Podcast appearances and mentions of terence malick

On the latest LGM podcast Erik and I had the extraordinary opportunity to interview John Bleasdale, author of The Magic Hours: The Films and Hidden Life of Terence Malick from the University Press of Kentucky. I heartily recommend the book, which for the most part takes a film-by-film approach to Malick's career. We weren't able […] The post LGM Podcast: The Magic Hours appeared first on Lawyers, Guns & Money.

On the latest LGM podcast Erik and I had the extraordinary opportunity to interview John Bleasdale, author of The Magic Hours: The Films and Hidden Life of Terence Malick from the University Press of Kentucky. I heartily recommend the book, which for the most part takes a film-by-film approach to Malick’s career. We weren’t able […] The post LGM Podcast: The Magic Hours appeared first on Lawyers, Guns & Money.

Jem interviews John Bleasdale, author of 'The Magic Hours The Films and Hidden Life of Terence Malick' about the subject of the book, Terence Malick himself!Support this show http://supporter.acast.com/condensed-histories. Hosted on Acast. See acast.com/privacy for more information.

Join us and Matt Strohl (Philosophy, Montana) to live from Song to Song and discuss Terence Malick, genuine freedom, the challenges of dealing with aesthetic dismissal, the value of "difficult" art, family, situated abstractionism, art and commerce, temptation, regret, second chances, and much more! Buy Matt's new book, Hard to Watch!

On episode 247 of the AwardsWatch podcast, AwardsWatch Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello take a look at the newest announcements from the Toronto International Film Festival and New York Film Festival, changes to the Gotham Awards and the kickoff of International Feature Film Oscar submissions. Beginning with the TIFF announcements of new Gala and Special Presentations, we look into the heavy Venice to TIFF crossover with titles like Babygirl, Queer and The Brutalist (all skipping Telluride) as well as the 'Canadian Premiere' of Jason Reitman's Saturday Night, detailing the 90 minutes leading up to the first ever episode of NBC's Saturday Night Live's debut in 1975. Toronto will also get the world premiere of On Swift Horses, with Jacob Elordi, Daisy Edgar-Jones and Diego Calva, which appears to be its sole major fest showing. We then venture into today's NYFF Spotlight additions, including A Real Pain, Emilia Pérez and Maria. We talk about studio strategies and the paths festivals can create for determining awards contenders and how flying a bit under the radar, like Netflix is doing this year, becomes a vehicle for audience discovery. Next we move to the 2024 Gotham Awards, which announced this week the introduction of two new categories (Best Director and the return of Breakthrough Performer) as well as the rules that come with each of them. Finally, the submissions for the International Feature Film Oscar have started to roll in with Ireland's Kneecap, Austria's The Devil's Bath and Latvia's animated film Flow as the first out of the gate. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 45m. We will be back next week on this show for our Telluride Film Festival preview and predictions and on the main show to talk about Alien: Romulus, the state of blockbusters and more. And keep your eyes out for the Thursday drops of Director Watch episodes, which kicks off its Terence Malick series this week. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Don't turn your back on this guy! Comedian Bo Ballew joins the show to discuss Terence Malick's feature directorial debut Badlands dressed to the nines.   Make sure to subscribe on YouTube for video as well as wherever you get your podcasts!   YouTube | Spotify | Apple Podcasts   Follow us on social media for updates about the show!   Instagram | TikTok | Letterboxd   Make sure to follow Bo, as well as his podcast Talk Sauce!   Bo Ballew | Talk Sauce   Logo artwork by Kristen Eng Episode artwork by Lily Steinberg

During a war, combatants often ponder the deep existential questions of life. These questions form the basis of Terence Malick's 1998 war drama The Thin Red Line. On one level, The Thin Red Line is about a U. S. Army division's attempt to take a hill on the island of Guadalcanal; however, the film also explores many age-old questions, including “How did evil enter the world?”, “Why are humans at war with nature?”, “Why do humans fight and kill each other?”, and “Given all the evil and suffering in the world, how can there be a loving creator?” Join James and Steve Guerra as they discuss this intellectually and emotionally deep film. Note: this episode originally appeared on Steve's Podcast Beyond the Big Screen.

Actor and Producer Tye Sheridan, Asphalt City, Ready Player One, Mud & Tree of Life joins us to chat his career, stepping up to produce and working with a whole host of talents including Stephen Spielberg, Terence Malick and Sean Penn. Tye chats to Dom Lenoir about: His journey as an actor. Auditions and nearly quitting. Breaking through with Tree of Life and Mud. Working with Spielberg on Ready Player One. Setting up his Production Company Dogwood Pictures Creating his AI film tech firm Wonder Dynamics & Wonder Studio to help indie filmmakers. Making Asphalt City in 20 days, getting Sean Penn to star and going deep into prep and on set. Asphalt City is OUT NOW in cinemas! LINKS Check out the YES SHE CANNES workshop and get 20% off with the code “FILMPOD” Check out Terri Dwyer's latest film BOLANS SHOES Check out Giles Alderson's new documentary ALL TOWN AREN'T WE Check out Andrew Rodger's latest film NO WAY UP Or check out Tori and Matthew Butler-Hart's DAGR   GIVEAWAY Get a FREE copy of the excellent Shotlister App. Just download the App using this link and you can get Shotlister App now (usually $99). Only 100 copies are available so be quick and GET IT NOW! They need to be redeemed on an iPhone or iPad. But once redeemed Pro will also work on the Mac. shotlister.com/filmmakerspod PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/ COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Our guest is a five-time Oscar nominee for Best Costumes—most recently for Killers of the Flower Moon, although she is equally lauded for her work on Dune, parts 1 and 2. Her background in the fashion world, and as an art history major, gives her unique credentials for someone who provides costumes for movies. She also has world-class stories to share about her collaborations with such major directors as Philip Kaufman, Terence Malick, and David Fincher. Leonard and Jessie had a blast mining that treasure chest of memories and observations. The making of The Revenant could fill a one-hour podcast all by itself!  

This week we discuss Terence Malick's luminous period drama Days of Heaven, starring Richard Gere, Brooke Adams, and Sam Shepard.Plus: Virgil's Eclogues, group dynamics, and the Identified Patient.LINKS:Trailer for Days of HeavenSteve Coogan's impression of Richard Gere (from The Trip)The "identified patient"

Since his first credit as a stunt performer in 1990 in the sci-fi epic “Total Recall,” Jesse V. Johnson has amassed over fifty credits related to stunt performance and coordination, and is now putting the finishing touches on his 27 th film as a director, “One Ranger,” distributed by Lionsgate and available in streaming and in theaters on May 5. That's nearly four score films in three decade, including working with legendary directors like from Tim Burton to Terence Malick to Steven Spielberg, and on the set for recent classics like “Hell or High Water,” “The Amazing Spider-Man,” “Lincoln,” “Thor,” “Avatar,” “Mission: Impossible III,” “Galaxy Quest,” “The Thin Red Line,” and “Starship Troopers.” Join Robert Manni, author of The Guys' Guy's Guide To Love as we discuss life, love and the pursuit of happiness. Subscribe to Guy's Guy Radio on YouTube, iTunes and wherever you get your podcasts! Buy The Guys' Guy's Guide to Love now!

Since his first credit as a stunt performer in 1990 in the sci-fi epic “Total Recall,” Jesse V. Johnson has amassed over fifty credits related to stunt performance and coordination, and is now putting the finishing touches on his 27 th film as a director, “One Ranger,” distributed by Lionsgate and available in streaming and in theaters on May 5. That's nearly four score films in three decade, including working with legendary directors like from Tim Burton to Terence Malick to Steven Spielberg, and on the set for recent classics like “Hell or High Water,” “The Amazing Spider-Man,” “Lincoln,” “Thor,” “Avatar,” “Mission: Impossible III,” “Galaxy Quest,” “The Thin Red Line,” and “Starship Troopers.” Join Robert Manni, author of The Guys' Guy's Guide To Love as we discuss life, love and the pursuit of happiness. Subscribe to Guy's Guy Radio on YouTube, iTunes and wherever you get your podcasts! Buy The Guys' Guy's Guide to Love now!

In their discussion of the 1973 film BADLANDS, Christopher and Eric wrestle with their own belief in artistic freedom while confronting a dramatized version of real life crimes that essentially rewrites history in its pursuit of artistic license. The directorial debut of American cinema icon Terence Malick changes the names to protect not just the innocent, but the guilty as well. While the movie claims to be inspired by the real life killing spree of Charles Starkweather and Carol Fugate (the reason we chose it for the pairing), their well-documented acts of sadism, torture and mutilation are excised, offering up a romanticized vision of two lonely outcasts whose crimes were mostly born out of misunderstandings and self-defense. Do filmmakers have more of a responsibility to the real life source material than was shown here? How reigned in should an artist feel by the facts of their source of inspiration? Christopher and Eric are only sure of one thing. Their final installment of Midwest Mayhem is one of their most provocative episodes yet.

Midwest Mayhem departs the big and dirty city and heads to the bleak countryside for its second true crime pairing, the disturbing story of Charles Starkweather and Carol Fugate, two young killers whose gruesome crimes shocked a nation and inspired numerous film versions in the years that followed. In THE REAL 'NATURAL BORN KILLER', CHARLES STARKWEATHER (BORN TO KILL), available to stream on the Our Life You Tube Channel, we're given a by the numbers retelling of a horrifying killing spree that crossed the great plains of the Midwest. But Eric hears a story the producers aren't telling, the tale of a young woman who used as her weapon of choice, not just a gun, but a man desperate for her love and approval to exact her adolescent fantasies of revenge. We will complete our true crime pairing on our next episode when your hosts serve up a 1970's art house director's dramatic interpretation of these very crimes — Terence Malick's BADLANDS.

Ian and Sujewa welcome back Amir Motlagh to discuss his 2018 film, Three Worlds!The L.A.-set drama follows Saam (Motlagh), a frustrated indie filmmaker who scrapes out a living by shooting and producing commercials, and whose love life has devolved into meaningless hookups. As he flashes back to the childhood dreams of Hollywood magic that propelled him from Iran to California, Saam begins an existential search for answers in a city that has none to offer.In this wide-ranging conversation, Ian, Sujewa, and Amir talk about the years-long development of Three Worlds; comparisons to Terence Malick's Knight of Cups; and the fact-versus-fiction elements of the movie's multi-layered story and guiding philosophy.Plus: Sujewa shares updates on his upcoming film, Cosmic Disco Detective Rene, which will premiere next month in Los Angeles as the kick-off to his Indie Discovery L.A. Film Series!Show Links:Watch the Three Worlds (2018) trailer.Keep up with all of Amir's creative efforts at amirmotlagh.com.Get ready for Indie Discovery L.A., Sujewa's upcoming film series--featuring Three Worlds!Watch Ian and Sujewa's review of No Bears (mentioned in the show).Watch Ian and Sujewa's previous interview with Amir, for his other 2018 film, Man.Listen to Ian and Mark "The Movie Man" Krawczyk discuss Terence Malick's Knight of Cups on The Spoiler Room Podcast.Learn more about Sujewa's upcoming series, "Indie Discovery L.A."Rent Sujewa's latest movie, The Secret Society for Slow Romance.Find clips, making-of videos, and other cool info about Sujewa's upcoming film, The Secret Society for Slow Romance.Follow the production of Sujewa's Slow Romance sequel, Cosmic Disco Rene.Keep up with all of Sujewa's projects.Follow Sujewa on Twitter.Subscribe to, like, and comment on the Kicking the Seat YouTube channel!

In this episode, I speak with Thomas Gardner about Lyric Theology, his recent book that is out now with Baylor University Press. In the book, Thomas looks at four different artists—Czeslaw Milosz, Terence Malick, Marilynne Robinson, and Annie Dillard—as a way of exploring the doctrine of creation. Thomas practices patient, careful engagements with these artists, asking all along the way how their “lyric thinking” might enrich theological reflection. It's a fascinating book and I think you'll really enjoy our conversation. Thomas Gardner is Alumni Distinguished Professor Emeritus of English at Virginia Tech. He's authored numerous books and collections of poetry, including another book with Baylor Press that puts the Gospel of John into conversation with poets. You Might Also Like These Episodes Micheal O'Siadhail on his collection of poetry, Testament. Natalie Carnes on feminist theology and the arts.

"You shall not bear false witness against your neighbor."Is there such thing as objective truth? Is it ALWAYS better to tell the truth? Are there situations where it's better to lie? (Pls excuse the the background cicadas #straya)This episode covers Part Three, Section Two, Chapter Two, Article Eight of the Catechism of the Catholic Church (pts 2464-2474).Contact the podcast: crashcoursecatholicism@gmail.com.Instagram: https://www.instagram.com/crashcoursecatholicism/.... References and further reading/listening/viewing:John Chapter 8The Acts of the ApostlesPope St. John Paul II, Fides et RatioFulton Sheen, "Revealed Truth", YouTube.Fulton Sheen, "Freedom", YouTube.Opus Dei: "'In Spirit and Truth': Creating Unity of Life (I)""'Where God Wants us': Creating Unity of Life (II)"Thomas A. Kempis, The Imitation of ChristJacques Philippe, Interior FreedomArchbishop Anthony Fisher OP: "Conference on Newman the Prophet: A Saint for Our Times""Conscience, Relativism and Truth: the Witness of Newman" (video)Bishop Conley, "Blessed John Henry Newman and the Search for Truth in the Post-Relativist University"Dr. Alice von Hildebrand, Memoirs of a Happy FailureC.S. Lewis, The Abolition of ManBishop Robert Barron, "Breaking Out of the Prison of Self-Invention", YouTube.Ascenscion Presents, "Why We Should Stop Saying 'My Truth'", YouTube.Catholic Encyclopedia, "Truth"Trent Horn, "Truth and Ice Cream", Catholic Answers."Biography of Blessed Franz Jägerstätter"Erna Putz, Franz Jägerstätter, Letters and Writings from Prisondir. Terence Malick, A Hidden Lifedir. Fred Zinnemann, A Man for All Seasons.

He's still so hot

Alain Defremont chroniqueur cinématographique de l'UFAL vous présente plusieurs films. Les palmes d'or de Cannes des dernières années : « The tree of life » de Terence MALICK, « Une affaire de famille » de Hirokazu KORE-EDA et « Parasite » de bon JOON-HO. 

Pour préparer la sortie d'Avatar II, nous analysons le premier épisode de James Cameron avec David Fakrikian, auteur de James Cameron, l'Odyssée d'un cinéaste  ! Un film mal aimé ?  Succès colossal en 2009 (presque 3 milliards de dollars de recettes), Avatar de James Cameron devrait faire son grand retour avec 4 prochains films pendant toute la décennie 2020. Malgré une qualité technique et visuelle indéniable, le long-métrage reste rarement cité dans les plus grands films de science-fiction de sa génération. Son scénario a souvent été jugé simpliste et pas assez méta pour réjouir les spécialistes du genre. Le spectateur a pourtant rarement autant voyagé dans un blockbuster qui révolutionnait la 3D et qui a été à la cause de travaux dans toutes les salles de cinéma de France pour accueillir ce procédé immersif.  On s'interroge avec notre invité sur les raisons de désamour.  Dans son ouvrage  James Cameron, l'Odyssée d'un cinéaste , David Fakrikian écrit : "Dire qu'Avatar est un choc, une experience ultime cinematographique, est un euphemisme. C'est, enfin, apres 12 annees desertiques, le blockbuster americain qui remet les pendules a l'heure. Un film qui touche a l'essence meme du cinema, pour la reinventer. Un film d'une incroyable densité, visuelle et thematique.  Il faut évoquer ici la bicéphalité d'Avatar, un pied dans le futur et un dans le passé, sa perfection visuelle, sublimée par la 3D et son grand classicisme à la fois. Le film résume 100 ans de cinéma américain et international, fusionnant le western classique, la science-fiction, la japanimation ; Ford, Hawks, Delmer, Daves, Miyazaki, Oshii et Terence Malick, dans une enveloppe visuelle totalement neuve. Cameron réinvente son cinéma et le cinéma en général dans une œuvre profondément stupéfiante, qui fait ressembler ces réalisations passées à ce qu'elles sont : des films d'un autre siècle. Pour la première fois, on croit à des êtres en pixels comme s'ils étaient réels et vivants, au point qu'on commence même à douter qu'il s'agisse d'images générées par ordinateur. Dans Avatar, tout semble réel. Plus qu'un film, Avatar est une date, un nouvel événement historique, comme l'a pu l'être, par la force des choses, Titanic. Un événement qui nous permet de retrouver le sentiment que devaient avoir nos arrière-grands-parents, en découvrant le premier film avec du son à l'ère du muet, ou le premier film en scope, ou en couleurs. Au-delà de la réussite visuelle, Avatar est aussi un film humaniste, avec un propos politique plus que jamais d'actualité, qui va générer la controverse, particulièrement aux Etats-Unis, où se mettent aussitôt à fuser des accusations d'anti-américanisme". 

As one of the most acclaimed and influential producers of the modern era, Daniel Lanois helmed iconic albums for everyone from Bob Dylan and Neil Young to U2 and Peter Gabriel. As a prolific and critically acclaimed songwriter, he's composed scores for Oscar-winning films and blockbuster video games in addition to releasing more than a dozen genre-bending solo records. Rolling Stone declared that his “unmistakable fingerprints are all over an entire wing of the Rock and Roll Hall of Fame”. Daniel's own personal point of view informed and influenced a generation of music that still continues to resonate deeply today. Lanois is a searcher. He's perpetually on the hunt for something else - trying to squeeze out another drop from the atmosphere. Which is how, this week, as he turns 71 years old, Daniel Lanois is releasing Player, Piano, his first project of instrumental piano music. The compositions are concise but highly textured - it's a series of exotic instrumental performances and was recorded at Lanois' studio in Toronto - a former Buddhist temple- with the help of his co-producer Dangerous Wayne Lorenz.  Daniel and I spoke recently about his early development in Canada and how it influenced his work, his ongoing creative relationship with Brian Eno, why he likes to travel for work, his attraction to melancholy, projects with U2, Peter Gabriel, Brian Blade, Brian Eno, Rick James (yes, Rick James), Neil Young, Terence Malick, when to use the word “we”, the importance of silence, reconnecting with innocence, his production technique of turning “garnishing into a devotion” and why “contemporary work has more to do with vision” than with technology. www.third-story.com www.patreon.com/thirdstorypodcast www.wbgo.org/studios

Multi award winning actor David Thewlis burst onto our screens in Mike Leigh's Naked in 1983 playing Johnny, a homeless, highly intelligent, embittered, rambling, street philosopher. Since then he's been a constantly changing presence on both Film and TV in endlessly diverse projects from the likes of Luc Besson, Ridley Scott, Terence Malick, The Coen Brothers and Charlie Kaufmann. David caught up with him earlier this year to talk about his role as Christopher Edwards in Sky Atlantic's four part drama Landscapers. See acast.com/privacy for privacy and opt-out information.

In this second half of Episode 40, we look at Terence Malick's The Thin Red Line, which spends its time at Guadalcanal, the first major offensive in the Pacific Theater during World War Two. COMING ATTRACTIONS: We're finally breaking away from this series (though we hope you had fun with it) and moving into a bunch of films that have lots of music in them. First, we're taking a trip to the record store to peek in on Empire Records, directed by Allan Moyle and starring a bunch of people shortly before they became big names. Then we jump to the year 2000 and Stephen Frears' High Fidelity, starring a bunch of people who are already big names. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/wordsandmovies/support

One of the better Land Before Time movies

There's nothing quite like revenge...On this episode we've got a double does as we dive into 'The Last Victim' which is on VOD now, not only with its co-writer and director Naveen A. Chathapuram but also with one of its stars Tahmoh Penikett.'The Last Victim' is a Neo Western thriller set in the American southwest, following Sheriff Hickey trying to solve the worst case he has seen in his small town, likely caused by a violent local gang led by a fearsome criminal.Shot in Vancouver this is a gritty little piece of cinema that fans of any one from Terence Malick to Quentin Tarantino themselves will get a kick out of.  We talked with Naveen about the origins of the story, working with a dream cast like this in the cold of the mountains and so very much more.We also sat down with Tahmoh about his role in the film, the joys of working in the entertainment business and the legacy of 'Battlestar Galactica' which was a huge hit for him when just starting out and the pros and cons of carrying that kind of legacy into other jobs.

During a war, combatants often ponder the deep existential questions of life. These questions form the basis of Terence Malick's 1998 war drama The Thin Red Line. On one level, The Thin Red Line is about a U. S. Army division's attempt to take a hill on the island of Guadalcanal; however, the film also explores many age-old questions, including “How did evil enter the world?”, “Why are humans at war with nature?”, “Why do humans fight and kill each other?”, and “Given all the evil and suffering in the world, how can there be a loving creator?” Join James and Sean as they discuss this intellectually and emotionally deep film.

On January 28, 1958, Charles Starkweather, a 19-year-old high-school dropout from Lincoln, Nebraska and his 14-year-old girlfriend, Caril Ann Fugate, kill a Lincoln businessman, his wife and their maid, as part of a murderous crime spree that began a week earlier and would ultimately leave 11 people and 2 dogs dead.The killer couple's deadly road trip, which generated enormous media attention and a massive manhunt, came to an end the following day, when Starkweather and Fugate were arrested near Douglas, Wyoming. The crimes later inspired a slew of books, movies and music, including Terence Malick's 1973 film “Badlands,” starring Martin Sheen and Sissy Spacek, and Bruce Springsteen's 1982 song “Nebraska.”------------For this episode, I stuck to the dates and the facts that we knew about them and their criminal life. In part 2, We will delve more into our thoughts regarding the pair's crimes, behavior, the discrepancies between their stories, and the pop culture around this case.So, join us tomorrow for Part 2 - where Lily (author of Teen Killers Club) and I will do a deep dive discussion about the case, the people involved, our thoughts regarding nature vs nurture, and much more. Tune in and join the conversation on Facebook!If you are interested in ad-free and extra episodes as well as merch and other swag; think about joining our Patreon at Patreon.com/NVNpodcast for as little as $1 per month!Check out our website for sources and more - at www.naturevsnarcissism.comUntil next time; stay inside, stay alive.

Join prurient puppeteer Marty Schwartz and merciful dinosaur Scott Sharplin as they BS their way through 500,000 interconnected films. Core Connections:The Tree of Life (2011, Dir. Terence Malick)Being John Malkovich (1999, Dir. Spike Jonze)Anatomy of a Murder (1959, Dir. Otto Premnger) Connective Cameos:Super Mario Bros (1993, Dir. Annabel Jankel and Rocky Morton)Days of Heaven (1978, Dir. Terence Malick)The Thin Red Line (1998, Dir. Terence Malick)12 Monkeys (1995, Dir. Terry Gilliam)Fight Club (1999, Dir. David Fincher)Interview With the Vampire (1994, Dir. Neil Jordan)Boyhood (2014, Dir. Richard Linklater)Con Air (1997, Dir. Simon West)Innerspace (1987, Dir. Joe Dante)Miracle on 34th Street (1959, Dir. William Corrigan)Laura (1944, Dir. Otto Preminger)The Man with the Golden Arm (1955, Dir. Otto Preminger)A Few Good Men (1992, Dir. Rob Reiner)Batman Returns (1992, Dir. Tim Burton) Repo Man (1984, Dir. Alex Cox)Airplane! (1980, dir. Zucker, Abrahams, and Zucker) Linked Film Count: 393Linked Film Count Including Satan: 503

Même si la semaine cinéma est particulièrement dense cette semaine (il y en a pour tout le monde, de ceux qui veulent s'intéresser à l'éthique journalistique ou politique avec Enquête sur un scandale d'état aux détracteurs de Marguerite Duras qui se réjouiront de voire déboulonner sa figure de monstre sacré pour devenir une créature toxique dans Vous ne désirez que moi. Mêmes les amateurs de film catastrophe aussi neuneu que rigolo ou de bonne comédie française ne seront pas volés avec Moonfall et Les vedettes), cette chronique va cependant baisser le rideau sur l'actualité salle pour raison de deuil, car Douglas Trumbull est mort.Douglas qui ?Bonne question. Elle est légitime et normale quand Trumbull fait partie de ces génies de l'ombre, des piliers invisibles qui ont contribué à faire devenir des films légendaires. Sans Douglas Trumbull, des classiques comme 2001, odyssée de l'espace, Blade Runner ou Rencontres du 3e type ne seraient jamais devenus les immortels classiques qu'ils sont. Trumbull y a révolutionné les effets spéciaux pour en faire une science. À l'époque ou l'ordinateur et les images de synthèses n'avaient pas encore rendu illimitées l'imaginaire visuel, lui avait magnifié par l'art des transparences et des maquettes la part d'illusionnisme des films à grand spectacle. Avec Trumbull, un Kubrick, un Ridley Scott ou un Spielberg pour ne citer qu'eux pouvaient voir plus loin tout en restant crédibles, organiques. Mais Trumbull ce n'était pas qu'un exceptionnel technicien. Il y avait quelque chose chez lui de l'expérimentateur indépendant, du laborantin explorateur des possibles. Mais surtout d'un outsider de génie, sorte d'aventurier libertaire de la technologie. Notamment en inventant des formats révolutionnaires comme le Showscan, fabuleux procédé de projection hyper réaliste au point de devancer de trente ans l'Imax ou le dolby atmos, d'être une sorte de relief visuel et sonore sans lunettes. Ou en amenant dans Silent running, un des deux seuls films de fiction qu'il a réalisés, scénarisé par Michael Cimino, l'esprit du Nouvel Hollywood dans un huis clos intime de science-fiction teintée d'écologie.Même quand la part visionnaire de ce Barnum extrayant de la poésie de ses expériences, s'est heurtée à une hiérarchie hollywoodienne qui n'a pas voulu de ses extraordinaires trouvailles, Trumbull ne s'est pas déparé de son côté professeur Tournesol/Géo Trouvetou mettant en pratique dans son studio laboratoire au fin fond d'un bois du Massachussets, d'incroyables prototypes. Ces dernières années, il était réapparu en fabriquant pour Terence Malick les stupéfiantes séquences de genèse du monde dans Tree of life, à partir d'images scientifiques et d'abstractions, mais il planchait surtout sur un concept qui aurait pu être une nouvelle révolution copernicienne du cinéma, des salles mobiles ou auraient été projetés des films dans un nouveau format, le Magi, encore plus immersif que James Cameron n'y arrivera jamais pour les prochains Avatar. Quelque chose qui aurait tenu du futur dans l'expérience de spectateur et d'un retour aux sources en revenant au principe d'attractions foraines du tout début du 7ᵉ art. Avec la disparition de Trumbull, il y a effectivement de la magie du cinéma qui se perd. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

On this episode we chat with virtuoso violinist, composer, producer, songwriter, arranger, and conductor, James Desautels. From concert halls and music festivals to small clubs and intimate recording studios, “Jamie” has performed in 37 countries across 5 continents over a career spanning more than 20 years. Born in Calgary, Canada, Jamie began studying classical violin at age 5 and within two years was also studying fiddle, country and bluegrass music. As a teenager he toured playing classical and fiddle music, and after achieving a Music Performance Diploma from Mount Royal University Conservatory at age 19 and a Bachelor of Music degree from the University of Calgary at age 21, Jamie moved to the United States to attend the University of Arizona where he received his Masters. Soon after he relocated to obtain a Doctor of Musical Arts from the University of Texas. He resided in Austin for 17 years while working and touring as a professional musician. Jamie first gained international attention when he was invited to tour as a violinist with David Byrne and Tosca Strings. Since then he has worked with Arcade Fire, Austin Pops Orchestra, Marcia Ball, Garth Brooks, Calgary Philharmonic Orchestra, Natalie Cole, Elvis Costello, Christopher Cross, Diana Krall, Ray LaMontagne, Yo-Yo Ma, Bobby McFerrin, Don McLean, Willie Nelson, Jeffrey Osborne, Luciano Pavarotti, Pearl Jam, Itzhak Perlman, Ray Price, Bruce Robison, San Antonio Symphony, Doc Severinsen, Frank Sinatra Jr., the Temptations, Vast, and countless other artists. He is the solo violinist on the soundtrack to the Hollywood movie 'Badland', the first violinist on the soundtrack for the series finale episode of 'The Office', and a violinist on the soundtrack for Terence Malick's film 'To the Wonder'. Jamie has taught master classes in Jinan, China and Xian and China as well as recording music for Audium/Koch, Blue Rock, Disney, Microsoft, Nonesuch, Virgin Classics, Vitamin, and Warner Music Group. Currently residing in Canada, Jamie has shifted his focus to politics in recent years and even decided to run for mayor in his hometown of Calgary in 2021. For more on James Desautles visit: Website | Facebook | Discogs | Linkedin

SUPPORT THE SHOW ON PATREON: https://www.patreon.com/blockbusting (https://www.patreon.com/blockbusting) JOIN THE OFFICIAL BLOCKBUSTING FACEBOOK GROUP: https://www.facebook.com/groups/blockbusting/ (https://www.facebook.com/groups/blockbusting/) LISTEN TO MY ALBUM: https://800pgr.lnk.to/Light (https://800PGR.lnk.to/Light) Jay (http://www.twitter.com/DietJay (@DietJay)) and Philip (https://www.instagram.com/philipsmithey/ (@philipsmithey)) discuss David Lowery's The Green Knight, one of the most critically-acclaimed films of 2021 for reasons that Jay and Philip can see and understand but completely disagree with. Forget about this medieval fuckboy and give us an actual compelling story, you swoony Terence Malick rip-off! Support this podcast

Revs Daniel and Tom are away this week, so this is Rev Jamie with a quick update on a few things and some thoughts on the recent Terence Malick film A Hidden Life.If you'd like something to listen to in lieu of the pod this week, have a look at Jamie's recent conversation with Ralph from Right Reaction, "For a Christian Defence".Also of interest might be Rev Jamie's recent article "Radical Hospitality – A Theological Argument against Vaccine Passports in Churches".Other links from this week:The King Alfred SchoolRev'd Dr William Philip on GB news with Neil OliverNotices:Thanks to our Patreons! Support us from £1.50 plus VAT per month: https://patreon.com/irreverendIrreverend Weekly Sermon Audio: https://irreverendsermonaudio.buzzsprout.comTwitter: https://twitter.com/IrreverendPodTelegram: https://t.me/irreverendpodEmail: irreverendpod@gmail.comYouTube: https://www.youtube.com/channel/UCMAcRZPstCujEN4p8dF_ClQOdysee: https://odysee.com/@irreverend:5Audio Podcast: https://irreverend.buzzsprout.comSupport the show (https://www.patreon.com/irreverend)

Lovable Losers is this weeks theme.  "Better Off Dead" (1985) is a favorite of Adam's childhood, but a very disappointed Matt gave one of his worst reviews. Adam Sandler does his Adam Sandler thing in P.T. Anderson's odd romantic comedy, "Punch Drunk Love" (2002), but with a better script and director. While both M&A liked it, they questioned the romance. Next, First time directors with Terence Malick's "Badlands" (1973) and Christopher Nolan's "Following" (1998).Thanks for listening!Did we get something wrong? Have your own recommendations? Contact the show: 24theroadshow@gmail.comFacebook: https://www.facebook.com/24theRoadShow

The series finale of The Summer Series takes hold this week, as movies from 2015 to 2019 wrap up a look in the last fifty years of summer films.   First, d$ jumps in to clarify the movie release window -- just to make sure there are no bus tread on his own sunburned by the Cancun heat back. Then, Mikey kicks off the show with #TwitterlessDrEarl and Lil Garrison as they give their fave films from the last five (normal) years  Amongst the topics: the expanded summer debate... Terence Malick's Skyscraper... the love of Ant-Man & the Nice Guys... The Batman trailer with Nirvana... a New Bond... unfortunate baby drivers... Mikey's summertastic tropes... Tarantino's final films... Oscar talk from Nic Cage...  Movies discussed and where to find them at time of recording:   Ant-Man (2015) - Disney+ Ant-Man & the Wasp (2018) - Disney+ Baby Driver (2017) - FX Now Crazy Rich Asians (2018) - HBO Max Dope (2015) - for rental Dunkirk, son (2017) - HBO Max Love & Mercy (2015) - Hulu; Peacock Midsommar (2019) - Amazon Prime Mission: Impossible: Fallout (2018) - Paramount+ / FX Now Once Upon a Time... in Hollywood (2019) - Starz Operation Finale (2018) - Netflix Pop Star Never Stop Never Stopping (2016) - for rental Skyscraper (2018) - for rental  Wind River  (2017) - Chicken Soup for the Soul's Crackle

Ralph defends Terence Malick's star-studded late career odyssey of luxury and ennui with a spirited late-night monologue.

The Tree of Life is a 2011 film directed by the incomparable Terence Malick.

In ArtiFact #5, Alex and Joel are joined by Dan Schneider to discuss his picaresque novel, The Custodian's B****. You can also watch this episode on our YouTube channel: https://www.youtube.com/watch?v=45J0Upz1_x0 Read the latest writing from automachination: https://automachination.com Joel's website: https://poeticimport.com Dan's website: http://cosmoetica.com Music sample: Lowkemia - "Lorem Ipsum" (CC BY-SA 3.0) Timestamps: 0:14 - On Richard Linklater's "Tape", Christopher Nolan, Terence Malick, Martin Scorsese 8:28 - Introducing Dan Schneider's "The Custodian's Bitch" + prologue 17:01 - Dan's use of humor and concision 24:10 - Joel: there is an (implied) Vonnegut influence 26:26 - Dan's advice for episodic writing 30:24 - How can writers avoid "idealized" characters? 45:17 - Alex: insights from ALL characters should be harnessed 01:01:12 - Dan's 2-minute tour of CISD 01:01:51 - Joel: "typewriter ribbons?" 01:02:25 - Dan excerpts "Sept. 26, 2016" 01:03:28 - Alex: only the Bull Toad gets its just desserts 01:07:57 - The book's caste system creates reader anxiety 01:12:08 - Do episodic novels "need" a climax?

Ella Fitzgerald is the subject and my guest is revered British documentary maker Leslie Woodhead with his film about the Queen of Jazz - it's called Just One of Those Things and plays at the re-opened BFI Southbank. Leslie recalls a life in film, including working with the elusive Terence Malick, the shock of DA Pennebaker's Primary and years spent filming a tribe in Ethiopia. Among my own recommendations are A Quiet Place II and The Underground Railroad.Music by Lee Rosevere. See acast.com/privacy for privacy and opt-out information.

Entre Armageddon et le Snyder Cut, il n'y a que Terence Malick! Yannick et Alex subissent To The Wonder, un film riche en roulades et chicanes.

This time around, we're watching your favorite streaming programs, I guess? One Night In Miami, The White Tiger & Another Round. At the close, Nina shows up so that Tucker can recap A Hidden Life, an extremely good Terence Malick movie that I guess people didn't like that much? It's good!

In this week's episode, we discuss two documentaries which deal with seemingly tortured individuals undertaking extremely impressive physical and mental feats. First, 2018 climbing doc "Free Solo", which tells the story of Alex Honnold and his attempt to scale the El Capitan rock face in Yosemite National Park without any equipment. Secondly, "Little Dieter Needs to Fly", a 1997 Werner Herzog documentary about the brilliantly named US pilot, Dieter Dengler, who was shot down over Laos in the Vietnam War. Timestamps Free Solo (00:01:30) Little Dieter Needs to Fly (00:35:15) Links Christopher Plummer talking about Terence Malick – https://youtu.be/xw08GQw0hBI Dieter Dengler on “I've Got a Secret” in 1967 - https://youtu.be/csX_7a2loMA

Dans ce nouvel épisode, nous recevons Derek Woolfenden, cinéaste, critique, animateur de ciné-club et surtout grand cinéphile et occupant du cinéma La Clef, à Paris. Depuis septembre 2019, ce cinéma est occupé par le collectif Home Cinéma, qui lui a permis de rouvrir ses portes et ses projecteurs - fermés depuis 2018, par ordre du propriétaire pour une raison obscure. Derek et son équipe projettent chaque soir un film et font vivre les salles de ce cinéma de quartier - devenu un bastion de la cinéphilie libre, puissante et indépendante.Sans nous parler directement de son combat au jour le jour au sein du cinéma, en ouvrant ses salles et en y projetant des films plus éclectiques et superbes les uns que les autres, il évoque ceux qui l’aident à vivre, qui le font pleurer, danser ou encore crier de rage. Il nous a parlé du premier film qui a fait naître en lui le goût de la cinéphilie (La femme au portrait, de Frtitz Lang). Il évoque également les salles qui ont bercé sa jeunesse, ainsi que son amour des VHS et des couleurs « qui bavent » sur le petit écran de la télévision (La ligne Rouge, Terence Malick). Il finit cette interview en dédiant « à tous ces fils de pute qui m’ont dit que je n’y arriverai pas » son combat cinématographique, son combat de vie. I. PORTRAIT - 7’09 Un combat au cinéma : le combat final de Zatoichi (Kenji Misumi, 1962) -7’09 Une salle de cinéma : Le Max Linder; La Cinémathèque Française des Grands Boulevards, le quartier latin… - 15’05 Une scène de sexe au cinéma : Pulsion (B. De Palma, 1980) - 19’31 II. CIRCONSTANCES ET CONDITIONS DE VISIONNAGE - 23’27 VHS, enregistrements ect… : la frénésie cinéphile de Derek - 23’27 Des films à projeter en plein air : Safety Last (Harrold Lloyd); Fenêtre sur cour (A. Hitchcock) - 32’09 III. MÉMOIRE & SOMMEIL - 36’08 Film-matrice de la cinéphilie : La femme au portrait (F. Lang) -36’08 CARTE BLANCHE - 40’08 Un grand amour de Beethoven, A. Gance (1937) IV. CINÉMA & TRANSMISSION - 45’57 Un film que tu as aimé projeter : Romanzo Popolare (M. Monicelli) - 45’57 Un film à montrer aux ados : Carrie au bal du diable (B. De Palma) - 50’59 Un film détesté (mais peut-être recommandé) : Joker (Todd Philips) - 55’05 REFUGE - 1’06’54 Blue Collar (Paul Schrader, 1978) Cutter’s Way (Ivan Passer, 1981)

Dans ce nouvel épisode, nous recevons Derek Woolfenden, cinéaste, critique, animateur de ciné-club et surtout grand cinéphile et occupant du cinéma La Clef, à Paris. Depuis septembre 2019, ce cinéma est occupé par le collectif Home Cinéma, qui lui a permis de rouvrir ses portes et ses projecteurs - fermés depuis 2018, par ordre du propriétaire pour une raison obscure. Derek et son équipe projettent chaque soir un film et font vivre les salles de ce cinéma de quartier - devenu un bastion de la cinéphilie libre, puissante et indépendante.Sans nous parler directement de son combat au jour le jour au sein du cinéma, en ouvrant ses salles et en y projetant des films plus éclectiques et superbes les uns que les autres, il évoque ceux qui l’aident à vivre, qui le font pleurer, danser ou encore crier de rage. Il nous a parlé du premier film qui a fait naître en lui le goût de la cinéphilie (La femme au portrait, de Frtitz Lang). Il évoque également les salles qui ont bercé sa jeunesse, ainsi que son amour des VHS et des couleurs « qui bavent » sur le petit écran de la télévision (La ligne Rouge, Terence Malick). Il finit cette interview en dédiant « à tous ces fils de pute qui m’ont dit que je n’y arriverai pas » son combat cinématographique, son combat de vie. I. PORTRAIT - 7’09 Un combat au cinéma : le combat final de Zatoichi (Kenji Misumi, 1962) -7’09 Une salle de cinéma : Le Max Linder; La Cinémathèque Française des Grands Boulevards, le quartier latin… - 15’05 Une scène de sexe au cinéma : Pulsion (B. De Palma, 1980) - 19’31 II. CIRCONSTANCES ET CONDITIONS DE VISIONNAGE - 23’27 VHS, enregistrements ect… : la frénésie cinéphile de Derek - 23’27 Des films à projeter en plein air : Safety Last (Harrold Lloyd); Fenêtre sur cour (A. Hitchcock) - 32’09 III. MÉMOIRE & SOMMEIL - 36’08 Film-matrice de la cinéphilie : La femme au portrait (F. Lang) -36’08 CARTE BLANCHE - 40’08 Un grand amour de Beethoven, A. Gance (1937) IV. CINÉMA & TRANSMISSION - 45’57 Un film que tu as aimé projeter : Romanzo Popolare (M. Monicelli) - 45’57 Un film à montrer aux ados : Carrie au bal du diable (B. De Palma) - 50’59 Un film détesté (mais peut-être recommandé) : Joker (Todd Philips) - 55’05 REFUGE - 1’06’54 Blue Collar (Paul Schrader, 1978) Cutter’s Way (Ivan Passer, 1981)

Ah, Terence Malick, a Marmite maverick in cinema. Do you love his films? Do you hate his films? Perhaps you're prepared to have your mind changed either way, like someone who ran out of jam to put on their toast, but found an old jar of the yeasty brown stuff in the cupboard and gave it another shot. Find out whether it's "Malick on toast all round!" as Hannah gets Mick and Yosra to watch 1973's Badlands. See acast.com/privacy for privacy and opt-out information.

John Savage is getting a lot Emmy buzz for his remarkable guest turn on the CBS series Seal Team. Whether you've seen his incredible guest role on Seal Team or not, you've certainly seen the work of John Savage who has worked consistently in Hollywood since starting his career in 1969. Savage has worked with Terence Malick, Spike Lee, and Francis Ford Coppola. He's appeared in the Godfather franchise, on multiple Star Trek franchises, and Twin Peaks. On Seal Team, John has packed a lifetime of a father and son conflict into his remarkable guest turn.

Tom is joined by Vox film critic Alissa Wilkinson to discuss the depiction of Christian faith in film, with a specific focus on Paul Schrader, Martin Scorsese, and Terence Malick. CW: suicide, self-harm. Alissa's bio: https://www.vox.com/authors/alissa-wilkinson First Reformed: https://www.imdb.com/title/tt6053438/?ref_=nv_sr_srsg_0 Silence: https://www.imdb.com/title/tt0490215/?ref_=nv_sr_srsg_6 The Tree of Life: https://www.imdb.com/title/tt0478304/?ref_=nv_sr_srsg_0 A Hidden Life: https://www.imdb.com/title/tt5827916/?ref_=nv_sr_srsg_0 Cameraperson: https://www.imdb.com/title/tt5375040/?ref_=nv_sr_srsg_0 Citations Needed's episode: https://soundcloud.com/citationsneeded/episode-96-the-christian-cinema-gop-persecution-complex Find us on Social Media! Facebook: https://www.facebook.com/OxideFilm/ Twitter: https://twitter.com/OxideFilm

Slamdance submissions are open losers so get your DIY films uploaded, The Hub is up for lease and Grandaddy Lynch has a new scary animation available FREE. We review Filmlorde Mark Cousin's new series Women Make Film, ciphered by Tilda Swinton and Days of Heaven, a film about sunsets on a wheat farm by Terence Malick and we introduce Western Sydney Shorts!

5 min podcast discussing Terence Malick’s film, A Hidden Life, which tells the story of World War II martyr of conscience, Blessed Franz Jagerstatter and his equally heroic wife Fani. Terence Malick recently directed a film about a simple Austrian farming couple whose alpine paradise was shattered by the trauma of World War II. A Hidden Life tells the story of Franz and Fani Jägerstätter who were both persecuted mercilessly for Franz’s refusal to take the oath required of every soldier, a promise of personal loyalty to Adolf Hitler.

2e épisode du podcast “AU LARGE", un podcast musical sous forme de voyage sonore et poétique. Chaque épisode s’attarde sur un thème en particulier et le fait résonner au travers d’une sélection musicale de choix, d'archives, d'extraits de film et d'ambiances sonores. De quoi élargir nos horizons confinés :-) Aujourd'hui, un voyage aux accents métaphysiques où il sera question du sens de la vie. Réalisation : Guillaume Istace Credits : Colette Magny – Melocoton Sigur Ros – Refur Gonzales – Gogol Philip Glass - Trembling and shaking  Blur – Out of time Alain Bashing - L'imprudence  Duke Ellington – T.G.T.T Schubert – Trio opus 100 Prince – Pop life Wevie stonder Serge Reggianni -  Quand j'aurai du vent dans mon crâne  Nino Rotta – Danzando nella nebbia Mahalia Jackson – Summertime / Sometime I feel like a motherless child Archives et extraits de film : « Les ailes du désir » (Wim Wenders), « Le journal de classe" (jacques duez), « Adaptation » (Spike Jonze), "Strip tease", « Fight club » (David Fincher), "Limelight" (Charlie Chaplin), Serge Reggianni, "Le sens de la vie" (Monty Python), "Hannah et ses soeurs" (Woody Allen), Jean Louis Trintignant, "La quatrième dimension", « La ligne rouge » (Terence Malick)

AFS S07E02 | Escaping a death cult in the snow, Adam Sandler triumphs in Uncut Gems (yes really), and Terence Malick vs the DC Extended Universe – yes, the February 2020 edition of the Amsterdam Film Show is here. @KikoMorah and @CathyCentral recommend some recent movie releases and look forward to some of the movies hitting Amsterdam this month.Jan Arsenovic, also joined us on the show and gave us an off the cuff report from this year's International Film Festival Rotterdam. We also chatted about our experiences as volunteers at various film festivals in the Netherlands and whether we should all do a film project together.About the AFS: We originally broadcast AFS as a live radio show together with some soundtrack tracks (full show available on our Mixcloud feed), but this talk-only podcast version omits the soundtrack picks (copyright, you know). | Blog post and show notes at: https://broadcastamsterdam.nl/shows/amsterdam-film-show/. | Presenters: Kiko Morah & Cathy Leung, Producer: Cathy Leung

Actress Haley Bennett joins us this week for a reflective look at her life as an actress, starting with her role as a pop-star in Music and Lyrics to her newest film, the disturbing domestic thriller, Swallow. We discuss the serendipity of motherhood, the perils of acting at an impressionable young age, and how she managed to find her artistic voice amid Hollywood pressures. Plus, a Terence Malick story! For more, visit   http://talkeasypod.com/artist/haley-bennett/ (http://talkeasypod.com/?post_type=cpt_artist&p=1392&preview=true)  ‎ Support this podcast

We talk the latest in Clint Eastwood's 'American-hero-done-wrong-by-America' Cinematic universe: Richard Jewell.The return of Will Smith and Martin Lawrence in Bad Boys For Life, and Terence Malick back again for another slice of slow paced elegance.On the Netflix side of things, it's all about Eddie Murphy in Dolemite is My Name, Carl Sagan and friends sending Voyager 1 on a one way mission in The Farthest and Tosin catches up with Natalie Portman in the oddity that is VOX LUX.Support Netflix vs Cinema by donating to their Tip Jar: https://tips.pinecast.com/jar/netflixvscinemaFind out more at https://netflixvscinema.pinecast.coThis podcast is powered by Pinecast.

I go over some films I love, cinema in general, look at several specific films that I have shown to audiences in the past, and talk about some stuff I hate too.Support the show (https://www.patreon.com/bePatron?u=27828609&redirect_uri=https%3A%2F%2Fdowngradeandafterl.wixsite.com%2Fkylewilley&utm_medium=widget&utm_source=wix)

Otto und Sabrina reden mit Christian Fuchs über die besten, gelungensten, bewegendsten, überraschendsten Filme der Dekade, Momente die hängengeblieben sind oder Stinker die verdrängt werden möchten, sowie Stars die ein Jahrzehnt durchgehend gestrahlt haben. Wer waren die FilmemacherInnen die die letzten zehn Jahre überzeugt haben? Welche haben stark nachgelassen? Und wer wird einfach mit Schweigen bestraft? Die ausschweifenden Antworten wurden diesmal von Max aufgenommen.

On this week's show, we're talking about Quentin Tarantino's new movie, 'Once Upon A Time... In Hollywood' and we're ranking the filmography of the man himself. As well as this, we're also looking at trailers Greta Gerwig's 'Little Women' and Terence Malick's 'A Hidden Life' plus dissecting the controversy surrounding Bruce Lee in 'Once Upon A Time... In Hollywood'. Did we say Tarantino enough times for SEO purposes? Let's say it once more. Quentin Tarantino. Oh yeah, that's the good stuff.See omnystudio.com/listener for privacy information.

This is a rowdy one and one of my faves honestly. Becky Chicoine and Andrés Govea talk Terence Malick's contemplative and funny Days of Heaven.

It's a week of shows on THE LATE NIGHT FRIGHT and we continue the week with True Crime Thursday! Join Dan and Faith as they take a look at one of the greatest and most influential movies ever made, 1973's BADLANDS directed by Terence Malick and starring Martin Sheen and Sissy Spacek. 

For this extended interview Paddy Butler talks to author of American Psycho, Bret Easton Ellis - they discuss some of the more surprising and hidden influences across Ellis's work, including that of Joan Didion and Terence Malick

There's a man. He walks alone in the desert. He has an important message for us all. He speaks in a strange manner, but he communes with tigers and he looks like a weird composite effect. His name is Phil Harker-Smith! And he's on this weeks episode of One Good Thing to talk about a Neil Breen Movie. Breen is one of the most unique and hilariously bizarre directors working today. Have the Pauls found a new favourite? Or will Phil have to return to his planet in disgrace? Featuring: Breen Dreams, David Lynch, Terence Malick, Alejandro Jodorowski, a new life goal for a Paul, a drone, and a revelation that will change the Threeman bin FOREVER! ogtpod@gmail.com https://ogtpod.podbean.comhttps://facebook.com/ogtpodhttps://twitter.com/ogtpod  We are proud members of the Alottagreen Network – you can check out two enormous fistfuls of quality Australian content at http://alottagreen.com.au like classic OGTeamers! Here's our YouTube channel – https://www.youtube.com/channel/UC6rqzjoDWt8D-p37gU43pcQ - subscribe and share! Jingles from episodes 1-50 now available on Bandcamp – just £2.50 for more than 20 tracks! https://ogtpod.bandcamp.com/releases   Dockhead by Paul Goodman is available in paperback for just £5.99. Thanks and please #supportindieauthors! https://www.amazon.co.uk/Dockhead-Paul-Goodman/dp/1521335648/ref=redir_mobile_desktop?_encoding=UTF8&dpID=41Yh2Hhu87L&dpPl=1&keywords=dockhead&pi=AC_SX236_SY340_QL65&qid=1507380952&ref=plSrch&ref_=mp_s_a_1_1&sr=8-1 Check out Paul Salt's reviews on Screen Mayhem HERE! But mainly, here: https://screenmayhem.com/author/paul-salt/

Solo: A Star Wars Story arrives on 4k, plus Dueling Punishers, Fabulous Phantasms, a new Superfly, remastered Barbershops and Terence Malick’s new Criterion director’s cut of a Cannes-winning masterpiece… only on DigiGods! DigiGods Podcast, 09/25/18 (MP3) — 38.50 MB right click to save Subscribe to the DigiGods Podcast In this episode, the Gods discuss: American Psycho (4k UHD Blu-ray) The Baby (Blu-ray) Barbershop (Special Edition) (Blu-ray) Barbershop 2: Back In Business (Special Edition) (Blu-ray) Beauty Shop (Blu-ray) Cold Water (Blu-ray) Day of the Jackal (Blu-ray) DC's Legends of Tomorrow - The Complete Third Season (Blu-ray) Deep Red (Blu-ray) Diamonds Of Kilimanjaro (Blu-ray) Exorcist II: The Heretic (Blu-ray) Found Footage 3D (Blu-ray 3D/DVD) The Girl Downstairs (DVD-R) Golden Temple Amazons (Blu-ray) Gotti (Blu-ray) The Hired Hand (Blu-ray) Hocus Pocus (Blu-ray) Horrors of Malformed Men (Blu-ray) Hot Summer Nights (DVD) Izzy Gets The F*ck Across Town (Blu-ray) John Carpenter's Halloween (4k UHD Blu-ray) The Last Hunt (Blu-ray) Lost Child (DVD) The Man Who Cheated Himself (Blu-ray) Midsomer Murders: Series 20 (Blu-ray) My Man Godfrey (Blu-ray) The Naked and the Dead (Blu-ray) NCIS: New Orleans — The Fourth Season (DVD) Occupation (Blu-ray) Phantasm III (Blu-ray) Phantasm IV (Blu-ray) The Punisher (2003) (4k UHD Blu-ray) Punisher: War Zone (4k UHD Blu-ray) Puppet Master: The Littlest Reich (4k UHD Blu-ray) The Pyjama Girl Case (Blu-ray) The Row (Blu-ray) Saving Faith (DVD) Scenes From a Marriage (Blu-ray) Scream For Help (Blu-ray) The Seagull (DVD) The Seventh Sign (Blu-ray) Solo: A Star Wars Story (4k UHD Blu-ray) Straight-Jacket (Blu-ray) Superfly (Blu-ray) The Tree of Life (Blu-ray) Uncle Drew (4k UHD Blu-ray) Watch the Sky (DVD) The X-Files Season 11 (Blu-ray) X-Men 3-Film Collection (X-Men, X2: X-Men United, X-Men: The Last Stand) (4k UHD Blu-ray) Please also visit CineGods.com. 

Join us this week as we discuss the work of the world renowned filmmaker, Terence Malick.

Let's talk about movies. How would you talk about a movie if it wants you to shut up? Climb aboard for a one-way trip down the river of striking images, dream-like sequences, and too many meaningful looks. From the ridiculous to the sacred, we examine the examinations of the unspeakable silence at the heart of life. SOURCES: - 2001: A Space Odyssey, dir. Stanley Kubrick (1968) ; - Plato, Republic (514a & ff.) ; - Song to Song, dir. Terence Malick (2017) ; - Paul Schraeder's review of Song to Song: bit.ly/2vqghom ; - Paul Schraeder, Transcendental Style in Film: Ozu, Bresson, Dreyer, with new introduction, "Rethinking Transcendental Style" (2018): a.co/eiNRfRh ; - Stalker, dir. Andrei Tarkovsky (1979) ; - Late Spring, dir. Yasujirô Ozu (1949) ; - Five Dedicated to Ozu, dir. Abbas Kiarostami (2003) ; - cover image: Lucas Samaras, 1975 - music from the episode: bit.ly/2AN40zL .

Two jackamoes from the desert get opinionated with cinematic culture. Join us.

At Sixteen Corners, they unapologetically create video from an 'audience-first' perspective. They believe no video should ever be boring, nor fail to provide that emotional payoff. This approach is discussed as well as some key projects by Mike and the team at Sixteen Corners. Show Notes: Compiled by Matt Lloyd 00.44 - About Sixteen Corners 03.15 - Origin of the name 04.30 - Composition of the team: small and nimble with plenty of trusted freelancers 07.15 - Mint Films 08.35 - Blair: Success is solely driven by motivation and passion 09.00 - Mike’s bio 10.00 - Mike’s part time job fell through, at which time he began interning at post houses, where he met... 10.30 - Martin Taylor, now head of production at StartVR, who hooked him up with his first freelance jobs. 11.40 - In 2003 Began work in the “Broadband Department” at ABC tv, Australia. 13.00 - Blink TV 14.00 - How getting into the industry has changed with the ever increasing accessibility of video tech, and how certain useful processes/strategies can easily be overlooked by younger people. 17.00 - How linear editing on a Steenbeck informs Mike’s editing style 18.51 - Terence Malick’s creative process 20.20 - Adobe Premiere morph cut 21.45 - The increasing intuitiveness of UI design 23.30 - Mike’s blogpost: Enough With Your Shitty Videos Already 25.24 - Martin Weigel of Wieden Kennedy “our primary task is not the nurturing enthusiasm of the few, but overcoming the indifference of the many” 27.00 - Mike’s “audience first” approach to generating content 27.12 - Michael Hauge: “The reason people go to the movies isn’t to think, it’s to feel” 28.48 - “Don’t get your idea out there, get the emotion associated with that idea out there.” 35.00 - “What you’re selling to your clients is not a video, it’s the experience of making a video” 36.35 - Market City Cinema Ad 38.04 - Edgar Wright 39.00 - The importance of shot composition 42.30 - iiNet rollercoaster piece by Sixteen Corners 48.33 - Pro Video Picks: Learning a new, unrelated skill, in Mike’s case: playing drums 51.16 - Following Online: Heavyweight 53.34 - Sources of Inspiration: Being a dad 54.54 - Inspirational Video: The Good, The Bad And The Ugly 58.50 - Who Should Be On The Show: Stu Willis 01.00.06 - Follow Mike Online: Web Vimeo Facebook Instagram Pro Video Podcast Online: Blair Walker - Twitter Pro Video Podcast - Slack Pro Video Podcast - Facebook Group Pro Video Podcast - Twitter Pro Video Podcast - Website 

This episode, we talk Deadpool 2, X-Men Origins: Wolverine, The New Mutants, Infinity War and the MCU, and does videogame violence = real world violence?

Cinema wasn't sure it was able to tell the story of Pocahontas without having talking trees and Mel Gibson until Terence Malick reappeared with his fourth film. The New World is another gorgeous production that tells the story of the young woman who guided the British colonists on the shores of America and the two men she loved: John Smith and John Rolfe.    Terrence Malick's Five 1) Badlands 2) Days of Heaven 3) The Thin Red Line 4) The New World 5) The Tree of Life   –Leave us your thoughts on this movie at TheArtImmortal.com –Subscribe to Eric’s video game YouTube channel, Constant Diversion –Listen to Austin’s other podcast, The Immortals.   Twitter iTunes YouTube   Join us next Friday for their review of The Tree of Life.  Artwork by Ray Martindale Theme Song by Adam Lord   

LAURA DUNN is a filmmaker based in Austin Texas who directed a documentary called THE UNFORESEEN, as well as a more recent documentary which is the focus of our conversation: LOOK & SEE: A PORTRAIT OF WENDELL BERRY. The film is available on Netflix and I can't recommend it enough. Laura and Wendell have a similar approach to their work, in that they are not putting themselves out there as a personality to shine brighter than the content of the work itself. Look & See isn't merely a biopic with a message, but it's capturing the essence of a person, in this case a giant of the written word, someone who is as illusive as he is influential. You will hear me try (and fail) to persuade Laura to get her two executive producers - Terence Malick and Robert Redford - to come on the show. You will also hear street noise, chirping birds, and a chatty toddler in the background (Laura conducted this phone conversation while walking her 2 year old to sleep).You will also hear the conviction of an artist who is using her chosen medium - film - to ask essential questions about the nature of life as we experience it, and all the contradictions and vulnerability that comes from such an inquisition. Laura certainly embodies a notable quote by Berry that goes: "when we are making our art, we are also making our lives. and I'm sure the reverse is equally true". Find the film here: https://lookandseefilm.com/

Terence Malick made his mark with his debut film Badlands. It has the appearance of a Bonnie and Clyde-esque story where two young lovers go on the run while leaving violence in their wake. However, Malick chooses not to focus on the violence, but on the quiet characterization of these young souls and as they wander through America establishing their own sense of self-reliance and responsibility.    Terrence Malick's Five 1) Badlands 2) Days of Heaven 3) The Thin Red Line 4) The New World 5) The Tree of Life   –Leave us your thoughts on this movie at TheArtImmortal.com –Subscribe to Eric’s video game YouTube channel, Constant Diversion –Listen to Austin’s other podcast, The Immortals.   Twitter iTunes YouTube   Join us next Friday for their review of Days of Heaven.  Artwork by Ray Martindale Theme Song by Adam Lord 

In this episode, the Director's Club delves into the Green Valleys, Stagecoaches, and Long Voyages shown in the works of the legendary director John Ford.  With the help of fellow Chicago Film Discussion Group member Peter Richards (who guested on our Terence Malick episode), in Part I of our series we not only look into his classic early films, but lesser-known yet no less fascinating efforts which include silent epics, minimalist treks through the desert, dark foggy nights of the Irish soul, and even comedies starring Will Rogers, and how Ford's genius with a film image and concerns of family, history, and myth flow through them. 16:56  "The Iron Horse"  ("Mystery Train", Elvis Presley) 28:22  "Pilgrimage"  ("Pilgramage", R.E.M.) 38:39  "The Lost Patrol"  ("Desert Blues", The Allman Brothers Band) 52:35  "Judge Priest"  ("Funky Judge", The J. Geils Band) 1:03:30  "The Informer"  ("God Loves a Drunk", Richard Thompson) 1:20:33  "Stagecoach"  (Theme from "Stagecoach") 1:38:40  "Young Mr. Lincoln"  ("Young Abe Lincoln Make A Tall, Tall Man", Johnny Horton) 1:49:36  "Grapes of Wrath"  ("The Ghost of Tom Joad", Bruce Springsteen) 2:07:50  "The Long Voyage Home"  ("Ship of Fools", Robert Plant) 2:21:50  "How Green was my Valley"  ("Working In a Coal Mine", DEVO) 2:48:37  Ford's WW2 wartime shorts / "They Were Expendable"  ("Brothers In Arms", Dire Straits) 3:02:54  "My Darling Clementine"  ("Clementine", The Decembrists)

Terence Malick makes beautiful films that are known for their peaceful aesthetic and calming atmosphere. So of course we argued about it. The Immortals reviewed the Days of Heaven, Malick's second film, which takes place in Texas. Then they went to California, Israel and Japan. We're so cultured!   Intro 0:00 -- 4:49 Days of Heaven - 4:49 -- 25:42 California - 25:42 -- 32:07 Holy Basil - 32:07 -- 33:21 Im Nin'Alu - 33:21 -- 41:54 Takeshi's Castle - 41:54 -- 50:17 Outro - 50:17 -- 53:32   --Leave your own henge ratings at TheArtImmortal.com --Be sure you leave an iTunes review so Pedro can give you a compliment on air.    Email Twitter iTunes YouTube   Join us next Thursday as we discuss more random things. Until then, email or tweet us your thoughts, leave a review on iTunes and other crap every podcast asks you to do. (But we love that you do it!)    Artwork by Ray Martindale Opening tune by Adam Lord Edited by Rook Parthum

DAVID ROTH returns for: Donald Trump's trip to Home Depot ... Shondaland with #queen ... Beefy Boy Matt Albers ... Cubs-Nats Game 5's gorgeous meltdown ... The liberatory nature of mass borking ... Postseason jankiness ... All libido to the Astros ... Fun Yankees still aren't underdogs ... I AM DA PLAYOFFS ... Who's your team and do you know them? ... Joe Buck forcing "moments" ... Terence Malick presents Puig's Parrot ... The bat-flip melting pot ... Light all the mups ... Picks!

No more easy episodes! Last week we had Ivan's Childhood in which we definitively stated that Ivan had a childhood. With Andrei Rublev, it's more complicated. The guys dig into exactly why this is a man whose life should be studied and whether or not Andrei Tarkovsky believes in what he is doing.  The guys couldn't dig into this dense and brilliant biopic alone so they are thrilled to be joined by writer/filmmaker Ed Leer who gives us fantastic insight into this journey into an artist. Also Austin not so subtly transitions to get a story about working with Terence Malick.    Andrei Tarkovsky's Five 1) Ivan's Childhood 2) Andrei Rublev 3) Solaris 4) The Mirror 5) Stalker   –Leave us your thoughts on this movie at TheArtImmortal.com –Subscribe to Eric’s video game YouTube channel, Constant Diversion –Listen to Austin’s other podcast, The Immortals.   Email Twitter iTunes YouTube   Join us next Friday for their review of Solaris. Artwork by Ray Martindale Theme Song by Adam Lord   

This week we dig into a auteur we haven't mentioned much in the past.  Malick has had a unique career spanning 45 years.  We look at three of his films and figure out what we like and don't like about his developed style.  We talk about the following films at the specified timecode, if you want to jump to a particular film.  Spoilers abound! Badlands - 24:52 The Tree of Life - 51:29 Knight of Cups - 1:12:09 Subscribe on iTunes:  https://itun.es/i6gB67Y  Check out our Facebook page:  www.facebook.com/actorandengineer and follow us on twitter @actorengineer.

Ryan and Aidan went to Edinburgh and all we got is this podcast minisode (we don't think you'll ever get that on a t-shirt). In this special edition of Cinema Eclectica we join them as they discuss Terence Malick's "Song to Song", the Irish medieval thriller "Pilgrimage", Persona in Scotland with Gary Love's "The Dark Mile", mumblecore animation and former feature of our preview section in "My Entire High School Sinking Into the Sea", and Kyoko Miyake's exploration of the Japanese obsession with girl bands in "Tokyo Idols". Until next time, don't watch anything we wouldn't. Support us on Patreon! - https://www.patreon.com/thegeekshow #CinemaEclectica #TheGeekShow #Reviews #Films #Movies #TerenceMalick #EdinburghInternationalFilmFestival #EIFF #Animation #SongToSong #Pilgrimage #TheDarkMile #MyEntireHighSchoolSinkingIntoTheSea #TokyoIdols #KyokoMiyake

Musician Martin Isenberg and comedian Drennen Quinn meet on the podcast and watch Terence Malick's haunting debut Badlands.

Today on the Podcast, we discuss our favorite films of 2016.   NEWS ON THE MARCH Joss Whedon set to write and direct "Batgirl" for the DCU First Thor: Ragnarok trailer "IT" Trailer most viewed of all time Terence Malick wants to return to scripted filmmaking Don Rickles has passed away   FEATURE: THE BEST FILMS OF 2016  (12:40) Ron's Top 13: 13) Elle 12) Christine 11) Other People 10) The Nice Guys 9) Manchester by the Sea 8) Hail, Caesar!  7) The Handmaiden 6) The Witch: A New England Folk Tale 5) Arrival 4) Silence 3) Rogue One: A Star Wars Story 2) Moonlight 1) Captain America: Civil War - Honorable Mentions - Worst of the Year - Darren's Top 5   RANT & RAVE Darren  (56:35) - Everybody Wants Some!!! Ron  (1:00:01) - Five Came Back  Darren  (1:05:40) - John Williams / Steven Spielberg Ultimate Collection Ron  (1:10:00) - Tower  

Greg and Ben are joined by Tim to discuss Ed Sheeran dominating music, Terence Malick’s new film, the call to eliminate the NEA, the best SNL performances, Fear of a Black Hat, and our Earworms of the Week! (And some random bonus soccer talk.) NWH - Guerrillas In the Midst John Mayer - Helpless Tuxedo - 2nd Time Around The Ice Plant - Come and Pet the P**** Follow Tim on Twitter @timbeauxreynald Check out his website www.roll2save.com Check out our new website! www.bythetimeyouhearthis.com facebook.com/bythetimeyouhearthis Follow us on Instagram: @bythetimeuhearthis Email: bythetimeuhearthis@gmail.com Subscribe on iTunes, Podomatic, Castbox, Satchel Podcast Player, TuneIn Radio and Google Play!

Milan Records Podcast #2 Tony Giles talks to Hannan Townshend, composer of the score for Terence Malick's latest cine-poem Knight of Cups Recorded and Edited by Scott Johannsson at Solatron Studios, Birmingham UK

Howard Brenton discusses his new play Lawrence After Arabia, which examines a little known period of TE Lawrence's life. Back in England, Lawrence wearied by his romanticised public image and disgusted with his country and himself, seeks solace and a place to hide in the home of the Bernard Shaws.Christian Bale stars as a disillusioned Hollywood writer in the new film Knight Of Cups from director Terence Malick. Film critic Kate Muir reviews.91-year-old photographer Dorothy Bohm looks back over her 75-year career at her latest exhibition Sixties London. Born in East Prussia before being sent by her father to England to escape the threat of Nazism, she then became co-founder of The Photographer's Gallery and worked alongside some of the greats, from Henri Cartier-Bresson to Bill Brandt and Don McCullin.Danish artist Olafur Eliasson is most famous for erecting a giant sun in the Tate Modern for his work The Weather Project. He talks about his new book Unspoken Spaces which has collected all his architectural works in public spaces over the past two decades.Presenter: John Wilson Producer: Jack Soper.

"À côté des films antimilitaristes déclarés - qui utilisèrent bien souvent les mêmes formes spectaculaires que le film de guerre à des fins réalistes (entre autres Full Metal Jacket de Stanley Kubrick, 1987 ; Apocalypse Now de Francis Ford Coppola, 1976 ; La Ligne rouge de Terence Malick, 1999) ou encore parodiques (Starship Troopers de Paul Verhoeven, 1997) -, le cinéma a produit des visions documentaires de résistance à la guerre à travers des témoignages d’insoumis ou encore des vues de manifestations pacifistes. Des films témoignant du « pacifisme par le droit » tel que revendiqué et produit par Albert Kahn jusqu’aux portraits des désobéissants civils réalisés par Bernard Baissat, les images proposées lors de cette séance mettent en évidence penseurs du pacifisme et pratiques du refus de la violence." Isabelle Marinone

¡Disfrutá el doble de Gorda Podcast con este bonus track presentado por la nueva Villa del Sur Levité Doble Sabor! Mercedes Monserrat, Lucila Farrell y Valentina Ruderman repasan noticias, trailers y videos: el trailer de Knight of Cups, la nueva de Terence Malick, el lanzamiento de la plataforma Odeon, la historia gay de Love Actually, el libro de Shonda Rhimes y más. La entrada Bonus: Shonda pare el taxi aparece primero en Gorda Podcast.

What do Howard Hawks and Terence Malick have in common? Well... maybe not much. But you won't know until you hear Jack talking about the Howard Hawks production of THE THING FROM ANOTHER WORLD and Andrew on Terence Malick's 1973 masterpiece debut BADLANDS

G'day, mate! This week blogger/writer/artist Tenebrous Kate is on the podcast to watch 1986's second most top-grossing film Crocodile Dundee for the first time. We marvel at the film's Terence Malick meets Beverly Hills Cop quality and wonder what kids would make of good ol' Mick Dundee today. Plus, we keep a tally of every large '80s cellphone (not many) and every dated joke at the expense of another race (several).  Follow Tenebrous Kate on Twitter and check out her Web comic Super Coven. Also just in time for Valentine's Day, grab My Dream Date with a Villain, Kate's excellent collection of fan fiction-inspired comics and stories.  Proof that Paul Hogan has always been Crocodile Dundee.  Like Movies My Friends Have Never Seen on Facebook and follow us on Twitter. 

Writer and broadcaster Jonathan Meades's fascination with architecture began on a school trip to Marsh Court in Stockbridge, Hampshire - designed by that great architect of English Country Houses Edwin Lutyens. Subsequently, in a broadcasting career which spans 40 years, he has written and performed in more than 50 television shows on a wide range of topographical subjects: from shacks to garden cities, to buildings associated with vertigo; from beer and pigs, to the architecture of Hitler and Stalin. He was also a food critic for 15 years, winning the coveted Glenfiddich Award in 1999, and has written three novels and a memoir: "Encyclopedia of Myself". His latest television series, "Bunkers, Brutalism and Bloody-mindedness", was screened on BBC 4 in February. He now lives in the iconic Corbusier building, Cité Radieuse in Marseille - and his musical choices reflect his adopted country's love of chanson: French singer / songwriter Barbara's "Ma Plus Belle Histoire d'Amour" features, as does Jacques Brel's Mijn Vlakke Land. Film was not only Jonathan Meades's chosen career; his love of cinema also provided him with a rich musical education. Among his musical choices are Hans Werner Henze's soundtrack to the Alain Resnais film Muriel, and The Aquarium, from Saint-Saëns's Carnival of the Animals, which Terence Malick used in his ground breaking film Days of Heaven.

Sermon preached at Oriel College Chapel on 26 May 2013 by the Regius Professor of Moral and Pastoral Theology on the theological questions posed by Malick's film.

This week on the InSession Film Podcast: Extra Film segment we review Ryan Gosling's new film, The Place Beyond the Pines and Terence Malick's latest, To the Wonder.

Janice Forsyth with the latest movie reviews including Terence Stamp in Song For Marion, To The Wonder directed by Terence Malick and the epic adaptation of David Mitchell's novel Cloud Atlas

"War! What is it good for?" Unterhaltung natürlich, Dummkopf. Und das nicht erst seit Chris Tucker und Jackie Chan in RUSH HOUR. Das Volk will den Krieg, denn Krieg ist Unterhaltung, Krieg ist Abenteuer: Das leichte Schaudern beim ersten Blick auf die Preistafel im Starbucks, kurz darüber nachdenken sich abzuwenden, nur um dann doch einen Latte Macchiato, De-Caf, Sojamilch, Tall, To-Go zu bestellen. Steven Spielberg ist ein Kriegsgewinnler von SCHINDLERS LISTE zu SAVING PRIVATE RYAN, über BAND OF BROTHERS, dann die Back2Back Eastwood Filme, die MEDAL OF HONOR Videospiele und als neustes THE PACIFIC, heißt seine einzig verlorene Schlacht 1941. THE PACIFIC vermittelt die Erfahrung dabei zu sein, auf Augenhöhe mit dem einfachen Soldaten, jetzt nicht dabei zu sein im wirklichen Krieg, dafür bitte für Afghanistan bewerben, aber höchst involviert zu sein bei irgendwas, und das ist immerhin etwas und sehr kurzweilig. Gäbe es das dazugehörige Trinkspiel "Shot for a Headshot", zwei Folgen reichten für eine Alkoholvergiftung. Terence Malick sucht in all dem Blut nach tieferen Wahrheiten, unterhalb der Augenhöhe von THE PACIFIC läßt er seine Kamera in Bodennähe und Erdverbundenheit für THE THIN RED LINE durch das Gras eines Eilands gleiten. Meine Damen, meine Herren, erleben Sie die Flimmerfreunde, Bernd, Ben und Kay in der Hörspielversion des besten Kriegsfilms aller Zeiten, ENTENSUPPE.

In this episode, we go over content selected by our own dear Mothers. They picked a couple of very interesting films, including one film that happens to be one of the Gentlemen's favorite film of all time!! We cover  Quentin Tarantino's Kill Bill Vol. 1 and Terence Malick's Badlands. Made for some very good conversation as this episode is EPIC!!! Plus massive feedback from the gentle listeners... Emails to: midnitecinema@gmail.com Voicemails to: 206-666-5207 Gotta love the Mom's, Baby!!!!! --- Send in a voice message: https://anchor.fm/ggtmc/message