Podcasts about Citizen Kane

CAPTION 1849 SACRAMENTO CITYSTREAMING MAKING OF JBS WITH JEFF BLISS AND MICHAEL VLAHOS, 9-11-2026.Live Streaming weekdays 8-9 AM ET on The John Batchelor Show Substack pageSan Luis Obispo, 9/11 Remembrance, and Broken Rules of WarJeff Bliss and Michael Vlahos ("Germanicus") join host John Batchelor. Bliss provides a live report from San Luis Obispo, California, beginning with an exploration of the region's Spanish missions and historical landmarks, such as Hearst Castle, while transitioning into a discussion regarding the legacy of the film Citizen Kane. A significant portion of the exchange is dedicated to personal reflections on the 25th anniversary of 9/11 and how the event reshaped the American political and cultural landscape. The speakers also examine recent extreme weather events on the coast, including massive waves caused by Hurricane Marie and their impact on local infrastructure. Finally, the narrative shifts to a broader geopolitical critique involving Germanicus, who discusses the breakdown of international shipping rules and the controversial nature of war crime tribunals. (1)

durée : 01:03:24 - Les Nuits de France Culture - par : Albane Penaranda - On associe systématiquement le nom de Bernard Herrmann à celui d'Alfred Hitchcock. On sait moins que le compositeur a longtemps travaillé à la radio, notamment avec Orson Welles – qui lui ouvrira, avec Citizen Kane puis La Splendeur des Amberson, une prestigieuse carrière dans la musique de film. - équipe : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

I'm pretty much the hardest sell for this movie. I don't like Spider-man as a character, or particularly the films, especially the zany comic stylings and whiny teen angst of the Tom Holland era, I've found all three of his previous movies poor. And once again the Spidey-bros are out in force claiming it to be the Citizen Kane of MCU. So why is it actually great?! And it actually replaces Guardians OTG 3 as the best post Endgame project.

This week film journalist and critic Rhianna Dillon joins George to talk about some of the best black and white movies of all time (James is away in California).There's a good chance that your favourite films were all inspired by a black and white film from the previous generation, so this episode explores those timeless classics, as well as more recent films that opted for black and white out of choice.Films discussed include:12 Angry Men (1957)The Apartment (1960)Brief Encounter (1945)Bringing Up Baby (1938)Casablanca (1942)Citizen Kane (1941)Cold War (2018)Fatherland (1994)His Girl Friday (1940)Ida (2013)Ish (2025)It's a Wonderful Life (1946)La Haine (1995)Les Diaboliques (1955)My Favourite Wife (1940)Paper Moon (1973)Psycho (1960)Schindler's List (1993)Some Like It Hot (1959)Sunset Boulevard (1950)Young Frankenstein (1974)Send us your questions to hello@pulpkitchenpodcast.com!Enjoy new episodes of Pulp Kitchen every WednesdayYouTube/Spotify: Pulp Kitchen PodcastInstagram: https://www.instagram.com/pulpkitchenpodcast / https://www.instagram.com/jamesbriefel/ / https://www.instagram.com/georgepundek/TikTok: https://www.tiktok.com/@pulpkitchenpodcastLetterboxd: https://letterboxd.com/GeorgePulp/ Hosted on Acast. See acast.com/privacy for more information.

Multimillionaire newspaper tycoon Charles Foster Kane (Oscar-winner Orson Welles) dies alone in his extravagant mansion named Xanadu, speaking a single word: "Rosebud."  In an attempt to figure out the meaning of this word, a reporter tracks down the people who worked and lived with Kane.  They tell their stories in a series of flashbacks which reveal much about Kane's life but not enough to unlock the riddle of his dying breath.  This was the film directorial debut of Orson Welles who was also an actor and playwright at the time of release, bringing over much of the cast from his renowned Mercury Theatre troupe to play key roles including Joseph Cotton, Dorothy Comingore, Everett Sloane, Ray Collins, George Coulouris, and Agnes Moorehead.  As the story was loosely based on the life of then media magnate William Randolph Hearst, it never achieved the necessary level of release in theaters to eneable it become commercially successful though the film was nominated for nine Academy Awards including Best Picture, along with both Best Actor and Best Director for Welles.  The only Oscar it would win would be Best Original Screenplay for Welles and co-writer Herman J. Mackiewicz.  Over time, its reputation has only grown and it is now considered by many critics and cinephiles to be one of the greatest if not THE best American film of all time. Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

Hey Vintage Sand fans! Hope the summer was relaxing, fun, and adventurous. An offbeat recommendation to begin—even if you're not a fan, as a film lover you must see the first half hour of this summer's "Minions and Monsters", which pays gentle comic tribute to the entire history of film from Muybridge's experiments through "Citizen Kane", name-checking the Lumieres, Méliès, Chaplin, Keaton, and Lloyd, and riffing like "Singin' in the Rain" and "Babylon" on the impact of the arrival of sound in Hollywood. Love or hate the little yellow guys, here are some filmmakers who truly love film and film history! For the sixth time in the history of the podcast, Team Vintage Sand returns to one of its most popular formats: the Hidden Gems episode. As we did in episodes 11, 30, 40, 53, and 64 (take notes—there will be a quiz), we each choose one film to discuss that we feel has been underappreciated and overlooked by the madding crowd yearning to see anything besides a prequel, sequel, spinoff, or reboot. This time around, by pure coincidence, the episode features three films that are relatively similar in their lightness of tone, though only one might be described as a pure comedy, albeit a dark one. That would be Michael's pick, Lawrence Kasdan's "I Love You to Death" from 1990. Featuring an unbelievable cast including Kevin Kline (fresh off his Oscar win for "A Fish Called Wanda"), the sublime Tracey Ullman in her first big-screen performance, as well as Joan Plowright (who steals the film), River Phoenix, Keanu Reeves and William Hurt, the film puts a black comedy twist on the real-life story of a pizzeria-owning, philandering husband, and his wife, who makes repeated and increasingly violent unsuccessful attempts to kill him. John shines the spotlight on "The Nice Guys", the 2016 action comedy by Shane Black starring Ryan Gosling and a heavyset, Bronx-accented Russell Crowe. The film features a stellar supporting cast including Keith David, Margaret Qualley, Kim Basinger, and a wonderful performance by Angourie Rice as Gosling's daughter. Set in LA in 1977, it is a compendium of every noirish LA film ever made, from "Chinatown" to "Lebowski" to "Boogie Nights" to "Pulp Fiction" to "The Long Goodbye". As always with Black, the writing can be clunky and the tonal shifts are sometimes awkward. But the film is more than worthwhile for every priceless moment that Gosling and Crowe are together on screen; they are probably the best buddy pair featured in Black's long list of buddy action comedies. I focus on the film that brought an abrupt end to the roll Alan Rudolph was on in the mid-80's, from which the Altman disciple and wannabe never really recovered: 1987's "Made in Heaven". The story of a romance (featuring Tim Hutton and Kelly McGillis) kindled in the Afterlife but which extends from this world to the next, the film, like another 1987 release "The Princess Bride", unironically and sweetly makes the case for the power of True Love, even over death. How you feel about that idea will largely determine your reaction to Rudolph's film; there are plot holes as wide as the Pearly Gates themselves, and some questionable writing here and there. But the other thing the film has going for it is its focus on music, especially the concluding song “We've Never Danced”, written by Neil Young (who has a cameo) and sung by the wondrous Martha Davis, the lead singer of early-80's faves The Motels. So please enjoy visiting and/or revisiting these films, check out that opening of the Minions film, and celebrate the new school year by recommitting to your love of film and seeing movies in theaters. And whatever the rest of 2026 brings us in the world of film, count on Team Vintage Sand to be your trusty sherpas for the journey.

The emptiness you feel after finally reaching a goal isn't proof you aimed too low or that you should be more grateful — it's information about the goal itself. In this episode, Brett Ingram makes the case that a hollow "arrival" almost always means one of three things: the goal was never really yours, it was standing in for a feeling it could never actually deliver, or you never designed a life to live on the other side of it. Once you can tell which one you're dealing with, you stop needing a bigger goal to quiet the feeling. What You'll Learn in This Episode Why the flat, hollow feeling after a real achievement isn't a character flaw or a sign of ingratitude — it's a signal worth reading The "arrival fallacy," the psychological term for expecting a goal to deliver lasting happiness it was never going to deliver Why hedonic adaptation means your baseline quietly rises with every win, so the gap you're chasing never actually closes Why "set a bigger goal" — the standard advice for feeling flat — is often the thing keeping you on the treadmill instead of getting you off it The three reasons an achievement leaves you empty: the borrowed goal, the proxy goal, and the undesigned after Three honest questions to ask about any achievement that didn't land the way you expected What the longest-running study of adult life found actually predicts a life that feels good to live Episode Timestamps [0:00] The empty summit — crossing the line and waiting for a feeling that doesn't come [1:00] Why almost nobody admits this out loud [3:00] Tom Brady's three championships and "there's gotta be more than this" [4:00] The arrival fallacy, and why the feeling is half true [4:00] Hedonic adaptation — why your baseline moves the moment you level up [6:00] Why "set a bigger goal" is the trap dressed up as ambition [8:00] Reason #1 — the borrowed goal you never actually chose [9:00] Reason #2 — the proxy goal standing in for a feeling [11:00] Reason #3 — the undesigned after, and arriving with nothing built on the other side [12:00] Three questions to diagnose your own empty summit [14:00] What an 80-year study says actually predicts a good life [15:00] Rosebud, and the question worth sitting with instead of chasing the next goal Episode Summary There's a specific kind of disappointment nobody warns you about: the one that shows up after you win. You set the goal, put in the years, and crossed the line on some ordinary afternoon — and the feeling you'd been promised, the one that was supposed to make all of it worth it, either never arrived or left after about a Tuesday. This episode makes the case that the emptiness isn't a character flaw, and it isn't a sign you should have aimed higher. It's a signal, and once you can read it, you stop needing a bigger goal to quiet it. Brett opens with why this stays private. Admitting "I got what I wanted and I feel hollow" sounds like a humble brag to everyone who's still chasing what you already have, so people carry it quietly instead of talking about it — which is exactly why it deserves an honest conversation. And it isn't rare, even at the very top. In a 2005 60 Minutes interview that people still reference twenty years later, a 27-year-old Tom Brady, three Super Bowl rings in, asked on camera: "Why do I have three of these and still think there's something greater out there? God, it's gotta be more than this." If it happens at the top of a mountain millions of people are climbing, it isn't a personal failure — it's a human one. Psychologist Tal Ben-Shahar has a name for the specific mistake underneath it: the arrival fallacy — the false belief that reaching a goal will produce a lasting sense of happiness or completion. He coined it partly from his own experience as an elite squash player, winning again and again and feeling great for a night before the emptiness moved back in. The fallacy is convincing because it's half true — you do get a real hit of something when you win. It's just short-lived by design, thanks to hedonic adaptation: the well-documented tendency for humans to adjust to a new normal shockingly fast, whether that's a new salary, a new title, or a harder season of life. Every time you level up, your baseline quietly levels up with it, so the gap you're chasing never actually closes. That's not a bug — it's the same mechanism that helps people recover from hardship. It's just badly matched to a life built entirely around bigger wins. Here's where Brett pushes back on the standard advice. The mainstream playbook has one answer for the empty summit: set a bigger goal. Feel flat? Aim higher. But if the real problem is a finish line that keeps moving, running faster toward a farther finish line isn't the exit from the treadmill — it's a description of it. The bigger goal is the softer, more socially acceptable version of the hustle trap: it looks like ambition and gets applauded as ambition, but it functions as avoidance, keeping you from ever sitting with the signal and figuring out what it's actually saying. So what is it saying? Brett offers three answers, not a system — call them the borrowed goal, the proxy goal, and the undesigned after. The borrowed goal was never really yours. You inherited it — from a parent, a peer group, an industry, or a younger version of yourself trying to prove something — and you optimized brilliantly toward someone else's blueprint. The tell is relief mixed with resentment instead of joy: a quiet "was that it?" paired with "why did I let that run me?" The proxy goal was yours, but it was standing in for something else — safety, being enough, respect, being chosen, being done proving yourself. Achievements are very good at delivering achievements and surprisingly bad at delivering worth, so you get the title or the number and the actual feeling you wanted doesn't come with it, because it was never for sale at that store. The tell: the external thing arrives and the internal need is still standing there, unmet. The undesigned after is the case where the goal was genuinely yours and wasn't standing in for anything — it still felt empty because every ounce of attention, structure, and identity was pointed at the peak, and nothing was built for the other side of it. The scaffolding that organized your days disappears overnight, and what rushes in isn't peace, it's a void. This is the post-launch crash, the post-graduation dip, the flatness after the big project ships. The tell: you don't regret the goal, you just don't know who you are or what the days are for now that it's done. The practice Brett offers is three honest questions, asked once, about whatever achievement left you flat: Was this goal mine, or did I inherit it? What did I actually want this to make me feel — name the real word? And did I build anything to walk into on the other side of this? Most people find that one of the three lights up immediately, and the one that stings is usually the closest to the truth. Each diagnosis points to different work: a borrowed goal calls for an honest values conversation with yourself, not a new goal; a proxy goal calls for meeting the real need directly instead of routing it through one more accomplishment; and an undesigned after calls for designing the after on purpose — relationships, rest, and meaning that don't depend on the next milestone. Brett closes with a finding from the longest-running study of adult life, tracking people for more than eighty years: the strongest predictor of a life that felt good to live wasn't achievement — it was the quality of people's relationships. Which means the empty summit might be doing you a favor, pointing out that the scoreboard was never where the meaning lived. As Brett puts it, borrowing the image from Citizen Kane — a man who built an empire and died reaching for a word from his childhood — the flat feeling on the far side of a win isn't your enemy. It's your own life asking a better question than "what's next": what was this actually for? Resources Mentioned The arrival fallacy — term coined by positive psychologist Tal Ben-Shahar for the false belief that reaching a goal produces lasting happiness  Tom Brady's 2005 60 Minutes interview — the "there's gotta be more than this" moment referenced in the episode  Hedonic adaptation / the hedonic treadmill — the body of research on how quickly people adjust to a new baseline after major life changes  Harvard Study of Adult Development — the 80+ year longitudinal study finding relationship quality as the strongest predictor of a good life  Citizen Kane (1941) — the "Rosebud" reference used to close the episode  Frequently Asked Questions Why do I feel empty or disappointed after finally reaching a goal I worked hard for? It's a well-documented pattern called the arrival fallacy — the false belief that hitting a goal will produce lasting happiness or completion. The letdown almost never means you aimed too low; it usually means the goal was borrowed from someone else, was standing in for a feeling like safety or worth that achievement can't actually deliver, or you never designed anything to live for on the other side of it. What is the arrival fallacy? It's a term coined by psychologist Tal Ben-Shahar for the false belief that reaching a goal will bring lasting happiness or a sense of completion. He named it partly from his own experience as an elite athlete — winning repeatedly, feeling great for a night, and then feeling the emptiness return. What is hedonic adaptation, and why does it stop achievements from making me happier long-term? Hedonic adaptation is the human tendency to adjust to a new normal — a new salary, title, or circumstance — remarkably fast. It means your baseline quietly rises every time you level up, so the emotional gap you're chasing never actually closes, no matter how much you achieve. Why doesn't setting a bigger goal fix the empty feeling after achieving something? If the real problem is a finish line that keeps moving, running toward a farther finish line doesn't get you off the treadmill — it just describes the treadmill. Setting a bigger goal often functions as avoidance: it looks like ambition, but it keeps you from sitting with the signal long enough to understand what it's actually telling you. What's the difference between a "borrowed goal" and a "proxy goal"? A borrowed goal was never really yours to begin with — you inherited it from a parent, peer group, or an earlier version of yourself, and the tell is relief mixed with resentment instead of joy. A proxy goal was genuinely yours, but it was standing in for a feeling like safety, worth, or respect — you get the achievement, but the actual feeling you wanted doesn't come with it. What questions should I ask if an achievement left me feeling hollow? Ask three things, honestly: Was this goal mine, or did I inherit it? What did I actually want this achievement to make me feel — name the real word? And did I build anything to walk into on the other side of this goal? Whichever question stings the most is usually pointing at the truth. What actually predicts a happy, meaningful life if it's not achievement? The longest-running study of adult development, tracking participants for more than eighty years, found that the strongest predictor of a life that felt good to live wasn't career achievement or wealth — it was the quality of people's relationships. Keep Exploring If this episode resonated, these are worth your time: Why Am I So Tired When There's Nothing Actually Wrong With Me? — goes deeper on what happens when your identity and structure are built entirely around striving, and nothing's left in the tank once you stop  The Attention Economy — explores another way modern life quietly sets the goalposts for you before you've asked whether they're actually yours  Why Can't I Stop Replaying That Conversation in My Head? — unpacks the nervous-system side of chasing a finish line that never lets you feel done  Enjoyed This Episode? The best way to support optYOUmize is to subscribe and leave a review — it takes about two minutes and makes a real difference in helping more people find the show. Apple Podcasts · Spotify · Amazon Music · YouTube Leave a Review →

It's a Citizen Kane shot, but this involves giant tits.

Man, we cut Orson Welles way too much slack. The guy makes Citizen Kane at the beginning of his career, then he gets to coast for the rest of his life - and posthumously too! THE OTHER SIDE OF THE WIND, a Welles' joint he didn't even get to finish, was received with pure adoration by critics even though it's basically just a pretentious improv session from Orson and his buddies. Listen to Alex & Julio as they try to focus on the unexpected return of Peter Bogdanovich to the main feed, and close the Bedroom to Box Office Summer Event in style!TIMELINE00:01:24 The Other Side of the Wind00:14:55 Contrarians Corner- Wanna know how we really feel about THE OTHER SIDE OF THE WIND? Check out the Real Talk (RT) episode, on your feed RIGHT NOW! (or pretty soon — Spotify can be a pain when it comes to refreshing the feed)- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemoniospe on Instagram or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!

It is happening again.Miles and Charlie serve themselves some coffee and a damn fine slice of pie to talk about Twin Peaks as we've had some crossover between one of the lads' favourite TV shows and the one they choose to divide their lives podcasting. With that in mind they're discussing episodes of Star Trek where Twin Peaks regulars have appeared. We're back TNG Season One with ‘Haven' as Lwaxana Troi's giant servant Mr. Homn (played by Carel Struycken who also plays a giant in Twin Peaks, coincidence?) gets into the wine at a pre-wedding dinner as all the parents fight and Troi is about to get married to an inbred cat of a man who was also in Twin Peaks, coincidence? (yes actually). In ‘If Wishes Were Horses,' Colm Meaney clearly wants to punch Michael Anderson who is NOT playing a leprechaun, we're legally obligated to make that distinction and Bashir's creepy Bimbo Dax fetish is revealed for all to see and in Voyager's ‘Hope and Fear,' OH MY GOD- CONSEQUENCES as Ray Wise impresses us while looking like he has a testicle on his head while undertaking a convoluted revenge scheme.Everyday, give yourself a present and don't you think my cousin looks exactly like Laura Palmer?Episodes Discussed: ‘Haven' (20:30) If Wishes were Horses (53:49) Hope and Fear (01:19:27)Talking Points include: We do not take enough drugs to do a Alejandro Jodorowsky podcast, Twin Peaks might have made Miles stop watching Star Trek back in the 90s, the movies of Sam Neil (RIP), Citizen Kane, sometimes a big iconic twist in a film or book overshadows how great the film is due to pop-culture osmosis, Wizard: The Guide to Comics, T'Pau the musician feels like a boring duplicate of Kate Bush, Miles pitches a Star Trek spin-off crime show and practices his pretty poor Twin Peaks impressions, if this were Space 1999 this would end VERY differently, Miles has a new head-canon theory about Data, The Virgin Bill Riker vs. The Chad Will Riker, Harp Porn, what colour would the Star Trek ‘Lodge' be? Colm Meaney looks like he wants to throttle Rumpelstiltskin, Miles has never seen (but wants to see) Carnivale, Julian Bashir's Bimbofication fetish, Miles (like the Joker) likes the keep the reason for his immigration multiple choice, Will Riker would punch Season 1 Julian, even imaginary Sisko is the best dad, we put more thought into the implications of Baseball Team ‘The London Kings' than the writers, soccer is probably a much bigger sport in the future because soccer IS international, extreme-frisbee, Ray Wise's veiny head testicle, Janeway is pretty genre savvy about their chances of getting back to the Alpha Quadrant, Neelix needs a drunk crazy man beard, Torres is probably not going back to prison when they return to Earth (but it'd be funny if she did), the wider geopolitical consequences of Janeway's earlier actions, Ray Wise sells what might be the bleakest ending of a Star Trek episode… with a bollock on his head, why this one parter is a good season finale when they don't try and recapture the Best of Both Worlds energy, how many times has Neelix let a con man on board?

Notre série d'été nous plonge dans le monde du cinéma pour explorer les thèmes liés à l'économie. Filmer les flux monétaires n'est pas en soi très intéressant. En revanche, plonger au cœur de l'intimité d'un ou d'une milliardaire est un sujet passionnant. Regardons de plus près cet étrange personnage. Citizen Kane, réalisé par Orson Welles en 1941, est l'un des premiers films de l'histoire du cinéma qui porte à l'écran l'ambiguïté de notre rapport à l'argent. Le grand réalisateur américain nous éblouit autant par sa mise en scène que par les mouvements de caméra ou encore la lumière. Son film, coécrit avec Herman J. Mankiewicz, dont Welles incarne le rôle-titre, est un véritable chef-d'œuvre cinématographique. L'homme le plus puissant des États-Unis Tout au long du film, un enquêteur assis dans l'ombre tente de résoudre une énigme : celle d'un puissant magnat de la presse, Charles Foster Kane, personnage inspiré du parcours du baron des journaux américains, William Randolph Hearst, mort dans son palais, entouré de milliers d'objets et d'œuvres d'art. Aucune des personnes interrogées n'est en mesure de dire toute la vérité sur le défunt. Un mot que Kane prononce sur son lit de mort symbolise cette énigme : « Rosebud » (Bouton de Rose) fait référence à la luge de son enfance. Dans la séquence finale du film, l'un des personnages conclut ainsi : « Kane a eu tout ce qu'il a désiré. Sauf Bouton de Rose, peut-être ! Mais aucun mot ne peut expliquer la vie d'un homme. Bouton de Rose n'est qu'une pièce de puzzle, une pièce qui manque. »  La caméra effectue une vue plongeante sur un tas de choses accumulées par Kane durant sa vie. Elle s'arrête sur une vieille luge en bois, ornée de l'inscription « Rosebud », que l'on brûle avec d'autres déchets. L'homme le plus puissant, le plus influent et le plus riche des États-Unis ne rêvait, au fond de lui, que de son enfance modeste, mais heureuse, où il était au plus près des choses. Cela, avant que l'argent ne l'éloigne de tout et de tous. Le rêve d'être aimé pour ce que l'on est L'ambiguïté ou plutôt le quiproquo est au cœur de Let's Make Love, une comédie de George Cukor sortie en 1960 et connue en France sous le titre du Milliardaire. L'intrigue ne brille pas par sa complexité : une troupe de théâtre prépare une revue dans laquelle sont ridiculisées des célébrités du moment, dont le milliardaire en question d'origine française établi à New York. Ce dernier, interprété par Yves Montand, avant d'interdire ce spectacle, assiste incognito à une répétition, tombe amoureux de l'actrice, jouée avec malice par Marilyn Monroe, puis s'engage dans la pièce sous pseudonyme pour séduire la belle. Scénario franchement paresseux, tournage émaillé d'histoires de liaison entre Montand et Monroe… Tout cela est vrai. Et pourtant, cette comédie musicale en forme de vaudeville, drôle et légère, pose une question provocatrice : peut-on aimer un homme riche seulement pour son charmant sourire ? À lire aussiL'économie au cinéma: comment le cinéma parle de l'industrie et du travail à la chaîne [2/5] L'argent des autres Comment devenir un milliardaire ? Grâce à l'argent des autres ! Voici le thème tout aussi provocateur de notre dernier opus : Le Loup de Wall Street (The Wolf of Wall Street), un film réalisé par Martin Scorsese en 2013, dont l'histoire est basée sur l'ascension, la chute et la rédemption d'un ancien courtier en Bourse, Jordan Belfort. Le golden boy À son apogée, la société de courtage financier fondée par le vrai Jordan Belfort gère pour un milliard de dollars d'actifs. Mais les arnaques et les frasques de ce « golden boy » attirent l'attention du FBI. Accusé de délit d'initié et de blanchiment d'argent en 1998, Belfort coopère avec les autorités et n'effectue que 22 mois de prison. Il devra aussi restituer plus de 110 millions de dollars aux investisseurs floués. À sa sortie de prison, Belfort se reconvertit en conférencier pour, dit-il, former la nouvelle génération de financiers. Son livre The Wolf of Wall Street, qui raconte son parcours, est adapté au cinéma par le réalisateur de Casino. S'estimant victime d'une arnaque montée par les producteurs du film, Belfort leur réclamera 300 millions de dollars. L'avarice ou toujours plus Le personnage principal joué par Leonardo DiCaprio (au sommet de son talent !) raconte : « L'année de mes 26 ans, je me suis fait 49 millions de dollars. Ce qui m'a carrément fait chier, c'est qu'à peu de choses près, ça aurait fait un million par semaine ! » Mais il faut toujours plus à Jordan. Son mentor, Mark Hanna (incarné par Matthew McConaughey, précis comme une lame de rasoir), explique au jeune apprenti les rouages de la Bourse : « Personne ne sait à l'avance si les actions vont monter ou descendre, aller de côté ou tourner en rond. Tu sais ce que c'est la finance ? La finance, c'est du baratin, c'est du blabla… C'est de la poudre aux yeux ! » Ces films clefs renvoient à d'autres films, notamment : Volpone (1941), L'Avare (1980), Casino (1995), Margin Call (2011) ou encore La femme la plus riche du monde (2025). Tous interrogent les valeurs de notre société, obnubilée par la figure du ou de la milliardaire. À lire aussiL'économie au cinéma: les robots prennent le pouvoir [3/5]

“Our language is valuable, and we've gotta hold on to that. That's the most human thing we have.” — Jeff Jarvis Last week, to celebrate episode 3,000 of the show, the New York Times' Sam Roberts articulated the art of the obituary. Borrowing from Citizen Kane, he described it as the Rosebud method. Obits are all about life (death only figuring as an afterthought), Roberts explained, so hunt for the moment which defines that life. Today's show is a kind of obituary of that type. Only it's about the life of a machine and the mass media that emerged in its wake. In Hot Type, tech historian Jeff Jarvis introduces us to the magnificent late 19th century machine that not only gave birth to industrial mass media, but also bankrupted Mark Twain. It's the history of the Linotype, the machine invented by Ottmar Mergenthaler that ended four hundred and fifty years of setting type, as Jarvis puts it, “one damn letter at a time.” It's an extraordinary story. Before the Linotype, American daily newspapers were limited to a 4,000 circulation. First installed at the New York Tribune on July 3, 1886, the Linotype scaled print, thereby enabling the age of mass circulation newspapers, magazines and books. It appeared so infinitely scalable that Mark Twain poured his entire family fortune into its doomed rival, the Paige Compositor. He lost all his money, of course, making it his Rosebud moment — Citizen Twain, so to speak. But for the rest of us, Mergenthaler's magnificent type machine was so hot that it revolutionized 20th century culture in the same way that AI is now revolutionizing 21st century reading and writing. The art of obituary. A description of life, not death. Five Takeaways •       One Damn Letter at a Time. For four hundred and fifty years after Gutenberg, virtually every word in every language was set by hand, one letter at a time — which is why the average American daily circulated just 4,000 copies, “a small Substack newsletter.” Steam-powered presses, cheap wood-pulp paper, stereotyping, and the telegraph had solved every other bottleneck; the typesetter with a composing stick was the last. More than 300 typesetting machines failed before Ottmar Mergenthaler — a Baltimore watchmaker who knew nothing about printing, prodded by James O. Clephane, once a stenographer in Lincoln's cabinet — had the eureka: stop imitating hand-setting and mold entire lines of type at once. Installed at the New York Tribune on July 3, 1886, the Linotype made type fresh for every edition, let print catch up with the telegraph, and gave birth to mass media.•       The Union That Didn't Smash the Machine. The book's great labor surprise: the typesetters didn't fight the typesetting machine. Having studied the Luddites' defeat, the International Typographical Union sent spies into the Tribune's composing room, concluded the Linotype was inevitable, and demanded to operate it — with Mergenthaler's blessing. Thirty thousand jobs disappeared, returned to full strength within five years, and grew for seventy-five more, making the ITU America's most powerful union. Then came wave two — paper tape, computers that could hyphenate and justify, cold type, PostScript — and this time the union fought: six of nine New York papers died in the strikes, Bert Powers traded automation for lifetime job guarantees (the last holder retired from the New York Times around 2012), and Murdoch's secret Wapping plant ended Fleet Street — a century, almost exactly, after machine number one. The two lessons: take charge of the technology if you can; if it will replace you outright, find something else to do.•       The Machine That Drove Twain Mad. Mark Twain wanted to be filthy rich and stop writing — so he poured his fortune, and his wife's family coal fortune, into the Paige Compositor, the Linotype's brilliant, doomed rival: only two ever built, the sole survivor sitting in the basement of Hartford's Mark Twain House looking like “a railroad with nowhere to go.” Bankruptcy followed — a far deeper shame in the nineteenth century — and Twain repaid every debtor. Jarvis reads the scars in the fiction: A Connecticut Yankee in King Arthur's Court ends with technology destroying technology in an Armageddon of Camelot; the unfinished No. 44, The Mysterious Stranger conjures strange beasts endlessly duplicating pages — scale itself as nightmare. He lost all his money, of course — his Rosebud moment, as Andrew puts it, borrowing from Sam Roberts' art of the obituary on episode 3,000. The machine robbed Twain not of his humor, Jarvis concludes, but of his love of technology. The biopic pitch: Citizen Twain.•       From One Gilded Age to Another. The Linotype era bridges Twain's Gilded Age — tycoons of steam, steel, and wire — to ours, with its barons of bits and AI. Whitelaw Reid, the book's villain and the first capitalist media mogul, used the machine against his own union and predicted newspapers would never exceed eight pages (completely wrong); Frank Munsey invented the attention economy at a dime a copy — content as honey, audience as product, a model that ruled mass media and infected the Internet. Today's moguls fare no better in Jarvis's telling: Altman selling “vending machines for intelligence” that actually dispense compute, Amodei “the paragon of safety” with a skewed definition of it, all chasing the Valhalla of AGI, “pure BS.” His hope: open-weight models to check the frontier companies. His warning against banning them: guardrails are a fool's errand — the printing press was a general machine, and nobody could tell Gutenberg to keep it from Martin Luther.•       Words Matter, Damn It. The through-line from Jarvis's blog post to the book: language is the most human thing we have. His objection to Anthropic's watermark isn't Keith Teare's shame argument — it's that a scheme treating “overcast” and “gray” as interchangeable declares all language fungible, “a cultural statement damaging to our craft.” His own AI practice is disclosed down to a confessional footnote in Hot Type for a single borrowed phrase: Gemini may pull facts (“don't write for me”), but what you express must be what you want to express. The typewriter shaped Nietzsche and made Hemingway; the newsroom computer made Jarvis an editor more than a writer; Quark made everyone typesetters — “in the end, it was all still me.” Against Kirschenbaum's gray goo, he holds up Pope Leo (work brings dignity; not a Luddite) and poetry itself. Hot type revolutionized 20th century culture the way AI is now revolutionizing 21st century reading and writing. The art of obituary: a description of life, not death — and the most human thing we have is the words. About the Guest Jeff Jarvis is the Emeritus Leonard Tow Professor of Journalism Innovation at CUNY's Craig Newmark Graduate School of Journalism. The creator and founding managing editor of Entertainment Weekly, he has been TV critic for TV Guide and People, Sunday editor of the New York Daily News, and a media columnist for The Guardian. His books include What Would Google Do?, The Gutenberg Parenthesis, Magazine, and The Web We Weave; he blogs at Buzzmachine...

Original Release Date: Monday 17 August 2026      Description:   In a cold open, Dean and Phil share how impressed they are with an animated short made by the college student son of one of Phil's high school classmates. In the return of “Lawsuit of the Week”, the most recent threats and developments surrounding Paramount's desired merger with Warners get fully explained and analyzed. Phil shares sadness surrounding the impending departure of longtime favorite son of Los Angeles Gustavo Dudamel, who is leaving the L.A. Phil to take over the New York Philharmonic. A great story about Lily (Holleman) Leirness' encounter with Dudamel gets shared. Dean has started watching “Diarra from Detroit” at Phil's urging and loves it! Loyal listener has a slight correction to something Dean said on the recent, epic episode of “Deep Dive” exploring 1940s Film Noir. Phil follows up on a couple of films discussed in that show offering greater context to the writing of The Stranger (1946) and Sidney Greenstreet's performance in The Maltese Falcon (1941). Chris Carter's “director's cut” of the 2nd “X-Files” movie has been release and … Dean and Phil have thoughts. Phil re-watched Citizen Kane, which inspires in-depth discussion of that film's continued greatness and resonance, and which inspired his watching the recent Japanese psychological suspense film Exit 8, a film Dean is now ready to reappraise!

You can't answer "what do I actually want?" by looking inward harder, because most desire isn't hidden — it's borrowed. In this episode, Brett Ingram makes the case that a lot of what feels like your deepest wanting was actually absorbed from the people around you, and that the brain's craving for something and its enjoyment of having it run on two separate systems that routinely disagree. He offers a three-question "wanting audit" — where a want came from, whether you'd like having it or just getting it, and whether you'd still want it in private — for telling a genuine desire from a borrowed one before you spend years chasing it. What You'll Learn in This Episode Why "look inward and follow your heart" doesn't work — and why desire is mostly formed, not found, built out of what you were exposed to, praised for, and surrounded by René Girard's concept of mimetic desire: why so much of what you want, you caught from other people rather than generated yourself Kent Berridge's discovery that wanting and liking run on two different brain systems — and why the loudest craving is often the least reliable signal The three-question "Wanting Audit" for testing whether a specific desire is actually yours: the origin question, the liking question, and the private question Why intrinsic goals (growth, relationships, contribution) tend to hold up better over a life than extrinsic ones (status, image, wealth) — and why that finding is correlational, not a verdict on ambition itself The difference between reflection and rumination, and why thinking harder about what you want usually just generates heat, not light A simple one-week practice — the one-want audit and a daily "aliveness" note — for catching the wants you couldn't have found by sitting still Episode Timestamps [0:00] Introduction — the question that sounds simple and isn't [2:00] Why this hits hardest for people who are good at getting what they want [3:00] The trap in "figure out what you want" — desire isn't buried treasure [4:00] Why "look inward and follow your heart" doesn't work [6:00] Borrowed desire: René Girard and mimetic desire [9:00] Wanting isn't liking: Kent Berridge's two systems in the brain [12:00] The Wanting Audit — three tests, starting with the origin question [13:00] Test two: do you want to have it, or just to get it? [15:00] Test three: would you still want it if no one knew? [16:00] What the research says: intrinsic vs. extrinsic goals [18:00] The limit of thinking your way there — and the antidote [20:00] This week's practice: the one-want audit and the aliveness log [22:00] Rosebud, and the loudest want is rarely the truest one Episode Summary There's a version of "figure out what you want" that sounds like buried treasure — dig deep enough into yourself and the true answer will surface. Brett Ingram opens this episode by rejecting that model outright. The core claim: desire isn't mostly found, it's formed — built over time out of what you were exposed to, what you were praised for, and who you were standing next to when a want first showed up. If that's true, then sitting still and asking "but what do I really want?" on repeat won't get you anywhere. As Brett puts it, that kind of looping introspection means "all that's gonna do is generate heat. It's not gonna generate light." The first idea Brett builds the episode around is French philosopher René Girard's concept of mimetic desire — the claim that we mostly want things because other people want them, not because of the qualities of the thing itself. We look around to see what's worth wanting, and then we want that. It's why a neighborhood suddenly appeals once a friend moves there, or a career milestone starts to matter only after someone your age hits it first. Girard's point, Brett stresses, isn't a moral indictment — "it's not that you're shallow or a follower... The failure is only in never noticing it's happening." Borrowed desire isn't automatically bad; some of it fits beautifully. The problem is chasing a borrowed want for a decade while assuming it's the deepest expression of who you are. The second idea comes from neuroscientist Kent Berridge's decades of research at the University of Michigan: wanting and liking are two separate systems in the brain. Wanting — the craving, the pursuit — runs largely on dopamine. Liking — the actual pleasure once you have the thing — runs on a smaller, more fragile system, and the two can come apart completely. That's the mechanism behind the flat, quiet letdown after finally getting something you were sure about. "The loudest want is not the truest want," Brett says, and using raw craving as your guide to what you want will steer you straight toward the things you'll like least once you have them. From these two ideas, Brett builds a practical tool: the Wanting Audit, three questions to run on any specific want. The origin question — where did this come from, and who did I first see wanting it? The liking question — do I want to have this, or just to get it? (Imagine the ordinary Wednesday six months later, not the moment of arrival.) And the private question — would I still want this if no one ever knew I had it? None of the three deliver a clean verdict, but together they show where a want came from and whether it's likely to satisfy. The pattern lines up with research from psychologists Tim Kasser and Richard Ryan on intrinsic versus extrinsic goals: people who organize their lives disproportionately around extrinsic goals — wealth, status, image — tend to report lower wellbeing, even when they get what they wanted. The finding is correlational, and Brett is careful to say ambition itself isn't the villain; the wants worth keeping tend to have an intrinsic core, even when they wear an extrinsic coat. Brett also pushes back on his own framework: some wants can't be found by analysis at all. They only reveal themselves through action — small, cheap, reversible experiments, followed by honest noticing of what you actually felt, not what you predicted. That's the difference between reflection and rumination, and it connects directly to the difference between self-knowledge and self-improvement — the deeper terrain this episode sits inside. The homework is simple: run the Wanting Audit on one costly want this week, and keep a running note of the moments you felt genuinely alive, then compare the two lists. Closing with the "Rosebud" ending of Citizen Kane, Brett leaves listeners with the line the whole episode turns on: "You don't have to figure out everything you want today. You just have to stop mistaking a borrowed want for a life." Resources Mentioned René Girard's mimetic desire theory — the idea that we largely want things because other people want them — Britannica: "What is mimetic desire according to René Girard?" Kent Berridge's "wanting vs. liking" research, University of Michigan — the neuroscience showing craving and enjoyment run on separate brain systems — Berridge Lab: Neuroscience of Liking and Wanting Tim Kasser & Richard Ryan's research on intrinsic vs. extrinsic goals — the correlational link between extrinsic-goal-focused living and lower wellbeing — Kasser, "Materialistic Values and Goals," Annual Review of Psychology (2016) Citizen Kane (1941 film) — referenced for the "Rosebud" ending and the idea of getting everything you wanted and finding out it was never really yours Frequently Asked Questions How do I figure out what I actually want in life? Run any specific want through three tests instead of trying to think your way to an answer: where it came from and who you first saw wanting it, whether you'd enjoy having it and not just getting it, and whether you'd still want it if no one ever knew. Wants that survive all three are far more likely to be genuinely yours. Why don't I know what I want anymore? Because desire is mostly formed, not found — built out of what you were exposed to, praised for, and surrounded by — so there usually isn't a single "true" want hiding inside you waiting to be uncovered. What feels like confusion is often a list that's half yours and half absorbed from other people, with no way yet to tell them apart. What is mimetic desire, and why does it matter for figuring out what I want? Mimetic desire is philosopher René Girard's idea that we largely want things because other people want them, not because of the qualities of the thing itself. A lot of what feels like a personal desire is actually a social signal picked up from a peer, a rival, or a culture — which isn't a character flaw, just how humans learn what to value in the first place. What's the difference between wanting something and liking it? Neuroscientist Kent Berridge found that wanting (the craving, the pursuit) and liking (the pleasure once you have it) run on two different, separable systems in the brain. That's why a desire can feel intensely urgent and still deliver almost no satisfaction once you get the thing — the wanting system can fire hard even when the liking system barely responds. Why do I get what I want and still feel unsatisfied? Because the intensity of a craving tells you almost nothing about how much you'll actually enjoy having the thing once you do — that's the wanting/liking gap. It's also often a sign the want was extrinsic (status, image, being seen) rather than intrinsic, and research shows extrinsically-organized goals tend to satisfy the least even when achieved. What is the "Wanting Audit" from this episode? It's a three-question test for any want you're carrying: the origin question (where did this come from, who did I first see wanting it), the liking question (do I want to have it, or just to get it), and the private question (would I still want it if no one ever knew I had it). It won't produce a clean yes or no, but it shows where a want came from and whether it's likely to satisfy you. Is it bad that a lot of my desires are borrowed from other people? No — Brett is explicit that borrowed doesn't automatically mean bad, and mimetic wanting is simply how humans learn what to value. Some desires you catch from other people fit you beautifully. The problem is only when you can't tell the difference and spend years chasing a borrowed want assuming it's the deepest expression of who you are. Keep Exploring If this episode resonated, these are worth your time: Mind & Inner Life Pillar — The full framework on self-knowledge and building a genuine inner life, not just optimizing your output → Mind & Inner Life Guide What Self-Knowledge Actually Is — A companion episode on why real self-knowledge means seeing yourself clearly in motion, not a personality-quiz result → optyoumize.com/podcast/what-self-knowledge-actually-is How to Stop Comparing Yourself to Others — A closer look at the same mimetic pull behind comparison and status-chasing → optyoumize.com/podcast/why-you-cant-stop-comparing-yourself Enjoyed This Episode? The best way to support optYOUmize is to subscribe and leave a review — it takes about two minutes and makes a real difference in helping more people find the show. Apple Podcasts · Spotify · Amazon Music · YouTube Leave a Review →

“Obituaries are about life, about the lives that people have lived. Death only figures in one sentence.” — Sam Roberts This is, remarkably, episode 3,000 of Keen On America — three thousand conversations since the show launched on TechCrunch in 2010. Fitting, then, that today's guest has written nearly 1,500 obituaries for the New York Times. Sam Roberts is a reporter on the Times' obituaries desk and has a new book about the art of the obit entitled Are They Dead Yet? We recorded this a week before airtime, so I began by asking who's going to die in the interim. He wasn't sure — but noted that the Times keeps 2,000 advance obituaries ready. There are, he added, never enough. Beware, though, the Rockefeller curse. Roberts wrote David Rockefeller's advance obituary, whereupon he learned that three other Times reporters had written Rockefeller advance obits — and all three were dead. (Rockefeller made it to 101.) Borrowing from Citizen Kane, Roberts hunts for the Rosebud moment, the epiphany that defines a life. He hunts for the soul of the subject, not the résumé. Hence his cheerful paradox that obituaries are about life, whereas death only figures in one sentence. As for famous last words, he's a skeptic — most were composed later by better writers. The real ones, he suspects, are “help,” or “get me a drink.” And the obituarist's own Rosebud moment? We have to go back to Brooklyn when he was a six-year-old boy. His father walked him to the corner to watch the Rosenberg funeral procession pass. “I want you to see history as it's happening,” he explained. Half a century later, Roberts got David Greenglass to admit he had lied about the testimony that sent his own sister, Ethel Rosenberg, to the electric chair. From the Times' Portraits of Grief after 9/11, Roberts learned the book's deepest lesson. There are no ordinary lives. Who would you miss more — your mayor or your mailman? Or maybe your obit writer (or even your podcaster)? Sam promised that if he died before airtime, he'd call. The phone hasn't rung. I'm still going too. On to episode 3,001. Five Takeaways •       2,000 Obits, Never Enough. The Times keeps some 2,000 advance obituaries on file, regularly updated — and people still surprise the desk (and presumably themselves) by dying unexpectedly. Print once had a deadline or two a day; now there's a deadline every minute. The occupational hazards are real: three Times reporters wrote advance obits of David Rockefeller and predeceased him — Roberts, the fourth, survived to see his run when Rockefeller died at 101. And the genre changes its readers: “no man who has seen his own obit is ever the same again.” Alfred Nobel, mistakenly obituarized as dynamite's merchant of death, endowed the Nobel Prizes in response — proof that a premature obituary can be the most consequential document a man ever reads.•       The Rosebud Method. Roberts' organizing device comes from Citizen Kane: the Rosebud moment, the epiphany — a teacher, a meeting, an accident — that changed the trajectory of a life and made it worth recording. The model, via The Economist's Ann Wroe, is the soul rather than the stenography: Wikipedia has the chronology; the obituary hunts the essence. Advance obits are never vetted by their subjects — facts checked, yes; the portrait, never — because an obituary is a news story, not a eulogy. And the form's great secret is optimism: obituaries are about life. Death gets one sentence. (Famous last words, meanwhile, are mostly posthumous fiction. The real ones: “help,” or “get me a drink.”)•       Giuliani, Trump, Epstein. The hardest working file on Roberts' desk: Rudy Giuliani — aggressive prosecutor, the mayor who proved New York governable, then a bitter Trump apologist indicted under the same statutes he once used on mobsters. How do you compress that into a lead paragraph? Andrew's suggestion — a narrative of somebody who had a soul and then sold it — requires Shakespeare; Roberts insists on newspaper objectivity, omitting nothing and editorializing never. The Trump obituary already exists (its subject, Roberts guesses, would sue). And context keeps moving after death: Bush the defeated loser became Bush the elder statesman; Epstein's reputation kept falling posthumously. Of the 150,000 people who die each day, three or four make the Times.•       The Rosenberg Rosebud. Roberts' own epiphany arrived at age six, on a Brooklyn street corner where his father took him to watch the Rosenberg funeral procession: “I want you to see history as it's happening.” His family otherwise met death with denial — six months after his father died, an aunt asked how Arthur was doing could only answer “so-so.” The Rosenberg thread ran through his whole career: decades later, for his book The Brother, David Greenglass admitted to Roberts that he had lied about the most incriminating testimony against his sister Ethel — evidence that, truthfully given, would likely have spared her the electric chair. When Roberts assigned graduate students to write his own advance obituary, none of them led with that. He would.•       No Ordinary Lives. From Portraits of Grief — the Times' profiles of virtually every victim of the World Trade Center attack — Roberts drew the book's central lesson: there are no ordinary lives. Who would you miss more, your mayor or your mailman? Carlyle asked whether history belongs to Hannibal or to the anonymous man who invented the spade. The desk has honored the principle in both directions: a front-page obituary for Hercule Poirot (the most famous Belgian, as Andrew noted), and a Jesus of Nazareth obituary written as the Times would have run it in AD 33 — ending, for lack of further confirmation, with the report that he was buried and his body disappeared. No beat generates more reader feedback. “As long as they're reading it, I'm happy.” About the Guest Sam Roberts is a fifty-year veteran of New York journalism, an obituaries reporter and former Urban Affairs correspondent at the New York Times, and the host of the Times' “Close Up,” which he inaugurated in 1992. His many books include The Brother, Grand Central, A History of New York in 101 Objects, and Only in New York. A history adviser to Federal Hall, he lives in New York with his wife and two sons. Are They Dead Yet? The Art of the Obit (Bloomsbury, August 11, 2026) draws on the nearly 1,500 obituaries he has written for the Times. References: •       Are They Dead Yet? The Art of the Obit by Sam Roberts (Bloomsbury, August 11, 2026). Carl Hiaasen: “Mordantly wonderful.” Roz Chast: “I almost died laughing.”•       The Brother by Sam Roberts — in which David Greenglass admitted lying about the testimony that sent his sister, Ethel Rosenberg, to the electric chair.•...

What can your body tell you about a movie? According to legendary Columbia Pictures chief Harry Cohn, everything.This week's Movie Racket explores Cohn's infamous rule for separating hits from flops. Joining Michael Phillips is Slate film critic Dana Stevens (Camera Man), who helps unpack what that deceptively simple dictum reveals about audiences, critics, attention spans, and streaming culture. Along the way, they cover The Odyssey, Jeanne Dielman, Citizen Kane, and whether laughter, tears, gasps, or simple restlessness can ever be trusted as measures of a film's success.See omnystudio.com/listener for privacy information.

In this episode of 3 Movies That Changed Your Life screenwriter Stuart Wright talks with legendary screenwriter Steven E De Souza (DIE HARD, RUNNING MAN) about: The Treasure Of Sierra Madre, North By North West, and Citizen Kane. Discover how these films shaped his filmmaking journey, personal growth, and understanding of cinema's power. Plus Steven E De Souza discusses how he wrote the iconic eighties action movie COMMANDO (1985) for Arnold Schwarzenegger.  Movies That Changed Your Life   Find out about how Steven E De Souza wrote the iconic eighties action movie COMMANDO; and the lasting impact of cinema on his life with Stuart Wright on this movie podcast.   [1:20] How Steven E De Souza wrote the Arnold Schwarzenegger action movie COMMANDO (1985) 3 Movies That Changed Your Life [44:45] The Treasure Of Sierra Madre (1948): Saw this movie when it was re-released in 1955 [49:50] North By North West (1959): The first movie Steven could not second guess where the story was heading [55:10] Citizen Kane (1941): Cemented Steven's desire to be a filmmaker Key Take Aways:   Discover how movies that changed your life shape personal and professional growth.  How Steven E De Souza wrote the Arnold Schwarzenegger action movie COMMANDO (1985) Rewriting someone else's screenplay Understand cinema's transformative power through The Treasure Of Sierra Madre (1948), North By North West (1959), Citizen Kane (1941) Subscribe on Apple Podcasts, follow on Spotify or wherever you listen to your podcasts for more movies that impacted your life!  Share your favourite movies that impacted your life on X (@leytonrocks) and leave a 5-star review and tell us which 3 films impacted your adult life. Best ones get read out on the podcast About my Guest:   Steven E De Souza is a screenwriter known for COMMANDO, RUNNING MAN, DIE HARD and much more. Find him on Twitter at https://x.com/StevenEdeSouza  Credits:   3 Movies That Changed Your Life Podcast is written, produced, and hosted by Stuart Wright see https://linktr.ee/stuartwright  Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back with another Recommend or Refute conversation.  John finally decides to watch a good movie and is blown away by Paul Thomas Anderson's epic character piece The Master (2012), Ryan goes dumpster diving with Richard Pryor in The Toy (1982), and Dixon tackles one of cinema's all-time greats with Orson Welles' debut film Citizen Kane (1941).  Pull up a chair, grab a drink, and join us.

Sixty two years ago, The Beatles' cinematic debut arrived, putting the world on notice that their charm and talents were adaptable to virtually any medium. A Hard Day's Night, directed by Richard Lester, has gone down in film history as “the Citizen Kane of jukebox musicals,” a stunning work as fresh and captivating as the day … 329: A Hard Day's Night Re-Examined with Samira Ahmed Read More »

It's never been easier to get 2000 AD: The Galaxy's Greatest Comic in your grubby, American mitts. Stop what you're doing. Grab your phone. Call your shop. Get your Progs and Megazines in your pullbox. If you need any more convincing than that, then Drokk, do we have an episode for you today. As San Diego Comic-Con International begins its finale, we chat with 2000 AD Thrill-Cast hosts Michael Molcher and Chloe Maveal. We discuss 2000 AD's relationship with America, how it shaped the entire modern comics industry, and which books you need to jam into your eyeballs immediately. 2000 AD has already had a brilliant San Diego Comic-Con with multiple panels (one hosted by us) discussing our dystopian present, teasing the upcoming Rogue Trooper movie directed by Duncan Jones, and slapping some of the prettiest produced comics in the hands of new readers who stumbled into their booth. I'm not sure we can make Judge Dredd fiction again, but 2000 AD is doing its damnedest to stimulate conversation while providing some of the wildest entertainment this medium has to offer. Make sure you hop over to 2000 AD, subscribe to the Thrill-Cast, follow Molcher on Instagram, and Maveal on Bluesky and Patreon. Follow the Rest of Our San Diego Comic-Con 2026 Coverage Christopher Cantwell on Star Trek David Steinberger and Chip Mosher on Neon Ichiban 2.5 Ben Wickey on More Weight Kelly Sue DeConnick and Matt Fraction on FML Other Relevant Links to This Week's Episode: Subscribe to the Comic Book Couples Counseling YouTube Channel Watch The Stacks, Comic Creators Name Their Favorite Comics Previously on CBCC: Christian Ward on The Forever Home Previously on CBCC: Ben Wheatley on Judge Dredd and Judge Dee Previously on CBCC: Jock on How Judge Dredd Incluenced Absolute Batman Comic Book Club: Spider-Man: Brand New Day at Meanwhile...Coffee in Herndon, Virginia, on 8/2 at 3:30 PM Comic Book Film Club: Nausicaä of the Valley of the Wind at the Alamo Drafthouse in Winchester, Virginia on 8/9 at 5:00 PM Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! What happens when the love of your life is buried on the other side of the country, and you're a ghost who can't leave your grave? That's the beautifully haunting setup of Till Death, a new romantic horror-comedy from Michael Schwartz, Rachael Schaefer, and artist Gaia Cardinali now on Kickstarter from Clover Press! Vivian has waited decades for her husband to join her in the afterlife. But when she discovers he's been buried across the country, she makes a deal with Mack, a man whose near-death experience allows him to see ghosts. We've read Till Death, and we absolutely loved it. It's a bold, original four-color romance, fitting snugly inside comics' most unsung genre. Till Death is on Kickstarter now. Visit the campaign and make your pledge today! Third Eye Comics is opening its biggest store ever: Third Eye 97, a 10,000-square-foot comic, game, and collectibles mega-store inside a former Walmart in Glen Burnie, Maryland, with the doors opening July 25th. Grand opening month goes huge with a Rob Liefeld signing at the new flagship on July 31st, the legend behind Youngblood, Deadpool, and Cable, live and in person. Can't make it to Maryland? The entire Third Eye world ships to your door at thirdeyecomics.com: new releases, back issues, games, and exclusives, sent anywhere with Third Eye Ships. See Third Eye's massive inventory while watching THE STACKS and then order those same books your favorite creators talk about online! Use codeword: STACKSORDIE for 15% off your order! The Alamo Drafthouse in Winchester, Va is not only unlike any theater in America; it's unlike any Alamo Drafthouse. It's a franchise. In fact, it's the first Alamo Drafthouse location outside of Texas. On July 5th, their Film Club is celebrating America's 250th with the 85th Anniversary of the Greatest Movie Ever Made, Citizen Kane! They'll have an encore screening of Kane on Wednesday, July 8th, too. Film Club is great, but so is their Psycho Cinema series hosted by Faye. On July 14th, they're screening truly one of the best bad movies of all time, Samurai Cop. Golly, have you even lived until you've seen Samurai Cop on the big screen? I think not. Get your tickets today!

The Best Picture Show - Episode 14 Quintin and Sush discuss the 100 Best Picture winners from the last century of filmmaking. They discuss every Oscar ceremony, the historical context of each film, and how the film has stood the test of time.  This episode they watch the Best Picture winner: How Green Was My Valley. They discuss their thoughts on the movie that beat Citizen Kane and the success of John Ford's third Oscar.

On this episode Matt and Jon discuss The Odyssey, then busts out the Wheel of Topics to discuss (Both) Evil Dead Burn, House of the Dragon, King of the Hill, The Vampire Lestat finale and X-Men '97, (Matt) Blue Heron, Citizen Kane, Exit 8 (both game and movie), Gail Daughtry and the Celebrity Sex Pass, Legends, The Hawk, The Invite and Concludes his Ingmar Bergman watch including After the Rehearsal, Saraband and Fanny and Alexander, (Jon) Spider-Noir and WWE Unreal! Threads: https://www.threads.net/@jonwahizzle Facebook: https://www.facebook.com/groups/damnthattelevision/ Instagram: https://www.instagram.com/damntvpod Bluesky: https://bsky.app/profile/mattlovestv.bsky.social https://bsky.app/profile/jonwahizzle.bsky.social Letterboxd: https://letterboxd.com/mattlovestv/ https://letterboxd.com/jonwahizzle/ Jon on AIPT: https://aiptcomics.com/author/jonathanw/ Matt's show The Drop: A Pop Culture Mix Tape: wscafm.org Sundays 6-8 PM: https://www.facebook.com/groups/thedropwsca/

Something magical is happening between the first and second arcs of FML, the Dark Horse Comics series. Writer Kelly Sue DeConnick is passing scripting duties to her husband, Matt Fraction. Since the book began as a melodramatic amplification of her family experience, it seems natural, but we don't think such a regime change has ever happened before in comics. David López will remain on art, showcasing some of the most extraordinary comics skills we've ever encountered and pushing the medium to its very heights. However, with this shift in perspective, FML becomes a comic every reader should pull (if they weren't already, cuz those first eight issues exemplify the power of comic books). As San Diego Comic-Con International rages into its third day (Saturday), we chat with Kelly Sue DeConnick and Matt Fraction about FML. We discuss their unique working habits, how they play off each other, and how they don't. This all has something to do with physics and jazz, but we won't tell you how - you'll have to listen. This is our second FML related episode. Make sure you listen to Kelly Sue DeConnick's first appearance on the podcast, as that establishes how her family informs the comic. Today's episode is one we could not have predicted when we had that first one, but we're so excited at the direction FML has taken. FML issues 1 - 8 are out now from Dark Horse Comics. They're written by Kelly Sue DeConnick, illustrated by David López, colored by Cris Peter, lettered by Clayton Cowles, and designed by Laurenn McCubbin. Make sure you follow Kelly Sue DeConnick on Bluesky and Instagram. Follow the Rest of Our San Diego Comic-Con 2026 Coverage Christopher Cantwell on Star Trek David Steinberger and Chip Mosher on Neon Ichiban 2.5 Ben Wickey on More Weight Other Relevant Links to This Week's Episode: Subscribe to the Comic Book Couples Counseling YouTube Channel Watch The Stacks, Comic Creators Name Their Favorite Comics Previously on CBCC: Christian Ward on The Forever Home Comic Book Club: Spider-Man: Brand New Day at Meanwhile...Coffee in Herndon, Virginia, on 8/2 at 3:30 PM Comic Book Film Club: Nausicaä of the Valley of the Wind at the Alamo Drafthouse in Winchester, Virginia on 8/9 at 5:00 PM Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! What happens when the love of your life is buried on the other side of the country, and you're a ghost who can't leave your grave? That's the beautifully haunting setup of Till Death, a new romantic horror-comedy from Michael Schwartz, Rachael Schaefer, and artist Gaia Cardinali now on Kickstarter from Clover Press! Vivian has waited decades for her husband to join her in the afterlife. But when she discovers he's been buried across the country, she makes a deal with Mack, a man whose near-death experience allows him to see ghosts. We've read Till Death, and we absolutely loved it. It's a bold, original four-color romance, fitting snugly inside comics' most unsung genre. Till Death is on Kickstarter now. Visit the campaign and make your pledge today! Third Eye Comics is opening its biggest store ever: Third Eye 97, a 10,000-square-foot comic, game, and collectibles mega-store inside a former Walmart in Glen Burnie, Maryland, with the doors opening July 25th. Grand opening month goes huge with a Rob Liefeld signing at the new flagship on July 31st, the legend behind Youngblood, Deadpool, and Cable, live and in person. Can't make it to Maryland? The entire Third Eye world ships to your door at thirdeyecomics.com: new releases, back issues, games, and exclusives, sent anywhere with Third Eye Ships. See Third Eye's massive inventory while watching THE STACKS and then order those same books your favorite creators talk about online! Use codeword: STACKSORDIE for 15% off your order! The Alamo Drafthouse in Winchester, Va is not only unlike any theater in America; it's unlike any Alamo Drafthouse. It's a franchise. In fact, it's the first Alamo Drafthouse location outside of Texas. On July 5th, their Film Club is celebrating America's 250th with the 85th Anniversary of the Greatest Movie Ever Made, Citizen Kane! They'll have an encore screening of Kane on Wednesday, July 8th, too. Film Club is great, but so is their Psycho Cinema series hosted by Faye. On July 14th, they're screening truly one of the best bad movies of all time, Samurai Cop. Golly, have you even lived until you've seen Samurai Cop on the big screen? I think not. Get your tickets today!

Cartoonist and animator Ben Wickey spent more than a decade toiling away on More Weight. The original graphic novel is an astonishing achievement, recounting the Salem witch trials through extensive research and dusting off History's cobwebs. Wickey re-contextualizes the events and the people, establishing how the horror stretches across time, touching upon literary giants like Nathaniel Hawthorne and Henry Wadsworth Longfellow, as well as himself and every one of his readers. We're publishing this podcast on the eve of the Eisner Awards, held at San Diego Comic-Con International. More Weight finds itself nominated for Best Graphic Novel Album - New. Wickey stands amongst some stiff competition, but as you heard in our Stampies: Best Comics of 2025 episode, we think it's not only worthy of that nomination, but we believe it to be one of the best comics of the twenty-first century. More Weight is not a textbook. It's a riveting, horrorifying, and beautifully human drama. It's staggering to witness the thought and concern Wickey put into these characters, and his artistic depiction is simply breathtaking. Today's podcast is one we've wanted to have for months. It's a thorough conversation, exploring with Wickey why the Salem witch trials are more significant today, and it will probably remain so for as long as those living dare to dismiss it as Halloween decoration. More Weight is available from Top Shelf Productions wherever rad comic books are sold. Follow Ben Wickey on Instagram. Follow the Rest of our San Diego Comic-Con 2026 Coverage Christopher Cantwell on Star Trek David Steinberger and Chip Mosher on Neon Ichiban 2.5 Other Relevant Links to This Week's Episode: Subscribe to the Comic Book Couples Counseling YouTube Channel Watch The Stacks, Comic Creators Name Their Favorite Comics Previously on CBCC: Christian Ward on The Forever Home Comic Book Club: Spider-Man: Brand New Day at Meanwhile...Coffee in Herndon, Virginia, on 8/2 at 3:30 PM Comic Book Film Club: Nausicaä of the Valley of the Wind at the Alamo Drafthouse in Winchester, Virginia on 8/9 at 5:00 PM Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! What happens when the love of your life is buried on the other side of the country, and you're a ghost who can't leave your grave? That's the beautifully haunting setup of Till Death, a new romantic horror-comedy from Michael Schwartz, Rachael Schaefer, and artist Gaia Cardinali now on Kickstarter from Clover Press! Vivian has waited decades for her husband to join her in the afterlife. But when she discovers he's been buried across the country, she makes a deal with Mack, a man whose near-death experience allows him to see ghosts. We've read Till Death, and we absolutely loved it. It's a bold, original four-color romance, fitting snugly inside comics' most unsung genre. Till Death is on Kickstarter now. Visit the campaign and make your pledge today! Third Eye Comics is opening its biggest store ever: Third Eye 97, a 10,000-square-foot comic, game, and collectibles mega-store inside a former Walmart in Glen Burnie, Maryland, with the doors opening July 25th. Grand opening month goes huge with a Rob Liefeld signing at the new flagship on July 31st, the legend behind Youngblood, Deadpool, and Cable, live and in person. Can't make it to Maryland? The entire Third Eye world ships to your door at thirdeyecomics.com: new releases, back issues, games, and exclusives, sent anywhere with Third Eye Ships. See Third Eye's massive inventory while watching THE STACKS and then order those same books your favorite creators talk about online! Use codeword: STACKSORDIE for 15% off your order! The Alamo Drafthouse in Winchester, Va is not only unlike any theater in America; it's unlike any Alamo Drafthouse. It's a franchise. In fact, it's the first Alamo Drafthouse location outside of Texas. On July 5th, their Film Club is celebrating America's 250th with the 85th Anniversary of the Greatest Movie Ever Made, Citizen Kane! They'll have an encore screening of Kane on Wednesday, July 8th, too. Film Club is great, but so is their Psycho Cinema series hosted by Faye. On July 14th, they're screening truly one of the best bad movies of all time, Samurai Cop. Golly, have you even lived until you've seen Samurai Cop on the big screen? I think not. Get your tickets today!

The digital comics market has evolved massively in the last few years. It's time we had a proper conversation about our relationship with it, and we're eager to have it with Comixology veterans and Neon Ichiban founders David Steinberger and Chip Mosher. With San Diego Comic-Con International in full swing, we brought them onto the show to discuss their evolution with digital comics and what they're delivering to readers AND collectors stumbling around the con floor. They recently launched Neon Ichiban 2.5. This next chapter in their development promises huge growth to their community. Steinberger and Mosher are bringing the convention environment to their platform. Meet your favorite creator. Get a signature. Walk artist alley and discover something new. Hang out with the like-minded and get nerdy together. Neon Ichiban 2.5 offers digital signatures, commissionable remarques, community profiles, reviews, reading lists, collections, and a whole lot more. We get into it all with David Steinberger and Chip Mosher. And we talk about why San Diego Comic-Con is still an essential place to present digital comics. Today's podcast is Part Two in our San Diego Comic-Con coverage. Make sure you listen to Part One with Christopher Cantwell, all about IDW Publishing's upcoming Star Trek relaunch (speaking of fandom and community). Visit Neon Ichiban, browse around, and follow them on their socials (Instagram and Bluesky). Other Relevant Links to This Week's Episode: Subscribe to the Comic Book Couples Counseling YouTube Channel Watch The Stacks, Comic Creators Name Their Favorite Comics Previously on CBCC: Christian Ward on The Forever Home Comic Book Club: Spider-Man: Brand New Day at Meanwhile...Coffee in Herndon, Virginia, on 8/2 at 3:30 PM Comic Book Film Club: Nausicaä of the Valley of the Wind at the Alamo Drafthouse in Winchester, Virginia on 8/9 at 5:00 PM Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! What happens when the love of your life is buried on the other side of the country, and you're a ghost who can't leave your grave? That's the beautifully haunting setup of Till Death, a new romantic horror-comedy from Michael Schwartz, Rachael Schaefer, and artist Gaia Cardinali now on Kickstarter from Clover Press! Vivian has waited decades for her husband to join her in the afterlife. But when she discovers he's been buried across the country, she makes a deal with Mack, a man whose near-death experience allows him to see ghosts. We've read Till Death, and we absolutely loved it. It's a bold, original four-color romance, fitting snugly inside comics' most unsung genre. Till Death is on Kickstarter now. Visit the campaign and make your pledge today! Third Eye Comics is opening its biggest store ever: Third Eye 97, a 10,000-square-foot comic, game, and collectibles mega-store inside a former Walmart in Glen Burnie, Maryland, with the doors opening July 25th. Grand opening month goes huge with a Rob Liefeld signing at the new flagship on July 31st, the legend behind Youngblood, Deadpool, and Cable, live and in person. Can't make it to Maryland? The entire Third Eye world ships to your door at thirdeyecomics.com: new releases, back issues, games, and exclusives, sent anywhere with Third Eye Ships. See Third Eye's massive inventory while watching THE STACKS and then order those same books your favorite creators talk about online! Use codeword: STACKSORDIE for 15% off your order! The Alamo Drafthouse in Winchester, Va is not only unlike any theater in America; it's unlike any Alamo Drafthouse. It's a franchise. In fact, it's the first Alamo Drafthouse location outside of Texas. On July 5th, their Film Club is celebrating America's 250th with the 85th Anniversary of the Greatest Movie Ever Made, Citizen Kane! They'll have an encore screening of Kane on Wednesday, July 8th, too. Film Club is great, but so is their Psycho Cinema series hosted by Faye. On July 14th, they're screening truly one of the best bad movies of all time, Samurai Cop. Golly, have you even lived until you've seen Samurai Cop on the big screen? I think not. Get your tickets today!

Episode 457: The Crew's taking George's advice and buying a horse while watching Orson Welles' The Magnificent Ambersons. Mr Welles second feature film isn't as welled remembered as Citizen Kane, but that doesn't mean it shouldn't be just as studied and enjoyed. Welles' shots are perfection; the character blocking, the lighting, and camera movement communicate so much to the audience. We're in the hands of a master. The Crew discusses… If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: moviecrewpod@gmail.com

Today, we're bringing San Diego Comic-Con International to you, our beautiful listeners. Writer Christopher Cantwellreturns to the show for a boisterous Star Trek celebration. On September 23rd, IDW Publishing is relaunching its Star Trek line. Cantwell spearheads the main ongoing series alongside his artist collaborator, Dennis Menheere. We've been given a sneak peek, and consider their phasers set to stun cuz - We. Are. Stunned. Years after the Star Trek: Picard finale, Seven of Nine now captains the Enterprise-G. Her crew includes several legacy characters. Picard's kid. LaForge's kid. Worf's kid. Not to forget some characters familiar to those who've been reading the IDW comics and several new folks, too. This book is more forward-looking than backward-looking, as all good Trek should be. Most excitingly, Cantwell and Menheere are free to make COMICS within the Star Trek franchise. In the past, likeness has been the predominant factor when crafting brand comics. Dennis Menheere lets loose with his cartooning, embracing shapes and lines that communicate emotion and thought. They're not just assembled to please entertainment lawyers. These characters look like who they should look like, but more importantly, they feel like they should. Cantwell, Menheere, and the whole IDW crew seemingly have learned all the right lessons from Absolute Batman's success. Let's tell stories that only comics can tell. Let's engage with this medium's tools. This episode is the first of five episodes coming at ya this weekend. Be on the lookout for one new Comic Book Couples Counseling episode for every day of San Diego Comic-Con International. It's a lot, but you're gonna have fun whether you're here in California or not. As we said, Star Trek #1 arrives in comic shops on September 23rd. Final Order Cutoff (FOC) is August 17th. It's written by Christopher Cantwell, illustrated and colored by Dennis Menheere, and lettered by Jodie Troutman. Make sure you're following Christopher Cantwell on Bluesky. Other Relevant Links to This Week's Episode: Subscribe to the Comic Book Couples Counseling YouTube Channel Watch The Stacks, Comic Creators Name Their Favorite Comics Previously on CBCC: Christopher Cantwell and Tyler Crook on Out of Alcatraz Previously on CBCC: Christian Ward on The Forever Home Comic Book Club: Spider-Man: Brand New Day at Meanwhile...Coffee in Herndon, Virginia, on 8/2 at 3:30 PM Comic Book Film Club: Nausicaä of the Valley of the Wind at the Alamo Drafthouse in Winchester, Virginia on 8/9 at 5:00 PM Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! What happens when the love of your life is buried on the other side of the country, and you're a ghost who can't leave your grave? That's the beautifully haunting setup of Till Death, a new romantic horror-comedy from Michael Schwartz, Rachael Schaefer, and artist Gaia Cardinali now on Kickstarter from Clover Press! Vivian has waited decades for her husband to join her in the afterlife. But when she discovers he's been buried across the country, she makes a deal with Mack, a man whose near-death experience allows him to see ghosts. We've read Till Death, and we absolutely loved it. It's a bold, original four-color romance, fitting snugly inside comics' most unsung genre. Till Death is on Kickstarter now. Visit the campaign and make your pledge today! Third Eye Comics is opening its biggest store ever: Third Eye 97, a 10,000-square-foot comic, game, and collectibles mega-store inside a former Walmart in Glen Burnie, Maryland, with the doors opening July 25th. Grand opening month goes huge with a Rob Liefeld signing at the new flagship on July 31st, the legend behind Youngblood, Deadpool, and Cable, live and in person. Can't make it to Maryland? The entire Third Eye world ships to your door at thirdeyecomics.com: new releases, back issues, games, and exclusives, sent anywhere with Third Eye Ships. See Third Eye's massive inventory while watching THE STACKS and then order those same books your favorite creators talk about online! Use codeword: STACKSORDIE for 15% off your order! The Alamo Drafthouse in Winchester, Va is not only unlike any theater in America; it's unlike any Alamo Drafthouse. It's a franchise. In fact, it's the first Alamo Drafthouse location outside of Texas. On July 5th, their Film Club is celebrating America's 250th with the 85th Anniversary of the Greatest Movie Ever Made, Citizen Kane! They'll have an encore screening of Kane on Wednesday, July 8th, too. Film Club is great, but so is their Psycho Cinema series hosted by Faye. On July 14th, they're screening truly one of the best bad movies of all time, Samurai Cop. Golly, have you even lived until you've seen Samurai Cop on the big screen? I think not. Get your tickets today!

85 years ago, Orson Welles released his debut feature Citizen Kane, and movies were never the same. In the decades since, it has been exhaustively analyzed; the subject of countless books, documentaries and biopics; and regularly cited as the greatest American movie.

The grownups killed the world. To escape destruction, Henry built The Forever Home. Inside, his family enjoys existence, protected by the poisonous elements outside. One catch: their time is compressed. For every twenty minutes they live, one hour outside passes. Nothing should ever cross the threshold. Writer Christian Ward is having a moment. He's about to launch his new artworld horror, The Patron. Event Horizon: Inferno currently rages on the stands, with the previous Event Horizon: Dark Descent premiering as a trade paperback next week at San Diego Comic-Con International. And, this fall, courtesy of Oni Press, he launches maybe his most personal and mature work yet, The Forever Home. The Forever Home is his Cocaine Bear. The premise alone should hook you, and once you crack its pages, the comic delivers on its promise. It's always a joy to have Christian Ward on the podcast. He's a theme-forward storyteller, and as such, the perfect Comic Book Couples Counseling guest. We get into it! First, we discuss why this year's San Diego Comic-Con is such a critical moment in his career. We look at the road behind him and the road ahead. We talk about The Forever Home's dystopian present, the family tragedy bubbling within, and how it confronts tribalism. The Forever Home #1 arrives in shops on September 9th. It's written by Christian Ward, illustrated by Sammi Kivelä, colored by Jason Wordie, and lettered by Hassan Otsmane-Elhaou. Continue this conversation with Christian Ward by visiting his Website and following him on Blue Sky and Instagram. Other Relevant Links to This Week's Episode: Subscribe to the Comic Book Couples Counseling YouTube Channel Watch The Stacks, Comic Creators Name Their Favorite Comics Previously on CBCC: Dan Schkade on Lavender Jack Previously on CBCC: Christian Ward on Event Horizon: Inferno Comic Book Club: Spider-Man: Brand New Day at Meanwhile...Coffee in Herndon, Virginia, on 8/2 at 3:30 PM Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! What happens when the love of your life is buried on the other side of the country, and you're a ghost who can't leave your grave? That's the beautifully haunting setup of Till Death, a new romantic horror-comedy from Michael Schwartz, Rachael Schaefer, and artist Gaia Cardinali now on Kickstarter from Clover Press! Vivian has waited decades for her husband to join her in the afterlife. But when she discovers he's been buried across the country, she makes a deal with Mack, a man whose near-death experience allows him to see ghosts. We've read Till Death, and we absolutely loved it. It's a bold, original four-color romance, fitting snugly inside comics' most unsung genre. Till Death is on Kickstarter now. Visit the campaign and make your pledge today! Third Eye Comics is opening its biggest store ever: Third Eye 97, a 10,000-square-foot comic, game, and collectibles mega-store inside a former Walmart in Glen Burnie, Maryland, with the doors opening July 25th. Grand opening month goes huge with a Rob Liefeld signing at the new flagship on July 31st, the legend behind Youngblood, Deadpool, and Cable, live and in person. Can't make it to Maryland? The entire Third Eye world ships to your door at thirdeyecomics.com: new releases, back issues, games, and exclusives, sent anywhere with Third Eye Ships. See Third Eye's massive inventory while watching THE STACKS and then order those same books your favorite creators talk about online! Use codeword: STACKSORDIE for 15% off your order! The Alamo Drafthouse in Winchester, Va is not only unlike any theater in America; it's unlike any Alamo Drafthouse. It's a franchise. In fact, it's the first Alamo Drafthouse location outside of Texas. On July 5th, their Film Club is celebrating America's 250th with the 85th Anniversary of the Greatest Movie Ever Made, Citizen Kane! They'll have an encore screening of Kane on Wednesday, July 8th, too. Film Club is great, but so is their Psycho Cinema series hosted by Faye. On July 14th, they're screening truly one of the best bad movies of all time, Samurai Cop. Golly, have you even lived until you've seen Samurai Cop on the big screen? I think not. Get your tickets today!

This week on Drink the Movies, we are diving into the complex layers of Orson Welles' legendary masterpiece, Citizen Kane. We will break down the innovative cinematography, the haunting mystery of a man's rise and fall, and the lasting impact of a single enigmatic word. To toast to the film's enduring search for meaning, we are serving up a sophisticated cocktail called the Rosebud. Dim the lights, revisit the headlines, and join us as we raise a glass to the greatest cinematic portrait of power and memory. ⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.drinkthemovies.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Please Drink Responsibly*

Episode 456: The Crew's holding their best snow globes while watching Orson Welles' Citizen Kane. This film is often cited as THE BEST MOVIE EVER MADE, and for good reason. The filmmaking techniques used to tell the story are impressive by today's standards, and the story unfolds at a wonderfully quick pace. The Crew discusses… If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: moviecrewpod@gmail.com

We are the choices we make. Good guy? Bad guy? We decide that every day until our last day. On this week's podcast, we're exploring how heroism and villainism mingle in Lavender Jack, the pulp adventure from cartoonist Dan Schkade. We're considering when to swim with society and when to swim against it, and how comic book vigilante justice too often forgets its own messaging. Lavender Jack, originally published on Webtoon, is where Schkade cracked the comic strip medium, preparing him to take over Flash Gordon, where he now lives daily. We discuss why these pulp adventurers appeal so profoundly to him, and how their tales can be told with a contemporary bite. It's the perfect discussion to prepare us for next week's plunge into San Diego Comic-Con, where we'll be moderating three panels and attempting to interview all the comic book celebrity guests. We're in plug-goblin-mode during the intro, barely containing our excitement for the year's biggest comic book event. If you thought our July 2026 coverage was already intense, oh boy, strap in. Lavender Jack is written, illustrated, and lettered by Dan Schkade. It's colored by Jenn Manley Lee. Volume One is currently available from Dark Horse Comics, and you can expect Volume 2 on September 29th. Make sure you're following Dan Schkade on Instagram and Bluesky. Other Relevant Links to This Week's Episode: Subscribe to the Comic Book Couples Counseling YouTube Channel Watch The Stacks, Comic Creators Name Their Favorite Comics Previously on CBCC: Dan Schkade on Flash Gordon Comic Book Club: Spider-Man: Brand New Day at Meanwhile...Coffee in Herndon, Virginia, on 8/2 at 3:30 PM Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! What happens when the love of your life is buried on the other side of the country, and you're a ghost who can't leave your grave? That's the beautifully haunting setup of Till Death, a new romantic horror-comedy from Michael Schwartz, Rachael Schaefer, and artist Gaia Cardinali now on Kickstarter from Clover Press! Vivian has waited decades for her husband to join her in the afterlife. But when she discovers he's been buried across the country, she makes a deal with Mack, a man whose near-death experience allows him to see ghosts. We've read Till Death, and we absolutely loved it. It's a bold, original four-color romance, fitting snugly inside comics' most unsung genre. Till Death is on Kickstarter now. Visit the campaign and make your pledge today! Third Eye Comics is opening its biggest store ever: Third Eye 97, a 10,000-square-foot comic, game, and collectibles mega-store inside a former Walmart in Glen Burnie, Maryland, with the doors opening July 25th. Grand opening month goes huge with a Rob Liefeld signing at the new flagship on July 31st, the legend behind Youngblood, Deadpool, and Cable, live and in person. Can't make it to Maryland? The entire Third Eye world ships to your door at thirdeyecomics.com: new releases, back issues, games, and exclusives, sent anywhere with Third Eye Ships. See Third Eye's massive inventory while watching THE STACKS and then order those same books your favorite creators talk about online! Use codeword: STACKSORDIE for 15% off your order! The Alamo Drafthouse in Winchester, Va is not only unlike any theater in America; it's unlike any Alamo Drafthouse. It's a franchise. In fact, it's the first Alamo Drafthouse location outside of Texas. On July 5th, their Film Club is celebrating America's 250th with the 85th Anniversary of the Greatest Movie Ever Made, Citizen Kane! They'll have an encore screening of Kane on Wednesday, July 8th, too. Film Club is great, but so is their Psycho Cinema series hosted by Faye. On July 14th, they're screening truly one of the best bad movies of all time, Samurai Cop. Golly, have you even lived until you've seen Samurai Cop on the big screen? I think not. Get your tickets today!

Witnessing adaptation is one of our great pleasures. How does one transform an audio medium into a visual one? How will the podcast World Beyond Number, from Brennan Lee Mulligan, Erika Ishii, Aabria Iyengar, and Lou Wilson, expand into The Wizard, The Witch, and The Wild One, courtesy of comic storytellers Jadzia Axelrod and Sarah Webb? When the chance to ponder the thought arose with some of those involved, we jumped at it. There are only days left ot support Worlds Beyond Wonder: The Wizard, the Witch, and the Wild One via Kickstarter. As of this writing, it's already reached over $1.8 million. The book is happening and will be published through Skybound Entertainment. Join the party in confidence. We spoke with Brennan Lee Mulligan, Erika Ishii, and Lou Wilson about their love of comics and the delight they've discovered in watching Jadzia Axelrod and Sarah Webb bring their story to this medium. We relish the love evident in their play, found in every Worlds Beyond Number episode. We discuss nerdom not as a monolith, but as an endless pebbly beach. This episode was a fantastic surprise, but not as big a surprise as the email we recently received that threw our lives into turmoil (which is the topic of today's introduction). Friends, we've been through it. Thank goodness for our comic book pals. Other Relevant Links to This Week's Episode: Subscribe to the Comic Book Couples Counseling YouTube Channel Watch The Stacks, Comic Creators Name Their Favorite Comics Previously on CBCC: Jadzia Axelrod on Justice League Dream Girls Comic Book Film Club: Punisher: War Zone at the Alamo Drafthouse in Winchester, Virginia on 7/12 at 5:00 PM. Co-Sponsored by Four Color Fantasies. Comic Book Club: Spider-Man: Brand New Day at Meanwhile...Coffee in Herndon, Virginia, on 8/2 at 3:30 PM Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! The charming town of Orchard has everything you could ever need: walkable streets, friendly residents, and no escape. But why would you want to leave? The world outside is a nuclear wasteland! It's much better to stay in the warm confines of Orchard and ignore the deep secrets it holds. After all, it's a safe place to live. Free on Webtoon, Winston Gambro's A Safe Place to Live is the dystopian horror comic you've been waiting for. It's Severance meets Archie. Support human-made art!. If you are a fan of the legendary artwork of Michael Turner, you need to check out The DC Art of Michael Turner on Kickstarter from Clover Press and Aspen Comics. This oversized deluxe hardcover celebrates Turner's unforgettable takes on Batman, Superman, Wonder Woman, Supergirl, The Flash, the Justice League, and more, all packed into a massive 200-plus-page coffee-table art book. And if you back the Kickstarter, you can get exclusive editions and extras you can't find in stores, including slipcases, sketchbook editions, portfolios, and more. Michael Turner's art defined an era of comics — and this is his definitive collection. Visit Kickstarter and search “The DC Art of Michael Turner” before the campaign ends on July 9th. Third Eye Comics is opening its biggest store ever: Third Eye 97, a 10,000-square-foot comic, game, and collectibles mega-store inside a former Walmart in Glen Burnie, Maryland, with the doors opening July 25th. Grand opening month goes huge with a Rob Liefeld signing at the new flagship on July 31st, the legend behind Youngblood, Deadpool, and Cable, live and in person. Can't make it to Maryland? The entire Third Eye world ships to your door at thirdeyecomics.com: new releases, back issues, games, and exclusives, sent anywhere with Third Eye Ships. See Third Eye's massive inventory while watching THE STACKS and then order those same books your favorite creators talk about online! Use codeword: STACKSORDIE for 15% off your order! The Alamo Drafthouse in Winchester, Va is not only unlike any theater in America; it's unlike any Alamo Drafthouse. It's a franchise. In fact, it's the first Alamo Drafthouse location outside of Texas. On July 5th, their Film Club is celebrating America's 250th with the 85th Anniversary of the Greatest Movie Ever Made, Citizen Kane! They'll have an encore screening of Kane on Wednesday, July 8th, too. Film Club is great, but so is their Psycho Cinema series hosted by Faye. On July 14th, they're screening truly one of the best bad movies of all time, Samurai Cop. Golly, have you even lived until you've seen Samurai Cop on the big screen? I think not. Get your tickets today!

No hard sell required with this one. Operation: Iron Coffin #1 is in shops today, courtesy of IDW Publishing. It's concocted by our new favorite comic book dynamic duo, Kenny Porter and Tyrell Cannon (with letterer Shawn Lee). In its pages, you'll see Bram Stoker's Dracula working for the Allies during World War II. Like a bomb, he's dropped from a plane upon a secret Nazi gold train. He lands in the caboose. He proceeds to slaughter his way toward the engine. Many losers are torn limb from limb. Folks have already compared its action to John Wick, but it's more like Game of Death smashed with Snowpiercer. As Dracula works his bloody way down the train, new foes present themselves, boss-level style, and each one represents a different mindset or philosophy. Porter and Cannon excel in the excessive bodily harm, but simmering beneath the violence is a powerful reckoning with the human experience and the darkest depths our species can plunge. In the last few years, we've spent a lot of time pondering vampires, mortals, and their relationship to the soul. How fun to have Kenny Porter and Tyrell Cannon on the podcast this week to discuss bloodsuckers, human monsters, evil, and capital E Evil. This is a full-spoilers conversation about Operation: Iron Coffin #1. Be warned. However, this is kind of an unspoilable book. Nothing we say in this podcast can rob the comic of its visual might. So, listen based on your own spoiler sensitivity. But, seriously, you should just grab the comic the next time you're in the shop. Follow Kenny Porter on Instagram and Bluesky. Follow Tyrell Cannon on Instagram and Bluesky. Other Relevant Links to This Week's Episode: Subscribe to the Comic Book Couples Counseling YouTube Channel Watch The Stacks, Comic Creators Name Their Favorite Comics Previously on CBCC: Julio Anta and Daniel Irizarri on Beast of Borikén Previously on CBCC: Matt Wagner and Kelley Jones on Dracula: The Brides Comic Book Film Club: Punisher: War Zone at the Alamo Drafthouse in Winchester, Virginia on 7/12 at 5:00 PM. Co-Sponsored by Four Color Fantasies. Comic Book Club: Spider-Man: Brand New Day at Meanwhile...Coffee in Herndon, Virginia, on 8/2 at 3:30 PM Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! The charming town of Orchard has everything you could ever need: walkable streets, friendly residents, and no escape. But why would you want to leave? The world outside is a nuclear wasteland! It's much better to stay in the warm confines of Orchard and ignore the deep secrets it holds. After all, it's a safe place to live. Free on Webtoon, Winston Gambro's A Safe Place to Live is the dystopian horror comic you've been waiting for. It's Severance meets Archie. Support human-made art!. If you are a fan of the legendary artwork of Michael Turner, you need to check out The DC Art of Michael Turner on Kickstarter from Clover Press and Aspen Comics. This oversized deluxe hardcover celebrates Turner's unforgettable takes on Batman, Superman, Wonder Woman, Supergirl, The Flash, the Justice League, and more, all packed into a massive 200-plus-page coffee-table art book. And if you back the Kickstarter, you can get exclusive editions and extras you can't find in stores, including slipcases, sketchbook editions, portfolios, and more. Michael Turner's art defined an era of comics — and this is his definitive collection. Visit Kickstarter and search “The DC Art of Michael Turner” before the campaign ends on July 9th. Third Eye Comics is opening its biggest store ever: Third Eye 97, a 10,000-square-foot comic, game, and collectibles mega-store inside a former Walmart in Glen Burnie, Maryland, with the doors opening July 25th. Grand opening month goes huge with a Rob Liefeld signing at the new flagship on July 31st, the legend behind Youngblood, Deadpool, and Cable, live and in person. Can't make it to Maryland? The entire Third Eye world ships to your door at thirdeyecomics.com: new releases, back issues, games, and exclusives, sent anywhere with Third Eye Ships. See Third Eye's massive inventory while watching THE STACKS and then order those same books your favorite creators talk about online! Use codeword: STACKSORDIE for 15% off your order! The Alamo Drafthouse in Winchester, Va is not only unlike any theater in America; it's unlike any Alamo Drafthouse. It's a franchise. In fact, it's the first Alamo Drafthouse location outside of Texas. On July 5th, their Film Club is celebrating America's 250th with the 85th Anniversary of the Greatest Movie Ever Made, Citizen Kane! They'll have an encore screening of Kane on Wednesday, July 8th, too. Film Club is great, but so is their Psycho Cinema series hosted by Faye. On July 14th, they're screening truly one of the best bad movies of all time, Samurai Cop. Golly, have you even lived until you've seen Samurai Cop on the big screen? I think not. Get your tickets today!

“For all the paperwork of democracy — government by and for the people — we have become a citizenry of spectators who simply want to be entertained. And we are accustomed to the realization that we can't do anything about what's on the screen.” — David Thomson Has the prolific film critic David Thomson fallen out of love with the movies? That's the question I began my conversation with Thomson, arguably the greatest living writer on film. My question was triggered by his revisionist movie history (out today), A Sudden Flicker of Light, which, while still glorifying film, nonetheless recognizes the damage that the medium has done to us. No, he hasn't fallen out of love with the movies, Thomson responded. But he did acknowledge a new kind of wariness about his beloved medium — a suspicion of auteur worship, that tradition which concentrates on the great artistry of individual directors like Welles, Hitchcock, and Scorsese while ignoring what the motion picture medium as a whole has done to society. “What has God wrought?” Samuel Morse asked about the telegraph. David Thomson is asking the same question about the consequence of movies. Cinema, particularly Hollywood, Thomson argues, has spent a century disempowering audiences. Sitting in the dark, gazing at the screen, people have lost their agency. This passivity, Thomson argues, has invaded our political life, transforming us from citizens into spectators. No, Mr Smith hasn't gone to Washington. Instead, America has become a theater of gawkers addicted to screen entertainment, unable to discriminate between a sudden flicker of light and reality. Thus the degeneration of America into a violent Coppola movie. Thus The Joker who has crawled out of primeval darkness and now monopolizes all our screens. You could make a movie about it. Call it “Being There” or “Network.” Or perhaps “The Truman Show.” Five Takeaways •       Cinema Has Trained Us to Be Spectators — and That Has Destroyed Our Agency: Thomson's central argument: sitting in the dark watching a bright light in front of them, audiences learned that the thing on the screen is not their responsibility. People are not really hurt on screen, no matter their bodies are torn apart. They are not really happy, no matter what they say in the film. And whatever happens, the audience remains a spectator. Extrapolate that out into a broader world and you have a society in which, for all the paperwork of democracy and government by and for the people, people have become a citizenry of spectators who simply want to be entertained. America, Thomson believes, is in that state. •       Every Cut Is Violent — and Every Cut Is a Marriage: Thomson's most original observation is the smallest: the cut. A cut is where the stream of imagery you are watching goes from one shot to another. It is a separation — but it is also a marriage. Every cut says: join them up. The way we measure the effectiveness of directors from D.W. Griffith onward is that they found ways to put shots together so that film had sequence and order, like the order of sentences in writing. And every cut has an element of violence in it, because you are seeing one thing and then, bang, you are watching something quite different. We have never taught our children what a cut is — even though they have spent far more of their lives watching moving imagery than reading. That neglect, Thomson argues, is consequential. •       The Culture of Manhood and the Systematic Neglect of Women: Thomson's most politically charged observation: the culture of manhood and the serious neglect of women was going on in virtually every film he saw until at least the 1980s, and you could argue well beyond that. That is, he says, a kind of tacit advertising — a way of saying, look, this is really a very good way for how the world should be. It is something that has become harder and harder for him to endure as an idea. And he thinks that the war in Iran would not have been as likely if America had had enough women running the country — because women feel and think together in concert in different ways, with more room for compassion, sentiment, and plain rationality. •       Cinema Is Deeply Educational — and We Have Ignored That: Thomson's answer to Andrew's challenge: what does any of this have to do with movies? Everything. You cannot have a mass medium without the mass being affected, without the ways in which they think being shaped. The movies have given us examples of how to live that have been intensely persuasive. They are deeply educational. And yet we have permitted them, and like every technology humans have ever invented, we have let the technology take control of us rather than the other way around. Children spend far more time watching moving imagery than reading — and yet we do not teach them what a cut is, what a camera angle means, how the medium constructs its reality. That neglect has been, Thomson believes, catastrophic. •       Citizen Kane Is the Definitive American Film — Not The Godfather: Andrew's final question: what is the definitive movie about America? Not The Godfather, Thomson says, because the Godfather films cannot overcome their attraction to authority. There is a reverence for dark power in the Godfather films. Whereas in Citizen Kane, there is all through the film a terrible ruefulness about what happens to people who seek power. Welles absolutely understood and was intensely critical of the personality that needed power and authority — and he was afraid of it. For that reason, it is still for Thomson the definitive American film. Thomson has been known to doze off watching it, because he knows it too well. On July 4, he plans to watch something different. Ideally, The Odyssey. About the Guest David Thomson is the author of more than twenty books on film, including A Sudden Flicker of Light: A Revisionist History of the Movies (Simon & Schuster, July 7, 2026), The New Biographical Dictionary of Film (six editions, 1975–2014), Orson Welles, The Big Screen, Have You Seen…?, and biographies of David O. Selznick, Marlon Brando, and Nicole Kidman. Michael Ondaatje has called him “the best writer on film in our time.” He lives in San Francisco, where he is Andrew Keen's neighbour. References: •       A Sudden Flicker of Light: A Revisionist History of the Movies by David Thomson (Simon & Schuster, July 7, 2026). •       Citizen Kane (Orson Welles, 1941) — Thomson's definitive American film; discussed extensively in the conversation. •       The Godfather (Francis Ford Coppola, 1972) — referenced as ...

Ep. 412: Pierre Coffin on Minions and Monsters Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Somehow Minions and Monsters was just the heaping serving of nuttiness that I needed last week! But what I hadn't quite anticipated was the extent of the movie's Hollywood references—ranging from Citizen Kane all the way back to... Eadweard Muybridge?! The movie love was evident and so I was eager to chat with Pierre Coffin, the director of Minions and Monsters, and the voice of its multilingual multitudes. We talked about movie influences, inspiration for the Minions voice, animation favorites and pet peeves, his favorite Miyazaki film, and much more. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

It's fantastic when a comic gives you a jolt. Beast of Borikén, written by Julio Anta and illustrated by Daniel Irizarri, delivers a great prod, stimulating your brain to run numerous scenarios on and off the page. It's the story of a people who've witnessed so much monstrosity at the hands of invaders. It's a story of people finding strength in their neighbors, ancestors, and legends. The first issue is out now, from Dark Horse Comics and Tiny Onion, and we investigate it meaningfully with both storytellers. Set in Puerto Rico, the main character is Loli, an activist protesting an incoming resort, the face of which is yuppy CEO Simon Hunt, who is using every slippery trick in the book to break ground despite opposition. Loli is incensed and focused on stopping the overdevelopment of her ancestral lands, but is her fixation in part because she is avoiding processing a horrendous grief, since her father died alone in a hospital during Hurricane Maria? This week on the podcast, we speak with Julio Anta and Daniel Irizarri about Beast of Borikén, witnessing endless horror, and hope through collective action. We discuss the influence of The Creature from the Black Lagoon and the appeal of monsters. Also, what does it all have to do with Robocop 2? You'll have to make your way through the intro to understand all that. Beast of Borikén #1 is out now from Dark Horse Comics and Tiny Onion. It's written by Julio Anta, illustrated by Daniel Irizarri, colored by Patricio Delpeche, and lettered by Lucas Gattoni. Follow Julio Anta on Instagram and Bluesky. Follow Daniel IriZarri on Instagram and Bluesky. Other Relevant Links to This Week's Episode: Subscribe to the Comic Book Couples Counseling YouTube Channel Watch The Stacks, Comic Creators Name Their Favorite Comics Previously on CBCC: Frank Miller Comic Book Film Club: Punisher: War Zone at the Alamo Drafthouse in Winchester, Virginia on 7/12 at 5:00 PM. Co-Sponsored by Four Color Fantasies. Comic Book Club: The Complete Persepolis at Meanwhile...Coffee in Herndon, Virginia, on 7/5 at 3:30 PM Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! The charming town of Orchard has everything you could ever need: walkable streets, friendly residents, and no escape. But why would you want to leave? The world outside is a nuclear wasteland! It's much better to stay in the warm confines of Orchard and ignore the deep secrets it holds. After all, it's a safe place to live. Free on Webtoon, Winston Gambro's A Safe Place to Live is the dystopian horror comic you've been waiting for. It's Severance meets Archie. Support human-made art!. If you are a fan of the legendary artwork of Michael Turner, you need to check out The DC Art of Michael Turner on Kickstarter from Clover Press and Aspen Comics. This oversized deluxe hardcover celebrates Turner's unforgettable takes on Batman, Superman, Wonder Woman, Supergirl, The Flash, the Justice League, and more, all packed into a massive 200-plus-page coffee-table art book. And if you back the Kickstarter, you can get exclusive editions and extras you can't find in stores, including slipcases, sketchbook editions, portfolios, and more. Michael Turner's art defined an era of comics — and this is his definitive collection. Visit Kickstarter and search “The DC Art of Michael Turner” before the campaign ends on July 9th. Third Eye Comics is opening its biggest store ever: Third Eye 97, a 10,000-square-foot comic, game, and collectibles mega-store inside a former Walmart in Glen Burnie, Maryland, with the doors opening July 25th. Grand opening month goes huge with a Rob Liefeld signing at the new flagship on July 31st, the legend behind Youngblood, Deadpool, and Cable, live and in person. Can't make it to Maryland? The entire Third Eye world ships to your door at thirdeyecomics.com: new releases, back issues, games, and exclusives, sent anywhere with Third Eye Ships. See Third Eye's massive inventory while watching THE STACKS and then order those same books your favorite creators talk about online! Use codeword: STACKSORDIE for 15% off your order! The Alamo Drafthouse in Winchester, Va is not only unlike any theater in America; it's unlike any Alamo Drafthouse. It's a franchise. In fact, it's the first Alamo Drafthouse location outside of Texas. On July 5th, their Film Club is celebrating America's 250th with the 85th Anniversary of the Greatest Movie Ever Made, Citizen Kane! They'll have an encore screening of Kane on Wednesday, July 8th, too. Film Club is great, but so is their Psycho Cinema series hosted by Faye. On July 14th, they're screening truly one of the best bad movies of all time, Samurai Cop. Golly, have you even lived until you've seen Samurai Cop on the big screen? I think not. Get your tickets today!

durée : 01:27:01 - Les Nuits de France Culture - par : Albane Penaranda - Pourquoi, plus de 80 ans après sa sortie, Citizen Kane reste-t-il un des films les plus révérés dans le monde ? Avec plusieurs spécialistes du cinéma, Emmanuelle Fournier analyse différents aspects de l'œuvre et met en parallèle la destinée de Charles Foster Kane et celle d'Orson Welles lui-même. - équipe : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

No one is more surprised than we are. Frank Miller, the legendary comics maker behind Daredevil: Born Again, Ronin, Batman: Year One, Sin City, and The Dark Knight Returns, which celebrates its fortieth anniversary this year, joins us this week to discuss his career as he filtered it through his new memoir/self-help book, Push The Wall: My Life, Writing, Drawing, and The Art of Storytelling. His latest creation floored us. Broken into sixteen lessons, Push the Wall sees Frank Miller excavate his past to understand his pursuit of storytelling. He attempts to explain his rebellious nature and a need to throw himself against opposing forces, but in the process, reveals the awesome, unbeatable power of change. He treats the reader as his mentors did, like Neal Adams and Dick Giordano. Push the Wall works not only as motivation for the struggling artist, but also for the struggling human. The aggression and fascination for violence are present, but more importantly, Push the Wall contains a great softness or vulnerability. Frank Miller is not a creator who doubles down on past mistakes; he admits regret and offers encouragement to everyone who must fail to grow. We're beyond delighted to have Frank Miller on the podcast. We discuss how “The City” was the first to change him, why The Dark Knight Returns should not be the template for all Batman stories, and whether or not Robocop 2 is an essential ingredient in his vocation. Push the Wall: My Life, Writing, Drawing, and the Art of Storytelling arrives in bookstores everywhere on July 14th. Make sure you're following Frank Miller on Instagram and his website. Other Relevant Links to This Week's Episode: Subscribe to the Comic Book Couples Counseling YouTube Channel Watch The Stacks, Comic Creators Name Their Favorite Comics Watch Matt Fraction in The Stacks Previously on CBCC: Klaus Janson on Daredevil, The Dark Knight Returns, and More Jim Rugg's 1986 Zine Comic Book Film Club: Punisher: War Zone at the Alamo Drafthouse in Winchester, Virginia on 7/12 at 5:00 PM. Co-Sponsored by Four Color Fantasies. Comic Book Club: The Complete Persepolis at Meanwhile...Coffee in Herndon, Virginia, on 7/5 at 3:30 PM Final Round of Plugs (PHEW): Support the Podcast by Joining OUR PATREON COMMUNITY. And, of course, follow Comic Book Couples Counseling on Facebook, on Instagram, and on Bluesky @CBCCPodcast, and you can follow hosts Brad Gullickson @MouthDork & Lisa Gullickson @sidewalksiren. Send us your Words of Affirmation by leaving us a 5-star Review on Apple Podcasts. Continue your conversation with CBCC by hopping over to our website, where we have reviews, essays, and numerous interviews with comic book creators. Podcast logo by Jesse Lonergan and Hassan Otsmane-Elhaou. This Week's Sponsors The Future is Calling! 2000 AD is the Galaxy's Greatest Comic, with new issues published every single week! Every 32-page issue of 2000 AD brings you the best in sci-fi and horror, featuring characters like Judge Dredd, Rogue Trooper, and more. Get a print subscription to 2000 AD and it'll arrive to your mailbox every week - and your first issue is free! Or subscribe digitally, and you can download DRM-free copies of each issue for only $9 a month. That's 128 pages of incredible comics every month for less than $10! Head to 2000AD.com and click on ‘subscribe' now – or download the 2000 AD app and start reading today! The charming town of Orchard has everything you could ever need: walkable streets, friendly residents, and no escape. But why would you want to leave? The world outside is a nuclear wasteland! It's much better to stay in the warm confines of Orchard and ignore the deep secrets it holds. After all, it's a safe place to live. Free on Webtoon, Winston Gambro's A Safe Place to Live is the dystopian horror comic you've been waiting for. It's Severance meets Archie. Support human-made art!. If you are a fan of the legendary artwork of Michael Turner, you need to check out The DC Art of Michael Turner on Kickstarter from Clover Press and Aspen Comics. This oversized deluxe hardcover celebrates Turner's unforgettable takes on Batman, Superman, Wonder Woman, Supergirl, The Flash, the Justice League, and more, all packed into a massive 200-plus-page coffee-table art book. And if you back the Kickstarter, you can get exclusive editions and extras you can't find in stores, including slipcases, sketchbook editions, portfolios, and more. Michael Turner's art defined an era of comics — and this is his definitive collection. Visit Kickstarter and search “The DC Art of Michael Turner” before the campaign ends on July 9th. Third Eye Comics is opening its biggest store ever: Third Eye 97, a 10,000-square-foot comic, game, and collectibles mega-store inside a former Walmart in Glen Burnie, Maryland, with the doors opening July 25th. Grand opening month goes huge with a Rob Liefeld signing at the new flagship on July 31st, the legend behind Youngblood, Deadpool, and Cable, live and in person. Can't make it to Maryland? The entire Third Eye world ships to your door at thirdeyecomics.com: new releases, back issues, games, and exclusives, sent anywhere with Third Eye Ships. See Third Eye's massive inventory while watching THE STACKS and then order those same books your favorite creators talk about online! Use codeword: STACKSORDIE for 15% off your order! The Alamo Drafthouse in Winchester, Va is not only unlike any theater in America; it's unlike any Alamo Drafthouse. It's a franchise. In fact, it's the first Alamo Drafthouse location outside of Texas. On July 5th, their Film Club is celebrating America's 250th with the 85th Anniversary of the Greatest Movie Ever Made, Citizen Kane! They'll have an encore screening of Kane on Wednesday, July 8th, too. Film Club is great, but so is their Psycho Cinema series hosted by Faye. On July 14th, they're screening truly one of the best bad movies of all time, Samurai Cop. Golly, have you even lived until you've seen Samurai Cop on the big screen? I think not. Get your tickets today!

We're shaking up a Firecracker Cocktail (inspired by the classic recipe from Liquor.com) in The Lobby Bar this week to cover a diverse range of cinematic milestones. We take a look back at the enduring legacy of Citizen Kane and its continued influence on modern film production. We then transition to the newest entry in the franchise, Minions & Monsters, exploring the latest animated antics hitting screens this weekend.Inside the Episode:The Drink: Firecracker Cocktail.The Classic: A retrospective on Citizen Kane.The Premiere: Coverage of the new release, Minions & Monsters.Listen now and join the conversation in The Lobby Bar!⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.drinkthemovies.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Please Drink Responsibly*

Zohran Mamdani is creating a new Democrat party. On Tuesday, far-left, anti-American socialists and Muslim extremists crushed the Dem establishment. Jeremy Carl talks about this brave new world of politics and the threat it poses to America. John Doyle pushes back on podcasters obsessed with blackpilling and explains why optimism is a crucial part of conservative politics. Citizen Kane provides a pulse check of the base and how they view the "Vance vs. Rubio" narratives popular in Washington. Watch every episode ad-free on members.charliekirk.com! Get new merch at charliekirkstore.com!Support the show: http://www.charliekirk.com/supportSee omnystudio.com/listener for privacy information.

Zohran Mamdani is creating a new Democrat party. On Tuesday, far-left, anti-American socialists and Muslim extremists crushed the Dem establishment. Jeremy Carl talks about this brave new world of politics and the threat it poses to America. John Doyle pushes back on podcasters obsessed with blackpilling and explains why optimism is a crucial part of conservative politics. Citizen Kane provides a pulse check of the base and how they view the "Vance vs. Rubio" narratives popular in Washington. Watch every episode ad-free on members.charliekirk.com! Get new merch at charliekirkstore.com!Support the show: http://www.charliekirk.com/supportSee omnystudio.com/listener for privacy information.

Oscar-winning superstar director Ron Howard talks to his former New World Pictures colleague Joe Dante and co-host Josh Olson about the movies that made him and continue to impress him! Show Notes: Movies Referenced In This Episode Limit Up (1989) Grand Theft Auto (1977) Infested (2002) The Courtship of Eddie's Father (1963) Hollywood Blvd. (1976) I Never Promised You a Rose Garden (1977) Citizen Kane (1941) Rush (2013) Curious George (2006) *One Flew Over The Cuckoo's Nest (1975) - 24:00 Amadeus (1984) American Graffiti (1974) 12 Angry Men (1957) The Howling (1981) The 'Burbs (1989) *The Graduate (1967) - 31:49 Bonnie and Clyde (1967) Romeo and Juliet (1968) White Heat (1949) The Searchers (1956) *The Apartment (1960) - 39:26 Some Like It Hot (1959) Sunset Blvd. (1950) Night Shift (1982) Splash (1984) Parenthood (1989) Silver Streak (1976) Foul Play (1978) Witness for the Prosecution (1957) *As Good As It Gets (1997) - 44: 37 All The President's Men (1976) Three Days of the Condor (1975) Network (1976) *Schindler's List (1993) - 49:00 Amistad (1997) The Color Purple (1985) Jurassic Park (1993) Cape Fear (1991) Apollo 13 (1995) Frost/Nixon (2008) *Dog Day Afternoon (1976) - 53:41 *Das Boot (1981) - 56:43 Eight Days A Week (2016) A Hard Day's Night (1964) Unforgiven (1992) *Mr. Smith Goes to Washington (1939) - 63:05 It's A Wonderful Life (1946) It Happened One Night (1934) *A Boy And His Dog (1975) - 70:22 David and Lisa (1962) Mad Max (1979) The Road Warrior (1981) Backrooms (2026) Obsession (2026) Other Notable Items Our revamped Patreon!  The Hollywood Food Coalition Michael Curtiz Ron and Clint Howard's memoir The Boys (2021) Rance Howard Jean Speegle Howard  The University of Oklahoma Dennis Weaver Gary Cooper Bruce Dern Harry Dean Stanton Vincente Minnelli The Andy Griffith Show TV series (1960-67) Samuel Fuller TFH Guru Allan Arkush TFH Guru Roger Corman New World Pictures Our latest RZA podcast Imagine Entertainment Brian Grazer Curious George TV series (2006-22) Milos Forman Danny DeVito Christopher Lloyd Kirk Douglas Michael Douglas Haskell Wexler Jack Nicholson One Flew Over the Cuckoo's Nest novel by Ken Kesey (1962) Gary Sinise Death of a Salesman play by Arthur Miller (1949) Nathan Lane Lee J. Cobb Henry Fonda Mister Roberts play by Joshua Logan (1948) John Ford The 'Burbs TV series (2026- ) Mike Nichols Robert Surtees Franco Zeffirelli  The Sopranos TV series (1999-2007) Sidney Hickox  Warner Bros. Pictures French New Wave Andy Griffith The Cornell Theatre in Burbank, CA Charles Martin Smith Happy Days TV series (1974-84) Penny Marshall Billy Crystal Lowell Ganz Babaloo Mandel Thomas L. Miller Glenn Close James L. Brooks Cliff Robertson Ned Beatty Steven Spielberg Michael Jordan Peter Morgan The Crown TV series (2016-23) Tom Hanks Making Movies memoir by Sidney Lumet (1995) On Directing Film book by David Mamet (1991) Bill Connor Dog Day Afternoon play by Stephen Adly Guirgis (2026) Wolfgang Peterson Ringo Starr Paul McCartney Meryl Streep Gene Hackman Clint Eastwood James Stewart Frank Capra Sam Rosen John Carradine D.W. Griffith Don Knotts Sheldon Leonard The Beverly Hillbillies TV series (1962-71) Petticoat Junction TV series (1963-70) Anson Williams Bobby Sherman Linda Purl L.Q. Jones  John Cassavetes Alvy Moore George Miller Harlan Ellison Jason Robards Robby the Robot Don Johnson TechniscopeSpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠spectrevisionradio.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/spectrevisionsocial Learn more about your ad choices. Visit megaphone.fm/adchoices

Hoy en hablando PoP hablamos de Office Romance, They Will Kill You, el gran calsico Citizen Kane entre otras cosas . Grabado desde GW-Cinco Studio como parte de GW5 Network #tunuevatelevisión. Puedes ver toda la programación en www.gwcinco.com. síguenos en instagram @gw_cinco Patreon: patreon.com/bienabiertas patreon.com/gw5network patreon.com/hablandopop

For our 300th(!!) episode we finally become respectable movie podcasters and sit down with Orson Welles' celebrated film Citizen Kane! We discuss the film's legacy and spot on movie ranking lists, why movie ranking lists are obsolete, the life and lie of Orson Welles, how coming from radio impacted the style of Citizen Kane and what we would whisper on our death beds. Also: nuts! small men with straw hats! Old man makeup! Check it out! Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, shout out on the show AND you get to vote on monthly episodes and themes and a 25% discount in our merch store. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Check out our merch store Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

Hailed by many as the greatest film ever made, Citizen Kane was the debut feature from Orson Welles and featured many of his colleagues from the Mercury Theatre productions of Broadway and radio. We'll hear Mr. Welles and his co-stars in radio thrillers: Ray Collins in "Marry for Murder" (originally aired on CBS on September 9, 1943); Welles in "Lazarus Walks" (AFRS rebroadcast from October 19, 1943); Joseph Cotten in "You'll Never See Me Again" (originally aired on CBS on September 14, 1944); George Coulouris in "The Long Shot" (AFRS rebroadcast from January 31, 1946); Agnes Moorehead in "The Evil of Adelaide Winters" (originally aired on CBS on September 10, 1951); and Everett Sloane in "Alibi" (AFRS rebroadcast from July 7, 1957).

Power, ego, and one of the most legendary media grudges in Hollywood history. This week, Shane and Duncan dive into the explosive feud between Orson Welles and William Randolph Hearst, from the making of Citizen Kane to the full-court press to destroy it. Newspapers, blacklists, threats, and enough spite to power a small city. Hollywood has always loved a drama queen. ~ Become an Insomniac! Support the show on PATREON and unlock exclusive bonus content. ~ Join the community, chat with fellow insomniacs, and vote on episode topics via DISCORD ~ Send Shane and Duncan a message at midnightfactsforinsomniacs@gmail.com ~ Rep the show! Grab a tee or mug at the MIDNIGHT MERCH store and spread the word. ~ Follow us on INSTAGRAM    

Arrow UK's Neil Snowdon walks hosts Josh Olson and Joe Dante through five movies he's proud to have released via Arrow, and five he wishes he could release. Show Notes: Movies Referenced In This Episode The Warriors (1979) Innerspace (1987) Excalibur (1981) The Emerald Forest (1985) Deliverance (1972) Hope and Glory (1987) Where the Heart Is (1990) Zardoz (1974) The Devils (1971) First Knight (1995) The Exorcist (1973) Exorcist II: The Heretic (1977) Boorman and the Devil (2026) The Shootist (1976) The Cowboys (1972) Dirty Harry (1971) Taxi Driver (1976) True Grit (1976) Targets (1968) Sleep (2020) Suspiria (2018) Suspiria (1977) Ms. 45 (1981) Irreversible (2002) The Boy Friend (1971) Women in Love (1969) Altered States (1981) The Music Lovers (1970) Lisztomania (1975) Tommy (1975) Trapped Ashes (2008) Gothic (1986) The Lair of the White Worm (1988) Crimes of Passion (1984) Whore (1991) Salome's Last Dance (1988) Robin and Marian (1976) Unforgiven (1992) Nuits Rogues (1974) Judex (1963) Eyes Without a Face (1960) Petulia (1968) Butch and Sundance: The Early Days (1979) Cuba (1979) Citizen Kane (1941) The Three Musketeers (1973) The Four Musketeers (1974) Fantomas (1913-14) Les Vampires (1915) The Hunger (1983) Unstoppable (2010) True Romance (1994) Domino (2005) Deja Vu (2006) The Taking of Pelham 123 (2009) Loving Memory (1970) Performance (1970) Little Big Man (1970) Top Gun (1986) The Last Boy Scout (1991) Mademoiselle Fifi (1944) Isle of the Dead (1945) Cat People (1943) The Body Snatcher (1945) Bedlam (1946) I Walked with a Zombie (1943) The Seventh Victim (1943) Marlowe (1969) The Long Goodbye (1973) Other Notable Items Our Patreon!  The Hollywood Food Coalition Arrow Video UK Harlan Ellison  John Boorman Powers Boothe Dabney Coleman Neil Jordan Walt Disney Pictures 20th Century Studios Warner Bros. Paramount Pictures Warner Bros. Clockwork The Cannes Film Festival Ken Russell The Parade's Gone By… book by Kevin Brownlow (1976) Mike Hodges Anthony Pratt Boris Karloff King Arthur Robin Hood The Once and Future King novel by T.H. White (1958) Arthur Rex novel by Anthony Burgess (1978) David Kittredge Our William Friedkin podcast episode William A. Fraker BJ and Harmony Colangelo Lee Gambin Jim Hemphill Glenn Kenny Don Siegel John Wayne Robert Mitchum John Carradine Letterboxd TFH Guru Jonathan Kaplan Dino De Laurentiis Sam Peckinpah Pauline Kael Howard Hawks John Ford Ron Howard Howard S. Berger Sandra Hüller  Michael Venus Walter Hill Ms. 45 (Cultographies) by Alexandra Heller-Nicholas (2017) Abel Ferrara Richard Howorth Zoë Lund Gaspar Noé The Warner Archive Collection Richard Lester Robert Shaw Nicol Williamson Richard Harris Sean Connery Audrey Hepburn Georges Franju  BFI The Criterion Collection Jacques Champreux Louis Feuillade Tony Scott Denzel Washington Christopher Walken Dennis Hopper Nicholas Roeg “Bela Lugosi's Dead” song by Bauhaus (1979) Dick Smith Carl Fullerton Griffith Park in Los Angeles Val Lewton Henry Daniell Bela Lugosi Columbia Pictures The Body Snatcher short story by Robert Louis Stevenson (1884) James Garner Bruce Lee The Rockford Files TV series (1974-80) Mike Mignola Tony Stella SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. ⁠⁠⁠⁠⁠⁠⁠⁠spectrevisionradio.com⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/spectrevisionsocial Learn more about your ad choices. Visit megaphone.fm/adchoices

Is Casablanca the best film of the 1940s? Adam and Josh put it to the test in a head‑to‑head showdown with its fiercest competitor: Citizen Kane. As part of the Filmspotting Pantheon Project — and on the occasion of Kane’s 85th anniversary — the conversation digs into what each film says about America, power, and the promise (or illusion) of individualism. They also trace how the ’40s Madness bracket led to this championship matchup. Intro (00:00:00-00:01:53) Kane vs. Casablanca (00:01:54-00:46:28) Filmspotting Family (00:46:29-00:50:57) Notes / Filmspotting Fest On Sale (00:50:58-00:59:42) '40s Madness: Final (00:59:43-01:10:06) Credits / New Releases (01:10:07-01:13:17) Links: -Filmspotting Pantheon https://www.filmspotting.net/pantheon -Filmspotting Fest https://www.filmspotting.net/filmspotting-fest -Social Media Asst. Role https://www.filmspotting.net/social -Filmspotting Madness https://www.filmspotting.net/madness/ Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

This week, Scott sat down with his Lawfare colleagues Daniel Byman, Tyler McBrien, and Natalie Orpett to talk through aspects of the week's biggest Iran-focused news stories, including:“Situational Iran-y.” The world came into Tuesday evening fearing a major escalation in the ongoing U.S. and Israeli conflict with Iran. But instead, President Trump made a last-minute choice to accept a two-week ceasefire, conditional on the opening of the Strait of Hormuz—a condition that Iran indicated it was prepared to meet, kind of, so long as “open” means coordinating with its military forces (and paying) for safe transit. Is this the beginning of the end of the Iran conflict? And what does the shape of the ceasefire tell us about the conflict's likely regional implications moving forward?“Verbal Iran-y.” Tuesday's breakthrough ceasefire agreement came after days of increasingly outlandish rhetoric by President Trump, including a threat earlier that day that “a whole civilization will die tonight” if his conditions were not met. What role did Trump's threats play in the outcome? And what might the broader ramifications might be of the U.S. president issuing threats that would amount to war crimes (if not genocide) if actually followed up on?“Dramatic Iran-y.” While Trump's rhetoric was undoubtedly intended to communicate strength, it came from a place of increasing weakness. U.S. military operations in Iran were weeks away from a major statutory barrier, and efforts to secure needed supplemental funding are facing headwinds in Congress. Perhaps more importantly, the conflict has proven widely unpopular and devastating for the U.S. and broader global economy—two factors that weigh heavily on Trump and his congressional allies in an election year. What will this shift in the Iran conflict mean for Trump's political future? Not to mention the legal and institutional arrangements that have allowed him to pursue so unorthodox a foreign policy in recent months?In object lessons, Dan is not playing games when simulating the 1960 presidential election. Natalie is delighting in another kind of history with the masterful writing in Claire Messud's “This Strange Eventful History.” Scott is revisiting a 2002 Donald Trump review of “Citizen Kane” that has a somewhat surprising ending. And Tyler is recommending that you watch as much Artemis II content as humanly possible.Note: We're taking a little break next week, but keep an eye out for our next episode on April 23!To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.