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QFF: Quick Fire Friday – Your 20-Minute Growth Powerhouse! Welcome to Quick Fire Friday, the Grow A Small Business podcast series that is designed to deliver simple, focused and actionable insights and key takeaways in less than 20 minutes a week. Every Friday, we bring you business owners and experts who share their top strategies for growing yourself, your team and your small business. Get ready for a dose of inspiration, one action you can implement and quotable quotes that will stick with you long after the episode ends! In this episode of Quick Fire Friday, host Amanda Jones interviews Shane Fell shares his incredible journey from the corporate world of luxury cars to becoming the driving force behind Fellini, Hobart's renowned Italian restaurant. With a passion for hospitality, Shane emphasizes the importance of trust, teamwork, and creating WOW experiences that leave lasting impressions. He discusses his leadership approach, focusing on empowering staff, fostering innovation, and building a people-first culture. Shane's insights into crafting unforgettable dining experiences showcase his commitment to excellence and adaptability. From customer connections to operational precision, Shane's story inspires business owners to pursue growth through passion and resilience. Other Resources: “Unreasonable Hospitality: The Remarkable Power of Giving People More Than They Expect”, by Will Guidara The 10X Rule: The Only Difference Between Success and Failure by Grant Cardone 7 Tenets of Taxi Terry: How Every Employee Can Create and Deliver the Ultimate Customer Experience by Scott McKain Would You Do That to Your Mother?: The "Make Mom Proud" Standard for How to Treat Your Customers by Jeanne Bliss Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones by James Clear Key Takeaways for Small Business Owners: Passion Drives Success: Pursue what you love, as passion fuels energy and commitment in both business and personal life. Trust Builds Culture: Trust is the foundation of a strong team and an exceptional customer experience. Without trust, culture deteriorates. Empower Your Team: Value your staff by giving them a voice, encouraging innovation, and fostering an environment where they feel appreciated. Our hero crafts outstanding reviews following the experience of listening to our special guests. Are you the one we've been waiting for? Customer Experience Matters: Success lies in crafting memorable experiences by focusing on relationships, first impressions, and understanding customer needs. Adaptability is Key: Stay open to change and embrace new technologies or ideas to remain relevant and competitive in your industry. Invest in Self-Growth: Continuously learn and grow through books, audio, and personal discipline to achieve goals and inspire others. One action small business owners can take: According to Shane Fell, one action a small business owner should take is to set clear non-negotiables for their operations, such as service quality and team behavior. Regularly reviewing these standards with the team ensures consistency and drives growth. Do you have 2 minutes every Friday? Sign up to the Weekly Leadership Email. It's free and we can help you to maximize your time. Enjoyed the podcast? Please leave a review on iTunes or your preferred platform. Your feedback helps more small business owners discover our podcast and embark on their business growth journey.
If you're a fashionista when you travel, there's a certain magic and charm that comes with dressing for the city you're exploring—not to try to fully blend in, but to become part of the story told by each destination. How to dress for a trip to New York, LA, Paris, London and Rome. If You Like to Bring Outfits on Vacation, Here's How to Do ItAt 1923 Main Street®, we believe your clothes should say as much about your journey as your photos do. Whether you're wandering through the lively streets of New York City, café-hopping in Paris, or soaking up the west coast vibes of LA, we've got you covered—literally.Let's talk travel style: unscripted, effortless and rooted in curiosity. Here's how to pack with purpose and style, wherever your itinerary takes you.Fashion-Forward Travel Outfits for Five Popular City DestinationsNew York City: Urban Pulse Meets Creative EdgeIn the city that never sleeps, your style needs to move with you—fast, fresh, and bold. For summer in NYC, keep it street-smart and breathable. Rock our Unscripted Statement graphic tee with relaxed cargo shorts or distressed denim. Swap the leather jacket for a lightweight button-down or leave it out altogether. High-top sneakers still rule, and bold sunglasses or a bucket hat add just enough edge without trying too hard. NYC style is about individuality—make a statement without shouting.For men, pair the same tee with slim, cuffed chinos or athletic shorts and standout sneakers. Leave the jacket at home, but keep the energy strong with layered chains or a structured cap. Whether you're downtown or crossing bridges, your look should feel effortless but always on.Paris: Effortless Chic on Cobblestone StreetsParisian style thrives on thoughtful simplicity, even in the summer. Trade heavy layers for a lightweight tee or tank (our Unscripted Dare to Roam design works perfectly) paired with high-waisted shorts or a breezy midi skirt. Add minimalist sneakers and a woven bag—or yes, a beret if you're feeling bold. The key: looking effortless while still turning heads. It's style without the show.For men, lean into quiet sophistication with a crisp tee, tapered chinos or linen pants, and clean leather sneakers. Swap the trench for a linen overshirt if there's a breeze. A slim watch and classic sunglasses seal the look. Parisian summer style whispers confidence—cool, collected, and always chic.Los Angeles: Laid-Back LuxeLA is home to many different categories of style, so your outfit here calls for comfort with a definite style edge. Our vintage-wash Roam Freely Wear Boldly tee is the perfect base for denim shorts, a flannel tied around the waist, and oversized sunglasses. This is a city where your look should feel as relaxed as your agenda—unplanned, free, and sun-kissed.For men, try our Unscripted Adventure Arch tee with joggers or shorts and comfy clean sneakers. Add a lightweight overshirt or open button-down for layering and finish with retro shades. London: Timeless Cool with a Rainy-Day TwistLondon style in summer is all about effortless cool and being ready for anything. Start with a breathable short-sleeve tee or linen shirt, then add tailored shorts or relaxed trousers. Swap boots for crisp white sneakers or sleek loafers, and don't forget a lightweight tote or statement sunglasses to elevate the look. Londoners master the mix of classic and unexpected—think a retro cap or a bold crossbody to finish it off. Sun or shade, the style always shines.For men, aim for laid-back polish with clean lines—our Unscripted Statement tee is a go-to. Wear it solo or toss on a light overshirt for breezy evenings. Pair with drawstring chinos or rolled denim, and complete the outfit with low-top trainers. A minimalist watch adds that refined summer touch. Londoners know how to make sunshine look effortless.Rome: Sun-Drenched Elegance with a Hint of DramaSummer in Rome is all about effortless elegance that sizzles with style. A linen-blend tee tucked into high-waisted trousers or a flowy midi skirt is perfect for wandering cobblestone streets or sipping espresso at a café. Add strappy leather sandals and oversized sunglasses for that classic Roman holiday feel. Gold accents—think hoop earrings, a sculptural cuff, or sleek cat-eye shades—bring just the right amount of drama. In Rome, style is art. Dress like you belong in a Fellini film.For men, keep it cool and polished with the same breathable tee, tailored linen pants or dressy shorts, and a slim leather belt. Loafers or crisp white sneakers are ideal for strolling through piazzas, and vintage-inspired sunglasses add a refined finish. In Rome, confidence is quiet and style is second nature—keep it sharp, simple, and sun-ready.The Key to it All: Blending in Without Losing YourselfThere's an art to the balance between respecting local culture and holding on to your personal style. That's where 1923 Main Street graphic designs really shine. Our designs are rooted in the soul of travel—each piece designed to evoke curiosity and wonder without shouting "tourist." It's about wearing your journey, not just walking through it. We know because we've lived it and each design has been thoughtfully created based on a very specific experience or destination.Packing Staples with Local Flair1923 Main Street t-shirt, sweatshirts and hoodies are designed to be versatile enough to wear in every corner of the world, yet each one has a story to tell. When packing, think layers: a tee for daytime exploring, a cozy hoodie for chilly nights, and a statement sweatshirt for those unexpected photo ops. Style them with city-specific accessories—scarves in Paris, a Yankees cap in NYC, or classic Ray-Bans in LA—and you've got a travel wardrobe that adapts, but never disappears.Travel-Inspired Designs for the Free-Spirited WandererAt 1923 Main Street, we design with the traveler in mind—those who believe the best moments are the unscripted ones. All of our designs are inspired by real places and the real people who wander them. These aren't just shirts—they're souvenirs in motion, crafted for the journey and the stories you'll tell after.Vibe with Your ItineraryYour clothes should move with your trip—not weigh it down. Whether you're brunching in a hidden Parisian café, wandering an arts district in LA, navigating subway stairs in NYC, or heading to a local pub in London, choose pieces that fit your mood, your moves and your moment. Comfort, confidence and curiosity all stitched together.Wherever your next adventure takes you, pack pieces that spark conversations and memories. Because at 1923 Main Street, we don't just make clothing—we dress the curious, the bold and the endlessly inspired.Unscripted journeys start with what you wear. So go ahead and Wear the Adventure. Roam Freely. Wear Boldly.Shop at 1923 Main StreetThank you for listening to the Travel Style Podcast at 1923MainStreet.com.Shop unique and original travel inspired and subtle Disney travel clothing, including t-shirts, sweatshirt, ho...
Send us a textEpisode Summary: In this inspiring episode, Beth and Lisa welcome bestselling author and illustrator Brian Selznick to discuss his latest YA novel Run Away With Me. Brian shares how personal history, queer identity, and the haunting beauty of an empty Rome during the pandemic shaped this deeply moving love story.Guest Bio: Brian Selznick is the Caldecott Medal-winning author of The Invention of Hugo Cabret, which became Martin Scorsese's Oscar-winning film Hugo. His innovative storytelling style blends narrative and illustration, captivating readers of all ages. Selznick's books have sold millions of copies, been translated into over 35 languages, and include the bestsellers Wonderstruck and The Marvels. He lives in Brooklyn and La Jolla with his husband, Dr. David Serlin.Key Discussion Points:Origins of Run Away With Me: Inspired by time spent in a deserted Rome during the pandemic and Brian's husband's Rome Prize fellowship.Setting the Story in 1986: Chosen for its pre-digital intimacy, connection to Fellini's Intervista, and poignant resonance with the emerging AIDS crisis.YA Shift: This novel marks a shift to older characters and more intimate, emotional themes, including first love and sexual awakening.Illustration vs. Text: Originally intended as a text-only novel, illustrations were later added to immerse readers in Rome and enhance storytelling rhythmically.Building Empathy: Through vulnerability and layered character flaws, Brian explores how readers connect with characters even through their mistakes.Worldbuilding & Pacing: Brian discusses how his illustrations function as visual memory aids, reducing exposition and preserving narrative flow.Film Adaptation Insight: Brian details how Hugo was faithfully adapted by Martin Scorsese, who honored the visual storytelling of the book.Conclusion: Brian Selznick offers a masterclass in layered storytelling, blending history, personal experience, and imaginative worldbuilding. Run Away With Me is a love letter to young queer love, art, and the haunting beauty of solitude and discovery. This episode is a must-listen for aspiring authors and fans of emotionally resonant fiction.Mentioned Links:Run Away With Me by Brian Selznick: Publisher's PageBrian Selznick's website Support the show Visit the WebsiteWriters with Wrinkles Link Tree for socials and more!
SNL Hall of Fame – Tom Schiller: The Counter-Culture CraftsmanIn this episode, we deep-dive into the strange, cinematic, and often overlooked genius of Tom Schiller—SNL's original outsider artist. From Schiller's Reels to Schiller Vision, his work blended Fellini-style dreamscapes with deadpan absurdism, turning cast members into muses and surreal sketches into timeless film.Our guest, the brilliant Gary Seith (co-host of the Not Ready for Primetime Project), joins Bill Kenney, Matt Ardill, and jD to unpack Schiller's legacy—from Don't Look Back in Anger to Love is a Dream, from coffee-addled chaos in Java Junkie to Chris Farley freaking out over decaf in Hidden Camera.
Captain Kirk kidnaps a guy with exceptionally narrow-set eyes. Join your Fellini-loving hosts as they discuss the first Star Trek time travel episode ever! Plus: Dan accuses Jesse and Patrick of scheming against him, Dan and Patrick accuse Jesse of making strange mouth noises, and Jesse and Dan accuse Patrick of not understanding awesome beatz. It's a wild ride folks, and you are alive to enjoy it!! Spoiler warning! We dive right into a detail-rich discussion of this episode of Star Trek: The Original Series, so if you haven't had a chance to see it yet – beware! Next week: Ensign Kim gets into one of those whacky situations where it seems things are weird but since there are lots of ladies everyone is okay with it for some reason till things reveal themselves to really be quite weird indeed in Star Trek: Voyager's "Favorite Son" Note that this and all episodes of the It's Got Star Trek podcast contain explicit language and, frankly, an unnecessary amount of offensive content, so the show is intended only for adults and really really cool kids. Would you like to give us money in return for extra silliness? Subscribe to our Patreon at patreon.com/itsgotstartrek! Please utilize one of the following options if you have an interest in contacting your hosts: Record a message to us at itsgotstartrek.com/record Email us at feedback@itsgotstartrek.com Blueskyify us @ItsGotStarTrek Threaden us @ItsGotStarTrek Mastodon us @ItsGotStarTrek@tenforward.social Instagramaphone us @ItsGotStarTrek Facebookify us @ItsGotStarTrek Twitter us @ItsGotStarTrek Watch a static image while listening to the podcast on YouTube Telephone us at 202-456-1414 You can also visit www.itsgotstartrek.com and leave a comment or head on over to the It's Got Everything subreddit to join the discussion.
Listen on:Apple Podcasts:https://podcasts.apple.com/us/podcast/watchdog-on-wall-street-with-chris-markowski/id570687608 Spotify: https://open.spotify.com/show/2PtgPvJvqc2gkpGIkNMR5i Watch on: https://www.youtube.com/@WatchdogOnWallstreet/featuredChris compares the chaotic state of U.S. trade policy to a disjointed Federico Fellini film, highlighting the confusion and improvisation he sees coming from the Trump administration's handling of tariffs and trade wars. Markowski critiques Trump's inaccurate historical claims about tariffs and the Great Depression, explains how China's economy is straining under the pressure, and gives a historical overview of how trade wars contributed to World War II. He warns that abrupt tariffs destabilize businesses, spook consumers, and fail to solve long-standing problems. Amidst the uncertainty, Markowski calls for a smarter, more strategic approach to trade, rather than reactive chaos. www.watchdogonwallstreet.com
It's number 4. It's Fellini. It's a beloved and highly influential 1970s nostalgia-infused takedown of everyday people living in and under fascist Italy. And yet for all of these things, it's truly one of a kind. Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store. T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Greg Mottola's The Daytrippers (1996).
Enrico Pietra intervista Paola Giovetti, giornalista e scrittrice, per parlare sella sua ultima fatica letteraria, appena pubblicata: “Discorso sull'Amicizia”, edito da OM Edizioni. E' l'occasione per affrontare vari tipi di amicizia, osservando il fluire di questo sentimento dall'antichità ai giorni nostri, dai poemi omerici alla modernità. Si parlerà di alcuni casi legati al mistero e ai fenomeni di confine, tra cui la voce amica e misteriosa di Santa Clelia Barbieri, le confidenze chiaroveggenti della mistica Anna Katharina Emmerick a Clemens Brentano (grazie alle quali, tra le altre cose, è stata scoperta l'abitazione di Maria e Efeso), il fenomeno delle anime gemelle e del déjà-vu e, ancora, il film di Fellini mai realizzato sulla medium Eusapia Palladino; per concludere con la definizione di amicizia contenuta ne “Il Profeta” di Kahlil Gibran.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/border-nights--654467/support.
Con il nostro Boris Sollazzo parliamo di "Berlino, estate 42" diretto da Andreas Dresen, con Liv Lisa Fries e Johannes Hegemann e di "A different Man" diretto da Aaron Schimberg, con Sebastian Stan e Renate Reinsve.I fratelli Marco e Antonio Manetti tornano alla regia dopo Diabolic con "U.S. Palmese" con Rocco Papaleo e Blaise Afonso. Ne parliamo con l'attore Rocco Papaleo.Torna al cinema "Biancaneve", in una nuova versione diretta da Marc Webb, con Rachel Zegler e Gal Gadot. Lo ha visto per noi e ce lo racconta Chiara Pizzimenti.Da Moretti a Verdone, per una edizione dedicata al Mediterraneo. Il direttore artistico del BiF&st Oscar Iarussi presenta il programma del festival del cinema al via il 22 marzo al Teatro Petruzzelli di Bari.Restiamo in Puglia per parlare del Sudestival, il festival del cinema di Monopoli, dove abbiamo incontrato ed intervistato l'attrice Lunetta Savino.Prende il via venerdì 21 marzo "Fescaaal" la 34ª edizione del Festival del Cinema Africano, d'Asia e America Latina. Abbiamo chiesto alla codirettrice artistica Alessandra Speciale quali sono i film imperdibili.
Puntata 528 di Border Nights - La Notte ai confini, in onda ogni martedì alle 22 su Web Radio Network, in podcast su tutte le piattagorme digitali come ad esempio Spotify e la domenica sera in onde medie su Radio Briscola (Am 1449). Ci sarà il grande ritorno del professor Corrado Malanga per una chiacchierata a ruota libera. Poi Federica Francesconi che ci parlerà di come resistere al transumanesimo. Paolo Franceschetti ci narrerà i rapporti di Rudolf Steiner con la società teosofica e con la massoneria. Tom Bosco, insieme a Nikola Duper e Giorgio Cerquetti ci parleranno del rapporto di Federico Fellini con l'aldilà. Con la partecipazione di Maestro Di Dietrologia.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/border-nights--654467/support.
Si respira ancora aria di Oscar e questa settimana Betty Senatore propone alcuni film che hanno ricevuto dei premi nella storia degli Academy Award. Quello di questa puntata non ha bisogno di presentazioni: il capolavoro di Fellini con Marcello Mastroianni e Anita Ekberg, ambientato nel bel mondo della Roma del boom economico, si aggiudicò l'Oscar per i Migliori costumi e ottenne altre 3 candidature.See omnystudio.com/listener for privacy information.
Ella no es mía, tampoco soy suyo, lo nuestro es temporal, somos un préstamo voluntario de momentos inolvidables que quizás podría durar la vida entera. Mario Benedetti Adaptación libre de la novela de Mario Benedetti, trasladada de Montevideo a Buenos Aires, donde se enmarca una historia de amor entre una pareja con bastante diferencia de edad. Ana María Picchio y Héctor Alterio, él, viudo, cansado de levantarse cada día para ir a una oficina, a quien los hijos le regalan en su cumpleaños un batín gris, y de pronto una nueva empleada en el trabajo, y una conexión inesperada que iluminará sus días, solo algunos días, porque el tiempo pasa y va a su aire, y además hay que contar con los caprichos del destino. Renan traslada los diálogos internos de Santomé en la novela a la sintaxis fílmica mediante los gestos, las emociones, con tanto acierto que el film resultó un éxito de taquilla en su Argentina natal. Además toca otros temas de manera audaz, estamos en la década de los setenta, la homosexualidad del hijo, o la rutina alienada de los chupatintas en la oficina. El film optó al Oscar por película en habla no inglesa, que terminó llevándose “Amarcord” de Fellini. La naturalidad de esa pareja, la humanidad de cada plano, los dos pasean por la ciudad, los diálogos, las salidas en días de lluvia, acaso eso era la felicidad. Secuencias de un sentimentalismo maravilloso, sin cursilerías, que seguro inspiraron al Garci de “Volver a empezar” o al Campanella de “El mismo amor, la misma lluvia”. Al ritmo del bandoneón de Julián Plaza y pasos de tango, de la nostalgia de un corazón al que el destino dio una tregua, un breve lapso de alegría y brillo en las miradas, y de pronto, una tos repetitiva, el destino llama a la puerta con malas nuevas. Y entonces en el restaurante Santomé le dice que él es demasiado viejo, que es mejor sufrir que estar viviendo así, y Laura contesta que no va a pasar por alto ese episodio, y suenan los violines, y Renán se las arregla para que no quede eso dulzón, que no parezca impostado, que se agarren las manos y los recuerdos nos asalten. Esta noche nos preguntamos si puede uno caer en que consiste la felicidad… Salvador Limón, Raúl Gallego y Zacarías Cotán
Topos in Fabula Fellini
El lider de la Orquesta Mondragón, Javier Gurruchaga, ha pasado por Madrid Directo con Nieves Herrero para presentar el concierto del 28 de marzo en el Teatro Circo Price. Javier Gurruchaga ha dicho que “es maravilloso escuchar el silencio, puedo tirarme horas y horas”, y que "la música me salvó de muchas guardias en el Ejército". Ha destacado que “me acerqué a la música racias a Louis Amstrong y Elvis Presley”, y que “conservo un autógrafo de Fellini y otro de Cantinflas”.
- Luis Buñuel był dla mnie skrajnym punktem odniesienia w kinie. Nie widziałem podobieństw do tego, co robi Buñuel z innymi twórcami. On był osobny absolutnie. Nawet tacy ekstremalni filmowcy jak Fellini czy Królikiewicz w Polsce, nie pasowali do wizji buñuelowskiej, który był surrealistą z krwi i kości - mówił w Dwójce Janusz Wróblewski, krytyk filmowy.
JULIE ANDREWS (Oscar, Tony & Pulitzer Prize-winning Actress & Singer · The Sound of Music, Mary Poppins) Andrews shares her experience working on Mary Poppins, revealing behind-the-scenes secrets about the character. She reminisces about her collaboration with Walt Disney and Tony Walton.ETGAR KERET (Cannes Film Festival Award-winning Director & Author) Keret discusses the profound impact of his parents' survival stories from the Holocaust on his work. He explores how extreme human experiences can lead to extraordinary resilience and creativity,JOHN PATRICK SHANLEY (Oscar, Tony & Pulitzer Prize-winning Writer/Director · Doubt, Moonstruck, Joe Versus the Volcano) Shanley highlights the invaluable lessons and life experiences gained from his time in the Marine Corps. He emphasizes the significance of diverse interactions and communal living, underscoring how these experiences shape both his artistic vision and societal views.JOY GORMAN WETTELS (Exec. Producer of 13 Reasons Why, UnPrisoned · Founder of Joy Coalition) Joy Gorman Wettels reflects on her theatrical upbringing and the influence of her mother's passion for Sondheim and Neil Simon. She shares touching memories of the LGBTQ+ community in her life and how these early experiences cultivated her love for storytelling and community theater.PAUL SCHRADER (Screenwriter/Director · Taxi Driver, Raging Bull, First Reformed) Schrader analyzes the lasting impact of Taxi Driver on his work. He details his technique of immersing the audience into the protagonist's perspective and psychology.CHAYSE IRVIN (Award-winning Cinematographer · Blonde starring Ana de Armas · Beyonce: Lemonade · Spike Lee's BlacKkKlansman) Irvin discusses using mise-en-scène to represent characters' psychological states.MANUEL BILLETER (Cinematographer · The Gilded Age · Inventing Anna · Jessica Jones · Luke Cage) Billeter recounts his early inspirations from masters like Fellini and Antonioni and his invaluable learning experiences while working alongside Alfonso Cuarón.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInsta:@creativeprocesspodcast
JULIE ANDREWS (Oscar, Tony & Pulitzer Prize-winning Actress & Singer · The Sound of Music, Mary Poppins) Andrews shares her experience working on Mary Poppins, revealing behind-the-scenes secrets about the character. She reminisces about her collaboration with Walt Disney and Tony Walton.ETGAR KERET (Cannes Film Festival Award-winning Director & Author) Keret discusses the profound impact of his parents' survival stories from the Holocaust on his work. He explores how extreme human experiences can lead to extraordinary resilience and creativity,JOHN PATRICK SHANLEY (Oscar, Tony & Pulitzer Prize-winning Writer/Director · Doubt, Moonstruck, Joe Versus the Volcano) Shanley highlights the invaluable lessons and life experiences gained from his time in the Marine Corps. He emphasizes the significance of diverse interactions and communal living, underscoring how these experiences shape both his artistic vision and societal views.JOY GORMAN WETTELS (Exec. Producer of 13 Reasons Why, UnPrisoned · Founder of Joy Coalition) Joy Gorman Wettels reflects on her theatrical upbringing and the influence of her mother's passion for Sondheim and Neil Simon. She shares touching memories of the LGBTQ+ community in her life and how these early experiences cultivated her love for storytelling and community theater.PAUL SCHRADER (Screenwriter/Director · Taxi Driver, Raging Bull, First Reformed) Schrader analyzes the lasting impact of Taxi Driver on his work. He details his technique of immersing the audience into the protagonist's perspective and psychology.CHAYSE IRVIN (Award-winning Cinematographer · Blonde starring Ana de Armas · Beyonce: Lemonade · Spike Lee's BlacKkKlansman) Irvin discusses using mise-en-scène to represent characters' psychological states.MANUEL BILLETER (Cinematographer · The Gilded Age · Inventing Anna · Jessica Jones · Luke Cage) Billeter recounts his early inspirations from masters like Fellini and Antonioni and his invaluable learning experiences while working alongside Alfonso Cuarón.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInsta:@creativeprocesspodcast
JULIE ANDREWS (Oscar, Tony & Pulitzer Prize-winning Actress & Singer · The Sound of Music, Mary Poppins) Andrews shares her experience working on Mary Poppins, revealing behind-the-scenes secrets about the character. She reminisces about her collaboration with Walt Disney and Tony Walton.ETGAR KERET (Cannes Film Festival Award-winning Director & Author) Keret discusses the profound impact of his parents' survival stories from the Holocaust on his work. He explores how extreme human experiences can lead to extraordinary resilience and creativity,JOHN PATRICK SHANLEY (Oscar, Tony & Pulitzer Prize-winning Writer/Director · Doubt, Moonstruck, Joe Versus the Volcano) Shanley highlights the invaluable lessons and life experiences gained from his time in the Marine Corps. He emphasizes the significance of diverse interactions and communal living, underscoring how these experiences shape both his artistic vision and societal views.JOY GORMAN WETTELS (Exec. Producer of 13 Reasons Why, UnPrisoned · Founder of Joy Coalition) Joy Gorman Wettels reflects on her theatrical upbringing and the influence of her mother's passion for Sondheim and Neil Simon. She shares touching memories of the LGBTQ+ community in her life and how these early experiences cultivated her love for storytelling and community theater.PAUL SCHRADER (Screenwriter/Director · Taxi Driver, Raging Bull, First Reformed) Schrader analyzes the lasting impact of Taxi Driver on his work. He details his technique of immersing the audience into the protagonist's perspective and psychology.CHAYSE IRVIN (Award-winning Cinematographer · Blonde starring Ana de Armas · Beyonce: Lemonade · Spike Lee's BlacKkKlansman) Irvin discusses using mise-en-scène to represent characters' psychological states.MANUEL BILLETER (Cinematographer · The Gilded Age · Inventing Anna · Jessica Jones · Luke Cage) Billeter recounts his early inspirations from masters like Fellini and Antonioni and his invaluable learning experiences while working alongside Alfonso Cuarón.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInsta:@creativeprocesspodcast
JULIE ANDREWS (Oscar, Tony & Pulitzer Prize-winning Actress & Singer · The Sound of Music, Mary Poppins) Andrews shares her experience working on Mary Poppins, revealing behind-the-scenes secrets about the character. She reminisces about her collaboration with Walt Disney and Tony Walton.ETGAR KERET (Cannes Film Festival Award-winning Director & Author) Keret discusses the profound impact of his parents' survival stories from the Holocaust on his work. He explores how extreme human experiences can lead to extraordinary resilience and creativity,JOHN PATRICK SHANLEY (Oscar, Tony & Pulitzer Prize-winning Writer/Director · Doubt, Moonstruck, Joe Versus the Volcano) Shanley highlights the invaluable lessons and life experiences gained from his time in the Marine Corps. He emphasizes the significance of diverse interactions and communal living, underscoring how these experiences shape both his artistic vision and societal views.JOY GORMAN WETTELS (Exec. Producer of 13 Reasons Why, UnPrisoned · Founder of Joy Coalition) Joy Gorman Wettels reflects on her theatrical upbringing and the influence of her mother's passion for Sondheim and Neil Simon. She shares touching memories of the LGBTQ+ community in her life and how these early experiences cultivated her love for storytelling and community theater.PAUL SCHRADER (Screenwriter/Director · Taxi Driver, Raging Bull, First Reformed) Schrader analyzes the lasting impact of Taxi Driver on his work. He details his technique of immersing the audience into the protagonist's perspective and psychology.CHAYSE IRVIN (Award-winning Cinematographer · Blonde starring Ana de Armas · Beyonce: Lemonade · Spike Lee's BlacKkKlansman) Irvin discusses using mise-en-scène to represent characters' psychological states.MANUEL BILLETER (Cinematographer · The Gilded Age · Inventing Anna · Jessica Jones · Luke Cage) Billeter recounts his early inspirations from masters like Fellini and Antonioni and his invaluable learning experiences while working alongside Alfonso Cuarón.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInsta:@creativeprocesspodcast
JULIE ANDREWS (Oscar, Tony & Pulitzer Prize-winning Actress & Singer · The Sound of Music, Mary Poppins) Andrews shares her experience working on Mary Poppins, revealing behind-the-scenes secrets about the character. She reminisces about her collaboration with Walt Disney and Tony Walton.ETGAR KERET (Cannes Film Festival Award-winning Director & Author) Keret discusses the profound impact of his parents' survival stories from the Holocaust on his work. He explores how extreme human experiences can lead to extraordinary resilience and creativity,JOHN PATRICK SHANLEY (Oscar, Tony & Pulitzer Prize-winning Writer/Director · Doubt, Moonstruck, Joe Versus the Volcano) Shanley highlights the invaluable lessons and life experiences gained from his time in the Marine Corps. He emphasizes the significance of diverse interactions and communal living, underscoring how these experiences shape both his artistic vision and societal views.JOY GORMAN WETTELS (Exec. Producer of 13 Reasons Why, UnPrisoned · Founder of Joy Coalition) Joy Gorman Wettels reflects on her theatrical upbringing and the influence of her mother's passion for Sondheim and Neil Simon. She shares touching memories of the LGBTQ+ community in her life and how these early experiences cultivated her love for storytelling and community theater.PAUL SCHRADER (Screenwriter/Director · Taxi Driver, Raging Bull, First Reformed) Schrader analyzes the lasting impact of Taxi Driver on his work. He details his technique of immersing the audience into the protagonist's perspective and psychology.CHAYSE IRVIN (Award-winning Cinematographer · Blonde starring Ana de Armas · Beyonce: Lemonade · Spike Lee's BlacKkKlansman) Irvin discusses using mise-en-scène to represent characters' psychological states.MANUEL BILLETER (Cinematographer · The Gilded Age · Inventing Anna · Jessica Jones · Luke Cage) Billeter recounts his early inspirations from masters like Fellini and Antonioni and his invaluable learning experiences while working alongside Alfonso Cuarón.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInsta:@creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
JULIE ANDREWS (Oscar, Tony & Pulitzer Prize-winning Actress & Singer · The Sound of Music, Mary Poppins) Andrews shares her experience working on Mary Poppins, revealing behind-the-scenes secrets about the character. She reminisces about her collaboration with Walt Disney and Tony Walton.ETGAR KERET (Cannes Film Festival Award-winning Director & Author) Keret discusses the profound impact of his parents' survival stories from the Holocaust on his work. He explores how extreme human experiences can lead to extraordinary resilience and creativity,JOHN PATRICK SHANLEY (Oscar, Tony & Pulitzer Prize-winning Writer/Director · Doubt, Moonstruck, Joe Versus the Volcano) Shanley highlights the invaluable lessons and life experiences gained from his time in the Marine Corps. He emphasizes the significance of diverse interactions and communal living, underscoring how these experiences shape both his artistic vision and societal views.JOY GORMAN WETTELS (Exec. Producer of 13 Reasons Why, UnPrisoned · Founder of Joy Coalition) Joy Gorman Wettels reflects on her theatrical upbringing and the influence of her mother's passion for Sondheim and Neil Simon. She shares touching memories of the LGBTQ+ community in her life and how these early experiences cultivated her love for storytelling and community theater.PAUL SCHRADER (Screenwriter/Director · Taxi Driver, Raging Bull, First Reformed) Schrader analyzes the lasting impact of Taxi Driver on his work. He details his technique of immersing the audience into the protagonist's perspective and psychology.CHAYSE IRVIN (Award-winning Cinematographer · Blonde starring Ana de Armas · Beyonce: Lemonade · Spike Lee's BlacKkKlansman) Irvin discusses using mise-en-scène to represent characters' psychological states.MANUEL BILLETER (Cinematographer · The Gilded Age · Inventing Anna · Jessica Jones · Luke Cage) Billeter recounts his early inspirations from masters like Fellini and Antonioni and his invaluable learning experiences while working alongside Alfonso Cuarón.To hear more from each guest, listen to their full interviews.Episode Websitewww.creativeprocess.info/podInsta:@creativeprocesspodcast
On the sixty-fourth episode of the Cinematic Odyssey, Tristen and Max venture over to Italy for their first foray into Federico Fellini's most well-known film, 8 1/2. The dreamlike narrative filled with delusions and women has Max wondering if it would be easier watching if he spoke Italian and Tristen talking about his fountain vision as well as some extensive allegory. Recorded in October 2024.
Dana and Tom with 5x Club guest, Peterson W. Hill (Co-Host of the War Starts at Midnight podcast) discuss La Dolce Vita (1960) for its 65th anniversary: written and directed by Frederico Fellini with Ennio Flaiano, Tullio Pinelli, Brunello Rondi, and Pier Paolo Pasolini, music by Nino Rota, cinematography by Otello Martelli, starring Marcello Mastroianni, Anita Ekberg, Anouk Aimee, and Yvonne Furneaux.Plot Summary: Set against the glamorous backdrop of Rome in the 1950s, La Dolce Vita follows Marcello Rubini, a jaded journalist, as he drifts through a series of decadent encounters over seven days and nights.Torn between the shallow allure of celebrity culture and his yearning for deeper meaning, Marcello is drawn into the chaotic lives of socialites, artists, and film stars. As he navigates lavish parties, fleeting romances, and existential crises, the film explores themes of decadence, disillusionment, and the search for purpose in a world consumed by hedonism. The film's iconic imagery, including Anita Ekberg's midnight wade in the Trevi Fountain, cements its status as a cinematic masterpiece and a poignant reflection on modern life.Guest:Peterson W. Hill - Co-Host of the War Starts at Midnight podcast@petersonwhill on IG, Letterboxd, and TwitterPrevious Guest on Gone Girl (2014), Parasite (2019), Fight Club (1999), Ben-Hur (1959), Up in the Air (2009), The Shop Around the Corner (1940)Chapters:00:00 Introduction and Welcome to Our Guest02:16 Cast and Background for La Dolce Vita06:30 Relationship(s) with La Dolce Vita13:58 What is La Dolce Vita About?19:14 Fellini's Unique Style and Cinematic Techniques23:04 Plot Summary for La Dolce Vita24:05 Did You Know?26:39 First Break27:18 Exploring Classic Films and Their Impact28:37 What's Up with Peterson29:03 Further Explanation of the GMOAT Hall of Fame41:00 Best Performance(s)47:27 Best/Favorite/Indelible Scene(s)58:52 Second Break59:58 In Memoriam01:00:32 Best/Funniest Lines01:01:55 The Stanley Rubric - Legacy01:06:55 The Stanley Rubric - Impact/Significance01:10:58 The Stanley Rubric - Novelty01:14:48 The Stanley Rubric - Classicness01:20:40 The Stanley Rubric - Rewatchability01:27:50 The Stanley Rubric - Audience Score and Final Total01:30:20 Remaining Questions for La Dolce...
A propósito de 'Parténope', la nueva película de Paolo Sorrentino, viajamos a Nápoles para abundar en la monomanía del director partenopeo con su propia ciudad: la iglesia, el mar, el crimen, el fútbol... ¿Genialidad o batiburrillo sorrentiniano? ¿Tiene que ver con Fellini o es una caricatura? ¿Retrata bien Nápoles? ¿Y quién demonios es Celeste Dalla Porta? Lo debatimos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares y Sergio del Molino. Además, desgranamos los viajes navideños (europeos) de los propios culturetas. Además, Altares recomienda la película india 'La luz que imaginamos'.
A propósito de 'Parténope', la nueva película de Paolo Sorrentino, viajamos a Nápoles para abundar en la monomanía del director partenopeo con su propia ciudad: la iglesia, el mar, el crimen, el fútbol... ¿Genialidad o batiburrillo sorrentiniano? ¿Tiene que ver con Fellini o es una caricatura? ¿Retrata bien Nápoles? ¿Y quién demonios es Celeste Dalla Porta? Lo debatimos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares y Sergio del Molino. Además, desgranamos los viajes navideños (europeos) de los propios culturetas. Además, Altares recomienda la película india 'La luz que imaginamos'.
Dai nostri archivi, un ritratto dell'attrice italiana scomparsa il 29 gennaio 2024.
Stanley Kubrick may be one of the key patron saints of all cinema (even if he himself was an ardent athiest). Born in the Bronx, New York, a mediocre student, Kubrick followed a monofocused drive to make movies. From making low budget features to cut his teeth in the mid 1950's to becoming one of the only true Auteur American moviemakers to work in the studio system yet be on a level with moviemakers like Bergman, Fellini, Kurosawa, Stanley Kubrick created a cinema of ideas and iconography. And he never settled until he got it right. Secret Movie Club founder.programmer Craig Hammill takes a look at Kubrick's career and the rules he developed to make his wildly ambitious films. These rules allowed Kubrick to make masterpieces in almost every genre: sci-fi 2001, period drama BARRY LYNDON, horror THE SHINING, war PATHS OF GLORY, psychological interrogations of marriage EYES WIDE SHUT, and more.
Analizamos dos estrenos de la semana, "Cónclave" y "La guitarra flamenca de Yerai Cortés" y acabamos escuchando qué tener en cuenta para ver, por primera o segunda vez, "Mullholland Drive" la película por la que un periodista en Cannes se atrevió a pedirle a David Lynch que le explicara. Javier Ocaña estuvo allí y nos dice da consejos para no intentar entenderla, solo para verla.
Erik Childress and Peter Sobczynski continue to add to your Christmas carts with a variety of great gift ideas for the movie lovers in your life. They talk about the Coen Bros. big Oscar winner and Fellini's most beloved film now both in 4K. Peter goes to bat for Abel Ferrara's vampire tale and a Henry James adaptation from this year. Erik talks the 10th Anniversary of a Christopher Nolan film and offers some defense of Ron Howard's collaboration with Geoge Lucas and Seth MacFarlane's debut. A Martha Coolidge film that was part of the Why-Is-This-Not-On-Blu-Ray series finally gets its due and a controversial 1980s horror film gets an upgrade. Finally Peter shows love to a rockin' high school movie as well the Cracking Collection of Wallace & Gromit. 0:00 - Intro 1:25 - Criterion (No Country for Old Men 4K, 8 1/2 4K, The Beast) 24:30 - Arrow (The Addiction 4K) 35:28 - Disney (Willow 4K) 46:39 - Paramount (Interstellar 4K) 1:00:11 - Kino (Rambling Rose, Daytime Revolution) 1:16:55 - Shout (Rock n Roll High School 4K, Ted 4K, Riddick 4K, Wallace and Gromit The Complete Cracking Collection 4K, Silent Night Deadly Night 4K) 2:11:25 – New Blu-ray Announcements 2:14:05 - Outro MOVIE MADNESS BONUS EPISODES NOW AVAILABLE ON PATREON https://www.patreon.com/c/moviemadnesschicago For just $1 a month (with the current first episode available for free) The Movie Madness Podcast presents this bonus extension of the show with a dive into the 2024-25 awards season. A breakdown of the various groups with their victories and nominations in an effort to present an ongoing State-of-the-Race up until the final Oscar nominations on Jan. 17, 2025. Statistics, commentary and a running scoreboard are in store for you starting with announcements from the Gothams and the New York Film Critics. Strap in cause its going to be a ride.
On this week's episode: Stick Right One Pathway To Practice Epiphanies Variables We also touch on the shooter's mentality, Fellini, Bone Tracker, SSR, monster rolls, stickman stays and Ed gets excited about hardways. Call The Casino Tears Vent Line 229-NO SEVEN (667-3836) Now! Leave a message, ask a question or simply get something off your mind - We might even play it on air!! NEW EPISODES DROP WEEKLY ON TUESDAYS - Please visit our home page at casinotears.com for more info, merch, and host contacts Extended versions will also drop Tuesdays on Patreon - Don't miss out :) Email: noseven@casinotears.com Patreon: https://www.patreon.com/CasinoTears Pro Shop: https://www.casinotears.vegas/shop/ Reddit: https://www.reddit.com/r/casinotears X: https://x.com/CasinoTears Color Comin' In: https://www.cci.vegas/ Dice Coach: https://www.dicecoach.com
Guarda una vetrina di un negozio di musica a Milano, quando poco distante a Piazza Fontana scoppia la bomba che avrebbe cambiato la storia del nostro Paese. L'incontro con Fellini, una stella cadente che attraversa il cielo mentre festeggia la nomination agli Oscar e poi vittorioso l'incomprensione nei bagni con il regista favorito, ma perdente. La vita di Gabriele Salvatores è un susseguirsi di scene da film. In quest'intervista a Malcom Pagani le ricorda una dopo l'altra, dall'infanzia a Napoli, agli anni del Teatro Elfo, una comune al centro di Milano, fino al suo ultimo film. Learn more about your ad choices. Visit megaphone.fm/adchoices
Emperors! Gladiators! Nearly 1000 extras! We talked to Jana Carboni (makeup designer) and hair designer Guiliano Mariano about their immense work on Ridley Scott's Gladiator II. How they were inspired by Fellini's Satyricon and the Sex Pistols. Battling the heat and the elements to get Paul Mescal's gladiator tan and body paint just right. Denzel's manicured hands and much more.
Jesús Quintero revolucionó la radio nocturna de los 80 con "El loco de la colina" en la Cadena SER. Allí creó una atmósfera radiofónica cuyo ritmo estaba marcado por el silencio, la música y la palabra. Con preguntas geniales, profundas reflexiones y una inusual diversidad de personajes, Quintero acuñó un estilo periodístico de autor que elevaba la entrevista a arte. A partir de algunos fragmentos de esas conversaciones, Andrea Quintero, su hija, analiza cómo funcionaba la Colina junto a algunos miembros del dream team que acompañaron a Quintero al éxito: Mercedes de Pablos, Honorio Pinillos o Javier Andino. También explica el impacto que tuvo el programa en la audiencia y en el mundo de la comunicación de la mano de figuras como Juan Carlos Ortega, Carlos Herrera o Antonio Yélamo. Entre las entrevistas que forman parte de este episodio destacan las voces de Ernesto Sábato, Gabriel Celaya, Rocío Jurado, Borges, Ana María Matute, Giulietta Massina -actriz y esposa de Fellini - el Duque de Alba, Manuela Carmena, Manolita Cheng o el Lute.
The tenth episode of our season on the awesome movie year of 1969 features one of the Venice International Film Festival's major award winners, Federico Fellini's Fellini Satyricon. Directed and co-written by Federico Fellini and starring Martin Potter, Hiram Keller, Max Born and Salvo Randone, Fellini Satyricon won the Pasinetti Award for Best Italian Film at the 1969 festival and was nominated for an Oscar.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/fellini-satyricon-1970), Vincent Canby in The New York Times (https://www.nytimes.com/1970/03/15/archives/fellinis-magical-mystery-tour-fellinis-magical-mystery-tour.html), and Pauline Kael in The New Yorker.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1969 installment, featuring the Academy Awards Best Picture winner, John Schlesinger's Midnight Cowboy.
Pink Floyd's Catalog Sale: A New EraIn this episode of the Deadhead Cannabis Show, Larry Michigan explores the rich history of the Grateful Dead's music, focusing on a specific concert from 1980. He discusses the significance of various songs, including 'Iko Iko' and 'Me and Bobby McGee', while also reflecting on the impact of Chris Christopherson's songwriting. The conversation shifts to current events in the music and cannabis industries, including Pink Floyd's catalog sale and the ongoing challenges faced by the hemp industry. Larry emphasizes the importance of medical marijuana legalization and shares insights on how cannabis enhances the music experience. He concludes with personal strain recommendations and highlights record sales in legal marijuana states. TakeawaysThe Grateful Dead's acoustic sets were a significant part of their live performances.Audience tapes capture the energy of live shows better than soundboard recordings.Chris Christopherson's 'Me and Bobby McGee' remains a classic, showcasing the intersection of music and storytelling.Pink Floyd's recent catalog sale reflects the changing dynamics in the music industry.The Betty Boards represent a pivotal moment in Grateful Dead tape trading history.The hemp industry faces legal challenges that could impact small businesses.A majority of chronic pain patients support the legalization of medical marijuana.Cannabis enhances the enjoyment of music, as confirmed by recent studies.Record sales in legal marijuana states are reaching new heights, indicating a thriving market.Personal strain recommendations can enhance the cannabis experience for users. Chapters00:00Introduction and Context of the Grateful Dead's Music04:50Exploring 'Iko Iko' and Audience Tapes10:42The Significance of 'Monkey and the Engineer'15:24Remembering Chris Christopherson and 'Me and Bobby McGee'22:31Pink Floyd's Catalog Sale to Sony Music28:15The Mystery of the Betty Boards54:16Current Issues in the Hemp Industry01:08:10Support for Medical Marijuana Legalization01:15:50The Impact of Marijuana on Music Enjoyment01:21:09Record Sales in Legal Marijuana States01:25:53Strain Recommendations and Personal Experiences Grateful DeadOctober 7, 1980 (44 years ago)Warfield TheaterSan Francisco, CAGrateful Dead Live at Warfield Theater on 1980-10-07 : Free Download, Borrow, and Streaming : Internet Archive Part of 23 show run in late September to the end of October, 1980 split between the Warfield (September 27th – October 14th) and Radio City Music Hall in NYC (October 22 – 31st) Each show opened with an acoustic set followed by two full electric sets. These were the last shows where the Dead played acoustic sets. Songs from all of these concerts were pulled for the two related Dead double album releases, Reckoning (acoustic music, released April 1, 1981- the Band's sixth live album and 17th overall) and Dead Set (electric music, released August 26, 1981, the Band's seventh live album and 18th overall). Today's episode is broken up into three acoustic numbers from this show and then three electric numbers. INTRO: Iko Iko Track #1 0:00 – 1:37 "Iko Iko" (/ˈaɪkoʊˈaɪkoʊ/) is a much-coveredNew Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts. The song first became popular in 1965 by the girl groupthe Dixie Cups, who scored an international hit with "Iko Iko" released in March, 1965. In 1967, as part of a lawsuit settlement between Crawford and the Dixie Cups, the trio were given part songwriting credit for the song. A permanent part of the Dead's repertoire since first played in May, 1977 in St. Louis, almost by accident out of and back into a Not Fade Away. The intro, one verse and back to NFA. Overtime, became a tune that was not frequently played, usually once, maybe twice, a tour, but whenever it was played it created a party atmosphere out of whatever the mood had been prior to its playing. Perfect song for Jerry with the call and response chorus that everyone joined in on. The song that “fastened my seatbelt on the bus” when I saw it for the first time at my second show ever in Syracuse in 1982 with good buddy Mikey. Once you hear it live, you are always looking for it at future shows. I love this song as do many Deadheads. But getting to hear it played acoustically is a real treat and a great way to open this “hometown” show. Jerry played it right up until the end. Played: 185 timesFirst: May 15, 1977 at St. Louis Arena, St. Louis, MO, USALast: July 5, 1995 at Riverport Amphitheatre, Maryland Heights, MO, USA SHOW No. 1: Monkey And The Engineer Track #4 0:48 – 2:25 Jesse Fuller tune Jesse Fuller (March 12, 1896 – January 29, 1976) was an American one-man band musician, best known for his song "San Francisco Bay Blues". Starting in the 1950's after a number of non-music related jobs, Fuller began to compose songs, many of them based on his experiences on the railroads, and also reworked older pieces, playing them in his syncopated style. His one-man band act began when he had difficulty finding reliable musicians to work with: hence, he became known as "The Lone Cat". Starting locally, in clubs and bars in San Francisco and across the bay in Oakland and Berkeley, Fuller became more widely known when he performed on television in both the Bay Area and Los Angeles. In 1958, at the age of 62, he recorded an album, released by Good Time Jazz Records.[3] Fuller's instruments included 6-string guitar (an instrument which he had abandoned before the beginning of his one-man band career), 12-string guitar, harmonica, kazoo, cymbal (high-hat) and fotdella. He could play several instruments simultaneously, particularly with the use of a headpiece to hold a harmonica, kazoo, and microphone. In the summer of 1959 he was playing in the Exodus Gallery Bar in Denver. Bob Dylan spent several weeks in Denver that summer, and picked up his technique of playing the harmonica by using a neck-brace from Fuller.[ Monkey And The Engineer was played by the pre-Dead group Mother McCree's Uptown Jug Champions in 1964. The song was performed by the Grateful Dead in acoustic sets in 1969, 1970, 1980 and 1981. Also performed by Bob Weir with Kingfish. A fun tune that is perfect for kids as well. Good one to get them hooked into the Dead on! Played: 38 timesFirst: December 19, 1969 at Fillmore West, San Francisco, CA, USALast: February 12, 1989 at Great Western Forum, Inglewood, CA, USA MUSIC NEWS: Intro Music: Me and Bobby McGee Kris Kristofferson - Me And Bobby McGee (1979) (youtube.com) 0:00 – 1:27 "Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster.[1] Foster had a bit of a crush on Barbara "Bobbie" McKee who was a secretary on Nashville's music row. When he pitched the title to Kristofferson, he misheard the name as "Me and Bobby McGee," and the name stuck. Kristofferson found inspiration for his lyrics from a film, 'La Strada,' by Fellini, and a scene where Anthony Quinn is going around on this motorcycle and Giulietta Masina is the feeble-minded girl with him, playing the trombone. He got to the point where he couldn't put up with her anymore and left her by the side of the road while she was sleeping," Kristofferson said. A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance on Me". Billboard ranked Joplin's version as the No. 11 song for 1971. Janis Joplin recorded the song for inclusion on her Pearl album only a few days before her death in October 1970. Singer Bob Neuwirth taught it to her while Kristofferson was in Peru filming The Last Movie with Dennis Hopper.[5] Kristofferson did not know she had recorded the song until after her death. The first time he heard her recording of it was the day after she died.[6]Record World called it a "perfect matching of performer and material."[7] Joplin's version topped the charts to become her only number one single; her version was later ranked No. 148 on Rolling Stone's 2004 list of The 500 Greatest Songs of All Time. In 2002, the 1971 version of the song by Janis Joplin on Columbia Records was inducted into the Grammy Hall of Fame. The song is the story of two drifters, the narrator and Bobby McGee. The pair hitch a ride from a truck driver and sing as they drive through the American South before making their way westward. They visit California and then part ways, with the song's narrator expressing sadness afterwards. Due to the singer's name never being mentioned and the name "Bobby" being gender-neutral (especially in America), the song has been recorded by both male and female singers with only minor differences in the lyrical content. Me And Bobby McGee was first performed by the Grateful Dead in November 1970. It was then played well over 100 times through to October 1974. The song returned to the repertoire for three performances in 1981 after which it was dropped for good. Sung by Weir. RIP Kris Kristofferson Kris Kristofferson, the iconic country music singer-songwriter and accomplished Hollywood actor, passed away peacefully at his home in Maui, Hawaii, at the age of 88. The family has not disclosed the cause of death. It was confirmed that Kristofferson was surrounded by loved ones during his final moments. In a statement, the family shared: "It is with a heavy heart that we share the news our husband/father/grandfather, Kris Kristofferson, passed away peacefully on Saturday, Sept. 28 at home. We're all so blessed for our time with him. Thank you for loving him all these many years, and when you see a rainbow, know he's smiling down at us all." Tributes poured in from across the entertainment world and fans as the news of Kris Kristofferson's death spread. Barbra Streisand, his co-star in A Star Is Born, praised him as a "special” and “charming" in a post on X. Dolly Parton, who collaborated with Kristofferson, shared on X, "What a great loss. I will always love you, Dolly." Kristofferson's career was nothing short of extraordinary. He achieved stardom as both a country music artist and a successful actor. Throughout his prolific career, Kristofferson earned numerous accolades. These include three Grammy Awards and an induction into the Country Music Hall of Fame in 2004. Additionally, he was nominated for an Academy Award in 1985 for Best Original Song for Songwriter. In 1971, Janis Joplin, who had dated Kristofferson, had a number one hit with "Me and Bobby McGee" from her posthumous album Pearl. It stayed on the number-one spot on the charts for weeks. In 2021, after releasing his final album, The Cedar Creek Sessions, in 2016, Kristofferson announced his retirement from music. His legacy as a musician, actor, and cultural icon leaves a profound impact on both industries. He is survived by his wife, Lisa, his children, and his grandchildren. Pink Floyd sells song rights (Rolling Stone Magazine) After years of in-fighting and near-agreements, Pink Floyd have finally reached a deal to sell the rights to their recorded music catalog to Sony Music, according to the Financial Times.The deal is reported to be worth around $400 million and also includes the rights to the band's name and likenesses. That means, along with gaining full control over Pink Floyd's music, Sony will have the crucial rights for most things Pink Floyd-related, from merch to movies. A rep for Sony Music declined to comment. A source confirmed the veracity of the details to Rolling Stone. In an interview with Rolling Stone in August, Gilmour confirmed that the band was “in discussion” about a potential catalog sale, with the guitarist adding he was tired of the continued in-fighting and “veto system” that has resulted in animosity and delayed reissues over petty issues like liner notes. “To be rid of the decision-making and the arguments that are involved with keeping it going is my dream,” Gilmour said of a catalog sale. “If things were different… and I am not interested in that from a financial standpoint. I'm only interested in it from getting out of the mud bath that it has been for quite a while.” With the Sony deal in place, the label — and not the band — will now bear the responsibility for the next Pink Floyd release, a 50th-anniversary edition of Wish You Were Here that is expected to arrive in 2025. The Sony deal comes 18 months after Pink Floyd made traction on a $500 million agreement to sell their music, only for more bickering between band mates to make the deal “basically dead,” as sources told Variety in March 2023. The Sony deal only includes Pink Floyd's recorded music catalog, which allows for the band to keep its largely Waters-penned publishing catalog and retain ownership of now-apropos lyrics like “Money/It's a crime/Share it fairly, but don't take a slice of my pie” and “We call it riding the gravy train.” What happened to the Betty Boards In May 1986, a storage auction took place in California's Marin County that would altogether change the nature of Grateful Dead tape trading, the group's distribution of its live recordings and, ultimately, the Dead's place in the Library of Congress' National Recording Registry. An advertisement in a local paper drew in a few dozen curious parties anticipating the range of memorabilia and household items that typically become available through the auction of lockers that had fallen into arrears due to lack of payments. Among the items up for auction that day were hundreds of reel-to-reel soundboard tapes of the Grateful Dead originally recorded by Betty Cantor-Jackson during a golden age between 1971-80. The Betty Boards, as copies of these recordings became known, eventually found their way into the collections of longstanding Deadheads and newbies alike, ending some aspects of a tape-trading hierarchy by which certain individuals lorded over their collections, denying access to those who were unfamiliar with the secret handshake. The appearance and subsequent dissemination of these recordings became a source of fascination and speculation for Deadheads in 1986 and the questions have only compounded over the years: How did the tapes fall into the auction? Who won them? How and why were they initially distributed? Are there more recordings that have yet to make it into circulation? And jumping ahead to the present, where are those tapes today? Just what has become of the Bettys? What can be said with certainty is that a new cache of tapes has been unearthed and a plan is underway by Dark Star Orchestra guitarist Rob Eaton, who has painstakingly restored many of the boards, to complete the job and then facilitate their return to the band. Eaton hopes that a series of official releases might follow that will also yield a small royalty to the woman who recorded the reels and then lost them due to her own financial hardship, even if Deadheads owe her a debt of gratitude. Before the auction, before the boards, there was Betty. Betty Cantor was still in her teens when she began setting up mics and helping to record sound at San Francisco venues— first at the Avalon Ballroom and then, the Carousel (the latter during the Grateful Dead's brief stab at venue management in 1968). She worked alongside Bob Matthews, initially assisting with setups during the recording of the Dead's Anthem of the Sun. A true pioneer, as a woman staking her claim in a patriarchal business, she partnered with Matthews into the early 1970s to produce and engineer live multi- track recordings (she had a hand or two in Live/Dead) as well as studio efforts (Aoxomoxoa and Workingman's Dead). While she worked for other artists during this period, she maintained a close relationship with the Grateful Dead, catalyzed by her marriage to crew member Rex Jackson, who would die a few years later in an auto accident. (The philanthropic Rex Foundation is named in his honor.) “My late husband started recording on the road when he was on the equipment crew,” Cantor Jackson explains. “He and I purchased our own gear and tape. I recorded whenever I could get to the gigs. I recorded the Grateful Dead frequently when they were at home venues, I recorded any and all Jerry Garcia Band gigs I could get to for years, in all its configurations, as well as other bands I liked whenever I could. In those days, bands were cool and happy about me getting a feed. Rex was killed in a car accident in ‘76. In ‘77 and ‘78, I was put on Grateful Dead road crew salary, taping and handling Bobby's stage setup.” She later began a romantic relationship with Dead keyboardist Brent Mydland but, after that ended, she sensed that she had been frozen out. “Brent and I split up after a few years, with the last year spent in the studio working on his solo project. This put me in the category of the dreaded ‘ex.' I didn't think that could apply to me, but he was a band member. Everyone was paranoid of me being around, so I no longer had access to my studio or the vault.” Trying times followed. In 1986, she found herself in a dire financial predicament and forced out of her home. “All my things were moved to storage facilities. Unable to foot the bill at the storage center, Cantor-Jackson forfeited the rights to her worldly possessions. She remembers contacting the Grateful Dead office to inform them of the situation, but the group took no action, resulting in a public auction of Cantor-Jackson's personal assets, which included more than 1,000 reel-to-reel tapes—mostly Grateful Dead recordings, along with performances by Legion of Mary, Kingfish, Jerry Garcia Band, Old and In The Way, the Keith and Donna Band, and New Riders of The Purple Sage. The majority of the 1,000-plus reels that have come to be known as the Betty Boards were acquired by three principals, none of whom were fervid Deadheads at the time. The first of these individuals set his tapes aside in a storage locker where they remain to this day. A second, who was more interested in the road cases that held the tapes, left them to rot in his barn for a decade. The final party was a couple with a particular interest in progressive rock, who nonetheless held an appreciation for the performances captured on tape. So while some tapes unquestionably were scattered to the wind, following the four- hour event and a second auction for a final lot of tapes held a few weeks later, the three prime bidders each held hundreds of reels. While two of the winning bidders had no plans for the tapes, within a few months the couple decided that they would place the music in circulation. This was our way of getting new material into circulation and also breaking the hierarchy of those collectors who held on to prime shows for themselves. Initially, we started transferring the tapes to VHS Hi-Fi on our own, but soon realized what a daunting task this was going to be. So we reached out to one of our trading buddies who we knew had connections in the Dead trading community. From there, he gathered together what was later to become known as the ‘Unindicted Co-conspirators,' who put in a massive archiving effort to back up the tapes and distribute them.” The individual they selected as their point person was Ken Genetti, a friend and longtime Deadhead. “I went into their house, and I opened up this closet and they had all the stuff arranged on a shelf in order,” Genetti reflects. “For me, it was like King Tut's tomb. I knew immediately what they had when I looked in there. The first thing I saw was Port Chester, N.Y., Feb. 18, 1971, an incredible show which was Mickey [Hart]'s last concert for many years and I said, ‘You've got to be kidding me!' Then I saw Kezar Stadium, San Francisco, Calif., ‘73, my favorite concert I ever went to. I pulled it out and I went, ‘Holy shit!'” They explain: “We had sought to keep the operation as low key as possible because of the potential for a backlash. It wasn't until someone contacted the Grateful Dead office and offered them a copy of the tapes that we knew it was only a matter of time before we would be hearing from their lawyers. When we did hear from them, there was a bit of back and forth between their lawyers and our lawyer, but the bottom line was we had purchased the tapes legally and owned them but didn't own the rights to the music contained on them. Therefore, we could not sell the music on them, which was never our intent anyway. That pretty much left us at a stalemate and, not wanting to stir up any more issues with the Grateful Dead office, is also why we avoided re-digitizing the tapes.” In late 1995, Eaton received a call from a high-school teacher who had purchased one of the lots predominantly for the road cases that held the tapes. The teacher now hoped to sell the reels and wanted Eaton to assess them. In a cluttered barn, Eaton discovered a grimy, mold-infested collection. This might have been the end of the story, but the Betty Boards have proven to be the gift that keeps on giving. The teacher never found a buyer for the tapes—his asking price was a million dollars—and two years ago, facing monetary struggles and fearing that that the bank might foreclose on his home, he contacted Eaton once again to see if he would be willing to take custody of the tapes. The teacher also explained that he had discovered another 50 reels while cleaning out the barn. Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” So through a chain of contacts, he eventually located the couple. While completing his work on the couple's reels, Eaton began researching the original auction, hoping to identify the third individual who had purchased the Bettys. He eventually found him, and in January 2014, the pair entered into discussions about this final batch of tapes, which Eaton hopes to restore. What then? Eaton has a plan that he already has set in motion. “What I'd love to see done—in a perfect world—is I think all the tapes need to go back to the vault,” he says. “I think the people that have purchased these tapes should be compensated. I don't think we're talking huge sums of money but enough to make them relinquish the tapes back to the Grateful Dead. They should be part of the collection. Another thing that's important is if these tapes do get back to the vault, Betty should get her production royalty on anything that gets released, which is completely reasonable. Those were her tapes; those weren't the Dead's tapes. I'd love to see Betty get her due.” SHOW No. 2: Heaven Help The Fool Track #6 1:30 – 3:10Heaven Help the Fool is the second solo album by Grateful Deadrhythm guitaristBob Weir, released in 1978. It was recorded during time off from touring, in the summer of 1977, while Grateful Dead drummer Mickey Hart recovered from injuries sustained in a vehicular accident. Weir returned to the studio with Keith Olsen, having recorded Terrapin Station with the producer earlier in the year. Several well-known studio musicians were hired for the project, including widely used session player Waddy Wachtel and Toto members David Paich and Mike Porcaro. Only "Salt Lake City" and the title track were played live by the Grateful Dead, the former in its namesake location on February 21, 1995,[1] and the latter in an instrumental arrangement during their 1980 acoustic sets.[2] Despite this, Weir has continued to consistently play tracks from the album with other bands of his, including RatDog and Bobby Weir & Wolf Bros. "Bombs Away" was released as a single and peaked at number 70 on the Billboard Hot 100, becoming his only solo song to make the chart.[3] The album itself stalled at number 69, one spot behind his previous album, Ace. The title track was written by Bobby and John Barlow. While a staple at Bob shows with the Midnights, Rob Wasserman, Rat Dog, Wolf Bros., etc., the Dead only played it during these Warfield/Radio City and only as an instrumental arrangement. Played: 17 timesFirst: September 29, 1980 at The Warfield, San Francisco, CA, USALast: October 31, 1980 at Radio City Music Hall, New York, NY, USA Now the electric tunes from today's show: SHOW No. 3: Cold, Rain & Snow Track #10 0:00 – 1:30 "Rain and Snow", also known as "Cold Rain and Snow" (Roud 3634),[1] is an American folksong and in some variants a murder ballad.[2] The song first appeared in print in Olive Dame Campbell and Cecil Sharp's 1917 compilation English Folk Songs from the Southern Appalachians, which relates that it was collected from Mrs. Tom Rice in Big Laurel, North Carolina in 1916. The melody is pentatonic. Campbell and Sharp's version collected only a single verse: Lord, I married me a wife,She gave me trouble all my life,Made me work in the cold rain and snow.Rain and snow, rain and snow,Made me work in the cold rain and snow. In 1965, Dillard Chandler recorded a graphic murder ballad version of the song that ends with the wife being shot by the husband. According to the liner notes on Chandler's album, Chandler learned the song from Berzilla Wallin, who said that the song related to a murder that had occurred in Madison County, North Carolina: Well, I learned it from an old lady which says she was at the hanging of – which was supposed to be the hanging, but they didn't hang him. They give him 99 long years for the killing of his wife... I heard the song from her in 1911. She was in her 50s at that time. It did happen in her girlhood... when she was a young girl... She lived right here around in Madison County. It happened here between Marshall and Burnsville; that's where they did their hanging at that time – at Burnsville, North Carolina. That's all I know, except they didn't hang the man.'[2] Subsequent performances have elaborated a variety of additional verses and variants beyond the single verse presented by Campbell and Sharp. Several verses consistently appear. Some sources for lyrics that appear in some later versions may be from Dock Boggs's 1927 song "Sugar Baby" (Roud 5731),[1] another lament of a henpecked husband, which may have contributed a line about "red apple juice".[4] A British folksong, The Sporting Bachelors (Roud 5556),[1] contains similar themes, but was collected in the 1950s.[2][5] Earlier possible precursors include a series of broadside ballads on the general subject of "Woeful Marriage"; one frequently reprinted nineteenth-century example begins with the words "On Monday night I married a wife", (Roud 1692).[1][6] These British antecedents mostly share common themes and inspirations; the song originated in the local tradition of Big Laurel, Madison County, and relate to a nameless murderer who committed the crime at some time between the end of the Civil War and the end of the nineteenth century. A recent origin is also suggested by the relatively limited number of variations on the tune; most performances use the Campbell-Sharp melody as written.[2] Despite the apparent violence of the lyrics, women feature prominently in the oral tradition of the song. It was collected from "Mrs. Tom Rice", and sung by Berzilla Wallin, who learned it from "an old lady" who remembered the murder trial the song was about. The song is closely associated with the Grateful Dead; a studio version appeared on their first album The Grateful Dead (1967), and the song was a standard part of the Dead's repertoire throughout their career. They would often open with the song, or perform it early in the first set.[2] Unlike Chandler's recording, in the Dead's version of the lyrics the husband generally laments his mistreatment at his greedy wife's hands, but does not kill her. The lyrics from the Grateful Dead's version were adapted from an earlier recording by Obray Ramsey. Played: 249 timesFirst: May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast: June 19, 1995 at Giants Stadium, East Rutherford, NJ, USA MJ NEWS: Hemp Industry Advocates Ask Court To Halt California's Ban On Products With Any ‘Detectable Amount' Of THC Amid Legal Challenge2. Most Pain Patients And Doctors Support Legalizing Medical Marijuana And Having Insurance Companies Cover The Cost, AMA Study Shows3. Marijuana Enhances Enjoyment Of Music, New Study Finds, Confirming What Every Stoner Already Knows4. Six U.S. States Report Setting New Monthly Marijuana Sales Records M.J. Strains: Blackwater – an indica marijuana strain made by crossing Mendo Purps with San Fernando Valley OG Kush. The strain offers effects that start out mellow but will eventually melt down through your entire body for a classic head to toe euphoric high. A sweet grape aroma that blends well with subtle undertones of lemon and pine. MMJ uses include for relieving symptoms associated with chronic pain, appetite loss and MS. Recommended for late night consumption as it can cause mental cloudiness and detract from productivity. NYSD – this classic strain is sativa leaning, created by Soma Seeds in Amsterdam, a staple for stoners since its inception in 1997. Its name is inspired by the tragic events in NYC on September 11, 2001. It is a product of crossbreeding Mexican sativa and Afghani landrace strains. Has a unique aroma and taste that sets it apart from the crowd. Pure Gas - a hybrid cross of E85 and OG Kush. The parent strains are carefully chosen for their complex terpene profiles and effects. The OG Kush is known for its lemon-pine-fuel taste and an aroma of fuel, skunk, and spice. Additionally, its high-THC content provides a potentially heavy-hitting experience that shines through in the Pure Gas strain. As far as THC level in Pure Gas, it is one of our higher testers and definitely a high-potency strain. Smoking Pure Gas might bring effects similar to that of the OG Kush. The strain may be a creeper, meaning its effects may sneak up on you, so we recommend trying a little at a time, especially if you're new to smoking. Users may experience a deep body relaxation and cerebral high. The strain is definitely one that might activate your munchies, so make sure you have your favorite snack on hand. The overall effects of the Pure Gas strain might make it perfect for a movie night with friends, pre-dinner smoke sessions, and just hanging out. For users who suffer from appetite loss, the strain may help stimulate your hunger. SHOW No. 4: Loser Track #12 4:13 – 6:13 David Dodd: The song seems covered in the Americana dust of so many songs from this period of Hunter's and Garcia's songwriting partnership. Abilene, whether in Texas or Kansas, is a dusty cowtown—at the time in which the song seems to be set, the cattle outnumbered the human inhabitants by a factor of tens. It's easy to see the scene Hunter so casually sets, of a broken-down gambler in a saloon, with a dirt street outside full of armed cowpokes. Appearing, as it does, on Garcia, the song seems to pair naturally with the other gambling song on the album, “Deal.” It could be sung by the same character on a different day, in fact. And it fits in, as I mentioned, with a whole suite of songs that might be set in the same generic America of the late 19th or early 20th centuries: “Brown-Eyed Women,” “Jack Straw,” “Mister Charlie,” “Tennessee Jed,” “Cumberland Blues,” “Candyman,” and others, as well as certain selected covers, such as “Me and My Uncle,” and “El Paso.” Those songs share certain motifs, and among them are the various accoutrements of a gambler's trade, whether dice or cards. Money plays a role—and, in the case of “Loser,” the particular money mentioned helps place the song chronologically. Gold dollar coins were minted from 1849 (the Gold Rush!) to 1889. They were tiny little coins. I have one, and it is amazingly small—between 13 and 15 mm in diameter. “All that I am asking for is ten gold dollars…” C'mon! They're tiny little things. In fact, originally, the line was “one gold dollar,” but that changed at some point to the “ten” The crowning glory of the song, as in many other Garcia/Hunter compositions, is the bridge.The song culminates in this cry of hopefulness: “Last fair deal in the country, Sweet Susie, last fair deal in the town. Put your gold money where your love is, baby, before you let my deal go down—go down.” (It's noted that “Sweet Susie” was dropped at some point, but then, occasionally, brought back. I think it was an optional decoration to the line. Alex Allan, in his Grateful Dead Lyric and Song Finder site, notes that “Sweet Susie” rarely appears after 1972, but that it's sung in performances in 1974 and 1979.) Almost always played as a first set Jerry ballad. This version might have been the high point of this show. So nicely played and sung by Jerry. Played: 353First: February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast: June 28, 1995 at the Palace of Auburn Hills, MI OUTRO: Good Lovin' Track #27 3:25 – 5:04 "Good Lovin'" is a song written by Rudy Clark and Arthur Resnick that was a #1 hit single for the Young Rascals in 1966. The song was first recorded by Lemme B. Good (stage name of singer Limmie Snell) in March 1965 and written by Rudy Clark. The following month it was recorded with different lyrics by R&B artists The Olympics, produced by Jerry Ragovoy; this version reached #81 on the Billboard Pop Singles chart. The tale has been told that Rascal Felix Cavaliere heard The Olympics' recording on a New York City radio station and the group added it to their concert repertoire, using the same lyrics and virtually the same arrangement as The Olympics' version. Co-producer Tom Dowd captured this live feel on their 1966 recording, even though the group did not think the performance held together well. "Good Lovin'" rose to the top of the Billboard Pop Singles chart in the spring of 1966 and represented the Young Rascals' first real hit. "Good Lovin'" is one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, and was ranked #333 on Rolling Stone's 500 Greatest Songs of All Time list.[4] Writer Dave Marsh placed it at #108 in his 1989 book The Heart of Rock and Soul: The 1001 Greatest Singles Ever Made, saying it is "the greatest example ever of a remake surpassing the quality of an original without changing a thing about the arrangement." A popular version was by the Grateful Dead, who made it a workhorse of their concert rotation, appearing almost every year from 1969 on.[6] It was sung in their early years during the 1960s and early 1970s by Ron "Pigpen" McKernan and later by Bob Weir. The Weir rendition was recorded for the group's 1978 Shakedown Street album and came in for a good amount of criticism: Rolling Stone said it "feature[d] aimless ensemble work and vocals that Bob Weir should never have attempted."[7] On November 11, 1978, the Grateful Dead performed it on Saturday Night Live. Typically, at least by the time I started seeing them, usually played as a second set closer or late in the second set. As good buddy AWell always said, “if they play Good Lovin, everyone leaves with a smile on their face.” Can't argue with that. Played: 442First: May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast: June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA Easy fast on Yom Kippur .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
We aimed the airgun of enquiry at this week's rock and roll side-stall and dislodged the following coconuts … … sports star, Rhodes scholar, bohemian: why Kris Kristofferson was a whole new breed of American hero. … the letter his parents wrote disowning him. … how he invented the crossover hit. … echoes of his life in Five Easy Pieces. … Fellini's La Strada and the story of ‘Me And Bobby McGee'. …. ‘(You Make Me Feel Like) A Natural Woman' and other songs written to order. … why the past is the age before mobile phones. … Joni Mitchell, James Taylor, Leonard Cohen, Carly Simon: the kiss and tell school of songwriting. … why Tracey Thorn misses the age of the autograph. … who'd be famous in the 21st Century? … “What do you think about when you're playing the drums?” Cameron Crowe's lost 1983 time capsule. … in a lift with Ken Barlow. Plus birthday guest Paul Cook and the furthest you've ever travelled for a gig.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
We aimed the airgun of enquiry at this week's rock and roll side-stall and dislodged the following coconuts … … sports star, Rhodes scholar, bohemian: why Kris Kristofferson was a whole new breed of American hero. … the letter his parents wrote disowning him. … how he invented the crossover hit. … echoes of his life in Five Easy Pieces. … Fellini's La Strada and the story of ‘Me And Bobby McGee'. …. ‘(You Make Me Feel Like) A Natural Woman' and other songs written to order. … why the past is the age before mobile phones. … Joni Mitchell, James Taylor, Leonard Cohen, Carly Simon: the kiss and tell school of songwriting. … why Tracey Thorn misses the age of the autograph. … who'd be famous in the 21st Century? … “What do you think about when you're playing the drums?” Cameron Crowe's lost 1983 time capsule. … in a lift with Ken Barlow. Plus birthday guest Paul Cook and the furthest you've ever travelled for a gig.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Silvana vuelve al podcast para hablar con Villalobos respecto a la película que disparó la fama de Fellini afuera de Italia. Una mujer que vive y piensa como niña, un bruto legendario y la mezcla entre miseria y magia que fascinó al director a la hora de filmar entornos como el circo y la religión.
We aimed the airgun of enquiry at this week's rock and roll side-stall and dislodged the following coconuts … … sports star, Rhodes scholar, bohemian: why Kris Kristofferson was a whole new breed of American hero. … the letter his parents wrote disowning him. … how he invented the crossover hit. … echoes of his life in Five Easy Pieces. … Fellini's La Strada and the story of ‘Me And Bobby McGee'. …. ‘(You Make Me Feel Like) A Natural Woman' and other songs written to order. … why the past is the age before mobile phones. … Joni Mitchell, James Taylor, Leonard Cohen, Carly Simon: the kiss and tell school of songwriting. … why Tracey Thorn misses the age of the autograph. … who'd be famous in the 21st Century? … “What do you think about when you're playing the drums?” Cameron Crowe's lost 1983 time capsule. … in a lift with Ken Barlow. Plus birthday guest Paul Cook and the furthest you've ever travelled for a gig.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Adam creates a hypnosis session inspired by the movie 8 1/2 by Federico Fellini. The hypnosis session used dream sequences from the movie, metaphors and symbols and the use of people from the past to create powerful insights and positive changes. The overall metaphor is to feel empowered to be the director of your life, being creative, decisive, and not afraid to take risks. Adam's course Hypnotic Wealth can be found here: https://www.adamcox.co.uk/hypnotic-wealth.html Coming Soon - The Hypnotists's Secret Circle: Adam will soon be launching a new low-cost membership to access his entire hypnosis archive without the intro, outro, and explanation and an exclusive community only for members. In the meantime you can secure a free sleep download here: https://tr.ee/MCuZqKPnEg Adam Cox is one of the world's most innovative hypnotists and is known for being the hypnotherapist of choice for Celebrities, CEO's and even Royalty. To book a free 30-minute consultation call to consider working with Adam go to: https://go.oncehub.com/AdamCox Adam's rates for hypnotherapy in pounds and US dollars are here: https://www.adamcox.co.uk/hypnotherapist.html You can contact Adam at adam@adamcox.co.uk Further information on Adam is here: https://linktr.ee/AdamCoxOfficial Tags: Adam Cox, the hypnotist, NLP, asmr, hypnosis, hypnotherapy, hypnotist, stress, sleep, worry, meditation, guided meditation, hypnotism, anxiety, hypnosis for abundance, hypnosis for business success, hypnosis to feel enthusiastic about business, hypnosis for financial success, wealth hypnosis, abundance hypnosis, manifestation hypnosis, 8 1/2 by Fellini, Movie inspired hypnosis,
In this episode, we are at Somerset House during Photo London with David Campany. He is a curator, writer, publisher, and educator, teaching at the University of Westminster, London, and serving as Curator at Large for the International Center of Photography, New York. We talked about his love and addiction for writing, the projects he undertakes as an independent, as a teacher, and at ICP. Through his experiences, he gave us advice on how to protect our passion and keep our curiosity alive. 1'40 - Born in the late '60s, he was influenced by TV culture and movies by Fellini, Godard, etc. 6' - He quickly realized that he wanted to be involved with images because he found pleasure in looking at them and thinking about how they fit into the world. 9' - After his graduation, he was invited to curate shows and write texts. He became known for making unexpected connections between things. For example: an exhibition at Le Bal about Anonymous Americans in film. 19' - Why it is important to write to a writer if you think their work is good. 20'30 - Writing as an addiction. 23'10 - Juggling multiple projects: working on 3 shows and 8 books at the same time. He does not support repetition. 27'30 - The first text he wrote as a professional and his book for Phaidon, "Photography and Art." 32'10 - The magazines he created with the auction house Christie's and the collector Christina Belker. 37' - His experience in NY at the ICP, managing the program for 5-6 years. 45' - Now, exhibitions are collaborations between photographers and curators because, most of the time, the photographer has an idea of what the show will look like. Making exhibitions is part of their work. 47'40 - Advice for curators: you need to go beyond your ego in helping the artist create the work they can't do on their own. It's tempting to say, "I will do it like this." But it is important to move past that phase. 51'30 - Advice for writers: just write, whether it will be published or not, and your writing will improve. Don't be afraid to approach people you admire. Stay interested and aware of the possibilities. There is no formal career path. 53'15 - Now, he says yes to only 10% of the proposals he receives. If his heart is not in it, he cannot say yes. He cannot do something he is not interested in because it would kill the thing he loves. One important thing is to keep your curiosity alive.Subscribe to the podcast newsletter: https://bit.ly/lesvoixdelaphotonewsletterStay updated with the podcast: https://bit.ly/lesvoixdelaphotowebsiteYou can also find the podcast on Instagram, Facebook, and LinkedIn @lesvoixdelaphoto Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
This is a big one, folks. Alana and Sam take a deep dive into cinematic meta-fiction as they explore the relationship between the seminal film 8 1/2 (1963) and its four most prominent New Hollywood descendants: Alex in Wonderland (1970), All That Jazz (1979), and Stardust Memories (1980). We approached this project with the seriousness and rigor we feel it deserves which apparently to us means making you listen to us talk for nearly four hours! Topics include: the 1976 Tonys, acting teachers in 70s movies, and the ontological argument.Start timecodes for each segment: Federico Fellini's 8 1/2 - 0:00:00Paul Mazursky's Alex in Wonderland - 0:56:10Bob Fosse's All That Jazz - 1:46:35Woody Allen's Stardust Memories - 2:23:57
Send us a textLost in a hostile forest, the Marquis d'Arkham Josh, a noble emissary of the King of Rhode Island, finds refuge in the company of a strange collection of characters. On Trick or Treat Radio Episode 633 we are joined by our good bud Arkham Josh to discuss the French horror film The Vourdalak from director Adrien Beau! We also have an extended Coffin Corner this week as we honor the fallen, discuss upcoming horror conventions, and dissect and breakdown the king of on stage banter! (Oh Yeah!) So grab some white pancake makeup, paint your face like a French Aristocrat, and strap on for the world's most dangerous podcast!Stuff we talk about: Creep, Jay and Mark Duplass, Peachfuzz, The Creep Tapes, RIP James Earl Jones, Coming to America, Star Wars, good voices, CNN, Darth Vader, Gilbert Gottfried, Grand Moff Tarkin, Carrie Fisher, Peter Cushing, Star Wars Holiday Special, A Disturbance in the Force, Chad McQueen, Martial Law, Silver Scream, Terror-Con, MonstaXpo, Cannibal Holocaust, “They're eating your dogs, they're eating your cats”, Eli Roth, Knock Knock, Borderlands, Green Inferno, Welcome to the Jungle, Demons I & II, Fat Albert, Mutter Museum, Presidential Debate, endorsing a candidate, Hannibal Lecter, Taker's Streak, RIP John Cassady, Capri Sun, Planetary, Warren Ellis, Transmetroplitan, Union Jack, Captain America, KISS, Paul Stanley stage banter, Discogs, Deadpool and Wolverine, Suspiria, The Vourdalak, Bram Stoker's Dracula, Boris Karloff, Night of the Devils, Mario Bava, Black Sabbath, 70s style euro-horror, Super 16mm, Marquis, french films, marionettes, main characters that are puppets, Adrien Beau, Bela Lugosi, Fellini's Casanova, Donald Sutherland, Chesty Morgan, Morganna the Kissing Bandit, Aleksei Tolstoy, The Family of the Vourdalak, MaXXXine, Ti West, Angel, Angel Heart, Oddity, and uncrustables.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show
Pogány Judit Kossuth- és Jászai Mari-díjas érdemes művész, a Halhatatlanok Társulatának örökös tagja, tavaly december óta pedig a Nemzet Színésze is. A kaposvári színházban élte első fénykorát, és ahogy elkezdte színészetét, rövid időn belül be is bizonyította, hogy néha a legmerészebb álmok is képesek teljesülni, és az átütő tehetség pecsétes papír nélkül is képes érvényesülni: naivából hősnővé érett, tudott lenni a színpadon viseltes nagyasszony, kiszolgáltatott kisember, de zsugorodott szeretetre méltó nénivé is. Biztosak lehetünk benne, hogy Fellini kedvenc figurája lett volna, ha a nagy olasz rendező ismerte volna. Pogány Judit boldog gyerekkora első felét hányatott, nyomorúságos folytatás követte, majd a színészi pálya több évtizeden át tartó diadalmenetet hozott számára, megannyi remek színpadi alakítással, emlékezetes filmekben még emlékezetesebb szerepekkel, és mindezeket keretbe foglalta évtizedekig tartó, boldognak tűnt házassága, egy fiúgyerekkel és angyali unokákkal. Már-már egy tökéletes élet körvonalazódna Pogány Judit esetében, ha néhányszor nem vett volna váratlan és keserves fordulatot az ő élettörténete is. Mindezekről, sok mindenről hívtuk beszélgetni a Friderikusz Podcastba a színművészt, leginkább abból az alkalomból, hogy Pogány Judit pár nap múlva, szeptember 10-én ünnepli 80. születésnapját. Podcastunk támogatója az OTP Travel, ami az alábbi linken érhető el: https://www.otptravel.hu/elmenyvalaszto Együttműködő partnereink: - az európai autópálya-matricák forgalmazója: https://evignet24.eu - a Siófoki Calendula Klinika, ahol indiai orvosok gyógykezelnek ajurvéda-módszerekkel: https://ayurmedic.eu Hogyan támogathatja a munkánkat? - Legújabban már a donably.com/Friderikusz-Podcast felületen is támogathat bennünket, itt ÁFA-mentesen segítheti munkavégzésünket: https://www.donably.com/friderikusz-podcast - De lehet a patronálónk a Patreon-on keresztül is, mert a támogatása mértékétől függően egyre több előnyhöz juthat: https://www.patreon.com/FriderikuszPodcast - Egyszerű banki átutalással is elismerheti munkavégzésünk minőségét. Ehhez a legfontosabb adatok az alábbiak: Név: TV Pictures Számlaszám: OTP Bank 11707062-21446081 Közlemény: Podcast-támogatás Ha külföldről utalna, nemzetközi számlaszámunk (IBAN - International Bank Account Number): HU68 1170 7062 2144 6081 0000 0000 BIC/SWIFT-kód: OTPVHUHB Akármilyen formában támogatja munkánkat, nagyon köszönjük! Kövessenek, kövessetek itt is: youtube: https://www.youtube.com/c/FriderikuszPodcast Facebook: https://www.facebook.com/FriderikuszPodcast Instagram: https://www.instagram.com/friderikuszpodcast Anchor: https://anchor.fm/friderikuszpodcast Spotify: https://spoti.fi/3blRo2g youtube Music: https://music.youtube.com/search?q=friderikusz+podcast Apple Podcasts: https://apple.co/3hm2vfi Deezer: https://www.deezer.com/hu/show/1000256535
Basta un poco de música o la carta de cualquier restaurante para que la Marca Italia - como los tecnócratas califican estas cosas- comparezca.”Volare” de Modugno ,“Picolissima Serenata”de Carosone, “O Sole Mio” de Caruso. Mina, Paoli o S.Remo, lo que el "mare nostrum"no se llevó. Los espaguetis, pizzas o fetuccini, esa pasta que como la maffia o Sofia Loren siempre será Italia. Como Cicerón, Julio Cesar,Dante,Fellini, Mussolini o Fred Buscaglione, tanto que aprender... Sólo la desaparición del latín -de su importancia- nos convierte en principiantes de nuestra propia cultura. Un verano para recordar.
Our summer travels continue this week to Italy, where Federico Fellini is our guide. The title translates to “the sweet life” in English, and that’s what star Marcello Mastroianni seeks in Rome, over the course of seven days. Mastroianni is a tabloid journalist, and we follow him through seven stories, during the film. Anita Ekberg is the female star probably most known to American film fans. La Dolce Vita ranks among Fellini’s best, and the movie also gives us a glimpse of modern Italy, a generation removed from World War II. Shelly Brisbin with Micheline Maynard and Dr. Drang.
Listen in as writer/director/performer Sara Fellini, along with fellow actors Nicholas Thomas (co-director) and Adam Belvo (fight choreographer), discuss adding more balloons, doing the research, breast reveals, rowing in the same direction with your crew, the light with all the … Continue reading →
Rob Kalin founded Etsy for people like him: makers and hobbyists. In 2005, he was kicking around New York trying to find buyers for his hand-made furniture, when he noticed that other craftspeople had the same need. So he and a few friends built a website where makers could sell a wide range of goods. Rob named it after an Italian phrase he heard in a Fellini film, and within three years, Etsy passed $10 million in sales. But as a young founder, Rob struggled to manage the rapidly-growing company; and in 2011, after being fired without warning, he returned to a quieter life as a maker and small-businessman. Meanwhile, Etsy has become one of the most popular online marketplaces in the world, with $2.5 billion in revenue.This episode was produced by Kerry Thompson with music by Ramtin Arablouei.Edited by Neva Grant, with research from Sam Paulson.Our engineers were Gilly Moon and Maggie Luther.You can follow HIBT on Twitter & Instagram, and email us at hibt@id.wondery.com.This episode is brought to you in part by Canva, the easy-to-use online design platform for presentations, social posts, videos, websites, and more. Start designing today at Canva – the home for every brand.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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