat BoxRas K'Dee: Additional Original Music (“Buscando”)Imani Champion*: Line ProducerDesirée Alcocer: Production AssistantColm McNally: Production Manager Joe Moore: Sound EngineerAndrew Burmester: Marketing and Distribution*Member, AEAIncluded in this podcast is after the story are two tracks featuring cast member Carlos Aguirre:Tourai - Emcee Infinite and Nezbeat (collaborator and producer)The Fall - Emcee Infinite, produced by Keith Pinto

Stan Rushworth is of Cherokee descent and an enrolled citizen of the Chiricahua Apache Nation. He is the author of "Going to Water: The Journal of Beginning Rain" and "Sam Woods: America Healing", and teaches Native American Literature at Cabrillo College in Aptos, California. Stan and journalist Dahr Jamail are raising funds for a new book "The Changing Earth: Indigenous Voices From Turtle Island." Learn more and contribute here: https://gf.me/u/xt39dq

This is a segment of episode #245 of Last Born In The Wilderness “Prayer For The Earth: Traditional Knowledge & An Indigenous Response w/ Stan Rushworth.” Listen to the full episode: https://bit.ly/LBWrushworth Learn more about Stan Rushworth and Dahr Jamail’s upcoming book ’The Changing Earth: Indigenous Voices from Turtle Island’ and support them through their GoFund Me: https://www.thechangingearth.net / https://www.gofundme.com/f/the-changing-earth This is a segment of my interview with Indigenous elder, author, and teacher Stan Rushworth. We discuss Traditional Ecological Knowledge and his upcoming book project ’The Changing Earth: Indigenous Voices from Turtle Island,’ made in collaboration with journalist and author Dahr Jamail. Stan is featured in Ian MacKenzie's recently released short film ‘Prayer for the Earth: An Indigenous Response to These Times.’ Our planet is undergoing massive ecological, climatological, and cultural shifts, with the consequences of these crises playing out in the near and distant future. In our attempt to reattain a harmonious balance with the life systems of the planet, certain traditions of knowledge and wisdom come to the forefront, namely Indigenous or Traditional Ecological Knowledge. But what is attached to these traditional forms of knowledge is something that is often overlooked, whether on purpose or not: the hundreds of years of genocide that nearly erased Indigenous peoples from Turtle Island. This erasure is just as much physical and is it cultural and spiritual. For those that carry the values and perspectives of the dominant culture, to respectfully and humbly embrace traditional Indigenous knowledge, wisdom, and perspectives requires taking a hard look at the what has brought us collectively to this moment. This includes listening and full acknowledging Indigenous people and their history, including all the pain, sorrow, and beauty that comes with it. Stan Rushworth was born in 1944 and raised on the banks of the Stanislaus River in the East San Joaquin Valley in California by his grandfather, who was of Cherokee descent. He has taught Native American Literature at Cabrillo College, in Aptos, California for the last twenty-eight years, including similar work at the University of California, Santa Cruz as a lecturer, and worked for eighteen years at Cabrillo’s Watsonville Center teaching basic skills and critical thinking surrounding Indigenous peoples’ issues, including six years as Director/Instructor of the Puente Program, centered in the Chicano community. He authored 'Sam Woods: American Healing' (Station Hill Press, New York) in 1992, and 'Going to Water: The Journal of Beginning Rain' (Talking Leaves Press, Freedom, CA) in 2014. As a tenured faculty emeritus, he currently teaches Native American Literature at Cabrillo College, and works as an activist and advocate for Indigenous people as a teacher, writer and speaker. He is an enrolled citizen of the Chiricahua Apache Nation, and is also a member of the Santa Cruz Indian Council, where he is an Advising Cultural Elder. He is currently the Attending Elder (school year 19-20) for the American Indian Resource Center at the University of California, Santa Cruz. He is married, with two sons and one grandson. WEBSITE: https://www.lastborninthewilderness.com PATREON: https://www.patreon.com/lastborninthewilderness DONATE: https://www.paypal.me/lastbornpodcast DROP ME A LINE: Call (208) 918-2837 or http://bit.ly/LBWfiledrop EVERYTHING ELSE: https://linktr.ee/patterns.of.behavior

[Intro: 7:13 | Book Pre-sale: http://bit.ly/ORBITgr] In this episode, I speak with Indigenous elder, author, and teacher Stan Rushworth. We discuss Traditional Ecological Knowledge and his upcoming book project ’The Changing Earth: Indigenous Voices from Turtle Island,’ made in collaboration with journalist and author Dahr Jamail. Stan is featured in Ian MacKenzie's recently released short film ‘Prayer for the Earth: An Indigenous Response to These Times.’ Our planet is undergoing massive ecological, climatological, and cultural shifts, with the consequences of these crises playing out in the near and distant future. In our attempt to reattain a harmonious balance with the life systems of the planet, certain traditions of knowledge and wisdom come to the forefront, namely Indigenous or Traditional Ecological Knowledge. But what is attached to these traditional forms of knowledge is something that is often overlooked, whether on purpose or not: the hundreds of years of genocide that nearly erased Indigenous peoples from Turtle Island. This erasure is just as much physical and is it cultural and spiritual. For those that carry the values and perspectives of the dominant culture, to respectfully and humbly embrace traditional Indigenous knowledge, wisdom, and perspectives requires taking a hard look at the what has brought us collectively to this moment. This includes listening and full acknowledging Indigenous people and their history, including all the pain, sorrow, and beauty that comes with it. Stan Rushworth was born in 1944 and raised on the banks of the Stanislaus River in the East San Joaquin Valley in California by his grandfather, who was of Cherokee descent. He has taught Native American Literature at Cabrillo College, in Aptos, California for the last twenty-eight years, including similar work at the University of California, Santa Cruz as a lecturer, and worked for eighteen years at Cabrillo’s Watsonville Center teaching basic skills and critical thinking surrounding Indigenous peoples’ issues, including six years as Director/Instructor of the Puente Program, centered in the Chicano community. He authored 'Sam Woods: American Healing' (Station Hill Press, New York) in 1992, and 'Going to Water: The Journal of Beginning Rain' (Talking Leaves Press, Freedom, CA) in 2014. As a tenured faculty emeritus, he currently teaches Native American Literature at Cabrillo College, and works as an activist and advocate for Indigenous people as a teacher, writer and speaker. He is an enrolled citizen of the Chiricahua Apache Nation, and is also a member of the Santa Cruz Indian Council, where he is an Advising Cultural Elder. He is currently the Attending Elder (school year 19-20) for the American Indian Resource Center at the University of California, Santa Cruz. He is married, with two sons and one grandson. Episode Notes: - Learn more about Stan and Dahr Jamail’s upcoming book ’The Changing Earth: Indigenous Voices from Turtle Island’: https://www.thechangingearth.net - Support Stan and Dahr through their GoFundMe campaign: https://www.gofundme.com/f/the-changing-earth - Watch Ian MacKenzie’s short film ‘Prayer for the Earth: An Indigenous Response to These Times’: https://uplift.tv/2020/prayer-for-the-earth/ - Learn more about Stan and his work: http://stanrushworth.com - The title card features a photo taken by Dahr Jamail, used with his permission. The sampled audio featured in this episode is from Ian MacKenzie’s short film, used with his permission. Learn more about Dahr and Ian’s work: http://www.dahrjamail.net / https://www.ianmack.com WEBSITE: https://www.lastborninthewilderness.com PATREON: https://www.patreon.com/lastborninthewilderness DONATE: https://www.paypal.me/lastbornpodcast DROP ME A LINE: Call (208) 918-2837 or http://bit.ly/LBWfiledrop EVERYTHING ELSE: https://linktr.ee/patterns.of.behavior

Produced at KSQD 90.7FM The horror movie has begun. Global fire. Oceans rising. Pestilence. The movie is getting more frightening every minute. Will it have a good ending? What part can our American democracy play? Will it be the courageous hero who fights the scary monster head on or will it play the monster who gruesomely will destroy civilization? Organizers and participants of the upcoming “Global Climate Strike,” to be held the week of September 20-27, 2019, are mobilizing to inspire elected politicians and policy makers to metamorphize into courageous and bold heroes who fight the horror movie villain … planetary climate breakdown. Be a bold hero and participate in one, or all, of over a dozen local Climate Strike events (https://scruzclimate.org). Join Nancy-Glock-Grueneich, Host of The Future We Need and How to Get It television series and Stan Rushworth, Cabrillo College Instructor Emeritus of Native American Literature and Critical Thinking to discuss democracy's power for good or evil, in fighting the climate crisis and to learn how you may participate in many local climate strike events. Interview Guests: Stan Rushworth is Instructor Emeritus of Native American Literature and Critical Thinking surrounding Indigenous issues at Cabrillo College in Aptos, California. He was a tenured professor from 1992-2008 with a focus on Native American Literature, indigenous issues and development of support for under-represented students. Today, the topic of the climate crisis is a great concern. Stan is a teacher, speaker, and author. He is the author of Going to Water: The Journal of Beginning Rain and Sam Woods: American Healing. Nancy Glock-Grueneich, Ph.D. is the Founder of Within Reach Network for Strategic Citizen Action. She is host of a seven-part series, The Future We Need and How to Get It, that looks at sources of citizen power: 1) Change the Story, 2) Change Our Ways, 3) Move the Money, 4) Change the Rules, 5) Change the Politics 6) Change the Game, and 7) What we can do. To watch the series, visit: (http://www.future-we-need.tv/). Nancy was also Vice President of Intellitics and a faculty member at Shandong Youth University of Political Science, Jinan, China. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Ken Lopez is a renowned antiquarian bookseller who deals in rare books, specializing in modern literary first editions. He regularly issues catalogs of Modern Literature and less regularly issues catalogs of Native American Literature, the Literature of the Vietnam War and the 1960s, and Nature Writing. He also has an established record of placing authors' archives in institutional collections. Ken is a former President of the Antiquarian Booksellers Association of America. He operates out of Hadley, Massachusetts, where I met him to talk about, among other things, collecting books about the Vietnam War, grunts, Tim O'Brien, Raymond Carver, Mario Puzo and sleeping with the fishes, Native American literature, climate fiction, nature writing, John Burroughs, wildlife photography, the social value of book collecting, asking the question of your collection 'is it something people/scholars can learn from?' author archives, the importance of association copies, Ken Kesey, the editor's copy of the proofs of The Lord of the Rings, Michael Ondaatje's archive at the Harry Ransom Center, and learning throughout life.    

The 6th episode of Lexivore, the last of this year (wow!), has Renee and Megha talking about inclusion and representation - yet again - and this time touching on some of the darker aspects of our history, with Native American Literature - one historical fiction: I am Regina by Sally M Kheen, and one by a Native author: Ceremony by Leslie Marmon Silko.  It seems a fitting time, since November is Native American Heritage Month.  We also include a teaser for our next episode, in January, which is going to be for Black History Month.  We hope you enjoy our podcast!

Wendigos, underwater panthers, and a witch chase perhaps more than 10,000 years old—in this episode I speak with Dr. Clint Stevens, professor of Native American Literature, about the monsters who were here first. Subscribe to The Monster Professor, a show in which we discuss and explore monsters in literature, myth, film, games, folklore, culture, and … Continue reading Monsters of Native America with Clint Stevens

October 8th is Indigenous Peoples Day in Lawrence (and in several other cities across the country). To celebrate the occasion -- and because it looked flippin awesome -- Polli and Kate discuss There There, a brilliant debut novel by Tommy Orange (Cheyenne and Arapaho). Spoiler: it was flippin awesome.  Show notes: https://lplks.org/blogs/post/031-the-one-in-which-we-ostensibly-sing/ ("Hey, what happened to episode 30?" Hey! Good eye! We are... workin on it! Slight tech issue, but we'll release the coveted 30th episode ASAP. For now, enjoy this one instead!) Bookish News: LitHub came out with a list 23 Literary Movies and TV shows that will be coming out shortly! Awesome stuff like The Miniaturist, Bel Canto, The Children Act (STANLEY TUCCI ALERT!), The House with a Clock in Its Walls (CATE BLANCHETT ALERT!), Colette, The Sisters Brothers, The Haunting of Hill House, The Hate U Give, and mooooooar.  Two Book Minimum: Darius The Great is Not Okay by Adib Khorram This is How It Always Is by Laurie Frankel Not My Idea by Anastasia Higginbotham The Inconvenient Indian by Thomas King (and bonus - LaRose by Louise Erdrich) She Said/She Said: This episode, we go toe-to-toe discussing There There by Tommy Orange (2018) Long listed for the National Book Award and the Carnegie Medal for Excellence, There There is a complex and compulsive read that ticks all the boxes: plot, setting, character(s), and language. Tommy Orange is a part of the latest renaissance of Native American Literature, fighting against "a monolithic version of what a Native American is supposed to be." (Quote comes from an interview that we'd recommend reading after you read the novel!) If you’re looking for something to read to remember why Columbus Day is being changed to Indigenous Peoples Day in more progressive cities, this is it. What's Happening at LPL/Around Town: The Great American Read watch/discussion parties are still happening! Check out this page for all of the remaining dates, especially the finale on Oct 23rd! (Polli might wear a ballgown for when the winners are announced.)  AMAZING AUTHORS COMING TO TOWN: Phoebe Robinson on Oct 26th  Nnedi Okorafor on Nov 8th (free!) Neil Gaiman on Nov 19th (free!) Lots of folks coming through The Raven this fall & spring And, the one Kate's so excited about she's already planning her outfit, Jesmyn Ward on April 11th :D  Book Club Speed Dating: Thursday, Nov 15th -- mark your calendar and stay tuned for more details!! -------- Twice(-ish) a month, the librarians are in, with their favorite recommendations in Two Book Minimum, a toe-to-toe discussion on a book or topic, as well as news from the book world, updates from Lawrence Public Library, and beyond. This episode was produced by Jim Barnes in the Sound & Vision studio. Our theme song is by Heidi Lynne Gluck. You can find the Book Squad Podcast on iTunes, Stitcher, or SoundCloud. Please subscribe and leave us comments – we’d love to know what you think, and your comments make it easier for other people to find our podcast. Happy reading and listening! xo, Polli & Kate

Choctaw writer LeAnne Howe has quickly emerged as a crucial voice in twenty-first-century American literature. Her innovative, award-winning works of fiction, poetry, drama, and criticism capture the complexities of Native American life and interrogate histories of both cultural and linguistic oppression throughout the United States. In LeAnne Howe at the Intersections of Southern and Native American Literature (LSU Press, 2018), Kirstin L. Squint (Associate Professor of English at High Point University) expands contemporary scholarship on Howe by examining her nuanced portrayal of Choctaw history and culture as modes of expression. Squint shows that Howe’s writings engage with Native, southern, and global networks by probing regional identity, gender power, authenticity, and performance from a distinctly Choctaw perspective—a method of discourse which Howe terms “Choctalking.” Drawing on interdisciplinary methodologies and theories, Squint complicates prevailing models of the Native South by proposing the concept of the “Interstate South,” a space in which Native Americans travel physically and metaphorically between tribal national and U.S. boundaries. Squint considers Howe’s engagement with these interconnected spaces and cultures, as well as how indigeneity can circulate throughout them. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Choctaw writer LeAnne Howe has quickly emerged as a crucial voice in twenty-first-century American literature. Her innovative, award-winning works of fiction, poetry, drama, and criticism capture the complexities of Native American life and interrogate histories of both cultural and linguistic oppression throughout the United States. In LeAnne Howe at the Intersections of Southern and Native American Literature (LSU Press, 2018), Kirstin L. Squint (Associate Professor of English at High Point University) expands contemporary scholarship on Howe by examining her nuanced portrayal of Choctaw history and culture as modes of expression. Squint shows that Howe’s writings engage with Native, southern, and global networks by probing regional identity, gender power, authenticity, and performance from a distinctly Choctaw perspective—a method of discourse which Howe terms “Choctalking.” Drawing on interdisciplinary methodologies and theories, Squint complicates prevailing models of the Native South by proposing the concept of the “Interstate South,” a space in which Native Americans travel physically and metaphorically between tribal national and U.S. boundaries. Squint considers Howe’s engagement with these interconnected spaces and cultures, as well as how indigeneity can circulate throughout them. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Choctaw writer LeAnne Howe has quickly emerged as a crucial voice in twenty-first-century American literature. Her innovative, award-winning works of fiction, poetry, drama, and criticism capture the complexities of Native American life and interrogate histories of both cultural and linguistic oppression throughout the United States. In LeAnne Howe at the Intersections of Southern and Native American Literature (LSU Press, 2018), Kirstin L. Squint (Associate Professor of English at High Point University) expands contemporary scholarship on Howe by examining her nuanced portrayal of Choctaw history and culture as modes of expression. Squint shows that Howe’s writings engage with Native, southern, and global networks by probing regional identity, gender power, authenticity, and performance from a distinctly Choctaw perspective—a method of discourse which Howe terms “Choctalking.” Drawing on interdisciplinary methodologies and theories, Squint complicates prevailing models of the Native South by proposing the concept of the “Interstate South,” a space in which Native Americans travel physically and metaphorically between tribal national and U.S. boundaries. Squint considers Howe’s engagement with these interconnected spaces and cultures, as well as how indigeneity can circulate throughout them. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Choctaw writer LeAnne Howe has quickly emerged as a crucial voice in twenty-first-century American literature. Her innovative, award-winning works of fiction, poetry, drama, and criticism capture the complexities of Native American life and interrogate histories of both cultural and linguistic oppression throughout the United States. In LeAnne Howe at the Intersections of Southern and Native American Literature (LSU Press, 2018), Kirstin L. Squint (Associate Professor of English at High Point University) expands contemporary scholarship on Howe by examining her nuanced portrayal of Choctaw history and culture as modes of expression. Squint shows that Howe’s writings engage with Native, southern, and global networks by probing regional identity, gender power, authenticity, and performance from a distinctly Choctaw perspective—a method of discourse which Howe terms “Choctalking.” Drawing on interdisciplinary methodologies and theories, Squint complicates prevailing models of the Native South by proposing the concept of the “Interstate South,” a space in which Native Americans travel physically and metaphorically between tribal national and U.S. boundaries. Squint considers Howe’s engagement with these interconnected spaces and cultures, as well as how indigeneity can circulate throughout them. James Mackay is Assistant Professor of British and American Studies at European University Cyprus, and is one of the founding editors of the open access Indigenous Studies journal Transmotion. He can be reached at j.mackay@euc.ac.cy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Deena Metzger is the author of A Rain of Night Birds. Her novel La Negra y Blanca won the 2012 Oakland Pen Award, and her Warrior Poster photograph is celebrated around the world as a testament to a woman’s triumph over breast cancer. Stan Rushworth was born in 1944 and raised primarily in the East San Joaquin valley by his Cherokee grandfather. He served in the Army during the Vietnam war, and attended Cabrillo and San Francisco State, where he received a M.A. in Language Arts and Creative Writing in 1970. He has taught Native American Literature at Cabrillo for the last twenty-five years, including similar work at UCSC as a lecturer, and worked for twenty years at Cabrillo’s Watsonville Center teaching basic skills and critical thinking surrounding Indigenous peoples’ issues. He authored Sam Woods: American Healing (Station Hill Press, New York) in 1992, and Going to Water: The Journal of Beginning Rain (Talking Leaves Press, Freedom, CA) in 2014.

On our first ever between the book episode (a minisode, a .5, whatever you want to call it!) we bring you the story of the Native American literature world's very own Rachel Dolezal. Becca and Corinne try to break down John Smelcer's many grifting ways in the aftermath of a PEN Literary award scandal. Lessons learned: do some leg work. **NOTE: this episode was produced and published many months before the news of accusations against Sherman Alexie reached outside of the publishing world. The Bookstore stands in solidarity with victims and the #metoo movement. Next week we read Gilead by Marilynne Robinson. Find it at a bookstore near you and read along! Episode Sources: Smith, Rich. The Stranger. Meet John Smelcer, Native American Literature's "Living Con Job". Mailhot, Terese. Indian Country Media Network. John Smelcer: Indian by Proxy.

The suspension of the so-called “Indian Wars” did not signal colonialism’s end, only a different battlefield. “The calvary man was supplanted–or, rather, supplemented–by the field matron, the Hotchkiss by the transit, and the prison by the school,” writes Beth H. Piatote. “A turn to the domestic front, even as the last shots at Wounded Knee echoed in America’s collective ear, marked not the end of conquest but rather its renewal.” Yet the domestic space was not only a target of invasion; it was also a site of resistance, a fertile ground for Native authors to define what counted as love, home, and kin in an era of coercive assimilation. In Domestic Subjects: Gender, Citizenship, and Law in Native American Literature (Yale University Press, 2013), Piatote brilliantly reads the work of late nineteenth century writers like Pauline Johnson, S. Alice Callahan, D’arcy McNickle and others as a contest over settler domestication. Piatote offers an eloquent exploration of incredible courage and literary acumen, with resonance in our own political moment. Learn more about your ad choices. Visit megaphone.fm/adchoices

The suspension of the so-called “Indian Wars” did not signal colonialism’s end, only a different battlefield. “The calvary man was supplanted–or, rather, supplemented–by the field matron, the Hotchkiss by the transit, and the prison by the school,” writes Beth H. Piatote. “A turn to the domestic front, even as the last shots at Wounded Knee echoed in America’s collective ear, marked not the end of conquest but rather its renewal.” Yet the domestic space was not only a target of invasion; it was also a site of resistance, a fertile ground for Native authors to define what counted as love, home, and kin in an era of coercive assimilation. In Domestic Subjects: Gender, Citizenship, and Law in Native American Literature (Yale University Press, 2013), Piatote brilliantly reads the work of late nineteenth century writers like Pauline Johnson, S. Alice Callahan, D’arcy McNickle and others as a contest over settler domestication. Piatote offers an eloquent exploration of incredible courage and literary acumen, with resonance in our own political moment. Learn more about your ad choices. Visit megaphone.fm/adchoices

The suspension of the so-called “Indian Wars” did not signal colonialism’s end, only a different battlefield. “The calvary man was supplanted–or, rather, supplemented–by the field matron, the Hotchkiss by the transit, and the prison by the school,” writes Beth H. Piatote. “A turn to the domestic front, even as the last shots at Wounded Knee echoed in America’s collective ear, marked not the end of conquest but rather its renewal.” Yet the domestic space was not only a target of invasion; it was also a site of resistance, a fertile ground for Native authors to define what counted as love, home, and kin in an era of coercive assimilation. In Domestic Subjects: Gender, Citizenship, and Law in Native American Literature (Yale University Press, 2013), Piatote brilliantly reads the work of late nineteenth century writers like Pauline Johnson, S. Alice Callahan, D’arcy McNickle and others as a contest over settler domestication. Piatote offers an eloquent exploration of incredible courage and literary acumen, with resonance in our own political moment. Learn more about your ad choices. Visit megaphone.fm/adchoices

The suspension of the so-called “Indian Wars” did not signal colonialism’s end, only a different battlefield. “The calvary man was supplanted–or, rather, supplemented–by the field matron, the Hotchkiss by the transit, and the prison by the school,” writes Beth H. Piatote. “A turn to the domestic front, even as the last shots at Wounded Knee echoed in America’s collective ear, marked not the end of conquest but rather its renewal.” Yet the domestic space was not only a target of invasion; it was also a site of resistance, a fertile ground for Native authors to define what counted as love, home, and kin in an era of coercive assimilation. In Domestic Subjects: Gender, Citizenship, and Law in Native American Literature (Yale University Press, 2013), Piatote brilliantly reads the work of late nineteenth century writers like Pauline Johnson, S. Alice Callahan, D’arcy McNickle and others as a contest over settler domestication. Piatote offers an eloquent exploration of incredible courage and literary acumen, with resonance in our own political moment. Learn more about your ad choices. Visit megaphone.fm/adchoices

The suspension of the so-called “Indian Wars” did not signal colonialism’s end, only a different battlefield. “The calvary man was supplanted–or, rather, supplemented–by the field matron, the Hotchkiss by the transit, and the prison by the school,” writes Beth H. Piatote. “A turn to the domestic front, even as the last shots at Wounded Knee echoed in America’s collective ear, marked not the end of conquest but rather its renewal.” Yet the domestic space was not only a target of invasion; it was also a site of resistance, a fertile ground for Native authors to define what counted as love, home, and kin in an era of coercive assimilation. In Domestic Subjects: Gender, Citizenship, and Law in Native American Literature (Yale University Press, 2013), Piatote brilliantly reads the work of late nineteenth century writers like Pauline Johnson, S. Alice Callahan, D’arcy McNickle and others as a contest over settler domestication. Piatote offers an eloquent exploration of incredible courage and literary acumen, with resonance in our own political moment. Learn more about your ad choices. Visit megaphone.fm/adchoices

Leah Sneider, doctoral student in UNM’s Department of English, speaks as part of UNM’s Civil Rights Colloquium, “Significant Voices: Women on Equal Rights and Sexual Justice.”