Podcasts about tristram shandy

Movie of the Year: 2006Tristram Shandy: A Cock and Bull StoryThe Tristram Shandy Podcast Opens the 2006 BracketThe Tristram Shandy podcast episode kicks off our brand new 2006 bracket on Movie of the Year. After crowning our way through 1971, the Taste Buds turn to a fresh film year. Moreover, we start with one of the strangest comedies of the decade. Michael Winterbottom's Tristram Shandy: A Cock and Bull Story is a film about making a film of an unfilmable book. Consequently, it makes a perfect launch title for a show that loves movies about movies. In this episode, Ryan, Mike, and Greg dig into metafiction, gender, and the prickly chemistry between Steve Coogan and Rob Brydon. Additionally, two new segments make their debut. Above all, we want to set the tone for a wild 2006 season.About the FilmLaurence Sterne published The Life and Opinions of Tristram Shandy, Gentleman in nine volumes between 1759 and 1767. The novel is famous for being playful, digressive, and nearly impossible to adapt. Notably, the narrator barely manages to get himself born across hundreds of pages. Winterbottom and his team turned that problem into the whole joke. As a result, the movie follows a fictional crew trying to film the book. Steve Coogan plays a vain version of himself, plus Tristram and his father, Walter. Meanwhile, Rob Brydon plays a needling version of himself and Uncle Toby. The screenplay carries the pseudonym "Martin Hardy," although Frank Cottrell-Boyce actually wrote it. Furthermore, the cast includes Keeley Hawes, Shirley Henderson, Dylan Moran, Naomie Harris, Kelly Macdonald, and Jeremy Northam. Gillian Anderson and Stephen Fry also appear as heightened versions of themselves. You can read more at Wikipedia or the original Roger Ebert review.This is the first film episode of our 2006 season. To explore the wider bracket project, visit the Movie of the Year archive. If you enjoy this Tristram Shandy podcast deep dive, our A Clockwork Orange episode from the 1971 run pairs nicely with this conversation about cinematic form.Want to hear how the season began? Start with our 2006 season intro, then dig into the 2006 bracket reveal before this episode.Metafiction and the Unfilmable NovelMetafiction sits at the center of our first discussion. Sterne wrote a novel that constantly reminds you it is a novel. Similarly, Winterbottom built a movie that keeps reminding you it is a movie. The crew breaks the fourth wall, argues about the script, and screens its own dailies. Therefore, the film becomes a hall of mirrors about storytelling itself. The Taste Buds ask a simple question. How do you adapt a book that mocks the idea of adaptation? Furthermore, we trace the lineage from Sterne to modern self-aware comedies. Films like Adaptation and Day for Night come up as obvious cousins. Ultimately, we argue that Winterbottom found the only honest solution. He filmed the failure instead of the book. Consequently, the movie respects Sterne by refusing to tame him.The Battle of the Sexes on ScreenNext, we turn to gender and how the film portrays men and women. The male characters chase status, sex, and screen time with comic desperation. Coogan, in particular, frets about his shoe lifts and his billing. Meanwhile, the women in the film often hold the real power. Kelly Macdonald plays Jenny, who grounds Coogan with calm clarity. Naomie Harris plays Jennie, a production assistant who runs circles around the panicking men. Gillian Anderson arrives late and instantly reshapes the production. By contrast, the men flail and posture. So the Taste Buds debate a thorny point. Does the movie satirize male ego, or does it quietly indulge it? Additionally, we weigh how the battle of the sexes plays inside an 18th-century story. The novel and the film both poke fun at male pride. As a result, the gender comedy spans two very different centuries.Coogan and Brydon Anchor the Tristram Shandy PodcastAbove all, the Coogan and Brydon double act drives this Tristram Shandy podcast conversation. The two comedians play exaggerated, petty versions of themselves. Their rivalry over billing, teeth, and impressions fuels the funniest scenes. Notably, this dynamic later powered the beloved series The Trip. The Taste Buds dig into why their friction feels so real. Brydon needles, Coogan bristles, and the comedy snaps into focus. Furthermore, we discuss how improvisation shapes their banter. The closing Al Pacino impression duel becomes a highlight. Meanwhile, we ask whether the pair actually like each other on screen. The answer stays gloriously unclear. Consequently, their chemistry gives a chilly intellectual film a warm, human pulse.Rushmore: The Mount Rushmore of 2006 TelevisionOur Rushmore segment asks each host to carve a Mount Rushmore of 2006 television. The year was loaded with future classics. For instance, The Wire aired its acclaimed fourth season. Meanwhile, The Office, 30 Rock, and Friday Night Lights were all finding their feet. Additionally, prestige newcomers like Dexter and Heroes premiered to big buzz. The hosts each pick four shows and defend their choices. Naturally, the debate gets heated fast. Listen to the episode to hear which four faces each Taste Bud sets in stone.I Never Metacritic I Didn't LikeThis episode debuts a brand new game called "I Never Metacritic I Didn't Like." The premise is simple and a little dangerous. We pull up a film's Metacritic profile and put the critical consensus on trial. Specifically, we test whether the aggregate score matches our own gut reactions. Tristram Shandy earned strong reviews from critics on release. However, strong scores do not always survive a Taste Buds cross-examination. Therefore, the game lets us argue with the wider critical record in real time. Expect this segment to return throughout the 2006 season. Above all, it gives us a structured excuse to fight about numbers.Why Tristram Shandy Still MattersTristram Shandy still matters because it cracked a problem that had defeated everyone before it. Winterbottom proved you can film an unfilmable book by filming the attempt. Moreover, the movie launched a now-legendary comic partnership. The Coogan and Brydon collaboration grew into The Trip and its many sequels. Additionally, the film remains a sharp, funny lesson in adaptation. Film students and Sterne scholars both still cite it today. Ultimately, the Tristram Shandy 2006 podcast discussion shows why this small comedy punches far above its weight. Notably, it kicks our 2006 bracket off with brains and mischief.Related Episodes from Movie of the Year: 2006The 2006 season is just getting started, so this list will grow each week. For now, revisit the episodes that set up the bracket, plus a favorite from our 1971 run.Movie of the Year 2006: Season IntroThe 2006 Bracket RevealMovie of the Year archiveThe Last Picture Show (1971)FAQ: Tristram Shandy Podcast and FilmWhat is this Tristram Shandy podcast episode about?In this episode, Ryan, Mike, and Greg launch the 2006 bracket by breaking down Michael Winterbottom's comedy. They cover metafiction, gender, the Coogan and Brydon dynamic, and two new segments.What is the movie Tristram Shandy about?The film follows a crew trying to adapt an unfilmable 18th-century novel. As they struggle, the actors' egos and offscreen lives take over the production.Who directed Tristram Shandy: A Cock and Bull Story?Michael Winterbottom directed the film. Frank Cottrell-Boyce wrote the screenplay under the pseudonym "Martin Hardy."Is Tristram Shandy based on a book?Yes. Laurence Sterne wrote The Life and Opinions of Tristram Shandy, Gentleman across nine volumes between 1759 and 1767. You can read more on Wikipedia.Do Steve Coogan and Rob Brydon play themselves?Yes, mostly. Both actors play exaggerated, fictional versions of themselves, and they also play characters in the film within the film. See the full cast on IMDb.Is Tristram Shandy connected to The Trip?Yes, in spirit. This film first paired Coogan and Brydon with Winterbottom, and that chemistry...

What kind of satirist was Jane Austen? Her earliest writings follow firmly in the footsteps of ‘Tristram Shandy' in their deployment of heightened sentiment as a tool for satirising romantic novelistic conventions. But her mature fiction goes far beyond this, taking the fashion for passionate sensibility and confronting it with moneyed realism to depict a complex social satire in which characters are constantly pulled in different directions by romantic and economic forces. In this episode Clare and Colin focus on ‘Emma' as the high point of Austen's satire of character as revealed through conversational style, and consider the ways in which the world Austen was born into, of revolutionary thought and new money, shaped the moral and material universe of all her novels. Listen to the full episode on the LRB's Close Readings podcast. Get 25% off a 12-month subscription to Close Readings with the code EMMA25 when you sign up here: https://lrb.me/closereadings Get in touch: podcasts@lrb.co.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

The Life and Opinions of Tristram Shandy, Gentleman (or, more briefly, Tristram Shandy) is a novel by Laurence Sterne. It was published in nine volumes, the first two appearing in 1759, and seven others following over the next 10 years. It was not always held in high esteem by other writers (Samuel Johnson responded that, "Nothing odd can last"), but its bawdy humour was popular with London society, and it has come to be seen as one of the greatest comic novels in English, as well as a forerunner for many modern narrative devices.This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Life and Opinions of Tristram Shandy, Gentleman (or, more briefly, Tristram Shandy) is a novel by Laurence Sterne. It was published in nine volumes, the first two appearing in 1759, and seven others following over the next 10 years. It was not always held in high esteem by other writers (Samuel Johnson responded that, "Nothing odd can last"), but its bawdy humour was popular with London society, and it has come to be seen as one of the greatest comic novels in English, as well as a forerunner for many modern narrative devices.This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Life and Opinions of Tristram Shandy, Gentleman (or, more briefly, Tristram Shandy) is a novel by Laurence Sterne. It was published in nine volumes, the first two appearing in 1759, and seven others following over the next 10 years. It was not always held in high esteem by other writers (Samuel Johnson responded that, "Nothing odd can last"), but its bawdy humour was popular with London society, and it has come to be seen as one of the greatest comic novels in English, as well as a forerunner for many modern narrative devices.This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Life and Opinions of Tristram Shandy, Gentleman (or, more briefly, Tristram Shandy) is a novel by Laurence Sterne. It was published in nine volumes, the first two appearing in 1759, and seven others following over the next 10 years. It was not always held in high esteem by other writers (Samuel Johnson responded that, "Nothing odd can last"), but its bawdy humour was popular with London society, and it has come to be seen as one of the greatest comic novels in English, as well as a forerunner for many modern narrative devices.This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Life and Opinions of Tristram Shandy, Gentleman (or, more briefly, Tristram Shandy) is a novel by Laurence Sterne. It was published in nine volumes, the first two appearing in 1759, and seven others following over the next 10 years. It was not always held in high esteem by other writers (Samuel Johnson responded that, "Nothing odd can last"), but its bawdy humour was popular with London society, and it has come to be seen as one of the greatest comic novels in English, as well as a forerunner for many modern narrative devices.This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Life and Opinions of Tristram Shandy, Gentleman (or, more briefly, Tristram Shandy) is a novel by Laurence Sterne. It was published in nine volumes, the first two appearing in 1759, and seven others following over the next 10 years. It was not always held in high esteem by other writers (Samuel Johnson responded that, "Nothing odd can last"), but its bawdy humour was popular with London society, and it has come to be seen as one of the greatest comic novels in English, as well as a forerunner for many modern narrative devices.This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

When the Guardian drops a list of the 100 Greatest Novels in English it's time to drop everything to talk about it. Luckily pod-regular guest, journalist Phil Chaffee and Joseph Dance, host of the Curious Readers podcast, also had views, and were willing to get together on a Sunday evening to share them. You'll hear our hits, our misses, how many we've read, whether we should have read more and much musing on whether a list like this is the way to get people excited about reading. We explore the joys of the sub-lists – the contributor lists – all squirrelled away on a sub-section of the Guardian's website, that arguably provide more excitement and inspiration than the fairly canonical top 100. Which is the best Brontë? Which is the best Austen? Do we age into certain books? If you've read all seven volumes of Proust shouldn't that count for more than one entry? All this and much, much more. Enjoy – this was an absolute delight to make and I hope it makes you smile as much as it did me.Have your say: get in touch on Instagram @bookclubreviewpodcast or email thebookclubreview@gmail.com, or head to our website for full shownotes. What would be in your top-10?Check out the Patreon for all kinds of extras, from our monthly book club to extra shows and Kate's reading diaries. Find it at patreon.com/thebookclubreviewThe Guardian's List of the 100 Greatest Novels published in English, copied below for ease of reference.*underlined – the ones Kate has readMiddlemarchBelovedUlyssesTo the LighthouseIn Search of Lost TimeAnna KareninaWar and PeaceJane EyrePride and PrejudiceMadame BovaryThe Great GatsbyBleak HouseEmmaMrs DallowayMoby-DickNineteen Eighty-FourOne Hundred Years of SolitudePersuasionThe Life and Opinions of Tristram Shandy, GentlemanWuthering HeightsThe Portrait of a LadyThings Fall ApartMidnight's ChildrenThe Remains of the DayLolitaDon QuixoteThe TrialThe Brothers KaramazovPale FireFrankensteinThe Prime of Miss Jean BrodieThe God of Small ThingsDavid CopperfieldWolf HallGreat ExpectationsThe Handmaid's TaleInvisible ManThe Age of InnocenceTheir Eyes Were Watching GodSong of SolomonHeart of DarknessThe Magic MountainHousekeepingGiovanni's RoomThe Golden NotebookThe LeopardVanity FairThe MetamorphosisA Fine BalanceWide Sargasso SeaMy Brilliant FriendThe Golden BowlThe Transit of VenusOrlandoThe WavesMansfield ParkThe Sound and the FuryDisgraceNever Let Me GoHowards EndThe Rings of SaturnHalf of a Yellow SunWhite TeethThe Good SoldierThe Color PurpleThe Master and MargaritaThe Man Without QualitiesBlood MeridianCrime and PunishmentJude the ObscureKindredOur Mutual FriendAusterlitzNervous ConditionsThe Bluest EyeDraculaThe RainbowA House for Mr BiswasGo Tell It on the MountainRebeccaBuddenbrooksThe End of the AffairA Farewell to ArmsThe Talented Mr RipleyThe VegetarianThe Turn of the ScrewThe Line of BeautyRagtimeThe Left Hand of DarknessJacob's RoomLife and FateSentimental EducationInvisible CitiesThe Known WorldThe Return of the NativePedro PáramoCatch-22The RoadThe Go-BetweenMy ÁntoniaParticular books we touch on in the showThings Fall Apart by Chinua AchebeUlysses by James JoyceIn Search of Lost Time by Marcel ProustMy Brilliant Friend by Elena FerranteWuthering Heights by Emily BrontëAs I Lay Dying by William FaulknerVillette by Charlotte BrontëOrlando, The Waves and To the Lighthouse by Virginia WoolfOne Hundred Years of Solitude by Gabriel García MárquezMiddlemarch by George EliotPedro Páramo by Juan RulfoRebecca by Daphne du MaurierThe Leopard by Giuseppe Tomasi di LampedusaNervous Conditions, The Book of Not and This Mournable Body by Tsitsi DangarembgaThe Transit of Venus by Shirley HazzardDon Quixote by Miguel de CervantesThe Magic Mountain by Thomas MannBuddenbrooks by Thomas MannLonesome Dove by Larry McMurtryBlood Meridian by Cormac McCarthyThe Memory Police by Yoko OgawaThe English Understand Wool by Helen DeWittA Season of Migration to the North by Tayeb SalihThe Princess of Clèves by Madame de LafayetteThe Cairo Trilogy by Naguib MahfouzThe Makioka Sisters by Jun'ichirō TanizakiThe Trial and Metamorphosis by Franz KafkaThe Go-Between by L. P. HartleyMoby-Dick by Herman MelvilleA House for Mr Biswas by V. S. NaipaulThe New Life by Tom CreweMiss Marjoribanks by Mrs OliphantThe Palliser novels by Anthony TrollopeThe Warden by Anthony TrollopeThe Man Without Qualities by Robert MusilThe Known World by Edward P. JonesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Was, wenn künstliche Intelligenz plötzlich in der Lage wäre, bessere Kunstwerke hervorzubringen als menschliche Fantasie und Kreativität? Diese Frage steht am Ursprung von Markus Orths' aktuellem Roman «Die Enthusiasten». Vince Bär ist Literaturwissenschaftler. Und er ist Laurence-Sterne-Fan und begeisterter Leser dessen Kultbuches «Leben und Ansichten von Tristram Shandy. Gentleman». Neun Bände hat das Werk. Und jetzt taucht plötzlich ein zehnter auf. Genau 250 Jahre nach Laurence Sternes Tod. In einem wahren Erzählfeuerwerk feiert Markus Orths die lebendige, überbordende, wilde und fantasievolle Literatur und verteidigt sie gegen ihre Inbesitznahme durch Technik und Profitdenken. ____________________ Dieses Buch steht im Zentrum der Folge: Markus Orths. «Die Enthusiasten». 365 Seiten. Galiani Berlin, 2026. ____________________ Bei Fragen oder Anregungen schreibt uns: literatur@srf.ch ____________________ In dieser Episode zu hören - Markus Orths, Schriftsteller ____________________ - Host: Michael Luisier ____________________ Das ist «Literaturclub: Interview»: Bei uns ist die Stimme der Autorin oder des Autors zu hören! Alle zwei Wochen bitten wir einen Schriftsteller oder eine Schriftstellerin zum unterhaltsamen, inspirierenden Gespräch. Wir loten aus, was sie antreibt und inspiriert und unterhalten uns über ihr aktuelles Buch. Weitere Informationen und den wöchentlichen Literaturnewsletter gibt es unter srf.ch/literatur.

Merriam-Webster's Word of the Day for April 18, 2026 is: hiatus • hye-AY-tus • noun In general contexts, hiatus usually refers to a period of time when something, such as an activity or program, is suspended. In biology, hiatus describes a gap or passage in an anatomical part or organ, and in linguistics, it refers to the occurrence of two vowel sounds without pause or intervening consonantal sound. // The actor, who's been on hiatus for several years, will be starring in a new film. See the entry > Examples: “Following its return in 2025 after a nearly three-year hiatus, the 52nd American Music Awards are heading back to Las Vegas to be broadcast live from a new venue, the MGM Grand Garden Arena.” — Steven J. Horowitz, Variety, 10 Mar. 2026 Did you know? This brief hiatus in your day is brought to you by, well, hiatus. While the word now most often refers to a temporary pause, hiatus originally referred to a physical opening in something, such as the mouth of a cave, or, as the 18th century British novelist Laurence Sterne would have it, a sartorial gap: in the wildly experimental novel Tristram Shandy, Sterne wrote of “the hiatus in Phutatorius's breeches.” Hiatus comes from the Latin verb hiare, meaning “to yawn,” which makes it a distant relation of both yawn and chasm. And that's all we have for now—you may resume your regular activities.

The 1920s were a tumultuous time for Russia, as the nation careened from the aftermath of revolution to the death of Lenin, the establishment of the Soviet Union, and the slide toward Stalinist totalitarianism. Given all of that serious upheaval, what explains the public's passion for the works of an 18th-century Anglican clergyman best known for his tongue-in-cheek narratives Tristram Shandy and A Sentimental Journey? In this episode, Jacke talks to Peter Budrin about his book Laurence Sterne and His Readers in Early Soviet Russia: The Secret Order of Shandeans. PLUS Edward Watts (The Romans: A 2,000-Year History) stops by to discuss his choice for the last book he will ever read. AND one of the twentieth-century's most provocative literary figures Anaïs Nin on the power of reading. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

What makes a Faust story? Michael, Ethan, and special guests Josiah & Jacob discuss this ontological question and all things Faust in this special episode.In this episode:Michael begins confrontationally.Is this episode Faust? Is this podcast Faust?Ethan is NOT in Law School.Is capitalism Faust?The Bible is inevitable.Josiah brought it up. Totally. It was Josiah. He's very smart. The Josian Anti-Faust idea (C) 2026.Demon, Helen, Margaret - Where are the lines of demarcation between them?Two questions: 1) What are you willing to sacrifice [to get what you want; and is it your very soul]? 2) What do you worship?(Josiah came up with the smart thing again. (C) 2026.)What you worship you will sacrifice.Ethan cheats with Wikipedia.Vein.American Faust: do we win?(Sorry for the Beetlejuice summoning.)If it looks like an exchange but is a gift, it's grace. If it looks like a gift but is an exchange, it's vampi-- Faust.When you're having night terrors, fart in the Devil's face and confess the Apostles' Creed.Shout-out to Reading Revisited!Every time he comes on this podcast, Jacob makes it a different podcast and/or a deal we need to wiggle out of.There are other things in Detroit other than Eminem.Let it be known, we can be charitable to a garbage fire.The answer is a tautology. Or cake.Here's each work we discuss: Is it Faust?The Age of Innocence, by Edith Wharton: Is it Faust?The book of Job: Is it Faust?It's A Wonderful Life: Is it Anti-Faust? Is it Faust?Jesus tempted in the desert: Is it Faust? Is it Anti-Faust? Is Faust a fan-fiction of Jesus?Genesis 3: Is it the OG Faust?A Christmas Carol, by Charles Dickens: Is it Faust?Trust, by Hernan Diaz: Is it Faust?The Secret History, by Donna Tartt: Is it Faust?The Picture of Dorian Gray, by Oscar Wilde: Is it Faust?"The Ballad of Reading Gaol," by Oscar Wilde: Is it Faust?Of One Blood, by Pauline Hopkins: Is it Faust?Hadestown, by Anaïs Mitchell: Is it Faust? Orpheus & Euridice: Is it [proto-]Faust?Dracula, by Bram Stoker: Is it Faust?Hades & Persephone: Is it Faust?Interview with the Vampire: Is it Faust?Underworld: Is it Faust?"The Devil Went Down to Georgia," by Charlie Daniels: Is it Faust?Robert Johnson: Is he Faust?O Brother, Where Art Thou?: Is it Faust?Oedipus: Is he Faust?Piranesi, by Susanna Clarke: Is it Faust?Devil's Advocate: Is it Faust?Beetlejuice: Is it Faust?Macbeth, by William Shakespeare: Is it Faust?The Waterboy: Is it Faust?Rick & Morty: Is it Faust?Doctor Who: Is it Faust?Peter Pan, by J.M. Barrie: Is it Faust?Ghosts, S4E22-S5E1: Is it Faust?The Passenger, and Stella Maris, by Cormac McCarthy: Are they Faust?Previously featured on Michael & Ethan in a Room with ScotchNo Country for Old Men, by Cormac McCarthy: Is it Faust?Grimm's Fairy Tales, e.g. "The Devil's Sooty Brother," "Bearskin," "The Devil and His Grandmother," "The Gravemound," "The Peasant and the Devil," "Doctor Know-all," "The Spirit in the Bottle": Are they Faust?Irish Fairy Tales, and Russian Stories: Are they Faust?Luther throwing his inkwell at the Devil: Is it Faust?"The Little Mermaid," by Hans Christian Andersen: Is it Faust - WAIT, we'll talk about it later!"The Magic Thread": Is it Faust?Click: Is it Faust?The Merchant of Venice, by William Shakespeare: Is it Faust?Breaking Bad: Is it Faust?Rapid(-ish) Fire:Fullmetal Alchemist"Ain't No Rest for the Wicked," by Cage the ElephantBetter Call SaulMelmoth the Wanderer, by Charles Maturin - WAIT, we might also talk about that later(?)It FollowsThe Imaginarium of Doctor ParnassusDeath Note"Button, Button," by Richard Matheson"The Monkey's Paw," by W.W. JacobsThe Third Man[, by Graham Greene]The Screwtape Letters, by C.S. LewisThe Lion, the Witch and the Wardrobe, by C.S. LewisThat Hideous Strength, by C.S. LewisThe Magician's Nephew, by C.S. LewisOut of the Silent Planet, by C.S. LewisPerelandra, by C.S. LewisThe Book of the New Sun, by Gene WolfeHamlet, by William ShakespeareLove's Labours Lost, by William Shakespeare"Goblin Market," By Christina RosettiHowl's Moving Castle, by Diana Wynne JonesParadise Lost, by John MiltonThe Tempest, by William Shakespeare"Calliope," by Neil GaimanRavelstein, by Saul BellowPreviously featured on Michael & Ethan in a Room with ScotchKPop Demon HuntersThe Life and Opinions of Tristram Shandy, Gentleman, by Laurence SternePreviously featured on Michael & Ethan in a Room with ScotchDon Quixote, by Miguel de CervantesPreviously featured on Michael & Ethan in a Room with ScotchThe Brothers Karamazov, by Fyodor DostoevskyCrime and Punishment, by Fyodor DostoevskyLolita, by Vladimir NabokovFrankenstein, by Mary ShelleyLiar, LiarBruce AlmightyBigDarby O'Gill and the Little PeoplePhantom of the Opera[, by Gaston Leroux]"Alastor," by Percy Bysshe ShelleyLes Miserables, by Victor Hugo"Young Goodman Brown," by Nathanael HawthorneWittenberg, by David Davalos - DON'T BOTHERStranger Things (especially Season 5)Next time Michael and Ethan will discuss “Johannes Cabal and the Blustery Day,” by Jonathan L. Howard! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: "Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

Welcome to One Bright Book! Join our hosts Frances, Dorian, and Rebecca as they discuss ORLANDO by Virginia Woolf and chat about their current reading. For our next episode, we will discuss THE WOMEN OF BREWSTER PLACE by Gloria Naylor, a choice Rebecca has made based upon some love Hanif Abdurraqib shared for the novel in a recent podcast. We would love to have you read along with us, and join us for our conversation coming to you in April. Want to support the show? Visit us at Bookshop.org or click on the links below and buy some books! Books mentioned: Orlando by Virginia Woolf The Waves by Virginia Woolf To the Lighthouse by Virginia Woolf A Room of One's Own by Virginia Woolf Jacob's Room by Virginia Woolf Three Guineas by Virginia Woolf Harriet Hume by Rebecca West The Phantom Tollbooth by Norton Juster Wax Child by Olga Ravn, translated from the Danish by Martin Aiken The Witch by Marie Ndiaye, translated from the French by Jordan Stump The Remembered Soldier by Anjet Daanje, translated from the Dutch by David McKay Women Without Men by Shahrnush Parsipur, translated from the Persian by Faridoun Farrokh Taiwan Travelogue by Shuang-zi Yang, translated from the Mandarin Chinese by Lin Ling Small Comfort by Ia Genberg, translated from the Swedish by Kira Josefsson There Is No Antimemetics Division by qntm Vampires of El Norte by Isabel Canas Trouble Maker: The Fierce, Unruly Life of Jessica Mitford by Carla Kaplan Shattered: A Memoir by Hanif Kureishi The Life and Opinions of Tristram Shandy, Gentleman by Laurence Stern Baldwin: A Love Story by Nicholas Boggs The Women of Brewster Place by Gloria Naylor Read Rohan Maitzen on Orlando at her blog Novel Readings. Further resources and links are available on our website at onebrightbook.com. Browse our bookshelves at Bookshop.org. Comments? Write us at onebrightmail at gmail Find us on Bluesky at https://bsky.app/profile/onebrightbook.bsky.social Frances: https://bsky.app/profile/nonsuchbook.bsky.social Dorian: https://bsky.app/profile/ds228.bsky.social Rebecca: https://bsky.app/profile/ofbooksandbikes.bsky.social Dorian's blog: https://eigermonchjungfrau.blog/ Rebecca's newsletter: https://readingindie.substack.com/ Our theme music was composed and performed by Owen Maitzen. You can find more of his music here: https://soundcloud.com/omaitzen.

GRATIS el libro "Escritor de éxito" ➡️https://www.letraminuscula.com/suscribirse-lista-de-correo/ SI deseas PUBLICAR escríbenos : contacto@letraminuscula.com Lláma☎ o WhatsApp: +34640667855 RESUMEN: Descubre siete libros imposibles de leer literalmente: desde el experimental Finnegans Wake hasta el indescifrable Manuscrito Voynich. Obras escritas en lenguajes inventados, estructuras caóticas o formatos revolucionarios que desafían la lógica tradicional. Un recorrido por títulos extraños, radicales y fascinantes que cambiaron la historia de la literatura y siguen siendo un misterio para lectores y expertos. ⏲MARCAS DE TIEMPO: ▶️00:00 Siete libros imposibles de leer ▶️00:23 1 Finnegans Wake, flujo onírico ▶️00:51 Lengua híbrida e intraducible ▶️01:29 2 Codex Serafinianus imaginario ▶️01:59 Misterio y culto artístico ▶️02:29 3 Casa de hojas, caos narrativo ▶️02:53 Experiencia física y experimental ▶️03:21 4 Tristram Shandy rompe reglas ▶️03:39 5 Diccionario jázaro múltiple ▶️04:21 6 El ruido y la furia fragmentado ▶️04:47 7 Manuscrito Voynich indescifrable ▶️05:12 Código secreto sin traducir ▶️05:48 Teorías y misterio histórico ▶️06:28 Despedida y servicios editoriales ▶️06:46 Web y cierre del vídeo

In Part 2 of today's episode, we look at TRISTRAM SHANDY: A COCK AND BULL STORY, directed by Michael Winterbottom. Steve Coogan is an exaggerated version of himself (we hope), playing the title character in the film adaptation of The Life and Opinions of Tristram Shandy, Gentleman. He's constantly sparring with another actor in the film over the relative importance of their roles. The director doesn't appear to have a good handle on the source material, but oddly enough the two people who do are constantly ignored. If you've ever watched a film and wondered "How did this get made?", this might provide the answer. COMING ATTRACTIONS: Next time, we go to the ballet, starting with the 1948 film THE RED SHOES, written and directed by Michael Powell and Emeric Pressburger. Sean and Claude both enjoyed this film while having some rather different opinions about it. From there we move on to 2003's THE COMPANY, directed by Robert Altman. It follows a season of rehearsal and performances at the Joffrey Ballet. It stars Neve Campbell, James Franco, and Malcolm McDowell. As with any Altman film, it's a little hard to follow at first but once you relax into his rhythms, you'll have a great time. Join us, won't you? .

Michael and Ethan discuss Doctor Faustus: The Life of the German Composer Adrian Leverkuhn as Told by a Friend, by Thomas Mann, while drinking Jura 10yo single malt.In this episode:All digressions and fallings-apart are intentionally reflective of the novel under discussion and are not us doing a bad jobTalking about books by talking about other books (aka, this is actually us reading Tristram Shandy for at least the third time)The narrator that gets in his own wayOne or more frame stories AND several meta-layersLots about time, WWII, Germany, time, Germans, Nazis, and time (but not a lot that's fun to make sassy bullet points about)In Marlowe, Faust is damned; in Goethe, Faust is saved; in Mann, Faust is(.)Next time Michael and Ethan will continue to discuss Doctor Faustus, by Thomas Mann! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: “Fools that Will Laugh on Earth,” by Benji Inniger, from the Original Soundtrack to The Spiritual Tragedy of Doctor Faustus"Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!How do you film the unfilmable? That's the challenge at the heart of Michael Winterbottom's Tristram Shandy: A Cock and Bull Story, a delightfully meta take on Laurence Sterne's famously chaotic 18th-century novel The Life and Opinions of Tristram Shandy, Gentleman.In this week's episode, the Dads dive into a film that blurs every boundary — between adaptation and behind-the-scenes drama, between actor and character, and between self-awareness and outright parody. Steve Coogan and Rob Brydon play heightened versions of themselves, bickering over screen time, wardrobe choices, and (of course) who does the better impressions. Meanwhile, the “film within a film” takes us through absurd historical reenactments, disastrous prop work, and even a giant model womb.We talk about:Why Sterne's novel was considered “unfilmable” and how the movie leans into that chaos.The deliciously petty dynamic between Coogan and Brydon, and how it later set the stage for The Trip.Cameos from British comedy royalty — Stephen Fry, Dylan Moran, Mark Williams, David Walliams, and more.How the movie juggles philosophical musings, slapstick humour, and industry satire — sometimes all in the same scene.Whether the film is more fun to watch or to talk about.It's part literary experiment, part farce, and part therapy session for Steve Coogan's fragile ego. And while Tristram Shandy might not be everyone's cup of tea, there's plenty to chew on — from postmodern storytelling to the sheer joy of watching talented comedians spark off each other.If you've ever enjoyed The Trip, love films about filmmaking, or just want to hear us wrestle with a movie that refuses to play by the rules, this is an episode you won't want to miss.

The panel concludes the summer reading with the ninth and final book of Tristram Shandy, compassing the manner of the liaison between Uncle Toby and the Widow Wadman, with special attention to Toby's wound, Trim's knee, and Mrs. Shandy's constant purity.Continue reading

The panel reads the conclusion of the eighth book, with attention to metaphorical fortifications and battle plans, a tale of one-sided love between Corporal Trim and a Nursing Nun, and a budding romance between Uncle Toby and the Widow Wadman.Continue reading

The panel discusses the books seven and eight, with particular attention to the parallel narratives used to describe the approach to Lyons, the different forms of bad luck Tristram encounters there, and the Widow Wadman's love for Uncle Toby.Continue reading

The panel discusses narrative lines straight and winding in book six, and parallel trips in France in book seven, including Tristram's three visits to Auxerre: as a child, as a young man, and in the narrative 'present' when the book is being written.Continue reading

Author Zoe Whittall, writer of acclaimed literature and screenplays, breaks down her life in books; Steven Beattie recommends three “funny-yet-serious” books; musician Jordan Astra dishes on funk music and Nike sneakers; and Dawson's Creek legend and current star of Oracle 3: Murder at the Grandview shares what he's reading on this episode of The Next Chapter.Books discussed on this week's show include:The Passion by Jeannette WintersonHeroine by Gail ScottRat Bohemia by Sarah SchulmanThe Argonauts by Maggie NelsonShoe Dog by Phil KnightAnimal Farm by Geroge OrwellNot a River by Selva AlmadaThe List by Yomi AdegokeReally Good, Actually by Monica HeiseyThe Sellout by Paul BeattyThe Life and Opinions of Tristram Shandy, Gentleman by Laurence SterneOracle 3: Murder at the Grandview by Andrew Pyper

The panel discusses the majority of the sixth book, with attention to the 'picture' of the Widow Wadman, the story of Le Fever and his orphaned son, the mode of classical dress, and the rise of the novel in both its historical and literary contexts.Continue reading

The panel discusses the conclusion of the fifth book, with attention to how the hobby horses of Trim and Toby reappear, and what they suggest about the potential truth in ancient knowledge and the pedagogical value of learning fundamental texts by rote.Continue reading

The panel discusses the beginning of book five, including the extreme discomfort of riding post-chaise, the concupiscent meanings which attach to ordinary words thereby rendering them unusable, and the highly irregular manner of Tristram's circumcision.Continue reading

In this episode, we are joined by the author Art Bell (@artbellauthor) as we dive into a collection of books that challenge assumptions—about power, identity, reason, and reality. Whether set in the fog of war, the haze of colonial ambition, the grim clarity of existential thought, or the murky alleys of criminal underworlds, each selection forces readers to confront uncomfortable truths and ask harder questions. Ideal for those who crave intellectually provocative reads with moral complexity, sharp insight, and a touch of darkness. If you're the kind of reader who doesn't just enjoy a good story but wants to pick it apart long after the final page, this one's for you. Join the Books to Last Podcast, where book lovers share their top 5 must-read books for a dream getaway. Inspired by BBC's Desert Island Discs, each episode features fun stories, book recommendations, and heartfelt conversations. Tune in for inspiring tales and discover your next great read!Guest Details:Instagram: @artbellauthorLinkedIN: https://www.linkedin.com/in/artbell/Facebook: ArtbellauthorWebsite: artbellwriter.comBook: https://a.co/d/hfD3W81Podcast:W: https://anchor.fm/bookstolastpodTwitter: @BooksToLastPodInstagram: @BooksToLastPodMusic by DAYLILY@daylilyuk on Instagramhttps://open.spotify.com/artist/31logKBelcPBZMNhUmU3Q6Spoiler WarningBooks Discussed:Heart of Darkness by Joseph ConradThe Maltese Falcon by Samuel Dashiell HammettCatch-22 by Joseph HellerThe Stranger by Albert CamusChurchill: Walking with Destiny by Andrew RobertsFear and loathing in Las Vegas by Hunter S. ThompsonThe Life and Opinions of Tristram Shandy, Gentleman by Laurence Sterne

The panel discusses the conclusion of the fourth book, including Walter and Toby stuck on the stairs amidst further discussion of the definition of a nose (or noes), and the inflexible irrevocability of all of the mishaps that occur during the narrative.Continue reading

The panel reads the conclusion of book three and the beginning of book four in which the topic of noses recurs and features prominently, providing an opportunity to examine how Dr. Slop and Walter Shandy can be compared to Uncle Toby and Corporal Trim.Continue reading

Romanadaption • Am liebsten lückenlos würde Tristram Shandy seine Lebensgeschichte erzählen. Doch er wird immer wieder gestört: Vater Walter, kopflastig und autoritätsgläubig, beschwört allerlei Unglücksfälle herauf, Tristrams Onkel Toby taucht auf, ein ehemaliger Offizier, der im Gemüsegarten mit einer Spielzeugarmee Feldzüge nachstellt. Und noch weitere wunderliche Typen erscheinen, über die berichtet werden muss. "Tristram Shandy" gilt als erster moderner Roman. | Von Laurence Sterne | Mit Siemen Rühaak, Peter Capell, Karl Renar, Jan Groth, Pascal Breuer, Paul Bürks, Ruth Hellberg, Tilo Prückner, Ellen Mahlke, Hans Wyprächtiger, Traugott Buhre, Peter Seume, Curt Bock, Rita Leske, Grete Wurm, Herbert Rhom, Franz Kollasch, Hans-Jürgen Diedrich, Florian Beba, Margit Carls, Tillmann Braun, Heide Simon, Matthias Ponnier | Regie: Heinz von Cramer | BR 1986

The panel approaches the moment of Tristram's birth beginning with the author's preface (in book 3), followed by a definition of 'nose', and a series of mix-ups involving the words 'mortar' and 'bridge' with dire implications for the unhappy newborn.Continue reading

The panel concludes the second book and, in a series of retrograde manoeuvres, progresses through the third book until Dr. Slop is able to receive delivery of his forceps, free them from their knotted bag, and demonstrate their usage on Uncle Toby.Continue reading

Back in 2019, John spoke with the celebrated comic novelist Stephen McCauley. Nobody knows more about the comic novel than Steve--his latest is You Only Call When You're in Trouble, but John still holds a candle for his 1987 debut, Object of My Affection, made into a charming Jennifer Aniston Paul Rudd movie. And there is no comic novelist Steve loves better than Barbara Pym, a mid-century British comic genius who found herself forgotten and unpublishable in middle age, only to roar back into print in her sixties with A Quartet in Autumn. Steve and John's friendship over the years has been sealed by the favorite Pym lines they text back and forth to one another, so they are particularly keen to investigate why her career went in this way. In the episode, they talk about some of these favorite sentences from Pym, and then turn to the comic novel as a genre. They talk about the difference between humorous and comic writing, the earthiness of comedy, whether comic novels should have happy or sad endings, and whether the comic novel is a precursor to, or an amoral relief from, the sitcom. They also discuss some of Steve's fiction, including his Rain Mitchell yoga novels. In Recallable Books John recommends Pictures from an Institution by Randall Jarrell and Steve recommends After Claude by Iris Owens. Discussed in this episode: The Life and Opinions of Tristram Shandy, Gentleman, Laurence Sterne Vanity Fair, William Makepeace Thackeray Jane Eyre, Charlotte Bronte The Adventures of Huckleberry Finn, Mark Twain Jude the Obscure, Thomas Hardy “The Beast in the Jungle,” Henry James The Thurber Carnival, James Thurber The Group, Mary McCarthy After Claude, Iris Owens Pictures from an Institution, Randall Jarrell An Unsuitable Attachment, Barbara Pym Less than Angels, Barbara Pym The Sweet Dove Died, Barbara Pym Portnoy's Complaint, Philip Roth The Sellout, Paul Beatty My Ex-Life, Stephen McCauley You can listen here or read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

The panel discusses book II, chapters 6–17 and Sterne's use of metanarrative focus on the correct art of oratory, the use of puns and textual elisions, the need to fill in details or leave them to readerly imagination, and the use of real-world sermons.Continue reading

Back in 2019, John spoke with the celebrated comic novelist Stephen McCauley. Nobody knows more about the comic novel than Steve--his latest is You Only Call When You're in Trouble, but John still holds a candle for his 1987 debut, Object of My Affection, made into a charming Jennifer Aniston Paul Rudd movie. And there is no comic novelist Steve loves better than Barbara Pym, a mid-century British comic genius who found herself forgotten and unpublishable in middle age, only to roar back into print in her sixties with A Quartet in Autumn. Steve and John's friendship over the years has been sealed by the favorite Pym lines they text back and forth to one another, so they are particularly keen to investigate why her career went in this way. In the episode, they talk about some of these favorite sentences from Pym, and then turn to the comic novel as a genre. They talk about the difference between humorous and comic writing, the earthiness of comedy, whether comic novels should have happy or sad endings, and whether the comic novel is a precursor to, or an amoral relief from, the sitcom. They also discuss some of Steve's fiction, including his Rain Mitchell yoga novels. In Recallable Books John recommends Pictures from an Institution by Randall Jarrell and Steve recommends After Claude by Iris Owens. Discussed in this episode: The Life and Opinions of Tristram Shandy, Gentleman, Laurence Sterne Vanity Fair, William Makepeace Thackeray Jane Eyre, Charlotte Bronte The Adventures of Huckleberry Finn, Mark Twain Jude the Obscure, Thomas Hardy “The Beast in the Jungle,” Henry James The Thurber Carnival, James Thurber The Group, Mary McCarthy After Claude, Iris Owens Pictures from an Institution, Randall Jarrell An Unsuitable Attachment, Barbara Pym Less than Angels, Barbara Pym The Sweet Dove Died, Barbara Pym Portnoy's Complaint, Philip Roth The Sellout, Paul Beatty My Ex-Life, Stephen McCauley You can listen here or read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Back in 2019, John spoke with the celebrated comic novelist Stephen McCauley. Nobody knows more about the comic novel than Steve--his latest is You Only Call When You're in Trouble, but John still holds a candle for his 1987 debut, Object of My Affection, made into a charming Jennifer Aniston Paul Rudd movie. And there is no comic novelist Steve loves better than Barbara Pym, a mid-century British comic genius who found herself forgotten and unpublishable in middle age, only to roar back into print in her sixties with A Quartet in Autumn. Steve and John's friendship over the years has been sealed by the favorite Pym lines they text back and forth to one another, so they are particularly keen to investigate why her career went in this way. In the episode, they talk about some of these favorite sentences from Pym, and then turn to the comic novel as a genre. They talk about the difference between humorous and comic writing, the earthiness of comedy, whether comic novels should have happy or sad endings, and whether the comic novel is a precursor to, or an amoral relief from, the sitcom. They also discuss some of Steve's fiction, including his Rain Mitchell yoga novels. In Recallable Books John recommends Pictures from an Institution by Randall Jarrell and Steve recommends After Claude by Iris Owens. Discussed in this episode: The Life and Opinions of Tristram Shandy, Gentleman, Laurence Sterne Vanity Fair, William Makepeace Thackeray Jane Eyre, Charlotte Bronte The Adventures of Huckleberry Finn, Mark Twain Jude the Obscure, Thomas Hardy “The Beast in the Jungle,” Henry James The Thurber Carnival, James Thurber The Group, Mary McCarthy After Claude, Iris Owens Pictures from an Institution, Randall Jarrell An Unsuitable Attachment, Barbara Pym Less than Angels, Barbara Pym The Sweet Dove Died, Barbara Pym Portnoy's Complaint, Philip Roth The Sellout, Paul Beatty My Ex-Life, Stephen McCauley You can listen here or read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Back in 2019, John spoke with the celebrated comic novelist Stephen McCauley. Nobody knows more about the comic novel than Steve--his latest is You Only Call When You're in Trouble, but John still holds a candle for his 1987 debut, Object of My Affection, made into a charming Jennifer Aniston Paul Rudd movie. And there is no comic novelist Steve loves better than Barbara Pym, a mid-century British comic genius who found herself forgotten and unpublishable in middle age, only to roar back into print in her sixties with A Quartet in Autumn. Steve and John's friendship over the years has been sealed by the favorite Pym lines they text back and forth to one another, so they are particularly keen to investigate why her career went in this way. In the episode, they talk about some of these favorite sentences from Pym, and then turn to the comic novel as a genre. They talk about the difference between humorous and comic writing, the earthiness of comedy, whether comic novels should have happy or sad endings, and whether the comic novel is a precursor to, or an amoral relief from, the sitcom. They also discuss some of Steve's fiction, including his Rain Mitchell yoga novels. In Recallable Books John recommends Pictures from an Institution by Randall Jarrell and Steve recommends After Claude by Iris Owens. Discussed in this episode: The Life and Opinions of Tristram Shandy, Gentleman, Laurence Sterne Vanity Fair, William Makepeace Thackeray Jane Eyre, Charlotte Bronte The Adventures of Huckleberry Finn, Mark Twain Jude the Obscure, Thomas Hardy “The Beast in the Jungle,” Henry James The Thurber Carnival, James Thurber The Group, Mary McCarthy After Claude, Iris Owens Pictures from an Institution, Randall Jarrell An Unsuitable Attachment, Barbara Pym Less than Angels, Barbara Pym The Sweet Dove Died, Barbara Pym Portnoy's Complaint, Philip Roth The Sellout, Paul Beatty My Ex-Life, Stephen McCauley You can listen here or read here. Learn more about your ad choices. Visit megaphone.fm/adchoices

The panel discusses Tristram's father's theories about nominative determinism, the different translations of identical biblical names, and the latest contemporary French developments regarding pre-natal baptism and its theological justifications.Continue reading

The panel begins the summer reading of The Life and Opinions of Tristram Shandy, Gentleman with a biographical overview of Laurence Sterne, followed by the first eighteen chapters, with a focus on the novel's metatextual moves and discursive structure.Continue reading

Author Zoe Whittal has written acclaimed scripts and books alike, and breaks down her life in books; Steven Beattie recommends three of his favourite funny books, all of which include serious undertones; musician Jordan Astra talks about funk music and Nike shoes; and writer Ian Williams partakes in ‘speed dating therapy”on this episode of The Next Chapter.Books discussed on this week's show include:The Passion by Jeannette WintersonHeroine by Gail ScottRat Bohemia by Sarah SchulmanThe Argonauts by Maggie NelsonShoe Dog by Phil KnightAnimal Farm by Geroge OrwellNot a River by Selva AlmadaThe List by Yomi AdegokeReally Good, Actually by Monica HeiseyThe Sellout by Paul BeattyThe Life and Opinions of Tristram Shandy, Gentleman by Laurence SterneWhat I Mean to Say by Ian Williams

"It is the year 1999, and our game development House, Koch Games, has been hired by The Oikospielen Opera to adapt the novel Tristram Shandy, into a computer 'eco opera' for a fee of infinity" This week, Cane and Rinse is on strike! It is your choice whether you will salt or scab. Follow Ryan, Chris, James and Jon into the perplexing but provocative pillar of the modern videogame avant-garde, David Kanaga's enigmatic Oikospiel Book I. They discuss abstraction, labour rights, plunderludics, and whether or not it is ethical to make dogs write operas. It's an unusual podcast for an unusual game. http://media.blubrry.com/caneandrinse/caneandrinse.com/podcast/cane_and_rinse_issue_652.mp3   Music featured in this issue: 1. Menu Hotel Elegy by David Kanaga2. First Choir Union by David Kanaga edited by Ryan ZhaoYou can support Cane and Rinse and in return receive an often extended version of the podcast four weeks early, along with exclusive podcasts, if you subscribe to our Patreon for the minimum of $2 per month (+VAT).  Do you have an opinion about a game we're covering that you'd like read on the podcast? Then venture over to our forum and check out the list of upcoming games we're covering. Whilst there you can join in the conversations with our friendly community in discussing all things relating to videogames, along with lots of other stuff too. Sound good? Then come and say hello at The Cane and Rinse forum

Stephen Oxley is founder of Oxley Capital Connections (OXC) a firm he founded in the UAE in 2024 dedicated to helping global investment managers raise capital in the Middle East. He was formerly held a serious of business development functions in the Middle East and Europe and worked as an investment consultant.I have known Stephen for many years, and have always known about his fascinating backstory as an actor – and a performer in a one man show at that – Stephen starred in The Life and Opinions of Tristram Shandy. This seemed like a natural launch point for a discussion around the lessons learned through building a career as a successful actor, and in particular the skills needed to connect with a crowd when you are quite literally a “one man show”. Stephen describes the tactics of connecting with an audience, and a different audience every night, and the kind of rejection that hurt more than others. We move then to discuss OXC and the marketplace of the Middle East where he is now focused. We learn about asset allocation preferences, relationship building and the fast-moving dynamic of this region.This episode of the Fiftyfaces Podcast is proudly brought to you by bfinance—a trusted partner to the world's leading institutional investors. With a proven track record in strategy, implementation, and oversight, bfinance delivers bespoke investment consultancy that empowers asset owners to achieve their unique objectives. Whether it's refining portfolio strategy, selecting fund managers, monitoring performance or getting better value for money, bfinance combines global expertise with tailored solutions to unlock value for their clients. To learn more about how they've supported over 500 clients in 45 countries, managing assets totalling over $9 trillion, visit bfinance.com.

From bonus hour of ep. 125, get on the Patreon: https://www.patreon.com/c/1storypod On popular genre fiction (Emily Henry), Time in fiction, Tristram Shandy, the Gospel According to Thomas, The Friend by Sigrid Nunez, and the Stars. Listen to or read Harold's piece on Tristram Shandy: https://haroldrogers.substack.com/p/futile-and-idle-men

Send us a textJason welcomes himself for a reading of an Okanagan University College-era essay, circa 1994, on Lawrence Sterne's 'Tristram Shandy.' Should he have been allowed to pass the course?  Should he have been allowed to graduate? Choose your own adventure! He now knows how to pronounce 'historiographer,' so there's that. Thanks, as always, to Wayne Emde for the artwork, Joe Emde for help with the intro, & DJ Max in Tokyo for the cosmic beats. Join the early sh*t chat at https://www.facebook.com/WRTESpodcast, on Instagram @writersreadtheirearlyshit, & on Bluesky at wrtes@bsky.social. Most of all: thank you, wherever & whoever & however you are, for listening.Support the show

Harold read Tristram Shandy, Sean reads from The Friend by Sigrid Nunez. Also on Whitman, Rilke's Letters to a Young Poet, and writing as a priestlike vocation. https://www.patreon.com/c/1storypod

Merve Emre's Paradise Lost New Yorker piece, The Winter of Our Discontent by Steinbeck, Harold's Gogol piece, DFW, Tristram Shandy. https://www.patreon.com/c/1storypod

What kind of satirist was Jane Austen? Her earliest writings follow firmly in the footsteps of Tristram Shandy in their deployment of heightened sentiment as a tool for satirising romantic novelistic conventions. But her mature fiction goes far beyond this, taking the fashion for passionate sensibility and confronting it with moneyed realism to depict a complex social satire in which characters are constantly pulled in different directions by romantic and economic forces. In this episode Clare and Colin focus on Emma as the high point of Austen's satire of character as revealed through conversational style, and consider how the world Austen was born into, of revolutionary thought and new money, shaped the moral and material universe of all her novels.Watch a further clip from this episode on youtube: https://youtu.be/wUNna8gw_6MColin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.Subscribe to Close Readings:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsGet in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

'Tristram Shandy' was such a hit in its day that you could buy tea trays, watch cases and cushions decorated with its most famous characters and scenes. If much of the satire covered in this series so far has featured succinct and damning portrayals of recognisable city types, Sterne's comic masterpiece seems to offer the opposite: a sprawling and irreducible depiction of idiosyncratic country-dwellers that makes a point of never making its point. Yet many of the familiar satirical tricks are there – from radical shifts in scale to the liberal use of innuendo – and in this episode Clare and Colin look at the ways in which the novel stays true to the traditions of satire while drawing on Cervantes, Rabelais, Locke and the fashionable notion of ‘sentiment' to advance a new kind of nuanced social comedy.This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsColin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

Cain's Jawbone, a murder mystery cryptic puzzle novella in the form of 100 pages presented in the wrong order, has many millions of possible solutions but only one that is correct. 86 years after it was published, writer, comedian and crossword constructor John Finnemore solved it. And then, craving another 100-page cryptic puzzle murder story, he wrote his own. Get the transcript of this episode, and find links to more information about the people, puzzles and topics therein, at theallusionist.org/solvitude. The original Cain's Jawbone by Edward Powys Mathers, and John Finnemore's new The Researcher's First Murder, are both available to buy from unbound.com. This is the fifth instalment in the Word Play series about word games and puzzles; previous episodes include the history of anagrams, recent developments in crosswords, and turning words into games. The next episode will be about the Scripps Spelling Bee, which I am attending this week. I'll be posting about my Bee time on facebook.com/allusionistshow, instagram.com/allusionistshow and twitter.com/allusionistshow, but members of the Allusioverse will be getting Discord updates lolloping odd essays from the Bee, so if you want those, scoot along to theallusionist.org/donate - and you'll also be keeping this independent podcast going, in return for which you get regular livestreams, inside scoops into the making of this show, watchalong parties, and the company of your fellow Allusionauts in our delightful Discord community. Our ad partner is Multitude. If you want me to talk lovingly and winningly about your product or thing on the show in 2024, sponsor an episode: contact Multitude at multitude.productions/ads. This episode is sponsored by: • Understance: comfortable, stylish, size-inclusive bras and undies. Shop the range and learn about your own branatomy - like I did! - at understance.com.• Bombas, whose mission is to make the comfiest clothing essentials, and match every item sold with an equal item donated. Go to bombas.com/allusionist to get 20% off your first purchase.  • Squarespace, your one-stop shop for building and running your online empire/new home for your cryptic puzzle that takes months to solve. Go to squarespace.com/allusionist for a free 2-week trial, and get 10 percent off your first purchase of a website or domain with the code allusionist. Support the show: http://patreon.com/allusionistSee omnystudio.com/listener for privacy information.

Joel and Bill wade through Laurence Sterne's wild and digressive masterpiece, and do their best not to get distracted throughout.