Podcast appearances and mentions of John Ford

The Cold War Cinema team returns with special guest Aspen Ballas to discuss John Ford's 1956 western The Searchers. Aspen is a PhD student of English at the University of North Carolina at Chapel Hill. Her research primarily focuses on aesthetics of race and class, and the relation between genre, medium, and politics. Synopsis of the film: Texas, 1868. A lone figure approaches a windswept homestead, against a dusty blue sky and flaming red buttes and cathedral-like mesas. Returning from the fight for the Confederacy, Ethan Edwards arrives home to his brother Aaron, Aaron's wife Martha, and to their children Ben, Lucy, little Debbie, and their adopted son Martin Pawley. But this is rough country, and a Comanche raid leaves the Edwards family torn asunder–Aaron, Martha, and Ben dead, and Lucy and Debbie taken captive. For seven years, Ethan and Martin search the vast wilderness, motivated not only by family bonds, but in Ethan's case, bloodlust and wild, racist hatred–a search not only to find Lucy and Debbie, but to enforce racial and sexual purity and to define Americanness itself… On this episode we discuss: The American mythmaking in The Searchers and in westerns generally.  John Ford's attempt to critique anti-Indigenous racism, and the limitations of such a critique in the context of Hollywood filmmaking of this era.  Militant Liberty, a top-secret psychological warfare program created by the Pentagon to promote anti-communist themes in Hollywood movies during the Cold War. John Ford was an eager participant in the program. The broader US imperialist context of the film's release and the historical background of the setting.  _____________________ We love to give book or film recommendations on the podcast, so here are ours for this episode:  Aspen: The Face on Film by Noa Steimatsky; Raoul Peck's docuseries Exterminate all the Brutes (2021) Paul: The Searchers: The Making of an American Legend by Glenn Frankel    Tony: Unsettled Borders: The Militarized Science of Surveillance on Sacred Indigenous Land by Felicity Amaya Schaeffer   Jason: Versions of  Hollywood Crime Cinema: Studies in Ford, Wilder, Coppola, Scorsese, and Others by Carl Freedman _____________________ Like and subscribe to Cold War Cinema, and don't forget to leave us a review! Want to continue the conversation? Drop us a line at any time at coldwarcinemapod@gmail.com. To stay up to date on Cold War Cinema, follow along at coldwarcinema.com, or find us online on Bluesky @coldwarcinema.com or on X at @Cold_War_Cinema.   For more from your hosts and guest: Follow Aspen on Letterboxed at @aspenballas. Follow Jason on Bluesky at @JasonAChristian.bsky.social, on X at @JasonAChristian, or on Letterboxed at @exilemagic. Follow Anthony on Bluesky at @tonyjballas.bsky.social, on X at @tonyjballas, or on Letterboxed at @tonyjballas. Follow Paul on Bluesky at @ptklein.com, or on Letterboxed at @ptklein. Paul also writes about movies at www.howotreadmovies.com  _____________________ Logo by Jason Christian  Theme music by DYAD (Charles Ballas and Jeremy Averitt).  Happy listening!

In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

What is “America” not only as a political entity but in our imagination? How can we properly envision America, without repeating clichés that frame America as either reactionary or revolutionary, repressive or liberatory? I spoke with Eyal Peretz about his book American Medium, which looks at Hollywood to re-imagine the concept of "America" through the medium of film. By considering six fundamental American movies: John Ford's Young Mr. Lincoln and The Man Who Shot Liberty Valance, Francis Ford Coppola's The Godfather, Steven Spielberg's West Side Story, and Sofia Coppola's Lost in Translation and Marie Antoinette, Peretz explains how these films do more than represent America and envision a new way to ground human life in our secular age. Eyal Peretz is Professor of Comparative Literature at Indiana University and the author of seminal books on Melville, de Palma, Diderot, da Vinci, as well as film, art, and philosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

What is “America” not only as a political entity but in our imagination? How can we properly envision America, without repeating clichés that frame America as either reactionary or revolutionary, repressive or liberatory? I spoke with Eyal Peretz about his book American Medium, which looks at Hollywood to re-imagine the concept of "America" through the medium of film. By considering six fundamental American movies: John Ford's Young Mr. Lincoln and The Man Who Shot Liberty Valance, Francis Ford Coppola's The Godfather, Steven Spielberg's West Side Story, and Sofia Coppola's Lost in Translation and Marie Antoinette, Peretz explains how these films do more than represent America and envision a new way to ground human life in our secular age. Eyal Peretz is Professor of Comparative Literature at Indiana University and the author of seminal books on Melville, de Palma, Diderot, da Vinci, as well as film, art, and philosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In the October 12, 2023 issue of The Hollywood Reporter, Scott Feinberg offered an annotated list of the 100 greatest film books of all time. Drawing on a jury of 322 people who make, study, and are otherwise connected to the movies, Feinberg assembled an annotated list that reads like the ultimate film study syllabus. In this interview, Dan Moran asks him about the voting process, top winners, some omissions, and what the list reveals about the industry as a whole. Scott Feinberg has led The Hollywood Reporter's awards coverage since 2011 (he covered awards for the Los Angeles Times before that). He is best known for his “Feinberg Forecast,” through which he assesses the standings of various showbiz awards races, and for Awards Chatter, the interview-centric podcast that he started in 2015, for which he has conducted career-retrospective interviews with some 500 of Hollywood's biggest names. An alumnus of Brandeis University, he is also a trustee professor at Chapman University's Dodge College of Film and Media Arts, serves on the board of the Los Angeles Press Club and is a voting member of BAFTA and the Critics Choice Association. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is “America” not only as a political entity but in our imagination? How can we properly envision America, without repeating clichés that frame America as either reactionary or revolutionary, repressive or liberatory? I spoke with Eyal Peretz about his book American Medium, which looks at Hollywood to re-imagine the concept of "America" through the medium of film. By considering six fundamental American movies: John Ford's Young Mr. Lincoln and The Man Who Shot Liberty Valance, Francis Ford Coppola's The Godfather, Steven Spielberg's West Side Story, and Sofia Coppola's Lost in Translation and Marie Antoinette, Peretz explains how these films do more than represent America and envision a new way to ground human life in our secular age. Eyal Peretz is Professor of Comparative Literature at Indiana University and the author of seminal books on Melville, de Palma, Diderot, da Vinci, as well as film, art, and philosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the October 12, 2023 issue of The Hollywood Reporter, Scott Feinberg offered an annotated list of the 100 greatest film books of all time. Drawing on a jury of 322 people who make, study, and are otherwise connected to the movies, Feinberg assembled an annotated list that reads like the ultimate film study syllabus. In this interview, Dan Moran asks him about the voting process, top winners, some omissions, and what the list reveals about the industry as a whole. Scott Feinberg has led The Hollywood Reporter's awards coverage since 2011 (he covered awards for the Los Angeles Times before that). He is best known for his “Feinberg Forecast,” through which he assesses the standings of various showbiz awards races, and for Awards Chatter, the interview-centric podcast that he started in 2015, for which he has conducted career-retrospective interviews with some 500 of Hollywood's biggest names. An alumnus of Brandeis University, he is also a trustee professor at Chapman University's Dodge College of Film and Media Arts, serves on the board of the Los Angeles Press Club and is a voting member of BAFTA and the Critics Choice Association. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This episode was originally released on 1/1/2021. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls episode 111 we resume our mini-series in January of 1949. CBS is now the nation's number one network, and NBC is left to come up with programming answers. We'll focus on the shows they launched in the spring and summer of 1949. —————————— Highlights: • Jack Benny: Now on CBS • First The News • Network Radio Opens 1949 with Record Earnings • John Wayne, Claire Trevor, John Ford, and Ward Bond Open The NBC Theater • David Sarnoff and the Mass NBC Exodus • It's the Martin and Lewis Show! • Alan Young and Henry Morgan • Richard Diamond • Jack Webb Launches Dragnet • Fred Allen Finally Has Enough • William Conrad, The Killers, and The Four Star Playhouse • Dangerous Assignment • San Francisco's YUkon 3-8309 Lady Detective • Looking Ahead to the Fall of 1949 —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • On the Air — By John Dunning • Network Radio Ratings, 1932-53 — By Jim Ramsburg As well as articles from: • Billboard Magazine • Broadcasting Magazine • Radio Daily —————————— On the interview front: • Virginia Gregg, Lurene Tuttle, Herb Vigran, Mike Wallace, Don Wilson were with Chuck Schaden. Hear their full chats at SpeakingOfRadio.com. • Parley Baer, Lilian Buyeff, Herb Ellis, Betty Lou Gerson, Virginia Gregg, and Peggy Webber were with SPERDVAC. For more information, go to SPERDVAC.com • Arnold Stang was with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these at Goldenage-WTIC.org. • Jerry Lewis and Dean Martin were with Cedric Adams • Fred Allen was on Tex and Jinx • Donald Vorhees was interviewed for Allen's Biography In Sound • Jack Kruschen was with Jim Bohannon • John Dehner was with Neil Ross • William Conrad was with Chris Lambesis • E. Jack Neuman was with John Dunning • Frank Sinatra was with Walter Cronkite —————————— Selected music featured in today's episode was: • Takin' A Chance on Love — By Helen Forrest • The Pavane — By Steve Erquiaga • Lenore Overture Number 3 — By Ludwig Van Beethoven • And Fly Me To The Moon — By Frank Sinatra

Bengals win! Kitty Katz, John Ford, Timmy Turbo, General Counsel and Snakepit Johnson join Al to breakdown the game.

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since. Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity. Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since. Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity. Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since. Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity. Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

John Boorman's Point Blank (1967) has long been recognized as one of the seminal films of the sixties, with its revisionary mix of genres including neo-noir, New Wave, and spaghetti western. Its lasting influence can be traced throughout the decades in films like Mean Streets (1973), Reservoir Dogs (1992), Heat (1995), The Limey (1999) and Memento (2000). Eric Wilson's compelling study Point Blank (British Film Institute, 2023) examines its significance to New Hollywood cinema. He argues that Boorman revises traditional Hollywood crime films by probing a second connotation of “point blank.” On the one hand, it is a neo-noir that aptly depicts close range violence, but, it also points toward blankness, a nothingness that is the consequence of corporate America unchecked, where humans are reduced to commodities and stripped of agency and playfulness. He goes on to reimagine the film's experimental style as a representation of and possible remedy for trauma. Examining Boorman's formal innovations, including his favoring of gesture over language and blurring of boundaries between dream and reality, he also positions the film as a grimly comical exploration of toxic masculinity and gender fluidity. Wilson's close reading of Point Blank reveals it to be a film that innovatively inflects its own generation and speaks powerfully to our own, arguing that it is this amplitude, which encompasses the many major films it has influenced, that qualifies the film as a classic. Eric Wilson is Professor of English at Wake Forest University, USA. His publications include Secret Cinema: Gnostic Vision in Film (2006) and The Strange World of David Lynch: Transcendental Irony from Eraserhead to Mulholland Dr (2007). His writing has featured in Psychology Today, L.A. Times, The New York Times and Huffington Post. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

John Boorman's Point Blank (1967) has long been recognized as one of the seminal films of the sixties, with its revisionary mix of genres including neo-noir, New Wave, and spaghetti western. Its lasting influence can be traced throughout the decades in films like Mean Streets (1973), Reservoir Dogs (1992), Heat (1995), The Limey (1999) and Memento (2000). Eric Wilson's compelling study Point Blank (British Film Institute, 2023) examines its significance to New Hollywood cinema. He argues that Boorman revises traditional Hollywood crime films by probing a second connotation of “point blank.” On the one hand, it is a neo-noir that aptly depicts close range violence, but, it also points toward blankness, a nothingness that is the consequence of corporate America unchecked, where humans are reduced to commodities and stripped of agency and playfulness. He goes on to reimagine the film's experimental style as a representation of and possible remedy for trauma. Examining Boorman's formal innovations, including his favoring of gesture over language and blurring of boundaries between dream and reality, he also positions the film as a grimly comical exploration of toxic masculinity and gender fluidity. Wilson's close reading of Point Blank reveals it to be a film that innovatively inflects its own generation and speaks powerfully to our own, arguing that it is this amplitude, which encompasses the many major films it has influenced, that qualifies the film as a classic. Eric Wilson is Professor of English at Wake Forest University, USA. His publications include Secret Cinema: Gnostic Vision in Film (2006) and The Strange World of David Lynch: Transcendental Irony from Eraserhead to Mulholland Dr (2007). His writing has featured in Psychology Today, L.A. Times, The New York Times and Huffington Post. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Bengals annihilate the Dolphins in Miami. Kitty Katz, John Ford and Turbo join Al to break down the game.

It is SO America to have a problematic movie star as the ultimate icon of the quintessential American genre. And even worse: take John Wayne's reputation out of the equation, and John Ford's THE SEARCHERS can barely register as a serviceable Western. So it's not just that Ford's romanticizing of cowboy life is dated - it's also boring, and a little cheesy when it goes for full emotion. Listen to Alex & Julio as they try to figure out if The Duke made his own brother a cuckold!TIMELINE00:01:24 The Searchers00:15:02 Contrarians Corner- Wanna know how we really feel about THE SEARCHERS? Check out the Real Talk (RT) episode, on your feed RIGHT NOW! (or pretty soon — Spotify can be a pain when it comes to refreshing the feed)- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemoniospe on Instagram or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!

TVC 718.4: Ed welcomes back Stefanie Powers, the actress known around the world as Jennifer Hart on Hart to Hart (ABC, 1979-1984), and the founder and president of the William Holden Wildlife Foundation, the nonprofit organization that Stefanie established in 1982 in memory of her longtime life partner that continues and furthers the conservation work of William Holden in East Africa. Stefanie will reunite with McLintock! co-star Patrick Wayne for the first time in sixty years for a one-performance-only benefit production of A.R. Gurney's Love Letters that will take place on Sunday, Jan. 11 on the Debbie Reynolds Main Stage at the historic El Portal Theatre in North Hollywood, CA beginning at 1pm. Tickets start at $55. If you purchase a VIP ticket for $150, you'll have a chance to meet Stefanie and Patrick on stage. Proceeds for this production will support the efforts of the William Holden Wildlife Foundation. For tickets and more information, call (818) 508-4200 or go to ElPortalTheatre.com. Topics this segment include why Love Letters continues to appeal to actors and audiences alike; Stefanie's experience working with John Wayne, Patrick Wayne, Maureen O'Hara, and (briefly) director John Ford while filming McLintock!; a trick that Stefanie learned during the production of McLintock! that enables her to drive through dusty terrain without eating dust (a trick that she has used many times during her travels to Africa); and why you can't visit Ireland without seeing The Quiet Man first.

Bengals lay an egg in the jungle against the Ravens. Kitty Katz, John Ford and Turbo join Al to discuss.

Send us a textIn today's episode, I interview Alex Thompson, director of the short film "Em & Selma Go Griffin Hunting," the story of a mother and daughter faced with difficult choices as they take part in a coming-of-age hunt set in a fictional 1930s America.Listen to hear about how Alex's world building for the film began with the characters, the process of casting the main characters of the film to ensure they had the right level of humanity for the story, and the challenge of creating a set of digital creatures to inhabit the world that would look like high quality blockbuster effects on a small short film budget.Books mentioned in this episode include:Aesop's FablesGrimm's Fairy TalesThe Great Mother: An Analysis of the Archetype by Erich NeumannBaudolino by Umberto EcoThe Name of the Rose by Umberto EcoSapiens: A Brief History of Humankind by Yuval Noah HarariFilms and TV shows mentioned in this episode include:"Em & Selma Go Griffin Hunting" directed by Alex ThompsonJurassic Park directed by Steven SpielbergHereditary directed by Ari AsterThe Walking Dead (series)The Grapes of Wrath directed by John Ford"La jetée" directed by Chris Marker12 Monkeys directed by Terry Gilliam"Un Chien Andalou" directed by Luis Buñuel"An Occurrence at Owl Creek Bridge" directed by Robert EnricoAvatar directed by James CameronBlade Runner directed by Ridley Scott2001: A Space Odyssey directed by Stanley KubrickEverything Everywhere All at Once directed by Dan Kwan and Daniel ScheinertNight of the Hunter directed by Charles LaughtonCome and See directed by Elem KlimovThe Passion of Joan of Arc directed by Carl Th. DreyerThe Seventh Seal directed by Ingmar BergmanApocalypse Now directed by Francis Ford CoppolaThe Cabinet of Dr. Caligari directed by Robert Wiene12 Angry Men directed by Sidney LumetPoor Things directed by Yorgos LanthimosThe Thin Red Line directed by Terrence MalickFollow the film on Instagram @emandselmagogriffinhunting and Alex @alexanderthompsonfilms.Support the show

In this letter to the editor, Vancouver resident John Ford warns that dehumanizing rhetoric and social media harassment are undermining public safety and productive immigration policy debate, urging leaders and media outlets to restore basic human dignity to the discussion. https://www.clarkcountytoday.com/opinion/letter-if-we-want-workable-immigration-reform-we-must-first-restore-basic-human-dignity-to-the-debate/ #Opinion #ImmigrationReform #HumanDignity #PublicDiscourse #MediaResponsibility #Vancouver

Bengals shit the bed in Buffalo. Kitty Katz, John Ford and Candy Andy join Al to break down the loss to the Bills.

Bengals beat the Ravens on Turkey Day! John Ford, Timmy Turbo and Kitty Katz join Al to chat through the win.

Cully Stimson, retired Navy Captain and Deputy Director of the Meese Legal Center, joins Hans to discuss the propaganda video by six members of Congress urging members of the military to disobey orders. Classic film review is of the World War II picture, “They Were Expendable,” the 1945 John Ford movie about a torpedo boat squadron that fought in the Battle of the Philippines against enormous odds, a film that shows the courage and sacrifice of members of our armed forces.

Scott Eyman is one of the foremost biographers of classic Hollywood, writing essential books on Chaplin, Cary Grant, John Wayne, John Ford, and many more. He joins us to discuss his latest, “Joan Crawford: A Woman's Face,” and Crawford's quintessential performance in “Grand Hotel.” Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On this week's episode, I'm rejoined by Chris Yogerst, author of the new book from the University of New Mexico's “Reel West” series on The Man Who Shot Liberty Valance. We discussed the making of the film, its place in the western canon as a sort of natural ending point for the traditional westerns made by John Wayne and John Ford, and the surprisingly political nature of the film's central struggle between the frontier and civilization. If you enjoyed the episode, check out the book (or pick up the pristine 4K, on which Paramount did a fine job of making the film look good as new). And make sure to share it with a friend!

Hans is joined by former Federal Election Commission Chairman Allen Dickerson to discuss the pending U.S. Supreme Court case, National Republican Senatorial Committee v. FEC, originally also filed by then-Ohio Senator J.D. Vance, and the effect the Court's decision on the constitutionality of the limits on coordinated party expenditures may have on the 2026 congressional elections. Our classic movie review is of “The Last Hurrah,” the 1958 political film directed by John Ford and starring Spencer Tracy, about a reelection fight between the mayor of a big city and a civic reformer.

In this episode I spoke with author Chris Yogerst about his latest book "The Man Who Shot Liberty Valance". Few lines of movie dialogue have had greater impact than the most famous line from John Ford's 1962 masterpiece The Man Who Shot Liberty Valance: “This is the West, sir. When the legend becomes fact, print the legend.” Although critics of the day did not realize its magnitude, with time The Man Who Shot Liberty Valance has become cemented in our popular culture. This film connects to nearly every Western before or after, from Ford's own Stagecoach (1939) to Clint Eastwood's Unforgiven (1992).

Abi Murray invites us to a cup of coffee and a nice conversation care of the Chatty Cafe Scheme. This all began on a typical wet and windy UK day when Abi's sister Alex Hoskyn was in a supermarket café with her four month old son, who wasn't great company, and she herself was feeling a bit tired and a bit fed up. Alex looked around the cafe and saw others who looked just as down as she felt herself and she started to think about the positive impact we can have on one other simply by sitting together and communicating. She knew from her own experience that when you are feeling lonely, a short conversation with another human can really brighten your day. It was in that very moment her ‘Chatter & Natter' table idea began (in her head where all dreams do) and it soon became reality. Now in 900 cafes throughout the UK and an additional 200 in Australia, the Chatty Cafe Scheme allows anyone feeling lonely to take a seat and connect. Abi shares the journey she and Alex have been on and the importance of creating community. We also speak with volunteer John Ford about his experience with this organization and what it's meant to him to connect with others as someone who moved to the UK from another country himself. Grab a cup of coffee and join us, won't you? _________________________ Steve is busy at work on the third book in his cozy mystery series, THE DOG WALKING DETECTIVES. Grab the first two and get caught up: Book 1: DROWN TOWN Amazon: https://amzn.to/478W8mp Barnes & Noble: https://bit.ly/3Mv7cCk & Book 2: MURDER UNMASKED Amazon: https://shorturl.at/fDR47 Barnes & Noble: https://shorturl.at/3ccTy

Pour la première fois dans un tribunal, des films servent de preuves. À Nuremberg, ces images des camps et du nazisme, parfois tournées par des cinéastes d'Hollywood comme John Ford, deviennent des pièces à conviction historiques. L'épisode révèle comment ces documents visuels, aujourd'hui ancrés dans notre mémoire collective, ont été utilisés pour prouver l'impensable. Avec Sylvie Lindeperg, historienne spécialiste du cinéma de la Deuxième guerre mondiale et autrice de Nuremberg, la bataille des images, Payot, 2021.

Bengals fall to the Jets in tragic fashion. Kitty Katz, Turbo and John Ford join to discuss the tragedy that is the week 8 Cincinnati Bengals.

This week Seth Paridon and Jon Parshall take a look at the archival footage shot just before and during the Battle of Midway from June 3-7, 1942. Some of the footage we go through here was shot in late May 1942 aboard USS Enterprise and shows such future Midway heroes such as Wade McClusky, Dusty Kleiss, Cleo Dobson and others. The guys then go through the John Ford material that was shot on the Midway atoll from May 27-June 7, 1942. In these shots we see some of VMSB-241's SB2U Vindicators, including the bird flown by Richard Fleming, the battles only Medal of Honor recipient. Tune into this one and get a new perspective on the footage you have been seeing for years. #wwiihistory #ww2 #usnavy #usa #usarmy #medalofhonor #enterprise #aircraft #aircraftcarrier #cv6 #midway #wwii #wwiihistory #ww2 #worldwar2 #usnavy #usnavyseals #usmc #usmarines #saipan #usa #usarmy #aircraft #aircraftcarrier #battleship #battleships #ussenterprise #aircraftcarriers #museum #essex #halsey #taskforce38 #wwii #wwiihistory #ww2 #usnavy #usa #usarmy #medalofhonor #enterprise #aircraft #aircraftcarrier #cv6 #midway #wwii #wwiihistory #ww2 #worldwar2 #usnavy #usnavyseals #usmc #usmarines #saipan #usa #usarmy #aircraft #aircraftcarrier #battleship #battleships #ussenterprise #aircraftcarriers #museum #hollywood #movie #movies #books #mastersoftheair #8thairforce #mightyeighth #100thbombgroup #bloodyhundredth #b17 #boeing #airforce wwii #wwiihistory #ww2 #usnavy #usa #usarmy #medalofhonor #enterprise #aircraft #aircraftcarrier #cv6 #midway #wwii #wwiihistory #ww2 #worldwar2 #usnavy #usnavyseals #usmc #usmarines #saipan #usa #usarmy #aircraft #aircraftcarrier #battleship #battleships #ussenterprise #aircraftcarriers #museum #hollywood #movie #movies #books #oldbreed #1stMarineDivision #thepacific #Peleliu #army #marines #marinecorps #worldwar2 #worldwar #worldwarii #leytegulf #battleofleytegulf #rodserling #twilightzone #liberation #blacksheep #power #prisoner #prisonerofwar #typhoon #hurricane #weather #iwojima#bullhalsey #ace #p47 #p38 #fighter #fighterpilot #b29 #strategicstudying #tokyo #boeing #incendiary #usa #franklin #okinawa #yamato #kamikaze #Q&A #questions #questionsandanswers #history #jaws #atomicbomb #nuclear #nationalarchives #nara #johnford #hollywood #fdr #president #roosevelt #doolittle #doolittleraid #pearlharborattack #salvaged

This episode's title comes from the 1626 play by English dramatist John Ford, because we are very smart. And turns out, it kinda fits for discussing SATC's apparent attitude toward Samantha Jones. We dive into Sam's key romantic relationships to explore how her attitude toward sex and dating was contrasted with that of the other three women, and what that says about how the show viewed women's sexuality.We also discuss different iterations of the fan theory that Samantha, Charlotte, and Miranda are all really aspects of Carrie's personality. Are they fictional aliases for the women Carrie wrote about in her column? Are they figments of her imagination? Or do each of Carrie's friends represent her id, ego, and superego? That's right, we're getting Freudian. Because we are very smart.

The Searchers directed by John Ford and starring John Wayne, Jeffrey Hunter, and Vera Miles.Episode Roundup: The Cowpunchers watch an examination of John Wayne being racist. Mel gets a cringe itch she just can't scratch. Stu wishes that John Wayne would have just had a villain era. Amy delights in watching the thirstiest woman in the West.

Internist Dr. John Ford sits down with Rip to share his experiences and discuss the medical services industry and the quality, cost, and delivery of healthcare.

Bengals are tamed by the Lions in the Jungle. Kitty Katz, John Ford, Timmy Turbo and Al break down the game and the blame.

durée : 01:02:32 - Les Nuits de France Culture - par : Albane Penaranda, Mathias Le Gargasson, Antoine Dhulster - Alfred Newman fait partie des compositeurs mythiques de l'âge d'or d'Hollywood. Il a travaillé avec les plus grands réalisateurs, mais c'est pour le cinéma de John Ford qu'il a composé ses partitions les plus personnelles, comme l'explique Michel Cazenave au micro de Noël Simsolo. - réalisation : Massimo Bellini, Vincent Abouchar - invités : Michel Cazenave Ecrivain et producteur de radio français

World War II Movie Night returns with a classic, 1955's "Mister Roberts." Follow Henry Fonda (the titular character) as he juggles the dysfunction of his ship, from the dire morale to a vindictive captain (Jack Cagney) to the unruly Ensign Pulver (Jack Lemmon, who won an Oscar for the role). Palm trees, nurses and a goat keep things humming... asides include the legendary John Ford (and how he treated his actors), Betsy Palmer's unlikely late-career boon, and my thoughts on a certain dynamic of the the man-woman thing.  Drop us a line at worldwartwomovienight@gmail.com Check out our X at http://twitter.com/WWIIMovieNight    

Bengals get destroyed by the Broncos 28-3 on Monday Night Football. Kitty Katz, Timmy Turbo, John Ford and Al chat through the game (a bit) and pay tribute to Rudi Johnson.

Send us a textThe Lost John Ford Civil War Film With ( Jaime Cordova )In this episode of American Civil War & UK History podcast, host Daz was joined by Jaime Cordova to discuss The Scarlet Drop, a silent film directed by John Ford that was once thought to be lost."For several decades, just over 30 minutes of footage of the film was thought to have survived in the Getty Images Archive. In January 2024, academic film historian Jaime Córdova Ortega discovered a complete version in an abandoned warehouse in Providencia, Chile. It was digitised and restored by Jaime and screened at the 2024 Valparaiso Recovered Film Festival.The Scarlet Drop trailer https://youtu.be/np1SYN98HkQ?si=lH004AXkEjOqVHu4ACW & UK History's Website.https://darrenscivilwarpag8.wixsite.com/acwandukhistoryACW & UK History's Pages.https://linktr.ee/ACWandUKHISTORYSupport the show

Send us a textIf you would prefer to watch the video version on Youtibe, with loads of original stills from the film, just follow the ling below.https://youtu.be/EeOPcd26lgcI shall be posting several bonus episodes over the next week or so whilst I work on our next season together, in which I return to the New Testament and begin our study through Paul's 2nd letter to the church at Corinth. This episode was originally posted Patreon on 18th January 2025The Balance of GrayFaith That Challenges. Conversations that Matter. Laughs included. Subscribe Now!Listen on: Apple Podcasts SpotifySupport the showTo listen to my monthly church history podcast, subscribe at; https://thehistoryofthechristianchurch.buzzsprout.com For an ad-free version of my podcasts plus the opportunity to enjoy hours of exclusive content and two bonus episodes a month whilst also helping keep the Bible Project Daily Podcast free for listeners everywhere support me at;|PatreonSupport me to continue making great content for listeners everywhere.https://thebibleproject.buzzsprout.com

The moment we've all been waiting for is finally here: We're announcing the director we'll be studying, one movie at a time, throughout our second season! Is it a 70s trailblazer like Peter Bogdanovich? A modern auteur such as Kathryn Bigelow? A Golden Age icon like John Ford? You'll have to listen to find out! Catch our first full Season 2 episode on September 16th! We're upping our Patreon in a major way for Season 2, so be sure to join today! Patreon.com/TheFilmographersPodcast Social media Instagram @thefilmographers Bluesky @thefilmographers.bsky.social Letterboxd @filmographers YouTube @TheFilmographersPodcast Website https://filmographerspodcast.com/ Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Gompson, theme music Cosmo Graff, graphic design

CONTENT WARNING: Discussion of sex work, sexual assault. Spaghetti westerns are their own unique style, their own flavor, and one of the key issues is the dialogue is almost always sloppy and cheesy. Yet Sergio Leone, a true master of filmmaking, took that to a different artistic height, and really made it perfect with this film. This film is impeccably shot, with spans of John Ford's favorite locations that would make the father of the genre salivate. The cast is top notch, with a truly evil villain made all the more bad by the fact that they got America's Dad to play him. The only thing missing is punchier dialogue, but when it comes to Leone, it's worth the eye rolls to wait for the next incredible shot. Bide your time with a little harmonica as we watch 1968's Once Upon a Time in the West on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "Man With A Harmonica" from the film Once Upon a Time in the West, written and composed by Ennio Morricone. Copyright 1968 Rafran - San Marco Production. Excerpts taken from the main theme to the film Support Your Local Sheriff!, written and composed by Jeff Alexander. Copyright 1969 Metro-Goldwyn-Mayer Studios Inc. All Rights Reserved.

Comhrá na Seachtaine. Bearthla Mháirtín Ned Ó Féinneadh ar a shaol oibre agus Féile John Ford.

We're heading out west for the first episode in our Western mini series. We're watching the John Ford classic, The Man Who Shot Liberty Valance, this time on Harmless Phosphorescence! Support the show and get early access and exclusive content on Patreon! Watch us on YouTube! Buy some Merch! https://www.teepublic.com/stores/attention-hellmart-shoppers Check out Executive Producer Michael Beckwith's movie website at https://upallnightmovies.com/ Siskel and Ebert Scale Josh - Up Brian - Up Al - Up Thoreau - Up

CONTENT WARNING: Discussion of racism against Natives, bullying, animal cruelty. Grab your six shooters and your saddles, we're kicking off our first-ever Westerns series! There's a lot in the genre for us to catch up on, and we start this week with a seminal film, one whose importance is unfortunately the only thing it's really got going for it. John Ford practically created the Western as we know making this movie but the dialogue and the characters are so rigid that it's somehow boring for a 90-minute movie. Still, if you've ever rolled your eyes at John Wayne and wondered "how the hell did he get to be a movie star", look no further than his performance here, smoldering and intense while staying relatable. The cast is pretty great, and the stunts are on par with anything that can be done with wires today. Still, this one is more "important" than a fun hang, so proceed with caution. Load up the wagon as we watch 1939's Stagecoach on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the theme to the film The Magnificent Seven, written and composed by Elmer Bernstein. Copyright 1960 Metro-Goldwyn-Mayers Studios Inc. All Rights Reserved. Excerpts taken from the main theme to the film Stagecoach, written and composed by Richard Hageman. Copyright MCMXXXIX by Walter Wagner Productions, Incorporated. Excerpt taken from "The Ballad of High Noon" from the film High Noon, written by Ned Washington, composed by Dimitri Tiomkin, and performed by Tex Ritter. Trademark and Copyright 2007 by Paramount Pictures. All Rights Reserved.

This week after much amusement up top, Professor CHO continues his series on War corespondence throughout history by analyzing the man who made John Wayne "The Duke", legendary Hollywood director and all around bad ass John Ford!  TraeCrowder.com to see Trae  coreyryanforrester.com to see Corey in Lexington and   head over to MyBookie to get started bettin on Pro Wrasslin! https://mybookie.website/joinwithPOA Keep your  swampiest body parts fresh and cool. For a limited time, our listeners get 10% off their first bidet order when you use code POA at checkout. That's 10% off your first bidet order at HelloTushy.com with promo code POA.   factormeals.com/POA50off to get 50% off your first order of great ready to eat meals!  trueclassic.com/poa to get hooked up on the BEST FITTING T SHIRTS 

SEASON 2 - EPISODE 147 - Turning the Tables - TRUE GRIT - David Mullen Cinematographer David Mullen (Season 1, Episode 83 & Season 2, Episode 113) returns for a new edition of the “Turning the Tables” series in this episode of the Team Deakins Podcast. David's questions center around our work on the Coen Brothers' 2010 version of TRUE GRIT, and we had a wonderful time answering them. In addition to the questions concerning how we actually made the film, we also discuss the long history of westerns and the visual variety within the genre. We also reveal the story behind the push-in in the opening shot of the film, what was on location and what was on stage, and how we shot the river crossing scene. We later reflect on working with then-child actor Hailee Steinfeld, and we discuss the script's unique and engaging dialogue. We also reflect on the utility of cowboy hats and on the visual strength of westerns directed by John Ford and Sergio Leone, and we swap stories from our early-career, low-budget exterior shoots. Topics also include: film stocks, aspect ratios, lighting locations and sets, and nighttime nightmares shooting a black mare against a black sky. - Recommended Viewing: TRUE GRIT (2010) - This episode is sponsored by Aputure & Profoto