Podcast appearances and mentions of Richard Thompson

For those who haven't heard the announcement I posted, songs from this point on will sometimes be split among multiple episodes, so this is the first part of a two-episode look at the song “Who Knows Where The Time Goes?” by Fairport Convention, and the intertwining careers of Joe Boyd, Sandy Denny, and Richard Thompson. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-seven-minute bonus episode available, on “Baby It’s You” by Smith. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)

The Infra Dig podcast returns to its infrastructure fund interview format for this latest episode, interviewing 2 key players from UK-based clean energy investor Foresight Group.  IJGlobal editorial director Angus Leslie Melville sits down (in person for this latest podcast) with 2 Foresight partners – fund managers of Foresight Energy Infrastructure Partners (FEIP) – primarily to discuss MaresConnect.  The Infra Dig guests are Richard Thompson and Dan Wells and they are both deeply experienced infrastructure investors who have been building out the FEIP platforms for many years.  While conversation ranges across the fund manager's strategy, the podcast is centred on the interconnector is being developed by MaresConnect Limited – which is owned by Foresight Energy Infrastructure Partners and Etchea Energy Nominees Limited.  MaresConnect is an electricity interconnector that will run between Dublin and Bodelwyddan, Wales, and will link Irish and British electricity markets by 2030. The 750MW project will be around 245km.  

In this episode, we present a special audio adaptation of a theological classic: “The Meaning of Christian Security”, written in 1939 by David Shelby Corlett. A respected theologian, editor, and educator in the Church of the Nazarene, Dr. Corlett was known for his clarity, depth, and passionate commitment to scriptural holiness and sanctification. This work is a rich and thoughtful exploration of what it truly means to be secure in Christ—not as a passive guarantee, but as a dynamic, ongoing relationship rooted in faith, obedience, and divine grace. Drawing deeply from Scripture and the Wesleyan-Arminian tradition, Corlett offers a vision of salvation that is both hopeful and profoundly responsible. The essay is organized into five chapters, each unpacking a vital dimension of Christian security: Security: A Divine Provision What Is Eternal Life? Security: A Vital Relationship Security Through Co-operation Its Scope Whether you're a pastor, a student of theology, or simply someone longing to walk more closely with Christ, this timeless message offers clarity, encouragement, and challenge.   This document was accessed from the Wesley Center Online.  The Wesley Center Online is a collection of historical and scholarly resources about the Wesleyan Tradition, theology, Christianity, and the Nazarene church hosted by the Wesley Center for Applied Theology at Northwest Nazarene University. We are thankful for the work of Richard Thompson in overseeing this repository.   To read the manuscript, click here To find more Holiness Classics, click here   Lifelong Learning Code: 80890 Click here to learn about Lifelong Learning   *this episode was created with the help of AI*  

We know airfares are expensive, right? Everybody, and I mean everybody, I know who's booked flights recently has made the comment that an overseas flight is cheaper than flying just about anywhere around New Zealand – especially to the provincial centres. Easter was huge in terms of airfares, but even on your normal everyday Wednesday morning, flying to Timaru, flying to Tauranga, it's going to set you back a fortune. We've been complaining about Air New Zealand's pricing now ever since we could get back in the air again after Covid, but what can we do? Air New Zealand says its experienced more cost inflation in the past three years than was typically seen in a decade, with Covid, a weak New Zealand dollar, and geopolitics all to blame. Richard Thompson, Air New Zealand's Chief Financial Officer says their costs over the past 3.5 years have gone up by roughly 30%. Domestic airfares on average have gone up by around 24%, so they're trying to absorb the costs, they say. He argues that flying is still a relatively affordable way to get around the country, with every $400 or $500 fare, he says, there are thousands of examples of $129 fares or even $99 fares. He said I was speaking with someone before Christmas who wanted to get from Timaru to Napier. They were paying $600 or $700 one way. But what's the alternative? You drive to Picton. It'll cost you $100 in gas. If you take the ferry across, that's another $250 or $300. Then another $50 or $60 in gas to get to Napier. He said driving isn't cheap either. But now the government's getting in on the act. Associate Transport Minister James Meager is not ruling out underwriting the expansion of small regional airlines to help maintain routes and keep the price of flying competitive. But truly, the thing is we simply do not have the population base to support viable competition. How many airlines have tried and failed to establish themselves in the market? Just thinking back, in the last couple of decades, Freedom Air, Kiwi Air, and Ansett - they came, they tried, they failed. Don't get me wrong, competition is a good thing. We do have Jetstar, bless them and where they fly, you'll generally find the routes are the most competitive in terms of airfares, and the most reliable – because let's not forget about reliability. And I don't think that's a coincidence. I'm supposed to be flying to Tauranga in a couple of weeks for the day, for a job. And I'm supposed to be flying down on Saturday morning and flying back on Saturday evening. I have absolutely no confidence that that will happen. None. I mean, I hope it does, because there's a film crew down there and it will be a costly exercise if I fail to make it. I'm not planning anything for that particular Saturday night because the last time I flew to Tauranga, I got down there fine and then sat for just under 7 hours in the regional lounge waiting for a plane that never came, or it didn't come for a very, very long time. And yes, you can drive, but it's a horrible drive. But what do you do? It's a horrible drive or you accept that there's a very real chance that the plane won't take off when it says it's going to. Why, though, is the government interfering in the market? I found it really interesting that successive governments, Labour and National have wanted to tinker with privately owned businesses like supermarkets, and petrol companies, and banks, and now the airlines. They want to sort of tweak and fiddle around to try and bring prices down and make things more competitive, and it's all about the consumer and you know. Fabulous. Why don't they bring down the price of power? That's something they do control. The governments are in charge of that. Not everybody flies, we all use electricity. It is what it is. It's expensive to run an airline. Really expensive now in the wake of Covid and it's all been outlined as to why it's so expensive. Flying is expensive. We know that. We baulk at paying the prices if we can. They will allow some subsidies if you're going for a funeral, if there's humanitarian reasons for getting somewhere quickly. Air New Zealand can allow for cheaper airfares, but ultimately, do we want the government, that is the taxpayer, subsidising competition in the aviation industry? I wouldn't have thought that was a good use of taxpayer money. Why on Earth should other taxpayers who don't fly, subsidise those who want to flit off to Hawkes Bay or Queenstown for a jolly. I just don't see why the government should be interfering with the business of flying planes. See omnystudio.com/listener for privacy information.

Today on Too Opinionated, singer Zara Phillips comes back for another visit. Somebody's Daughter - and the 2018 book and 2022 one-woman show the film is based on – focusses on Zara's personal journey of overcoming early addiction, navigating her life and meeting her birth father after many years and struggles after connecting with her birth mother. The project's true driving force is tofacilitate honest, vulnerable conversations about adoption. Too many people, she says, are ignoring these important issues. In addition to acting and writing, Zara is also a talented singer and songwriter who launched her career in the 80s, appearing in music videos and providing backing vocals on tour with Bob Geldof, Matt Bianco, David Essex and Nick Kamen. While taking some years away from creative endeavors to raise a family, she came back strong in the 2000s, releasing two albums(When The Rain Stops and You. Me & Us) produced by Ted Perlman, whose multi-faceted musical resume includes Whitney Houston, Bob Dylan and Chicago; earning a Best Homegrown Documentary honor for her 2008 film Roots Unknown at the Garden State Film Festival; and publishing in 2008 her first book Mother Me, a compelling memoir about her ongoing struggles as an adoptee now raising a family of her own. A few years later, Zara's song “I'm Legit,” co-written with Darryl McDaniels (DMC of Run-DMC), was a successful single in the adoption world and beyond. In 2014, Zara's one woman show Beneath My Father's Sky, directed by Eliza and Eric Roberts won Best Direction at NYC's United Solo Festival and was performed in Los Angeles, San Francisco, Connecticut and London in 2016. During this era, she was presented with an Angel in Adoption Award by the Congressional Coalition of Adoption Institute. Her most recent album, released in 2020, is Meditation and Kitkats, and she currently tours and performs with her husband, British folk-rock legend Richard Thompson, who scored Somebody's Daughter.   Want t owatch: YouTube Meisterkhan Pod (Please Subscribe)

"The opening day of the Tenth General Assembly of the Church of the Nazarene, June 16, 1940, was a memorable one in the annals of the church. The blessing of God was unmistakably present from the opening song until the closing benediction. The morning communion service with Doctor Goodwin's message lifted us to heights of spiritual fellowship with God and with one another. Doctor Williams' characteristically stirring message in the afternoon was a challenge to better things for the days to come. The evening sermon was delivered by Dr. J. B. Chapman. His subject was "Christ and the Bible." It was an eloquent, scholarly and inspiring message that seemed to electrify the congregation of almost 6,000 listeners that crowded the great auditorium. Requests and pleas for the publication of the sermon were made both to the speaker and to the Publishing House executives. Therefore the message is now available, for the benefit of many who heard it and wish to read it as well as hear it, also for the many thousands who were not privileged to attend the service but who through reading this address will be led to a deeper love for the Bible and the Christ of the Bible." P. H. LUNN   This sermon was accessed from the Wesley Center Online.  The Wesley Center Online is a collection of historical and scholarly resources about the Wesleyan Tradition, theology, Christianity, and the Nazarene church hosted by the Wesley Center for Applied Theology at Northwest Nazarene University. We are thankful for the work of Richard Thompson in overseeing this repository.   To read the manuscript, click here To find more Holiness Classics, click here   Lifelong Learning Code: 80890 Click here to learn about Lifelong Learning   *this episode was created with the help of AI*

Titans of Science series is back for another run. And to kick us off, marine biologist Richard Thompson, who first brought to the world's attention 20 years ago the problem that is micro - and now nano - plastic pollution... Like this podcast? Please help us by supporting the Naked Scientists

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The Tubs é uma boyband celta barulhenta que se conheceu em aulas de controle da raiva eacaba de lançar o segundo disco, um encontro da guitarra de Johnny Marr com a urgência do Husker e os vocais do Richard Thompson em um funeral. Nesse episódio a gente conta tudo sobre o 2º disco deles, o “Cotton Crown”.

Visit: www.salty.com.au No ride here to the 50's, just one or two - but OMG it's cool! THE 58's is a genre hopping douse of goodness. Cuts from Mitch Ryder, Samantha Fish, Bob Lanza, Stormcellar, Southern Avenue, Little Feat, Lecia Louise, Steve Mondel, Watchhouse, Wareen Haynes, Richard Thompson, Neil Young, Nathan Beretta, Jen Mize, Lucinda Williams, Esther Phillips, Clayton Doley, Jason Isbell, Otis Namrell, Inspector Cluzo, 63 Deluxe, The Blow Out, Ian Siegal, Endless Boogie. ARTIST / TRACK / ALBUM ** Australia 1. Mitch Ryder / Lilli May / With Love 2. Samantha Fish / I'm Done Running' / Paper Doll 3. The Bob Lanza Blues Band / Upside of Lonely / Breadman's Blues 4. ** Stormcellar / A Little Too Much Is Never Enough / Basilisk 5. Southern Avenue / What Do I Do / Southern Avenue 6. Little Feat / Too High To Cut My Hair / Strike Up The Band 7. ** Lecia Louise / One Man / single release 8. ** Steve Mondel / Long-Haul Flights / Long-Haul Flights 9. Watchhouse / Belly of The Beast / Watchhouse 10. Warren Haynes / Day Of Reckoning / Million Voices Whisper 11. Richard Thompson / Persuasion / Celtschmerz (Live UK '98) 12. Neil Young / Star of Bethlehem / Homegrown 13. ** Nathan Beretta / Drinking Alone / Love Taxman 14. ** Jen Mize / My Buzz / Neon N Nothin' Else 15. Lucinda Williams / Joy / Car Wheels On A Gravel Road 16. Esther Phillips / Flesh, Blood and Bone / Release Me - The Best of Esther Phillips 17. ** Clayton Doley's Organ Donors / Return of the Prodigal Son / Tension! 18. Jason Isbell / Ride To Robert's / Foxes In The Snow 19. ** Otis Namrell / Hard To Breath / Otis Namrell Trio 20. The Inspector Cluzo / The Duck 'Guit' Blues / Gasconha Rocks 21. ** 63 Deluxe / My Favourite Hurricane / 63 Deluxe 22. ** The Blow Out / That Ain't Lovin' Me / Version of You 23. Ian Siegal / Won't Be Your Shotgun Rider / All The Rage 24. Endless Boogie / Occult Banker / Long Island

In his sermon "New Birth" Wesley unpacks the essential transformation that takes place when a person is spiritually reborn, emphasizing that this change is not just an improvement but a complete renewal of the heart by God's grace. He explains why this new birth is necessary, how it happens, and its impact on a believer's life. Join us as we dive into Wesley's timeless insights on salvation, faith, and the work of the Holy Spirit. This sermon was accessed from the Wesley Center Online and was edited by Michael Anderson with corrections by Ryan Danker and George Lyons for the Wesley Center for Applied Theology. The Wesley Center Online is a collection of historical and scholarly resources about the Wesleyan Tradition, theology, Christianity, and the Nazarene church hosted by the Wesley Center for Applied Theology at Northwest Nazarene University. We are thankful for the work of Richard Thompson in overseeing this repository.   Lifelong Learning Code: 80890 Click here to learn about Lifelong Learning   *this episode was created with the help of AI*

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Owen Williams from the Tubs discusses their excellent album, Cotton Crown, DADGAD guitar tuning and affinities for artists like Big Star, Richard Thompson, and SZA, how the humour in his music can be overlooked for its sentimentality, his unique musical upbringing and penchant for misbehaviour as a young teen, processing his mother's suicide, his prose writing background, starting Perfect Angel Press, and updates about two of his novels, what Gob Nation is all about and spitting on people, Sonic Youth and Superchunk allusions, touring, working on a new album, other future plans, and much more.Support vish on Patreon!Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #909: Jade HairpinsEp. #900: Fugazi and Jem CohenEp. #892: Fucked UpEp. #880: Guided By VoicesEp. #834: J MascisEp. #738: SuperchunkEp. #722: The BethsEp. #673: Sonic YouthEp. #634: Richard ThompsonEp. #578: Chris Rowley of Adulkt LifeSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

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Michael Cremo is a known name in the alternate archaeology community. His and Richard Thompson's 1993 book “Forbidden Archaeology” has been called anunderground classic.But he is an outlier when it comes to extreme human antiquity. Cremo has come to the conclusion that humans – modern humans – have existed on the planet for millions, if not hundreds of millions, of years.This almost dizzying perspective can be derived from the ancient Vedic texts, a tradition that has influenced Michael's worldview deeply.Michael Cremo looked into standard archaeology and found that many archaeologists and paleoanthropologists, over the last century or so, had found anatomically modern human artefacts like bones or footprints embedded in geological strata that were known to be millions of years old.“I thought, why aren't these reports mentioned in the literature today?” Michael says.Well, they are, he explains, but they are interpreted in a way that they can fit in with the current ideas of human history.One example are the footprints paleoanthropologist Mary Leakey found at Laetoli in Tanzania in 1979.Another smoking gun is a finger bone found in Olduvai Gorge, not far from the site of the footprints. The bone does not quite look like it would if it were from another primate or a known prehistoric hominid, but it fits well with the anatomy of modern humans.“Theoretical preconceptions can influence how scientists will react to various categories of evidence”, Michael says.“Evidence that conforms to a particular paradigm will easily pass through this social intellectual filter. You will hear scientists talk about it at seminars. Evidence that doesn't conform is filtered out: ‘It's an anomaly, we'll get to that later'.”An alternative to the rational, physicalist paradigm that dominates archaeology in the West today would be to have a plurality of archaeologies. Cremo highlights theWorld Archaeological Congress and its scientific journal “Archaeologies”.He appreciates the boom in alternative archaeology in recent years.“But we deal with different parts of the time spectrum.”In Michael Cremo's view, the study of paleoarchaeology cannot really be separated from the study of consciousness and what a human being is.“The cosmos is no accident. There is a purpose to it.”“But the cosmos goes through cycles of manifestation and unmanifestation. These cycles go on eternally. In that sense, there is no creation, there is an ongoing event.”And part of that ongoing event is the existence of human beings.“We are present, I believe, because it's in the human bodily vehicle that a conscious self can come to understand the real answer to the question ‘who am I?'”This entails that entire human civilizations have risen and fallen, time and time again, for millions of years.In the Vedic worldview, what science calls the Big Bang is perhaps merely one exhalation in the cosmic breathing, by which universes expand and collapse incessantly.Many people want simple explanations, Michael notes. That goes for Christian literalists and physicalist scientists as well as new age types, who want to explain the mysterious human evolution with extraterrestrial influence.“But the real situation may be a little more complex. There may be threads of all of those things, woven into a beautiful tapestry, and with some overall guiding intelligence”, he says.Our time is crucial in many ways, but with a cyclic Vedic view, this isn't the only crucial era. We entered the most problematic of the fouryugas, world ages, some 5,000 years ago, and we will not leave it until over 400,000 years from now. But there is a silver lining, according to Michael:“Even in the winter there are warmer periods, and we are entering one such now. It will last for 10,000 years.”Michael'swebsiteMichael'sFacebook

While we're on a brief hiatus from making all-new episodes, we thought it would be fun to compile all the moments where Paul asks his guests "What Was The First Record You Ever Bought?" and put them in a couple of "clip shows." Here's part one, featuring De La Soul, Dhani Harrison, Mac McCaughan & Laura Ballance (from Superchunk), Ringo Starr, Shelby Lynne, Redd Kross, NPR's Ann Powers, The Edge (from U2), Richard Thompson, and Matthew Caws (from Nada Surf). The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. Record Store Day 2025 is April 12th. For the most up-to-date news about all things RSD, including The List, visit RecordStoreDay.com) Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.  

Season 17, Ep 22: In news that will surprise no one, England and India don't like the World Test Championship structure because they haven't made the final. So Jay Shah and Richard Thompson of the ECB have tasked themselves with starting from scratch before their teams play five Tests against each other in June. Also this week, our view on the English wash-up from the WAshes, with renewal badly needed, Kohli plays the Ranji, Kurtis Patterson keeps making tons, new funding for the Afghan women's team, and a look at who's missing from the Australian cricket Hall of Fame. Support the show with a Nerd Pledge at patreon.com/thefinalword Maurice Blackburn Lawyers - fighting for the rights of workers since 1919: mauriceblackburn.com.au Sort your super with CBUS on their 40th birthday: cbussuper.com.au Get 10% off Glenn Maxwell's sunnies: t20vision.com/FINALWORD Find previous episodes at finalwordcricket.com Title track by Urthboy Learn more about your ad choices. Visit podcastchoices.com/adchoices

As she celebrates the release of her extraordinary autobiographical film Somebody's Daughter, Zara Phillips offers up some tough love truths that fly in the face of the often cheery, sanitized way adopted children (and other beings) are depicted in Disney films and other media. From her years of advocacy,studying contemporary sociological research and personal experiences as an adopted person herself, the passionate lifelong advocate for adoptees knows that even well into adulthood, their existential struggles of feeling like outsiders with little known stories of their history and birth parents makes them at least four times more likely to attempt suicide. They are also much more inclined to turn to addiction as a coping mechanism, as Zara did in her teens and early 20s. Somebody's Daughter - and the 2018 book and 2022 one-woman show the film is based on – focusses on Zara's personal journey of overcoming early addiction, navigating her life and meeting her birth father after many years and struggles after connecting with her birth mother. The project's true driving force is tofacilitate honest, vulnerable conversations about adoption. In addition to acting and writing, Zara is also a talented singer and songwriter who launched her career in the 80s, appearing in music videos and providing backing vocals on tour with Bob Geldof, Matt Bianco, David Essex and Nick Kamen.  In 2014, Zara's one woman show Beneath My Father's Sky, directed by Eliza and Eric Roberts won Best Direction at NYC's United Solo Festival and was performed in Los Angeles, San Francisco, Connecticut and London in 2016. During this era, she was presented with an Angel in Adoption Award by the Congressional Coalition of Adoption Institute. Her most recent album, released in 2020, is Meditation and Kitkats, and she currently tours and performs with her husband, British folk-rock legend Richard Thompson, who scored Somebody's Daughter.   Want t owatch: YouTube Meisterkhan Pod (Please Subscribe)  

On this episode listen to an audio production of John Wesley's sermon from Matthew 7:15-20. This sermon was accessed from the Wesley Center Online and was edited by Kristen Chamberlain with corrections by Ryan Danker and George Lyons for the Wesley Center for Applied Theology. The Wesley Center Online website is a collection of historical and scholarly resources about the Wesleyan Tradition, theology, Christianity, and the Nazarene church hosted by the Wesley Center for Applied Theology at Northwest Nazarene University. We are thankful for the work of Richard Thompson in overseeing this repository. In this message, “Upon Our Lord's Sermon on the Mount: Discourse Twelve,” we encounter a powerful message and warning to Christians for every generation. Wesley unpacks Jesus' warning in Matthew 7:15-20: "Beware of false prophets, who come to you in sheep's clothing, but inwardly are ravenous wolves. You will know them by their fruits." Wesley challenges us to discern truth from deception, cautioning against leaders who appear righteous yet lead others astray with teachings that veer from Christ's narrow path of humility, love, and holiness. He calls for careful examination of the fruits of their lives and doctrines, urging listeners to hold fast to the true way of salvation and bring all teachings to the test of Scripture.   Lifelong Learning Code: 80890 Click here to learn about Lifelong Learning   *this episode was created with the help of AI*    

In this episode, Nate Gilmore has a conversation with Richard Thompson, Professor Emeritus of New Testament at Northwest Nazarene University, about the Wesley Center Online. Dr. Thompson works with this repository to engage scholars, disseminate material, and expand the online collection. https://wesley.nnu.edu/  Richard P. Thompson has served as a professor of New Testament at three Christian universities: Northwest Nazarene University, Spring Arbor University, and Olivet Nazarene University. He holds a BA from Olivet Nazarene University, an MDiv from Nazarene Theological Seminary, and a PhD from Southern Methodist University. Among his previous publications are Acts: A Commentary in the Wesleyan Tradition (Beacon Hill Press of Kansas City, 2015), Keeping the Church in Its Place: The Church as Narrative Character in Acts (T. and T. Clark, 2006), and The Tiny Church in a Big Church World (Nazarene Publishing House, 1991). https://www.thefoundrypublishing.com/authors/richard-p-thompson.html    Lifelong Learning Code: 80890 Click here to learn about Lifelong Learning

Michael Jerome had been drumming in a post-industrial metal band when he auditioned for Richard Thompson in 1999, little knowing he would be this brilliant guitarist's percussive foil for the next 25 years and counting. Jerome also has played with Charlie Musselwhite, the Blind Boys of Alabama and, for several years, John Cale. He's been Better Than Ezra's drummer since 2009 and played and toured with Slash for his latest album—and what started as an experimental side project is now moving center stage: The Third Mind, the improvisatory psychedelic band assembled by Dave Alvin and Victor Krummenacher. As thoughtful in conversation as he is dazzling behind his kit, Jerome tells how he developed his unique style and adapts it for each project—and he relates what it's like to be in Los Angeles now as he tries to help friends and others who have lost almost everything in the catastrophic wildfires. (Photo by Robby Klein.)

Salty Dog's HAZE Podcast, January 2025 We are coming out of the HAZE from the seasons cheers tone hounds. So what better way than with a mess o fine toons to kick us into twenty twenty five. Cuts from Lothar Nabde Schack, Otis Namrell, Kuther Allison, Baker Smith Gamble, Steely Dan, McNaMarr Project, Paul Butterfield, Tony Jow White, Wilson Diesel, Richard Thompson, MOntio Amundson, Nick Charles, Teskey Brothers, William Crighton, Gary Clark Jnr, Junior Kimbrough, Charlie Parr, Jake Xerxes Fussell, John Gorka, Brett Mosley, Jeffery Foucault, Clayton Doley. ARTIST / TRACK / ALBUM ** Australia 1. Lothar Nande Schack / Get Right Church / Walk Right In 2. ** Otis Namrell Trio / Roadtrippin' Blues / Otis Namrell Trio 3. Luther Allison / Ragged And Dirty / Bad News Is Coming 4. ** The Baker Smith Gamble / The Ol' Bump N Grind / The Baker Smith Gamble 5. Steely Dan / Show Biz Kids / Countdown To Ecstasy 6. ** The McNaMarr Project / Driving Wheel / The Quasar Sessions 7. Paul Butterfield Blues Band / Just To Be With You / The Original Lost Elektra Sessions 8. Tony Joe White / Living Off The Land / Feeling Snakey 9. ** Wilson Diesel / I Can't Stand The Rain / Short Cool Ones 10. Richard Thompson / Hard On Me / Mock Tudor 11. Monti Amundson / Plain As Day / Somebody's Happened To Our Love 12. ** Nick Charles / Three Lines Deep / The River Flows 13. ** The Teskey Brothers / Drown In My Own Tears / The Circle Session 14. ** William Crighton / Your Country / Water And Dust 15. Gary Clark Jnr / Catfish Blues / Gary Clarke Jnr Live 16. Junior Kimbrough / Most Things Haven't Worked Out / Most Things Haven't Worked Out 17. Charlie Parr / Dog / Dog 18. Jake Xerxes Fussell / Pork And Beans / Jake Xerxes Fussell 19. John Gorka / Thorny Patch / After Yesterday 20. ** Brett Mosley / What You Feel / Charge 21. Jeffrey Foucault / The Universal Fire / The Universal Fire 22. ** Clayton Doley / Barely Alive / Nervous

We had an amazing chat with Casey Neill about his latest release "Time Zero Land," sequencing the album, and something music fans should never do! Portland, Oregon-based songwriter Casey Neill talks about time zero land  (released July 26th on Fluff & Gravy Records). This album follows last fall's Casey Neill & the Norway Rats' Sending Up Flares, and includes two outtakes from those band sessions. Neill engineered the rest at his home studio and plays the lion's share of the instruments. It's a dreamy affair with sonic homages to Elliott Smith, Nick Drake, Sade, the acoustic side of Rust Never Sleeps, and the Brit-folk pioneered by Bert Jansch, Richard Thompson, and June Tabor. One of the things people often say about the Norway Rats is how their music defies easy genre categorization and while Sending Up Flares leans into the fruits of that collaboration, time zero land embraces the influences and craft songwriting that has been at the core of Neill's work.  A prolific songwriter and road warrior since the late 1990s, Americana and Scots/Irish-folk influences have often underscored his songwriting. Sending Up Flares hints at a European influence too, with songs that channel everything from the cinematic sweep of golden-era U2 to the dark, complex alt-rock of PJ Harvey. If time zero land is intimate and largely acoustic, then Sending Up Flares is broad, eclectic, and every bit as explosive as its title. A four-piece string section (Bizarre Star, arranged by Kyleen King) adds a symphonic punch to “How Beautiful Am I?,” the album's tribute to Marianne Faithfull. Synths, stacked vocal harmonies, and burbling electronics run throughout “Fall Into Forever,” bringing to life the song's bizarre storyline involving a Tokyo typhoon, Dante's Paradiso, and pop star Britney Spears. Together, these 11 songs shine new light on a band who, after more than a dozen years together, have arrived somewhere singular and startlingly unique.  Check him out here:  Website: caseyneill.com IG: casey_neill FB: Casey Neill

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On this week's show, we wrap up the merry month of Debts-cember (and the year in general) with the most honorable of mentions, the runners-up that fill our cup, the best of the rest of 2024  All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

140 - Iain Matthews In episode 140 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine host, James Patrick Regan speaks with singer/songwriter Iain Matthews. In their conversation Iain tells us about his home in the Netherlands. Iain takes us through his new solo album, he has over 40 solo albums. Iain talks about his guitars Harmony's and Cromwell's converted by Mark Swanson in Grand Rapids, Michigan (markswansonmusic.com). Iain tells us about his current tour schedule and how he manages to travel with his guitars… Iain talks about his musical upbringing with his mom's boogie woogie piano and tells us about how his early bandmate Richard Thompson (in their band Fairport Convention) bought him his first guitar. Iain tells us about growing up and playing in bands in Northern England and making the move to London and working on Carnaby street. Iain describes his time living in the U.S.: LA, Seattle and Austin which preceded his move to the Netherlands. To find out all you about Iain and listen to his music you can check out his website at: iainmatthews.nl Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #IainMatthews #FairportConvention #MarkSwansonGuitars #SwansonGuitars #Guitar #GuitarHero #theDeadlies #haveguitarwilltravelpodcast #guitarcollector #Travelwithguitars #hgwt #HGWT . . Please like, comment, and share this podcast! Download Link

Episode 302: Joe Boyd is one of the most accomplished and eclectic record producers in the story of popular music. As an American living in London, he helped break psychedelic folk rock pioneers The Incredible String Band and worked with Pink Floyd, Nick Drake, and Fairport Convention. He founded Hannibal Records, giving a home to the solo career of Richard Thompson. He's also worked with Kate and Anna McGarrigle, Toumani Diabate, Geoff and Maria Muldauer, and many more. He was also part of the small cadre of music marketers and labels that created the market category of World Music in the 1980s. Here, Boyd talks about his journey and his epic new book And The Roots of Rhythm Remain. 

Will and David discuss the latest releases by The Cure, 2nd Grade, and Humdrum, plus live reports and bonus songs.

It sometimes seems that there's not an abundance of great instrumental recordings around today. It takes quite a bit more talent and compositional ability to construct a recording that's varied and interesting; the project should be a cohesive creation and not just a series of jams. We'll share some tunes from Richard Thompson, The Rebirth Brass Band, Cindy Kallet & Grey Larsen along with a few surprises. Send the singer home … this week (and next) on The Sing Out! Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysRuss Barenberg / “Little Monk” / When At Last / CompassAlasdair Fraser & Natalie Haas / “Keeping Up With Christine” / Ports of Call / CulburnieJoel Mabus / “Ukulele Scrabble” / Ukulele Crimes / FossilRebirth Brass Band / “You Move Ya Lose” / Rollin' / RounderDon Pedi / “Walking in the Parlor” / Little Songs from The Southern Mountains / Walnut MountainBill Frisell / “Surfer Girl” / Guitar in the Space Age / OkehRichard Thompson / “Rockin' in Rhythm” / Strict Tempo / CarthageRuss Barenberg / “On Milo's Back” / When At Last / CompassCindy Kallet & Grey Larsen / “Playing with a Full Deck” / Cross the Water / Sleepy CreekDavey Graham / “The Road to Lisdoonvarna (Jig & Reel)” / The Complete Guitarist / Stefan Grosman's Guitar WorkshopChris Thile / “Panhandle Rag” / Leading Off / Sugar HillFlaco & Max / “Fiesta alegre” / Legends & Legacies / Smithsonian FolkwaysFleetwood Mac / “Albatross” / The Pious Bird of Good Omen / ColumbiaAl Di Meola / “I'll Follow the Sun” / Across the Universe / Ear MusicPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

Interview with Jeff Lang 2024 Australian guitarist-songwriter-vocalist-producer, Jeff Lang has built a reputation for making startling music that is accomplished, intricate, gutsy, melodic and loaded with soul. Often taking unexpected turns, he has consistently inspired his audiences by creating a stylistically diverse catalog of over 25 albums. Jeff has mischievously called his music ‘Disturbed Folk.' One writer referred to him as a “quiet achiever.” But the overall impression one has from observing Jeff's lengthy career is that of a driven man who keeps his head down, playing and recording music as if his very life depends on it. Outside of his homeland, Jeff has toured the UK, Europe, Japan, India, China, South Africa, New Zealand and Canada as well as concentrated work in the U.S., where he has played upwards of 300 shows, living there for 6 months at a time. He has appeared on prestigious American radio programs A Prairie Home Companion, Mountain Stage and Acoustic Café. Jeff has shared stages with Bob Dylan, Dr. John, Richard Thompson, Bonnie Raitt, Ani Di Franco, Chris Whitley, Albert Collins, Loudon Wainwright III, Greg Brown, John Butler, AR Rahman and Bob Geldolf, among many others. Jeff has delivered show-stopping performances at festivals all across the globe: The Dublin Blues Festival, Philadelphia Folk Festival, Quebec City Music Festival, Falcon Ridge Folk Festival, Winterhawk Bluegrass Festival, Fuji Rock, Glastonbury, Echo Park China, Ottawa BluesFest as well as on his home turf at Port Fairy, Woodford, Bluesfest Byron Bay and Womadelaide. Jeff Lang's unique musical vision easily finds a home in myriad settings, from large festival stages to the intimate, long-running Ann Arbor, Michigan club The Ark to the Sydney Opera House. Most importantly, Jeff Lang has achieved what is a rarity in the cluttered world of contemporary sounds: his own voice. Jeff's info https://jefflang.com.au  

Sima Cunningham has had two albums released this year: Not God from Finom, her band with fellow Chicago singer-songwriter-multi-instrumentalist Macie Stewart; and a long-gestating solo project, High Roller. With Finom kicking off a tour this weekend and a solo album launch and a Roches-themed show coming up, Cunningham is enjoying the culmination of a lifetime of music-making and collaboration. Here she recalls growing up in a musical and artistic household; tells of her sibling-like connection with Stewart and how they find their beautiful, surprising, distinct harmonies; recounts their history with Jeff Tweedy, who produced Not God, and her work with Chance the Rapper, Richard Thompson and Waxahatchee; emphasizes the importance of community; and explains as best as she can why the band had to change its name from Ohmme. Plus, she sings snippets of songs she wrote when she was 11. (Photo by Shannon Marks.)

Joe Boyd has had many job descriptions over the course of his nearly sixty-year career in music, and there was simply no way to cover everything in this conversation. That said, Paul and Joe focus on Boyd's important new book, And The Roots of Rhythm Remain: A Journey Through Global Music, and themes of cultural cross-pollination in music, the birth of hip hop and ska, the reason Hitler spared the life of virtuoso Roma guitarist Django Reinhardt, what happened with Nick Drake, and Boyd's phenomenal earlier book, the memoir, White Bicycles: Making Music in the 1960s.  As a music producer, Boyd has delivered records by Nick Drake, Pink Floyd, R.E.M., Taj Mahal, Fairport Convention, Richard and Linda Thompson, Sandy Denny. He tour-managed European dates for Muddy Waters, Sister Rosetta Tharpe, and was a production manager at the 1965 Newport Folk and Jazz Festivals, before flying off to open Elektra Records' UK office in London where he and John Hopkins opened the UFO club, giving a psychedelic home to Pink Floyd and others.  In 1971 he moved to Los Angeles to work for Warner Brothers Films (Deliverance, A Clockwork Orange, and the documentary Jimi Hendrix). In 1979, he worked for Lorne Michaels' film company, Broadway Pictures, and the following year, launched his own label, Hannibal Records, releasing works by John Cale, Richard Thompson and more, while bringing global artists such as ¡Cubanismo!, Toumani Diabaté, Ali Farka Touré, Trio Bulgarka, and Songhai, to western audiences. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com)   Sponsored by Dogfish Head Craft Brewery (dogfish.com), Tito's Handmade Vodka (titosvodka.com), RSDMRKT.com, and Furnace Record Pressing, the official vinyl pressing plant of Record Store Day.   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.   Rest in Peace, Phil Lesh: "A box of rain will ease the pain / And love will see you through" 

We'll be sharing a Wake Up call with everyone out there…no…not election day. Although it's just around the corner. There's an alarm clock buzzing or ringing or chiming that is bent on a theme…that of ‘waking up'. That's our theme in the show todays as we excavate the mines of rich Americana ore from the past century, sharing songs whose thematic tone demands that our eyes open to the brighter days ahead. Dave has a boatload of sounds that include the rockabilly sounds of Mac Curtis and some country bop from Billy Briggs. That's not all…there's the brothers Everly, Merle Haggard, Les Paul & Mary Ford, Richard Thompson, Nat King Cole, Bob Dorough and a couple dozen others. Join Dave for a thematic romp on Deeper Roots this Friday morning on KOWS Community Radio.

Iain Matthews was an early member of the pioneering British folk-rock band Fairport Convention, singing on its first two albums and leaving during the recording of the third one, Unhalfbricking. Since then this singer-songwriter has formed other bands — Matthews Southern Comfort, Plainsong — and released much solo work, including the just-released How Much Is Enough. He has scored some hits — Southern Comfort's cover of Joni Mitchell's “Woodstock,” his 1979 solo song “Shake It”—and says he has recorded about 70 albums total, all projects included. So he has many tales to tell —about the Fairport years with Richard Thompson, Judy Dyble and Sandy Denny and his break from the group; the many places he has lived and whether they had an impact on his music; his years as an A&R rep; and that vocal arrangement of his that the Eagles borrowed without credit. (Photo by Lisa Margolis.)

Hugh Cornwell is preparing for his “All The Fun Of The Fair” tour which begins in November and here he talks to David Hepworth about:….why rehearsals are best in bursts….why he no longer carries keyboards….the special magic of going to see Chuck Berry with Richard Thompson….how the two of them have recorded “Tobacco Road” for an Alzheimers benefit record…being at the Marquee when Clapton, Beck and Page all played with the Yardbirds….playing the Golders Green Ionic with Helen Shapiro….how there are nights when the guitarist think it's been a disaster but the drummer knows it's been a triumph…the film podcast (http://mrdemillefm.com/) that started as a hobby…what you can expect when his tour (http://www.hughcornwell.com/tour/) hits your town.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Hugh Cornwell is preparing for his “All The Fun Of The Fair” tour which begins in November and here he talks to David Hepworth about:….why rehearsals are best in bursts….why he no longer carries keyboards….the special magic of going to see Chuck Berry with Richard Thompson….how the two of them have recorded “Tobacco Road” for an Alzheimers benefit record…being at the Marquee when Clapton, Beck and Page all played with the Yardbirds….playing the Golders Green Ionic with Helen Shapiro….how there are nights when the guitarist think it's been a disaster but the drummer knows it's been a triumph…the film podcast (http://mrdemillefm.com/) that started as a hobby…what you can expect when his tour (http://www.hughcornwell.com/tour/) hits your town.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The ECB is currently seeking investors for The Hundred franchises, the short form cricket competition and are selling a 49% stake that values them at up to £150m each. Today's guest Lalit Modi disagrees. The founder of the Indian Premier League explains exclusively to Unofficial Partner why: “Based on the information memorandum a 100% stake in a team would be between £5m and £9m [for] outside London teams, and maximum, if one really wants a trophy asset, is London teams closer to £25m.”Earlier this year, Modi was involved in a $1bn (£747m) offer to buy the entire competition – with the intention of turning it into a T20 tournament – which was rebuffed. When an unrelated bid of £400m for a 75% stake was also rejected last year Richard Thompson, the ECB's chairman, said it would take a bid of “a few billion” to convince them to sell.Unofficial Partner is the leading podcast for the business of sport. A mix of entertaining and thought provoking conversations with a who's who of the global industry. To join our community of listeners, sign up to the weekly UP Newsletter and follow us on Twitter and TikTok at @UnofficialPartnerWe publish two podcasts each week, on Tuesday and Friday. These are deep conversations with smart people from inside and outside sport. Our entire back catalogue of 400 sports business conversations are available free of charge here. Each pod is available by searching for ‘Unofficial Partner' on Apple, Spotify, Google, Stitcher and every podcast app. If you're interested in collaborating with Unofficial Partner to create one-off podcasts or series, you can reach us via the website.

You may know Iain Matthews from his time with Fairport Convention. Or, you may know him from all his other groups, projects and solo records. And he's about to add another one to the list. How Much is Enough is his newest. We talked with Iain in what turned out to be a master class on songwriting.How Much is Enough is out on October 25th via Sunset Blvd records. For more information, check out Iain's website.

A Central American lizard creates a bubble of air underwater to breatheSemi-aquatic lizards in the western rainforests of Central America have the ability to hide from predators underwater by breathing from a bubble of air they forms over its head. In a new study in the journal Biology Letters, ecologist Lindsey Swierk from New York State University at Binghamton, found that the lizards with this bubble-breathing trick could stay underwater for 30 per cent longer than the lizards without a bubble. A really weird fish walks on its fingers and tastes with them tooThe sea robin is a strange fish with wing-like fins and finger-like bony structures that it uses to prop itself up as it roams the ocean floor. New research from a team of scientists from Harvard and Stanford Universities, including Nick Bellono, looked at how these bizarre creatures use their legs to hone in on their prey. It turns out these funny finny fingers can also taste food in the sediment of the sea bottom. The research was published in the journal Current Biology.We can make our food production systems more stable by reintroducing natureA new study by a team of researchers at the University of Guelph suggests that removing large animals and destroying natural habitat is making our agricultural systems and fisheries more unstable and vulnerable to boom and bust cycles. But the study, published in the journal Nature Ecology and Evolution, also suggests that restoring nature can help stabilize our food production to better feed the world's billions. Giant clams live off sunlight and could inspire solar power systems Working in the protected reefs of Palau, Dr. Alison Sweeney, associate professor of physics and of ecology and evolutionary biology at Yale University, was intrigued by the iridescence of the giant clams. Her team discovered that the giant clams tissues are optimized to channel sunlight to photosynthetic algae that live inside them. They work like solar panels, but far more efficiently than manufactured versions, providing inspiration for bio-inspired energy technology. The study was published in the journal PRX Energy.Plastic: Understanding the problem, and the struggle for a solutionPlastic is a miracle material, and one of the most useful innovations of the modern age. But its ubiquity and the durability that makes it so useful mean it's also becoming one of our biggest waste problems. Twenty years after he discovered microplastics on beaches around the UK, marine biologist Richard Thompson has just released a new study looking at what we've learned about these pervasive plastics, and urges scientists to turn their research focus towards solving the problem. We also speak with RJ Conk from the University of Berkeley about his work on vaporizing plastics down to their chemical building blocks, which could finally make real recycling a reality.

This week on Transmissions, we're sitting down with a genuine legend: Joe Boyd, author of And The Roots of Rhythm Remain: A Journey Through Global Music, out September 24 from ZE Books. On the front cover of the book Brian Eno—a venerated saint in the Aquarium Drunkard canon—declares: “I doubt I'll ever read a better account of the history and sociology of popular music than this one.”  Joe Boyd's career is the stuff of myth. As a producer, he's worked with a murder's row of collaborators, including Pink Floyd, Nick Drake, Fairport Convention, R.E.M., Richard and Linda Thompson, Incredible String Band, Vashti Bunyan, 10,00 Maniacs, and many more. In 2006, Boyd released a memoir, White Bicycles – Making Music in the 1960s, which documented his time in the studio during that decade, but And the Roots of Rhythm Remain casts an even wider net, exploring the overlap of musical cultures and the complicated, human negotiations that undergird creative synthesis.  As you'll hear in the early part of our talk, Joe played a pivotal role Transmissions host Jason P. Woodbury's music writing journey. In 2008, Woodbury reviewed a Nick Drake box set for the sorely missed Tiny Mix Tapes. The piece also included an email interview with Boyd, whose responses were insightful and in-depth—an experience that inspired Woodbury to chase after interviews. So this conversation picks up the thread some decade and a half later, detailing not only Boyd's new book, but also his experiences with Nick Drake, Fairport Convention, Richard Thompson, Sandy Denny, Vashti Bunyan, and many more adventures. Aquarium Drunkard is supported by our subscribers. Head over and peruse our site, where you'll find nearly 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. Subscribe at Aquarium Drunkard.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

A household name for many decades amongst those with an interest in challenging, forward-thinking music, Fred Frith initially gained an audience through his work as the guitarist with 60's group Henry Cow, and has since had a prolific career as a player on many recordings under his own name as well as collaborations with players ranging from Henry Kaiser, to The Residents, to Richard Thompson, to John Zorn. He has appeared on over 400 recordings and continues to push forward artistically with each new release. We spoke to Frith in front of a live audience at the Big Ears Festival in Kn0xville in March of 2024.See omnystudio.com/listener for privacy information.

Send us a textPart 2 of TrackTalk with legendary drummer, Dave Mattacks! In Part 2, we do a deep-dive into more of Dave's iconic tracks from XTC, Paul McCartney, Jethro Tull and more! Come along for ride for Part 2, thanks for watching and listening! Please subscribe! Be sure to check out Part 1! https://youtu.be/pDT7hrn0k1k?si=Acyd2jlMNC0O0845 Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!Exciting news! 100% of the proceeds from Live From My Drum Room T-shirts goes toward a newly created Live From My Drum Room Scholarship with the Percussive Arts Society! https://pas.org/pasic/scholarships/ Live From My Drum Room T-shirts are made of soft 60%cotton/40% polyester. Available in XS-2XL. $25 includes shipping in the contiguous US. Payment with Venmo: @John-DeChristopher-2. Be sure to include your size and shipping address. Email: livefrommydrumroom@gmail.com. Thank you to everyone who's bought a shirt to help support this endeavor!https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

    Sometimes a mix comes along at just the right time. This new mix from Paul comes as summer has ended and the weather, at least around here, has turned a bit chilly. There's something about this collection of tracks that seems to work well with this change of seasons.   This mix is different from the usual LLM fair and definitely a change in direction for Paul, a temporary change but a welcome one. These are all vocal tunes, each with its own story to tell.   Here's what Paul says about this compilation:   “Just some of my favorite story songs from the past few decades. Some classics and some I hope will be a delightful discovery for you, as they were to me. Interesting that more than half of them turned out to be about death. But we end on a hopeful note, celebrating life, the universe and friendship.”   Perfect for night time listening around a fire with a good whiskey. Thanks Paul!   Cheers!     T R A C K L I S T : 00:00   Michael Smith - Panther in Michigan (Love Stories  1992) 04:43   Mary Lee's Corvette - Tangled Up In Blue (Blood On The Tracks 2011) 11:01   The Chieftains - The Magdalene Laundries (Tears Of Stone 1999) 15:50   John McCutcheon - Christmas In The Trenches (Winter Solstice 1984) 21:16   The Longest Johns - Fire & Flame (Cures What Ails Ya 2020) 23:38   Neil Young & Crazy Horse - Powderfinger (Rust Never Sleeps 1979) 29:02   James Keelaghan - Cold Missouri Waters )A Recent Future 1995) 33:53   Gordon Lightfoot - The Wreck Of The Edmund Fitzgerald (Summertime Dream 1976) 40:15   Bruce Springsteen - You're Missing (The Rising 2002) 45:01   Laurie Rose Griffith - Easy Way to Live (Tocoi Light 2005) 50:20   James McMurtry - Crazy Wind (Too Long in the Wasteland 1989) 54:22   David Wilcox - Eye of the Hurricane (How Did You Find Me Here 1989) 57:51   Richard Thompson - 1952 Vincent Black Lightning (Rumor and Sigh 1991) 62:28   Lucinda Williams - Sweet Old World (Sweet Old World (1992) 67:09   Bruce Cockburn - Look How Far (Breakfast in New Orleans, Dinner in Timbuktu 1999) 72:40   end

Matthew's guest on this month's show is the wonderful Jenny Sturgeon talking about her epic 864km walk from the Scottish borders to Cape Wrath - and sharing the evocative sounds she recorded along the way. There's also a live performance from The Breath filmed at Cornwall's spectacular Minack Theatre, plus music from Kathryn Tickell and the Darkening, John Smith, Sam Carter, Katherine Priddy, Johnny Flynn and Robert Macfarlane, Tumbling Paddies and Richard Thompson.---We rely on support from our listeners to keep this show on the road. If you like what we do please either...Become a member and get great rewards: patreon.com/folkonfootOr just buy us a coffee: ko-fi.com/folkonfootSign up for our newsletter at www.folkonfoot.comFollow us on Twitter/Facebook/Instagram: @folkonfoot---Subscribe to the Folk Forecast to explore all the gigs and album news we ran through in the show: https://thefolkforecast.substack.com/ Hosted on Acast. See acast.com/privacy for more information.

My guest is Grammy Nominated Music Metadata Professional Tony Brooke. Tony has worked on projects for Richard Thompson, Coldplay, David Byrne, twenty one pilots, Maroon 5, Jane's Addiction, Duran Duran, Steve Miller, Norah Jones, Erasure, Ramblin' Jack Elliott, Doobie Brothers, Sarah McLachlan, Elvis Costello, Seal, George Clinton, Emmylou Harris, Indigo Girls, Lucinda Williams, Dave Chappelle, Khaled & Carlos Santana, Herbie Hancock, Stern Grove Festival, Hardly Strictly Bluegrass Festival. He's also worked for Pandora/SiriusXM and Warner Music Group. --------------------------------- In this episode, we discuss Tony's Audio Production Journey Background and Education Bay Area Move Technical Skills & Equipment Live Music Engineer to Entrepreneur Tascam DA88 Benefits Multi-Track Services Gig Organization Logistics Music Industry Experiences Seasonal Income Fluctuations Business Diversification Website Development Ultimate Track Sheet Career Transition Insights Digital Console Shift Career Coach Influence Master's Degree Pursuit Family Support Gratitude Work-Life Balance Challenges Music Industry Pressures Honesty and Humility Importance Music Data Exchange Research DDEX XML Format Pandora Credit Inclusion Apple Credit Attribution Issues Identifier Initiative Music Data Management Tools Sound Credit Replacement Muse.AI & Other Databases Data Accuracy Challenges Technological Changes Preparation Three-Tiered Data Storage Data Preservation Strategies Copyrighted Compositions Importance Streaming Service Identification Online Course Idea Digital Data Management Strategies --------------------------------- Matt's Rant: Embracing Social Media --------------------------------- Links and Show Notes Book Matt mentions in Rant: Day Trading Attention Tools for capturing data in the studio:  Sound Credit: https://www.soundcredit.com/  Session Studio: https://www.sessionstudio.com/  VEVA Collect: https://vevacollect.com/  Identifiers: ISNI (International Standard Name Identifier): http://isni.org/  ISWC (International Standard Musical Work Code): https://www.iswc.org/  DDEX standards for music data exchange: https://ddex.net/  CLIP - Free resource to learn industry terminology, creator rights, and how to get credited and paid: https://goclip.org/en/music  Master Tape Rescue project to find a home for lost tapes and other formats (Brian Kehew and Danny White): https://www.mastertaperescue.com/  Tony Brooke on LinkedIn: https://www.linkedin.com/in/tonybrooke/  SilentWay.com: http://www.silentway.com/  --------------------------------- Credits Guest: Tony Brooke Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau  WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith     

At long last the filmmaker Susan Seidelman on Filmwax Radio! She has a new memoir called "Desperately Seeking Something" (St. Marin's Press, 2024). Also, a short conversation with the legendary musician Richard Thompson whose new album "Ship to Shore" is available.

On the final day of travel for the June 2024 New Music train, Scot Isom leaps behind the wheel and takes us for a long ride. Along the way, he discusses new music from Wilco, Richard Thompson, Liily and Cutest Nuisance.  Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

British singer/guitarist Richard Thompson spoke to Fresh Air in 1994 and 2022 about about his formative years and about pioneering a new musical genre that blended rock with traditional music of the British isles. He has a new album called Ship to Shore. Justin Chang reviews the new film Janet Planet, the first feature from the Pulitzer Prize-winning playwright Annie Baker.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Richard started as guitarist in the folk-rock staple Fairport Convention in 1967 but left in 1970 after five albums. He then recorded his debut solo album, six as Richard and Linda Thompson, and has since recorded 20 more solo albums of lyrically inventive, stylistically varied tunes that nearly always feature very skilled guitar work. We discuss "Freeze," the first single from his new album Ship to Shore, "The Ghost of You Walks" from You? Me? Us? (1996), and "Don't Take It Lying Down" from Still/Variations EP (2015). End song: "When I Get to the Border" by Richard and Linda Thompson from I Want to See the Bright Lights Tonight (1974). Intro: "1952 Vincent Black Lightning" from Rumor and Sigh (1991). More at richardthompson-music.com. Hear more Nakedly Examined Music. Support us on Patreon.

Richard Thompson began his music career as the guitarist for the English folk rock band Fairport Convention. Following his time with the group, he began performing as part of a duo with his then wife, Linda. Then, after the couple split, as a solo artist. Thompson has recorded over two dozen albums. His latest record is called Ship to Shore and it's out now! He talks with us about the new record, his time with Fairport Convention and even performs a few songs alongside his wife, Zara Phillips.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

NPR Music's Ann Powers and Lars Gotrich are your guides to this week's new releases.Featured albums:• Arooj Aftab, 'Night Reign'• Shaboozey, 'Where I've Been, isn't Where I'm Going'• Bonnie "Prince" Billy, Nathan Salsburg & Tyler Trotter, 'Hear the Children Sing The Evidence'Other notable albums out May 31:• Richard Thompson, 'Ship To Shore'• Dos Monos, 'Dos Atomos'• Anna Tivel, 'Living Thing'• Beak>, '>>>>'• Swamp Dogg, 'Blackgrass'• Thou, 'Umbilical'• Chris Housman, 'Blueneck'• Psychic Temple, 'Doggie Paddlin' Thru the Cosmic Consciousness'• John Muq, 'Flying Away'• Robin Holcomb, 'One Way or Another, Vol. 2'Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy