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John Ford-podden är tillbaka och nu beger vi oss till det andra världskriget med filmen They Were Expendable. Kommentera avsnittet på Fripps Filmrevyer.
The Duke is back and this time, he's very patriotic! Wait... what do you mean "this time?" Uhh... anyway, this week the guys discussed the John Ford WWII film They Were Expendable centering on some PT boats following the attack on Pearl Harbor. The guys discuss if this John Wayne performance is worth anything, the character "Dad" who seemingly wandered in from another movie, the delightful Donna Reed and much more. Plus: a LOT of bad John Wayne impressions. Next week: two ways you can run! Questions? Comments? Suggestions? You can always shoot us an e-mail at forscreenandcountry@gmail.com Full List: https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time Facebook: https://www.facebook.com/forscreenandcountry Twitter: https://www.twitter.com/fsacpod Our logo was designed by the wonderful Mariah Lirette (https://instagram.com/its.mariah.xo) They Were Expendable stars Robert Montgomery, John Wayne, Donna Reed, Jack Holt, Ward Bond, Marshall Thompson, Paul Langton, Leon Ames, Cameron Mitchell and Russell Simpson; directed by John Ford. Learn more about your ad choices. Visit megaphone.fm/adchoices
Patrol Torpedo (PT) Boats, while not as famous as battleships, aircraft carriers, destroyers, and other large ships, nevertheless played a crucial role in the Pacific War. In 1942, author W. L. White wrote They Were Expendable, a book that tells the story of the work of PT boats in the American defense of the Philippines in 1941 and 1942. Three years later, MGM released the movie version directed by the legendary director John Ford. In this episode, James and Sean discuss this classic John Wayne film.
It's too hot to be happy. That's all there is to it. Yet, Larry makes mirth with tales of some of the hottest and coldest days of his life. In honor of the scorching sun, Larry recites "Summer Sun" by Robert Louis Stevenson. And he talks about the great World War II movie "They Were Expendable." https://LarryMillerShow.com Quote of the week: "It's a-hot out there."
Let's just spoil this up front. Mike did not get his wish of John Ford not talking about poor people. We start with HOW GREEN WAS MY VALLEY, aka the movie that cost CITIZEN KANE the Oscar. That aside, we talk about what works and what doesn't in this one, and we basically disagree on everything. The long and the short of it is that Mike isn't into the love story, but you have to listen to find out why.We then move on to one of Ford's war propaganda films, THEY WERE EXPENDABLE. We talk about how much Mike loves John Wayne's failure face and Dave defends Donna Reed (probably too much).Are either of these Ford's masterpiece? Watch and listen to find out!Rent How Green Was My Valley on AmazonRent They Were Expendable on AmazonThis episode also features Paul Ponte of The Screen Watcher's Guild as our John Ford expert. Make sure to follow him on Twitter!Follow us on TwitterLook at the pretty pictures on InstagramEmail us and tell us we're wrong at directedbypod@gmail.com
It's too hot to be happy. That's all there is to it. Yet, Larry makes mirth with tales of some of the hottest and coldest days of his life. In honor of the scorching sun, Larry recites "Summer Sun" by Robert Louis Stevenson. And he talks about the great World War II movie "They Were Expendable." https://LarryMillerShow.com Quote of the week: "It's a-hot out there."
This week on XENA: WARRIOR PODCAST, war is hell! Vera, Katie, and Livy go once more into the breach with 6x15 “To Helicon and Back,” the show’s biggest battle epic, and the grim conclusion to the Amazons’ storyline. We discuss the many references to WWII films including Saving Private Ryan, They Were Expendable, The Longest Day, Patton, and… Jaws? Plus: Michael Hurst’s decision to shift the tone from the triumph and bombast of Liz Friedman & Vanessa Place’s original draft, the references to earlier Xena eps including “The Price” and “A Good Day,” and the many hard decisions Xena has to let Gabrielle make as she takes this huge step in her journey as a warrior. To a strong Amazon Nation! The power, the passion, the podcast! Support us on Patreon: https://www.patreon.com/xenawarriorpodcast iTunes: http://apple.co/2f0NAIM Twitter: @xenawarriorpod Tumblr: xenawarriorpodcast.tumblr.com Facebook: facebook.com/xenawarriorpodcast ———————————————————————— Vera: (@hollywoodgrrl) Katie: (@katetocci) Livy: (@PonderousLivy) Music: http://freemusicarchive.org/music/A_Hawk_and_a_Hacksaw/
In this episode, the Director's Club delves into the Green Valleys, Stagecoaches, and Long Voyages shown in the works of the legendary director John Ford. With the help of fellow Chicago Film Discussion Group member Peter Richards (who guested on our Terence Malick episode), in Part I of our series we not only look into his classic early films, but lesser-known yet no less fascinating efforts which include silent epics, minimalist treks through the desert, dark foggy nights of the Irish soul, and even comedies starring Will Rogers, and how Ford's genius with a film image and concerns of family, history, and myth flow through them. 16:56 "The Iron Horse" ("Mystery Train", Elvis Presley) 28:22 "Pilgrimage" ("Pilgramage", R.E.M.) 38:39 "The Lost Patrol" ("Desert Blues", The Allman Brothers Band) 52:35 "Judge Priest" ("Funky Judge", The J. Geils Band) 1:03:30 "The Informer" ("God Loves a Drunk", Richard Thompson) 1:20:33 "Stagecoach" (Theme from "Stagecoach") 1:38:40 "Young Mr. Lincoln" ("Young Abe Lincoln Make A Tall, Tall Man", Johnny Horton) 1:49:36 "Grapes of Wrath" ("The Ghost of Tom Joad", Bruce Springsteen) 2:07:50 "The Long Voyage Home" ("Ship of Fools", Robert Plant) 2:21:50 "How Green was my Valley" ("Working In a Coal Mine", DEVO) 2:48:37 Ford's WW2 wartime shorts / "They Were Expendable" ("Brothers In Arms", Dire Straits) 3:02:54 "My Darling Clementine" ("Clementine", The Decembrists)
Welcome back! Sean and Brian are back in the studio tackling ten decades of cinema!Embedded version!Or, download the show directly!Available in .M4A or .MP3 format. Or check out DoC in the iTunes Store.E-mail us directly with any questions or comments and also to submit your own movie lists for consideration for our show-ending segment Rapid Fire Reviews! Our official e-mail address is: decadesofcinema@yahoo.comIf you are a Letterboxd user here's a DoC Episode #2 list there if you want to follow along at home and use it track which films from this episode you've seen!Without further adieu -- here's this episode's films!1920sThe Big Parade (Vidor, 1925)1930sVampyr (Dreyer, 1932)1940sThey Were Expendable (Ford, 1945)1950sThe Night of the Hunter (Laughton, 1955)1960sLa Dolce Vita (Fellini, 1960)1970sPicnic at Hanging Rock (Weir, 1975)1980sNight of the Creeps (Dekker, 1986)1990sHard Eight (Anderson, 1996) 2000sNotorious (Tillman Jr. 2009)2010sManiac (Khalfoun, 2012)Rapid Fire ReviewsMartyrs (Laugier, 2008), Being Flynn (Weitz, 2012), Life Itself (James, 2014), and Birth (Glazer, 2004)Remember to e-mail us at decadesofcinema@yahoo.com to send in your comment, questions, and requests for the Rapid Fire Reviews segment! Thanks for the support and we'll see you at the movies!
Hear a hilarious tale of how Larry and Jerry Seinfeld once unwittingly terrified a young Yakov Smirnoff. That leads to a re-telling of Larry's hilarious "one no good, five OK" story, where Larry, Jerry and Yakov go to Tijuana to buy fireworks. We do "They Were Expendable" on the Magic Movie Moment, in honor of Veterans Day and "Death Be Not Proud," by John Donne on The Poetry Corner. Quote Of The Week: "He was now the head and face of Jerry Seinfeld." Producer: Colonel Jeff Fox Audio Engineer: Dr. Chris Laxamana