Podcasts about Ella Fitzgerald

Vom Heim für "verwahrloste Mädchen" zur "First Lady of Jazz": Ella Fitzgerald dreht mit einer Amateurshow ihr Leben und verzaubert die Menschen mit ihrer Stimme. Sie stirbt am 15.6.1996. Von Susanne Rabsahl.

Van swingende klassiekers tot intieme ballads en verfijnde instrumentals: deze TORcast ademt sfeer, klasse en rust, al zeg ik ’t zelf…. Spielvereinigung Sued, Sjaella vocal group: Snooze Until You Loose; Spielvereinigung Sued, Sjaella vocal group: Falling In Place; Kenichi Tsunoda bigband: Take Five; Arne Domnerus, Bengt Hallberg, Lars Erstrand, Egil Johansen en Georg Riedel: Limehouse Blues; Christian McBride: Night Train; Hank Jones, Oliver Nelson: Jazztime USA; Toots Thielemans: Manha De Carnaval; Claude Bolling, Jean-Pierre Rampal: Sentimentale, Pt.2; Renee Olstead: Taking A Change On Love; Ella Fitzgerald, Louis Armstrong: Can’t We Be Friends?; Diana Krall: Temptation; Coleman Hawkins, Ben Webster: Blues For Yolande.

El 15 de junio de 1996 nos dejó una de las mayores cantantes de la historia del jazz y la música popular: Ella Fitzgerald. La recordamos con grabaciones de 'Little girl blue', 'Bewitched, bothered and bewildered', 'Where or when', 'How long has this been going on?', 'Someone to watch over me', 'But not for me', 'For sentimental reasons', 'Just one of those things', 'How deep is the ocean', 'Heat wave', 'Let´s face the music and dance', 'Always', 'Misty', 'I can´t give you anything but love' y 'The lady is a tramp'.Escuchar audio

IM (25/4/1917 – 15/6/1996) – Ella Fitzgerald, de Amerikaanse jazzzangeres is Dood maar niet vergeten. Deze First Lady of Song leed aan diabetes en deze ziekte leidde vandaag in 1996 tot haar dood. Ze was…Continue Reading "In herinnering de First Lady of Song"

Mit ihrem Stimmumfang von drei Oktaven revolutionierte Ella Fitzgerald den Jazz. Als „First Lady of Song“ erfand sie den Scat-Gesang und prägte damit die Musikgeschichte. Vor 30 Jahren starb die Jazz-Ikone. Seidel, Sarah www.deutschlandfunk.de, Kalenderblatt

Coming up tonight: Doris Day, Herbie Mann, Ella Fitzgerald, Art Pepper, Miles Davis and Quincy Jones, Billy Taylor & Gerry Mulligan, the Harold Mabern Trio, and Geri Allen.

Coming up tonight: Doris Day, Herbie Mann, Ella Fitzgerald, Art Pepper, Miles Davis and Quincy Jones, Billy Taylor & Gerry Mulligan, the Harold Mabern Trio, and Geri Allen.

Coming up tonight: Dinah Washington, Lennie Tristano Sextet, Charlie Singleton, The Jimmy Giuffre 3, Jerome Richardson, Etta Jones, Wes Montgomery, Hank Mobley, Gerry Mulligan, Ella Fitzgerald, The L.A. Four, and Etta Jones with Houston Person.

durée : 00:04:37 - par : Max Dozolme - En écho aux trente ans de la disparition d'Ella Fitzgerald et à la sortie d'une biographie consacrée à la chanteuse de Jean-Pierre Jackson (Actes Sud), Max Dozolme se penche sur l'un des titres les plus célèbres de The First Lady of Song : "Mr. Paganini", un clin d'œil au classique ! Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

This week on “Talk About Las Vegas With Ira,” Ira welcomes acclaimed vocalist Jonathan Karrant, who brings his celebrated tribute to legendary composer and songwriter Cole Porter to Myron's at The Smith Center on June 9. Jonathan reflects on his own journey from Ft. Smith, Arkansas to Manhattan, Los Angeles and ultimately Las Vegas, where he has become one of the city's most respected interpreters of the Great American Songbook. Jonathan shares how, at a very young age, he fell in love with classic standards after discovering compilation albums by Ella Fitzgerald and Julie London, which introduced him to the sophisticated wit and emotional depth of Cole Porter's music. Calling the Great American Songbook “America's poetry,” Jonathan explains why these timeless songs continue to resonate across generations, adapting effortlessly into swing, waltz and count-less musical styles. The conversation also explores Jonathan's deep connection with live audiences, which he describes as an ongoing “conversation,” and how audience energy shapes every perfor-mance. He discusses his passion for recording music in the studio, preserving moments in time through albums. Jonathan also talks about collaborating with jazz singer and pianist Diane Schuur and performing his latest single with her, “Caught a Touch of Your Love,” from the album Full Circle. Filled with stories about music, artistry, sophistication and timeless songwriting, this episode is a must-listen for fans of jazz, cabaret and the enduring brilliance of the Great American Songbook. (Also Watch Full Podcast Video)

Ein gehauchtes «Happy Birthday, Mr. President» wird Ihnen vielleicht in den Sinn kommen, wenn Sie an die Sängerin Marilyn Monroe denken, oder ihre kecke Versicherung, dass Diamanten die besten Freunde seien für ein Mädel. Zum 100. Geburtstag von Marilyn Monroe ein Wiederhören. Marilyn Monroe hat aber mehr zu bieten als uns das kollektive Gedächtnis überliefert. Die Popikone nahm Gesangsunterricht und war eine begeisterte Jazzhörerin. Davon zeugt z.B. das kindlich-laszive Kauderwelsch in «I Wanna Be Loved By You», das eben auch eine Hommage ist an den Scatgesang. Boop-boop-de-boop! An einem ihrer Konzertbesuche freundete sich Marilyn Monroe übrigens mit Ella Fitzgerald an und unterstützte die damals noch aufstrebende Jazzsängerin aktiv im Kampf gegen Rassendiskriminierung. Die beiden Frauen blieben ihr Leben lang befreundet. Welche Qualitäten die Monroe als Sängerin und Performerin hat, ob sie swingen konnte und wie ihr Talent als Komikerin mit einfloss, darüber diskutiert Manfred Papst in der Jazz Collection mit Annina Salis. Erstausstrahlung: 22.06.2021 Die gespielten Titel: Interpret:in: Titel (Album / Label) - Madonna: Material Girl (Like a Virgin / Sire Records, Warner) - Elton John: Candle in the Wind (Elton John: Greatest Hits 1970-2002 / Mercury) - Pharrell Williams: Marilyn Monroe (Girl / Columbia Records) - Marilyn Monroe: Runnin' Wild (aus «Some Like It Hot» 1959) (Collector / Milan) - Marilyn Monroe: Every Baby Needs a Dad-Dad-Daddy (aus «Ladies of the Chorus» 1948) - Marilyn Monroe, Jane Russell: Diamonds Ar a Girl's Best Friend / Two Little Girls from Little Rock (aus «Gentlemen Prefer Blondes» 1953) (Marilyn Monroe: Complete Recordings / Legend) - Marilyn Monroe: Down in the Meadow (aus «River of No Return» 1954) (Marilyn Monroe: Complete Recordings / Legend) - Marilyn Monroe: Lazy (There's No Business Like Show Business: La Joyeuse Parade / BNF Collection) - Marilyn Monroe: That Old Black Magic (aus «Bus Stop» 1956) - Marilyn Monroe: I'm Through With Love / I Wanna Be Loved by You (aus «Some Like It Hot» 1959 / Some Like It Hot. Original Motion Picture Soundtrack / Varèse Sarabande Records) - Marilyn Monroe: Happy Birthday, Mr. President (Collector / MIlan) - Marilyn Monroe: My Heart Belongs to Daddy (aus «Let's Make Love» 1960) (Collector / Milan)

The National Security Hour with Blanquita Cullum – America has a rich musical heritage, spanning many styles, composers, and performers. Dr. Rich argues that many young people are unfamiliar with influential figures such as Irving Berlin, George Gershwin, John Williams, Ella Fitzgerald, Louis Armstrong, and others. Are students not being educated in the rich legacy of American music?

The National Security Hour with Blanquita Cullum – America has a rich musical heritage, spanning many styles, composers, and performers. Dr. Rich argues that many young people are unfamiliar with influential figures such as Irving Berlin, George Gershwin, John Williams, Ella Fitzgerald, Louis Armstrong, and others. Are students not being educated in the rich legacy of American music?

Discothèque Decadence Soundsystem presents: To The Manor Born: Swing House Nu Disco Party DD024 A tribute to the golden age of swing and jazz, from the roaring energy of the 1920s through to the big band brilliance of the 1930s and 1940s, reimagined with a modern nu disco, electro swing and house twist. This mix is also a tip of the top hat to one of the most unique and legendary nights in Durham, UK, reborn through the Discothèque Decadence lens with a Swing House twist. The journey celebrates the spirit of the original jazz age while bringing it firmly onto today's dancefloor, featuring heavyweight names and modern swing revival favourites including Parov Stelar, Caravan Palace, Club des Belugas, Swing Republic, Tape Five, Swingrowers, Ella Fitzgerald, Fred Astaire, Benny Berigan, Louis Prima, Fab Samperi, Klischée and more. Woven throughout the mix are original productions from The Funk Assassin, including Velvet Swing Affair, Minuit à Montmartre, Bourbon Bead Arcade, Manor Born, Velvet After Midnight and Midnight Foxtrot Symphony, created to sit naturally alongside the classic swing, jazz and electro swing sound that inspired the whole journey. Unlike a fast-cut club mix, this has been mixed to let each track play out in its entirety, allowing the arrangements, horns, vocals, rhythms and character of every record to breathe. The result is a continuous swing jazz band feel, like one long late-night performance inside a glowing manor house, where the dancefloor never quite stops moving. Dedicated with love and respect to Miles Davis for his heavenly 100th birthday, one of the true giants of jazz, innovation and musical freedom - and to Sonny Rollins, a true muse for this mix and one of the great spirits of swing, soul and improvisation. Save this one for the afters. The manor doesn't close early. TRACK LIST: 1. The Funk Assassin – Velvet Swing Affair 2. Fred Astaire, Club des Belugas – Puttin' On the Ritz (Club Des Belugas Remix) 3. Nekta – Listen 4. Parov Stelar – Booty Swing 5. Jamie Berry, Rosie Rascal – Twitch 6. The Funk Assassin – Minuit à Montmartre 7. Tape Five, Gardener of Delight – Tequila (Gardener Of Delight Radio Mix) 8. Lazlo – The Minor Drags 9. Caravan Palace – Rock It for Me 10. Swing Republic – Scrub Me Mama with a Boogie Beat 11. Electro Swing Sessions Band – Electro Swing 12. Benny Berigan – Snake Charmer 13. Swingrowers, Gypsy Hill – The Queen of Swing 14. The Funk Assassin – Bourbon Bead Arcade 15. Parov Stelar – Clap Your Hands 16. Swing Republic – Peas and Rice 17. Boban i Marko Markovic Orkestar – Cinnamon Girl (Radio Edit) 18. Parov Stelar Trio – The Invisible Girl 19. Tommy Largo – New Rhythm 20. Jazzotron, Nikola Vujicic – Digga Digga Doo 21. The Funk Assassin – Velvet After Midnight 22. The Funk Assassin – Midnight Foxtrot Symphony 23. The Funk Assassin – Manor Born 24. Caravan Palace – Black Betty 25. Caravan Palace – Dragons 26. Swingrowers – Bidibambumbey 27. Louie Prima, Wolfgang Lohr – Black Coffee 28. Parov Stelar Trio – Doctor Foo 29. Parov Stelar – All Night 30. 11 Acorn Lane – Spend My Time With You (Electro Swing Remix) 31. Kitten & The Hip – Shut Up and Dance (Tavo Remix) 32. Fab Samperi – The Big Swing 33. Klischée – Mais Non (1920 Version) 34. Ella Fitzgerald, Club des Belugas – Airmail Special (Club Des Belugas Remix)

Coming up tonight: Count Basie, King Cole Trio, Bobby Hackett, Lester Young & Count Basie, Harold Land, Sergio Mendes, Ella Fitzgerald, Cannonball Adderley & Ray Brown, Nancy Wilson, Don Ellis. Jim Hall, Herb Jeffries & Laurindo Almeida, Toots Thielemans, and Laurindo Almeida with Carlos Barbosa-Lima & Charlie Byrd.

Coming up tonight: Ella Fitzgerald, Arnett Cobb with Bobby Timmons, Dick Stabile, Carmen McRae, Thelonious Monk, Erroll Garner, Coleman Hawkins, Earl "Fatha" Hines & the Earl Hines Trio, Johnny Hodges & Wild Bill Davis, Gabor Szabo, Boogaloo Joe Jones, Charlie Byrd, and Ahmad Jamal.

Two decades after his breakout album It's Time, five-time Grammy Award winner Michael Bublé sits down with Willie Geist at New York's Blue Note Jazz Club to reflect on his journey from Canadian fishing boats to global fame. Bublé opens up about the grandfather who introduced him to Frank Sinatra, Louis Armstrong and Ella Fitzgerald, the early gigs that shaped his craft, and the moment that changed everything in his career. He also talks about his love for Christmas music, the perspective he gained after his son's illness, and his experience as a coach on NBC's The Voice. (Original broadcast date October 26, 2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Easy Jazz - The Best of

Quel est le point commun entre David Bowie, Nicoletta, Elvis Presley, Ella Fitzgerald et Marie Laforêt ? Depuis les années 1940, ces objets mystérieux fascinent, inquiètent et divisent. Insaisissables, peut-être, et pourtant ils s'infiltrent partout : dans les archives militaires, la musique, le cinéma et dans l'imaginaire collectif. Dans cet ouvrage, notre invité Egon Kragel, artiste et ufologue, explore l'impact culturel de ces phénomènes et montre comment l'ovni et ses passagers ont dépassé le statut de simple fait divers pour devenir une véritable machine à créer et à penser. Dans cette émission, nous allons aborder la pop culture en musique. Pour cela, l'auteur a rencontré des personnalités et recueilli leurs témoignages. Il ouvre également sa collection de disques et de long-métrages. Egon Kragel assure donc la programmation musicale de cette émission. Egon Kragel a déjà écrit Ovnis – Enquête sur un secret d'État avec Yves Couprie (Cherche-Midi), puis rédigé trois autres ouvrages sur le sujet. Il donne de nombreuses conférences. Il est également auteur, compositeur et interprète. – The Buchanan Brothers, When You See Those Flying Saucers – 1947 (première chanson écrite sur le phénomène). – Ella Fitzgerald Two Little Men in a Flying Saucer – 1951 – David Bowie, Starman – 1969 – Parliament Mothership Connection – 1975 – Nina Hagen, UFO – 1982 – Patti Smith, Birdland – 1975 – Stevie Wonder, Saturn – 1976 – Ry Cooder, UFO Has Landed in the Ghetto – 1982 Medley à la française avec : — Les 3 Horaces La Java martienne – 1957 (Boris Vian) – Henri Salvador, Le Martien – 1963 — Françoise Hardy, Le Martien – 1971 – Armande Altaï, Le Message de l'Espace – 1979 — Marie Laforêt L'Homme de l'Espace – 1980 – Et enfin Marie José, Sur une Soucoupe Volante – 1954 L'Instagram d'Egon Kragel

Quel est le point commun entre David Bowie, Nicoletta, Elvis Presley, Ella Fitzgerald et Marie Laforêt ? Depuis les années 1940, ces objets mystérieux fascinent, inquiètent et divisent. Insaisissables, peut-être, et pourtant ils s'infiltrent partout : dans les archives militaires, la musique, le cinéma et dans l'imaginaire collectif. Dans cet ouvrage, notre invité Egon Kragel, artiste et ufologue, explore l'impact culturel de ces phénomènes et montre comment l'ovni et ses passagers ont dépassé le statut de simple fait divers pour devenir une véritable machine à créer et à penser. Dans cette émission, nous allons aborder la pop culture en musique. Pour cela, l'auteur a rencontré des personnalités et recueilli leurs témoignages. Il ouvre également sa collection de disques et de long-métrages. Egon Kragel assure donc la programmation musicale de cette émission. Egon Kragel a déjà écrit Ovnis – Enquête sur un secret d'État avec Yves Couprie (Cherche-Midi), puis rédigé trois autres ouvrages sur le sujet. Il donne de nombreuses conférences. Il est également auteur, compositeur et interprète. – The Buchanan Brothers, When You See Those Flying Saucers – 1947 (première chanson écrite sur le phénomène). – Ella Fitzgerald Two Little Men in a Flying Saucer – 1951 – David Bowie, Starman – 1969 – Parliament Mothership Connection – 1975 – Nina Hagen, UFO – 1982 – Patti Smith, Birdland – 1975 – Stevie Wonder, Saturn – 1976 – Ry Cooder, UFO Has Landed in the Ghetto – 1982 Medley à la française avec : — Les 3 Horaces La Java martienne – 1957 (Boris Vian) – Henri Salvador, Le Martien – 1963 — Françoise Hardy, Le Martien – 1971 – Armande Altaï, Le Message de l'Espace – 1979 — Marie Laforêt L'Homme de l'Espace – 1980 – Et enfin Marie José, Sur une Soucoupe Volante – 1954 L'Instagram d'Egon Kragel

Shine those shoes and manicure your phalanges before sliding into your white silk gloves, it's a ballroom dance like you've never heard, as the guys skid their bikes across the granite floor to a variety of fine dance songs. Included: Tia Carrere; The Carter Family; Hank Snow; Ella Fitzgerald; Lawrence Ipsum; Todd Snider; Mark Knopfler & Emmy Lou Harris; Idles; T-Rex; Devo; Queen; Pau McCarntey; Sweet; AC/DC (barely)

The BOB & TOM Show — April 27, 2026 6:00 Go Out Drinking — Pat Daily6:05 Chick's Wordle streak ends today6:06 Letter: Listening to old shows; landlady with a nose ring at 80 years old6:09 Kristi would not dye her hair6:24 Chick brought Tom a tube of Fresh Balls6:28 Tom prefers hardwood6:31 Letter: Chernobyl meltdown anniversary (April 26)6:35 Story about a woman being robbed — Tom6:48 Letter: Original Jetsons now streaming6:49 Letter: No land snakes in Hawaii; kahula pork discussion6:51 Letter: Neighbor may have adopted peacocks on their farm6:52 “I Want Sugar” — Pat Godwin 7:03 Letter: April 25 was Ella Fitzgerald's birthday; also Tom's sister's birthday7:05 Song parody about Ella Fitzgerald — Pat Godwin7:05 Letter: Logan Stankoven — Tom's favorite hockey player7:06 Letter: Grandfather guarded tobacco storage7:08 Discussion: Smoking laws in London, England7:09 Letter: Love for ham radio7:22 Letter: SOS first used during the Titanic sinking7:22 “SOS” — ABBA7:24 “Fox on the Run” — Sweet7:25 “Ballroom Blitz” — Sweet7:36 Snack Kingdom: 6,000 snacks from around the world in China7:36 Unusual gum discussion — Tom7:49 Tom got married — congratulations to Tom and Kelly7:52 Tom wore Kelly's underwear (backwards)7:54 Chick comments on Tom's delicate fingers 8:06 Tom got married in the Bahamas; “Bahama Mama” comment8:07 Tom said “underpants” — Chick8:09 Discussion: Gen Z preference for tattoo engagement and wedding rings8:12 Josh has a Jarrod tattoo from Subway8:12 Josh says he is considered a “ruiner”8:13 “Butt hats” compared to tramp stamps — Tom8:25 Zoom interview: Greg Warren8:26 Bob soup talk clip8:27 Josh discusses being a cart corral worker8:27 Appalachian Trail discussion — Greg8:28 Trail takes 4–5 months to complete — Greg8:31 Trail nicknames8:33 Ten murders have occurred on the trail — Greg8:34 Copperhead snakes on the trail8:53 “Grave Wide Open” — song 9:03 Letter: Listener hiked the trail in six months; nickname was “Butt Spike”9:05 Story: Woman trapped after toilet collapse in Australia9:07 Toy Story 5 movie announcement9:21 Zoom interview: Jimmy Pardo9:22 Jimmy wearing a decoupage sweatshirt9:25 Jimmy shares kind words about Bob9:26 Jimmy's bumper sticker: “I Hate Jimmy Pardo”9:34 Helen Keller trading card discussion9:50 Trading card discussion continues Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hug a plumber day. Entertainment from 1967. Gullotine 1st used, First submarine to circumnavigate the Earth submerged, 1st solar powered battery. Todays birthdays - Ella Fitzgerald, Al Pacino, Talia Shire, Andy Bell, Hank Azaria, Rene Zellweger, Jason Lee. Ginger Rogers died.Intro - God did good - Dianna Corcoran    https://www.diannacorcoran.com/Plumber - Weird Al YankovichSomething stoopid - Nancy & Frank SinatraNeed you - Sony JamesInd da club - 50 Cent    http://50cent.com/It don't mean a thing if you ain't got that swing - Ella FitzgeraldA little respect - ErasureSomewhere over the rainbow - Rene ZellwegerMy name is Earl TV themeExit - Whenever your around - The Charlesys    https://www.charlesy.co.uk/the-History & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.com

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview John Engelkes, long-time bass trombonist with the San Francisco Symphony.   About John: John Engelkes was appointed Bass Trombonist with the San Francisco Symphony in 1981. He held this position for 39 years until his retirement. Prior to his time with San Francisco he was Bass Trombonist with the Florida Symphony in Orlando, the Baltimore Symphony, and briefly The Minnesota Orchestra. A native of Iowa, he graduated from the University of Northern Iowa where he studied with Jon Hansen. He also studied with John Hill at the University of Iowa. John pursued a Masters Degree at Northwestern University where he studied with Frank Crisafulli. While at Northwestern he also studied with Edward Kleinhammer and Arnold Jacobs. John has taught Bass Trombone at the San Francisco Conservatory of Music since 1983. He also teaches many private students as well. John has played and taught at numerous festivals including, Aspen Music Festival, Saito Kinen in Matsumoto, Sun Valley and the Grand Teton Festival. John has also performed with many notable artists throughout his career including Nelson Riddle, Ella Fitzgerald, Mel Torme, Buddy Rich and many more. John Resides in Mill Valley California with his wife Myra. He continues to teach at the SFCM and also maintains a private studio. John enjoys golf, cooking and travel in his spare time.

Our month of Jack Webb continues with his most unusual crime drama - Pete Kelly's Blues, a show that incorporated Webb's love of jazz into its weekly mysteries. Kelly played cornet in a combo at a Kansas City speakeasy during Prohibition, and each episode featured vocal and instrumental musical numbers. Though it didn't last long on radio, Webb brought Pete Kelly's Blues to the big screen with a cast that included Peggy Lee and Ella Fitzgerald. We'll hear four episodes of the short-lived series: "Gus Trudeau" (originally aired on NBC on August 15, 1951); "Zelda" (originally aired on NBC on September 5, 1951); "The Dutchman" (originally aired on NBC on September 12, 1951); and "June Gould" (originally aired on NBC September 19, 1951).

What happens when you trust your talent before anyone else does? I had the pleasure of speaking with Spider Saloff, a jazz vocalist and performer whose journey shows what it means to truly create your own path. From secretly rehearsing as a teenager to performing for the Gershwin family and building a career in jazz and cabaret, Spider shares how taking risks, following curiosity, and trusting your instincts can open unexpected doors. We also explore her resilience through personal challenges, including overcoming an abusive relationship and rebuilding her life from nothing. You will hear how music, creativity, and lifelong learning became her anchors, and why choosing your own direction can lead to a life that is both meaningful and unstoppable. Highlights: 00:10 – Discover how a passion for music at a young age can shape an entire life path 02:04 – Learn how early opportunities and saying yes can open unexpected doors 10:00 – Understand why creating your own opportunities can redefine your career 16:20 – Hear how taking bold action led to a life-changing connection with the Gershwin family 30:00 – Discover how one decision can completely change where your life and career unfold 44:44 – Learn what it takes to break free from hardship and rebuild your life with resilience Bottom of Form About the Guest: What does it take to build a lasting career in music and performance? Spider Saloff has done exactly that, earning recognition as a multi-award-winning vocalist and entertainer known for her powerful voice, wide range, and captivating stage presence. Born in Philadelphia and raised in New Jersey, she began her journey in theater at a young age, studying acting at Rowan University and the University of London. Her early career in musical theater included more than 25 major roles, but everything shifted when she discovered her passion for jazz. That move led her to work with top musicians, gain critical acclaim, and begin touring both nationally and internationally. Over time, Spider became one of the most respected interpreters of the American Songbook, known for blending deep emotion with humor in her performances. Her connection with the Gershwin family helped launch signature shows like her tribute to George Gershwin, which has been performed around the world. She has also created tributes to icons like Cole Porter and Irving Berlin, performed at major venues and festivals globally, and hosted the syndicated radio series Words and Music. Beyond the stage, she is a teacher, writer, and creator who helps others find their unique voice, continuing to inspire audiences and students alike through a career built on passion, creativity, and authenticity. Ways to connect with Spider: Website: https://spidersaloff.com LinkTree: https://linktr.ee/spiderjazz Facebook: https://www.facebook.com/spidie.saloff Twitter (@spidersaloff): https://x.com/spidersaloff?s=21&t=XIFFgGFn7E5Hd_8J8Rexfg Spotify: https://open.spotify.com/artist/6gKiYyeoZyxZTAI2EpGWbU?si=WudPV-CUQPmMThTtV508Og YouTube (@TheMartinicat): https://www.youtube.com/channel/UCTLI-Gd51JdcMT0FVvvD9lA YouTube, “When You See Me”: https://www.youtube.com/watch?v=DTbO1FWrje4 Instagram (@spider.jazz): https://www.instagram.com/spider.jazz/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:04 What if the biggest thing holding you back isn't what's in front of you, but rather what you believe Welcome to unstoppable mindset where inclusion, diversity and the unexpected meet. I'm your host. Michael hingson, speaker, author and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead and connect with others. Each week, I talk with people who challenge assumptions, face adversity head on and show what's possible when we choose curiosity over fear, together, we focus on mindset resilience and the small shifts that lead to meaningful change. Let's get started. Hi everyone, and I want to welcome you to another episode of unstoppable mindset, and we have an unstoppable mindseted, oriented sort of person today. Spider Saloff. Spider is a vocalist. She's a comedian. She is in Chicago, as I recall, but she has been to a variety of places. She is a very highly acclaimed vocalist, a singer. She sings and deals with a lot of the songs that I like, like the Great American Songbook, Gershwin, Irving, Berlin and other things like that. And she has a lot of accolades that come from any number of famous people who you've probably heard of. And so in the course of the next hour or so, I'm sure we're going to hear about a bunch of that. But for now, spider, welcome to unstoppable mindset. We're really glad Spider Saloff  01:49 you're here. Well, I'm happy to be here. Thank you for inviting me. Michael Hingson  01:53 Well, you are, you are most welcome. So how did you get into doing, acting, singing and all the other things that you do. Spider Saloff  02:04 Well, it started when I was a kid. I always loved music, and you know, it was so in love with the arts. But when I was 14, I came home and told my parents that I could get them tickets to the high school variety show. And they said, What? And I told them, I'm in it. I'm going to be in it. And they said, well, doing what? And I said, singing. And they were they were shocked, and I didn't tell them. I used to rehearse at my girlfriend's home because her family was all over it. They thought I was wonderful, and I knew my family would tell me that I couldn't do it so because it's just too foreign and too scary to them. So I ended up performing at this variety show, and my my parents were absolutely shocked, and one thing led to another. And then I met a theater director who worked at my school, and he came, he was a professional guy from New York that they hired to come in to do a musical, and I was in it. And I ended up getting the opportunity to be in a summer stock company and my parents let me go, which was amazing. I think they were just relieved to get me out of the house for the summer, but whatever it takes, but I certainly learned a lot, and I was very young for that experience, but it was, it was so, so worth it. And then after I finished high school, I went to college for theater. Now, your parents are from Russia. Oh, no, no, no, no, they're descend. My father's descendants are from Russia. That's where the name is from. But they are, I think I am about 11 different nationalities. So it's we're real much we are real much of the world. Well, there you go, yeah. Michael Hingson  04:05 So now we need to just clone that combination, since obviously you sing, well, we need to get that in other people, just just, you know, just a thought, you know, Spider Saloff  04:16 sounds good. Sounds dangerous to me. Michael Hingson  04:18 Actually, I know it's either that or we're gonna Spider Saloff  04:21 have to get more, more of one than more than one of Michael Hingson  04:24 me, more than one spider? No, we can't have that. Well, either that or we get AI to to imitate you. But we don't want to do we don't want to do that either, scary stuff. 04:35 Yeah, yeah, it is. Michael Hingson  04:36 Well, so how did you encounter and come up with the name spider. Spider Saloff  04:44 I did not choose it. I, you know, I never thought that my real name made any sense from the time I was a child, it's, I'm like, that doesn't make sense. And then I got the nickname when I was in college, because I have, I'm. Really a small person, but I have very long arms and legs, and it was a nickname, and it just stuck with me. And then finally I surrendered to it as a professional name, and people don't forget it. They may not like me, but they don't forget the name. And then it just stuck. And it's been that way ever since, how could Michael Hingson  05:20 somebody not like you? Spider Saloff  05:23 Well, I don't know. I'm sure there's somebody out there. I would love to thank everyone. Just endorse me, but Michael Hingson  05:31 we'll see. Well, yeah, I mean, it'll all go so where did you go to college? Spider Saloff  05:37 I went to a college that doesn't exist anymore, actually, now it is Rowan University. It's in New Jersey, outside of Philadelphia, and it became Rowan University when it got the largest private donation in history. But it was a state college called Glassboro State College, and it was a fine arts school at the time. There were several of my friends, including the conductor for the Lion King and Broadway people, all went to school there, and now it has no arts program at all. But part of our program, I did get to study at University of London too. So that was really exceptional. And it was so wonderful, a wonderful school, great opportunity. You know, it's, it was outside of Philadelphia, close to New York, and now it's an engineering school. For the most part. There isn't, there are no fine arts there at all. Well, that's too bad. But, well, yeah, I know, but somebody's got to do the engineering, Michael Hingson  06:39 I guess. I Well, there's truth to that too. Now, have you seen THE LION KING LIVE on Broadway? I have Spider Saloff  06:46 never seen it, and it's never seen it. I gotta see it. I've got to see it. I it just never happened. I kept intending to go and I never saw it. And I know people that played for it as well. 06:59 You've seen the movie. No, you haven't seen the movie Spider Saloff  07:02 either, anything Lion King. My goodness, I know I better. That's one of my goals. By the end of the year, let me see if I can see it. Michael Hingson  07:10 Well, I'll tell you my lion king story. A my brother in law knew someone who knew some of the actors in Lion King, and he and his wife and their little girl, who at the time was like three or four, were coming through New Jersey, where we lived in Westfield, and we all arranged to go see The Lion King. It was a Wednesday afternoon. It was a matinee, and near the beginning when scar, the bad guy meets the hyenas, who he works with, they all come on, they come on stage and they're growling and all sorts of things like that. Well, in the theater, the hyenas come from the back of the theater, down the stairs, and they walk past everyone growling and making all these noises? Well, my wife was in a wheelchair her whole life. She was a t3 paraplegic, and when one of the hyenas came up next to her, because we were able to arrange for an accessible seat, which was right on the aisle, this hyena comes up right next to her and goes, you've never seen a woman who is totally paralyzed suddenly literally jump up and almost walk out of the theater. It was amazing. She he shocked her completely. But it was so much fun. And of course, Alanya, the little girl, was just there with these big, huge eyes over all of this. But what Karen, my wife, told me later was that what was interesting about it was that when she was obviously watching all of this, and she said, You got totally used to the the puppets being the animals they were. They didn't you. They didn't even look like puppets anymore. They were just the animals. Spider Saloff  09:05 And that's exactly what I've heard about it, that it's like, it was fascinating. You're completely swept away with it. Michael Hingson  09:10 Yeah, wow. So, so it's cool, but, yeah, you gotta, you gotta go see The Lion King. It is absolutely worth it. The music is wonderful and all that. Wow. So we got to see it on Broadway, which was cool. Well, so you, so you went to college, and then what did you do? Spider Saloff  09:32 Well, when I got out of college, I, you know, was doing theater, but I ended up in musicals because I sang, and I really my training, my formal training, really is acting. I did not train as a singer. I just started singing naturally when I was a teenager, and then I just did a ton of musicals. I was in musicals like forever and but. I always loved jazz, and that was always in my back pocket. And then at one point, I really decided I wanted to pursue jazz while it was still in musical theater, because it was getting harder and harder to get roles, because they wanted, this is in the late 80s. They wanted you to be a dancer as well, and that was not going to happen for me. So I really thought, you know, I just, I want to check out the whole nightclub scene, you know, in Cabaret, where you could produce your own show. And so I started to really pick the minds of the guys in the pit band. And I talked to all these pit musicians, and they would tell me about, you know, places to go, and how they there were guys I met there that introduced me to other people, that helped me to do my first demo, and then started working in clubs. And then that really changed everything for me. Michael Hingson  11:01 So you got very much involved in doing a lot of Spider Saloff  11:04 jazz, yeah, jazz and cabaret, and it was all small clubs. But then that was what got me major press attention. And then I started touring with a show that I co wrote with a guy named Ricky ritzel, who's from New York, and we did a show called 1938 and that was my first recording as well. And then then just kept going from there, and that's how a lot of things happened, was really just deciding to do my own thing and create my own world of performance. So you're also Michael Hingson  11:45 known for doing something related in one way or another to comedy? Spider Saloff  11:50 Well, yeah, I've always done comedic roles, and I can't say I have ever done stand up, but I may be getting close to it, I'm not sure, but I always involve a lot of comedic monologs in everything I do. Like, if you see me at a jazz club, I will tell stories. And, you know, it's part of, part of who I am, is a lot of the comedy stuff. And, you know, crazy stories and telling stories about people, and, you know, doing imitations of people that I've met over the years and that kind of stuff. So it's, it is part of my whole persona on stage. Michael Hingson  12:33 What's your favorite musical that you've done? Boy, it's probably a toughy. Spider Saloff  12:40 I did so many, I have to say, Guys and Dolls. Okay, guys and dolls. I was Adelaide and Guys and Dolls, one of the best roles I've ever done. It was really a good choice for me, and and I, and I have to say I was in what, four productions of Fiddler on the Roof, and I've been two seidels, one Hava and fru masera, so but I love that show. I think it's magical. Michael Hingson  13:21 Just it is. Have you ever been in numb? I like Guys and Dolls, but my favorite, and it's just been that way for a long time. I don't know why was the music? Man, were you ever in the music? Spider Saloff  13:32 Man, I was, but there's no, there's no role in that for me. But I was one of the pick a little ladies. Oh, it is one of my favorite shows. Though, I think it's a masterpiece. I love love love music, man. I think it's just brilliant. Michael Hingson  13:48 You don't think you could have done you? Lily capecni shim you know, Spider Saloff  13:53 I was too young to do it at the time. Michael Hingson  13:54 Yeah. Well, like always, now there's always Marion, Spider Saloff  14:00 no, I don't have the soprano chops for that. They let me do it in Sutton Foster's keys. Well, I was thrilled that they took it down for her, because I could actually do it in those keys. That would be great. Michael Hingson  14:16 I saw it a couple of times on Broadway. Now I'm blanking out on the person it was in. Well, we saw it in, like, 2002 1001 and I'm trying to remember I'm blanking out on the person who played Marion. She actually ended up getting Lou Gehrig's disease and passed away. Spider Saloff  14:43 I don't know who. I don't know, which Michael Hingson  14:45 totally shocked us. Spider Saloff  14:46 I'm drawing a blank, I don't know. Michael Hingson  14:48 Yeah, I'm blanking out on her name. I may think of it, but, Oh, forgive us. She did a she did a great, a great job. But, yeah, but there's nobody like Robert Preston to play Harold Hill. And. Spider Saloff  15:00 Anyway, oh, that movie is so beautiful. I love that movie. Yeah, music, man is brilliant. It really is brilliant. Well, that Michael Hingson  15:10 goes back to, you know, Mr. Mr. Meredith. Meredith Wilson, Spider Saloff  15:18 yes, and I read, I read his book. Have you ever do you know of his book called he doesn't know the territory? Michael Hingson  15:27 No, I'll have to see if I Spider Saloff  15:28 can find writing and production of music. Man, I love, love. Love that book. And it's about all the trials of getting it produced and how he did. They did one of the opening one of the readings when they were trying to raise the money to do it. And moss Hart. Moss and Kitty Hart were there, and they hated it so much they walked out the middle of it. Opening Night, moss Hart was there, and he he saw, he saw Meredith Wilson in the lobby, and he shook his hand, and he said, he said, Great show. But you know what, you still haven't licked that book. Oh gosh, because he was an outsider. I mean, he wasn't part of the Broadway team. And no, the fact that he actually played with a John Philip Sousa, like, what, yeah, couch or something. It was real deal. Like, real real, like, old timey marching band stuff. Michael Hingson  16:35 Yeah, amazing. Well, then he also did The Unsinkable Molly Spider Saloff  16:39 Brown, yes, yes, another great show, yeah, not produced very often. But no, Michael Hingson  16:45 no, it's not. It's, it's sort of sad. Oh, well. But you, you've been very much involved with with a lot of jazz and so on. Tell us about meeting the Gershwin family and and your your involvement with Gershwin, which, you Spider Saloff  17:01 know, he, of course, magical. It was. It was truly a life changing event for me, my partner and I, Ricky ritzel And I had been doing 1938 and then we decided to write this show that was called Porgy and Bess, a cabaret concert, oh boy. And it was in New York, and a very powerful guy from ASCAP came to see it, and Michael kirker, and he came to see it, and he said, this show is brilliant. He goes, but you guys are going to get shut down by the Gershwin family, so you need to call them and see if they'll give you permission. So I had the phone number for Leopold godowsky, the third who is the nephew of George and Ira. His mother is Frankie Gershwin, who was George and IRA's younger sister, and I was a wreck. My hands were shaking, and I called him on the phone and and he was very polite. He just had this incredibly mannered guy, you know, it was really lovely. He goes, Well, you know, I don't see that we could allow Porgy and Bess be performed in a night club, and it wasn't like we were doing the show. We were just right. We were telling a story about how it was written and then just performing the songs as separate entities, but they were enfolding into the story. So I said, Would you would you want to comment? Would you want to see it? If we put it on a videotape, and he goes, Oh, I don't know. He goes, let me think about it. So then I called him back right away. I had the nerve to call him back again. I said, Well, would you come to see the show. He said, you know, what would you and your partner be willing to come and perform it at my home in Connecticut? There you go. And I'm like, What? What? So this whole thing got put together, and we went up to the Gershwins home in Connecticut. We met Leopold and his fabulous wife, Elaine, and they had, they said, we're having, we're having 40 close friends here for dinner. They were cooking dinner themselves, and it was this magical house in Connecticut. They had 40 industry people there. It was crazy. I mean, there were all these famous people there, and we were, we did like, as he called it, a 30 minute musicale. We did highlights from the show in their living room by the great. End piano, and I believe the piano had belonged to George, because Leopold is classical pianist as well. So we did the show, and then we all had dinner, and this friendship started. So what evolved was they, they did, let us do the show, but then my relationship continued with them, and when the Gershwin Centennial started in 1996 it was Iris 100th birthday, two years before George's. In 98 I became part of the centennial presentation, so I got to tour with my Gershwin concert under their brand, and also record my Gershwin album with their brand on it. And it was the beginning of a beautiful friendship. And it was, it was a huge, you know, a huge mark in my career, and it opened a lot of doors for me. So wonderful, wonderful people. Michael Hingson  21:03 One of my favorite pieces of all times. Calling it a piece is probably not totally accurate. It's bigger than that, but one of my favorite things from classical music has always been Rhapsody in Blue. And I don't know why, but the very first time I heard it, I loved it, and I've enjoyed it ever since. I've heard the Boston Pops do it, you know, and and others do it. It's just one of those neat things I've just always loved. Spider Saloff  21:30 I'm getting chills just talking about it, because that was so groundbreaking at the time when Paul Whiteman had the contest right of who was going to be able to cross the borders of jazz and classical. And you know, who else was in that contest was Aaron Copland, oh my gosh, Eric Copeland, and he was always in competition with Gershwin, yeah, and Gershwin won and musically, that that changed the whole concept of jazz, I mean, to be accepted in a classical arena. It was really remarkable. What that what that piece did, like, amazing. Michael Hingson  22:18 I actually heard once the Paul Whiteman arrangement of Rhapsody in Blue was performed by a group I don't even recall where, but it was outside. It was a little different, but it still was just so neat to hear this. Spider Saloff  22:36 The first person to hear it, yep. I mean, Paul, my Paul Whiteman was incredible, though. I mean, what a what a groundbreaking person. He was artistically, right? Michael Hingson  22:48 Yeah, he, he did some amazing things, Spider Saloff  22:51 yeah, yeah, you know what I've got to mention. And I hope this doesn't make make our interview too dated. But last night, I saw the movie Blue Moon. That is about about Larry Hart. Oh, my God, I haven't seen that. I'm gonna have to. It just came out last week. Oh, okay, it's not gonna be very often. It's absolutely gorgeous, and Ethan Hawk plays Larry Hart. It it's it's beautiful and funny and heartbreaking, and it all the whole premise is Larry Hart has to go to opening night of Oklahoma, oh gosh, and how painful it is, and this whole cathartic thing he's going through. So the bulk of the entire it's more like, like a theater piece. The whole thing takes place at the bar at Sardi's when he's talking to the bartender and waiting for for Rogers and Hammerstein to show up. And it's, ah, Wowza, it's brilliant. It's brilliant. And talk about, I don't know how they ever got that produced, because it's definitely a movie that's not going to appeal to everybody, but boy, is it brilliant. Michael Hingson  24:14 Wow. Well, hopefully it will come out in some place where I can can watch it up here, and that'll be cool, yeah, Spider Saloff  24:22 and I think it's probably going to go to streaming pretty soon, I'm sure, yeah. So you'll have a lot of opportunities. But I really was happy to go to the theater and see it. But wow, and people in the audience were laughing at all the jokes they were getting, all the sly, Sly comments of Larry Hart, like, wow, witty, witty, witty, just brilliant, just brilliant. Michael Hingson  24:51 Well, your whole Gershwin relationship, obviously, is pretty significant. You even did some Gershwin concert. In Russia, Spider Saloff  25:02 yes, yes. That was why I went to Russia. They were having a Gershwin Centennial in St Petersburg in 1998 because that is the, that is the origins of the Gershwin family. They are from St Petersburg. And so I was hired with my pianist to go to St Petersburg. And do we? Did we were there for seven days, and I think we did like five concerts, and it was amazing to be there, because this was when Russia was getting good. This was, like the good part, and still was scary. It was scary. We stayed in this really creepy hotel that was like a government hotel, and the rooms were bugged. And then when the hallways there were padded walls, like where they could pull these panels out, and there was all kinds of wiring in there, bugging and strange stuff. The concert hall was absolutely magical. It was an old concert hall, and people went crazy, and when I sang the song vodka, which is an oddity, by Gershwin, by way, herbert stothard, Otto Harbach, Oscar Hammerstein and George Gershwin wrote this crazy song called vodka. And when I did the song, people stood on their chairs and screamed, the Russians just loved, loved, loved the concert, the audiences couldn't have been better, and the people that ran the organization couldn't have been weirder. It was, it was very strange. And when we went to leave, the guy that booked us and me and my pianist, they they took our passports, and we had to go to a little room where they said that we our visas were expired and and we had to pay money to get out of there, and they were mad at the guy that was our manager, because he sassed them. And anyway, we had to wait. We were afraid we're going to miss the plane. And then finally, they came out with, like a little, a little tape from an adding machine, and they, they said, you have to pay $58.23 American. So they charged us this $58 and we paid it and ran to get on the plane and and I'm like, I was never so scared in my life. I didn't know what they were going to do, but it was an experience, and it was thrilling and beautiful. But don't think I'm going back to Russia, not in the near term. Yeah. Oh, and then that's when all these people said, my name is sell off. You are my cousin. I come home with you like there were so many people with my name, because in this country, there aren't that many. Aren't that many sell offs. My family is pretty small, and occasionally I'll meet us a sell off. But they're usually, they're usually rabbis, or it's like there aren't that many of us out there, but it was, it was an amazing experience. Loved it. Michael Hingson  28:28 Now, did you when you were over there, sing any of the songs or anything in Russian, or did that matter? Spider Saloff  28:34 Oh no, oh no, let's didn't do that, huh? I'm not. No, I, you know, I'm good at doing accents, and sometimes I will learn to say, like I would learn a little bit of French to get by, but then they would start asking me questions, and I didn't know what they were saying, and then they thought I was just being a jerk, you know, I'm pretending I don't understand them or something. But it was, No, I don't speak. I can barely handle English, but I didn't know whether you might have Michael Hingson  29:05 tried to learn one of the songs just for fun. Spider Saloff  29:08 There wasn't time. This went together so fast. I think we only had, like, two weeks notice. They had rushed the visas and, you know, we had, we had passports in order, but it was a lot of legal red tape. Michael Hingson  29:25 But that's why it cost $58.33 to get out. I don't know, very crazy one of those things. Oh, yeah. Well, well, at least it was affordable. Spider Saloff  29:41 Well, it will, and it was exciting. I mean, everything was paid for. But, oh, this was another weird thing they paid. They paid us in cash, American dollars, and I needed to hide, I had to hide it in my boot. I put it in. Hide the soul of my boot when I'm okay, wow, yeah, it was, it was creepy all the way down the line. It was very strange. Oh, well, yeah, things happen. 30:11 Things happen. Yeah, I was, Spider Saloff  30:12 I'm very, very, very fortunate that I got, got to do it, yeah? Michael Hingson  30:19 So obviously a wonderful memory. And yeah, oh yeah, one of those things that you'll you'll always treasure. You bet. Well, so when did you move to Chicago? Spider Saloff  30:32 Oh, well, when? When I started to get get my feet wet in New York, in the nightclub scene and the jazz scene, I got some really fabulous reviews, including the New York Times. And there was a guy from Chicago who I met through the great Julie Wilson, and his name was Bill Allen, and he was partners with Bobby Short, and he opened this really crazy club in Chicago, very famous, called the Gold Star sardine bar. And both Liza Minnelli had played there the Basie band. He squeezed the Basie band in there, but it was this tiny little place right in downtown Chicago, and it was really wild. And a lot of people had played there. Tony Bennett had played there, and Liza and I kind of was courting the room. I kept talking to him. He had he had found my press kit. Think he had been sent three different press kits, and we don't know which one he opened, and he called me, and we kept this ongoing conversation about coming out to do performance there, and then finally, he decided to bring me out for New Year's Eve, and my husband and I flew out, and it was just we were we had a couple of friends here in Chicago that we visited, but we didn't know anybody here. I'd never been to Chicago, you know, but it was magical. And then he said, Well, I'm going to have you back. I'm going to have you back. And then I didn't hear from him. And finally, the following September, he asked if I could come and play for a month, and I had almost no warning, because he was very impulsive and really crazy. So he asked me to come out for a month, and I did. They put me up in a hotel, and I played with the musicians. Were magical. People were so great. And so I played for a month, and then he said, you know, what would you think about about moving here? And my husband and I were both excited about it. Then we didn't hear anything from him. And then right after So, the first week of February the following year, he calls me up and said, Could you move here? And I'm like, I guess so. Why he goes, Well, I'll book you here for a year, and we'll arrange to get an apartment. And can you start like next week? Oh, gosh, ah, so I did it. I came out, and then my husband came out. We took a sublet on an apartment right downtown in Chicago, sight unseen. We moved here with our cat, and the rest was history. I ended up having the best nobody has a gig for a year, yeah, and and hired partially by the only person that had a gig forever, who was Bobby Short. So because I had met Bobby Short in New York, and he kind of gave bill the okay, you know, he liked me. And then I, I met Tony Bennett there, and Liza interrupted my show one night and crawled on to the over the balcony, onto the stage. And it was magical. There were lines around the block and and I got, I was courted by the press in Chicago like you wouldn't believe. I mean, it was magical. So when my run was up there, I started working at other clubs, and also I started touring at concert tours of my shows, like the Gershwin show, and started to tour. So it just became another life for me. But I'm, I'm in Chicago forever. As far as I'm concerned. I adore it here. I just love it. Michael Hingson  34:45 So when did you move there? Spider Saloff  34:47 The beginning of 92 Michael Hingson  34:49 Okay, all right, so when Liza, when Liza invaded the stage? Did you guys sing together? Spider Saloff  34:55 No, this is what happened. I had met Liza. Yeah, well, I was still living in New York, and I was friends with Billy Stritch, who was liza's musical director. So he was a friend of mine, and he introduced me to Liza, and because she was he was conducting a bit that big show she did at Radio City Music Hall that was a tribute to Vincent Minnelli. Right? She did this spectacular show at Radio City, and Billy was musical directing, and that's when they really became partners. And he introduced me to Liza, and she was just a doll, one of the nicest, coolest people in show business. So I met her, and she was really kind to me, very friendly, very sweet. And so they were playing at the Chicago theater. Liza was doing her one woman show, and it was closing this particular Saturday that I was at the Gold Star, and I had sent Billy a note to to, you know, come by when they're we're done. So I'm doing the second set. And then crazy Bill Allen at the break. He goes, he goes, Okay, people are going to come in here. Joe Pesci is going to come in and and he's going to come up and meet you. And I'm like, Joe Pesci. Joe Pesci was doing a movie here, and his double, his gangster double, used to come in and see me at the gold star. So anyway, the break comes, I'm on stage, and all of a sudden the door opens, and they come in, and it's, it was Billy and Liza and Joe Pesci. And Joe Pesci comes up on stage with Billy and my band kind of crawls off the stage, because by now, there are, there's about, I don't know, 200 people packed in a 70 person room, and their people are coming out of the woodwork. They're like, sitting on top of the bar, and I can't even get off the stage. And Joe Pesci. Pesci leans down, he's like, hey, hey, honey, my my double. He thinks you're great. He goes, Yeah, we're gonna do some songs now. And I'm like, okay, so I sat there, and Billy came up and played. The bass player was there with them. Joe Pesci got up and sang. He was adorable. And then Liza is sitting right by this. They called it the opera box. There was a big, like private table that was right next to the stage. She crawls over the bar onto the stage, and people are just screaming. It was absolutely nuts. And she did like three songs, and she was losing her voice. She had just done a killer thing at the Chicago theater, and she was really, like, raspy. Did it anyway? And she ended with New York, New York, and people were like, screaming. It was just bonkers. It was bonkers. And so that's what the Gold Star was like. It was just a crazy place, and you didn't know who was going to come in the door, who was going to interrupt your show? You just, you just didn't know. Michael Hingson  38:24 Yeah. And they even had the Count Basie orchestra there, and that was, how'd they fit him? How'd they Spider Saloff  38:30 fit him in? Couldn't fit them. It was like a publicity stunt, yeah, and the band was all stuffed in there, and there were a few people that could get in the room, but people were standing in the hallway to hear Pacey pants. This is way before my time. Yeah, it was like in the early 80s, when they opened and they were way crazier then, then when, when I came, Michael Hingson  38:53 you settled them down. Did Spider Saloff  38:55 you No? No, but they, they, they, well, I was there for a year, and then the following year, I went back a few times on Saturdays, and then Bill told Jeremy Conn and I that we were going to be the regular actor because they were always on the verge of closing. They wouldn't have any liquor, and somebody would be coming in the back door with liquor because they didn't pay their liquor bill. And it was, he was in a lawsuit. And anyway, they told us that he goes, Yeah, yeah. Call me on Tuesday and we're gonna we're getting all the details straight. Now. You guys are going to be regular. Here Tuesday came and there were chains on the door. Oh, gosh. And that was the end of it. It ended, and it was a magical time, but there were a lot of problems, a lot of legal problems going on. Michael Hingson  39:50 I met Liza Minnelli once. That was the second or third time I was interviewed by Larry King, and she was now. She was going to perform on the show as well, but it was after September 11, and so I got, I got to meet her, and that was about it, but I did get to meet her, which was fun. Exciting. It was fun. How exciting. And every time we walked out after the interviews, there were lots of photographers outside. Everyone was taking pictures, and we had to put up with all that, but I guess it provided a lot of visibility, but it was kind of fun to be able to do that. Spider Saloff  40:34 How cool. I never met Larry King. I knew a lot of people were on his show. But well, how exciting that you did it twice? Michael Hingson  40:43 Well, actually we there were five interviews with Larry. The first one was right after September 11. It was on the 14th. And then there was another one. There was either one or two more. I think there was one more in November of 2001 and then on the anniversary, in 2002 was the third. But there there were five altogether, and during one of them, and I think it was the one on the anniversary or in 2002 but I have to go back and see if I can research it. But anyway, Hillary, Hillary Clinton and Chuck Schumer were, were there? Lisa Beamer, Todd Beamer, his wife Todd's the guy who said, let's roll on flight 93 when they took over the plane again and got it in a crash in Shanksville. Wow, and and Queen. Nor was there. So who I'm sorry, Queen nor from? Who is the queen of Jordan? Oh, wow. And she and she and Roselle had a thing for a while. Roselle was my guide dog at the time, so they visited. It was kind of fun. Oh, wow. But, yeah, it was, it was interesting. But as I say, then we, we did meet Liza briefly, and that was kind of fun. She said she's Spider Saloff  42:09 a doll, yeah, doll. Oh, yeah. What a great person, yeah. Michael Hingson  42:13 Well, so I was looking at all the things that you sent me, and I noticed Tony Bennett. I got to meet Tony Bennett once we were on Regis and Kelly live in November of 2001 and I was sitting there, and I heard that Tony Bennett was going to be on the show. And suddenly he comes over and he says, Hey, I'm Tony Bennett. Good to meet you. I've heard about you. So we chatted for a while, and he and Roselle had a thing too, and he and Roselle had a thing too. Spider Saloff  42:45 So that was good. Oh, that Roselle. Oh, but yeah, I met him at the Gold Star, and he because he had played there several times, you know, as a future act. And he was doing, he was in. He was in town to do something. Maybe it was at the Chicago theater as well, but he came in, hanging out in his in his white dinner jacket, absolutely charming. And he sat down and talked to me between sets. It's like talking to your uncle, like he's like, Yeah, what do you think of this weather here in Chicago, and it was like just the friendliest, most laid back, cool guy and and I've seen him perform several times. I adored him. Michael Hingson  43:32 I regret I never got to see him live other than hearing him do, other than hearing him on regents and Kelly, he did a New York state of mind. Spider Saloff  43:41 Oh, cool. Very cool, Michael Hingson  43:43 wow, very soft spoken guy. But when he can sing, he can he could Bell it, Bell it out, Spider Saloff  43:49 and he and he sang the same forever, like, that's my my idols are. I want to sound the same forever, and I have the two, the two, the two most remarkable preserved voices were Ella Fitzgerald and Mel Tormey, both of them, they had chops forever like that. They they were just very, very careful and smart about the way they use their voices. Michael Hingson  44:18 Yeah. Johnny Mathis lasted a long time. I don't know what he sounds like. Spider Saloff  44:24 He just sounded the same forever. Yeah, killer, woo hoo, wow. And I never got to see him live, but I know people that did, and I mean, not that long ago, and they were blown away. Like, just Yeah, killer, yep, Michael Hingson  44:43 amazing, another amazing guy. Well, so have you ever had any any real kind of challenges and sort of negative things that have happened to you in your life? You've obviously been very successful. And all that. But, you know, unstoppability oftentimes happens when you have a challenge. Spider Saloff  45:05 Oh yes, well, you know, small things, challenges. I mean, like the worst, though, was when I was very young, a young actress, I got swept away by a guy that was a director. He was 10 years older than me, and I ended up in a really terrible abusive relationship for years, and didn't know how to get out, and I did. I ended up doing a six part. I have a YouTube channel, and this was two years ago. I did a six part series called learning to love you, and it was the very subject of what happens in abusive relationships and why people stay and why they are convinced that they can't live without the person. They're convinced that they're powerless. They are told they have to depend on this person, and they're very afraid. And I I was so lucky to break away from there and get out. And when I got out. I mean, I this guy completely left me with no money, no home, no job, and I was so ashamed to tell my family. I didn't tell them till months after it had happened, and I went, you know, trying to get trying to get more work as an actress. I worked as a bartender in a comedy club, and I did that's what I had a lot of comedian friends because of that era, and my friends, and eventually my family, really helped me to get out of it. But I had to get I had to be independent through the whole thing, I my first place I ever I was homeless for six months, and I would go around on busses going between wherever and Atlantic City because the casinos were there. So I could get a free ride to Atlantic City and then get a free bus back to New York. I could get a bus back to Philadelphia. I could go around on these busses and just stay at people's houses a couple of nights a week, and not having a place to live, it was horrible. So when I finally moved somewhere, I moved in with an actor friend of mine who had just got out of his abusive relationship, and I slept on the floor of an attic for like, the first six months that I was living on my own, and I was so grateful to have that floor and and I just kept saying every night before I went To bed, it it gets better from here. It's going up, it's going up, and it did. It did. It was it's remarkable. It's remarkable. Michael Hingson  48:09 What? What did you learn from that relationship? Spider Saloff  48:14 Beware of predators. I really never, never lose sight that you're the person in charge. Yeah, you are the person in charge of your life, and you're the only one that's allowed to do that. And you don't, you don't bend to anybody that's asking you to do anything too far. You just, you have to be very skeptical about, you know, who's getting close to you? And I was married long after that, I was married to my husband, and he passed away, oh, 16 years ago, and but there's been, there's been a lot of strange loss and and trauma. But I I am blessed with resilience, and I have to say, the thing that keeps me steady music, music and beauty and art can carry me through anything, and I'm surrounded by that and the best, best, best friends in the world. Oh, man, and my family and my friends are amazing, and I'm very, very fortunate, very fortunate. Michael Hingson  49:32 How long were you married? Before he passed away, Spider Saloff  49:35 we would have been married 17 years. Oh, my wife, Michael Hingson  49:41 my wife. My wife and I were married 40 years. She passed away in November of 2022 lot. Well. Thank you. I appreciate that. And I I always say when I when I tell that to anybody that she's watching from somewhere, and if I misbehave, I'm going to hear about it, so I don't even. Chase the girls. I also point out that they're not chasing me, so it's okay, but, but, but, you know, so many wonderful memories after 40 years, and people say, Well, are you going to move on? And I say, No, I'll never move on. I'll move forward, but I won't move on. I don't want to forget, but I'll move forward. Spider Saloff  50:20 That's an interesting twist of words there. Yeah, no. I mean, I have moved my life has become, actually, way, way better since my husband passed. I was dealing with a lot, and he was, he was dealing with severe mental illness, and it was very it was very hard near the end, my life is beautiful now. And I, I'm just, I feel like everything is new all the time. And I, I don't really have any close relationships, in romantic relationships. I tried a couple since he passed, but I don't, I don't think I'm good at it. I do better on my own. I'm much better on my own. Michael Hingson  51:18 Yeah, yeah. I know what I know what you mean. And as I said, it'll be three years in two weeks for me and I, when we got married, we had both lived alone. And when she was when she passed, it wasn't totally all of a sudden. So I I had some time to prepare. But it it has worked out pretty well. And so now I have a dog and a cat who keep me honest. The cat especially, oh, we have a cat. Her name is stitch, and she likes to be petted while she eats, and she'll yell at me until I come and pet her while she's eating and what. And when I travel somewhere to speak and I come home, I hear about it for quite a while. How could I ever do that? But she's not left alone. You know, I've got somebody who comes in. She has to give me what for? Well, she does. That's her obligation. Just ask her, absolutely, yeah. And how come you took that dog with you and not me? It's a guide dog. Spider Saloff  52:20 So this is not fair, yeah. Michael Hingson  52:24 Well, the other side of it is, I don't want her to ever get the idea that she can go out of the house. She She developed, on her own, a fear of going outside we she went out into our garage once when we first moved in here, and I kept calling her, she wouldn't come in, so I turned the lights off and I closed the door, and 10 seconds later, she's at the door wanting in, and so she doesn't try to go out. So I really feel blessed that she Spider Saloff  52:49 Yeah, that's good, yeah, yeah, yeah. I had a cat that never wanted to go near the door either, because he had been an alley cat. Everything outside that door was the alley going back there. Yeah, he also was a, he was a big fat house cat. Like, just wanted to lay around and luxuriate and eat and, you know he was, he was really a sweetie. I don't have pets anymore because I'm I leave too often? Michael Hingson  53:21 Yeah, you travel a lot. Well, a lot we at least I have people to help take care of stitch when I'm not here. So it does work out. Yeah, so do you so with all the things that you've been doing and singing and so on, do you teach voice to people? Spider Saloff  53:40 I do. I've taught at a school I didn't start teaching till I moved to Chicago, and this guy named David bloom, he's kind of a Chicago icon. He's had a jazz school in Chicago for years, and he asked me to teach at the school about a year after I moved to Chicago, and I said, I don't know how to teach. He said, Yes, you do. You just teach what you know. And I started teaching. And then I did courses there for a long time. I met a lot of people, and I've had wonderful students, and I still work there on occasion when we have a course. But I teach privately now, and I am. I just love it so much. I mean, I learned so much from my students all the time. You know, they're, they're just amazing, and they're all different, all different voices, all different age groups, all different reasons why they want to sing. But it's, it's one of the joys of my life. Students, they're fantastic. And I adore teaching voice. And I really a coach, you know, I teach performance and coaching, and it's not so much technique. I do some technique, but mostly it's working with. What, what the singer has to offer. Michael Hingson  55:03 I like the way you put it though that you learn so much from students. I think the day we stop learning, the day we become useless, we we always need to learn, learning, and life is all about learning, every Spider Saloff  55:15 day, learning, you bet it's exciting. It keeps you ticking. Michael Hingson  55:21 It does. It's so much fun. And it's, you know, like the internet, I regard it as an as a wonderful treasure trove. There's always neat stuff to learn. So I don't worry about the so called dark web and all that. You know, I didn't know that I would Spider Saloff  55:35 learn as much as I did about, you know, the internet and and the things covid really well. I always, always had a website. I had a guy that became my webmaster, that heard me radio and like there were all. I always was connected with it. But to the extent that I learned how to produce videos that all happened during covid, I really thought I was never going to be performing again live. I you didn't know, you know, that talk, you know, it was just so such a weird world. All of a sudden it was but learning to adapt. That was what we all learned from covid, was adapting and being open to new experiences. You know, that was a major, major factor of the whole thing. Michael Hingson  56:23 And living alone, you have to cook your own food. Spider Saloff  56:25 And like I've always, cooked my own food. Oh, my God, do I love to cook. Yeah, every day for myself. I love cooking and throwing parties. I must be Michael Hingson  56:35 a little bit lazy. I enjoy cooking. But when Karen was here. We shared the responsibility, and it's it's a lot to cook for one person, so I don't do as much of it as I used to, but I don't suffer. I will Spider Saloff  56:50 point that out you guys suffer, no, but I probably I cook for myself. Every day I cook. Almost everything I eat, I don't cook for myself is when somebody magically takes me to dinner or I go to somebody's house. I've got a lot of friends, so I get to eat at other people's houses and go out to restaurants, but I do and look forward to cooking for myself. I just can't wait to see what am I gonna have today, like I get excited about it. You know, it's a joy for me. Michael Hingson  57:23 I cook more easy meals, but I also do my own cooking. I mean, I don't go out very often, and that's fine. Yeah, I enjoy being home. I enjoy being home with a puppy and a kitty and listening to the radio and all that sort of stuff. So I hear you fabulous, fabulous. So you did some work on on radio series. Spider Saloff  57:45 Oh, yes, one of the, actually, the very first pianist that I worked with at the Gold Star sardine bar is a guy named Brad Williams. And we've been friends for years, and then at one point, this, this this guy that was a big fan of mine, Bill Sheldon. He was an old way, older fellow. The three of us created a radio series that's called Words and Music, that's about the American Songbook, and we were on the air for two and a half years. We were on we were part of NPR, and we were syndicated internationally, all through our classical station here in Chicago, W FMT, and it was the most challenging but wonderful time to crank those shows out. We never worked so hard as we did for that show, but those are still out there, you know. And we the copies of that show are available on CD. People can purchase them, and you can learn about that on my website too. Michael Hingson  58:49 I have been collecting old radio shows since 19 Well, let's see, probably 1968 and I've collected a bunch, and I'm also part of the radio enthusiast of Puget Sound, so we recreate programs every year. So I wasn't able, I wasn't able to be at the one that they did up in Washington State in September, because I was speaking somewhere. But there's going to be another one around. Well at Christmas, it's actually going to be the fifth, fourth, fifth and sixth. I think it is. Of December, we're going to recreate something like 12 or 13 different shows, and that's a lot of fun. Spider Saloff  59:34 Wowza, what are the shows like? What is it comprised of performance or recordings or what? Michael Hingson  59:42 No, no, we're actually going to perform live up in Washington, and people are invited to come and be in the audience, and they'll also be broadcast on yesterday usa.com and yesterday usa.net whichever you go to yesterday, USA is a, is a network. It's, it's got a red net. Work in a blue network, just like NBC used to have, and they play old radio shows and a lot of interviews with people. So there's still some old radio actors who will be there as part of it, Carolyn Grimes, who played Zuzu and it's a wonderful life will be there, and Beverly Washburn, who was on the Jack Benny show, and and there'll be other people, and it's kind of neat. And Larry Albert, who will be doing some of the voices, and who's was Harry Niles for years, and still is, I guess, on NPR and and so on. But it's really fun. Spider Saloff  1:00:39 That's excellent. What a blast. Yeah, it is, wow. Well, have a happy holidays with that. Michael Hingson  1:00:46 And yeah, well, I want to thank you for being here. How do people reach out to you, if they'd like to, to reach out, or if you Spider Saloff  1:00:54 want them to my website, spider jazz, calm, and you can find everything and too much information about me, and then, and if you want to get in touch with me directly, write to my email address. Spider jazz@gmail.com makes it easy. And maybe you can take private lessons, because I teach on Zoom. Ah, there you go. Me how. Yeah, cool. Michael Hingson  1:01:20 Well, thank you for being here, and I want to thank you all for listening today and watching whichever you do or both. Love to hear your thoughts about our conversation. Feel free to email me. Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, wherever you're monitoring us today, please give us a five star rating, and please give us a review. We love your reviews. We appreciate your input. If you can think of anyone who you think ought to be a guest, and if you listening out there want to be a guest, please reach out to me. We're always looking for more people to come on the podcast. We met spider through someone else who has been on the the podcast as well. And spider, if you know anyone who want who you think ought to be a guest, yep, love to hear from you. I got some ideas, cool. Well, I want to once again. Thank you for being here. This has been absolutely fun. Spider Saloff  1:02:16 Thank you, Michael, what a blast. I'll be talking to you soon. Michael Hingson  1:02:24 Thank you for being here with me on unstoppable mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about if you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to Michael hinkson.com and download my free ebook, blinded by fear. It explores the invisible beliefs that hold us back and shows you how to reframe them so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning and keep choosing to live with an unstoppable mindset you.

Singer Libby York joins Rick Kogan to talk about a birthday tribute for Ella Fitzgerald at Winter’s Jazz Club on April 23rd at 6:30 and 8:30 pm. Libby previews who she will be performing with, highlights the legacy of jazz singer Ella Fitzgerald and discusses Louis Armstrong’s duets with Ella.

Arriba l'abril i amb ell, els dies que s'allarguen, els arbres que tornen a brotar i la gent que omple els carrers i queda a les terrasses per explicar-se els somnis i els maldecaps. 01 The Jesus and Mary Chain - "April skies" 02 Cala Vento - "Abril" 03 Beach Bunny - "April" 04 Gillian Welch - "April the 14th, pt. 1" 05 Simon & Garfunkel - "April comes she will" 06 The Blackbyrds - "April showers" 07 Frank Ocean - "Dear april" 08 Ron Sexsmith - "April after all" 09 Maria del Mar Bonet - "Abril" 10 S

On tonight's show: Jack Teagarden, Louis Armstrong, Jimmy Hamilton, Ella Fitzgerald, Billy Bauer, Billy Taylor, Joe Williams with The Count Basie Orchestra, and more. Enjoy Jazz After Dark every Tuesday at 8 p.m. Pacific on KDRT 95.7 FM + KDRT.org. Listen anytime via the web and podcast apps.

In this episode of The Music in Me, I'm taking you on a journey through the world of jazz—one of the most powerful and influential genres in music history. From its beginnings in New Orleans to the legendary artists who shaped its sound, I explore how jazz became a voice for expression, creativity, and emotion. We'll talk about icons like Louis Armstrong, Duke Ellington, and Ella Fitzgerald, along with unforgettable songs that helped define the genre. I also dive into how jazz evolved over time—from swing and big band to bebop and beyond—and how its influence can still be heard in music today. Whether you're a lifelong jazz fan or just curious about the genre, this episode is all about discovering the heart and soul of jazz and why it still matters.JAZZ ARTISTS AND SONGS MENTIONED...Louis Armstrong - "What a Wonderful World"Duke Ellingtion - "Take the 'A' Train"Benny Goodman (King of Swing) - "Sing, Sing, Sing"Ella FitzgeraldCount Basie - "It Don't Mean a Thing (If It Ain't Got That Swing"Charlie ParkerMiles Davis - "So What"Thelonious Monk - "Round Midnight"Billie Holiday - "Strange Fruit"Sarah Vaughan Nina Simone - "Feeling Good"ARTISTS INFLUENCED BY JAZZ...Amy WhinehouseNora JonesKendrick LamarWhat did you think of this episode? Support the showKeep listening, keep grooving, and let the music in you continue to shine.  Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY:  Hayley GremardINTRODUCTION BY: Gavin Bruno

Louis sits down with Laufey, Grammy-award winning Icelandic singer and songwriter. Laufey tells Louis about her stratospheric rise to fame on TikTok, partying with Bill Murray, and why everyone can benefit from being a bit bored. Brace yourself for major music geekery.   Warnings: Strong language and adult themes.     Links/Attachments:    Album: A Matter of Time, Laufey (2025)  https://open.spotify.com/album/5rMOCuiWWbEBcHaKM69Hmv     Whiplash (2014)  https://www.imdb.com/title/tt2582802/     “The Great American Songbook”  https://thesongbook.org/about/what-is-the-songbook/     Singing in the Rain (1952)   https://www.imdb.com/title/tt0045152/     An American in Paris (1951)  https://www.imdb.com/title/tt0043278/     On the Town (1949)   https://www.imdb.com/title/tt0041716/     Ziegfeld Follies (1945)  https://www.imdb.com/title/tt0039116/     The Sound of Music (1965)   https://www.imdb.com/title/tt0059742/     Mary Poppins (1964)   https://www.imdb.com/title/tt0058331/     Shirley Temple (1928 – 2014)   https://www.imdb.com/name/nm0000073/     Song: ‘One Note Samba', Antônio Carlos Jobim (1960)  https://open.spotify.com/track/1UJQJz6ZP0qKGU55fRDcyI?si=ef59b3251c18423d     Album: Getz/Gilberto, Stan Getz and João Gilberto (1964)  https://open.spotify.com/album/73ZRKdD3Ds43IjHrhKgucY?si=a1Fe3WkdS7eFZpoH9IYufA     Album: Chet Baker Sings: It Could Happen to You (1958)  https://open.spotify.com/album/5CNRrD9O1kCaBvN1RyHRdt?si=gK_1vEjQQAmSBs3RWeOAKw     Let's Get Lost (1988)  https://www.imdb.com/title/tt0095515/     Song: ‘From The Start', Laufey (2023)  https://open.spotify.com/track/43iIQbw5hx986dUEZbr3eN?si=4f08726cd6fc4307     Song: ‘It Could Happen to You', Chet Baker (1958)  https://open.spotify.com/track/5J8ahRMQ9Y1lRcuAhpP5Fy?si=b55e1844542c44fb     Song: ‘James', Laufey (2021)  https://open.spotify.com/track/2y1NtQ2ZfIq0zBUP3tOlbX?si=15ac3bbfa0c74cf7     Song: ‘Mr. Eclectic', Laufey (2025)   https://open.spotify.com/track/5n934Lu8pAsAHLc155qzck?si=f9ed9e496ee847d7     Song: ‘Goddess', Laufey (2024)   https://open.spotify.com/track/2SEeyc2KS9DIjiJPCYtfgJ?si=a740ddd0858249d6    Song: ‘Creep', Radiohead (1993)  https://open.spotify.com/track/70LcF31zb1H0PyJoS1Sx1r?si=ddeef2a9f1e34bdf     Song: ‘Letter To My 13 Year Old Self', Laufey (2023)  https://open.spotify.com/track/59Y1f3y8FuLjadWY9Bx2LC?si=2a76c204cb644895     Song: ‘How Soon Is Now?', The Smiths (1984)   https://open.spotify.com/track/1YrnDTqvcnUKxAIeXyaEmU?si=05763f85a40041c3     Album: Ella Fitzgerald Sings The Rodgers And Hart Song Book, Ella Fitzgerald (1956)  https://open.spotify.com/album/3DXgUbJhOxidQC3l0tegY9?si=_42fBZG1SZ2WrNwYoL88VA     Song: ‘Miss Otis Regrets', Ella Fitzgerald (1956)   https://open.spotify.com/track/5dvh4M2Lo0aEXp5D0IJGH1?si=fd41d6fba27748df     ‘Santa Baby', Laufey Music Video feat. Bill Murray   https://www.youtube.com/watch?v=6_SsGMeJIHk     Song: ‘Too Little, Too Late', Laufey (2025)   https://open.spotify.com/track/1qJnr4Bm7OAauklV18Vdah?si=6fc52bba5b5f48f5     Song: ‘Hallelujah', Leonard Cohen (1984)  https://open.spotify.com/track/6s1mt6e0n8G7jcNhcxXKzq?si=400cab129f6d4083    Ballet: Giselle, Royal Ballet & Opera (2026)   https://www.rbo.org.uk/tickets-and-events/giselle-marius-petipa-details     Book: ‘How to Be an Artist', Jerry Saltz (2020)  https://www.waterstones.com/book/how-to-be-an-artist/jerry-saltz/9781781577820     Credits:  Producer: Millie Chu   Assistant Producer: Maan al-Yasiri  Production Manager: Francesca Bassett   Music: Miguel D'Oliveira   Audio Mixer: Tom Guest  Video Mixer: Scott Edwards   Shownotes compiled by Elly Young  Executive Producer: Arron Fellows       A Mindhouse Studios Production for Spotify   www.mindhouse.co.uk  Open a Moneybox Cash ISA at https://moneybox.onelink.me/Cqlx/y3xncge Learn more about your ad choices. Visit podcastchoices.com/adchoices

Thelonious Monk Plays Duke Ellington: The musicians on this album were already legends when it came out in 1955. Each of them completely reinvented how people play their instruments. Drummer Kenny Clarke: the originator of so much of modern drumming language. Bass player Oscar Pettiford: possibly the greatest bass soloist in the history of the instrument. And then there's Monk, one of the singular greatest pianists of all time. And here they are playing the music of Duke Ellington: an untouchable legend. The result is an album that brought Monk's genius to the masses. And it may just be one of his best. In this LIVE episode of You'll Hear It, jazz pianists Adam Maness and Peter Martin break down this remarkable moment in music history, playing Monk's interpretations next to Duke's originals. If you've never really got Monk, this album is your gateway into his music. And if you're already a fan, you'll never hear this album the same way again.-------------------------------Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://openstudiojazz.com/yhi-------------------------------About You'll Hear It:In this popular music series Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.-------------------------------Sign up for the You'll Read It newsletter for little known stories about the artists you love: https://youllhearit.com/newsletter -------------------------------0:00 - "It Don't Mean a Thing (If It Ain't Got That Swing)"2:07 - You'll Hear It Live at Jazz at Lincoln Center6:02 - The Story of Thelonious Monk8:24 - First Official Recording: Coleman Hawkins Quartet (1944)10:21 - Keepnews Big Idea to Bring Monk to the Masses14:46 - "It Don't Mean a Thing": Duke's original vs. Monk's version20:40 - Bassist Oscar Pettiford's Sophisticated Musical Language24:10 - Louis Armstrong & Ella Fitzgerald's Version27:38 - "Sophisticated Lady"31:44 - "I Got It Bad and That Ain't Good" 35:08 - Bet You Can't Guess This Singer39:10 - "Black and Tan Fantasy": Duke (1927) vs. Monk42:30 - Oscar Pettiford Plays "Basso Profundo" with Duke Ellington45:00 - "Tricotism" - Oscar Pettiford 45:55 - Kenny Clarke deep dive47:48 - "Mood Indigo" 49:50 - "I Let a Song Go Out of My Heart": Duke's original vs. Monk's version52:30 - "Solitude"55:00 - "Caravan": Duke's original vs. Monk's version 58:35 - Categories: Desert Island, Apex Moments, Bespoke Playlists, Quibble Bits59:50 - Drummer Kenny Clarke's Brush Master Class1:04:00 - Is This Better than Kind of Blue?1:04:55 - What to Listen to Next

Trumpeter and bandleader Guy Barker and composer and arranger Anne Dudley join Jeffrey and Anna as they add five more tracks, taking us from a high-octane heavy-metal classic to Run-D.M.C. via signature stage moves and dreamy Ella.Producer Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Thunderstruck by AC/DC I Got You (I Feel Good) by James Brown Hommage à Rameau by Claude Debussy My Reverie by Ella Fitzgerald Peter Piper by Run-D.M.C.Other music in this episode:Love's Theme by The Love Unlimited Orchestra Gravel Pit by Wu-Tang Clan Surrender by Swing Out Sister It's a Man's Man's Man's World by James Brown Reverie by Debussy, performed by Lang Lang A-Tisket A-Tasket by Ella Fitzgerald and Chick Webb Humpty Dumpty by Aimee Mann All The King's Horses by Dusty Springfield Take Me To The Mardi Gras by Bob James Take Me To The Mardi Gras by Paul Simon

In this episode, host Janet Michael sits down with Martha Reynolds to explore everything happening at the Barns of Rose Hill in Berryville, Virginia this spring — from stunning gallery exhibitions and hands-on art classes to jazz concerts, film screenings, and sustainability milestones. If you love the arts in the Shenandoah Valley, this one's for you. What We Cover

Jeff Hamilton attended Indiana University and later studied with John Von Ohlen. Hamilton was influenced by Gene Krupa, Buddy Rich, Mel Lewis, “Philly” Joe Jones, and Shelly Manne. In 1974, he got his first big break playing with the New Tommy Dorsey Orchestra. He then joined Lionel Hampton's Band until 1975 when he, along with bassist John Clayton, became members of the Monty Alexander Trio. He attained a childhood goal in 1977 when he joined Woody Herman and the Thundering Herd, with whom he made several recordings. In 1978, he was offered a position in the L.A.4. with Ray Brown, Bud Shank, and Laurindo Almeida. He recorded 6 albums with the L.A.4. From 1983-1987, he performed with Ella Fitzgerald, the Count Basie Orchestra, Rosemary Clooney, and Monty Alexander. Hamilton began his association with the Ray Brown Trio in 1988 and left in March of 1995 to concentrate on his own trio. From 1990-1995, he was also a member of the Oscar Peterson Quartet w/Herb Ellis and Ray Brown. Hamilton has toured with his own trio, the Clayton-Hamilton Jazz Orchestra, and Diana Krall. The latest CHJO recording LA Treasures was nominated for a GRAMMY. Hamilton has been on more than 300 recordings with artists such as Ray Brown, Natalie Cole, Diana Krall, Milt Jackson, Rosemary Clooney, Barbra Streisand, Mel Torme, John Pizzarelli, Dr. John, Paul McCartney, and many others. He appeared in Diana Krall's Live in Paris and Rio DVDs. He is a four time winner of Modern Drummer magazine Readers' Poll. In this episode, Jeff talks about: How the role of a mentor is to see problems and potential you can't see in yourself  Why sound is just as important as content  His thoughts on the music business vs. the drumming business The great bassists he has played with, including Ray Brown and John Clayton  His criteria for hiring band members  Playing with Akiko Tsuruga and matching the intensity of the B3 organ, “a one man big band” The importance of letting humor and joy show in his playing  ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage

Internationally renowned painter Anne Plaisance joins me for a powerful and honest conversation about art, domestic violence, manipulation tactics, and reclaiming your voice.Anne has exhibited in over 100 shows worldwide. Her work has been featured in The Boston Globe, Harper's Bazaar, Elle Decoration, and Artscope. She has received distinctions and grants from the Cambridge Arts Council and Massachusetts Cultural Council, and her work is collected internationally in London, Milan, Paris, Warsaw, Dubai, Kyoto, and Boston. But this conversation is not about prestige. It is about awareness. What began as a desire to build a tiny house for the homeless became something far deeper. Through her work with a domestic violence shelter in Cambridge, Anne discovered the hidden realities of emotional, psychological, spiritual, and financial abuse. And then she realized something life-altering. That story was also hers.In this episode, Anne shares:• How Wonder Women Now was born• Why domestic violence is often invisible• The 20 to 40 manipulation tactics used in abusive dynamics• Her powerful perfume series represents gaslighting, love bombing, triangulation, projection, and more• What it took to leave an abusive relationship• Why education and awareness are the first steps toward change• How art can become a sword for truth and repair. Anne says, “My brush is my sword.”And today, she also uses her voice. This episode is for anyone who has ever felt confused in a relationship.For anyone who has quietly blamed themselves.For anyone who needs language for what they are experiencing. It can happen to anyone.Awareness restores clarity. Clarity restores choice.

In this episode, in honor of Women's History month we'll explore the careers of a sampling of the great women crooners of the early 20th century who took love songs out of the parlor and onto the stage and then radio and the movies. Who were the great women crooners who redefined the love song for a new era and a new generation. We'll meet Nora Bayes, Annette Handshaw, Helen Forrest, Dinah Shore, Ella Fitzgerald and other as we celebrate Women's History month with the sounds of the women who dominated pop music from the 1910s to the mid-1950s and beyond.

TVC 726.3: Ed welcomes Jennifer Jones, the first African-American member of the world renowned Radio City Rockettes, and an award-winning performer who is celebrated for her pioneering achievements and unwavering advocacy for equal rights in the arts. Jennifer's memoir, Becoming Spectacular: The Rhythm of Resilience from The First African-American Rockette, not only tells the story of how she helped establish a transformative era for The Rockettes while inspiring other black dancers, but also recounts her triumphant battle against colorectal cancer in 2018. March is both Women's History Month and Colorectal Cancer Awareness Month. Becoming Spectacular is available wherever books are sold through Amistad Books, an imprint of HarperCollins. Topics this segment include how Jennifer's faith helped her overcome some of the challenges she faced during her early days with the Rockettes; how she knew, from a young age, that she wanted to perform on stage; and how conquering self-doubt is like peeling away layers of an onion. For our listeners in the Greater L.A. Metro area, Jennifer Jones' story is also included in This Joint is Jumpin', a new exhibit at The Hollywood Museum that honors the contributions of many notable black artists, singers, actors, writers, and sports figures, including Whitney Houston, Lena Horne, Denzel Washington, Ella Fitzgerald, The Pointer Sisters, Dionne Warwick, Forrest Whitaker, Wesley Snipes, Eddie Murphy, Richard Pryor, Angela Bassett, Muhammad Ali, Will Smith, Halle Berry, Viola Davis, Diana Ross, and Oprah Winfrey. For tickets and more information: TheHollywoodMuseum.com

Today's broadcast serves as a multi-layered tribute, primarily celebrating Women's History Month by featuring iconic female vocalists like Ella Fitzgerald, Nancy Sinatra, and Sarah Vaughan alongside contemporary talents such as Samara Joy and Ray. Throughout the show, Piscopo maintains a personal connection with his audience, apologizing for early technical delays, discussing his recent travels, and engaging in warm, nostalgic conversations with callers about family and faith. Learn more about your ad choices. Visit megaphone.fm/adchoices

Blue and cool is the mood as we spin the dial back to the 1950s — a decade of chrome, tailfins, Cold War tension, Beat poetry, and late-night cigarette smoke curling toward the ceiling of a dimly lit club. Beneath the middle class culture of the day, there was a restless heartbeat of jazz. This was the era when bebop matured into cool, hard bop caught fire, and modal explorations began reshaping the language of improvisation. Artists like Miles Davis refined understatement into revolution, John Coltrane stretched harmony toward spiritual searching, Thelonious Monk bent notes and expectations alike, and Ella Fitzgerald turned the human voice into a virtuosic instrument. Jazz in the '50s wasn't background music — it was conversation, protest, poetry, and possibility. Dave's selected some important landmarks and deep tracks that take you into those dusty digital bins of jazz and improvisation this morning on Deeper Roots.

Send a textThis week on the ole pod john: Using AI to learn how to...use AI. Plus inspo from Shakespeare and Ella Fitzgerald. Support the showThanks for listening! Listen, rate, subscribe and other marketing type slogans! Here's my Insta: @dannypalmernyc @thedannypalmershow@blackcatcomedy (NYC stand-up show every Friday at 9 pm. 172 Rivington St.) And subscribe to my Patreon? Maybe? If you know how to? I don't know how it works. Let's just leave this thing be: https://www.patreon.com/thedannypalmershow

Hunkered down but getting out anyway.  High Spirits in NYC.  The Testament of Ann Lee at the movie theater.  One Battle After Another on the small screen.  More Inspiration from Kpop Demon Hunters.  Mourning the demise of the Department Store.  Metrocard Artists losing their supply.  Ellen Hughes: more than your average hockey mom.  New Restaurant models - loving The Dutchess (Ojai!). Amor Towles - stepping into the Jazz Age via Cole Porter and Ella (Fitzgerald). Credits: Talent:  Tamsen Granger and Dan Abuhoff Engineer: Elizabeth Easton Aziz Art:  Zeke Abuhoff

Episode 347: Rachael Price became an American fixture as the dynamic and flawless lead singer of roots/pop phenomenon Lake Street Dive. Long before she and the Dive were headlining Madison Square Garden, she was a Hendersonville, TN native pursuing a career in classic jazz, after her girlhood idol Ella Fitzgerald. This is the story of how a music school friend - guitarist, singer, and songwriter Vilray - helped her build a parallel life pursuing her first musical love. They have incredible chemistry on and off stage, as you'll hear in this fascinating interview. 

Joe Piscopo navigates a series of technical difficulties while broadcasting live from a hotel balcony in Florida. Despite being forced to "phone in" the show due to equipment failure, Piscopo maintains an upbeat tone, utilizing the mishap to illustrate the theme of humility and his personal "humility gremlins." The program serves as a tribute to Black History Month, specifically highlighting how Frank Sinatra broke the color barrier in the entertainment industry by supporting legends like Sammy Davis Jr., Ella Fitzgerald, and Count Basie. Through a mix of classic tracks and personal anecdotes, Piscopo celebrates the enduring legacy of Sinatra's musicianship and his role as a social justice advocate who demanded equality for his African-American colleagues. Learn more about your ad choices. Visit megaphone.fm/adchoices

Does she sound like Adele, Billie Eilish, or Ella Fitzgerald? Glenn can't pick just one in this very special, music-filled edition of "The Glenn Beck Podcast" with rising star Emma Nissen. From the night B.B. King hit on Glenn's wife to Emma wiping her runny nose right before shaking John Legend's hand, the stories flow between live renditions of Emma's songs. She reveals how a hemorrhaging vocal cord forced her out of college, led her to serve God in Sweden during COVID, and ultimately birthed her first song. She then unpacks the limits of contemporary Christian music, what's missing in Taylor Swift's love songs, and how “Jesus and jazz” is the sound the next generation has been craving. With searing honesty, she opens up about her battles with anxiety, eating disorders, and body dysmorphia — and the cognitive shift that finally allowed her to declare, “I am beautiful.” Sit back and enjoy the sound of the next generation's Jesus music: full of unpredictable scat, unbounded joy, and the still, small voice of God.         GLENN'S SPONSORS:                 Home Title Lock: Go to https://hometitlelock.com/glennbeck and use promo code GLENN to get a FREE title history report and a FREE TRIAL of Triple Lock Protection! For details, visit https://hometitlelock.com/warranty.    Byrna: Byrna is the best alternative to deadly force. Visit https://byrna.com/GLENN for a 10% discount.     Learn more about your ad choices. Visit megaphone.fm/adchoices

Please enjoy this special preview of our upcoming conversation with Jennifer Jones, the first African-American member of the world renowned Radio City Rockettes, and an award-winning performer who is celebrated for her pioneering achievements and unwavering advocacy for equal rights in the arts. Jennifer's memoir, Becoming Spectacular: The Rhythm of Resilience from The First African-American Rockette, not only tells the story of how she helped establish a transformative era for The Rockettes while inspiring other Black dancers, but also recounts her triumphant battle against colorectal cancer in 2018. February is Black History Month. March is both Women's History Month and Colorectal Cancer Awareness Month. Becoming Spectacular is available wherever books are sold through Amistad Books, an imprint of HarperCollins. Our complete conversation with Jennifer Jones will air during the weekend of Feb. 27 on TV Confidential.  For our listeners in the Greater L.A. Metro area, Jennifer Jones' story is also included in This Joint is Jumping, a new exhibit at The Hollywood Museum that honors the contributions of many notable Black artists, singers, actors, writers and sports figures, including Whitney Houston, Lena Horne, Denzel Washington, Ella Fitzgerald, The Pointer Sisters, Dionne Warwick, Forrest Whitaker, Wesley Snipes, Eddie Murphy, Richard Pryor, Angela Bassett, Muhammad Ali, Will Smith, Halle Berry, Viola Davis, Diana Ross, and Oprah Winfrey. This Joint is Jumping becomes open to the public on Friday, Feb. 19. For tickets and more information: TheHollywoodMuseum.com

Hello music lovers, and welcome to another edition of Why Music Matters. I'm your host, music journalist and musician Jeff Miers. Today, my guests represent a cross-generational journey through the ever-evolving world of jazz.  Alex McArthur is a singer and storyteller whose resume reads like that of a musician three times her age. A winner of multiple JazzBuffalo Vocalist of the Year awards, Alex brings a distinct soulfulness to any music she lends her voice to, whether she's singing something she wrote herself, or flexing her interpretive muscles on the works of legends like Ella Fitzgerald, Stevie Wonder, and Mavis Staples.  Alex is joined today by a man who has acted as a significant mentor in her musical journey.  Pianist George Caldwell is credited by Alex as, quote, “the first person I ever attempted to sing jazz in front of, and the person who encouraged me to explore vocal jazz and improvisation in the first place.”  In his role as Director of the Student Jazz Ensembles and Music Piano Performance Instructor at the University at Buffalo, George has employed his decades of experience as a Grammy-winning professional musician to help mold the musical imaginations of countless young artists-in-the-making.  Those decades of experience include tenures with the Count Basie Orchestra, the Duke Ellington Orchestra, tap dancer and choreographer Saivon Glover, R&B legend Ruth Brown, and right here in Buffalo, the awe-inspiring Star People, a Miles Davis Repertory Ensemble.  Currently, Alex and George are in the midst of performing Lady Day at Emerson's Bar & Grill, a recreation of Billie Holiday's final performance, with Alex inhabiting the role of Lady Day, and George acting as Musical Director.  The show, a MusicalFare production, is running at Shea's Smith Theatre in Buffalo's Theatre and Entertainment District, through February 15. (You can learn more about the production and purchase tickets through musicalfare.com.)  Welcome to Why Music Matters, Alex McArthur and George Caldwell!