Podcasts about Puget Sound

Roughly 6.5 million people in the U.S. live in areas that are highly susceptible to landslides. West Coast residents - including on the Oregon Coast and Washington’s Puget Sound - face the second greatest exposure to landslides, after Appalachian communities in and around W. Virginia.    University of Washington researchers made these findings using the Landslide Exposure Database, an online tool they spent three years creating and recently made publicly available. The scientists say the database provides the first-ever building level assessment of landslide susceptibility across the U.S. for nearly 130 million homes and buildings.   The database also accounts for socioeconomic data, revealing an urban-rural divide to how natural disasters can impact communities. For example, residents in rural areas who are vulnerable to landslides may have fewer financial resources to move or recover from landslides compared to urban residents living in homes perched on hillsides in affluent neighborhoods.   Joe Wartman is a professor of civil and environmental engineering at University of Washington and the director of the Natural Hazard and Disaster Reconnaissance Facility. He joins us for more details.  

This week John Kruse shares outdoors news along with a conversation with Michael Calhoun about the Vernonia-Banks Rail Trail in NW Oregon, a Puget Sound coho salmon fishing report from Doug Saint Denis and a pikeminnow fishing report from Eric Winther along with information about a great bait for these fish that tends to bite back! www.northwesternoutdoors.com 

Don't adjust your ears or screens, it's not 3 Guys. Today I get the honor to chat with Doug, you know him you love him. We deep dive Doug's background and share a dram. It was a lot of fun, hope you enjoy. Be BlessedDoug (aka @DemiTastes)American Single Malt Whiskey ExpertBespoke Whiskey TastingsHost, Single Malt Frontier PodcastWhiskey Reviewer & WriterContact me: doug@demitastes.comSingle Malt Frontier Patreon – support my content!LinkTree: @demitastes – links to my latest contentYouTube: @singlemaltfrontier – podcast, often livestreamedIG: @demitastes – a little of everythingReddit: /r/AmericanSMW – reviews and discussion of ASMWThe Whiskey Lodge Discord – friendly online communityhttps://twitch.tv/demitastes – backup stream locationI started reviewing whiskey in 2020. Initially I sought out the kinds of things my friends might want to try, and quickly moved to seeking the unique and interesting. I'm a huge fan of American Single Malt Whiskey and focus my efforts on this space. I also enjoy Single Malts from around the world, as well as a little of everything else, including Bourbon, Rum, Brandy, Mezcal, and more.I host an ASMW-focused podcast, called Single Malt Frontier. I'm conducting research for a book on American Single Malt Whiskey by tasting lots of ASMW and interviewing ASMW producers and other relevant industry personalities, which I release on the podcast. I also created the subreddit /r/AmericanSMW for reviews and discussion of ASMW, and I moderate an online community of whiskey enthusiasts, The Whiskey Lodge.Reach out to book a private bespoke whiskey tasting in the Puget Sound area. I'll partner with you to arrange the perfect flight of whiskeys for your wedding, holiday party, team building event, bachelor/bachelorette party, and more. Reach out about my availability in other metro areas, as I regularly travel to visit ASMW distilleries, and we may find a date that works for all parties.Why “DemiTastes”? I've been using names starting with “Demi” since forever, so when I noticed my habit of pouring what seemed to be the smallest drams around the web, and the obvious pun with the small espresso cup called a demitasse, I decided that the name “DemiTastes” only made sense.Whiskey & spirits reviews, industry news, blogs, whiskey topic write-ups, distillery visits, and more. See also Twitch and Youtube for my podcast, The DemiTastes Podcast, featuring casual whiskey & spirits chat episodes we call The Whiskey Lodge-cast.

A live recording from The Big Romance about a 2008 Sub Pop-released classic album of the 2000s. Listen on Apple | Android | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Podlink Step into a world of misty melodies and cavernous echoes with Seattle band Fleet Foxes' landmark debut – a defining record of the late-2000s indie folk revival. Led by Robin Pecknold, the album blends the lush, pastoral harmonies of the 1960s with a haunting baroque-pop sensibility and lyrical themes rooted in nature, tradition, and introspection. Like the Bruegel painting on its cover, every track reveals a dense, beautiful world that evokes a timeless – almost mythic Americana sound. This podcast episode is a live recording from our listening party in The Big Romance in April, with guest journalist and Fleet Foxes fan Aoife Barry. Our next Listening Party is Smashing Pumpkins later this month and it's sold out. Listen Closely: Fleet Foxes – Fleet Foxes (2008) A Nialler9 listening party, hosted by Niall Byrne with guest Aoife Barry. Before the album Niall: Hello everyone, how are you? Welcome to the Listen Closely album listening party. I'm Niall, and this is Aoife Barry. Aoife: Hello. Niall: We're here tonight because Aoife picked this album, as she has before. You picked Jeff Buckley last year. Aoife: Yeah, and we ended up doing three of them. Niall: We did, we went to Cork. We did two here and then we went to Cork to talk about Jeff Buckley. And you were at the My Bloody Valentine listening party last year as well, back in October. Aoife: It must have been October, yeah. Niall: Well, obviously we're here for a very different album tonight: Fleet Foxes by Fleet Foxes, from 2008. As you heard there, we played a bit of the Sun Giant EP by the band, which came out a few months before this album, because we want to give the album its full due. They're a little different, and we'll talk about that. But yeah, you picked the record. Aoife: I did. I obviously must like it. And it's such an incredible record. Is there anybody here who hasn't heard it? That's really exciting, if so. I'm excited for you to hear it. You got a sneak peek there of what the vibe is going to be. I picked it because I love this record, but I also had a funny story about how I first heard them. Back in 2008, when this record came out, I'd read about this band called Fleet Foxes in a music magazine. I don't even think I'd heard a song yet, this is back in the day. And I was on holidays in Berlin, and in the tiny little hostel we were staying in, they had a sign up on the wall: "Who's playing tonight? Fleet Foxes, Café Zapata." I said to my boyfriend, "I think that's a band I read about in the magazine, will we go see them?" And he was like, "Grand." So we went, and they were unbelievable. It was so good. Beach House were supporting them. So it was 2008 smacking you in the face. Niall: Come on. Aoife: And I took photos, which I found. I have photos. Artifacts. One is terrible, the other one's not so terrible, taken on one of those little Canon digital cameras. And I still have the ticket, I kept the ticket, I'm one of those hoarders who keeps all their gig tickets. But it was so good: the venue they played in had a dragon that breathed fire out every fifteen minutes. Niall: So they'd be playing and this dragon… Aoife: I'm not even exaggerating. Fire would just shoot out of this mechanical dragon. It was so Berlin. And Fleet Foxes were so stunning, and Beach House were so stunning. I love Crosby, Stills, Nash & Young, I love all those harmony vibes, I wish I was born in the seventies, sadly I was not. So I fell in love with them immediately, and I've been a big fan ever since. Although I'll say I probably dipped a little bit around the Crack-Up era, their third album, but then I saw them when Shore came out, their most recent album, and fell right back in love with them. Niall: We're going to talk about all the albums that come afterwards, but we'll start with this one, because this is presumably your favourite, or one of them. Aoife: Shore is up there as well for me, but yeah. Niall: So what was it about Fleet Foxes at the time? For context: in 2008 there was quite a lot of this kind of music around. We previously did Bon Iver's For Emma, Forever Ago as a listening party, and the funny thing, which I only found out when we did this, is that they have the same origin story in a way. Both songwriters went to a cabin in the woods to pour their heart out and write the songs. Aoife: I think Justin Vernon just got there first in terms of the marketing. Niall: So they must have pulled back on talking about it too much, because it's basically the same thing. They never really talked about Robin Pecknold's writing process in those terms. Aoife: For Emma was such a massive moment, everybody was obsessed with this guy who broke up with a girl and went to a cabin and wrote a record about it. It was the ur indie-folk album. Niall: What was really appealing about Fleet Foxes is that they were so young, between about twenty-two and twenty-seven, and Robin Pecknold was twenty-one when he wrote the record. Which is frankly offensive, you shouldn't be allowed to be so talented at twenty-one. Aoife: I know. And they were clearly these people from Seattle, which we associate with grunge, and then it becomes this place where they're bringing out all the pastoral, outdoorsy, mountain-and-sea vibes of the Washington area. They're obviously really influenced by the seventies too, by Crosby, Stills, Nash & Young, by Laurel Canyon, but also by Appalachian folk. There's a real purity to what they're doing. The harmonies are unbelievable, there's even a bit of a gospel feeling. So these young guys made this album that was being called an iconic American record on release. The Guardian called it a landmark American album, something like that. And that's special, because you don't get that many records immediately being called landmark. Niall: It was a very exciting time for music around then. I actually brought some records. We mentioned Beach House and Teen Dream earlier, that's a bit later, 2010. I wanted to do a listening party for that at some point, that'd be good craic. Around that time you had Animal Collective and Panda Bear, Person Pitch was right there, that was the apex for that very experimental scene. A few years later we had Sufjan, our very first listening party. And Bon Iver, of course. There's also stuff like Neutral Milk Hotel very much of that vibe. Aoife: I've noticed people covering Neutral Milk Hotel more now. Niall: I think when we got to it, it was on its second go-round, and now it's getting a third, which is great. It's a great record. So, the band were from Seattle, they had a bit of the scruffy flannel-shirt look, but obviously didn't sound like that. The album was written in the woods, in the cabin, brought to the band, and recorded with Phil Ek. Aoife: Who did a lot of stuff with Built to Spill. Niall: Yeah, and he worked with The Shins, and Modest Mouse, a really long history. Aoife: Are The Shins from Seattle as well? Niall: I think they might be. Band of Horses is another one. So they recorded it themselves with Phil Ek, paid for it all themselves, and then the local major independent label Sub Pop came calling. Obviously known for a lot of grunge traditionally, but they'd clearly been releasing this kind of music around then too, The Shins had been on the label for a few years, Band of Horses. When it came to it, they signed to Sub Pop. Apparently there was a bidding war. Aoife: They'd become quite popular on MySpace. Anybody remember MySpace? Every time I do one of these I feel older and older, mentioning the top eight, the randomers you'd put in your top eight. Word could spread quite quickly once you got popular on MySpace. Niall: What I thought was really interesting, that I discovered when I was researching, is that recording the album was actually a total pain for them. They didn't have much money, so they ended up recording a lot of it in their houses, or in Robin Pecknold's family home. And he re-did all the vocals right before they mastered the record, because he'd been sick during the initial sessions and his voice wasn't in great shape. They recorded it all in one go, scrapped that, did another version, and kept moving the running order around. I'm always fascinated by albums where the creation was a total pain and they had no idea it would even work out. Robin Pecknold actually said, "I hope nobody cares about this album, because I just want to move on to the next one." And then it becomes this iconic record. Aoife: Isn't every artist sick of their album by the time it's done? You're like, "my paintings." Yeah. Niall: 2008 was an interesting time for it to land. The album draws on the Beach Boys and Brian Wilson, Crosby, Stills, Nash & Young, Nick Drake, Simon & Garfunkel, Fairport Convention, Judee Sill, very much old-timey or sixties folk and pastoral stuff. And in 2008 there's a financial crash. The album was worked on before that, but it was released into that environment, and a lot of this music seemed to catch. When things go bad, we retreat, we dream, we listen to music that's maybe the opposite of what we're feeling. There was a gentleness, an unhurriedness to it that resonated. Aoife: Grizzly Bear is another band from that time. When Jay-Z and Beyoncé went to see Grizzly Bear in Brooklyn, that was kind of where all the indie music peaked. Niall: And the other part of it, which I was involved in, was the MP3 blogs, that's where you'd hear this music. Especially the American and Canadian stuff, no one was promoting it over here yet, so you'd be months ahead. You'd hear Fleet Foxes in these MP3 formats. That was a mad period, it showed how the internet could collapse geography, a song could spread really quickly on the blogs. And in an American context, this came out post-Bush, with the Obama era coming in, a more hopeful tone. You had the Lehman Brothers crash, these global pressures, and then these hopeful times too. It's interesting to wonder whether these albums are a reaction to it, or whether they appeal to us because we want nice, happy things. I feel like Fleet Foxes have so much emotional depth: there's yearning, sadness, hope, nostalgia. Aoife: I loved Yellow House by Grizzly Bear, their first record, a complex, complicated, almost jazzy thing that sounded beautiful but had a lot going on. We weren't going for simplistic music, but we wanted music that gave us depth and beauty. Is art a solution to the world collapsing? Niall: We could be answering that in 2026. We live in a cursed timeline, as I keep saying. That's all I'm going to say. But what else happened in 2008 in the wider circle of music? Portishead returned with Third. TV on the Radio released Dear Science. MGMT released Oracular Spectacular, 'Kids' and all that. Cut Copy released In Ghost Colours, Indie Sleaze night on Saturday, folks, come on. Kanye put out 808s & Heartbreak, that was November that year. Rihanna was at the peak of her powers. Aoife: Katy Perry appeared that year. And 'American Boy'. Niall: 'American Boy', still one of the best pop songs, fire. Iron & Wine was the other one I forgot to mention. So it was a really vibrant, varied year. As you heard, there's the Sun Giant EP too. Aoife: The thing about that is it came out before the album, but was recorded after. The album was done, in the bag. Niall: They decided to go into the studio and record Sun Giant, a collection of songs intended to sell on tour. It ended up being quite popular, and for a lot of people it was their first time discovering Fleet Foxes. Aoife: It wasn't like The Coronas' 'San Diego Song', their summer-holiday anthem, or anything like that. But it came out before the album, and then the album arrives. Niall: So what was the reaction at the time? Was it immediate? Aoife: Things happened really quickly. In January that year they got all the MySpace attention, and by June the album was coming out. Really, really quick. There was so much chatter about them, which is partly why I'd seen the name, and a music blog like yours would have seen it too, and known they were one of the big bands. In a way that's harder now. Niall: These days you see bands like Geese getting a lot of attention because they use companies that help them go viral. You didn't really have that then. Now you'd dress yourself up in some gimmick, polka dots, whatever, and go viral all over the internet for it. I couldn't imagine these lads doing that. Aoife: No. But maybe in a way they were cosplaying living in the forest, on the Puget Sound. Niall: Anyway, when the album came out, people loved them, and it really hit it off. Because they sound so seventies, your parents would love the records and you'd love the records. There's almost a lullaby quality to the folk stuff too. The music is applicable to anybody of any generation, and there's something lovely about nostalgic music that reminds you of a better time. To finish on that point: I think there's something very mysterious about Fleet Foxes, they feel out of time. They're these young, scruffy lads with the beards, but there's a mystery to them. They didn't come across as the hipster end of things, they weren't leaning into anything. They were presented as the kind of band that wouldn't have had phones, would have lived off-grid, which is funny because they were a MySpace band. They're the most un-MySpace band you can imagine. Surprise people, do something a bit different, don't be exactly what people want you to be, and they'll love you for it. And then your songs are unbelievable too, soaring and stunning. Can we talk for a second about the cover? It's an original painting from 1559 by Pieter Bruegel the Elder, Netherlandish Proverbs. It depicts a densely populated Flemish village scene illustrating 126 folk proverbs. There's a lot there. Some on this side are cut off, but for example, this woman here, she's putting the blue cloak on her husband, meaning she deceives him. This guy is casting roses before swine, wasting effort on the unworthy. And right at the top there's a man running through a field with his arse on fire, chasing pigs, "he who eats fire craps sparks," do not be surprised at the outcome if you attempt a dangerous venture. There are 126 of those. Aoife: The interesting thing is that the band managed to get permission to use it. Really unusual to be allowed use it as commercial artwork. Niall: And apparently the museum that holds the artwork were delighted. A lot of stars aligned for them. It's an iconic cover because it's so different from what anybody else was doing, clearly of a particular period, and it has that Where's Wally quality. I have a quote about it. Robin said: "We were trying to figure out what we wanted to do, and my brother had been working some stuff out, when I saw this Bruegel painting in a book my girlfriend had. I liked that it had a really intriguing meaning, there's a story to each little scene, which felt fitting for the record. It was dense but unified, not a collage. It has a Where's Waldo quality, something you could look at for a long time on a vinyl sleeve and keep finding new little things. It was very easy to get the museum in Berlin that has it to say yes, they were super excited the band wanted to use it, and put it in their newsletter. When you open it up, on the inside there's a Paisley pattern traced from the back of a book that Skyler's mum got me. We wanted two very different feelings." So, what to look out for when we press play very shortly? Aoife: When I was going back to this, I had it in my head that every song was one of these big songs, because there are so many big moments. But actually there are two tracks that are pretty much acoustic, so it's interesting to notice how they go from the big sound to the small. And for me they're a real emotion-and-feeling band, so notice how you feel listening to it. I always feel this swell of emotion with Fleet Foxes, I was walking down the road listening to Shore and I was like, my God. So lean back and feel into the emotions they're bringing you. And listen to the lyrics if you can make them out, because they're so out of time, all about pack horses and this amazing imagery. Robin Pecknold said he didn't write about a lot of personal stuff because he didn't have enough life experience yet, so instead he wrote these beautifully poetic narratives about pastoral and rural life. So I'd say the lyrics and the feelings are the two things. Niall: Track two, 'White Winter Hymnal', is probably the biggest one, watch out for that. And a few other people thanked and cited as influences, for some extra context: Brian Wilson, Joanna Newsom, Bob Dylan, Noah Lennox and all the lads from Animal Collective, Levon Helm and Robbie Robertson of The Band, Blitzen Trapper, who they toured with at the time and who were bigger than them then. For some reason Joni Mitchell and Neil Young are listed together, which is fair enough. Marvin Gaye, Damien Jurado, Paul Simon and John Lennon listed together. Townes Van Zandt, a legend. Vashti Bunyan, and Van Morrison. There's a nice quote from Robin Pecknold I'll read afterwards. Let's just open it up and listen. I'll play it at full volume, it's about thirty-nine minutes, two sides. Close your eyes, whatever you want to do, vibe away in your own way. [The album plays: Fleet Foxes – Fleet Foxes, 39 minutes.] After the album Niall: It's quite an economical album, isn't it? It doesn't stick around long, thirty-nine minutes. Aoife: I like an economical album. It's also one of the first fairly short records we've done here. Niall: That's part of why I was thinking about Sun Giant in that context too. I'm going to read a bit from the liner notes, because for an album that's very much about feelings, with only a few direct songs, some of what's written here is interesting: "My first memory has always been of me and my mom on a cold grey day down at some beach in Washington, along the Puget Sound somewhere near Seattle. I would be around two or three years old, and we were with a friend of mine from the neighbourhood and his mom, walking among the driftwood looking for crabs. Even now I can remember the smell and temperature of the air, the feeling of the sand and the swaying tall grass. I can even remember looking over at my friend and how his face looked when he smiled back at me. Another memory I'll sometimes recall as my first is dressing up in the dead of summer as Jack London, with tennis rackets on my feet and wearing my dad's hiking pack, after seeing Disney's terrible version of White Fang. Or the memory of stealing my neighbour's Big Wheel and riding it halfway down the block before getting caught and having to turn around defeated. Or wearing a fireman's outfit while washing my parents' car, or eating an orange popsicle from the ice cream truck. These have always been some of my most distinct and persistent memories of childhood. So it came as a disappointment when, one day as a teenager, I opened up a photo album and found pictures of each and every one of these memories. I didn't have a single memory that didn't belong to, or somehow grow from, those pictures my parents had. I guess I've seen all these photographs at some point, forgotten they were just photographs, and over time made them into my most tangible memories. That's scary to me in a way. This leads me to something weird about the power music has: its transportability. Any time I hear a song or record that meant a lot to me at a certain moment, I'm instantly taken back to that place in full detail. Whenever I hear 'Feel Flows' by the Beach Boys, I'm taken straight to the back of my parents' car on the way to my grandparents' place, with Surf's Up in my Walkman and the Cascade Mountains going by in the window. Any song off Radiohead's Kid A brings back the airport near Seattle, from when we were on the way to Colorado for a wedding and Kid A was the only record I brought or wanted to bring. 'Crayon Angels' by Judee Sill is the whole winter of last year. And Brian Wilson's solo version of 'Surf's Up' takes me back to driving my parents' car around town alone at sixteen, windows down at night. I can't ascribe exact memories to songs by The Microphones, Joni Mitchell, Built to Spill, Dungen, Harry Nilsson and so many others, and it's a form of recall I can actually trust, there's no visual element to complicate things, no chance of a planted memory that wasn't actually supposed to be there. Maybe I should be concerned that I'm alone in almost all of these memories, but I guess I was just a private kid, and music was a private experience for me. Music activates a certain mental freedom in a way nothing else can, and that is so empowering. You can call it escapism if you like, but I see it as connecting to a deeper human feeling than the one found in the day-to-day world." Aoife: That's lovely. It's a nice addendum. And he was only twenty-one. Niall: For some reason it's signed "Warren Gamaliel Bancroft Winnipeg Harding," Warren G. Harding being the 29th president of the United States. I don't know why, he thought it was funny. Dated April 6th, 2008, Chicago, Illinois. So, any particular highlights, anything that stood out? Aoife: I was reminded how much I love 'Blue Ridge Mountains', the second-to-last song. I just love those four- and five-part harmonies so much. There's something that really gets me about beautiful harmonies stacked on each other that sound so natural. My dad was really into Neil Young and all of that era, my mum's really into Simon & Garfunkel, so I feel like I came out of the womb going, this is the music I love. Niall: There was another one I meant to mention. Aoife: I'm really bad at remembering song names, which isn't great for an arts journalist. They go in one ear and out the other. Niall: 'He Doesn't Know Why'. Aoife: That was it. I always forget the name of that one, and it's an absolute banger. It's quite a direct song, the last one on the first side. Niall: He mentions his brother Sean in 'Blue Ridge Mountains', which is interesting. And Oliver James is his younger brother, that's the last song. Aoife: His sister is Aja, after the Steely Dan album. The parents were really into them. Niall: It holds up so well. The harmonies and vocals sound incredible, there are those beautiful little flourishes, a flute on one of the tracks, the guitar is stunning, lovely little bass lines. I love the way Robin Pecknold and the band hear music. There's a really good Song Exploder episode with him talking about a song from Crack-Up, and the way he thinks about translating his thoughts and emotions into music is so illuminating. He has a beautiful melodic flow that's really similar to the flow of water and nature. There are so many nature references, it's almost parody there are so many. Aoife: You could do a Portlandia sketch about it. "Power of nature, man." "Come down from the mountain, you've been gone too long." Niall: In terms of the line-up: alongside Robin Pecknold on vocals there was Skyler Skjelset on lead guitar, his best friend from Nathan Hale High School, later joined by Casey Wescott, Christian Wargo on bass, and Nicholas Peterson on drums, who left after this album. Aoife: And who came in as the drummer? Niall: A man who's been a main character in one of these listening parties himself: Josh Tillman, Father John Misty, played drums with them. Aoife: For how long? Niall: Only a year or two, pretty short. As I said, main character, he was making his own record. Any Father John Misty fans? He writes really good songs and he's handsome, so we all love him, but he's also a bit of a pain, and he didn't get on very well with Robin Pecknold, which isn't surprising. When I was looking back at the Pitchfork interview they did in 2008, a few months after the album came out, it was a big joint interview with Robin and Josh Tillman, and Tillman is answering the questions at the start. That's confidence. Do you want to hear a quote from what Robin Pecknold said? I've written it in my little notebook, so old-school, that's the only way I remember these things. In a 2020 Reddit AMA, Pecknold said that on that tour, the Helplessness Blues tour, Tillman was supposed to bring out his own record, but his label said he could only release it after the tour. So he was on tour thinking, "I want to bring out my own record, I'm tired of Fleet Foxes." Pecknold said he "had to endure being around a lot of substance abuse, sabotaged shows, general ill treatment and shit-talking, all while paying him for songs he didn't have anything to do with. It sucked." And then Tillman left the band. Whereas in that Pitchfork interview he'd said, "I love playing in this band, these are all my friends, I'm having the best time, I'm sorry if that's a corny quote, but that's the best thing about this experience right now." Aoife: So he was lying through his teeth. I think he's the kind of person who really has to be a solo artist, too iconic a personality. You wouldn't want to wrangle him out of bed to get to the next show. Niall: Too big a price. You mentioned Pitchfork, the album was number one on their end-of-year list in 2008, and they listed Sun Giant alongside it, breaking the traditional conventions of end-of-year lists. What they said was: listing Fleet Foxes' debut album and EP together may be awkward, but it just feels right, they're two sides of a coin that equally express the band's mastery, "a catch-all Americana that takes a wide slice of our popular music spectrum and pulls it through a reverse prism to create a gorgeous and focused sound of the band's own. The threads of Brian Wilson's coastal pop, Appalachian folk, modern indie rock, Grateful Dead jams and other influences are masterfully synthesised in the band's harmonies." Robin Pecknold's sense of dynamics, they said, flows like a river, wild and free but logical, filling what needs to be filled and moving on. I swear I didn't rip that off Pitchfork, I came up with something similar on my own. Aoife: Very good. Niall: It was Uncut's album of the year too. But more than anything, and this is a strange accolade, the album was ranked number 36 on Rolling Stone's list of the greatest stoner albums. Aoife: I don't think Robin Pecknold was a stoner. It doesn't really fit. He's a reader. Niall: So what came after? Helplessness Blues, which is really difficult to say, in 2011, then Crack-Up in 2017, then Shore in 2020. Big long gaps, some personnel changes. And Robin Pecknold, as we've established, is a very literary guy, he went to Columbia to do an undergrad in English literature, because he'd left high school early and gone to a community college, and he really wanted that college experience. So that was part of the break. He's also had difficult times, he's spoken about mental health issues and suicidal ideation, many tough experiences that contributed to the gaps too. They haven't released anything since 2020, and he does a lot of cover events. There are two live records. He's actually playing a gig tonight, I think, where he covers Judee Sill. Any Judee Sill fans? Aoife: Oh my gosh, she's amazing. Nobody ever knows Judee Sill. If you listen to anything, listen to Heart Food, it's iconic. He loves her, mentions her on this record. She's the one who does 'The Kiss', people might have seen her perform it on the Old Grey Whistle Test, it's on YouTube. She had a really tragic life. Niall: One of those I've been meaning to listen to properly for years. She only has two records, so it's easy to get into. There's a documentary about her as well, which I haven't seen. Aoife: She's one of those ill-fated seventies musicians, really religious imagery, did a lot of drugs, really interesting. Niall: Did you get to see them again after your first foray in Berlin? Aoife: I saw them when they toured, though it's really bad when you can't remember what you were doing in the 2010s. Niall: Did anybody see them at that Dublin gig, the outdoor one in 2022? Wasn't it amazing. They've played here a fair bit: Vicar Street in 2008, Electric Picnic 2009, The Marquee in Cork 2011, the Iveagh Gardens in 2017. I don't know if I've missed any, maybe you can tell me. So if you were to pick, is there any further listening or reading you'd suggest to somebody, not necessarily Fleet Foxes? Aoife: Some of it is obvious. As I said, I'd definitely check out Judee Sill, because if you really like Fleet Foxes you'd really vibe with her. And he mentions Harry Nilsson, also unbelievable, more well known than Judee Sill, did the cover of 'Everybody's Talkin''. I'd also mention a guy people would have known at one point but isn't very well known now: Richard Swift. He sadly passed away a couple of years ago. He was friends with Robin Pecknold, a hugely talented musician who struggled with addiction. He has an amazing double album from around 2005 or 2006 that's brilliant, and a record called The Hex, which is referenced on 'Sunblind' on Shore, that's the song where Robin name-checks a lot of musicians he loves, like Elliott Smith, David Berman and Richard Swift. It's such a beautiful record for finding new people to listen to, and it's lovely to hear a musician pay tribute to musicians he loves. The imagery is him talking about this beautiful day where he'll go for a swim and listen to all these beautiful bands, an ecstatic kind of song. So check out all of those records, but Richard Swift deserves more fans, and The Hex is really, really good. Niall: Good shout. What we'll do now is play a tune, and then maybe give Sun Giant another go if you want to stick around. Our next listening party is on the 27th of May, and it's an indie-rock album very close to my heart: Broken Social Scene's You Forgot It in People. I've been wanting to do this one on record for a long time. They're playing here later in the year, but I want to give this record its flowers, it's incredible. My niece has just turned seventeen and I bought her a copy, because it's an anthemic record for a seventeen-year-old. I can't believe that band are still going, which is kind of mad, but it's hard to underline what Broken Social Scene meant to a certain segment of indie. Aoife: And there's four hundred of them on stage. They're from Canada, and we were all like, my God, these people are the best. Niall: For me it's the MP3 times again, we'll talk about this next month. I heard about them through the music blogs, and then I got to see them in the Button Factory, which was the Temple Bar Music Centre at the time. It was one of the first things I ever wrote about, back in 2005. A transcendental experience. Aoife: They're so good live. Niall: I once DJ'd in Galway after one of their gigs, and one of the members of the band, I'll leave him nameless, came over and turned off the decks while I was DJing. Aoife: On purpose? Niall: He was that drunk. I can't remember what I was playing, but I was like, great, DJing after Broken Social Scene and then a band member ruins it. I don't think he liked it. No, I think he was just really drunk and thought it was funny. Thumbs down to him. In a way it's surprising a man like that has managed to persist in a band with so many members. Anyway, I digress. We'll talk about it next month, May 27th. Aoife: I cannot wait. I've been listening to it a lot lately again, it's fantastic. Niall: Thank you for being here. Let's play a bit of this and see what happens. Thanks for being here, appreciate it.

The Science of the Strike: Why Salmon Hunt (And How to Catch Them)If you want to stop guessing and start understanding why salmon do what they do, this episode is for you. Jamie breaks down the actual science behind salmon behavior -- how they find food, what triggers a strike, and why your lure action matters more than your lure color. This isn't theory for theory's sake. Every principle connects directly to how you fish.What this episode covers:Why salmon in the Salish Sea are typically found in the upper 30 meters of the water column -- and how to use that to your advantageWhy "current change" is the phrase that should replace "tide change" in your vocabularyHow tidal jets create convergence fronts that stack baitfish -- and why that's exactly where you need to beWhat the lateral line is and why it may matter more than vision when it comes to triggering a strikeThe real science on color and depth -- and why red is essentially invisible below 33 feetWhy erratic, irregular lure movement triggers predatory instincts in salmonTimestamps00:00 -- Introduction: the science behind salmon and why it makes you a better angler 01:30 -- Salmon School announcement (August 9, Anacortes) 03:00 -- Where salmon hold in the water column and why it matters 04:00 -- Current change vs. tide change: why the language matters 05:00 -- Tidal jets, convergence fronts, and where bait stacks 07:00 -- Using sonar to find fish that won't bite 07:30 -- Salmon diet: herring, sand lance, and matching the hatch 09:00 -- Lure selection: Kingfisher Spoon, Coho Killer, hoochies, and matching prey 10:00 -- The lateral line: how salmon detect your lure before they see it 12:00 -- Why flashers work and why lure action is primary 13:00 -- Color physics at depth: what salmon can actually see 14:00 -- UV and glow lures: what the science says (and doesn't) 16:00 -- What triggers the strike: erratic movement and vulnerable prey 18:00 -- Key takeaways and closing 19:00 -- Salmon School wrap-upKey TakeawaysSalmon in the Salish Sea primarily hold in the upper 30 meters -- your depth decisions should be calculated, not random.Current change -- not tide change -- is the variable that concentrates baitfish and creates feeding windows.Tidal jets create convergence fronts where herring, sand lance, and candlefish stack -- and where salmon follow.The lateral line is a fish's built-in pressure and vibration sensor, and research suggests it may be more important than vision for triggering a strike.Water absorbs red and orange light by about 33 feet deep -- color choices below that depth should lean toward green, blue, and UV reactive.UV lures have strong anecdotal and industry support, but peer-reviewed science on UV vision in Pacific salmon at fishing depths is still limited.Erratic, irregular lure movement mimics a vulnerable baitfish -- and that's what gets a salmon from following your lure to striking it.Resources MentionedSalmon School (August 9, Anacortes): https://anglersunlimited.co/salmonschoolScienceDirect Lateral Lines & Fish: https://www.sciencedirect.com/topics/veterinary-science-and-veterinary-medicine/lateral-lineEncyclopedia of Puget Sound: https://www.eopugetsound.org/What Salmon See: https://www.science.org/content/article/how-salmon-see-world-anewPacific Wild (forage fish research): https://pacificwild.org/how-salmon-need-herring/Steve Chamberlain previous episode: https://youtu.be/29aTkrlzHWw?si=4ZC-fd9Nz7uAYvloSea Bear Smokehouse: https://seabear.com/pages/about-seabearWant to fish smarter this season?We have 13 spots left at Salmon School on August 9th in Anacortes. You'll get hands-on sessions on sonar, gear setup, trolling technique, reading current, and more -- including a smoked salmon tasting from Sea Bear Smokehouse. Sign up at anglersunlimited.co/salmonschool before it's gone.About the PodcastFishing for a Reason is the Pacific Northwest saltwater fishing education podcast for new anglers and families who want to catch more salmon, halibut, lingcod, shrimp, and crab in Washington waters. Hosted by Jamie & Scott Propst from Anglers Unlimited, each episode delivers practical techniques, local knowledge, and expert insights to help you get off the couch and into the fish. Perfect for relocated professionals, military families, and boaters who are just getting into fishing.

Arkansas Governor Sarah Huckabee Sanders has officially rebranded June away from Pride Month — and five Republican-led states are right behind her. From Tennessee's Nuclear Family Month to Alabama's Strong Families Month to Nebraska's Marriage and Family Month, red states are pushing back against what many conservatives call decades of corporate and political rainbow-washing. This is a coordinated cultural statement, not a fringe move.Sean breaks down the full list of states, what they're declaring instead, and why the mainstream media — especially here in the Pacific Northwest — won't touch this story. The corporate machine behind Pride Month has run unopposed for years. That's changing fast, and the left's response reveals exactly how high the stakes are in this fight over American values.Meanwhile, Seattle marches the other direction, and Sean has thoughts. From the Seattle Times cheerleading a World Cup crowd to the Pacific Northwest's relentless LGBTQ advocacy overreach, the contrast between red-state America and the Puget Sound bubble has never been sharper. Pride as a deadly sin, pronoun culture in Washington, and why "Strong Families Month" is a statement worth making.CHAPTERS0:00 Gov. Sanders Scraps Pride Month in…1:54 Seattle Media Avoids LGBTQ Criticism2:42 Anti-LGBTQ Nations Play Seattle Pride…4:06 MLB Cracks Down on Bible Verse Hats5:33 Pride as a Deadly Sin6:13 Six GOP Governors Counter Pride Month8:57 Sarah Huckabee Sanders Promotes Family…9:48 Tennessee Declares Nuclear Family Month10:30 Alabama Governor Declares Strong…13:14 Rapinoe Skips Patriotism at World Cup14:42 Nebraska Declares Marriage and Family…15:40 LGBTQ Groups Slam GOP June Rebranding18:40 Rep. Andy Ogles Deletes Anti-Gay PostSubscribe to @reasonablenews and hit the notification bell — daily commentary on the stories the Pacific Northwest media won't cover.#MediaBias #MainstreamMedia #CensorshipGO PREMIUM WITH REASONABLE+ FOR UNCENSORED ACCESS

Today's episode of the America's Work Force Union Podcast brings together two conversations that cut to the heart of what it means to be a worker in America right now — one focused on who keeps people safe and one on who makes the decisions that shape their lives. First, National Nurses United President Jamie Brown and NNU Assistant Director of Health and Safety Jane Thomason discuss a workplace safety crisis that most Americans never see. Healthcare workers account for approximately 73% of all nonfatal workplace violence injuries in the United States, nurses are five times more likely to be assaulted at work than people in any other industry and the actual rate is dramatically higher because most incidents never get reported. Brown and Thomason make the case for the Nurse and Health Care Worker Protection Act, which would mandate safe staffing ratios and workplace violence prevention programs at hospitals receiving Medicare and Medicaid funding, and address chemical and environmental hazards nurses face daily, including antineoplastic drug exposure, post-COVID disinfectants and wildfire smoke entering hospital facilities through filtration systems not designed to stop it. Then, IAM Union retired International President Tom Buffenbarger delivers his monthly independent labor voice segment covering three significant stories. Boeing's new CEO, Kelly Ortberg, is meeting directly with machinists, reinstating union advisory channels and committing to keep manufacturing in Puget Sound, representing what Buffenbarger calls the most meaningful cultural shift at the company in years. Tariff uncertainty, rather than tariff levels, is causing profitable companies to lay off manufacturing workers because the planning horizon has disappeared. And the One Big Beautiful Bill is structured to remove an estimated 11 to 12 million people from Medicaid through administrative burden and shift SNAP costs to states in ways that will reduce benefits for children, veterans and working families. Visit nationalnursesunited.org for more from National Nurses United and goiam.org for more from the IAM Union.

Stop Guessing: The Salmon Fishing System That Actually WorksIf you own a boat, have the gear, and still keep coming home empty-handed, this episode is for you. Jamie walks through the exact training she's taught in seminars and private sessions for years -- the same one boaters from all over Washington have used to go from frustrated to consistent. By the end, you'll understand the four-part system that separates the boats that limit out from the ones that go home empty every time.Episode OverviewJamie shares her own rough first season chasing salmon in the San Juan Islands and the local legend who changed everything for herLearn the three types of fishermen and which one might be quietly holding you backA full breakdown of rod, reel, downrigger and terminal tackle setupHow to plan a trip using tides, current and wind apps before you ever leave the dockA real video walkthrough of sending gear down and landing a fishThe four-question review habit that turns one good trip into a repeatable processTimestamps 00:00 - Salmon School announcement and what's ahead 04:00 - Meet Jamie and Scott, welcome to the training 09:00 - Jamie's early struggles finding salmon in the San Juans 12:00 - The three types of fishermen, which one are you 16:00 - Pillar 1, prep your gear like a pro 21:00 - Rod, reel and downrigger setup breakdown 27:00 - Choosing lures, bait and terminal tackle 33:00 - Pillar 2, planning an exceptional day on the water 38:00 - Reading tides, current and wind before you leave the dock 46:00 - Pillar 3, on the water fishing technique walkthrough 57:00 - Pillar 4, process and review, the nine questions that level you upKey TakeawaysFishing success comes down to performance, not luck or the newest lure.Fishing the current change matters more than fishing the tide change.Most anglers skip the review step, and that's exactly what separates the committed rookie from the proficient angler.Prepared anglers catch more fish because they spend more time fishing and less time fixing gear.Sending two different lures down at once helps you figure out what the fish actually want that day.Resources & Links Salmon School, August 9th in Anacortes: https://anglersunlimited.co/salmonschool Want hands-on training with real gear demos, a sonar deep dive with Steve Chamberlin, and a filleting demo from SeaBear? Join us at Salmon School in Anacortes on August 9th. Grab your spot at https://anglersunlimited.co/salmonschoolFishing for a Reason is the Pacific Northwest saltwater fishing education podcast for new anglers and families who want to catch more salmon, halibut, lingcod, shrimp and crab in Washington waters. Hosted by Jamie & Scott Propst from Anglers Unlimited, each episode delivers practical techniques, local knowledge, and expert insights to help you get off the couch and into the fish. Perfect for relocated professionals, military families, and boaters who are just getting into fishing.

Grief is one of the most universal yet isolating experiences we endure—and psychedelics may offer a path through it. This Salon explores how substances like psilocybin, MDMA, and 5-MeO-DMT are being used to support those navigating loss, whether from death, identity shifts, or life transitions. This session sheds light on how altered states can help us reconnect to love, soften the sharp edges of sorrow, and reorient to a life forever changed. Attendees will gain insight into the science and integration practices that support emotional processing and meaning-making in the context of grief. Dr. Sunil Aggarwal is a physician in hospice and palliative medicine, physical medicine and rehabilitation, and a medical geographer. Dr. Aggarwal's primary clinical work is as an Integrative Pain, Palliative Care, and Rehabilitation Physician in private practice at the AIMS Institute in Seattle, Washington, and as an on-call Palliative and Hospice Physician within a Puget Sound–based healthcare system. He has a petition to reschedule psilocybin that is currently under review at the US Department of Health and Human Services. Dr. Aggarwal's medical geography scholarship focuses on the geographies of access, delivery, and development of cannabinologic and psychedelic integrative medicine—particularly as these relate to pain management, hospice and palliative medicine, and rehabilitation services. After two decades in journalism and content direction, Laura Sullivan Cassidy (she/her) used the early pandemic years to begin building a new career serving communities in grief and loss. She's trained as a grief work facilitator, creative coach, and death doula, and is employed at Recompose, the Seattle-based green funeral home known for pioneering the process of human composting. Her role at Recompose involves outreach, community, and client work—specifically with communities for whom a death is approaching, either via terminal diagnosis or hospice care. Laura writes a Substack called Griever's Ball and offers creative expression, listening groups, and death awareness workshops. — Psychedelic Salon: Cultivating Conscious Connections Join Seattle-based psychedelics educator and podcast host April Pride in a dynamic series co-produced with Town Hall Seattle. Psychedelic Salon explores the transformative potential of psychedelic medicines through engaging conversations, expert panels, and interactive community discussions. Rooted in scientific evidence, each event highlights unique themes—including grief, seniors, menopause, and more—emphasizing their role in mental health, spiritual growth, and personal optimization. Designed to be inclusive and insightful, this series invites attendees of all backgrounds to discover how psychedelics can foster profound connections, healing, and well-being. About April Pride April Pride is a Seattle-based creative entrepreneur and harm reduction advocate with over two decades of experience building brands at the intersection of lifestyle, cannabis, psychedelics, and women's health. Her work has been featured in The New York Times, Forbes, Vice, and The Guardian. April is the founder of SetSet, the world's first clinician-approved woman-focused platform for safe, accessible psychedelic integration. To learn more, follow April on Substack – aprilpride.substack.com

Fractional Fiction, for those of you new to the series, is a discipline as much as a name. Every novel in it grows from a small fraction of documented reality, real texts, real law, real science, real ground, and the fiction rises around that fraction without ever falsifying it. Each book carries exactly one invention, one thing that does not exist, and the notes in the back declare it openly so you always know where the ground ends. Everything else holds. The permits in this book are real permits. A treaty really was signed on the sand at Point No Point in 1855. The six words are the real six words. And the three sources this novel is built on are named in the back matter like load-bearing walls. The first is a real book from 1922 called The Wild Heart, eleven animal sketches of Puget Sound country by a writer named Emma-Lindsay Squier, with an introduction by Gene Stratton-Porter that carries an idea this novel takes as law: a wild thing that stops being afraid of us cannot go home. The second is the oldest family record in Greek literature, Hesiod's Theogony, a list of who was born to whom, in which every generation of gods, warned about its children, devours them, and is replaced anyway. And the third is Dante, read in the English Longfellow made in the years after his wife died, when translating the Inferno was the only room of his grief he could stand in. From Dante the book takes its shape, a teller walking a silent listener down through the rings, and it takes a plea. In the sixth canto, a shade stops the pilgrim and asks for the only afterlife that is real: when you are back in the sweet world, carry me into the minds of other people.

Try to imagine a world without birds. It's quite a challenge, given that we share the planet with tens of billions of birds spanning an astonishing 14,000 species. Birds find homes nearly everywhere that people do – and many places we do not – and their prowess and plumage have captivated human imagination throughout the ages. But impressive aerial feats and collective choirs of song aside, part of our fascination with birds is rooted in the awe of something so delicate and strange. How did such seemingly fragile creatures made of hollow bones and downy feathers break the mold of terrestrial life and survive millennia? In his newest book, The Story of Birds: A New History, from Their Dinosaur Origins to the Present, esteemed paleontologist Steve Brusatte embarks on a deep dive through the history of avian evolution. The Story of Birds begins by exploring how dinosaurs gradually developed the trademark features of birds one-by-one—feathers, wings, beaks, big brains, keen senses, and warm-blooded metabolisms. Brusatte investigates how these features contributed to birds emerging as the only surviving dinosaurs of the cataclysmic asteroid impact 66 million years ago, and how their numbers soared to new heights of diversity in the barren landscape that followed. Along this journey through time, meet extraordinary extinct species like the 1.5-ton elephant birds of Madagascar, giant Pelagornithid seabirds with 20-foot wingspans, and flightless 10-foot-tall terror birds with beaks that sliced flesh. Brusatte follows these remarkable species all the way down to the present, urging readers to share the same appreciation for the many impressive birds of today– penguins that literally fly underwater, parrots that can mimic human speech, and hummingbirds that hover mid-air and dive at 50 miles per hour. Presented with keen research and soaring enthusiasm, The Story of Birds unearths the unique origins of birds and the legacy they continue to live to this day. Steve Brusatte, PhD, is an American paleontologist who teaches at the University of Edinburgh, in Scotland. He is the author of the international bestseller The Rise and Fall of the Dinosaurs and The Rise and Reign of the Mammals. The paleontology advisor on the Jurassic World film franchise, Brusatte has named more than fifteen new species, including the tyrannosaur "Pinocchio rex" (Qianzhousaurus), the raptor Zhenyuanlong, and several ancient mammals. His research and writing has been featured in Science, the New York Times, Scientific American, and many other publications. David B. Williams is an author and naturalist whose award-winning books include Homewaters: A Human and Natural History of Puget Sound and Too High and Too Steep: Reshaping Seattle's Topography, as well as co-authoring Spirit Whales and Sloth Tales: Fossils of Washington State. His newest book, Wild in Seattle: Stories at the Crossroads of People and Nature is a best-of collection from his free weekly Substack newsletter, the Street Smart Naturalist. He has been called an "evangelist for the practice of paying attention." Buy the Book The Story of Birds: A New History from Their Dinosaur Origins to the Present Elliott Bay Book Company

Talk of Content marketing started appearing online around 2007. One of the few people who  started talking about it was former Funnel Reboot guest Joe Pulizzi. It wasn't until 2014 I became aware of marketers who were staking their career on the profession of creating content. I found the idea of giving-away-expertise a bit unsettling.  Maybe it was because for a dozen years prior to that, I'd mainly communicated with audiences through paid ads. Gradually, Content marketing won out - we simply expect content on social media brings marketing results.  Only one problem, our guest says most of us aren't doing content marketing right. One of her main critiques is that we're making too much of it.. I'll use myself as an example. Let's look across the various accounts I've had on twitter/x; that have a combined 40,927 posts. Of those, analytics says only about 200, or 0.5% of them were home runs. If I'd known how our guest turns less into more; my marketing results could have been very different. I would also have been less stressed and would have slept better. Our guest is founder of Globia Content Marketing agency. After earning two Bachelor's degrees, from the University of Puget Sound and Boise State University, and completing her Master's at the University of Colorado Boulder, our guest spent two decades as an in-house B2B marketer. Wanting to improve how content marketing's done, she started posting on LinkedIn and built a sizable following and hung out her shingle in 2023. In 2025, she published her book Content Simplified.  Let's go to boise idaho to speak with Lee Densmer   Chapter/Timestamps 00:00 Intro 01:34 Meet Lee Densmer 02:46 Why Content Fails 04:08 Quantity Trap 05:47 Three by Five Framework 07:27 Set Three Goals 09:23 Burnout Social Example 10:48 Pick Three Buyers 15:14 Choose Three Themes 17:09 Mission Statement Focus 19:29 Stay In Your Lane 21:08 Avoid Endless Debates 22:28 AI Limits And Guardrails 25:54 SME Interview System 28:30 Chatbot Announcement 28:59 CEO Approval Bottleneck 30:59 Channels Promotion Repurpose 33:48 Metrics That Matter 36:29 Proving ROI And Budgets 37:21 Book details & Wrap Up  Links to everything mentioned in the show are on the Funnel Reboot site's page for this episode.

Washington saw several significant developments this week. The Ballmer Group announced one of the largest private affordable housing commitments in state history. Puget Sound housing permits fell to their lowest level in a decade while the region experienced job losses. Washington's rent cap law completed its first full year of enforcement. The Spokane Tribe of Indians continued its major expansion into the Puget Sound multifamily market, and state agencies began adapting ahead of HUD's new federal homelessness funding priorities.

TODAY'S TOP STORIES // Young, broke couples are getting prenups // What should you do with texts, emails and photos of a loved one who's passed away

WA, CA, and Quebec form joint carbon market, WA faces yet another massive budget gap, and Seattle's World Cup match featuring Iran is deeply political and personal for many Iranian Americans living in the Puget Sound region. It’s our daily roundup of top stories from the KUOW newsroom, with host Patricia Murphy. We can only make Seattle Now because listeners support us. Tap here to make a gift and keep Seattle Now in your feed. Got questions about local news or story ideas to share? We want to hear from you! Email us at seattlenow@kuow.org, leave us a voicemail at (206) 616-6746 or leave us feedback online.See omnystudio.com/listener for privacy information.

Feliks Banel's guest on this BONUS EPISODE of CASCADE OF HISTORY is Richard Hiscocks, historian in the UK behind the website MORE THAN NELSON. Since he was a young boy, Mr. Hiscocks has been researching biographies of officers in the British Navy - several of whom who happen to be namesake for places and geographic features in coastal Washington, Puget Sound and British Columbia. The website's description reads: "Drawing on over two hundred and fifty published sources, this work in progress is a comprehensive and readable reference guide to the golden age of Naval History from the commencement of the American War of Revolution in 1776 to the termination of the Napoleonic Wars in 1815. It is in two parts – a Biographical History and Chronicle – and will eventually consist of approximately 2m words. The vast majority of the work has already been completed and once validated and edited will be added to the site in a chronological order with biographies of the officers being inserted as and when they appear in the history." MORE THAN NELSON website: https://morethannelson.com/ Links to more information as well as images related to most topics discussed on the show are often available at the CASCADE OF HISTORY Facebook page: http://www.facebook.com/groups/cascadeofhistory CASCADE OF HISTORY is broadcast LIVE most Sunday nights at 8pm Pacific Time via flagship station SPACE 101.1 FM in Seattle and gallantly streams everywhere via www.space101fm.org. The radio station broadcasts from studios at historic Magnuson Park – located in the former Master-at-Arms' quarters in the old Sand Point Naval Air Station - on the shores of Lake Washington in Seattle. Subscribe to the CASCADE OF HISTORY podcast via most podcast platforms and never miss regular weekly episodes of Sunday night broadcasts as well as frequent bonus episodes. "LIKE" the Cascade of History Facebook page and get updates and other stories throughout the week, and advance notice of live remote broadcasts taking place in your part of the Old Oregon Country.

Exclusive: Despite fanfare, Seattle Mayor Katie Wilson’s new Interbay homeless shelter is nearly empty. Puget Sound is losing jobs and housing permits have hit a decade low. Trump makes a humorous jab about Maine’s Graham Platner. // Guest: Bellevue City Councilmember Jared Nieuwenhuis reacts to a Downtown Seattle Association report that found Seattle’s payroll tax is driving businesses to Bellevue. // Will AI improve the job interview process and are remote workers happier?

Send Me a Text MessageHost Tom Butler opens with the report he promised on his new Otso Warakin TI: a first long ride that turned into a navigation disaster but still delivered an encouraging first real test of the bike. He gets into what went wrong trying to find the trail, and what went right once the bike was moving, smooth on the gravel descents and surprisingly planted at thirty miles an hour on the road, on gravel tires. He also flags a knee that flared up and the setup questions he wants to solve before the next big ride.From there, Tom shares something he's now convinced is real: his recovery is improving. After a long stretch of severely limiting carbs and eating no meat, he added meat back and started supplementing creatine, and his legs began bouncing back faster from hard efforts. He walks through the leucine and creatine science behind why that might be, why it may matter more with age, and an important reminder that he's experimenting on himself, not prescribing, and that any change like this belongs in a conversation with your own physician first.Then Tom sits down with Dr. Gary McCall, a professor of exercise science at the University of Puget Sound who studies what physical activity does inside the body, and what happens when it goes away. It's the ideal follow-up to Tom's own muscle speculation. The two dig into the exercise-is-medicine idea at the heart of the show, the surprising place where the biggest health gains live, and how much of what we write off as aging may really be inactivity. Gary is a cyclist himself, so this is someone who knows both the science and the road.Become a member of the Cycling Over Sixty Strava Club!  www.strava.com/clubs/CyclingOverSixtyCycling Over Sixty is also on Zwift.  Look for our Zwift club!NOTE: I share information about my journey. From time to time that means sharing what I do to stay healthy.  None of what I share is meant to be medical advice. Always consult with your physician or other health professionals before making changes. Please send comments, questions and especially content suggestions to me at info@cyclingoversixty.comFollow and comment on Cycling Over Sixty on Instagram: https://www.instagram.com/cyclingoversixty/Show music is "Come On Out" by Dan Lebowitz.  Find him here : lebomusic.com

Exclusive: Despite fanfare, Seattle Mayor Katie Wilson’s new Interbay homeless shelter is nearly empty. Puget Sound is losing jobs and housing permits have hit a decade low. Trump makes a humorous jab about Maine’s Graham Platner. // Bellevue City Councilmember Jared Nieuwenhuis reacts to a Downtown Seattle Association report that found Seattle’s payroll tax is driving businesses to Bellevue. // The text of the MOU with Iran has been released and many of Trump’s allies are not pleased with it.

#937 Show Notes: https://wetflyswing.com/937   Presented by: TroutRoutes, On DeMark Lodge, FishHound Expeditions, Montana Fly Fishing Lodge Sponsors: https://www.wetflyswing.com/sponsors/       In this episode, I sat down with Blake Merwin from Gig Harbor Fly Shop to talk about Puget Sound cutthroat fishing, steelhead on the Olympic Peninsula, and the small details that separate productive days from frustrating ones. We dug into beach structure, tide movement, chum fry migrations, topwater opportunities, and why standing still is often the biggest mistake anglers make. Blake has spent decades guiding and exploring these waters. Along the way, he's developed a deep understanding of sea-run cutthroat behavior and how anglers can consistently find fish throughout the year. Show Notes: https://wetflyswing.com/937    

Local beekeepers, gardeners, and native plant experts join in a conversation about turning your own backyard into a native ecosystem oasis. Learn about the benefits of mason bees, the importance of best-gardening practices to protect Puget Sound salmon, and how you can make a difference in keeping our city climate change resilient. Featuring Dave Hunter, author of Mason Bee Revolution: How the Hardest Working Bee Can Save the World One Backyard at a Time, along with panelists Jessi Bloom, Bill Thorness, Kim M. Camara, and Swil Kanim, this event hopes to empower everyone to play a part in rebuilding healthy pollinator networks — and securing a thriving, sustainable planet. Dave Hunter is the founder of the Orchard Bee Association and Crown Bees, which helps people support pollinators with the right supplies, expert guidance, and easy-to-follow programs. His work has been featured in Urban Farm, The Seattle Times, NPR, and more. He lives in Woodinville, Washington. Visit him online at crownbees.com or on Instagram @crown_bees Jessi Bloom is an ecological landscape designer, author, arborist, and teacher. Over the years, she has worn many hats professionally, helping thousands of land stewards with consulting and design/build work, and educating through books and educational events. Jessi started NW Bloom EcoLogical Services, based in Woodinville, WA, in 2000 to innovate and emphasize awareness of permaculture, sustainable landscape design, construction, and land management. The Seattle Times named her a "rockstar in the ecological gardening movement," where her leadership led NW Bloom to numerous environmental awards. She sits on the advisory committee for the WA State Dept. of Natural Resources Urban Forestry Programs, where her decades as a private sector arborist serve in behalf of the PNW ISA (International Society of Arboriculture). Bill Thorness is a writer and gardener who's been doing both in Seattle since the mid-1980s. He is the author of Cool Season Gardener: Extend the Harvest, Plan Ahead, and Grow Vegetables Year Round and Edible Heirlooms: Heritage Vegetables for the Maritime Garden, and writes for many regional publications, including The Seattle Times. He is also a King County Master Gardener. Kim M. Camara serves as Executive Director of Windz of Change Alliance, based in Seattle for over 25 years. Kim is a visionary collectively working with Indigenous inter-Tribal community peoples on contemporary and traditional sacred pathways. Her roles interweave project developer, grant writer, teacher/educator, choreographic and event producer, visual design artist, and youth mentor. With a focus on imparting knowledge, bridging, engaging, and inspiring creative leadership and relationships, she advocates the Windz vision to respectfully bridge and strengthen Indigenous Tribal community Peoples, Presence, Place, Sacred Spaces and Relationships. Accomplishment activities encompass artistic cultural heritage events, eco-cultural parks activation installations, presentations, and workshops, festivals, art shows, youth teaching, and artist opportunity referrals and granting assistance. Swil Kanim is a U.S. Army veteran, storyteller, actor, and classically trained violinist from Washington State. A board member of the Seattle Symphony, he blends original compositions with powerful stories drawn from his life and heritage, inspiring audiences nationwide. His music and compositions are the direct result of a well-supported public school music program, which he credits for nurturing his artistry. Swil Kanim is the recipient of the Woodring College Professional Excellence Award, the Bellingham Mayor's Arts Award, and has been recognized as a Certified Virtuoso Violinist by the Whatcom Chapter of the Washington Music Educators Association. In 2008, he was also honored to perform with His Holiness the Dalai Lama during the Seeds of Compassion event in Seattle. Buy the Book Mason Bee Revolution: How the Hardest Working Bee Can Save the World One Backyard at a Time (2nd edition) Third Place Books

Feliks Banel's guest on this BONUS EPISODE of CASCADE OF HISTORY is Patrick J. Sullivan, board secretary of the Puget Sound Coast Artillery Museum at Fort Warden near Port Townsend, Washington. In this conversation, Mr. Sullivan shares the news about the Coast Artillery Museum's imminent closure; after 50 years, the organization's board has voted to sunset its museum facility at Fort Worden, which will permanently close after Labor Day Weekend 2026. Mr. Sullivan explains that volunteers are harder and harder to come by and that revenue from cruise ship passengers has dropped off, and thus the board has chosen to cease operations of the museum, which was founded in 1976. In the years before World War I, Fort Worden was part of the historic "triangle of fire" - along with nearby Fort Casey and Fort Flagler - of coast artillery protecting Puget Sound from incursions of enemy vessels. CASCADE OF HISTORY spoke with Patrick J. Sullivan on Monday, June 8, 2026. Puget Sound Coast Artillery Museum's Facebook page: https://www.facebook.com/profile.php?id=100064873562589 Puget Sound Coast Artillery Museum's web page: https://coastartillery.org/ Fort Worden Historical State Park web page: https://parks.wa.gov/find-parks/state-parks/fort-worden-historical-state-park Links to more information as well as images related to most topics discussed on the show are often available at the CASCADE OF HISTORY Facebook page: www.facebook.com/groups/cascadeofhistory CASCADE OF HISTORY is broadcast LIVE most Sunday nights at 8pm Pacific Time via flagship station SPACE 101.1 FM in Seattle and gallantly streams everywhere via www.space101fm.org. The radio station broadcasts from studios at historic Magnuson Park – located in the former Master-at-Arms' quarters in the old Sand Point Naval Air Station - on the shores of Lake Washington in Seattle. Subscribe to the CASCADE OF HISTORY podcast via most podcast platforms and never miss regular weekly episodes of Sunday night broadcasts as well as frequent bonus episodes. "LIKE" the Cascade of History Facebook page and get updates and other stories throughout the week, and advance notice of live remote broadcasts taking place in your part of the Old Oregon Country.

Got a story idea for Bloodworks 101? Send us a text message It's June 1947, and Bloodworks' first donation center in Seattle has been open for six months. Roughly 20 miles southwest, Harold Dahl and his crew experience something strange near Maury Island in Puget Sound. What happens next will launch a mystery and a mythology that persists to this day. The truth is out there, and, nearly 80 years later, Steve Edmiston wants to find it. But, as Bloodworks 101 co-producer Helen Pitlick learned, there was a time that Steve was the star of a scary SciFi-esque story of his own.Support the show

We sit down with Brita Fordice, a full-time product developer at RIO Products who designs and tests flies for a wide range of freshwater and saltwater species. Raised on Washington's Stillaguamish River, Brita started fly fishing at eight years old and taught herself to tie flies at ten. She later guided throughout Puget Sound and Hood Canal before helping build RIO's fly program from the ground up. We talk about her journey into fly fishing, fly design, working in the industry, and the lessons she's learned along the way. Follow Brita on Instagram   HOW TO HELP SO FLY: Please go leave us a review on APPLE PODCASTS. It really helps our show get out there, which means we get to make MORE episodes.  Thank you to our sponsors: Drift Outfitters Redington Chums Costa Muskoka Brewery Hooké   Podcast Intro Theme Song Music: “Favela Beat“ by Birocratic (www.birocratic.com) The song used in our podcast was licensed via Birocratic License v05.2016. For info on how you can use this music in your project, check out ⁠http://www.birocratic.com/license-app.⁠ To download Birocratic's 60+ song discography, visit http:// birocratic.bandcamp.com. Thanks to all our listeners.  

Re-posting this CLAMMY AND FISHY BONUS EPISODE in memory of beloved Seattle historian Paul Dorpat, October 28, 1938 to May 27, 2026. Anyone who works in history, public history or anything related to local history in the Pacific Northwest stands on the shoulders of the kind-hearted, brilliant and very funny Paul Dorpat. He was truly one of the good guys. REST IN PEACE. ORIGINAL EPISODE DESCRIPTION: On this CLAMMY AND FISHY BONUS EPISODE of CASCADE OF HISTORY from November 2025, Feliks Banel (clam)digs into the audio archives to tell the twisted tale of the Ivar's Billboard Hoax, aka "Underwatergate." Though, once you've listened, it may have you wondering if there was ever hoax at all, or if it was actually some kind of elaborate coverup. In 2009, Seattle-based Ivar's seafood restaurants released a series of videos documenting the search for and discovery of UNDERWATER BILLBOARDS in Puget Sound. As the story goes, they were placed in the 1950s by restaurateur and showman Ivar Haglund to reach burgeoning submarine traffic. The 2009 undersea search was all very exciting, and many were completely hooked. But then, Jim Dever, with KING 5's Evening Magazine at the time - and still a great friend of CASCADE OF HISTORY - had the exclusive exposé, produced in cooperation with Ivar's, and featuring Ivar's CEO Bob Donegan. As Dever's report made it seem, the whole thing was a brilliant stunt that fooled a lot of people - but it angered a few, too, who thought Ivar's had gone too far. Fast forward to November 2015, and naïve history radio correspondent Feliks Banel set out to tell the backstory with help from Paul Dorpat. Dorpat is a beloved historian - and friend and biographer of Ivar - who had served as official historian of the vintage underwater billboard hunt. When the hoax had been revealed in 2009, Dorpat – longtime author of the weekly “Now & Then” history column - was criticized by many, and even temporarily suspended by The Seattle Times for his role in the stunt. As you listen to Paul Dorpat's 2015 version of events, try to keep clam. CASCADE OF HISTORY is broadcast LIVE most Sunday nights at 8pm Pacific Time via SPACE 101.1 FM in Seattle and gallantly streams everywhere via www.space101fm.org. The radio station broadcasts from studios at historic Magnuson Park – located in the former Master-at-Arms' quarters in the old Sand Point Naval Air Station - on the shores of Lake Washington in Seattle. Subscribe to the CASCADE OF HISTORY podcast via most podcast platforms and never miss regular weekly episodes of Sunday night broadcasts as well as frequent bonus episodes.

We'll take you to the Nixon's Marine Big Bass tournament at Eastern Washington's Potholes Reservoir.  171 teams competed, Rusty Johnston and I will tell you about our day and we'll also meet the winners of a new $70K bass boat! We'll also tell you about a new state park in Idaho, some great trout fishing destinations, give you a pikeminnow fishing report to include news about a new record pikeminnow, and talk Puget Sound shrimping! www.northwesternoutdoors.com      

Is spring actually showing up in the Pierce County real estate market — or is this the quietest "selling season" we've seen in years?In this episode of Inside Abode, host Dave Jones sits down with Jeff Tucker, Windermere Real Estate's Principal Economist, to break down what the latest Northwest MLS data really means for buyers, sellers, and agents across Pierce County and the greater Puget Sound.The headlines: closed sales are down 2% year-over-year, but pending sales are up 3%. New listings surged 14%, leaving 30% more active inventory than last April. The median sale price dipped about $5,000 — more evidence that PNW prices have stayed remarkably stable while other markets swing.Jeff walks us through the regional split too. Snohomish County closed sales dropped 15%. King County's median slipped 7% to $1,030,000. We talk about what that means for sellers trying to price right, for buyers who finally have options, and for the most balanced market we've seen in years.Spring is still a strong window to list — but the playbook has changed. More inventory means buyers are choosier, pricing matters more, and presentation wins.

With all these tech layoffs, should we get into the trades? We're pulling back the curtain on the trades industry with two leaders from one of the Pacific Northwest's fastest-growing home services companies. The CEO and COO share how they scaled Harts from a Gig Harbor garage to 150+ employees, why they built their own apprenticeship academy, and what tariffs and rising utility costs actually mean on the ground for tradespeople and homeowners.Top Stories:1. Inside the trades: workforce pipeline, women in the industry, and building a company academy (Seattle Times article)2. Microsoft's first-ever voluntary retirement program3. World Cup hotel bookings are lower than expectedAbout Rich Hart & Jess Passmore — Co-Owner and COO, Harts Plumbing, Electricians & HVAC Technicians: Rich Hart founded Harts over 13 years ago after relocating from Maui, growing the company from a garage in Gig Harbor to multiple locations serving the greater Puget Sound region. Jess Passmore joined seven years ago, bringing a background in healthcare operations, and now leads the company as COO. Harts serves residential customers across the region with plumbing, electrical, HVAC, and sewer services.About host Rachel Horgan:Rachel is an independent event producer, emcee and entrepreneur. She worked for the Business Journal as their Director of Events interviewing business leaders on stage before launching the weekly podcast. She earned her communication degree from the University of San Diego.Contact:Email: info@theweeklyseattle.comInstagram: @theweeklyseattleWebsite: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theweeklyseattle.com

If you've ever felt like fisheries management was too complicated, too political, or too far above your pay grade to matter — this episode is for you. Jamie sits down with Alex Van Hine (Fish Northwest) and Phillip Olson (Badger Fishing) for a straight-talk conversation about what's actually broken in Washington's salmon fishery management process — and what you can do about it.In this episode:Why the North of Falcon process is brokenHow exploitation rate math gives one side a negotiating advantageThe advisory group issue: who's in the room, who should be, and why it mattersWhy showing up in person to public meetings — even silently — changes the outcomeHow to get involved starting right now, even if you've never been to a meetingTimestamps: 00:00 – Introduction 01:00 – Philip's background and how Badger Fishing took off 08:00 – Alex's background: La Conner, San Juans, and getting serious about NOF 14:00 – What's actually broken in the North of Falcon process 18:00 – The Stillaguamish fin-clip problem explained 25:00 – The structural problem: time, scheduling, and communication 29:00 – The Puget Sound Sport Fishing Advisory Group: what it is and what's wrong 43:00 – How to get involved and why your voice matters 56:00 – Fish return numbers, NOF2 in Lynnwood, and the road to June 01:04:00 – Closing tradition question and where to follow Alex and PhilipKey Takeaways:The North of Falcon process is broken by design, not by the people inside it.The most constrained stock in Puget Sound is a hatchery-marked fish we're actively keeping — that needs to change.Exploitation rate numbers aren't equal between co-managers, and that shapes every negotiation.The advisory group needs active NOF participants, not appointed seat-fillers.800,000 people buy Washington fishing licenses — 1/10th of 1% showing up would change everything.You don't have to speak to matter. Just being in the room sends a message.Your voice matters more than you thinkResources & Links:Fish Northwest: https://www.fishnorthwest.orgBadger Fishing (Phillip Olson): Search "Badger Fishing" on YouTube, TikTok, Instagram, or Facebook @badgerfishingnwAlex Van Hine (Instagram): @reelpnw_avhWDFW: https://wdfw.wa.gov/aboutWant the full structured learning experience? Join the waitlist for Anglers Unlimited Gold membership at https://anglersunlimited.co/goldAbout the Podcast: Fishing for a Reason is the Pacific Northwest saltwater fishing education podcast for new anglers and families who want to catch more salmon, halibut, lingcod, shrimp, and crab in Washington waters. Hosted by Jamie & Scott Propst from Anglers Unlimited, each episode delivers practical techniques, local knowledge, and expert insights to help you get off the couch and into the fish. Perfect for relocated professionals, military families, and boaters who are just getting into fishing.

Tonight on Veritas our special guest is Damien Kross. And I want you to pay attention, because this one is different. This one comes with field notes.It begins on a night shift. A quiet night in an enclosed courtyard at a conference center on Puget Sound in Washington State. Damien was bored. He was a night shift worker, a writer, a black belt, and a former Special Police Officer with presidential security detail experience. He was not hunting for anything. He was looking at the sky.He spotted what looked like a satellite. And in a moment he describes as something a five-year-old would do, he grabbed a flashlight, pointed it at the sky, and waved. The object stopped. It changed color, altered its path, and sent something back that he still struggles to describe: a feeling. A brief, clear sense of surprise coming from the object, aimed directly at him.That was 2016. What followed was nine years of the most disciplined and rigorously documented contact investigation I have ever read.He did not go public immediately. He went to the doctor. Then specialists: MRI, MRA, CAT scans, EEG, psychological evaluations. He wanted to rule himself out before saying a word to anyone. While he was doing that, lights started appearing on his work security cameras, across the Sound on Maury Island. Lights that responded to his flashlight. Lights that matched colors he chose. Then lights that matched colors he only thought about before reaching for his flashlight.He built tests for that. He named the recurring lights. He logged their personalities. And he documented the night that two constellation clusters rearranged themselves in the sky above him in answer to a prayer he did not expect to be answered.This is a preview. Members hear the full interview and the complete archive at https://veritas7.com/subscribeveritasplus.php

Tonight on Veritas our special guest is Damien Kross. And I want you to pay attention, because this one is different. This one comes with field notes. It begins on a night shift. A quiet night in an enclosed courtyard at a conference center on Puget Sound in Washington State. Damien was bored. He was a night shift worker, a writer, a black belt, and a former Special Police Officer with presidential security detail experience. He was not hunting for anything. He was looking at the sky. He spotted what looked like a satellite. And in a moment he describes as something a five-year-old would do, he grabbed a flashlight, pointed it at the sky, and waved. The object stopped. It changed color, altered its path, and sent something back that he still struggles to describe: a feeling. A brief, clear sense of surprise coming from the object, aimed directly at him. That was 2016. What followed was nine years of the most disciplined and rigorously documented contact investigation I have ever read. He did not go public immediately. He went to the doctor. Then specialists: MRI, MRA, CAT scans, EEG, psychological evaluations. He wanted to rule himself out before saying a word to anyone. While he was doing that, lights started appearing on his work security cameras, across the Sound on Maury Island. Lights that responded to his flashlight. Lights that matched colors he chose. Then lights that matched colors he only thought about before reaching for his flashlight. He built tests for that. He named the recurring lights. He logged their personalities. And he documented the night that two constellation clusters rearranged themselves in the sky above him in answer to a prayer he did not expect to be answered.

If you've been frustrated by shrinking fishing seasons, confusing regulations, or contradictory information about what's really killing Washington's salmon runs — this episode is for you. Ron Garner, President of the Puget Sound Anglers, has spent nearly two decades inside the rooms where these decisions get made. He's fought to keep fisheries open, built bridges between tribes and recreational anglers, and has the data to back up what he says. This conversation will change how you see the salmon crisis.What this episode covers:Why so-called "wild" Chinook salmon in Washington state are essentially goneHow the Hatchery Science Review Group (HSRG) was covertly suppressing hatchery production The real data behind habitat lossWhy seals and sea lions now kill more salmon than commercial, tribal, and recreational fishing combined How Ron's relationship-building approach with tribes, WDFW, and NOAA has produced more wins than any protest or petitionWhat recreational anglers can do right now that actually moves the needleTimestamps: 00:00 Welcome back + baby news 03:45 Ron Garner's background and how shrinking halibut seasons pulled him into fisheries advocacy 07:30 Becoming PSA State Board President and pivoting from ocean fisheries to Puget Sound salmon 09:30 NOAA's proposed Puget Sound fishing closures and how PSA stopped them with the Rockfish Descender program 15:30 The biggest problem in Puget Sound19:00 HSRG explained and the fight to remove it from WDFW salmon policy 34:00 Ron's PowerPoint: the real root causes of salmon decline48:00 Hatchery production cuts vs. orca decline, flood-destroyed egg beds, and why hatcheries are the only reason we still have fish 01:09:00 Predator crisis, ocean condition cycles, and what recreational anglers can actually do to helpKey Takeaways:Hatcheries are not the enemy Cutting hatchery production has not brought wild fish back; the data shows the opposite.Over 82% of the Skagit estuary is gone Seals and sea lions kill more salmon than all fishing sectors combined, multiplied by six.The tribes have saved recreational fishing more times than most anglers will ever know.Relationship-building with WDFW, NOAA, and tribes has produced more wins than any protest or petition.If we don't stop fighting each other and start making more fish, our grandkids won't be fishing.Resources & Links:Puget Sound Anglers: https://pugetsoundanglers.orgWDFW Fishing Regulations: https://wdfw.wa.gov/fishing/regulations"Top 10 Reasons for the Salmon Decline" — Robert T. Lackey https://youtu.be/VVrXWt9VPMU?si=n6plzYlxsdmJxsF2Want the full structured learning experience? Join the waitlist for Anglers Unlimited Gold membership at https://anglersunlimited.co/goldFishing for a Reason is the Pacific Northwest saltwater fishing education podcast for new anglers and families who want to catch more salmon, halibut, lingcod, shrimp, and crab in Washington waters. Hosted by Jamie & Scott Propst from Anglers Unlimited, each episode delivers practical techniques, local knowledge, and expert insights to help you get off the couch and into the fish. Perfect for relocated professionals, military families, and boaters who are just getting into fishing.

A new University of Washington study has found that over a third of sampled coyotes across the Puget Sound region were infected with this parasitic tapeworm (Echinococcus multilocularis).

Author and longtime volunteer surveyor Maria Mudd Ruth weaves together science, field observation, and community storytelling in this engaging exploration of one bird's life. Drawing from over a decade of beachside study, she dives deep into the guillemot's behaviors, quirky traits, and ecological relationships. Along the way, readers meet the passionate citizen scientists who have built a unique community around caring for and studying this vibrant bird.Bridging the gap between field guide and memoir, The Bird with Flaming Red Feet invites readers to slow down, look closely, and reconnect with the wild places--and creatures--just outside their door. It's a joyful call to observation, stewardship, and a deeper understanding of our coastal world.Salish Sea Guillemot NetworkCheck out my GoodReads review.Support the showConnect with me at...GoodReads: Hannah Buschert IG: @HannahgoesbirdingFacebook: @HannahandErikGoBirdingEmail us at HannahandErikGoBirding@gmail.comWebsite: http://www.gobirdingpodcast.comGet a discount at Buteo Books using code: BIRDNERDBOOKCLUB

Pat Patillo Puget Sound Rec Fish Chairman on the broken process that is North of Falcon Salmon management // Northwest Outdoor Report Brought to you by 3riversmarine.com! // Duckworth Wheelhouse Tim Klontz: Three Rivers Marine Owner in person. Welcoming the community to a great family fishing event! // FishQCL’s Really? Where? Brock Huard on FishQCL.com listener trip May 29-June 1

"We're talking about Katrina, Sandy, and Andrew combined, times maybe ten."On 10:54 AM on 28 February 2001, a 6.8-magnitude earthquake struck western Washington. The epicenter was in the southern Puget Sound, but the quake originated roughly 32 miles beneath the surface, mitigating some shaking. While hundreds were injured and a woman even died as a direct result of the quake, many believe that the region got lucky that Wednesday morning and that the total damage (~$2 billion) could have been a lot higher had the quake's hypocenter been closer to the surface.This region of the world is no stranger to the earth's whims. Lying in the shadow of the looming Mt. Rainier, there are a couple of active faults - the Seattle Fault Zone and the Cascadia Subduction Zone - that seem poised to devastate in the not-so-distant future...Learn more about this podcast at http://unresolved.meCheck out the podcast store at unresolved.dashery.comIf you would like to support this podcast, consider heading to https://www.patreon.com/unresolvedpod to become a Patron or ProducerBecome a supporter of this podcast: https://www.spreaker.com/podcast/unresolved-a-true-crime-mystery-podcast--3266604/support.

There were a lot of whales in the Salish Sea during the month of March, including a few new calves to some familiar Bigg's killer whales. The story of the month, however, is the appearance of a mystery group of three killer whales who have become known as the T419s. Sara and Jeff are joined by frequent guest (third host?) Monika Wieland Shields from Orca Behavior Institute to chat about the recent calves, the T419s and other sightings from the month. The T419s first showed up in Vancouver in March. They made their way to Seattle, Tacoma, Olympia and other areas in Puget Sound. The mystery started when photos from the first encounters in Vancouver did not match any existing ID catalogs. There was a match however to a single sighting in Anchorage, Alaska from March of 2025. Bay Cetology has given them the designations of T419, T420 and T421. Who are these whales, where did they come from, and are they associating with any of the killer whales frequently present in the Salish Sea? Listen to episode 52 for more on the story of the T419s and other sightings from the month. Special thanks to Monika for the outro music in homage to these whales. -------------------- Please share our podcast with your friends, subscribe to our podcast, and leave us feedback/reviews wherever you listen to podcasts! If you'd like to join Sara and Jeff on a whale watching tour, please check out Maya's Legacy Whale Watching for more information and book a whale watching tour!  You can also find After the Breach Podcast on Instagram, Facebook and Youtube. If you would like to send us questions, topic ideas, or any feedback reach out at afterthebreachpodcast@gmail.com. And remember, stay safe out there.   Photos from this episode: T419. Photo by Jeff Friedman T420. Photo by Jeff Friedman T421. Photo by Jeff Friedman   T49A7. Photo by Jeff Friedman T46B8. Photo by Jeff Friedman

Political theorist Alisa Kessel (University of Puget Sound) has an important and impressive new book, Rape Fantasies: Rape Culture and the Persistence of Sexual Violence. Kessel's research grew out of her work on questions of consent and how consent is embedded within the social contract structure. Initially the plan for the research was to critique this concept of “rape culture” which had found its way into popular discourse as well as academic work and was somewhat unclear in terms of application and understanding. Kessel notes in the book and in our conversations that her thinking about the idea of rape culture owes a great deal to black feminists who had been writing about and discussing the underlying issue at the heart of rape culture, which is not just about violence against women, but more broadly about the political, societal, and cultural dimensions of domination, victimhood, and human value. Rape Fantasies develops this understanding and provides fascinating examples of this intersectional concept. One of the key claims of the book is that sexual violence is not accidental, it is not necessarily based on physical urges that just cannot be controlled; it is, instead, based in the dynamic of political domination thus making rape itself a political act. Part of the unexamined problem with rape is that it is built around an entitlement to dominate, which also makes the threat of sexual violence a political act. Rape Fantasies traces this idea through a number of different case studies that unpack the dimensions of this threat of sexual violence in a variety of circumstances and situations, tied, inevitably, to the duality of domination and subordination or victimization, which is also wrapped up with questions of who is deserving of protection and who is not as deserving. Kessel explains that in examining sexual violence, what she found was multifaceted reflections and refractions, since the issue and the individual's experience with sexual violence are neither simple nor linear. And the examples and case studies that make up the thrust of the book present this multidimensional nature of sexual violence. This multifaceted thinking about sexual violence also integrates an intersectional analysis, drawing on work from indigenous studies, feminist and women's studies, feminist theory, black feminism, political theory and other connected schools of thought. The interrogation of rape and rape culture, particular in context of the political valence, “occurs across multiple axes of oppression, including white supremacist, heteropatriarchal, cisgender, settler colonial, and capitalist axes.”[1] The case study examples in Rape Fantasies include bathroom bills across the states, the idea of the frontier and modes of extraction, consent contracts and consent apps, and OnlyFans and intimacy on demand. Each example is deeply researched and unpacked, providing the reader with historical, legal, political, economic, cultural, and societal analyses of these complex areas of domination and entitlement. Rape Fantasies: Rape Culture and the Persistence of Sexual Violence is an expansive undertaking, bringing together theoretical frameworks from different schools of thought and analysis, threaded with important case studies that help the reader think deeply about this concept and how it is operationalized in our daily lives. Even if we are not aware of these narratives, they surround us and shape so much of our thinking about how the world works. And why sexual violence remains so persistent. Susan Liebell is Professor Emerita of Political Science at Saint Joseph's University in Philadelphia. Lilly J. Goren is a Professor of Political Science at Carroll University in Waukesha, Wisconsin.  [1] Alisa Kessel. Rape Fantasies: Rape Culture and the Persistence of Sexual Violence. Oxford University Press, 2025. p. 6. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Political theorist Alisa Kessel (University of Puget Sound) has an important and impressive new book, Rape Fantasies: Rape Culture and the Persistence of Sexual Violence. Kessel's research grew out of her work on questions of consent and how consent is embedded within the social contract structure. Initially the plan for the research was to critique this concept of “rape culture” which had found its way into popular discourse as well as academic work and was somewhat unclear in terms of application and understanding. Kessel notes in the book and in our conversations that her thinking about the idea of rape culture owes a great deal to black feminists who had been writing about and discussing the underlying issue at the heart of rape culture, which is not just about violence against women, but more broadly about the political, societal, and cultural dimensions of domination, victimhood, and human value. Rape Fantasies develops this understanding and provides fascinating examples of this intersectional concept. One of the key claims of the book is that sexual violence is not accidental, it is not necessarily based on physical urges that just cannot be controlled; it is, instead, based in the dynamic of political domination thus making rape itself a political act. Part of the unexamined problem with rape is that it is built around an entitlement to dominate, which also makes the threat of sexual violence a political act. Rape Fantasies traces this idea through a number of different case studies that unpack the dimensions of this threat of sexual violence in a variety of circumstances and situations, tied, inevitably, to the duality of domination and subordination or victimization, which is also wrapped up with questions of who is deserving of protection and who is not as deserving. Kessel explains that in examining sexual violence, what she found was multifaceted reflections and refractions, since the issue and the individual's experience with sexual violence are neither simple nor linear. And the examples and case studies that make up the thrust of the book present this multidimensional nature of sexual violence. This multifaceted thinking about sexual violence also integrates an intersectional analysis, drawing on work from indigenous studies, feminist and women's studies, feminist theory, black feminism, political theory and other connected schools of thought. The interrogation of rape and rape culture, particular in context of the political valence, “occurs across multiple axes of oppression, including white supremacist, heteropatriarchal, cisgender, settler colonial, and capitalist axes.”[1] The case study examples in Rape Fantasies include bathroom bills across the states, the idea of the frontier and modes of extraction, consent contracts and consent apps, and OnlyFans and intimacy on demand. Each example is deeply researched and unpacked, providing the reader with historical, legal, political, economic, cultural, and societal analyses of these complex areas of domination and entitlement. Rape Fantasies: Rape Culture and the Persistence of Sexual Violence is an expansive undertaking, bringing together theoretical frameworks from different schools of thought and analysis, threaded with important case studies that help the reader think deeply about this concept and how it is operationalized in our daily lives. Even if we are not aware of these narratives, they surround us and shape so much of our thinking about how the world works. And why sexual violence remains so persistent. Susan Liebell is Professor Emerita of Political Science at Saint Joseph's University in Philadelphia. Lilly J. Goren is a Professor of Political Science at Carroll University in Waukesha, Wisconsin.  [1] Alisa Kessel. Rape Fantasies: Rape Culture and the Persistence of Sexual Violence. Oxford University Press, 2025. p. 6. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Political theorist Alisa Kessel (University of Puget Sound) has an important and impressive new book, Rape Fantasies: Rape Culture and the Persistence of Sexual Violence. Kessel's research grew out of her work on questions of consent and how consent is embedded within the social contract structure. Initially the plan for the research was to critique this concept of “rape culture” which had found its way into popular discourse as well as academic work and was somewhat unclear in terms of application and understanding. Kessel notes in the book and in our conversations that her thinking about the idea of rape culture owes a great deal to black feminists who had been writing about and discussing the underlying issue at the heart of rape culture, which is not just about violence against women, but more broadly about the political, societal, and cultural dimensions of domination, victimhood, and human value. Rape Fantasies develops this understanding and provides fascinating examples of this intersectional concept. One of the key claims of the book is that sexual violence is not accidental, it is not necessarily based on physical urges that just cannot be controlled; it is, instead, based in the dynamic of political domination thus making rape itself a political act. Part of the unexamined problem with rape is that it is built around an entitlement to dominate, which also makes the threat of sexual violence a political act. Rape Fantasies traces this idea through a number of different case studies that unpack the dimensions of this threat of sexual violence in a variety of circumstances and situations, tied, inevitably, to the duality of domination and subordination or victimization, which is also wrapped up with questions of who is deserving of protection and who is not as deserving. Kessel explains that in examining sexual violence, what she found was multifaceted reflections and refractions, since the issue and the individual's experience with sexual violence are neither simple nor linear. And the examples and case studies that make up the thrust of the book present this multidimensional nature of sexual violence. This multifaceted thinking about sexual violence also integrates an intersectional analysis, drawing on work from indigenous studies, feminist and women's studies, feminist theory, black feminism, political theory and other connected schools of thought. The interrogation of rape and rape culture, particular in context of the political valence, “occurs across multiple axes of oppression, including white supremacist, heteropatriarchal, cisgender, settler colonial, and capitalist axes.”[1] The case study examples in Rape Fantasies include bathroom bills across the states, the idea of the frontier and modes of extraction, consent contracts and consent apps, and OnlyFans and intimacy on demand. Each example is deeply researched and unpacked, providing the reader with historical, legal, political, economic, cultural, and societal analyses of these complex areas of domination and entitlement. Rape Fantasies: Rape Culture and the Persistence of Sexual Violence is an expansive undertaking, bringing together theoretical frameworks from different schools of thought and analysis, threaded with important case studies that help the reader think deeply about this concept and how it is operationalized in our daily lives. Even if we are not aware of these narratives, they surround us and shape so much of our thinking about how the world works. And why sexual violence remains so persistent. Susan Liebell is Professor Emerita of Political Science at Saint Joseph's University in Philadelphia. Lilly J. Goren is a Professor of Political Science at Carroll University in Waukesha, Wisconsin.  [1] Alisa Kessel. Rape Fantasies: Rape Culture and the Persistence of Sexual Violence. Oxford University Press, 2025. p. 6. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Hello to you listening in Lopez Island, Washington! Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Wednesdays on Whidbey and your host, Diane Wyzga. Why is my Quarter Moon Story Arts logo a lighthouse? I was inspired! Admiralty Head Lighthouse here on Whidbey Island served as a critical navigational guide back in the day of sailing ships traveling from the Pacific Ocean through the treacherous Strait of San Juan de Fuca. Sixteen miles from Admiralty Inlet ship captains could see the white light in the darkness warning them to steer a hard right to starboard, avoid the cliffs, and continue safely south through Puget Sound and on to Seattle. How did the captain know he was seeing Admiralty Head Lighthouse? Each lighthouse - no matter where in the world - has its very own distinctive light pattern, or signature, like an address on a house. Lighthouses mark points of navigation, warn about dangerous coastlines, and guide ships into safe harbor. But harbors are not created equal. Different harbors for different boats. A lighthouse stationed at a harbor entrance doesn't run up and down the coast beckoning all boats to its harbor. It serves a particular sized boat. Lighthouses don't chase boats; why do you chase clients? Question: What is it only you have to offer? Who needs and wants it? Who is meant to be drawn to your harbor? How will you attract your particular client with your own distinctive beacon of light? And, how will they know you are signaling them? CTA: If you could use a hand with your lighthouse questions, email me at info@quartermoonstoryarts.net and we'll get working on the answers. You're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. AND!  Stop by my Quarter Moon Story Arts website during re-construction, check out the Communication Services, email me to arrange a no-obligation Discovery Call, and stay current with me as Quarter Moon Story Arts on Substack. Stories From Women Who Walk Production Team Podcaster: Diane F Wyzga & Quarter Moon Story Arts Music: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron Music ALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source.

What happens when you trust your talent before anyone else does? I had the pleasure of speaking with Spider Saloff, a jazz vocalist and performer whose journey shows what it means to truly create your own path. From secretly rehearsing as a teenager to performing for the Gershwin family and building a career in jazz and cabaret, Spider shares how taking risks, following curiosity, and trusting your instincts can open unexpected doors. We also explore her resilience through personal challenges, including overcoming an abusive relationship and rebuilding her life from nothing. You will hear how music, creativity, and lifelong learning became her anchors, and why choosing your own direction can lead to a life that is both meaningful and unstoppable. Highlights: 00:10 – Discover how a passion for music at a young age can shape an entire life path 02:04 – Learn how early opportunities and saying yes can open unexpected doors 10:00 – Understand why creating your own opportunities can redefine your career 16:20 – Hear how taking bold action led to a life-changing connection with the Gershwin family 30:00 – Discover how one decision can completely change where your life and career unfold 44:44 – Learn what it takes to break free from hardship and rebuild your life with resilience Bottom of Form About the Guest: What does it take to build a lasting career in music and performance? Spider Saloff has done exactly that, earning recognition as a multi-award-winning vocalist and entertainer known for her powerful voice, wide range, and captivating stage presence. Born in Philadelphia and raised in New Jersey, she began her journey in theater at a young age, studying acting at Rowan University and the University of London. Her early career in musical theater included more than 25 major roles, but everything shifted when she discovered her passion for jazz. That move led her to work with top musicians, gain critical acclaim, and begin touring both nationally and internationally. Over time, Spider became one of the most respected interpreters of the American Songbook, known for blending deep emotion with humor in her performances. Her connection with the Gershwin family helped launch signature shows like her tribute to George Gershwin, which has been performed around the world. She has also created tributes to icons like Cole Porter and Irving Berlin, performed at major venues and festivals globally, and hosted the syndicated radio series Words and Music. Beyond the stage, she is a teacher, writer, and creator who helps others find their unique voice, continuing to inspire audiences and students alike through a career built on passion, creativity, and authenticity. Ways to connect with Spider: Website: https://spidersaloff.com LinkTree: https://linktr.ee/spiderjazz Facebook: https://www.facebook.com/spidie.saloff Twitter (@spidersaloff): https://x.com/spidersaloff?s=21&t=XIFFgGFn7E5Hd_8J8Rexfg Spotify: https://open.spotify.com/artist/6gKiYyeoZyxZTAI2EpGWbU?si=WudPV-CUQPmMThTtV508Og YouTube (@TheMartinicat): https://www.youtube.com/channel/UCTLI-Gd51JdcMT0FVvvD9lA YouTube, “When You See Me”: https://www.youtube.com/watch?v=DTbO1FWrje4 Instagram (@spider.jazz): https://www.instagram.com/spider.jazz/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:04 What if the biggest thing holding you back isn't what's in front of you, but rather what you believe Welcome to unstoppable mindset where inclusion, diversity and the unexpected meet. I'm your host. Michael hingson, speaker, author and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead and connect with others. Each week, I talk with people who challenge assumptions, face adversity head on and show what's possible when we choose curiosity over fear, together, we focus on mindset resilience and the small shifts that lead to meaningful change. Let's get started. Hi everyone, and I want to welcome you to another episode of unstoppable mindset, and we have an unstoppable mindseted, oriented sort of person today. Spider Saloff. Spider is a vocalist. She's a comedian. She is in Chicago, as I recall, but she has been to a variety of places. She is a very highly acclaimed vocalist, a singer. She sings and deals with a lot of the songs that I like, like the Great American Songbook, Gershwin, Irving, Berlin and other things like that. And she has a lot of accolades that come from any number of famous people who you've probably heard of. And so in the course of the next hour or so, I'm sure we're going to hear about a bunch of that. But for now, spider, welcome to unstoppable mindset. We're really glad Spider Saloff  01:49 you're here. Well, I'm happy to be here. Thank you for inviting me. Michael Hingson  01:53 Well, you are, you are most welcome. So how did you get into doing, acting, singing and all the other things that you do. Spider Saloff  02:04 Well, it started when I was a kid. I always loved music, and you know, it was so in love with the arts. But when I was 14, I came home and told my parents that I could get them tickets to the high school variety show. And they said, What? And I told them, I'm in it. I'm going to be in it. And they said, well, doing what? And I said, singing. And they were they were shocked, and I didn't tell them. I used to rehearse at my girlfriend's home because her family was all over it. They thought I was wonderful, and I knew my family would tell me that I couldn't do it so because it's just too foreign and too scary to them. So I ended up performing at this variety show, and my my parents were absolutely shocked, and one thing led to another. And then I met a theater director who worked at my school, and he came, he was a professional guy from New York that they hired to come in to do a musical, and I was in it. And I ended up getting the opportunity to be in a summer stock company and my parents let me go, which was amazing. I think they were just relieved to get me out of the house for the summer, but whatever it takes, but I certainly learned a lot, and I was very young for that experience, but it was, it was so, so worth it. And then after I finished high school, I went to college for theater. Now, your parents are from Russia. Oh, no, no, no, no, they're descend. My father's descendants are from Russia. That's where the name is from. But they are, I think I am about 11 different nationalities. So it's we're real much we are real much of the world. Well, there you go, yeah. Michael Hingson  04:05 So now we need to just clone that combination, since obviously you sing, well, we need to get that in other people, just just, you know, just a thought, you know, Spider Saloff  04:16 sounds good. Sounds dangerous to me. Michael Hingson  04:18 Actually, I know it's either that or we're gonna Spider Saloff  04:21 have to get more, more of one than more than one of Michael Hingson  04:24 me, more than one spider? No, we can't have that. Well, either that or we get AI to to imitate you. But we don't want to do we don't want to do that either, scary stuff. 04:35 Yeah, yeah, it is. Michael Hingson  04:36 Well, so how did you encounter and come up with the name spider. Spider Saloff  04:44 I did not choose it. I, you know, I never thought that my real name made any sense from the time I was a child, it's, I'm like, that doesn't make sense. And then I got the nickname when I was in college, because I have, I'm. Really a small person, but I have very long arms and legs, and it was a nickname, and it just stuck with me. And then finally I surrendered to it as a professional name, and people don't forget it. They may not like me, but they don't forget the name. And then it just stuck. And it's been that way ever since, how could Michael Hingson  05:20 somebody not like you? Spider Saloff  05:23 Well, I don't know. I'm sure there's somebody out there. I would love to thank everyone. Just endorse me, but Michael Hingson  05:31 we'll see. Well, yeah, I mean, it'll all go so where did you go to college? Spider Saloff  05:37 I went to a college that doesn't exist anymore, actually, now it is Rowan University. It's in New Jersey, outside of Philadelphia, and it became Rowan University when it got the largest private donation in history. But it was a state college called Glassboro State College, and it was a fine arts school at the time. There were several of my friends, including the conductor for the Lion King and Broadway people, all went to school there, and now it has no arts program at all. But part of our program, I did get to study at University of London too. So that was really exceptional. And it was so wonderful, a wonderful school, great opportunity. You know, it's, it was outside of Philadelphia, close to New York, and now it's an engineering school. For the most part. There isn't, there are no fine arts there at all. Well, that's too bad. But, well, yeah, I know, but somebody's got to do the engineering, Michael Hingson  06:39 I guess. I Well, there's truth to that too. Now, have you seen THE LION KING LIVE on Broadway? I have Spider Saloff  06:46 never seen it, and it's never seen it. I gotta see it. I've got to see it. I it just never happened. I kept intending to go and I never saw it. And I know people that played for it as well. 06:59 You've seen the movie. No, you haven't seen the movie Spider Saloff  07:02 either, anything Lion King. My goodness, I know I better. That's one of my goals. By the end of the year, let me see if I can see it. Michael Hingson  07:10 Well, I'll tell you my lion king story. A my brother in law knew someone who knew some of the actors in Lion King, and he and his wife and their little girl, who at the time was like three or four, were coming through New Jersey, where we lived in Westfield, and we all arranged to go see The Lion King. It was a Wednesday afternoon. It was a matinee, and near the beginning when scar, the bad guy meets the hyenas, who he works with, they all come on, they come on stage and they're growling and all sorts of things like that. Well, in the theater, the hyenas come from the back of the theater, down the stairs, and they walk past everyone growling and making all these noises? Well, my wife was in a wheelchair her whole life. She was a t3 paraplegic, and when one of the hyenas came up next to her, because we were able to arrange for an accessible seat, which was right on the aisle, this hyena comes up right next to her and goes, you've never seen a woman who is totally paralyzed suddenly literally jump up and almost walk out of the theater. It was amazing. She he shocked her completely. But it was so much fun. And of course, Alanya, the little girl, was just there with these big, huge eyes over all of this. But what Karen, my wife, told me later was that what was interesting about it was that when she was obviously watching all of this, and she said, You got totally used to the the puppets being the animals they were. They didn't you. They didn't even look like puppets anymore. They were just the animals. Spider Saloff  09:05 And that's exactly what I've heard about it, that it's like, it was fascinating. You're completely swept away with it. Michael Hingson  09:10 Yeah, wow. So, so it's cool, but, yeah, you gotta, you gotta go see The Lion King. It is absolutely worth it. The music is wonderful and all that. Wow. So we got to see it on Broadway, which was cool. Well, so you, so you went to college, and then what did you do? Spider Saloff  09:32 Well, when I got out of college, I, you know, was doing theater, but I ended up in musicals because I sang, and I really my training, my formal training, really is acting. I did not train as a singer. I just started singing naturally when I was a teenager, and then I just did a ton of musicals. I was in musicals like forever and but. I always loved jazz, and that was always in my back pocket. And then at one point, I really decided I wanted to pursue jazz while it was still in musical theater, because it was getting harder and harder to get roles, because they wanted, this is in the late 80s. They wanted you to be a dancer as well, and that was not going to happen for me. So I really thought, you know, I just, I want to check out the whole nightclub scene, you know, in Cabaret, where you could produce your own show. And so I started to really pick the minds of the guys in the pit band. And I talked to all these pit musicians, and they would tell me about, you know, places to go, and how they there were guys I met there that introduced me to other people, that helped me to do my first demo, and then started working in clubs. And then that really changed everything for me. Michael Hingson  11:01 So you got very much involved in doing a lot of Spider Saloff  11:04 jazz, yeah, jazz and cabaret, and it was all small clubs. But then that was what got me major press attention. And then I started touring with a show that I co wrote with a guy named Ricky ritzel, who's from New York, and we did a show called 1938 and that was my first recording as well. And then then just kept going from there, and that's how a lot of things happened, was really just deciding to do my own thing and create my own world of performance. So you're also Michael Hingson  11:45 known for doing something related in one way or another to comedy? Spider Saloff  11:50 Well, yeah, I've always done comedic roles, and I can't say I have ever done stand up, but I may be getting close to it, I'm not sure, but I always involve a lot of comedic monologs in everything I do. Like, if you see me at a jazz club, I will tell stories. And, you know, it's part of, part of who I am, is a lot of the comedy stuff. And, you know, crazy stories and telling stories about people, and, you know, doing imitations of people that I've met over the years and that kind of stuff. So it's, it is part of my whole persona on stage. Michael Hingson  12:33 What's your favorite musical that you've done? Boy, it's probably a toughy. Spider Saloff  12:40 I did so many, I have to say, Guys and Dolls. Okay, guys and dolls. I was Adelaide and Guys and Dolls, one of the best roles I've ever done. It was really a good choice for me, and and I, and I have to say I was in what, four productions of Fiddler on the Roof, and I've been two seidels, one Hava and fru masera, so but I love that show. I think it's magical. Michael Hingson  13:21 Just it is. Have you ever been in numb? I like Guys and Dolls, but my favorite, and it's just been that way for a long time. I don't know why was the music? Man, were you ever in the music? Spider Saloff  13:32 Man, I was, but there's no, there's no role in that for me. But I was one of the pick a little ladies. Oh, it is one of my favorite shows. Though, I think it's a masterpiece. I love love love music, man. I think it's just brilliant. Michael Hingson  13:48 You don't think you could have done you? Lily capecni shim you know, Spider Saloff  13:53 I was too young to do it at the time. Michael Hingson  13:54 Yeah. Well, like always, now there's always Marion, Spider Saloff  14:00 no, I don't have the soprano chops for that. They let me do it in Sutton Foster's keys. Well, I was thrilled that they took it down for her, because I could actually do it in those keys. That would be great. Michael Hingson  14:16 I saw it a couple of times on Broadway. Now I'm blanking out on the person it was in. Well, we saw it in, like, 2002 1001 and I'm trying to remember I'm blanking out on the person who played Marion. She actually ended up getting Lou Gehrig's disease and passed away. Spider Saloff  14:43 I don't know who. I don't know, which Michael Hingson  14:45 totally shocked us. Spider Saloff  14:46 I'm drawing a blank, I don't know. Michael Hingson  14:48 Yeah, I'm blanking out on her name. I may think of it, but, Oh, forgive us. She did a she did a great, a great job. But, yeah, but there's nobody like Robert Preston to play Harold Hill. And. Spider Saloff  15:00 Anyway, oh, that movie is so beautiful. I love that movie. Yeah, music, man is brilliant. It really is brilliant. Well, that Michael Hingson  15:10 goes back to, you know, Mr. Mr. Meredith. Meredith Wilson, Spider Saloff  15:18 yes, and I read, I read his book. Have you ever do you know of his book called he doesn't know the territory? Michael Hingson  15:27 No, I'll have to see if I Spider Saloff  15:28 can find writing and production of music. Man, I love, love. Love that book. And it's about all the trials of getting it produced and how he did. They did one of the opening one of the readings when they were trying to raise the money to do it. And moss Hart. Moss and Kitty Hart were there, and they hated it so much they walked out the middle of it. Opening Night, moss Hart was there, and he he saw, he saw Meredith Wilson in the lobby, and he shook his hand, and he said, he said, Great show. But you know what, you still haven't licked that book. Oh gosh, because he was an outsider. I mean, he wasn't part of the Broadway team. And no, the fact that he actually played with a John Philip Sousa, like, what, yeah, couch or something. It was real deal. Like, real real, like, old timey marching band stuff. Michael Hingson  16:35 Yeah, amazing. Well, then he also did The Unsinkable Molly Spider Saloff  16:39 Brown, yes, yes, another great show, yeah, not produced very often. But no, Michael Hingson  16:45 no, it's not. It's, it's sort of sad. Oh, well. But you, you've been very much involved with with a lot of jazz and so on. Tell us about meeting the Gershwin family and and your your involvement with Gershwin, which, you Spider Saloff  17:01 know, he, of course, magical. It was. It was truly a life changing event for me, my partner and I, Ricky ritzel And I had been doing 1938 and then we decided to write this show that was called Porgy and Bess, a cabaret concert, oh boy. And it was in New York, and a very powerful guy from ASCAP came to see it, and Michael kirker, and he came to see it, and he said, this show is brilliant. He goes, but you guys are going to get shut down by the Gershwin family, so you need to call them and see if they'll give you permission. So I had the phone number for Leopold godowsky, the third who is the nephew of George and Ira. His mother is Frankie Gershwin, who was George and IRA's younger sister, and I was a wreck. My hands were shaking, and I called him on the phone and and he was very polite. He just had this incredibly mannered guy, you know, it was really lovely. He goes, Well, you know, I don't see that we could allow Porgy and Bess be performed in a night club, and it wasn't like we were doing the show. We were just right. We were telling a story about how it was written and then just performing the songs as separate entities, but they were enfolding into the story. So I said, Would you would you want to comment? Would you want to see it? If we put it on a videotape, and he goes, Oh, I don't know. He goes, let me think about it. So then I called him back right away. I had the nerve to call him back again. I said, Well, would you come to see the show. He said, you know, what would you and your partner be willing to come and perform it at my home in Connecticut? There you go. And I'm like, What? What? So this whole thing got put together, and we went up to the Gershwins home in Connecticut. We met Leopold and his fabulous wife, Elaine, and they had, they said, we're having, we're having 40 close friends here for dinner. They were cooking dinner themselves, and it was this magical house in Connecticut. They had 40 industry people there. It was crazy. I mean, there were all these famous people there, and we were, we did like, as he called it, a 30 minute musicale. We did highlights from the show in their living room by the great. End piano, and I believe the piano had belonged to George, because Leopold is classical pianist as well. So we did the show, and then we all had dinner, and this friendship started. So what evolved was they, they did, let us do the show, but then my relationship continued with them, and when the Gershwin Centennial started in 1996 it was Iris 100th birthday, two years before George's. In 98 I became part of the centennial presentation, so I got to tour with my Gershwin concert under their brand, and also record my Gershwin album with their brand on it. And it was the beginning of a beautiful friendship. And it was, it was a huge, you know, a huge mark in my career, and it opened a lot of doors for me. So wonderful, wonderful people. Michael Hingson  21:03 One of my favorite pieces of all times. Calling it a piece is probably not totally accurate. It's bigger than that, but one of my favorite things from classical music has always been Rhapsody in Blue. And I don't know why, but the very first time I heard it, I loved it, and I've enjoyed it ever since. I've heard the Boston Pops do it, you know, and and others do it. It's just one of those neat things I've just always loved. Spider Saloff  21:30 I'm getting chills just talking about it, because that was so groundbreaking at the time when Paul Whiteman had the contest right of who was going to be able to cross the borders of jazz and classical. And you know, who else was in that contest was Aaron Copland, oh my gosh, Eric Copeland, and he was always in competition with Gershwin, yeah, and Gershwin won and musically, that that changed the whole concept of jazz, I mean, to be accepted in a classical arena. It was really remarkable. What that what that piece did, like, amazing. Michael Hingson  22:18 I actually heard once the Paul Whiteman arrangement of Rhapsody in Blue was performed by a group I don't even recall where, but it was outside. It was a little different, but it still was just so neat to hear this. Spider Saloff  22:36 The first person to hear it, yep. I mean, Paul, my Paul Whiteman was incredible, though. I mean, what a what a groundbreaking person. He was artistically, right? Michael Hingson  22:48 Yeah, he, he did some amazing things, Spider Saloff  22:51 yeah, yeah, you know what I've got to mention. And I hope this doesn't make make our interview too dated. But last night, I saw the movie Blue Moon. That is about about Larry Hart. Oh, my God, I haven't seen that. I'm gonna have to. It just came out last week. Oh, okay, it's not gonna be very often. It's absolutely gorgeous, and Ethan Hawk plays Larry Hart. It it's it's beautiful and funny and heartbreaking, and it all the whole premise is Larry Hart has to go to opening night of Oklahoma, oh gosh, and how painful it is, and this whole cathartic thing he's going through. So the bulk of the entire it's more like, like a theater piece. The whole thing takes place at the bar at Sardi's when he's talking to the bartender and waiting for for Rogers and Hammerstein to show up. And it's, ah, Wowza, it's brilliant. It's brilliant. And talk about, I don't know how they ever got that produced, because it's definitely a movie that's not going to appeal to everybody, but boy, is it brilliant. Michael Hingson  24:14 Wow. Well, hopefully it will come out in some place where I can can watch it up here, and that'll be cool, yeah, Spider Saloff  24:22 and I think it's probably going to go to streaming pretty soon, I'm sure, yeah. So you'll have a lot of opportunities. But I really was happy to go to the theater and see it. But wow, and people in the audience were laughing at all the jokes they were getting, all the sly, Sly comments of Larry Hart, like, wow, witty, witty, witty, just brilliant, just brilliant. Michael Hingson  24:51 Well, your whole Gershwin relationship, obviously, is pretty significant. You even did some Gershwin concert. In Russia, Spider Saloff  25:02 yes, yes. That was why I went to Russia. They were having a Gershwin Centennial in St Petersburg in 1998 because that is the, that is the origins of the Gershwin family. They are from St Petersburg. And so I was hired with my pianist to go to St Petersburg. And do we? Did we were there for seven days, and I think we did like five concerts, and it was amazing to be there, because this was when Russia was getting good. This was, like the good part, and still was scary. It was scary. We stayed in this really creepy hotel that was like a government hotel, and the rooms were bugged. And then when the hallways there were padded walls, like where they could pull these panels out, and there was all kinds of wiring in there, bugging and strange stuff. The concert hall was absolutely magical. It was an old concert hall, and people went crazy, and when I sang the song vodka, which is an oddity, by Gershwin, by way, herbert stothard, Otto Harbach, Oscar Hammerstein and George Gershwin wrote this crazy song called vodka. And when I did the song, people stood on their chairs and screamed, the Russians just loved, loved, loved the concert, the audiences couldn't have been better, and the people that ran the organization couldn't have been weirder. It was, it was very strange. And when we went to leave, the guy that booked us and me and my pianist, they they took our passports, and we had to go to a little room where they said that we our visas were expired and and we had to pay money to get out of there, and they were mad at the guy that was our manager, because he sassed them. And anyway, we had to wait. We were afraid we're going to miss the plane. And then finally, they came out with, like a little, a little tape from an adding machine, and they, they said, you have to pay $58.23 American. So they charged us this $58 and we paid it and ran to get on the plane and and I'm like, I was never so scared in my life. I didn't know what they were going to do, but it was an experience, and it was thrilling and beautiful. But don't think I'm going back to Russia, not in the near term. Yeah. Oh, and then that's when all these people said, my name is sell off. You are my cousin. I come home with you like there were so many people with my name, because in this country, there aren't that many. Aren't that many sell offs. My family is pretty small, and occasionally I'll meet us a sell off. But they're usually, they're usually rabbis, or it's like there aren't that many of us out there, but it was, it was an amazing experience. Loved it. Michael Hingson  28:28 Now, did you when you were over there, sing any of the songs or anything in Russian, or did that matter? Spider Saloff  28:34 Oh no, oh no, let's didn't do that, huh? I'm not. No, I, you know, I'm good at doing accents, and sometimes I will learn to say, like I would learn a little bit of French to get by, but then they would start asking me questions, and I didn't know what they were saying, and then they thought I was just being a jerk, you know, I'm pretending I don't understand them or something. But it was, No, I don't speak. I can barely handle English, but I didn't know whether you might have Michael Hingson  29:05 tried to learn one of the songs just for fun. Spider Saloff  29:08 There wasn't time. This went together so fast. I think we only had, like, two weeks notice. They had rushed the visas and, you know, we had, we had passports in order, but it was a lot of legal red tape. Michael Hingson  29:25 But that's why it cost $58.33 to get out. I don't know, very crazy one of those things. Oh, yeah. Well, well, at least it was affordable. Spider Saloff  29:41 Well, it will, and it was exciting. I mean, everything was paid for. But, oh, this was another weird thing they paid. They paid us in cash, American dollars, and I needed to hide, I had to hide it in my boot. I put it in. Hide the soul of my boot when I'm okay, wow, yeah, it was, it was creepy all the way down the line. It was very strange. Oh, well, yeah, things happen. 30:11 Things happen. Yeah, I was, Spider Saloff  30:12 I'm very, very, very fortunate that I got, got to do it, yeah? Michael Hingson  30:19 So obviously a wonderful memory. And yeah, oh yeah, one of those things that you'll you'll always treasure. You bet. Well, so when did you move to Chicago? Spider Saloff  30:32 Oh, well, when? When I started to get get my feet wet in New York, in the nightclub scene and the jazz scene, I got some really fabulous reviews, including the New York Times. And there was a guy from Chicago who I met through the great Julie Wilson, and his name was Bill Allen, and he was partners with Bobby Short, and he opened this really crazy club in Chicago, very famous, called the Gold Star sardine bar. And both Liza Minnelli had played there the Basie band. He squeezed the Basie band in there, but it was this tiny little place right in downtown Chicago, and it was really wild. And a lot of people had played there. Tony Bennett had played there, and Liza and I kind of was courting the room. I kept talking to him. He had he had found my press kit. Think he had been sent three different press kits, and we don't know which one he opened, and he called me, and we kept this ongoing conversation about coming out to do performance there, and then finally, he decided to bring me out for New Year's Eve, and my husband and I flew out, and it was just we were we had a couple of friends here in Chicago that we visited, but we didn't know anybody here. I'd never been to Chicago, you know, but it was magical. And then he said, Well, I'm going to have you back. I'm going to have you back. And then I didn't hear from him. And finally, the following September, he asked if I could come and play for a month, and I had almost no warning, because he was very impulsive and really crazy. So he asked me to come out for a month, and I did. They put me up in a hotel, and I played with the musicians. Were magical. People were so great. And so I played for a month, and then he said, you know, what would you think about about moving here? And my husband and I were both excited about it. Then we didn't hear anything from him. And then right after So, the first week of February the following year, he calls me up and said, Could you move here? And I'm like, I guess so. Why he goes, Well, I'll book you here for a year, and we'll arrange to get an apartment. And can you start like next week? Oh, gosh, ah, so I did it. I came out, and then my husband came out. We took a sublet on an apartment right downtown in Chicago, sight unseen. We moved here with our cat, and the rest was history. I ended up having the best nobody has a gig for a year, yeah, and and hired partially by the only person that had a gig forever, who was Bobby Short. So because I had met Bobby Short in New York, and he kind of gave bill the okay, you know, he liked me. And then I, I met Tony Bennett there, and Liza interrupted my show one night and crawled on to the over the balcony, onto the stage. And it was magical. There were lines around the block and and I got, I was courted by the press in Chicago like you wouldn't believe. I mean, it was magical. So when my run was up there, I started working at other clubs, and also I started touring at concert tours of my shows, like the Gershwin show, and started to tour. So it just became another life for me. But I'm, I'm in Chicago forever. As far as I'm concerned. I adore it here. I just love it. Michael Hingson  34:45 So when did you move there? Spider Saloff  34:47 The beginning of 92 Michael Hingson  34:49 Okay, all right, so when Liza, when Liza invaded the stage? Did you guys sing together? Spider Saloff  34:55 No, this is what happened. I had met Liza. Yeah, well, I was still living in New York, and I was friends with Billy Stritch, who was liza's musical director. So he was a friend of mine, and he introduced me to Liza, and because she was he was conducting a bit that big show she did at Radio City Music Hall that was a tribute to Vincent Minnelli. Right? She did this spectacular show at Radio City, and Billy was musical directing, and that's when they really became partners. And he introduced me to Liza, and she was just a doll, one of the nicest, coolest people in show business. So I met her, and she was really kind to me, very friendly, very sweet. And so they were playing at the Chicago theater. Liza was doing her one woman show, and it was closing this particular Saturday that I was at the Gold Star, and I had sent Billy a note to to, you know, come by when they're we're done. So I'm doing the second set. And then crazy Bill Allen at the break. He goes, he goes, Okay, people are going to come in here. Joe Pesci is going to come in and and he's going to come up and meet you. And I'm like, Joe Pesci. Joe Pesci was doing a movie here, and his double, his gangster double, used to come in and see me at the gold star. So anyway, the break comes, I'm on stage, and all of a sudden the door opens, and they come in, and it's, it was Billy and Liza and Joe Pesci. And Joe Pesci comes up on stage with Billy and my band kind of crawls off the stage, because by now, there are, there's about, I don't know, 200 people packed in a 70 person room, and their people are coming out of the woodwork. They're like, sitting on top of the bar, and I can't even get off the stage. And Joe Pesci. Pesci leans down, he's like, hey, hey, honey, my my double. He thinks you're great. He goes, Yeah, we're gonna do some songs now. And I'm like, okay, so I sat there, and Billy came up and played. The bass player was there with them. Joe Pesci got up and sang. He was adorable. And then Liza is sitting right by this. They called it the opera box. There was a big, like private table that was right next to the stage. She crawls over the bar onto the stage, and people are just screaming. It was absolutely nuts. And she did like three songs, and she was losing her voice. She had just done a killer thing at the Chicago theater, and she was really, like, raspy. Did it anyway? And she ended with New York, New York, and people were like, screaming. It was just bonkers. It was bonkers. And so that's what the Gold Star was like. It was just a crazy place, and you didn't know who was going to come in the door, who was going to interrupt your show? You just, you just didn't know. Michael Hingson  38:24 Yeah. And they even had the Count Basie orchestra there, and that was, how'd they fit him? How'd they Spider Saloff  38:30 fit him in? Couldn't fit them. It was like a publicity stunt, yeah, and the band was all stuffed in there, and there were a few people that could get in the room, but people were standing in the hallway to hear Pacey pants. This is way before my time. Yeah, it was like in the early 80s, when they opened and they were way crazier then, then when, when I came, Michael Hingson  38:53 you settled them down. Did Spider Saloff  38:55 you No? No, but they, they, they, well, I was there for a year, and then the following year, I went back a few times on Saturdays, and then Bill told Jeremy Conn and I that we were going to be the regular actor because they were always on the verge of closing. They wouldn't have any liquor, and somebody would be coming in the back door with liquor because they didn't pay their liquor bill. And it was, he was in a lawsuit. And anyway, they told us that he goes, Yeah, yeah. Call me on Tuesday and we're gonna we're getting all the details straight. Now. You guys are going to be regular. Here Tuesday came and there were chains on the door. Oh, gosh. And that was the end of it. It ended, and it was a magical time, but there were a lot of problems, a lot of legal problems going on. Michael Hingson  39:50 I met Liza Minnelli once. That was the second or third time I was interviewed by Larry King, and she was now. She was going to perform on the show as well, but it was after September 11, and so I got, I got to meet her, and that was about it, but I did get to meet her, which was fun. Exciting. It was fun. How exciting. And every time we walked out after the interviews, there were lots of photographers outside. Everyone was taking pictures, and we had to put up with all that, but I guess it provided a lot of visibility, but it was kind of fun to be able to do that. Spider Saloff  40:34 How cool. I never met Larry King. I knew a lot of people were on his show. But well, how exciting that you did it twice? Michael Hingson  40:43 Well, actually we there were five interviews with Larry. The first one was right after September 11. It was on the 14th. And then there was another one. There was either one or two more. I think there was one more in November of 2001 and then on the anniversary, in 2002 was the third. But there there were five altogether, and during one of them, and I think it was the one on the anniversary or in 2002 but I have to go back and see if I can research it. But anyway, Hillary, Hillary Clinton and Chuck Schumer were, were there? Lisa Beamer, Todd Beamer, his wife Todd's the guy who said, let's roll on flight 93 when they took over the plane again and got it in a crash in Shanksville. Wow, and and Queen. Nor was there. So who I'm sorry, Queen nor from? Who is the queen of Jordan? Oh, wow. And she and she and Roselle had a thing for a while. Roselle was my guide dog at the time, so they visited. It was kind of fun. Oh, wow. But, yeah, it was, it was interesting. But as I say, then we, we did meet Liza briefly, and that was kind of fun. She said she's Spider Saloff  42:09 a doll, yeah, doll. Oh, yeah. What a great person, yeah. Michael Hingson  42:13 Well, so I was looking at all the things that you sent me, and I noticed Tony Bennett. I got to meet Tony Bennett once we were on Regis and Kelly live in November of 2001 and I was sitting there, and I heard that Tony Bennett was going to be on the show. And suddenly he comes over and he says, Hey, I'm Tony Bennett. Good to meet you. I've heard about you. So we chatted for a while, and he and Roselle had a thing too, and he and Roselle had a thing too. Spider Saloff  42:45 So that was good. Oh, that Roselle. Oh, but yeah, I met him at the Gold Star, and he because he had played there several times, you know, as a future act. And he was doing, he was in. He was in town to do something. Maybe it was at the Chicago theater as well, but he came in, hanging out in his in his white dinner jacket, absolutely charming. And he sat down and talked to me between sets. It's like talking to your uncle, like he's like, Yeah, what do you think of this weather here in Chicago, and it was like just the friendliest, most laid back, cool guy and and I've seen him perform several times. I adored him. Michael Hingson  43:32 I regret I never got to see him live other than hearing him do, other than hearing him on regents and Kelly, he did a New York state of mind. Spider Saloff  43:41 Oh, cool. Very cool, Michael Hingson  43:43 wow, very soft spoken guy. But when he can sing, he can he could Bell it, Bell it out, Spider Saloff  43:49 and he and he sang the same forever, like, that's my my idols are. I want to sound the same forever, and I have the two, the two, the two most remarkable preserved voices were Ella Fitzgerald and Mel Tormey, both of them, they had chops forever like that. They they were just very, very careful and smart about the way they use their voices. Michael Hingson  44:18 Yeah. Johnny Mathis lasted a long time. I don't know what he sounds like. Spider Saloff  44:24 He just sounded the same forever. Yeah, killer, woo hoo, wow. And I never got to see him live, but I know people that did, and I mean, not that long ago, and they were blown away. Like, just Yeah, killer, yep, Michael Hingson  44:43 amazing, another amazing guy. Well, so have you ever had any any real kind of challenges and sort of negative things that have happened to you in your life? You've obviously been very successful. And all that. But, you know, unstoppability oftentimes happens when you have a challenge. Spider Saloff  45:05 Oh yes, well, you know, small things, challenges. I mean, like the worst, though, was when I was very young, a young actress, I got swept away by a guy that was a director. He was 10 years older than me, and I ended up in a really terrible abusive relationship for years, and didn't know how to get out, and I did. I ended up doing a six part. I have a YouTube channel, and this was two years ago. I did a six part series called learning to love you, and it was the very subject of what happens in abusive relationships and why people stay and why they are convinced that they can't live without the person. They're convinced that they're powerless. They are told they have to depend on this person, and they're very afraid. And I I was so lucky to break away from there and get out. And when I got out. I mean, I this guy completely left me with no money, no home, no job, and I was so ashamed to tell my family. I didn't tell them till months after it had happened, and I went, you know, trying to get trying to get more work as an actress. I worked as a bartender in a comedy club, and I did that's what I had a lot of comedian friends because of that era, and my friends, and eventually my family, really helped me to get out of it. But I had to get I had to be independent through the whole thing, I my first place I ever I was homeless for six months, and I would go around on busses going between wherever and Atlantic City because the casinos were there. So I could get a free ride to Atlantic City and then get a free bus back to New York. I could get a bus back to Philadelphia. I could go around on these busses and just stay at people's houses a couple of nights a week, and not having a place to live, it was horrible. So when I finally moved somewhere, I moved in with an actor friend of mine who had just got out of his abusive relationship, and I slept on the floor of an attic for like, the first six months that I was living on my own, and I was so grateful to have that floor and and I just kept saying every night before I went To bed, it it gets better from here. It's going up, it's going up, and it did. It did. It was it's remarkable. It's remarkable. Michael Hingson  48:09 What? What did you learn from that relationship? Spider Saloff  48:14 Beware of predators. I really never, never lose sight that you're the person in charge. Yeah, you are the person in charge of your life, and you're the only one that's allowed to do that. And you don't, you don't bend to anybody that's asking you to do anything too far. You just, you have to be very skeptical about, you know, who's getting close to you? And I was married long after that, I was married to my husband, and he passed away, oh, 16 years ago, and but there's been, there's been a lot of strange loss and and trauma. But I I am blessed with resilience, and I have to say, the thing that keeps me steady music, music and beauty and art can carry me through anything, and I'm surrounded by that and the best, best, best friends in the world. Oh, man, and my family and my friends are amazing, and I'm very, very fortunate, very fortunate. Michael Hingson  49:32 How long were you married? Before he passed away, Spider Saloff  49:35 we would have been married 17 years. Oh, my wife, Michael Hingson  49:41 my wife. My wife and I were married 40 years. She passed away in November of 2022 lot. Well. Thank you. I appreciate that. And I I always say when I when I tell that to anybody that she's watching from somewhere, and if I misbehave, I'm going to hear about it, so I don't even. Chase the girls. I also point out that they're not chasing me, so it's okay, but, but, but, you know, so many wonderful memories after 40 years, and people say, Well, are you going to move on? And I say, No, I'll never move on. I'll move forward, but I won't move on. I don't want to forget, but I'll move forward. Spider Saloff  50:20 That's an interesting twist of words there. Yeah, no. I mean, I have moved my life has become, actually, way, way better since my husband passed. I was dealing with a lot, and he was, he was dealing with severe mental illness, and it was very it was very hard near the end, my life is beautiful now. And I, I'm just, I feel like everything is new all the time. And I, I don't really have any close relationships, in romantic relationships. I tried a couple since he passed, but I don't, I don't think I'm good at it. I do better on my own. I'm much better on my own. Michael Hingson  51:18 Yeah, yeah. I know what I know what you mean. And as I said, it'll be three years in two weeks for me and I, when we got married, we had both lived alone. And when she was when she passed, it wasn't totally all of a sudden. So I I had some time to prepare. But it it has worked out pretty well. And so now I have a dog and a cat who keep me honest. The cat especially, oh, we have a cat. Her name is stitch, and she likes to be petted while she eats, and she'll yell at me until I come and pet her while she's eating and what. And when I travel somewhere to speak and I come home, I hear about it for quite a while. How could I ever do that? But she's not left alone. You know, I've got somebody who comes in. She has to give me what for? Well, she does. That's her obligation. Just ask her, absolutely, yeah. And how come you took that dog with you and not me? It's a guide dog. Spider Saloff  52:20 So this is not fair, yeah. Michael Hingson  52:24 Well, the other side of it is, I don't want her to ever get the idea that she can go out of the house. She She developed, on her own, a fear of going outside we she went out into our garage once when we first moved in here, and I kept calling her, she wouldn't come in, so I turned the lights off and I closed the door, and 10 seconds later, she's at the door wanting in, and so she doesn't try to go out. So I really feel blessed that she Spider Saloff  52:49 Yeah, that's good, yeah, yeah, yeah. I had a cat that never wanted to go near the door either, because he had been an alley cat. Everything outside that door was the alley going back there. Yeah, he also was a, he was a big fat house cat. Like, just wanted to lay around and luxuriate and eat and, you know he was, he was really a sweetie. I don't have pets anymore because I'm I leave too often? Michael Hingson  53:21 Yeah, you travel a lot. Well, a lot we at least I have people to help take care of stitch when I'm not here. So it does work out. Yeah, so do you so with all the things that you've been doing and singing and so on, do you teach voice to people? Spider Saloff  53:40 I do. I've taught at a school I didn't start teaching till I moved to Chicago, and this guy named David bloom, he's kind of a Chicago icon. He's had a jazz school in Chicago for years, and he asked me to teach at the school about a year after I moved to Chicago, and I said, I don't know how to teach. He said, Yes, you do. You just teach what you know. And I started teaching. And then I did courses there for a long time. I met a lot of people, and I've had wonderful students, and I still work there on occasion when we have a course. But I teach privately now, and I am. I just love it so much. I mean, I learned so much from my students all the time. You know, they're, they're just amazing, and they're all different, all different voices, all different age groups, all different reasons why they want to sing. But it's, it's one of the joys of my life. Students, they're fantastic. And I adore teaching voice. And I really a coach, you know, I teach performance and coaching, and it's not so much technique. I do some technique, but mostly it's working with. What, what the singer has to offer. Michael Hingson  55:03 I like the way you put it though that you learn so much from students. I think the day we stop learning, the day we become useless, we we always need to learn, learning, and life is all about learning, every Spider Saloff  55:15 day, learning, you bet it's exciting. It keeps you ticking. Michael Hingson  55:21 It does. It's so much fun. And it's, you know, like the internet, I regard it as an as a wonderful treasure trove. There's always neat stuff to learn. So I don't worry about the so called dark web and all that. You know, I didn't know that I would Spider Saloff  55:35 learn as much as I did about, you know, the internet and and the things covid really well. I always, always had a website. I had a guy that became my webmaster, that heard me radio and like there were all. I always was connected with it. But to the extent that I learned how to produce videos that all happened during covid, I really thought I was never going to be performing again live. I you didn't know, you know, that talk, you know, it was just so such a weird world. All of a sudden it was but learning to adapt. That was what we all learned from covid, was adapting and being open to new experiences. You know, that was a major, major factor of the whole thing. Michael Hingson  56:23 And living alone, you have to cook your own food. Spider Saloff  56:25 And like I've always, cooked my own food. Oh, my God, do I love to cook. Yeah, every day for myself. I love cooking and throwing parties. I must be Michael Hingson  56:35 a little bit lazy. I enjoy cooking. But when Karen was here. We shared the responsibility, and it's it's a lot to cook for one person, so I don't do as much of it as I used to, but I don't suffer. I will Spider Saloff  56:50 point that out you guys suffer, no, but I probably I cook for myself. Every day I cook. Almost everything I eat, I don't cook for myself is when somebody magically takes me to dinner or I go to somebody's house. I've got a lot of friends, so I get to eat at other people's houses and go out to restaurants, but I do and look forward to cooking for myself. I just can't wait to see what am I gonna have today, like I get excited about it. You know, it's a joy for me. Michael Hingson  57:23 I cook more easy meals, but I also do my own cooking. I mean, I don't go out very often, and that's fine. Yeah, I enjoy being home. I enjoy being home with a puppy and a kitty and listening to the radio and all that sort of stuff. So I hear you fabulous, fabulous. So you did some work on on radio series. Spider Saloff  57:45 Oh, yes, one of the, actually, the very first pianist that I worked with at the Gold Star sardine bar is a guy named Brad Williams. And we've been friends for years, and then at one point, this, this this guy that was a big fan of mine, Bill Sheldon. He was an old way, older fellow. The three of us created a radio series that's called Words and Music, that's about the American Songbook, and we were on the air for two and a half years. We were on we were part of NPR, and we were syndicated internationally, all through our classical station here in Chicago, W FMT, and it was the most challenging but wonderful time to crank those shows out. We never worked so hard as we did for that show, but those are still out there, you know. And we the copies of that show are available on CD. People can purchase them, and you can learn about that on my website too. Michael Hingson  58:49 I have been collecting old radio shows since 19 Well, let's see, probably 1968 and I've collected a bunch, and I'm also part of the radio enthusiast of Puget Sound, so we recreate programs every year. So I wasn't able, I wasn't able to be at the one that they did up in Washington State in September, because I was speaking somewhere. But there's going to be another one around. Well at Christmas, it's actually going to be the fifth, fourth, fifth and sixth. I think it is. Of December, we're going to recreate something like 12 or 13 different shows, and that's a lot of fun. Spider Saloff  59:34 Wowza, what are the shows like? What is it comprised of performance or recordings or what? Michael Hingson  59:42 No, no, we're actually going to perform live up in Washington, and people are invited to come and be in the audience, and they'll also be broadcast on yesterday usa.com and yesterday usa.net whichever you go to yesterday, USA is a, is a network. It's, it's got a red net. Work in a blue network, just like NBC used to have, and they play old radio shows and a lot of interviews with people. So there's still some old radio actors who will be there as part of it, Carolyn Grimes, who played Zuzu and it's a wonderful life will be there, and Beverly Washburn, who was on the Jack Benny show, and and there'll be other people, and it's kind of neat. And Larry Albert, who will be doing some of the voices, and who's was Harry Niles for years, and still is, I guess, on NPR and and so on. But it's really fun. Spider Saloff  1:00:39 That's excellent. What a blast. Yeah, it is, wow. Well, have a happy holidays with that. Michael Hingson  1:00:46 And yeah, well, I want to thank you for being here. How do people reach out to you, if they'd like to, to reach out, or if you Spider Saloff  1:00:54 want them to my website, spider jazz, calm, and you can find everything and too much information about me, and then, and if you want to get in touch with me directly, write to my email address. Spider jazz@gmail.com makes it easy. And maybe you can take private lessons, because I teach on Zoom. Ah, there you go. Me how. Yeah, cool. Michael Hingson  1:01:20 Well, thank you for being here, and I want to thank you all for listening today and watching whichever you do or both. Love to hear your thoughts about our conversation. Feel free to email me. Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, wherever you're monitoring us today, please give us a five star rating, and please give us a review. We love your reviews. We appreciate your input. If you can think of anyone who you think ought to be a guest, and if you listening out there want to be a guest, please reach out to me. We're always looking for more people to come on the podcast. We met spider through someone else who has been on the the podcast as well. And spider, if you know anyone who want who you think ought to be a guest, yep, love to hear from you. I got some ideas, cool. Well, I want to once again. Thank you for being here. This has been absolutely fun. Spider Saloff  1:02:16 Thank you, Michael, what a blast. I'll be talking to you soon. Michael Hingson  1:02:24 Thank you for being here with me on unstoppable mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about if you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to Michael hinkson.com and download my free ebook, blinded by fear. It explores the invisible beliefs that hold us back and shows you how to reframe them so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning and keep choosing to live with an unstoppable mindset you.

This segment includes discussion about sexual assault. Washington state’s Special Commitment Center sits on McNeil Island in the Puget Sound. It’s operated by the Washington Department of Health and Social Services and houses about 150 people who were detained or committed there – sometimes for decades – after they committed acts of sexual violence. It isn’t a criminal facility, but a civil one. There used to be a prison on the island but that closed in 2011. Today, many of the people at the facility on McNeil have developmental or other disabilities. They’re supposed to be receiving sex offender treatment. Some lack the ability to understand that treatment or the implications of their actions. While the state keeps people on McNeil Island for fear they will re-offend, some people at the center have become victims of sexual assault while under state care. A recent investigation by the Seattle Times looked at so-called vulnerable adults at the Special Commitment Center and how the state decides who warrants protection when someone is both a perpetrator and victim. Guest: Rebecca Moss, investigative reporter at the Seattle Times who writes about McNeil Island in a series called “Uncommitted” Relevant Links: The Seattle Times: For 23 years, WA has detained a man for a crime he can’t understand The Seattle Times: Behind The Seattle Times’ investigation into McNeil Island abuses See omnystudio.com/listener for privacy information.

Runnin’ down the show: Welcome to Matt Chandler of Gethookednw.com Doin’ the twin screw thing at Neah Bay! It’s April! Sound halibut and chinook, Columbia springers! // Regional Roundup: North Of Falcon 2 Lynnwood: Fair questions yet no answers… Razor clamming until May & The Sound every day … Takin’ The Outdoor Line on the road: Springers, Shooting School and Three Rivers Marine Kids Trout Pond! // The BeauMac TECH Line: Jason Tonelli of vancouversalmonfishing.ca Spring in Vancouver, BC // Picks of the Week!

Podcast Description: In Part 2 of this captivating two-part episode of Whiskey, Jazz & Leadership, host Galen Bingham continues his conversation with Bobby DeMars, founder and CEO of Blind Barrels. This episode dives deeper into the art of creating unforgettable experiences, the challenges of building a business in the whiskey industry, and the importance of community in everything Bobby does.   Bobby shares the behind-the-scenes stories of how Blind Barrels came to life, from solving unexpected challenges to curating a tasting experience that's as much about connection as it is about whiskey. Galen also continues his blind tasting journey, discovering the nuances of craft whiskeys and the stories that make them special.   Listen in as Bobby Reflects on: The Power of Storytelling: Why every great whiskey needs a great story. Craft Whiskey Innovation: How small distilleries are pushing boundaries and redefining the industry. The Importance of Community: How Blind Barrels is connecting people through shared experiences. Improvisation in Business: Why adaptability and creativity are essential for success. The Experience Economy: How focusing on the details creates a lasting impression.   What you drinking? Galen continues his blind tasting journey, exploring unique craft whiskeys curated by Blind Barrels. Among the highlights is Iowa Legendary Rye, a 100% Prohibition-style rye with a fascinating backstory, and Chambers Bay Bourbon, aged at sea on a barge in Puget Sound. Meanwhile, Bobby sips on his own favorites, sharing the stories behind each pour and why they matter.   Want more? For four dollars a month, you can become a Patreon VIP. You'll get early access to every Part Two episode. A deep archive of exclusive conversations. Insight into who's coming next. And direct access to Galen himself. Join the VIP circle today Click Here. Cheers to leadership that matters!

This week on the Primo show, Jesse and Katie discuss the continuing fallout from Lindy West's throuple memoir. Featuring: Aham's very angry email. Note for Puget Sound listeners: The April BAR Pod meet-up will be in the Port Townsend area on April 25th. If you would like to attend, please email blockedandreportedpodcast@gmail… To hear more, visit www.blockedandreported.org

Suspect arrested in murder of Rainier Beach students, federal government orders WA coal plant to stay open, and we dive into the mystery orcas that visited Puget Sound. It’s our daily roundup of top stories from the KUOW newsroom, with host Paige Browning. We can only make Seattle Now because listeners support us. Tap here to make a gift and keep Seattle Now in your feed. Got questions about local news or story ideas to share? We want to hear from you! Email us at seattlenow@kuow.org, leave us a voicemail at (206) 616-6746 or leave us feedback online.See omnystudio.com/listener for privacy information.

Seattle is in earthquake country, and our most recent big reminder of that came 25 years ago this Saturday, when the Nisqually Earthquake shook the Puget Sound region. Seattle’s historic Pioneer Square neighborhood was hard hit, and a lot changed as a result of it. We'll explore how the neighborhood has grappled with its vulnerability to earthquakes while preserving its history. We can only make Seattle Now because listeners support us. Tap here to make a gift and keep Seattle Now in your feed. Got questions about local news or story ideas to share? We want to hear from you! Email us at seattlenow@kuow.org, leave us a voicemail at (206) 616-6746 or leave us feedback online.See omnystudio.com/listener for privacy information.

Today's guest on The Long View is Hilary Wiek. Hilary is a principal analyst at PitchBook, where she leads PitchBook's coverage of fund strategies and performance, publishing primary research on the alternative space. Hilary also leads PitchBook's coverage of the ESG and impact investing space. Hilary has over 20 years of experience in asset owner, manager, and advisory roles. Prior to joining PitchBook, she was the director of investments at the Saint Paul & Minnesota Foundations, where she handled portfolio management, impact and ESG investment, investment due diligence and monitoring, and investment operations. Before that, she worked in senior positions at Segal Rogerscasey, the South Carolina Retirement Systems Investment Commission, Buckingham Financial Group, Dayton Power & Light, and KeyCorp. Wiek received a master's degree in finance and economics from Case Western Reserve University and a bachelor's degree in business leadership and finance from the University of Puget Sound. She is based in PitchBook's Seattle office. PitchBook is a Morningstar company. Episode Highlights 00:00:00 Background in the Private Markets and Joining PitchBook 00:04:49 Drivers of Private Market Slowdown in 2026 and Pockets of Outperformance 00:14:15 Key Lessons for Investing in Private Market Funds 00:18:12 Private Market Fees, Hidden Volatility, and Valuations 00:20:38 Evergreen Investment Growth, Interval Funds, and Questions Investors Should Ask 00:32:26 Is It Worth It to Invest in Private Markets? 00:36:50 ESG, Impacting Investing, and Key Themes for 2026 00:41:05 Private Market Exposure in 401(k)s PitchBook Reports Discussed Benchmarking and Returns: Why Are There So Many Numbers? Evergreen Funds: We Have Questions The Evergreen Evolution The New Face of Private Markets in Your 401(k) US Evergreen Fund Landscape 2025 Impact Investing Update If you have a comment or a guest idea, please email us at TheLongView@Morningstar.com. Follow Christine Benz (@christine_benz) and Ben Johnson (@MstarBenJohnson) on X, and Christine Benz, Amy Arnott, and Ben Johnson on LinkedIn. Visit Morningstar.com for new research and insights from Christine, Ben, and Amy. Subscribe to Christine's weekly newsletter, Improving Your Finances. If you want more Morningstar podcasts, check out The Morning Filter and Investing Insights. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In March 2020, at the start of the pandemic, the mysterious death of a mother of two is ruled a suicide. But her loved ones believe there's more to her death than meets the eye. And as soon as we looked into her case, the cracks in the official ruling started to show. If you have any information about Gwen Hasselquist or her death or movements the night of March 20th, 2020, please email tips@audiochuck.com.If you or a loved one is struggling with thoughts of suicide or self-harm, you can call or text the Crisis and Suicide Prevention Lifeline at 988 or visit 988lifeline.org. You can learn more about The Good segment and even submit a story of your own by visiting The Good page on our website! Source materials for this episode cannot be listed here due to character limitations. For a full list of sources, please visit:  https://crimejunkiepodcast.com/mysterious-death-of-gwen-hasselquist/Did you know you can listen to this episode ad-free? Join the Fan Club! Visit crimejunkie.app/library/ to view the current membership options and policies.Don't miss out on all things Crime Junkie!Instagram: @crimejunkiepodcast | @audiochuckTwitter: @CrimeJunkiePod | @audiochuckTikTok: @crimejunkiepodcastFacebook: /CrimeJunkiePodcast | /audiochuckllcCrime Junkie is hosted by Ashley Flowers and Brit Prawat. Instagram: @ashleyflowers | @britprawatTwitter: @Ash_Flowers | @britprawatTikTok: @ashleyflowerscrimejunkieFacebook: /AshleyFlowers.AF Text Ashley at 317-733-7485 to talk all things true crime, get behind the scenes updates, and more! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.