Podcasts about Hamlet

In today's episode, we are covering the major themes, tropes, and topics related to William Shakespeare's Hamlet. We'll also discuss the challenges involved in reading, performing, and editing Hamlet as well as how scholars have struggled to determine when exactly Hamlet was written.  Content warning: because of this play's themes, we will be discussing mental health and suicide in this episode. Listen with care.  Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast at patreon.com/shakespeareanyone Works referenced: Green, John, et al. “Ghosts, Murder, and More Murder - Hamlet Part 1: Crash Course Literature 203.” YouTube, Crashcourse, 13 Mar. 2014, https://www.youtube.com/watch?v=My14mZa-eq8. Green, John. “Ophelia, Gertrude, and Regicide - Hamlet Part 2: Crash Course Literature 204.” YouTube, Crashcourse, 20 Mar. 2014, https://www.youtube.com/watch?v=nDCohlKUufs. “Hamlet.” Edited by SparkNotes Editors, Sparknotes, SparkNotes, 2005, https://www.sparknotes.com/shakespeare/hamlet/.  Shakespeare, William. Hamlet. Edited by Ann Thompson and Neil Taylor, Revised ed., Bloomsbury Arden, 2016. 

Download for Mobile | Podcast Preview | Full Timestamps "Mom, What Does Hardcore Mean?" Reading Manga on Kindle It's Not Trigun Maximum Brotherhood, But That's Okay Do You Want Live Action Persona? Pay $40000 To Ask Nintendo For More F-Zero This Game Contains Traces of Horny Hustle or Scam? Pizza Time You can watch us record the podcast live on twitch.tv/castlesuperbeast Trigun Stampede Lock 'n Load Panel Panty & Stocking with Garterbelt Season 2 Announced Lollipop Chainsaw remake is currently in the works. The studio apparently bought the rights to the IP and is currently working on remaking the game for 2023 release. Nintendo Fan Buys $40,000 In Stock To Ask President About F-Zero Revival SEGA exploring ATLUS live-action TV and movie adaptations Netherlands political parties back gaming loot box ban Pokémon Go' Developer Niantic Laying Off 8% of Staff, Nixes Transformers Game and three other games that were in development, “Hamlet,” “Blue Sky” and “Snowball.

Zwischen eingeschneiten Tenniscourts und technischem Rumoren warten Zwei auf einen Dritten. Doch auch wenn in frühmorgendlichen Betten so manche Träne in die Laken fließt und das laute Schluchzen auch durch angelehnte Türen dringt, können sich die Zwei ein Lächeln nicht verkneifen, denn: Über Hamlet spricht es sich am besten heimlich. Später dann, während der Don G. noch träumt, sitzen alle Drei am Rand seines Betts zusammen und zeigen Urlaubsbilder aus Italien.

Sal, Axel, Lizzy, and Liz talk Part VI of Obi-Wan Kenobi! Little Luke at the store! Badass Beru! Rock throwing contest! 911 Lone Star! Boo goes savage! Hamlet in half! Reva finds the monster! Jinn was always there! Disneyland wishes! Click here to subscribe wherever you listen to podcasts! Check out the Rogue Rebels Obi-Wan Kenobi playlist here! We want to hear from you! Check out our questions and polls on Spotify! Follow us EVERYWHERE! IG: @TheRogueRebels Tweets @RogueRebelsFam The Rogue Rebels on FB RogueRebels on Twitch --- Send in a voice message: https://anchor.fm/rogue-rebels/message Support this podcast: https://anchor.fm/rogue-rebels/support

The "Fat Ham" playwright on queering "Hamlet," decentralizing artistic leadership and writing prolifically. Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert Egger's third film, following The VVitch (2015) and The Lighthouse (2019), The Northman has the largest budget and the biggest scope by far. Set in the late 9th/early 10th centuries in central Europe and Iceland, this epic revenge story is undoubtedly the most thoroughly researched and most accurate Viking film to date. With a phenomenal cast that includes Alexander Skarsgård, Nicole Kidman, Anya Taylor-Joy, and Ethan Hawke, the story goes all the way back to the Norse myths that inspired Shakespeare's Hamlet, and the meticulous production and costume design immerses you in a world from over 1000 years ago with flawless attention to detail. We debated for a bit whether this belonged on the Danger Close list as a war film, or whether the psychedelic feel and mythical elements pushed it over into our war adjacent film category for DCE. In the end, there is enough pillaging and conflict in this that we decided it qualified, and we wanted to give this episode the exposure it deserved. We are joined by special guest Dave for this one, as his background in HEMA (Historical European Martial Arts), and his knowledge of Viking history made him the perfect person to join our discussion. So, do we think Eggers pulled off this ambitious project, and did we like it? And just how accurate is it? Next Episode: Danger Close - The Battle of Long Tan (2019) Feel free to contact us with any questions or comments! Our website: www.dangerclosepod.com Join our Facebook group at: Danger Close - Podcast Discussion Group (https://www.facebook.com/groups/1442264899493646/) If you like the show, please leave us a review on Apple Podcasts or Spotify! If you would like to support the show and get extra episodes where we discuss sci-fi, fantasy, and comedy war movies, join our Patreon for only $4 a month at: www.dangerclosepod.com/support warmovies #warfilms #war #film #films #movies #history #cinema #vikings #middleages #vikingage

Join Dave and Wayne for genre television show news, a glimpse into what the hosts are currently watching, commentary and analysis of Outer Range, and our listener feedback.  This week on the SciFi TV Rewatch podcast we discuss the connections Autumn Rivers has to the Abbott ranch, and Dave throws out his crackpot theory about her origin. Wayne examines connections between Royal's journey and that of Hamlet as both descend into their individual rabbit holes. In our What We're Watching segment, in honor of the podcast's 10 year anniversary, we take a trip down memory lane and replay SFTVR's history. In Listener Feedback, Fred from the Netherlands apparently agrees with Dave (to a point) about Autumn's familial connection, and Scott wonders whether Royal and the others find themselves in a time loop. Remember to join the genre television and film discussion on the SciFi TV Rewatch Facebook group for the latest genre television show news and podcast releases. Episode Grade: A-

“ -URBANO: ¡Vamos! Parece que no estás muy seguro. -FERNANDO: No es eso Urbano. ¡Es que le tengo miedo al tiempo! Es lo que más me hace sufrir. Ver como pasan los días, y los años...sin que nada cambie. Ayer mismo éramos tú y yo dos críos que veníamos a fumar aquí, a escondidas, los primeros pitillos...¡Y hace ya diez años! Hemos crecido sin darnos cuenta, subiendo y bajando la escalera, rodeados siempre de los padres, que no nos entienden; de vecinos que murmuran de nosotros y de quienes murmuramos...Buscando mil recursos y soportando humillaciones para poder pagar la casa, la luz...y las patatas. Y mañana, o dentro de diez años que pueden pasar como un día, como han pasado estos últimos…., aborreciendo el trabajo…, perdiendo día tras día...Por eso es preciso cortar por lo sano.” Fragmento de “Historia de una escalera” Antonio Buero Vallejo nació en Guadalajara el 29 de Septiembre de 1916. Desde su infancia se interesa por la literatura, sobre todo por el teatro. Estudia en la Escuela de Bellas Artes de San Fernando de Madrid y, acusado de , permanece en prisión desde 1939 a 1946. Allí coincide con Miguel Hernández y entablan una fuerte amistad. Al ser puesto en libertad comienza a colaborar en diversas revistas como dibujante y escritor de pequeñas piezas de teatro. Su debut se produce en 1949 con la publicación de “Historia de una escalera”, obra galardonada con el Premio Lope de Vega y que tuvo un gran éxito de público en el Teatro Español de Madrid. Durante la década de los cincuenta escribe y estrena en España y en el extranjero obras tan significativas en su trayectoria literaria como “La Tejedora de sueños” de 1951, “La señal que se espera” (1952), “Casi un cuento de hadas” de 1953, “Madrugada” del mismo año, “Hoy es Fiesta” (1956) o “Un soñador para un pueblo” de 1958. A pesar de sus problemas con la censura vigente, sigue estrenando títulos como “El concierto de San Ovidio” de 1962, “Aventura en lo gris” (1964), “El tragaluz” de 1967 – que se mantiene en cartel durante casi nueve meses- o “Las Meninas” cuyo estreno obtiene un éxito sin precedentes. Además prepara versiones de Shakespeare, como “Hamlet, príncipe de Dinamarca” y Bertolt Brecht (“Madre Coraje, y sus hijos”). Posteriormente realiza un ciclo de conferencias en varias universidades estadounidenses y en 1971 ingresa en la Rea Academia Española, y, más tarde, es nombrado socio de honor del Circulo de Bellas Artes y del Ateneo de Madrid. Asimismo pertenece a diversas academias, comités y sociedades de América, Portugal, Alemania y Francia. Durante los primeros años de democracia en España Buero no cesa de estrenar obras: “Jueces en la noche” de 1979, “Caimán” (1981) y “Dialogo secreto” de 1985, o su versión de ”El pato silvestre” de Henrik Ibsen, en 1982. En 1986 recibe el Premio Miguel de Cervantes por toda su trayectoria literaria. Antonio Buero Vallejo compagina su éxito en el campo de la literatura con su otra gran pasión, la pintura. En 1993 publica “Libro de estampas”, donde se recogen pinturas acompañadas de textos inéditos del autor. En 1997 ve la luz su última obra, “Misión al pueblo desierto”, estrenada en Madrid dos años después. En 1998 es nombrado presidente de honor de la Fundación Fomento del Teatro. Antonio Buero Vallejo falleció en Madrid el 29 de Abril del año 2000, a los 84 años. Antonio Buero Vallejo es quizá el autor teatral más importante y, desde luego más representativo de la España de posguerra. Su primer estreno, “Historia de una escalera” de 1949, original síntesis de dos herencias tan dispares como el sainete y la tragedia de Unamuno, supuso una abierta ruptura con el teatro que se venía haciendo en España en los diez años inmediatamente anteriores. Dicho primer estreno anticipaba también la significación que tendrá Buero desde aquel momento: su empeño en escribir un teatro trágico, que desde García Lorca y hasta entonces, ningún autor español había acometido, y en armonizar la pureza y el criticismo de su arte con un amplio éxito de público. Pero es su drama “En la ardiente oscuridad” (primero que escribe, en 1946, aunque el estreno date de 1950) el mejor punto de partida para acercarnos a este universo dramático. Debemos señalar enseguida algunos datos biográficos del autor que anteceden inmediatamente a la escritura de la citada obra: estudiante de Bellas Artes en el Madrid de la II República; soldado republicano desde 1936 a 1939; muerte del padre, fusilado en Madrid en 1937; condenado a muerte en 1939, hasta la conmutación de la pena ocho meses después; recluido durante seis años en diferentes colonias penitenciarias…...Cuando recobra la libertad abandona la pintura y empieza a escribir. Que el primer drama que escribe sea “En la ardiente oscuridad” es algo que, si puedo decirlo de este modo, da que pensar. Sin embargo, en la superficie, “En la ardiente oscuridad” no guarda relación con tales hechos. Sólo cuando penetramos en la estructura trágica, profunda, de esta obra – una obra que prefigura todas las demás del autor – comprendemos que el teatro de Buero Vallejo surge a causa y frente a la guerra y la posguerra españolas. “En la ardiente oscuridad” es un drama sobre ciegos. En un centro para estudiantes invidentes, donde domina una pedagogía consistente en ignorar la situación de la ceguera – como una forma de intentar superarla , aparece un nuevo alumno, Ignacio, el protagonista, que opone a las mentiras oficiales del centro una afirmación rebelde: la verdad de que es ciego, la verdad de que todos son ciegos y de que necesitan ver. La ceguera, como símbolo de las limitaciones humanas, y la necesidad de ver, como símbolo de la aspiración de lo absoluto, son claves fundamentales para entender el pensamiento de la obra. La antinomia Ignacio – Carlos (éste último alumno destacado del centro) y la muerte del primero a manos del segundo es otro aspecto que debemos destacar para poder añadir inmediatamente que “En la ardiente oscuridad” contiene de manera expresa o esboza estas constantes del teatro de Buero: la antinomia ; las taras físicas, además de la ceguera, la locura, la sordera, etc., que pueden homologarse con aquella; una imagen totalizadora de lo humano, que abarca los conflictos sociales y políticos y, simultáneamente, el misterio del mundo y de la vida, etc. Estas y otras características nos han servido de hilo conductor para llegar a la estructura profunda del teatro de Buero Vallejo, pudiendo proponer así una interpretación nueva del mismo. En esa estructura hemos hallado primero un trasfondo mítico siempre presente o latente: la tríada Edipo, Don Quijote y Caín-Abel y segundo, una presencia-ausencia de Dios, de acuerdo a una visión trágica: un Dios que no es el de las religiones, Dios de certezas, sino el Dios incierto y equívoco de la tragedia, el Dios de Pascal y de Racine. Ambas dimensiones son complementarias entre sí y demuestran la enorme coherencia del teatro de Buero en el ámbito de lo trágico; pues, al fin, es impensable una tragedia sin mitos y sin dioses. Comprobamos así que el teatro de Buero apunta a la necesidad de

Hi, guys Hamlet Prince of Hamlet PART 2!?!?! KR LIVE PODCAST is back for a new season. Be ready for bigger surprises and twists in this season. In today's episode, I read and Summarized Shakespear's Hamlet! What book should I read/ summarize/ review next? NEW EPISODES WILL BE UPLOADED ON TUESDAY AND THURSDAY AT 9:00 AM PST. FOLLOW AND SUBSCRIBE TO OUR PODCAST ON THE PLATFORMS BELOW. 1. SUBSCRIBE ON YOUTUBE: https://www.youtube.com/channel/UCELRLz6t5VUR1AxkayPxGeQ 2. LISTEN WITH ALEXA: https://www.amazon.com/KR-Live/dp/B08K5935HT 3. SUBSCRIBE ON APPLE PODCAST: https://podcasts.apple.com/us/podcast/kr-live-podcast/id1503019846?uo=4 4. SUBSCRIBE ON iHEARTRADIO: https://www.iheart.com/podcast/269-kr-live-73538204/?cmp=web_share&embed=true 5. SUBSCRIBE ON SPOTIFY: https://open.spotify.com/show/0KH55J58ibh15pPrZSLQcK DON'T FORGET TO DROP A RATING AND REVIEW FOR US ON APPLE PODCAST! FOLLOW US/ DROP A COMMENT AND DM ON SOCIAL MEDIA FACEBOOK: https://www.facebook.com/podcastbykenzie INSTAGRAM: https://www.instagram.com/podcastbykenzie/ TWITTER: https://twitter.com/podcastbykenzie --- Send in a voice message: https://anchor.fm/phyllismackenzie/message Support this podcast: https://anchor.fm/phyllismackenzie/support

Seguimos penetrando en algunas de las más importantes óperas basadas en textos de William Shakespeare. Hoy tenemos sobre el tapete el de Hamlet; y nos detenemos en la ópera de mismo título de Ambroise Thomas. Naturalmente, escuchamos el famoso Brindis, en este caso con el protagonismo de uno de los barítonos que más cantó el papel, en italiano, por supuesto: el gran Mattia Battistini. Versión señorial y elegante la suya. Como está mandado aparece acompañado por el coro. Luego nos deleitamos con el arte exquisito de la soprano Natalie Dessay, que nos ofrece la extensa aria de la locura de Ofelia. Primero el vals y después la célebre Balada. Enseguida traemos otra famosa pieza del Cisne, esta una comedia, Las alegres comadres de Windsor, a la que, entre otros, puso música Otto Nicolai. Escuchamos la importante y conocida Obertura en versión de la Orquesta de la Ópera de Baviera dirigida por Robert Heger. A continuación, el dúo entre Fluth (Ford) y Falstaff (cuyo recitativo comparamos con el diálogo entre Tamino y el Sprecher de La flauta mágica de Mozart) y, como cierre, el brindis del Gordinflón en la imponente voz del histórico bajo Gottlob Frick. Escuchar audio

Em mais um episódio sobre filmes, Altamiro Jr (@JrDeathlies), Ewerton Vinícius (@Ewerton_El) e Diego Ferreira (@d.ferreira1986) empunharam seus machados vikings e suas canecas de hidromel para falarem do terceiro e mais recente filme do diretor Robert Eggers, fugindo um pouco do terror nesta adaptação da história que deu origem a Hamlet.Participantes:Altamiro Jr: https://www.instagram.com/junioralltamiro/?hl=pt-brEwerton Vinícius: https://www.instagram.com/ewerton_vr/?hl=pt-brDiego Ferreira: https://www.instagram.com/d.ferreira1986/?hl=pt-brElementar: https://www.instagram.com/podelementar/?hl=pt-brSite do Elementar: https://www.bookstimebrasil.com/elementar/

Hannah finally uses her drama degree! In this episode, our mother-daughter duo discuss Shakespeare, its challenges, its beauty, and its relevance to us today.This week's installment of "Splanchnics Math:" According to Clare (3:50), Shakespeare was born in 1864 and died in 1616 at the age of 52. This is, of course, incorrect. He lived to be 248 and lived his life going backwards in time. Support the show

"Do not leave any spot of pain hidden from His light, and search your mind carefully for any thoughts you may fear to uncover. ⁶For He will heal every little thought you have kept to hurt you and cleanse it of its littleness, restoring it to the magnitude of God." (ACIM, T-13.III.7:5-6) Today's Guest Tonya Zuniga joins Tam and Matt to share about how a personal crisis was the catalyst for a serene and clear mind. Books Mentioned on today's episode: The Disappearance of the Universe https://www.amazon.com/Disappearance-Universe-Gary-R-Renard-ebook/dp/B00DJ736RK/ Story of Edgar Cayce: There Is a River https://www.amazon.com/Story-Edgar-Cayce-There-River/dp/0876043759/ Absence from Felicity: The Story of Helen Schucman and Her Scribing of A Course in Miracles https://www.amazon.com/Absence-Felicity-Schucman-Scribing-Miracles-ebook/dp/B09R6R9SQX/ The title of this book comes from Shakespeare's Hamlet, as Helen was big fan of Shakespeare. "Absent thee from felicity awhile, And in this harsh world draw thy breath in pain, To tell my story." Note on this quote from Hamlet: Hamlet, Act 5, Scene 2. Hamlet appeals to Horatio to postpone death for a while and remain in this harsh world to tell his story. Horatio had wanted to join his beloved prince in death. But Hamlet prevails on his friend to live to tell the truth to the world and protect his memory beyond the grave. Inspiration Around The Web "There is an assumption in the unconscious mind that unless you worry a lot, then you are not controlling your life, this is a delusion, that the more you are thinking the more you have to keep thinking to hold it all together." - Eckhart Tolle, Source: https://youtu.be/LiEU84nHEcY?t=466 Get Notified of New Episodes By Joining Our Email List at:https://www.miraclevoices.org/email How Can You Support Miracle Voices? If you feel inspired to make a donation to support these podcasts you can donate here: https://acim.org/donate-miracles-voices-podcast/ Topic or Question You Want Us To Cover? If you have topics that you would like Judy and Matthew to address, simply drop us a line at: https://www.miraclevoices.org/contact/ We Need Your Help Please leave a review for the podcast on whatever app or site you use to listen to this podcast. This helps new listeners that are trying to practice forgiveness find the show.

In this episode, we discuss fight and intimacy direction in Shakespeare, especially in As You Like It, Hamlet, Richard II, & Romeo & Juliet. For more on Yarit Dor's work, check out https://www.yarit-dor.com/For a complete episode transcript, check out http://www.womenandshakespeare.com Interviewer: Dr Varsha PanjwaniGuest: Ms Yarit DorProducer: Mr Zeke TweedieArtwork: Mr Wenqi Wan 

Lee is joined by Gayle Rankin who plays Harper's best friend Riley in Alex Garland's latest movie, Men. In the aftermath of a personal tragedy, Harper retreats alone to the beautiful English countryside, hoping to find a place to heal. But someone or something from the surrounding woods appears to be stalking her.

Lee is joined by Gayle Rankin who plays Harper's best friend Riley in Alex Garland's latest movie, Men. In the aftermath of a personal tragedy, Harper retreats alone to the beautiful English countryside, hoping to find a place to heal. But someone or something from the surrounding woods appears to be stalking her.

In today's episode, we are kicking off our series on William Shakespeare's Hamlet by giving you a synopsis of this looong play. In addition to covering the plot points you'll likely remember if you've seen or read this play before (like "to be or not to be," "alas poor Yorick!" etc.), we also make sure to cover the geopolitical subplots that can get cut or skipped.  Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast at patreon.com/shakespeareanyone Works referenced: Shakespeare, William. Hamlet. Edited by Ann Thompson and Neil Taylor, Revised ed., Bloomsbury Arden, 2016.  

  Saheem Ali is Associate Artistic Director of The Public Theater as well as the director of the Pulitzer Prize-winning play “Fat Ham.”  In this podcast, Ali talks about working with Fat Ham playwright James Ijames, his ongoing work with plays that contemporize and expand Shakespeare (like Fat Ham which sets Hamlet in a Black Southern backyard barbeque with a Queer Hamlet figure at its center or Merry Wives which sets Shakespeare's play in Washington Heights in the midst of a community of West African immigrants). Ali also discusses his role as Associate Artistic Director of The Public, the mission of the theater—particularly of its Free Shakespeare in the Park Program--, The Public's continuing work in interrogating power structures in theater, and its commitment to ensuring diverse voices in leadership, staff, performers, and audience.

Welcome to season three of Bell Shakespeare's podcast Speak The Speech! In this episode, Andy Griffiths talks to host James Evans about writing his Shakespeare adaptions Just Macbeth! and Just Romeo & Juliet!, how he inserts himself into his work, workshopping his plays and watching them come to life, the parallels between Macbeth and Hamlet, and his crucial collaborative relationships. Recorded live from Melbourne in May 2022. Andy Griffiths is one of Australia's most popular children's authors. His writing credits include The Day My Bum Went Psycho and the following trilogy; his extensive collaborations with illustrator Terry Denton including the Just series and the Treehouse series have sold over 10 million copies worldwide, won 80 children's choice awards and 10 Australian Book Industry Awards—including Book of the Year for The 52-Storey Treehouse in 2015. Five of his books have been adapted for the stage and have all had sell-out seasons at Sydney Opera House, as well as highly successful tours through the Netherlands, New Zealand, and America. He is a passionate advocate for literacy and in 2015 was awarded the Dromkeen Medal to honour his outstanding contribution to Australian children's literature. He is also an ambassador for both The Indigenous Literacy Foundation and the Pyjama Foundation. Find out more about Bell Shakespeare online: https://www.bellshakespeare.com.au/ and follow us on socials @bellshakespeare

“The manifestations described in this story commenced one year ago. No person has yet been able to ascertain their cause. Scientific men from all parts of Canada and the United States have investigated them in vain. Some people think that electricity is the principal agent; others, mesmerism; whilst others again, are sure they are produced by the devil. Of the three supposed causes, the latter is certainly the most plausible theory, for some of the manifestations are remarkably devilish in their appearance and effect.” The opening lines of an account that describes an event that perplexed, excited and angered the citizens of the small, Canadian town of Amherst in the 19th Century. It probably comes as no surprise that the man who wrote them had a professional flair for dramatics, though the events were hardly short of drama to begin with. A young girl, haunted by demons, whose story book-ended a series of supernormal events with an assault and a conviction for arson. SOURCES Hubbell, Walter (1879) The Great Amherst Mystery. "Daily News" Steam Publishing Office, Canada. Prince, Walter F. (1919) A Critical Study of The Great Amherst Mystery. Journal of the American Society of Psychical Research, Vol. XIII. NY, USA. Carrington, Hereward (1913) Personal Experiences in Spiritualism. Read Books Ltd. UK. Brooklyn Daily Eagle (1897) Long Island's Hamlet. Brooklyn Daily Eagle, 15 Dec. 1897, p.7, NY, USA. The Montreal Star (1881) Strange Doings. The Montreal Star, 25 May. 1881, p.3, Montreal, Canada. The Daily Expositor (1879) Esther Cox The Medium: Is She A Humbug? The Daily Expositor, 15 Jul 1879, p.1. Ontario, Canada. The Montreal Star (1879) The Amherst Mystery. The Montreal Star, 18 Jul 1879, p.2, Montreal, Canada. The Montreal Star (1879) The Amherst Mystery. The Montreal Star, 10 May 1879, p.3, Montreal, Canada. The Montreal Star (1879) The Amherst Mystery. The Montreal Star, 19 May 1879, p.3, Montreal, Canada. Ottawa Daily Citizen (1879) The Amherst Mystery Revived. Ottawa Daily Citizen, 7 May 1879, p.1, Ottawa, Canada. The Montreal Star (1879) The Amherst Mystery Further Developments. The Montreal Star, 25 Jan 1879, p.3, Montreal, Canada. The Montreal Star (1878) The Amherst Mystery A Puzzle For Scientists. The Montreal Star, 21 Nov 1878, p.3, Montreal, Canada. Ottawa Daily Citizen (1878) The Amherst Mystery. Ottawa Daily Citizen, 23 Nov 1878, p.1, Ottawa, Canada. The Montreal Star (1878) The Amherst Mystery. The Montreal Star, 13 Dec 1878, p.3, Montreal, Canada. Evansville Courier and Press (1888) A Wonderful Book. 23 Apr 1888, p.1. Indiana, USA. ---------- For almost anything, head over to the podcasts hub at darkhistories.com Support the show by using our link when you sign up to Audible: http://audibletrial.com/darkhistories or visit our Patreon for bonus episodes and Early Access: https://www.patreon.com/darkhistories The Dark Histories books are available to buy here: http://author.to/darkhistories Dark Histories merch is available here: https://bit.ly/3GChjk9 Connect with us on Facebook: http://facebook.com/darkhistoriespodcast Or find us on Twitter: http://twitter.com/darkhistories & Instagram: https://www.instagram.com/dark_histories/ Or you can contact us directly via email at contact@darkhistories.com or via voicemail on: (415) 286-5072 or join our Discord community: https://discord.gg/cmGcBFf The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.  

When was your church established in your community? Hamlet Presbyterian Church and Perryton Presbyterian church were founded in 1870 and 1872 respectively and in this conversation, we visit with Pastor Harry Losey, who pastors the current Hamlet Perryton Presbyterian Church. The congregation is celebrating its 150th year and we are going to hear some of their history and how they have seen and continue to experience the faithfulness of God and shine brightly for Him in the community.       See omnystudio.com/listener for privacy information.

As an addendum to Season One, here are six more stories of 19th C. Philadelphia theater. We discuss Alexander Reinagle, Joseph Jefferson III, James Murdoch, Matilda Heron, John McCullough - as well as two stagehands at the Walnut Street Theater you likely never heard of before, but may never forget!To see images and more information about today's subjects, see the blog post on our podcast's web page: https://www.aithpodcast.com/blog/back-to-the-19th-century/If you enjoyed the show, PLEASE LEAVE US A REVIEW! You can do it easily, right here:https://www.aithpodcast.com/reviews/If you have any questions, inquiries or additional comments, you can write us at our email address: AITHpodcast.comOr, follow us on Twitter: https://twitter.com/schmeterpitzFacebook: https://www.facebook.com/AITHpodcastTo become a Patreon Patron of the podcast: https://www.patreon.com/AITHpodcastFor the music and recordings featured in today's episode (all found easily on YouTube)Alexander Reinagle"Six Scots Tunes" https://www.youtube.com/watch?v=meY6-Hkolxc "Baroque Americain" https://www.youtube.com/watch?v=fyu811rSB5U"Philadelphia Sonata #1" https://www.youtube.com/watch?v=ImEhQvsukJM"Federal March" https://www.youtube.com/watch?v=m3I067IuWA8"Philadelphia Sonata #2" https://www.youtube.com/watch?v=m3I067IuWA8"I Have a Silent Sorrow Here" https://www.youtube.com/watch?v=ngVW6rKaWCcJoseph Jefferson"Jefferson and Liberty" https://www.youtube.com/watch?v=GAOurpDRyPw&list=PLfw18z0BT49LCohEMD3kBcYcMm7LZgUN8"Jump Jim Crow" https://www.youtube.com/watch?v=g8wg1vGucbs"Rip Van Winkle" https://www.youtube.com/watch?v=pwiBdrOtGmAJames E. Murdoch"Philadelphia Fireman's Cotillion https://www.youtube.com/watch?v=9aw_JDlvXwc"Sospiri del Mio Cor" https://www.youtube.com/watch?v=v1TbAwZv1R8&list=PLfw18z0BT49LCohEMD3kBcYcMm7LZgUN8&index=15Matilda Heron"Traditional Irish Music" https://www.youtube.com/watch?v=XdxGhKbdjxUChopin, Sonata #3 - Op.58, https://www.youtube.com/watch?v=4cy3dmqrn3c&list=PLsiUDYPNEqx2yytIAxpTOrxWtKfByxg2zJohn McCulloughTchaikovsky, Music for Hamlet https://www.youtube.com/watch?v=L2le05k-6ls"The Ravings of John McCullough https://www.youtube.com/watch?v=WoCNprlhvmoSaint-Saëns, Danse Macabre https://www.youtube.com/watch?v=RhSupport the show

Hi, guys guess who's baaaack!!! KR LIVE PODCAST is back for a new season. Be ready for bigger surprises and twists in this season. In today's episode, I read and Summarized Shakespear's Hamlet! What book should I read/ summarize/ review next? NEW EPISODES WILL BE UPLOADED ON TUESDAY AND THURSDAY AT 9:00 AM PST. FOLLOW AND SUBSCRIBE TO OUR PODCAST ON THE PLATFORMS BELOW. 1. SUBSCRIBE ON YOUTUBE: https://www.youtube.com/channel/UCELRLz6t5VUR1AxkayPxGeQ 2. LISTEN WITH ALEXA: https://www.amazon.com/KR-Live/dp/B08K5935HT 3. SUBSCRIBE ON APPLE PODCAST: https://podcasts.apple.com/us/podcast/kr-live-podcast/id1503019846?uo=4 4. SUBSCRIBE ON iHEARTRADIO: https://www.iheart.com/podcast/269-kr-live-73538204/?cmp=web_share&embed=true 5. SUBSCRIBE ON SPOTIFY: https://open.spotify.com/show/0KH55J58ibh15pPrZSLQcK DON'T FORGET TO DROP A RATING AND REVIEW FOR US ON APPLE PODCAST! FOLLOW US/ DROP A COMMENT AND DM ON SOCIAL MEDIA FACEBOOK: https://www.facebook.com/podcastbykenzie INSTAGRAM: https://www.instagram.com/podcastbykenzie/ TWITTER: https://twitter.com/podcastbykenzie --- Send in a voice message: https://anchor.fm/phyllismackenzie/message Support this podcast: https://anchor.fm/phyllismackenzie/support

In this dramatic, aged episode of Tubi or Not Tubi, we... *sigh*... we save our community theater in the 2014 film, Hamlet & Hutch, directed by Jared and Matthew Young and starring Burt Reynolds. There are many, many, many, many films of the Tubi variety in which a local theater is placed in danger of being torn down. And yet. Every time. It hits different. Please trust us when we tell you: Hamlet & Hutch hits different. 

Intro: Dinosaurs, collaboration, chickens:roost Let Me Run This By You: Teal Swan Interview: We talk to W. Earl Brown about Deadwood, A View From the Bridge, Kentucky, family trauma, Dr. Bella Itkin, Don DePallo, Chris Farley, Wes Craven, David Milch, Gretchen Rennell, Leo Burmester, There's Something About Mary, It's Cold in Them Thar Hills, Hamlet, The Imaginary Invalid, That Championship Season, Amy Pietz, George Czarnecki, transcendence in the theater, Waltz of the Toreadors, Stanislavski, depression, Scream, John C. Reilly, 

Hail and well met! On today's episode of Enthusigasm, Grace, Helen, Imogen, Jonny, and Maddy talk about ol' Willy Shakes, the Bard of Avon. They discuss the truly burning topics, such as why Hamlet is so whiny, which adaptation is the best, and whether they can collectively name every Shakespeare play.TranscriptPDF: https://bit.ly/3mz5fr4Word: https://bit.ly/3MvarHfContent warnings:Discussions of: murder & suicide, ghosts & the afterlife Mentions of: human remains, war, depression, fire Thank you to all our Patrons for your continued support. If you'd like to join them, visit www.patreon.com/rustyquill.Directed and hosted by Helen GouldFeaturing Helen Gould, Grace Knight, Imogen Harris, Jonathan Sims & Maddy SearleEdited by Maddy Searle & Cathy RinellaProduced by Lowri Ann DaviesExecutive Producer: Alexander J. Newall and April SumnerMusic by Sam JonesArt by Anika KhanCheck out our merchandise available at https://www.redbubble.com/people/RustyQuill/shop and https://www.teepublic.com/stores/rusty-quillJoin our community:WEBSITE: rustyquill.comFACEBOOK: facebook.com/therustyquillTWITTER: @therustyquillYOUTUBE: youtube.com/rustyquillREDDIT: reddit.com/r/RustyQuillEMAIL: mail@rustyquill.comEnthusigasm is a podcast distributed by Rusty Quill Ltd. and licensed under a Creative Commons Attribution Non-Commercial Share alike 4.0 See acast.com/privacy for privacy and opt-out information.

Ryan Bebbington is Group Content Director for SCA, Central QLD and Wide Bay. This week on the show we discover how Hamlet played a key role in Ryan nailing his first role in Radio.Ryan talks about how trying your hand at EVERYTHING in the industry has helped set him up for success in the Industry.For Ryan as a CD it's all about Catch and Release so when it comes to new talent he's not a bad guy to have in your corner when you are looking to land that first gig in the radio industry.

durée : 01:00:01 - Les Nuits de France Culture - Par Hubert Juin - Lecture Francis Huster lit "Hamlet" tiré du recueil des "Moralités légendaires" de Jules Laforgue (1887) - Réalisation Jean-Wilfrid Garrett

We are so excited to be sharing this episode with you. This week, we are sitting down for a conversation with Sir Jonathan Bate and Eric Rasmussen about their recently released second edition of the Royal Shakespeare Company's Complete Works of William Shakespeare, now available at a fine bookseller near you.  The newly revised, wonderfully authoritative First Folio of William Shakespeare's Complete Works, edited by acclaimed Shakespearean scholars and endorsed by the world-famous Royal Shakespeare Company. Combining innovative scholarship with brilliant commentary and textual analysis that emphasizes performance history and values, this landmark edition is indispensable to students, theater professionals, and general readers alike. Jonathan Bate is professor of Shakespeare and Renaissance literature at the University of Warwick. Widely known as an award-winning biographer, critic, and broadcaster, Bate is the author of several books on Shakespeare, including Shakespeare and Ovid and The Genius of Shakespeare, which was described by Sir Peter Hall, founder of the RSC, as "the best modern book on Shakespeare." Eric Rasmussen is professor of English and director of graduate study at the University of Nevada. He is a co-editor of the Norton Anthology of English Renaissance Drama and of the forthcoming New Variorum Shakespeare edition of Hamlet. He has edited a number of works for the Arden Shakespeare series, Oxford's World's Classics, and the Revels Plays series, and is the general textual editor of the Internet Shakespeare Editions Project. Shakespeare Anyone? is created and produced by Korey Leigh Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast at patreon.com/shakespeareanyone Works referenced: Shakespeare, William, and Jonathan Bate. “Preface to Shakespeare: A Second Edition.” Complete Works, edited by Jonathan Bate et al., 2nd ed., The Modern Library, New York, NY, 2022, pp. 6–14. Shakespeare, William, et al. “Foreward.” Complete Works, 2nd ed., The Modern Library, New York, NY, 2022, pp. 59–60.  

Joel Kirk is a New York City theatre director and producer who specializes in the development of new plays and musicals. He has worked with New World Stages, Playwrights Horizons, NYMF, The Lark, New Dramatists, Sheen Center, Hudson Guild Theatre, Wide Eyed Productions, WorkShop Theatre, to name a few. Recently he worked with Tony Award Winner Reed Birney and Tony Award Nominee Sydney Lucas on the play CHANGEOVER. He has guest directed for NYU'S Grad Playwriting Program, Ball State University, and Fordham University's Playwriting Program. He is the Chairman/CEO of Joel Kirk Productions. Joel recently launched a non-profit called Discovering Broadway Inc. The New York Times wrote that "Discovering Broadway brings actors and writers to Central Indiana for weeklong retreats to workshop their new musicals." The vision of the organization is to make Indiana the first stop on Broadway's journey. Discovering Broadway Inc. has currently programmed new musicals based on the major motion pictures of THE DEVIL WEARS PRADA and EVER AFTER.  In this fun and exciting episode, Joel talks about the Indianapolis 500, growing up in Carmel, bringing Broadway to central Indiana, silver linings of the pandemic, Enneagram types, a hilarious story about how he met his girlfriend, having a "just ask" mentality, and a moment in 2018 when a song on a playlist changed his life. Learn more about Joel  Connect with Joel on LinkedIn Sponsors: Ninety.io Straticos Buy your copy of Level-UP To Professional: Second Edition

Humble Kings & Flightless Geese. We read and discuss two parables by Soren Kierkegaard. In this episode, the purpose of parables, the condescension of God, and why there's no forgiveness in Kierkegaard's parables. — SHOW NOTES: The Minister's Black Veil - Nathaniel Hawthorne https://www.owleyes.org/text/ministers-black-veil  The Withertongue Emails: A Pastor's Satanic Temptation, with Apologies to C.S. Lewis https://shop.1517.org/products/the-withertongue-emails-a-pastor-s-satanic-temptation-with-apologies-to-c-s-lewis The Gentlemen https://www.imdb.com/title/tt8367814/  Hamlet https://www.youtube.com/results?search_query=hamlet  Little Boxes - Melvina Reynolds https://www.youtube.com/results?search_query=Little+Boxes+-+Melvina+Reynolds  Dekalog (Polish) 1988 https://www.youtube.com/results?search_query=dekalog+1988  SUPPORT 1517 Podcast Network https://www.1517.org/podcasts/ Support the work of 1517 http://1517.org/give Warrior Priest Gym & Podcast https://thewarriorpriestpodcast.wordpress.com St John's Lutheran Church (Webster, MN) - FB Live Bible Study Group https://www.facebook.com/groups/356667039608511 Gillespie's Sermons and Catechesis: https://anchor.fm/stjohnrandomlake Gillespie Coffee https://gillespie.coffee Gillespie Media https://gillespie.media The Banned Pastors https://t.me/bannedpastors CONTACT and FOLLOW BannedBooks@1517.org Facebook Twitter SUBSCRIBE YouTube Rumble Odysee Apple Podcasts Spotify Stitcher Overcast Google Play TuneIn Radio iHeartRadio

Keturah speaks with Matthew Jocelyn, the celebrated director, writer, and theater administrator, who wrote the libretto for Brett Dean's Hamlet, originating in Glyndebourne in 2017, and currently playing at the Metropolitan Opera.

Joel Rochester (fictionalfates) calls in from Wales to discuss whales- err, kind of - we talk The Sea of Monsters! Topics include: Welsh, BeastQuest, Animorphs, sheep dimensions, piranhas, the Disney+ casting, sheep taxi, Jack Black, The Odyssey, Hamlet, Pride & Prejudice, “Who do you think you are? I am!”, cafeteria cups, D&D, storyboarding, whisper giggles, She Serrano, Spider-Man: No Way Home, first impressions, Looney Toons, commas, getting swole, and more!TNO Merch: www.thenewestolympian.com/merchAll 5 UK PJO Covers: www.bit.ly/pjoukcovers— Find The Newest Olympian Online — • Website: www.thenewestolympian.com• Patreon: www.thenewestolympian.com/patreon• Twitter: www.twitter.com/newestolympian• Instagram: www.instagram.com/newestolympian• Facebook: www.facebook.com/newestolympian• Reddit: www.reddit.com/r/thenewestolympian• Merch: www.thenewestolympian.com/merch— Production — • Creator, Host, Producer, Social Media, Web Design: Mike Schubert (https://schub.es)• Editor: Sherry Guo• Music: Bettina Campomanes and Brandon Grugle• Art: Jessica E. Boyd• Multitude: www.multitude.productions— About The Show — Is Percy Jackson the book series we should've been reading all along? Join Mike Schubert as he reads through the books for the first time with the help of longtime PJO fans to cover the plot, take stabs at what happens next, and nerd out over Greek mythology. Whether you're looking for an excuse to finally read these books, or want to re-read an old favorite with a digital book club, grab your blue chocolate chip cookies and listen along. New episodes release on Mondays wherever you get your podcasts!

Quirky Hamlet: Hamlet @ Antaeus Theatre Company in Glendale – Review 8.6 out of 10 - A Great Show! LA Theatre Bites Recommended May 15 - June 20, 2022. www.latheatrebites.com

Amy Kenny is a disabled scholar and a Shakespeare Lecturer who hates Hamlet.  She serves on the mayor’s Diversity, Equity, and Inclusion Taskforce in her home city coordinates support for people experiencing homelessness in her neighborhood, and is currently co-launching Jubilee Homes OC, a permanent supportive housing initiative in her local community.  She is a Scribe for Freedom Road Institute and believes that every human is an image-bearer worthy of belonging. You can find her cruising on her scooter, Diana, Princess of the My-Scooter (named after Wonder Woman), reading, or in the water, where she’d always rather be.  Friends call her a minimalist, and while it’s true that her walls are empty, her life is full…of riotous laughter, usually, until she tears up or snorts, whichever comes first.  She’s never met a pie she didn’t like, and her love language is jalapeños.This conversation was hosted by Baker Book House and the video of our conversation is available on their YouTube Channel. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit autismpastor.substack.com

The epic adventure has been in short supply, but it returns with The Northman (2022). We dive into the Scandinavian waters to find out if this epic is a success. We also highlight the parallels with other well known stories.Subscribe, rate and review:Apple Podcasts: Our Film FathersSpotify: Our Film FathersGoogle Podcasts: Our Film FathersStitcher: Our Film FathersAmazon Music: Our Film Fathers-----------------------Follow us:Instagram: @ourfilmfathersTwitter: @ourfilmfathersEmail: ourfilmfathers@gmail.com

Shakespeare's Hamlet is one of the most influential and important works of literature and has inspired ballets, orchestral works, choral works, and more than one opera. On today's episode of the Metropolitan Opera Guild podcast, lecturer Michael Bolton tackles the significant history of this masterwork and the Met's inspiring new production of this brand new opera by composer Brett Dean.

I don't have anything very witty to say about this episode: we end our “Tribute to Ian” series by talking about his favorite film “Withnail & I”. I was so honored to have Liz Woodington (Ian's wife and guest on our “The Dark Knight” episode) join me to discuss a film so beloved to Ian and so many others. We discuss the peculiarities of Bruce Robinson, the immense quotability of the script, and the wonderful payoff of that final Hamlet speech. Talking about this film without Ian is not the way that anybody wants to hear it, but Liz brought her unique perspective and Ian's love for this film to the discussion and I could not have hoped for a better episode. This week, Liz recommends “The Boat that Rocked” (available to rent on most major platforms) and Adam recommends “Life Itself” (available on Prime, Kanopy, & Hoopla). I wish I could say that “1001 by 1” is going to continue, but I'm not sure if it will. Please continue to follow us and stay tuned as we slowly re-release our entire back catalog so that Ian's legacy can live on.

I don't have anything very witty to say about this episode: we end our “Tribute to Ian” series by talking about his favorite film “Withnail & I”. I was so honored to have Liz Woodington (Ian's wife and guest on our “The Dark Knight” episode) join me to discuss a film so beloved to Ian and so many others. We discuss the peculiarities of Bruce Robinson, the immense quotability of the script, and the wonderful payoff of that final Hamlet speech. Talking about this film without Ian is not the way that anybody wants to hear it, but Liz brought her unique perspective and Ian's love for this film to the discussion and I could not have hoped for a better episode. This week, Liz recommends “The Boat that Rocked” (available to rent on most major platforms) and Adam recommends “Life Itself” (available on Prime, Kanopy, & Hoopla). I wish I could say that “1001 by 1” is going to continue, but I'm not sure if it will. Please continue to follow us and stay tuned as we slowly re-release our entire back catalog so that Ian's legacy can live on.

While Jesus welcomed the disabled, the poor, and the outcast, Christian communities are often spaces of exclusion. Dr. Amy Kenny is a disabled scholar, a Shakespeare Lecturer, and the author of My Body Is Not a Prayer Request. In this conversation, she talks with Amy Julia Becker about disability, the church, ableism, and creating communities of belonging.___GIVEAWAYRate and review this podcast on your favorite podcast platform. Then go here and fill out the form to enter the giveaway for the To Be Made Well audiobook! ___Guest Bio:"Amy Kenny is a disabled scholar and a Shakespeare Lecturer who hates Hamlet. She serves on the mayor's Diversity, Equity, and Inclusion Taskforce in her home city, coordinates support for people experiencing homelessness in her neighborhood, and is currently co-launching Jubilee Homes OC, a permanent supportive housing initiative in her local community. She is a Scribe for Freedom Road Institute and believes that every human is an image-bearer worthy of belonging. "For full show notes, go to: amyjuliabecker.com/amy-kenny/___Season 5 of the Love Is Stronger Than Fear podcast connects to themes in my newest book, To Be Made Well...you can order here! Learn more about my writing and speaking at amyjuliabecker.com.*A transcript of this episode will be available within one business day, as well as a video with closed captions on my YouTube Channel.

Sophie and Raymond invite Jenny Buccola onto the podcast to talk about nostalgia, the importance of childhood, medieval cathedrals, and Hamlet in relation to the Netflix hit series Stranger Things. Jenny is currently a student at the University of Notre Dame pursuing a masters degree in theological studies. New episodes every other Friday. Stay tuned for our next episode when we discuss C.S. Lewis's 1938 science fiction space epic, Out of the Silent Planet. Questions? Comments? E-mail us at unreliablenarratorsstoa@gmail.com, visit our website at https://unreliablenarratorspodcast.wordpress.com/, or say hi on Instagram @unreliablenarratorspodcast. Theme music is "No New Words: by Caleb Klomparens. Check out his music at https://soundcloud.com/kappamuse. Access the Stoa Mars Hill list here: https://stoausa.org/wp-content/uploads/2021/08/Mars-Hill-Topics-2021-2022-1.pdf.

Alyssa Maher joins us again to talk about “The Northman,” the new “Hamlet” opera, “Chip & Dale: Rescue Rangers,” “Those You've Known,” “The Way Down,” and “The Staircase.”

Jillian Ashley Blair Ivey (please, call her Jill) is a communications consultant, content strategist, writer, editor, voice actor, and yoga teacher based in South Philadelphia. No, she does not sleep. The thing that ties all of Jill's work together—yes, even yoga teaching—is storytelling. Jill has two degrees in creative writing that, contrary to her parents' initial reservations, she puts to use every day. She helps clients develop an authentic voice and works with them to create compelling narratives that resonate with their intended audience, and she helps her yoga students live the story their bodies tell. You can find Jill's recent essay, "The Very Real, Totally Hidden, Costs of Being an Adult With ADHD" on Medium. We're old friends, and this is what we're talking about today. In this episode Peter and Jillian Ivey discuss:   1:20 - Intro and welcome Jill!  1:40 - Jillian's article on Medium that inspired today's visit 2:18 - So tell us your backstory; when did you get diagnosed and all of that? 5:30 - About early morning risers and quiet time 6:00 - Tell us about what inspired you to write this article? 9:38 - About how companies will continue to charge us and how the 'fine print' is too often the ‘find print'. Ref: TrueBill.com  Ref: House of Lies 13:53 - So what's our answer, what's the solve; robots?! 14:80 - On activism 16:00 - Give us a couple of hacks that work for you which allow you to keep these kinds of things from happening? 18:30 - We honor Nancy Shankman's time-honed “task list scratcher” technique! Ref: https://www.followupthen.com 20:30 - Jill this was awesome! How can people find more about you and what you're doing?  On the Web: http://www.jilletante.com also www.JillianIvey.com Socials: @JillianIvey on all the socials except TikTok here:  Twitter  INSTA  Pinterest  and Facebook] 20:52- Jillian's consulting and new live story auditing service is at http://www.jilletante.com 21:35 - Thank you Jillian! Guys, as always, we are here for you and we love the responses and the notes that we get from you; so please continue to do that! Tell us who you want to hear on the podcast, anything at all; we'd love to know.  Leave us a review on any of the places you get your podcasts, and if you ever need our help I'm www.petershankman.com and you can reach out anytime via peter@shankman.com or @petershankman on all of the socials. You can also find us at @FasterNormal on all of the socials. It really helps when you drop us a review on iTunes and of course, subscribe to the podcast if you haven't already! As you know, the more reviews we get, the more people we can reach. Help us to show the world that ADHD is a gift, not a curse!  22:41 - Faster Than Normal Podcast info & credits — TRANSCRIPT:   Hello, everyone, happy day, whatever day it is, but it's probably a Wednesday. Cause that's when this podcast comes out and is actually a Wednesday here as well and I am recording live from New York city is a beautiful day out as finally. It looks like we're about to get to summer. The sun is shining. Birds are singing. People in New York are still assholes, but that's who we are. Anyway. It is great to have you on another episode of Faster Than Normal. I'm thrilled that you joined us as I always am humbled and love the fact that you're here.  We are being joined today by an old friend of mine, a wonderful woman named Jillian Ivey. Jill and I have known each other since God, the early aughts, I guess, as they call them probably around, mid. 2007 ish, 2006 ish, something like that, I don't know. Uh, I've known Jill; she started in PR and then she went on her own, she started writing. Uh, I, when I met her, she was working for Philios, which was a similar site of Gothamist. Um, and she does a a hundred million things I'll let her tell you about, but one of the reasons that I wanted to bring it on the podcast, other than she's a great friend and I love her, is because she went an article a couple of weeks ago on Medium. She's a very popular [does he say contributor on Medium?]. She's a phenomenal writer. And she wrote a piece about the untold financial costs of ADHD. Jillian does have ADHD; she's one of us. And she wrote a really interesting piece that I wanted to talk about because a lot of times we don't think about other things, other than oh Adult Hyperactivity Disorder blah blah, we don't think about the hidden costs of ADHD. And so with that- welcome Jillian!  Hi, Peter. It's so good to be here.  So tell us your backstory before we start, tell us, uh, when were you diagnosed and what was it like as a kid and, you know, the, the usual, the usual drama?  Sure. So I, um, I'll work backward. I was diagnosed when I was 36 years old. I'm 38 now. So this is a pretty, pretty new thing for me. And it was something that my therapist had been suggesting for a long time before she just kind of came out and said, you know, I, I think that this is something that, like you should look into more. I think that you have ADHD. And so she sent me some things and I, I looked into a lot of articles because for me, having, you know, having grown up in the 1990's is when ADHD was the thing that everybody was talking about, with like the hyperactive boy in the class, the boy who couldn't sit still and who was talking a mile a minute and PE was the only class they ever actually enjoyed. And so that wasn't me at all. I was a really good student. I have two degrees. I have a Bachelor's degree from the University of Pennsylvania and a Master's degree from Rutgers Camden, uh, in Creative Writing, both of them. So there, there are degrees that involved a lot of time spent reading. And so I immediately just kind of wrote her off until I started to look into how ADHD is often missed in young girls, because they don't always have that hyperactive sort of behavior. And so if they don't have that behavioral marker that's associated with ADHD, or at least was in the nineties, then it was, it was missed. It was missed really, really frequently. Uh, what I had instead was hyper-focus. And so the things that I, I chose to hyper focus on were reading and writing. I was a really good student because I loved doing those things. And I've learned that as students, if you can find that thing that you're really interested in, that's how you're able to kind of see that hyper-focus work to somebody's advantage. It just happened to be for me that it was that. For some people it might be interested in dinosaurs or it might be an interest in math. I have no, no real aptitude for math at all. And I think part of it was that I started to see the numbers and my brain just shut off. And so I started, I started looking into that and I also started to look into some of the behaviors that are associated with ADHD that they don't talk about in kids very much; things like staying up really late, uh, which I've always, always been a night owl. And one of the things I like about staying up late at night is that it's very quiet. And so I feel like I can get my work done without distraction. Um, my husband is not a huge fan of that behavior. Um, but I recently.. I was talking to my mom about ADHD. And my mother is a grade school teacher. So for her, it really is still about that hyperactive boy in her classroom she sees it's just, oh, Jillian, you don't have ADHD. And I was like, mom, think about how often I was staying up late at night to work when I could have done my work earlier in the day. And you know, some of it I was doing, I was doing theater. I was doing a lot of other extracurricular activities. And sometimes I couldn't start my homework until nine or 10:00 PM, but sometimes I just didn't want to. And my mother is also a night owl. And when I pointed that out to her, the line just went silent.. and she goes, oh, well, you've given me a lot to think about. I'l; t alk to you later. The only time I've ever talked to her about.  You make a really good point though, because I think that, that there's something to be said for people they need to see there's something to be said for silence. You know, there's something to be said for, um, for being able to shut out the rest of the world. Um, for me, that's early mornings and I was a night owl;  growing up college. I mean, I, I was, I don't, I didn't get it. If I didn't have a class, I didn't get out of bed till noon. Right. And then, but I was up to like three, four every, every night. And, um, you know, or in the morning or watching the sun come up and, and it wasn't until my late twenties, when I discovered exercise that I discovered getting up early and now, you know, but the same thing is a few hours. I'll get up at 3:34 AM and get on the bike for a couple hours. Um, you know, and no one's there and it's my time. Right. It's just our time down here, type thing. And so, so that's a wonderful, a wonderful feeling.  Um, so I want, wanna, I want to touch this article because I really was blown away by this. You, you, you, you put into words, everything that I think so many of us think of, but we don't really think about it until it's as need be. So, so you talked about you, you called the article the, I don't remember the actual title, but the subhead was, “another collections agency called today”. [The Very Real, Totally Hidden, Costs of Being an Adult With ADHD Or: Whoops—I got a call from collections again!] Okay. Great. So tell us about the article and then tell us sort of what prompted you to write it. I'm assuming, you know, obviously wrote it from personal experience, so talk a little bit about it. Um, so I, uh, I, I started it actually as a Twitter thread. I, um, to make a long story short, I do go into this in the piece. I used to see a therapist through a company called Thrive Works, um, and Thriveworks is a huge company. They have offices all over the place. They have a bunch of therapists, and I went to see them. I already had my therapist who I love, but I had a very specific issue that I needed to work on. And my therapist said, this is probably something you should go to somebody else for. So for awhile, I had two therapists, um, which was, was really fun. Um, but I needed somebody who took insurance and a friend of mine saw a therapist from Thriveworks, and she said, because they're so big, most of their therapists do take insurance. And so I found somebody who not only was local to Philadelphia because at the time it was pre COVID. And so I wanted to see somebody in person, um, but they took insurance and they had an availability the following week. So over the course of this. I was in distress. There was a lot going on in my life that led me to the point where I needed this therapist. And while I was being onboarded, while I was setting this appointment up, I'm sure they told me that, you know, part of being a member of Thriveworks, you have to pay a monthly fee to be a member. I don't know what the membership fee actually gets you. I still haven't quite figured that out, but whatever. So this would have been February, 2019, where I started, uh, started this process, started seeing this therapist by March of 2021. She had left the practice. And so I, I don't know. I just kinda forgot that I had this monthly fee because I'm not somebody who ever goes and looks at my checking account, which I know I probably, I look at the balance, but I don't look at the individual transactions. Um, and then when I was doing like getting ready to do my taxes at the beginning of this year, I saw that I was still charging, being charged with ThriveRx. And I thought, oh, you know, I must've just been on an annual plan where since she left in March and my, I started seeing her in February, I must just be on the hook for the next year. And in March, I get an email saying your subscription has been canceled. I'm like, great. Not going to worry about it. Uh, checking email is also not a thing I'm particularly great at, and I'm sure that that's a, that's a common behavior that a lot of us have. Um, so what I missed was the email that came up it was in my spam folder saying, oops, sorry, we didn't mean to cancel your account. You're still getting charged. And so when I saw that. Oh, I wasn't actually, uh, like this, wasn't an annual commitment that I'd made. This was a month to month commitment. So I contacted, Thriveworks, and I said, Hey, I'm going to need you to refund everything that I've paid since my therapist left the practice. And they said, oh no, we don't do that. It's on you to end your subscription when your therapist leaves the practice. And I added up what I had been paying since she left. And then I started to add up all of the other things that I have had to pay because I forgotten to cancel something, or because I've missed a deadline and then I've had to pay a late fee. And so it started as a Twitter thread and then I was like 11 tweets in it. Isn't oh, no, probably a out to move this over to a longer form where I can really start to explore it.  It is amazing, right? When you, you sit down and you think so, it's so funny, you, you, you, I feel very seen, heh, based on what you just said. Um, you know, I, I, I have a website, I have several websites that are hosted and. Recently, about a year ago or so I took my two biggest ones and I moved over to a separate host site that monitors them privately. And, um, it's much better, you know, if something goes down, I don't have to worry about it, they fix it. But, you know, I still have a bunch of others that they keep on this, on this other hosting platform. And I just randomly one day got an invoice and I think it was waiting for a flight, so nothing to do. So I clicked on the link and read the.. I was still being charged for the two big websites, even though they haven't been hosting my accounts over a year and you know, you get the notification that says, okay, your website has been officially taken off this platform. I think there's something about the ADHD in us that wants to assume it's going to be handled for us. Right. Because if I have to think about it and then deal with it. That's a whole process. Right. So, so yeah, I was paying like an extra $40 a month for like past year for absolutely nothing. And I can't tell you how many, how many times I've done that. I mean, you know, I think for, for us sites, like, uh, is it Truebill or whatever those are are, are, are godsends, but they're also scary as hell. It was like God, when they go through our, for their first run, this is going to be really depressing.  Yeah. Yeah. You know, I think that it's great that there are platforms like truebill and other services that allow you. I mean, I have, you know, there are, there are planners that are catered to people with ADHD. There are all sorts of reminders that you can set on your phone or your calendar to pop up an alert, like things that pop up once a month to, to remind me, you know, I have a subscription and if I don't want to get billed, I need to make sure that I tell them not to, not to charge me this month. Um, so, so that's all great, but at the same time with technology, there's really no reason that a lot of these companies can't do this stuff themselves. Like when my therapist left the practice. It would have been so easy for Thriveworks to go through their CRM and say, you know, pull all of the people who have seen this therapist in the last year and contact them and say, as you know, this therapist is leaving the practice. Exactly. Exactly. It's not the.. Company's bank on people like us, like on everyone, right, forgetting to do that.  Exactly. “It's not a bug, it's a ‘feature'”!  [fml] There's a great episode of, uh, I think the first episode of a TV show on HBO or Showtime called House of Lies with Don Cheadle, Kristen Bell. Um, they talk about how they're going to, uh, uh, they're going to re revamp a big banks image. Uh, you know, that during the housing crisis, all these people lost their homes and the banks made billions they're going to revamp their image by. Uh, offering lone amnesty and that the CEO was like, absolutely not. And they said, no, you don't understand you, you, your normal DQ, like 90% of the people won't qualify. 8% of screw up in the application. Half a 4% will die. You know, you'll give out a couple hundred grand back, you know, and you accept the award of the year because they it's exactly the case. They don't expect us to follow through. And normally 910 times when we won't.  Yeah, I, um, I have the, I live in, I live in Philadelphia and, uh, the state of Pennsylvania has a website where you can go and see if you have any unclaimed funds. So this is like refunds from a doctor's office, that for whatever reason, they didn't prescribe it to your account. And so I have for, now that you're saying this is probably two or three years, had money sitting, waiting for me with the State of Pennsylvania. And the reason that I have not actually been able to claim it is because it involves printing out a form AND GETTING it NOTARIZED!?! And yes, getting this and then putting it in the Mail. And so I have to go through all of these extra steps and like, that's, I have several things that just don't happen because they have, I have to leave my house. I can't do it online. I have, um, I have some, I overpaid, uh, on medical expenses last year. Like I hit my out-of-pocket max. And so I have to submit forms to the insurance company, which can only be submitted by mail. There is, you can't scan it and send it to somebody. I have a friend who works with this insurance agency in the Social Media department. And I was like, what, what the hell is this? I know, I know it's just, it is the way that they operate. And so there is, there's a lot of money, not only that I've paid, um, because of this, but I think there's actually a lot of money that I'm owed, uh, that I haven't pursued because of this.  So what's the answer. I mean, what do we, you know, obviously I, you know, Hey Siri, remind me of this, or, Hey Siri, do this is, you know, Hey Alexa, do this, that is great. But there has to be, I mean, look, we're not gonna, we're not, the companies are going to certainly not going to do it. Right. So at the end of the day, what's the answer. Well, you say the companies aren't going to do it, but I think we forget how important a role activism is in the disability community and then neurodivergent community. So I think that part of this is going to be calling your Representatives and talking about the unethical practices of the people who are charging these fees, knowing that people who are neurodivergent people who have ADHD, people who have Autism are not able to meet the requirements in order to take advantage of the system. This system is calculated against these populations in the same way that there are systems that are calculated against Women and against People of Color against people in the Queer community. And so the more that we can raise visibility here, the more we can say, no, this is a real issue a nd it affects a lot, a lot of people. And I think since, you know, the DSM has been revised and the way that we see Autism has really expanded in the way that we see ADHD has really been expanded. It affects a lot more people than you realize. And to create that visibility so that the system works for us. I think we shouldn't, we shouldn't forget that we at least for now, live in a society where we have representatives met as part of their job. That's true. And we do have that at least for another few months. Um, but no, I, I think, and I think it's interesting because, you know, I, I keynoted, uh, disability, the first ever disability confrence  for Adobe, and it was a global conference, uh, you know, 10,000 people online, all from all around the world. And the one thing that I got the most feedback on was the fact that. You know, upwards of 15 to 25% of the workforce is going to be neurodivergent in the next 10 to 15 years. That's a massive number! Right. And if you're a company and you're not A. hiring for that, but B. understanding your audience.. you're going to lose. Right. That's very, very true. I wanna be respectful of your time. Give us a couple of hacks that work for you that allow you to, you know, obviously, obviously it's not, uh, not in terms of, uh, paying, paying your therapist bill, but give us other hacks that work for you and tell us what you've learned and the kinds of things that you do to prevent these things from happening.  So to prevent these things specifically. Um, as I said, I have an alert that goes off on my phone the first of every month I have, I'm a yoga teacher when I'm not doing the writing and, and also consulting on, on a content strategy for folks. But, um, I have a subscription to a service called Fabletics it's Kate Hudson's active wear line, and you get invoiced every, uh, I think the fifth of every month, so that you get your monthly credits to get more clothes. I have more yoga clothes than I could possibly need. And so right now I have an alert that comes up on my phone the first of every month. And I see it when I wake up in the morning and before I even get out of bed, I go to Fabletics and I tell it to skip this month. And so I think that those alerts, as long as we see them, as long as they come through at a time where we're likely to see them are really helpful. Now, if the first of the month is on a Saturday or a Sunday, and I'm sleeping in a little bit, it's not necessarily going to be at the top of my phone. So it's not a perfect system. But it does help. Um, I think other things that I've done are, you know, I, uh, I can't always rely on.. my husband is probably undiagnosed ADHD. He's got a lot of the same behaviors that I do. So I can't always rely on him to remind me to do some of these things, but what I can do is put something on our shared calendar that says, you know.. Six o'clock tonight we're going to get this thing. We're going to be making dinner. And it's going to say, talk about whatever this, this bill is that we need to figure out or talk about our taxes. Um, so, so it's really helpful just to have those, those things pop up on our phone. Now, that being said, I know that a lot of folks who are neurodivergent, who have ADHD turn off a lot of those alerts on their phones.  Right?  So one of the other systems that I used to do, I, I now I work all over my house, so this doesn't work as well for me anymore but when I always sat at my desk at the same place at my desk, every day, I put post-it notes on my computer screen of things that I needed to do. It's just around. The edge of the computer screen. And there's, there's something really satisfying about the tactility of- when you finish a task, taking that note off of your screen, tearing it up and throwing it away. Because it's more than just like clicking a box on your computer. There's actually something there that like, yes, I can do this. I can, I can get this done and I can actually feel getting it done, which a lot of us don't have when we work fully digitally. It's funny. My, I used to make fun of my mother when I was growing up,  because she had a black book and in her book were all of her contacts, but she also had a calendar and every year she'd replace it with a new calendar. And she'd write down all these tasks that were do on the day. And she, when she was done, she would spend upwards of 30 seconds crossing it out. And, you know, like, like crossing it out, like, like you're, you're the, uh, woman in Hamlet trying to get the blood out of..  That's Macbeth.. Ah Macbeth! That's what I meant. And I knew if anyone, if anyone would correct me on that'd be you!  But you know, like ripping the page as she crossed it out. And I always asked, Mom, why are you crossing so angrily?! She's like I'm not angry, I just did it! It's done! LOL And I totally get it now!  Um, you know, I, I praise these guys all the time. I have no connection to them other than the fact that they've saved my life many times www.FollowUpThen.com. Um, I I'm sure I've told you about before Jill. Follow up then.com is this free service where you create an account and then you send an email to any time period. I followed them,,,?So 10 minutes had followed them to come four hours about, then it comes Thursday, March 28th, 2023. It followed that and it will simply send it back, whatever you wrote in that email to you. And so, you know, on, uh, for your thing where you have to do your Fabletics. Um, I do the same thing with certain things that have to be paid or have to be looked at, you know, um, January 5th, February 5th, March, I send one email to all 12 months and every, every fifth of the month I get an email, Hey, check your subscription or whatever it is. So yeah, those kinds of things are, are, are game changers for people like us.  Absolutely. Um, I think, I think while the system doesn't work for us, it's up to us to figure out what we're able to do to kind of hack the system. So, so, you know, apps like that, uh, offerings like that, just make it a little bit easier to exist in the world that is not really always made for us. This was awesome. Jill, how can people find you? [http://www.jilletante.com also www.JillianIvey.com and on the @JillianIvey on all the socials except TikTok Twitter  INSTA  Pinterest  and Facebook] Uh, so a couple of ways I'm on social media, all, all platforms, except for tick-tock because I'm old and I still don't understand it, uh, at a, at Jillian, Jillian with a J and IVs IBE, Y um, I'm also, you can find me at Jillianivey.com. Most of my work is archived there so you can find the link to the Medium article that way. And I also, in my consulting work and I am at Jill Aton, like dilettantes. Spelled with two L's and one T because two L's and two T's looked weird. Uh, so Dillatant dot com. And I'm actually about to launch I an offering where I'm doing live story audits with people. So going through their website, kind of helping them to figure out whether there's story works live in the minute I send them a recording. And I find that this actually works really well with my ADHD, because I don't have to remember to do any followup work after I send them the recording. And that is that is it.  That's awesome. I, you know, that's funny. I never, for the life of me knew how to pronounce that until just now, haa! I love it. I love it.  Thank you so much for taking the time to be with us today. I really appreciate it. This was a great interview. We'd love to hear what you think. And we'd love to know if you know, more people like Jill, who would want to be on our podcast. We are always looking for guests. We record a couple of times a month. We'd do like six or eight interviews in a day. So if you have someone that you know, or maybe yourself, shoot me a note, Peter@shankman.com. And we would love to hear your story and perhaps get it on the air. We get about 40 to 50,000 downloads an episode. So people definitely, definitely will hear your story. And, um, we'd love to help share that. ADHD is a gift, not a curse.  Jill, thank you so much, guys. Thank you so much for listening. We will see you next week. Big shout out to my producer, Steven Byrom, the best producer in the world! [Thank you Peter!! :-)] Uh, opening theme recorded and composed by him and closing theme recorded by him. And The Voice you hear at the beginning of every episode is none other than Bernie Wagenblast the same man who says, at Newark airport. “The next stop is terminal C. Airlines at terminal C include United, United Express and United International departures.” We'll see you next week. Thank you so much for listening!  Stay safe, be well. — Credits: You've been listening to the Faster Than Normal podcast. We're available on iTunes, Stitcher and Google play and of course at www.FasterThanNormal.com I'm your host, Peter Shankman and you can find me at shankman.com and @petershankman on all of the socials. If you like what you've heard, why not head over to your favorite podcast platform of choice and leave us a review, come more people who leave positive reviews, the more the podcast has shown, and the more people we can help understand that ADHD is a gift, not a curse. Opening and closing themes were composed and produced by Steven Byrom who also produces this podcast, and the opening introduction was recorded by Bernie Wagenblast. Thank you so much for listening. We'll see you next week!

Montreal producer Connor Seidel discusses his new album, 1969 — an ode to the folk music that came out of Quebec in the late '60s and early '70s. Actor and singer Angela Lansbury reflects on Murder, She Wrote, plus, her incredible career on stage and screen. Performing artist Amaka Umeh talks about being the first Black person to play Hamlet at the prestigious Stratford Festival.

A new opera version of Hamlet is onstage at New York's Metropolitan Opera through June 9. Composer Brett Dean and librettist Matthew Jocelyn talk with host Barbara Bogaev about adapting the texts of the earliest editions of Hamlet to create a libretto that subverts expectations and composing orchestrations that take audiences inside the minds of Hamlet and Ophelia. The Saturday, June 4 performance of Hamlet will be transmitted live to movie theaters around the world via The Met's Live in HD series. Watch it at a cinema near you. Brett Dean is the composer and Matthew Jocelyn is the librettist for Hamlet, which premiered at Britain's Glyndebourne Festival in 2017. The opera is onstage at the Metropolitan Opera through June 9. From the Shakespeare Unlimited podcast. Published May 24, 2022. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Sing Thee to Thy Rest,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from Andrew Feliciano and Evan Marquart at Voice Trax West in Studio City, California.

Fresh off winning a Pulitzer Prize, playwright James Ijames joins us to discuss "Fat Ham," his new interpretation of "Hamlet." A lot happens at a family cookout when a queer black college kid named Juicy is questioning his identity. Suddenly, the ghost of his father shows up and wants his son to get payback for his murder. But Juicy wants to break the cycle of violence in his life, and also in his community. The play is directed by The Public's associate artistic director Saheem Ali, and is a co-production with National Black Theatre. Ijames and Ali join to discuss "Fat Ham," which runs until June 12.

Prince Amleth is on the verge of becoming a man when he is brutally forced to listen to Trick or Treat Radio by his uncle. Two decades later, Amleth is now a Viking who's on a mission to get revenge on his uncle for subjecting him to such vile auditory poison. On Episode 512 of Trick or Treat Radio we are joined by Arkham Josh to discuss the Viking era revenge tale,  The Northman, from director Robert Eggers! We also dissect toxic masculinity- in the Viking Age and also modern day, we learn the real way to say Bjork, and we find out which Hollywood family faction is the most dominant! So grab your sword and board, go into a berserker rage, and strap on for the world's most dangerous podcast!Stuff we talk about: Seeds of discontent, foreshadowing boy, COVID-19, MonkeyPox, eating bananas and tossing poop, getting chicken pox late, “explain me to me”, a hairy threepio, Mario and Zelda, Rush, Poison, Tootskee and the Czar MC, Skid Row, Tom Waits, Still Hellboyin', monologue or diatribe?, Ewan McGregor, Stranger Things, Obi-Wan Kenobi, Cadbury Ares, are you down with the force?, Quarantine Titans, documents in triplicate, True Blood, Alexander Skarsgard, who would win in a fight: Baldwins or Skarsgards?, celebrity family survivor series, how to pronounce Bjork, Kurt Loder, Robert Eggers, Sugarcubes, full frontal with little dialogue, Training Day, Ethan Hawke, TV's Purge, Eric Stoltz, Conan, the brutality of Berzerkers, toxic masculinity, moral ambiguity, how corrupt is Rhode Island?, Batman, vengeance, Shakespeare, Hamlet or Amleth, Bloodsport, The Longest Yard, Thor Bjornsson, Game of Thrones, Maniac Driver, The Sadness, Romero Zombies, The Crazies, 28 Days Later, Willem Dafoe, Evil Dead: The Game, Extreme Prejudice, Vestron, Ash vs. The Deadites, The Black Dahlia Murder, Trevor Strnad, The Spine of Night, Ralph Bakshi, The Last Matinee, giallo, The Deep House, Dario Argento, Inferno, horror icons, kick a muppet, there's just too much content, Chutes and Lathers, he's a good Skarsgard, and The Hyper-Crazies.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Gil and Sen chat with game designer, developer, and polyhedral dice addict Sydney Engelstein of Indie Game Studios about how to pitch your game to a publisher, the process of designing and developing Terraforming Mars: Ares Expedition, coming up with new narrative for Aeon's End, and what kinds of theater would best be adapted into a board game. SHOW NOTES 8m28s: Obsession 19m07s: Race for the Galaxy 56m16s: Noises Off! 57m44s: Sen is making a reference to the game Thanos Rising: Avengers Infinity War. Then Sydney refers to the early Uwe Rosenberg game Mamma Mia. 58m46s: Gil is thinking that the game Sydney mentioned is Hamlet! 

Ryan and Todd address the history of psychoanalytic interpretations of Shakespeare's Hamlet, devoting time to both Freud and Lacan's reading. They then delve into the play as a work of modernity, seeing in it the modern project that attempts to reject the authority of tradition and of the father. Ryan's article on seriality and binge mentioned in the episode is located here: https://ir.canterbury.ac.nz/bitstream/handle/10092/103108/22%20Engley.pdf?sequence=3

In The Northman, Alexander Skarsgård plays a Viking prince who flees his island kingdom when his uncle kills his father and marries his mother. It's based on a very old but familiar story that predates Shakespeare's Hamlet by a few centuries. Directed by Robert Eggers, The Northman is a tale of bloody revenge with painstakingly researched historical accuracy surrounding the gods and monsters of Viking culture. Vote for your favorite American Idol contestants at npr.org/AmericanIdol