Podcast appearances and mentions of John Ford

Ep. 415: R. Emmet Sweeney on Wings of Dread, MoMA Silent Movie Week, Oh Darling Yeh Hai India, Blades of the Guardians, Driver's Ed Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. I always look forward to my regular check-in with R. Emmet Sweeney, who oversees physical media production at Kino Lorber and writes on film and jazz at his substack Old New. This time we trade notes on this year's Silent Movie Week at the Museum of Modern Art, from Raoul Walsh (What Price Glory) to John Ford (3 Bad Men) to Chaplin (Shoulder Arms), and he shares his viewing in current Chinese action cinema, including Wings of Dread (Qin Pengfei & Ashton Chen) and Blades of the Guardians (Yuen Woo-ping); an outstanding 1995 Bollywood pick, the comedically and politically vibrant Oh Darling Yeh Hai India (Ketan Mehta); and a Farrelly Brother joint, Driver's Ed. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Pour la première fois dans un tribunal, des films servent de preuves. À Nuremberg, ces images des camps et du nazisme, parfois tournées par des cinéastes d'Hollywood comme John Ford, deviennent des pièces à conviction historiques. L'épisode révèle comment ces documents visuels, aujourd'hui ancrés dans notre mémoire collective, ont été utilisés pour prouver l'impensable. Avec Sylvie Lindeperg, historienne spécialiste du cinéma de la Deuxième guerre mondiale et autrice de Nuremberg, la bataille des images, Payot, 2021.

The Witch of Edmonton by Thomas Dekker, John Ford & William RowleyRecorded live at the White Bear Theatre on Tuesday 21st October at 7.30pmCW: Below the cast listCast:Aliki Chapple - Old BanksRobert Crighton – JusticeTobias Deacon - Sir ArthurBrian Eastty - Old ThorneyPamela Flanagan - Third Clown / Constable / First CountrymanAlex Kapila - Winifred / SawgutEmma Kemp – SusanSusan Kyd – Mother SawyerNat Kennedy – Cuddy BanksRoel Fox – WarbeckLiza Graham - Second Morris / Second MorrisAisling Groves-McKeown - Prologue / First Morris / Third Countryman / AnnKeith Hill - Old CarterAlexandra Kataigida - Katherine / Spirit / HamlucOliver Maynard - Somerton / Fourth Morris / RatcliffeKit McGuire – DogSimon Nader Mirza – Frank ThorneyMusic by Roel FoxLive Show Technical Manager – Valentina VinciCompany Text Coach – Liza GrahamContinuity – Dennis CaoukiProduced by Robert CrightonCW: Violence, misogyny, murder, stabbing, injustice, demonic creatures. Our patrons received the rough mix of this episode in November 2025 - about 9 months early!The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on social media @BeyondShakes or go to our website: https://beyondshakespeare.orgYou can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQThe Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.About our sponsors - the Malone Society. The Society was founded in 1906 at the initiative of A.W. Pollard, and for over a century they have published (almost) every year edited volumes of early printed and manuscript texts of both well-known and neglected plays. They also publish collections of documentary material relating to the performance and reception of early drama. Their best-known publications include W.W. Greg's edition of Sir Thomas More, a collaborative history play, and A.C. Dunstan's edition of the earliest surviving original play in English to have been written by a woman, Elizabeth Cary's The Tragedy of Mariam.Their membership is international and open to anyone interested in early drama. Members receive their annual volumes and are able to buy books from their backlist at low prices.In addition to their publications, they support scholarship of early drama through fellowships and research grants, an annual prize for graduate students, and performances and symposia.The Society is named after Edmond Malone, born in Dublin in 1741, a great editor, textual scholar and theatre historian, whose work continues to shape studies in early drama.

The Best Picture Show - Episode 14 Quintin and Sush discuss the 100 Best Picture winners from the last century of filmmaking. They discuss every Oscar ceremony, the historical context of each film, and how the film has stood the test of time.  This episode they watch the Best Picture winner: How Green Was My Valley. They discuss their thoughts on the movie that beat Citizen Kane and the success of John Ford's third Oscar.

The legendary American singer and guitarist John Ford Coley.. He is most revered, as half of the Grammy nominated duo, England Dan and John Ford Coley. Many of you remember the iconic songs “Love Is The Answer”, “I'd Really Love To See You Tonight”, “We'll Never Have To Say Goodbye Again”, “Nights Are Forever Without You”, and “Sad To Belong”. Just on Spotify alone, over 2.3 million people listen to their songs EVERY month. How's that for timeless memory-making music! He is here today as we are celebrating the 50th anniversary of the soft-rock classic "I'd Really Love to See You Tonight" by England Dan & John Ford Coley, as an official 50th Anniversary Edition was released. This special version reunites the voices of the late Dan Seals and his duo partner John Ford Coley, and features an exclusive music video with never-before-seen clips. The song is officially part of the upcoming record, Dan Seals & Friends: The Last Duet. #yachtrock #rockmusic #popmusic #lovesongs #70smusic 

Steven Spielberg is the most famous filmmaker alive, which is exactly why almost nobody actually understands him. Chris and Daniel use Disclosure Day, Spielberg's new alien chase thriller with Emily Blunt, to argue that the "safe, mainstream" reputation is a decades-long misdirection: underneath the crowd-pleasing surface is a genuinely weird, deeply personal artist who has been smuggling strange, uncomfortable ideas inside blockbuster packaging since at least Close Encounters. They trace it through Fabelman's casting David Lynch as John Ford, the theory that Kubrick handed Spielberg AI specifically because Spielberg's glossy reputation could disguise a bleak, unnerving film, and the moment James Lipton caught Spielberg off guard by connecting his parents directly to Close Encounters on camera. Disclosure Day itself is proving strangely divisive, and Chris and Daniel dig into why. They break down its Sugarland Express-style chase structure, an Emily Blunt performance that starts as broad comedy and quietly transforms into something much stranger, a train sequence built to feel genuinely dangerous rather than stylized, and the VFX work from longtime collaborator Matthew Butler. Along the way, a detour into Spielberg's actual filmmaking journey, from Close Encounters to Poltergeist to AI, makes the case that his reputation as the "obvious" director has always been the biggest misdirection in his own filmography. Referenced in this episode: Disclosure Day Close Encounters of the Third Kind Poltergeist A.I. Artificial Intelligence War of the Worlds Minority Report The Fabelmans Sugarland Express Matthew Butler, VFX Supervisor Sponsors: Center Grid Virtual Studio: https://cgvirtualstudio.com/

The legendary American singer and guitarist John Ford Coley.. He is most revered, as half of the Grammy nominated duo, England Dan and John Ford Coley. Many of you remember the iconic songs “Love Is The Answer”, “I'd Really Love To See You Tonight”, “We'll Never Have To Say Goodbye Again”, “Nights Are Forever Without You”, and “Sad To Belong”. Just on Spotify alone, over 2.3 million people listen to their songs EVERY month. How's that for timeless memory-making music! He is here today as we are celebrating the 50th anniversary of the soft-rock classic "I'd Really Love to See You Tonight" by England Dan & John Ford Coley, as an official 50th Anniversary Edition was released. This special version reunites the voices of the late Dan Seals and his duo partner John Ford Coley, and features an exclusive music video with never-before-seen clips. The song is officially part of the upcoming record, Dan Seals & Friends: The Last Duet. #yachtrock #rockmusic #popmusic #lovesongs #70smusic 

Aeversa's John Ford unpacks the rands-and-cents case for electric trucks in this first of a new interview series. TechCentral is proud to present the first episode of Watts & Wheels with Wills, our new interview show about electric vehicles and the fast-changing world of e-mobility in South Africa. In the debut episode, host William Kelly speaks to John Ford, sales manager at Aeversa, a fleet-focused electrification specialist helping some of South Africa's biggest logistics operators make the switch from diesel to electric. Ford's central message is that electrifying a fleet is not about swapping every diesel truck for a battery-powered one. Each depot has its own energy profile – municipal tariff structures, grid capacity, demand charges and time-of-use rates – and the trick is matching the right vehicles, routes and charging strategies to each site. Get it right, he says, and the savings flow: solar charging over midday, battery storage to bridge expensive evening peaks and cheap off-peak grid power overnight. The numbers from Aeversa's work with Takealot Fulfilment Services – the e-commerce giant's logistics arm – back him up. What began in 2022 as a single imported electric truck covering 15 000km in a proof-of-concept trial grew to a 10-vehicle pilot that delivered an average 14% saving in total cost of ownership – before any solar or battery storage was added. With the fleet expanded to 21 vehicles and renewables in the mix, average savings climbed to 16%, peaking at 22% in some months. Today the fleet numbers 35 vehicles consuming about 1.2GWh/year, with solar providing 60-82% of that energy. Aeversa expects savings of 18-20% on average – and, with global oil prices rattled by the crisis in the Strait of Hormuz, potentially more than 30%. “When you go electric, you can use those savings to expand your fleet or invest in solar and battery storage – and that adds more savings. It's a self-fulfilling cycle,” said Ford. Don't miss a great discussion! TechCentral

Analizamos, junto a Santiago Navajas, el trasfondo de algunas de sus obras maestras: liberalismo, defensa del individuo y arraigo a la tierra. John Ford es el único director al que Orson Welles respetaba sin reservas. Cuando le preguntaron por los tres mejores cineastas norteamericanos, respondió: "El primero es John Ford, el segundo es John Ford y el tercero es John Ford." Esta semana, en Economía para Quedarte sin Amigos, contamos con Santiago Navajas, filósofo y crítico de cine, para analizar tres películas del director —La diligencia, El sargento negro y El hombre que mató a Liberty Valance— y explorar por qué su cine sigue siendo una de las defensas más lúcidas del pensamiento liberal que ha dado la historia del séptimo arte. La tesis de partida es que el liberalismo, a diferencia de otras ideologías, no es una utopía abstracta sino, como señala Navajas, "una utopía con los pies en el suelo, basada en una concepción de la naturaleza humana que no es idealista sino enraizada en lo que los seres humanos realmente son." Eso es precisamente lo que Ford traduce en imágenes: la violencia no es algo que deba negarse sino encauzarse mediante la ley, el orden surge desde abajo y no desde arriba, y la civilización es un logro frágil que exige coraje para sostenerse.Música Esta semana, las protagonistas de nuestra selección musical son las bandas sonoras de las películas que comentamos.

Send us Fan MailWe share Warner Archive's August Blu-ray and 4K UHD releases and explain what makes each upgrade worth owning, from nitrate negative scans and Dolby Vision to packed discs with shorts, cartoons, and commentaries. Pre-order links are available for the following August 18th titles:Moviezyng pre-order links (10% OFF - Most reliable for release day delivery):MONTANA (1950) Blu-rayALL THROUGH THE NIGHT (1942) Blu-rayTORRID ZONE (1940) Blu-raySERGEANT RUTLEDGE (1960) Blu-rayWAG THE DOG (1997) Blu-rayAmazon pre-order links:MONTANA (1950) Blu-rayALL THROUGH THE NIGHT (1942) Blu-rayTORRID ZONE (1940) Blu-raySERGEANT RUTLEDGE (1960) Blu-rayWAG THE DOG (1997) Blu-rayOUT OF THE PAST, FOREVER, SERGEANT RUTLEDGE, and SCOOBY-DOO MYSTERY, INC. are not yet available for pre-order. Moviezyng Affiliate LinkThe Extras Facebook pageThe Extras TV YouTube ChannelThe Extras Twitter Warner Archive & Warner Bros Catalog GroupJoin our new public Facebook Group for Warner Archive Animation Fans and get the latest update on all the releases.As an Amazon and Moviezyng Affiliate, The Extras may receive a commission for purchases through our purchase links.  There is no additional cost to you, and every little bit helps us in the production of the podcast.  Thanks in advance.Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers.  Contact us today to see how we can work together to achieve your goals.  info@theextras.tv

June 17, 2026 - Wednesday PM Bible Class In this episode the speaker examines the life and character of Apollos as introduced in Acts 18 and referenced throughout Acts 19, 1 Corinthians, and Titus. Using Acts 18:24–28 as the primary text, the episode explores Apollos's background (a Jew from Alexandria), his strengths (eloquence, scriptural competence, fervent spirit), and the pivotal moment when Priscilla and Aquila privately corrected his understanding of baptism. The conversation covers practical themes and biblical takeaways: be strong in the Scriptures, use your gifts for God's glory, cultivate zeal, do not let fear silence you, be humble enough to learn, accept correction with grace, welcome unexpected teachers, keep growing, and encourage other believers. The host ties these lessons to the episode's central thesis: with God there is guaranteed success — but we must be willing to get off the launch pad and act. Scripture passages discussed include Acts 18 and 19, 1 Corinthians chapters 1 and 3, and Titus 3:13. The speaker also draws on vivid analogies and anecdotes (the Apollo space-launch metaphor, a 350-mile ultramarathon example, a bursting sourdough jar, a large local insect, and John Ford's Battle of Midway footage) to illuminate courage, zeal, and the willingness to risk failure for a greater purpose. The episode highlights key biblical figures who interact with Apollos — Priscilla and Aquila who teach him, Paul whose ministry context provides contrast, and the Corinthian church where tensions about followership arise — and shows how Apollos's response to correction models a faithful balance of boldness and humility. Listeners can expect a mix of expository teaching, pastoral application, and memorable illustrations aimed at encouraging Christians to step into service despite the risk of mistakes, to receive correction with grace, and to let God receive the glory for spiritual growth and fruit.   Duration 41:19

⁠⁠⁠⁠⁠⁠Colaborá con Santas Listas⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠El verdadero Ford Fiesta es este episodio: Ema, Nico y Pablo se meten con la obra de uno de los grandes maestros del Hollywood clásico, John Ford, repasando cinco de sus películas clave, que van del wéstern a la comedia romántica.⁠Nuestro Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Redes y contacto:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@santaslistas⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ en Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@santaslistas⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ en Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠santaslistaspodcast@gmail.com⁠

https://daredaniel.com/wp-content/uploads/2026/06/CANON-FODDER_S01_E65.mp3 The Man Who Shot Liberty Valance (1962; Directed by John Ford) Canon Fodder Episode 65 After printing the legend, maiming the facts, and murdering the truth execution-style, Daniel Barnes and Corky McDonnell ride into town to review John Ford's The Man Who Shot Liberty Valance. A stripped-down western about mythmaking, masculinity and the American lie, Ford's film is widely considered a late-career classic. But did your hosts record the legend, or did they leave Liberty for dead? THE MAN WHO SHOT LIBERTY VALANCE FACTS & FIGURES Sight & Sound 2022 Critics Poll Ranking: #108 [tied] Theatrical premiere: April 22, 1962 IMDB synopsis: “A senator returns to a Western town for the funeral of an old friend and tells the story of his origins.” CLIPS & CLIPPINGS Original theatrical trailer for The Man Who Shot Liberty Valance Raising the steaks Tom’s got a secret Burning down the house NEXT EPISODE’S MOVIE The Battle of Algiers (1966; Directed by Gillo Pontecorvo) IMDB synopsis: “In the 1950s, fear and violence escalate as the people of Algiers fight for independence from the French government.” Our review of The Battle of Algiers comes out Tuesday, July 21! Follow Canon Fodder, Dare Daniel & Single Take on Facebook and Instagram. Listen, rate, review and subscribe to the show on Pandora, Apple Podcasts, Spotify, Listen Notes, Castbox and more. New episodes every other Tuesday! Please help support the show by clicking the Donate button on the homepage or find “Support the Show” in the main menu. Read more of Daniel’s movie reviews at Dare Daniel and Rotten Tomatoes. The post Canon Fodder – The Man Who Shot Liberty Valance appeared first on Dare Daniel Family of Podcasts.

In today's episode of The Quiz, we're testing your knowledge on everything from iconic presidential performances on the silver screen to the hidden heroes of the Space Race. Can you answer these? Presidential Performances: Daniel Day-Lewis made history by winning his third Academy Award for his transformative portrayal of a legendary U.S. President. Do you know which commander-in-chief he played? Literary Adaptations: John Steinbeck's powerful Dust Bowl novel was adapted into an iconic John Ford film starring Henry Fonda as Tom Joad. What is the title of this cinematic masterpiece? Historical Thrillers: The film 13 Days takes a gripping look inside the Kennedy Administration during the high-stakes days of the Cuban Missile Crisis. Do you know which actor stepped into the role of JFK? Play. Share. Listen, with Co-Anchor of America's Newsroom and Host of⁠⁠ ⁠250 Most Impactful Moments in American History⁠⁠ podcast, Bill Hemmer. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This summer we celebrate the intersection of classic film and Star Trek. And Lions, Towers & Trek begins with a big one. John Ford’s classic western is an uncomfortable masterpiece. There, that takes in those who admire the film, and those who don’t like what it seems to represent, or how women and natives fare in the hands of this director. Also, how do you feel about John Wayne, eh? We’re also here to speak about Jeffrey Hunter, Star Trek’s original Captain Pike. None of this was his fault! Shelly Brisbin with Jason Snell, Philip Michaels and Randy Dotinga.

This summer we celebrate the intersection of classic film and Star Trek. And Lions, Towers & Trek begins with a big one. John Ford’s classic western is an uncomfortable masterpiece. There, that takes in those who admire the film, and those who don’t like what it seems to represent, or how women and natives fare in the hands of this director. Also, how do you feel about John Wayne, eh? We’re also here to speak about Jeffrey Hunter, Star Trek’s original Captain Pike. None of this was his fault! Shelly Brisbin with Jason Snell, Philip Michaels and Randy Dotinga.

A star studded cast, actual Satanists, and intense of focus on melting said Satanists creates what has been called "the ultimate cult movie." Not ultimate in the way that's it's good, but in the way that it's singular in its existence and how it would impact the futures of horror and its stars. Bigfoot Ben rejoins Brian and Steve to talk about another Ernest Borgnine film. This time he brings Ida Lupino, Tom Skerritt, John Travolta and William Shatner along for a romp across the American south. Pay attention to when Steve's rotten brain confidently says John Huston and meant John Ford. What a maroon.     Find Us Online- Instagram: https://www.instagram.com/halloweenisforever/ Patreon: https://www.patreon.com/halloweenisforever Twitter: https://twitter.com/HallowForever Tik Tok: https://www.tiktok.com/@halloweenisforeverpod Facebook: https://www.facebook.com/HalloweenIsForeverPod E-Mail: Halloweenisforeverpod@gmail.com

Virgil and Mark welcome Christopher McKittrick, author of VERA MILES: THE HITCHCOCK BLONDE WHO GOT AWAY, who joins us on Sunday, June 21st, 2026 for a 35mm screening of John Ford's THE SEARCHERS (1956), to talk about Vera Miles, THE SEARCHERS, PSYCHO II, writing biographies, and more.Recorded 6/10/26For tickets to our 6/21/26 screening of THE SEARCHERS:https://events.ticketleap.com/tickets/mahoningdrivein/Searchers35To order VERA MILES: THE HITCHCOCK BLONDE WHO GOT AWAY:https://bookshop.org/p/books/vera-miles-the-hitchcock-blonde-who-got-away-christopher-mckittrick/336aeac1bffcd8ed?ean=9781985902190&next=tFor Christopher McKittrick online:https://chrismckit.com/https://x.com/ChrisMcKithttps://www.instagram.com/chrismckit/For tickets to any Mahoning events:⁠https://events.ticketleap.com/events/mahoningdrivein⁠For exclusive additional podcasts, videos, sneak peeks, and on-site discounts, visit the Mahoning Drive-In Patreon page at:https://www.patreon.com/mahoningdriveinhttps://www.mahoningdit.comhttps://www.facebook.com/mahoningdriveintheaterhttps://www.instagram.com/mahoningdriveintheaterhttps://twitter.com/mahoningditFor Mahoning Drive-In merch online:https://merchbin.net/collections/mahoning-drive-in-theaterhttps://www.crackerjackposters.com/s/shop

An early birthday present for this guy born at the tail end of the 70's! Tonight, I'm honored to welcome one of my all-time favorite guests to The Mark White Show. Join me for a special conversation with John Ford Coley as we celebrate the 50th anniversary of two timeless classics, “I'd Really Love to See You Tonight” and “Nights Are Forever Without You.” John shares memories of his friendship with the late Dan Seals, the stories behind the music that became the soundtrack to so many lives and his thoughts on the enduring power of songs that continue to connect generations. We also take time to remember legendary WSM Radio broadcaster Bill Cody and the impact he had on artists and listeners alike. If these songs have ever brought back memories of summer nights, first loves, or special moments with someone you care about, I think you'll enjoy this conversation. Real stories. Real people. Real impact. News That Unites!™️

An interview with John Ford Coley about the 50th anniversary edition of "I'd Really Love To See You Tonight." He talks about recording the duet virtually with a 1990s-era vocal from Dan Seals, the music video for the song, bringing back performers from the original 1976 recording for this version, putting together "Love Is The Answer," and his favorite Dan Seals and England Dan & John Ford Coley songs.See omnystudio.com/listener for privacy information.

We're headed back to a very early “car” movie to talk about John Ford's stagecoach with the help of Tobin Addington! After Joey bullies Joe into voting for the 2 Fast 2 Forever Hall of Fame (and you can, too!), we discuss the historical context of Stagecoach: it's the movie that legitimized the Western genre and inspired filmmakers for decades to come, and also the movie that turned both John Wayne and John Ford into stars. Joe shares his ties to Geronimo. We talk about the closest scenes and vehicles we've gotten to a stagecoach in the franchise, discuss a Sorcerer-esque stunt (and how that opened up a whole new path of stunts in this movie, thanks to Yakima Canutt), and the origins of the term “riding shotgun.” We try to contextualize both the racism in the film and the atrocity of the Running W stunt. Tobin shares more insight into the ways in which this inspired Fast and Furious. Joey talks about the ties between this movie and Nirvanna the Band the Show the Movie. Email us: ⁠⁠⁠⁠family@cageclub.me⁠⁠⁠⁠⁠⁠⁠⁠Visit our Patreon page at patreon.com/2fast2forever⁠⁠⁠⁠. ⁠⁠⁠⁠Show your support at the 2 Fast 2 Forever shop⁠⁠⁠⁠!Extra special shout-out to Alex Elonen, Brian Rodriguez (High School Slumber Party), Jason Rainey, Wes Hampton, Josh Buckley (Whole Lotta Wolves), Michael Moser, Terra New One, Aaron Woloszyn, and Randy Carter for joining at the “Interpol's Most Wanted” level or above!Intro music by Nico Vasilo. Interlude and outro music by Wes Hampton.

It's a high speed episode this week, whether that's horses and stagecoaches sprinting across Apache territory or Fiats and vans driving dangerously around the narrow streets of Milan. Actor and film maker Greg Furman joins us to discuss a couple of classics from two different worlds of cinema. We start off with the seminal Hollywood western blockbuster, Stagecoach (1939), directed by John Ford and follow that up with Fernando Di Leo's The Italian Connection (1972) - during which we pay tribute to German-Italian legend, Mario Adorf, who we lost in April this year. The statute of limitations on spoilers has probably expired for Stagecoach, but we do call out Spoiler Territory for The Italian Connection. If you want to skip ahead from that point, you can rejoin the conversation at the 2:32:43 mark to avoid spoilers. Want to get in touch? You can reach us on caliber9fromouterspace@gmail.com Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp "The John Wayne" by Little Green Cars

The Windy City Historians so enjoyed talking with John William Nelson Ph.D. Associate Professor of History at Texas State University about his book Muddy Ground; Native Peoples, Chicago's Portage, and the Transformation of a Continent we revisit this discussion. With so much ground of the Chicago landscape traversed by both European and Native peoples to cover, muddy or not, we are returning for a second episode for more of this fascinating history.   In this episode, “Muddy Ground Revised”, the conversation continues, focusing on Chicago Portages, tying together historic threads, a brief tribute to Dennis McClendon, and more. We touch upon the grand department store, Hudson's, with it’s origins in the 1600s and contributions great historians of the 19th century, such as Wisconsin's own William Reuben Thwaites and Frederick Jackson Turner, and their continued legacies to American historiography, and contributions to Oscar-winning movies.  It’s a fun ride into the Chicago’s past we hope you will enjoy it as much as we did making it! Screenshot Links to Research and Historic Sources: Muddy Ground; Native Peoples, Chicago’s Portage, and the Transformation of a Continent by John William Nelson, Ph.D. WCH Episode 1909, with Dennis McClendon Dennis McClendon Obituary “The Map” by Elizabeth Bishop From The Conversation website “More than a department store: The long, complicated legacy behind Hudson's Bay Company.” published April 7th, 2025. John Ford, Movie Director on Wikipedia The movie The Searchers in Wikipedia Historian Archer Butler Hulbert in Wikipedia Portage Paths: The Keys of the Continent by Archer Butler Hulbert

I put a jaunty bow on Heroes Month with another multi-movie episode. For #742, I'm mostly talking about John Ford's My Darling Clementine, but there's a bit at the end about John Sturges' Gunfight At The O.K. Corral and George Cosmatos' Tombstone. Clementine stars Henry Fonda as the stoic marshal Wyatt Earp and Victor Mature as the uber-talented but sickly Doc Holliday. Linda Darnell is in the mix too and they're all surrounded by a smorgasbord of character actors. Doc, Wyatt and his brothers team up to take on the Clantons in what's considered to be one of the greatest westerns. Then it's onto a much-shorter analyses of Gunfight and Tombstone, where I got to do what so many have done for 33 years: rave about Val Kilmer. So let's go, boys, to where they keep the horses and draw some guns as I give you my 3 takes on the world of Wyatt and Doc. Well, Actually: Elia Kazan was the one who took over directing Pinky after Ford was fired. Also, Dana Wheeler-Nicholson is the name of the actress in Tombstone who plays Wyatt's wife Mattie. Subscribe to Have You Ever Seen in your app. Rate my show and write up a short review (or a long review). Follow me on Twitter (@moviefiend51) and/or Bluesky (ryan-ellis) and also Letterboxd (RyanHYES). And I certainly read emails: haveyoueverseenpodcast@gmail.com.

In this episode, I spoke with author Samuel Garza Bernstein about his latest book "Roddy McDowall: An Actor's Life". As one of the very few naturally gifted child actors who graduated into adult roles with relative ease, Roddy McDowall exuded charm throughout a glorious Hollywood run that included film, television, and Broadway. John Ford's 1941 classic How Green Was My Valley put Roddy on the map at 12-years-old. It won Best Picture over Citizen Kane and is Clint Eastwood's favorite film of all time. But Roddy's biggest claim to fame was yet to come.

In this episode I chat with visual effects supervisor, second unit director and digital pre-visualisation pioneer David Dozoretz about a career that traces the entire arc of how modern filmmaking shifted from analogue to digital — and how, somewhere in the middle of that shift, pre-vis went from a curious side experiment to a fundamental part of how films get planned and shot. David talks about growing up in Phoenix, falling in love with cinema the day his sister snuck him into the projection booth at the Cine Capri during The Empire Strikes Back asteroid sequence, and how a chance encounter with a Lucasfilm coffee-table book in a university bookstore set him on the path to ILM. He arrived at ILM in 1991 as an intern, became known as "the computer nerd in the art department and the art nerd in the computer department," and ended up bridging the gap between the two as digital began to take over.We get into his first feature — the original Jurassic Park — his year-long apprenticeship in the legendary ILM art department alongside Doug Chiang, Ty Ellingson, Harley Jessup, Mark Moore and Stefan Dechant, and the time he had to split a $1,400 piece of 3D software into two $700 purchase orders to get round ILM's general-manager sign-off threshold. It's a small story but it tells you everything about the era — digital tools were arriving faster than the institutions running things knew what to do with them.A big part of the conversation focuses on the early years of digital pre-visualisation. David did the first major digital previs sequence in mainstream cinema — the train and helicopter sequence in Brian De Palma's Mission: Impossible, the work John Knoll asked him to do that's now credited as one of the reasons the sequence got greenlit. From there he went on to spend four years working with George Lucas on The Phantom Menace, building the entire pod race in previs (a 25-minute version that almost no one has ever seen got whittled down to the 9-and-a-half-minute final), establishing his now-famous three rules of previs (no textures, no motion blur, no shadows) and then immediately having to break all three of them to convey the sense of speed and floating in the pod race itself.There are some lovely George Lucas stories too, including the time George walked into the editing room and reacted to David's droid-factory post-vis with "honestly, I was a little worried about that one — looks like it's gonna work," and the moment when George trailed off mid-sentence trying to describe a desert landscape and David — a 21-year-old kid — finished the thought with "John Ford?", which David thinks is the moment Lucas decided he could trust him. Later in the conversation we move into David's own company, Persistence of Vision, and his work on Titan A.E., Behind Enemy Lines, JJ Abrams' Mission: Impossible III, the 2009 Star Trek reboot (including the previs realisation that Vulcan being orange meant the costumes — originally designed to evoke 70s NASA — had to be completely redesigned) and Journey to the Center of the Earth 3D, where David served as second unit director on the first digital stereoscopic film and the production was effectively beta-testing the cameras Jim Cameron was building for Avatar. We finish on Zafari, David's 52-episode children's animated series rendered almost entirely in Unreal Engine — one of the earliest large-scale uses of real-time rendering in mainstream animation, which saved 30% of the production budget — and on a wider conversation about AI, the future of filmmaking, the importance of human authenticity, and David's lovely closing thought: study the art and history of cinema, study the drawing, not just the pencil. The tools will keep changing. The language won't. Topics coveredGrowing up in Phoenix and the Cine Capri projection-booth moment during EmpireDiscovering The Art of Special Effects book and the road to an ILM internshipJoining the ILM art department in 1991 alongside Doug Chiang, Ty Ellingson, Harley Jessup and Mark MooreBridging the art and computer departments as digital arrived at ILMThe $1,400 / two-$700-purchase-orders workaround for buying 3D softwareWorking on the original Jurassic Park as his first featureDoing previs for the Star Wars Special Editions (the dewback shots, Mos Eisley fly-bys)John Knoll asking him to previsualise the train-and-helicopter sequence on Mission: ImpossibleHow that previs is credited as one of the reasons the sequence got greenlitJoining the new Skywalker Ranch art department under George LucasFour years on The Phantom Menace and the 25-minute version of the pod raceThe three rules of previs (no textures, no motion blur, no shadows) — and breaking all of them to make the pod race workGeorge Lucas reacting to the droid factory post-vis ("looks like it's gonna work")The Jake Lloyd head-turn morph that saved a reshootWhy pod racers go 500 mph in some shots and 2,000 mph in othersThe cinematographer who declared previs "shit" — and was overruled by the studioFounding Persistence of Vision and the move from Lucas to wider HollywoodTitan A.E. and the Don Bluth / Gary Goldman Phoenix animation studioBehind Enemy Lines and pre-vising aerial actionMission: Impossible III with JJ Abrams — the Shanghai building swing and the windmill helicopter sequenceThe Star Trek reboot orbital skydive — and how previs forced a costume redesign because Vulcan was orangeJourney to the Center of the Earth 3D as second unit director, using Jim Cameron's pre-Avatar camerasZafari, Unreal Engine, and saving 30% of an animated TV budget through real-time renderingThe shift from analogue to digital to 3D to real-time to AI — and what stays constantDennis Muren's wisdom on authenticity at the Jurassic Park wrap partyWhy a human premium will remain in an AI-augmented filmmaking worldGeorge Lucas, John Ford and the moment a 21-year-old earned a director's trustThe advice David gives to young filmmakers: study the drawing, not just the pencilSupport the Podcast This podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: patreon.com/jamiebenning Watch on YouTube Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: youtube.com/filmumentariesThis podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links

#WillDodson #Comebacks #Gloria Monti #MitchHamptonInside this episode with your host, Mitch Hampton:I enjoyed the discussion with Will Dodson so much that I had to have him back for a second episode. I think this might be one of the few podcast episodes wherein we mention figures as varied as Jimmy Stewart, Woody Strode, John Ford, Chuck Vincent, Gloria Swanson, Fred Olen Ray, Wes Craven and Pam Grier, but that is the kind of thing that can happen when Will and I come into contact. Not only was I happy that Gloria Monti brought the wonderful book that is Comebacks: The Return of the Aging Film Star (Wayne State UP, 2025) into our world that she co-edited with Martin Shinglerand. They bring the story of artists like Woody Strode to future generations but I can't help but feel that, speaking philosophically, the subject or concept of the comeback itself might be one that is most integral to all of the arts in any age. I hope you share in our enthusiasm on this one.Will's Bio and Links:Will Dodson is a writer and editor; film, rhetoric, and literature professor; audio commentary and visual essay producer .He is a Lecturer of Media Studies and co-editor of The Anthem Series on Exploitation and Industry in World Cinema, Foundations of Horror Studies (Manchester UP), and American Twilight: The Cinema of Tobe Hooper (University of Texas Press). His most recent essays are “One Thing About Time:' Woody Strode's Late Films,” included in Comebacks: The Return of the Aging Film Star (Wayne State UP, 2025)Links to Will's Social Media and works:LinkTree: @linktr.ee/willdodsonInstagram: https://www.instagram.com/wdodson52/Amazon Author Page ( link embedded)Additional links:Series Co-editor, The Anthem Series on Exploitation and Industry in World CinemaSeries Co-editor, Foundations of Horror StudiesCo-editor, American Twilight: The Cinema of Tobe Hooper#cinema #television #johnford #western #spaghettiwestern #expolitationmovie #blackploitation #pamgreir #jimmystewart #willaimholden #gloriaswanson #sunsetboulevard #billywider #silentmovie #1920s #1930s #1940s #1950s #1960s #1970s #1980s #1990s #directtovideo  #vhs #compactdisc #computer #bodymodification #lifeextension #genetics #race #civilrights #nativeamerican #indigenous #italy #horror #gothic #erotica #screamqueen #jimwynorski #jewelshepard #juliestrain #shannontweed #genesimmons #howardberger #bluray #restoration #jade #williamfriedkin #davidcaruso #lindafiorentino #eroticthriller #blackpanther #blackpanthers #fredwilliamson #jimbrown #jimkelly #larrycohen #joedante #jonathandemme #jonathankaplan #rogercorman #theater #thirdplace #jackiebrown #quentintarantino #robertforster #johntravolta #jackhill #claudiajennings #gatorbait #francisfordcoppola #stanleykubrick #spartacus #gorevidal #howardfast #plutarch #daltontrumbo #kirkdouglas #laurenceolivier #tonycurtis #jeansimmons #lisakudrow #hbomax #stream #sports #football #integration

The voices of the late"England Dan" Seals and his duo partner John Ford Coley will be reunited for the first time since 1980 fora memorable, new edition of "I'd Really Love To See You Tonight,"arriving May 8.Their classic hit celebrates its fiftieth anniversary in May 2026 and was recently ranked in the"Top 50 Love Songs of All Time"(Billboard).Written by Parker McGee, "I'd Really Love To See You Tonight" was first released in1976 and appeared on the pop / rock duo's Gold-Certified album, Nights Are Forever. Though the pair initially were hesitant to record the song, the hit marked a major turning point in their career, reaching No.1 onBillboard's Easy Listening and No. 2 on the Hot 100 charts. The monumental new track will feature an exclusive music video with never-before-seen clips of Seals and Coley together once again, honoring the duo's most popular tune. "Some songs seem to take on a life of their own," says John Ford Coley, adding, "the song 'I'd Really Love to See You Tonight' seems to be one of those iconic songs. Dan and I have not sung together since 1980, and it's interesting that the song that appears to have brought us back together was the one that launched our career as a duo. It never occurred to me that this song would still be as big today as it was 50years ago." "I'd Really Love To See You Tonight" will appear on Dan Seals & Friends: The Last Duet, releasing August 28.Coley still performs across the globe as a well-respected solo artist and has appeared with top musicians Elton John, Fleetwood Mac, Lou Gramm, Stephen Bishop, and many more. The critically acclaimed singer/songwriter is also a classically trained pianist, guitarist, producer, and actor whose talents continue to influence new generations. Coley is scheduled to play live in Nashville on June 23 at the Ascend Amphitheater with the five-time GRAMMY-nominated band, AmbrosiaBecome a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Hoy recorremos, con Pablo de María, películas que reinterpretan o deconstruyen el motivo narrativo de La Diligencia de John Ford: personajes heterogéneos confinados en un espacio cerrado en movimiento: la convivencia obligada. Seguimos con María Zafra, directora de la Mostra Internacional de Filmes de Dones de Barcelona, cuya edición nº 34 comienza el 21 de mayo, con Las herencias rumiantes. Del feminismo de los años 70 al de hoy como temática transversal.Escuchar audio

Bob Johnston and his wife Lynn review John Ford's classic The Searchers while exploring deeper questions about nationhood, belonging, and exile. They summarize the film's plot—Ethan Edwards's five-year hunt for his abducted niece—and highlight themes of anger, prejudice, and the search for home. The episode ties the movie to contemporary concerns: cultural fragmentation, Generation Z's search for belonging, and the Catholic Church's role in offering stability and community. The hosts invite listeners to reflect on how stories of home and loss resonate today.

The voices of the late"England Dan" Seals and his duo partner John Ford Coley will be reunited for the first time since 1980 fora memorable, new edition of "I'd Really Love To See You Tonight,"arriving May 8.Their classic hit celebrates its fiftieth anniversary in May 2026 and was recently ranked in the"Top 50 Love Songs of All Time"(Billboard).Written by Parker McGee, "I'd Really Love To See You Tonight" was first released in1976 and appeared on the pop / rock duo's Gold-Certified album, Nights Are Forever. Though the pair initially were hesitant to record the song, the hit marked a major turning point in their career, reaching No.1 onBillboard's Easy Listening and No. 2 on the Hot 100 charts. The monumental new track will feature an exclusive music video with never-before-seen clips of Seals and Coley together once again, honoring the duo's most popular tune. "Some songs seem to take on a life of their own," says John Ford Coley, adding, "the song 'I'd Really Love to See You Tonight' seems to be one of those iconic songs. Dan and I have not sung together since 1980, and it's interesting that the song that appears to have brought us back together was the one that launched our career as a duo. It never occurred to me that this song would still be as big today as it was 50years ago." "I'd Really Love To See You Tonight" will appear on Dan Seals & Friends: The Last Duet, releasing August 28.Coley still performs across the globe as a well-respected solo artist and has appeared with top musicians Elton John, Fleetwood Mac, Lou Gramm, Stephen Bishop, and many more. The critically acclaimed singer/songwriter is also a classically trained pianist, guitarist, producer, and actor whose talents continue to influence new generations. Coley is scheduled to play live in Nashville on June 23 at the Ascend Amphitheater with the five-time GRAMMY-nominated band, AmbrosiaBecome a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Today on Episode 239, the guys continue their Western Retrospective by jumping into the world of Spaghetti Westerns. First they tackle the Man with No Name Trilogy which consists of A Fistful of Dollars, For a Few Dollars More and The Good the Bad and the Ugly! How will this subgenre compare to the John Ford trilogy they covered? Tune in to find out!Be Sure to Follow The Hosts on X!Kevin “OptimusSolo” Thompson and Dan “The Comic Concierge” Clark!#UNLEASHTHECINEMAGEEKINYOU!!! #CinemaGeeks #Westerns #WesterRetrospective #TheGoodTheBadandTheUgly #SpaghettiWesterns #ManWithNoName #Trilogy

Here in Episode 7 of Season 5, I interview Dr. Matthew J. Franck. A senior contributing fellow at Public Discourse, a visiting lecturer in the Department of Politics at Princeton University, as well as a senior fellow at the Witherspoon Institute and Professor Emeritus of Political Science at Radford University, he has written, edited, and contributed to many books, including Against the Imperial Judiciary (1996). Drawing on his Public Discourse column, “The Bookshelf,” which often veers into film history and criticism, we discuss American frontier films broadly construed in light of our country's 250th anniversary and the successful Artemis II rocket mission. Using Frederick Jackson Turner's essay, “The Significance of the Frontier in American History” (1893), we look at why the western is the most prolific genre in film history and how it offers viewers a vicarious lens into its pioneer heroic ethos, from literary works like those of James Fenimore Cooper and Mark Twain, to cinema, whether the westerns of John Ford or science and space exploration movies today. Although the western frontier may have closed, Americans still keep making new ones. Hosted by Ryan Shinkel, Madison's Notes is the podcast of Princeton University's James Madison Program in American Ideals and Institutions. The transcript for this interview is available on our new Substack page, “Madison's Footnotes.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Here in Episode 7 of Season 5, I interview Dr. Matthew J. Franck. A senior contributing fellow at Public Discourse, a visiting lecturer in the Department of Politics at Princeton University, as well as a senior fellow at the Witherspoon Institute and Professor Emeritus of Political Science at Radford University, he has written, edited, and contributed to many books, including Against the Imperial Judiciary (1996). Drawing on his Public Discourse column, “The Bookshelf,” which often veers into film history and criticism, we discuss American frontier films broadly construed in light of our country's 250th anniversary and the successful Artemis II rocket mission. Using Frederick Jackson Turner's essay, “The Significance of the Frontier in American History” (1893), we look at why the western is the most prolific genre in film history and how it offers viewers a vicarious lens into its pioneer heroic ethos, from literary works like those of James Fenimore Cooper and Mark Twain, to cinema, whether the westerns of John Ford or science and space exploration movies today. Although the western frontier may have closed, Americans still keep making new ones. Hosted by Ryan Shinkel, Madison's Notes is the podcast of Princeton University's James Madison Program in American Ideals and Institutions. The transcript for this interview is available on our new Substack page, “Madison's Footnotes.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Here in Episode 7 of Season 5, I interview Dr. Matthew J. Franck. A senior contributing fellow at Public Discourse, a visiting lecturer in the Department of Politics at Princeton University, as well as a senior fellow at the Witherspoon Institute and Professor Emeritus of Political Science at Radford University, he has written, edited, and contributed to many books, including Against the Imperial Judiciary (1996). Drawing on his Public Discourse column, “The Bookshelf,” which often veers into film history and criticism, we discuss American frontier films broadly construed in light of our country's 250th anniversary and the successful Artemis II rocket mission. Using Frederick Jackson Turner's essay, “The Significance of the Frontier in American History” (1893), we look at why the western is the most prolific genre in film history and how it offers viewers a vicarious lens into its pioneer heroic ethos, from literary works like those of James Fenimore Cooper and Mark Twain, to cinema, whether the westerns of John Ford or science and space exploration movies today. Although the western frontier may have closed, Americans still keep making new ones. Hosted by Ryan Shinkel, Madison's Notes is the podcast of Princeton University's James Madison Program in American Ideals and Institutions. The transcript for this interview is available on our new Substack page, “Madison's Footnotes.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Here in Episode 7 of Season 5, I interview Dr. Matthew J. Franck. A senior contributing fellow at Public Discourse, a visiting lecturer in the Department of Politics at Princeton University, as well as a senior fellow at the Witherspoon Institute and Professor Emeritus of Political Science at Radford University, he has written, edited, and contributed to many books, including Against the Imperial Judiciary (1996). Drawing on his Public Discourse column, “The Bookshelf,” which often veers into film history and criticism, we discuss American frontier films broadly construed in light of our country's 250th anniversary and the successful Artemis II rocket mission. Using Frederick Jackson Turner's essay, “The Significance of the Frontier in American History” (1893), we look at why the western is the most prolific genre in film history and how it offers viewers a vicarious lens into its pioneer heroic ethos, from literary works like those of James Fenimore Cooper and Mark Twain, to cinema, whether the westerns of John Ford or science and space exploration movies today. Although the western frontier may have closed, Americans still keep making new ones. Hosted by Ryan Shinkel, Madison's Notes is the podcast of Princeton University's James Madison Program in American Ideals and Institutions. The transcript for this interview is available on our new Substack page, “Madison's Footnotes.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Here in Episode 7 of Season 5, I interview Dr. Matthew J. Franck. A senior contributing fellow at Public Discourse, a visiting lecturer in the Department of Politics at Princeton University, as well as a senior fellow at the Witherspoon Institute and Professor Emeritus of Political Science at Radford University, he has written, edited, and contributed to many books, including Against the Imperial Judiciary (1996). Drawing on his Public Discourse column, “The Bookshelf,” which often veers into film history and criticism, we discuss American frontier films broadly construed in light of our country's 250th anniversary and the successful Artemis II rocket mission. Using Frederick Jackson Turner's essay, “The Significance of the Frontier in American History” (1893), we look at why the western is the most prolific genre in film history and how it offers viewers a vicarious lens into its pioneer heroic ethos, from literary works like those of James Fenimore Cooper and Mark Twain, to cinema, whether the westerns of John Ford or science and space exploration movies today. Although the western frontier may have closed, Americans still keep making new ones. Hosted by Ryan Shinkel, Madison's Notes is the podcast of Princeton University's James Madison Program in American Ideals and Institutions. The transcript for this interview is available on our new Substack page, “Madison's Footnotes.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

This week on So Many Sequels, Golden Oldies Month continues with John Ford's 1940 adaptation of The Grapes of Wrath.Josh, Garrett and David dig into the film's Dust Bowl-era Oklahoma roots, its connection to John Steinbeck's landmark novel, and why a movie released more than 80 years ago still feels uncomfortably current in 2026.We talk Henry Fonda's Tom Joad, Jane Darwell's Oscar-winning performance as Ma Joad, the film's depiction of poverty and displacement, and the way its story exposes systems that keep working people desperate, divided and disposable. We also get into Oklahoma's place in the story, the case for a modern remake, and why any new version better actually film in Oklahoma.It's a classic for a reason — and maybe a warning we still haven't fully listened to.Watch, listen and subscribe wherever you get podcasts.More at somanysequels.com and follow us on Instagram at @somanysequelspod.

In Part 1, Eve Lorgen and James Bartley discuss the recent deaths and disappearances of individuals with knowledge of advanced technology, UFO programs, and zero-point energy research. She discusses the deaths and disappearances of Scientists and Military Personnel. She also discusses recent experiences she’s had. It’s a wide-ranging discussion about possibly faked deaths, cloning, radiation poisoning, alien programming of human children and much more.They reflect on past losses within the field, referencing Barbara Bartholet, Carla Turner, Charlotte Boudreau, and others, and explore the possibility of both alien and government involvement. The conversation touches on historical cases like Dr. James McDonald and John Ford, highlighting a long-standing pattern of silencing those who threaten established systems. In Part 2 Eve Lorgen talks about the shadow banning of both the new edition of her book as well as the shadow banning of The Cosmic Switchboard. Eve goes into a deep dive about alien programming and also trauma-based mind control and much more. Eve shares a compelling dream experience involving David Wilcock and a team of scientists attempting to prevent a dimensional rift. This leads to a discussion about the potential for scientists being secretly recruited and utilized for covert projects, and the possibility of faked deaths. They also discuss the role of entities like the Reptilians, the influence of black magic, and the infiltration of counterfeit spirits into society, referencing figures like Aleister Crowley and current political figures. Eve Lorgen's Website: EveLorgen.com Eve Lorgen's Books: The Dark Side of Cupid, The Love Bite Part 1 Video: [This post contains video, click to play] Part 2 Video: [This post contains video, click to play] Part 1: https://www.thecosmicswitchboard.com/wp-content/uploads/2026/05/Eve-Lorgen-Interview-with-James-Bartley-on-thecosmicswitchboard.com-Part-1.mp3&Download: mp3 Audio Part 2 – Members Only: https://www.thecosmicswitchboard.com/wp-content/uploads/2026/05/Eve-Lorgen-Interview-with-James-Bartley-on-thecosmicswitchboard.com-Part-2.mp3To Play or Download: Login or Join To Download Use the link under the player for the part you want to download. The post Silenced & Shadowbanned: UFO Secrets, Missing Minds, and Hidden Agendas Eve Lorgen Interview with James Bartley appeared first on The Cosmic Switchboard.

Guy de Maupassant (1850 - 1893)Translated by Albert M. Cohn McMaster (1888 - 1946)Boule de Suif (1880) is a short story by the late-19th century French writer Guy de Maupassant. It is arguably his most famous short story, and is the title story for his collection on the Franco-Prussian War, entitled "Boule de Suif et Autres Contes de la Guerre" ("Boule de Suif and Other Stories of the War"). John Ford said that his film Stagecoach was in many ways a western rewrite of Boule de Suif. (Summary by Wikipedia)Genre(s): General FictionLanguage: EnglishKeyword(s): maupassant (3)

Today on Episode 237, the guys continue their Western Retrospective with their final John Ford film, The Man Who Shot Liberty Valance. Where will this film rank amongst the other two John Ford-John Wayne team-ups? Tune in to find out!Be Sure to Follow The Hosts on X!Kevin “OptimusSolo” Thompson and Dan “The Comic Concierge” Clark!#UNLEASHTHECINEMAGEEKINYOU!!! #CinemaGeeks #Westerns #WesterRetrospective #TheManWhoShotLibertyValance #JohnWayne #JohnFord

Today on Episode 236, the guys continue their Western Retrospective with their 2nd film from John Ford, The Searchers. This film is often regarded as one of the best westerns of all-time. Will the hosts agree or disagree with that assessment? Tune in to find out!Be Sure to Follow The Hosts on X!Kevin “OptimusSolo” Thompson and Dan “The Comic Concierge” Clark!#UNLEASHTHECINEMAGEEKINYOU!!! #CinemaGeeks #Westerns #WesterRetrospective #Searchers #JohnWayne #JohnFord

In the fourth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with filmmaker Mario Ruiz to discuss the lyrical and poetic adaptation of John Steinbeck's bleak novel detailing the odyssey of the Joad family as the microcosm of the Dust Bowl experience of economic displacement and the commitment to family in John Ford's The Grapes of Wrath (1940). 

Neil Rogers is still having equipment problems, Knots Landing Lady calls, plus a dust up with Howard Stern. A positive negative poll, and the subjects are: Ron & Ron, the news guy, Debbie Ellis, Karen Kay, and John Ford's jingles and rejoins. A parking spot problem with Jack Mark, and Neil plays his favorite part of "Fatso".

In this episode, we sit down with John Ford, Chief Product Officer at eGym, to explore the massive shift currently happening at the intersection of fitness and healthcare. From his early days founding Virtual Active and licensing cinematic workout content to industry giants like Peloton, to his current role leading product strategy at a global fitness unicorn, John offers a masterclass in behavioral science and hardware integration. We dive deep into the launch of Genius AI, discussing how it removes the "intimidation barrier" for gym beginners and provides the objective data—like one-rep max and body composition—necessary to prove fitness outcomes to the medical community. Whether you're interested in the impact of GLP-1 medications on strength training or how AI is actually driving more personal training sales, this conversation provides a roadmap for the future of longevity and health prevention in the club environment. Episode Takeaways

John Ford's 1956 film, “The Searchers”, is often lauded as a masterpiece. It follows Ethan Edwards (John Wayne) as an unapologetically racist ex-Confederate soldier on an obsessive odyssey to find his niece who was kidnapped by Comanches. The question of what he does when he finds her is a central tension of the plot. It was one of the first films added to the National Film Registry and ranks among the greatest films of all time by the American Film Institute. But its harmful stereotypes and other obvious drawbacks make it difficult watching for modern, informed audiences. As it marks 70 years since its release, we’ll hear from Native filmmakers and others about the place “The Searchers“ holds in film history. Still image from the 2026 film, “Ceremony” (Photo: courtesy Banchi Hanuse) We’ll also hear from Nuxalk filmmaker Banchi Hanuse about her documentary film, “Ceremony“, that premieres this week at South by Southwest. The documentary examines the cultural role of ooligan fish in Hanuse’s community in Bella Coola, British Columbia, Canada. GUESTS Sunrise Tippeconnie (Commanche, Navajo, and Cherokee), director of programming at deadCenter Film and co-host of the “Reel Indigenous” podcast Julianna Brannum (Comanche), documentary filmmaker Zacharias Kunuk (Inuit), filmmaker Banchi Hanuse (Nuxalk), filmmaker, co-founder of Nuxalk Radio, and director of “Ceremony” Break 1 Music: Country Man (song) Blue Moon Marquee (artist) Scream, Holler, and Howl (album) Break 2 Music: Place I Call Home (song) Native Roots (artist) A Place I Call Home (album)

Emerald Fennell follows up her earlier provocations with one aimed at lovers of literature, "WUTHERING HEIGHTS." Marya E. Gates ("Cinema Her Way") joins Adam and Josh to unpack it all. Then, a Pantheon Project review of John Ford’s Best Picture-winning HOW GREEN WAS MY VALLEY, and listeners advocate for the best '90s movie soundtrack. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes/chapters may not be precise with ads.)Intro (00:00:00-00:02:12)Wuthering Heights with Marya E. Gates (00:02:13-00:48:41)Filmspotting Family (00:48:42-00:52:32)Robert Duvall, Frederick Wiseman (00:52:33-01:01:56)Next Week, Notes (01:01:57-01:05:16)Polls (01:05:17-01:19:39)How Green Was My Valley (01:19:40-01:52:17)Credits / New Releases (01:52:18-01:55:51) Notes/Links: -Filmspotting Pantheonhttps://www.filmspotting.net/pantheon Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

Adam and Josh return to Danny Boyle’s drug-addled Edinburgh for TRAINSPOTTING’s 30th anniversary, then bring Producer Sam on to unveil the 2026 nominees for the Filmspotting Pantheon. Plus, Massacre Theatre. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:01:49) Trainspotting at 30 (00:01:50-00:47:32) Filmspotting Family (00:47:33-00:52:41) Next Week / Notes (00:52:42-00:56:34) Massacre Theatre (00:56:35-01:04:43) Pantheon Nominees (01:04:44-01:48:04) Credits / New Releases (01:48:05-01:53:10) Notes/Links: -Filmspotting Pantheon https://www.filmspotting.net/pantheon Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.