Podcast appearances and mentions of Robert Plant

Send us a textIn this episode, we discuss Led Zeppelin's double album, 'Physical Graffiti,' in belated celebration of the 50th anniversary of its February 24, 1975 release. It's rare for me to do one of these album deep-dives these days, but an over-the-top album warrants an over-the-top episode, right?Support the showSubscribe to Rock Talk with Dr. Cropper +Instagram & TikTok — @rocktalk.dr.cropperTwitter — @RockTalkDrCroppFacebook, LinkedIn & YouTube — Rock Talk with Dr. CropperEmail — rocktalk.dr.cropper@gmail.com

Valerie June is a Grammy-nominated singer/songwriter whose music has been praised by Pitchfork, Rolling Stone, The New Yorker, NPR, and Bob Dylan himself (who is a self-proclaimed fan). She has performed with John Prine, Norah Jones, Booker T. Jones, Robert Plant, Meshell Ndegeocello, Dave Matthews, Angelique Kidjo, Willie Nelson, Brandi Carlile, and Elvis Costello, written books of poetry and on art, and is a certified yoga and mindfulness instructor. We talk to Valerie about intention setting and the law of attraction, learning to live with chronic illness, testing different approaches and your creative limits, manifesting, rituals and routines to get ready to be present for people, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Valerie JuneEp 39 - Joe HenryEp 17 - Elizabeth Cook'The Artist's Way' Elizabeth CottonMississippi John HurtSkip JamesCarla ThomasClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Plus, cooler than expected encounters with "Steve Harrington" aka Joe Keery, Rob Thomas and the ViCON ROBERT SMITH (downing Goldschlager shots!). We play WTF and learn that Wisconsinites are crafter than we thought. See omnystudio.com/listener for privacy information.

One rehearsal in the summer of '68 lit the fuse—Becoming Led Zeppelin captures the raw formation of a band that would change music forever. With newly unearthed John Bonham audio and exclusive interviews from Page, Plant, and Jones, this doc is pure voltage—no critics, no fluff, just Zeppelin, and a ton of great music, in their own words.*Want to win a free copy of Queen & A Night At The Opera: 50 Years?  It's easy, just send me an email to sign up. You can find a link to my email address below. *Reminder this is for US citizens only* *Want the latest in Rock N Roll Book and Documentaries news sent to your inbox? Sign up for the Monthly BLAST!! the newsletter that comes out on the last Friday of the month that features book buzz and doc news, recently released titles, top 5 lists, and more. Just shoot me over an email at the address below and say Big Rick, send me over that Blast!!Support the showemail Big Rick at:info@rocktalkstudio.com

This week on VRP Rocks, things take a slightly different turn! With a couple of last-minute interview cancellations and a holiday just around the corner, Paul dives into a really fun topic — "10 Supergroups and Side Projects Only Classic Rock Experts Will Remember!" Featuring stories behind forgotten collaborations from legends like Robert Plant, Paul Rodgers, Jeff Beck, Gary Moore, David Bowie and more, this episode uncovers the hidden gems of classic rock history. It's packed with music trivia, surprising facts, and deep cuts that even hardcore fans might have missed. Plus, Paul shares a quick update on what's coming up over the next few weeks. Whether you're a casual fan or a true rock historian, you'll love this journey through some of classic rock's best-kept secrets! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Bandwich Tapes, I sit down with renowned bassist, composer, and producer Viktor Krauss for a thoughtful and wide-ranging conversation about his musical path, creative process, and the many collaborations that have shaped his career.Viktor Krauss is one of contemporary music's most versatile and respected bassists. He's played with an astonishing array of artists, including Lyle Lovett, Bill Frisell, Robert Plant, and Alison Krauss. Equally at home in jazz, folk, rock, and beyond, Viktor brings a deep sense of melody, texture, and feel to everything he touches. In addition to his work as a sideman, he's also released his solo projects, blending cinematic soundscapes with expressive songwriting.This episode is a must-listen for fans of genre-defying musicianship, creative collaboration, and the subtle art of supporting a song from the low end.Music from the Episode:For A Good Time (Viktor Krauss)Pipe Down (Bill Frisell)Big Shoe (Bill Frisell)Penguins (Lyle Lovett)Grit Lap (Viktor Krauss)Big Log (Viktor Krauss)Pinky Ring (Viktor Krauss)Shine On You Crazy Diamond (Viktor Krauss)Trouble With My Lover (Robert Plant & Alison Krauss)Learn more about Viktor and his work at viktorkrauss.com.Thank you for listening! If you have any feedback or questions, or just want to say hi, reach out at info@thebandwichtapes.com — and please help spread the word about the show!Theme music: "Playcation" by Mark Mundy

Entre une légende du rap sud-africain et un poète angevin, mon cœur balance… Notre 1er invité est Stogie T pour la sortie de l'EP ShallowVétéran du hip-hop sud-africain, Stogie T (Tumi Molekane) n'est pas un parolier classique. Son travail consiste à trouver un équilibre délicat entre différents mondes ; il a prouvé qu'il était la voix du peuple, mais il n'hésite pas à tendre un miroir à l'ensemble de la société, et le reflet est toujours plus complexe que les clichés bien-pensants du «rap conscient» et la nature stéréotypée et banale du «rap commercial».Le message dominant de Shallow est la psychose collective. Le dernier EP publié par Stogie T depuis la pandémie mondiale contient des chansons percutantes qui reflètent une forme particulière de cynisme prévalant en Afrique. Le rêve différé, la perte d'espoir sous le poids écrasant d'un État de plus en plus défaillant. Stogie T a déjà parlé de cet état, mais cette fois-ci, il se penche sur les effets qu'il a sur ses habitants. Ce qu'il advient de la pensée des gens, de leurs dysfonctionnements et de leurs pathologies.Stogie T (alias Tumi Molekane) est sur la voie de l'autoréflexion, de l'introspection, de l'évolution et de la restitution, tout en jouant la carte du progrès. Il s'interroge sur les valeurs et les règles qui régissent notre vie, sur les raisons de désespérer ou d'espérer d'un pays entouré d'un pillage flagrant, sur les raisons d'être cynique et sur les raisons de croire et de se soucier des autres.Les chansons de cet EP ont été conçues et enregistrées pendant Covid et entre les moments d'anxiété intense dus au dysfonctionnement et au désordre sociétal, à la perte d'amis proches et de membres de la famille, et à la disparition tragique de ses pairs. En tant qu'artiste cherchant à trouver une voix dans le désordre et à s'élever au-dessus du bruit de la machine médiatique mondiale, Stogie T a trouvé du réconfort dans la tragédie et le traumatisme. Offrant un contrepoint à l'air du temps par le biais d'une poésie artistique nous rappelant, ainsi qu'à lui-même, qu'en tant qu'artiste, c'est son travail qui apporte de l'espoir pour l'avenir, mais qu'il doit faire preuve d'un grand discernement, d'espoir pour l'avenir, mais qu'il doit rester fidèle à lui-même, à sa famille et à sa communauté.Titres interprétés grand studio- Shallow Live RFI- Zimkile feat Msaki, extrait album- Too Late For Mama Live RFI.Line Up : Tumi Molekane (voix), Shane Cooper (basse), Bonj (voix), Bokani Dyer (claviers, voix), Clem Carr (claviers)et Justin Badenhorst (batterie).Traduction : Enora LouisSon : Benoît Letirant, Mathias Taylor.► EP Shallow (Sakifo Rd 2024).Facebook - Youtube. Puis la #SessionLive invite Lo'Jo pour la sortie de l'album Feuilles Mauves. De leur Anjou natal à tous les continents, des instruments traditionnels au rock, Lo'Jo a toujours su passer de la feuille blanche à la poésie. La lumière et les mots de Feuilles Fauves magnifient une nouvelle fois l'insaisissable. Car si nous sommes Peu de choses, écrit Denis Péan, heureusement, « on peut faire chavirer le cœur le plus fané sur le tempo du chamamé ». Il y a de ces groupes qui ne sont enchaînés nulle part si ce n'est aux instruments du monde ou aux feuilles de papier. Sans chaîne ni code ni dogme, Lo'Jo sera toujours ces explorateurs de la musique, ces chercheurs des mots. Le collectif Lo'Jo continue avec Feuilles Fauves à puiser dans ce qu'il sait faire de mieux : ne rien se refuser. Pourquoi ne pas mêler le kamele n'goni, instrument acoustique malien au violon, pourquoi ne pas faire fusionner le piano au kayamn, sur toile d'électro, pour donner à ce disque, aussi, les couleurs des Mascareignes ?Chaque disque est une réinvention : Feuilles Fauves n'y fait pas exception. Par ses traditions musicales absorbées lors de leurs innombrables voyages, comme par ses collaborations prestigieuses : de Robert Wyatt à Tony Allen, Robert Plant, Tinariwen, Erik Truffaz, ou encore Archie Shepp... l'utopie Lo'Jo a « le pouvoir d'hypnotiser et de ravir à chaque morceau » (Billboard).Des feuilles de l'automne aux feuilles de papier Le titre Mandiego, qui ouvre ce nouvel album, aux notes de piano douces et enveloppantes, est une invitation bienveillante au nouveau voyage que nous offre Lo'Jo. Car « l'Homme est bien peu de choses mon ami. Si le soir il est hasard, le matin il est destin », écrit Denis Péan. Feuilles Fauves est brut, comme primitif et sauvage. Aidé par la réalisation de Clément Petit (entendu aux côtés de Piers Faccini ou Blick Bassy) et Alexandre Finkin, les voix pénètrent l'esprit, les instruments du monde régalent le corps avec une intensité vivante et organique. Parce que malgré le chaos du monde, Lo'Jo nous invite avec Feuilles Fauves à un périple solaire : grâce à cette langue inventée, au créole comme aux sons du monde et d'ailleurs. Grâce aux textes sensibles, parfois espiègles ou envoûtants. Grâce à l'étincelle de Jupiter & Okwess sur deux titres, à la malice de Mélissa Laveaux dans Julie, non plus en chanteuse mais en lectrice pétillante.Feuilles Fauves nous emmène danser des Valses Étranges, s'attarde sur notre vanité, interroge sur Le temps (avec René Lacaille), « le thème favori des poètes » admet Denis Péan. Celui qui s'étend et qu'on pourra donc toujours écrire. En écoutant Aswar (« ce soir » en créole maison), on s'anime en terres argentines sur le tempo du chamamé, un genre musical traditionnel de la province de Corrientes. Grâce à Brother Barrett, on découvre la communauté rasta du Pinnacle, en Jamaïque. On apprend avec eux, leur humour et leur finesse d'esprit aussi à exprimer La Kolèr, dont les mélodies entêtantes prennent des allures chamaniques. Titres interprétés grand studio- La Kolèr Live RFI- Aswar, extrait de l'album - Joséphine Live RFI. Line Up : Denis Péan (chant, harmonium), Yamina Nid El Mourid (chant percussions), Nadia Nid El Mourid (chant percussions), Richard Bourreau (violon) et Alex Cochennec (basse).Son : Benoît Letirant, Mathias Taylor.► Album Feuilles Mauves (Yotanka Rd 2024).YouTube - Site.(Rediffusion du 17 novembre 2024).

Entre une légende du rap sud-africain et un poète angevin, mon cœur balance… Notre 1er invité est Stogie T pour la sortie de l'EP ShallowVétéran du hip-hop sud-africain, Stogie T (Tumi Molekane) n'est pas un parolier classique. Son travail consiste à trouver un équilibre délicat entre différents mondes ; il a prouvé qu'il était la voix du peuple, mais il n'hésite pas à tendre un miroir à l'ensemble de la société, et le reflet est toujours plus complexe que les clichés bien-pensants du «rap conscient» et la nature stéréotypée et banale du «rap commercial».Le message dominant de Shallow est la psychose collective. Le dernier EP publié par Stogie T depuis la pandémie mondiale contient des chansons percutantes qui reflètent une forme particulière de cynisme prévalant en Afrique. Le rêve différé, la perte d'espoir sous le poids écrasant d'un État de plus en plus défaillant. Stogie T a déjà parlé de cet état, mais cette fois-ci, il se penche sur les effets qu'il a sur ses habitants. Ce qu'il advient de la pensée des gens, de leurs dysfonctionnements et de leurs pathologies.Stogie T (alias Tumi Molekane) est sur la voie de l'autoréflexion, de l'introspection, de l'évolution et de la restitution, tout en jouant la carte du progrès. Il s'interroge sur les valeurs et les règles qui régissent notre vie, sur les raisons de désespérer ou d'espérer d'un pays entouré d'un pillage flagrant, sur les raisons d'être cynique et sur les raisons de croire et de se soucier des autres.Les chansons de cet EP ont été conçues et enregistrées pendant Covid et entre les moments d'anxiété intense dus au dysfonctionnement et au désordre sociétal, à la perte d'amis proches et de membres de la famille, et à la disparition tragique de ses pairs. En tant qu'artiste cherchant à trouver une voix dans le désordre et à s'élever au-dessus du bruit de la machine médiatique mondiale, Stogie T a trouvé du réconfort dans la tragédie et le traumatisme. Offrant un contrepoint à l'air du temps par le biais d'une poésie artistique nous rappelant, ainsi qu'à lui-même, qu'en tant qu'artiste, c'est son travail qui apporte de l'espoir pour l'avenir, mais qu'il doit faire preuve d'un grand discernement, d'espoir pour l'avenir, mais qu'il doit rester fidèle à lui-même, à sa famille et à sa communauté.Titres interprétés grand studio- Shallow Live RFI- Zimkile feat Msaki, extrait album- Too Late For Mama Live RFI.Line Up : Tumi Molekane (voix), Shane Cooper (basse), Bonj (voix), Bokani Dyer (claviers, voix), Clem Carr (claviers)et Justin Badenhorst (batterie).Traduction : Enora LouisSon : Benoît Letirant, Mathias Taylor.► EP Shallow (Sakifo Rd 2024).Facebook - Youtube. Puis la #SessionLive invite Lo'Jo pour la sortie de l'album Feuilles Mauves. De leur Anjou natal à tous les continents, des instruments traditionnels au rock, Lo'Jo a toujours su passer de la feuille blanche à la poésie. La lumière et les mots de Feuilles Fauves magnifient une nouvelle fois l'insaisissable. Car si nous sommes Peu de choses, écrit Denis Péan, heureusement, « on peut faire chavirer le cœur le plus fané sur le tempo du chamamé ». Il y a de ces groupes qui ne sont enchaînés nulle part si ce n'est aux instruments du monde ou aux feuilles de papier. Sans chaîne ni code ni dogme, Lo'Jo sera toujours ces explorateurs de la musique, ces chercheurs des mots. Le collectif Lo'Jo continue avec Feuilles Fauves à puiser dans ce qu'il sait faire de mieux : ne rien se refuser. Pourquoi ne pas mêler le kamele n'goni, instrument acoustique malien au violon, pourquoi ne pas faire fusionner le piano au kayamn, sur toile d'électro, pour donner à ce disque, aussi, les couleurs des Mascareignes ?Chaque disque est une réinvention : Feuilles Fauves n'y fait pas exception. Par ses traditions musicales absorbées lors de leurs innombrables voyages, comme par ses collaborations prestigieuses : de Robert Wyatt à Tony Allen, Robert Plant, Tinariwen, Erik Truffaz, ou encore Archie Shepp... l'utopie Lo'Jo a « le pouvoir d'hypnotiser et de ravir à chaque morceau » (Billboard).Des feuilles de l'automne aux feuilles de papier Le titre Mandiego, qui ouvre ce nouvel album, aux notes de piano douces et enveloppantes, est une invitation bienveillante au nouveau voyage que nous offre Lo'Jo. Car « l'Homme est bien peu de choses mon ami. Si le soir il est hasard, le matin il est destin », écrit Denis Péan. Feuilles Fauves est brut, comme primitif et sauvage. Aidé par la réalisation de Clément Petit (entendu aux côtés de Piers Faccini ou Blick Bassy) et Alexandre Finkin, les voix pénètrent l'esprit, les instruments du monde régalent le corps avec une intensité vivante et organique. Parce que malgré le chaos du monde, Lo'Jo nous invite avec Feuilles Fauves à un périple solaire : grâce à cette langue inventée, au créole comme aux sons du monde et d'ailleurs. Grâce aux textes sensibles, parfois espiègles ou envoûtants. Grâce à l'étincelle de Jupiter & Okwess sur deux titres, à la malice de Mélissa Laveaux dans Julie, non plus en chanteuse mais en lectrice pétillante.Feuilles Fauves nous emmène danser des Valses Étranges, s'attarde sur notre vanité, interroge sur Le temps (avec René Lacaille), « le thème favori des poètes » admet Denis Péan. Celui qui s'étend et qu'on pourra donc toujours écrire. En écoutant Aswar (« ce soir » en créole maison), on s'anime en terres argentines sur le tempo du chamamé, un genre musical traditionnel de la province de Corrientes. Grâce à Brother Barrett, on découvre la communauté rasta du Pinnacle, en Jamaïque. On apprend avec eux, leur humour et leur finesse d'esprit aussi à exprimer La Kolèr, dont les mélodies entêtantes prennent des allures chamaniques. Titres interprétés grand studio- La Kolèr Live RFI- Aswar, extrait de l'album - Joséphine Live RFI. Line Up : Denis Péan (chant, harmonium), Yamina Nid El Mourid (chant percussions), Nadia Nid El Mourid (chant percussions), Richard Bourreau (violon) et Alex Cochennec (basse).Son : Benoît Letirant, Mathias Taylor.► Album Feuilles Mauves (Yotanka Rd 2024).YouTube - Site.(Rediffusion du 17 novembre 2024).

Le duo Aïta Mon Amour revisite le chant rural de la Aïta marocaine. Aïta Mon Amour au Cabaret Sauvage + Justin Adams & Mauro Durante au 360 Paris Music FactoryWidad Mjama, pionnière du rap marocain et diplômée du Conservatoire de Casablanca (danse et art dramatique) est passionnée par les traditions orales ancestrales. Khalil Epi, multi-instrumentiste tunisien, fusionne musique classique arabe, jazz et sonorités mondiales (N3rdistan, Frigya, Dhamma, Seydou Boro, Deena Abdelwahed, arabstazy),Ce projet est le fruit de leur fascination pour la Aïta, un genre musical incarné par les Chikhates, ces femmes chanteuses et gardiennes d'une pratique vieille de plusieurs siècles. Ce projet mêlant électronique et tradition nous transporte dans un voyage envoûtant à travers la culture marocaine.En néo chikhate, Widad nous confie « La Aïta, c'est la poésie rurale. Le rap est une expression urbaine, et je me retrouve dans ces deux styles, car je fais partie de la première génération à être née en ville, toute ma famille vient de la campagne. Mes racines sont paysannes et mes fleurs sont citadines ».Extraits du concert du 23 janvier au Cabaret Sauvage (Mixage Benoît le Tirant, Mastering Mathias Taylor)L'wed L'wed, Kebet El Khayl et Heda Wiyet►  Album Abda (Shouka Rd 2025)Bandcamp / Instagram / YouTube Puis, nous nous rendons au 360 Music Factory où s'est tenu le Festival Au Fil des Voix, pour rencontrer Justin Adams qui présente le nouvel album Sweet Release en duo avec le violoniste et chanteur italien Mauro DuranteQuand Justin Adams, guitar hero et compagnon de route de Robert Plant, rencontre Mauro Durante, visionnaire héritier de la Taranta de sa région natale, les Pouilles, l'alchimie est immédiate. Le premier est habité par une approche post punk qu'il adoucit au contact du groove nord-africain en produisant des albums iconiques pour Tinariwen ou Rachid Taha. Le second, violoniste et percussionniste à l'énergie débridée, parcourt le monde avec le virtuose Ludovico Einaudi, partage la scène avec Ibrahim Maalouf, Goran Bregović ou Piers Faccini, puis reprend, après son père, la direction de l'ensemble perpétuant la taranta, cousine de la tarentelle napolitaine. Mais depuis cette rencontre musicale fortuite, et après Still Moving, un premier disque acclamé, ce projet, déroutant, tend à devenir une entité unique et fusionnelle qui elle-même se perpétue. Sweet Release, qu'ils présenteront pour la première fois au public parisien, en est la preuve. Entre vibrations ancestrales et esprit punk, ferveur du tamburello et riffs électriques, Justin et Mauro créent un son brut, dépouillé, qui émeut et envoute. Mauro étant grippé (se reposait pour assurer le concert du soir), nous avons parlé avec Justin Adams.Extraits du concert du 30 janvier au 360 Paris Music Factory (Mixage Camille Roch, Mastering Mathias Taylor)Djinn Pulse, Leuca et Cupa Cupa►  Album Sweet Release (Ponderosa Rd 2025)Facebook / YouTube (Rediffusion du 15 février 2025).

Le duo Aïta Mon Amour revisite le chant rural de la Aïta marocaine. Aïta Mon Amour au Cabaret Sauvage + Justin Adams & Mauro Durante au 360 Paris Music FactoryWidad Mjama, pionnière du rap marocain et diplômée du Conservatoire de Casablanca (danse et art dramatique) est passionnée par les traditions orales ancestrales. Khalil Epi, multi-instrumentiste tunisien, fusionne musique classique arabe, jazz et sonorités mondiales (N3rdistan, Frigya, Dhamma, Seydou Boro, Deena Abdelwahed, arabstazy),Ce projet est le fruit de leur fascination pour la Aïta, un genre musical incarné par les Chikhates, ces femmes chanteuses et gardiennes d'une pratique vieille de plusieurs siècles. Ce projet mêlant électronique et tradition nous transporte dans un voyage envoûtant à travers la culture marocaine.En néo chikhate, Widad nous confie « La Aïta, c'est la poésie rurale. Le rap est une expression urbaine, et je me retrouve dans ces deux styles, car je fais partie de la première génération à être née en ville, toute ma famille vient de la campagne. Mes racines sont paysannes et mes fleurs sont citadines ».Extraits du concert du 23 janvier au Cabaret Sauvage (Mixage Benoît le Tirant, Mastering Mathias Taylor)L'wed L'wed, Kebet El Khayl et Heda Wiyet►  Album Abda (Shouka Rd 2025)Bandcamp / Instagram / YouTube Puis, nous nous rendons au 360 Music Factory où s'est tenu le Festival Au Fil des Voix, pour rencontrer Justin Adams qui présente le nouvel album Sweet Release en duo avec le violoniste et chanteur italien Mauro DuranteQuand Justin Adams, guitar hero et compagnon de route de Robert Plant, rencontre Mauro Durante, visionnaire héritier de la Taranta de sa région natale, les Pouilles, l'alchimie est immédiate. Le premier est habité par une approche post punk qu'il adoucit au contact du groove nord-africain en produisant des albums iconiques pour Tinariwen ou Rachid Taha. Le second, violoniste et percussionniste à l'énergie débridée, parcourt le monde avec le virtuose Ludovico Einaudi, partage la scène avec Ibrahim Maalouf, Goran Bregović ou Piers Faccini, puis reprend, après son père, la direction de l'ensemble perpétuant la taranta, cousine de la tarentelle napolitaine. Mais depuis cette rencontre musicale fortuite, et après Still Moving, un premier disque acclamé, ce projet, déroutant, tend à devenir une entité unique et fusionnelle qui elle-même se perpétue. Sweet Release, qu'ils présenteront pour la première fois au public parisien, en est la preuve. Entre vibrations ancestrales et esprit punk, ferveur du tamburello et riffs électriques, Justin et Mauro créent un son brut, dépouillé, qui émeut et envoute. Mauro étant grippé (se reposait pour assurer le concert du soir), nous avons parlé avec Justin Adams.Extraits du concert du 30 janvier au 360 Paris Music Factory (Mixage Camille Roch, Mastering Mathias Taylor)Djinn Pulse, Leuca et Cupa Cupa►  Album Sweet Release (Ponderosa Rd 2025)Facebook / YouTube (Rediffusion du 15 février 2025).

Dive into the 2025 Rock and Roll Hall of Fame induction drama, sparking heated debates over Styx's shocking snub despite selling 50 million albums. Is the Hall favoring “irrelevant” acts like Oasis or Phish's cult-following jam band vibes over rock legends? Listeners flood the lines with spicy takes—Doug's ready to “duke it out” over Jeff's White Stripes vs. Led Zeppelin comparison, insisting Jack White's just a Robert Plant wannabe. Meanwhile, Mr. Rat Pack Can Dance schools Jeff on comma usage with a hilarious “Let's eat, Grandpa” jab, and Trump Hater Rhonda stirs the pot with a hypothetical: What if California, the world's fourth-largest economy, split from the U.S.? Jeremy crunches the numbers, proving the U.S. would still top China's economy, but listener Daniel reminds everyone of California's massive deficits. From Canada-for-California trade fantasies to nostalgic '80s California dreams, this episode is a rollercoaster of laughs, rants, and listener chaos. Catch the full madness and vote on the poll at KZOZ.com!

Here comes the second of two parts featuring some of rock's most celebrated artists who had a penchant for the rich traditions of the corner stone of rock and roll music that leans to the country, including Eric Clapton and J.J. Cale, U2, more Neil Young, more Rolling Stones, Allman Bros, CCR, John Hiatt, Brinsley Schwarz, Nick Lowe, The Who, Robert Plant and Alison Krauss, Pink Floyd plus a Canadian tribute to them, PLUS a ton of bonus content (making this the most in depth radio show podcast episode yet, with yet another dozen plus rock bands, some of whom are sure to surprise, who found themselves in the country too. I'll give you a hint: Metallica country?!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of The Bandwich Tapes, I sit down with the remarkably versatile vocalist and musician David Blamires for a thoughtful and wide-ranging conversation about his global musical journey, his time with the Pat Metheny Group, and his solo career.Born in the UK and raised in Canada, David's voice has left its mark across genres. He's perhaps best known for his work with the Pat Metheny Group, where his signature harmonies and unmistakable tone helped shape the sound of albums like Still Life (Talking) and We Live Here. But his career spans far beyond that, including an extensive resume as a session singer, live performer, and solo artist.Whether you're curious about the world of studio vocals, the dynamics of life on the road, or the creative spark that brings voices together in harmony, this episode offers a fascinating glimpse into the art and craft of a world-class musician.Music from the Episode:Minuano (Six-Eight) (Pat Metheny Group)Last Train Home (Pat Metheny Group)Across the Sky (Pat Metheny Group)Follow Me (Pat Metheny Group)Something to Remind You (Pat Metheny Group)Deep is the Midnight Sea (David Blamires Group)This Time (David Blamires)With Every Passing Day (David Blamires)Learn more about David and his work at davidblamires.com.Thank you for listening! If you have any feedback or questions, or just want to say hi, reach out at info@thebandwichtapes.com — and please help spread the word about the show!Theme music: "Playcation" by Mark Mundy

SummaryIn this episode of the Dawg and Gus Show, hosts Dawg and Gus chat with Bonecat, a musical trio that has evolved from a duo to a three-piece band. They discuss their musical journey, influences, and the vibrant music scene in Ottawa. The conversation touches on their aspirations for the future, the importance of community in music, and valuable advice for aspiring musicians. The episode highlights the significance of playing what you love and the supportive nature of the Ottawa music community. In this engaging conversation, the hosts and guests delve into the world of cover songs, discussing which tracks should never be touched and the nuances of musical interpretation. They explore the art of collaboration in music, sharing anecdotes about iconic performances and the creative process. The discussion takes a light-hearted turn with hypothetical scenarios, such as what songs would accompany a bank heist. The guests also open up about facing creative blocks and their future plans for new music and live performances, emphasizing the importance of good music in their lives.TakeawaysThe band started as a duo and evolved into a trio.Musical influences include Jimi Hendrix, Johnny Winter, and Robert Plant.The Ottawa music scene is rich and supportive.Future aspirations include playing more festivals and releasing new music.Songwriting can be spontaneous and should come from the heart.Community among musicians is vital for growth and support.Playing live is an honor and a thrill for musicians.Aspiring musicians should focus on originality and authenticity.The importance of practicing and learning from other musicians.The Ottawa music scene is diverse and vibrant. Cover songs can be polarizing; some should never be touched.Collaboration in music often leads to unexpected and beautiful results.Hypothetical scenarios can spark interesting discussions about music.Creative blocks are common, but playing through them can help.Iconic performances often leave a lasting impact on musicians.The debate over who did a cover better can be subjective.Good music transcends genres and generations.Live performances create unique experiences for both artists and audiences.Planning for new music requires careful rehearsal and preparation.Music is a therapeutic tool that enhances mood and connection.Chapters00:00 Introduction to the Show and Guests02:04 The Formation of the Band04:25 Musical Influences and Styles07:11 The Role of Each Band Member10:15 Songwriting Process and Creative Dynamics13:18 The Ottawa Music Scene16:14 Awards and Recognition19:17 Closing Thoughts and Future Plans23:06 Voting and AI in Music23:58 Reflections on a Musical Career26:51 The Importance of Live Music29:18 Advice for Aspiring Musicians34:31 Cover Songs and Their Impact40:19 Hypothetical Getaway Soundtrack43:08 Creative Blocks and Overcoming Challenges44:53 Musical Inspirations and Dream Concerts47:46 The Art of Performance and Unique Sounds50:47 Comparing Legends: Hendrix vs. Stevie Ray Vaughan54:46 Decades of Music: The 80s vs. The 90s57:12 Future Plans and Upcoming Performances01:02:35 Dawg and Gus 1.mp3

Listeners of our show know of our love for Led Zeppelin and their iconic lead singer, Robert Plant. Already this year we've devoted 2 shows to Physical Graffiti as it turned 50, a show on The Firm's debut album featuring Jimmy Page and one on the documentary Becoming Led Zeppelin which is now available on streaming services. And though we've reviewed several classic Zeppelin albums, we've also gone track x track on Unledded, Robert's reunion with Jimmy Page in 1994, and his first two solo efforts. Based on the strength of Pictures at 11 and The Principle of Moments and the fact that Robert was working with the same bandmates, we thought it only right that we review his 3rd solo effort, Shaken N Stirred. However, Shaken N Stirred found Robert yearning for a more modern and synthesized sound which is not only different from his first two solo albums but not in the wheelhouse of his talented bandmates. In an effort to sound more like Talking Heads, Robert embraced the latest technology and styles of the day. The result is not only a departure from his signature sound but a miss in making a record that would sound good in 1985, nevermind 40 years later. While Little By Little was a hit in the US (#1 Mainstream Rock), the rest of the record is a mish mash of sounds that don't necessarily make listenable songs. The listening public in the US revolted against the 2nd single Too Loud and rock fans in Chicago demanded that they "Get that sh*t off the air!" While we admire artists for going in new directions and not wanting to be stuck by what the public deems as "their sound", this album didn't win Robert any new fans and alienated many that he already had. With that in mind, we did our best to pick out what we did like and tried to understand what Robert was attempting to do. Amidst the backdrop of his marriage ending and his unsure footing in the music world post Led Zeppelin, this one stands out in his catalog as one maybe he wishes he could do over (or at least we wish he would). Robert would continue to reinvent himself throughout his career with some amazing results. But as this misstep turns 40, we dive into what went wrong. Check out our new website: Ugly American Werewolf in London Website Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

After a couple of weeks off for rest and recalibration, Badass Records is back with a new episode, and this one features the fantastic Cole Bales of Black Light Animals.Cole is a son, a brother, a boyfriend, a bandmate times two, and he's my guest for Episode No. 164.Black Light Animals has an upcoming RecordBar gig. That's Thursday, May 1st at RecordBar. They also have a new album out. It's called Last Call Love Songs, and you can find it digitally or get yourself a vinyl copy via their Bandcamp, or at blacklightanimalsband.com. Cole's also a member of The Freedom Affair, and they have a gig, Friday, May 2nd at The Madrid. So, please check them out, too.My conversation with Cole involved growing up, the art of recording and producing, bandmates, family, and -- of course -- a few of his favorite albums. Those were these:The White Album (1968), The BeatlesGeorge Harrison's All Things Must Pass (1970)Exile on Main Street (1972), The Rolling StonesThe Black Keys' Brothers (2010)Tranquility Base Hotel & Casino (2018), The Arctic MonkeysIt was both a pleasure and a joy meeting Cole and chatting with him. Follow @blacklightanimalsband on Instagram, and make sure you're dialed in with all that Cole has going on.Cheers.copyright disclaimer: I do not own the rights to the audio clips contained within this episode. They are snippets from a track called, "Rich Woman" by Robert Plant and Alison Krauss, and it's the leadoff track from their 2007 release, Raising Sand (c/o Rounder Records, distributed by Concord).

Listeners of our show know of our love for Led Zeppelin and their iconic lead singer, Robert Plant. Already this year we've devoted 2 shows to Physical Graffiti as it turned 50, a show on The Firm's debut album featuring Jimmy Page and one on the documentary Becoming Led Zeppelin which is now available on streaming services. And though we've reviewed several classic Zeppelin albums, we've also gone track x track on Unledded, Robert's reunion with Jimmy Page in 1994, and his first two solo efforts. Based on the strength of Pictures at 11 and The Principle of Moments and the fact that Robert was working with the same bandmates, we thought it only right that we review his 3rd solo effort, Shaken N Stirred. However, Shaken N Stirred found Robert yearning for a more modern and synthesized sound which is not only different from his first two solo albums but not in the wheelhouse of his talented bandmates. In an effort to sound more like Talking Heads, Robert embraced the latest technology and styles of the day. The result is not only a departure from his signature sound but a miss in making a record that would sound good in 1985, nevermind 40 years later. While Little By Little was a hit in the US (#1 Mainstream Rock), the rest of the record is a mish mash of sounds that don't necessarily make listenable songs. The listening public in the US revolted against the 2nd single Too Loud and rock fans in Chicago demanded that they "Get that sh*t off the air!" While we admire artists for going in new directions and not wanting to be stuck by what the public deems as "their sound", this album didn't win Robert any new fans and alienated many that he already had. With that in mind, we did our best to pick out what we did like and tried to understand what Robert was attempting to do. Amidst the backdrop of his marriage ending and his unsure footing in the music world post Led Zeppelin, this one stands out in his catalog as one maybe he wishes he could do over (or at least we wish he would). Robert would continue to reinvent himself throughout his career with some amazing results. But as this misstep turns 40, we dive into what went wrong. Check out our new website: Ugly American Werewolf in London Website Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Eight days after the shambolic Live Aid reunion Jimmy Page joined Robert Plant onstage at the Brendan Byrne Arena, in East Rutherford, NJ. The contrast between the two gigs couldn't be greater. Robert's voice is virtually perfect and Jimmy's guitar (and Jimmy himself) are in tune. I play an aching beautiful Young Boy Blues from his then current Honeydrippers EP, and then I play the two encores Jimmy played with the band; the first being a standard blues number (I don't know if it has a name), and then a fiery run through of Treat Her Right, which calls back to when they jammed the same tune two years earlier. This is a great performance and a shining testimony to the viability of a Page/Plant collaboration even back then, when they sniped at each other in the press.

EPISODE 127: Francis Dunnery defies easy categorization. His work reflects a deep commitment to personal freedom and individuality. While his style is often playfully philosophical, he's also capable of crafting achingly profound, beautiful music. Dunnery first gained public recognition in the 1980s as the lead vocalist and guitarist of the progressive rock band It Bites, achieving chart success across Europe and Asia. Since then, he has embarked on a diverse musical journey spanning over three decades, collaborating with renowned artists such as Robert Plant (Led Zeppelin), Carlos Santana, Chris Difford (Squeeze), Ian Brown (The Stone Roses), Lauryn Hill, and Steve Hackett (Genesis). He has also performed with legendary bands like Yes and Hootie and the Blowfish, and shared the stage with the iconic Chris Squire. Beyond these collaborations, Dunnery is a celebrated rock icon in his own right, having released over ten albums of original and diverse compositions, achieving international chart success. He is also the founder and president of The Charlie and Kathleen Dunnery Children's Fund (CKDCF), a charity dedicated to children's health and wellness in West Cumbria, England. The CKDCF hosts an annual benefit concert and charity walk, attracting support from some of the biggest names in rock and roll history. Dunnery is more than just a musician. He's an educator, a master songwriter, a mentor, and a storyteller. As Robert Plant once observed, “Francis Dunnery should be a public service.” For over four decades, he has consistently created original and engaging entertainment for his fans, from new CDs and live concerts to astrology readings and house concerts. Today, more than ever, Dunnery remains dedicated to his own personal freedom and individuality, and encourages the same in his audience. He continues his music and philosophical studies and plans to live a long and fulfilling life.Contact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

This show, February 27, 1996, is the third to the last for Page/Plant's No Quarter tour, and it is smokin'! The band hasn't lost a step since their legendary Japanese shows of a few days prior. This is an excellent audience recording which maintains the high bar set in Japan, quality-wise. I play a ridiculously hot In The Evening, and the two encores which took the roof off the place. Black Dog and Rock and Roll. The latter two are sung with Robert Plant going alllllll out; hitting notes one doesn't expect. The band are in a great mood and the audience is locked in all the way. A great show with top of their game performances.

When Led Zeppelin disbanded in 1980 after the tragic death of drummer John Bonham, the world never wanted to accept the fact that the group would be no more. While we can't go see the band play live, Sony Pictures Classics has provided a chance for us to witness the next best thing, a docu-concert film called Becoming Led Zeppelin. Join us as we celebrate this fantastic film along with John Paul Jones, Jimmy Page, and Robert Plant! Hear some stories, and of course, some amazing Rock and Roll music that DESERVES to be heard!

Some modern bands—ones like Jack White, Larkin Poe, Greta Van Fleet and Marcus King among others—they are beginning to standout for their exceptional musical talents while still holding onto what has become somewhat of a lost art form.  “It's not uncommon that young people are making music that nods to the past,” according to the lead guitarist of one of those bands, Tyler Armstrong of The Band Feel, during the first episode of Season 6 of The Load Out Music Podcast.  Only about two years old, The Band Feel evolved out of the now-defunct Alton, Illinois-based band known as Nick Bifano and the Innocents. It has quickly become a dynamic quartet, driven by the partnership of Armstrong and lead vocalist Garrett Barcus. Rounded out by drummer T.J. Steinwart and Kadin Rea on bass guitar, the band has quickly become known for its sizzling performances that pay homage to the classic rock era while adding a modern twist. Most comparisons place the The Band Feel somewhere between Led Zeppelin and The Black Crowes, and indeed, watching Armstrong and Barcus on stage is reminiscent of the chemistry once displayed by Robert Plant and Jimmy Page.   The Band Feel had what Armstrong calls its “coming out party” just after Covid, releasing an EP that was produced by the five-time Grammy-nominated and ASCAP award winning producer, Paul Moak, at The Smokestack in Nashville. The quartet hit the road in support of Dirty Honey last Fall on the “Can't Find The Breaks” tour, playing more 30 markets in theatres across the US.    So with the newness of success, Armstrong—who is remarkably quiet and unassuming—is taking it day-by-day, just trying to focus on building a stronger brotherhood with his bandmates.  “We're still pretty new to this thing,” he said with great humility. “I think we view ourselves as special but it's always interesting hearing it. The only expectation in this world is to treat someone as good as you can. It goes deeper than my service level statement. With the band the only expectation is that you treat those of us in the band the best you can.” Special indeed. Welcome to Episode 1 of Season 6 of The Load Out Music Podcast with Tyler Armstrong of The Band Feel. You should be hearing a lot about the band in the coming years.

On this special episode of Wolves Express we celebrate the career of Steve Bull as the Wolves legend turns 60. We hear from fans, journalists and senior figures from Wolves including Robert Plant and Suzi Perry. Despite not kicking a football in nearly a quarter of a century, Bully still has a massive impact and legacy at Molineux. Get more of the latest Wolves news at www.wolves.co.uk. Learn more about your ad choices. Visit podcastchoices.com/adchoices

As long-time followers of our show are aware, The Wolf and Action Jackson are HUGE Led Zeppelin fans. When it was announced several years back that there would be a Led Zep documentary coming, we were psyched and knew that we'd not only have to go see it on the big screen but do a review on UAWIL. However, we we didn't know that director Bernard MacMahon had not only unearthed and cleaned up video of a performance by the band in Bath from 1969, but he also uncovered a never-before-heard audio interview of John Bonham. Thanks to that interview, he was able to get reflections from all four members of Led Zeppelin on their journey to becoming the biggest band in the world. Instead of being a complete career retrospective, this film focused on the back stories of each member - how they grew up, when they became fascinated with rock music, which artists turned them on and how they found their way into the music business. Most fans know that Jimmy Page was on tv with his skiffle group as a kid before becoming a premier session guitarist in London. But did you know that John Paul Jones learned so much from his father, pianist John Baldwin, and was a choirmaster at age 14? Did you know Robert Plant would try many different types of groups, hairstyles and scenes before he ever became a Golden God? Learning how Jimmy Page put the first record together so he would have leverage with record companies to not only get better royalties but to not be forced into releasing singles is just one amazing insight into how Led Zeppelin became the juggernaut, especially in the US, that would define their legacy. Action went to great lengths to see this movie and offer his perspective so give us a listen and see this film in the theaters while you can - the video and sound is amazing!! Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

As long-time followers of our show are aware, The Wolf and Action Jackson are HUGE Led Zeppelin fans. When it was announced several years back that there would be a Led Zep documentary coming, we were psyched and knew that we'd not only have to go see it on the big screen but do a review on UAWIL. However, we we didn't know that director Bernard MacMahon had not only unearthed and cleaned up video of a performance by the band in Bath from 1969, but he also uncovered a never-before-heard audio interview of John Bonham. Thanks to that interview, he was able to get reflections from all four members of Led Zeppelin on their journey to becoming the biggest band in the world. Instead of being a complete career retrospective, this film focused on the back stories of each member - how they grew up, when they became fascinated with rock music, which artists turned them on and how they found their way into the music business. Most fans know that Jimmy Page was on tv with his skiffle group as a kid before becoming a premier session guitarist in London. But did you know that John Paul Jones learned so much from his father, pianist John Baldwin, and was a choirmaster at age 14? Did you know Robert Plant would try many different types of groups, hairstyles and scenes before he ever became a Golden God? Learning how Jimmy Page put the first record together so he would have leverage with record companies to not only get better royalties but to not be forced into releasing singles is just one amazing insight into how Led Zeppelin became the juggernaut, especially in the US, that would define their legacy. Action went to great lengths to see this movie and offer his perspective so give us a listen and see this film in the theaters while you can - the video and sound is amazing!! Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back with a Very Special Episode of The Pod Remains The Same!This time, we tackle the new documentary, Becoming Led Zeppelin.  This long awaited documentary delves into the origins of the band, from their upbringings in England, to how they came to be musicians, and finally, how they...became Led Zeppelin.The documentary is chock full of new interviews with John Paul Jones, Jimmy Page, and Robert Plant, as well as newly discovered audio interviews with the late John Bonham that tell the story of how this legendary band came together to conquer the rock world like no other.Hosted by Chris Karam and Brad Page

Dave and Milt delve into the week of March 12, 1988, examining the Billboard Album Rock Tracks chart. They analyze songs from artists like Mike Oldfield, George Thorogood, and INXS, and critique what has aged well and what hasn't. Highlights include discussions on Aerosmith's 'Angel,' John Cougar Mellencamp's 'Check It Out,' and David Lee Roth's 'Damn Good.' They also explore notable tracks that didn't make the top 10, with a focus on the three-name artists in their 'Playdate' segment.  Topics 01:29 Listener Reactions and Feedback 07:32 Time Machine: March 12th, 1988 08:40 Mainstream Rock Chart: 1988 40:24 Controversial Jokes and Boundaries 40:45 Discussing Michael Hutchence and Family Guy 41:36 Rock Countdown and In Excess 42:44 Kingdom Come and Led Zeppelin Comparisons 50:44 Sting's Solo Career and Grammy Nominations 59:25 David Lee Roth's Solo Hits and Career 01:08:48 Play Date: Artists with Three Names 01:21:30 Debating Song Titles and Expressions 01:21:32 The Beastie Boys and Clarifications 01:22:15 Colloquial Expressions and Ivy League 01:22:53 At the End of the Day: A New Expression 01:23:24 Comedy and Self-Deprecation 01:24:15 John Cougar Mellencamp and Brad Pitt 01:28:07 Aerosmith's Ballads and Comebacks 01:34:45 Guitar Hero and Aerosmith's Success 01:40:28 Robert Plant's Solo Career 01:45:00 Recap and Reflections

Recibimos en nuestros estudios al grupo aragonés de los ochenta Alta Sociedad coincidiendo con la publicación de su nuevo trabajo.También charlamos con el músico navarro Alejo un día antes de su concierto en nuestra comunidad.Además suenan Modelo (Sargento De Hierro FEAT Elem), Nat Simons (Iberia Sumergida), Françoiz Breut (Si Tu Disais), Nuria Culla (Fuego), Marwan (La Vida Cuesta), Robert Plant (29 Palms), MOVE (Del Rigor En La Ciencia), The Hermetics (I Will Make You Pay) y Javier Ojeda (Diez Razones Para Vivir DIRECTO).

Welcome to Epsd 86! This week your fearless hero's discuss everything from Ron's not smoking weed for 1 yr this month to how some people like Snoop Dogg can be very successful and most can't smoking lots of weed to America's quality of life and use of drugs to the new Canadian Prime Minister and the Canadian and Mexican responses to US tariffs to the difference between EU, British and Canadian news compared to the emotional and triggering conservative and liberal news channels in the US. Your favorite podcasters also discuss how the Trump is causing inflation in home building, food and cars to how he's announced nothing to reduce costs as he campaigned on to win the election. Mike and Ron also discuss how the democratic party continue to fail at learning how t speak to typical Americans to how uninformed the general American public is to Led Zepplin and how Robert Plant use to flaunt his junk to moral bankruptcy of the American electorate to reaction videos and so much more! Don't forget to Subscribe to our Podcast here, and follow us at: @mikesasson & @ronbushofficial on Instagram and @mikeandronheretohelp on Youtube.

JD McPherson is a singer-songwriter and guitar player who's put out records on Decca, Rounder and New West, toured or collaborated with Dan Auerbach, Nick Lowe, and Lucius, is the guitar player for Robert Plant & Allison Krauss, as well as opening the shows with his own band, and is the producer of the recently-announced Jessica Simpson (comeback?) record.. We talk to JD about all modes of touring - from bus to plane to our shared affinity for van and trailer, touring to experience different cultures and meet new people, the long game of building a body of work and the value of word of mouth, Tulsa Oklahoma, and the advice that Nick Lowe shared with him backstage.Get more access and support this show by subscribing to our Patreon, right here.Links:JD McPhersonEp 3 - The Milk Carton KidsNick LoweJP HarrisEp 73 - Edwin McCainSpike Leetourfood.usBobnet.rocksRobert Plant & Allison KraussWe Jam Econo docPaul AcklingTheo LawrenceKen PomeroyWilderadoEp 41 - Samantha CrainEp 80 - John MorelandBronchoClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Happy Women's History Month from your feminism-supporting pals at ATTT. Here in Top Ten "Woman" Songs we're celebrating the LA Woman, the Evil Woman and even the Long Cool Woman (In A Black Dress). Our good friends Sky Nicholas and Tara Austin are back to help us count down our favorite songs with that magic word in the title. Picks 5-1 are featured here in Part 2.If you missed Part 1 go here:https://podcasts.apple.com/us/podcast/episode-658-top-ten-woman-songs-part-1-w-sky-nicholas/id573735994?i=1000697377197Hear every song heard in Parts 1 & 2 in the official Top Ten "Woman" Songs Spofify playlist:https://open.spotify.com/playlist/5axiLdjK3EviNjD5WmnBKA?si=5d36a0df956e4225Find our humble guests Sky & Tara on the socials!https://www.instagram.com/skyroxxu/https://www.instagram.com/austintatioustunes/We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. Our man in Maryland Gabe Scalone joined for an all new episode!Find out more at https://www.patreon.com/c/alltimetopten

This week, we start a new series all about appreciating the shredded, gravelly, gritty, raspy pipes and throats of rock n' roll. We are focusing on lead singers who crafted truly special tones with their sandpapered delivery. Join us in celebrating these unique sets of pipes that set them apart from all the others. Anyone can scream, but only a few deliver gravel, grit & glory!What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. Our appreciation, this week, of rough and textured singing extends to all of the genres that we love. Kevin never realized how much this style of vocalizing had an impact on him until putting this whole thing together. As always, we hope we turn you onto something new!Songs this week include:Metal Church – “Ton Of Bricks” from The Dark (1986)Hot Water Music – “Trademark” from Fuel For The Hate Game (1997)Love/Hate – “Blackout In The Red Room” from Blackout In The Red Room (1990)The Baboon Show – “Gold” from God Bless You All (2022)Grave Digger – “Hymn Of The Damned” from The Living Dead (2018)The Distillers – “Die On A Rope” from Coral Fang (2003)Asomvel – “Born To Rock ‘n' Roll” from Born To Rock ‘n' Roll(2024)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/inobscuria/og-shopCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Welcome back Buddies! For this latest 'sode on Vinyl Community Podcasts, we have a guest and a conversation so rare, so valuable, so unique, that we had to enlist another host to reign in this collecting madness! Joined in the co-pilot seat by Spinz Vinyl (Jason), we speak with Wayne Johnson: co-owner and co-founder of Rockaway Records in Silver Lake, CA. Founded alongside brother Gary Johnson in 1979, Rockaway has seen the peaks, valleys, and rebirth of music on vinyl, while also growing, shrinking, and pivoting their business in various forms along the way. What once was the largest store in the Los Angeles area, Rockaway has diversified their focus to not only include the rarest of vinyl recordings, but also pieces of memorabilia that can only be dreamed about.  We are talking much more than a Beatles' "Butcher" covers here: think BIGGER...think RARER....think UNBELIEVABLE pieces, unreal stories, and customers that would make the Rock 'n Roll Hall of Fame Museum blush: Jimmy Page, Steven Tyler, Robert Plant, Chris Robinson, and other music loyalty. Even Lucinda Williams once worked at this legendary store! We are talking items that the public rarely gets to see, with access and the ability to provide a revolving inventory that not few stores can compete with.  Also in the conversation Wayne shares some great advice for those considering seriously purchasing unique vinyl or memorabilia, gives his thoughts on the emerging "slabbing" of vinyl, and offers his opinions on auction house buys and sourcing today versus 10, 15, 30, and even 45 years ago at the beginning of his journey. It's a fun walk down memory lane, and one you will find here RIGHT NOW on Vinyl Community Podcasts! Walk with us!

In this episode Jason returns to the podcast as we discuss Becoming Led Zeppelin. BLZ is currently showing in theaters for a limited time. We give thoughts on the documentary, interesting details we learned about Zep's history, The Yardbirds, Jimmy Page, Robert Plant, John Bonham, and the multi faceted John Paul Jones, seeing Page/Plant live in 1995, Peter Grant, the band's unending importance, and many other stories of Led Zep fandom. Thanks for listening, and please share! This episode is brought to you by DEB Concerts. Follow DEB on Facebook and Twitter to get updates on upcoming shows including Rocklahoma performances from Dee Snider, Orianthi, Mike Tramp and more! This episode is also brought to you by Sunset Tattoo Tulsa. Sunset Tattoo has over 25 years of experience, and is located at 3146 E. 15th St. in Tulsa, OK. Native owned, and a female tattoo artist in house. The tattoos are "Done Good and Proper" so be sure to like their facebook page for more details. Stream us anytime everywhere podcasts are heard.

Show Open 02.22.25 --Fav Led Zeppelin tune-SNL's 50th had a massive audience watching-Gen Z won't pick up the phone To subscribe to The Pete McMurray Show Podcast just click here

Director Bernard MacMahon joined us to talk about his new doc ‘BECOMING LED ZEPPELIN'Watch the trailer here (It's so good)Bernard talks:-How Led Zeppelin grew up in the 60's-They bulldozed through 1969, released two albums Zep I & II and toured-This is the climb to the top To subscribe to The Pete McMurray Show Podcast just click here

Lennon and McCartney eloquently recited an affirmation stating that In My Life I Loved Them All.The affection for certain artists and the melodic poetry they injected into our souls has remained in our wiring through the good, the bad and the uncertain times of our lives.One beloved gentleman we cherish was known as Arthur Alexander. Known as June to his closest companions, he was a one of a kind country-soul songwriter and singer. It can easily be said that he invented the genre.The fifth American studio album by  the Rolling Stones, released in December 1965, contained the Alexander classic "You Better Move On". From that moment on I was hooked on his intimate honesty and at times, the violent dillemas created within the stories he told.From "Anna" to "Rainbow Road" he took us into a world of hurt, light and truth."Anna" was first made familiar to us all through the Beatles cover version of this classic.On June 17, 1963, they performed the tune for the BBC radio show Pop Go the Beatles and was included on their Vee Jay LP Introducing The Beatles.In 1994, "Adios Amigo: A Tribute to Arthur Alexander" was released with industry legends engaging their versions of some of his classics.Roger McQuinn, the man whose voice elevated the Byrds to historic heights recorded "Anna" for the occasion.His reading of this tear stained composition is dealt a tender touch and inspires the notion that when the very best translate the very best, we are often rewarded beyond emotion.On that same tribute recording, another  unexpected performance is revealed.Robert Plant, known for his howling , screeching and a jet plane vocal roar illustrated in the metal blues ventures of Led Zeppelin offered up a remarkable surprise. Plant's ability to take Arthur's haunting chant' "If It Really Has To Be This Way" down a road of interrpretation few of us knew he could travel,  is a revelation which should inspire every singer to better worlds.Once again, proof of emotive genius is discovered when a vocalist of Plant's caliber is sworn to the oath of conveying the inner depth of the heart as written by a master of song craft.And so we enter this new realm of Double Trouble with the talent and awe of three pioneers of popular music.We double down on the voices of Robert and Roger as the giant shadow of Arthur Alexanderconducts a human orchestra of words, urges and the need to confess that which few are capable of expressing with such passionate poise.Robert remains with us at 82 and Roger at 76.Arthur Alexander boarded The Mystery Train on June 9, 1993 at 54.Ladies and gentleman. Welcome To Double Trouble.Rich Buckland

This gent made a fine documentary about the early days of Led Zeppelin. Bret and Bernard talk about unearthing archival footage and why Robert Plant had so much penicillin in those heady times.

Here is a special episode featuring the creative minds behind the new film, "Becoming Led Zeppelin." Director Bernard MacMahon and co-writer and co-producer Allison McGourty join Staci to discuss the creative choices they made when editing the documentary, what it was like to sit down and interview Robert Plant, Jimmy Page, and John Paul Jones (as well as giving a voice to the late John Bonham), and much more.

By the time that Led Zeppelin was releasing their sixth studio album, they were solidly on top of the rock pantheon.  They had just switched to Swan Song Records, their own label, and had plenty of time to create this double album work, Physical Graffiti.  They had three sides-worth of new songs largely recorded at Headley Grange in Hampshire in early 1974, and they expanded it to a double album by including unreleased tracks from sessions for their previous three albums.  Physical Graffiti went to number 1 on the UK chart and number 3 on the US charts immediately.  They had planned to release the album in November 1974, but delays in producing the album's sleeve design pushed it back to February 1975.  Demand was so strong that it became the first album to go platinum on advance orders alone.The album itself reflects a diversity that runs from hard rock to prog rock to funk - even country and honky-tonk get represented.  The group never seemed too interested in creating single-friendly compositions, so many tracks run well over 6 minutes, along with some shorter instrumental numbers.  Led Zeppelin was considered the biggest rock band on tour during this time, and Physical Graffiti was the album that wrapped up this period.  Robert Plant was in a serious car accident with his wife in August 1975, and the group went on hiatus from touring until 1977.  Many consider this album to be the high water mark for the Led Zeppelin discography.  Bruce presents this monster double album for this week's podcast. KashmirThis is one of Led Zeppelin's signature songs.  It started as an instrumental recording from Jimmy Page and John Bonham.  Robert Plant wrote the lyrics while vacationing in southern Morocco (not Kashmir, as no band members had been there when this song was written).  John Paul Jones plays mellotron and added the orchestration which was played by session musicians.  All members of the band consider it one of their best tracks, and it has played in almost every concert since its debut.Trampled Under FootThis is a funk piece largely created by John Paul Jones.  The beat was inspired by Stevie Wonder's “Superstition,” and the lyrics are drawn largely from Robert Johnson's “Terraplane Blues.” Jones originally created this in the soul genre, but John Bonham convinced the group to add a more funky feel. The Wanton SongMany Led Zeppelin songs have a title which does not appear in the lyrics, and this is one of those.  Jimmy Page developed the riff in 1973 and brought it to the Physical Graffiti sessions.  Page uses a backward echo on this, where the echo appears before the note.  It was played during the 1975 tour but was dropped from the setlist thereafter, making it perhaps a deeper cut.  Houses of the HolyThis track is one of the unreleased tracks from previous sessions.  It was intended as the title track from their fifth album, but was considered too similar to other songs on the album and was dropped.  Led Zeppelin never played this song live.   ENTERTAINMENT TRACK:Movin' On Up (Theme from the television series “The Jeffersons”) This sitcom was a spinoff from “All In the Family” which got its start in January 1975.  STAFF PICKS:Any Major Dude Will Tell You by Steely DanLynch kicks off the staff picks with the B-side from “Rikki Don't Lose That Number.” Donald Fagen says that the inspiration was hearing a lot of people using the term “dude” after they moved to L.A., finding the phrase funny and deciding to include it in a song.  The idea is that times will get better, and hope is around the corner.Cat's In the Cradle by Harry ChapinRob brings us a folk rock story about a father who finds the tables turned.  He didn't have time for his son as he was growing up, and his son doesn't have time for his father when he is older.  The lyrics were inspired by a poem written by Chapin's wife regarding her first husband's strained relationship with his father.Angie Baby by Helen ReddyWayne features another storytelling song, this one with some spookiness.  Angie is a girl of questionable sanity who lives in her own world at home with her parents.  When a neighborhood boy decides to make advances on her when her parents are gone, Angie causes him to disappear into the music of her radio…  It was a number 1 hit song.Changes by David BowieBruce closes out the staff picks with a song that largely flopped when originally released as a single in 1971.  Bowie's “Hunky Dory” album did not do well until it got a second look after his 1972 release “The Rise and Fall of Ziggy Stardust and the Spiders from Mars.”  It was re-released in 1975 as a single and went to number 1 in the UK.   INSTRUMENTAL TRACK:Bron-Yr-Aur by Led ZeppelinWe close out with some double dipping from Physical Graffiti for this acoustic instrumental.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

In the 2nd episode of ROTY 1970, Chris and Steve discuss and score the 3 biggest albums of the year according to Spotify streaming data using their tried and true ROTY rubric:1. Production2. Vocals & Lyrics3. Musical Prowess4. Average Song Score5. Listenability & LegacyAfter that, they score their first "One for Chrissy" album pick of the season. Tune in next week for Part 2 as they round out the top 6 albums of the year and tackle their inaugural "One for Stevie" selection.Our Spotify 1970 Playlist https://open.spotify.com/playlist/4wh5TDngA4VGroLf04Ouw5?si=a1c9404181bf4babE-mail:RecordOfTheYearPod@gmail.comInstagram:@recordoftheyear_podcast

Tim Palmer is a renowned producer and mixer who has worked with an extensive roster of iconic artists, ranging from Robert Plant, David Bowie, and Tears for Fears to Ozzy Osbourne, The Goo Goo Dolls, and U2. With the recent success of The Psychedelic Furs' latest album, which he mixed, Tim has achieved the remarkable milestone of contributing to UK Top Ten albums across five decades.Tim's career includes mixing Pearl Jam's Ten, one of the top 50 best-selling albums of all time. This landmark record was inducted into the Grammy Hall of Fame in 2021. In 2001, Tim was nominated for a Grammy for his mixing work on U2's All That You Can't Leave Behind, an album that won the Grammy for Best Rock Album. Tim also mixed the Grammy-winning tracks Stuck in a Moment and Elevation from the same release.Currently based in Austin, Texas, Tim continues to collaborate with prominent artists such as Tears for Fears, Jason Mraz, Blue October, The Polyphonic Spree, H.I.M., and The Psychedelic Furs. In 2014, he mixed Map to the Treasure by Billy Childs, an album that earned three Grammy nominations.In recent years, Tim has contributed to projects with Grammy-winning producer Larry Klein, mixing works by Kandace Springs, Lang Lang, Lizz Wright, Luciana Souza, and two multi-artist jazz albums honoring Charlie Parker and Jacques Brel. Additionally, he co-produced Ville Valo's (VV) latest album, which debuted at #4 in Germany, and mixed The Tipping Point by Tears for Fears, which reached #8 on the Billboard 200.Beyond the studio, Tim has served two terms as a Recording Academy Trustee and sits on the advisory board of Sonic Guild (formerly Black Fret), an Austin-based nonprofit that supports local musicians as artists deserving of patronage. Over four years, Sonic Guild has provided more than $3.5 million in grants and performance payments to Austin's vibrant music community.IN THIS EPISODE YOU'LL LEARN:Learning the good and bad traits of other producers/engineersBeing open to working in all genresFinding the beauty in production detailsThe flow of an albumStaying on top of musical/production trendsMixing Pearl Jam's “Ten”The challenges of doing remixes/remasters of classic recordsAdding elements in the mixing stageNot being afraid to edit tracksGetting snares to crack and cut through mixesAdding cymbal samplesPreserving imperfectionsTo learn more about Tim Palmer, visit https://timpalmer.com/Looking for 1-on-1 feedback and training to help you create pro-quality mixes?Check out my coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/Want additional help with your music productions?For tips on how to improve your mixes, visit https://masteryourmix.com/Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/Get your copy of my Amazon #1 bestselling books:The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.comThe Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio:

Reflections on the passing of Marianne Faithful and her time with Metallica. Steve talks about touring with Metallica and we speculate on the future of stadium touring. In the most recent edition of things kids won't ever know, we talk about road trips we took before GPS existed. We think the M3 festival line up criticism is fairly justified and David Lee Roth is questionable at best as a festival headliner. Sinead O'Conner gave her kids some industry advice in her will that we think is brilliant. Steve talks about the night Robert Plant picked up the check at dinner. Steve reviews the Bob Dylan biopic "A Complete Unknown" and apparently there is a football game coming up?See omnystudio.com/listener for privacy information.

This episode of Seeing Them Live features an in-depth and in-person conversation with Ray the Roadie and Hollywood Mike, hosts of the Rock and Roll Chicago podcast. Joined by producer and co-host Doug Florzak, the episode was recorded inside the Illinois Rock and Roll Museum on Route 66 in downtown Joliet, Illinois, where the Rock and Roll Chicago podcast is also recorded. The Rock and Roll Chicago podcast provides a platform for bands and musicians from the Chicago area, delving into the history of rock and roll in Chicago and Illinois, the current scene, and the challenges and opportunities for musicians today. Mike and Ray share humorous anecdotes, such as Mike jokingly proposing 'The Procrastinators' as a name for his next punk band, and Mike mentioning his varied musical activities, including performing with bands like Cadillac Groove and Mike and the Stillmasters, and his solo work. Mike also uncovers a rich musical heritage after meeting a cousin who fronts a Zydeco band in Louisiana, leading him to discover his extended family's significant contributions to various facets of the entertainment industry. Ray recounts his multifaceted career journey, involving roadie work, being a firefighter for 28 years, and later diving back into music and podcasting post-retirement. Personal anecdotes include Ray's memories of his first concert, seeing Chicago Transit Authority, and his best concert experience with ZZ Top, where he enjoyed backstage access and partied with the band. Mike fondly recalls his first concert, a Billy Squire show with Def Leppard as the opener, and his best concert experience, which was a transformative Buddy Guy performance that inspired him to become a musician. The episode concludes with Ray and Mike previewing their plans for upcoming podcast episodes and discussing the Illinois Rock and Roll Museum's ongoing development and various exhibits, including guitars from Buddy Guy, and its status as a non-profit organization reliant on donations and memberships for support.BANDS: 4 Non-Blondes, Alison Krauss, Billy Joel, Billy Squire, Buddy Guy, Cadillac Groove, Def Leppard, Flat Cats, Iron Maiden, Joker, Led Zeppelin, Lynyrd Skynyrd, Mabel's, Mike and the Still Masters, Outlaws, Rage Against A Machine, REO Speedwagon, REM, Robert Plant, Stevie Ray Vaughan, Train, Vulgar Boatmen, Wrought Iron Soul, ZZ Top.VENUES:  Alpine Valley, Chicago Theater, El Macomber, Illinois Rock and Roll Museum, Illinois Rock and Roll Museum on Route 66, International Amphitheater, Mabel's, Ravinia, Rialto Square Theater, Rosemount Horizon, Route 66, Taste of Westmont, The Amphitheater, The Flat Cats, The Forge, The Riviera Theater. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

1975, Led Zeppelin were at the height of their rock god power. They'd made 5 albums that sold off the charts, especially in the US where they enjoyed the fruits of their labors on the Sunset Strip. They were a top touring act that could fill arenas and stadiums with four of the best individual musicians in any band. They founded Swan Song Records to not only handle their own records but even signed acts like Bad Company and Detective to the label. So after some time off they headed back to Headley Grange where they'd recorded for Led Zeppelin III & IV in early 1974 to lay down some tracks. The results were among the heaviest, funkiest, longest, most epic and groovy songs in the Zeppelin catalog. But because they made more than 1 LP's worth of material, they decided to dust off a few tunes from previous sessions, rework them and fit them all into what would be Zeppelin's only double album, Physical Graffiti. The first album to ship platinum in the US, it would eventually go 16x platinum (but only 2x platinum in the UK). Hitting #1 on both sides of the Atlantic, it's too epic for just one episode. So we've divided into LP/CD one on this episode and UAWIL 219 will go in depth on LP/CD 2. The first disc of Physical Graffiti is an extraordinary album on its own. From the riff & groove of Custard Pie, maybe the best opening track on an LZ album, to the epic and otherworldly Kashmir the boys flex and stretch like they hadn't before. Jimmy Page is at his best laying down killer slide on In My Time Of Dying, riffing out on The Rover and leading the boys in jams on Trampled Under Foot. John Paul Jones is killer on the bass and the clavinet which give different textures to the tunes. John Bonham is at his thunderous best while his mate Robert Plant still had the range and emotion that made him a legend. Going track x track and watching some old Zeppelin footage from Earls Court 1975 and Knebworth 1979 reminds us that we missed one of the greatest bands to walk the Earth and they should be celebrated. Part 2 will be episode 218 out soon! Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

moe. has been a band for almost 36 years, and they're getting ready to release a brand new album! moe. has played Red Rocks a dozen times, they've played Radio City Music Hall, they've played with the Grateful Dead, opened for The Who, Robert Plant and The Allman Brothers and they were nice enough to stop by the Doc G Show! Vinnie Amico moe.'s drummer stopped by to talk about getting into moe., his Christmas cards, his cats, playing with the Grateful Dead, making Chicken Riggies, hanging out with Robert Plant, and making the new moe. album! Meanwhile during the rest of the show Mike ponders whether he's related to any famous historical figures (good or bad) and Doc and Mike reminisce about 50 different one hit wonders of the 90's. Listen Now! Introduction: 0:00:21 Birthday Suit 1: 10:23 Ripped from the Headlines: 14:36 Shoutouts: 34:23 Vinnie Amico Interview: 39:13 Mike C Top 3: 1:20:20 Birthday Suit 2: 1:53:22 Birthday Suit 3: 1:55:39

Gavin Lurssen has been a mastering engineer since 1991. He is a thirteen-time Grammy nominee and four-time Grammy winner. Artists whose albums he has mastered include Ringo Starr, Jackson Browne, the Foo Fighters, Ben Harper, Queens of the Stone Age, Robert Plant & Alison Krauss, Eric Clapton, Sara Bareilles, and Chvrches, to name just a few. Soundtracks include Game of Thrones, Jack Ryan, The Mandalorian, Captain Marvel, Black Panther, The Flash and Westworld. He is a graduate of The Berklee College of Music in Boston and is a recipient of their Distinguished Alumni Award.IN THIS EPISODE YOU'LL LEARN ABOUT:Working with Doug SaxSetting expectations with clients about what they want vs. what they needWhy loudness doesn't matter in masteringHow streaming services alter your musicThe ways that saturation can make your masters sound betterClipping vs saturationWhy the order of your signal chain mattersHow de-essers can be used for more than just correcting sibilanceThe Lurssen Mastering Console pluginHaving clean signal chainsHow gainstaging impacts everything in your signal chainTo learn more about Gavin Lurssen, visit: https://lurssenmastering.com/Looking for 1-on-1 feedback and training to help you create pro-quality mixes?Check out my coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/Want additional help with your music productions?For tips on how to improve your mixes, visit https://masteryourmix.com/Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of my Amazon #1 bestselling books:The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.comThe Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/Check out our Sponsors:Download Waves Plugins here: https://waves.alzt.net/EK3G2KSubscribe to the show:Apple Podcasts: https://podcasts.apple.com/us/podcast/master-your-mix-podcast/id1240842781Spotify: https://open.spotify.com/show/5V4xtrWSnpA5e9L67QcJejYouTube: http://www.youtube.com/@MasterYourMixHave questions you'd like answered on the show?Send them to questions@masteryourmix.com Please leave a rating and review:https://masteryourmix.com/review/Thanks for listening!

Holmberg's Morning Sickness - Friday January 10, 2025 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Holmberg's Morning Sickness - Friday January 10, 2025 Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, in Newfane, Vermont, a simple house party turns into a complete mess, and turns violent, when one particular guest can't stop attempting to start fights, hitting on women, or trying to steal the host's car. All seems well, once he finally leaves, but party's host is later found, brutally murdered, with a ski pole stuck in his neck, while the troublemaker is found, wearing the victim's clothes. But that doesn't mean it's open & shut!!Along the way, we find out that dogs apparently don't mix well with crafts, that you shouldn't challenge random people to fights, and that a ski pole makes a very deadly weapon!!New episodes every Thursday!Donate at: patreon.com/crimeinsports or go to paypal.com and use our email: crimeinsports@gmail.comGo to shutupandgivememurder.com for all things Small Town Murder & Crime In Sports!Follow us on...twitter.com/@murdersmallfacebook.com/smalltownpodinstagram.com/smalltownmurderAlso, check out James & Jimmie's other show, Crime In Sports! On Apple Podcasts, Spotify, Amazon Music, Wondery, Wondery+, Stitcher, or wherever you listen to podcasts!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.