Podcasts about temporary services

Dana In The Morning Highlights 3/21Harris County is now the 3rd most populated in the countryGoodwill's Temporary Services help veterans and those with barriers to employmentDo you follow your passions in life or do you follow wherever the money is??

Infusion, short roll, little league, Temporary Services, Sunday sauce- how did you spend your President's Day vacation?

Ding ding ding! Time for Indoor Recess! This week the team does a deep dive to 2009 and our interview with seminal Chicago art group Temporary Services and celebrates all the good news in the art world today. CAC Ren OxBow

Deborah Lader, artist and founder/director of the Chicago Printmakers Collaborative is our guest this episode! Chicago in tha house! Capital is our challenge! Deborah, Taylor and Rob dive into the joys of music playing and project longevity. Chicago Printmakers just turned 30! We also talk about working in groups (Shout out to the art-making and publishing group Temporary Services) and the creative power of collectivity. Taylor adds value. Deborah dreams with the fishes. Rob might have the cable you're looking for. You can check out our projects at http://projects.opposablepodcast.com Props to Blondihacks, Nik Kantar, Walter Kitundu, Federico Tobon, Kelly Martin, Luke Noonan, Mike Tully, Adam Mayer, David Bellhorn, Tim Sway and Charlene McBride! They're our top Patreon supporters! Join 'em at: https://www.patreon.com/opposablethumbs Special Guest: Deborah Lader.

Tune in for this MONSTER DROP of an episode from our recent stint at the Chicago Art Book Fair. Roving reporter, Dana B., does a loop around the booths, covering as many as possible and speaking with Libri Finti Clandestini, Chicago Artist Writers, Homie House Press, Paint & Polish, Temporary Services, Archives & Futures, Aay Preston-Myint of CABF, Genderfail, The Bettys, The Filipino American Artist Directory, Walls Divide Press, Platform Editions, WORK PLAY,Jamiyla Lowe and Chloe Perkis. You’ll laugh, you’ll cry, you’ll enjoy the amazing cutting and interludes provided by the always super older brother, Duncan Mackenzie.  Thanks to the Chicago Art Book Fair for the opportunity and for gathering so many amazing artists all together at the Chicago Athletic Association. Happy New Year from your friends here at Bad at Sports, all the best in 2019! Libri Finti Clandestini (http://librifinticlandestini.bigcartel.com/)  Chicago Artist Writers (https://chicagoartistwriters.com/)  Homie House Press (http://www.adrianastories.com/new-products/)  Paint & Polish (https://hmcooper.com/section/447430-Paint-Polish.html)  Temporary Services (https://temporaryservices.org/served/)  Archives & Future/ Aay & CABF (http://cabf.no-coast.org/)  Genderfail (http://www.genderfail.space/)  The Bettys (http://www.thebettys.com/)  The Filipino American Artist Directory (https://www.filamartistdirectory.com/)  Walls Divide Press (https://wallsdivide.com/)  Platform Editions (http://platplatformform.com/)  Work Play (https://www.w-o-r-k-p-l-a-y.com/)  Jamiyla Lowe (https://www.jamiylalowe.com/)  Chloe Perkis (http://www.chloeperkis.com/) 

Zine-maker Marc Fischer , maker of Temporary Services zines, and Museum of Capitalism's Timothy Furstnau stopped by the RE/Search office to share ideas. They discuss their recent publications, the art book fair circuit, printing technique pros and cons, and TSA confiscations. The Museum of Capitalism is having their book-release party this Friday in Oakland (August 11, 2017). The exhibition will be coming down and Timothy and cohorts are currently looking for new places to exhibit the collection. Marc Fischer dropped off his seven recent zines which mine the public libraries for interesting but long-forgotten facts and photos.

This week: The first in our series of interviews from the Open Engagement conference that took place in Portland this past May. We start off with an excellent discussion that Randall Szott, Duncan, Brian and the occasional Incubate person had with artist, writer, lemon tormentor Ted Purves. Topics include; Ted's work, the past present and future of Social Practice and what it means to be an artist today.This series of interviews (thusfar, I've only gone through the first two) are some of my favorite discussions that (the royal) we have had in the 5 years of the show. Great stuff!Ted Purves is a writer and artist based in Oakland. His public projects and curatorial works are centered on investigating the practice of art in the world, particularly as it addresses issues of localism, democratic participation, and innovative shifts in the position of the audience. His two-year project, Temescal Amity Works, created in collaboration with Susanne Cockrell and based in the Temescal neighborhood of Oakland, facilitated and documented the exchange of backyard produce and finished its public phase in winter 2007. His collaborative project Momentary Academy, a free school taught by artists over a period of 10 weeks, was featured in Bay Area Now 4 in 2005 at Yerba Buena Center for the Arts in San Francisco. Ted recently received a visual arts grant from the Creative Capital Foundation and a Creative Work Fund grant from the Elise and Walter Haas Foundation. His book, What We Want Is Free: Generosity and Exchange in Recent Art, was published by State University of New York Press in 2005.The Open Engagement conference is an initiative of Portland State University’s Art and Social Practice MFA concentration and co-sponsored by Portland Community College and the MFA in Visual Studies program at Pacific Northwest College of Art and supported by the Cyan PDX Cultural Residency Program. Directed by Jen Delos Reyes and planned in conjunction with Harrell Fletcher and the Portland State University MFA Monday Night Lecture Series, this conference features three nationally and internationally renowned artists: Mark Dion, Amy Franceschini, and Nils Norman. The conference will showcase work by Temporary Services, InCUBATE, and a new project by Mark Dion created in collaboration with students from the PSU Art and Social Practice concentration. The artists involved in Open Engagement: Making Things, Making Things Better, Making Things Worse, challenge our traditional ideas of what art is and does. These artist’s projects mediate the contemporary frameworks of art as service, as social space, as activism, as interactions, and as relationships, and tackle subject matter ranging from urban planning, alternative pedagogy, play, fiction, sustainability, political conflict and the social role of the artist. Can socially engaged art do more harm than good? Are there ethical responsibilities for social art? Does socially engaged art have a responsibility to create public good? Can there be transdisciplinary approaches to contemporary art making that would contribute to issues such as urban planning and sustainability? Open Engagement is a free conference May 14-17, 2010, in Portland, Oregon. This annual conference will be a focal point of a new low residency Art and Social Practice MFA that PSU hopes to launch in Fall of 2010. This years conference will host over 100 artists, activists, curators, scholars, writers, farmers, community organizers, film makers and collectives including: Nato Thompson, The Watts House Project, Linda Weintraub, Ted Purves, Henry Jenkins, Wealth Underground Farms, Brian Collier, Anne E. Moore, David Horvitz, Chen Tamir, and Parfyme.

This week for your listening pleasure Bad at Sports has dispatched Shannon Stratton and Duncan MacKenzie to Illinois' glorious Kankakee to meet up with the artists of Temporary Services. They query Brett Bloom, Salem Collo-Julin, and Marc Fischer about social practice and the group's decade long history. The new www.badatsports.com is here! Come check out our redesign! Sunday the 8th we all need to once again make a trek down to Hyde Park to pick up the Artists Run Chicago Digest. In it you will find contributions by Lori Waxman, Dan Gunn, and little ole Bad at Sports! What follows is from http://www.studiochicago.org/arc-release/Artists Run Chicago Digest Release Sunday, November 8, 2:00 - 5:00pm Hyde Park Art Center 5020 S. Cornell Chicago, IL 60615 Join the Hyde Park Art Center, threewalls and The Green Lantern Press, as they celebrate the release of the Artists Run Chicago Digest. The A.R.C. Digest: Published by threewalls and The Green Lantern Press, The Artists Run Chicago Digest documents Chicago artist-run 'spaces' active between 1999 and 2009 offering a look at the various platforms that often act as extensions to studio practice. As the official catalog of Artists Run Chicago, an exhibition that featured 34 artist-run spaces from around the city from May 10-July 5, 2009 at the Hyde Park Art Center, The A.R.C. Digest acts as compliment to and extension of the exhibition, with interviews, essays, and an audio supplement presenting a 10-year time period in Chicago’s artist-run culture while providing history, reflection, critique and dialog about artist-run culture, its importance, difficulties, sustainability and necessity as well as its specificity to a community and generation.

This week Anthony Elms and Duncan talk to Marc Fischer about the Public Collectors project and other things. Then Marc LeBlanc and Brian Andrews talk about how Marc is turning Japanese, he thinks he’s turning Japanese, he really thinks so….The intro discusses how Philip von Zweck is a thug.Anthony, please, dear God, talk in to the mic, seriously.The following blurbs were shamelessly stolen from PVZ’s site:Marc Fischer is 1/3 of the group Temporary Services, 1/11th of Mess Hall- an experimental cultural center in Roger’s Park (where he co-organizes the Hardcore Histories series), and an artist who curated the prison-themed exhibition “Captive Audience? at Gallery 400 earlier this year. In addition to believing thatvinyl remains the superior format for the appreciation of recorded music, Fischer still refuses to own a fucking cell phone.Anthony Elms overcame his youth as just another punk in Michigan to become the assistant director of Gallery 400, the editor of WhiteWalls, and a writer whose works have appeared in like every freakin' magazine ever (except Artforum, whatever), plus in some exhibition catalogs for stuff that didn't happen at VONZWECK, but was still ok. He's pimped himself out at times; and participated in some panel discussions, but I think the panel discussion is always a bad idea, always. Anthony agrees.On Public Collectors:VONZWECK- as an entity, doesn’t care about art. You know it, you always have. But VONZWECK likes administration, and… stuff. Especially other people’s stuff! So does Marc Fischer. He likes stuff so much he’s started a whole new initiative to get to see it, and, being the unselfish soul that he is, to share it.It’s called Public Collectors and it is founded upon the concern that there are many types of cultural artifacts that public libraries, museums and other institutions and archives either do not collect or do not make freely accessible. Public Collectors asks people that have had the luxury to amass, organize, and inventory these materials, to help reverse this lack by making their collections public. It’s voluntary and it’s free. Not about selling, or buying and not restricted to art. It’s about getting to see something you might not have access to otherwise and exchanges of knowledge.For this - the kickoff, the ribbon cutting, Marc will be sharing one of his collections: records. That’s right actual records, long players, vinyl, what have you. Many will be on display; many more will be brought to the space for listening on request.But the idea isn’t just for you to see Marc’s stuff, it’s for you to share your collection(s) and view other peoples’. Other collections are online and many more will be added soon at www.publiccollectors.org.