Podcasts about Sade

This episode is for the woman who has ever looked back and said, "I knew it. Why didn't I trust myself?"Sade unpacks why so many women dismiss their own instincts and how that dismissal — not the red flags themselves — leaves them most exposed. Memorizing red flags doesn't protect you. Situational awareness does. When you build that skill, no disguise fools you.Your nervous system collects data. Fear, discomfort, that "off" feeling — those are not signs you are dramatic or paranoid. They are signals. The problem is that women spend decades in training to ignore those signals, and then wonder why they feel anxious, confused, and stuck.Sade also names the two fears that keep women frozen: the fear of being wrong and the fear of being right. Both traps lead to the same outcome — doing nothing while things get worse.The work is the same whether you're dating, married, or navigating divorce. Discernment. Self-leadership. Knowing what a safe relationship looks and feels like. Building your own life and emotional resources.You didn't choose the conditioning that trained you to doubt yourself. But you can choose differently now.Ready to build your situational awareness with real support? Schedule a free consultation with Sade at sadecurry.com/schedule-appointment

You pride yourself on reading people. You pick up on moods, scan facial expressions, and adjust to keep the peace. But then your partner files for divorce, and you never saw it coming. A close friend betrays you, and it hits you like a truck. A man you're dating turns out to be nothing like you imagined.Sound familiar?In this episode, Sade breaks down why smart, capable women keep getting blindsided in relationships — and it has nothing to do with intelligence. She shares three psychology concepts that explain the pattern: theory of mind, the illusion of transparency, and naive realism. These ideas reveal how we project our own values onto others, assume people can see what we never said out loud, and convince ourselves that no one would do what we would never do.Sade gets personal about her own blindside moments — from her ex filing for divorce after seventeen years of a toxic marriage to his fight for full custody despite zero involvement in parenting. She explains how women trained to scan for danger often read one narrow signal while missing the full picture.The result? Minimization. You shrink the red flags, ignore the patterns, and push down what your gut screams at you — because facing it means doing something about it.This episode gives you permission to stop blaming yourself and start building the skill of seeing what's real. Your conditioning created these patterns. Conscious, safe work can unwind them.Ready to stop getting blindsided and start trusting what you know? Schedule your free consultation call with Sade at sadecurry.com/schedule-appointment.

This episode we have special guest Dobbie, CP3, and Jay Makaveli who joins the in as we dive into some of the biggest conversations happening in hip-hop, culture, and entertainment right now — from award show relevance to rap beefs, generational debates, and uncomfortable social conversations.

Un año más dedicamos la tertulia a los nominados a ingresar en el Rock And Roll Hall Of Fame que en este 2026 son 17.Diez de las candidaturas corresponden a artistas que aparecen por primera vez en la papeleta: Wu-Tang Clan, Lauryn Hill, Jeff Buckley, Shakira, P!NK, Luther Vandross, Melissa Etheridge, INXS, New Edition y Phil Collins en su faceta en solitario.La lista también incluye siete candidatos que ya han sido nominados en el pasado: Mariah Carey, Iron Maiden, Joy Division/New Order y Oasis suman su tercera nominación, mientras que The Black Crowes, Billy Idol y Sade intentan entrar por segunda vez.Para repasar las posibilidades de cada uno y ver a quién votaríamos nosotros, hemos invitado a Joan S. Luna, redactor jefe de Mondo Sonoro, y a nuestros colaboradores Toi Brownstone y Lluís Puebla.Y como siempre también hacemos un repaso a algunas noticias destacadas de la semana, la agenda conciertos, los charts, y al final, las recomendaciones de Oído, Visto, Leído.

This episode we have special guest Dobbie, CP3, and Jay Makaveli who joins the in as we dive into some of the biggest conversations happening in hip-hop, culture, and entertainment right now — from award show relevance to rap beefs, generational debates, and uncomfortable social conversations.

What happens when a childhood dream refuses to let go? In this episode, I sit down with cartoonist and Lum and Abner historian Donnie Pitchford to explore how old-time radio, comic strips, and a love for storytelling shaped his life. Donnie shares how he grew up inspired by classic radio shows like Lum and Abner, pursued art despite setbacks, and eventually brought the beloved Pine Ridge characters back to life through a modern comic strip and audio adaptations. We talk about creativity, persistence, radio history, and why imagination still matters in a visual world. If you care about classic radio, cartooning, or staying true to your calling, I believe you will find this conversation both inspiring and practical. Highlights: 00:10 Discover how a childhood love of Lum and Abner sparked a lifelong dream of becoming a cartoonist. 08:00 Hear how college radio and classic broadcasts deepened a passion for old time radio storytelling. 14:33 Understand how years of teaching broadcast journalism built the skills that later fueled creative success. 23:17 Learn how the Lum and Abner comic strip was revived with family approval and brought to modern audiences. 30:07 Explore how two actors created an entire town through voice and imagination alone. 1:00:16 Hear the vision for keeping Lum and Abner alive for new generations through comics and audio. Top of Form Bottom of Form About the Guest: Donnie Pitchford of Texas is a graduate of Kilgore College, Art Instruction Schools, Stephen F. Austin State University and the University of Texas at Tyler. He has worked in the graphic arts industry and in education, teaching at Hawkins High School, Panola College, and Carthage High School at which he spent 25 years directing CHS-TV, where student teams earned state honors, including state championships, for 20 consecutive years. In 2010, Donnie returned to the endeavor he began at age five: being a cartoonist! The weekly “Lum and Abner" comic strip began in 2011. It is available online and in print and includes an audio production for the blind which features the talents of actors and musicians who donate their time. Donnie has created comic book stories and art for Argo Press of Austin, illustrated children's books, written scripts for the "Dick Tracy" newspaper strip, and produced the science fiction comedy strip "Tib the Rocket Frog." He has collaborated with award-winning writers and cartoonists George Wildman, Nicola Cuti, John Rose, Mike Curtis, Joe Staton, and others. In 2017, Donnie began assisting renowned sculptor Bob Harness and currently sculpts the portraits for the Texas Country Music Hall of Fame plaques. Awards include the 1978 Kilgore College "Who's Who" in Art, an Outstanding Educator Award from the East Texas Chapter of the Texas Society of CPAs in 1993, the CHS "Pine Burr" Dedicatee honor in 2010, and a Distinguished Alumnus Award in 2018 from Spring Hill High School. In 2024, Donnie was inducted into the City of Carthage Main Street Arts Walk of Fame which included the placement of a bronze plaque in the sidewalk and the Key to the City. Donnie and his best friend/wife, Laura, are members of First Methodist Church Carthage, Texas. Donnie is a founding officer of the National Lum and Abner Society and a member of Texas Cartoonists, Ark-La-Tex Cartoonists, Christian Comic Arts Society, and the National Cartoonists Society. Ways to connect with Michaela**:** https://www.facebook.com/groups/220795254627542 https://lumandabnercomics.com/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:21 Well, hi everyone, and welcome to another episode of unstoppable mindset. I've been looking forward to this one for a while. We have Donny Pitchford as our guest today. You're probably going, who's Donnie Pitchford? Well, let me tell you. So years ago, I started collecting old radio shows. And one of the first shows that I got was a half hour episode of a show called Lum and Abner, which is about a couple of characters, if you will, in Pine Ridge, Arkansas. And I had only heard the half hour show sponsored by frigid air. But then in 1971 when ksi, out here in Los Angeles, the 50,000 watt Clear Channel station, started celebrating its 50 year history, they started broadcasting as part of what they did, 15 minute episodes of lemon Abner. And I became very riveted to listening to lemon Abner every night, and that went on for quite a while. And so I've kept up with the boys, as it were. Well, a several years ago, some people formed a new Lum and Abner society, and Donnie Pitchford is part of that. I met Donnie through radio enthusiast of Puget Sound, and yesterday, USA. And so we clearly being interested in old radio and all that, had to have Donnie come on and and talk with us. So Donnie, or whatever character you're representing today, welcome to unstoppable mindset. Donnie Pitchford  02:58 Huh? I'm glad to be here. Michael Hingson  03:00 He does that very well, doesn't he? It's a Donnie Pitchford  03:04 little tough sometimes. Well, I'm really glad to be here. Thank you. Michael Hingson  03:10 Well, I appreciate the audio parts of lemon Abner that you you all create every week, and just the whole society. It's great to keep that whole thing going it's kind of fun. We're glad that that it is. But let's, let's talk about you a little bit. Why don't you start by telling us about the early Donnie, growing up and all that. I'm assuming you were born, and so we won't worry about that. But beyond that, think so, yeah. Well, there you are. Tell us about tell us about you and growing up and all that, and we'll go from there. Donnie Pitchford  03:42 Well, I was born in East Texas and left for a little while. We lived in my family lived in Memphis, Tennessee for about seven years, and then moved back to Texas in 1970 but ever since I was a kid this I hear this from cartoonists everywhere. Most of them say I wanted to be a cartoonist when I was five years old. So that's in fact, I had to do a speech for the Texas cartoonist chapter of the National Cartoonist Society. And that was my start. I was going to say the same thing, and the President said, Whatever you do, don't do that old bit about wanting to be a cartoonist at age five. Everybody does that, so I left that part out, but that's really what I wanted to do as a kid. And I would see animated cartoons. I would read the Sunday comics in the Memphis Commercial Appeal, and then at some point, my dad would talk about radio, and my mother would talk about listening to radio. We would have the reruns of the Lone Ranger television show and things like Sky King and other programs along those lines, and my parents would all. Way say, Well, I used to listen to that on the radio, or I would hear Superman on the radio, or Amos and Andy or whatever was being rerun at that time, and that fascinated me. And I had these vague memories of hearing what I thought were television programs coming over the radio when I was about two years old. I remember gunshots. I remember, you know, like a woman crying and just these little oddball things. I was about two years old, and I kept thinking, Well, why are we picking up television programs on my mother's radio? Turns out it was the dying gasps of what we now call old time radio. And so at least I remembered that. But when I was about, I guess eight or nine we were, my dad took me to lunch at alums restaurant in Memphis, and I saw that name, and I thought, What in the world? So what kind of name is that? And my dad told me about London Abner, and he said it reminds me. It reminded him of the Andy Griffith Show or the Beverly Hillbillies. I said, I'd love to hear that. He said, Ah, you'll never hear it. He said, those were live they don't exist, but years later, I got to hear them. So yeah, but that's how I grew up wanting to be a cartoonist and coming up with my own characters and drawing all the time and writing stories and that sort of thing. Michael Hingson  06:24 So when did you move back from Memphis to Texas? Donnie Pitchford  06:28 July 2, 1970 I just happened to look that up the other day. How old were you then? I was 12 when we came back. All right, so got into, I was in junior high, and trying to, I was trying to find an audience for these comic strips I was drawing on notebook paper. And finally, you know, some of the kids got into them, and I just continued with that goal. And I just, I knew that soon as possible, you know, I was going to start drawing comics professionally. So I thought, but kept, you know, I kept trying. Michael Hingson  07:06 So you, you went on into college. What did you do in college? Donnie Pitchford  07:11 Well, more of the same. I started listening to some old time radio shows even as far back as as high school. And I was interested in that went to college, first at a college called Kill Gore College, here in East Texas, and then to Stephen F Austin State University. And I was majoring in, first commercial art, and then art education. And I thought, well, if I can't go right into comics, you know, maybe I can just teach for a while. I thought I'll do that for a couple of years. I thought it wouldn't be that long. But while I was at Stephen F Austin State University, the campus radio station, I was so pleased to find out ran old time radio shows. This was in 1980 there was a professor named Dr Joe Oliver, who had a nightly program called theater of the air. And I would hear this voice come over the radio. He would run, he Well, one of the first, the very first 15 minute lemon Abner show I ever heard was played by Dr Oliver. He played Jack Benny. He played the whistler suspense, just a variety of them that he got from a syndicated package. And I would hear this voice afterwards, come on and say, It's jazz time. I'm Joe Oliver. And I thought, Where have I heard that voice? It was, it's just a magnificent radio voice. Years later, I found out, well, I heard that voice in Memphis when I was about 10 years old on W, R, E, C, radio and television. He was working there. He lived in Memphis about the same time we did. Heard him on the campus station at Nacogdoches, Texas. Didn't meet him in person until the late 90s, and it was just an amazing collection of coincidences. And now, of course, we're good friends. Now he's now the announcer for our audio comic strip. So it's amazing how all that came about. Well, I Michael Hingson  09:16 I remember listening to sort of the last few years of oval radio. I think it was, I don't remember the date now, whether it's 57 or 50 I think it's 57 the Kingston Trio had come out with the song Tom Dooley, and one day I was listening to K and X radio in Los Angeles. We lived in Palmdale, and I heard something about a show called suspense that was going to play the story of Tom Dooley. And I went, sounds interesting, and I wanted to know more about it, so I listened. And that started a weekly tradition with me every Sunday, listening to yours truly Johnny dollar and suspense, and they had a little bit of the FBI and peace and war. Then it's went into half and that that went off and Have Gun Will Travel came on, and then at 630 was Gun Smoke. So I listened to radio for a couple of hours every week, not every Sunday night, and thoroughly enjoyed it. And so that's how I really started getting interested in it. Then after radio went off the air a few stations out in California and on the LA area started playing old radio shows somebody started doing because they got the syndicated versions of the shadow and Sherlock Holmes with Sir John Gielgud and Sir Ralph Richardson. And I still maintain to this day that John Gielgud is the best Sherlock Holmes. No matter what people say about Basil Rathbone and I still think Sir John Gielgud was the best Sherlock Holmes. He was very, very good. Yeah, he was and so listen to those. But you know, radio offers so much. And even with, with, with what the whole lemon Abner shows today. My only problem with the lemon Abner shows today is they don't last nearly long enough. But that's another story. Donnie Pitchford  11:11 Are you talking about the comic strip adaptation? Okay, you know how long, how much art I would have to 11:21 do every week. Michael Hingson  11:25 Oh, I know, but they're, they're fun, and, you know, we, we enjoy them, but so you So you met Joe, and as you said, He's the announcer. Now, which is, which is great, but what were you doing then when you met him? What kind of work were you doing at the time? Donnie Pitchford  11:45 Well, of course, there was a gap there of about, I guess, 15 years after college, before I met him. And what ended up happening my first teaching job was an art job, a teaching art and graphic arts at a small high school in Hawkins, Texas, and that was a disaster. Wasn't a wasn't a very good year for me. And so I left that, and I had worked in the printing industry, I went back to that, and that was all during the time that the National London Abner society was being formed. And so I printed their earliest newsletters, which came out every other month. And we started having conventions in MENA, Arkansas and in the real Pine Ridge and the my fellow ossifers As we we call ourselves, and you hear these guys every week on the lemon Abner comic strip. Sam Brown, who lives in Illinois, Tim Hollis, from Alabama. Tim is now quite a published author who would might be a good guest for you one day, sure. And just two great guys. We had a third officer early on named Rex riffle, who had to leave due to various illnesses about 1991 but we started having our conventions every year, starting in 1985 we had some great guests. We brought in everybody we could find who worked with lemon Abner or who knew lemon Abner. We had their their head writer, Roswell Rogers. We had actors, I'm sure you've heard of Clarence Hartzell. He was Ben withers, of course, on the Old Vic and Sade show. He was Uncle Fletcher. We had Willard Waterman, parley Bayer, some of their announcers, Wendell Niles. And my memory is going to start failing me, because there were so many, but we had Bob's, Watson, Louise curry, who were in their first two movies. We had Kay Lineker, who was in their third movie. The list goes on and on, but we had some amazing when did Chester lock pass away? He passed away? Well, Tuffy passed away first, 1978, 78 and Chet died in 1980 sad. Neither of them, yeah, we didn't get to media. Yeah, we didn't meet either one of them. I've met Mrs. Lock I've met all of chet's children, several grandchildren. We spoke to Mrs. Goff on the phone a time or two, and also, tuffy's got toughie's daughter didn't get to meet them in person, but we met as many of the family as we could. Michael Hingson  14:32 Still quite an accomplishment all the way around. And so you you taught. You didn't have success. You felt really much at first, but then what you taught for quite a while, though, Donnie Pitchford  14:45 didn't you? Yes, I went back to the printing industry for about a year, and in the summer of 85 about two weeks before school started, I had got a call that they needed someone to teach Broadcast Journalism at. Carthage High School, and we had a department called CHS TV. I ran that for 25 years. I taught classes. We produced a weekly television program, weekly radio program. We did all kinds of broadcasts for the school district and promotional video. And then in the last I think it was the last 10 years or so that I worked there, we started an old time radio show, and we were trying to come up with a title for it, and just as a temporary placeholder, we called it the golden age of radio. Finally, we said, well, let's just use that, and I think it's been used by other people since, but, but that was the title we came up with. I think in 19 I think it was in 93 or 9495 somewhere in there. We started out. We just ran Old Time Radio, and the students, I would have them research and introduce, like, maybe 45 minutes of songs, of music, you know, from the 30s, 40s, maybe early 50s, big band and Sinatra and Judy Garland and you name it. Then, when the classes would change, we would always start some type of radio program that was pre recorded that would fill that time, so the next class could come in and get in place and and everybody participated, and they went out live over our cable television channel, and we would just run a graphic of a radio and maybe have some announcements or listing of what we were playing. And we did that for several years, usually maybe two or three times a year. And then in I think it was 2004 or so, we had an offer from a low power FM station, which was another another county over, and we started doing a Sunday night, one hour program each week. And I think we ended up doing close to 300 of those before I left. And so we got old time radio in there, one way or the other. Michael Hingson  17:03 Well, I remember. I remember, for me, I went to UC Irvine in the fall of 1968 and by the spring the last quarter of my freshman year, I had started getting some old radio shows. So started playing shows, and then in the fall, I started doing a three hour show on Sunday night called the Radio Hall of Fame, and we did radio every night. And what I didn't know until, actually, fairly recently, was our mutual friend Walden Hughes actually listened to my show on Sunday, and so did the gas means actually, but, but we had a low power station as well, but it made it up, and so people listened to it. And I've always been proud of the fact that during the fact that during the time I ran the Radio Hall of Fame, I'd heard of this show called 60 minutes with a guy named Mike Wallace, but never got to see it. And then it was only much later that I actually ended up starting to watch 60 Minutes. Course, I always loved to say I would have loved to have met, met Mike Wallace and never got to do it, but I always said he had criminal tendencies. I mean, my gosh, what do you think he was the announcer on radio for the Green Hornet, a criminal show, right? Sky King, a lot of criminals. Clearly the guy. Anyway, I would have been fun to meet him, but, Donnie Pitchford  18:31 and his name was Myron. Myron Wallach at the time. Wallach, you're right. I think that's right. Michael Hingson  18:37 But it was, it was fun and and so I've actually got some Sky King shows and green Hornets with him. So it's, it's kind of cool, but Right? You know, I still really do believe that the value of radio is it makes you imagine more. I've seen some movies that I really like for that the original Invasion of the Body Snatchers with Kevin McCarthy back in 1955 I thought was such a good movie because they didn't show the plants taking over the humans. It was all left to your imagination, which was so cool, and they changed all that in the later remake of it with Leonard Nimoy, which I didn't think was nearly as good, not nearly as suspenseful. But anyway, that's just my opinion. But radio, for me was always a and continues to be a part of what I like to do. And so I've been collecting shows and and enjoying and, of course, listening to lemon Abner, So what made you decide to finally end teaching? Donnie Pitchford  19:38 Well, you know, I could only do that so long. I was getting I was getting very tired, getting kind of burned out, and I had to have a change. There's something had to change. And I was able to take a few years early and retire, and I still the whole time I had a. That it was like a haunting feeling. I, you know, I wanted to be a cartoonist. I would pray, you know, you know, Lord, is there some way can I, can I get out of this? And can I do what I really want to do? And I had some mentors that was finally able to meet people that I would write letters to as a kid, a cartoonist and comic book editor named George Wildman was one of them. He was nice enough to answer my letters when I was a kid, and I'd send him drawings, and he would encourage me, or he would send little corrections on there, you know. And another one was a gentleman named high Eisemann, who passed away recently at age 98 on his birthday, but men like this inspired me, and that it kept at me through the years. I finally met George in 1994 at a convention of the the international Popeye fan club. And I'm I'm at high the same way, and also a writer named Nicola Cuddy, who wrote some Popeye comics. I met him the same way, same event, we all became friends, and I had a good friend named Michael Ambrose of Austin, Texas, who published a magazine devoted to the Charlton Comics company. Sadly, he's deceased now, but Mike and I were talking before I retired, and finally I got out of it. And he said, now that you're out of that job, how would you like to do some art? I said, That's what I want to do. So he gave me the opportunity to do my first published work, which was a portrait of artist George Wildman. It was on the cover of a magazine called Charlton spotlight, then I did some work for Ben Omar, who is bear Manor media publisher for some books that he was doing. One was Mel Blanc biography that Noel blank wrote, did some illustrations for that. This was all happening in 2010 and after that. So I was getting it was getting rolling, doing the kind of work I really wanted to do. And there's a gentleman named Ethan nobles in Benton, Arkansas, who wanted to interview me. I'd gotten, I don't know how he I forgot how he got in touch with me. Maybe he heard me on yesterday USA could be wanted to interview me about London Abner. And so he was starting a website called first Arkansas news. And somewhere in early 2011 we were talking, and I said, you know, you want this to be an online newspaper, right? He said, Yes. I said, What about comics? He said, I hadn't thought about that. So I said, Well, you know, you're a big Lum and Abner fan. What if we could we do a Lum and Abner comic strip? He said, Well, who would Where would I get? Who would do? And I said, Me. So I drew up some proposals, I drew some model sheets, and we did about four weeks of strips, and got approval from Chester lock Jr, and he suggested there's some things he didn't like. He said, The lum looks too sinister. He looks mean. Well, he's mad. He said he's mad at Abner. This won't happen every week. He said, Okay, I don't want LOM to be I said, Well, you know, they get mad at each other. That's part of the that's the conflict and the comedy Michael Hingson  23:30 at each other. Yeah. Donnie Pitchford  23:33 So we, we ironed it all out, and we came up with a financial agreement, and had to pay royalties and one thing and another, and we started publishing online in June 2011, and about six weeks later, the MENA newspaper, the MENA star in MENA, Arkansas, which was the birthplace of Lyman, Abner, Chet Locke and Norris Goff, they picked it up, and then we had a few other newspapers pick it up. And you know, we're not, we're not worldwide, syndicated in print, but we're getting it out there. And of course, we're always online, but and the first Arkansas news went under three or four years later, and so now we have our own website, which is Lum and Abner comics.com so that's where you can find us Michael Hingson  24:24 online. So where's Pine Ridge? Donnie Pitchford  24:28 Pine Ridge is about 18 miles from Mena, Arkansas. MENA is in western Arkansas, and Pine Ridge is about 18 miles east, I believe I'm trying to picture it in my mind, but it's it's down the road, and it actually exists. It was a little community originally named for a postmaster. It was named waters, waters, Arkansas, and in 1936 the real. At cuddleston. He was a real person who owned a store there in waters, and was friends with the locks and the golfs with their parents, as well as Chet and Tuffy. But he proposed a publicity stunt and an actual change of name to name the community Pine Ridge. So that's how that happened. Michael Hingson  25:24 Now, in the original 15 minute episodes, who is the narrator? Donnie Pitchford  25:28 Well, it depends what era their first one trying to remember. Now, Gene Hamilton was an early announcer in the Ford days, which was the early 30s. We don't have anything recorded before that. Charles Lyon was one of the early announcers, possibly for for Quaker Oats. I don't have any notes on this in front of me. I'm just going on memory here. Memory at the end of a long week. Gene Hamilton was their Ford announcer. Carlton brickert announced the Horlicks malt and milk did the commercials when they 1934 to 38 or so. Lou Crosby took over when they were sponsored by General Foods, by post them, the post them commercials, and Lou stayed with them on into the Alka Seltzer era. And his daughter, the celebrity daughter, is Kathie Lee Crosby, you may remember, right, and she and her sister Linda, Lou were a couple of our guests at the National lemon Avenue society convention in 1996 I think let's see. Crosby was Gene Baker came after Crosby, and then in the 30 minute days, was Wendell Niles. Wendell Niles, yeah, in the CBS the 30 minute series and Wendell. We also had him in Mina, super nice guy when it came, when it got into the later ones, 1953 54 I don't remember that announcer's name. That's when they got into the habit of having Dick Huddleston do the opening narration, which is why we now have Sam Brown as Dick Huddleston doing that every week. Michael Hingson  27:27 So was it actually Dick Huddleston? No, it Donnie Pitchford  27:30 was North golf, tough. He always played the part of Dick Huddleston. Okay, the only, the only time that, as far as I know, the only time the real dick Huddleston was on network radio, was at that ceremony in Little Rock Arkansas, when they changed the name of the town that the real dick Huddleston spoke at that event. And we actually, we discovered a recording of that. I was just gonna ask if there's a recording of that there is. Yeah, it's on 12 inch, 78 RPM discs. Wow. And they were probably the personal discs of lock and golf, and they weren't even labeled. And I remember spinning that thing when Sam Brown and I after we found it, it was down in Houston, and we brought them a batch of discs back, and I remember spinning that thing and hearing the theme song being played, I said, this sounds like a high school band. And suddenly we both got chills because we had heard that. I don't know if it was the Little Rock High School band or something, but it's like, Can this be? Yes, it was. It was. We thought it was long lost, but it was that ceremony. Wow. So that was a great find. Michael Hingson  28:45 Well, hopefully you'll, you'll play that sometime, or love to get a copy, but, Donnie Pitchford  28:50 yeah, we've, we have we played it on yesterday, USA. Oh, okay, so it's out there. Michael Hingson  28:57 Well, that's cool. Well, yeah, I wondered if Dick Huddleston actually ever was directly involved, but, but I can, can appreciate that. As you said, Tuffy Goff was the person who played him, which was, that's still that was pretty cool. They were very talented. Go ahead, Donnie Pitchford  29:19 I was gonna say that's basically tough. He's natural speaking voice, yeah, when you hear him as Dick Huddleston, Michael Hingson  29:24 they're very talented people. They played so many characters on the show. They did and and if you really listen, you could tell, but mostly the voices sounded enough different that they really sounded like different people all the time. Donnie Pitchford  29:41 Well, the fun thing are the episodes where, and it's carefully written, but they will, they will do an episode where there may be seven or eight people in the room and they get into an argument, or they're trying to all talk at the same time, and you completely forget that it's only two guys, because they will overlap. Those voices are just so perfectly overlapped and so different, and then you stop and you listen. So wait a minute, I'm only hearing two people at a time, but the effect is tremendous, the fact that they were able to pull that off and fool the audience. Michael Hingson  30:15 I don't know whether I'd say fool, but certainly entertained. Well, yeah, but they also did have other characters come on the show. I remember, yes, Diogenes was that was a lot of fun listening to those. Oh yeah, yeah, that was Frank Graham. Frank Graham, right, right, but, but definitely a lot of fun. So you eventually left teaching. You decided you accepted jobs, starting to do cartoons. What were some of the other or what, well, what were some of the first and early characters that you cartooned, or cartoons that you created, Donnie Pitchford  30:50 just, you mean, by myself or Well, or with people, either way, I did some things that were not published, you know, just just personal characters that I came up with it would mean nothing to anybody, but a little bit later on, I did a little bit of I did a cover for a Popeye comic book. Maybe 10 years ago, I finally got a chance to work with George Wildman, who was the fellow I talked about earlier, and it was some of the last work he did, and this was with Michael Ambrose of Argo press out of Austin, Texas. And we did some early characters that had been published by Charlton Comics. They had, they had characters, they were, they were rip offs. Let's be honest. You know Harvey had Casper the Friendly Ghost. Well, Charlton had Timmy, the timid ghost. There, there was Mighty Mouse. Well, Charlton Comics had atomic mouse, so and there was an atomic rabbit. And Warner Brothers had Porky Pig. Charlton had pudgy pig, but that was some of George's earliest work in the 1950s was drawing these characters, and George was just he was a master Bigfoot cartoonist. I mean, he was outstanding. And so Mike said, let's bring those characters back. They're public domain. We can use them. So I wrote the scripts. George did the pencil art. Well, he inked the first few, but Mike had me do hand lettering, which I don't do that much. So it was that was a challenge. And my friend high Iseman taught lettering for years and years, and so I was thinking, high is going to see this? This has to be good. So I probably re lettered it three times to get it right, but we did the very last story we did was atomic rabbit and pudgy pig was a guest star, and then George's character named brother George, who was a little monk who didn't speak, who lived, lived in a monastery, and did good deeds and all that sort of thing. He was in there, and this was the last thing we did together. And George said, you know, since I've got these other projects, he said, Do you think you can, you can ink this? So that was a great honor to actually apply the inks over George's pencil work. And I also did digital color, but those were some things I worked on, and, oh, at one point we even had Lum and Abner in the Dick Tracy Sunday comic strip, and that was because of a gentleman named Mike Curtis, who was the writer who lived in Arkansas, was very familiar with Lum and Abner, and he got in touch with me and asked, this was in 2014 said, Would it be possible for me to use Lum and Abner in a Sunday cameo? So I contacted the locks. First thing they first thing Chet said was how much I said, I don't think they're going to pay us. I felt like, Cedric, we hunt, no mom, you know. And I felt like he was squire skimp at the time, yeah, but I said, it's just going to be really good publicity. So he finally went for it, and Lum and Abner had a cameo in a Sunday Dick Tracy comic strip, and about four years later, they honored me. This was Mike Curtis, the writer, and Joe Staton, the artist, who was another guy that I grew up reading from as a teenager, just a tremendous artist, asked if they could base a character on me. And I thought, what kind of murderer is he going to be? You know, it was going to be idiot face or what's his name, you know. So no, he was going to be a cartoonist, and the name was Peter pitchblende. Off, and he was, he said his job was to illustrate a comic strip about a pair of old comedians. So, I mean, who couldn't be honored by that? Yeah, so I don't remember how long that story lasted, but it was an honor. I mean, it was just great fun. And then then I had a chance to write two weeks of Dick Tracy, which was fun. I wrote the scripts for it and and then there's some other things. I was able to work with John rose, a tremendously nice guy who is the current artist on Barney Google and Snuffy Smith. We did a story, a comic book story, on Barney Google on Snuffy Smith in a magazine called Charleton spotlight, and I did the colors, digital coloring for that. So just these are just great honors to me to get to work with people like that. And Nick Cuddy, I did some inking, lettering coloring on some of his work. So just great experience, and Michael Hingson  36:02 great people, going back to atomic rabbit and pudgy pig, no one ever got in trouble with, from Warner Brothers with that, huh? Donnie Pitchford  36:09 Well, not, not on atomic rabbit, however, pudgy pig created a problem because George was doing some art, and I think somebody from Warner Brothers said he looks too much like Porky, so the editor at the time said, make one of his ears hang down, make him look a little different. But pudgy didn't last long. Pudgy was only around maybe two or three issues of the comic book, so, but yeah, that's George. Said they did have some trouble with that. Michael Hingson  36:44 Oh, people, what do you do? Yeah, well, I know you sent us a bunch of photos, and we have some of the Dick Tracy ones and others that people can go see. But what? What finally got you all to start the whole lemon Abner society. Donnie Pitchford  37:07 Oh, well, that goes back to 1983 right, and I'll go back even farther than that. I told you that my dad had mentioned lemon Abner to me as a kid. Dr Joe Oliver played a 15 minute lemon Abner show on KSA you at Stephen F Austin State University. That got me. I was already into old time radio, but it was the next summer 1981 there's a radio station, an am station in Gilmer, Texas Christian radio station that started running Lum and Abner every day. First it was 530 in the evening, and then I think they switched it to 1215 or so. And I started listening, started setting up my recorder, recording it every day. And a friend of mine named David Miller, who was also a radio show collector, lived in the Dallas area, I would send them to him, and at first he wasn't impressed, but then suddenly he got hooked. And when he got hooked, he got enthusiastic. He started making phone calls. He called Mrs. Lock chet's widow and talked to her. He spoke to a fellow who had written a number of articles, George Lily, who was an early proponent or an early promoter of lemon Abner, as far as reruns in the 1960s and it was through George Lilly that I was put in touch with Sam Brown in Dongola, Illinois, and because he had contacted Mr. Lilly as well. And before long, we were talking, heard about this guy named Tim Hollis. Sam and I met in Pine Ridge for lemon Abner day in 1982 for the first time, and hit it off like long lost friends and became very good friends. And then in 84 I believe it was Sam and Tim and Rex riffle met again, or met for the first time together, I guess in Pine Ridge. And I wasn't there that time. But somehow, in all of that confusion, it was proposed to start the national lemon Abner society, and we started publishing the Jot them down journal in the summer of 1984 Michael Hingson  39:43 and for those who don't know the Jotham down journal, because the store that lemon Abner ran was the Jotham down store anyway, right? Donnie Pitchford  39:50 Go ahead, yes. And that was Tim's title. Tim created the title The Jotham down journal, and we started publishing and started seeking information. And it started as just a simple photocopy on paper publication. It became a very slick publication. In 1990 or 91 Sam started recording cassettes, reading the journals, because we were hearing from Blind fans that said, you know, I enjoy the journal. I have to have somebody read it to me. This is before screen readers. And of course, you know this technology better than I do, but before any type of technology was available, and Sam said, Well, I'll tell you. I'll just start reading it on tape and I'll make copies. Just started very simply, and from then on, until the last issue in in 2007 Sam would record a cassette every other month, or when we went quarterly, four times a year, and he would mail those to the the blind members, who would listen to those. And sometimes they would keep them, and sometimes they would return them for Sam to recycle. But incidentally, those are all online now, Michael Hingson  41:03 yeah, I've actually looked at a few of those. Those are kind of fun. So the London Avenue society got formed, and then you started having conventions. Donnie Pitchford  41:14 Yes, yes. First convention was in 1985 and we did a lot of things with we would do recreations. We would do a lot of new scripts, where, if we had someone that we got to the point where we would have people that hadn't worked with lemon Abner. So we would have lemon Abner meet the great Gildersleeve. Actually, Willard had worked on the lumen Abner half hour show at some point. I believe les Tremain had never worked directly with them, but he was well, he was in some Horlicks malted milk commercials in the 1930s and of course, the Lone Ranger was never on the London Abner show and vice versa, until we got hold of it. So we had Fred Foy in 1999 and he agreed to be the announcer, narrator and play the part of the Lone Ranger. So we did Lum and Abner meet the Lone Ranger, which was a lot of fun. We had parley bear, so Lum and Abner met Chester of Gun Smoke. And those were just a lot of fun to do. And Tim, Tim would write some of them, I would write some of them, or we would collaborate back and forth to come up with these scripts. Did love and amner, ever meet Superman? No, we never got to that. That would have been great. Yeah, if we could have come up with somebody who had played Superman, that would have been a lot of fun. We had lemon Abner meet Kathie Lee Crosby as herself. Yeah, they met Frank brazzi One time. That must be fun. It was a lot of fun. We had some people would recreate the characters. We had the lady who had played Abner's daughter, Mary Lee Rob replay. She played that character again, 50 years later, coming back home to see, you know, to see family. Several other things, we had London Abner meet Gumby one time. Of all things, we had Dow McKinnon as a guest. And we had Kay Lineker come back and reprise one of her roles, the role she played in the London Abner movie. Bob's Watson did that as well. Some years we didn't have a script, which I regret, but we had other things going on. We had anniversaries of London Abner movies that we would play. So whatever we did, we tailored it around our guest stars, like Dick Beals, Sam Edwards, Roby Lester, gee whiz. I know I'm leaving people out. Michael Hingson  43:52 Well, that's okay, but, but certainly a lot of fun. What? Yes, what? Cartoonist really influenced you as a child? Donnie Pitchford  44:01 Oh, wow. I would say the first thing I saw that got my attention was the Flintstones on on prime time television, you know, the Hanna Barbera prime time things certainly Walt Disney, the animation that they would run, that he would show, and the behind the scenes, things that would be on the Disney show, things like almost almost anything animated as a kid, got my attention. But Walter Lance, you know, on the Woody Woodpecker show used to have, he'd have little features about how animation was done, and that that inspired me, that that just thrilled me. And I read Fred lachel's Snuffy Smith Chester Gould's Dick Tracy. Tracy, which that was a that's why the Dick Tracy connection, later was such a big deal for me. Almost anything in the Sunday comics that was big. Foot. In other words, the cartoony, exaggerated characters are called, sometimes called Bigfoot, Bigfoot cartooning, or Bigfoot characters. Those were always the things I looked for, Bugs Bunny, any of the people that worked on those some were anonymous. And years later, I started learning the names of who drew Popeye, you know, like LZ seagar, the originator, or bud sagendorf or George Wildman, and later high eysman. But people like that were my heroes. Later on, I was interested in I would read the Batman comics, or I would see Tarzan in the newspaper. I admired the work of Russ Manning. Michael Hingson  45:49 Do you know the name Tom Hatton? Yes, I do. Yeah. Yes. Tom did Popeye shows on KTLA Channel Five when I was growing up, and he was famous for, as he described it, squiggles. He would make a squiggle and he would turn it into something. And he was right on TV, which was so much fun. Donnie Pitchford  46:09 We had a guy in Memphis who did the same thing. His name was, he's known as Captain Bill, C, A, P, you know, Captain Bill. And he did very much the same thing. He'd have a child come up, I think some, in some cases, they're called drools. Is one word for them. There was a yeah, in Tim hollis's area, there was cousin Cliff Holman who did that. And would he might have a kid draw a squiggle, and then he would create something from it right there on the spot, a very similar type of thing, or a letter of the alphabet, or your initials, that sort Michael Hingson  46:43 of thing. Yeah. Tom did that for years. It was fun. Of course, I couldn't see them, but he talked enough that I knew what was going on. It's kind of fun. My brother loved them, yeah? So later on, when you got to be a teenager and beyond what cartoonist maybe influenced you more? Donnie Pitchford  47:03 Well, I would have to say George, probably because I was corresponding with him, right? Also, I would see the work of Carl Barks, who created Uncle Scrooge McDuck and the Donald Duck comics and all that. His stuff was all in reprint at that time, he was still living, but I didn't know he could be contacted. I didn't try to write to it, right? Years later, years later, I did get an autograph, which was, was very nice. But those people, a lot of people, Neil Adams, who did Batman, the guys at Charlton Comics, Steve Ditko, who was the CO creator of spider man, but he had a disagreement with Stan Lee, and went back to Charlton Comics and just turned out 1000s of pages, but his work was was inspirational. Another was Joe Staton, who was working at Charleton comics, who I got to work with on several projects later on, and I would say just all of those guys that I was reading at the time. Pat Boyette was another Charlton artist. I tend to gravitate toward the Charlton company because their artists weren't contained in a house style. They were allowed to do their own style. They didn't pay as much. But a lot of them were either older guys that said, I'm tired of this, of the DC Marvel system. I want to just, you know, have creative freedom. Charlton said, come on. And so they would work there and less stress, less money, probably one guy named Don Newton started there and became a legend in the industry at other companies. So I found all of those guys inspiring, and I felt I could learn from all of them. Michael Hingson  48:59 Well, you always wanted to be a cartoonist. Did you have any other real career goals, like, was teaching a goal that you wanted to do, or was it just cartooning it? Donnie Pitchford  49:07 Well, it was just a secondary, you know, as I said, when I started, I thought, I'll just do that for a few years. You know, I didn't know it was going to be like 27 but I we had a lot of success. We had, I had some student groups that would enter video competitions. And for 20 straight years, we placed either first, second or third in state competition with one Summit, one entry, another or another every year. And that was notable. I mean, I give the kids the credit for that. But then about five or six of those years, we had what we call state championship wins, you know, we were like the number one project in the state of Texas. So, you know, we had some great success, I think, in that so a lot of years there, I really, you know, that was a blessing to me. Was that career, you. Well, it just, it just got to be too much time for change. After a while, Michael Hingson  50:05 was art just a talent that you had, and cartoon drawing a talent you had, or, I don't remember how much you said about did you have any real special training as such? Donnie Pitchford  50:14 Well, all of my training was, I just couldn't afford to go to a specialized school. You know, at one time, the Joe Kubert School opened just about the time I graduated high school, it was in New Jersey. I just couldn't make that happen, so I went to state colleges and universities and did the best I could. I took commercial art classes, drawing classes, design classes, even ceramics, which came in very handy when I did some sculpting here in the last eight or nine years and worked as an assistant to a sculptor named Bob harness who lives here in Carthage, but I never had any actual comic strip slash comic book training, so I learned as much of that as I could from guys like George wild. And then after I started the lemon Avenue comic strip, an artist named Joe, named Jim Amish, who worked for Marvel, did a lot of work for the Archie Comics. And tremendous anchor is his. He's really a tremendous anchor, and does a lot of ink work over other artists pencils. Jim would call and say, he said, I want to give you some advice. I'm like, okay, at 3am he's still giving me advice. So I'd go around for two or three days feeling like a failure, but then I would, I would think about all the lessons, you know, that he had told me. And so I learned a lot from Jim and tremendous, tremendous guy. And I would listen to what high, sometimes high would call up and say, Why did you use that purple beg your pardon. So it was fun. I mean, those fellows would share with me, and I learned a great deal from those guys. Michael Hingson  52:11 Are you in any way passing that knowledge on to others today? Donnie Pitchford  52:16 I don't know that I am. I've had an offer or two to do some teaching. I just don't know if I'm if I'm going to get back into that or not. Yeah, I'm so at this point, focused on, quote, unquote, being a cartoonist and trying to make that, that age five dream, a reality, that I'm not sure I'm ready to do that again. And you know, I'm not, I'm not 21 anymore. Michael Hingson  52:45 I didn't know whether you were giving advice to people and just sort of informally doing it, as opposed to doing formal teaching. Donnie Pitchford  52:51 Well, informally, yes, I mean, if anybody asks, you know, I'll be glad to share whatever I can. But yeah, I'm not teaching any classes at this point. Michael Hingson  53:01 Well, you have certainly taken lemon Abner to interesting places in New Heights. One, one thing that attracted me and we talked about it before, was in 2019, lemon Abner in Oz. That was fun. Donnie Pitchford  53:17 Well, the credit for that goes to Tim Hollis. Tim wrote that as a short story years ago when he was first interested in lemon Abner. And I don't know if he ever had that published through the International oz society or not. I don't remember, but Tim later turned that into a radio script when we had a batch of guests. This was in 2001 we had, let's see Sam Edwards, Dick Beals, Roby Lester and Rhoda Williams. And each of them had done something related to Oz, either the children's records or storybook records or animation or something. They were involved somewhere in some type of Oz adaptation. So Tim turned his short story into a radio script that we performed there at the convention. So that was a lot of fun. And then he suggested, Why don't I turn that into a comic strip story? So that's what we did. But that was fun, yeah, and we used the recordings of those people because they had given us permission, you know, to use a recording however we saw fit. The only problem is we had a mistake. The fellow that was running the sound had a dead mic and didn't know it. Oh, gosh. So some of them are bit Off mic in that audio, but we did the best. I did the best I could Michael Hingson  54:40 with it's it sounded good. I certainly have no complaints. 54:45 Thank you for that. Michael Hingson  54:47 I I said no complaints at all. I think it was really fun and very creative. And it's kind of really neat to see so much creativity in terms of all the stuff that that you do. As a cartoonist, me having never seen cartoons, but I learned intellectually to appreciate the talent that goes into it. And of course, you guys do put the scripts together every week, which is a lot of fun to be able to listen to them well. Donnie Pitchford  55:17 And that's what that was, the audience I hoped that we would would tap into right there and it, it was guys like you that would would talk to me and say, What am I going to do? You know, I can't see it. So that's why the audio idea came about. And it's taken on a life of its own, really. And we've got Mark Ridgway, who has created a lot of musical cues for us that we use and Michael Hingson  55:45 who plays the organ? Donnie Pitchford  55:47 That's Mark Ridgway. It is Mark, okay, yes, yes. And it's actually digital, I'm sure. I think it's a digital keyboard, Michael Hingson  55:55 yeah, but it is. It's a, it's a really good sounding one, though. Donnie Pitchford  55:59 Yes, yes. There are a few cues that I did, which probably are the ones that don't sound so good, like if we ever need really bad music. If you remember the story we did, and I don't remember the name of it, what do we call it anyway? Lum tries to start a soap opera. Think this was about a year ago. Yeah, and Cedric is going to play, I don't remember it was an organ or a piano, and I don't remember what he played, but whatever it was, I think was Mary Had Michael Hingson  56:32 a Little Lamb, Mary's, Mary Had a Little Lamb on the piano. Sort of kind played. Donnie Pitchford  56:35 It was played very badly, well that, yes, it was on purpose. When mom plays lum tries to play the saxophone. That was me, and I hadn't played this. I used to play the sax. In fact, I played in a swing orchestra here in Carthage, Texas for about five years back in from the early 90s. And so I had this idea, and I hadn't played the horn probably since, probably in 20 years, and his. So I got it out, and I thought, you know, it's gonna sound terrible because it needs maintenance, but it doesn't matter. It's lump playing it, so I got to play really badly. Michael Hingson  57:14 It was perfect. It was perfect, Donnie Pitchford  57:16 yeah, because it had to sound bad. Michael Hingson  57:19 How do y'all create all these different plots. I remember so many, like the buzzard, you know, and, oh yeah, that was fun. And so many. How do you come up with those? Donnie Pitchford  57:28 Well, I used to get some really good ideas while mowing the yard. Don't ask me, why? Or I get ideas. I get ideas in the weirdest thing, weirdest places. Sometimes I have ideas in the shower. You know, I said, I better write this down. Sometimes I'll wake up in the middle of the night with an idea, but there the ideas just come to me. Yeah? The buzzard was fun. I'd had that one. Pretty creative. Yeah, the one about, the one about, let me see. Oh, there was one we did, where wasn't the buzzard? What was that other one? I called the Whisper? Yeah, there was a strange voice that was coming lum thought it was coming from his radio. And he turns his radio off, and He still hears it, and it was a villain who had somehow hypnotized everyone so that they wouldn't see him and he would use his voice only. And then there's a character I came up with, and let me see Larry Gasman played it, and I called him Larry John Walden, and he was the only guy he was blind. He was the only guy that wasn't hypnotized because he couldn't see the you know, I use the old thing about the watch in front of the eyes. I mean, he was the only guy that wasn't hypnotized, so he wasn't fooled by the whisper, and he could track him, because his hearing was so acute that he was able to find him. In fact, I think he could hear his watch ticking or something like that. So he was the hero of that piece. But, well, I just, I just think up ideas and write them down. Tim Hollis has written some of the scripts, maybe three or four for me, I've adapted some scripts that London Abner did that were never broadcast or that were never recorded. Rather, I've adapted a few, written several, and I keep saying, Well, when I completely run out of ideas, I'll just have to quit. Michael Hingson  59:32 Well, hopefully that never happens. What? What are your future plans? Donnie Pitchford  59:38 Well, right now, there's nothing major in the works other than just maintaining the strip, trying to continue it, trying to make it entertaining, and hopefully doing a little work on the website and getting it into the hands of more people. And I'd like to increase. Least newspaper coverage, if at all possible. And because this thing doesn't, you know, it's got to pay for itself somehow. So you know, I'm not getting rich by any means. But you know, I want to keep it fun. I want to keep having fun with it. Hopefully people will enjoy it. Hopefully we can reach younger readers, listeners, and hopefully lemon Abner can appeal to even younger audiences yet, so that we can keep those characters going. Michael Hingson  1:00:29 Yeah, there's so much entertainment there. I hope that happens now in the the life of Donnie Pitchford. Is there a wife and kids? Donnie Pitchford  1:00:40 Yes, there's a wife of almost 40 years. We unfortunately don't have any children. We've almost feel like we adopted several children all the years we were teaching. We we've adopted several cats along the way. And so, you know, we've had cats as pets for almost ever, since we were married. But that's she's, she's great, you know, she's, she's been my best friend and supporter all these years. And we were members of first Methodist Church here in Carthage, Texas, and doing some volunteer work there, and helping to teach Sunday school, and very involved and active in that church. Michael Hingson  1:01:19 So I have a cat, and I hear her outside, not outside the house, but outside the the office here, she wants me to go feed her, and we, we shaved her yesterday because her hair gets long and Matt's very easily. So she got shaved yesterday. So she's probably seeking a little vengeance from that too, but, but my wife and I were married 40 years. She passed away in November of 2022 so it's me and stitch the cat and Alamo the dog, and Karen is monitoring us somewhere. And as I tell everyone, I've got to continue to be a good kid, because if I'm not, I'm going to hear about it. So I got to be good. But it's a lot of fun. Well, I want to thank you for being with us today. This has been a lot of fun. I've learned a lot, but it's just been great to have another podcast talking about old radio shows. And you said again, if people want to reach out, they can go to lemon Abner comics.com if people want to talk to you about doing any kind of cartooning or anything like that. What's the best way they can do that? Donnie Pitchford  1:02:24 Well, they can go to the London Abner dot lumen, Abner comics.com website, and there's a contact a link right there at the top of the page. So yeah, they can contact me through that. Probably that's the easiest way to do it. Michael Hingson  1:02:37 Okay, well, I want to thank you again for being here, and I want to thank all y'all out there. That's how they talk in Texas, right? It's all y'all for everybody. Donnie Pitchford  1:02:46 Well, some of them do, and some of them in Arkansas do too. Well, yeah. Michael Hingson  1:02:49 And then there's some who don't, yeah, y'all means everything, and it Speaker 1  1:02:54 don't, yeah, I don't think squire skimp says it that way. Michael Hingson  1:02:58 Well, Squire, you know, whatever it takes. But I want to thank you all for being here, and please give us a five star rating wherever you're listening or watching the podcast. Donnie would appreciate it. I would appreciate it, and also give us a review. We'd love to get your reviews, so please do that. If you can think of anyone else who ought to be a guest, and I think Donnie has already suggested a few. So Donnie as well, anyone else who ought to come on the podcast, we'd love it. Appreciate you introducing us, and you know, we'll go from there. And I know at some point in the future, the Michael hingson Group Inc is going to be a sponsor, because we've started that process for lemon. Abner, yes, thank you. Thank you. So I want to, I want to thank love and Squire for that 1:03:45 years. Well, it's been my pleasure. Michael Hingson  1:03:50 Well, thank you all and again, really, seriously, Donnie, I really appreciate you being here. This has been a lot of fun. So thank you for coming. Donnie Pitchford  1:03:58 Thank you. It's been a great honor. I've appreciated it very much. Michael Hingson  1:04:06 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Flower Garden

“Check out our Nerdy Bitz!”On the very first Nerdy Bitz bonus episode of Friends Talking Nerdy, Professor Aubrey and Tim The Nerd plug in, turn it up, and dive headfirst into the 2026 nominees for the Rock & Roll Hall of Fame. No safe takes. No polite clapping. Just passionate, occasionally unhinged music nerdery.They break down the legacies, the cultural impact, and the “wait… how are they not already in?” factor for a stacked lineup: The Black Crowes, Jeff Buckley, Mariah Carey, Phil Collins, Melissa Etheridge, Lauryn Hill, Billy Idol, INXS, Iron Maiden, Joy Division/New Order, New Edition, Oasis, P!nk, Sade, Shakira, Luther Vandross, and Wu-Tang Clan. From arena anthems to soul-shattering ballads, from metal epics to hip-hop game changers, nothing is off limits.Is influence more important than sales? Does genre even matter anymore? And how do you compare the operatic sweep of one legend to the gritty rebellion of another? Professor Aubrey and Tim The Nerd wrestle with the impossible task of narrowing down greatness.To close it out, they each reveal the five artists they would vote into the Rock & Roll Hall of Fame if they held the power. Alliances are tested. Lines are drawn. Feelings are felt.As always, we wish to thank Christopher Lazarek for his wonderful theme song. Head to his ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for information on how to purchase his EP, Here's To You, which is available on all digital platforms.Head to Friends Talking Nerdy's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠for more information on where to find us online.

Sade.

A conversation with Tony Momrelle and Cleo Reign Stewart - singers with acid jazz group Incognito chatting backstage at Blue Note Tokyo in January 2026 about why they love working with the group's founder and leader Bluey, their side projects with various artists including Sade and London Community Gospel Choir,  solo projects, the power of music, recommended music spots in London and more.

Today's episode of The Rizzuto Show might be the most “2026 energy” thing we've ever done — and that's saying something for a daily comedy show that thrives on chaos.First up: Liquid Death has created a $495 Bluetooth speaker urn called the “Eternal Playlist,” so when you're cremated, your ashes can keep vibing to Spotify. Yes, this is real. Yes, there's a stat about reducing your odds of haunting. And yes, Moon almost added it to his cart. We break down the marketing genius (or insanity), debate whether ghosts prefer classic rock or lo-fi beats, and ask the real question: who is this actually for?Then we dive headfirst into the wildest piece of funny celebrity gossip of the week. Bonnie Blue — an OnlyFans creator — claims she's pregnant after what she called a “breeding mission” involving 400 guys. Naturally, the internet immediately tagged Maury Povich. We discuss whether Maury should come out of retirement, whether we should host the paternity special ourselves in St. Louis, and how many DNA swabs King Scott is willing to sort through before lunch. It's entertainment gossip meets absurd reality TV, and somehow it only gets weirder.As if that wasn't enough, the Rock and Roll Hall of Fame nominations dropped, and the studio turned into a full-blown debate club. Wu-Tang Clan. Sade. Oasis. Mariah Carey. Does the Rock Hall still matter? Does any award show? Do artists secretly care even when they pretend they don't? It's sarcastic humor, passionate music arguments, and classic Rizz Show energy all rolled into one.This episode is peak funny podcast chaos — part comedy podcast, part music nerd fight, part daily humor therapy session for St. Louis and beyond. If you love pop culture commentary, comedy news, weird headlines, and the kind of daily show that spirals off topic in the best possible way, this one's for you.And yes… we still want to know who's buying that urn.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.Heart Attack Grill 'spokesman' dies after apparent heart attackThe car with $8,660 in tickets that nobody will towWhat is sepsis, developed by UK woman who lost 4 limbs, after dog lick?What Does It Mean When a Dog Paws You? Decoding Your Canine's CommunicationDeath isn't the end: Meta patented an AI that lets you keep posting from beyond the graveNovo Nordisk to cut US list prices of Ozempic, Wegovy as of 2027‘Plastic Eating' Trend for Weight Loss Is Going Viral in ChinaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome back to your favorite daily comedy show, where the headlines are real, but our reactions are legally questionable.Today's chaos kicks off with the most unnecessary invention of the year: a Bluetooth-enabled funeral urn from Liquid Death called the “Eternal Playlist.” Yes, you can now haunt your family in surround sound. It's $495, it plays Spotify from beyond the grave, and somehow Moon almost bought one. Because of course he did. If you've ever wanted to DJ your own memorial service, congratulations — capitalism wins again.Then we pivot HARD into the internet's most uncomfortable math problem: an OnlyFans creator claiming she's pregnant after what she called a “breeding mission” involving 400 men. Four. Hundred. Naturally, the internet tagged Maury Povich like he's the Avengers of paternity testing. We discuss whether Maury should come out of retirement, whether this is marketing genius or chaos theater, and whether King Scott is now qualified to host a 400-man DNA special live from The Pageant in St. Louis. (We're not saying we'd do it… but we're also not not saying it.)From there, it's a full-on pop culture roller coaster. The Rock & Roll Hall of Fame nominees drop, and the gang debates whether Iron Maiden, Oasis, Sade, Wu-Tang Clan, and Mariah Carey deserve the nod — while Moon questions whether the Hall means anything anymore. It's passionate. It's slightly heated. It's exactly what a daily comedy show about music opinions should sound like.We also break down Missouri's proposed “Taylor Swift Act” targeting AI deepfakes, Benny Blanco's horrifying bare feet, a Shaky Knees festival lineup that slaps, and the emotional weight of some heartbreaking celebrity news. And because we contain multitudes, we close things out with an all-out war over the greatest TV theme songs of all time. From Fraggle Rock to Perfect Strangers to Thundercats — friendships were tested.This episode is a perfect example of why this daily comedy show works: weird news, celebrity chaos, music debates, childhood nostalgia, and just enough sarcasm to keep it spicy without getting us fired.If you like your entertainment gossip slightly unhinged but still informed, welcome home.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We look forward to it every year when they release the nominations for the Rock and Roll Hall of Fame. Well that day has come and we are ready to see who is going to make it. The nominees this year are: Oasis, Mariah Carey, Phil Collins, Shakira, Lauryn Hill, Pink, The Black Crowes, Jeff Buckley, Melissa Etheridge, Billy Idol, INXS, Iron Maiden, Joy Division/New Order, New Edition, Sade, Luther Vandross, and Wu-Tang Clan. Who do we think will make it?See omnystudio.com/listener for privacy information.

We look forward to it every year when they release the nominations for the Rock and Roll Hall of Fame. Well that day has come and we are ready to see who is going to make it. The nominees this year are: Oasis, Mariah Carey, Phil Collins, Shakira, Lauryn Hill, Pink, The Black Crowes, Jeff Buckley, Melissa Etheridge, Billy Idol, INXS, Iron Maiden, Joy Division/New Order, New Edition, Sade, Luther Vandross, and Wu-Tang Clan. Who do we think will make it?See omnystudio.com/listener for privacy information.

Dave Weekley and Dale Cooper welcome Logan Scott of V100 and “Shockley” of 98.7 The Mountain for a spirited roundtable on the 2026 Rock and Roll Hall of Fame nominees. The group debates whether the Hall has drifted beyond rock, weighs first-time nominees like Phil Collins and Pink, and argues over legacy acts including Iron Maiden, Oasis, Mariah Carey, and Wu-Tang Clan. From one-album cases like Jeff Buckley to genre-crossing artists like Shakira and Sade, the panel narrows their personal ballots to five picks.

Vi snackar om ljuva Prodigy-minnen, flukturerande musikaliska regler, olämpliga men lysande bandnamn, att Melodifestivalen är ett barnprogram, konserter mer Nektar, Hurula och Gluecifer, svorsk, en konsertscen med uppsving och annat smått och gott.Dessutom har Ricky Holmquist lyssnat på ett Sade-örhänge och återknutit bekantskapen med Axling medan Mikael Mjörnberg lyssnat på Arch Enemys nya sångerska och Korslagda.I den stående punkten "Skivcirkeln" diskuterar vi The Molotovs nykläckta debutplatta "Wasted On Youth" från 2026.Musiken som diskuteras i avsnittet hittar ni här: https://open.spotify.com/playlist/51UUTu3QM1oDsc1wZ4Sg7A?si=6b5ee0ba42114197Vinjettfoto: Martin Wilson (https://www.facebook.com/fotografmartinwilson)Vinjettmusik: Systemet (https://open.spotify.com/artist/72k91zc6DR3LSq87r4fnVO?si=dcfb98a9377e428a)

48 Hours correspondents Natalie Morales and Anne-Marie Green discuss the murder of 19-year-old Sade Robinson, whose partial remains were discovered on a remote beach and scattered throughout Milwaukee, WI. They explore how law enforcement connected Sade to the remains, identified her killer through digital clues, and how her sister is carrying on her legacy. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Psykolog Sade Fola er mor til Conrad på 13 år, og hun havde ikke regnet med at skulle have flere børn, da hun bliver uventet gravid. Graviditeten bliver en katalysator for Sade, som forbereder sig på den opgave, der venter hende. Hun sammensætter et fødeteam af kvinder, der slutter tæt ring om hende, og er med til at forløse fødslen, så det bliver lige den oplevelse af kærlighed og tryghed, Sade havde drømt om. Vi skal også høre om den første tid, efter lille Noor er kommet til verden, hvor Sades mor, søster og venner dagligt nærer hende med mad og omsorg.

A teenage girl goes missing. Will evidence on a secluded beach reveal what happened?  Anne-Marie Green reports. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

80s & 90s R&B Slow Jams + Quiet Storm love ballads for late nights, chill drives, and sundowner vibes. Slow Jams Vol. 2 takes you deeper into the Quiet Storm vibe with timeless hits from Boyz II Men, Jodeci, Sade, Toni Braxton, Anita Baker, and more. Perfect for date night, anniversaries, and late-night vibes. Turn down the lights, press play, and let the nostalgia take over. TRACKLIST: 00:00 Boyz II Men - End Of The Road 02:37 K-Ci & JoJo - All My Life 04:54 Brian McKnight - Back At One 07:10 Shai - If I Ever Fall In Love 09:29 SWV - Weak 12:08 Deborah Cox - Nobody's Supposed To Be Here 14:05 Jodeci - Forever My Lady 16:21 Jodeci - Feenin' 18:30 Silk - Freak Me 21:05 Joe - I Wanna Know 23:30 New Edition - Can You Stand The Rain 26:34 Guy - Let's Chill 29:37 Johnny Gill - My, My, My 32:11 Toni Braxton - Breathe Again 34:42 Atlantic Starr - Secret Lovers 36:53 En Vogue - Don't Let Go (Love) 39:20 All-4-One - I Swear 42:16 Sade - No Ordinary Love 44:34 Keith Sweat feat. Jacci McGhee - Make It Last Forever 47:14 Babyface - When Can I See You 49:23 Az Yet - Last Night 52:28 Tevin Campbell - Can We Talk 55:07 Tony! Toni! Tone! - Anniversary 57:02 Patti Austin & James Ingram - Baby, Come To Me 59:03 Freddie Jackson - You Are My Lady 1:01:19 Anita Baker - Sweet Love 1:03:56 Al B. Sure! - Nite & Day 1:06:33 112 - Cupid 1:07:37 Groove Theory - Tell Me 1:10:02 Maxwell - Ascension (Don't Ever Wonder) 1:12:32 Berlin - Take My Breath Away Watch on YouTube: https://www.youtube.com/watch?v=AkLCp4pOONQ Instagram: @dj.simplesimon YouTube: @supremacysounds2003 Download: https://www.supremacysounds.com

The Supreme Court has long relied on stare decisis, or the principle of following precedent, to ensure stability and legitimacy. But is that changing? In this episode, Amanda and Sade explore the Court's evolving approach from Casey to Dobbs to Students for Fair Admissions with insights from constitutional law expert Beth Hecker and experienced litigation attorney Kimberly Russell on what the decline of stare decisis means for American law.Please note, the positions and opinions expressed by the speakers are strictly their own, and do not necessarily represent the views of their employers, nor those of the D.C. Bar, its Board of Governors or co-sponsoring Communities and organizations.Want to get ahead of the pack? Joining the D.C. Bar Law Student Community (LSC) can get you there. Your LSC membership will provide resume and skills boosting opportunities and one-on-one access to local practicing attorneys. To learn more, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠click here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

In this episode of Murder in the Black, we examine two intentional homicide cases connected by a deeper pattern of proximity, access, and life transition.In Milwaukee, Wisconsin, 19-year-old Sade Robinson disappeared after a first date. Her dismembered remains were later discovered near Lake Michigan. Investigators arrested Maxwell Anderson, who now faces charges including first-degree intentional homicide, dismemberment of a corpse, and arson.In Seat Pleasant, Maryland, 24-year-old Lamont Adaire Jr. — a father and athlete preparing to play professional basketball in China — was shot 12 times in a coordinated attack. Franklin Scott later pleaded guilty to first-degree murder and was sentenced to 50 years.Two cities.Two lives in motion.Two acts of deliberate violence.Cases & Locations ReferencedTopics This episode explores dating violence, digital evidence, jealousy, entitlement, masculinity, and the vulnerability that can accompany major life transitions. We examine how access and emotional immaturity intersect — and how opportunity can become perceived threat.• Sade Robinson – Milwaukee, Wisconsin (2024)• Milwaukee Area Technical College• Life360 location-sharing app• The Twisted Fisherman restaurant (Milwaukee)• Maxwell Anderson – arrest and pending court proceedings• Lamont Adaire Jr. – Seat Pleasant, Maryland (2018)• Franklin Scott – court records and sentencing details• Critical missing person alerts• Digital tracking and safety limitations• Surveillance and forensic timelines• Jealousy, retaliation, and emotional regulation• Cultural narratives around possession and entitlement• The ripple effect of violence on familiesCovered Resources & LinksLife360Milwaukee Area Technical CollegeThe Twisted Fisherman (Milwaukee)Maxwell Anderson – Mugshot & Court RecordsFranklin Scott – Court Records & Sentencing DetailsIf you or someone you know is experiencing abuse:National Domestic Violence Hotline1-800-799-7233thehotline.orgFollow + Support Murder in the Black

Pier Paolo Pasolini's Saló, or the 120 Days of Sodom (1975) For most serious cineastes, Pier Paolo Pasolini's Saló, or the 120 Days of Sodom is a bridge that we all arive at and struggle with crossing; a cinematic rite of passage that challenges each of our ideas of art. Is Pasolini's final film - an interpretation of the Marquis de Sade's The 120 Days of Sodom - A Political Critique exploring Fascism and Fascist Abuse or simply an opportunistic and transgressive exploitation piece designed to simply shock without artistic merit? Fifty-one years later, audiences continue to be disgusted, angered, confused, excited, and polarized by a film that many consider a masterpiece of Italian Cinema. This week Mr. Chavez & I struggle with these same reactions as we watch this film in the long shadow of a 2026 rife with controversy: ICE, The Epstein Files, Murder, Political Lies & Propaganda and - of course - the heavy and hateful hand of the Trump Administration and its Leader. Take a listen and ask yourself how you truly feel about these issues. As always we can be reached at gondoramos@yahoo.com. Many, Many Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

You tell yourself it won't happen. You avoid the word "divorce" like saying it out loud will make it real. You wait. You hope. You pray things shift.Meanwhile, assets move. Attorneys get hired — just not by you. And when it hits, you're blindsided.That was my story. I lost assets, lost leverage, and watched my divorce drag on because I refused to face what was happening. I thought I could handle it. I thought we'd figure it out. I was wrong.If you are in a difficult, abusive, or high-conflict marriage — this episode is for you. Not every divorce requires deep planning. But if your spouse is less than trustworthy, if coercive control or financial manipulation exists, if children and significant assets are involved — you cannot afford to leave your future up to chance.Here's what I walk you through in this episode: the three steps you need to take right now — decide, plan, and act. I share what happened when I didn't plan, what happened when a client did, and why the women who protect themselves aren't bitter — they're grown.Fifty percent of marriages end in divorce. Thinking you're the exception doesn't make you one. Eyes wide open, information in hand, and a solid plan — that's what makes you the exception.No one is coming to save you. But you can save yourself.Ready to create a plan for your next chapter? Schedule a consultation call with Sade at sadecurry.com/schedule-appointment.

Divorce doesn't just break your heart — it can shatter your mental health in ways you never saw coming.You tell yourself you'll feel better once the papers are filed, once he moves out, once the court date passes. But the truth is, healing doesn't work on a timeline. Grief hits you in the strangest moments — standing in an unfamiliar grocery store, driving 40 minutes to your kids' activities, watching your whole routine dissolve.The losses can be huge. You lose the relationship, the home, the neighborhood, the friend group, the church. Your kids ask questions you can't answer. Your attorney bills you for every email. Your ex hires a shark who treats you like a criminal. It all crashes down at once.If you're a woman with a vision, your instinct is to power through. You've handled everything else — why not this? But divorce can crack open old wounds you thought you buried. It can trigger childhood trauma, collapse your nervous system, and push you into survival mode — especially when you're also juggling midlife, hormonal shifts, teenagers, or aging parents.This is not the time to be superwoman. This is the time to build your support team. Find a therapist who champions you. Hire a coach who's walked this road. Ditch anyone who plays devil's advocate with your pain.Seeing your real needs during this time can make all the difference.Ready to stop surviving and start building your extraordinary life? Schedule a dating consultation call with Sade at sadecurry.com/schedule-appointment.

Was this Super Bowl a snoozefest? We react to the Seahawks shutting down the Patriots for their second title, debate which newly hired head coach is set up for real success, and break down the NBA's likely expansion to Vegas and Seattle. Plus, a quick rundown of my Top 5 favorite bands—Sade, Maroon 5, Imagine Dragons, Oasis, and Coldplay.

Hocus Focus Mix met Sade, Adele, Doechii, Steve Angello, Laidback Luke, Robin S, Cascada, Calvin Harris & Ellie Goulding

Dom and D jump right into things on this episode discussing: 1:15 Dom and D's bday's coming up 3:05 Olivia Dean Is the new Sade or Whitney Houston? 8:23 Tony Yayo and Uncle Murda altercation with Ja Rule On a Delta flight 20:13 Kevin Durant's new endorsement deal with CeraVe 28:12 Sexxy Redd trying to redo Michael Jackson "Beat It" 33:33 Epstein Files: The Sultan, Ghislane Maxwell, and Trump's distraction with that video of the Obama's as apes 51:43 Devon Franklin's comments on Meagan Good and "thrist traps" 1:00:47 Bad Bunny's Halftime show success and the failure of Kid Rock's turning point Alt-Halftime show 1:06:02 Glorilla's sister said she only needs $2K to make everything alright Brand new voicemail: ‪(314) 649-3113‬ Subscribe to the Everyone Needs an Aquarius Patreon https://bit.ly/3tXnnCz  Email the show at straightolc@gmail.com           Follow SOLC Network online Instagram: https://bit.ly/39VL542                                    Twitter: https://bit.ly/39aL395                                     Facebook: https://bit.ly/3sQn7je                            To Listen to the podcast Podbean https://bit.ly/3t7SDJH                                YouTube http://bit.ly/3ouZqJU                                Spotify http://spoti.fi/3pwZZnJ                                Apple http://apple.co/39rwjD1                                                         IHeartRadio http://ihr.fm/2L0A2y 

Ce mardi, Marjorie Hache propose deux heures intenses dans Pop-Rock Station, entre classiques et découvertes. La soirée s'ouvre avec Led Zeppelin et enchaîne avec The Clash, The Smiths, Alice In Chains, Elton John ou encore The Yardbirds. Parmi les nouveautés, l'animatrice de RTL2 met en avant Dynamite Shakers avec "Nightclub", Sleaford Mods avec "Elitist G.O.A.T", Father John Misty avec "The Old Law", Avee Mana et un titre inédit des Gorillaz. L'album de la semaine est signé Puscifer avec "Empty Hands", illustré ce soir là par le titre "Eat The Hate". La reprise du jour rend hommage à Franck Darcel avec Tchewsky & Wood qui revisitent "Wanda's Loving Boy" de Marquis de Sade. Led Zeppelin - Rock N Roll Dynamite Shakers - Nightclub The Clash - White Riot The Dead Weather - I Cut Like A Buffalo Soup Dragons - I'm Free Beirut - Nantes Joni Mitchell - A Case Of You Puscifer - Impetuous Iron Maiden - The Number Of The Beast Alice In Chains - Man In The Box The Smiths - How Soon Is Now ? Sleaford Mods & Aldous Harding - Elitest G.O.A.T Tchewsky & Wood - Wanda's Loving Boy Hole - Violet Yungblud & The Smashing Pumpkins - Zombie The Byrds - Mr Tambourine Man MGMT - Bubblegum Dog Father John Misty - The Old Law Elton John - Crocodile Rock April March - Chick Habit Avee Mana - Tune In Billy Squier - The Stroke Rob Zombie - Dragula The Yardbirds - I'm A Man Buffalo Springfield - For What It's Worth Gorillaz & Bizarrap & Kara Jackson & Anoushka Shankar - Orange County Hatchet Molly - Fall Of The PeacemakersHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

We here at the Sonic Society are unabashed fans of Re-imagined Radio and our mutual partnership with Mutual! Last year, they produced a Christmas Sampler that Monday Matinee had on in August. We'd like to kindly restore it to the season here all of which features selections from Christmas episodes of radio programs like Suspense, Rocky Fortune, The Damon Runyon Theatre, The Jack Benny Program, Bing Crosby and The Kraft Music Hall, Vic and Sade, and the 2020 recorded performance of "A Radio Christmas Carol" by Metropolitan Performing Arts! Joyeux Noel! Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Tembo Sounds – The Culture podcast #604, where generations collide on one timeless playlist. This episode moves from soul and funk royalty such as Earth, Wind & Fire, Mtume, and James Brown to hip-hop classics, Afro-fusion heat, reggae reflections, and rock anthems that shaped eras. From Biggie to Burna Boy, Sade to Outkast, this is a celebration of groove, storytelling, and shared memory. Lock in, turn it up, and ride the culture across decades.

1740 Marquis de Sade by Histoires de Parfums (2000) + Justine, or The Misfortunes of Virtue by the Marquis de Sade (1791) 2/6/26 S8E12 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

This is an epic episode that lives in most of our minds rent free. The fight! THE ROGAINE! THE SHOES! These two should absolutely not be together...but they're not quite as near the end as Try and Charlotte, who are running on fumes. Trey buys Charlotte a gag gift, which just plain is not funny, even if it weren't insensitive. This episode also features a real life PENIS, in one of the most beautiful and sexy scenes ever: Samantha and Richard dancing on the roof to Sade. Enjoy!!!Send us an email: PATCPOD@gmail.comThis month on PATREON: F LOVE MONTH!2/1 AIMA: Breakup Edition2/8 The FIrst Wives Club (1996)2/15 "F*CK LOVE Pillow Talk2/22 UN-Romantic Movieswww.patreon.com/podandthecityLEAVE US A VOICEMAIL FOR OUR MAILBAG AND WE WILL PLAY IT ON AN EPISODE :)https://www.speakpipe.com//podandthecity Hosted on Acast. See acast.com/privacy for more information.

In this podcast episode, I discuss mistakes and mindset strategies for divorcing a person with narcissistic tendencies.Some people say the word narcissist is overused. I disagree. And I love that those people have the privilege of never having experienced a narcissist in an intimate setting.When women use this word, we know what we mean. We're describing an experience that can't be captured in one simple term—the gaslighting, the silent treatment, the crazy-making moments that leave you questioning your own reality.If you're divorcing someone with narcissistic tendencies, your divorce will look different from everyone else's. And here's what makes it harder: you've been trained to doubt yourself. You've learned to wait for permission. You've been conditioned to seek validation from people who may never understand what you've lived through.I remember documenting my marriage for 48 days straight—writing down what happened each day so I could see the patterns in black and white. When I showed those notes to my mentor, she told me I was "being negative" and walked out of my house. She never spoke to me again.I learned that nobody was coming to save me. I had to own my own reality.If you're divorcing a narcissist, base your strategy on the worst moments, not the honeymoon phases. Go in prepared—with the right attorney, the right support team, and the right information. Don't bring a pen knife to a gunfight.Want help creating your divorce strategy? Schedule a consultation with Sade at sadecurry.com/info

durée : 00:35:02 - Les Nuits de France Culture - par : Christine Goémé - En 1973, Jacques Borel tendait son micro à André Boüer, responsable des fouilles du château de Lacoste, et à de jeunes volontaires à la restauration des ruines. Le marquis de Sade y séjourna de 1769 à 1772, et il lui servit de modèle au château de Silling, dans "Les 120 Journées de Sodome". - réalisation : Virginie Mourthé

A version of this essay was published by firstpost.com at https://www.firstpost.com/opinion/shadow-warrior-the-epstein-files-expose-elite-depravity-13975791.htmlI am not going to get into the political aspects of the infamous Epstein Files, nor so much into the morality thereof, but what amazes me is the fact that everyone seems shocked at the kinds of things that apparently went on in Epstein Island and elsewhere in his empire.I have long thought of the Epstein Files (and earlier Watergate, Wikileaks, Cablegate, even the silly Steele Dossier) as a mere sideshow, entertaining but hardly earth-shattering. To be candid, what they reveal is what we already knew: politicians and the rich are different from you and me, as Jay Gatsby might say. Yes, they can be vile monsters and get away with it.F. Scott Fitzgerald describes how extreme wealth fosters a sense of superiority, cynicism, carelessness with consequences, and emotional insulation: all qualities that make the rich operate by different rules, often viewing themselves as exempt from ordinary accountability. Extreme wealth provides insurance, or insulation, against consequences.We were warned with graphic images in cinema: “Eyes Wide Shut” by Stanley Kubrick was a revelation. It fits strikingly into the context of Fitzgerald's “the rich are different” and the Epstein files, a cinematic bridge between literary critique and real-world revelations of predatory privilege.In Kubrick's world of orgies where masked super-elites play, the victims are from lower strata (they are treated as disposable), while the elite retreat into impunity. The film was prescient about how money, secrecy, and impunity create inevitable nexuses of abuse. There was a dramatic and possibly relevant video of a young Mexican model, distraught, screaming, “They are eating babies!”, after attending one of the Epstein parties. She was, it is said, arrested, and ‘disappeared', and was never seen again.Yet, it is “Salo: The 120 Days of Sodom” that I am most reminded of. This is quite possibly the most disturbing film ever made, at least among those that I have seen. Only “In the Realm of the Senses”, by Nagisa Oshima, a staggering tale of sexual obsession, comes close in shock value. A couple are caught up in a vortex or vicious cycle of increasingly dangerous sexual behavior. The unsimulated, explicit sex scenes in fact produce not prurience, but horror in the viewer.The film's intensity peaks with its violent conclusion, where the female protagonist strangles her lover to death during erotic asphyxiation and then castrates his corpse, carrying the severed penis with her, blending extreme eroticism with graphic mutilation and murder in a way that challenged societal taboos on sex, obsession, and violence. Tellingly, it is based on a real-life story, but then it is a private tale, not one that involved powerful, public, men.“Salo”, by Pier Paolo Pasolini, is a loose adaptation of the Marquis de Sade's 1785 novel “The 120 Days of Sodom”, relocated to the final days of Mussolini's fascist Republic of Salo (1943–1945) in northern Italy. Four powerful libertines: a Duke (nobility), Bishop (church), Magistrate (law/state), and President (finance/capital) are the protagonists.They kidnap 18 young victims (mostly teenagers) and subject them to escalating cycles of sexual torture, degradation, humiliation, and murder in a remote villa. I remember the horrifying close-up of a young man's eye being plucked out.This isn't mere shock exploitation; Pasolini uses de Sade's framework as a scorching allegory for:* Absolute power corrupting absolutely, where the elite treat bodies (especially vulnerable young ones) as disposable objects for consumption and control.* Fascism as the ultimate expression of capitalist/consumerist nihilism. The libertines embody the “anarchy of power” in a permissive, totalitarian system where rules exist only to protect the perpetrators.* Moral detachment and cynicism: the rich aren't just wealthier; they're philosophically and emotionally severed from humanity, viewing others as means to gratification without consequence.Is this how powerful men are? Is this how those with absolute power, especially men, have always acted? Or is it culture-specific? That's a good question. But are elites generally debauched, depraved, and dissolute?There are several unconfirmed rumors that many of the rich and famous were associated with Epstein. But a certain royal was drummed out of the family and lost all his privileges for his (confirmed) participation in Epstein orgies. Others include captains of industry and political bigwigs, including US Presidents, a major leftist ideologue, and a film director.So it was apparently the in-thing in the US, sort of like the most sought-after restaurant in New York City, where the hoi-polloi were strictly excluded. This, in a country that allegedly finds its moral compass in the Puritans, people who were so religious that even Britain couldn't stand them. And has been accused of being into moralization, not into morals.As of now, if you ignore the extreme claims (cannibalism) it is clear that the following happened:* Recruitment and grooming of underage girls* Sexual assault on minors* Distribution of Child Sexual Abuse Material* Trafficking across State and International BordersFrankly, this is probably just business as usual in many elite circles. If you have immunity, you tend to be very naughty. I expect this, too, will blow over, and public attention will move on. The apparent fact that many in political power in the US are part of the Epstein network is neither here nor there. This may be the way all powerful men work. Sad, but true.895 words, Feb 2, 2026 This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit rajeevsrinivasan.substack.com/subscribe

REDIFF - Depuis le XVIIIe siècle, son nom est synonyme de scandale et de libertinage. Écrivain sulfureux, provocateur insatiable, le Marquis de Sade a passé plus de temps derrière les barreaux qu'en liberté. Pourtant, ses écrits transgressifs ont traversé les siècles, fascinant autant qu'ils dérangent. Mais qui était-il vraiment ? Plongez dans l'existence du Divin Marquis, l'homme qui a fait vaciller la morale et bousculé à jamais la littérature érotique. Crédits : Lorànt Deutsch, Emma Locatelli. Chaque dimanche, retrouvez un épisode des saisons précédentes d'"Entrez dans l'Histoire" de 14h à 14h30 à l'antenne de RTL, mais aussi en podcast sur toutes les plateformes d'écoute.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Welcome Cleveland-native Jordan Carter! A conversation full of laughter, good hangs, and true words of wisdom, join us for Ep. 80 as we dive deep into Jordan's unique journey to Nashville as a professional drummer and music director. Hailing from small-town Cleveland, Jordan followed his passion for the drums from a young age, pursuing higher education at the Berklee College of Music in Boston, where he would live and work for the next 12 years playing with artists such as Oompa, Sing, Lisa Bello, Louie Bello, Marcela Cruz, among others. Jordan moved to Nashville in 2022 and currently plays for artists such as Kaylee Rose, Slim Gambill, and Aveva. Jordan reminisces about influential figures from his time at Berklee and discusses the importance of community, patience, and self-discovery. Jordan offers insights into the role of a music director, the importance of effective communication, and the challenges of adapting to Nashville's diverse and talented pool of musicians. We hope you enjoy! Chapters:0:00 Intro1:13 Welcome, Jordan! 2:46 From Cleveland to Nashville 3:26 Relearning the Drums: Challenges and Growth 23:11 Drum Box (Sponsor) 23:53 Boston Days at Berklee 40:15 Discovering Nashville's Music Scene 57:08 Low Boy Beaters (Sponsor) 57:53 Finding the Right Gig 1:03:43 Drum Supply (Sponsor) 1:04:43 Memorable Shows and Venues 1:12:16 Drumming Influences 1:24:08 The Role of a Music Director 1:33:32 Therapy and Self-Improvement 1:40:19 Music City Audiology (Sponsor) 1:41:02 Madden, Harry Potter, Closing Questions 1:51:23 OutroThank you to our Episode Sponsors:Drum Boxhttps://drumbox.spaceDrum Supplyhttps://www.drumsupply.comLow Boy Beatershttps://lowboybeaters.comMusic City Audiologyhttp://musiccityaudiology.comConnect with Jordan:Instagram: https://www.instagram.com/jordancarter.musicWebsite: https://www.jordancartermusic.comYouTube: https://www.youtube.com/@JordanCarterMusic Featured in this Episode:"Sade" - Sing"Joy Back" - OompaSupport the showConnect with us:WebsiteInstagramTikTokYouTubeFacebookRecorded at Garden Groove Recording Space, Nashville, TNPodcast Artwork: GENUINE CREATIVE ART ⓒ 2026 Nashville Drummers Podcast, LLC

Um ein Haar hätte Sade ihre ikonische Stimme nie entdeckt – und ihren 80er-Hit Smooth Operator nie geschrieben. Roland erzählt, wie Sade zum Star wurde, und gräbt berührende und witzige Cover des Songs aus.

After weeks of testimony and just 45 minutes of jury deliberation, a Milwaukee courtroom delivered a verdict in the murder of Sade Robinson—a case built on phone data, surveillance footage, and what happened after a first date that turned deadly.This episode is an update that follows the trial, the verdict, and the sentencing.Initial Episode: https://www.spreaker.com/episode/a-severed-leg-washes-up-on-shore-a-possible-serial-killer-s-trail-murder-of-sade-robinson--65655416Full Trial Video Posted in the Patreon www.patreon.com/loveandmurder**************************************Do you have thoughts about this case, or is there a specific true crime case you'd like to hear about? Let me know with an email or a voice message: https://murderandlove.com/contactFind the sources used in this episode and learn more about how to support Love and Murder: Heartbreak to Homicide and gain access to even more cases, including bonus episodes, ad-free and intro-free cases, case files and more at: https://murderandlove.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/love-and-murder-heartbreak-to-homicide--4348896/support.

In this episode, I chat with the phenomenal Sade of @sbc_bookclub⁠, and she shares her experiences as a book club founder and her passion for fostering a reading community. She also shares her five book recommendations, emphasizing the importance the need for stories that humanize marginalized communities.Overall, this episode celebrates the joy of reading while encouraging listeners to engage with literature thoughtfully and authentically.In Case You Missed It ⁠⁠⁠⁠⁠ 1.⁠⁠ ⁠⁠⁠⁠⁠BROKEN by Fatima Bala (Book Chat)⁠⁠⁠2.⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠An Easy Guide To NetGalley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you love my content, kindly consider supporting me⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠by ⁠buying me a digital cup of coffee⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ CONTACT Questions? Comments? Email me at amynbawa.allah@gmail.com⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

light it up with sounds of the African diaspora florals by Studio Entry: https://www.instagram.com/studioentry/ We're burning Princess Cut from Kuumba International Tracklist 00:00 Tay Iwar - Reflection Station 03:05 Sade x Louisa Mark - Cherish the Day (Onnea Blend) 05:31 Faiza - Benchmark 08:20 Ari PenSmith - City Girl (Coconut Edit by StillNas) 10:16 Krs - Bam Bam 2021 12:20 ave4 - readyourmind 14:35 Juls - Sunsets in Sao Paolo 16:40 Kokoroko - Idea 5 (Call My Name) (feat. LULU) 19:10 Sunni Colon - Dream About You All Through the Night 21:25 Odeal - Patience 23:47 MAUIMOON - Sweeta (Joshua Baraka & may from nowhere) 25:35 Juls - Perspective (feat. Masego) 27:30 Jaz Karis & Reekado Banks - TEGUILA 29:26 Juls - Say You Love (feat. A2, Karun & Xenia Manasseh) 31:08 Juls & Tay Iwar - Summer Breeze 33:10 Cleo Sol - When I'm In Your Arms (Ferraz Edit) 35:25 Majid Jordan - Waiting for You (BRQT Edit) 37:20 love ave - (somebody already) broke my heart 39:35 702 - Get It Together (Warren Duncan and Jerry C Edit) 41:56 Gabba Cannal - Indaba Zabantu (feat. Xavi Yentin) 44:00 Mas Mussif - Uzobuya (feat. Acatears & Lawd Weezy) 46:10 Janelle Monae - Float (019dexter remix) thank you for listening and we hope you enjoyed yourself for promotional purposes only also streaming on YouTube: https://youtu.be/j2MiuN_0xig?si=0GtJMDcIoip8XDlf cover photo by: https://www.instagram.com/berchelrd/

It's time for an Adult Contemporary Education (topic courtesy of the one and only Dom.) Kari and Joe talk about AC gems that did not cross over to the Hot 100, or if they did, barely made a dent on that chart. The beautiful voices of Sade, Mica Paris, Barbra Streisand and Dionne Warwick are here to soothe you and there's also some MEN we cover as well (Kari throws salt over her shoulder, lights some sage, and grabs a crystal to cleanse her soul.)Plus, a large tidbit about the origin about one of Joe's favorite songs/most beautiful songs of the decade.Listen carefully, because there will be a pop quiz on this material next class! Send us a text

This week on the show, host Sara J is continuing a listener-favorite format with another deep dive into unforgettable moments in music history—this time spanning January 16–22.From the opening of the legendary Whisky A Go-Go on the Sunset Strip to Eric Clapton's iconic MTV Unplugged session, the birth of Mötley Crüe, and the formation of Bad Company, this episode explores a week packed with defining rock moments. We also revisit infamous and unforgettable events like Ozzy Osbourne's bat-biting incident, Neil Young's solo debut, Buddy Holly's final apartment recordings, and the Beach Boys beginning work on “Wouldn't It Be Nice.”Plus, we celebrate music birthdays from legends like Sade, Janis Joplin, Dolly Parton, Paul Stanley, Questlove, Steve Perry, and more—while also remembering Glenn Frey and David Crosby.Part rock history, part cosmic coincidence, and part personal reflection (including a birthday shout-out close to home)Donate to DATC Media Company: https://datcmediacompany.com/supportJoin the community on Patreon: https://www.patreon.com/Datcmediacompany/giftWant to be a guest on the show? https://datcmediacompany.com/contact/ola/services/be-a-guest-on-dropped-among-this-crowd-podcastWant to be a RoughGauge featured artist? Send an email to: saraj@roughgaugellc.comWebsite: https://www.roughgaugellc.comInstagram: https://www.instagram.com/roughgaugellc/Facebook: https://www.facebook.com/RoughGaugeTicTok: https://www.tiktok.com/@roughgauge.llcShare your feedback: https://forms.gle/6ow1bYwtLveFmGGu8The Copper Penny Project: https://www.instagram.com/thecopperpennyproject/Something On- https://www.youtube.com/live/FQS9KZXazBc?si=lDK8vz-5NNvluQXwHave you worked with DATC Media? Share your feedback: https://forms.gle/atJri2DMrnZ6szBD9Want to work with Sara? Book a one-on-one session to bring your music/media vision to life: https://datcmediacompany.com/contact/ola/services/consulting-services-with-sara-jLet's Collab! https://datcmediacompany.com/collab-opportunties-1The DATC Media Podcast Network: https://datcmediacompany.com/podcasts-1Follow DATC Media:https://datcmediacompany.comhttps://www.facebook.com/datcmediahttps://www.instagram.com/datcmediacompany/Follow Dropped Among This Crowd Podcast:https://www.instagram.com/droppedamongthiscrowdpodcast/https://www.facebook.com/droppedamongthiscrowd/Email: droppedamongthiscrowdpod@gmail.comBook a conversation on "Dropped among this Crowd": https://datcmediacompany.com/contact/ola/services/be-on-dropped-among-this-crowd-podcastFollow Sara J:https://www.facebook.com/sara.till41/https://www.instagram.com/sarajachimiak/

On this episode of The Breaks we discuss if Austin hip-hop artists are hindering their careers in any way. We also discuss if J. Cole’s upcoming album The Fall Off is the most important one of his career. Hip-hop facts include facts about Nas, Sade, Justin Timberlake and more. Fresh’s Unpopular Opinion this week is […] The post Is Austin Hip-Hop Getting In Its Own Way? appeared first on KUT & KUTX Studios -- Podcasts.

Tonight we honor: Sade on her birthday along with the late Aaliyah !Tonight's show is dedicated to Annie.

(00:00-7:14) Sade recognized Tim. Happy birthday, Sade. Stockpiling catchers. Listen here, Doug. This show gets legislation passed. Jackson prefers indoor runs.(7:22-16:05) Offers are rolling into play Jackson 1 vs 1 in court basketball. These matches can only be played at St. Gabe's.(16:15-26:10) And the winner of today's EMOTD is...See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Começamos 2026 com a notícia da morte de Alexandre Barroso, com quem gravei um LíderCast que entra fácil na lista dos top 5. Por isso republicamos o episódio com duração recorde de 3 horas e 5 minutos, que conta uma história incrível de amor à vida. Há 14 anos, depois de sentir dores incessantes na barriga durante três dias, resolveu ir ao médico e descobriu que seu fígado estava em em estado de putrefação, com três nódulos cancerígenos bastante desenvolvidos. Os médicos avisaram: “Você precisa de um transplante. Se não receber um novo fígado, terá apenas sete dias de vida”. Na sequência, em suas próprias palavras, Alexandre "voltou da morte 21 vezes" – situações em que teve o estado de coma revertido depois de intercorrências hospitalares. Se você acha que tem problemas, ouça a história do Alexandre. Vá em paz, meu amigo.See omnystudio.com/listener for privacy information.