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16 episodes with Johnny Horton
4 episodes with Johnny Horton
7 episodes with Johnny Horton
6 episodes with Johnny Horton
4 episodes with Johnny Horton
3 episodes with Johnny Horton
2 episodes with Johnny Horton
4 episodes with Johnny Horton
3 episodes with Johnny Horton
National Honesty day. Entertainment from 1976. Louisiana became 18th state, George Washington inaugurated as 1st US prsident, Galileo imprisoned for saying earth revolved around the sun. Todays birthdays - Eve Arden, Robert Easton, Johnny Horton, Cloris Leachman, Burt Young, Bobby Vee, Johnny Galecki, Kunal Nayyar, Kirsten Dunst, Gal Gadot. Agnes Moorehead died.Intro - God did good - Dianna Corcoran https://www.diannacorcoran.com/ Honesty - Billy JoelDisco lady - Johnnie TaylorDon't the girls all get prettier at closing time - Mickey GilleyBirthday - The BeatlesBirthdays - In da club - 50 Cent http://50cent.com/The battle of New Orleans - Johnny HortonTake good care of my baby - Bobby VeeBig Bang Theory TV themeExit - Fifty shades of red - Darryl Perry https://www.derrylperry.com/ countryundergroundradio.comcooolmedia.com
This episode is a journey through classic country, featuring legends like Justin Tubb, Stonewall Jackson, and Faron Young alongside hidden gems. You'll hear honky-tonk heartbreak from Tony Douglas and rockabilly energy from Jimmy Dawson. The show continues with heartfelt tunes from Jim Owen and Wynn Stewart, a tribute to Hank Williams, a unique duet from George Jones & Gene Pitney, and Johnny Horton's quirky storytelling. The second half delivers more country goodness from artists like Tony Booth and the Wilburn Brothers, exploring themes of love, loss, and life's challenges.Justin Tubb - One Eyed Red ( Starday )Stonewall Jackson - Trouble And Me ( Columbia )Faron Young - We're Talking It Over ( Capitol )Tony Douglas - Pore Little Darling ( Sims )Jimmy Dawson - Mean Woman Blues ( K Ark )Jim Owen - I'll Try Not To Cry ( Owe Man )Wynn Stewart - Built In Love ( Capitol )Ronnie Root - Ode To Hank ( Sundial )George Jones & Gene Pitney - Big Job ( Musicor )Johnny Horton - The Electrified Donkey ( Columbia )Tony Booth - It's Alright ( K Ark )Jimmy Work - I Never Thought I Have The Blues ( All )Howard Crockett - I've Got You Worried Too ( Manco )Mickey Martin - Hellbent On A Heartache ( TMW )Billy Joe Burnette - Just Outside The Door ( Gold Standard )Wilburn Brothers - Cry Baby Cry ( Decca )Lee Harman - You Had A Call ( Stop )Larry Brasso - You're Gonna Get What's Coming To You ( One Way )Bobby Barnett - Hold My Hurt For Awhile ( Sims )Thomas Mitchell - Floor Walking ( Flash )Support this podcast at — https://redcircle.com/thehonkytonkjukebox/exclusive-content
Every year about this time there's a quick burst of blossom, a promise of renewal and that first pitch of the national pastime. I don't know about you but it's my favorite time of year, a time when winter's cold is shut down and we've got that Spring Fever. This week's show will take time out for a couple sets celebrating and remembering baseball's past through music with the likes of The Treniers, Danny Kaye, and Dr. John with some early rapping from Mel Allen of all people. And that's just the half of it because the fever goes beyond the diamond: we'll share songs of April love with Shirley Jones, Cherry Pink and Apple Blossom White with Perez Prado, Nina Simone, Martha Tilton, and a run of classic country with Johnny Horton, Sons of the Pioneers and the Sons of the San Joaquin. From stickball to kite-flying to the first frisbees of the year in the local park. Let's get away from it all.
We're revisiting a show from 2019 and it just happens to be our first show in the new Santa Rosa studios. It is one that celebrates that Old Chisholm Trail and other prairie passages that resemble all things that follow those romantic icons whose life on the range was less than what their songs usually embellish. In the western sunsets where John Lomax first went out in search of the ‘cowboy song', we'll explore more enlightened performances from the silver screen to the deep folk traditions that have become so laminated with romance that it's hard to see the images beneath. This week's show will take us from Carl T. Sprague, the original cowboy crooner, to Johnny Horton, Fess Parker, Rex Allen, and Roy Rogers. The music is sometimes sappy (Rick Nelson's My Rifle, My Pony, and Me), sometimes light (Roy Rogers' My Chickashay Girl), and other times full of storytelling and history. So many performances to light up the evening sky…just before dusk…just before that ceiling of stars appears in the night sky.
Feliks Banel's guest on this live broadcast of CASCADE OF HISTORY is author, historian and activist Frank Abe on the Day of Remembrance controversy at Pike Place Market, discussing history and context of Japanese American incarceration and the current political environment. We also listened to three different versions of "Battle of New Orleans" in a special "War of 1812 Pop Culture Smackdown" pitting Johnny Horton against Jimmie Driftwood, and shared a few other audio surprises especially for our listeners in Canada. This LIVE broadcast of CASCADE OF HISTORY was originally presented at 8pm Pacific Standard Time on Sunday, February 16, 2025 via SPACE 101.1 FM and streaming live via space101fm.org at historic Magnuson Park - formerly Sand Point Naval Air Station - on the shores of Lake Washington in Seattle.
A salute to musicians born in 1925, including: Sammy Davis Jr, Art Pepper, Marty Robbins, Celia Cruz, Oscar Peterson, Johnny Horton, Bill Haley and Charlie Byrd.
281. Bringing YOU the sweet Rockin' sounds of REAL DEAL, true blue, all American-styled rockabilly music! Listen alongside the Aztec Werewolf™ and his wild Wednesday nite rock 'n' roll extravaganza, "Go Kat, GO! The Rock-A-Billy Show!" -broadcasting at high volumes from the world-famous Motorbilly Studio! Loads of fresh HOT new recordings to debut & share with you ravenous rockers tonight: experience killer cuts from David Graham & The Eskimo Brothers, Dylan Kirk, Hillbilly Casino, The Howlin' Ramblers, Carl Bradychok, The Surfrajettes, The Kingshakes, JD McPherson, The Spunyboys, The Bullets, Rob Heron & The Teapad Orchestra, Jared Pettys and MORE! Loads of classic tracks from the likes of Dale Hawkins, The Big Boppers, Conway Twitty, Carl Perkins, Buddy Holly, Bob Luman, Curtis Gordon, Bo Diddley, Dick Dale, Sonny Fisher, Benny Cliff, Marvin Rainwater, Johnny Horton and even One Wheeler!Please follow on FaceBook, Instagram & Twitter!
249. Only the strongest rockers can endure the three hour non-stop barrage of wild rock n' roll music that is "Go Kat, GO!" Step on up and thrill your ears to the coolest, greasiest sounds around; DJ Del Villarreal has the best vintage music from the Motorbilly Audio vaults to pair with the crazed & exhilarating mix of modern roots rock beats! Digging into the new 12" vinyl LP from Charlie Thompson ("Untamed Heart" available NOW on Fairlane Records!), swooning over the incredibly soulful twang of Rob Heron & The Tea Pad Orchestra ("Feet First!" available NOW on Sleazy Records!), bopping to the amazing Howlin' Ramblers' disc ("Shake It Around!" out NOW on Sleazy Records!), stomping our boots to the wicked honky tonk twang of West Of Texas ("Hot Motel Nights" on Pleasant Valley Ranch Records!) and screaming out loud with the invigorating new LIVE album from Levi Dexter ("Jumps, Gigs And Shouts" is for sale NOW on Johnny Kool Rockabilly Factory Records!)! Move and groove with HOT records from Deke Dickerson and the Whippersnappers, The Delta Bombers, The Bellfuries, Carl Bradychok, The Biscats, Diablogato, The Surfragettes, Haunted Rhythm and even Rockabilly Steve And BR3! Your hankering for the finest vintage rockabilly and honky tonk bop will be satisfied with deep cuts from Johnny Bond, Freddy Fender, Charlie Feathers, Hank Thompson, The Musical Linn Twins, Webb Pierce, Duane Eddy, Rusty York and even Johnny Horton! It's a rollickin' radio program that only an Aztec Werewolf™ could curate! For the BEST rockin' music, it has to be DJ Del's "Go Kat, GO! The Rock-A-Billy Show!" -good to the last bop!™Please follow on FaceBook, Instagram & Twitter!
257. Keep America ROCKIN'! Cast a vote for your favorite Ameripolitan Radio DJ, Del Villarreal and enjoy 3+ hours of the greatest roots-rockin' music ever made! A potent mixture of classic & modern, vintage & contemporary rockin' billy music sure to deliver on the promise of MORE ROCKABILLY FOR ALL! Get hep with fresh NEW toons from Carl Bradychok, The Howlin' Ramblers, Danny Fisher, Diablogato, Haunted Rhythm, The Bullets, Lojo & The Mojos, charlie Thompson, Dixie Fried, The Ichi-Bons, Union Avenue, Frank Harvey, The Surfragettes, Bloodshot Bill, Lovesick Duo and Rob Heron & The Tea Pad Orchestra! If that wasn't enough to sway the undecided, you can also enjoy cool ol' school cuts from Bob Luman, Johnny Horton, Alvis Wayne, Mickey Gilley, The Cochran Brothers, Carl Perkins, Ersel Hickey, Art Adams, Benny Joy, The Everly Brothers, Santo & Johnny and even Ronnie Dawson to boot! It's Ike Turner's birthday tonight so some select rockin' RnB & early rock n' roll from the legendary musician/songwriter! As always, it's good to the last bop!™ Enjoy safely and responsibly and DON'T FORGET TO VOTE!Please follow on FaceBook, Instagram & Twitter!
Donate to our October 2024 OVERCOMING THE DARKNESS campaign at https://weirddarkness.com/overcoming. Weird Darkness is narrated by professional full-time voice actor Darren Marlar. No A.I. voices are ever used in the show. *** Darkness Syndicate members get the ad-free early release with all artwork created and considered for use as YouTube and podcast thumbnails: https://weirddarkness.tiny.us/ycktw658IN THIS EPISODE: Deep in the bowels of London is a railway built to serve not the living citizens of the city above… but of the dead below. (Railway of the Dead) *** Sometimes they are kind towards humans, even assisting them if in distress, or giving gifts. But some consider them lustful and evil, and still others claim they are the risen dead of brutally killed women. And there are reports of them being seen even today. We'll look at the history and lore of mermaids. (Mythical Mermaids) *** For years, Country singer Johnny Horton told friends of a premonition he couldn't shake. A premonition of his own death. Not just THAT he would be killed… but HOW. And he was eerily accurate. And that wasn't the end of his tragic story. (The Last Ride of Johnny Horton) *** Camping can be an amazing experience, especially when with friends or family. But even surrounded by those you love, when it gets dark, the wilderness gets creepy. Was that just an animal in the woods you heard, or something more? Was that blur you just saw a trick of the light or is there really something circling your campsite? I'll share some true stories of campers who experienced much more than what they bargained for. (Camping With Ghosts and Monsters)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Disclaimer and Show Open00:03:10.143 = Railway of the Dead00:17:02.199 = Mythical Mermaids00:27:27.513 = The Last Ride of Johnny Horton00:41:12.907 = Camping With Ghosts and Monsters00:54:55.213 = Show CloseSOURCES AND REFERENCES FROM THE EPISODE…“Railway of the Dead” posted at the website History ASM: https://tinyurl.com/yyyz2bhu“Mythical Mermaids” by Gemma Hollman from JustHistoryPosts.com: https://tinyurl.com/y2zq4nng“The Last Ride of Johnny Horton” by Robert A Waters for the website Kidnapping, Murder and Mayhem: https://tinyurl.com/y2gkdl35“Camping With Ghosts and Monsters” by Stephen Wagner for LiveAbout.com: https://tinyurl.com/y6h5lhhtWeird Darkness theme by Alibi Music Library. = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =Originally aired: August 19, 2020CUSTOM LANDING PAGE: https://weirddarkness.com/NecropolisRailway
This week's show, after a 1985 John Fogerty jam: brand new The Cure, Chime School, Nada Surf, Stalwart Lovers, Ducks Ltd., Outer World, and The Feeders, plus The Hollies, Johnny Horton, Don Covay, Wanda Jackson, Marianne Faithful, Ruddy Thomas/Trinity,...
Episode 120.2: The Celt Part II, James Earl Jones, Mary Ann or Ginger, Guinea Pig, Soccer, The Whigs, Johnny Horton, and RD1 Amburana Bourbon
Send us a textImagine discovering a thrilling new hobby that not only brings excitement but also fosters a sense of community and connection. This episode introduces a newcomer, Smithers, to the Airsoft world, sharing his initial experiences and the exhilaration of his first skirmishes. Together, we explore the host's incredible journey from Marine Corps veteran to Airsoft enthusiast, driven by the inspiration of his sons and his personal triumphs over physical adversity. The host's transition into Airsoft through the lens of a dedicated YouTube channel and podcast paints a vivid picture of resilience and passion.Our conversation takes an engaging turn as we delve into the camaraderie found in Airsoft events, particularly those organized by Third Coast Airsoft. From budget-friendly gear hacks to the charm of the 50s music, this episode has it all. We dive into memorable camping trips, unforgettable Airsoft battles, and the joy of outdoor adventures, underscoring the importance of balancing technology with nature. Shared family traditions, such as building AR-15s, and the nostalgic sounds of Johnny Horton and Frank Sinatra, add a personal touch to our chat, making it a rich tapestry of stories and experiences.Finally, we touch on heartfelt moments of family, military life, and unexpected romances. From the excitement of tactical games and marksmanship to tales of Coast Guard and Army adventures, the episode is filled with captivating anecdotes. We also discuss the challenges and rewards of parenthood, emphasizing the sacrifices and commitments necessary for a thriving family life. Whether you're an Airsoft aficionado, music lover, or someone who appreciates heartfelt stories, this episode is a treasure trove of engaging content and unforgettable moments.https://twitter.com/SmithersAirsoftSupport the showThank you everyone for the support. Don't forget to leave a rating on whatever podcast app you listen to this on. It helps get this suggested to others with similar interests. Podcast SponsorsSKIRMESHhttps://www.instagram.com/skirmesh_airsoft/https://play.skirmesh.net/public/homeJACKAL TACTICALhttps://www.instagram.com/jackal_tactical_airsoft/https://www.otherworldmilsim.com/https://www.jacktac.com/ Watch all of our podcasts hereYouTubehttps://www.youtube.com/@TriFectaAirsoft/videos Spotifyhttps://open.spotify.com/show/6kHBeKRqtOSe0K1BrkoRs1?si=f8bca440f29b4fe3 Rumblehttps://rumble.com/c/TriFectaAirsoftMerchhttps://my-store-e7676e.creator-spring.comSub to YouTube Channelhttps://www.youtube.com/channel/UCqMpG3H_J70S_H8TlI9Onog?sub_confirmation=1...
Tom Linley joins Donald Forgione on the Tailgate to discuss their trip to Alaska. Tom is a returning guest, seasoned park professional, and full-time RVer. They discuss the adventure and the challenges of embarking on this long trip. North to Alaska is a song by Johnny Horton that was popular in the 50's. tom@tomstarservices.com donald@tailgate-talks.com
574. We talk to Lynette Mejia about her defense of the Lafayette Library system. Louisiana born and raised, Lynette has become one of the faces of the anti-censorship movement in Lafayette, co-founding Lafayette Citizens Against Censorship and Louisiana Citizens Against Censorship. "The board," Mejia said, "has a very specific far-right Christian nationalist worldview and seems bent on imposing it on the library and changing its programming and collections to fit that world view." Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 220 years. Order your copy today! This week in Louisiana history. May 18 1896. LA. case of Plessy v. Ferguson, "seperate but equal" This week in New Orleans history. On May 18, 1959, the song "Battle of New Orleans" by Johnny Horton became the number-one country single. This week in Louisiana. Mudbug Madness May 24-26, 2024 101 Crockett Street Shreveport, LA 71101 Phone: (318) 226-5641 Website. What began in 1984 as a two-day street festival in downtown Shreveport is now one of Louisiana's largest and most popular Cajun festivals, featuring country, pop, blues, and the very best in zydeco music. Three Days Two Stages Thirty Bands Food & Art/Craft Vendors Kids On The Bayou Children's Area Crawfish Eating Contests Plenty Of Boiled Crawfish & Cold Beverages A three-day festival held each Memorial Day weekend, Mudbug Madness is nationally recognized as one of the Southeast Tourism Society's Top 20 Events and the American Bus Association's Top 100 Events in the nation. Postcards from Louisiana. Drums in Congo Square on Easter Sunday, 2024. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook.
574. We talk to Lynette Mejia about her defense of the Lafayette Library system. Louisiana born and raised, Lynette has become one of the faces of the anti-censorship movement in Lafayette, co-founding Lafayette Citizens Against Censorship and Louisiana Citizens Against Censorship. "The board," Mejia said, "has a very specific far-right Christian nationalist worldview and seems bent on imposing it on the library and changing its programming and collections to fit that world view." Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 220 years. Order your copy today! This week in Louisiana history. May 18 1896. LA. case of Plessy v. Ferguson, "seperate but equal" This week in New Orleans history. On May 18, 1959, the song "Battle of New Orleans" by Johnny Horton became the number-one country single. This week in Louisiana. Mudbug Madness May 24-26, 2024 101 Crockett Street Shreveport, LA 71101 Phone: (318) 226-5641 Website. What began in 1984 as a two-day street festival in downtown Shreveport is now one of Louisiana's largest and most popular Cajun festivals, featuring country, pop, blues, and the very best in zydeco music. Three Days Two Stages Thirty Bands Food & Art/Craft Vendors Kids On The Bayou Children's Area Crawfish Eating Contests Plenty Of Boiled Crawfish & Cold Beverages A three-day festival held each Memorial Day weekend, Mudbug Madness is nationally recognized as one of the Southeast Tourism Society's Top 20 Events and the American Bus Association's Top 100 Events in the nation. Postcards from Louisiana. Drums in Congo Square on Easter Sunday, 2024. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook.
Send us a Text Message.Ken from the Sounds of Christmas celebrates another Christmas song being added to the National Recording Registry with a look at the history of "Rudolph the Red-Nosed Reindeer", including some of the other songs Rudolph has made appearances in!Previous podcast episode on Christmas music already added to the National Recording Registry: National Record Registry episodePrevious episode on "All I Want For Christmas Is You: All I Want For Christmas Is You episode Nominate songs to the National Recording Registry Songs mentioned in this episode:Jars of Clay "Smells Like Rudolph"Johnny Horton "They Shined Up Rudolph's Nose"Ebenezer Scrooge Appreciation Society "Hang On Rudolph"Father Guido Sarducci "Santa's Lament"Stephen Bishop "Rock Little Reindeer"Matt Dusk "Rockin' Rudolph"Ryan McAllister "My Name Is Blitzen"Bag of Toys "Rudolph"Robbie Williams "Rudolph"Theocracy "Rudolph vs. Frosty"Laura Cheadle "Red Ain't Everything (The Rudolph Blues)"Sia "12 Nights"Show links:Listen to the Sounds of Christmas stationFind the Sounds of Christmas podcastConnect with the Sounds of Christmas on social mediaCheck out all the artists that made the 2023 season of the Sounds of Christmas station possibleSupport the Show.
728. Bringin' it on home to YOU on a rockin' Tuesday nite! Hitch a wild ride with the Aztec Werewolf™, DJ Del Villarreal and his rockin' radio program, "Go Kat, GO! The Rock-A-Billy Show!" LIVE from the Motorbilly Studio, celebrating the 99th birthday of legendary country-rocker Johnny Horton all thru the program: make a request anytime -> del@motorbilly.comPlease follow on FaceBook, Instagram & Twitter!
Quite a lot can happen in 63 years of popular culture. We trace the movement from sustainable folk culture to decadence to despair on this edition of the program — beginning with Johnny Horton and ending with Taylor Swift. But why does a post-Christian culture end in suicide and despair so quickly. The book of 2 Peter offers a clue. This program includes: 1. The World View in 5 Minutes with Adam McManus (Chuck Norris honors his 103-year-old mother, TikTok bans around the globe, Taylor Swift's new album: explicit, blasphemous, and anti-Christian) 2. Generations with Kevin Swanson
Quite a lot can happen in 63 years of popular culture.--We trace the movement from sustainable folk culture to decadence to despair on this edition of the program - beginning with Johnny Horton and ending with Taylor Swift. But why does a post-Christian culture end in suicide and despair so quickly. The book of 2 Peter offers a clue.- --This program includes---1. The World View in 5 Minutes with Adam McManus -Chuck Norris honors his 103-year-old mother, TikTok bans around the globe, Taylor Swift's new album- explicit, blasphemous, and anti-Christian---2. Generations with Kevin Swanson
Quite a lot can happen in 63 years of popular culture. We trace the movement from sustainable folk culture to decadence to despair on this edition of the program—beginning with Johnny Horton and ending with Taylor Swift. But why does a post-Christian culture end in suicide and despair so quickly? The book of 2 Peter offers a clue.
A new MP3 sermon from Generations Radio is now available on SermonAudio with the following details: Title: Ernest Hemingway, Bertrand Russell, and Taylor Swift - From Johnny Horton to Despair Speaker: Kevin Swanson Broadcaster: Generations Radio Event: Radio Broadcast Date: 4/30/2024 Length: 39 min.
A new MP3 sermon from Generations Radio is now available on SermonAudio with the following details: Title: Ernest Hemingway, Bertrand Russell, and Taylor Swift - From Johnny Horton to Despair Speaker: Kevin Swanson Broadcaster: Generations Radio Event: Radio Broadcast Date: 4/30/2024 Length: 39 min.
National Honesty day. Entertainment from 1984. Louisiana became 18th state, George Washington inaugurated as 1st US prsident, Galileo imprisoned for saying earth revolved around the sun. Todays birthdays - Eve Arden, Robert Easton, Johnny Horton, Cloris Leachman, Burt Young, Bobby Vee, Johnny Galecki, Kunal Nayyar, Kirsten Dunst, Gal Gadot. Agnes Moorehead died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Honesty - Billy JoelAgainst all odds - Phil CollinsI guess it never hurts to hurt sometime - Oak Ridge BoysBirthday - The BeatlesBirthdays - In da club - 50 Cent http://50cent.com/The battle of New Orleans - Johnny HortonTake good care of my baby - Bobby VeeBig Bang Theory TV themeExit - Its not love - Dokken http://dokken.net/Follow Jeff Stampka on Facebook
File this under ‘right place, right time'. Harold Bronson was a teenager in mid-60's Los Angeles and saw every act imaginable. Then wrote for the Daily Bruin and Rolling Stone and interviewed everyone that interested him. Then managed a music store and co-founded Rhino Records, pretty much inventing the idea of the top-end reissue – “Sooner or later everyone ends up in a box.” All of this is in his memoir, ‘Time Has Come Today: Rock and Roll Diaries 1967 – 2007', and many of its cast of thousands appear in this podcast, among them Johnny Horton and ‘the Battle of New Orleans', the Purple People Eaters, the Temple City Kazoo Orchestra, the Doors at the Hollywood Bowl, the Stones supported by Ike & Tina (for $12), Ozzy Osbourne (“I'd never meet anybody with a tattoo before”), Hilton Valentine working at a Henry The Eighth-themed restaurant, Groucho Marx at a Led Zeppelin launch, a ‘Best of Louie Louie' that sold 100,000 copies and a Ritchie Valens record made on a dictaphone. You can order Harold's book here: https://www.amazon.co.uk/Time-Has-Come-Today-Diaries/dp/B0CGTX2YN8Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
File this under ‘right place, right time'. Harold Bronson was a teenager in mid-60's Los Angeles and saw every act imaginable. Then wrote for the Daily Bruin and Rolling Stone and interviewed everyone that interested him. Then managed a music store and co-founded Rhino Records, pretty much inventing the idea of the top-end reissue – “Sooner or later everyone ends up in a box.” All of this is in his memoir, ‘Time Has Come Today: Rock and Roll Diaries 1967 – 2007', and many of its cast of thousands appear in this podcast, among them Johnny Horton and ‘the Battle of New Orleans', the Purple People Eaters, the Temple City Kazoo Orchestra, the Doors at the Hollywood Bowl, the Stones supported by Ike & Tina (for $12), Ozzy Osbourne (“I'd never meet anybody with a tattoo before”), Hilton Valentine working at a Henry The Eighth-themed restaurant, Groucho Marx at a Led Zeppelin launch, a ‘Best of Louie Louie' that sold 100,000 copies and a Ritchie Valens record made on a dictaphone. You can order Harold's book here: https://www.amazon.co.uk/Time-Has-Come-Today-Diaries/dp/B0CGTX2YN8Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
File this under ‘right place, right time'. Harold Bronson was a teenager in mid-60's Los Angeles and saw every act imaginable. Then wrote for the Daily Bruin and Rolling Stone and interviewed everyone that interested him. Then managed a music store and co-founded Rhino Records, pretty much inventing the idea of the top-end reissue – “Sooner or later everyone ends up in a box.” All of this is in his memoir, ‘Time Has Come Today: Rock and Roll Diaries 1967 – 2007', and many of its cast of thousands appear in this podcast, among them Johnny Horton and ‘the Battle of New Orleans', the Purple People Eaters, the Temple City Kazoo Orchestra, the Doors at the Hollywood Bowl, the Stones supported by Ike & Tina (for $12), Ozzy Osbourne (“I'd never meet anybody with a tattoo before”), Hilton Valentine working at a Henry The Eighth-themed restaurant, Groucho Marx at a Led Zeppelin launch, a ‘Best of Louie Louie' that sold 100,000 copies and a Ritchie Valens record made on a dictaphone. You can order Harold's book here: https://www.amazon.co.uk/Time-Has-Come-Today-Diaries/dp/B0CGTX2YN8Subscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
727. Twang is tha THANG! Git with it and sling some git strings with that ol' Aztec Werewolf™, DJ Del Villarreal, LIVE in the Motorbilly Studio and WILD over the FREE airwaves of Rockabilly Radio! Even a cold can't stop the "hot rod hispanic mechanic," as we race along enjoying an invigorating mix of old school + new cool rockin' billy music. Truly, only the VERY BEST in rockin' sounds for the most discriminating kats in the scene! Celebrating Duane Eddy's birthday a few days early with a ton o' twang in addition to all the regular rockin' we do here on "Go Kat, GO! The Rock-A-Billy Show!" Go feral with La Perra Blanco, get primitive with The Sirocco Bros., go instro-mental with Chris Casello, talk at twice-the-speed with Darrel Higham, stay close with Frank Jacket all the while you're getting wild with Rose Maddox, go stompin' with Johnny Horton, get movin' with Glen Glenn and go crazy Gator Rockin' with legendary guitarist/singer-songwriter Jerry Reed! Three solid hours of vintage 50's rock'n'billy music mixed with the coolest modern roots-rock Ameripolitan action. Always an audio treat -DJ Del's "Go Kat, GO! The Rock-A-Billy Show!" -good to the last bop!™Please follow on FaceBook, Instagram & Twitter!
716. Shake it up and quake it up with your ol' Aztec Werewolf buddy, DJ Del Villarreal and his 4 hour radio extravaganza, "Go Kat, GO! The Rock-A-Billy Show!" Educate your ears with the most scholarly playlist heard on the airwaves! Hear NEW favorites from The Nut Jumpers, The Sirocco Bros., Eddie Clendening, The Glad Rags, The Shook Boys, Darrel Higham, The Country Side Of Harmonica Sam, The Same Old Shoes, Deke Dickerson & The Whippersnappers, Jack Rabbit Slim, Seatbelt, The Rock-A-Sonics and even neobilly-rockers The Quakes! Stay after class and dig deep the classical cues of Roy Orbison, Patsy Cline, Little Richard, Jimmy Heap & The Melody Masters, Baker Knight, Oscar McLollie and his "Honey Jumpers," Conway Twitty, The Collins Kids, Hasil Adins, Nat Couty, Roddy Jackson, Ritchie Valens, Ronnie Hawkins, Charlie Feathers, Rudy "Tutti" Grayzell, Danny Wolfe, Warren Smith and Shirley Collie, Johnny Horton, Carl Perkins and even Chuck Berry! Whew! Real 50's rock n' roll for teens of ALL ages! Keep your hi-fi flyin' HIGH with the Aztec Werewolf™, DJ Del Villarreal's "Go Kat, GO! The Rock-A-Billy Show!" LIVE from the Motorbilly Studio Tuesday & Wednesday nights: make a request, roll back that rug and go, go, GO! Good to the last bop!™ del@motorbilly.comPlease follow on FaceBook, Instagram & Twitter!
715. And... here we go! One of the BIGGEST weeks in memory for hot new rockin' music -when you're enjoying tonight's episode of DJ Del's "Go Kat, GO!" you'll be hearing FRESH tracks from modern rockers such as The Quakes, The Nut Jumpers, Jack Rabbit Slim, The Soapbox Saints, Chris Casello, Seatbelt, The Low Life Drifters, Dale Watson, Rev. Horton Heat, Jason D. Williams, The Glad Rags, Darrel Higham, The Sirocco Bros., The Hula Girls, The Bad Roaches, The Kustoms, Ricky Rialto PLUS many more (whew!)! We won't ever forget to serve you listeners up some savory vintage, ol' skool 50's rockers such as Chuck Berry, Charlie Feathers, Joe Penny, The Glad Rags, Johnny Horton, Billy Lee Riley, Johnny Cash, The Crazy Teens, Eddie Cochran, Johnny Kid, Ricky Nelson, Carl Perkins and Link Wray, to name but a few! Bop your blues away with the 2024 Ameripolitan Best DJ of the Year, DJ Del Villarreal and his 3 hour 50's rock'n'roll fiesta, "Go Kat, GO! The Rock-A-Billy Show!" -good to the last bop!™ MAKE A REQUEST: del@motorbilly.comPlease follow on FaceBook, Instagram & Twitter!
712. Wishing the immortal Johnny Cash a happy 92nd birthday tonight on DJ Del Villarreal's "Go Kat, GO! The Rock-A-Billy Show!" Enjoy a fine, hand-picked selection of many of his seminal SUN and COLUMBIA recordings throughout the broadcast as well as choice covers by some of the greatest modern day rockabilly bands! PLUS, we'll throw in, at no additional charge, a fantastic mix of killer boppers, jivers n' strollers for you to enjoy all evening long! Hear old school 50's era cuts from Johnny Horton, Gene Vincent & The Blue Caps, Roy Orbison & Chuck Berry and recent records from Rick Rialto, Seatbelt, The Hillbilly Moon Explosion, Hot Rod Walt & The Psycho Devilles and Darrel Higham to name but a few! Hit the PLAY button and be prepared to be amazed by a high-quality barrage of boppin' beats with the Aztec Werewolf, DJ Del Villarreal and "Go Kat, GO!" -good to the last bop!™Please follow on FaceBook, Instagram & Twitter!
"Es el secreto mejor guardado de la música estadounidense", dijo su gran admirador Jack White, "fue mi gran influencia para montar The White Stripes".Dexter Romweber falleció el pasado 16 de febrero a los 57 años de edad. Fundador de los Flat Duo Jets en 1983, duo de rock’n’roll cavernario con el que se mantuvo hasta el nuevo siglo, cuando, también en formato de dúo, fue ampliando su registro abarcando todos los estilos de raíces y el cancionero de la música popular estadounidense, saltando del rockabilly primitivo a la balada de crooner y pasando por el surf, el swing o el rhythm’n’blues más intimista.En 2023 Dex Romweber rompió un silencio discográfico de siete años con su disco “Good thing going’” (Propeller Sound Recordings), el cual se ha convertido en el último álbum de este rebelde del rock’n’roll. A modo de homenaje sobrevolamos ese disco de principio a fin, centrándonos en las variopintas versiones que siempre incluía en sus obras y que Dexter hacía completamente suyas.Playlist;(sintonía) DEX ROMWEBER “Andrieux boogie” (Good thing goin’, 2023)DEX ROMWEBER “Going down” (Good thing goin’, 2023)DEX ROMWEBER “Good thing goin’” (Good thing goin’, 2023)ENGELBERT HUMPERDINCK “Good thing goin’” (1969)DEX ROMWEBER “If you love me” (Good thing goin’, 2023)EDITH PIAF “Hhymne a l’amour” (1950)DEX ROMWEBER “Coming home” (Good thing goin’, 2023)JOHNNY HORTON “Coming home” (1956)DEX ROMWEBER “For all we know” (Good thing goin’, 2023)HAL KEMP and HIS ORCHESTRA “For all we know” (1934)DEX ROMWEBER “Shape of things to come” (Good thing goin’, 2023)DEX ROMWEBER “Twine time” (Good thing goin’, 2023)ALVIN CASH and THE CRAWLERS “Twine time” (1964)DEX ROMWEBER “Tell Laura I love her” (Good thing goin’, 2023)RAY PETERSON “Tell Laura I love her” (1960)BERT KAEMPFERT “I found my love” (1974)DEX ROMWEBER “I found my love” (Good thing goin’, 2023)Escuchar audio
Popular culture in 1959 was marked by a dynamic mix of artistic and societal shifts. The music scene was dominated by the rise of rock and roll shaping the sound of the era. It found itself rising above the simple adult contemporary and country sounds of the day. Iconic films such as “Some Like It Hot” and “Ben-Hur” showcased a diverse range of storytelling and cinematic styles and cultural narratives found a place in television, with shows like “The Twilight Zone” captivating audiences with thought-provoking and imaginative storytelling. The boomers were reaching their teen years, the space race was launched and a torch was about to be passed in Washington. Our show today spins the top tracks from each of the pop, country, R&B and rock charts reflecting a year of cultural transition, encapsulating the tension between traditional values and the evolving influences of a changing world. Everyone from Johnny Horton and Marty Robbins to Lloyd Price, The Fleetwoods, and Bobby Darin…all in one two hour show on KOWS Community Radio.
Steven Rinella talks with Evan Felker, Janis Putelis, Hunter Spencer, Randall Williams, Maggie Hudlow, Max Barta, Phil Taylor, and Corinne Schneider. Topics discussed: Knowing how to conduct a vault toilet rescue from having listened to The MeatEater Podcast, Ep. 377: The Great Outhouse Rescue; Phil kissing; the dead-alive fish dish; ménage-à-frog; pig leases in timber country; First Lite's new Stormy Kromer cap; how Evan's dad is a fanatical hunter; cowboy-ing; Johnny Horton playing Jimmy Driftwood; how Cal thinks that “The Bird Hunters” song is the best hunting song ever written; an anapodoton; bean sayings from our audience; quitting drinking; NA beer; going to rehab and rewiring your entire being; trustworthiness and how no one would actually show up to ice fish at 7am the next morning; watching the lake give birth; writing prompts; buy Turnpike's new album, “A Cat in the Rain,” and go see them in concert; a live performance of “The Bird Hunters”; and more. Connect with Steve and MeatEater Steve on Instagram and Twitter MeatEater on Instagram, Facebook, Twitter, and Youtube Shop MeatEater MerchSee omnystudio.com/listener for privacy information.
PLEASE SHARE THIS LINK in your social media so others who loves strange and macabre stories can listen too: https://weirddarkness.com/necropolis-railway/IN THIS EPISODE: Deep in the bowels of London is a railway built to serve not the living citizens of the city above… but of the dead below. (Railway of the Dead) *** Sometimes they are kind towards humans, even assisting them if in distress, or giving gifts. But some consider them lustful and evil, and still others claim they are the risen dead of brutally killed women. And there are reports of them being seen even today. We'll look at the history and lore of mermaids. (Mythical Mermaids) *** For years, Country singer Johnny Horton told friends of a premonition he couldn't shake. A premonition of his own death. Not just THAT he would be killed… but HOW. And he was eerily accurate. And that wasn't the end of his tragic story. (The Last Ride of Johnny Horton) *** Camping can be an amazing experience, especially when with friends or family. But even surrounded by those you love, when it gets dark, the wilderness gets creepy. Was that just an animal in the woods you heard, or something more? Was that blur you just saw a trick of the light or is there really something circling your campsite? I'll share some true stories of campers who experienced much more than what they bargained for. (Camping With Ghosts and Monsters) *** (Originally aired August 19, 2020)SOURCES AND REFERENCES FROM THE EPISODE…“Railway of the Dead” posted at the website History ASM: https://tinyurl.com/yyyz2bhu“Mythical Mermaids” by Gemma Hollman from JustHistoryPosts.com: https://tinyurl.com/y2zq4nng“The Last Ride of Johnny Horton” by Robert A Waters for the website Kidnapping, Murder and Mayhem: https://tinyurl.com/y2gkdl35“Camping With Ghosts and Monsters” by Stephen Wagner for LiveAbout.com: https://tinyurl.com/y6h5lhhtVisit our Sponsors & Friends: https://weirddarkness.com/sponsorsJoin the Weird Darkness Syndicate: https://weirddarkness.com/syndicateAdvertise in the Weird Darkness podcast or syndicated radio show: https://weirddarkness.com/advertise= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =Weird Darkness theme by Alibi Music Library. Background music provided by Alibi Music Library, EpidemicSound and/or StoryBlocks with paid license. Music from Shadows Symphony (https://tinyurl.com/yyrv987t), Midnight Syndicate (http://amzn.to/2BYCoXZ) Kevin MacLeod (https://tinyurl.com/y2v7fgbu), Tony Longworth (https://tinyurl.com/y2nhnbt7), and Nicolas Gasparini (https://tinyurl.com/lnqpfs8) is used with permission of the artists.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =OTHER PODCASTS I HOST…Paranormality Magazine: https://weirddarkness.tiny.us/paranormalitymagMicro Terrors: Scary Stories for Kids: https://weirddarkness.tiny.us/microterrorsRetro Radio – Old Time Radio In The Dark: https://weirddarkness.tiny.us/retroradioChurch of the Undead: https://weirddarkness.tiny.us/churchoftheundead= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =WeirdDarkness® is a registered trademark. Copyright ©2023, Weird Darkness.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =PARTIAL TRANSCRIPT: https://weirddarkness.com/necropolis-railway/This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3655291/advertisement
To Support the Channel:Patreon https://www.patreon.com/AskZacTip jar: https://paypal.me/AskZacVenmo @AskZac Or check out my store for merch - https://my-store-be0243.creator-spring.com/In 1986, Warner/Reprise took an indie-released EP, added 4 newly recorded tunes, and launched Dwight Yoakam into the stratosphere with the revamped version of Guitars Cadillacs Etc, Etc. The album's first single, a cover of Johnny Horton's "Honky Tonk Man," was a clear message that this was a roots-influenced album, yet the energy and production made it also contemporary. Producer/Guitarist Pete Anderson took Dwight's tunes and added a modern take on the Bakersfield sound, that was the perfect nod to the past, but without becoming a pastiche of California Country styles of the 1960s. Although Yoakam had 21 great original tunes in the bag, he and Pete agreed to mix 7 of the backlog of original tunes, along with 3 revved-up covers to fill out the album. This winning formula would also serve as the template for his next two releases, Hillbilly Deluxe, and Buenas Noches from a Lonely Room. Besides a history of the album, we will also look at some of Pete's parts, and the gear he used for the album.Gear used:2023 Headstrong Lil' King with 12" Eminence GA-SC64 speakerhttps://headstrongamps.com/lil-king-amp1953 Telecaster built by my old college buddy, B. Paisley, using a mix of old and new parts. Ron Ellis 52T and Standard Plus pickupshttps://www.ronellispickups.com/Strings: D'Addario NYXL 95-44https://amzn.to/41rnl0VPick:Pick Boy Small Jazz, Tortoise Shell, 1.00mmEffects: Amp reverb#askzac #peteanderson #dwightyoakamSupport the show
Dwight Yoakam's influences are readily apparent in this early neotraditionalist cover of Johnny Horton's "Honky Tonk Man". Hank, Cash, Elvis, and of course Buck Owens are all in there, but what thematic material has Yoakam also imported from the mid-20th century?
For multiple Grammy, CMA, ACM Award-winning producer Keith Stegall, music has always been his life, strongly influenced by his dad, 1950s Abbott Records recording artist, Bob Stegall. The elder Stegall also played steel guitar for the legendary country singer Johnny Horton. Born in the central Texas town of Wichita Falls and raised in Shreveport (the home of the Louisiana Hayride, a stage his father often graced) the Stegalls were constantly playing and writing songs on guitars and the piano. It was by chance he met another famous Texan, Kris Kristofferson, who inspired Keith to move to Music City. “Show me what you've got!” Kris told Keith backstage at a Kristofferson show. Keith played a couple songs, which prompted Kristofferson to remark, “Son, you need to get your ass to Nashville and hang out with other writers. They will break you down and make you the best you can be.” Keith took the advice to heart and three months after his arrival in 1978, Keith co-wrote his first hit, Dr. Hooks' 1980 smash Sexy Eyes. Soon after, Helen Reddy, The Commodores, Johnny Mathis, and many others rushed to record Keith's songs. Most notable was Al Jarreau's career hit We're In This Love Together. Eventually Keith signed a record deal with Capitol Records and later Epic Records. He released a pair of albums in the early 1980s with minor chart success. “Because I grew up in the studio,” Keith recalls, “the mistake I made was that they told me to produce myself.” The upside, he says, was he learned how to produce other artists by producing himself. In the midst of trying to get his own artist career off the ground, a struggling nightclub singer named Randy Ray asked Keith to produce an independent album to sell at his local gigs. The project led to Keith producing the standout songs On The Other Hand and Reasons I Cheat on the singer's epochal debut, “Storms of Life,” under the singer's new moniker… Randy Travis. Connect with Keith: Website Facebook
Jon analyzes the past two weeks worth of articles on the Truthscript website include articles about the new movie Oppenheimer, the misapplication of Jeremiah 29:11, how the book of Judges parallels with the times we live in today, the importance of family devotions, and the impact of music legend Johnny Horton. #Johnnyhorton #jeremiah29 #oppenheimer Support this podcast at — https://redcircle.com/conversations-that-matter8971/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Join jD, Pete, and Tim as they welcome 50 Mission to the podcast. 50 Mission will be playing at the finale event and you can learn more about them by visiting their website https://www.50missionband.com/TranscriptIntroductions and greetingsTrack 2:[0:00] So have you guys met each other here? Track 1:[0:03] Yeah, this is Steve. I'm Steve. Track 3:[0:06] I'm Ron. Track 1:[0:07] Ike. Ike plays bass. Alirio, I'm the nice drummer. The nice looking drummer. Yeah, he's got a weird accent. So you may have to ask what you're saying. Yeah, there's a couple accents there. Latino accent. I might switch to Spanish. Track 2:[0:26] Yeah. Track 1:[0:28] In Spain, I already speak Spanish. Track 3:[0:30] Where are you from? Track 1:[0:32] Originally from Venezuela. Venezuela. Track 3:[0:37] And I heard another accent there, too. Track 1:[0:43] No, just one. The invi... Oh, different Canadian, oh, maybe, maybe, uh... Maybe like Newfie accent. Newfie accent, yeah, yeah. Canadian, but... I don't think so. Introduction and Location DiscussionTrack 3:[0:55] Where do they live? Where do you guys live at? Track 1:[0:58] We're in the Brantford area, pretty much all of us. Yeah, it's like 100 kilometers west of Toronto. So we're about that area, yeah. Yeah, pretty much from where Jamie's from. Yeah. Yeah, I'm just north of Waterford. We're actually just north of Boston, Jamie. Track 2:[1:18] Oh, okay. Track 1:[1:20] East of Boston, sorry, yeah. Where are you from, Jamie? Track 2:[1:24] I grew up in Waterford. Track 1:[1:25] Oh, there you go. Yeah. Yeah. Yeah, we played the old town hall there a couple times. Track 2:[1:32] Yeah, it's a cool venue, right? Track 1:[1:34] Oh, it's a great venue. The stage is beautiful. It's just a really nice place. I mean, I would love to go see a band there, right? Track 2:[1:41] Yeah, I saw Huxley Workman there. Track 1:[1:42] Nice. Yeah. Yeah, and I saw the Sheepdogs there three years ago. Yeah. Oh, wow. It was great, yeah. It was packed with the Sheepdogs. Track 3:[1:51] How'd you guys all meet? I was gonna say- Oh, go ahead, JD. Track 2:[1:54] No, no, man. No, no, no. Have you met Tim and Pete? Track 1:[1:59] Yes. Track 2:[1:59] Yeah. Okay, so I was late. Track 1:[2:02] So see, that's, you know, it's all I know is, all I know is I have where to stay in Spain and Oregon. Track 4:[2:08] Si, si, si. Track 3:[2:12] Trust me, there's a lot of nice, there's a lot nicer places in Spain to stay than my house. Track 4:[2:19] Venga aqui, si. Bienvenidos. Track 1:[2:23] Yeah, as far as how we met, it varies. Ron and I played in a band previously. It's the first time I've been a singer in the band. I've always been a drummer. I sang songs from the drums, but came up front. So Ron and I were in a band previously. Steve is a friend of Ron's. Yeah, I've known Ron probably close to 20 years now. I joined a band and he was the other guitar player he joined it to, and we hit it off pretty good. And then we ended up quitting that band. Turned out we were also living quite close. We were practically neighbors and didn't realize it. Oh yeah. How Band Members Met and Their History[3:01] Okay. And as far as Ike, Ike's brother of Trisha used to be a singer in another band I was in, so. Ike and I have known each other for, 10 years at least. Not longer, yeah. And Illyrio was in a band with some buddies of mine as the drummer, so that's how Leroy and I know each other. And we actually played soccer together like 15 years ago. Yeah. We've played soccer together for a long time, too, so. Track 3:[3:38] Did we lose, did you guys lose me or did I lose you? Track 1:[3:42] I lost you for a minute there, Pete, but you're back. Track 3:[3:45] Okay, well, at least the question got answered about Ike and his brother. Hopefully it was cool. Sorry. Can I ask one more question? Oh, Tim, go ahead. Track 4:[3:57] I just got. I was just gonna ask who out of the five of you has seen The Hip play the most times, had seen them play the most times? Track 1:[4:06] I've actually never seen them play. Track 4:[4:10] Oh, okay, you're part of our club. Track 1:[4:14] Me neither, fun fact, my daughter, she actually saw them in 2017 in a school event, And I've never got to see them. Track 4:[4:22] Oh, wow. Track 1:[4:26] Okay. that. It's probably me then. I've probably seen them 12, 15 times over the years. Yeah, I saw them on the last tour, neat little stories, the guy went to high school, when I had, the first time I saw them was a roadside attraction in Kiyoka at the Speedway, yeah samething, yeah, JD was probably, I think Oliver Waterford was there because it was so close. But a buddy of mine, well, JD, you know, Bill Ella, right? Track 2:[5:03] Yeah, yeah. Track 1:[5:03] So Bill and Bill and I went to our first hip concert together. And then when my fiance and I got tickets for the last tour, we got four tickets and I called him up said, Hey, man, we got to see the last one together too. So he jumped right on it. So himand his wife joined us. It was great. Track 2:[5:21] It's pretty special. What venue do you go to? Track 1:[5:24] We saw them at ACC. Track 2:[5:27] Oh wow, nice. Yeah, in Toronto. Yeah. Oh, man. Track 1:[5:31] Yeah. Yeah, yeah, it wasn't a dry eye in the place. It was pretty special, man. Yeah. Track 3:[5:41] Do you guys, and I ask this strictly, this is not like, you know, any remotely thing, judgmental, it's just a curious thing as far as musicians, but because I have a friend that wasplaying, he played a while in a tribute band for Floyd and then also one for Oasis, and he likes Floyd a lot, but he was like not an Oasis fan, but he played in it because, you know, Gigs agig. It's fun and it's cool. But like do you I would imagine that all of you guys genuinely like the tragic We have at least to some degree. Track 1:[6:16] Oh, yeah, or if not dig the shit out of them Yeah, and it's a riot to play it is so much fun to play the music it's lots of energy and I have an absolute riot playing it It looks like it fromthe videos i've seen I didn't know that many songs until I joined this band. I only knew a couple, like New Orleans is Sinking or probably Little Bones, but then these guys got me into them. Now that's all I hear. Oh, wow. So I love them so much and that's all I hear. it now. And I used to play like a really like you name it from from Metallica down to Bird Jam to Foo Fighters and now my favorite is Tragically Here. So yeah it's uh it's interesting when we play a show that uh, the fun part for me is not only playing the show and the people are into it like everybody you know that everybody's coming tosee the show knows the songs see they're going going to be singing. But after the show, the number of people that come up and want to tell you about the time they saw the hip or they have a story about when they met one of the members of the hip. So people just reconnect at our shows, which is a fun part for me. Track 4:[7:37] Sure, that's amazing. Track 2:[7:38] Yeah, it's like a community, right? Track 1:[7:40] Oh, absolutely, yeah. Track 3:[7:43] Yeah, and I mean, I gotta say, I've seen, obviously, not anything hip related, but like, for example, I remember seeing a Zeppelin tribute band that was really good, that I just kind oflike, I mean, I'm a diehard Zeppelin fan, like, you know, all eight studio records just flow through my veins and seeing that show was like, you know, I was like, OK, it's cool. And then Iwas just so wildly impressed. Like, I'm not the guy because I play, you know, you play, you play a gig, kind of like put your guitar, put your instruments away, go to the bar, have a beer, check out for the night,especially if it's a long show and you're tired. But like I was like, I got to go tell these people how fucking great they sounded and And how during this tune, the communication breakdown, he hit the solo perfect. That's so cool that you have people that... Because it's a testament to you guys being fucking really good at your craft and knowing how to play to the crowd. I can't wait to see you guys. Track 1:[8:56] Thank you, Lola. Yeah, we have a blast. The Complexity of Learning Songs on Instruments[9:00] Yeah, so these guys always mention, you know, when we're learning a song, they've got a a lot harder than I do, but a lot of folks who either don't play instruments or folks whoaren't hip fans that are playing instruments say, oh yeah, those songs are easy. But I'm sure these guys can tell you that they're not easy. There's all kinds of stuff going on. No way. Yeah, you've gotta really hit it to get the nuance of the song and the notes, but I don't know if you guys have examples, but. Two guitar parts are so very complementary to each other. There's really no rhythm or lead. There's just two guitars. And without one, the other just doesn't sound right. You have to have those two parts like the record, and then it gives you that sound. Yeah. So we're very picky about the sound. We use the right instruments. We try and use the right equipment wherever we can and re-crease that sound, like the record, as close as we can, right? Track 3:[10:05] Yep. The general rule with music, too, is if it sounds really hard, chances are it's not, and if it sounds really easy, chances are it's not, right? Track 1:[10:16] Isn't that the case? That is right. As I was saying, I used to play what I thought they were the hardest song to play, like the Foo Fighters, to name a few. But then I thought, okay, this doesn't sound difficult. man, I was wrong. It is difficult, it is, because it's just, we need to connect, like, you know, we need to be in sync to actually make it sound right, which is very interesting, and I love doing that. And theseguys are awesome. Yeah for that band, that's it Yeah, we're very lucky that everybody has the same ambition to make it sound like that. You know when everybody's in the groove it the music becomes a Uh part of the vocals everything. Yeah, it's one. It's a rare commodity Yeah, yes And we're lucky to look it lucky to have a guy that's on ligar like it's just It's just amazing. The Importance of Syncing and Connecting as a Band[11:07] Sometimes it's just man. It's just something great. It's I mean musically we are there and we have a good rhythm and we you know, we understand each other But what make a sound right is this guy here, right? This is something greatHopefully you'd like it, too I'm sure we will. [11:26] We won't even talk about bass because Based on some of the bass runs and and stuff is pretty crazy to me. Yeah, it's tough. [11:37] I think he was a guitar player actually, so he actually learned to play the bass as we came along. Yeah, I didn't even know the bass, so these guys called me, so I went to the music store and bought a bass and showed up and then started. It's been pretty good. Lots to learn. It's been a lot of fun, but I think it's just having five individuals, like being in a band like this is amazing because it's tough. I've played with lots of different musicians, but to have people that connect very tight like this, that is very, very hard to find. And playing bass in this band has probably been the best band I've ever been in. I've always played guitar, but playing the bass and getting that part and playing with these guys is actuallyamazing. So it's been pretty good, pretty good run so far. [12:33] That's cool, man. And a second instrument is always awesome anyway. You can't go wrong learning. I learned, oh, maybe 20 years ago, I picked up the fiddle and started playing fiddle. Oh, I became a fiddle player for about eight years. And then I got back into guitar and then that stopped. And then maybe about four years ago, I bought a banjo and oh my goodness, I was two years of banjo, banjo, banjo. And you learn, you pick up something from everything I've learned. I've picked up something that adds to the guitar tons. Totally, totally, totally. Appreciating the Skill of Great MusiciansTrack 3:[13:10] When we listen to, well, cause we interviewed Gord Sinclair, it was about a month and a half ago, something like that, maybe two months ago. And I had done this before, but I did it more so after we interviewed him. If you watch like a video that they're, a live video that they're playing, right? And watch it five times. Watch it five times. And each five times, once you focus on Johnny Fay, another time you focus on Gord Downie, another time you focus on Rob Baker, youknow, and so on and so forth. And you can just, if you just focus on them and their instrument, you realize how fucking, excuse my language, I'm dropping a lot of F-bombs, but how well they are at playing theirinstruments. Instruments, what good musicians they are. And to sound even remotely remotely close to them is not an easy task. It's not even close. Track 1:[14:09] Yeah, and as they've, you know, grown over the years, they've just gotten better, right? You just get better at your craft. So when you go and learn the newer albums or songs offthose it's even tougher. Track 3:[14:22] Yeah, I bet. Track 1:[14:23] But it's even more rewarding when we get together and sometimes, you know, we play the tune for the very first time and go, okay, we're going to learn this tune, we go away anddo our parts, we come back and we play it and we're all kind of blown away at how good it sounds sometimes the first time. You learn that part and they melt together so beautifully for that finished product that it's really rewarding. Mind-Blowing Live Transitions in MusicTrack 4:[14:53] Yeah, we were just listening. Yeah, we were just the guys and I were just listening to a live version of New Orleans is sinking where they transition in and out of nautical disasterand back into New Orleans is sinking. Have you guys tried anything like that as a band together? Because that that I mean, that just blew our minds, you know? Track 1:[15:12] Yeah, that's an interesting combination, isn't it? Yeah, we, uh, we do have a killer whale tank version on the, on the schedule eventually to, uh, to learn, uh, but, uh, yeah, we haven'tgot around to it. Uh, that's a big one. Shit. But yeah, yeah, I guess our focus has been so far just to try to, you know, owner what they recorded, so keep it as close as, as you know, the original And that's how I've been a focus sofar, you know. [15:46] It may migrate to, you know, do experiments, something like that. But so far, we're trying to actually, you know, honor that original record, original sound. And, you know, but sort of in a live version. So, yeah, as Ron was saying, it's so rewarding when you, you know, work hard on getting that song together and it, you know, it soundedactually very close, in our opinion, anyway. Yeah, we really try to bring the music and the live show to the stage, but not be the Tragical yet. We don't want to look like them or copy them. We want to bring their music to people. So all of the music. That's good. Track 2:[16:26] I like that. Yeah, I like that. Track 1:[16:28] Yeah, we don't want to do exactly. We don't want to just look like them. We want to keep our original, you know, style of playing our instruments, but sounding like them. So, right. Track 2:[16:39] Right. Track 1:[16:40] I think it's a good combination. up in any other so far band that I've seen doing tributes to The Hips. They want to look like them. They sound decent. Track 4:[16:52] That happens, that happens. Track 3:[16:53] I could dress up like Paul McCartney, too. Do you guys find it... I was going to... This is like being something that's puzzling because I haven't seen, obviously I haven't seen you guys play live, but I'm wondering, you know, what your catalog covers and stuff but justlooking at how big the catalog of the hip is like I think you know if you took a band like like I used to Pink Floyd as an example before you know not many you know if you're in a coverband or a tribute band you're gonna you're gonna cover you know the wall you're gonna cover maybe a few things off like Wish You Were Here and Dark Sudden Moon You're not goingto do, yeah, I'm a goma. Track 2:[17:39] Yeah, no, probably not. Track 3:[17:40] No offense to Syd Barrett, but I think with a band like the hip or like Zeppelin, for example, the sound changes so much. Like like like little bones to fucking Tiger. The lion is like, yeah, it's like it's like the distance from Earth to Pluto instead of like Earth to Mars. It's like... How do you do that on stage? How do you like Go, okay. We're We're going into now for plan a or whatever. Track 1:[18:16] I personally You know I'm singing. I'm just trying to bring that same sound And each song I just look at it differently each songs its own person, right? So I don't in my mind. I don't put them together on albums each one has its own personality. So that's kind of how I think about it. Like we go from Highway Girl, which is probably our simplest instrumentally. And again, it's the first album, right? So like, I mean, the hip of the hip, but they weren't accomplished musicians like they were now for Plan A, right? So a little easier to play, but Gord was a little more wild with his voice, not as controlled. So you got to kind of bring that out as well. So that's kind of how I view those. Track 3:[19:06] It's a good approach. Yeah. That makes sense. It makes sense. Listening to the records like we have from start to finish, which I don't know if you guys listen to the podcast. I hope not. Yeah. Track 1:[19:16] Of course. Of course we do. Nice. Track 4:[19:19] That's great. Track 1:[19:21] Why don't you... Track 2:[19:23] What do you say you give us a little taste of what you guys do and perform a couple songs? Track 1:[19:28] That'd be awesome. Influences: Foo Fighters, Metallica, Outlaws, Guns N' RosesTrack 4:[28:01] What other influences have you guys had? I know you know one of you mentioned like Foo Fighters and Metallica and stuff. What else are you guys into? What were you into maybe when you know the hip was just going nuts in the 90s? What else were you guys listening to? Track 1:[28:18] I was a big Outlaws fan. I played a lot of the Outlaws. Just kind of like ladder skaters and stuff. Cool. I was a Guns N' Roses guy. Track 4:[28:28] All right, right on. Track 1:[28:31] I didn't know that. It's interesting. Sweet child of mine was the first song I ever heard. Rush, I liked playing Rush stuff too. Track 4:[28:41] Excellent. Track 1:[28:45] I like all types of music but I like real heavy and better. Pantera, like loud, just as a favorite. Sure. Track 4:[28:53] Nice. Track 1:[28:55] Yeah, I was the weird of my generation because, you know, back in Venezuela, whoever plays or like rocks, he wasn't in the, you know, he was not usual. So, but I like, you know, I started playing Sepultura, Pantera, Metallica. That's how I started playing. It wasn't sounding good, but that's, you know, but then with the years, when I learned a bit I actually got, you know, Peter from Spain, my favorite band ever,although they're tragically here is Eros del Silencio. That's my favorite band from Spain and that's my biggest influence in rock music. What's the name of it? Eros del Silencio is like Heroes of Silence. Track 3:[29:36] Oh yeah, yeah, totally, yeah. You know what's funny? I can hear a bit. I was told about that band a a number of times. Yeah, I've been I've seen like those fun at those a couple times and I mean they're big in spain There I would call them the closest thing to tragically hip In spain, especially later in theircareer, too but um Yeah, I mean I'm I'm, i'm name dropping now, but I went to the same high school as james james headfield um so metallica ran, quite deep in my Family and hometown.Yeah, sure Yeah, I mean back of it back of the day with the hip was plugging along You weren't you didn't you didn't own appetite for destruction. Track 1:[30:29] Oh Yeah You weren't I learned every song on the record. That was that was me go home sit in my bedroom To learn every tune. Track 3:[30:37] Yeah, you were the guy who thought like you were the guy to like me We also thought like G&R Lies was a great album where everybody was like, yeah, I like Patience, buteverything else fucking take it or leave it, man. Track 1:[30:49] No, it was everything. I learned most of that album as well. Track 3:[30:52] Yeah, it was a great album. Track 1:[30:56] As for me, I grew up listening to a lot of different stuff. Influences: Johnny Horton, Jimmy Reeves, The Stones[31:02] Anything from like Johnny Horton and Jimmy Reeves right up to The Stones, right? So a lot of influence, The Stones, probably my second favorite band. I've seen them nine times. Oh, wow. Yeah. Every time they come to Toronto, I think I've seen them since I was able to get in, so. Track 3:[31:18] Cool. I saw The Stones once and I almost didn't see them. My cousin Rocky, God rest his soul, was 24 years old, died of brain cancer. Horrible tragedy. just the day of his funeral, I had tickets to see The Stones at Angel Stadium and I'm like I'm not gonna go. Screw that. I mean, I just like just came back from Rocky'sfuneral. My mom's like. How disappointed would your cousin be to know that you missed the fucking Rolling Stones because of his ass? And I was like, good point. Went and never regretted it. Such a good show. When you guys played Poets, I wrote something down to ask, do you get Gimme Shelter vibes from that song? Like, I would imagine playing that song on guitar. There's a refrain towards the end when it just slows down and just dips into the rhythm where it sounds like the end of Keith Richardssolo I just now that you mentioned it I can see that for sure yeah yeah yeah maybe think of it when you guys are playing it but never I've never heard before when I've heard the song bythe hip then we're going to end up playing that. We're going to transition into the stones. The Band's Ability to Handle Challenges[32:43] And If anybody can, if any band can handle it, it sounds like, you guys can. Track 1:[32:55] I can. backup singing. Track 3:[32:58] She was pregnant. She was pregnant. We should have saying that. Track 2:[33:04] She get out of here. Really? Track 3:[33:05] Yep. Track 1:[33:06] She came down to the studio with like four in the morning in her house coat and curlers. Track 2:[33:11] Jesus Christ. Wow. Come on down. Track 1:[33:12] Yeah. Yeah, cool story. Track 2:[33:20] Well, you guys sounded terrific. I'll tell you that. So I can't I can't wait to hear you, you know, when you're unleashed, fully unleashed and we're not listening to you over video. Track 1:[33:32] Yeah. We're working on a surprise for you, so keep doing it. Oh, wow. Yeah. And don't expect any dance moves like Gord for me, because drummers can't dance, so I just, what happens, happens up there. I can do salsa with my merengue. Oh, salsa. There you go. Be for yourself. It's all about closing your eyes and listening to the music. Yeah. We don't look like it. He's trying to sound like it. Just look at the light show. Yeah. Yeah. Yeah. Tim's Exciting Donation for Silent AuctionTrack 3:[34:17] Yeah, so I know you guys don't don't dress dress up, you know, dress as such for the hip, but Tim was was keen enough to procure an item for the silent auction that we're having. That is a Tim should I I'm stealing your thunder here, but I'm so I think it's literally the coolest thing. Tim got contacted the woman who made Gord's hats for the final tour. Track 1:[34:46] Sweet. Track 3:[34:47] She is donated a hat for the highest bidder that that, you know, once they win it at the auction, she's going to have them fitted for it and she's going to make a fucking gourd hat.Nice. Track 1:[35:02] It's so cool. Track 3:[35:07] What's that? Track 4:[35:09] Yeah, her company is is Lily put hats. She makes amazing stuff. And I mean, I think these these hats she made for Gord and the likeness of one for the silent auction, it's kind of a it's kind of a priceless item. So we're excited tosee what it does. Track 1:[35:29] That's what I saw. I saw that she had sponsored the show. So I was like, oh, that's interesting. I wonder what she could be sponsoring me. That's awesome. That's yeah. Track 4:[35:42] Yeah, she makes great stuff. Track 3:[35:43] I'm so stoked to see you guys at the show. I mean, it's going to be the, I mean, granted, it's going to be cool to see Tim and JD because we only talk via Skype, but you guys aregoing to be a highlight, man. Let me tell you. All right. Bye. Exciting International Guests Joining the ShowTrack 4:[35:58] We even have our guests, one of our guests on the show, Dan from London. He's even coming. So we got we got US, Spain and UK coming in. Track 3:[36:08] Canada, yeah. Track 1:[36:08] Last question. Real quick. Track 3:[36:16] Sorry, JD. Is that cool? Track 2:[36:17] No. Oh, yeah. Go ahead. Track 3:[36:19] Just to slip it in. Trailer Park fan? Trailer Park Boy fans? Track 1:[36:27] Oh, yeah. Track 2:[36:28] I'm the anomaly. I'm the anomaly. Track 1:[36:32] I've never seen it. Track 2:[36:36] I've seen it a little. Track 1:[36:37] I live with a... I'm on antenna. I get like 4 or 5 Canadian channels and that's what I watch. CBC - A Nickname for someoneTrack 3:[36:49] CBC, CBC, that's his nickname. Track 1:[36:53] That's great. Track 3:[36:53] CBC. Track 4:[36:54] That's like, that's like people asking me if I watch Portlandia. I mean, that's literally the first season. The first season was filmed down the street from my house. Literally. Oh my God. So it's, so, yeah. It's really Park Boy, so that's different. I've watched most of it. Track 1:[37:11] I, I, I'm known for my Bubbles impressions. So I'll do it privately for you. Oh, nice. I'm not going to do it. You don't want to do that online? Mysterious Plans for Halloween in TorontoTrack 3:[37:23] I know who it is. Track 4:[37:25] Maybe just on Halloween. Track 3:[37:26] Let's hope when we're in town in Toronto at the live event, the same squashes that show up. Track 1:[37:32] Same squashes. I'll bring some sandwiches, too. Track 3:[37:39] Don't don't wind me up cuz I I, you know, I'm telling you, don't wind me up. We'll, we'll, we'll save it for the live event. Track 4:[37:49] Oh, no. Preview of the Live Podcast Finale and Event DetailsTrack 2:[37:56] Well, guys, it's been fantastic having you on and getting to listen to a taste of your wares. We're really thrilled that you'll be joining us on Friday, September 1st at the Rec Room. If you're listening to this and you like what you heard and you want to hear more, tickets are available at gettinghiptothehip.com. Just click on the ticket button. It'll take you right where you need to go and you can join us that night for the live podcast finale, a couple sets from 50 Mission, and a great silent auctionwith some items that are really starting to pile up now. I'm excited. I'm very excited. So thank you guys so much. Track 1:[38:37] Thank you for having us. Yeah, thanks for having us. Thanks, guys. And 50missionband.com. Yes. Little plug there. Track 3:[38:45] Yes, 50missionband.com. Track 1:[38:46] We're excited for the show. Can't wait to see you guys. We're excited for the show. Track 3:[38:50] Can't wait to see you guys. Track 1:[38:53] Cheers, guys. All right. Track 2:[38:54] Thanks so much. Pick up your shit. Track 7:[38:58] Thanks for listening to Getting Hip to the Hip. Please subscribe, share, rate, and review the show at gettinghiptothehip.com. Find us on Twitter and Instagram at gettinghippod. Hip Pod and join our Facebook group at facebook.com, slash groups slash fully and completely questions or concerns email us at JD atgetting hip to the hip We'd love to hear from you. TranscriptIntroductions and greetingsTrack 2:[0:00] So have you guys met each other here? Track 1:[0:03] Yeah, this is Steve. I'm Steve. Track 3:[0:06] I'm Ron. Track 1:[0:07] Ike. Ike plays bass. Alirio, I'm the nice drummer. The nice looking drummer. Yeah, he's got a weird accent. So you may have to ask what you're saying. Yeah, there's a couple accents there. Latino accent. I might switch to Spanish. Track 2:[0:26] Yeah. Track 1:[0:28] In Spain, I already speak Spanish. Track 3:[0:30] Where are you from? Track 1:[0:32] Originally from Venezuela. Venezuela. Track 3:[0:37] And I heard another accent there, too. Track 1:[0:43] No, just one. The invi... Oh, different Canadian, oh, maybe, maybe, uh... Maybe like Newfie accent. Newfie accent, yeah, yeah. Canadian, but... I don't think so. Introduction and Location DiscussionTrack 3:[0:55] Where do they live? Where do you guys live at? Track 1:[0:58] We're in the Brantford area, pretty much all of us. Yeah, it's like 100 kilometers west of Toronto. So we're about that area, yeah. Yeah, pretty much from where Jamie's from. Yeah. Yeah, I'm just north of Waterford. We're actually just north of Boston, Jamie. Track 2:[1:18] Oh, okay. Track 1:[1:20] East of Boston, sorry, yeah. Where are you from, Jamie? Track 2:[1:24] I grew up in Waterford. Track 1:[1:25] Oh, there you go. Yeah. Yeah. Yeah, we played the old town hall there a couple times. Track 2:[1:32] Yeah, it's a cool venue, right? Track 1:[1:34] Oh, it's a great venue. The stage is beautiful. It's just a really nice place. I mean, I would love to go see a band there, right? Track 2:[1:41] Yeah, I saw Huxley Workman there. Track 1:[1:42] Nice. Yeah. Yeah, and I saw the Sheepdogs there three years ago. Yeah. Oh, wow. It was great, yeah. It was packed with the Sheepdogs. Track 3:[1:51] How'd you guys all meet? I was gonna say- Oh, go ahead, JD. Track 2:[1:54] No, no, man. No, no, no. Have you met Tim and Pete? Track 1:[1:59] Yes. Track 2:[1:59] Yeah. Okay, so I was late. Track 1:[2:02] So see, that's, you know, it's all I know is, all I know is I have where to stay in Spain and Oregon. Track 4:[2:08] Si, si, si. Track 3:[2:12] Trust me, there's a lot of nice, there's a lot nicer places in Spain to stay than my house. Track 4:[2:19] Venga aqui, si. Bienvenidos. Track 1:[2:23] Yeah, as far as how we met, it varies. Ron and I played in a band previously. It's the first time I've been a singer in the band. I've always been a drummer. I sang songs from the drums, but came up front. So Ron and I were in a band previously. Steve is a friend of Ron's. Yeah, I've known Ron probably close to 20 years now. I joined a band and he was the other guitar player he joined it to, and we hit it off pretty good. And then we ended up quitting that band. Turned out we were also living quite close. We were practically neighbors and didn't realize it. Oh yeah. How Band Members Met and Their History[3:01] Okay. And as far as Ike, Ike's brother of Trisha used to be a singer in another band I was in, so. Ike and I have known each other for, 10 years at least. Not longer, yeah. And Illyrio was in a band with some buddies of mine as the drummer, so that's how Leroy and I know each other. And we actually played soccer together like 15 years ago. Yeah. We've played soccer together for a long time, too, so. Track 3:[3:38] Did we lose, did you guys lose me or did I lose you? Track 1:[3:42] I lost you for a minute there, Pete, but you're back. Track 3:[3:45] Okay, well, at least the question got answered about Ike and his brother. Hopefully it was cool. Sorry. Can I ask one more question? Oh, Tim, go ahead. Track 4:[3:57] I just got. I was just gonna ask who out of the five of you has seen The Hip play the most times, had seen them play the most times? Track 1:[4:06] I've actually never seen them play. Track 4:[4:10] Oh, okay, you're part of our club. Track 1:[4:14] Me neither, fun fact, my daughter, she actually saw them in 2017 in a school event, And I've never got to see them. Track 4:[4:22] Oh, wow. Track 1:[4:26] Okay. that. It's probably me then. I've probably seen them 12, 15 times over the years. Yeah, I saw them on the last tour, neat little stories, the guy went to high school, when I had, the first time I saw them was a roadside attraction in Kiyoka at the Speedway, yeah samething, yeah, JD was probably, I think Oliver Waterford was there because it was so close. But a buddy of mine, well, JD, you know, Bill Ella, right? Track 2:[5:03] Yeah, yeah. Track 1:[5:03] So Bill and Bill and I went to our first hip concert together. And then when my fiance and I got tickets for the last tour, we got four tickets and I called him up said, Hey, man, we got to see the last one together too. So he jumped right on it. So himand his wife joined us. It was great. Track 2:[5:21] It's pretty special. What venue do you go to? Track 1:[5:24] We saw them at ACC. Track 2:[5:27] Oh wow, nice. Yeah, in Toronto. Yeah. Oh, man. Track 1:[5:31] Yeah. Yeah, yeah, it wasn't a dry eye in the place. It was pretty special, man. Yeah. Track 3:[5:41] Do you guys, and I ask this strictly, this is not like, you know, any remotely thing, judgmental, it's just a curious thing as far as musicians, but because I have a friend that wasplaying, he played a while in a tribute band for Floyd and then also one for Oasis, and he likes Floyd a lot, but he was like not an Oasis fan, but he played in it because, you know, Gigs agig. It's fun and it's cool. But like do you I would imagine that all of you guys genuinely like the tragic We have at least to some degree. Track 1:[6:16] Oh, yeah, or if not dig the shit out of them Yeah, and it's a riot to play it is so much fun to play the music it's lots of energy and I have an absolute riot playing it It looks like it fromthe videos i've seen I didn't know that many songs until I joined this band. I only knew a couple, like New Orleans is Sinking or probably Little Bones, but then these guys got me into them. Now that's all I hear. Oh, wow. So I love them so much and that's all I hear. it now. And I used to play like a really like you name it from from Metallica down to Bird Jam to Foo Fighters and now my favorite is Tragically Here. So yeah it's uh it's interesting when we play a show that uh, the fun part for me is not only playing the show and the people are into it like everybody you know that everybody's coming tosee the show knows the songs see they're going going to be singing. But after the show, the number of people that come up and want to tell you about the time they saw the hip or they have a story about when they met one of the members of the hip. So people just reconnect at our shows, which is a fun part for me. Track 4:[7:37] Sure, that's amazing. Track 2:[7:38] Yeah, it's like a community, right? Track 1:[7:40] Oh, absolutely, yeah. Track 3:[7:43] Yeah, and I mean, I gotta say, I've seen, obviously, not anything hip related, but like, for example, I remember seeing a Zeppelin tribute band that was really good, that I just kind oflike, I mean, I'm a diehard Zeppelin fan, like, you know, all eight studio records just flow through my veins and seeing that show was like, you know, I was like, OK, it's cool. And then Iwas just so wildly impressed. Like, I'm not the guy because I play, you know, you play, you play a gig, kind of like put your guitar, put your instruments away, go to the bar, have a beer, check out for the night,especially if it's a long show and you're tired. But like I was like, I got to go tell these people how fucking great they sounded and And how during this tune, the communication breakdown, he hit the solo perfect. That's so cool that you have people that... Because it's a testament to you guys being fucking really good at your craft and knowing how to play to the crowd. I can't wait to see you guys. Track 1:[8:56] Thank you, Lola. Yeah, we have a blast. The Complexity of Learning Songs on Instruments[9:00] Yeah, so these guys always mention, you know, when we're learning a song, they've got a a lot harder than I do, but a lot of folks who either don't play instruments or folks whoaren't hip fans that are playing instruments say, oh yeah, those songs are easy. But I'm sure these guys can tell you that they're not easy. There's all kinds of stuff going on. No way. Yeah, you've gotta really hit it to get the nuance of the song and the notes, but I don't know if you guys have examples, but. Two guitar parts are so very complementary to each other. There's really no rhythm or lead. There's just two guitars. And without one, the other just doesn't sound right. You have to have those two parts like the record, and then it gives you that sound. Yeah. So we're very picky about the sound. We use the right instruments. We try and use the right equipment wherever we can and re-crease that sound, like the record, as close as we can, right? Track 3:[10:05] Yep. The general rule with music, too, is if it sounds really hard, chances are it's not, and if it sounds really easy, chances are it's not, right? Track 1:[10:16] Isn't that the case? That is right. As I was saying, I used to play what I thought they were the hardest song to play, like the Foo Fighters, to name a few. But then I thought, okay, this doesn't sound difficult. man, I was wrong. It is difficult, it is, because it's just, we need to connect, like, you know, we need to be in sync to actually make it sound right, which is very interesting, and I love doing that. And theseguys are awesome. Yeah for that band, that's it Yeah, we're very lucky that everybody has the same ambition to make it sound like that. You know when everybody's in the groove it the music becomes a Uh part of the vocals everything. Yeah, it's one. It's a rare commodity Yeah, yes And we're lucky to look it lucky to have a guy that's on ligar like it's just It's just amazing. The Importance of Syncing and Connecting as a Band[11:07] Sometimes it's just man. It's just something great. It's I mean musically we are there and we have a good rhythm and we you know, we understand each other But what make a sound right is this guy here, right? This is something greatHopefully you'd like it, too I'm sure we will. [11:26] We won't even talk about bass because Based on some of the bass runs and and stuff is pretty crazy to me. Yeah, it's tough. [11:37] I think he was a guitar player actually, so he actually learned to play the bass as we came along. Yeah, I didn't even know the bass, so these guys called me, so I went to the music store and bought a bass and showed up and then started. It's been pretty good. Lots to learn. It's been a lot of fun, but I think it's just having five individuals, like being in a band like this is amazing because it's tough. I've played with lots of different musicians, but to have people that connect very tight like this, that is very, very hard to find. And playing bass in this band has probably been the best band I've ever been in. I've always played guitar, but playing the bass and getting that part and playing with these guys is actuallyamazing. So it's been pretty good, pretty good run so far. [12:33] That's cool, man. And a second instrument is always awesome anyway. You can't go wrong learning. I learned, oh, maybe 20 years ago, I picked up the fiddle and started playing fiddle. Oh, I became a fiddle player for about eight years. And then I got back into guitar and then that stopped. And then maybe about four years ago, I bought a banjo and oh my goodness, I was two years of banjo, banjo, banjo. And you learn, you pick up something from everything I've learned. I've picked up something that adds to the guitar tons. Totally, totally, totally. Appreciating the Skill of Great MusiciansTrack 3:[13:10] When we listen to, well, cause we interviewed Gord Sinclair, it was about a month and a half ago, something like that, maybe two months ago. And I had done this before, but I did it more so after we interviewed him. If you watch like a video that they're, a live video that they're playing, right? And watch it five times. Watch it five times. And each five times, once you focus on Johnny Fay, another time you focus on Gord Downie, another time you focus on Rob Baker, youknow, and so on and so forth. And you can just, if you just focus on them and their instrument, you realize how fucking, excuse my language, I'm dropping a lot of F-bombs, but how well they are at playing theirinstruments. Instruments, what good musicians they are. And to sound even remotely remotely close to them is not an easy task. It's not even close. Track 1:[14:09] Yeah, and as they've, you know, grown over the years, they've just gotten better, right? You just get better at your craft. So when you go and learn the newer albums or songs offthose it's even tougher. Track 3:[14:22] Yeah, I bet. Track 1:[14:23] But it's even more rewarding when we get together and sometimes, you know, we play the tune for the very first time and go, okay, we're going to learn this tune, we go away anddo our parts, we come back and we play it and we're all kind of blown away at how good it sounds sometimes the first time. You learn that part and they melt together so beautifully for that finished product that it's really rewarding. Mind-Blowing Live Transitions in MusicTrack 4:[14:53] Yeah, we were just listening. Yeah, we were just the guys and I were just listening to a live version of New Orleans is sinking where they transition in and out of nautical disasterand back into New Orleans is sinking. Have you guys tried anything like that as a band together? Because that that I mean, that just blew our minds, you know? Track 1:[15:12] Yeah, that's an interesting combination, isn't it? Yeah, we, uh, we do have a killer whale tank version on the, on the schedule eventually to, uh, to learn, uh, but, uh, yeah, we haven'tgot around to it. Uh, that's a big one. Shit. But yeah, yeah, I guess our focus has been so far just to try to, you know, owner what they recorded, so keep it as close as, as you know, the original And that's how I've been a focus sofar, you know. [15:46] It may migrate to, you know, do experiments, something like that. But so far, we're trying to actually, you know, honor that original record, original sound. And, you know, but sort of in a live version. So, yeah, as Ron was saying, it's so rewarding when you, you know, work hard on getting that song together and it, you know, it soundedactually very close, in our opinion, anyway. Yeah, we really try to bring the music and the live show to the stage, but not be the Tragical yet. We don't want to look like them or copy them. We want to bring their music to people. So all of the music. That's good. Track 2:[16:26] I like that. Yeah, I like that. Track 1:[16:28] Yeah, we don't want to do exactly. We don't want to just look like them. We want to keep our original, you know, style of playing our instruments, but sounding like them. So, right. Track 2:[16:39] Right. Track 1:[16:40] I think it's a good combination. up in any other so far band that I've seen doing tributes to The Hips. They want to look like them. They sound decent. Track 4:[16:52] That happens, that happens. Track 3:[16:53] I could dress up like Paul McCartney, too. Do you guys find it... I was going to... This is like being something that's puzzling because I haven't seen, obviously I haven't seen you guys play live, but I'm wondering, you know, what your catalog covers and stuff but justlooking at how big the catalog of the hip is like I think you know if you took a band like like I used to Pink Floyd as an example before you know not many you know if you're in a coverband or a tribute band you're gonna you're gonna cover you know the wall you're gonna cover maybe a few things off like Wish You Were Here and Dark Sudden Moon You're not goingto do, yeah, I'm a goma. Track 2:[17:39] Yeah, no, probably not. Track 3:[17:40] No offense to Syd Barrett, but I think with a band like the hip or like Zeppelin, for example, the sound changes so much. Like like like little bones to fucking Tiger. The lion is like, yeah, it's like it's like the distance from Earth to Pluto instead of like Earth to Mars. It's like... How do you do that on stage? How do you like Go, okay. We're We're going into now for plan a or whatever. Track 1:[18:16] I personally You know I'm singing. I'm just trying to bring that same sound And each song I just look at it differently each songs its own person, right? So I don't in my mind. I don't put them together on albums each one has its own personality. So that's kind of how I think about it. Like we go from Highway Girl, which is probably our simplest instrumentally. And again, it's the first album, right? So like, I mean, the hip of the hip, but they weren't accomplished musicians like they were now for Plan A, right? So a little easier to play, but Gord was a little more wild with his voice, not as controlled. So you got to kind of bring that out as well. So that's kind of how I view those. Track 3:[19:06] It's a good approach. Yeah. That makes sense. It makes sense. Listening to the records like we have from start to finish, which I don't know if you guys listen to the podcast. I hope not. Yeah. Track 1:[19:16] Of course. Of course we do. Nice. Track 4:[19:19] That's great. Track 1:[19:21] Why don't you... Track 2:[19:23] What do you say you give us a little taste of what you guys do and perform a couple songs? Track 1:[19:28] That'd be awesome. Influences: Foo Fighters, Metallica, Outlaws, Guns N' RosesTrack 4:[28:01] What other influences have you guys had? I know you know one of you mentioned like Foo Fighters and Metallica and stuff. What else are you guys into? What were you into maybe when you know the hip was just going nuts in the 90s? What else were you guys listening to? Track 1:[28:18] I was a big Outlaws fan. I played a lot of the Outlaws. Just kind of like ladder skaters and stuff. Cool. I was a Guns N' Roses guy. Track 4:[28:28] All right, right on. Track 1:[28:31] I didn't know that. It's interesting. Sweet child of mine was the first song I ever heard. Rush, I liked playing Rush stuff too. Track 4:[28:41] Excellent. Track 1:[28:45] I like all types of music but I like real heavy and better. Pantera, like loud, just as a favorite. Sure. Track 4:[28:53] Nice. Track 1:[28:55] Yeah, I was the weird of my generation because, you know, back in Venezuela, whoever plays or like rocks, he wasn't in the, you know, he was not usual. So, but I like, you know, I started playing Sepultura, Pantera, Metallica. That's how I started playing. It wasn't sounding good, but that's, you know, but then with the years, when I learned a bit I actually got, you know, Peter from Spain, my favorite band ever,although they're tragically here is Eros del Silencio. That's my favorite band from Spain and that's my biggest influence in rock music. What's the name of it? Eros del Silencio is like Heroes of Silence. Track 3:[29:36] Oh yeah, yeah, totally, yeah. You know what's funny? I can hear a bit. I was told about that band a a number of times. Yeah, I've been I've seen like those fun at those a couple times and I mean they're big in spain There I would call them the closest thing to tragically hip In spain, especially later in theircareer, too but um Yeah, I mean I'm I'm, i'm name dropping now, but I went to the same high school as james james headfield um so metallica ran, quite deep in my Family and hometown.Yeah, sure Yeah, I mean back of it back of the day with the hip was plugging along You weren't you didn't you didn't own appetite for destruction. Track 1:[30:29] Oh Yeah You weren't I learned every song on the record. That was that was me go home sit in my bedroom To learn every tune. Track 3:[30:37] Yeah, you were the guy who thought like you were the guy to like me We also thought like G&R Lies was a great album where everybody was like, yeah, I like Patience, buteverything else fucking take it or leave it, man. Track 1:[30:49] No, it was everything. I learned most of that album as well. Track 3:[30:52] Yeah, it was a great album. Track 1:[30:56] As for me, I grew up listening to a lot of different stuff. Influences: Johnny Horton, Jimmy Reeves, The Stones[31:02] Anything from like Johnny Horton and Jimmy Reeves right up to The Stones, right? So a lot of influence, The Stones, probably my second favorite band. I've seen them nine times. Oh, wow. Yeah. Every time they come to Toronto, I think I've seen them since I was able to get in, so. Track 3:[31:18] Cool. I saw The Stones once and I almost didn't see them. My cousin Rocky, God rest his soul, was 24 years old, died of brain cancer. Horrible tragedy. just the day of his funeral, I had tickets to see The Stones at Angel Stadium and I'm like I'm not gonna go. Screw that. I mean, I just like just came back from Rocky'sfuneral. My mom's like. How disappointed would your cousin be to know that you missed the fucking Rolling Stones because of his ass? And I was like, good point. Went and never regretted it. Such a good show. When you guys played Poets, I wrote something down to ask, do you get Gimme Shelter vibes from that song? Like, I would imagine playing that song on guitar. There's a refrain towards the end when it just slows down and just dips into the rhythm where it sounds like the end of Keith Richardssolo I just now that you mentioned it I can see that for sure yeah yeah yeah maybe think of it when you guys are playing it but never I've never heard before when I've heard the song bythe hip then we're going to end up playing that. We're going to transition into the stones. The Band's Ability to Handle Challenges[32:43] And If anybody can, if any band can handle it, it sounds like, you guys can. Track 1:[32:55] I can. backup singing. Track 3:[32:58] She was pregnant. She was pregnant. We should have saying that. Track 2:[33:04] She get out of here. Really? Track 3:[33:05] Yep. Track 1:[33:06] She came down to the studio with like four in the morning in her house coat and curlers. Track 2:[33:11] Jesus Christ. Wow. Come on down. Track 1:[33:12] Yeah. Yeah, cool story. Track 2:[33:20] Well, you guys sounded terrific. I'll tell you that. So I can't I can't wait to hear you, you know, when you're unleashed, fully unleashed and we're not listening to you over video. Track 1:[33:32] Yeah. We're working on a surprise for you, so keep doing it. Oh, wow. Yeah. And don't expect any dance moves like Gord for me, because drummers can't dance, so I just, what happens, happens up there. I can do salsa with my merengue. Oh, salsa. There you go. Be for yourself. It's all about closing your eyes and listening to the music. Yeah. We don't look like it. He's trying to sound like it. Just look at the light show. Yeah. Yeah. Yeah. Tim's Exciting Donation for Silent AuctionTrack 3:[34:17] Yeah, so I know you guys don't don't dress dress up, you know, dress as such for the hip, but Tim was was keen enough to procure an item for the silent auction that we're having. That is a Tim should I I'm stealing your thunder here, but I'm so I think it's literally the coolest thing. Tim got contacted the woman who made Gord's hats for the final tour. Track 1:[34:46] Sweet. Track 3:[34:47] She is donated a hat for the highest bidder that that, you know, once they win it at the auction, she's going to have them fitted for it and she's going to make a fucking gourd hat.Nice. Track 1:[35:02] It's so cool. Track 3:[35:07] What's that? Track 4:[35:09] Yeah, her company is is Lily put hats. She makes amazing stuff. And I mean, I think these these hats she made for Gord and the likeness of one for the silent auction, it's kind of a it's kind of a priceless item. So we're excited tosee what it does. Track 1:[35:29] That's what I saw. I saw that she had sponsored the show. So I was like, oh, that's interesting. I wonder what she could be sponsoring me. That's awesome. That's yeah. Track 4:[35:42] Yeah, she makes great stuff. Track 3:[35:43] I'm so stoked to see you guys at the show. I mean, it's going to be the, I mean, granted, it's going to be cool to see Tim and JD because we only talk via Skype, but you guys aregoing to be a highlight, man. Let me tell you. All right. Bye. Exciting International Guests Joining the ShowTrack 4:[35:58] We even have our guests, one of our guests on the show, Dan from London. He's even coming. So we got we got US, Spain and UK coming in. Track 3:[36:08] Canada, yeah. Track 1:[36:08] Last question. Real quick. Track 3:[36:16] Sorry, JD. Is that cool? Track 2:[36:17] No. Oh, yeah. Go ahead. Track 3:[36:19] Just to slip it in. Trailer Park fan? Trailer Park Boy fans? Track 1:[36:27] Oh, yeah. Track 2:[36:28] I'm the anomaly. I'm the anomaly. Track 1:[36:32] I've never seen it. Track 2:[36:36] I've seen it a little. Track 1:[36:37] I live with a... I'm on antenna. I get like 4 or 5 Canadian channels and that's what I watch. CBC - A Nickname for someoneTrack 3:[36:49] CBC, CBC, that's his nickname. Track 1:[36:53] That's great. Track 3:[36:53] CBC. Track 4:[36:54] That's like, that's like people asking me if I watch Portlandia. I mean, that's literally the first season. The first season was filmed down the street from my house. Literally. Oh my God. So it's, so, yeah. It's really Park Boy, so that's different. I've watched most of it. Track 1:[37:11] I, I, I'm known for my Bubbles impressions. So I'll do it privately for you. Oh, nice. I'm not going to do it. You don't want to do that online? Mysterious Plans for Halloween in TorontoTrack 3:[37:23] I know who it is. Track 4:[37:25] Maybe just on Halloween. Track 3:[37:26] Let's hope when we're in town in Toronto at the live event, the same squashes that show up. Track 1:[37:32] Same squashes. I'll bring some sandwiches, too. Track 3:[37:39] Don't don't wind me up cuz I I, you know, I'm telling you, don't wind me up. We'll, we'll, we'll save it for the live event. Track 4:[37:49] Oh, no. Preview of the Live Podcast Finale and Event DetailsTrack 2:[37:56] Well, guys, it's been fantastic having you on and getting to listen to a taste of your wares.
Today, we dive into one of my grandpa's favorite artist of all-time. Join me as we talk about how I feel Johnny Horton fits in the legacy of country music, Americana, and the lore of the Ballards of American history. We also talk about his tragic death, his spooky prediction, and more on this installment of the Deep Dive! email me at Ofthesteelguitar37@outlook.comFiddle Intro by Miss. Rachel CrickFollow her on instagram @rachelannecrickHer Fiverr link is below! https://www.fiverr.com/s/j0GKlZRest of Intro: Jeremy KingFiverrhttps://www.fiverr.com/s/8VRWNz
Matt and Drew discuss " Honky Tonk Man " by Johnny Horton. To listen to the full show, visit ForgottenCountryRadioShow.com.
236. Your weekly radio 'Kustom Kulture' rockin' revival! Twist that dial over to DJ Del Villarreal's "Go Kat, GO! The Rock-A-Billy Show!" and tune in the finest roots rock n' roll you'll hear this whole'summer. Super pleased to debut the latest from The Blue Valley Boys, "The Curtain Call" on tonite's Tuesday program as well as fresh fare from Deke Dickerson & The Whippersnappers, The Howlin' Ramblers, Little Sheba & The Shamans, Eddie Clendening and the Blue Ribbon Boys, The Barnestormers, The Hicks Men, Isaac Webb Trio, Mozzy Dee, Same Old Shoes, Seatbelt and even Jack Rabbit Slim! Whew! As always, the modern music is balanced beautifully with classic tracks from Faron Young, The Collins Kids, Charlie Feathers, Dale Hawkins, Johnny Horton, Little Richard, Wanda Jackson, Ben Hewitt, & Jerry Lee Lewis to name but a few. Looking forward to a great weekend at Indianapolis' 2023 Custom Car Revival, hanging out with my hot rod buddies, drinking Mountain Dew, admiring beautiful cars and listening to hot rod toons! If you make it out, please stop by the DJ booth and say "howdy!" Always revvin' your engine with the hottest rockin' sounds, keep your dials in the 'red' with DJ Del's "Go Kat, GO!" -good to the last bop!™Please follow on FaceBook, Instagram & Twitter!
Forget your political compass and Myers-Briggs tests, what's your favorite Napoleonic Wars Coalition War? If you're a Sixth Coalitioner, this episode is your episode. Scott and I were joined by veteran podcaster and barbecue enjoyer Joe McGregor to talk through Johnny Horton's 1959 The Battle of New Orleans. An in-depth discussion of the War of 1812, the eponymous battle, and it's later results follows.Anglophiles might want to sit this one out, this episode leans heavily American Exceptionalistic, Old Hickory would be proud. Break out your bacon and beans, load your 1795 Springfield and Remember the Eighth! Link to the song: https://youtu.be/50_iRIcxsz0 Follow Joe's history podcast Battle Rattle: http://battlerattlepodcast.com/ (available on Spotify and Apple Podcasts) Find Joe on his socials: Twitter: @josephmcgregor Instagram: @ministersofsmoke (for great BBQ recommendations). @jmcgregor (for photography and great burger recommendations) Follow Scott and Sean on Twitter: Scott - @dotgiff Sean - @hashtagheybro Think you've got a good song we should do a show on? Send us a DM on Twitter or an email: historyinmusicpodcast@gmail.com
Desde el andén del Sótano nos lanzamos a un viaje sobre raíles recopilando historias y canciones con los trenes y sus ocupantes como protagonistas.Playlist;(sintonía) DOC STARKES and THE NITE RIDERS “Vacation train” (1955)ROY BROWN “Train time blues” (1951)BIG BILL BROONZY “Too too train blues” (1935)ROBERT JOHNSON “Love in vain” (1937)LITTLE JUNIOR’S BLUE FLAMES “Mystery train” (1953)TINY BRADSHAW “The Train kept A-Rollin’” (1951)JOE TURNER “Midnight special train” (1957)TARHEEL SLIM “Number 9 train” (1958)LOUIS ARMSTRONG “Hobo, you can’t ride this train” (1936)SISTER ROSETTA THARPE and THE SAM PRICE TRIO “This train” (1947)THE JONES BROTHERS “Gospel train” (1955)JOHNNY HORTON “The train with the rhumba beat” (1954)JOHNNY CASH “Hey Porter” (1955)DEX ROMWEBER DUO “Lonesome train” (2016)THE OZARK MOUNTAIN DAREDEVILS “Chicken train stomp” (1973)THE BOX TOPS “Choo choo train” (1968)NRBQ “Electric train” (1979)AMOS MILBURN and HIS ALADDIN CHICKENSHACKERS “Tell em how long has been that train gone” (1950)ALLEN TOUSSAINT “Last train” (1975) Escuchar audio
Adam Gilson shares the mic with Mike Green as they chat with Hall of Famer Johnny Horton.Tom chats with Michael Stahl, Jr about the Johnny Horton GoFundMe page established to help a fellow fooser in hard times: Go Long for JohnnyBecome a Foosball Radio Patreon: Patreon.com/FoosballRadio
The Horton Tapes continue on FoosTalk Live!Join Tom, Adam, and special guest Mike Green as they chat about insights and stories from one of foosball GOATs, Johnny Horton!Topics include: Legalization of the rollover, practical jokes, the generational appeal of foosball, and more!
Tom, Adam and special guest Mike Green launch 2023 with the first edition of the Horton Tapes! Johnny Horton tells it like it is in this amazing interview!Thanks to Mark Torres for his help in landing this legendary chat.Become a Patreon Pillar for 2023 by clicking this link: Patreon.com/foosballradio
Music behind DJ: Buck Owens' Buckaroos - "Pretty Girl" - A Night On The Town [0:00:00] Jean Shepard - "The Big Wheel" - Lighthearted and Blue [0:05:17] Piton et sus Cowboys - "Home On The Range" - Le Western de Chez Nous [0:07:08] Ray Price - "Pride" - Night Life [0:09:22] Skeeter Davis - "Wishful Thinking" - I Forgot More Than You'll Ever Know [0:12:26] Melba Montgomery - "The Blues Are Closing In" - America's No. One Country And Western Girl Singer [0:14:34] Music behind DJ: Buck Owens' Buckaroos - "Waltz Of The Roses" - A Night On The Town [0:16:55] Charlie Rich - "You Made A Hit" - Original Hits and Midnight Demos [0:21:51] Kid Rock and the White Trio - "Please Be Mine" - AAAAHHHH ROCK-A-BILLY [0:23:29] Marvin Rainwater - "Dance Me Daddy" - Marvin Rainwater Sings With A Heart / With A Beat [0:25:51] Johnny Horton - "Sugar Coated Baby" - Rockin' Rollin' Johnny Horton [0:29:40] The Louvin Brothers - "This Little Light Of Mine" - Nearer My God To Thee [0:30:47] Music behind DJ: Buck Owens' Buckaroos - "Pedal Patter" - A Night On The Town [0:33:04] Waylon Jennings - "Gentle On My Mind" - Hangin' On [0:36:54] Glen Campbell - "Lonesome Jailhouse Blues" - A Satisfied Mind [0:39:25] Jerry Lee Lewis & Linda Gail Lewis - "Gotta Travel On" - Together [0:41:17] Hank Locklin - "Why Baby Why" - The Girls Get Prettier [0:42:59] Kitty Wells - "Dancing With A Stranger" - Winner Of Your Heart [0:45:10] Music behind DJ: Buck Owens' Buckaroos - "Sad Is The Lonely" - A Night On The Town [0:47:41] Roy Drusky - "Waterloo" - Songs Of The Cities [0:51:27] Porter Wagoner & Dolly Parton - "There Never Was A Time" - Always, Always [0:53:58] Wanda Jackson - "Try a Little Kindness" - Wanda Jackson Country! [0:55:48] https://www.wfmu.org/playlists/shows/120835
Click here to find Weird Darkness in your favorite podcast app: https://linktr.ee/weirddarkness IN THIS EPISODE: Deep in the bowels of London is a railway built to serve not the living citizens of the city above… but of the dead below. (Railway of the Dead) *** Sometimes they are kind towards humans, even assisting them if in distress, or giving gifts. But some consider them lustful and evil, and still others claim they are the risen dead of brutally killed women. And there are reports of them being seen even today. We'll look at the history and lore of mermaids. (Mythical Mermaids) *** For years, Country singer Johnny Horton told friends of a premonition he couldn't shake. A premonition of his own death. Not just THAT he would be killed… but HOW. And he was eerily accurate. And that wasn't the end of his tragic story. (The Last Ride of Johnny Horton) *** Camping can be an amazing experience, especially when with friends or family. But even surrounded by those you love, when it gets dark, the wilderness gets creepy. Was that just an animal in the woods you heard, or something more? Was that blur you just saw a trick of the light or is there really something circling your campsite? I'll share some true stories of campers who experienced much more than what they bargained for. (Camping With Ghosts and Monsters)(Dark Archives episode from August 19, 2020)SOURCES AND ESSENTIAL WEB LINKS…“Railway of the Dead” posted at the website History ASM: https://tinyurl.com/yyyz2bhu “Mythical Mermaids” by Gemma Hollman from JustHistoryPosts.com: https://tinyurl.com/y2zq4nng “The Last Ride of Johnny Horton” by Robert A Waters for the website Kidnapping, Murder and Mayhem: https://tinyurl.com/y2gkdl35 “Camping With Ghosts and Monsters” by Stephen Wagner for LiveAbout.com: https://tinyurl.com/y6h5lhht Subscribe to the podcast by searching for Weird Darkness wherever you listen to podcasts – or use this RSS feed link: https://www.spreaker.com/show/3655291/episodes/feed.Weird Darkness theme by Alibi Music Library. Background music provided by Alibi Music, EpidemicSound and/or AudioBlocks with paid license. Music from Shadows Symphony (https://tinyurl.com/yyrv987t), Midnight Syndicate (http://amzn.to/2BYCoXZ), Kevin MacLeod (https://tinyurl.com/y2v7fgbu), Tony Longworth (https://tinyurl.com/y2nhnbt7), and/or Nicolas Gasparini/Myuu (https://tinyurl.com/lnqpfs8) is used with permission. = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Visit the Church of the Undead: http://undead.church/ Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarkness Trademark, Weird Darkness®, 2022. Copyright Weird Darkness©, 2022.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =00:14:21.779, 00:36:40.257,
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