Podcasts about Walt Whitman

In this episode of The First Day from The Fundraising School, host Bill Stanczykiewicz, Ed.D., reconnects with his longtime mentor and fundraising sage, Tim Seiler, Ph.D., Director Emeritus of The Fundraising School. Together, they dive into a topic that's more relevant than ever: how to navigate the stormy seas of fundraising during uncertain times. Dr. Seiler shares war stories from his early fundraising days, reflecting on crises from the 1987 stock market crash to today's mix of economic and social uncertainties. His message? While fundraisers can't control the turbulence, they can control their approach, and it starts with what he calls “rational hope.” Dr. Seiler unpacks this idea of rational hope, steering us away from the siren song of blind optimism. Instead, he champions a clear-headed, proactive mindset: keep reaching out to donors, but with empathy and creativity. Forget about relentless asks, instead, update them on your mission's progress, share ideas, and show them you're still standing tall. He shares his own experiences as a donor receiving thoughtful “just checking in” messages from nonprofits, illustrating how these gestures reinforce connection and purpose. As Seiler says, it's about reminding donors not just of the need, but of the joy and satisfaction that comes from making a difference. The conversation also explores a delicate, often unspoken challenge in the nonprofit world: fundraisers' hesitancy to admit when times are tough. Dr. Seiler and Stanczykiewicz shine a light on this vulnerability, encouraging transparency and authenticity. They argue that sharing struggles, whether it's a budget cut or a missed goal—doesn't signal failure; it signals humanity. This honesty not only builds trust but also invites donors to become part of the solution. As Seiler puts it, “If it were easy, we wouldn't need fundraisers.” Or in the words of A League of Their Own: “The hard is what makes it great.” Wrapping up, the episode channels a rousing spirit of resilience, celebrating the enduring generosity of donors who bounce back time after time, through recessions, crises, and even pandemics. With references to the classic wisdom of Henry Rosso and a dash of literary flair from William Faulkner and Walt Whitman, this episode offers fundraisers a playbook for tough times: stay hopeful but realistic, be persistent, and never forget the shared humanity that fuels philanthropy. Bottom line? Keep swinging for the fences. Fundraising's not for the faint of heart, but it's worth every pitch.

Song: In the Spring Music by: Yuri Woodstock   Notes: Yuri Woodstock describes himself as the "bossy pirate in the middle of the room" when songleading, and tells a supernatural story of his phone bringing him song advice. He also describes why he thinks his song gatherings have grown so large, why he's now living in a "housey-house" (and what he did before), how literally letting his hair down helped him "tease out the subtle mystery" of what makes him feel most like himself. Fortunately for us, that includes songleading and writing this joyous spring round. You'll learn it with me (and hopefully not mess it up with me when I go a bit wonkers at one point!) We talk about the importance of noticing when you're okay, not giving "the stank-eye" to people who miss notes, and how his brother, Jonah, helps kickstart his songs.   Songwriter Info: Yuri Woodstock is a community song leader based in Asheville, NC, who has run the now 180-member Hark! Community Choir for the past seven years. It is a non-performing, non-auditioned group that sings for joy and connection. He specializes in quick teaches of layer songs and SATB bangers that are easy to learn and fun to sing. Often Hark! feels like a singing dance party.   Sharing Info: Fully free, no donation requested   Song Learning Time Stamps: Start time of teaching: 00:04:44 Start time of reprise: 01:02:21   Links: Yuri's website: https://www.weringlikebells.com/  Yuri's Instagram: https://www.instagram.com/weringlikebells/  Village Fire: http://www.villagefiresinging.org/  Jonah Woodstock: https://www.woodstockbookstock.com/  Community Choir Leadership Training – CCLT: https://www.communitychoirleadership.com/  Tebe Poem: https://www.omniglot.com/songs/bcc/tebepoem.htm  The Wild Ashville Community chorus with Susannah Park: https://www.wildashevillecommunitychorus.com/about-1  Laurence Cole: Let Things Ripen and Then Fall: https://www.laurencecole.com/album/let-things-ripen/  Shireen Amini: The Sun Song: https://www.youtube.com/watch?v=8vLa23Lfe5w  Bex Lipps: Take Your Medicine: https://music.apple.com/au/album/take-your-medicine-single/1729594936  Karly Loveling: I've Got a Fire: https://karlyloveling.bandcamp.com/track/ive-got-a-fire-2  Alexa Sunshine Rose: Pool of Love: https://alexasunshinerose.bandcamp.com/track/pool-of-love  Kira Seto: https://www.instagram.com/kira.is.singing/  Heather Houston: https://www.instagram.com/heatherhoustonmusic/  “We contain multitudes.” - Walt Whitman: https://poets.org/poem/song-myself-51  “Shrinking”: https://www.imdb.com/title/tt15677150/  Laurence Cole: “Notice where you are” from "Attention is the Healer": https://www.laurencecole.com/album/attention-is-the-healer/  The Strokes: "Is This It": https://music.apple.com/us/album/is-this-it/266376953  Double syrinx birds – veery or hermit thrush: https://www.allaboutbirds.org/guide/Hermit_Thrush/sounds  The Bowerbirds: “Tuck the Darkness In”: https://www.youtube.com/watch?v=ZeFTPj8zljQ    Nuts & Bolts: 4:4, major, round Join this community of people who love to use song to help navigate life? Absolutely:  https://dashboard.mailerlite.com/forms/335811/81227018071442567/share   Help us keep going: reviews, comments, encouragement, plus contributions... we float on your support.  https://www.abreathofsong.com/gratitude-jar.html

America has always acknowledged God. Sometimes, though, our devotion to faith comes and goes. Sometimes we get too comfortable, and forget who keeps us upright every day.Psalm 115:1 tells us, “Not to us, LORD, not to us, but to your name be the glory, because of your love and faithfulness.”Whenever a person questions God's goodness, or the path He has set for us, it's good to go to the Bible. There, we find the answer to why we should honor our Lord.It's because He has loved us. He has been faithful to us.He deserves our notice. He is the One we should be all-in for, all the time.Remember the timeless Walt Whitman poem, in which he referred to the beloved President Lincoln as “O Captain, my Captain!” Whitman was honoring the man who saved the Union. The President rightly was seen as an important figure; after all, he gave his life for his country. But the Lord Jesus Christ is our real Captain, our General, for all time. He gave His life for each of us the world over.Glory to God! Let's honor Him every way we can.Let's pray.Lord, we have many examples from history of people who sacrificed and deserve our respect. To you, we give our full allegiance, now and forever! In Jesus' name, amen. Change your shirt, and you can change the world! Save 15% Off your entire purchase of faith-based apparel + gifts at Kerusso.com with code KDD15.

Welcome to our new series, “The Beat Goes On,” where we will celebrate the work and enduring influence of Jack Kerouac, Allen Ginsberg, William Burroughs, and the other writers whom we identify as “The Beats.” - that crop of artists who worked to expand our consciousness, exploring the hidden possibilities of post WW2 America in the 1950s - Other significant names to be explored: Diane Di Prima, Tuli Kupferberg, Ed Sanders, Delmore Schwarz, Anne Waldman, Carolyn Cassidy, and many others.We will also include jazz musicians like Miles Davis, John Coltrane and Dizzy Gillespie, whose sinuous Bebop lines influenced the expansive prose of Kerouac and poetry of Ginsberg, and comedians like Lenny Bruce, Lord Buckley, Brother Theodore and Dick Gregory with their scathing critique and unmasking of our nation's hypocrisy beneath the self-deceptive rhetoric of American exceptionalism.  And, then there are their artistic children like Hunter S. Thompson, Charles Bukowski, Tom Waits and Lou Reed…. The list goes on.First off: we need to define that confusing term “beat”… Once the satirists were able to pin them down, the Beats and their devotees were labelled “Beatniks” (a cold war epithet) and put into a farcical box. This is where I, as a child, first became aware of them through the character of Maynard G. Krebs on the Dobie Gillis show. The child-like, pre-hippie with the dirty sweatshirt and goatee, indelibly played by Bob Denver, later of Gilligan fame. He was a gentle figure of fun, not to be taken seriously. But, the truth goes so much deeper. Kerouac defined Beat as short for “beatitude” - a state of grace, a codex for the maturing “peace and love” Baby Boom generation coming up - those in search of existence's deeper meaning beyond the consumerist and war-like American culture being offered as our only option.Well, boy, do we need them now! HENRY MILLER INTERVIEWOur inaugural offering is a 1964 interview with the writer Henry Miller, of TROPIC OF CANCER, TROPIC OF CAPRICORN, and THE ROSY CRUCIFIXION TRILOGY fame, among many others. This is an insightful, in depth look at a artist of gargantuan influence. Miller was interviewed by Audrey June Wood  in Minneapolis during a speaking tour; he considered this interview to be one of his best. Miller discourses on some of his favorite books and authors and the struggle of writing well. It was released on Smithsonian/ Folkways Records.Strictly speaking, Miller was not a Beat - he preceded them, and out lived many of them, making it to 88 in 1980, but he was their spiritual and artistic pathfinder.Living hand to mouth, on the edge, abroad in Paris, writing free form in a raw, explicit, semi-autobiographical manner, telling the truth about sex, love, art, and struggle - he set the artistic compass for the Beats - as Dostoevsky and Walt Whitman had done before him. They are all part of a chain - a chain of searchers, and we are fortunate to have these lights to guide us on our own personal journeys to self realization. Please enjoy…THE BEAT GOES ON. 

This week we head back to Carl Richard's masterpiece from 2009, and the guys are taking a careful look at Chapter IV: Nationalism. We start out with a nice definition and perspective from one of Dave's long list of overrated authors (does he like anybody?): C.S. Lewis. Clive explains to us from The Four Loves that every country has a dreary past of some shameful and shabby doings, but it's natural and good to love her nonetheless, within reason. Then we dive into the antebellum adulation of one George Washington. Is he Demosthenes, Cicero, Hannibal, Severus, Cincinnatus, Camillus? Or is he actually all of them rolled into one? Tune in for insights from Edward Everett, Calhoun, Walt Whitman, Danile Webster, Frederick Porcher, and more, on everything from neoclassical revival to the vast American superiority over those doddering ancients. Along the way, you'll enjoy reminiscences of the celery fields of Jenison and rural Ionia County, Michigan, as well as one of Jeff's all-time best puns. And in the end, Marathon is Always Great Again.

Read by Marcus Ellsworth Production and Sound Design by Kevin Seaman

Coming soon, a new podcast series called O Me! O Life! Inspired by the existential crisis of Walt Whitman in the wake of the Industrial Revolution in the late 19th century, we'll attempt to explore what verse we might add to the enduring play that is humanity.   Featuring the musical stylings of Graeme Jago.   Watch this space!

Read by Terry Casburn Production and Sound Design by Kevin Seaman

What if your nervous system didn't believe it was safe to want something just for you? In Episode 138 of Medium Lady Talks, Erin is joined by life coach Cecelia Mandryk (@ceceliabmandryk) to continue our series on How to Take Care of Yourself. Together, they explore the difference between dopamine-driven quick fixes and the courageous work of sustained self-care. Cecelia offers powerful tools and reframes that help high-functioning people make their minds a calmer, safer place to be. Erin and Cecelia talk about: Why identifying what YOU want can feel threatening when you've learned to meet everyone else's expectations How our culture of outrage keeps us stuck—and how to move from reactivity to empowered action A step-by-step walk-through of tending to your nervous system when you're feeling overwhelmed or angry The magic of nervous system regulation (even when your brain tells you it won't work) Why the actions you take from empowerment might look the same as outrage-driven ones—but feel completely different ✨ “You can't choose something better until you know what you're choosing.” — this quote from Cecelia hit me hard and stayed with me. You'll also hear: A grounded reminder from Walt Whitman that it's okay to be a contradiction My frustration with the way self-care has been co-opted by consumerism—and how Cecelia helped me reframe that into compassion A call to reclaim self-care as simple, nourishing, and deeply powerful This is a conversation for anyone feeling burned out, stuck in rage or fear, or unsure how to move forward without losing themselves.

Read by Aaron Novak   Production and Sound Design by Kevin Seaman

Send us a textWelcome to Celebrate Poe - Episode 362 - Poetry and DreamsI was looking through articles about Poe to find information for a future article regarding why do so many people read Edgar Allan Poe. And I found some great stuff and certainly will be writing an episode or two about that subject. But I found an article that said that more Americans - almost 3/4 - are familiar with Edgar Poe - more than any other poet.  Shakespeare is second.Now  this was the episode where I wanted to start some episodes on Bram Stoker - but it turns out there is a poetry workshop that is rather time sensitive, so I better get this out now.You see, on Thursday, April 24 there will be a free workshop from the Academy of American Poets online at YouTube - no charge at all, tho I doubt they would turn down donations.  All you need to do is register, and again, it is free. I have the URL on my Buzzsprout transcript and show notes - but in case you can't  remember URLS - I can't - it is https//poets.org/gala/2025 - - again, it is free - all you need to do is register in advance.  The readers include people such as Christine Baranski, Stephen King, Tony Kusher, Fran Lebowitz, and Lawrence O'Donnell - among others.Just wanted to be sure that you got the info about what is called Poetry and the Creative Mind - again, to be held on Thursday, April 24.By the way, Meryl Streep is extremely active in Poetry and the Creative Mind, and has read works by Elizabeth Bishop, Sylvia Plath, and Walt Whitman in programs across multiple years.By the way, poets.org.gala.2025 will take you to the registration page as well.For the rest of this episode, I would like to delve into several of Edgar Poe's poems that deal with dreams.  The three poems are Dreams, A Dream, and A Dream Within a Dream, and Dreamland - and boy, are they easy to mix up.  So take them in order considering the number of words in the title - I know it sounds simplistic but stay with me because it makes things soooo much easier.  And I am not going to include the poem Dreamland until the end of this podcast  - It is (in my opinion, a poem that is in a class by yourself.)Think 1, 2, and 5 - words that is -The title of Dreams is just one word, the title of A Dream is two words, and the title of the shortest and most mature work - A Dream Within a Dream is 5 words. Dreams and A Dream were both published in 1827 and A Dream Within a Dream was published in 1849 - the year of Edgar Poe's earthly demise.Let me say that again - The title of Dreams is just one word, the title of A Dream is two words, and the title of the most mature work - A Dream Within a Dream is 5 words. Dreams and A Dream were both published in 1827 and A Dream Within a Dream was published in 1849.Thank you for experiencing Celebrate Poe.

We need Emily Dickinson's startling originality today more than ever. This is why I sat down with Sharon Cameron, one of the greatest commentators on Dickinson's poetry, to explore some of Dickinson's poems in an extra-long podcast. “It's astonishing that after forty years of reading Dickinson, I am still ‘awed beyond my errand' by how Dickinson's poems let us experience something viscerally, at the edge of comprehension,” Cameron remarks in this conversation that forgoes clichés and favors critical acumen. By closely considering a few poems, Cameron explains how Dickinson speaks from placeless places and from within experiences outside of language, how her poems create wonder, and how her poems link without merging the mundane, the erotic, and other incommensurate dimensions of life. Sharon Cameron's book include: Lyric Time: Dickinson and the Limits of Genre; Choosing Not Choosing: Dickinson's Fascicles; and, most recently, The Likeness of Things Unlike: A Poetics of Incommensurability (Chicago University Press, 2024), on Emily Dickinson, Walt Whitman, Willa Cather, and Wallace Stevens. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

We need Emily Dickinson's startling originality today more than ever. This is why I sat down with Sharon Cameron, one of the greatest commentators on Dickinson's poetry, to explore some of Dickinson's poems in an extra-long podcast. “It's astonishing that after forty years of reading Dickinson, I am still ‘awed beyond my errand' by how Dickinson's poems let us experience something viscerally, at the edge of comprehension,” Cameron remarks in this conversation that forgoes clichés and favors critical acumen. By closely considering a few poems, Cameron explains how Dickinson speaks from placeless places and from within experiences outside of language, how her poems create wonder, and how her poems link without merging the mundane, the erotic, and other incommensurate dimensions of life. Sharon Cameron's book include: Lyric Time: Dickinson and the Limits of Genre; Choosing Not Choosing: Dickinson's Fascicles; and, most recently, The Likeness of Things Unlike: A Poetics of Incommensurability (Chicago University Press, 2024), on Emily Dickinson, Walt Whitman, Willa Cather, and Wallace Stevens. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

We need Emily Dickinson's startling originality today more than ever. This is why I sat down with Sharon Cameron, one of the greatest commentators on Dickinson's poetry, to explore some of Dickinson's poems in an extra-long podcast. “It's astonishing that after forty years of reading Dickinson, I am still ‘awed beyond my errand' by how Dickinson's poems let us experience something viscerally, at the edge of comprehension,” Cameron remarks in this conversation that forgoes clichés and favors critical acumen. By closely considering a few poems, Cameron explains how Dickinson speaks from placeless places and from within experiences outside of language, how her poems create wonder, and how her poems link without merging the mundane, the erotic, and other incommensurate dimensions of life. Sharon Cameron's book include: Lyric Time: Dickinson and the Limits of Genre; Choosing Not Choosing: Dickinson's Fascicles; and, most recently, The Likeness of Things Unlike: A Poetics of Incommensurability (Chicago University Press, 2024), on Emily Dickinson, Walt Whitman, Willa Cather, and Wallace Stevens. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

For the 15th anniversary of the second Titus Andronicus album, The Monitor, we take a detailed look at how it was made. After Patrick Stickles founded Titus Andronicus in Glen Rock, New Jersey in 2005, he worked with a rotating group of musicians, many of whom he had known in high school. By the time they were ready to record their first album, the lineup had coalesced around Stickles, Liam Betson, Dan Tews, Ian Graetzer and Ian Dykstra. The New Jersey label, Troubleman Unlimited, agreed to put out their debut album and pay for studio time with producer Kevin McMahon, who they had worked with on their early recordings. The Airing of Grievances was released in 2008 and was an unexpected success. XL Recordings became interested in signing the band and agreed to rerelease their debut album in 2009. Around this time, Eric Harm took over on drums, while Stickles moved to Somerville, Massachusetts and began writing the songs that would make up their second album. Using their advance from XL, they booked a month in Kevin McMahon's studio and began recording the album. The Monitor was eventually released in 2010. In this episode, Patrick Stickles describes his grand vision of a concept album framed around the American Civil War. He describes his routine at the time where he would stay up late, smoke pot and watch Ken Burns's Civil War documentary. Stickles talks about how gobsmacked he was by the film and how the words of historical figures like Abraham Lincoln and Walt Whitman inspired him to include their words as a framing device on this record. He also describes this time in his life when he was graduating college and applying to graduate school but deciding to abandon his plans as the band started to become successful. Partially inspired by Bruce Springsteen's Born to Run, Stickles talks about how he felt like he needed to take advantage of a potentially fleeting moment, where he had a deal with a new label, the attention of the music press, and a growing audience around the world. The result was the big swing of The Monitor, where the band had no qualms about attempting to create a generational touchstone. From the indie rock boom years to casting his friends in reenactment roles to ambitious song suites to incorporating the music of the Civil War to exploring the eternal us vs. them conflict to the continuing saga of mental health to the importance of conviction and raising the stakes, we'll hear the stories around how the record came together. Intro/Outro Music: “The Anniversaries” by The Tisburys, from the album, A Still Life Revisited Episode produced, edited and mixed by Dan Nordheim Additional mixing and mastering by Jeremy Whitwam

Philip Gulley, Peterson, and Sweet Miche share their personal journeys of unlearning traditional theological concepts and reflect on what makes Quakerism a meaningful path to a more authentic faith. Gulley highlights fear as a significant motivator for religious beliefs and a tool for control and how the current political moment is a masterfully evil manipulation of human fears. Gulley also offers his perspective on the continued usefulness of organized religion, emphasizing the importance of bringing people together, respecting personal autonomy, and aligning its social efforts with the ethos of Jesus and radical love. Philip Gulley is a Quaker pastor, writer, and speaker from Danville, Indiana.  Gulley has written 22 books, including the Harmony series recounting life in the eccentric Quaker community of Harmony, Indiana, and the best-selling Porch Talk essay series. Gulley's memoir, I Love You, Miss Huddleston: And Other Inappropriate Longings of My Indiana Childhood, was a finalist for the Thurber Prize for American Hor.  In addition, Gulley, with co-author James Mulholland, shared their progressive spirituality in the books If Grace Is True and If God Is Love, followed by Gulley's books If the Church Were Christian and The Evolution of Faith. In  Living the Quaker Way: Timeless Wisdom For a Better Life Today, Gulley offers the opportunity to participate in a world where the values of the Quaker way bring equity, peace, healing, and hope. In his most recently published non-fiction work, Unlearning God: How Unbelieving Helped Me Believe, Gulley describes the process of spiritual growth, especially the re-interpretation of the earliest principles we learned about God. Resources Here are some resources for friends in the process of unlearning and seeking spiritual growth: Therapy Therapy and spiritual growth can be deeply complementary. While therapy doesn't typically provide spiritual direction, it creates fertile ground for unlearning and spiritual development. You can use online therapist directories to find a therapist by location, insurance, specialty, cost, and more at Psychology Today, TherapyDen, or Open Path Psychotherapy Collective. Poets and Authors Audre Lorde is a profoundly influential Black lesbian feminist writer, poet, theorist, and civil rights activist. Her work powerfully explores the intersections of race, class, gender, sexuality, and ability. You can read her essays in Sister Outsider and her "biomythography" Zami: A New Spelling of My Name. Federico Garcia Lorca is one of Spain's most important poets and playwrights of the 20th century. His work is celebrated for its intense lyricism, surreal imagery, and passionate exploration of themes like love, death, desire, oppression, and Andalusian culture, particularly in works like Gypsy Ballads and plays such as Blood Wedding and The House of Bernarda Alba. Walt Whitman is a central figure in American poetry, often called the "Bard of Democracy." Whitman revolutionized poetry with his use of free verse and expansive lines. His lifelong work, Leaves of Grass, celebrates the individual, democracy, nature, the body, spirituality, and the interconnectedness of all life, aiming to capture the diverse spirit of America. Mary Oliver is an American poet who focuses on the natural world, particularly the landscapes of New England.  Her work finds wonder, spirituality, and profound insight in quiet observation and moments of attention to nature, inviting readers to connect more deeply with the world around them. Christian Wiman is a contemporary American poet and essayist known for his unflinching honesty and intellectual rigor in exploring themes of faith, doubt, suffering (often drawing on his own experience with chronic illness), mortality, and love.  Joy Harjo is a member of the Muscogee (Creek) Nation and served as the first Native American U.S. Poet Laureate. Her work weaves together Indigenous history, spirituality, myth, social justice, resilience, and a deep connection to the land, often infused with the rhythms of music and prayer. Akwake Emezi is a non-binary Nigerian writer and artist known for their powerful, innovative, and often genre-bending work. Their novels (like Freshwater and The Death of Vivek Oji) explore complex themes of identity, spirituality (often drawing on Igbo cosmology), gender, mental health, trauma, and the body, challenging conventional Western frameworks of selfhood. Elaine Pagels is a renowned historian of religion, particularly noted for her scholarship on early Christianity and Gnosticism. Her groundbreaking book, The Gnostic Gospels, brought non-canonical early Christian texts to wider attention, revealing the diversity of early Christian thought and exploring how political and social contexts shaped religious history and scripture. LGBTQ+ film festivals are events dedicated to showcasing films by, for, or about queer individuals and communities. They serve as vital platforms for representation, providing visibility for filmmakers and stories often marginalized in mainstream media. These festivals (like Frameline, Outfest, NewFest, and countless others globally) are also important spaces for community building and celebrating queer culture. Quaker Voluntary Service is a year-long program rooted in Quaker values. It brings young adults together to live in an intentional community, work full-time in social justice-focused non-profit organizations, and engage in spiritual exploration and leadership development, putting faith into action. Listener Responses We hear directly from Roxanne, who unlearned the idea that any single group holds the definitive spiritual answer, instead discovering valuable truths across diverse practices and traditions through their continuous seeking. On Facebook, friends shared their experience wrestling with the traditional ideas about God they grew up with. Many people mentioned letting go of a harsh or judgmental image of God, questioning core doctrines, and letting go of feelings of unworthiness. Thank you to Angela, Rae, Tim, Amy, Iris, Christine, Steve, David, Tyler, Joe, Deepak, and Whittier for sharing so openly with our question of the month. Question for Next Month Beyond a roof and four walls, what does the word 'home' mean to you? Share your response by emailing podcast@quakerstoday.org or call/text 317-QUAKERS (317-782-5377). Please include your name and location. Your responses may be featured in our next episode. Quakers Today: A Project of Friends Publishing Corporation Quakers Today is the companion podcast to Friends Journal and Friends Publishing Corporation content. It is written, hosted, and produced by Peterson Toscano and Miche McCall. Season Four of Quakers Today is Sponsored by: Friends Fiduciary Since 1898, Friends Fiduciary has provided values-aligned investment services for Quaker organizations, consistently achieving strong financial returns while upholding Quaker testimonies. They also assist individuals in supporting beloved organizations through donor-advised funds, charitable gift annuities, and stock gifts. Learn more at FriendsFiduciary.org. American Friends Service Committee (AFSC) Vulnerable communities and the planet are counting on Quakers to take action for a more just, sustainable, and peaceful world. AFSC works at the forefront of social change movements to meet urgent humanitarian needs, challenge injustice, and build peace. Learn more at AFSC.org. Feel free to email us at podcast@friendsjournal.org with​​ comments, questions, and requests for our show. Music from this episode comes from Epidemic Sound.  Follow Quakers Today on TikTok, Instagram, and X. For more episodes and a full transcript of this episode, visit QuakersToday.org.

Disability Series, Episode #1 of 4. How and when scientists, doctors, and society started conceiving of the physical and emotional components of same-sex desire as a psychiatric condition of the mind? This was neither an ancient belief nor a postmodern (aka, post-1950) one, and it wasn't an exclusively American phenomenon either. Rather, the classification of same-sex desire as a “disorder” had its roots in the foundations of psychiatry as a profession in the 19th century. Over the last 100+ years, that classification impacted individuals all across the world. You've heard of Sigmund Freud, whose work in the 1920s standardized a form of talk therapy that sought to interpret actions, thoughts, and desires through a particular lens of analysis. “Psychoanalysis,” though short-lived as a psychiatric practice, was certainly part of the longer-term framing of queerness and transness as “mental illness.” But Freud is just the tip of the iceberg. Today we're digging into the history and relationship between psychiatry and sexuality; the scientific theories of sexuality that helped shape modern ideas about the relations between gender, genitals, desire, and identity; and the consequences of the medicalization of sexuality. Bibliography Adriaens, Pieter R., and Block, Andreas De. Of Maybugs and Men : A History and Philosophy of the Sciences of Homosexuality, University of Chicago Press, 2022. James E. Bennett and Chris Brickell, "Surveilling the Mind and Body: Medicalising and De-medicalising Homosexuality in 1970s New Zealand," Medical History 62, no. 2 (2018): 199-216. Ross Brooks, “Transforming Sexuality: The Medical Sources of Karl Heinrich Ulrichs (1825–95) and the Origins of the Theory of Bisexuality,” Journal of the History of Medicine and Allied Sciences, 67 (2010) 177–216. Maurice Casey, “‘I want to be to Ireland what Walt Whitman was to America': Esotericism and Queer Sexuality in an Irish Social Circle, 1890s–1920s,” History Workshop Journal, 00 (2025), 1–22. Mian Chen, "Homo(sexual) socialist: Psychiatry and homosexuality in China in the Mao and early Deng eras," Gender & History 36 (2024): 657-672. Richard von Krafft-Ebing, Psychopathia Sexualis (1894) Harry Oosterhuis, Stepchildren of Nature (2000) John Stuart Miller, "Trip Away the Gay? LSD's Journey from Antihomosexual Psychiatry to Gay Liberationist Toy, 1955-1980," Journal of the History of Sexuality, Vol. 33, no. 2 (May 2024) Lamia Moghnieh, "The Broken Promise of Institutional Psychiatry: Sexuality, Women and Mental Illness in 1950s Lebanon," Culture, Medicine, and Psychiatry 47 (2023): 82-98 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a textWelcome to Celebrate Poe - my name is George Bartley, and this is episode 358 - Pre Dracula 2 or Calling Me By Your Name.The title of this episode - Calling Me By Your Name - is a variation on a phrase -  Call Me By Your Name - taken from the text of a letter written to Walt Whitman by one of Whitman's admirers - none other than Bram Stoker, the author of Dracula.Now remember that Edgar Poe proceeded Bram Stoker, and never specifically used the word vampire in his works, but Poe wrote five stories between 1835 and 1842 that in many ways form the basis for many of his prose works - and all those works deal with the undead.  Those stories are Berenice, Morella, Ligeia, The Fall of the House of Usher, and The Oval Portrait.  In all these tales, Poe writes about the essentially vampiric nature of human relationships - the love that persists beyond the grave. Thank you for experiencing Celebrate Poe.

Puerto Rico first became a US colony in 1898—and remains so well into the 21st century. Today, that colonial relationship is structured through PROMESA, an unelected board that controls the island's budget and has unleashed a vicious cycle of debt and privatization that has mired Puerto Ricans in poverty, unemployment, and underdevelopment. Rafael Bernabe joins Solidarity Without Exception to discuss PROMESA's role in perpetuating colonialism in Puerto Rico, and the longer history of the island's oppression under US rule.Rafael Bernabe is a Puerto Rican activist, sociologist and historian. He was one of four island-wide representatives of the Movimiento Victoria Cuidadana (MVC) who won office in the 2020 elections. He is the author of Walt Whitman and His Caribbean and co-author of Puerto Rico in the American Century: A History since 1898 with César J. Ayala.Read the transcript of this podcast here. Help us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Sign up for our newsletterFollow us on BlueskyLike us on FacebookFollow us on TwitterDonate to support this podcastPre-Production: Blanca MisséAudio Post-Production: Alina Nehlich

National Spinach day.  Entertainment from 1971.  Wear purple of epilepsy, fire extinguisher invented, battle of Iwo Jima ended in a US victory.  Todays birthdays - Leonard Nimoy, James Caan, Diana Ross, Steven Tyler, Vicki Lawrence, Martin Short, Teddy Pendergrass, Charly McClain, Jennifer Grey, Kenny Chesney, Keira Knightley.  Walt Whitman died.Intro - God did good - Dianna Corcoran    https://www.diannacorcoran.com/Spinach song - Lorraine BowenMe and Bobby McGee - Janis JoplinAfter the fire is gone - Conway Twitty  Loretta LynnBirthdays - In da club - 50 Cent   http://50cent.com/Star Trek TV themeBaby love - The SupremesWalk this way - AerosmithNight the lights went out in Georgia - Vicki LawrenceClose the door - Teddy PendergrassWho's cheatin who - Charly McClainWhatever it takes - Kenny ChesneyExit - Jersey Shore - Kenny Curcio    https://kennycurciomusic.com/countryundergroundradio.comHistory and Factoids website

Chess lessons and black people speak a different language.Godward's thoughts on the conversation with MyFitnessFeelings from last week.Benevolent dictatorship, trusting that your government doesn't want to kill you, the noble lie.The government is following an alchemical process.The 4 phases of alchemy.We love the jews.Steelman arguments for lying to the public.People want to be anxious and fearful.Dentistry is fake.You can become the expert now.The point of bureaucracy is to distribute blame, don't write down any laws.Killing Walt Whitman, breaking the rules, the law is a teacher.Left brain vs right brain, a Trinity built into each person.How is Godward doing? Kavi is a mystery.LinksGodward Podcast on YouTubeGodward's PateronMore Linkswww.MAPSOC.orgFollow Sumo on TwitterAlternate Current RadioSupport the Show!Subscribe to the Podcast on GumroadSubscribe to the Podcast on PatreonBuy Us a Tibetan Herbal TeaSumo's SubstacksHoly is He Who WrestlesModern Pulp

In this episode of NBN host, Hollay Ghadery speaks with the incomparable Toronto poet Kirby in an exclusive sampler of spectacular Kirby poetry. Kirby and Hollay talk about community and about Kirby's work including their most recent poetry collection, She (Knife|Fork|Book, 2024) as well as Poetry is Queer (Palimpsest Press, 2021). Kirby also read from some of their new work. "She is a capacious city of rich human habitation, where elation is every day's caring infusion. Her cityscapes are painted deftly—in few words, in pauses, in juxtapositions, in fond attentions, in breath and the difficulty of breath, by a poet who knows deeply that life is fragile and that age comes and alters us. She says: the world loves us back when we love it. Flowers, streets, lovers, skies, persons, walks, in/fusions. She is joy's pronoun!" —ERÍN MOURE, Theophylline A Poetic Migration Via the Modernisms of Rukeyser, Bishop, Grimké (de Castro, Poetry is Queer is a kaleidoscope of sexual outlaws, gay icons, Sapphic poets, and great lovers—real and imagined—conjured like gateway drugs to a queer world. Claiming the word “queer” for those who self-proclaim the authority of their own bodies in defiance of church and state, Kirby pays tribute to gay touchstones while embodying both their work and joy. From gazing upon street boys with constant companion C.P. Cavafy, to end of day observances with Frank O'Hara, to mowing Walt Whitman's grass, Poetry Is Queer is a hybrid-genre memoir like no other. About KIRBY: KIRBY's work includes Last Licks (Anstruther Press, 2024) Behold (2023), a stage adaption of Poetry is Queer (Palimpsest Press, 2021), What Do You Want to Be Called? (Anstruther Press, 2020), & This Is Where I Get Off (Permanent Sleep Press, 2019). Their column, “The First Time” is a regular feature at Send My Love To Anyone. They are the publisher at knife | fork | book kirbyshe.com About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of NBN host, Hollay Ghadery speaks with the incomparable Toronto poet Kirby in an exclusive sampler of spectacular Kirby poetry. Kirby and Hollay talk about community and about Kirby's work including their most recent poetry collection, She (Knife|Fork|Book, 2024) as well as Poetry is Queer (Palimpsest Press, 2021). Kirby also read from some of their new work. "She is a capacious city of rich human habitation, where elation is every day's caring infusion. Her cityscapes are painted deftly—in few words, in pauses, in juxtapositions, in fond attentions, in breath and the difficulty of breath, by a poet who knows deeply that life is fragile and that age comes and alters us. She says: the world loves us back when we love it. Flowers, streets, lovers, skies, persons, walks, in/fusions. She is joy's pronoun!" —ERÍN MOURE, Theophylline A Poetic Migration Via the Modernisms of Rukeyser, Bishop, Grimké (de Castro, Poetry is Queer is a kaleidoscope of sexual outlaws, gay icons, Sapphic poets, and great lovers—real and imagined—conjured like gateway drugs to a queer world. Claiming the word “queer” for those who self-proclaim the authority of their own bodies in defiance of church and state, Kirby pays tribute to gay touchstones while embodying both their work and joy. From gazing upon street boys with constant companion C.P. Cavafy, to end of day observances with Frank O'Hara, to mowing Walt Whitman's grass, Poetry Is Queer is a hybrid-genre memoir like no other. About KIRBY: KIRBY's work includes Last Licks (Anstruther Press, 2024) Behold (2023), a stage adaption of Poetry is Queer (Palimpsest Press, 2021), What Do You Want to Be Called? (Anstruther Press, 2020), & This Is Where I Get Off (Permanent Sleep Press, 2019). Their column, “The First Time” is a regular feature at Send My Love To Anyone. They are the publisher at knife | fork | book kirbyshe.com About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In this episode of NBN host, Hollay Ghadery speaks with the incomparable Toronto poet Kirby in an exclusive sampler of spectacular Kirby poetry. Kirby and Hollay talk about community and about Kirby's work including their most recent poetry collection, She (Knife|Fork|Book, 2024) as well as Poetry is Queer (Palimpsest Press, 2021). Kirby also read from some of their new work. "She is a capacious city of rich human habitation, where elation is every day's caring infusion. Her cityscapes are painted deftly—in few words, in pauses, in juxtapositions, in fond attentions, in breath and the difficulty of breath, by a poet who knows deeply that life is fragile and that age comes and alters us. She says: the world loves us back when we love it. Flowers, streets, lovers, skies, persons, walks, in/fusions. She is joy's pronoun!" —ERÍN MOURE, Theophylline A Poetic Migration Via the Modernisms of Rukeyser, Bishop, Grimké (de Castro, Poetry is Queer is a kaleidoscope of sexual outlaws, gay icons, Sapphic poets, and great lovers—real and imagined—conjured like gateway drugs to a queer world. Claiming the word “queer” for those who self-proclaim the authority of their own bodies in defiance of church and state, Kirby pays tribute to gay touchstones while embodying both their work and joy. From gazing upon street boys with constant companion C.P. Cavafy, to end of day observances with Frank O'Hara, to mowing Walt Whitman's grass, Poetry Is Queer is a hybrid-genre memoir like no other. About KIRBY: KIRBY's work includes Last Licks (Anstruther Press, 2024) Behold (2023), a stage adaption of Poetry is Queer (Palimpsest Press, 2021), What Do You Want to Be Called? (Anstruther Press, 2020), & This Is Where I Get Off (Permanent Sleep Press, 2019). Their column, “The First Time” is a regular feature at Send My Love To Anyone. They are the publisher at knife | fork | book kirbyshe.com About Hollay Ghadery: Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children's book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League's BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Send us a textHow do you engage with others in a polarized society? Early 19-century writer and freethinker Frances “Fanny” Wright offers an ostensible how-to manual in the witty didactic novel she penned at age 19, A Few Days in Athens. Wright's radical ideas garnered her the praise of Thomas Jefferson, the Marquis de Lafayette and Walt Whitman, to name a few, but detractors dubbed her “The Red Harlot of Infidelity.” Tristra Yeager and Eleanor Rust, hosts of the 2024 podcast “Frances Wright: America's Forgotten Radical,” join us to discuss Wright's historical importance and relevance to today's political and cultural conversations.Mentioned in this episode:“Frances Wright: America's Forgotten Radical” podcastA Few Days in Athens by Frances WrightViews of Society and Manners in America by Frances WrightFrances Wright's grave in Spring Grove CemeteryThe Marquis de LafayetteThomas JeffersonWalt WhitmanEpicurusThe StoicsNew Harmony, IndianaRobert OwenRobert Dale OwenNashoba CommunityShaker Village in Pleasant Hill, KYThe Scottish EnlightenmentThe Second Great AwakeningSupport the showFor episodes and show notes, visit: LostLadiesofLit.comDiscuss episodes on our Facebook Forum. Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast

'It was not easy to find a poet in the United States in my reading,who wrote with the clarity and intelligence that Larkin possessed. I found him to be full of surprises..'My guest today is writer David Biespiel who was born in Texas and who is now Poet in residence at Oregan state university. He has written for numerous publications and reviewed poetry for the Washington Post and the New York Times. He has taught creative writing at university across the US., has won many awards and published several books of his own poetry. In preparation for talking to David, he recommended that I have a look at his book A Long High Whistle: Selected Columns on Poetry, published in 2015, which is a collection of his pithy and fascinating articles on poets and poetry.‘I love that they are slender, I love that they are pocket sized, the whole texture of them- the Faber books.'Larkin poems mentioned:Church Going, This Be The Verse, I Remember, I Remember, Dockery and Son, Talking In Bed, Sad Steps, Friday Night In the Royal Station Hotel, Broadcast, An Arundel Tomb, The MowerPoets:John Ashberry, Walt Whitman, TS Eliot, Thom Gunn, Keats, Chaucer, Donne, Elizabeth Bishop, Herbert, Sylvia Plath, Robert Frost, William Stafford, Henry Allenhttps://www.washingtonpost.com/archive/lifestyle/1989/06/03/philip-larkins-everyday-poetry/1a53b1df-d319-43fc-9249-af52238ced60/The Paris Review, Archie Burnett, Martin Amis and Anthony Thwaite collections, US/UK poetry, railway journeys, rhyme schemes, literary tours of UK/Italyhttps://www.amazon.co.uk/Long-High-Whistle-David-Biespiel/dp/1938308107“The past is never dead. It's not even past.”  William Faulkner, Requiem for a Nun (1950)For more about Larkin's Coventry, please watch: Philip Pullen's fantastic 2022 talk at the PLS AGM in Coventry at Larkin's school King Henry VII School.https://www.youtube.com/watch?v=rDOqZ4N_fUk&t=3106s

Citizens of the United States of America have always acknowledged God. Sometimes though, our devotion to faith comes and goes. Sometimes we get too comfortable and forget who keeps us upright every day.Psalm 115:1 tells us, “Not to us, LORD, not to us, but to your name be the glory, because of your love and faithfulness.”Whenever a person questions God's goodness, or the path He has set for us, it's good to go to the Bible. There, we find the answer to why we should honor our Lord.It's because He has loved us. He has been faithful to us.He deserves our notice. He is the One we should be all-in for, all the time.Remember the timeless Walt Whitman poem, in which he referred to the beloved President Lincoln as “O Captain, my Captain!” Whitman was honoring the man who saved the Union. The President rightly was seen as an important figure; after all, he gave his life for his country.But the Lord Jesus Christ is our real Captain, our General, for all time. He gave His life for each of us the world over.Glory to God! Let's honor Him every way we can. Let's pray.Lord, we have many examples from history of people who sacrificed and deserve our respect. To You, we give our full allegiance, now and forever! In Jesus' name, amen. Change your shirt, and you can change the world! Save 15% Off your entire purchase of faith-based apparel + gifts at Kerusso.com with code KDD15.

Send us a textWill Hansen has been performing pedal steel guitar for various bands in his home base of Milwaukee, Wisconsin for the majority of his musical career. Over the last couple of years, he's leaned more into performing for his solo project, Old Pup.When Hansen first started performing as Old Pup near the end of the 2010s, he scheduled the odd show here and there outside of his band performances. However, he's started focusing on releasing his original songs under that stage name, a purposeful oxymoron inspired by a line from Walt Whitman's Song of Myself that goes “I am of old and young, of the foolish as much as the wise.”In 2022, Hansen released his debut record under Old Pup, Incognito Lounge, and in 2024, he released a Bandcamp-exclusive EP, Lion. This spring, he's touring across the United States to promote his sophomore album Spider's Town, which comes out everywhere on February 28th, 2025. Thank you for listening to The Mountain-Ear Podcast, featuring the news and culture from peak to peak!If you want to be featured in the podcast, contact the host at media@themountainear.com!SUBSCRIBE ONLINE and use the coupon code PODCAST for A 10% DISCOUNT for ALL NEW SUBSCRIBERS! Subscribe at https://www.themtnear.com/subscribe!You can find us online by visiting https://www.themtnear.com!Find us on Facebook @mtnear!Share this podcast around!! Scroll near the bottom of our website's homepage or visit the podcast's main hub at https://themtnearpodcast.buzzsprout.com!You can contact our editor at info@themountainear.com!Thank you for listening!

Sean and Harold are joined by Will Mountain Cox, author of Roundabout (Relegation, 2023). They do a deep dive on Walt Whitman, the 1855 edition of Leaves of Grass, Harold Bloom on Hamlet, Will's history with Giancarlo DiTrapano, and why America and podcasting is gnostic. Bonus hour and more on the Patreon: https://www.patreon.com/c/1storypod Intro song by Thomas Thatcher.

Watch This Episode On YouTubeAttend A Screening Of PAPER MARRIAGE in Washington, DCTo paraphrase Walt Whitman, Jeff Man is a man that contains multitudes. He often plays a character, like in PAPER MARRIAGE (2024) and SANTA CLAUS (2017), that is reserved and unsure of himself, and the stories, at least partially, revolve around how he -- and the outside world -- reacts to those personality traits. During our conversation, he talks about how he grapples with these questions in his own life and utilizes his art to get to a greater truth.And yet.In many of his short films and his debut feature, PAPER MARRIAGE, he writes, directs, and acts in a lead role. He is an extraordinarily talented, supremely unique filmmaker, which I'd argue makes for a great podcast guest. I think you'll agree.In this episode, we talk about:how he got started in filmmaking and the story behind his debut feature, PAPER MARRIAGE -- he originally thought he'd be a film critic;why he wrote, directed, and starred in his first feature -- the Duplass brothers forced him to do it! (out of love, of course);how he handled the work flow of directing...himself...and other characters;his thoughts on the current political debate surrounding immigration, DEI, and his film, especially on the eve of its Valentine's Day screening;his relationship with the Duplass brothers and how supportive they are of his vision as executive producers;why he loves Washington, DC;keeping up an active Instagram for a debut feature film;how much we love SMOKING TIGERS and the work of So Young Shelly Yo;the real-to-life feeling of PAPER MARRIAGE and how Jeff emotionally and intellectually got there to create such a film;what's next for him.Jeff's Indie Film Highlights: 9500 LIBERTY (2009) dir. by Annabel Park and Eric Byler; DEAD TALENT SOCIETY (2024) dir. by John Hsu; BECOMING WHO I WAS (2016) dir. by Moon Chang-young; Jeon Jim; SMOKING TIGERS (2023) dir. by So Young Shelly YoTrivia:The quote "chance favors the prepared mind" is from Louis Pasteur, not Thomas Edison.Links:Follow Jeff Man on InstagramFollow Jeff Man on VimeoAttend A Screening Of PAPER MARRIAGE in Washington, DCSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

“Contengo moltitudini”, scriveva il poeta Walt Whitman. E lo stesso scrive Pietro Grossi nel suo nuovo romanzo, che è autobiografico e si intitola “Qualcuno di noi”. I “noi” sono i tanti sé che lo abitano fin da quando era bambino e che lo spingono a mentire, a fare abuso di sostanze, a distruggere relazioni sentimentali, tutto con un obiettivo: spingersi sempre fino al confine estremo dell'esistenza.

What's the difference between a maser and a megamaser? How does uncertainty lead science to its newest discoveries? To find out, Dr. Charles Liu and co-host Allen Liu welcome back radio astronomer Dr. Jackie Villadsen, a professor at Bucknell University currently researching star/planet magnetic interaction in exoplanet systems. As always, though, we start off with the day's joyfully cool cosmic thing. In November 2024 a group of researchers announced that they'd found a series of megamasers around the supermassive black hole system NGC1068, and that for the first time ever, they'd measured the polarization of the water megamasers. Jackie, who studies a different kind of maser, explains what they are (“just a really, really big laser pointer in space that shoots out radio waves or microwaves”) and why they're important. Jackie studies masers around nearby stars, which are much smaller than megamasers that can be seen from other galaxies. Allen shares the fact that some megamasers can be around half a parsec (trillions of miles) across and bigger than our entire solar system. Then it's time for our first question for Jackie. It's from Guadalupe, who says, “I recall reading or watching a video that stated there is liquid on Mars beneath an "ice cap" - is that right?” According to Dr. Villadsen, the question is right on the cutting edge of our understanding, with promising evidence emerging right now that suggests the answer might be yes, although more investigation is necessary before we can confirm it. After our break, Jackie tells us about the research she's doing using the Karl G. Jansky Very Large Array (VLA) while on her current sabbatical. You'll hear about Karl Jansky's breakthrough discovery of radio waves from space made nearly 100 years ago. Jackie brings us up to speed on the evolution of radio astronomy and why we're able to get more data than ever out of the same telescopes. Our next question comes from Bryant: “What do you think would have happened if the universe was created a bit earlier than usual? Would anything have changed?” It turns out, there's more than one way to look at this speculative question, and Jackie and Chuck ponder the possibility of having miscalculated the age of the universe and the impact that an older universe would have on the rate of universal expansion, the perception of dark energy, and more. Next up, Jackie tells us about the research she and her colleagues (including grad students!) have been involved with looking for star/planet magnetic interaction in nearby exoplanet systems. The search is inspired by the interaction in our solar system between the magnetic field of Jupiter and two of its closest moons, Io and Ganymede. While there are no confirmed examples yet, they already have one candidate out of the seven exoplanet systems they've studied. Our next question comes from Samuel, who asks, “As an astrophysics professor, how is the work-life balance and overall lifestyle of a researcher? My dream is to become a mechanical engineer in the field of astrophysics.” Jackie explains how she approaches work, and what it took to reach the balanced state she's in now compared to when she was a grad student. We end the episode with another of Jackie's book recommendations. Last time she was here she recommended the adult sci-fi romance, “The Ladies Guide to Celestial Mechanics” by Olivia Waite. This time, it's another adult sci-fi romance with a bit of a mystery woven through it, “The Stars Too Fondly” by Emily Hamilton. The title is taken from a poem, “The Old Astronomer to His Pupil” by Sarah Williams, from which Jackie reads a snippet. She and Chuck also discuss one of their favorite poems, “The Learned Astronomer,” by Walt Whitman, found in his collection, “Leaves of Grass.” We hope you enjoy this episode of The LIUniverse, and, if you do, please support us on Patreon. Credits for Images Used in this Episode: Radar sounding of Mars subsurface - Cross-section of a portion of the north polar ice cap of Mars, derived from satellite radar sounding – Mars Express/ESA Martian north polar cap as it appeared to the Mars Global Surveyor (MGS) Mars Orbiter Camera (MOC) in early northern summer. – Credit: NASA/JPL/MSSS The Very Large Array (VLA). – Credit: NRAO/AUI/NSF Very Large Array, pictured with meteor. – Credit: Bettymaya Foott, NRAO/AUI/NSF Animation of Jupiter's magnetosphere. – Credit: NASA Animation of Jupiter's aurora. – Credit: NASA/Hubble #theliuniverse #charlesliu #allenliu #sciencepodcast #astronomypodcast #jackievilladsen #maser #megamaser #vla #verylargearray #exoplanets #jupiter #magneticfield #magnetosphere #aurora #wateronmars #blackholes #adultscifi #romance #thestarstoofondly #emilyhamilton #theoldastronomertohispupil #sarahwilliams #thelearnedastronomer #waltwhitman #leavesofgrass

John and Mark from John's Crazy Socks have jokes, stories, and their usual banter today, as always! What's on their minds tonight? Putting candy in every package, the family tour of Literary Huntington and making socks to honor the Special Olympics, and, of course, socks.   Business of the Week: Spectrum Design: https://www.spectrumdesigns.org/   Good News Story of the Week:  I Can Bike Camp:   https://www.wfmz.com/news/good-news/good-news-i-can-bike-camp/article_345441da-4b47-11ef-aead-0b867923d0b9.html     From the folks at I Can Shine: https://icanshine.org/   Buy some socks, be happy: https://johnscrazysocks.com/   Join John's Tuesday Dance Party, every Tuesday at 3 p.m. Eastern: https://johnscrazysocks.com/pages/online-dance-party-with-john   Want to learn more about John's Crazy Socks? Check out this short video: https://youtu.be/dzPvxz1oUEA  Check out our TEDx Talk: “Hiring People with Differing Abilities is Not Altruism, It is Good Business” https://youtu.be/uXtrhHSFkuY   Hosted by John & Mark Cronin, co-founders of John's Crazy Socks.  Follow @johnscrazysocks on Facebook, Twitter, Instagram and TikTok. The Spreading Happiness Podcast is produced by Launchpad 516 Studios. For show ideas, guest inquiries, general feedback, sponsorships and media inquiries, drop an email: thespreadinghapinesspodcast@lp516.com Information about Speaking Engagements with John and Mark: https://johnscrazysocks.com/pages/speaking-engagements-1  Subscribe to The Spreading Happiness Podcast on Apple Podcasts and get notified of new episodes, every Tuesday! https://podcasts.apple.com/us/podcast/the-spreading-happiness-podcast/id1611218712 

Today we feature "On the Beach at Night" by Walt Whitman. Please send your submissions to be featured on the podcast to poetryinmedicine@gmail.com. "In whatever you do, read a poem." Honored to have been named one of the top 10 medical podcasts in the state of Georgia by Feedspot: https://podcast.feedspot.com/georgia_medical_podcasts/

Stand Up is a daily podcast that I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more 25 mins Professor Nicholas Grossman is Senior Editor of Arc Digital. Poli sci prof at U. Illinois. Author "Drones and Terrorism." Politics, national security, culture, and occasional nerdery. Arc Digital: We're an independent media site founded in 2016. Since the very beginning, we've stood for responsible intellectual pluralism. The “pluralism” part means we're committed to publishing a variety of perspectives, while the “responsible” part means we set certain editorial parameters since all views aren't equally plausible. We remain open to perspectives from across the spectrum while retaining important editorial constraints.   We are after the smartest takes on the issues most worth discussing, and we want to be the best destination for analysis and commentary around. Our areas of focus include politics, policy, social and cultural issues, world affairs, economics, science, technology, religion, and philosophy. As you can see, we strive to cover “all the pulses of the world,” as Walt Whitman once put it. Join us Thursday's at 8EST for our Weekly Happy Hour Hangout!  Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing Gift a Subscription https://www.patreon.com/PeteDominick/gift

If you're enjoying the Hardcore Literature Show, there are two ways you can show your support and ensure it continues: 1. Please leave a quick review on iTunes. 2. Join in the fun over at the Hardcore Literature Book Club: patreon.com/hardcoreliterature Thank you so much. Happy listening and reading! - Benjamin

De la poesía, de la vida que consigue atrapar la poesía y de amplificarla vamos a hablar con Manuel Astur. El autor de 'La aurora cuando surge' o de 'San, el libro de los milagros' publica ahora 'El fruto verde siempre', un libro de poemas en los que hay ecos de Walt Whitman o la poesía clásica china.Después de hablar con Manuel Astur les contaremos cómo es el Abrapalabra, el nuevo festival dedicado a la literatura infantil y juvenil que comienza hoy en Madrid con una conferencia inaugural de Irene Vallejo. Además Miguel Ángel Delgado nos va a hablar del hombre que logró reconstruirle el rostro a los soldados mutilados de la primera guerra mundial: 'El reconstructor de caras', de Lindsey Fitharris, publicado por Capitán Swing.Y con Angela Núñez sumaremos palabras al diccionario de la RAE, a su edición digital, la Academia ha incluido DANA, Sérum o Espoiler.Escuchar audio

Visit glögg glögg, a POP up ART sale, Dec 13-14 in Woodstock NY: ⁠website⁠ or ⁠IG⁠ --------------- Artist, Jennifer Coates is back for Part 3 in our series about finding artistic resilience through research! This time we look at these artists and how they adapted to their own gloomy times of foreboding: Kay Sage: Found a way to paint even though she was a victim of domestic violence and ignored by the art world, and used her money to help Surrealist artists flee Germany and France before WWII Grete Stern: Sneakily slipped in feminist art into a fluffy women's magazine under the Peronist regime Jacob Lawrence: Illustrated injustices and acts of racism not covered by the history books Frederic Edwin Church: Painted an emblem that many thought symbolized the coming Civil War Works mentioned: Kay Sage works: "This Morning" 1939, "China Eggs" Autobiography, "I Saw Three Cities" 1944, "A Bird in the Room" 1955, "Destiny" a poem Grete Stern works: "Los Sueños: Muñecos (Dreams: The Doll)" 1949 for Idilio Magazine (Argentina) Jacob Lawrence works: "The Life of Toussaint Louverture," "Migration" and "Struggle" Series Frederic Edwin Church works: "Meteor" 1860, with writers/poets: Herman Melville's "The Portent" 1859, Walt Whitman's "Year of Meteors" 1860 and "Crossing Brooklyn Ferry" 1856 (both "Leaves of Grass") Other artists mentioned: André Breton, Fra Angelico, Piero della Francesca **Disclaimer: As we are not historians by trade, some factual errors may have slipped through. Apologies if so ** Jennifer Coates online: ⁠web⁠ and ⁠IG⁠ Amy Talluto online: ⁠web⁠ and ⁠IG⁠ Thank you, Jennifer! Thank you, Listeners! All music by Soundstripe ---------------------------- Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Pep Talks website: ⁠⁠⁠⁠peptalksforartists.com⁠⁠⁠⁠ Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠⁠⁠⁠⁠ Amy's website: ⁠⁠⁠⁠amytalluto.com⁠⁠⁠⁠ Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated! --- Support this podcast: https://podcasters.spotify.com/pod/show/peptalksforartistspod/support

So how can The Dude and The Boss save America? According to the cultural critic, David Masciotra, Jeffrey "The Dude" Lebowski and Bruce “The Boss” Springsteen, represent the antithesis of Donald Trumps's illiberal authoritarianism. Masciotra's thesis of Lebowski and Springsteen as twin paragons of American liberalism is compelling. Both men have a childish faith in the goodness of others. Both offer liberal solace in an America which, I fear, is about to become as darkly surreal as The Big Lebowski. Transcript:“[Springsteen] represents, as cultural icon, a certain expression of liberalism, a big-hearted, humanistic liberalism that exercises creativity to represent diverse constituencies in our society, that believes in art as a tool of democratic engagement, and that seeks to lead with an abounding, an abiding sense of compassion and empathy. That is the kind of liberalism, both with the small and capital L, that I believe in, and that I have spent my career documenting and attempting to advance.” -David MasciotraAK: Hello, everybody. We're still processing November the 5th. I was in the countryside of Northern Virginia a few days ago, I saw a sign, for people just listening, Trump/Vance 2024 sign with "winner" underneath. Some people are happy. Most, I guess, of our listeners probably aren't, certainly a lot of our guests aren't, my old friend John Rauch was on the show yesterday talking about what he called the "catastrophic ordinariness" of the election and of contemporary America. He authored two responses to the election. Firstly, he described it in UnPopulist as a moral catastrophe. But wearing his Brookings hat, he's a senior fellow at the Brookings Institute, described it as an ordinary election. I think a lot of people are scratching their head, trying to make sense of it. Another old friend of the show, David Masciotra, cultural writer, political writer. An interesting piece in the Washington Monthly entitled "How Francis Fukuyama and The Big Lebowski Explain Trump's Victory." A very creative piece. And he is joining us from Highland Indiana, not too far from Chicago. David. The Big Lebowski and Francis Fukuyama. Those two don't normally go together, certainly in a title. Let's talk first about Fukuyama. How does Fukuyama explain November the 5th? DAVID MASCIOTRA: In his. Well, first, thanks for having me. And I should say I watched your conversation with Jonathan Rauch, and it was quite riveting and quite sobering. And you talked about Fukuyama in that discussion as well. And you referenced his book, The End of History and the Last Man, a very often misinterpreted book, but nonetheless, toward its conclusion, Fukuyama warns that without an external enemy, liberal democracies may indeed turn against themselves, and we may witness an implosion rather than an explosion. And Fukuyama said that this won't happen so much for ideological reasons, but it will happen for deeply psychological ones, namely, without a just cause for which to struggle, people will turn against the just cause itself, which in this case is liberal democracy, and out of a sense of boredom and alienation, they'll grow increasingly tired of their society and cultivate something of a death wish in which they enjoy imagining their society's downfall, or at least the downfall of some of the institutions that are central to their society. And now I would argue that after the election results, we've witnessed the transformation of imagining to inviting. So, there is a certain death wish and a sense of...alienation and detachment from that which made the United States of America a uniquely prosperous and stable country with the ability to self-correct the myriad injustices we know are part of its history. Well now, people--because they aren't aware of the institutions or norms that created this robust engine of commerce and liberty--they've turned against it, and they no longer invest in that which is necessary to preserve it.AK: That's interesting, David. The more progressives I talk to about this, the more it--there's an odd thing going on--you're all sounding very conservative. The subtitle of the piece in the Washington Monthly was "looking at constituencies or issues misses the big point. On Tuesday, nihilism was on display, even a death wish in a society wrought by cynicism." Words like nihilism and cynicism, David, historically have always been used by people like Allan Blum, whose book, of course, The Closing of the American Mind, became very powerful amongst American conservatives now 40 or 50 years ago. Would you accept that using language like nihilism and cynicism isn't always associated--I mean, you're a proud progressive. You're a man of the left. You've never disguised that. It's rather odd to imagine that the guys like you--and in his own way, John Rauch too, who talks about the moral catastrophe of the election couple of weeks ago. You're all speaking about the loss of morality of the voter, or of America. Is there any truth to that? Making some sense?DAVID MASCIOTRA: That's a that's a fair observation. And Jonathan Rauch, during your conversation and in his own writing, identifies a center right. I would say I'm center left.AK: And he's--but what's interesting, what ties you together, is that you both use the L-word, liberal, to define yourselves. He's perhaps a liberal on the right. You're a liberal on the left.DAVID MASCIOTRA: Yes. And I think that the Trump era, if we can trace that back to 2015, has made thoughtful liberals more conservative in thought and articulation, because it forces a confrontation and interrogation of a certain naivete. George Will writes in his book, The Conservative Sensibility, that the progressive imagines that which is the best possible outcome and strives to make it real, whereas the conservative imagines the worst possible outcome and does everything he can to guard against it. And now it feels like we've experienced, at least electorally, the worst possible outcome. So there a certain revisitation of that which made America great, to appropriate a phrase, and look for where we went wrong in failing to preserve it. So that kind of thinking inevitably leads one to use more conservative language and deal in more conservative thought.AK: Yeah. So for you, what made America great, to use the term you just introduced, was what? Its morality? The intrinsic morality of people living in it and in the country? Is that, for you, what liberalism is?DAVID MASCIOTRA: Liberalism is a system in and the culture that emanates out of that system. So it's a constitutional order that creates or that places a premium on individual rights and allows for a flourishing free market. Now, where my conception of liberalism would enter the picture and, perhaps Jonathan Rauch and I would have some disagreements, certainly George Will and I, is that a bit of governmental regulation is necessary along with the social welfare state, to civilize the free market. But the culture that one expects to flow from that societal order and arrangement is one of aspiration, one in which citizens fully accept that they are contributing agents to this experiment in self-governance and therefore need to spend time in--to use a Walt Whitman phrase--freedom's gymnasium. Sharpening the intellect, sharpening one's sense of moral duty and obligation to the commons, to the public good. And as our society has become more individualistic and narcissistic in nature, those commitments have vanished. And as our society has become more anti-intellectual in nature, we are seeing a lack of understanding of why those commitments are even necessary. So that's why you get a result like we witnessed on Tuesday, and that I argue in my piece that you were kind enough to have me on to discuss, is a form of nihilism, and The Big Lebowski reference, of course--AK: And of course, I want to get to Lebowski, because the Fukuyama stuff is interesting, but everyone's writing about Fukuyama and the end of history and why history never really ended, of course. It's been going on for years now, but it's a particularly interesting moment. We've had Fukuyama on the show. I've never heard anyone, though, compare the success of Trump and Trumpism with The Big Lebowski. So, one of the great movies, of course, American movies. What's the connection, David, between November 5th and The Big Lebowski? DAVID MASCIOTRA: Well, The Big Lebowski is one of my favorite films. I've written about it, and I even appeared at one of the The Big Lebowski festivals that takes place in United States a number of years ago. But my mind went to the scene when The Dude is in his bathtub and these three menacing figures break into his apartment. They drop a gerbil in the bathtub. And The Dude, who was enjoying a joint by candlelight, is, of course, startled and frightened. And these three men tell him that if he does not pay the money they believe he owes them, they will come back and, in their words, "cut off your Johnson." And The Dude gives them a quizzical, bemused look. And one of them says, "You think we are kidding? We are nihilists. We believe in nothing." And then one of them screams, "We'll cut off your Johnson." Well, I thought, you know, we're looking at an electorate that increasingly, or at least a portion of the electorate, increasingly believes in nothing. So we've lost faith.AK: It's the nihilists again. And of course, another Johnson in America, there was once a president called Johnson who enjoyed waving his Johnson, I think, around in public. And now there's the head of the house is another Johnson, I think he's a little shyer than presidents LBJ. But David, coming back to this idea of nihilism. It often seems to be a word used by people who don't like what other people think and therefore just write it off as nihilism. Are you suggesting that the Trump crowd have no beliefs? Is that what nihilism for you is? I mean, he was very clear about what he believes in. You may not like it, but it doesn't seem to be nihilistic.DAVID MASCIOTRA: That's another fair point. What I'm referring to is not too long ago, we lived in a country that had a shared set of values. Those values have vanished. And those values involve adherence to our democratic norms. It's very difficult to imagine had George H. W. Bush attempted to steal the election in which Bill Clinton won, that George H. W. Bush could have run again and won. So we've lost faith in something essential to our electoral system. We've lost faith in the standards of decency that used to, albeit imperfectly, regulate our national politics. So the man to whom I just refered, Bill Clinton, was nearly run out of office for having an extramarital affair, a misdeed that cannot compare to the myriad infractions of Donald Trump. And yet, Trump's misdeeds almost give him a cultural cachet among his supporters. It almost makes him, for lack of a better word, cool. And now we see, even with Trump's appointments, I mean, of course, it remains to be seen how it plays out, that we're losing faith in credentials and experience--AK: Well they're certainly a band of outlaws and very proud to be outlaws. It could almost be a Hollywood script. But I wonder, David, whether there's a more serious critique here. You, like so many other people, both on the left and the right, are nostalgic for an age in which everyone supposedly agreed on things, a most civil and civilized age. And you go back to the Bushes, back to Clinton. But the second Bush, who now seems to have appeared as this icon, at least moral icon, many critics of Trump, was also someone who unleashed a terrible war, killing tens of thousands of people, creating enormous suffering for millions of others. And I think that would be the Trump response, that he's simply more honest, that in the old days, the Bushes of the world can speak politely and talk about consensus, and then unleash terrible suffering overseas--and at home in their neoliberal policies of globalization--Trump's simply more honest. He tells it as it is. And that isn't nihilistic, is it?DAVID MASCIOTRA: Well, you are gesturing towards an important factor in our society. Trump, of course, we know, is a dishonest man, a profoundly dishonest--AK: Well, in some ways. But in other ways, he isn't. I mean, in some ways he just tells the truth as it is. It's a truth we're uncomfortable with. But it's certainly very truthful about the impact of foreign wars on America, for example, or even the impact of globalization. DAVID MASCIOTRA: What you're describing is an authenticity. That that Trump is authentic. And authenticity has become chief among the modern virtues, which I would argue is a colossal error. Stanley Crouch, a great writer, spent decades analyzing the way in which we consider authenticity and how it inevitably leads to, to borrow his phrase, cast impurity onto the bottom. So anything that which requires effort, refinement, self-restraint, self-control, plays to the crowd as inauthentic, as artificial--AK: Those are all aristocratic values that may have once worked but don't anymore. Should we be nostalgic for the aristocratic way of the Bushes?DAVID MASCIOTRA: I think in a certain respect, we should. We shouldn't be nostalgic for George W. Bush's policies. I agree with you, the war in Iraq was catastrophic, arguably worse than anything Trump did while he was president. His notoriously poor response to Hurricane Katrina--I mean, we can go on and on cataloging the various disasters of the Bush administration. However, George W. Bush as president and the people around him did have a certain belief in the liberal order of the United States and the liberal order of the world. Institutions like NATO and the EU, and those institutions, and that order, has given the United States, and the world more broadly, an unrivaled period of peace and prosperity.AK: Well it wasn't peace, David. And the wars, the post-9/11 wars, were catastrophic. And again, they seem to be just facades--DAVID MASCIOTRA: We also had the Vietnam War, the Korean War. When I say peace, I mean we didn't have a world war break out as we did in the First World War, in the Second World War. And that's largely due to the creation and maintenance of institutions following the Second World War that were aimed at the preservation of order and, at least, amicable relations between countries that might otherwise collide.AK: You're also the author, David, of a book we've always wanted to talk about. Now we're figuring out a way to integrate it into the show. You wrote a book, an interesting book, about Bruce Springsteen. Working on a Dream: the Progressive Political Vision of Bruce Springsteen. Bruce Springsteen has made himself very clear. He turned out for Harris. Showed up with his old friend, Barack Obama. Clearly didn't have the kind of impact he wanted. You wrote an interesting piece for UnHerd a few weeks ago with the title, "Bruce Springsteen is the Last American Liberal: he's still proud to be born in the USA." Is he the model of a liberal response to the MAGA movement, Springsteen? DAVID MASCIOTRA: Well, of course, I wouldn't go so far as to say the last liberal. As most readers just probably know, writers don't compose their own headlines--AK: But he's certainly, if not the last American liberal, the quintessential American liberal.DAVID MASCIOTRA: Yes. He represents, as cultural icon, a certain expression of liberalism, a big-hearted, humanistic liberalism that exercises creativity to represent diverse constituencies in our society, that believes in art as a tool of democratic engagement, and that seeks to lead with an abounding, an abiding sense of compassion and empathy. That is the kind of liberalism, both with the small and capital L, that I believe in, and that I have spent my career documenting and attempting to advance. And those are, of course, the forms of liberalism that now feel as if they are under threat. Now, to that point, you know, this could have just come down to inflation and some egregious campaign errors of Kamala Harris. But it does feel as if when you have 70 some odd million people vote for the likes of Donald Trump, that the values one can observe in the music of Bruce Springsteen or in the rhetoric of Barack Obama, for that matter, are no longer as powerful and pervasive as they were in their respective glory days. No pun intended.AK: Yeah. And of course, Springsteen is famous for singing "Glory Days." I wonder, though, where Springsteen himself is is a little bit more complex and we might be a little bit more ambivalent about him, there was a piece recently about him becoming a billionaire. So it's all very well him being proud to be born in the USA. He's part--for better or worse, I mean, it's not a criticism, but it's a reality--he's part of the super rich. He showed out for Harris, but it didn't seem to make any impact. You talked about the diversity of Springsteen. I went to one of his concerts in San Francisco earlier this year, and I have to admit, I was struck by the fact that everyone, practically everyone at the concert, was white, everyone was wealthy, everyone paid several hundred dollars to watch a 70 year old man prance around on stage and behave as if he's still 20 or 30 years old. I wonder whether Springsteen himself is also emblematic of a kind of cultural, or political, or even moral crisis of our old cultural elites. Or am I being unfair to Springsteen?DAVID MASCIOTRA: Well, I remember once attending a Springsteen show in which the only black person I saw who wasn't an employee of the arena was Clarence Clemons.AK: Right. And then Bruce, of course, always made a big deal. And there was an interesting conversation when Springsteen and Obama did a podcast together. Obama, in his own unique way, lectured Bruce a little bit about Clarence Clemons in terms of his race. But sorry. Go on.DAVID MASCIOTRA: Yeah. And Springsteen has written and discussed how he had wished he had a more diverse audience. When I referred to diversity in his music, I meant the stories he aimed to tell in song certainly represented a wide range of the American experience. But when you talk about Springsteen, perhaps himself representing a moral crisis--AK: I wouldn't say a crisis, but he represents the, shall we say, the redundancy of that liberal worldview of the late 20th century. I mean, he clearly wears his heart on his sleeve. He means well. He's not a bad guy. But he doesn't reach a diverse audience. His work is built around the American working class. None of them can afford to show up to what he puts on. I mean, Chris Christie is a much more typical fan than the white working class. Does it speak of the fact that there's a...I don't know if you call it a crisis, it's just...Springsteen isn't relevant anymore in the America of the 2020s, or at least when he sang and wrote about no longer exists.DAVID MASCIOTRA: Yes, I agree with that. So first of all, the working class bit was always a bit overblown with Springsteen. Springsteen, of course, was never really part of the working class, except when he was a child. But by his own admission, he never had a 9 to 5 job. And Springsteen sang about working class life like William Shakespeare wrote about teenage love. He did so with a poetic grandeur that inspired some of his best work. And outside looking in, he actually managed to offer more insights than sometimes people on the inside can amount to themselves. But you're certainly correct. I mean, the Broadway show, for example, when the tickets were something like a thousand a piece and it was $25 to buy a beer. There is a certain--AK: Yeah and in that Broadway show, which I went to--I thought it was astonishing, actually, a million times better than the show in San Francisco.DAVID MASCIOTRA: It was one of the best things he ever did.AK: He acknowledges that he made everything up, that he wasn't part of the American working class, and that he'd never worked a day in his life, and yet his whole career is is built around representing a social class and a way of life that he was never part of.“Not too long ago, we lived in a country that had a shared set of values. Those values have vanished. And those values involve adherence to our democratic norms.” -DMDAVID MASCIOTRA: Right. And he has a lyric himself: "It's a sad, funny ending when you find yourself pretending a rich man in a poor man's shirt." So there always was this hypocrisy--hypocrisy might be a little too strong--inconsistency. And he adopted a playful attitude toward it in the 90s and in later years. But to your point of relevance, I think you're on to something there. One of the crises I would measure in our society is that we no longer live in a culture of ambition and aspiration. So you hear this when people say that they want a political leader who talks like the average person, or the common man. And you hear this when "college educated" is actually used as an insult against a certain base of Democratic voters. There were fewer college-educated voters when John F. Kennedy, Richard Nixon, Ronald Reagan ran for president, all of whom spoke with greater eloquence and a more expansive vocabulary and a greater sense of cultural sophistication than Donald Trump or Kamala Harris did. And yet there was no objection, because people understood that we should aspire to something more sophisticated. We should aspire to something more elevated beyond the everyday vernacular of the working class. And for that reason, Springsteen was able to become something of a working-class poet, despite never living among the working class beyond his childhood. Because his poetry put to music represented something idealistic about the working class.AK: But oddly enough, it was a dream--there's was a word that Springsteen uses a lot in his work--that was bought by the middle class. It wasn't something that was--although, I think in the early days, probably certainly in New Jersey, that he had a more working-class following.DAVID MASCIOTRA: We have to deal with the interesting and frustrating reality that the people about whom Springsteen sings in those early songs like "Darkness on the Edge of Town" or "The River" would probably be Trump supporters if they were real.AK: Yeah. And in your piece you refer to, not perhaps one of his most famous albums, The Rising, but you use it to compare Springsteen with another major figure now in America, much younger man to Ta-Nehisi Coates, who has a new book out, which is an important new book, The Message. You seem to be keener on Springsteen than Coates. Tell us about this comparison and what the comparison tells us about the America of the 2020s.DAVID MASCIOTRA: Well, Coates...the reason I make the comparison is that one of Springsteen's greatest artistic moments, in which he kind of resurrected his status as cultural icon, was the record he put out after the 9/11 attack on the United States, The Rising. And throughout that record he pays tribute, sometimes overtly, sometimes subtly, to the first responders who ascended in the tower knowing they would perhaps die.AK: Yeah. You quote him "love and duty called you someplace higher." So he was idealizing those very brave firefighters, policemen who gave up their lives on 9/11.DAVID MASCIOTRA: Exactly. Representing the best of humanity. Whereas Ta-Nehisi Coates, who has become the literary superstar of the American left, wrote in his memoir that on 9/11, he felt nothing and did not see the first responders as human. Rather, they were part of the fire that could, in his words, crush his body.AK: Yeah, he wrote a piece, "What Is 9/11 to Descendants of Slaves?"DAVID MASCIOTRA: Yes. And my point in making that comparison, and this was before the election, was to say that the American left has its own crisis of...if we don't want to use the word nihilism, you objected to it earlier--AK: Well, I'm not objecting. I like the word. It's just curious to hear it come from somebody like yourself, a man, certainly a progressive, maybe not--you might define yourself as being on the left, but certainly more on the left and on the right.DAVID MASCIOTRA: Yes, I would agree with that characterization. But that the left has its own crisis of nihilism. If if you are celebrating a man who, despite his journalistic talents and intelligence, none of which I would deny, refused to see the humanity of the first responders on the 9/11 attack and, said that he felt nothing for the victims, presumably even those who were black and impoverished, then you have your own crisis of belief, and juxtaposing that with the big hearted, humanistic liberalism of Springsteen for me shows the left a better path forward. Now, that's a path that will increasingly close after the victory of Trump, because extremism typically begets extremism, and we're probably about to undergo four years of dueling cynicism and rage and unhappy times.AK: I mean, you might respond, David, and say, well, Coates is just telling the truth. Why should a people with a history of slavery care that much about a few white people killed on 9/11 when their own people lost millions through slavery? And you compare them to Springsteen, as you've acknowledged, a man who wasn't exactly telling the truth in his heart. I mean, he's a very good artist, but he writes about a working class, which even he acknowledges, he made most of it up. So isn't Coates like Trump in an odd kind of way, aren't they just telling an unvarnished truth that people don't want to hear, an impolite truth?DAVID MASCIOTRA: I'm not sure. I typically shy away from the expression "my truth" or "his truth" because it's too relativistic. But I'll make an exception in this case. I think Coates is telling HIS truth just as Trump is telling HIS truth, if that adds up to THE truth, is much more dubious. Yes, we could certainly say that, you know, because the United States enslaved, tortured, and otherwise oppressed millions of black people, it may be hard for some black observers to get teary eyed on 9/11, but the black leaders whom I most admire didn't have that reaction. I wrote a book about Jesse Jackson after spending six years interviewing with him and traveling with him. He certainly didn't react that way on 9/11. Congressman John Lewis didn't react that way on 9/11. So, the heroes of the civil rights movement, who helped to overcome those brutal systems of oppression--and I wouldn't argue that they're overcome entirely, but they helped to revolutionize the United States--they maintained a big-hearted sense of empathy and compassion, and they recognized that the unjust loss of life demands mourning and respect, whether it's within their own community or another. So I would say that, here again, we're back to the point of ambition, whether it's intellectual ambition or moral ambition. Ambition is what allows a society to grow. And it seems like ambition has fallen far out of fashion. And that is why the country--the slim majority of the electorate that did vote and the 40% of the electorate that did not vote, or voting-age public, I should say--settled for the likes of Donald Trump.AK: I wonder what The Dude would do, if he was around, at the victory of Trump, or even at 9/11. He'd probably continue to sit in the bath tub and enjoy...enjoy whatever he does in his bathtub. I mean, he's not a believer. Isn't he the ultimate nihilist? The Dude in Lebowski?DAVID MASCIOTRA: That's an interesting interpretation. I would say that...Is The Dude a nihilist? You have this juxtaposition... The Dude kind of occupies this middle ground between the nihilists who proudly declare they believe in nothing and his friend Walter Sobchak, who's, you know, almost this raving explosion of belief. Yeah, ex-Vietnam veteran who's always confronting people with his beliefs and screaming and demanding they all adhere to his rules. I don't know if The Dude's a nihilist as much as he has a Zen detachment.AK: Right, well, I think what makes The Big Lebowski such a wonderful film, and perhaps so relevant today, is Lebowski, unlike so many Americans is unjudgmental. He's not an angry man. He's incredibly tolerant. He accepts everyone, even when they're beating him up or ripping him off. And he's so, in that sense, different from the America of the 2020s, where everyone is angry and everyone blames someone else for whatever's wrong in their lives.DAVID MASCIOTRA: That's exactly right.AK: Is that liberal or just Zen? I don't know.DAVID MASCIOTRA: Yeah. It's perhaps even libertarian in a sense. But there's a very interesting and important book by Justin Tosi and Brandon Warmke called Why It's Okay to Mind Your Own Business. And in it they argue--they're both political scientists although the one may be a...they may be philosophers...but that aside--they present an argument for why Americans need to do just that. Mind their own business.AK: Which means, yeah, not living politics, which certainly Lebowski is. It's probably the least political movie, Lebowski, I mean, he doesn't have a political bone in his body. Finally, David, there there's so much to talk about here, it's all very interesting. You first came on the show, you had a book out, that came out either earlier this year or last year. Yeah, it was in April of this year, Exurbia Now: The Battleground of American Democracy. And you wrote about the outskirts of suburbia, which you call "exurbia." Jonathan Rauch, wearing his Brookings cap, described this as an ordinary election. I'm not sure how much digging you've done, but did the exurbian vote determine this election? I mean, the election was determined by a few hundred thousand voters in the Midwest. Were these voters mostly on the edge of the suburb? And I'm guessing most of them voted for Trump.DAVID MASCIOTRA: Well, Trump's numbers in exurbia...I've dug around and I've been able to find the exurbian returns for Pennsylvania, North Carolina, and Arizona. So three crucial swing states. If Kamala Harris had won those three states, she would be president. And Trump's support in exurbia was off the charts, as it was in 2020 and 2016, and as I predicted, it would be in 2024. I'm not sure that that would have been sufficient to deliver him the race and certainly not in the fashion that he won. Trump made gains with some groups that surprised people, other groups that didn't surprise people, but he did much better than expected. So unlike, say, in 2016, where we could have definitively and conclusively said Trump won because of a spike in turnout for him in rural America and in exurbia, here, the results are more mixed. But it remains the case that the base most committed to Trump and most fervently loyal to his agenda is rural and exurban.AK: So just outside the cities. And finally, I argued, maybe counterintuitively, that America remains split today as it was before November the 5th, so I'm not convinced that this election is the big deal that some people think it is. But you wrote an interesting piece in Salon back in 2020 arguing that Trump has poisoned American culture, but the toxin was here all along. Of course, there is more, if anything, of that toxin now. So even if Harris had won the election, that toxin was still here. And finally, David, how do we get rid of that toxin? Do we just go to put Bruce Springsteen on and go and watch Big Lebowski? I mean, how do we get beyond this toxin?DAVID MASCIOTRA: I would I would love it if that was the way to do it.AK: We'll sit in our bathtub and wait for the thugs to come along?DAVID MASCIOTRA: Right, exactly. No, what you're asking is, of course, the big question. We need to find a way to resurrect some sense of, I'll use another conservative phrase, civic virtue. And in doing--AK: And resurrection, of course, by definition, is conservative, because you're bringing something back.“Ambition is what allows a society to grow. And it seems like ambition has fallen far out of fashion.” -DMDAVID MASCIOTRA: Exactly. And we also have to resurrect, offer something more practical, we have to resurrect a sense of civics. One thing on which--I have immense respect and admiration for Jonathan Rauch--one minor quibble I would have with him from your conversation is when he said that the voters rejected the liberal intellectual class and their ideas. Some voters certainly rejected, but some voters were unaware. The lack of civic knowledge in the United States is detrimental to our institutions. I mean, a majority of Americans don't know how many justices are on the Supreme Court. They can't name more than one freedom enumerated in the Bill of Rights. So we need to find a way to make citizenship a vital part of our national identity again. And there are some practical means of doing that in the educational system. Certainly won't happen in the next four years. But to get to the less tangible matter of how to resurrect something like civic virtue and bring back ambition and aspiration in our sense of national identity, along with empathy, is much tougher. I mean, Robert Putnam says it thrives upon community and voluntary associations.AK: Putnam has been on the show, of course.DAVID MASCIOTRA: Yeah. So, I mean, this is a conversation that will develop. I wish I had the answer, and I wish it was just to listen to Born to Run in the bathtub with with a poster of The Dude hanging overhead. But as I said to you before we went on the air, I think that you have a significant insight to learn this conversation because, in many ways, your books were prescient. We certainly live with the cult of the amateur now, more so than when you wrote that book. So, I'd love to hear your ideas.AK: Well, that's very generous of you, David. And next time we appear, you're going to interview me about why the cult of the amateur is so important. So we will see you again soon. But we're going to swap seats. So, David will interview me about the relevance of Cult of the Amateur. Wonderful conversation, David. I've never thought about Lebowski or Francis Fukuyama, particularly Lebowski, in terms of what happened on November 5th. So, very insightful. Thank you, David, and we'll see you again in the not-too-distant future.DAVID MASCIOTRA: Thank you. I'm going to reread Cult of the Amateur to prepare. I may even do it in the bathtub. I look forward to our discussion.David Masciotra is an author, lecturer, and journalist. He is the author of I Am Somebody: Why Jesse Jackson Matters (I.B. Tauris, 2020), Mellencamp: American Troubadour (University Press of Kentucky), Barack Obama: Invisible Man (Eyewear Publishers, 2017), and Metallica by Metallica, a 33 1/3 book from Bloomsbury Publishers, which has been translated into Chinese. In 2010, Continuum Books published his first book, Working On a Dream: The Progressive Political Vision of Bruce Springsteen.His 2024 book, Exurbia Now: Notes from the Battleground of American Democracy, is published by Melville House Books. Masciotra writes regularly for the New Republic, Washington Monthly, Progressive, the Los Angeles Review of Books, CrimeReads, No Depression, and the Daily Ripple. He has also written for Salon, the Daily Beast, CNN, Atlantic, Washington Post, AlterNet, Indianapolis Star, and CounterPunch. Several of his political essays have been translated into Spanish for publication at Korazon de Perro. His poetry has appeared in Be About It Press, This Zine Will Change Your Life, and the Pangolin Review. Masciotra has a Master's Degree in English Studies and Communication from Valparaiso University. He also has a Bachelor's Degree in Political Science from the University of St. Francis. He is public lecturer, speaking on a wide variety of topics, from the history of protest music in the United States to the importance of bars in American culture. David Masciotra has spoken at the University of Wisconsin, University of South Carolina, Lewis University, Indiana University, the Chicago Public Library, the Lambeth Library (UK), and an additional range of colleges, libraries, arts centers, and bookstores. As a journalist, he has conducted interviews with political leaders, musicians, authors, and cultural figures, including Jesse Jackson, John Mellencamp, Noam Chomsky, all members of Metallica, David Mamet, James Lee Burke, Warren Haynes, Norah Jones, Joan Osborne, Martín Espada, Steve Earle, and Rita Dove. Masciotra lives in Indiana, and teaches literature and political science courses at the University of St. Francis and Indiana University Northwest. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Episode: 2143 In which Emma Lazarus reinvents the Statue of Liberty.  Today, UH scholar Dorothy Baker tells us about Emma Lazarus.

TOPICS: Lack of self reflection in America Authenticity in Politics Democratic and Republican pendulum Conservative vs. Orthodox   Thank you:  1517.org  thejaggedword.com Grace Lutheran Ventura St. James Lutheran, Chicago   Monthly Sponsors: Frankie Meadows, Blayne Watts, and Eddie Switek   YOU CAN BE A RINGSIDE SPONSOR:  https://www.paypal.com/donate/?hosted_button_id=TZBU7UQQAWEVN   Music: Joel Allen Hess - More on bandcamp Dead Horse One - “I love my man”   Other: Election Day November 1884, Walt Whitman

In every corner of Minnesota, there are good stories waiting to be told of places that make our state great and people who in Walt Whitman's words “contribute a verse” each day. MPR News sent longtime reporter Dan Gunderson on a mission to capture those stories as part of a new series called “Wander & Wonder: Exploring Minnesota's unexpected places.”

Hi, this is Brian, and today we've got another Heroic +1 for you featuring wisdom from Walt Whitman.   If you're enjoying the podcast, make sure to subscribe.   And if you're really enjoying it, I think you'll love checking out all of the other ancient wisdom, modern science, and practical tools you need to activate your Heroic potential and change the world, together.   Head to heroic.us to check out all of the goodness. You can download free Philosopher's Notes, master classes, and our scientifically-proven app that was built by the same team who helped create Slack, Tinder, and Uber Eats.   It's time to forge excellence, activate your heroic potential, fulfill your destiny, and change the world with us.   YOU are the hero we've been waiting for!   Welcome to your new training platform.

Happy Halloween...Happy Life Studios style! We are dying to have you join us as we positively celebrate Halloween. Or should I say celebrate Halloween positively. Listen and share, you'll be Happy you did!We would also like to give a special thanks to James Kocian, for the use of his amazing songs "TEDish", "NPRrrr Strings" and "NPRrrr Music Box". Check out more of his amazing stuff here www.JamesKocian.com or here www.Facebook.com/jameskocianmusic and tell him thanks from Happy Life Studios.  Contact usLinktree: www.Linktr.ee/HappyLifeStudiosEmail: Podcast@HappyLife.StudioYo Stevo Hotline: (425) 200-HAYS (4297)Webpage: www.HappyLife.lol YouTube: www.YouTube.com/StevoHaysLinkedin: TikTok: www.tiktok.com/@happylifestudiosFacebook: www.Facebook.com/HappyLifeStudios Instagram: www.Instagram.com/HappyLife_Studios Twitter: www.x.com/stevehays If you would like to help us spread the HappyPayPal: www.PayPal.me/StevoHaysCash App: $HappyLifeStudiosZelle: StevoHays@gmail.comVenmo: @StevoHaysBuy Me A Coffee: buymeacoffee.com/HappyLifeStudioCheck: Payable to Hays Ministries or Steve Hays and send to 27240 213th Place S.E. Maple Valley, WA 98038

Send us a textThis week on the old pod john: Sandhill cranes, wisdom from Walt Whitman, and the latest dangerous street drug.Support the showThanks for listening! Listen, rate, subscribe and other marketing type slogans! Here's my Insta: @dannypalmernyc @thedannypalmershow@blackcatcomedy (NYC stand-up show every Friday at 9 pm. 172 Rivington St.) And subscribe to my Patreon? Maybe? If you know how to? I don't know how it works. Let's just leave this thing be: https://www.patreon.com/thedannypalmershow

If the strained relationship between science and Romanticism had an anthem, it might be today's poem. Happy reading. Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Hanif Abduraqqib. Sarah Kay. Elizabeth Acevedo. Clint Smith. Do any of these names sound familiar? How about Amanda Gorman? All of these writers are part of America's thriving contemporary poetry scene. But you won't find them in many text books, because high school poetry units tend to focus on dead poets, like Robert Frost, Walt Whitman and Edgar Allen Poe. North Carolina teacher Melissa Smith is working to change that. For the last seven years, she's been diversifying the canon in her classroom, and encouraging other teachers to do the same with the hashtag #teachlivingpoets. The shift has inspired teachers across the country to get creative with how they teach students things like tone, rhythm and structure in poetry. And it's inspired students to connect with and see reflections of themselves in the poets they study.

Sean Illing speaks with poet and historian Jennifer Michael Hecht, whose book The Wonder Paradox asks: If we don't have God or religion, what — if anything — do we lose? They discuss how religion accesses meaning — through things like prayer, ceremony, and ritual — and Jennifer speaks on the ways that poetry can play similar roles in a secular way. They also discuss some of the "tricks" that poets use, share favorite poems, and explore what it would mean to "live the questions" — and even learn to love them — without having the answers. Host: Sean Illing (@seanilling), host, The Gray Area Guest: Jennifer Michael Hecht (@Freudeinstein), poet, historian; author References:  The Wonder Paradox: Embracing the Weirdness of Existence and the Poetry of Our Lives by Jennifer Michael Hecht (FSG; 2023) Doubt: A History by Jennifer Michael Hecht (HarperOne; 2004) Rainer Maria Rilke, from a 1903 letter to Franz Kappus, published in Letters to a Young Poet (pub. 1929) Leaves of Grass by Walt Whitman (1855) "Why do parrots live so long?" by Charles Q. Choi (LiveScience; May 23, 2022) "The survival of poetry depends on the failure of language," from The Tree of Meaning: Language, Mind, and Ecology by Robert Bringhurst (Counterpoint; 2009) "Traveler, There Is No Road" ("Caminante, no hay camino") by Antonio Machado (1917) "A Free Man's Worship" by Bertrand Russell (1903) Totality and Infinity: An Essay on Exteriority by Emmanuel Levinas (1961)   Support The Gray Area by becoming a Vox member: https://www.vox.com/support-now Learn more about your ad choices. Visit podcastchoices.com/adchoices