Podcast appearances and mentions of John Ford

Neil hates the new I.D.'s and rejoins.Yesterday was bring your child to work day. Get the honey Jr. Lots of jingles, Panthers, Atkins Diet, Barry Jackson column, and John Ford.

On Episode 202 of Floating Through Film, we're concluding our series on John Ford! For this final week, we're reviewing two of Ford's most renowned Western films, starting with the all-time 1956 classic The Searchers, followed by 1962's The Man Who Shot Liberty Valance (1:44:39). We hope you enjoy! Episode Next Week: Top 10 Villains in Film Music:- Intro: The Searchers (https://www.youtube.com/watch?v=xc1iYRrMBWk)- Break: The Man Who Shot Libert Valance (https://www.youtube.com/watch?v=xc1iYRrMBWk)- Outro: The Searchers (https://www.youtube.com/watch?v=20jAtWu4CxM) Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s)Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker)Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm) Podcast Links:Spotify and Apple: https://linktr.ee/floatingthroughfilmLetterboxd: https://letterboxd.com/floatingfilm/Email: floatingthroughfilm@gmail.com

Emerald Fennell follows up her earlier provocations with one aimed at lovers of literature, "WUTHERING HEIGHTS." Marya E. Gates ("Cinema Her Way") joins Adam and Josh to unpack it all. Then, a Pantheon Project review of John Ford’s Best Picture-winning HOW GREEN WAS MY VALLEY, and listeners advocate for the best '90s movie soundtrack. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes/chapters may not be precise with ads.)Intro (00:00:00-00:02:12)Wuthering Heights with Marya E. Gates (00:02:13-00:48:41)Filmspotting Family (00:48:42-00:52:32)Robert Duvall, Frederick Wiseman (00:52:33-01:01:56)Next Week, Notes (01:01:57-01:05:16)Polls (01:05:17-01:19:39)How Green Was My Valley (01:19:40-01:52:17)Credits / New Releases (01:52:18-01:55:51) Notes/Links: -Filmspotting Pantheonhttps://www.filmspotting.net/pantheon Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

It's a shame this year's Oscar nominations have been named because John's new film idea could have swept the board. Watch out John Ford with your record 4 wins for Best Director, watch out James Cameron with your highest-grossing films, there's a new auteur in town.However, it isn't all positivity for our Robins. After the highs of creativity, the lows of having your heart broken by someone you thought was a good friend. Elis's foul-mouthed review of one of Frank Zappa's albums leaves a sour taste in the mouth, and ends up with Elis being put in the Dweeb Gang with fellow Zappa detractor Snoop Dogg.Elsewhere there's a Winter Olympics-based Made Up Game where Elis just simply will not show his workings, Drs Chris and Xand van Tulleken leave John a heartwarming message, and a harmless game of 20 questions goes down like a lead balloon...Keep sending in your top tier correspondence to elisandjohn@bb.co.uk.

On Episode 201 of Floating Through Film, we're continuing our series picked by Luke, John Ford! For week 4, we're reviewing two Ford films from the early 50s, starting with his 1953 small town drama The Sun Shines Bright, followed by his 1955 film about West Point, The Long Gray Line (1:01:24) . We hope you enjoy! Episode Next Week: The Searchers + The Man Who Shot Liberty Valance Music:- Intro: The Sun Shines Brights- Break: The Long Gray Line (https://www.youtube.com/watch?v=jMdxiEQMfvg)- Outro: The Sun Shines Bright Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s)Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker)Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm) Podcast Links:Spotify and Apple: https://linktr.ee/floatingthroughfilmLetterboxd: https://letterboxd.com/floatingfilm/Email: floatingthroughfilm@gmail.com

The Horse Whisperer, Lʹhomme qui murmurait à lʹoreille des chevaux, de Robert Redford sort en 1998. Tiré du roman du même nom de Nicholas Evans, il raconte lʹhistoire de la renaissance dʹune jeune fille et de son cheval. Tous deux ont subi un très grave accident. Si le cheval a peur de tout à présent, la jeune fille, Grace, elle, a perdu une jambe. Annie, la mère de Grace, décide dʹembarquer tout ce petit monde dans le Montana chez un guérisseur, un homme qui murmure à lʹoreille des chevaux et qui saura redonner le goût de vivre à lʹadolescente et au cheval blessé. Disons-le tout net, lʹhistoire peut sembler naïve. Le film porte en lui la marque des grands, de John Ford à Clint Eastwood. Par ses paysages et par ses propos à hauteur de cheval. Cʹest un western immobile, une quête initiatique. Véritable ode à la nature, au respect des animaux, des humains, plaidoyer pour des rapports apaisés entre les êtres, pour de la confiance renouée, Lʹhomme qui murmurait à lʹoreille des chevaux, est une œuvre magnifique. Robert Redford, devant et derrière la caméra pour son 5e film en tant que réalisateur, met en lumière les principes qui lui tiennent à cœur. Ce nʹest pas quʹun film sur les bons sentiments, cʹest un film plein dʹhumanité et de sensibilité, un miracle écologique, une histoire émouvante autant que dramatique porté par ses comédiennes et ses comédiens, Scarlett Johannson, toute jeune et Kristin Scott Thomas dans les rôles principaux. A sa sortie, globalement, le film reçoit des critiques positives et cartonne au box-office. Il ne nous reste plus quʹà nous rendre dans le Montana, pour rencontrer un vrai cow-boy amoureux des chevaux qui va changer à jamais le regard que lʹon porte sur ces animaux. REFERENCES Robert Redford en 5 films emblématiques https://www.rts.ch/info/culture/cinema/2025/grand-format/robert-redford-5-films-cultes-qui-ont-marque-sa-carriere-d-acteur-29000240.html Scarlett Johansson on TODAY in 1998: https://www.today.com/video/1998-scarlett-johansson-talks-the-horse-whisperer-on-today-243004997723 Robert Redford On Acting and His Love of Horses | Des O'Connor Show: https://www.youtube.com/watch?v=nwkc967Fg6U Robert Redford "The Horse Whisperer" 1998 - Bobbie Wygant Archive: https://www.youtube.com/watch?v=uOfj1DMM5fo Kristin Scott Thomas "The Horse Whisperer" 4/98 - Bobbie Wygant Archive: https://www.youtube.com/watch?v=MWlpeRv63e4

Adam and Josh return to Danny Boyle’s drug-addled Edinburgh for TRAINSPOTTING’s 30th anniversary, then bring Producer Sam on to unveil the 2026 nominees for the Filmspotting Pantheon. Plus, Massacre Theatre. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:01:49) Trainspotting at 30 (00:01:50-00:47:32) Filmspotting Family (00:47:33-00:52:41) Next Week / Notes (00:52:42-00:56:34) Massacre Theatre (00:56:35-01:04:43) Pantheon Nominees (01:04:44-01:48:04) Credits / New Releases (01:48:05-01:53:10) Notes/Links: -Filmspotting Pantheon https://www.filmspotting.net/pantheon Feedback: -Email us at feedback@filmspotting.net⁠⁠ -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -T-shirts and more available at the Filmspotting Shop.https://www.filmspotting.net/shop⁠⁠⁠ Follow: https://youtube.com/filmspotting https://instagram.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠⁠ ⁠⁠⁠⁠https://instagram.com/larsenonfilm⁠ https://letterboxd.com/larsenonfilm⁠⁠⁠ https://facebook.com/larsenonfilm ⁠⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

The Cold War Cinema team, Jason Christian, Anthony Ballas, and Paul T. Klein, return to discuss Mikhail Kalatozov's 1959 drama Letter Never Sent.  Synopsis of the film: Four geologists descend on the Siberian Taiga. Over the course of a backbreaking summer sifting minerals in the icy, rushing waters of boreal rivers, the group–the experienced guide, Konstantin, a young couple, Andrei and Tanya, and the brooding Sergei–search for diamond deposits to enrich themselves and their country. Throughout, Konstanin writes an extended letter home to his wife Vera. Sergei, too, writes a letter, though never meant to be read, expressing his jealousy and Andrei and love for Tanya. When a massive forest fire breaks out, however, the group must work together to survive, not only the blaze, but the ravages of the elements and the fast-approaching and deadly Siberian winter… On this episode we discuss: The unbelievable production of a film shot on location in the USSR taiga.  How the film reflects the tenents of socialist realism in complex and creative ways.  How the film shares many of the sensibilites of the western genre and pairs nicely with John Ford's The Searchers in this regard.  The basic theoretical aspects of scientific socialism and how the filmmaker uses them to shape the film's narrative and themes.  The allegorical use of a diamond in the Soviet context versus the same in the capitalist West.  _____________________ We love to give book or film recommendations on the podcast, so here are ours for this episode:  Paul: Two "Northwesterns": Bend of the River (Anthony Mann, 1952) and River of No Return (Otto Preminger, 1954) Tony: Tacky's Revolt: The Story of an Atlantic Slave War by Vincent Brown Jason: Nail in the Boot (Mikhail Kalatozov, 1931) and Socialism: Utopian and Scientific by Friedrich Engels Also, check out this fascinating interview on the Actually Existing Socialism podcast with the scholar Sardana Nikolaeva, who studies the Indigenous peoples of the northern regions of the Soviet Union (and present-day Russia) and their connection to the diamond mines that are imagined in the film.  _____________________ Like and subscribe to Cold War Cinema, and don't forget to leave us a review! Want to continue the conversation? Drop us a line at any time at coldwarcinemapod@gmail.com. To stay up to date on Cold War Cinema, follow along at coldwarcinema.com, or find us online on Bluesky @coldwarcinema.com or on X at @Cold_War_Cinema.   For more from your hosts and guest: Follow Aspen on Letterboxed at @aspenballas. Follow Jason on Bluesky at @JasonAChristian.bsky.social, on X at @JasonAChristian, or on Letterboxed at @exilemagic. Follow Anthony on Bluesky at @tonyjballas.bsky.social, on X at @tonyjballas, or on Letterboxed at @tonyjballas. Follow Paul on Bluesky at @ptklein.com, or on Letterboxed at @ptklein. Paul also writes about movies at www.howotreadmovies.com  _____________________ Logo by Jason Christian  Theme music by DYAD (Charles Ballas and Jeremy Averitt).  Happy listening!

On Episode 199 of Floating Through Film, we're continuing our next series picked by Luke, John Ford! In week 3 of the series, we're reviewing 2 of Ford's more pleasant films, starting with his 1950 western Wagon Master, followed by his 1952 romantic dramedy The Quiet Man (43:57) . We hope you enjoy!Episode Next Week: Episode 200: Updating the FTF Canon Music:- Intro: Wagon Master (https://www.youtube.com/watch?v=_G9Yp8BjibM)- Break: The Quiet Man - Outro: The Quiet Man (https://www.youtube.com/watch?v=eCjcqv9Y70Q&list=PLBXBmZcJbX0xNl-PhNnXqGjJmd3gdw4zC&index=14)Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s)Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker)Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm)Podcast Links:Spotify and Apple: https://linktr.ee/floatingthroughfilmLetterboxd: https://letterboxd.com/floatingfilm/Email: floatingthroughfilm@gmail.com

Front Row Classics is happy to welcome back author, Chris Yogerst, to chat about one of the seminal westerns in Hollywood history. Chris recenlty penned a book for UNM Press' "Reel West" series on 1962's The Man Who Shot Liberty Valance. Brandon and Chris discuss the impact of John Ford's eulogy to the Old West. The two break down the performances of Jimmy Stewart, John Wayne, Vera Miles and Lee Marvin as well as the themes of fact & fiction.  "The Man Who Shot Libert Valance (Reel West)" is available from UNM Press wherever books are sold. 

Print the Legend Front Row Classics is happy to welcome back author, Chris Yogerst, to chat about one of the seminal westerns in Hollywood history. Chris recenlty penned a book for UNM Press’ “Reel West” series on 1962’s The Man Who Shot Liberty Valance. Brandon and Chris discuss the impact of John Ford’s eulogy to … Continue reading Ep. 422- The Man Who Shot Liberty Valance with Chris Yogerst →

Join Luke, Mitchell and Vonn as we compare two film adaptations of John Steinbeck's Dustbowl Trilogy.This week we travel west to the land of milk and honey with the Joad family on John Ford's epic classic "The Grapes of Wrath" from 1940. This contemporaneous telling of the struggles of poor sharecroppers stars Henry Fonda, Jane Darwell, John Carradine, Charley Grapewin, Dorris Bowdon, and John Qualen. Get social with High & Low!Instagram @HighLowMovieShowThreads @ HighLowMovieShowJoin our Facebook Group The High & Low DungeonBuy Us a Coffee Twitter @HighLowMovieSho

John Ford, CEO of the American Gem Trade Association (AGTA), and Bruce Bridges, its president, report on talks with US government officials over potential tariff relief. Plus: How colored gemstones have staved off competition from synthetics.

On Episode 145 of The Film ‘89 Podcast, Steve, Skye and returning guest host, filmmaker Kyle Reardon, celebrate the 70th anniversary of legendary director John Ford's epic 1956 western, The Searchers. Directed by one of the most revered and influential filmmakers ever to step behind a camera, and starring one of cinema's true icons, John Wayne, in one of his most complex roles, The Searchers tells the tale of civil war veteran, Ethan Edwards, a man wrestling with his own dark side, and his adopted nephew Martin (Jeffrey Hunter) and their years long search for Ethan's niece, Debbie, taken from her family by a Comanche Chief after a raid on Ethan's brother's homestead. Shot in stunning Vista Vision and featuring some of the most astonishing cinematography ever seen in a motion picture, Ford's film was is arguably the peak of a staggering career that spanned seven decades and a film that's become widely regarded as one of the greatest American films of not just the 20th century, but all time. 

On Episode 198 of Floating Through Film, we're continuing our next series picked by Luke, John Ford! In week 2 of the series, Luke starts by giving us his reasons for picking Ford, we're reviewing 2 different kind of Ford westerns, starting with 1946's My Darling Clementine, followed by 1948's Fort Apache (1:41:06). We hope you enjoy!Episode Next Week: Wagon Master + The Quiet ManMusic:- Intro: My Darling Clementine (https://www.youtube.com/watch?v=vEGG0hQbLzM)- Break: Fort Apache (https://www.youtube.com/watch?v=sOwhERueoWw) + John Ford interviewed by Peter Bogdanovich (https://www.youtube.com/watch?v=25b5TJFLHwE)- Outro: My Darling Clementine (https://www.youtube.com/watch?v=5t2tEzYmKqk)Hosts: Luke Seay (LB: https://letterboxd.com/seayluke/, Twitter: https://x.com/luke67s)Blake Tourville (LB: https://letterboxd.com/blaketourville/, Twitter: https://x.com/vladethepoker)Dany Joshuva (LB: https://letterboxd.com/djoshuva/, Twitter: https://x.com/grindingthefilm)Podcast Links:Spotify and Apple: https://linktr.ee/floatingthroughfilmLetterboxd: https://letterboxd.com/floatingfilm/Email: floatingthroughfilm@gmail.com

Guns are drawn at the OK Corral and a legend of the west is born in My Darling Clementine, John Ford's classic dramatization of the life and times of Wyatt Earp. We'll hear three of the film's stars - Henry Fonda, who played Earp; Victor Mature, who co-starred as gambler and gunslinger Doc Holliday; and Linda Darnell, the old flame of Holliday's who gets in the middle of a feud that will turn bloody on the streets of Tombstone - in episodes of Suspense, plus a radio recreation of the film. Fonda stars in "Summer Storm" (originally aired on CBS on October 18, 1945); Mature headlines "Momentum" (originally aired on CBS on October 27, 1949); and Ms. Darnell is heard in "A Killing in Las Vegas" (originally aired on CBS on February 25, 1952). Then, Fonda and his screen co-star Cathy Downs recreate their roles on The Lux Radio Theatre (originally aired on CBS on April 28, 1947).

Send us a textIn this episode we talk about the 1926 silent film 3 Bad Men directed by John Ford. We talk about the plot, characters, and John Ford's legacy. Oh and of course we talk about the under appreciated Olive Borden. We also talk the unfathomable stunt involving a baby in the film. Click and listen!

The definitive biography of the creator of 2001: A Space Odyssey, The Shining, and A Clockwork Orange, presenting the most in-depth portrait yet of the groundbreaking filmmaker. The enigmatic and elusive filmmaker Stanley Kubrick has not been treated to a full-length biography in over twenty years. Kubrick: An Odyssey (Pegasus Books, 2024) fills that gap. This definitive book is based on access to the latest research, especially Kubrick's archive at the University of the Arts, London, as well as other private papers plus new interviews with family members and those who worked with him. It offers comprehensive and in-depth coverage of Kubrick's personal, private, public, and working life. Stanley Kubrick: An Odyssey investigates not only the making of Kubrick's films, but also about those he wanted (but failed) to make like Burning Secret, Napoleon, Aryan Papers, and A.I. This immersive biography will puncture the controversial myths about the reclusive filmmaker who created some of the most important works of art of the twentieth century. Robert P. Kolker, Professor Emeritus, University of Maryland, taught cinema studies for almost fifty years. He is the author of A Cinema of Loneliness and The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema; editor of 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies; and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. Nathan Abrams is a professor in film at Bangor University in Wales. He is a founding co-editor of Jewish Film and New Media: An International Journal, as well as the author of The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema, and Stanley Kubrick: New York Jewish Intellectual, and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The definitive biography of the creator of 2001: A Space Odyssey, The Shining, and A Clockwork Orange, presenting the most in-depth portrait yet of the groundbreaking filmmaker. The enigmatic and elusive filmmaker Stanley Kubrick has not been treated to a full-length biography in over twenty years. Kubrick: An Odyssey (Pegasus Books, 2024) fills that gap. This definitive book is based on access to the latest research, especially Kubrick's archive at the University of the Arts, London, as well as other private papers plus new interviews with family members and those who worked with him. It offers comprehensive and in-depth coverage of Kubrick's personal, private, public, and working life. Stanley Kubrick: An Odyssey investigates not only the making of Kubrick's films, but also about those he wanted (but failed) to make like Burning Secret, Napoleon, Aryan Papers, and A.I. This immersive biography will puncture the controversial myths about the reclusive filmmaker who created some of the most important works of art of the twentieth century. Robert P. Kolker, Professor Emeritus, University of Maryland, taught cinema studies for almost fifty years. He is the author of A Cinema of Loneliness and The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema; editor of 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies; and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. Nathan Abrams is a professor in film at Bangor University in Wales. He is a founding co-editor of Jewish Film and New Media: An International Journal, as well as the author of The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema, and Stanley Kubrick: New York Jewish Intellectual, and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The definitive biography of the creator of 2001: A Space Odyssey, The Shining, and A Clockwork Orange, presenting the most in-depth portrait yet of the groundbreaking filmmaker. The enigmatic and elusive filmmaker Stanley Kubrick has not been treated to a full-length biography in over twenty years. Kubrick: An Odyssey (Pegasus Books, 2024) fills that gap. This definitive book is based on access to the latest research, especially Kubrick's archive at the University of the Arts, London, as well as other private papers plus new interviews with family members and those who worked with him. It offers comprehensive and in-depth coverage of Kubrick's personal, private, public, and working life. Stanley Kubrick: An Odyssey investigates not only the making of Kubrick's films, but also about those he wanted (but failed) to make like Burning Secret, Napoleon, Aryan Papers, and A.I. This immersive biography will puncture the controversial myths about the reclusive filmmaker who created some of the most important works of art of the twentieth century. Robert P. Kolker, Professor Emeritus, University of Maryland, taught cinema studies for almost fifty years. He is the author of A Cinema of Loneliness and The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema; editor of 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies; and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. Nathan Abrams is a professor in film at Bangor University in Wales. He is a founding co-editor of Jewish Film and New Media: An International Journal, as well as the author of The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema, and Stanley Kubrick: New York Jewish Intellectual, and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

The definitive biography of the creator of 2001: A Space Odyssey, The Shining, and A Clockwork Orange, presenting the most in-depth portrait yet of the groundbreaking filmmaker. The enigmatic and elusive filmmaker Stanley Kubrick has not been treated to a full-length biography in over twenty years. Kubrick: An Odyssey (Pegasus Books, 2024) fills that gap. This definitive book is based on access to the latest research, especially Kubrick's archive at the University of the Arts, London, as well as other private papers plus new interviews with family members and those who worked with him. It offers comprehensive and in-depth coverage of Kubrick's personal, private, public, and working life. Stanley Kubrick: An Odyssey investigates not only the making of Kubrick's films, but also about those he wanted (but failed) to make like Burning Secret, Napoleon, Aryan Papers, and A.I. This immersive biography will puncture the controversial myths about the reclusive filmmaker who created some of the most important works of art of the twentieth century. Robert P. Kolker, Professor Emeritus, University of Maryland, taught cinema studies for almost fifty years. He is the author of A Cinema of Loneliness and The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema; editor of 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies; and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. Nathan Abrams is a professor in film at Bangor University in Wales. He is a founding co-editor of Jewish Film and New Media: An International Journal, as well as the author of The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema, and Stanley Kubrick: New York Jewish Intellectual, and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The Cold War Cinema team returns with special guest Aspen Ballas to discuss John Ford's 1956 western The Searchers. Aspen is a PhD student of English at the University of North Carolina at Chapel Hill. Her research primarily focuses on aesthetics of race and class, and the relation between genre, medium, and politics. Synopsis of the film: Texas, 1868. A lone figure approaches a windswept homestead, against a dusty blue sky and flaming red buttes and cathedral-like mesas. Returning from the fight for the Confederacy, Ethan Edwards arrives home to his brother Aaron, Aaron's wife Martha, and to their children Ben, Lucy, little Debbie, and their adopted son Martin Pawley. But this is rough country, and a Comanche raid leaves the Edwards family torn asunder–Aaron, Martha, and Ben dead, and Lucy and Debbie taken captive. For seven years, Ethan and Martin search the vast wilderness, motivated not only by family bonds, but in Ethan's case, bloodlust and wild, racist hatred–a search not only to find Lucy and Debbie, but to enforce racial and sexual purity and to define Americanness itself… On this episode we discuss: The American mythmaking in The Searchers and in westerns generally.  John Ford's attempt to critique anti-Indigenous racism, and the limitations of such a critique in the context of Hollywood filmmaking of this era.  Militant Liberty, a top-secret psychological warfare program created by the Pentagon to promote anti-communist themes in Hollywood movies during the Cold War. John Ford was an eager participant in the program. The broader US imperialist context of the film's release and the historical background of the setting.  _____________________ We love to give book or film recommendations on the podcast, so here are ours for this episode:  Aspen: The Face on Film by Noa Steimatsky; Raoul Peck's docuseries Exterminate all the Brutes (2021) Paul: The Searchers: The Making of an American Legend by Glenn Frankel    Tony: Unsettled Borders: The Militarized Science of Surveillance on Sacred Indigenous Land by Felicity Amaya Schaeffer   Jason: Versions of  Hollywood Crime Cinema: Studies in Ford, Wilder, Coppola, Scorsese, and Others by Carl Freedman _____________________ Like and subscribe to Cold War Cinema, and don't forget to leave us a review! Want to continue the conversation? Drop us a line at any time at coldwarcinemapod@gmail.com. To stay up to date on Cold War Cinema, follow along at coldwarcinema.com, or find us online on Bluesky @coldwarcinema.com or on X at @Cold_War_Cinema.   For more from your hosts and guest: Follow Aspen on Letterboxed at @aspenballas. Follow Jason on Bluesky at @JasonAChristian.bsky.social, on X at @JasonAChristian, or on Letterboxed at @exilemagic. Follow Anthony on Bluesky at @tonyjballas.bsky.social, on X at @tonyjballas, or on Letterboxed at @tonyjballas. Follow Paul on Bluesky at @ptklein.com, or on Letterboxed at @ptklein. Paul also writes about movies at www.howotreadmovies.com  _____________________ Logo by Jason Christian  Theme music by DYAD (Charles Ballas and Jeremy Averitt).  Happy listening!

Felicia is joined by Bryan Loomis to discuss Arthur C. Miller's imprint on one of cinema's greatest achievements in cinematography, How Green Was My Valley (1941). We chat about how he understood John Ford's clear vision for this film and why the black and white imagery adds to the comfort reflected in this family's story. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Bryan here: Website: PODCAST | What a Picture (whatapicturepod.com) What a Picture Podcast: https://anchor.fm/what-a-picture Listen to our previous episodes here: All the President's Men (D.O.P. Gordon Willis 1976) I Was Born, But… (Yasujirō Ozu 1932) Miracle in Milan (Vittorio De Sica 1951) Sources: Balshofer, Balshofer, F. J., & Miller, A. C. (n.d.). One reel a Week. University of California Press. https://www.pbs.org/wnet/americanmasters/archive/interview/peter-bogdanovich-4/ https://www.moma.org/explore/inside_out/2011/05/10/john-fords-how-green-was-my-valley/ https://goldenglobes.com/articles/restored-hfpa-how-green-was-my-valley-1941/ https://moviecrashcourse.com/2019/03/12/how-green-was-my-valley-1941/ https://www.bbc.com/videos/c4nnj5llx66o https://starsandletters.blogspot.com/2024/04/casting-how-green-was-my-valley.html Outro Song: Huw Walks Among the Daffodils by Alfred Newman

In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices

What is “America” not only as a political entity but in our imagination? How can we properly envision America, without repeating clichés that frame America as either reactionary or revolutionary, repressive or liberatory? I spoke with Eyal Peretz about his book American Medium, which looks at Hollywood to re-imagine the concept of "America" through the medium of film. By considering six fundamental American movies: John Ford's Young Mr. Lincoln and The Man Who Shot Liberty Valance, Francis Ford Coppola's The Godfather, Steven Spielberg's West Side Story, and Sofia Coppola's Lost in Translation and Marie Antoinette, Peretz explains how these films do more than represent America and envision a new way to ground human life in our secular age. Eyal Peretz is Professor of Comparative Literature at Indiana University and the author of seminal books on Melville, de Palma, Diderot, da Vinci, as well as film, art, and philosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

What is “America” not only as a political entity but in our imagination? How can we properly envision America, without repeating clichés that frame America as either reactionary or revolutionary, repressive or liberatory? I spoke with Eyal Peretz about his book American Medium, which looks at Hollywood to re-imagine the concept of "America" through the medium of film. By considering six fundamental American movies: John Ford's Young Mr. Lincoln and The Man Who Shot Liberty Valance, Francis Ford Coppola's The Godfather, Steven Spielberg's West Side Story, and Sofia Coppola's Lost in Translation and Marie Antoinette, Peretz explains how these films do more than represent America and envision a new way to ground human life in our secular age. Eyal Peretz is Professor of Comparative Literature at Indiana University and the author of seminal books on Melville, de Palma, Diderot, da Vinci, as well as film, art, and philosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In the October 12, 2023 issue of The Hollywood Reporter, Scott Feinberg offered an annotated list of the 100 greatest film books of all time. Drawing on a jury of 322 people who make, study, and are otherwise connected to the movies, Feinberg assembled an annotated list that reads like the ultimate film study syllabus. In this interview, Dan Moran asks him about the voting process, top winners, some omissions, and what the list reveals about the industry as a whole. Scott Feinberg has led The Hollywood Reporter's awards coverage since 2011 (he covered awards for the Los Angeles Times before that). He is best known for his “Feinberg Forecast,” through which he assesses the standings of various showbiz awards races, and for Awards Chatter, the interview-centric podcast that he started in 2015, for which he has conducted career-retrospective interviews with some 500 of Hollywood's biggest names. An alumnus of Brandeis University, he is also a trustee professor at Chapman University's Dodge College of Film and Media Arts, serves on the board of the Los Angeles Press Club and is a voting member of BAFTA and the Critics Choice Association. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the October 12, 2023 issue of The Hollywood Reporter, Scott Feinberg offered an annotated list of the 100 greatest film books of all time. Drawing on a jury of 322 people who make, study, and are otherwise connected to the movies, Feinberg assembled an annotated list that reads like the ultimate film study syllabus. In this interview, Dan Moran asks him about the voting process, top winners, some omissions, and what the list reveals about the industry as a whole. Scott Feinberg has led The Hollywood Reporter's awards coverage since 2011 (he covered awards for the Los Angeles Times before that). He is best known for his “Feinberg Forecast,” through which he assesses the standings of various showbiz awards races, and for Awards Chatter, the interview-centric podcast that he started in 2015, for which he has conducted career-retrospective interviews with some 500 of Hollywood's biggest names. An alumnus of Brandeis University, he is also a trustee professor at Chapman University's Dodge College of Film and Media Arts, serves on the board of the Los Angeles Press Club and is a voting member of BAFTA and the Critics Choice Association. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What is “America” not only as a political entity but in our imagination? How can we properly envision America, without repeating clichés that frame America as either reactionary or revolutionary, repressive or liberatory? I spoke with Eyal Peretz about his book American Medium, which looks at Hollywood to re-imagine the concept of "America" through the medium of film. By considering six fundamental American movies: John Ford's Young Mr. Lincoln and The Man Who Shot Liberty Valance, Francis Ford Coppola's The Godfather, Steven Spielberg's West Side Story, and Sofia Coppola's Lost in Translation and Marie Antoinette, Peretz explains how these films do more than represent America and envision a new way to ground human life in our secular age. Eyal Peretz is Professor of Comparative Literature at Indiana University and the author of seminal books on Melville, de Palma, Diderot, da Vinci, as well as film, art, and philosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the October 12, 2023 issue of The Hollywood Reporter, Scott Feinberg offered an annotated list of the 100 greatest film books of all time. Drawing on a jury of 322 people who make, study, and are otherwise connected to the movies, Feinberg assembled an annotated list that reads like the ultimate film study syllabus. In this interview, Dan Moran asks him about the voting process, top winners, some omissions, and what the list reveals about the industry as a whole. Scott Feinberg has led The Hollywood Reporter's awards coverage since 2011 (he covered awards for the Los Angeles Times before that). He is best known for his “Feinberg Forecast,” through which he assesses the standings of various showbiz awards races, and for Awards Chatter, the interview-centric podcast that he started in 2015, for which he has conducted career-retrospective interviews with some 500 of Hollywood's biggest names. An alumnus of Brandeis University, he is also a trustee professor at Chapman University's Dodge College of Film and Media Arts, serves on the board of the Los Angeles Press Club and is a voting member of BAFTA and the Critics Choice Association. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

This episode was originally released on 1/1/2021. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls episode 111 we resume our mini-series in January of 1949. CBS is now the nation's number one network, and NBC is left to come up with programming answers. We'll focus on the shows they launched in the spring and summer of 1949. —————————— Highlights: • Jack Benny: Now on CBS • First The News • Network Radio Opens 1949 with Record Earnings • John Wayne, Claire Trevor, John Ford, and Ward Bond Open The NBC Theater • David Sarnoff and the Mass NBC Exodus • It's the Martin and Lewis Show! • Alan Young and Henry Morgan • Richard Diamond • Jack Webb Launches Dragnet • Fred Allen Finally Has Enough • William Conrad, The Killers, and The Four Star Playhouse • Dangerous Assignment • San Francisco's YUkon 3-8309 Lady Detective • Looking Ahead to the Fall of 1949 —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: • On the Air — By John Dunning • Network Radio Ratings, 1932-53 — By Jim Ramsburg As well as articles from: • Billboard Magazine • Broadcasting Magazine • Radio Daily —————————— On the interview front: • Virginia Gregg, Lurene Tuttle, Herb Vigran, Mike Wallace, Don Wilson were with Chuck Schaden. Hear their full chats at SpeakingOfRadio.com. • Parley Baer, Lilian Buyeff, Herb Ellis, Betty Lou Gerson, Virginia Gregg, and Peggy Webber were with SPERDVAC. For more information, go to SPERDVAC.com • Arnold Stang was with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear these at Goldenage-WTIC.org. • Jerry Lewis and Dean Martin were with Cedric Adams • Fred Allen was on Tex and Jinx • Donald Vorhees was interviewed for Allen's Biography In Sound • Jack Kruschen was with Jim Bohannon • John Dehner was with Neil Ross • William Conrad was with Chris Lambesis • E. Jack Neuman was with John Dunning • Frank Sinatra was with Walter Cronkite —————————— Selected music featured in today's episode was: • Takin' A Chance on Love — By Helen Forrest • The Pavane — By Steve Erquiaga • Lenore Overture Number 3 — By Ludwig Van Beethoven • And Fly Me To The Moon — By Frank Sinatra

Bengals win! Kitty Katz, John Ford, Timmy Turbo, General Counsel and Snakepit Johnson join Al to breakdown the game.

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since. Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity. Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since. Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity. Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since. Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity. Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

John Boorman's Point Blank (1967) has long been recognized as one of the seminal films of the sixties, with its revisionary mix of genres including neo-noir, New Wave, and spaghetti western. Its lasting influence can be traced throughout the decades in films like Mean Streets (1973), Reservoir Dogs (1992), Heat (1995), The Limey (1999) and Memento (2000). Eric Wilson's compelling study Point Blank (British Film Institute, 2023) examines its significance to New Hollywood cinema. He argues that Boorman revises traditional Hollywood crime films by probing a second connotation of “point blank.” On the one hand, it is a neo-noir that aptly depicts close range violence, but, it also points toward blankness, a nothingness that is the consequence of corporate America unchecked, where humans are reduced to commodities and stripped of agency and playfulness. He goes on to reimagine the film's experimental style as a representation of and possible remedy for trauma. Examining Boorman's formal innovations, including his favoring of gesture over language and blurring of boundaries between dream and reality, he also positions the film as a grimly comical exploration of toxic masculinity and gender fluidity. Wilson's close reading of Point Blank reveals it to be a film that innovatively inflects its own generation and speaks powerfully to our own, arguing that it is this amplitude, which encompasses the many major films it has influenced, that qualifies the film as a classic. Eric Wilson is Professor of English at Wake Forest University, USA. His publications include Secret Cinema: Gnostic Vision in Film (2006) and The Strange World of David Lynch: Transcendental Irony from Eraserhead to Mulholland Dr (2007). His writing has featured in Psychology Today, L.A. Times, The New York Times and Huffington Post. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

John Boorman's Point Blank (1967) has long been recognized as one of the seminal films of the sixties, with its revisionary mix of genres including neo-noir, New Wave, and spaghetti western. Its lasting influence can be traced throughout the decades in films like Mean Streets (1973), Reservoir Dogs (1992), Heat (1995), The Limey (1999) and Memento (2000). Eric Wilson's compelling study Point Blank (British Film Institute, 2023) examines its significance to New Hollywood cinema. He argues that Boorman revises traditional Hollywood crime films by probing a second connotation of “point blank.” On the one hand, it is a neo-noir that aptly depicts close range violence, but, it also points toward blankness, a nothingness that is the consequence of corporate America unchecked, where humans are reduced to commodities and stripped of agency and playfulness. He goes on to reimagine the film's experimental style as a representation of and possible remedy for trauma. Examining Boorman's formal innovations, including his favoring of gesture over language and blurring of boundaries between dream and reality, he also positions the film as a grimly comical exploration of toxic masculinity and gender fluidity. Wilson's close reading of Point Blank reveals it to be a film that innovatively inflects its own generation and speaks powerfully to our own, arguing that it is this amplitude, which encompasses the many major films it has influenced, that qualifies the film as a classic. Eric Wilson is Professor of English at Wake Forest University, USA. His publications include Secret Cinema: Gnostic Vision in Film (2006) and The Strange World of David Lynch: Transcendental Irony from Eraserhead to Mulholland Dr (2007). His writing has featured in Psychology Today, L.A. Times, The New York Times and Huffington Post. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Bengals annihilate the Dolphins in Miami. Kitty Katz, John Ford and Turbo join Al to break down the game.

It is SO America to have a problematic movie star as the ultimate icon of the quintessential American genre. And even worse: take John Wayne's reputation out of the equation, and John Ford's THE SEARCHERS can barely register as a serviceable Western. So it's not just that Ford's romanticizing of cowboy life is dated - it's also boring, and a little cheesy when it goes for full emotion. Listen to Alex & Julio as they try to figure out if The Duke made his own brother a cuckold!TIMELINE00:01:24 The Searchers00:15:02 Contrarians Corner- Wanna know how we really feel about THE SEARCHERS? Check out the Real Talk (RT) episode, on your feed RIGHT NOW! (or pretty soon — Spotify can be a pain when it comes to refreshing the feed)- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemoniospe on Instagram or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!

TVC 718.4: Ed welcomes back Stefanie Powers, the actress known around the world as Jennifer Hart on Hart to Hart (ABC, 1979-1984), and the founder and president of the William Holden Wildlife Foundation, the nonprofit organization that Stefanie established in 1982 in memory of her longtime life partner that continues and furthers the conservation work of William Holden in East Africa. Stefanie will reunite with McLintock! co-star Patrick Wayne for the first time in sixty years for a one-performance-only benefit production of A.R. Gurney's Love Letters that will take place on Sunday, Jan. 11 on the Debbie Reynolds Main Stage at the historic El Portal Theatre in North Hollywood, CA beginning at 1pm. Tickets start at $55. If you purchase a VIP ticket for $150, you'll have a chance to meet Stefanie and Patrick on stage. Proceeds for this production will support the efforts of the William Holden Wildlife Foundation. For tickets and more information, call (818) 508-4200 or go to ElPortalTheatre.com. Topics this segment include why Love Letters continues to appeal to actors and audiences alike; Stefanie's experience working with John Wayne, Patrick Wayne, Maureen O'Hara, and (briefly) director John Ford while filming McLintock!; a trick that Stefanie learned during the production of McLintock! that enables her to drive through dusty terrain without eating dust (a trick that she has used many times during her travels to Africa); and why you can't visit Ireland without seeing The Quiet Man first.

Bengals lay an egg in the jungle against the Ravens. Kitty Katz, John Ford and Turbo join Al to discuss.

Send us a textIn today's episode, I interview Alex Thompson, director of the short film "Em & Selma Go Griffin Hunting," the story of a mother and daughter faced with difficult choices as they take part in a coming-of-age hunt set in a fictional 1930s America.Listen to hear about how Alex's world building for the film began with the characters, the process of casting the main characters of the film to ensure they had the right level of humanity for the story, and the challenge of creating a set of digital creatures to inhabit the world that would look like high quality blockbuster effects on a small short film budget.Books mentioned in this episode include:Aesop's FablesGrimm's Fairy TalesThe Great Mother: An Analysis of the Archetype by Erich NeumannBaudolino by Umberto EcoThe Name of the Rose by Umberto EcoSapiens: A Brief History of Humankind by Yuval Noah HarariFilms and TV shows mentioned in this episode include:"Em & Selma Go Griffin Hunting" directed by Alex ThompsonJurassic Park directed by Steven SpielbergHereditary directed by Ari AsterThe Walking Dead (series)The Grapes of Wrath directed by John Ford"La jetée" directed by Chris Marker12 Monkeys directed by Terry Gilliam"Un Chien Andalou" directed by Luis Buñuel"An Occurrence at Owl Creek Bridge" directed by Robert EnricoAvatar directed by James CameronBlade Runner directed by Ridley Scott2001: A Space Odyssey directed by Stanley KubrickEverything Everywhere All at Once directed by Dan Kwan and Daniel ScheinertNight of the Hunter directed by Charles LaughtonCome and See directed by Elem KlimovThe Passion of Joan of Arc directed by Carl Th. DreyerThe Seventh Seal directed by Ingmar BergmanApocalypse Now directed by Francis Ford CoppolaThe Cabinet of Dr. Caligari directed by Robert Wiene12 Angry Men directed by Sidney LumetPoor Things directed by Yorgos LanthimosThe Thin Red Line directed by Terrence MalickFollow the film on Instagram @emandselmagogriffinhunting and Alex @alexanderthompsonfilms.Support the show

In this letter to the editor, Vancouver resident John Ford warns that dehumanizing rhetoric and social media harassment are undermining public safety and productive immigration policy debate, urging leaders and media outlets to restore basic human dignity to the discussion. https://www.clarkcountytoday.com/opinion/letter-if-we-want-workable-immigration-reform-we-must-first-restore-basic-human-dignity-to-the-debate/ #Opinion #ImmigrationReform #HumanDignity #PublicDiscourse #MediaResponsibility #Vancouver

Cully Stimson, retired Navy Captain and Deputy Director of the Meese Legal Center, joins Hans to discuss the propaganda video by six members of Congress urging members of the military to disobey orders. Classic film review is of the World War II picture, “They Were Expendable,” the 1945 John Ford movie about a torpedo boat squadron that fought in the Battle of the Philippines against enormous odds, a film that shows the courage and sacrifice of members of our armed forces.

Scott Eyman is one of the foremost biographers of classic Hollywood, writing essential books on Chaplin, Cary Grant, John Wayne, John Ford, and many more. He joins us to discuss his latest, “Joan Crawford: A Woman's Face,” and Crawford's quintessential performance in “Grand Hotel.” Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On this week's episode, I'm rejoined by Chris Yogerst, author of the new book from the University of New Mexico's “Reel West” series on The Man Who Shot Liberty Valance. We discussed the making of the film, its place in the western canon as a sort of natural ending point for the traditional westerns made by John Wayne and John Ford, and the surprisingly political nature of the film's central struggle between the frontier and civilization. If you enjoyed the episode, check out the book (or pick up the pristine 4K, on which Paramount did a fine job of making the film look good as new). And make sure to share it with a friend!

Hans is joined by former Federal Election Commission Chairman Allen Dickerson to discuss the pending U.S. Supreme Court case, National Republican Senatorial Committee v. FEC, originally also filed by then-Ohio Senator J.D. Vance, and the effect the Court's decision on the constitutionality of the limits on coordinated party expenditures may have on the 2026 congressional elections. Our classic movie review is of “The Last Hurrah,” the 1958 political film directed by John Ford and starring Spencer Tracy, about a reelection fight between the mayor of a big city and a civic reformer.