Podcast appearances and mentions of John Ford

An early birthday present for this guy born at the tail end of the 70's! Tonight, I'm honored to welcome one of my all-time favorite guests to The Mark White Show. Join me for a special conversation with John Ford Coley as we celebrate the 50th anniversary of two timeless classics, “I'd Really Love to See You Tonight” and “Nights Are Forever Without You.” John shares memories of his friendship with the late Dan Seals, the stories behind the music that became the soundtrack to so many lives and his thoughts on the enduring power of songs that continue to connect generations. We also take time to remember legendary WSM Radio broadcaster Bill Cody and the impact he had on artists and listeners alike. If these songs have ever brought back memories of summer nights, first loves, or special moments with someone you care about, I think you'll enjoy this conversation. Real stories. Real people. Real impact. News That Unites!™️

Película: "The Searchers" (1956) Conducción: Diego Cirulo Invitado: Salvador Savarese El amor vence al odio. Ya lo dijo John Ford. Y por ese motivo, hoy te traemos una extensa charla-análisis-debate sobre "The Searchers", obra maestra de su autoría que debería pasarse una vez por semana en las escuelas de todo el mundo. Nada ha cambiado y todo ha cambiado: los héroes siguen lidiando con sus miserias mientras intentan salvarnos, lo logran y luego deben retirarse al ostracismo. El mundo sigue girando y todo vuelve a empezar. Sí, es un film triste. Como la condición trágica de la vida. ¡Dale play! Producción general: Diego Cirulo, Fabio Villalba, Luciana Eyras. Locución: Daniela Jorquera Música: Leonel Ibaña Webmaster: Andrés Cirulo

An interview with John Ford Coley about the 50th anniversary edition of "I'd Really Love To See You Tonight." He talks about recording the duet virtually with a 1990s-era vocal from Dan Seals, the music video for the song, bringing back performers from the original 1976 recording for this version, putting together "Love Is The Answer," and his favorite Dan Seals and England Dan & John Ford Coley songs.See omnystudio.com/listener for privacy information.

We're headed back to a very early “car” movie to talk about John Ford's stagecoach with the help of Tobin Addington! After Joey bullies Joe into voting for the 2 Fast 2 Forever Hall of Fame (and you can, too!), we discuss the historical context of Stagecoach: it's the movie that legitimized the Western genre and inspired filmmakers for decades to come, and also the movie that turned both John Wayne and John Ford into stars. Joe shares his ties to Geronimo. We talk about the closest scenes and vehicles we've gotten to a stagecoach in the franchise, discuss a Sorcerer-esque stunt (and how that opened up a whole new path of stunts in this movie, thanks to Yakima Canutt), and the origins of the term “riding shotgun.” We try to contextualize both the racism in the film and the atrocity of the Running W stunt. Tobin shares more insight into the ways in which this inspired Fast and Furious. Joey talks about the ties between this movie and Nirvanna the Band the Show the Movie. Email us: ⁠⁠⁠⁠family@cageclub.me⁠⁠⁠⁠⁠⁠⁠⁠Visit our Patreon page at patreon.com/2fast2forever⁠⁠⁠⁠. ⁠⁠⁠⁠Show your support at the 2 Fast 2 Forever shop⁠⁠⁠⁠!Extra special shout-out to Alex Elonen, Brian Rodriguez (High School Slumber Party), Jason Rainey, Wes Hampton, Josh Buckley (Whole Lotta Wolves), Michael Moser, Terra New One, Aaron Woloszyn, and Randy Carter for joining at the “Interpol's Most Wanted” level or above!Intro music by Nico Vasilo. Interlude and outro music by Wes Hampton.

It's a high speed episode this week, whether that's horses and stagecoaches sprinting across Apache territory or Fiats and vans driving dangerously around the narrow streets of Milan. Actor and film maker Greg Furman joins us to discuss a couple of classics from two different worlds of cinema. We start off with the seminal Hollywood western blockbuster, Stagecoach (1939), directed by John Ford and follow that up with Fernando Di Leo's The Italian Connection (1972) - during which we pay tribute to German-Italian legend, Mario Adorf, who we lost in April this year. The statute of limitations on spoilers has probably expired for Stagecoach, but we do call out Spoiler Territory for The Italian Connection. If you want to skip ahead from that point, you can rejoin the conversation at the 2:32:43 mark to avoid spoilers. Want to get in touch? You can reach us on caliber9fromouterspace@gmail.com Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp "The John Wayne" by Little Green Cars

The Windy City Historians so enjoyed talking with John William Nelson Ph.D. Associate Professor of History at Texas State University about his book Muddy Ground; Native Peoples, Chicago's Portage, and the Transformation of a Continent we revisit this discussion. With so much ground of the Chicago landscape traversed by both European and Native peoples to cover, muddy or not, we are returning for a second episode for more of this fascinating history.   In this episode, “Muddy Ground Revised”, the conversation continues, focusing on Chicago Portages, tying together historic threads, a brief tribute to Dennis McClendon, and more. We touch upon the grand department store, Hudson's, with it’s origins in the 1600s and contributions great historians of the 19th century, such as Wisconsin's own William Reuben Thwaites and Frederick Jackson Turner, and their continued legacies to American historiography, and contributions to Oscar-winning movies.  It’s a fun ride into the Chicago’s past we hope you will enjoy it as much as we did making it! Screenshot Links to Research and Historic Sources: Muddy Ground; Native Peoples, Chicago’s Portage, and the Transformation of a Continent by John William Nelson, Ph.D. WCH Episode 1909, with Dennis McClendon Dennis McClendon Obituary “The Map” by Elizabeth Bishop From The Conversation website “More than a department store: The long, complicated legacy behind Hudson's Bay Company.” published April 7th, 2025. John Ford, Movie Director on Wikipedia The movie The Searchers in Wikipedia Historian Archer Butler Hulbert in Wikipedia Portage Paths: The Keys of the Continent by Archer Butler Hulbert

I put a jaunty bow on Heroes Month with another multi-movie episode. For #742, I'm mostly talking about John Ford's My Darling Clementine, but there's a bit at the end about John Sturges' Gunfight At The O.K. Corral and George Cosmatos' Tombstone. Clementine stars Henry Fonda as the stoic marshal Wyatt Earp and Victor Mature as the uber-talented but sickly Doc Holliday. Linda Darnell is in the mix too and they're all surrounded by a smorgasbord of character actors. Doc, Wyatt and his brothers team up to take on the Clantons in what's considered to be one of the greatest westerns. Then it's onto a much-shorter analyses of Gunfight and Tombstone, where I got to do what so many have done for 33 years: rave about Val Kilmer. So let's go, boys, to where they keep the horses and draw some guns as I give you my 3 takes on the world of Wyatt and Doc. Well, Actually: Elia Kazan was the one who took over directing Pinky after Ford was fired. Also, Dana Wheeler-Nicholson is the name of the actress in Tombstone who plays Wyatt's wife Mattie. Subscribe to Have You Ever Seen in your app. Rate my show and write up a short review (or a long review). Follow me on Twitter (@moviefiend51) and/or Bluesky (ryan-ellis) and also Letterboxd (RyanHYES). And I certainly read emails: haveyoueverseenpodcast@gmail.com.

In this episode, I spoke with author Samuel Garza Bernstein about his latest book "Roddy McDowall: An Actor's Life". As one of the very few naturally gifted child actors who graduated into adult roles with relative ease, Roddy McDowall exuded charm throughout a glorious Hollywood run that included film, television, and Broadway. John Ford's 1941 classic How Green Was My Valley put Roddy on the map at 12-years-old. It won Best Picture over Citizen Kane and is Clint Eastwood's favorite film of all time. But Roddy's biggest claim to fame was yet to come.

In this episode I chat with visual effects supervisor, second unit director and digital pre-visualisation pioneer David Dozoretz about a career that traces the entire arc of how modern filmmaking shifted from analogue to digital — and how, somewhere in the middle of that shift, pre-vis went from a curious side experiment to a fundamental part of how films get planned and shot. David talks about growing up in Phoenix, falling in love with cinema the day his sister snuck him into the projection booth at the Cine Capri during The Empire Strikes Back asteroid sequence, and how a chance encounter with a Lucasfilm coffee-table book in a university bookstore set him on the path to ILM. He arrived at ILM in 1991 as an intern, became known as "the computer nerd in the art department and the art nerd in the computer department," and ended up bridging the gap between the two as digital began to take over.We get into his first feature — the original Jurassic Park — his year-long apprenticeship in the legendary ILM art department alongside Doug Chiang, Ty Ellingson, Harley Jessup, Mark Moore and Stefan Dechant, and the time he had to split a $1,400 piece of 3D software into two $700 purchase orders to get round ILM's general-manager sign-off threshold. It's a small story but it tells you everything about the era — digital tools were arriving faster than the institutions running things knew what to do with them.A big part of the conversation focuses on the early years of digital pre-visualisation. David did the first major digital previs sequence in mainstream cinema — the train and helicopter sequence in Brian De Palma's Mission: Impossible, the work John Knoll asked him to do that's now credited as one of the reasons the sequence got greenlit. From there he went on to spend four years working with George Lucas on The Phantom Menace, building the entire pod race in previs (a 25-minute version that almost no one has ever seen got whittled down to the 9-and-a-half-minute final), establishing his now-famous three rules of previs (no textures, no motion blur, no shadows) and then immediately having to break all three of them to convey the sense of speed and floating in the pod race itself.There are some lovely George Lucas stories too, including the time George walked into the editing room and reacted to David's droid-factory post-vis with "honestly, I was a little worried about that one — looks like it's gonna work," and the moment when George trailed off mid-sentence trying to describe a desert landscape and David — a 21-year-old kid — finished the thought with "John Ford?", which David thinks is the moment Lucas decided he could trust him. Later in the conversation we move into David's own company, Persistence of Vision, and his work on Titan A.E., Behind Enemy Lines, JJ Abrams' Mission: Impossible III, the 2009 Star Trek reboot (including the previs realisation that Vulcan being orange meant the costumes — originally designed to evoke 70s NASA — had to be completely redesigned) and Journey to the Center of the Earth 3D, where David served as second unit director on the first digital stereoscopic film and the production was effectively beta-testing the cameras Jim Cameron was building for Avatar. We finish on Zafari, David's 52-episode children's animated series rendered almost entirely in Unreal Engine — one of the earliest large-scale uses of real-time rendering in mainstream animation, which saved 30% of the production budget — and on a wider conversation about AI, the future of filmmaking, the importance of human authenticity, and David's lovely closing thought: study the art and history of cinema, study the drawing, not just the pencil. The tools will keep changing. The language won't. Topics coveredGrowing up in Phoenix and the Cine Capri projection-booth moment during EmpireDiscovering The Art of Special Effects book and the road to an ILM internshipJoining the ILM art department in 1991 alongside Doug Chiang, Ty Ellingson, Harley Jessup and Mark MooreBridging the art and computer departments as digital arrived at ILMThe $1,400 / two-$700-purchase-orders workaround for buying 3D softwareWorking on the original Jurassic Park as his first featureDoing previs for the Star Wars Special Editions (the dewback shots, Mos Eisley fly-bys)John Knoll asking him to previsualise the train-and-helicopter sequence on Mission: ImpossibleHow that previs is credited as one of the reasons the sequence got greenlitJoining the new Skywalker Ranch art department under George LucasFour years on The Phantom Menace and the 25-minute version of the pod raceThe three rules of previs (no textures, no motion blur, no shadows) — and breaking all of them to make the pod race workGeorge Lucas reacting to the droid factory post-vis ("looks like it's gonna work")The Jake Lloyd head-turn morph that saved a reshootWhy pod racers go 500 mph in some shots and 2,000 mph in othersThe cinematographer who declared previs "shit" — and was overruled by the studioFounding Persistence of Vision and the move from Lucas to wider HollywoodTitan A.E. and the Don Bluth / Gary Goldman Phoenix animation studioBehind Enemy Lines and pre-vising aerial actionMission: Impossible III with JJ Abrams — the Shanghai building swing and the windmill helicopter sequenceThe Star Trek reboot orbital skydive — and how previs forced a costume redesign because Vulcan was orangeJourney to the Center of the Earth 3D as second unit director, using Jim Cameron's pre-Avatar camerasZafari, Unreal Engine, and saving 30% of an animated TV budget through real-time renderingThe shift from analogue to digital to 3D to real-time to AI — and what stays constantDennis Muren's wisdom on authenticity at the Jurassic Park wrap partyWhy a human premium will remain in an AI-augmented filmmaking worldGeorge Lucas, John Ford and the moment a 21-year-old earned a director's trustThe advice David gives to young filmmakers: study the drawing, not just the pencilSupport the Podcast This podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: patreon.com/jamiebenning Watch on YouTube Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: youtube.com/filmumentariesThis podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links

#WillDodson #Comebacks #Gloria Monti #MitchHamptonInside this episode with your host, Mitch Hampton:I enjoyed the discussion with Will Dodson so much that I had to have him back for a second episode. I think this might be one of the few podcast episodes wherein we mention figures as varied as Jimmy Stewart, Woody Strode, John Ford, Chuck Vincent, Gloria Swanson, Fred Olen Ray, Wes Craven and Pam Grier, but that is the kind of thing that can happen when Will and I come into contact. Not only was I happy that Gloria Monti brought the wonderful book that is Comebacks: The Return of the Aging Film Star (Wayne State UP, 2025) into our world that she co-edited with Martin Shinglerand. They bring the story of artists like Woody Strode to future generations but I can't help but feel that, speaking philosophically, the subject or concept of the comeback itself might be one that is most integral to all of the arts in any age. I hope you share in our enthusiasm on this one.Will's Bio and Links:Will Dodson is a writer and editor; film, rhetoric, and literature professor; audio commentary and visual essay producer .He is a Lecturer of Media Studies and co-editor of The Anthem Series on Exploitation and Industry in World Cinema, Foundations of Horror Studies (Manchester UP), and American Twilight: The Cinema of Tobe Hooper (University of Texas Press). His most recent essays are “One Thing About Time:' Woody Strode's Late Films,” included in Comebacks: The Return of the Aging Film Star (Wayne State UP, 2025)Links to Will's Social Media and works:LinkTree: @linktr.ee/willdodsonInstagram: https://www.instagram.com/wdodson52/Amazon Author Page ( link embedded)Additional links:Series Co-editor, The Anthem Series on Exploitation and Industry in World CinemaSeries Co-editor, Foundations of Horror StudiesCo-editor, American Twilight: The Cinema of Tobe Hooper#cinema #television #johnford #western #spaghettiwestern #expolitationmovie #blackploitation #pamgreir #jimmystewart #willaimholden #gloriaswanson #sunsetboulevard #billywider #silentmovie #1920s #1930s #1940s #1950s #1960s #1970s #1980s #1990s #directtovideo  #vhs #compactdisc #computer #bodymodification #lifeextension #genetics #race #civilrights #nativeamerican #indigenous #italy #horror #gothic #erotica #screamqueen #jimwynorski #jewelshepard #juliestrain #shannontweed #genesimmons #howardberger #bluray #restoration #jade #williamfriedkin #davidcaruso #lindafiorentino #eroticthriller #blackpanther #blackpanthers #fredwilliamson #jimbrown #jimkelly #larrycohen #joedante #jonathandemme #jonathankaplan #rogercorman #theater #thirdplace #jackiebrown #quentintarantino #robertforster #johntravolta #jackhill #claudiajennings #gatorbait #francisfordcoppola #stanleykubrick #spartacus #gorevidal #howardfast #plutarch #daltontrumbo #kirkdouglas #laurenceolivier #tonycurtis #jeansimmons #lisakudrow #hbomax #stream #sports #football #integration

The voices of the late"England Dan" Seals and his duo partner John Ford Coley will be reunited for the first time since 1980 fora memorable, new edition of "I'd Really Love To See You Tonight,"arriving May 8.Their classic hit celebrates its fiftieth anniversary in May 2026 and was recently ranked in the"Top 50 Love Songs of All Time"(Billboard).Written by Parker McGee, "I'd Really Love To See You Tonight" was first released in1976 and appeared on the pop / rock duo's Gold-Certified album, Nights Are Forever. Though the pair initially were hesitant to record the song, the hit marked a major turning point in their career, reaching No.1 onBillboard's Easy Listening and No. 2 on the Hot 100 charts. The monumental new track will feature an exclusive music video with never-before-seen clips of Seals and Coley together once again, honoring the duo's most popular tune. "Some songs seem to take on a life of their own," says John Ford Coley, adding, "the song 'I'd Really Love to See You Tonight' seems to be one of those iconic songs. Dan and I have not sung together since 1980, and it's interesting that the song that appears to have brought us back together was the one that launched our career as a duo. It never occurred to me that this song would still be as big today as it was 50years ago." "I'd Really Love To See You Tonight" will appear on Dan Seals & Friends: The Last Duet, releasing August 28.Coley still performs across the globe as a well-respected solo artist and has appeared with top musicians Elton John, Fleetwood Mac, Lou Gramm, Stephen Bishop, and many more. The critically acclaimed singer/songwriter is also a classically trained pianist, guitarist, producer, and actor whose talents continue to influence new generations. Coley is scheduled to play live in Nashville on June 23 at the Ascend Amphitheater with the five-time GRAMMY-nominated band, AmbrosiaBecome a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Hoy recorremos, con Pablo de María, películas que reinterpretan o deconstruyen el motivo narrativo de La Diligencia de John Ford: personajes heterogéneos confinados en un espacio cerrado en movimiento: la convivencia obligada. Seguimos con María Zafra, directora de la Mostra Internacional de Filmes de Dones de Barcelona, cuya edición nº 34 comienza el 21 de mayo, con Las herencias rumiantes. Del feminismo de los años 70 al de hoy como temática transversal.Escuchar audio

Bob Johnston and his wife Lynn review John Ford's classic The Searchers while exploring deeper questions about nationhood, belonging, and exile. They summarize the film's plot—Ethan Edwards's five-year hunt for his abducted niece—and highlight themes of anger, prejudice, and the search for home. The episode ties the movie to contemporary concerns: cultural fragmentation, Generation Z's search for belonging, and the Catholic Church's role in offering stability and community. The hosts invite listeners to reflect on how stories of home and loss resonate today.

The voices of the late"England Dan" Seals and his duo partner John Ford Coley will be reunited for the first time since 1980 fora memorable, new edition of "I'd Really Love To See You Tonight,"arriving May 8.Their classic hit celebrates its fiftieth anniversary in May 2026 and was recently ranked in the"Top 50 Love Songs of All Time"(Billboard).Written by Parker McGee, "I'd Really Love To See You Tonight" was first released in1976 and appeared on the pop / rock duo's Gold-Certified album, Nights Are Forever. Though the pair initially were hesitant to record the song, the hit marked a major turning point in their career, reaching No.1 onBillboard's Easy Listening and No. 2 on the Hot 100 charts. The monumental new track will feature an exclusive music video with never-before-seen clips of Seals and Coley together once again, honoring the duo's most popular tune. "Some songs seem to take on a life of their own," says John Ford Coley, adding, "the song 'I'd Really Love to See You Tonight' seems to be one of those iconic songs. Dan and I have not sung together since 1980, and it's interesting that the song that appears to have brought us back together was the one that launched our career as a duo. It never occurred to me that this song would still be as big today as it was 50years ago." "I'd Really Love To See You Tonight" will appear on Dan Seals & Friends: The Last Duet, releasing August 28.Coley still performs across the globe as a well-respected solo artist and has appeared with top musicians Elton John, Fleetwood Mac, Lou Gramm, Stephen Bishop, and many more. The critically acclaimed singer/songwriter is also a classically trained pianist, guitarist, producer, and actor whose talents continue to influence new generations. Coley is scheduled to play live in Nashville on June 23 at the Ascend Amphitheater with the five-time GRAMMY-nominated band, AmbrosiaBecome a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Introducción por Darío Lavia 00:00Acto I: "Western" por Darío Lavia 01:32Interludio I: "El western" de E.W. & M.M. Robson 04:27Acto II: "Western Noir" por Darío Lavia 07:07Acto III: "The Ox-Bow Incident" 10:16 "Un western social" William K. Everson 15:09 "The Ox-Bow Incident" Max Westbrook 17:35Acto IV: Conclusión 19:55Fuentes:Emanuel W. Robson y Mary M. Robson, "The Film Answers Back" (John Lane The Bodley Head, 1939)William K. Everson, "The Hollywood Western" (Citadel Press, 1969)Max Westbrook, "Walter Van Tilburg Clark" (Twayne Publishers, 1969) Fotogramas: "Ramrod" (1947), Andre De Toth; "My Darling Clementine" (1946), John Ford; "Pursued" (1947), Raoul Walsh; "The Ox-Bow Incident" (1943), William A. Wellman Fragmentos: "The Conquerors" (1932), William A. WellmanImdbWeb de CineficciónFan Page de Cineficción

Today on Episode 239, the guys continue their Western Retrospective by jumping into the world of Spaghetti Westerns. First they tackle the Man with No Name Trilogy which consists of A Fistful of Dollars, For a Few Dollars More and The Good the Bad and the Ugly! How will this subgenre compare to the John Ford trilogy they covered? Tune in to find out!Be Sure to Follow The Hosts on X!Kevin “OptimusSolo” Thompson and Dan “The Comic Concierge” Clark!#UNLEASHTHECINEMAGEEKINYOU!!! #CinemaGeeks #Westerns #WesterRetrospective #TheGoodTheBadandTheUgly #SpaghettiWesterns #ManWithNoName #Trilogy

Here in Episode 7 of Season 5, I interview Dr. Matthew J. Franck. A senior contributing fellow at Public Discourse, a visiting lecturer in the Department of Politics at Princeton University, as well as a senior fellow at the Witherspoon Institute and Professor Emeritus of Political Science at Radford University, he has written, edited, and contributed to many books, including Against the Imperial Judiciary (1996). Drawing on his Public Discourse column, “The Bookshelf,” which often veers into film history and criticism, we discuss American frontier films broadly construed in light of our country's 250th anniversary and the successful Artemis II rocket mission. Using Frederick Jackson Turner's essay, “The Significance of the Frontier in American History” (1893), we look at why the western is the most prolific genre in film history and how it offers viewers a vicarious lens into its pioneer heroic ethos, from literary works like those of James Fenimore Cooper and Mark Twain, to cinema, whether the westerns of John Ford or science and space exploration movies today. Although the western frontier may have closed, Americans still keep making new ones. Hosted by Ryan Shinkel, Madison's Notes is the podcast of Princeton University's James Madison Program in American Ideals and Institutions. The transcript for this interview is available on our new Substack page, “Madison's Footnotes.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Here in Episode 7 of Season 5, I interview Dr. Matthew J. Franck. A senior contributing fellow at Public Discourse, a visiting lecturer in the Department of Politics at Princeton University, as well as a senior fellow at the Witherspoon Institute and Professor Emeritus of Political Science at Radford University, he has written, edited, and contributed to many books, including Against the Imperial Judiciary (1996). Drawing on his Public Discourse column, “The Bookshelf,” which often veers into film history and criticism, we discuss American frontier films broadly construed in light of our country's 250th anniversary and the successful Artemis II rocket mission. Using Frederick Jackson Turner's essay, “The Significance of the Frontier in American History” (1893), we look at why the western is the most prolific genre in film history and how it offers viewers a vicarious lens into its pioneer heroic ethos, from literary works like those of James Fenimore Cooper and Mark Twain, to cinema, whether the westerns of John Ford or science and space exploration movies today. Although the western frontier may have closed, Americans still keep making new ones. Hosted by Ryan Shinkel, Madison's Notes is the podcast of Princeton University's James Madison Program in American Ideals and Institutions. The transcript for this interview is available on our new Substack page, “Madison's Footnotes.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Here in Episode 7 of Season 5, I interview Dr. Matthew J. Franck. A senior contributing fellow at Public Discourse, a visiting lecturer in the Department of Politics at Princeton University, as well as a senior fellow at the Witherspoon Institute and Professor Emeritus of Political Science at Radford University, he has written, edited, and contributed to many books, including Against the Imperial Judiciary (1996). Drawing on his Public Discourse column, “The Bookshelf,” which often veers into film history and criticism, we discuss American frontier films broadly construed in light of our country's 250th anniversary and the successful Artemis II rocket mission. Using Frederick Jackson Turner's essay, “The Significance of the Frontier in American History” (1893), we look at why the western is the most prolific genre in film history and how it offers viewers a vicarious lens into its pioneer heroic ethos, from literary works like those of James Fenimore Cooper and Mark Twain, to cinema, whether the westerns of John Ford or science and space exploration movies today. Although the western frontier may have closed, Americans still keep making new ones. Hosted by Ryan Shinkel, Madison's Notes is the podcast of Princeton University's James Madison Program in American Ideals and Institutions. The transcript for this interview is available on our new Substack page, “Madison's Footnotes.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Here in Episode 7 of Season 5, I interview Dr. Matthew J. Franck. A senior contributing fellow at Public Discourse, a visiting lecturer in the Department of Politics at Princeton University, as well as a senior fellow at the Witherspoon Institute and Professor Emeritus of Political Science at Radford University, he has written, edited, and contributed to many books, including Against the Imperial Judiciary (1996). Drawing on his Public Discourse column, “The Bookshelf,” which often veers into film history and criticism, we discuss American frontier films broadly construed in light of our country's 250th anniversary and the successful Artemis II rocket mission. Using Frederick Jackson Turner's essay, “The Significance of the Frontier in American History” (1893), we look at why the western is the most prolific genre in film history and how it offers viewers a vicarious lens into its pioneer heroic ethos, from literary works like those of James Fenimore Cooper and Mark Twain, to cinema, whether the westerns of John Ford or science and space exploration movies today. Although the western frontier may have closed, Americans still keep making new ones. Hosted by Ryan Shinkel, Madison's Notes is the podcast of Princeton University's James Madison Program in American Ideals and Institutions. The transcript for this interview is available on our new Substack page, “Madison's Footnotes.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Here in Episode 7 of Season 5, I interview Dr. Matthew J. Franck. A senior contributing fellow at Public Discourse, a visiting lecturer in the Department of Politics at Princeton University, as well as a senior fellow at the Witherspoon Institute and Professor Emeritus of Political Science at Radford University, he has written, edited, and contributed to many books, including Against the Imperial Judiciary (1996). Drawing on his Public Discourse column, “The Bookshelf,” which often veers into film history and criticism, we discuss American frontier films broadly construed in light of our country's 250th anniversary and the successful Artemis II rocket mission. Using Frederick Jackson Turner's essay, “The Significance of the Frontier in American History” (1893), we look at why the western is the most prolific genre in film history and how it offers viewers a vicarious lens into its pioneer heroic ethos, from literary works like those of James Fenimore Cooper and Mark Twain, to cinema, whether the westerns of John Ford or science and space exploration movies today. Although the western frontier may have closed, Americans still keep making new ones. Hosted by Ryan Shinkel, Madison's Notes is the podcast of Princeton University's James Madison Program in American Ideals and Institutions. The transcript for this interview is available on our new Substack page, “Madison's Footnotes.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

This week on So Many Sequels, Golden Oldies Month continues with John Ford's 1940 adaptation of The Grapes of Wrath.Josh, Garrett and David dig into the film's Dust Bowl-era Oklahoma roots, its connection to John Steinbeck's landmark novel, and why a movie released more than 80 years ago still feels uncomfortably current in 2026.We talk Henry Fonda's Tom Joad, Jane Darwell's Oscar-winning performance as Ma Joad, the film's depiction of poverty and displacement, and the way its story exposes systems that keep working people desperate, divided and disposable. We also get into Oklahoma's place in the story, the case for a modern remake, and why any new version better actually film in Oklahoma.It's a classic for a reason — and maybe a warning we still haven't fully listened to.Watch, listen and subscribe wherever you get podcasts.More at somanysequels.com and follow us on Instagram at @somanysequelspod.

In Part 1, Eve Lorgen and James Bartley discuss the recent deaths and disappearances of individuals with knowledge of advanced technology, UFO programs, and zero-point energy research. She discusses the deaths and disappearances of Scientists and Military Personnel. She also discusses recent experiences she’s had. It’s a wide-ranging discussion about possibly faked deaths, cloning, radiation poisoning, alien programming of human children and much more.They reflect on past losses within the field, referencing Barbara Bartholet, Carla Turner, Charlotte Boudreau, and others, and explore the possibility of both alien and government involvement. The conversation touches on historical cases like Dr. James McDonald and John Ford, highlighting a long-standing pattern of silencing those who threaten established systems. In Part 2 Eve Lorgen talks about the shadow banning of both the new edition of her book as well as the shadow banning of The Cosmic Switchboard. Eve goes into a deep dive about alien programming and also trauma-based mind control and much more. Eve shares a compelling dream experience involving David Wilcock and a team of scientists attempting to prevent a dimensional rift. This leads to a discussion about the potential for scientists being secretly recruited and utilized for covert projects, and the possibility of faked deaths. They also discuss the role of entities like the Reptilians, the influence of black magic, and the infiltration of counterfeit spirits into society, referencing figures like Aleister Crowley and current political figures. Eve Lorgen's Website: EveLorgen.com Eve Lorgen's Books: The Dark Side of Cupid, The Love Bite Part 1 Video: [This post contains video, click to play] Part 2 Video: [This post contains video, click to play] Part 1: https://www.thecosmicswitchboard.com/wp-content/uploads/2026/05/Eve-Lorgen-Interview-with-James-Bartley-on-thecosmicswitchboard.com-Part-1.mp3&Download: mp3 Audio Part 2 – Members Only: https://www.thecosmicswitchboard.com/wp-content/uploads/2026/05/Eve-Lorgen-Interview-with-James-Bartley-on-thecosmicswitchboard.com-Part-2.mp3To Play or Download: Login or Join To Download Use the link under the player for the part you want to download. The post Silenced & Shadowbanned: UFO Secrets, Missing Minds, and Hidden Agendas Eve Lorgen Interview with James Bartley appeared first on The Cosmic Switchboard.

Guy de Maupassant (1850 - 1893)Translated by Albert M. Cohn McMaster (1888 - 1946)Boule de Suif (1880) is a short story by the late-19th century French writer Guy de Maupassant. It is arguably his most famous short story, and is the title story for his collection on the Franco-Prussian War, entitled "Boule de Suif et Autres Contes de la Guerre" ("Boule de Suif and Other Stories of the War"). John Ford said that his film Stagecoach was in many ways a western rewrite of Boule de Suif. (Summary by Wikipedia)Genre(s): General FictionLanguage: EnglishKeyword(s): maupassant (3)

Today on Episode 237, the guys continue their Western Retrospective with their final John Ford film, The Man Who Shot Liberty Valance. Where will this film rank amongst the other two John Ford-John Wayne team-ups? Tune in to find out!Be Sure to Follow The Hosts on X!Kevin “OptimusSolo” Thompson and Dan “The Comic Concierge” Clark!#UNLEASHTHECINEMAGEEKINYOU!!! #CinemaGeeks #Westerns #WesterRetrospective #TheManWhoShotLibertyValance #JohnWayne #JohnFord

Send us Fan MailIn this episode, we revisit the 14th Academy Awards. How Green Was My Valley, directed by John Ford, won for Best Picture. Most film scholars and enthusiasts believe Citizen Kane should have taken the trophy. What do you think? We also talk about th Best Actor and Best Actress awards. Did the Academy get any of these right? Click and listen!

Today on Episode 236, the guys continue their Western Retrospective with their 2nd film from John Ford, The Searchers. This film is often regarded as one of the best westerns of all-time. Will the hosts agree or disagree with that assessment? Tune in to find out!Be Sure to Follow The Hosts on X!Kevin “OptimusSolo” Thompson and Dan “The Comic Concierge” Clark!#UNLEASHTHECINEMAGEEKINYOU!!! #CinemaGeeks #Westerns #WesterRetrospective #Searchers #JohnWayne #JohnFord

In the fourth episode of Season 12: On the Road, Kyle is joined for a one-on-one conversation with filmmaker Mario Ruiz to discuss the lyrical and poetic adaptation of John Steinbeck's bleak novel detailing the odyssey of the Joad family as the microcosm of the Dust Bowl experience of economic displacement and the commitment to family in John Ford's The Grapes of Wrath (1940). 

Support our efforts at ⁠www.patreon.com/watchjavi⁠Youtube: ⁠https://www.youtube.com/user/javr29⁠Facebook: ⁠https://www.facebook.com/YinYangTaijiFlow/⁠Instagram: ⁠https://www.instagram.com/yinyang_taijiflow/⁠Get your calendar here: ⁠https://www.yinyangtaiji.org/calendar⁠⁠/app/yinyang⁠... Reach out for a conversation here: ⁠https://www.yinyangtaiji.org/s/appointmentsWe talk with John Ford, former Lawyer and now a professional Mediator. He's the author of Peace at Work.Find more of his work here: https://www.johnford.com/

La última hora destaca la subida a 34 militares colombianos muertos en un accidente de avión y la búsqueda de 21 personas. En Oriente Medio, Israel e Irán mantienen un fuego cruzado, con ataques israelíes en Isfahan y respuestas de Irán e Hizbulá, mientras se especula con conversaciones entre Irán y Estados Unidos. En Europa, se pide a Hungría explicaciones por presuntas filtraciones de información de la UE a Rusia por parte del gobierno de Viktor Orbán, con apoyo de Santiago Abascal. Además, Juanma Moreno convoca elecciones anticipadas en Andalucía para el 17 de mayo, donde el PP busca la mayoría absoluta y el PSOE compite con María Jesús Montero. La sección cultural repasa la película "El Álamo" de John Wayne, conmemora el fallecimiento de Richard Widmark y analiza las imprecisiones históricas y el rodaje del filme, incluyendo la participación de John Ford y su banda sonora. Finalmente, se presenta la historia de Marc Barceló, un prodigio del ajedrez de 9 años que se proclama ...

Neil Rogers is still having equipment problems, Knots Landing Lady calls, plus a dust up with Howard Stern. A positive negative poll, and the subjects are: Ron & Ron, the news guy, Debbie Ellis, Karen Kay, and John Ford's jingles and rejoins. A parking spot problem with Jack Mark, and Neil plays his favorite part of "Fatso".

In this episode, we sit down with John Ford, Chief Product Officer at eGym, to explore the massive shift currently happening at the intersection of fitness and healthcare. From his early days founding Virtual Active and licensing cinematic workout content to industry giants like Peloton, to his current role leading product strategy at a global fitness unicorn, John offers a masterclass in behavioral science and hardware integration. We dive deep into the launch of Genius AI, discussing how it removes the "intimidation barrier" for gym beginners and provides the objective data—like one-rep max and body composition—necessary to prove fitness outcomes to the medical community. Whether you're interested in the impact of GLP-1 medications on strength training or how AI is actually driving more personal training sales, this conversation provides a roadmap for the future of longevity and health prevention in the club environment. Episode Takeaways

John Ford's 1956 film, “The Searchers”, is often lauded as a masterpiece. It follows Ethan Edwards (John Wayne) as an unapologetically racist ex-Confederate soldier on an obsessive odyssey to find his niece who was kidnapped by Comanches. The question of what he does when he finds her is a central tension of the plot. It was one of the first films added to the National Film Registry and ranks among the greatest films of all time by the American Film Institute. But its harmful stereotypes and other obvious drawbacks make it difficult watching for modern, informed audiences. As it marks 70 years since its release, we’ll hear from Native filmmakers and others about the place “The Searchers“ holds in film history. Still image from the 2026 film, “Ceremony” (Photo: courtesy Banchi Hanuse) We’ll also hear from Nuxalk filmmaker Banchi Hanuse about her documentary film, “Ceremony“, that premieres this week at South by Southwest. The documentary examines the cultural role of ooligan fish in Hanuse’s community in Bella Coola, British Columbia, Canada. GUESTS Sunrise Tippeconnie (Commanche, Navajo, and Cherokee), director of programming at deadCenter Film and co-host of the “Reel Indigenous” podcast Julianna Brannum (Comanche), documentary filmmaker Zacharias Kunuk (Inuit), filmmaker Banchi Hanuse (Nuxalk), filmmaker, co-founder of Nuxalk Radio, and director of “Ceremony” Break 1 Music: Country Man (song) Blue Moon Marquee (artist) Scream, Holler, and Howl (album) Break 2 Music: Place I Call Home (song) Native Roots (artist) A Place I Call Home (album)

Dana and Tom with returning guest, Kristin Battestella (A Film Critic for In Session Film, Search Magazine, and Keith Loves Movies), discuss the layered Western, The Searchers (1956): directed by John Ford, written by Frank S. Nugent, cinematography by Winton C. Hoch, editing by Jack Murray, music by Max Steiner, starring John Wayne, Jeffrey Hunter, Vera Miles, Ward Bond, and Natalie Wood.Plot Summary: The Searchers is a powerful Western directed by John Ford. The film stars John Wayne as Ethan Edwards, a bitter and restless Civil War veteran who returns to his brother's Texas home after years away. When a Comanche raid destroys the family and kidnaps his young niece Debbie, Ethan sets out on a long, obsessive search to find her. He is joined by his adopted nephew, Martin Pawley, played by Jeffrey Hunter.As the years pass, the search takes Ethan and Martin across harsh desert landscapes and through dangerous encounters. Martin begins to question Ethan's growing hatred and his true intentions if they ever find Debbie, now played as a teenager by Natalie Wood. The film explores themes of revenge, racism, and redemption, building toward a final confrontation that tests Ethan's humanity.Guest:Kristin Battestella - A Film Critic for In Session Film, Search Magazine, and Keith Loves Movies@kbatzkrafts on IG, @thereforereview on Twitter, Letterboxd, @kbatzreviews on YouTubePreviously on Ben-Hur (1959)CLP ContributorChapters:00:00 Introduction, Cast, and Background for The Searchers03:40 Welcome Back, Kristin Battestella05:30 Kristin's Favorite Film13:22 Relationship(s) with The Searchers22:05 Plot Summary for The Searchers23:15 What is The Searchers About?28:41 Did You Know?34:41 First Break35:27 What's Happening with Kristin Battestella36:20 GMOAT Hall of Fame - February 202646:42 Best Performance(s)01:02:28 Best Scene(s)01:16:14 Second Break01:16:55 In Memoriam01:23:13 Best/Funniest Lines01:25:55 The Stanley Rubric - Legacy01:30:17 The Stanley Rubric - Impact/Significance01:33:25 The Stanley Rubric - Novelty01:38:53 The Stanley Rubric - Classicness01:50:15 The Stanley Rubric - Rewatchability01:53:35 The Stanley Rubric - Audience Score and Final Total01:57:02 Remaining Questions for The Searchers02:01:21 Thank You to Kristin and Final Thoughts02:13:31 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, Bluesky, Threads, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/the-searchers-1956-ft-kristin-battestellaFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:The Searchers, John Ford, John Wayne, Western films, film analysis, cinematic legacy, film history, American cinema, classic movies, film critique film analysis, Westerns, cinema legacy, film history, societal attitudes, film impact, accessibility, film interpretationRonny Duncan Studios

Steve is joined by U.S. Army veteran and military technical advisor to the film and television industry Rory Aylward, as they discuss how the fabled PT Boats of the Second World War were featured in film - particularly John Ford's 1945 classic "They Were Expendable" and 1963's "PT 109."

Send Kevin a Text MessageHollywood icon Robert Wagner (known as “RJ”) joins host Kevin Goetz for an intimate, wide-ranging conversation about his life and career. From caddying alongside Clark Gable and Cary Grant to starring opposite Spencer Tracy. From the golden age of the studio system to reinventing himself as a television star, Wagner reflects on the journey that made him one of Hollywood's most enduring figures, later delighting a new generation of audiences as Number 2 in the Austin Powers films. He also reflects on his personal life, including his marriage to actress Natalie Wood, and the family and friendships that shaped him, including his wife of nearly four decades, Jill St. John.Caddying for Legends (06:21): Wagner recounts his early days as a caddy, where he found himself watching Clark Gable, Cary Grant, Fred Astaire, and Randolph Scott walk down the fairway.Marilyn Monroe and Screen Tests (09:22): As Fox's go-to "screen test guy," Wagner did Marilyn Monroe's first two tests. His own breakthrough came when Zanuck cast him as a shell-shocked soldier in With a Song in My Heart.Spencer Tracy as Mentor (14:49): Working alongside Tracy in Broken Lance, Wagner earned the older actor's respect and friendship.Advice from Cary Grant (18:07): When Wagner was preparing to play a thief for It Takes a Thief, he went to Grant for guidance. Years later he would become a television icon again opposite Stefanie Powers in Hart to Hart.Lou Wasserman and the Move to Television 18:41): At a time when television was considered beneath film stars, Lew Wasserman called Wagner in and told him, "I think this is your medium."Barbara Stanwyck and Bette Davis (22:43): Wagner speaks warmly about his three-year relationship with Barbara Stanwyck. He also recalls reaching out to Bette Davis after she publicly praised his work.John Ford Knocks Him Down…Literally (26:39): On the set of a John Ford film, Wagner followed a script direction and glanced toward where music was playing. Ford stopped the scene, questioned him, and knocked him down.Pink Panther (29:21): When the studio system collapsed, and Fox dropped its contract players, Wagner moved to Rome and worked on The Pink Panther, his all-time favorite film.Jill St. John, Family, and Friends (36:16): In one of the episode's most moving moments, Wagner reflects on the profound role friends and family have played in his life.Few careers in Hollywood history span as many eras, genres, or legends as Robert Wagner's, and fewer still have been lived with such grace. Host: Kevin GoetzGuests: Robert WagnerProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Robert Wagner:Wikipedia: https://en.wikipedia.org/wiki/Robert_WagnerIMDB: https://wwFor more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

This week in physical media with Erik Childress and Peter Sobczynski they look at one of the rarely talked about Coen Bros. films, John Ford basically doing Red Dust again and Herschell Gordon Lewis' film about a Chicago garage band. There's also the Karate Kid series continuation, a Sundance short that became a Sundance film plus a whole bunch of Christopher Lee and Asia Argento.1:52 - Criterion (The Man Who Wasn't There)13:15 - Warner Archive (Mogambo)20:58 - AGFA (Blast-Off Girls)29:40 - Sony (D.E.B.S.)37:07 - Severin (The Eurocrypt of Christopher Lee Collection 3 (1960-2024))45:06 - Vinegar Syndrome (The Phantom of the Opera (1998) (4K))52:36 - Cinematographe (New Rose Hotel)58:33 - IFC (The Last Mistress)1:02:15 – New Television on Blu-ray (Cobra Kai (The Complete Series), Strange New Worlds Season 3)1:08:09 - New Theatrical Titles On Blu-ray (Zootopia 2 (4K), The Running Man (2025) (4K), Hamnet (4K), Lurker, Merrily We Roll Along, Ella McCay)1:14:50 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST OR BUY FROM MOVIEZYNGBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations.USE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTSSIGN UP FOR AUDIBLE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

Today on Episode 235, the guys begin a brand new restrospective series on the history of Western films. To start out they take a look at the classic John Ford film, Stagecoach. Will the series get off to a bumpy ride or will it be smooth sailing for these two pilgrims? Tune in to find out!Be Sure to Follow The Hosts on X!Kevin “OptimusSolo” Thompson and Dan “The Comic Concierge” Clark!#UNLEASHTHECINEMAGEEKINYOU!!! #CinemaGeeks #Westerns #WesterRetrospective #Stagecoach #JohnWayne #JohnFord

Neil hates the new I.D.'s and rejoins.Yesterday was bring your child to work day. Get the honey Jr. Lots of jingles, Panthers, Atkins Diet, Barry Jackson column, and John Ford.

EPISODE #478-- We celebrate the final installement of our Black History Month series with the epochal concert film, WATTSTAX (1973, dir. Mel Stuart). It's an incredible film that is as much an examination of the time as it is a people and also, a hell of a concert. We also chat about THE TENTH MAN (1988), PRIMAL, Season 3 (2026), THE BETRAYAL (1966), John Ford's STAGECOACH (1939), and Gore Verbinski's GOOD LUCK, HAVE FUN, DON'T DIE (2026). LINKS-- Join the cause at Patreon.com/Quality. Follow the us on on Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in THEY LIVE TOGETHER. Thanks to our artists Julius Tanag  and Sef Joosten. The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter on Substack, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

Emerald Fennell follows up her earlier provocations with one aimed at lovers of literature, "WUTHERING HEIGHTS." Marya E. Gates ("Cinema Her Way") joins Adam and Josh to unpack it all. Then, a Pantheon Project review of John Ford’s Best Picture-winning HOW GREEN WAS MY VALLEY, and listeners advocate for the best '90s movie soundtrack. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes/chapters may not be precise with ads.)Intro (00:00:00-00:02:12)Wuthering Heights with Marya E. Gates (00:02:13-00:48:41)Filmspotting Family (00:48:42-00:52:32)Robert Duvall, Frederick Wiseman (00:52:33-01:01:56)Next Week, Notes (01:01:57-01:05:16)Polls (01:05:17-01:19:39)How Green Was My Valley (01:19:40-01:52:17)Credits / New Releases (01:52:18-01:55:51) Notes/Links: -Filmspotting Pantheonhttps://www.filmspotting.net/pantheon Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

It's a shame this year's Oscar nominations have been named because John's new film idea could have swept the board. Watch out John Ford with your record 4 wins for Best Director, watch out James Cameron with your highest-grossing films, there's a new auteur in town.However, it isn't all positivity for our Robins. After the highs of creativity, the lows of having your heart broken by someone you thought was a good friend. Elis's foul-mouthed review of one of Frank Zappa's albums leaves a sour taste in the mouth, and ends up with Elis being put in the Dweeb Gang with fellow Zappa detractor Snoop Dogg.Elsewhere there's a Winter Olympics-based Made Up Game where Elis just simply will not show his workings, Drs Chris and Xand van Tulleken leave John a heartwarming message, and a harmless game of 20 questions goes down like a lead balloon...Keep sending in your top tier correspondence to elisandjohn@bb.co.uk.

Adam and Josh return to Danny Boyle’s drug-addled Edinburgh for TRAINSPOTTING’s 30th anniversary, then bring Producer Sam on to unveil the 2026 nominees for the Filmspotting Pantheon. Plus, Massacre Theatre. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:01:49) Trainspotting at 30 (00:01:50-00:47:32) Filmspotting Family (00:47:33-00:52:41) Next Week / Notes (00:52:42-00:56:34) Massacre Theatre (00:56:35-01:04:43) Pantheon Nominees (01:04:44-01:48:04) Credits / New Releases (01:48:05-01:53:10) Notes/Links: -Filmspotting Pantheon https://www.filmspotting.net/pantheon Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

The Cold War Cinema team, Jason Christian, Anthony Ballas, and Paul T. Klein, return to discuss Mikhail Kalatozov's 1959 drama Letter Never Sent.  Synopsis of the film: Four geologists descend on the Siberian Taiga. Over the course of a backbreaking summer sifting minerals in the icy, rushing waters of boreal rivers, the group–the experienced guide, Konstantin, a young couple, Andrei and Tanya, and the brooding Sergei–search for diamond deposits to enrich themselves and their country. Throughout, Konstanin writes an extended letter home to his wife Vera. Sergei, too, writes a letter, though never meant to be read, expressing his jealousy and Andrei and love for Tanya. When a massive forest fire breaks out, however, the group must work together to survive, not only the blaze, but the ravages of the elements and the fast-approaching and deadly Siberian winter… On this episode we discuss: The unbelievable production of a film shot on location in the USSR taiga.  How the film reflects the tenents of socialist realism in complex and creative ways.  How the film shares many of the sensibilites of the western genre and pairs nicely with John Ford's The Searchers in this regard.  The basic theoretical aspects of scientific socialism and how the filmmaker uses them to shape the film's narrative and themes.  The allegorical use of a diamond in the Soviet context versus the same in the capitalist West.  _____________________ We love to give book or film recommendations on the podcast, so here are ours for this episode:  Paul: Two "Northwesterns": Bend of the River (Anthony Mann, 1952) and River of No Return (Otto Preminger, 1954) Tony: Tacky's Revolt: The Story of an Atlantic Slave War by Vincent Brown Jason: Nail in the Boot (Mikhail Kalatozov, 1931) and Socialism: Utopian and Scientific by Friedrich Engels Also, check out this fascinating interview on the Actually Existing Socialism podcast with the scholar Sardana Nikolaeva, who studies the Indigenous peoples of the northern regions of the Soviet Union (and present-day Russia) and their connection to the diamond mines that are imagined in the film.  _____________________ Like and subscribe to Cold War Cinema, and don't forget to leave us a review! Want to continue the conversation? Drop us a line at any time at coldwarcinemapod@gmail.com. To stay up to date on Cold War Cinema, follow along at coldwarcinema.com, or find us online on Bluesky @coldwarcinema.com or on X at @Cold_War_Cinema.   For more from your hosts and guest: Follow Aspen on Letterboxed at @aspenballas. Follow Jason on Bluesky at @JasonAChristian.bsky.social, on X at @JasonAChristian, or on Letterboxed at @exilemagic. Follow Anthony on Bluesky at @tonyjballas.bsky.social, on X at @tonyjballas, or on Letterboxed at @tonyjballas. Follow Paul on Bluesky at @ptklein.com, or on Letterboxed at @ptklein. Paul also writes about movies at www.howotreadmovies.com  _____________________ Logo by Jason Christian  Theme music by DYAD (Charles Ballas and Jeremy Averitt).  Happy listening!

Front Row Classics is happy to welcome back author, Chris Yogerst, to chat about one of the seminal westerns in Hollywood history. Chris recenlty penned a book for UNM Press' "Reel West" series on 1962's The Man Who Shot Liberty Valance. Brandon and Chris discuss the impact of John Ford's eulogy to the Old West. The two break down the performances of Jimmy Stewart, John Wayne, Vera Miles and Lee Marvin as well as the themes of fact & fiction.  "The Man Who Shot Libert Valance (Reel West)" is available from UNM Press wherever books are sold. 

Print the Legend Front Row Classics is happy to welcome back author, Chris Yogerst, to chat about one of the seminal westerns in Hollywood history. Chris recenlty penned a book for UNM Press’ “Reel West” series on 1962’s The Man Who Shot Liberty Valance. Brandon and Chris discuss the impact of John Ford’s eulogy to … Continue reading Ep. 422- The Man Who Shot Liberty Valance with Chris Yogerst →

On Episode 145 of The Film ‘89 Podcast, Steve, Skye and returning guest host, filmmaker Kyle Reardon, celebrate the 70th anniversary of legendary director John Ford's epic 1956 western, The Searchers. Directed by one of the most revered and influential filmmakers ever to step behind a camera, and starring one of cinema's true icons, John Wayne, in one of his most complex roles, The Searchers tells the tale of civil war veteran, Ethan Edwards, a man wrestling with his own dark side, and his adopted nephew Martin (Jeffrey Hunter) and their years long search for Ethan's niece, Debbie, taken from her family by a Comanche Chief after a raid on Ethan's brother's homestead. Shot in stunning Vista Vision and featuring some of the most astonishing cinematography ever seen in a motion picture, Ford's film was is arguably the peak of a staggering career that spanned seven decades and a film that's become widely regarded as one of the greatest American films of not just the 20th century, but all time. 

Guns are drawn at the OK Corral and a legend of the west is born in My Darling Clementine, John Ford's classic dramatization of the life and times of Wyatt Earp. We'll hear three of the film's stars - Henry Fonda, who played Earp; Victor Mature, who co-starred as gambler and gunslinger Doc Holliday; and Linda Darnell, the old flame of Holliday's who gets in the middle of a feud that will turn bloody on the streets of Tombstone - in episodes of Suspense, plus a radio recreation of the film. Fonda stars in "Summer Storm" (originally aired on CBS on October 18, 1945); Mature headlines "Momentum" (originally aired on CBS on October 27, 1949); and Ms. Darnell is heard in "A Killing in Las Vegas" (originally aired on CBS on February 25, 1952). Then, Fonda and his screen co-star Cathy Downs recreate their roles on The Lux Radio Theatre (originally aired on CBS on April 28, 1947).