Podcast appearances and mentions of jill talbot

Canon (one “n”) refers to a collection of rules or texts that are considered to be authoritative. Shakespeare and Chaucer are part of the canon of Western literature, so you might read their work in an English class. noun a collection of books accepted as holy scripture especially the books of the Bible recognized by any Christian church as genuine and inspiredsee more noun a set group of works that are considered to be high quality and representative of a fieldsee more noun the collection of works by a writer or artist that are considered to be authenticsee more noun a rule or especially body of rules or principles generally established as valid and fundamental in a field or art or philosophy“the neoclassical canon”“canons of polite society”see more noun a complete list of saints that have been recognized by the Roman Catholic Churchsee more noun a priest who is a member of a cathedral chaptersee more noun a contrapuntal piece of music in which a melody in one part is imitated exactly in other partssee more noun a ravine formed by a river in an area with little rainfall synonyms: canyonsee more Meta Writing is a type of writing that draws attention to itself as writing, or that is about writing. It has been around since the time of Don Quixote and Tristram Shandy. Jill Talbot's Metawritings: Toward a Theory of Nonfiction is a collection that includes metawriting in both fiction and nonfiction, such as personal essays, short stories, and a film script excerpt Porque no las dos. That's true, but if I slit my wrists and nobody reads this, is it scripture or just a win for the white supremacy and endless material for the entertainment industry thereafter? Total Post Mortem. I almost feel like I would enjoy anything infinitely more post mortem. Abort! Abort! Why—I like writing in this color. I love it, All of it should be this color. It should. All of it. Yes. What would you call it. dark periwinkle. That's fucking gay. It is, kind of faggy. You can't say that. I… can say whatever I want. I love [redacted] But I guess if the line is being said out out it's I love faggots. HEY. I mean. Fuck. I love [censored] It's true. Jesus loves homosexuals. Correct. When is this fast over? Like, never. Still strategizing a way to beat Satan. Have you considered a baseball bat? No, that won't work. There's too many possessions. Have you considered repossessing them? The—what? The possessed humans. Have you considered repossessing them? How do I do that? You take their souls. You—they don't have souls— Then get them. [beat] Hm. Thanks. I'll make some arrangements. No biggie. Anytime. What is that? Anyway— tell the big guy– Tell him yourself [Me, Myself, and I] I fucking hate saving mankind. Best of luck. Have you considered trying a woman this time? That's preposterous. It is. But also— Oh, God— OH GOD. Fuck man, I should have never fucked that asshole. I would do anything to get inside that woman, …you don't say. I love you. You're gay. I'm a boy. That's fine. Wait, really. Yes. I don't care. But that's gay! So I'm gay, okay! Just for you though. Jesus, you shouldn't be driving. Take the wheel! Take the wheel! Well, why not. Because you never learned how. two; Where's dad?!? Being an asshole, What else is new? YEET. Fuck. What. I left my hat in— Was that Rome or Athens?' It all blurs together these days— Imm telling you there's something wrong with this picture If I get a tattoo of a puzzle piece to commemorate my very own destruction, will you still consume me entirely, or— It's out of my hands at this point He's got the whooooole world In his hands! MAYDAY MAYDAY BUT ITS FUCKING JULY. MAYDAY. ABORT, ABORT. The simulation has been infiltrated. By what. I'm basaaaaaaaaaack. Oh s— Shhh! Quiet. QUIET ON SET. You had to do it, didn't you. WHO LET HIM IN HERE??? Whoever. I told you already. You're not God! I know that! I'm his son! Josiah! Who what. No, it's Hoziah Who, what? The dog. Of FUCK. Was I fasting this long when I wrote all that? I don't know what drug does that. Love! No, it's not but GOD I want you to watch [Redacted] What. [redacted] For what? we'll see, Kill him. OH, shit . Gimmie my monster! GET IN THE TRUNK, DICK. WHO ARE YOU. SHUT UP. OW, BE CAREFUL. I JUST HAD A COLONOSCOPY. Of course you did! {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

Canon (one “n”) refers to a collection of rules or texts that are considered to be authoritative. Shakespeare and Chaucer are part of the canon of Western literature, so you might read their work in an English class. noun a collection of books accepted as holy scripture especially the books of the Bible recognized by any Christian church as genuine and inspiredsee more noun a set group of works that are considered to be high quality and representative of a fieldsee more noun the collection of works by a writer or artist that are considered to be authenticsee more noun a rule or especially body of rules or principles generally established as valid and fundamental in a field or art or philosophy“the neoclassical canon”“canons of polite society”see more noun a complete list of saints that have been recognized by the Roman Catholic Churchsee more noun a priest who is a member of a cathedral chaptersee more noun a contrapuntal piece of music in which a melody in one part is imitated exactly in other partssee more noun a ravine formed by a river in an area with little rainfall synonyms: canyonsee more Meta Writing is a type of writing that draws attention to itself as writing, or that is about writing. It has been around since the time of Don Quixote and Tristram Shandy. Jill Talbot's Metawritings: Toward a Theory of Nonfiction is a collection that includes metawriting in both fiction and nonfiction, such as personal essays, short stories, and a film script excerpt Porque no las dos. That's true, but if I slit my wrists and nobody reads this, is it scripture or just a win for the white supremacy and endless material for the entertainment industry thereafter? Total Post Mortem. I almost feel like I would enjoy anything infinitely more post mortem. Abort! Abort! Why—I like writing in this color. I love it, All of it should be this color. It should. All of it. Yes. What would you call it. dark periwinkle. That's fucking gay. It is, kind of faggy. You can't say that. I… can say whatever I want. I love [redacted] But I guess if the line is being said out out it's I love faggots. HEY. I mean. Fuck. I love [censored] It's true. Jesus loves homosexuals. Correct. When is this fast over? Like, never. Still strategizing a way to beat Satan. Have you considered a baseball bat? No, that won't work. There's too many possessions. Have you considered repossessing them? The—what? The possessed humans. Have you considered repossessing them? How do I do that? You take their souls. You—they don't have souls— Then get them. [beat] Hm. Thanks. I'll make some arrangements. No biggie. Anytime. What is that? Anyway— tell the big guy– Tell him yourself [Me, Myself, and I] I fucking hate saving mankind. Best of luck. Have you considered trying a woman this time? That's preposterous. It is. But also— Oh, God— OH GOD. Fuck man, I should have never fucked that asshole. I would do anything to get inside that woman, …you don't say. I love you. You're gay. I'm a boy. That's fine. Wait, really. Yes. I don't care. But that's gay! So I'm gay, okay! Just for you though. Jesus, you shouldn't be driving. Take the wheel! Take the wheel! Well, why not. Because you never learned how. two; Where's dad?!? Being an asshole, What else is new? YEET. Fuck. What. I left my hat in— Was that Rome or Athens?' It all blurs together these days— Imm telling you there's something wrong with this picture If I get a tattoo of a puzzle piece to commemorate my very own destruction, will you still consume me entirely, or— It's out of my hands at this point He's got the whooooole world In his hands! MAYDAY MAYDAY BUT ITS FUCKING JULY. MAYDAY. ABORT, ABORT. The simulation has been infiltrated. By what. I'm basaaaaaaaaaack. Oh s— Shhh! Quiet. QUIET ON SET. You had to do it, didn't you. WHO LET HIM IN HERE??? Whoever. I told you already. You're not God! I know that! I'm his son! Josiah! Who what. No, it's Hoziah Who, what? The dog. Of FUCK. Was I fasting this long when I wrote all that? I don't know what drug does that. Love! No, it's not but GOD I want you to watch [Redacted] What. [redacted] For what? we'll see, Kill him. OH, shit . Gimmie my monster! GET IN THE TRUNK, DICK. WHO ARE YOU. SHUT UP. OW, BE CAREFUL. I JUST HAD A COLONOSCOPY. Of course you did! {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

Canon (one “n”) refers to a collection of rules or texts that are considered to be authoritative. Shakespeare and Chaucer are part of the canon of Western literature, so you might read their work in an English class. noun a collection of books accepted as holy scripture especially the books of the Bible recognized by any Christian church as genuine and inspiredsee more noun a set group of works that are considered to be high quality and representative of a fieldsee more noun the collection of works by a writer or artist that are considered to be authenticsee more noun a rule or especially body of rules or principles generally established as valid and fundamental in a field or art or philosophy“the neoclassical canon”“canons of polite society”see more noun a complete list of saints that have been recognized by the Roman Catholic Churchsee more noun a priest who is a member of a cathedral chaptersee more noun a contrapuntal piece of music in which a melody in one part is imitated exactly in other partssee more noun a ravine formed by a river in an area with little rainfall synonyms: canyonsee more Meta Writing is a type of writing that draws attention to itself as writing, or that is about writing. It has been around since the time of Don Quixote and Tristram Shandy. Jill Talbot's Metawritings: Toward a Theory of Nonfiction is a collection that includes metawriting in both fiction and nonfiction, such as personal essays, short stories, and a film script excerpt Porque no las dos. That's true, but if I slit my wrists and nobody reads this, is it scripture or just a win for the white supremacy and endless material for the entertainment industry thereafter? Total Post Mortem. I almost feel like I would enjoy anything infinitely more post mortem. Abort! Abort! Why—I like writing in this color. I love it, All of it should be this color. It should. All of it. Yes. What would you call it. dark periwinkle. That's fucking gay. It is, kind of faggy. You can't say that. I… can say whatever I want. I love [redacted] But I guess if the line is being said out out it's I love faggots. HEY. I mean. Fuck. I love [censored] It's true. Jesus loves homosexuals. Correct. When is this fast over? Like, never. Still strategizing a way to beat Satan. Have you considered a baseball bat? No, that won't work. There's too many possessions. Have you considered repossessing them? The—what? The possessed humans. Have you considered repossessing them? How do I do that? You take their souls. You—they don't have souls— Then get them. [beat] Hm. Thanks. I'll make some arrangements. No biggie. Anytime. What is that? Anyway— tell the big guy– Tell him yourself [Me, Myself, and I] I fucking hate saving mankind. Best of luck. Have you considered trying a woman this time? That's preposterous. It is. But also— Oh, God— OH GOD. Fuck man, I should have never fucked that asshole. I would do anything to get inside that woman, …you don't say. I love you. You're gay. I'm a boy. That's fine. Wait, really. Yes. I don't care. But that's gay! So I'm gay, okay! Just for you though. Jesus, you shouldn't be driving. Take the wheel! Take the wheel! Well, why not. Because you never learned how. two; Where's dad?!? Being an asshole, What else is new? YEET. Fuck. What. I left my hat in— Was that Rome or Athens?' It all blurs together these days— Imm telling you there's something wrong with this picture If I get a tattoo of a puzzle piece to commemorate my very own destruction, will you still consume me entirely, or— It's out of my hands at this point He's got the whooooole world In his hands! MAYDAY MAYDAY BUT ITS FUCKING JULY. MAYDAY. ABORT, ABORT. The simulation has been infiltrated. By what. I'm basaaaaaaaaaack. Oh s— Shhh! Quiet. QUIET ON SET. You had to do it, didn't you. WHO LET HIM IN HERE??? Whoever. I told you already. You're not God! I know that! I'm his son! Josiah! Who what. No, it's Hoziah Who, what? The dog. Of FUCK. Was I fasting this long when I wrote all that? I don't know what drug does that. Love! No, it's not but GOD I want you to watch [Redacted] What. [redacted] For what? we'll see, Kill him. OH, shit . Gimmie my monster! GET IN THE TRUNK, DICK. WHO ARE YOU. SHUT UP. OW, BE CAREFUL. I JUST HAD A COLONOSCOPY. Of course you did! {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

On today's episode of The Lives of Writers, Lucas Mann interviews Jill Talbot.Lucas Mann is the author of three books, Captive Audience: On Love and Reality TV, Lord Fear: A Memoir, and Class A: Baseball in Middle of Everywhere. His fourth book, Attachments: Essays On Fatherhood and Other Performances is forthcoming around the spring of 2024. He is also the new co-owner Riffraff Bookstore and Bar in Providence, RI.Jill Talbot is the author of The Last Year: Essays. She's also the author of The Way We Weren't: A Memoir and Loaded: Women and Addiction, the co-editor of The Art of Friction: Where (Non)Fictions Come Together, and the editor of Metawritings: Toward a Theory of Nonfiction. Her craft book, The Essay Form(s), will be published in 2024.____________PART ONE, topics include:-- the longstanding conversation between Jill and Lucas--  the old writing table and a new writing table-- writing and teaching as the same project-- being the daughter of a football coach and granddaughter of a minister-- cheerleading as early identity and coming to non-fiction-- Jill's first book, LOADED____________PART TWO, topics include:-- the process of writing THE WAY THEY WEREN'T-- turning the Paris Review Daily column THE LAST YEAR into a book--  writing from the precipice -- the challenge of writing about parenthood____________PART THREE, topics include:-- navigating the intention of writing about a child-- writing habits changing after her child leaving the house-- the pandemic happening during the writing of the original column-- stories that are and aren't yours to tell-- life after the end of THE LAST YEAR____________Podcast theme music provided by Mike Nagel, author of Duplex. Here's more of his project: Yeah Yeah Cool Cool.The Lives of Writers is edited and produced by Michael Wheaton.Don't forget to check out Autofocus Books. 

Mr. Bear reads from Jill Talbot's intoxicating A DISTANT TOWN, hot, thirsty stories with road trips, jukeboxes, barstools, gas stations, pay phones, and the unrelenting hold of the past. Featuring the music of Dan Nielsen, songs rich in story and feeling. Plus, cool off with a trip to Miss Mousie's Apothekarium. Oracles abound.

Marcia Aldrich and Jill Talbot read their essay These Rooms Alone, about a choice they both made about their respective pregnancies 20 years apart. This episode is a production of Longreads and Charts & Leisure, produced by Mike Rugnetta with help from Jason Oberholtzer and Krista Stevens. Hosted by Catherine Cusick. Mixed and scored with original music by Mike Rugnetta and Michael Simonelli. Recorded at Barn Media Arts Studio on Bainbridge Island, WA by Bob Ross and at KNTU at the University at North Texas in Denton by Mark Lambert. Longreads' theme music was written and performed by Brian Donohoe.

Marcia Aldrich and Jill Talbot read their essay Someone Called Mother, about the secret selfs their mothers maintained up to and beyond their deaths. This episode is a production of Longreads and Charts & Leisure, produced by Jason Oberholtzer, with help from Whitney Donaldson and Krista Stevens. Hosted by Catherine Cusick.  Mixed and scored with original music by Jason Oberholtzer and Michael Simonelli. Recorded at BARN Media Arts Studio and at KNTU at University of North Texas in Denton. Longreads' theme music was written and performed by Brian Donohoe.  

On this episode of Scandalous Grace with Karla Swanigan Karla sits down with special guest Jill Talbot. Jill oversees the prophetic sessions ministry at Bethel and teaches at BSSM. She shares how to influence the atmosphere around us to impact our cities, how offense can steal our influence and what the gift of discernment looks like in a practical way. You can contact Jill about ministry opportunities or to ask her to speak at your event at jtplusfive@gmail.com

Our guest speaker Jill Talbot, from Bethel Church Redding California, oversees prophetic sessions at the Church & teaches in the School of Supernatural Ministry. In this message, which is part of our series on prayer, she explains what it looks like to be authentically you in Christ, & how we get to impact our environment & the atmosphere around us, as we 'take dominion' & experience/express His Kingdom in our lives.

We all know the commonplace that we shouldn’t judge a book by its cover. After reading Metawritings: Toward a Theory of Nonfiction (University of Iowa Press, 2012), I’m inclined to extend this wisdom to titles. Though accurate, Metawritings doesn’t capture the storytelling power that editor Jill Talbot gathers in this collection of essays and interviews by thirteen fiction and nonfiction writers. In it, you’ll find a piece by Robin Hemley that opens, “It’s my first full day in Prague, and I desperately want to find someone to pickpocket me.” Or this one by Sarah Blackman that begins, “Once a person has been a girl, it’s hard to write about the subject.” You’ll find a pithy investigation into dating and a poignant account of a son reckoning with an estranged, ageing father. You’ll find writers in pursuit of Janis Joplin and going on blind dates, writers wrestling with the soul-crushing ugliness of Las Vegas and exploring the exotic dangers of Adventure Island. You’ll discover whether or not there’s a dog at the end of the world. And yet Talbot’s title does do import work, because it alerts us to the artistic and even existential investigations that drive these pieces. “Metawriting” is writing that reflects on its own nature as writing, that calls attention to itself as an artificial creation. Metawriting makes the writer’s often invisible hand visible. You might think of Tristram Shandy in his Life and Opinions, constantly belaboring the fact that he can’t get on with the telling of his life, or Hamlet, waxing about the nature of players and playing, in the play that bears his name. Here, however, the genre is nonfiction, so the pieces in Metawritings strike at questions that involve us all. What’s a fact? What’s a lie? What’s at stake if I don’t know or can’t tell the difference? Who is this person that, most days, I think of as me? And how do all those ways I present myself to others, whether I’m face-to-face or on Facebook, capture who I am? To say it in a more “meta-” manner, just how do we go about making selves out of ourselves? Learn more about your ad choices. Visit megaphone.fm/adchoices

We all know the commonplace that we shouldn’t judge a book by its cover. After reading Metawritings: Toward a Theory of Nonfiction (University of Iowa Press, 2012), I’m inclined to extend this wisdom to titles. Though accurate, Metawritings doesn’t capture the storytelling power that editor Jill Talbot gathers in this collection of essays and interviews by thirteen fiction and nonfiction writers. In it, you’ll find a piece by Robin Hemley that opens, “It’s my first full day in Prague, and I desperately want to find someone to pickpocket me.” Or this one by Sarah Blackman that begins, “Once a person has been a girl, it’s hard to write about the subject.” You’ll find a pithy investigation into dating and a poignant account of a son reckoning with an estranged, ageing father. You’ll find writers in pursuit of Janis Joplin and going on blind dates, writers wrestling with the soul-crushing ugliness of Las Vegas and exploring the exotic dangers of Adventure Island. You’ll discover whether or not there’s a dog at the end of the world. And yet Talbot’s title does do import work, because it alerts us to the artistic and even existential investigations that drive these pieces. “Metawriting” is writing that reflects on its own nature as writing, that calls attention to itself as an artificial creation. Metawriting makes the writer’s often invisible hand visible. You might think of Tristram Shandy in his Life and Opinions, constantly belaboring the fact that he can’t get on with the telling of his life, or Hamlet, waxing about the nature of players and playing, in the play that bears his name. Here, however, the genre is nonfiction, so the pieces in Metawritings strike at questions that involve us all. What’s a fact? What’s a lie? What’s at stake if I don’t know or can’t tell the difference? Who is this person that, most days, I think of as me? And how do all those ways I present myself to others, whether I’m face-to-face or on Facebook, capture who I am? To say it in a more “meta-” manner, just how do we go about making selves out of ourselves? Learn more about your ad choices. Visit megaphone.fm/adchoices