Podcasts about Belin

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I really enjoyed this conversation with Natalie and her mother, Mary, because it reminded me how an unstoppable mindset is often built quietly, over time, through creativity, learning, and persistence. Together, they share what it has been like to navigate life across generations while facing learning disabilities, health challenges, workplace adversity, and the constant need to adapt. We talk about Natalie's journey with attention deficit disorder and anxiety, how creative outlets like baking, art, music, and storytelling helped her find focus and confidence, and why returning to school later in life became an act of self-trust rather than fear. Mary's story adds another powerful layer. She reflects on growing up with low self-esteem, navigating male-dominated workplaces, and dealing with sexual harassment long before there were systems in place to address it. As a mother, artist, and professional, she shares what it means to keep moving forward while supporting her daughter's growth. Throughout our conversation, we explore accessibility, creative entrepreneurship, lifelong learning, and why accommodations and understanding still matter. I believe you will find this episode both honest and encouraging, especially if your own path has been anything but linear. Highlights: 00:00 – Hear how creativity and resilience shaped an unstoppable mindset across two generations.08:35 – Learn how attention deficit disorder and anxiety changed the way focus, learning, and confidence developed.14:33 – Discover why stepping away from a demanding career can open the door to new growth.21:23 – Understand how workplace sexual harassment leaves lasting effects long after it happens.35:16 – See why protecting and celebrating local artists became a personal mission.59:09 – Learn why accessibility, accommodations, and empathy still matter in everyday life. About the Guest: Mary Dunn: Mary was born and raised in Pittsburgh, PA.  She was the only child of Norman and Lucille Rump.  At a young age, she liked to draw and as she grew older she enjoyed painting.  Her first painting was in oil and Mary was eleven years old.  However, because of the expense of art supplies, it was difficult to pursue a continuous endeavor in that particular form of art. While in high school, nothing really exciting happened as Mary was on the shy side.  She didn't belong to any groups and she really just wanted to graduate.  She graduated in the upper third of her class.  The most momentous part of the graduation was that Jeff Goldblum was also a graduate of her class. After graduation, Mary continued her education at The Pittsburgh Beauty Academy.  There she studied cosmetology and acquired a teacher license.  Although she never taught, she did work at a few different shops and also managed a shop.  These experiences helped Mary to become less shy. At that time, she met her first husband and had two children.  The marriage lasted for eleven years, and Mary was left with two small children.  Mary realized that her background in cosmetology would not be sufficient to raise two small children. She decided to go to college. With the support of her parents, she was accepted to attend Carlow College which is now Carlow University.  There she studied business and minored in theology.  She almost minored in art, but she needed one more credit to have that as a minor.  It was important for her to graduate in order to take care of her children.  While in college she belonged to several organizations.  One organization was an honor society called Delta Epsilon Sigma.  There she became an assistant chair of the organization.  The second organization was OASIS.  The organization was for non-tradition students.  She was vice-president during her senior year at Carlow.  She graduated in 1991 cum laude. After Carlow, she found her first employment opportunity working the Equitable Gas Company as a “Technical Fieldman”.  In this position, Mary would draft pipeline installations, work up costs for those installations, and fill in for supervisors when they went on vacations.  The job was difficult as it had usually been filled by men prior to her.  She was thrust into a job that she learned on her own and was subject to sexual harassment.   At that time, sexual harassment was not spoken about.  Mary didn't even realize that her peers were doing these things to her.  When she supervised union personnel, they were nice and valued her expertise.  However, when she returned to the office, more harassment continued. During that period, Mary decided to get a Master's Degree and enrolled in Carnegie Mellon's Heinz school of Public Management.  Her classes were very valuable as she learned about leadership, information systems, and marketing communications.  She graduated in 1996 with distinction.  Even though after she graduated from CMU, she continued to be sexual harassed.  She thought it might be a good idea to document the issues that made her position difficult.  She began to take notes on these incidents.  When she went to Human Resources, Mary was told that she should confront these people and tell them how she was feeling.  Mary couldn't do that because she felt it would make matters worse.  She applied for another position within the company.  In 1997, Mary became Program Manager of Energy Technology. While there, Mary developed and implemented a marketing plan to promote the use of alternative fuels.  As a Program Manager, Mary became a member of Pittsburgh Region Clean Cities which focused on alternative fueled vehicles.  During this time, she became a board member and focused on grants and wrote the Pittsburgh Region Clean Cities Newsletter. In 1999, her position was eliminated at Equitable.  In some ways, Mary was relieved about the elimination, but in other ways, it was the first time this ever happened to her.  She was now remarried and was concerned about her children. It was very scary. Thankfully, Mary was not unemployed for long.  She was hired at Southwestern Pennsylvania Commission as a Transportation Planner.  In this position she implemented a newly designed client tracking system of their products and services that helped to increase revenue. Additionally, she worked on a communication plan to implement branding and crisis communications. Eventually, Mary became a Marketing/Communication Specialist for Southwestern Pennsylvania Communications.  She was responsible for multi-media communications connected with branding. Mary designed logos for special projects, arranged special affairs, open houses and conferences.  She remained a part of Pittsburgh Region Clean Cities.   Mary additionally prepared presentations for executive management to deliver regarding the Joseph A. James Memorial Excellence in Local Government Achievement Award that recognizes a municipal government elected or appointed official in any local government, agency, or Council of Government for a lifetime of exemplary governance or management. Unfortunately, a new Executive was hired to replace the past Executive who had passed away.  Because of this, our whole department was eliminated. After Southwestern, Mary was hired as the Manager of Administration and Human Resources for THE PROGRAM for Female Offenders.  While at THE PROGRAM, Mary was responsible for maintaining the policies and daily operations in THE PROGRAM.  She implemented a cost effective foodservice program, introduced staff ID cards and implemented the Windows NT network server and computer security using a Digital Subscriber Line which is a type of high-speed internet connection that uses existing copper telephone lines to provide internet access to three PROGRAM facilities. Additionally, Mary implemented a human resource database for directors and managers that targeted specific employment information. Mary maintained safety equipment and introduced a safe evacuation plan for her building.. Unfortunately, because THE PROGRAM was grant based and when it was time to acquire grant money much of the previous grants were not renewed and Mary lost her job.  Mary eventually was hired by Roach and Associates, Inc. as a Project Manager. In this position, she negotiated oil and gas leases for exploration and productions of future gas wells in Clearfield County Pennsylvania.  During this time, Mary was responsible for permitting activities with the state, county and federal agencies as well as prepared training seminars to meet pipeline safety regulations as per U.S. Department of Transportation, CFR49, Parts 192-193. Mary authored documentation regarding pipeline regulations for various housing authorities and gas production companies within Pennsylvania, West Virginia and New York.  Besides working at Roach, Mary became part of the Transition Team for Peduto for Mayor of Pittsburgh.  That was such a memorable experience as my team focused on some of the issues facing the newly elected Mayor. It was nice to be a part of change. After working ten years at Roach and Associates, Inc., Mary decided it was time to retire in 2015. While working at Roach, Mary began dabbling in art again.  It had been quite a while since college and painting.  But she began to work in pastels and eventually more in the line of acrylic painting.  She became president of the Pittsburgh Pastel Artist League.  She no longer is president of that group.  Mary now belongs to the Pittsburgh Society of Artists where she was juried into the group.  She has had her work display at The Galaxie in Chicago,  Pittsburgh Technical Institute, Monroeville Library, Gallery Sim, Boxheart Gallery, Southern Allegheny Museum of Art, Saville Gallery in Maryland and various other galleries around Pittsburgh.  Her Study in Pastels won an Award of Excellence from Southern Allegheny Museum of Art.  Mary also came in second place in the Jerry's Artarama Faber Castel Contest. As time went on, Mary decided to focus more on her art work and began teaching students how to paint with Acrylic.  She also began a YouTube channel, Pittsburgh Artist Studio, where she gave free art lessons in acrylic to future artists around the country.  Unfortunately, Mary developed chronic back issues, and she had to give up her teaching.  She has had two back operations to alleviate the pain, but the second operation really didn't help.  It has caused more painful issues.  Therefore, it is difficult for her to paint a long period of time.  Currently, Mary devotes her time to illustrating her oldest daughter's books for children.  The books are a series about a little boy's adventures in his life.  Her books can be found on Amazon under her name “Nicole Leckenby”.  Additionally, she has illustrated a book for her younger daughter, Natalie Sebula, entitled “The Many Colors of Natalie”. In conclusion, now that Mary is retired, she has had more time to work on different art projects a little at a time.  She lives with her husband Steve and two dogs Grumpy and Sally.  She belongs to a group of wonderful women who review Bible Psalms each week. Since my minor in theology, I do enjoy reading various books on different religious subjects.  I am thankful for each day that I have and continue to work on the gifts God has given me. Natalie Belin: I am focusing on the arts. I am a creator with an ambitious attitude. I have no problem thinking BIG and dreaming BIG. While everyone else stays inside the lines, I boldly color outside the lines. Natalie resides near Pittsburgh, PA. She is 40 years old and loves adventures. Within these 40 years Natalie has experienced highs and lows. However, during the low points she was like water: adaptable, resilient, and always finding a way through. At toddler age, it was brought to the attention that she had high pressure in her eyes. However, nothing was really done about it because of her age. Typically, high pressures occur in older adults. After many years, one eye doctor took it seriously.  He prescribed eye drops and finally recommended a laser technique to open the tear ducts.  This alleviated the high pressure and since no eye drops have been needed. In 5 grade, she was diagnosed with attention deficit disorder. Her mother, Mary Dunn advocated for her until someone listened, and her teachers realized it was a real problem. Steps were taken to help Natalie focus more.  As she grew older, it was important to do activities that helped her focus such as cheerleading and possible careers in culinary. Because of the importance of focusing, Natalie decided that culinary arts would be beneficial.  Natalie graduated in October of 2004 from the Pennsylvania Culinary Institute with an associate's degree in Specialized Technology Le Cordon Bleu Program in Patisserie & Baking.  While there, she was elected class president. The Pennsylvania Culinary Institute offered externships to various prestigious areas to hone the craft.  Natalie's externship was at the Greenbrier Resort in White Sulpher Springs where she was ultimately hired. However, Natalie decided to return to Pittsburgh after a car accident. Natalie continued to work as a pastry chef for about five years. After, she decided to further her education, and Natalie graduated in December of 2023 from the University of Pittsburgh with a Bachelor of Arts in Humanities. Some of her academic achievements are National Society of Collegiate Scholars, National Society of Leadership and Success, Alpha Sigma lambda-Alpha Chi Chapter at the University of Pittsburgh, Delta Alpha PI Honor Society. During her academic life, Natalie became an Emmy nominated producer for Pitt to the Point (a class focusing on the news as well as behind the scenes of a news/magazine program that covers the City of Pittsburgh, the University of Pittsburgh regional campuses as well as national and international events.) Currently, Natalie is in a Graduate Certification Program which is also at the University of Pittsburgh. The Certification is in Sports, Entertainment, and Arts Law (SEAL). She hopes to use this program as a steppingstone to complete her master's degree in Sports, Entertainment, and Arts Law. In addition to the SEAL certification, one could say that Natalie is a woman of many colors.  She works full-time as an Administrator for the Rehabilitation Science Program in the School of Health and Rehabilitation Sciences at the University of Pittsburgh. This is where she provides administrative support for general program management, advising and faculty. Another aspect of Natalie's many colors is writing.  Several years ago, she wrote a poetry book called The Many Colors of Natalie. This is a book for 18+. There are several illustrations in the book that complement the poems. Mary Dunn, Natalie's mother, created the illustrations. In August of 2020, Natalie launched The Many Colors of Natalie Blog. She started this blog to give a new perspective to Pittsburgh other than being known for sports. This allows individuals the ability to educate themselves on different variations of Pittsburgh's art or artists as well as bringing awareness to the art scene. Natalie's motto is Love Art & Support Your Local Artist! Additionally, Natalie has been a model/actor since 2012. Most of her work consists of being an extra in various music videos and movies. Furthermore, she is an ambassador for Ambassador Sunglasses and Just Strong Clothing. Just Strong Clothing's Mission “We are a clothing brand on a mission to empower those who are not just strong for a girl, they are just strong. Whether you are an experienced lifter, a new starter or have simply overcome great adversaries in your life, the JustStrong community are here to empower and motivate you to never give up.” “Ambassador was formed to extract, refine, and exhibit the marriage between what was and what will be in fashion culture. When wearing Ambassador, you break the mold of the mundane to embrace your unmatched individualism.” Besides being an ambassador, Natalie became a Creative Percussion Artist in 2020. “Creative Percussion is a family-owned business, established in 2018, and run by husband-and-wife team, Kevin and Cheri Feeney.” Her picture is on the site as a CP percussion artist. Not only is Natalie a musician, but she dabbles in various mediums in art. Her mixed media piece Peace, Love, and Woodstock is currently in the Woodstock Museum located in Saugerties, New York. “The purpose for the Woodstock Museum is: To gather, display, disseminate and develop the concept and reality of Woodstock, encompassing the culture and history of a living colony of the arts, with special emphasis placed on the exhibition of self-sustaining ecological technologies. To encourage and increase public awareness of Woodstock by providing information to the general public through cultural events, displays of artifacts, outreach programs, communication media events and personal experiences, and to contribute, as an international attraction, to the cultural life and prosperity of our region; and to engage in all lawful activities in pursuit of the foregoing purposes.” Lastly, Natalie and her mother Mary Dunn started a side hustle several years ago. Mother and Daughter Collaboration (vending show name) is a great opportunity for Natalie to showcase her entrepreneurial skills in addition to her art. Their Etsy name is Maker's Collab Studio. In conclusion, Nat is excited for the future, and to see what is in store. She considers herself to be dynamic and resilient. Even those who know Natalie would say the same.  Regardless of what she has been through, she keeps going. She realizes that the tough times eventually do end. In self-reflection, the “tough time” may have been a life lesson, or a possible steppingstone to what's next in her life. Only time will tell. Natalie will always be a supporter of the arts, and she will always create in some way. As Natalie ages, she sees the importance of advocating for the disabled. At one point in her life, she was embarrassed about sharing her learning disability because she felt that we live in a society where having a disability isn't necessarily welcomed and is frowned upon. Do not fear individuals who need special accommodations.  Instead, educate yourself. Try being that individual who needs certain accommodations, and the accommodations are not provided or easily accessible. Progress has been made in educating the ignorant. However, there is more work that needs to be done. Ways to connect with Natalie & Mary**:** Blog website: Home - The Many Colors of Natalie Personal website: Home | natalie-sebula-belin Book of poetry: The Many Colors of Natalie: Written by: Natalie Belin - Kindle edition by Dunn, Mary, Leckenby, Nicole, Merlin, Grace, Palmieri, David. Literature & Fiction Kindle eBooks @ Amazon.com. Facebook: (1) Facebook Instagram: Natalie Sebula (@themanycolorsofnatalie) • Instagram photos and videos Etsy: MakersCollabStudio - Etsy About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:21 Hi everyone, and welcome to another edition of unstoppable mindset. We're doing something that we've done a few times before, and we get to do it again today. We have two people as guests on unstoppable mindset this time, mother and daughter, and that'll be kind of fun they have, between them, lots of experiences in art, but in all sorts of other kinds of things as well. They live in the Pittsburgh, Pennsylvania area, and I'm not going to say a whole lot more, because I want them to tell their stories. So I want you to meet Natalie bellen and her mother, Mary Dunn. So Natalie and Mary, both of you, welcome to unstoppable mindset. We're glad you're here. Natalie Belin & Mary Dunn  02:03 Well, thank you for Natalie Belin & Mary Dunn  02:03 having us. Yes, we're happy to be here. Thank you. Michael Hingson  02:06 Well, let's see. We'll start with mom. Why don't you tell us something about the early Mary growing up, and you know what? What life was like growing up? Natalie Belin & Mary Dunn  02:18 Well, growing up, I was born in Pittsburgh. I was actually born on in the south side of Pittsburgh, and it was called St Joseph Hospital, and now it's an apartment building, but we lived here. I've lived here all my life. I lived in Hazelwood until I was about the age of three. Then we moved to Whitaker, Pennsylvania, and now I'm in West Mifflin, Pennsylvania. So it's like we hopped around a bit. Growing up in my family was a little bit difficult. I had been bullied quite a bit by my cousins, so it kind of like left you know how it does with bullying. You know, it's not like today. Of course, I didn't want to go out and do something terrible to myself. It's just that it left my self esteem very low, and I just kind of stayed and was by myself most of the time. So until I grew up, I graduated from high school, I went to West Midland, North High School, I graduated in the same class as Jeff Goldblum. Although I didn't know him, I knew that he was very talented. I thought he was more talented on a piano than he was with acting, but he is still he's still very good with the piano, with his jazz music, and that's basically it. I've been in West Mifflin now for she's been quite a bit Natalie Belin & Mary Dunn  03:49 since I was in seventh grade, and now I'm 40 years old, so we've been here a long time. Michael Hingson  03:54 Yeah, so it's sort of like 3027 years or so, or 28 years? Yes, well, Natalie, tell us about you when it was like growing up in and all of that. Sure. Natalie Belin & Mary Dunn  04:08 No problem. So I grew up in Whitaker for the most part, my yearly eight years, like until about fifth grade, I guess about like fifth grade, and then we moved, well, we just moved to a different house and whatever. Yeah, that when we moved for the second time, it was more in a neighborhood with kids, so that was, like, a lot more fun. And we played like tag and all that. So that my early years, I remember that like playing tags, swimming, I love, like skiing on the water, jet skis, stuff like that. Definitely. I loved running around. And I loved dance as a kid too, that was a lot of fun. Michael Hingson  05:00 Okay, and so you went to high school? Natalie Belin & Mary Dunn  05:05 Oh, yeah, I went, Yes. I went to West Midland area high school, and I graduated in 2003 in 2004 I graduated from the Pennsylvania Culinary Institute as a pastry chef and part of the things that I had to do to graduate, I had to do, like, about a six month internship where I resided in white sulfur springs, West Virginia, and I got to do my externship at the Greenbrier, and that was pretty exciting, because it has quite the history. There. People love it there for Well, one of the things that sticks in my mind is Dorothy Draper, who decorated that resort. Her taste is very cool, because she went bold, like with flower print and stripes mixed together for wallpaper. There's stories in history behind the sulfur water there. And then most people might know the Greenbrier for their golf courses, for the golf course actually, or in history about the sulfur water Michael Hingson  06:26 now, you had high eye pressure for a while after you were born, right? Natalie Belin & Mary Dunn  06:31 Oh, yes, the eye pressures. That's quite the story, let me tell you so at a very young age, like different doctors and eye doctors that I went to. They knew that I had high pressures, but they didn't seem like it was a big issue. But my mom had the inkling that I needed to go to a different doctor when I was like, I guess you Middle School, Michael Hingson  06:58 yeah, yeah, you were about now, was there a lot of pain because of the pressure. Natalie Belin & Mary Dunn  07:02 I didn't even know was happening, so I wasn't in discomfort or anything. So they said, don't they kind of dismissed it. So I wasn't worried about it, Natalie Belin & Mary Dunn  07:14 Neither was I. But you know, like eventually we did go to a doctor and he said, Oh, my goodness, you have these high pressures. And it's, it could be like glaucoma. We don't ever see that in a young person, you know, they haven't ever seen anything like that. He was just amazed by it. And go ahead, you can finish this. Natalie Belin & Mary Dunn  07:36 Dr Al, I have so much respect for him, because he truly took care of my eyes for a very long time. I started seeing him in middle school, and I saw him up until, like my late 30s, and he I would see him quite frequently, because he would always monitor those pressures, because he knew the importance of that and how they could damage my eyes and I can lose my sight. So he always had me do like fields test eye pressure checks, because your pressures in your eyes can fluctuate throughout the day. So I would come in in like different times of the day to make sure they're not super high and stuff like that. He would prescribe me on different eye pressure medications like eye drops, because the they like the eye drops would help my eyes to it to regulate the pressures to a certain point, and then my eyes would get used to them, it seemed like, so then we would have to go to a different prescription. I caused that doctor a lot of stress, I think, because he was always thinking about my case, because it was so rare. And he went to a conference, actually, and brought that up at a conference, and at that conference, they said for me to get the laser, laser procedure done to Natalie Belin & Mary Dunn  09:10 open the tear ducts. Natalie Belin & Mary Dunn  09:12 Yeah, yeah. And luckily, that solved it. Michael Hingson  09:18 Wow, so you so the the tear ducts were, were small or not draining properly, correct? Natalie Belin & Mary Dunn  09:26 Yeah, it was points where, like, if I wanted to cry, no tears would come Michael Hingson  09:31 out, no tears would come out. Well, yeah, yeah. Then you also discovered, or somehow you you learned about being Attention Deficit Disorder. Natalie Belin & Mary Dunn  09:45 Yeah, so, um, when I was from like one or like, from kindergarten to third grade, I went to a Catholic school, and I didn't seem like there was anything. Being really wrong. But then when I went to a public school, I was really having a hard time grasping the material, and I would get really frustrated when I was at home trying to do the homework and I just wasn't understanding. I believe the educators there said like I was also behind, which could have been part of the issue. But my mom would like try to help me with my homework, and it was like Natalie Belin & Mary Dunn  10:28 it was hard. She would, she would get so frustrated and throw the papers and just, you know it, because it was very difficult for her, and we really couldn't under I couldn't understand why. You know this was happening, because my, my other daughter, I never had issues like that with so we had, I guess we were told to go. Natalie Belin & Mary Dunn  10:53 I think that was Miss Lenz in fifth grade. Yeah, she had me get tested for a learning disability, and with all the testing that was done with that, they said that I had attention deficit disorder. So whenever that diagnosis was made, I was able to get like teacher teaching aids to help me through tests to help me understand the curriculum a little bit better. Tutors did the counselor Natalie Belin & Mary Dunn  11:28 I well they I did take her to get tested outside of school, and that's they actually told me some things that could help her with this. And then I went to the teachers, and the teachers, some of them, didn't, like, actually take this into consideration. They, they didn't really realize attention deficit disorder at that time. It was new. And so they, they kind of said, well, we don't, we don't believe in that or whatever. And I said, Well, can you just have her, like, sit up front, because she would pay attention more and she would focus better, because that's the problem she couldn't focus on. So it took a while, and then finally, the principal in the fifth grade, he had a meeting with the teachers us, and he actually was the one who brought that to their attention, that this is a problem, that attention disorder, you know, does occur, and some of it is hyper, just hyperactive disorder. So it luckily she didn't have that part of it, but it was the focusing, and we just got her more involved in things that she could learn how to focus. They recommended cheerleading, they recommended culinary school, and I think that really helped her to learn more on focusing. But she still has anxieties and things like that. It's still Michael Hingson  13:03 it's still there. So why culinary school? Natalie Belin & Mary Dunn  13:07 So that is such a fun question. When my grandma used to watch me, she was very particular on what I was like watching. She didn't want me to watch anything like super crazy or out there. So I would always watch cooking shows, and I thought he was so unique, the different recipes and everything that these chefs were making. And I love some of their personalities, like emerald, he was always so hyper and loud, so fun. And it was interesting to see the different types of foods that they were creating that, like certain countries make. You know, I love Spanish food. It's so good. Natalie Belin & Mary Dunn  13:55 She decided not to even get into that part. That was the thing. She wanted to be a pastry chef, yeah, Michael Hingson  14:02 something to be said for chocolate chip cookies. But anyway, go ahead. Natalie Belin & Mary Dunn  14:07 Yeah, she makes a good one, too. At Natalie Belin & Mary Dunn  14:10 this point, I don't even know why. What drew me to baking more than culinary I think the two different styles are cooking are very interesting, because like with cooking, you don't have to be so exact with the measurements and everything with certain things like the spices and stuff. If you don't like rosemary, you don't have to put it in there. But with baking, it's definitely more scientific. Have to be more accurate with the measurements of certain ingredients, like baking soda, because it's lavender and like, altitude will totally screw up your baking Yes, so many reasons that elevation is so important. So yeah, so Natalie Belin & Mary Dunn  14:59 mine's to it. Or whatever, you know? Yeah, Michael Hingson  15:01 so you went and did an externship, and then what did you do? Natalie Belin & Mary Dunn  15:06 So with the externship, I was there for a little bit over six months, I was officially hired, and I graduated from culinary school, but, um, I got in a car accident. So that's like, why left? So I was in baking professionally for about a total five years, and then I went back to school. Sorry, that's grumpy. Can you hear him barking? 15:36 I'm sorry. I'll go. No, no, it's fine. Michael Hingson  15:41 So why did you leave culinary? Natalie Belin & Mary Dunn  15:43 Um, I was just ready for a change. Because I started working professionally when I was like 19, so by my mid 20s, I was just ready to go back. I mean, that is a very demanding field. You're working several hours. Um, you're working with all types of personalities, certain pressures, long days sometimes. And I was just ready to see what else was out there for me. Michael Hingson  16:12 So you went back to school to study, Natalie Belin & Mary Dunn  16:15 yes, so my when I graduated in 2023 with my undergraduate degree, it was in humanities, and it focused on three areas of art, music, studio, arts and theater. The main focus was theater, okay? Michael Hingson  16:39 And so, what did you do with that? Natalie Belin & Mary Dunn  16:42 So with that degree, I did several different things. I wrote a poetry book, which I provided a link so people can access if they would like to purchase it. I created a blog in 2020 called the many colors of Natalie, and I created a blog to help bring a different perspective to Pittsburgh, other than just it being a city for sports, because there's a lot of talented artists out there, and plus, like during a pandemic, that caused a lot of strain on a lot of things, and I was really worried about certain venues that were iconic here closing and completely wiping out the whole art industry here, you know. So, um, with that too, I also, um, I was doing music at the time as a percussionist, and that's when I got introduced to creative percussion products, and I was using that with the different performances that I was doing. And I ended up being one of their artists featured on their page, website or website, yeah. Okay, yeah, and I also volunteered at a local dance studio called Lisa de gorrios dance, and I got to work with the younger kids, and I did that for a couple years. So that was interesting to see what it was like to teach and put on performances. It's a lot of you get to see the behind the scenes and time management and stuff like that. Also, I'm thinking here for a second, sorry. How about, oh, we, my mom and I created an Etsy shop. So we started a few years ago, called Mother Daughter collaboration, a vending that was like our vending show name, and we did that for Natalie Belin & Mary Dunn  18:56 we've been doing that for a while. Yeah, we, we put different products up. I kind of tend to do my artwork, and she puts up some things also in art, we have, we have interesting things like CD, telephone, covers, cases, purses, you know. And we're working on a new product now to to put on to the Etsy shop this year. We didn't do many vending shows. I had surgery last last year on my back, and I had a hard time recovering because it was pretty expensive. So we're hoping to get that going again this year, or towards the end of the year, when the Christmas shows start happening, Natalie Belin & Mary Dunn  19:47 we did, um, create an Etsy shop called makers collab studio, and we were focusing more on that this year. Um, so we do have, like, a variety of different products. Um. Um, which I also provided the link to the Etsy shop. If anybody wants to check out our products and what we have, that'd be great if you stop checked out that. Michael Hingson  20:11 Yeah, my late my late wife, was a quilter and tried to run an Etsy shop, but people didn't want to pay any kind of real prices for handmade quilts, because they just thought that quilts should be, like, 50 or $75 and that just wasn't realistic. Natalie Belin & Mary Dunn  20:30 But, well, that's, that's the trouble. What we're seeing also, yeah, we do, I do, like, we do t shirts and things like that too. But people it. I don't think people realize what's behind the whole process. No, or they don't care. No, you know, I mean, there's a lot involved as far as your equipment. When it was covid, I was, well, I'm retired, but I was working part time, and I was able to, you know, get what is it, you know, workers, whatever, yeah, you know, yes. And with that money, I actually bought like things to do, T shirts, like the heat press and different parts to like a cricket that we can do things with. And so, you know, like the things that you know, you still have to buy supplies, even with my artwork, it's so expensive anymore, when I first started back in, you know, when my kids grew up and they were on their own, where I really focused on it, and I can't believe the expense of it. You know, it's just, it's everything's expensive these days. So, yeah, really watch what you're doing and how you approach it too. You know, you can't spend a lot of money on things. We don't have, like, a whole backlog of products. I mean, we just do a few things and hope that the things that we make are sellers, you know, Michael Hingson  22:05 yeah, well, and I hope it, it can is more successful for you going forward. That's a useful thing. You You've done a lot Mary with with art over the years, but you've also had other, other kinds of jobs where you've worked for some pretty large companies, and you've been reading your bio, you faced some sexual harassment issues and things like that, haven't you? Natalie Belin & Mary Dunn  22:29 Yes, yes, that was difficult boy, and I didn't realize that at the time I went to college late in life because I was getting divorced and I needed a job that I could take care of my family, my girls, and so I decided to go to college and my my mom and dad watched my kids while I went to school, which was nice. And the first job I had was with the gas company here, and I was called a technical Fieldman. And what I would do is, like, I would draw pipeline installations and the and sometimes I would fill in as a supervisor. When I filled in first as a supervisor, it was great. I mean, the guys were decent. We always came to a conclusion. I always trusted what they're you know what they would say about pipeline? Because I knew nothing about pipeline. It was all new to me. But when I would go back to the office, it was, it was just like crazy things that would happen. I mean, I won't go into detail, and I started writing these things down because I thought this just doesn't seem right, that these people are saying these things to me or doing these things to me. I had a nice little book of all these incidents that happened, and I went to the HR department, and they wanted me to confront these people in my office, to tell them how I felt. Well, that, to me, would have made everything worse, because that's just that, you know, kind of work environment. So luckily, I was, I was promoted into a job that lasted two years, and then my job was eliminated. So that was my first, my first thing with that was the only time I really had sexual harassment that was really bad. I went on to another which was the program for female Well, I worked for a university for a while, and then I went into the program for female offenders, which was really interesting work. I enjoyed that it was like people that were out on that needed to, that were like drug addicts and and they were looking for a new way. They had been in jail and this incarcerated, and they came into this. Program they had that was part of their incarceration or parole. They had to do this, this program, and that was so interesting. I mean, it was just heartfelt, because you just saw these people that were trying so hard to make a good life for themselves and not to go back to their original way of living. And unfortunately, that was all grant money. And that job ended also so that, you know, and I was a transportation planner, I did a lot of things, and then I ended up going back into the gas industry. I worked for an engineer, and we were working in the production side of everything. So he had drove to you wells, and we had leases, and I took care of those. And I liked that job for about 10 years. I stayed there, and then I I retired. I was getting tired of it at that point. Michael Hingson  26:02 Yeah. Why was your first why was your first job at the original gas company eliminated? Or when you were promoted and you said it was eliminated, yeah? Natalie Belin & Mary Dunn  26:10 Well, that's what I like to know why it was eliminated. I think sometimes that job was just to keep me quiet. That's how I felt. I mean, I, I they, they knew that I was upset and that I didn't like what was happening. And I think it was just to keep me quiet, and they realized that that job wasn't going to last, but it was a marketing job. We were using different ways to use gas, alternative fuel vehicles, fuel cells, you know. So it was an interesting job, too, but it it didn't really have the supervisor we had was not really a person that pushed the product, you know. So that could have been the reason, too, that they eliminated a lot of that. Yeah, so I wasn't the only one that went I mean, there was another person in that at that time, and eventually that whole department was eliminated. Now that gas company, they sold all that off, and another gas company took it over and equitable. Still is EQT here, and they work, I think at this point, they work with the leases and things like that, and horizontal drilling, they call it. Michael Hingson  27:38 So now that you're retired, what do you do? Natalie Belin & Mary Dunn  27:41 Well, for a while there, Michael Hingson  27:44 in addition to Etsy, yeah, for Natalie Belin & Mary Dunn  27:47 a while, I was actually doing hair. I was my first, my first, I guess, employment type, or whatever. I went to beauty school, and I became a cosmetologist, and I also became a teacher in cosmetology. So when I first became all that the money wasn't so great. I worked my first job. I was so excited I had this job because I thought I was going to be making millions. You know, they they really pump you up in in beauty school that you're going to really succeed and you're going to make this money. Well, my first job, I worked over 40 hours at that job, and I only got $15 in my first pay. It was like we had to stay there the whole time until everyone was finished working. So the girls that had their clientele that they worked the whole day and into the evening, like till eight o'clock. Maybe we had to stay till eight o'clock. Even though I didn't have anybody to do. I might have had one person that day, yeah, so that that wasn't too I just worked at that for a few years, and then I decided to leave and take care of my family. Yeah, well, that that I went back to it when I retired, and it had changed significantly, making pretty good money. I was only working three days a week, and I did pretty well. But then my back. I had the issues with my back, and I couldn't go back to it, which really upset me. I really love that job. Michael Hingson  29:29 Well, things happen. Natalie Belin & Mary Dunn  29:31 Yeah, it does. You know, I'm happy not to stay at home. I figured now that I'm actually 73 years old now, so I think I I should retire Michael Hingson  29:47 and enjoy my life a little. Well. So Natalie, you graduated in 2023 and so then what did you start to do? And what are you doing now? Natalie Belin & Mary Dunn  29:57 So what I'm doing now is I'm. Still focusing on the Etsy shop, but I also got into a graduate certificate program, and this certificate is in sports entertainment and arts law, and I really hope to use this program as a stepping stone to complete my master's degree in the sports entertainment and arts law program. Michael Hingson  30:25 What exactly is a graduate certification program, as opposed to a master's degree? Natalie Belin & Mary Dunn  30:32 So that's a great question. So the certificate program is like a newer program, and it's like the only one in the world, I'm pretty sure, that focuses on sports, entertainment and art. So it's like a newer, more modern type of learning program. And this certificate is a great stepping stone, and for me to check it out before I actually go in to the master's program. This is, like, my second week, and I love it so far, and all these classes that I'm doing, and if I keep my grades up and everything, will apply to the master's program if I get in. Michael Hingson  31:15 Okay, well, so Natalie Belin & Mary Dunn  31:20 less credits than, like, what you would need for a master's program, and it's less I don't need a textbook. I have these things called nutshells, where I'm pretty sure, like, I'll be studying different types of cases or something like that through that. So it's like online stuff. Michael Hingson  31:43 The Okay? And how long do you think it will take you to complete that Natalie Belin & Mary Dunn  31:49 the certification program should be about a year, and it's all online, okay? Michael Hingson  31:55 And how, how long have you been doing it so far? Just two weeks. Oh, so next August, yeah, yeah, yeah. And the hope is then you can use that to go forward and actually work toward getting a master's degree. Which, which sounds pretty cool, yeah, for sure. What do you want to do with it once you get a master's degree? Well, like Natalie Belin & Mary Dunn  32:20 all those points like sports entertainment and arts, I think is Pittsburgh is a great city to represent all of those. And I hope to help represent like clients, maybe do like to protect their works and them as an artist. And I would like to hopefully get into paralegal work. That's what I'm focusing on right now. Michael Hingson  32:47 So is school pretty much full time for you these days? Natalie Belin & Mary Dunn  32:51 No, it's still part time, and that's what I like love about this program, because, like all week, you'll be doing 10 hours outside of so I still work full time as an administrator in the SHRS program, and I am the administrator for Rehabilitation Science. So yeah, it's great to have like, bosses and everything that support me in my educational journey, because that makes my life a lot easier too. Natalie Belin & Mary Dunn  33:26 Yeah, that's some great bosses. Michael Hingson  33:29 Well, it's good to have some people who tend to be a little bit more supportive. It helps the psyche when you get to do that. Yes, yeah. Natalie Belin & Mary Dunn  33:39 Because the one thing that I noticed with this program, it is definitely more manageable, because, like the undergrad program, I did enjoy the process. For most parts, some of it was really challenging. But the undergraduate program, it was really hard for me to get late night classes. Most of those classes that I had to take were I had to be in person, so like late classes were pretty hard to get, but my bosses allowed me to take earlier classes so I could help finish the program faster, but I just had to make up that time. Right? Michael Hingson  34:28 When did you discover that you had artistic talent? Natalie Belin & Mary Dunn  34:32 Um, I don't know if I ever really discovered that I had the talent, but I was very passionate at a young age, like when my mom was going back to school, I always loved watching her paint, because she had like the painting classes. I always thought so I like sit on the floor and watch her paint. And at a very young age, I was in the dance class. Do you remember the name? A France Dance School of Dance, France School of Dance. And I love dance class so much. I remember one time the dance school was closed because of a holiday, and I was, like, so upset, like, I didn't believe, like, the dance school was closed and I didn't understand, like, why I wasn't allowed to go. So they called the school and it went straight to, like, the answering machine so they could prove, like, it was closed and nobody was there. I was like, ready to show up. Natalie Belin & Mary Dunn  35:30 She wanted to go, yeah. She was just about three or four when she was taking the dance classes at that time. Yeah. But then it became on, you know that they both the kids were involved, but I couldn't afford it anymore. Natalie Belin & Mary Dunn  35:45 So dance is very expensive. Yeah? Natalie Belin & Mary Dunn  35:48 Well, you know, like, at that time too, I was going to school, and I didn't have much of a salary, and I was living with my parents, so, I mean, and they were retired, so it was, like, very tight. Yeah, right. Michael Hingson  36:04 Well, it nice to have an enthusiastic student, you know, Natalie Belin & Mary Dunn  36:13 so true. Well, Michael Hingson  36:15 so you've created the many colors of Natalie blog, tell me about that. Natalie Belin & Mary Dunn  36:22 So I reach out to different artists that were that are located in Pittsburgh or at one time, working or living in Pittsburgh. So this is like musicians, photographers, actors and they, I I create questions for them, for them to answer in their own words, like advice that they would give, or funny stories that they had while working in the field. And that's that's the main point of the blog, because I want it to be a resource for people and for them to also see, like, why that genre is cool. And I think another reason that motivated me to create that blog is some people just don't see an importance to art, and I find that so offensive. Like, yeah, so I just wanted it to be as an educational type thing as well. Michael Hingson  37:28 How long has the blog been visible? Natalie Belin & Mary Dunn  37:33 So it's been visible for about five, six years now, five years, yeah, and I did over like 50 some posts. Michael Hingson  37:45 Do you do that with consistency? Or So do you have one, like, every week or every three weeks, or every month, or something like that? Or how does that work? Natalie Belin & Mary Dunn  37:53 So when I first started, I was consistent with the posts I don't ever leave my blog, like, not active for like a year. Like, I always try to post something, but it's a little more challenging to do a post. Like, every month, whenever I'm working, going to school, volunteering for different things, running the Etsy shopper, vending so I had to cut it back a little bit because that is just me running it. Michael Hingson  38:30 So you've also created a mixed media piece. First of all, what is a mixed media piece? Natalie Belin & Mary Dunn  38:35 You want to explain Natalie Belin & Mary Dunn  38:36 the mixed media? Oh, well, a mixed media is like different mediums. It could be paint, it could be pictures, and it's posted on a board, a canvas, or whatever it can be in a journal. You know, you just use various types of mediums. It could be using lace, it could be using fabric, it could be using, like I said, pictures, paper, and they call it mixed media. So she decided she wanted to create a mixed media. I had a huge canvas that was given to me. It was like 36 by 36 giant. It was huge, and I knew I couldn't do anything on that, because I don't paint big. I like to paint on smaller canvas, like an eight and a half by 11, or eight and a half by 14. So she, she decided she wanted to use that Canvas for something. But you go ahead and tell them. Natalie Belin & Mary Dunn  39:38 So, um, whenever Woodstock had their 50th anniversary, and I believe that was around 2019 I had the opportunity to go to yaska's Farm and camp where the original campers from the very first Woodstock would stay in that. Campsite was like, right next to this yaska farms. So I took some pictures of it, like me with the yaska farm house. And so it was very inspirational to go to that because I was doing research on what Woodstock was, the original Woodstock. And what that was about, I talked to Uber drivers that were actually at the original Woodstock. Jimi Hendrix is one of my favorite musicians, and for him to not be there, I was like, so sad. Very sad. So with all the education experience. I needed to release that. And I took my mom, let me have that canvas, and like I created a mixed media giant collage, and I got that into the Woodstock Museum in Socrates, New York. Natalie Belin & Mary Dunn  41:01 Wow, it's actually there now, Michael Hingson  41:04 yep. How long has it been there? Natalie Belin & Mary Dunn  41:07 I believe got that in there? Yeah, about two years. Michael Hingson  41:13 Wow. So it's kind of almost a permanent piece there. Natalie Belin & Mary Dunn  41:17 I hope so. I hope they keep it there for sure. What? Michael Hingson  41:21 What prompted them to be interested in having it there. Natalie Belin & Mary Dunn  41:25 So I that piece was so giant, and I loved how it turned out, and I wanted that more than just in my house, my art pieces are very close to me, because that's like my soul and my work, and I want it out there to somebody who cares about it. So I reached out to Shelly nation, Nathan, because they, I believe, are the owners of the Woodstock Museum, and they were more than happy to have it. I had it shipped out there. And then, whenever the season was to reopen the museum, I went out there and visited it. And it's a very great it's a very cool place. Natalie Belin & Mary Dunn  42:10 Recommend, yeah, she, she was interviewed by them, also, right? Natalie Belin & Mary Dunn  42:14 Oh, yeah, we did go on a radio station. And that was also a cool experience, because I was never on a radio show at that time. Cool. Michael Hingson  42:25 Well, that's pretty exciting. I have not been to the Woodstock Museum, so that might be something to explore at some point when I get get back there next that'd Natalie Belin & Mary Dunn  42:35 be great. Yeah, Natalie Belin & Mary Dunn  42:37 all those things like, you know, like I grew up during that period, of course, I didn't go to the Woodstock. Original Woodstock wouldn't let me do that. I was only 16 at the time, and but I mean, you know, like, like looking back at that and and seeing how all those people were there, and not nothing terrible happened, you know, I mean, hundreds of 1000s of people, and nobody got hurt. Well, they might have passed out, maybe from things, but nobody was, like, shot or killed or and like today. I mean, you can't you're so afraid to do anything today, you don't know what's going to happen. And it just was a different time. And the musicians that were there. I mean, that music was is still good today. You know, it's it, it hasn't faded. And I wonder sometimes about today's music, if it will continue to be popular in years to come, or if it's just going to fade out. You know, we won't know that, and so well I won't be here, probably Michael Hingson  43:44 we won't know for a while anyway, yes, but I did hear on a radio station a rebroadcast of a lot of the Woodstock concerts that was kind of Natalie Belin & Mary Dunn  43:56 fun. Yes, yes. Natalie Belin & Mary Dunn  44:00 Sorry I didn't mean to cut you. Go ahead. Go ahead. When I was talking to like the Uber drivers and stuff like that, and people who were at the original Woodstock, it seems like they were reliving that experience when they were telling the stories. I mean, it was great. Michael Hingson  44:15 Yeah. Well, you play creative percussion. First of all, what is pre creative percussion? Natalie Belin & Mary Dunn  44:23 So I actually have that written in some notes, what it actually is. So do you mind if I read off my notes? Michael Hingson  44:30 You're welcome to however you want to answer, perfect. Natalie Belin & Mary Dunn  44:33 So I was asked to be a creative percussion artist in 2020 and creative percussion is a family owned business established in 2018 and run by husband and wife team, Kevin and Sherry Feeney. They're great. I've had the opportunity to talk to them very much a couple of times, and my pictures also on the site. Um. Uh, under like my stage name now is a Bulla. So if you scroll down spell that it's S, E, B as a boy, u as in unicorn, L, L as in Len and a is an apple. Natalie Belin & Mary Dunn  45:16 Okay, what types of things, kinds Natalie Belin & Mary Dunn  45:18 of there's various types of shakers that I played because of various bands that I was in, I was the percussionist, so I played tambourine and stuff. But like, they have uniquely shaped shakers, like there's the hatch shakers, which I love them. They had a baseball shaker, and these little golf ball shakers, and they all carry different sounds, and they really blended differently with the type of song that I was playing was playing, yeah, so it's cool, Michael Hingson  45:53 yeah, so interesting. So you you play them as part of being with a band, or what Natalie Belin & Mary Dunn  46:01 for the most part, yeah, sometimes there was an acoustic band or just like a full band, and either way, I tried to have those pieces blend into the song. What I didn't learn when I was doing that is and an acoustic you really have to be on your game, because, like, if you mess up, like, people are gonna hear it more than if you're in a full band. So, yeah, right. Michael Hingson  46:38 So you do you still do that? Do you still play Natalie Belin & Mary Dunn  46:42 at this time? I don't, um, just because I wanted to focus on other things, so I took a step back from that. Michael Hingson  46:51 Do you think you'll do more of it in the future, or Natalie Belin & Mary Dunn  46:56 possibly, but like, that's how I am. I kind of just like, experience it, do it until I'm ready to move on to something else. Michael Hingson  47:04 So you flit, you flip from thing to thing, yeah, yeah, yeah. Natalie Belin & Mary Dunn  47:10 So, like, if you ever follow me, you might just see, like, me evolving and just trying other things. Michael Hingson  47:19 Well, you're adventurous. Natalie Belin & Mary Dunn  47:22 Yes, I love adventure. Michael Hingson  47:25 Nothing wrong with having an adventure in the world and getting to really look at things. So what are you doing now if you're not doing creative percussion and so on? Natalie Belin & Mary Dunn  47:38 Well, for the last couple months, I was helping my mom recover from like the back surgery. And then I was I was focusing on my blog, just really paying attention to that, getting certain interviews, and then schooling, getting ready to go into the certificate program. Michael Hingson  48:05 So you think you're gonna go ahead Natalie Belin & Mary Dunn  48:09 and I'm setting up the Etsy shop. Michael Hingson  48:13 So you're pretty excited about seal, the sports entertainment, art and law. Natalie Belin & Mary Dunn  48:19 Yes, I'm very excited about that. I was very excited to get into the program. The professors are great. The whole programs like really good. The people involved in it, they seemed, they seem really organized and let me know what I need to do to get into the program. And they are really nice. If I have a question, they're happy to answer it. I love the curriculum, so I hope you go, Well, Michael Hingson  48:46 do you experience anything any more dealing with like attention deficit? Oh, 100% it still creeps up, huh? Natalie Belin & Mary Dunn  48:55 Well, it's more anxiety than anything. But like this program, I think, is to help calm my anxiety with just different things that are set up. And like, how responsive the professors are and how nice they are. But my goodness, when I was in my undergraduate program, like I was really pushing myself, and I would like, of like, when 2020, came around in the pandemic, I needed to talk to my doctor and get on meds, like I could no longer not do that without meds. Natalie Belin & Mary Dunn  49:29 Yes, she was, she was struggling. It was tough. Yeah. I mean, when I went for my Bachelor's, I I I wasn't working. She was working. When I went for my master's, I was working, but, and I know how hard that is, you know, trying to balance things, especially I was working at equitable at the time, and the things that I was going through and being, you know, filling in for supervisors was I. I was on call, like, 24 hours a day, and it, you know, like that was, I can see how difficult it is to do both. It's just, I know what she was going through there, and she goes through it, but she did well. She graduated sigma, sigma cum laude. Natalie Belin & Mary Dunn  50:17 Yeah, I did get some honorary, like accolades for like, whenever I graduated. So that was pretty exciting, because the hard work did pay off. Michael Hingson  50:29 What do you think about studying and attending classes virtually as opposed to physically being in the room? Hybrid learning? Natalie Belin & Mary Dunn  50:38 Some people may have an issue with that, but I personally, cause I was working full time and it was hard for me to get later classes, I preferred the online learning, but I understand, like some of the classes really did need me to be there, like the theater classes, and I was okay with that. I don't mind either, either or, but it just seems like online learning is more manageable. For me, it Michael Hingson  51:08 takes more discipline to to stick with it and focus on it, as opposed to being in the classroom. Natalie Belin & Mary Dunn  51:14 Um, yeah, I agree, but I think which, which is not a negative thing, by the way. Oh, yeah, no, no, no, I totally understand, but I think, um, I forget what I was going with that. Michael Hingson  51:26 Sorry. Well, we were talking about the fact that more discipline dealing with, Natalie Belin & Mary Dunn  51:33 Oh, yeah. Oh, that's right, thank you. It's just, um, I think if you truly want it, you're gonna put forth the effort in anything. You know, it's may not always be enjoyable, but like, if you want it, you'll put through it. You'll push through it, like with high school, my mom knows, just like from elementary to high school, like that curriculum, I was just not feeling it, but I knew I had to stick it out. I wanted to be a high school dropout. I voiced that many of times, but like, I knew if I wanted to get to culinary school, I had to really focus on my academics through then and just try to push through and just do it, do what I had to do to graduate. Natalie Belin & Mary Dunn  52:19 Yeah, it's such a different environment to high school, I believe, you know, like I found that I really enjoyed college. I enjoyed my subjects. They went fast. The classes went fast. It was fast paced, but it was an I learned more. I you know, I think that slowness of the way that they do things in in the high school, it takes them like three weeks to get through one chapter, you know, and so it, it just, it just made it a big difference. And I, I wished I could continue to go to school. I think I was a really good student. Michael Hingson  52:59 I think one of the things about college is, and I've talked to several people who agree, is, you certainly learn from the courses that you take, but College offers so much more with with with the extracurricular activities, with the interaction with people, with The greater responsibility. College offers so many more life lessons if you take advantage of it, that really makes it cool. And I, I always enjoyed college. I liked it a lot. Natalie Belin & Mary Dunn  53:29 Yeah, yeah, I did too, I think with some of my challenges and frustrations, not only with my learning disability, but like the fact that

Systrarna Karin & Cecilia Belin, grundare av Aima Sense gästar podden Framtidens E-Handel och pratar om hur de byggt ett modigt varumärke, positionerat i gränslandet mellan välmående, estetik och framtidens konsumtionskultur. Vi pratar om hur man skapar efterfrågan för en helt ny kategori, hur man arbetar med internationell expansion, retailstrategier, förpackning och varumärkesbyggande, och hur det är att vara både kreatör, entreprenör och syster på samma gång.06:40 – Så byggde de varumärket runt en ny kategori09:20 – Hur de pitchar en produkt som saknar jämförelsepunkt11:45 – Varför de valde premiumpositionering från första dagen14:30 – Design, förpackning och storytelling som konverterar17:10 – Balansen mellan estetik, funktion och affär29:15 – Att säga nej till investerare – och varför31:30 – Hur man skapar efterfrågan utan att skrika34:00 – Kontroll i produktion och ansvar i leverantörsledet36:45 – Så tänker de kring återförsäljare och retailpartners39:10 – Varumärkesintegritet i en värld av hype och snabba pengar41:40 – Intuition som verktyg – när magkänsla väger tyngst44:20 – Råd till andra som vill lansera något “för tidigt”47:00 – Slutreflektion: att forma en kategori – och få den att flygaHär hittar du Karin, Cecilia & Aima Sense:https://www.linkedin.com/in/karinbelin1/ https://www.linkedin.com/in/cecilialanttobelin/ https://aimasense.com/ Sponsor:https://www.soscalemedia.se/ Berns Event:https://framtidensehandel.se/products/roast Följ Björn på LinkedIn:https://www.linkedin.com/in/bjornspenger/ Följ Framtidens E-handel på LinkedIn:https://www.linkedin.com/company/framtidens-e-handel/ Besök vår hemsida, YouTube & Instagram:https://www.framtidensehandel.se/ https://www.instagram.com/framtidens.ehandel/ https://www.youtube.com/channel/UCEYywBFgOr34TN8NtXeL5HQPoddproducent och klippare Michaela Dorch & Videoproducent Fredrik Ankarsköld:https://www.linkedin.com/in/michaela-dorch/ https://www.linkedin.com/in/ankarskold/ Tusen tack för att du lyssnar!Support till showen http://supporter.acast.com/framtidens-e-handel. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:05:49 - Dans la playlist de France Inter - Dans le Best of de la Playlist de Frande Inter, il y a une place pour « Watt », le 8ème album de Bertrand Belin Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:58:16 - Cultures Monde - par : Mélanie Chalandon, Julie Gacon - Comme chaque vendredi, une émission d'actualité en deux parties : retour de terrain avec Hélène Ferrarini qui rentre du Bhoutan, puis table-ronde sur la nouvelle doctrine stratégique états-unienne qui menace l'Europe. - réalisation : Vivian Lecuivre, Margot Page - invités : Hélène Ferrarini Journaliste indépendante; Célia Belin docteure en science politique, directrice du bureau français du Conseil européen pour les relations internationales; Maud Quessard directrice de recherche Europe/Espace transatlantique/Russie à l'Institut de Recherche Stratégique de l'Ecole Militaire (IRSEM)

durée : 00:36:55 - Cultures Monde - par : Mélanie Chalandon, Julie Gacon - La nouvelle doctrine stratégique états-unienne représente une rupture politique entre l'Europe et les États-Unis. Dans ce nouveau document, l'Europe n'apparaît plus comme une priorité stratégique et les ingérences politiques sont perçues comme nécessaires pour redresser le vieux continent. - réalisation : Vivian Lecuivre, Margot Page - invités : Célia Belin docteure en science politique, directrice du bureau français du Conseil européen pour les relations internationales; Maud Quessard directrice de recherche Europe/Espace transatlantique/Russie à l'Institut de Recherche Stratégique de l'Ecole Militaire (IRSEM)

En direct de Florence, on se pose la question: qu'est-ce que c'est que la Renaissance italienne et comment ça s'est déployé ? Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Montage: Diane, Artémis Production | artemisproduction.framer.website 00:00 Introduction 02:14 Qu'est-ce que la Renaissance 06:03 Humanisme et philosophie 09:29 Néoplatonisme et culte de la beauté 13:19 Sciences et découvertes 17:27 Peinture et perspective 25:57 Corps et beauté 34:01 L'Italie Pour soutenir la chaîne, au choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl Musique issue du site : epidemicsound.com Images provenant de https://www.storyblocks.com Abonnez-vous à la chaine: https://www.youtube.com/c/LHistoirenousledira Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Sources et pour aller plus loin: ANTONETTI, Pierre. Les Médicis. Paris, PUF, 1997. ARASSE, Daniel, L'Homme en perspective - Les primitifs d'Italie, Paris, Hazan, 2008 ARASSE, Daniel et A. TONNESMANN. La Renaissance maniériste. Paris, Gallimard, 1997. BARBIER, Frédéric. L'Europe de Gutenberg, le livre et l'invention de la modernité occidentale (XIIIe-XVIe siècle). Paris, Belin, 2006. BAXANDALL, Michael. L'œil du Quattrocento. Paris, Gallimard, 1985. BAXANDALL. M. Les humanistes à la découverte de la composition en peinture, 1340-1450. Paris, Seuil, 1989. BENNASSAR, Bartolomé et Jean Jacquart, Le 16e siècle, Paris, Armand Colin, 2002 (1972). BONNEY, Richard. The European Dynastic States, 1494-1660. Oxford, Oxford University Press, 1991. BLOCH, Ernst. La philosophie de la Renaissance. Paris, Payot, 2007 (1972). BRIOIST, Pascal, La Renaissance, 1470-1570, Paris, Atlande, 2003. BURKE, Peter, La Renaissance européenne, Paris, Le Seuil, 2000. CHASTEL, André. Art et humanisme à Florence au temps de Laurent le Magnifique. Paris, PUF, 1959. CHASTEL, André. Le geste dans l'art. Paris, Liana Levi, 2001. CASSAN, Michel, L'Europe au XVIe siècle, Paris, Armand Colin, 2008. CONSTANT, Jean-Marie. Naissance des États modernes. Paris, Belin, 2000. CLOULAS, Ivan (dir.). et al. L'Italie de la Renaissance, un monde en mutation 1378-1494. Paris, Fayard, 1990. CROUZET-PAVAN, Élisabeth, Venise, une invention de la ville XIIIe-XVe siècle, Seyssel, Champ Vallon, 1997. DAMISH, H. L'origine de la perspective. Paris, Flammarion, 1987. DAUMAS, Maurice, Images et sociétés dans l'Europe moderne, 15e-18e siècle, Paris, Armand Colin, 2000. DAUSSY Hugues, Patrick Gilli et Michel Nassiet, La Renaissance (vers 1470-vers 1560), Paris, Belin, 2003 DELUMEAU, Jean. La civilisation de la Renaissance. Paris, Arthaud, 1967. DELUMEAU, Jean. L'Italie de la Renaissance à la fin du XVIIIe siècle. Paris, Armand Colin, 1997 (1974). DUPRAT, Annie, Images et Histoire. Outils et méthodes d'analyse des documents iconographiques, Paris, Belin, 2007. LEBRUN, François, L'Europe et le monde, XVIe, XVIIe, XVIIIe siècle, Paris, Armand Colin, 1997. GARIN, Eugenio. L'humanisme italien. Paris, Albin Michel, 2005 (1947). GOLDWAITE. R.A. The building of Renaissance Florence. An Economic and Social History. Baltimore and London, The John Hopkins University Press, 1980. GUENÉE, B. L'Occident aux XIVe et XVe siècles. Paris, PUF, 1998. HAVELANGE, Carl. De l'œil et du monde. Une histoire du regard au seuil de la modernité. Paris, Fayard, 1998. HALE, John Rigby. La civilisation de l'Europe à la Renaissance. Paris, Perrin, 1998. HEERS, Jacques. Les temps dits « de transition » (1300 à 1520 environ). Paris, Mentha, 1992. HEERS, Jacques. La vie quotidienne à la cour pontificale au temps des Borgia et des Médicis (1420-1520). Paris, Hachette, 1986. HÉLIE, Jérôme. Petit Atlas historique des temps moderne, Paris, Armand Colin, 2016 (2000). JAHAN, Sébastien. Les renaissances du corps en occident : 1450-1650. Paris, Belin, 2004. JONES-DAVIS, Marie-Thérèse (dir.). L'oisiveté au temps de la Renaissance, Paris, PUPS, 2002 MANDROU, Robert. Introduction à la France moderne, 1500-1640, Essai de psychologie historique. Paris, Albin Michel, 1988 (1961). MUCHEMBLED, Robert (dir.), Les XVIe et XVIIe siècles, histoire moderne, Paris, Bréal, 1995. PERONNET, M. et L. Roy, Le XVIe siècle, 1492-1620, Paris, Hachette, 2005. POUSSOU, J.P. (dir.), Le Renaissance. Enjeux historiographiques, méthodologie, bibliographie commentée, Paris, Armand Colin, 2002. SALLMANN, Jean-Michel. Géopolitique du XVIe siècle, 1490-1618, Paris, Seuil, 2003. TENENTI, Alberto, Florence à l'époque des Médicis, de la cité à l'État, Paris, Flammarion, 1968. ZIMMERMAN, Susan and R.F.E. WEISSMANN. Urban Life in the Renaissance. Newark, University of Delaware Press, 1988. Autres références disponibles sur demande. #histoire #documentaire #renaissance #florence #italy #italie

Stagione finita, tempo di bilanci: torna “Belin te l'avevo detto”: io sono lo Zam, questo è #atuttogas il #podcast domenicale di Moto.it

Au programme de l'émission du dimanche 30 novembre :ENTRETIENS (Isabelle Royer)1/ Sébastien Barot, écologue, L'écologie est une science (Belin)2/ Florence Marie, artiste, La Forge à Honfleur, 25 rue de la Fouleriehttps://asso-maisondelaculture.fr/30742-2/AGENDA CULTUREL : Festival AD HOC, 8ème édition, du 29 novembre au 6 décembre/ 19 spectacles/14 villes et villages /Communauté urbaine du Havre Seine Métropole/ Le Volcan, scène nationale

On choisit souvent nos vêtements en fonction d'elles, certains les aiment vives, d'autres plus sobres pour aller avec tout. Les couleurs ont une place importante en matière de mode, pourtant on s'intéresse peu à la manière dont on les fabrique, la façon dont elles imprègnent plus ou moins difficilement les tissus. La teinture textile est un savoir-faire qui s'est développé au cours des siècles et un peu partout autour de la planète. Petit à petit, les colorants naturels issus du végétal, ont laissé la place aux colorants de synthèse, les expérimentations, les recherches ont aussi permis de mettre au point de nouvelles couleurs, de les rendre plus résistantes et surtout pour l'industrie textile, de réduire les coûts. La production de teinture est devenue un enjeu économique mais aussi environnemental. Selon l'ADEME, 20% de la pollution des eaux dans le monde serait due aux teintures du secteur textile. Teindre un vêtement n'a donc rien d'anodin pour la planète. L'impact écologique de la couleur invite professionnels et consommateurs s'interroger sur ses modes de productions. Peut-on revenir au tout naturel en matière de teinture? Existe-t-il un patrimoine de recettes ancestrales ?  Avec :  • Marie-Jeanne Serbin Thomas, rédactrice en chef du magazine Brune • Dominique Cardon, historienne, spécialiste de l'histoire et de l'archéologie du textile et de la teinture, directrice de recherche émérite au CNRS. Elle a consacré plusieurs ouvrages à la teinture dont Le monde des teintures naturelles (Belin, 2014) et le dernier Les 85 couleurs d'Antoine Janot (Les mots qui portent, 2025) • Nadia Adanle, styliste et fondatrice de la marque de vêtements béninoise Couleur Indigo. En fin d'émission, la chronique IA débat, de Thibault Matha, un nouveau rendez-vous bimensuel chez 8 milliards de voisins. Alors que l'intelligence artificielle devient omniprésente dans notre quotidien et que son utilisation se démocratise, Thibault Matha interrogera les outils, et analysera la pertinence de leurs réponses. Aujourd'hui, il s'intéresse à la création musicale grâce à l'IA.  Programmation musicale : ► Vestes de couleurs - Mandarine ► Feelings Everytime - PapaRaZzle.

On choisit souvent nos vêtements en fonction d'elles, certains les aiment vives, d'autres plus sobres pour aller avec tout. Les couleurs ont une place importante en matière de mode, pourtant on s'intéresse peu à la manière dont on les fabrique, la façon dont elles imprègnent plus ou moins difficilement les tissus. La teinture textile est un savoir-faire qui s'est développé au cours des siècles et un peu partout autour de la planète. Petit à petit, les colorants naturels issus du végétal, ont laissé la place aux colorants de synthèse, les expérimentations, les recherches ont aussi permis de mettre au point de nouvelles couleurs, de les rendre plus résistantes et surtout pour l'industrie textile, de réduire les coûts. La production de teinture est devenue un enjeu économique mais aussi environnemental. Selon l'ADEME, 20% de la pollution des eaux dans le monde serait due aux teintures du secteur textile. Teindre un vêtement n'a donc rien d'anodin pour la planète. L'impact écologique de la couleur invite professionnels et consommateurs s'interroger sur ses modes de productions. Peut-on revenir au tout naturel en matière de teinture? Existe-t-il un patrimoine de recettes ancestrales ?  Avec :  • Marie-Jeanne Serbin Thomas, rédactrice en chef du magazine Brune • Dominique Cardon, historienne, spécialiste de l'histoire et de l'archéologie du textile et de la teinture, directrice de recherche émérite au CNRS. Elle a consacré plusieurs ouvrages à la teinture dont Le monde des teintures naturelles (Belin, 2014) et le dernier Les 85 couleurs d'Antoine Janot (Les mots qui portent, 2025) • Nadia Adanle, styliste et fondatrice de la marque de vêtements béninoise Couleur Indigo. En fin d'émission, la chronique IA débat, de Thibault Matha, un nouveau rendez-vous bimensuel chez 8 milliards de voisins. Alors que l'intelligence artificielle devient omniprésente dans notre quotidien et que son utilisation se démocratise, Thibault Matha interrogera les outils, et analysera la pertinence de leurs réponses. Aujourd'hui, il s'intéresse à la création musicale grâce à l'IA.  Programmation musicale : ► Vestes de couleurs - Mandarine ► Feelings Everytime - PapaRaZzle.

Au Cœur de l'Histoire est un podcast Europe 1. - Auteur et présentation : Jean des Cars - Production, diffusion et édition : Timothée Magot - Réalisation : Jean-François Bussière - Visuel : Sidonie Mangin Ressources bibliographiques :  - Henri Mollaret et Jacqueline Brossollet, Alexandre Yersin, un pasteurien en Indochine, avant-propos d'Anne-Marie Moulin (Fayard 1985, rééditions Belin 1993, et Belin/Humensis 2017).   Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dans ce nouvel épisode d'Au coeur de l'Histoire, Jean des Cars vous propose de revenir sur le travail fondamental des chercheurs "pasteuriens" du XIXe siècle. La vie de l'un d'entre eux, en particulier, mérite d'être racontée. Il s'agit d'Alexandre Yersin, un franco-suisse, à la fois médecin et explorateur. Ses aventures en Asie l'ont conduit à isoler le bacille d'une maladie qui terrifie l'humanité depuis l'Antiquité : la peste. (rediffusion)Au Cœur de l'Histoire est un podcast Europe 1.- Auteur et présentation : Jean des Cars- Production, diffusion et édition : Timothée Magot- Réalisation : Jean-François Bussière- Visuel : Sidonie ManginRessources bibliographiques : - Henri Mollaret et Jacqueline Brossollet, Alexandre Yersin, un pasteurien en Indochine, avant-propos d'Anne-Marie Moulin (Fayard 1985, rééditions Belin 1993, et Belin/Humensis 2017).Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

L'invitée : Agnès Graceffa, historienne médiéviste (musée de la Résistance de Bruxelles)Le livre : Une femme face à l'histoire. Raïssa Bloch, Saint-Pétersbourg-Auschwitz (1898-1943), Paris, Belin, 2016.La discussion : les origines du travail et la collecte des archives privées concernant Raïssa Bloch (1'15) ; le parcours de Raïssa Bloch qui débute dans une famille de la bourgeoisie juive de Saint-Pétersbourg (4'30) ; la possibilité des études universitaires pour les femmes en Russie à l'époque (6'50) ; le foisonnement artistique des débuts de l'URSS auquel participe Raïssa Bloch (8'06) ; du fait notamment de ses capacités linguistiques (10'20) ; la confrontation avec l'arbitraire du pouvoir soviétique et son arrestation (11'25) ; un premier exil en Allemagne, où vit une énorme communauté russe émigrée (14'20) ; les relations de Raïssa Bloch avec Vladimir Nabokov / Sirine (16'25) ; son insertion dans la médiévistique allemande, via les Monumenta Germaniae Historica et la réalisation de sa thèse sur Léon IX (21') ; un statut d' « intellectuelle précaire », reléguée à des tâches d'érudition fastidieuse (23'15) ; l'aide en France de Ferdinand Lot et son rôle pour intégrer Raïssa Bloch, auprès des médiévistes français, à qui elle apporte sa connaissance de l'Allemagne (27'30) ; en Allemagne, la montée du nazisme et les difficultés qu'elle rencontre (32'45) ; une vie plus difficile encore en France occupée, face aux persécutions, avec l'arrestation de son mari (35'50) ; son passage dans la clandestinité, son action dans l'OSE auprès d'enfants, et sa propre arrestation (40'40) ; leur souvenir entretenu par leurs proches (43'15).Le conseil de lecture : Jean-Michel Chaumont, Survivre à tout prix ? Essai sur l'honneur, la résistance et le salut de nos âmes, Paris, La Découverte, 2017.Un podcast créé, animé et produit par André Loez et distribué par Binge Audio. Contact pub : project@binge.audioHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

00:00 – 21:17 - James is Belin-bound later today, things to do in Germany, Kevin asks if he should know who Ice Spice (Sauce’s girlfriend) is, Colts locker room reacts to Sauce Gardner trade, the Daniel Jones effect?, last night’s bad Pacers loss and what the season is starting to look like 21:18 – 34:12 – We play I GOTTA KNOW: bright spot of the Pacers season so far, how many losses left on the Colts schedule, aliens exist?, what are we watching? 34:13 – 46:51 – Scott Agness of Fieldhouse Files joins and discusses Kevin’s angst about college basketball TV, how ugly was last night’s Pacers loss, when do the Pacers consider waving the white flag if this continues to go the way it’s going, Siakam’s horrendous free throwing this season, Caitlin Clark and Fever teammates doing a golf event 46:52 – 56:28 - WIBC’s Jason Hammer joins us and debates if David Hasselhoff is more famous for Knight Rider or Baywatch, Broncos/Raiders is a stinky TNF game but we get some plays, Colts/Falcons prop betsSupport the show: https://1075thefan.com/the-wake-up-call-1075-the-fan/See omnystudio.com/listener for privacy information.

00:00 – 10:40 – Sauce Gardner officially makes his Colts debut at practice, Pacers suffer an awful loss to the Nets last night 10:41 – 19:57 – Morning Checkdown 19:58 – 41:12 – James is Belin-bound later today, things to do in Germany, Kevin asks if he should know who Ice Spice (Sauce’s girlfriend) is, Colts locker room reacts to Sauce Gardner trade, the Daniel Jones effect?, last night’s bad Pacers loss and what the season is starting to look like 41:13 – 1:06:49 – Ice Spice, most famous Colts girlfriend?, we play I GOTTA KNOW: bright spot of the Pacers season so far, how many losses left on the Colts schedule, aliens exist?, what are we watching?, Morning Checkdown 1:06:50 – 1:14:08– Derrick Henry shouts out Knox’s Myles McLaughlin as he approaches his all-time rushing record 1:14:09 – 1:23:25 – Famous Colts girlfriends, Darian DeVries’ Indiana debut 1:23:26 – 1:47:36 – Scott Agness of Fieldhouse Files joins and discusses Kevin’s angst about college basketball TV, how ugly was last night’s Pacers loss, when do the Pacers consider waving the white flag if this continues to go the way it’s going, Siakam’s horrendous free throwing this season, Caitlin Clark and Fever teammates doing a golf event, Robbie Hummel gets asked by Alabama A&M’s Koron Davis if he was reffing the game against IU last night, Kevin’s excitement with Notre Dame basketball being brought up in the Colts media room yesterday, Morning Checkdown 1:47:37 – 1:57:14 – WIBC’s Jason Hammer joins us and debates if David Hasselhoff is more famous for Knight Rider or Baywatch, Broncos/Raiders is a stinky TNF game but we get some plays, Colts/Falcons prop bets 1:57:15 – 2:05:55 – Cowboys announce second-year player Marshawn Kneeland has passed away at 24 years old, Colts injuries, Colts-Falcons picks for James and KevinSupport the show: https://1075thefan.com/the-wake-up-call-1075-the-fan/See omnystudio.com/listener for privacy information.

“Europe is missing too many innovations.”I had the pleasure of welcoming Pierre-Henri Belin, the Co-Founder and CEO of Xcube.Bio — an innovative company that accelerates biopharma market entry across Europe.By combining capital, deep expertise, and industry knowledge, Xcube.Bio helps mitigate risks and launch transformative solutions.Pierre-Henri is a leading voice in pharmaceutical innovation and healthcare transformation. In this episode, he shares a bold vision to bridge one of Europe's most urgent healthcare gaps: the slow access to new drugs for European patients.In this conversation, we discuss:◾️ The alarming gap between the United States and Europe — with more than 100 new drugs available in the US but still not accessible to European patients.◾️ Why this gap exists, from fragmented regulatory systems to national-level decision-making and the lack of early collaboration between key actors.◾️ The consequences for patients, innovation, and the competitiveness of Europe's healthcare ecosystem.◾️ Pierre-Henri's proposed model, built on transparency, collaboration, and shared responsibility — connecting innovators, regulators, and patients earlier in the process.◾️ A message of hope, showing that Europe can reinvent its system without sacrificing safety or trust, but only if we act collectively and decisively.A clear, concrete, and inspiring episode that sheds light on how Europe can regain its leadership in healthcare innovation.Many thanks to Xcube.Bio for supporting this episode. Their partnership allows us to push our explorations further — but the spirit of Pharma Minds remains unchanged: full editorial independence and complete freedom in choosing our guests.—Find Pierre-Henri Belin:LinkedIn: https://www.linkedin.com/in/phbelin/?originalSubdomain=chXcube.Bio: https://xcube.bio/Resources mentioned in the episode:

Nükhet Işıkoğlu'nun hazırlayıp sunduğu Demiryolu Günlükleri programına Red Apple Co. Genel Müdürü Yiğit Belin konuk oldu.

Nükhet Işıkoğlu'nun hazırlayıp sunduğu Demiryolu Günlükleri programına Red Apple Co. Genel Müdürü Yiğit Belin konuk oldu.

C'est désormais un mois devenu incontournable pour sensibiliser, à travers le monde, au dépistage du cancer du sein : 32è édition, cette année, d'Octobre rose. D'après l'Organisation mondiale de la santé, le cancer du sein est la première cause de cancer chez les femmes dans la très grande majorité des pays.  De nombreux événements organisés au cours du mois permettent, donc, de mettre en avant la lutte contre cette pathologie, et de faire avancer la science. Mais dans bien d'autres cas, la santé des femmes reste trop méconnue, que ce soit, par exemple, sur l'endométriose ou bien sur les conséquences d'une grossesse ou de la ménopause. Alors les femmes intéressent-elles la recherche médicale ? Pour en débattre :  - Hélène Rossinot, médecin de santé publique, autrice du livre Revivre malgré la douleur (éditions Robert Laffont) - Valérie Lorbat-Desplanches, co-fondatrice et présidente de la Fondation pour la recherche sur l'endométriose, sous l'égide de la Fondation pour la recherche médicale - Muriel Salle, historienne, maîtresse de conférences à l'Université Lyon 1, co-autrice du livre Femmes et santé, toujours une affaire d'hommes, (éditions Belin, réédition à paraître prochainement).

C'est désormais un mois devenu incontournable pour sensibiliser, à travers le monde, au dépistage du cancer du sein : 32è édition, cette année, d'Octobre rose. D'après l'Organisation mondiale de la santé, le cancer du sein est la première cause de cancer chez les femmes dans la très grande majorité des pays.  De nombreux événements organisés au cours du mois permettent, donc, de mettre en avant la lutte contre cette pathologie, et de faire avancer la science. Mais dans bien d'autres cas, la santé des femmes reste trop méconnue, que ce soit, par exemple, sur l'endométriose ou bien sur les conséquences d'une grossesse ou de la ménopause. Alors les femmes intéressent-elles la recherche médicale ? Pour en débattre :  - Hélène Rossinot, médecin de santé publique, autrice du livre Revivre malgré la douleur (éditions Robert Laffont) - Valérie Lorbat-Desplanches, co-fondatrice et présidente de la Fondation pour la recherche sur l'endométriose, sous l'égide de la Fondation pour la recherche médicale - Muriel Salle, historienne, maîtresse de conférences à l'Université Lyon 1, co-autrice du livre Femmes et santé, toujours une affaire d'hommes, (éditions Belin, réédition à paraître prochainement).

AIBA xahutzearen aurka borrokatzen den eta kontsumo arduratsuagoa bultzatzen duen elkarte bat da. 2025eko apirilaren hasieran, birziklatze/berpizkunde batek ateak ideki ditu « La Nive »ko zentro ohian, Itsasuko Hirigoinbehera gunean. Zehazki, mota guztietako objektuak bildu, konpondu eta zirkulazioan jartzen ditu elkarteak.   Parada izan dugu, Pantxo Paparamborde-Belin den elkartearen koordinatzailearekin solastatzea. Proiektu horen aurkezpena egiten digu Pantxok. Jatorria : Radiokultura

L'émission 28 minutes du 14/10/2025 Scarabée titan, libellule criquet, mouche cerf : à quoi pourraient ressembler les insectes du futur ? Nous sommes en 2499, la Troisième Guerre mondiale et le dérèglement climatique ont tout dévasté ou presque : plus un reptile, un mammifère, mais des insectes géants mêlés à quelques survivalistes. Jean-Sébastien Steyer, paléontologue, imagine cette dystopie dans son roman “Les insectes du futur” (éditions Belin) accompagné des dessins d'Étienne Lucas. Une professeure d'entomologie et son étudiant thésard partent en road trip en voiture électrique de Paris à Monaco à la rencontre de ces insectes étonnants : fourmis aquatiques, criquets migrateurs de 60 centimètres avec des ailes durcies ou encore des scarabées géants de 10 mètres. Pour imaginer ces grosses “bébêtes”, Jean-Sébastien Steyer s'est inspiré de ses connaissances de paléontologue, d'insectes passés et actuels, mais aussi de sa culture geek comme le jeu de rôle Donjons et Dragons, ou encore l'univers de Tolkien. Crise chez Les Républicains : vers la fin du tabou de “l'union des droites” ?En quelques jours, la guerre des droites s'est rallumée. En acceptant de rejoindre le gouvernement “Lecornu II”, alors que Bruno Retailleau, le président des Républicains, avait acté leur non-participation, six ministres Les Républicains frondeurs vont être exclus du parti. Parmi eux, Rachida Dati, ministre de la Culture et candidate LR pour les prochaines municipales à Paris ou encore Annie Genevard, ministre de l'Agriculture et présidente de la commission d'investiture du parti. Ses membres sont plus que jamais divisés : doivent-ils continuer à travailler avec l'ancien “socle commun” ou, au contraire, se rapprocher du Rassemblement national ? Aujourd'hui, 52 % des Français se disent favorables à une coalition entre LR, RN et Reconquête. La semaine dernière, Bruno Retailleau a exhorté ses électeurs à n'apporter aucune voix pour la gauche dans un duel entre le PS et l'UDR, soutenue par le RN, lors d'une élection législative partielle dans le Tarn-et-Garonne. Jordan Bardella, président du RN, s'est dit récemment prêt à tendre la main aux LR avec un “accord de gouvernement” en cas de dissolution. Bruno Retailleau a refusé, mais pour combien de temps ? Enfin, Xavier Mauduit s'intéresse à l'ouverture d'un nouveau musée consacré à Frida Kahlo, au Mexique, dans l'ancienne demeure familiale de l'artiste iconique du 20e siècle dont il nous conte l'histoire. Marie Bonnisseau nous partage la nouvelle potion magique des sportifs de haut niveau : le jus de cornichon, apprécié pour soulager les crampes. 28 minutes est le magazine d'actualité d'ARTE, présenté par Élisabeth Quin du lundi au jeudi à 20h05. Renaud Dély est aux commandes de l'émission le vendredi et le samedi. Ce podcast est coproduit par KM et ARTE Radio. Enregistrement 14 octobre 2025 Présentation Élisabeth Quin Production KM, ARTE Radio

durée : 00:53:44 - Et je remets le son - par : Matthieu Conquet - Le duo Stromae et Paul Kalkbrenner nous sert de titre pour une émission pleine de nouveautés : Belin, Isha et Limsa, Clipse, Yasmine Hamdan... On parle aussi des sorties de Salif Keïta et de la réédition de l'album indispensable de Brigitte Fontaine. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Mes chers camarades, bien le bonjour !Dans le vaste Empire colonial français, l'Algérie avait une place un peu à part. Et c'est justement ça que je vous propose de découvrir aujourd'hui : quand on dit “Algérie française”, concrètement, de quoi on parle ? Comment était organisée la colonie ? Qui y vivait ? Comment se déroulait la vie quotidienne ? Comment fonctionnait le système colonial sur place, et combien de temps il s'est maintenu ? Beaucoup de questions sur un sujet complexe, que je vais essayer de vous expliquer sans que ça soit trop scolaire. À mon sens, on peut comprendre ce qu'est l'Algérie française à travers trois grands points. D'abord la domination politique du pays : qui dirige, et comment. Ensuite, le façonnement du territoire : les villes, les campagnes, les villes nouvelles. Et enfin, la sociologie : est-ce que tout ça, ce mélange de populations et de croyances, donne naissance à une “culture algérienne” à part ? Un vaste programme, alors c'est parti !Bonne écoute !

durée : 00:04:55 - Dans la playlist de France Inter - Quelques jours avant sa sortie, la Playlist de Frnce Inter lève un peu plus le voile sur "Watt", le nouvel album de Bertrand Belin Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

L'archéologie et la géologie forensique, ça vous dit quelque chose ? Comment archéologues et géologues mettent leurs sciences au service de l'enquête, pour résoudre des affaires criminelles et exhumer dans les archives du sol, un sombre passé que l'on a voulu taire. Découvrons comment archéologues et géologues mettent leur science au service de l'enquête. Comment dans les archives du sol parviennent-ils à exhumer un passé oublié, à résoudre des affaires criminelles, à mettre au jour de sombres vérités cachées ? Comment rendent-ils visible l'invisible grâce aux sciences forensiques qui ne se résument pas à l'analyse des traces ADN…  Il y a aussi les roches, les cailloux, le pollen que peuvent faire parler nos invités : Avec Patrick de Wever, géologue et Richard Marlet, commissaire général honoraire pour leur ouvrage La géologie au service de l'enquête paru chez Belin et l'archéologue Patrice Georges-Zimmermann pour L'homme qui faisait parler les tombes (éditions Robert Laffont). Musiques diffusées pendant l'émission  Slimane Azem - Algérie mon beau pays Birds On A Wire, Rosemary Standley, Dom La Nena - Smalltown Boy (Playlist RFI).

L'archéologie et la géologie forensique, ça vous dit quelque chose ? Comment archéologues et géologues mettent leurs sciences au service de l'enquête, pour résoudre des affaires criminelles et exhumer dans les archives du sol, un sombre passé que l'on a voulu taire. Découvrons comment archéologues et géologues mettent leur science au service de l'enquête. Comment dans les archives du sol parviennent-ils à exhumer un passé oublié, à résoudre des affaires criminelles, à mettre au jour de sombres vérités cachées ? Comment rendent-ils visible l'invisible grâce aux sciences forensiques qui ne se résument pas à l'analyse des traces ADN…  Il y a aussi les roches, les cailloux, le pollen que peuvent faire parler nos invités : Avec Patrick de Wever, géologue et Richard Marlet, commissaire général honoraire pour leur ouvrage La géologie au service de l'enquête paru chez Belin et l'archéologue Patrice Georges-Zimmermann pour L'homme qui faisait parler les tombes (éditions Robert Laffont). Musiques diffusées pendant l'émission  Slimane Azem - Algérie mon beau pays Birds On A Wire, Rosemary Standley, Dom La Nena - Smalltown Boy (Playlist RFI).

Aux origines de Belin Dans cet épisode 1 aux origines de Belin, le crooner breton revient sur le « tissage sauvage des fils de son destin », son enfance atlantique dans une baie au parfum de varech parcourue à BMX, sa lignée de pêcheurs, ses disques de Thiéfaine ou son jeu de guitare qui, à 15 ans, déchaînait les passions dans les rades de Quiberon avec un groupe nommé Les Démons. Le sel de son « hypernuit ».Mais comment l'écriture est-elle venue aux yeux et à la bouche de ce transfuge de classe alors que l'appartement familial ne comptait pour tout livre qu'une série d'encyclopédies ? Qu'a-t-il de commun avec le héros du roman « Martin Eden » de Jack London ? Comment ce titulaire d'un BEP-CAP électricien est-il passé d'un quotidien de musicien de studio – pour Bénabar ou Régine – à sa place convoitée de fils fantasmé de Bashung et de Brigitte Fontaine, chouchou de la critique, auquel il ne manque aujourd'hui qu'un succès populaire ? Pour le savoir, prenons le temps, Bertrand.L'auteur du mois : Bertrand BelinNé en 1970 à Auray, Bertrand Belin est musicien, écrivain et acteur, toujours à la recherche « du mot juste, du beau geste ». Depuis vingt ans, du premier album remarqué qui porte son nom (2005) à « Tambour Vision » (2022), sans oublier « Hypernuit » (grand prix de l'académie Charles-Cros en 2010), ce drôle d'oiseau du Morbihan, au timbre grave et envoûtant, « survole nos villes et nos campagnes » avec, sous son aile, de mystérieuses ritournelles. « Que dit-on en chantant que l'on ne saurait dire en parlant simplement ? Pourquoi chanter une chose ? », se demandait-il en 2012 dans son premier livre, un court essai intitulé « Sorties de route ». Bertrand Belin est également l'auteur d'une poignée de brefs romans intrigants aux éditions POL. Il vit à Paris et publiera en octobre 2025 son huitième album solo, « Watt », annoncé comme « tendre, grave et gracieux, avec des divertissements ». Enregistrement avril 2025 Entretien, découpage Richard Gaitet Prise de son Mathilde Guermonprez Montage Mathilde Guermonprez, Étienne Bottini Réalisation, mixage Charlie Marcelet Musiques originales Samuel Hirsch Vibraphone Cyprien Noble Illustration Sylvain Cabot Remerciements Loyse Dodinot-Plunian, Loo Hui Phang, Mina Souchon

Le chanteur vif-argent et son usine intime Énigmatique de sa personne, dans ses effets fort économe, l'homme (comme son verbe) désarçonne. Pour Bertrand Belin, « les chansons sont faites d'une substance instable, comme de la nitroglycérine, à transporter en essayant de ne pas trop en renverser ». L'auteur rapide de « Lentement » et de « Glissé-redressé » négocie donc « avec la plasticité des mots », apprécie « les syntaxes un peu dégradées, les contraires, les accidents de grammaire », dynamite les interprétations en s'estimant « contenu dans une nécessaire discrétion ». Dans ses chansons, il « parle en fou » ou affronte, « résigné, devant le mal », un colosse parental. Et ajoute : « J'aime l'opacité. Beaucoup. L'incompréhensible et le merveilleux que cela comprend. Pour faire jaillir des possibilités de sens qui ne sont pas le fruit de la raison. »En conséquence, ses vers « bêchent la terre gelée » de sentiments complexes ou dessinent « des silhouettes » : celles de clochards sur des bancs « mal gaulés » ou celle d'une femme « moitié folle, qui donne des ordres au soleil ». Son minimalisme, qui flirte parfois avec l'hermétisme, lui permet ainsi de diminuer « le risque du compromis ». Car « trop en dire » le « déçoit toujours ».Sûr de sa force « bertran-quille » portée par son flegme vocal désormais légendaire, le chanteur vif-argent nous ouvre ici les portes de son usine intime, le moulin de Belin, lui qui affirme que ses textes… « ne sont pas écrits, passant directement de l'esprit à l'enregistrement ». Dans ce deuxième épisode, nous essaierons de le croire sur parole(s).L'auteur du mois : Bertrand BelinNé en 1970 à Auray, Bertrand Belin est musicien, écrivain et acteur, toujours à la recherche « du mot juste, du beau geste ». Depuis vingt ans, du premier album remarqué qui porte son nom (2005) à « Tambour Vision » (2022), sans oublier « Hypernuit » (grand prix de l'académie Charles-Cros en 2010), ce drôle d'oiseau du Morbihan, au timbre grave et envoûtant, « survole nos villes et nos campagnes » avec, sous son aile, de mystérieuses ritournelles. « Que dit-on en chantant que l'on ne saurait dire en parlant simplement ? Pourquoi chanter une chose ? », se demandait-il en 2012 dans son premier livre, un court essai intitulé « Sorties de route ». Bertrand Belin est également l'auteur d'une poignée de brefs romans intrigants aux éditions POL. Il vit à Paris et publiera en octobre 2025 son huitième album solo, « Watt », annoncé comme « tendre, grave et gracieux, avec des divertissements ». Enregistrement avril 2025 Entretien, découpage Richard Gaitet Prise de son Mathilde Guermonprez Montage Mathilde Guermonprez, Étienne Bottini Réalisation, mixage Charlie Marcelet Musiques originales Samuel Hirsch Vibraphone Cyprien Noble Illustration Sylvain Cabot Remerciements Loyse Dodinot-Plunian, Loo Hui Phang, Mina Souchon

In the cosmos of the world of jewelry, subjects are as various and diverse as the galaxies that gravitate together in the jewellery planetary system that GemGenève has built. GemGenève, which has become a cultural event, offers to theirs exhibitors and visitors a wide range of topics around jewelry and provide their knowledge on current affairs.  I've joined them all together, in one universe, the 7th season of the jewellery-themed podcast Il était une fois le bijou. In this episode, I'll be exploring a new nebula, The unique Green TanzaniteSo I welcome :Daniel Nyfeler, Managing Director of the Gübelin Gem LabBrieuc Taymans, CEO of Taymans Fine GemsIn this episode, we discover green tanzanite. You might say that tanzanite is a gemstone from the zoisite family, naturally brown in color, but when heated, it takes on an exceptional blue-violet hue (like Liz Taylor's eyes). Well, nature is extraordinary, and there is a natural green tanzanite, but it is extremely rare. Brieuc explains his love for this gemstone (which collectors have been snapping up), and Daniel explains this rare mineral to us.A wonderful discovery and happy listening!I'm Anne Desmarest de Jotemps and I give a voice to jewelry , every Sunday. Over the following weeks, I'll be alternating to my 2 other podcast : the Brillante podcast and the Le Bijou comme un bisou podcast.Do me a favor and support the podcasts by posting reviews, thumbs up and stars on Apple podcast and Spotify.Don't hesitate to share this podcast on your social media, and leave kind comments on the Il était une fois le bijou and GemGenève social medias.Love jewel and good bye !Author-producer: Anne Desmarest de Jotemps - Il était une fois le bijouSound engineering and musical creation: Alice Brief - Les Belles FréquencesLes podcasts de la joaillerie, du savoir-faire et du luxe par Anne Desmarest de Jotemps, fondatrice de Il était une fois le bijouHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

C'est quoi la théorie de l'évolution ? Adhérez à cette chaîne pour obtenir des avantages : https://www.youtube.com/channel/UCN4TCCaX-gqBNkrUqXdgGRA/join Pour soutenir la chaîne, au choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl Avec Benoît Maufette Script: Benoît Mauffette  @toujours_vivants  Abonnez-vous à ma chaine: https://www.youtube.com/c/LHistoirenousledira Facebook: https://www.facebook.com/histoirenousledira Instagram: https://www.instagram.com/laurentturcot Images provenant de https://www.storyblocks.com Musique issue du site : https://epidemicsound.com Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Sources et pour aller plus loin: Fortin, Corinne, Gérard Guillot, Guillaume Lecointre, and Marie-Laure Le Louan Bonnet. Le Guide Critique de l'Évolution, 2ème Ed. Belin, 2021. Tort, Patrick. Darwin n'est pas celui qu'on croit. Idées reçues sur l'auteur de L'Origine des espèces. Le Cavalier Bleu, 2010. On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life, Charles Darwin, publié en 1859, Londres, John Murray, 24 novembre 1859, (version originale) consultable en ligne L'origine des espèces, Charles Darwin, Flammarion, novembre 2008 L'autre découvreur de la sélection naturelle : Alfred R. Wallace, 22/10/2015, Cyril Langlois Université de Lyon, Publié par Olivier Dequincey Images https://fr.wikipedia.org/wiki/Arbre_phylogénétique#/media/Fichier:Tree_of_life_by_Haeckel.jpg https://fr.wikipedia.org/wiki/Arbre_phylogénétique#/media/Fichier:Tree_of_life_SVG.svg https://fr.wikipedia.org/wiki/Arbre_phylogénétique#/media/Fichier:Darwins_tree_of_life_1859.png https://fr.wikipedia.org/wiki/Arbre_phylogénétique#/media/Fichier:Tree_of_life_SVG.svg Autres références disponibles sur demande. #histoire #documentaire #darwin #theorieevolution

C'est une première réalisée par le paléontologue Antoine Balzeau : recréer en 3D le cerveau de Neandertal et de Cro-Magnon. Le projet Paléo-brain ou comment se mettre dans la tête de nos ancêtres pour mieux comprendre ce qui se passe dans la nôtre ? (Rediffusion du 11/02/2025) Mettons-nous dans la tête de nos ancêtres préhistoriques, pour mieux comprendre ce qui se passe dans la nôtre ! Sauf qu'il y a un sacré problème : le cerveau ne se fossilise pas. Comment à partir du crâne de Néandertal Cro-Magnon ou Homo Erectus, reconstituer le contenu c'est-à-dire le cerveau de nos ancêtres ? Un défi de taille, relevé par notre invité le paléontologue Antoine Balzeau. Avec Antoine Balzeau, chargé de recherche au CNRS et chercheur au Muséum national d'Histoire naturelle. Il consacre ses travaux à l'étude des transformations morphologiques des premiers hommes, en s'intéressant surtout à l'évolution du crâne et du cerveau. Son ouvrage Dans la tête de nos ancêtres vient de paraître aux Éditions Belin. Reportage de Raphaëlle Pluskwa sur la pièce Néandertal au Théâtre du Rond-Point.  Musiques diffusées - Serge Reggiani - L'homme fossile - Thomas Fersen, Trio SR9 – Blasé [Playlist RFI].

C'est une première réalisée par le paléontologue Antoine Balzeau : recréer en 3D le cerveau de Neandertal et de Cro-Magnon. Le projet Paléo-brain ou comment se mettre dans la tête de nos ancêtres pour mieux comprendre ce qui se passe dans la nôtre ? (Rediffusion du 11/02/2025) Mettons-nous dans la tête de nos ancêtres préhistoriques, pour mieux comprendre ce qui se passe dans la nôtre ! Sauf qu'il y a un sacré problème : le cerveau ne se fossilise pas. Comment à partir du crâne de Néandertal Cro-Magnon ou Homo Erectus, reconstituer le contenu c'est-à-dire le cerveau de nos ancêtres ? Un défi de taille, relevé par notre invité le paléontologue Antoine Balzeau. Avec Antoine Balzeau, chargé de recherche au CNRS et chercheur au Muséum national d'Histoire naturelle. Il consacre ses travaux à l'étude des transformations morphologiques des premiers hommes, en s'intéressant surtout à l'évolution du crâne et du cerveau. Son ouvrage Dans la tête de nos ancêtres vient de paraître aux Éditions Belin. Reportage de Raphaëlle Pluskwa sur la pièce Néandertal au Théâtre du Rond-Point.  Musiques diffusées - Serge Reggiani - L'homme fossile - Thomas Fersen, Trio SR9 – Blasé [Playlist RFI].

Mes chers camarades, bien le bonjour !Ce n'est pas rare d'entendre que la Franc-maçonnerie va de paire avec la République, et pourtant, il y a une grande part d'idées reçues là-dedans ! Idées reçues qui ne sont d'ailleurs pas neuves du tout, puisqu'elles se sont forgées peu après la Révolution française. Pourtant, on le sait maintenant, cette idée est largement fausse, et cette association n'est d'ailleurs pas toujours allée de soi. Aujourd'hui, on va le montrer en s'intéressant plus particulièrement aux relations de cette organisation avec un autre régime politique, le Premier Empire, au début du XIXe siècle. Si vous vous attendez à des théories du complot sur des satanistes, des reptiliens, ou des judéo-bolchéviks, vous allez être déçus. Mais si vous voulez en savoir plus sur cette mystérieuse organisation qu'est la Franc-maçonnerie et sur une page importante de son histoire, alors vous êtes au bon endroit !Bonne écoute !

Deux-cent-vingt-cinquième numéro de Chemins d'histoire, trentième numéro de la sixième saison, émission animée par Luc Daireaux Émission diffusée le dimanche 13 juillet 2025 Thème : Cartographier la Méditerranée à l'époque antique Invitées : Aurélie Boissière, cartographe-géographe indépendante et Catherine Virlouvet, professeure émérite à Aix-Marseille Université, ancienne directrice de l'Ecole française de Rome, coautrices, avec Catherine Grandjean, de l'Atlas de la Méditerranée ancienne, Belin, 2025.

Comment une ville apprend-elle à vivre avec la menace permanente des mégafeux ?Direction Belin-Béliet, en Gironde. Labellisée « Petite ville de demain », cette commune de 6 000 habitant·es a été durement touchée par les incendies de 2022. Depuis, élus, forestiers et habitants tentent de repenser la gestion de la forêt. Entre résilience collective, aménagement du territoire et nouvelles politiques publiques, Belin-Béliet cherche un équilibre : se prémunir contre le feu, sans pour autant renoncer à sa forêt.Au micro de Thomas Rozec dans cet épisode :Arthur Guerin Turcq, géographe et spécialiste de la forêt landaiseCyrille Declercq, maire de Belin-BélietCathy Boiry, conseiller municipal et propriétaire forestierFanny Faivre d'Arcier, cheffe de projet "Petites villes de demain" pour Belin-BélietCrédits : Dans la France des petites villes est un hors-série Programme B de Thomas Rozec réalisé par Thomas Plé, financé par l'Agence nationale de la cohésion des territoires dans le cadre du programme Petites villes de demain et en partenariat avec le GIP Europe des projets architecturaux et urbains et son programme POPSU Territoires. Coordination : Pacôme Bertrand et Hélène Millet. Production et édition : Camille Khodor et Charlotte Baix. Direction de production : Albane Fily. Identité graphique : Lise Niederkorn. Direction des programmes : Joël Ronez.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

L'émission 28 minutes du 07/07/2025 Et si nos ancêtres étaient aussi malins (voire plus) que nous ?Ce n'est pas la taille qui compte, mais l'utilisation que l'on en fait ! Antoine Balzeau, paléoanthropologue au CNRS et au Muséum d'Histoire Naturelle, s'intéresse au fonctionnement cognitif et à l'évolution du cerveau de nos ancêtres. Il révèle dans son ouvrage passionnant, “Dans la tête de nos ancêtres” (éditions Belin), que nous ne sommes finalement pas plus intelligents que l'homme de Néandertal. Cette découverte relève de l'exploit, tant elle est complexe : 4 années de recherches ont été nécessaires afin de mettre au point le projet “PaléoBRAIN”. Grâce aux dernières méthodes d'imagerie, à l'intelligence artificielle, et à partir de ce qu'on appelle l'endocrâne – le moule interne du crâne –, tout un ensemble d'empreintes, de petits creux et de reliefs qui correspondent aux sillons du cerveau ont pu être observés. À partir de là, Antoine Balzeau a sollicité 75 volontaires qui ont subi des IRM poussées, afin de reconstituer le cerveau de nos ancêtres. Et les découvertes sont édifiantes !Un clic et un nouveau parti : Musk peut-il faire vaciller Trump ? C'est un nouveau rebondissement dans le divorce le plus suivi des États-Unis. Alors qu'Elon Musk et Donald Trump semblaient partis pour une collaboration productive, une guerre d'égo, de pouvoir et d'intérêts fait rage par médias interposés depuis le départ fin mai du milliardaire du département de l'Efficacité gouvernementale (DOGE). Le 4 juillet dernier, surfant sur la tendance déjà observée en 2024 par l'institut de sondage américain Gallup, qui montrait qu'une nette majorité de personnes interrogées (58 % contre 37 %) jugeait “nécessaire” la création d'un troisième parti, Elon Musk lançait un sondage sur sa plateforme X pour demander aux internautes s'ils souhaitaient la création de son “Parti de l'Amérique”. Donald Trump a qualifié de “ridicule” cette initiative et s'est dit “peiné de voir Elon Musk dérailler complètement” et “devenir une catastrophe”. À ce duel verbal se sont ajoutées des piques sur la fameuse “BBB” (Big Beautiful Bill, ou “grande et belle loi”) qualifiée d“abomination dégoûtante” par Musk, et la disparition à terme des subventions aux voitures électriques qui pourrait faire perdre jusqu'à 3 milliards de dollars de profits à Tesla. Donald Trump a-t-il les moyens de ruiner son opposant ? Elon Musk peut-il contrer la politique de son adversaire avec la création de son parti ?Qui dit canicule, dit incendie. Mais la flotte de Canadairs française possède-t-elle de quoi dompter les flammes ? Théophile Cossa nous explique comment la France se prépare, en fabriquant de nouveaux bombardiers d'eau plus performants. Marjorie Adelson nous emmène à Cardiff, au Pays de Galles, où le groupe Oasis signe son grand retour, seize ans après une séparation explosive. 28 minutes est le magazine d'actualité d'ARTE, présenté par Élisabeth Quin du lundi au jeudi à 20h05. Renaud Dély est aux commandes de l'émission le vendredi et le samedi. Ce podcast est coproduit par KM et ARTE Radio. Enregistrement 7 juillet 2025 Présentation Jean-Mathieu Pernin Production KM, ARTE Radio

Des surnoms comme «ma belle» ou «ma grande», des blagues lourdes, des commentaires sur la tenue vestimentaire, des prises de paroles interrompues en réunion... Le sexisme ordinaire au travail prend différentes formes. Si ces comportements peuvent parfois sembler inoffensifs voire bienveillants, ils participent néanmoins à la remise en cause des compétences et de la légitimité des femmes sur leur lieu de travail. En France, 77% des femmes salariées déclarent être régulièrement confrontées à des propos ou décisions sexistes, selon le 3ème baromètre du sexisme dit ordinaire au travail, réalisé par l'Association française des managers de la diversité. Une réalité qui pousse les femmes à mettre en place des stratégies d'évitement et surtout les freine dans leur carrière. Quelles politiques internes mettre en place, quel rôle de l'employeur pour rendre le lieu de travail aussi sûr pour les femmes que pour les hommes ? Quelles stratégies adoptées ont déjà fait leur preuve ?   Avec : • Maya Hagège, déléguée générale de l'Association Française des Managers de la Diversité (AFMD) qui coordonne l'initiative #StOpE (Stop au Sexisme Ordinaire en Entreprise) dans le cadre de laquelle s'inscrit le baromètre du sexisme ordinaire au travail • Brigitte Gresy, experte des questions d'égalité et de sexisme. Ancienne présidente du Haut conseil à l'égalité. Autrice de plusieurs ouvrages entre autres Petit Traité contre le sexisme ordinaire (Albin Michel, 2009) et Le sexisme au travail, fin de la loi du silence (Belin, 2017). En fin d'émission, la chronique Ecouter le monde de Monica Fantini.  Programmation musicale : ► Baddies - Aya Nakamura feat. Joé Dwèt Filé  ► Polo Ya Ma Ngalula - Nono Fudji.   

Des surnoms comme «ma belle» ou «ma grande», des blagues lourdes, des commentaires sur la tenue vestimentaire, des prises de paroles interrompues en réunion... Le sexisme ordinaire au travail prend différentes formes. Si ces comportements peuvent parfois sembler inoffensifs voire bienveillants, ils participent néanmoins à la remise en cause des compétences et de la légitimité des femmes sur leur lieu de travail. En France, 77% des femmes salariées déclarent être régulièrement confrontées à des propos ou décisions sexistes, selon le 3ème baromètre du sexisme dit ordinaire au travail, réalisé par l'Association française des managers de la diversité. Une réalité qui pousse les femmes à mettre en place des stratégies d'évitement et surtout les freine dans leur carrière. Quelles politiques internes mettre en place, quel rôle de l'employeur pour rendre le lieu de travail aussi sûr pour les femmes que pour les hommes ? Quelles stratégies adoptées ont déjà fait leur preuve ?   Avec : • Maya Hagège, déléguée générale de l'Association Française des Managers de la Diversité (AFMD) qui coordonne l'initiative #StOpE (Stop au Sexisme Ordinaire en Entreprise) dans le cadre de laquelle s'inscrit le baromètre du sexisme ordinaire au travail • Brigitte Gresy, experte des questions d'égalité et de sexisme. Ancienne présidente du Haut conseil à l'égalité. Autrice de plusieurs ouvrages entre autres Petit Traité contre le sexisme ordinaire (Albin Michel, 2009) et Le sexisme au travail, fin de la loi du silence (Belin, 2017). En fin d'émission, la chronique Ecouter le monde de Monica Fantini.  Programmation musicale : ► Baddies - Aya Nakamura feat. Joé Dwèt Filé  ► Polo Ya Ma Ngalula - Nono Fudji.   

Michael Chammas chats NRL news, we "guessed" what car you drive - it didn't go as well as you'd think, Maroon celebrates his dog's birthday and the team don't like it and Mark Huges chats with us.See omnystudio.com/listener for privacy information.

durée : 00:54:50 - Côté Club - par : Laurent Goumarre - Côté club, le rendez-vous de toute la scène française et plus si affinités reçoit Bertrand Belin pour la sortie de son single "L'inconnu en personne" et Rémi Klein pour la sortie de son 1er album "Friend in need" ! Bienvenue au club ! - réalisé par : Stéphane LE GUENNEC Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

(00:00:32) Pourquoi il n'y a jamais eu autant d'élections contestées qu'en 2024 (00:07:54) Le défi MAGA/Trump devient plus concret pour l'Europe, interview Célia Belin (00:17:42) Ce candidat en Irlande qui s'inspire de la recette MAGA

durée : 00:04:49 - Dans la playlist de France Inter - La nouvelle chanson de Bertrand Belin « L'inconnu en personne » est sortie ! Le chanteur ne quitte jamais longtemps la Playlist de France Inter

Célia Belin of the European Council on Foreign Relations tells RFI that Donald Trump's administration is treating Europe less as a partner and more as a rival. In backing nationalist movements and undermining multilateral institutions, it is exporting a political mode of operation that risks fracturing European unity. The impact of Donald Trump's second term in the White House is being felt far beyond US borders. Observers say this ripple effect can be seen across Europe, not just in policy but in the continent's political culture itself.For Dr Célia Belin of the European Council on Foreign Relations, the stakes are nothing less than the future of European liberal democracy.In her latest ECFR report, MAGA Goes Global: Trump's Plan for Europe, Belin warns that what might appear to be chaotic decisions from the Oval Office are, in fact, part of an ideological project.“There's actually a strong direction, a clear destination,” Belin told RFI. “Trump, surrounded by loyalists and MAGA Republicans, is ready to implement his plan – to push back on liberal democracy, and to push back on Europe."According to her, he sees Europe as “an extension of his political enemies – liberals and progressives” and views its institutions as bureaucratic hurdles rather than allies in global leadership.Culture wars without bordersTrump's administration – bolstered by figures including Vice President JD Vance and media mogul Elon Musk – has also made overtures to Europe's far right.They have voiced support for Germany's far-right AfD party and France's Marine Le Pen, leader of the far-right National Rally, including on Musk's social media platform X (formerly Twitter) – helping to disseminate nationalist and populist rhetoric across the continent.“We're seeing a systematic attack on the liberal model that Europe represents,” said Belin. “This ‘Trumpian wave' has fired up nationalist opposition in Europe, even if it hasn't created a united front."‘Free Le Pen': US conservatives rally behind French far-right leaderNon merci to MAGAHowever, some of the European political parties that share Trump's scepticism of liberal institutions are treading carefully when it comes to embracing his brand of politics.While leaders such as Viktor Orbán in Hungary openly welcome MAGA-style backing, others see it as a double-edged sword.Following her recent legal conviction, Le Pen received support from MAGA-aligned figures. But her party responded with conspicuous silence.“They don't want or need this Trumpian support,” Belin noted. “Their political strategy is not about aligning with MAGA America – it's more French, more sovereignist."Embracing Trump too openly could risk undermining years of effort to mainstream the National Rally's image. “Nationalists are realising that now – it brings fuel to the fire, yes, but it also complicates their own domestic positioning," said Belin.Trump's first 100 days: Revolution or destruction? The view from FranceEurope respondsFrench President Emmanuel Macron was among the first European leaders to sound the alarm on the changing nature of the US-European alliance. "I want to believe that the United States will stay by our side but we have to be prepared for that not to be the case," he said in a televised address to the nation in March.I January, in a speech to French ambassadors, he said: "Ten years ago, who could have imagined it if we had been told that the owner of one of the largest social networks in the world would support a new international reactionary movement and intervene directly in elections, including in Germany."German Chancellor Olaf Scholz followed suit, criticising Musk's decision to give the AfD a platform just weeks before Germany's federal elections.However, Belin points out that the European response is still taking shape. “It's brand new as a phenomenon,” she said. “Europeans were prepared to be challenged on trade, on security – even on Ukraine. But this cultural challenge is unprecedented.”Meloni positions herself as Europe's ‘trump card' on visit to White HouseStill, as Belin notes, Trumpism is not a winning formula everywhere. “Turning fully Trumpist would derail Marine Le Pen's strategy. It's not a winning strategy in France,” she said. “But in more insurgent political systems, it might be."And there is concern too that Trumpism could outlive Trump himself.“There's been a transformation in the perception of America's global role,” Belin said. “And that will stick around. It will be pushed by some of the nationalist parties in our countries. That is the Trumpist legacy”.

durée : 02:59:53 - Le 7/10 - par : Nicolas Demorand, Léa Salamé, Sonia Devillers, Anne-Laure Sugier - Ce matin dans le 7/10 de France Inter : Olivier Faure / Gerald Darmanin / Romain Huret / Celia Belin / Vassili Schneider et Romy Victory.

From March 14, 2022: Russia's war of aggression in Ukraine has undermined some of the fundamental assumptions underlying the security of Europe through much of the post-World War II era. As a result, several European nations have begun to consider dramatic changes in how they approach national security, both individually and collectively.To better understand how the war in Ukraine is reshaping the European security order, Scott R. Anderson sat down with two of his colleagues from the Brookings Institution: Célia Belin, a visiting fellow at Brookings and a former official in the French Ministry of Foreign Affairs, and Constanze Stelzenmüller, the Fritz Stern Chair on Germany and trans-Atlantic Relations in the Center on the United States and Europe.They discussed how the Ukraine conflict is reshaping Europe's approach to security affairs, what this means for institutions like the European Union and NATO, and how these changes are likely to impact the fundamental debate over what it means to be a part of Europe.To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

La Méditerranée, c'est l'espace par excellence des rivalités maritimes et commerciales. Parce que c'est une mer presque fermée, les appétits de domination ont voulu profiter de cet aspect très pratique, à priori pour la contrôler et y prospérer. Venise en fait partie et pendant quelques temps, cela lui a réussi. Aujourd'hui, Venise la Sérénissime est plutôt l'objet de nos inquiétudes, la ville carte postale, son carnaval et ses intrigues romanesques. Au XXIème siècle, elle lutte pour ne pas s'effondrer dans sa lagune et limiter l'afflux de touristes et de paquebots qui déferlent sans relâche dans ses eaux. Mais au Moyen Age, Venise est une puissance qu'on admire et qu'on craint. Elisabeth Crouzet Pavan historienne médiéviste, spécialiste de l'histoire des derniers siècles du Moyen Âge, de l'histoire de l'Italie et tout particulièrement de Venise, nous raconte cet âge d'or au micro de Marie Giovanola. Son livre : Venise VIe-XXIe siècle (Belin, 2021).

#197: Dave is joined by the founders of the del Cabo Collective, farmers Larry Jacobs and Sandra Belin. You'll hear about challenges small farmers around the world face today, due to unpredictable weather, changing consumer demands, and rapid consolidation in the marketplace. The strengths of biological controls, often overshadowed by chemical products, are also discussed. Longtime organic farmers Larry Jacobs and Sandra Belin founded the del Cabo Collective of Baja, Mexico in 1985, In addition to thier work creating a ready market for organic vegetables in the US that would support an entire farming community in Baja, they are also known for their expertise with biocontrols that manage pest and disease pressure without the use of chemical applications. https://www.jacobsfarmdelcabo.com/To watch a video version of this podcast please visit:https://realorganicproject.org/larry-jacobs-sandra-belin-organic-supply-chains-integrity-episode-one-hundred-ninety-sevenThe Real Organic Podcast is hosted by Dave Chapman and Linley Dixon, engineered by Brandon StCyr, and edited and produced by Jenny Prince.The Real Organic Project is a farmer-led movement working towards certifying 1,000 farms across the United States this year. Our add-on food label distinguishes soil-grown fruits and vegetables from hydroponically-raised produce, and pasture-raised meat, milk, and eggs from products harvested from animals in horrific confinement (CAFOs - confined animal feeding operations).To find a Real Organic farm near you, please visit:https://www.realorganicproject.org/farmsWe believe that the organic standards, with their focus on soil health, biodiversity, and animal welfare were written as they should be, but that the current lack of enforcement of those standards is jeopardizing the ability for small farms who adhere to the law to stay in business. The lack of enforcement is also jeopardizing the overall health of the customers who support the organic movement; customers who are not getting what they pay for at market but still paying a premium price. And the lack of enforcement is jeopardizing the very cycles (water, air, nutrients) that Earth relies upon to provide us all with a place to live, by pushing extractive, chemical agriculture to the forefront.If you like what you hear and are feeling inspired, we would love for you to join our movement by becoming one of our 1,000  Real Fans!https://www.realorganicproject.org/1000-real-fans/To read our weekly newsletter (which might just be the most forwarded newsletter on the internet!) and get firsthand news about what's happening with organic food, farming and policy, please subscribe here:https://www.realorganicproject.org/email/

In this special episode of Pod Save the World, Ben looks at how the war in Ukraine will be impacted by a Harris or Trump victory. Speaking to guests from Ukraine, Russia, and Europe, we hear different perspectives on American leadership, the future of the war, and the stakes for Ukrainians, Russians and NATO. Ben is joined by Senator Chris Murphy, Ukrainian journalist Illia Ponomarenko, Nina Krushcheva, Professor of International International Affairs at the New School, and Célia Belin, Senior Policy Fellow at the European Council on Foreign Relations.