Podcasts about as williams

In this episode Matt Crawford speaks with author David B. Williams about his book Homewaters. Williams introduces us to The Puget Sound by taking us back in time and deep under the surface to show us what makes this beautiful ecosystem tick and envelopes us with its rich history. As Williams goes on scientific studies regarding, Herring, Rockfish, Kelp and the terrifying Geoduck he brings us along to learn in the most vibrant prose, engaging all our senses while we read. You might find yourself apologizing to Herring and Kelp as I have. Maybe not Geoducks. Listen to find out why.

Episode 7 of Rookie Orientation features a dominant breakout defensive star from Alabama's Crimson Tide.Throughout the 2018 college football season, Williams began the tear that would land him near the top of the NFL Draft. Fueled by a great loss, the dominant riser truly showed us what it meant to not be denied. As Williams begins his NFL career, the New York Jets hope he’ll be able to use his strength and many skills to wreak havoc on opposing QBs. SUBSCRIBE to Rookie Orientation

In July 2008, the first annual National Black Women's Town Hall (NBWTH) meeting convened at the historical headquarters of the National Council of Negro Women in Washington, D.C. Dr. Dorothy Height invited NBWTH founder Blanche Williams, with whom she had previously worked with on The Souls of Black Girls, a film about the media impact on the self-esteem of Black women and girls, to her office to chat. Williams was feeling anxious and nervous about this first-of-its-kind, sold-out, standing-room-only event, which was being covered by C-SPAN for a national audience and featured panelists that had flown in from across the country. Seeing this, Dr. Height – a civil rights icon, longtime leader in the fight for women's rights and racial justice, and advisor to U.S. presidents – gave Williams this profound advice: "All you need to do is organize your butterflies." As Williams tells it, once Height imparted this piece of wisdom, it was “as simple as that... The nervousness didn't go away, but it sort of was shifted and it became more of an energy and more of a commitment for me to make sure that this was something that she was proud of...You organize those butterflies and you continue to get it done." Dr. Height, well known for her leadership role with the YWCA and the National Council of Negro Women, was one of our nation’s most fierce and steadfast advocates for civil rights and gained notoriety in pioneering the intersection of gender and race activism within the civil rights movement. We are thrilled to honor Dr. Dorothy Height, one of our great leaders, by naming our podcast “Organize Your Butterflies.”

Dr. Stuart Williams, founder of Bioficial Organs (cvregen.com), delivers an interesting overview of the future of bioengineered organs and tissues, and the medical advances that we are seeing daily. Williams has extensive experience in the areas of biomedical engineering, surgery, physiology, as well as materials science and engineering. He is the former director of research for the Department of Surgery at Jefferson Medical College, former faculty at the University of Arizona, and founder of the University of Arizona Biomedical Engineering Program. In 2007, Williams was appointed as the scientific director of the Cardiovascular Innovation Institute, a collaborative partnership between the University of Louisville and Jewish Hospital. Williams received a Ph.D. in cell biology from the University of Delaware and did his postdoctoral training in pathology at the Yale School of Medicine. His strong interest in medical devices and regenerative medicine paved the path toward his development and patent of one of the first methods to use fat-derived stem and regenerative cells for therapeutic use. Dr. Williams discusses the Bioficial Organs Program and their work to create human tissues and organs for clinical therapeutics and in vitro drug efficacy and toxicity testing by utilizing a patient's own cells. He gives a detailed overview of the fascinating process of creating organs and tissues from biological parts. As Williams explains the human body has at least eleven different types of organs and tissues, some that are extremely complex, but some that are simpler, that can be created via the Bioficial process. He explains how the complexity is often based in the number of specific cells that are used to perform functions. As he states, the liver and the kidney are perhaps more difficult to bioprint than other organs, but that parts of tissues, such as skin, are easier to tackle successfully in regard to regenerative medicine. He discusses work they are very excited about, including their active lab program to use 3D bioprinting to create an artificial pancreas, in order to produce insulin on demand in a patient.  The biomedical engineering expert discusses specific organs that can regenerate, and those that cannot. Unfortunately, for example, the heart does not have cells within it that will repopulate a damaged area, but it may be possible to put organoids into a damaged part of the heart such that they may take up residence and begin to create a functional part. Williams discusses his extensive work focused on developing new and successful ways to remove patients' cells and build new blood vessels from those cells that can be reinserted into the body. He cites examples of some specific work with patients that helped to advance the regenerative medicine field.  Dr. Williams discusses their exciting new plan to move bioprinting to the international space station, which will allow them to avoid the effects of gravity that can adversely impact some of their work. He relates how the fetus is formed in amniotic fluid, and thus is somewhat defying gravity as it can move about freely in its environment. And this study of those conditions, in fact, creates more questions as well as answers to how growth happens regarding organs, and the conditions and mechanisms that are involved in that complex process. Further, he discusses the shapes of organs, and how it may not be necessary to recreate organs in the same shape in which they naturally occur in the body. Additionally, he muses about regeneration, and why some organs will regenerate, but others will not, and he states that he is very interested in studying all of these issues in detail to find the answers.  Dr. Williams has authored more than 300 scientific publications and his work has generated 22 issued US patents with nearly countless patents pending. He's the founder of six biotechnology companies and is a fellow of the American Heart Association as well as the American Institute of Medical and Biological Engineering.

The Atlantic Sunrise Pipeline, a Williams Partners natural gas pipeline project (they’re from Tulsa, OK), has been in the works for a while now. The planned project route, though altered now several times, still runs right through the heart of Lancaster County, Pennsylvania.The local movement Lancaster Against Pipelines (LAP) has been at the heart of the opposition to the project for almost three years. In recent weeks and months, LAP has held events at two locations along the pipeline route that now feature solid wooden structures. These are The Stand and The Stand II, the first of which will likely be the focal point of an encampment modeled upon Standing Rock in North Dakota. As Williams continues to maneuver and wangle its way into full-fledged production of the pipeline, efforts to build a resistance movement are gaining momentum.I spent a blustery winter afternoon surveying the pipeline route with Robin Maguire, the self-appointed Atlantic Sunrise Pipeline tour guide. Her knowledge of the area, its history and the granular implications of the pipeline project is encyclopedic. We were accompanied by Stephanie Graybill, a veteran of the Standing Rock resistance movement and her daughter Ella, and Robin’s very patient dog Katie.Original music by Ari Gold.http://samschindler.com/wp-content/uploads/2017/01/WWWA_029_012517.mp3DOWNLOAD this episodeSUBSCRIBE to this podcast The StandThe Stand II“Exterminated”Katie the Patient Dog See acast.com/privacy for privacy and opt-out information.

Lincoln was very clear–at least in public–that the Civil War was not fought over slavery: it was, he said, for the preservation of the Union first and foremost. So it’s not surprising that when the conflict started he had no firm plan to emancipate the slaves in the borderland or Southern states. He also knew that such a move might prove very unpopular in the North. So why did he issue the Emancipation Proclamation on January 1, 1863? There are many reasons. According to David Williams‘ fascinating new book I Freed Myself: African American Self-Emancipation in the Civil War Era (Cambridge University Press, 2014), an important and neglected one has to do with African American self-emancipation. After the war began, masses of slaves began to leave the South and head for the Northern lines. The Union forces received them as “contraband” seized from the enemy during wartime. As such, their status was uncertain. Many wanted to fight or at least serve as auxiliaries in the Union armies like freemen, but they were still seen as property. As Williams points out, the North certainly needed their manpower–as Lincoln knew better than anyone. Bearing this in mind, the President felt the time was propitious to do what he thought was right all along–free the slaves. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lincoln was very clear–at least in public–that the Civil War was not fought over slavery: it was, he said, for the preservation of the Union first and foremost. So it's not surprising that when the conflict started he had no firm plan to emancipate the slaves in the borderland or Southern states. He also knew that such a move might prove very unpopular in the North. So why did he issue the Emancipation Proclamation on January 1, 1863? There are many reasons. According to David Williams‘ fascinating new book I Freed Myself: African American Self-Emancipation in the Civil War Era (Cambridge University Press, 2014), an important and neglected one has to do with African American self-emancipation. After the war began, masses of slaves began to leave the South and head for the Northern lines. The Union forces received them as “contraband” seized from the enemy during wartime. As such, their status was uncertain. Many wanted to fight or at least serve as auxiliaries in the Union armies like freemen, but they were still seen as property. As Williams points out, the North certainly needed their manpower–as Lincoln knew better than anyone. Bearing this in mind, the President felt the time was propitious to do what he thought was right all along–free the slaves. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Lincoln was very clear–at least in public–that the Civil War was not fought over slavery: it was, he said, for the preservation of the Union first and foremost. So it’s not surprising that when the conflict started he had no firm plan to emancipate the slaves in the borderland or Southern states. He also knew that such a move might prove very unpopular in the North. So why did he issue the Emancipation Proclamation on January 1, 1863? There are many reasons. According to David Williams‘ fascinating new book I Freed Myself: African American Self-Emancipation in the Civil War Era (Cambridge University Press, 2014), an important and neglected one has to do with African American self-emancipation. After the war began, masses of slaves began to leave the South and head for the Northern lines. The Union forces received them as “contraband” seized from the enemy during wartime. As such, their status was uncertain. Many wanted to fight or at least serve as auxiliaries in the Union armies like freemen, but they were still seen as property. As Williams points out, the North certainly needed their manpower–as Lincoln knew better than anyone. Bearing this in mind, the President felt the time was propitious to do what he thought was right all along–free the slaves. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lincoln was very clear–at least in public–that the Civil War was not fought over slavery: it was, he said, for the preservation of the Union first and foremost. So it’s not surprising that when the conflict started he had no firm plan to emancipate the slaves in the borderland or Southern states. He also knew that such a move might prove very unpopular in the North. So why did he issue the Emancipation Proclamation on January 1, 1863? There are many reasons. According to David Williams‘ fascinating new book I Freed Myself: African American Self-Emancipation in the Civil War Era (Cambridge University Press, 2014), an important and neglected one has to do with African American self-emancipation. After the war began, masses of slaves began to leave the South and head for the Northern lines. The Union forces received them as “contraband” seized from the enemy during wartime. As such, their status was uncertain. Many wanted to fight or at least serve as auxiliaries in the Union armies like freemen, but they were still seen as property. As Williams points out, the North certainly needed their manpower–as Lincoln knew better than anyone. Bearing this in mind, the President felt the time was propitious to do what he thought was right all along–free the slaves. Listen in. Learn more about your ad choices. Visit megaphone.fm/adchoices

Every so often a light shines into the darkness of musical mediocrity and from the shadows emerges a fresh new artist with a gift that brings illumination and perspective to their listeners. Born and raised in the Bronx, New York, Colette Williams (affectionately known to her friends as Colie) took the stage after her junior high school teacher recognized her vocal talent. She encouraged Colie to attend Music & Arts High School in Harlem where she majored in vocal studies. After graduation, Colie continued her studies at Syracuse University where she participated in their musical theatre program. Although an education major, performing piqued Williams’ inherent love for music and provided her with a restorative experience that she would be unable to deny. Colie’s devotion to music and theatre led her to Washington, D.C. There she began touring and performing with various professional theatre productions, most notably, the Kennedy Center for the Performing Arts. After concluding her theatre work, Colie turned her focus to developing her own distinctive sound. “I’ve always felt a strong connection to legends like Ella Fitzgerald, Nat King Cole, Stevie Wonder, Donny Hathaway, Roberta Flack and Sade.” Spirited by the influence of these legendary greats, Colie began honing a melodious style all her own. With an established vision for her sound and a new band, Colie Williams featuring Soul For A New Day, naturally complement each other with seamless precision during their performances of timeless covers and enticing originals. Though often compared to songstresses like Jill Scott and Teena Marie, Colie’s musical style uniquely blends sounds of sultry jazz and classic R&B with therapeutic elements that speak to the mental, emotional, and spiritual well-being of her listeners. This singer/songwriter creates music to lift, inspire and share her truth. Colie's performances intentionally set out to create intimate landscapes where she connects and shares her vision with the audience. Since arriving to the District, Colie continues to gain popularity by frequently appearing in famous U Street corridor venues that include, Bus Boys and Poets, The Islander, and Jo-Jo’s. Colie’s audiences frequently request her original material during her performances. Melodic originals such as "Angel" and "All You Need" embody a balance of spirit, melody and rhythms. Co-written with producers The Crank Bros., her style fuses Go-Go, Latin, Classic R&B and Jazz to create a breath of fresh air to the urban adult contemporary music scene. As Williams reaches back to call upon the classic styles of Ella, Sarah and Billy to inspire her music, her message reaches forward towards today’s audiences. For more info: http://www.indiereviewcd.com https://twitter.com/IndieRevue https://www.instagram.com/indie.review https://www.facebook.com/indie.review --- Support this podcast: https://anchor.fm/indie-review/support