Podcast appearances and mentions of Tyler D Parry

Since its founding in 1801, African Americans have played an integral, if too often overlooked, role in the history of the University of South Carolina. Robert Greene and Tyler D. Parry's edited volume Invisible No More: The African American Experience at the University of South Carolina (U South Carolina Press, 2021) seeks to recover that historical legacy and reveal the many ways that African Americans have shaped the development of the university. The essays in this volume span the full sweep of the university's history, from the era of slavery to Reconstruction, Civil Rights to Black Power and Black Lives Matter. This collection represents the most comprehensive examination of the long history and complex relationship between African Americans and the university. Like the broader history of South Carolina, the history of African Americans at the University of South Carolina is about more than their mere existence at the institution. It is about how they molded the university into something greater than the sum of its parts. Throughout the university's history, Black students, faculty, and staff have pressured for greater equity and inclusion. At various times they did so with the support of white allies, other times in the face of massive resistance; oftentimes, there were both. Between 1868 and 1877, the brief but extraordinary period of Reconstruction, the University of South Carolina became the only state-supported university in the former Confederacy to open its doors to students of all races. This "first desegregation," which offered a glimpse of what was possible, was dismantled and followed by nearly a century during which African American students were once again excluded from the campus. In 1963, the "second desegregation" ended that long era of exclusion but was just the beginning of a new period of activism, one that continues today. Though African Americans have become increasingly visible on campus, the goal of equity and inclusion—a greater acceptance of African American students and a true appreciation of their experiences and contributions—remains incomplete. Invisible No More represents another contribution to this long struggle. A foreword is provided by Valinda W. Littlefield, associate professor of history and African American studies at the University of South Carolina. Henrie Monteith Treadwell, research professor of community health and preventative medicine at Morehouse School of Medicine and one of the three African American students who desegregated the university in 1963, provides an afterword. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Since its founding in 1801, African Americans have played an integral, if too often overlooked, role in the history of the University of South Carolina. Robert Greene and Tyler D. Parry's edited volume Invisible No More: The African American Experience at the University of South Carolina (U South Carolina Press, 2021) seeks to recover that historical legacy and reveal the many ways that African Americans have shaped the development of the university. The essays in this volume span the full sweep of the university's history, from the era of slavery to Reconstruction, Civil Rights to Black Power and Black Lives Matter. This collection represents the most comprehensive examination of the long history and complex relationship between African Americans and the university. Like the broader history of South Carolina, the history of African Americans at the University of South Carolina is about more than their mere existence at the institution. It is about how they molded the university into something greater than the sum of its parts. Throughout the university's history, Black students, faculty, and staff have pressured for greater equity and inclusion. At various times they did so with the support of white allies, other times in the face of massive resistance; oftentimes, there were both. Between 1868 and 1877, the brief but extraordinary period of Reconstruction, the University of South Carolina became the only state-supported university in the former Confederacy to open its doors to students of all races. This "first desegregation," which offered a glimpse of what was possible, was dismantled and followed by nearly a century during which African American students were once again excluded from the campus. In 1963, the "second desegregation" ended that long era of exclusion but was just the beginning of a new period of activism, one that continues today. Though African Americans have become increasingly visible on campus, the goal of equity and inclusion—a greater acceptance of African American students and a true appreciation of their experiences and contributions—remains incomplete. Invisible No More represents another contribution to this long struggle. A foreword is provided by Valinda W. Littlefield, associate professor of history and African American studies at the University of South Carolina. Henrie Monteith Treadwell, research professor of community health and preventative medicine at Morehouse School of Medicine and one of the three African American students who desegregated the university in 1963, provides an afterword. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Since its founding in 1801, African Americans have played an integral, if too often overlooked, role in the history of the University of South Carolina. Robert Greene and Tyler D. Parry's edited volume Invisible No More: The African American Experience at the University of South Carolina (U South Carolina Press, 2021) seeks to recover that historical legacy and reveal the many ways that African Americans have shaped the development of the university. The essays in this volume span the full sweep of the university's history, from the era of slavery to Reconstruction, Civil Rights to Black Power and Black Lives Matter. This collection represents the most comprehensive examination of the long history and complex relationship between African Americans and the university. Like the broader history of South Carolina, the history of African Americans at the University of South Carolina is about more than their mere existence at the institution. It is about how they molded the university into something greater than the sum of its parts. Throughout the university's history, Black students, faculty, and staff have pressured for greater equity and inclusion. At various times they did so with the support of white allies, other times in the face of massive resistance; oftentimes, there were both. Between 1868 and 1877, the brief but extraordinary period of Reconstruction, the University of South Carolina became the only state-supported university in the former Confederacy to open its doors to students of all races. This "first desegregation," which offered a glimpse of what was possible, was dismantled and followed by nearly a century during which African American students were once again excluded from the campus. In 1963, the "second desegregation" ended that long era of exclusion but was just the beginning of a new period of activism, one that continues today. Though African Americans have become increasingly visible on campus, the goal of equity and inclusion—a greater acceptance of African American students and a true appreciation of their experiences and contributions—remains incomplete. Invisible No More represents another contribution to this long struggle. A foreword is provided by Valinda W. Littlefield, associate professor of history and African American studies at the University of South Carolina. Henrie Monteith Treadwell, research professor of community health and preventative medicine at Morehouse School of Medicine and one of the three African American students who desegregated the university in 1963, provides an afterword. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Since its founding in 1801, African Americans have played an integral, if too often overlooked, role in the history of the University of South Carolina. Robert Greene and Tyler D. Parry's edited volume Invisible No More: The African American Experience at the University of South Carolina (U South Carolina Press, 2021) seeks to recover that historical legacy and reveal the many ways that African Americans have shaped the development of the university. The essays in this volume span the full sweep of the university's history, from the era of slavery to Reconstruction, Civil Rights to Black Power and Black Lives Matter. This collection represents the most comprehensive examination of the long history and complex relationship between African Americans and the university. Like the broader history of South Carolina, the history of African Americans at the University of South Carolina is about more than their mere existence at the institution. It is about how they molded the university into something greater than the sum of its parts. Throughout the university's history, Black students, faculty, and staff have pressured for greater equity and inclusion. At various times they did so with the support of white allies, other times in the face of massive resistance; oftentimes, there were both. Between 1868 and 1877, the brief but extraordinary period of Reconstruction, the University of South Carolina became the only state-supported university in the former Confederacy to open its doors to students of all races. This "first desegregation," which offered a glimpse of what was possible, was dismantled and followed by nearly a century during which African American students were once again excluded from the campus. In 1963, the "second desegregation" ended that long era of exclusion but was just the beginning of a new period of activism, one that continues today. Though African Americans have become increasingly visible on campus, the goal of equity and inclusion—a greater acceptance of African American students and a true appreciation of their experiences and contributions—remains incomplete. Invisible No More represents another contribution to this long struggle. A foreword is provided by Valinda W. Littlefield, associate professor of history and African American studies at the University of South Carolina. Henrie Monteith Treadwell, research professor of community health and preventative medicine at Morehouse School of Medicine and one of the three African American students who desegregated the university in 1963, provides an afterword. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Since its founding in 1801, African Americans have played an integral, if too often overlooked, role in the history of the University of South Carolina. Robert Greene and Tyler D. Parry's edited volume Invisible No More: The African American Experience at the University of South Carolina (U South Carolina Press, 2021) seeks to recover that historical legacy and reveal the many ways that African Americans have shaped the development of the university. The essays in this volume span the full sweep of the university's history, from the era of slavery to Reconstruction, Civil Rights to Black Power and Black Lives Matter. This collection represents the most comprehensive examination of the long history and complex relationship between African Americans and the university. Like the broader history of South Carolina, the history of African Americans at the University of South Carolina is about more than their mere existence at the institution. It is about how they molded the university into something greater than the sum of its parts. Throughout the university's history, Black students, faculty, and staff have pressured for greater equity and inclusion. At various times they did so with the support of white allies, other times in the face of massive resistance; oftentimes, there were both. Between 1868 and 1877, the brief but extraordinary period of Reconstruction, the University of South Carolina became the only state-supported university in the former Confederacy to open its doors to students of all races. This "first desegregation," which offered a glimpse of what was possible, was dismantled and followed by nearly a century during which African American students were once again excluded from the campus. In 1963, the "second desegregation" ended that long era of exclusion but was just the beginning of a new period of activism, one that continues today. Though African Americans have become increasingly visible on campus, the goal of equity and inclusion—a greater acceptance of African American students and a true appreciation of their experiences and contributions—remains incomplete. Invisible No More represents another contribution to this long struggle. A foreword is provided by Valinda W. Littlefield, associate professor of history and African American studies at the University of South Carolina. Henrie Monteith Treadwell, research professor of community health and preventative medicine at Morehouse School of Medicine and one of the three African American students who desegregated the university in 1963, provides an afterword. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

Since its founding in 1801, African Americans have played an integral, if too often overlooked, role in the history of the University of South Carolina. Robert Greene and Tyler D. Parry's edited volume Invisible No More: The African American Experience at the University of South Carolina (U South Carolina Press, 2021) seeks to recover that historical legacy and reveal the many ways that African Americans have shaped the development of the university. The essays in this volume span the full sweep of the university's history, from the era of slavery to Reconstruction, Civil Rights to Black Power and Black Lives Matter. This collection represents the most comprehensive examination of the long history and complex relationship between African Americans and the university. Like the broader history of South Carolina, the history of African Americans at the University of South Carolina is about more than their mere existence at the institution. It is about how they molded the university into something greater than the sum of its parts. Throughout the university's history, Black students, faculty, and staff have pressured for greater equity and inclusion. At various times they did so with the support of white allies, other times in the face of massive resistance; oftentimes, there were both. Between 1868 and 1877, the brief but extraordinary period of Reconstruction, the University of South Carolina became the only state-supported university in the former Confederacy to open its doors to students of all races. This "first desegregation," which offered a glimpse of what was possible, was dismantled and followed by nearly a century during which African American students were once again excluded from the campus. In 1963, the "second desegregation" ended that long era of exclusion but was just the beginning of a new period of activism, one that continues today. Though African Americans have become increasingly visible on campus, the goal of equity and inclusion—a greater acceptance of African American students and a true appreciation of their experiences and contributions—remains incomplete. Invisible No More represents another contribution to this long struggle. A foreword is provided by Valinda W. Littlefield, associate professor of history and African American studies at the University of South Carolina. Henrie Monteith Treadwell, research professor of community health and preventative medicine at Morehouse School of Medicine and one of the three African American students who desegregated the university in 1963, provides an afterword. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices

Since its founding in 1801, African Americans have played an integral, if too often overlooked, role in the history of the University of South Carolina. Robert Greene and Tyler D. Parry's edited volume Invisible No More: The African American Experience at the University of South Carolina (U South Carolina Press, 2021) seeks to recover that historical legacy and reveal the many ways that African Americans have shaped the development of the university. The essays in this volume span the full sweep of the university's history, from the era of slavery to Reconstruction, Civil Rights to Black Power and Black Lives Matter. This collection represents the most comprehensive examination of the long history and complex relationship between African Americans and the university. Like the broader history of South Carolina, the history of African Americans at the University of South Carolina is about more than their mere existence at the institution. It is about how they molded the university into something greater than the sum of its parts. Throughout the university's history, Black students, faculty, and staff have pressured for greater equity and inclusion. At various times they did so with the support of white allies, other times in the face of massive resistance; oftentimes, there were both. Between 1868 and 1877, the brief but extraordinary period of Reconstruction, the University of South Carolina became the only state-supported university in the former Confederacy to open its doors to students of all races. This "first desegregation," which offered a glimpse of what was possible, was dismantled and followed by nearly a century during which African American students were once again excluded from the campus. In 1963, the "second desegregation" ended that long era of exclusion but was just the beginning of a new period of activism, one that continues today. Though African Americans have become increasingly visible on campus, the goal of equity and inclusion—a greater acceptance of African American students and a true appreciation of their experiences and contributions—remains incomplete. Invisible No More represents another contribution to this long struggle. A foreword is provided by Valinda W. Littlefield, associate professor of history and African American studies at the University of South Carolina. Henrie Monteith Treadwell, research professor of community health and preventative medicine at Morehouse School of Medicine and one of the three African American students who desegregated the university in 1963, provides an afterword. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Season 6, Episode 9In this episode, Hettie V. Williams discusses the broomstick wedding ritual with Tyler D. Parry. Williams is Associate Professor of African American history at Monmouth University located in West Long Branch, New Jersey and Parry is Associate Professor of African American and African Diaspora Studies at the University of Las Vegas, Nevada in the Department of Interdisciplinary, Gender, and Ethnic Studies. Parry's research focuses on slavery in the Americas, cultures in the African Diaspora, the historical memory of slavery in the Americas, cultures in the African Diaspora and historical memory. This conversation is about his first book Jumping the Broom: The Surprising Multicultural Origins of A Black Wedding Ritual published by the University of North Carolina Press in 2020. In this fascinating history of the broomstick wedding ritual, Parry traverses a series of cultures including African Diaspora communities to trace the long history of this ritual that has become important in the history of African American life. 

In Jumping the Broom: The Surprising Multicultural Origins of a Black Wedding Ritual (UNC Press, 2020), Tyler D. Parry untangles the convoluted history of the "broomstick wedding." Popularly associated with African American culture, Parry traces the ritual's origins to marginalized groups in the British Isles and explores how it influenced the marriage traditions of different communities on both sides of the Atlantic Ocean. His surprising findings shed new light on the complexities of cultural exchange between peoples of African and European descent from the 1700s up to the twenty-first century. Drawing from the historical records of enslaved people in the United States, British Romani, Louisiana Cajuns, and many others, Parry discloses how marginalized people found dignity in the face of oppression by innovating and reimagining marriage rituals. Such innovations have an enduring impact on the descendants of the original practitioners. Parry reveals how and why the simple act of "jumping the broom" captivates so many people who, on the surface, appear to have little in common with each other. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

In Jumping the Broom: The Surprising Multicultural Origins of a Black Wedding Ritual (UNC Press, 2020), Tyler D. Parry untangles the convoluted history of the "broomstick wedding." Popularly associated with African American culture, Parry traces the ritual's origins to marginalized groups in the British Isles and explores how it influenced the marriage traditions of different communities on both sides of the Atlantic Ocean. His surprising findings shed new light on the complexities of cultural exchange between peoples of African and European descent from the 1700s up to the twenty-first century. Drawing from the historical records of enslaved people in the United States, British Romani, Louisiana Cajuns, and many others, Parry discloses how marginalized people found dignity in the face of oppression by innovating and reimagining marriage rituals. Such innovations have an enduring impact on the descendants of the original practitioners. Parry reveals how and why the simple act of "jumping the broom" captivates so many people who, on the surface, appear to have little in common with each other. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.

In Jumping the Broom: The Surprising Multicultural Origins of a Black Wedding Ritual (UNC Press, 2020), Tyler D. Parry untangles the convoluted history of the "broomstick wedding." Popularly associated with African American culture, Parry traces the ritual's origins to marginalized groups in the British Isles and explores how it influenced the marriage traditions of different communities on both sides of the Atlantic Ocean. His surprising findings shed new light on the complexities of cultural exchange between peoples of African and European descent from the 1700s up to the twenty-first century. Drawing from the historical records of enslaved people in the United States, British Romani, Louisiana Cajuns, and many others, Parry discloses how marginalized people found dignity in the face of oppression by innovating and reimagining marriage rituals. Such innovations have an enduring impact on the descendants of the original practitioners. Parry reveals how and why the simple act of "jumping the broom" captivates so many people who, on the surface, appear to have little in common with each other. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

In Jumping the Broom: The Surprising Multicultural Origins of a Black Wedding Ritual (UNC Press, 2020), Tyler D. Parry untangles the convoluted history of the "broomstick wedding." Popularly associated with African American culture, Parry traces the ritual's origins to marginalized groups in the British Isles and explores how it influenced the marriage traditions of different communities on both sides of the Atlantic Ocean. His surprising findings shed new light on the complexities of cultural exchange between peoples of African and European descent from the 1700s up to the twenty-first century. Drawing from the historical records of enslaved people in the United States, British Romani, Louisiana Cajuns, and many others, Parry discloses how marginalized people found dignity in the face of oppression by innovating and reimagining marriage rituals. Such innovations have an enduring impact on the descendants of the original practitioners. Parry reveals how and why the simple act of "jumping the broom" captivates so many people who, on the surface, appear to have little in common with each other. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

In Jumping the Broom: The Surprising Multicultural Origins of a Black Wedding Ritual (UNC Press, 2020), Tyler D. Parry untangles the convoluted history of the "broomstick wedding." Popularly associated with African American culture, Parry traces the ritual's origins to marginalized groups in the British Isles and explores how it influenced the marriage traditions of different communities on both sides of the Atlantic Ocean. His surprising findings shed new light on the complexities of cultural exchange between peoples of African and European descent from the 1700s up to the twenty-first century. Drawing from the historical records of enslaved people in the United States, British Romani, Louisiana Cajuns, and many others, Parry discloses how marginalized people found dignity in the face of oppression by innovating and reimagining marriage rituals. Such innovations have an enduring impact on the descendants of the original practitioners. Parry reveals how and why the simple act of "jumping the broom" captivates so many people who, on the surface, appear to have little in common with each other. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

In Jumping the Broom: The Surprising Multicultural Origins of a Black Wedding Ritual (UNC Press, 2020), Tyler D. Parry untangles the convoluted history of the "broomstick wedding." Popularly associated with African American culture, Parry traces the ritual's origins to marginalized groups in the British Isles and explores how it influenced the marriage traditions of different communities on both sides of the Atlantic Ocean. His surprising findings shed new light on the complexities of cultural exchange between peoples of African and European descent from the 1700s up to the twenty-first century. Drawing from the historical records of enslaved people in the United States, British Romani, Louisiana Cajuns, and many others, Parry discloses how marginalized people found dignity in the face of oppression by innovating and reimagining marriage rituals. Such innovations have an enduring impact on the descendants of the original practitioners. Parry reveals how and why the simple act of "jumping the broom" captivates so many people who, on the surface, appear to have little in common with each other. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Jumping the Broom: The Surprising Multicultural Origins of a Black Wedding Ritual (UNC Press, 2020), Tyler D. Parry untangles the convoluted history of the "broomstick wedding." Popularly associated with African American culture, Parry traces the ritual's origins to marginalized groups in the British Isles and explores how it influenced the marriage traditions of different communities on both sides of the Atlantic Ocean. His surprising findings shed new light on the complexities of cultural exchange between peoples of African and European descent from the 1700s up to the twenty-first century. Drawing from the historical records of enslaved people in the United States, British Romani, Louisiana Cajuns, and many others, Parry discloses how marginalized people found dignity in the face of oppression by innovating and reimagining marriage rituals. Such innovations have an enduring impact on the descendants of the original practitioners. Parry reveals how and why the simple act of "jumping the broom" captivates so many people who, on the surface, appear to have little in common with each other. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In Jumping the Broom: The Surprising Multicultural Origins of a Black Wedding Ritual (UNC Press, 2020), Tyler D. Parry untangles the convoluted history of the "broomstick wedding." Popularly associated with African American culture, Parry traces the ritual's origins to marginalized groups in the British Isles and explores how it influenced the marriage traditions of different communities on both sides of the Atlantic Ocean. His surprising findings shed new light on the complexities of cultural exchange between peoples of African and European descent from the 1700s up to the twenty-first century. Drawing from the historical records of enslaved people in the United States, British Romani, Louisiana Cajuns, and many others, Parry discloses how marginalized people found dignity in the face of oppression by innovating and reimagining marriage rituals. Such innovations have an enduring impact on the descendants of the original practitioners. Parry reveals how and why the simple act of "jumping the broom" captivates so many people who, on the surface, appear to have little in common with each other. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Jumping the Broom: The Surprising Multicultural Origins of a Black Wedding Ritual (UNC Press, 2020), Tyler D. Parry untangles the convoluted history of the "broomstick wedding." Popularly associated with African American culture, Parry traces the ritual's origins to marginalized groups in the British Isles and explores how it influenced the marriage traditions of different communities on both sides of the Atlantic Ocean. His surprising findings shed new light on the complexities of cultural exchange between peoples of African and European descent from the 1700s up to the twenty-first century. Drawing from the historical records of enslaved people in the United States, British Romani, Louisiana Cajuns, and many others, Parry discloses how marginalized people found dignity in the face of oppression by innovating and reimagining marriage rituals. Such innovations have an enduring impact on the descendants of the original practitioners. Parry reveals how and why the simple act of "jumping the broom" captivates so many people who, on the surface, appear to have little in common with each other. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Jumping the Broom: The Surprising Multicultural Origins of a Black Wedding Ritual (UNC Press, 2020), Tyler D. Parry untangles the convoluted history of the "broomstick wedding." Popularly associated with African American culture, Parry traces the ritual's origins to marginalized groups in the British Isles and explores how it influenced the marriage traditions of different communities on both sides of the Atlantic Ocean. His surprising findings shed new light on the complexities of cultural exchange between peoples of African and European descent from the 1700s up to the twenty-first century. Drawing from the historical records of enslaved people in the United States, British Romani, Louisiana Cajuns, and many others, Parry discloses how marginalized people found dignity in the face of oppression by innovating and reimagining marriage rituals. Such innovations have an enduring impact on the descendants of the original practitioners. Parry reveals how and why the simple act of "jumping the broom" captivates so many people who, on the surface, appear to have little in common with each other. Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

This week, host Joey Lovato talks with UNLV Professor Tyler D. Parry about the Derek Chauvin verdict and policing reform in Nevada. After that, Reporter Riley Snyder and Assistant Editor Michelle Rindels talk about what bills lived and died at the Legislature this week after deadline day. At the end of the show, reporter Humberto … Continue reading "Policing reform and the Derek Chauvin verdict, , plus updates from Carson and D.C."

In this episode of The African American Folklorist, I speak with Dr. Tyler Parry, author of the book "Jumping The Broom - The Surprising Multicultural Origins of a Black Wedding Ritual" In this definitive history of a unique tradition, Tyler D. Parry untangles the convoluted history of the "broomstick wedding." Popularly associated with African American culture, Parry traces the ritual’s origins to marginalized groups in the British Isles and explores how it influenced the marriage traditions of different communities on both sides of the Atlantic Ocean. His surprising findings shed new light on the complexities of cultural exchange between peoples of African and European descent from the 1700s up to the twenty-first century. Drawing from the historical records of enslaved people in the United States, British Romani, Louisiana Cajuns, and many others, Parry discloses how marginalized people found dignity in the face of oppression by innovating and reimagining marriage rituals. Such innovations have an enduring impact on the descendants of the original practitioners. Parry reveals how and why the simple act of "jumping the broom" captivates so many people who, on the surface, appear to have little in common with each other. For more information on the book https://www.uncpress.org/book/9781469660868/jumping-the-broom/ For more information on the healthy alternative for coffee - https://lnk.bio/d_pearl_lee?fbclid=IwAR0pr98i-Nqnlmi8jofRB8aMGqg-EfKnN24V9cMcZuM2MVOCQWL7R-6AyIk And follow Mrs. Pearrley on Instagram @d_pearl_lee To donate to or sponsor content for the African American Folklorist http://theafricanamericanfolklorist.com/sponsor/ --- Send in a voice message: https://anchor.fm/jackdappabluespodcast/message Support this podcast: https://anchor.fm/jackdappabluespodcast/support

The Context of White Supremacy welcomes Dr. Tyler D. Parry. A historian at the University of Nevada Las Vegas, Dr. Parry is an expert on colonization of the Americas, the African diaspora, and the historical memory of slavery in the United States. Even though his phenotypical features confused Gus and several listeners, Dr. Parry is classified as White - and married to a black female. We'll discuss his fascinating research on White Supremacists use of dogs to terrorize and control black bodies. He co-authored the report, Slave Hounds and Abolition in the Americas. The project explores how breeding dogs to track and maul black people became booming businesses throughout the world during slavery. He contextualizes the historical use of dogs to patrol slave plantations with the current use of canine police units, which often serves the same purpose - control of black bodies. Dr. Parry said he's currently working on a project to examine the book and film White Dog - which we're currently reading in our book club. #WhiteMansBestFriend INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 720.716.7300 CODE 564943#

Tuesday, July 28th 8:00PM Eastern/ 5:00PM Pacific The Context of White Supremacy welcomes Dr. Tyler D. Parry. A historian at the University of Nevada Las Vegas, Dr. Parry is an expert on colonization of the Americas, the African diaspora, and the historical memory of slavery in the United States. Even though his phenotypical features confused Gus and several listeners, Dr. Parry is classified as White - and married to a black female. We'll discuss his fascinating research on White Supremacists use of dogs to terrorize and control black bodies. He co-authored the report, Slave Hounds and Abolition in the Americas. The project explores how breeding dogs to track and maul black people became booming businesses throughout the world during slavery. He contextualizes the historical use of dogs to patrol slave plantations with the current use of canine police units, which often serves the same purpose - control of black bodies. Dr. Parry said he's currently working on a project to examine the book and film White Dog - which we're currently reading in our book club. #WhiteMansBestFriend INVEST in The COWS – paypal.me/TheCOWS The C.O.W.S. Cash App: http://Cash.App/$TheCOWS The C.O.W.S. Radio Program is specifically engineered for black & non-white listeners - Victims of White Supremacy. The purpose of this program is to provide Victims of White Supremacy with constructive information and suggestions on how to counter Racist Woman & Racist Man. TUNE IN! Phone: 1-720-716-7300 - Access Code 564943# Hit star *6 & 1 to enter caller cue

Tuesday, July 28th 8:00PM Eastern/ 5:00PM Pacific The Context of White Supremacy welcomes Dr. Tyler D. Parry. A historian at the University of Nevada Las Vegas, Dr. Parry is an expert on colonization of the Americas, the African diaspora, and the historical memory of slavery in the United States. Even though his phenotypical features confused Gus and several listeners, Dr. Parry is classified as White - and married to a black female. We'll discuss his fascinating research on White Supremacists use of dogs to terrorize and control black bodies. He co-authored the report, Slave Hounds and Abolition in the Americas. The project explores how breeding dogs to track and maul black people became booming businesses throughout the world during slavery. He contextualizes the historical use of dogs to patrol slave plantations with the current use of canine police units, which often serves the same purpose - control of black bodies. Dr. Parry said he's currently working on a project to examine the book and film White Dog - which we're currently reading in our book club. #WhiteMansBestFriend INVEST in The COWS – paypal.me/TheCOWS The C.O.W.S. Cash App: http://Cash.App/$TheCOWS The C.O.W.S. Radio Program is specifically engineered for black & non-white listeners - Victims of White Supremacy. The purpose of this program is to provide Victims of White Supremacy with constructive information and suggestions on how to counter Racist Woman & Racist Man. TUNE IN! Phone: 1-720-716-7300 - Access Code 564943# Hit star *6 & 1 to enter caller cue

The primary purpose of history is to understand the past as a guide to understanding the present and future. History should not be deemed as feel-good nostalgia – much of history is painful and shameful. So how do we find the right balance? Is statue-cide the right answer? CrossTalking with Chloé Valdary & Tyler D. Parry.

In this episode of The Jack Dappa Blues Radio Podcast, I speak to co-authors Dr. Tyler D. Parry and Dr. Chaz Yingling about their book in the works Slave Hounds, Abolition and The Americas. 40 pages of the book are currently available at https://academic.oup.com/past/article/246/1/69/5722095 They also pinned another great article we discuss in the podcast, and the link is https://www.jacobinmag.com/2016/05/dogs-bloodhounds-slavery-police-brutality-racism/ Be sure to listen to the podcast and read the articles. https://twitter.com/ProfTDParry Remember you can donate to the Jack Dappa Blues Heritage Preservation Foundation here paypal.me/LamontJack --- Send in a voice message: https://anchor.fm/jackdappabluespodcast/message Support this podcast: https://anchor.fm/jackdappabluespodcast/support

Today, instead of discussing a new book, I am convening a “New Books in African American Studies Roundtable” to talk with two historians early in their careers about their recent transitions from graduate school into the professorate, and some of the scholarly and public projects they are developing at their respective institutions: Dr. Robert Greene II, Assistant Professor in History at Claflin University, and Dr. Tyler D. Parry, Assistant Professor of African American and African Diaspora Studies at the University of Nevada-Las Vegas. Both Drs. Greene and Parry are incredible examples of what scholarly integrity and kindness are. They also both are graduates of the University of South Carolina’s doctorate program in history! Adam McNeil is a 2nd year PhD in Early African American history at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, instead of discussing a new book, I am convening a “New Books in African American Studies Roundtable” to talk with two historians early in their careers about their recent transitions from graduate school into the professorate, and some of the scholarly and public projects they are developing at their respective institutions: Dr. Robert Greene II, Assistant Professor in History at Claflin University, and Dr. Tyler D. Parry, Assistant Professor of African American and African Diaspora Studies at the University of Nevada-Las Vegas. Both Drs. Greene and Parry are incredible examples of what scholarly integrity and kindness are. They also both are graduates of the University of South Carolina's doctorate program in history! Adam McNeil is a 2nd year PhD in Early African American history at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Today, instead of discussing a new book, I am convening a “New Books in African American Studies Roundtable” to talk with two historians early in their careers about their recent transitions from graduate school into the professorate, and some of the scholarly and public projects they are developing at their respective institutions: Dr. Robert Greene II, Assistant Professor in History at Claflin University, and Dr. Tyler D. Parry, Assistant Professor of African American and African Diaspora Studies at the University of Nevada-Las Vegas. Both Drs. Greene and Parry are incredible examples of what scholarly integrity and kindness are. They also both are graduates of the University of South Carolina’s doctorate program in history! Adam McNeil is a 2nd year PhD in Early African American history at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, instead of discussing a new book, I am convening a “New Books in African American Studies Roundtable” to talk with two historians early in their careers about their recent transitions from graduate school into the professorate, and some of the scholarly and public projects they are developing at their respective institutions: Dr. Robert Greene II, Assistant Professor in History at Claflin University, and Dr. Tyler D. Parry, Assistant Professor of African American and African Diaspora Studies at the University of Nevada-Las Vegas. Both Drs. Greene and Parry are incredible examples of what scholarly integrity and kindness are. They also both are graduates of the University of South Carolina’s doctorate program in history! Adam McNeil is a 2nd year PhD in Early African American history at Rutgers University-New Brunswick. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of Jack Dappa Blues Radio is part two of my discussion with scholar Tyler D. Parry, Assistant Professor of African American and African Diaspora Studies Program and Book Review Editor: Black Perspectives, about his co-authored journal and the upcoming book titled ' Slavehounds and Abolition". Dr. Parry gives great detail of the role of the bloodhound before, during, and after slavery. He delves into the origins of the purpose this hybrid animal was created, where they were trained and how it's been utilized for centuries as a weapon against the freedoms and lives of the "Blues People" on America. Follow Dr. Parry @ProfTDParry Support our platform by purchasing our Merch Join our Facebook Group, Page, Nonprofit Page and subscribe to our newsletter. noncommercial use of Robert Johnson's 'Hellhounds on My Trail" "I’ve got to keep moving, I’ve got to keep moving, blues falling down like hail, blues falling down like hail . . . And the days keeps on ’minding me, there’s a hellhound on my trail" Artist Robert Johnson Album Robert Johnson: Cross Road Blues Writers Robert Johnson Licensed to YouTube by Kontor New Media Music, SME (on behalf of 24 Blue Music); AMRA, LatinAutor, LatinAutor - PeerMusic, CMRRA, Concord Music Publishing, and 7 Music Rights Societies --- Send in a voice message: https://anchor.fm/jackdappabluespodcast/message Support this podcast: https://anchor.fm/jackdappabluespodcast/support

On this episode, I speak to Dr. Tyler D. Parry, professor of African American and African Diaspora studies at UNLV, about his latest project "Jumping The Broom: A Multicultural History" based on his Zora Neale Hurston Prize award-winning paper, "Married in Slavery Time" in the Journal of Southern History. He's also written "The Holy Land of Matrimony," in American Studies (both available on my academia.edu webpage) should provide enough content for an interviewer. Professor Parry also is a Book Review Editor: Black Perspectives, and Editor of H-Afro-Am. Follow Tyler @ProfTDParry --- Send in a voice message: https://anchor.fm/jackdappabluespodcast/message Support this podcast: https://anchor.fm/jackdappabluespodcast/support