tragedy by William Shakespeare
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durée : 00:03:59 - Le Pourquoi du comment : philo - par : Frédéric Worms - Un désaccord, comme un violon, peut se réaccorder. Mais certains conflits, intimes ou politiques, touchent à l'irréconciliable. "Que sont nos discours, si ce ne sont des mots ?" demande Hamlet. Entre rupture et déni, la loi ou la parole permettent parfois de retrouver un accord possible. - réalisation : Louise André
The Rush Hour Melbourne Catch Up - 105.1 Triple M Melbourne - James Brayshaw and Billy Brownless
JB and Billy are back in Melbourne after a very late flight, we hear some of JB's cricket highlights, and Billy whips through the All Sports Report - featuring Donald Trump's thoughts on Carlton. Port Adelaide captain Connor Rozee joins the show, and learns from Billy that he has a new teammate. The Hump Day Quiz features Hamlet for some reason, then Billy has some news you might've missed, JB reveals something Billy said while watching England play India last night, then Herby comes in with some brutal social media feedback. Western Bulldogs defender Rory Lobb is in studio to chat about their Friday night game against the Swans, plus if he has any more hairstyle plans. Finally, Billy has a fruity joke about a father and son at the chemist.See omnystudio.com/listener for privacy information.
'Ningún amor está vivo en el recuerdo'. No es una pregunta, es una afirmación y también el título del nuevo libro de relatos de Lara Moreno. El relato que da nombre al volumen ya establece un punto de partida claro: una expareja se reencuentra en una ciudad que no es la suya y constata, sin apenas palabras, que entre ambos no queda ya nada que merezca la pena recordar. A través de estas historias breves, Lara Moreno explora con precisión emocional temas como el desgaste, el desencuentro, la distancia afectiva y los huecos que deja el paso del tiempo. La narrativa se construye sobre fragmentos cotidianos que dejan entrever rupturas íntimas y certezas en ruinas.También hablamos con Elvira González, pionera del galerismo español, que ha recibido el Premio Alberto Anaut por su papel en la transformación del arte contemporáneo en España. El galardón, entregado en el Círculo de Bellas Artes, reconoce trayectorias culturales que suelen quedar al margen del foco público.Desde Berlín, la corresponsal Beatriz Domínguez nos lleva a una exposición del MEK que revisa el turismo de masas durante la dictadura franquista, coincidiendo con el 50 aniversario de la muerte del dictador. La muestra propone siete miradas artísticas sobre ese fenómeno histórico y su trasfondo económico y social.En el apartado escénico, charlamos con Marc Caellas y Esteban Feune de Colombi sobre Ustedes brillan en lo oscuro, un montaje basado en los textos de Liliana Colanzi y concebido por la Compañía La Soledad.Además, Marta Orquín cubre el estreno de La Tempestat, tercera adaptación de Oriol Broggi sobre obras de Shakespeare, tras El rey Lear y Hamlet. Esta nueva propuesta de La Perla 29 se representa en la Biblioteca de Catalunya.Y cerramos con Martín Llade y el ensayo Cantar el infinito, de Irene de Juan Bernabéu. Una exploración sobre el vínculo entre música, palabra e imaginación romántica a lo largo de un siglo.Escuchar audio
Third Twitter Space! Friday 20 June 2025In this episode, I examine the themes of self-awareness and responsibility, urging listeners to reflect on their willingness to admit faults. Using Shakespeare's "Hamlet" as a backdrop, I discuss the importance of questioning established beliefs and the balance between self-doubt and self-assurance. I also share insights from a discussion on the "Bronze Age Mindset," contrasting Nietzschean vitality with ethical frameworks in relationships. The conversation invites deeper exploration of masculinity, femininity, and societal narratives, advocating for character integrity and resilience in navigating moral complexities and fostering healthy connections.GET MY NEW BOOK 'PEACEFUL PARENTING', THE INTERACTIVE PEACEFUL PARENTING AI, AND THE FULL AUDIOBOOK!https://peacefulparenting.com/Join the PREMIUM philosophy community on the web for free!Subscribers get 12 HOURS on the "Truth About the French Revolution," multiple interactive multi-lingual philosophy AIs trained on thousands of hours of my material - as well as AIs for Real-Time Relationships, Bitcoin, Peaceful Parenting, and Call-In Shows!You also receive private livestreams, HUNDREDS of exclusive premium shows, early release podcasts, the 22 Part History of Philosophers series and much more!See you soon!https://freedomain.locals.com/support/promo/UPB2025
Jaume Segalés y su equipo hablan del MIR en el Hospital Ramón y Cajal, Ópera a quemarropa y 'El sueño de una noche de verano. Julia Margaret Cameron'. Hoy en Km0, tras repasar la actualidad informativa y deportiva, profundizamos en los siguientes asuntos:MIR en el Hospital Ramón y Cajal La sanidad de calidad la conforman sobre todo nuestros facultativos. Sanitarios que están en formación constante y que desempeñan una profesión muy vocacional. Hoy nos acercamos a la figura de los MIR (Médico Interno Residente), que se forman en in situ, en los centros hospitalarios dando vida a los contenidos que han aprendido durante la carrera universitaria. La mayoría de ellos eligen, de forma mayoritaria, uno de los centros de referencia de la Comunidad de Madrid y de toda España, hablamos del Hospital Universitario Ramón y Cajal. Ha sido uno de los hospitales que ha agotado todas sus plazas antes de la finalización de la elección que terminaba el pasado 19 de abril. Entrevistamos al Dr. Jacobo Cabañas, jefe de estudios del Hospital Universitario Ramón y Cajal.Ópera a quemarropa Segunda edición de este Festival de ópera de cámara de la Comunidad de Madrid. Del 27 de junio al 19 de julio, las tres ciudades Patrimonio de la Humanidad de la región madrileña (Alcalá de Henares, San Lorenzo de El Escorial y Aranjuez), van a acoger los conciertos de esta innovadora iniciativa musical que, tras el éxito del año pasado, vuelve con un enfoque más internacional, más joven y más desafiante aún. Ópera a quemarropa busca acerca el formato camerístico y la ópera, tanto a melómanos consolidados como a nuevos públicos, con una programación vibrante que incluye voces consagradas y emergentes, clásicos reinventados y obras inéditas que abren nuevos caminos. Formatos y enfoques diferentes que actualizan la Cultura con mayúsculas en sintonía con los tiempos actuales. Entrevistamos a la directora del festival, Ruth González.'El sueño de una noche de verano. Julia Margaret Cameron' Desde hace una semana, el Teatro Real de Madrid acoge la exposición 'El sueño de una noche de verano', un homenaje visual a Shakespeare a través del objetivo de Julia Margaret Cameron, pionera de la fotografía artística en el siglo XIX. La muestra, organizada por PhotoEspaña y el British Council, reúne más de un centenar de retratos inspirados en personajes como Hamlet, Ofelia o Próspero, con la atmósfera onírica y el desenfoque característico de la artista. Una propuesta que dialoga con la nueva temporada shakesperiana del Teatro Real y que podrá visitarse hasta junio de 2026. Entrevistamos a la directora de PHotoESPAÑA (Festival internacional de fotografía y artes visuales), María Santoyo.
VOTE IN THE POLL: https://www.patreon.com/posts/bracket-show-4-132101929?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link All the items in Dahmer's apartment VS Vending Machine parts [non-working] from the Hamlet chicken processing plant fire
The Author Events Series presents Rhodri Lewis | Shakespeare's Tragic Art REGISTER In Conversation with Emily Wilson In Shakespeare's Tragic Art, Rhodri Lewis offers a powerfully original reassessment of tragedy as Shakespeare wrote it-of what drew him toward tragic drama, what makes his tragedies distinctive, and why they matter. After reconstructing tragic theory and practice as Shakespeare and his contemporaries knew them, Lewis considers in detail each of Shakespeare's tragedies from Titus Andronicus to Coriolanus. He argues that these plays are a series of experiments whose greatness lies in their author's nerve-straining determination to represent the experience of living in a world that eludes rational analysis. They explore not just our inability to know ourselves as we would like to, but the compensatory and generally unacknowledged fictions to which we bind ourselves in our hunger for meaning-from the political, philosophical, social, and religious to the racial, sexual, personal, and familial. Lewis's Shakespeare not only creates tragedies that exceed those written before them. Through his art, he also affirms and invigorates the kinds of knowing that are available to intelligent animals like us. A major reevaluation of Shakespeare's tragedies, Shakespeare's Tragic Art is essential reading for anyone interested in Shakespeare, tragedy, or the capacity of literature to help us navigate the perplexities of the human condition. After many years at the University of Oxford, Rhodri Lewis moved to Princeton in 2018-where he teaches English and comparative literature. His new book, Shakespeare's Tragic Art, was a New Yorker Book of the Year for 2024, and for the duration of the 2025-26 academic year he will be a Guggenheim Fellow. Previous books include Hamlet and the Vision of Darkness (Princeton UP 2017) and Language, Mind, and Nature: Artificial Languages in England from Bacon to Locke (Cambridge UP 2007). He is now at work on two projects: a biography of the great literary critic Frank Kermode, and a new edition (and translation) of Francis Bacon's Wisdom of the Ancients. The 2024/25 Author Events Series is presented by Comcast. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night! All tickets are non-refundable. (recorded 4/23/2025)
In her sermon, Shari uses the metaphor of the Camino de Santiago—a long spiritual pilgrimage—to illustrate the Christian journey of moving continually toward peace and away from chaos. She reflects on her own experience walking the Camino, emphasizing that the daily, intentional choices made on the trail mirror the spiritual decisions we make in life. Life, like the Camino, is not static. Everything is always in motion—physically, emotionally, and spiritually. Shari ties this constant movement to the second law of thermodynamics, highlighting humanity's natural tendency toward disorder unless we intentionally choose otherwise. Spiritually, we're always moving toward either peace (shalom: wholeness, well-being, safety) or chaos (slavery, disorder, retaliation). Shari contrasts biblical peace with today's culture of “my truth” and ethical relativism, which echo the times of the Judges when "everyone did what was right in their own eyes." She argues that freedom in Christ means intentionally choosing the path that leads to peace, even when it is counterintuitive or difficult. The lie from the Garden of Eden—that we are the exception to the rule—still misleads us today. We often believe we can harbor resentment, avoid forgiveness, or justify sin without consequences. Shari emphasizes that choosing chaos—like revenge, bitterness, and pride—leads us back into spiritual slavery. Through examples from both Scripture (Gideon, the Exodus, Judges) and literature (Nietzsche's philosophy, Crime and Punishment, Macbeth, Hamlet, East of Eden), she shows how refusing to forgive, holding onto bitterness, or believing ourselves exempt from consequences always results in suffering. Forgiveness, though often seen as illogical or undeserved, is the path to freedom. She tells real-life stories—like her friend Bob who justifies meanness because “they started it”—to show how childish and harmful these justifications are. True peace begins with us, not with others. We often claim we want peace but refuse to let go of pride, pain, or perceived justice to get it. Shari closes by urging the congregation to choose the fruit of the Spirit—love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, and self-control—as the “good fruit” in contrast to Adam and Eve's wrong choice. Like the biblical figures and literary characters she referenced, we too stand at a crossroads daily: toward peace and freedom in Christ, or chaos and slavery in sin. The Gospel gives us the power through the Holy Spirit to undo our wrong choices and walk “The Way” that leads to true peace. Discussion Questions Shari says we often believe “we are the exception to the rule.” How have you seen that idea play out in your own life or culture? What does the word “shalom” (biblical peace) mean to you? How is it different from simply not fighting or being calm? Are there any areas in your life where you are choosing chaos (bitterness, revenge, pride) instead of peace? What would it look like to choose differently? Who is someone in your life that you feel “started it”? What would it take for you to forgive them anyway? Which of the fruits of the Spirit do you most need to grow in right now to walk in peace? What's one practical way you could pursue it this week?
SHOSTAKOVICH: Concierto para violoncello y orquesta nº 2 en Sol Mayor, Op. 126 (33.07). M. Rostropovich (vc.), Orq. Sinf. Estatal de la Unión Soviética. Dir.: E. Svetlanov. Mis poemas (3.23). Diálogo de Hamlet con su conciencia (3.23) (6 Poemas de Marina Tsvetayeva, Op. 143 A) (selec.). O. Wenkel (con.), Orq. Real del Concertgebouw de Amsterdam. Dir.: B. Haitink.Escuchar audio
A Criminal SundayFirst, a look at this day in History.Then, The CBS Radio Workshop, originally broadcast June 22, 1956, 69 years ago, Another Point of View, or Hamlet Revisited. An analytical misrepresentation of Shakespeare's greatest hero. William Conrad narrates. Followed by Crime and Peter Chambers starring Dane Clark, originally broadcast June 22, 1954, 71 years ago. Bruce Eldritch's partner named Paul Maxwell has been killed. Then, Counterspy starring Don Maclaughlan, originally broadcast June 22, 1942, 83 years ago, The Case of the Border Invaders. Enemy spies are parachuting into America. A Gestapo agent takes off for Texas from Mexico. Followed by Tales of the Texas Rangers starring Joel McCrea, originally broadcast June 22, 1952, 73 years ago, Knockout. A dead body in a hotel room bathroom leads the Rangers to a scheme making liberal use of knockout drops.Finally. The Couple Next Door starring Peg Lynch and Alan Bunce, originally broadcast June 22, 1960, 65 years ago, Mr. Pipers Fruit Salad. Thanks to Richard G for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.html(Image: John Barrymore as Hamlet in 1922)
Deborah Frances-White is the writer and comedian best known for hosting The Guilty Feminist podcast. David Tennant is the multi-award-winning actor who has played iconic roles including Doctor Who, Hamlet, Barty Crouch Jr., Rivals' Lord Tony Baddingham and more. In April 2025 they came to Intelligence Squared to discuss how we can have better and more open conversations on difficult topics. Drawing from her new book Six Conversations We're Scared to Have, Deborah shared how she grew up in a cult which shut down any dissenting voices. And she made the case that she sees similar tactics being used today in our rapidly changing digital society. Deborah and David discussed the state of freedom of speech, politics in the arts, and the value of critical thinking. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Deborah Frances-White is the writer and comedian best known for hosting The Guilty Feminist podcast. David Tennant is the multi-award-winning actor who has played iconic roles including Doctor Who, Hamlet, Barty Crouch Jr., Rivals' Lord Tony Baddingham and more. In April 2025 they came to Intelligence Squared to discuss how we can have better and more open conversations on difficult topics. Drawing from her new book Six Conversations We're Scared to Have, Deborah shared how she grew up in a cult which shut down any dissenting voices. And she made the case that she sees similar tactics being used today in our rapidly changing digital society. Deborah and David discussed the state of freedom of speech, politics in the arts, and the value of critical thinking. --- This is the first instalment of a two-part episode. If you'd like to become a Member and get access to all our full ad free conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices
Rob is Sir Jonathan Pryce's biggest fan! The legendary actor joins Rob Lowe to discuss how the late Pope Francis inspired his performance in “Game of Thrones,” acting lessons from Al Pacino, his favorite theaters to perform in, how the loss of his father inspired him to take on “Hamlet,” the new season of “Slow Horses,” and much more. Make sure to subscribe to the show on YouTube at YouTube.com/@LiterallyWithRobLowe! Got a question for Rob? Call our voicemail at 323-570-4551. Your question could get featured on the show!
Lynn & Carl talk to Tom Ridgely from the St. Louis Shakespeare Festival about the end of Hamlet, the beginning of Romeo & Zooliet at the St Louis Zoo and the upcoming touring A Midsummer Night's Dream.
Episode 298. Kyle received surprise bonus snacks with his Switch 2. Melissa fears being sent to a circle of hell for people who use too many plastic grocery bags. Our cinema corner features Friendship, Bring Her Back, The Phoenician Scheme, Materialists, and The Life of Chuck -- which, spoiler alert, is mostly about math. We also discuss new operas, a performance of Hamlet where he "does a Saltburn," Brits we expect to see knighted in the future, women in fast cars, and our deep excitement for Spaceballs 2.Click here to watch a video of this episode. (00:00) - Intro (00:04) - Good and bad customer service experiences (14:41) - Did you know there are NEW operas? (24:38) - Cinema Corner (43:49) - Housekeeping (50:08) - Pop culture lightning round (01:09:09) - F1 Fastest Lap (01:23:39) - Our annual trivia episode is next! (01:26:28) - Outro Reply on Bluesky ★ Support this podcast on Patreon ★
Called “the finest actor of his generation,” Sir Simon Russell Beale has played just about everyone in Shakespeare's canon—Hamlet, Lear, Macbeth, Falstaff, Malvolio, Iago—and most recently, Titus Andronicus, for the Royal Shakespeare Company. In this episode, Beale reflects on the Shakespearean roles that have shaped his career and how his approach to them has evolved over time. He shares what drew him to Titus, and how he found surprising tenderness in Shakespeare's brutal tragedy. The actor revisits past performances, exploring grief in Hamlet, aging and dementia in King Lear, and how time has deepened his connection to the plays and the characters. Beale's memoir, A Piece of Work: Playing Shakespeare & Other Stories, is a moving and often humorous reflection on acting, Shakespeare, and the power of performance to reveal something essential about being human. Sir Simon Russell Beale studied at Cambridge before joining the RSC. Described by the Daily Telegraph as “the finest actor of his generation,” he has been lauded for both his stage and TV work, winning many awards including the Olivier Award for Best Supporting Actor, the Evening Standard Best Actor Award, and the BAFTA Best Actor Award. From the Shakespeare Unlimited podcast. Published June 17, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.
Never Have I Ever.Cass finds the stud in her buddy Andrew.Based on a post by SmallTownPrincess. Listen to the Podcast at My first Time.Cassie gasped, jumping in her seat as the clap of thunder and splitting bolt of lightning across the screen lit the theater like daylight for an instant. In her momentary panic, she grabbed at the armrest, the fingers of her left hand finding instead the warm forearm of her fellow movie-goer and best friend, Andrew.Their met eyes for a moment, hers still wide with residual surprise and his glittering with amusement. With a blush for her silly panic and for the unexpected touch, she took her hand away, crossing her arms across her stomach and turning her face back to the screen.Recently, for reasons she couldn't entirely understand, Cassie had begun to feel awkward around Andrew.Too often she found herself blushing for small things, or giggling nervously, or losing the courage to do things like brush a hand through his hair or jump on his back for a piggy-back ride; things that a few months earlier she would have done without thinking.It was their stupid friend Margaret who'd started it, with her talk of "friends with benefits." Cassie had never considered the idea that her tall, gangly Andy could be, as Margaret had put it, "a certified hottie." They'd been friends for so long that she could no longer hold herself far enough away from him to be able to see him with an objective, appraising eye.Andrew's lips suddenly brushed her ear as he leaned over close to whisper to her, and she nearly jumped again. "The scary part's coming," he murmured, offering his shoulder as a place for her to hide her eyes.Ah, this was why she loved him so. Who else would understand how much she loved horror films; and how deeply they terrified her? Who would take the time to go to these films first without her, then come back to see them a second time, ready to point out all the really horrific scenes so that she could hide her face and not be scarred beyond belief?No doubt he would also stay with her after the movie tonight, curled in an uncomfortable ball on the floor next to her bed to act as her protector. He snored and drooled and would probably sleep through the apocalypse, but somehow having him there still made her feel better.When the film ended, the heroine narrowly escaping by boat as the only survivor, Cassie and Andrew filed out into the chilly, early autumn night. Cassie shivered, and Andrew dropped a friendly arm around her shoulders."Did you like it?" Cassie asked."It was alright. Definitely better this time than when I watched it by myself. Your reactions are priceless," Andrew said with a laugh."I can't help it! I jump at the jumps, I'm scared of the scary parts; that's what's supposed to happen when you go see a horror movie!""I wasn't complaining. I'm amused.""Hey, I saw you jump a little when he came out from under the shed to grab that girl's ankles.""Strictly for your benefit. I am never scared.""Oh? Well, good. You can stay up and keep watch tonight. Make sure no creepers come in my house in the middle of the night to chop me up for their stew."Andrew stifled a yawn, shaking his head. "An all-night vigil? Fat chance of that. You'd have to stay up with me."Immediately, Cassie began to think of ways she might keep him awake, each a little more risqué than the last, and she blushed again. What was it about him tonight that made her think such silly thoughts? He was joking with her, being her almost-brotherly friend as he always had been. The flirtatious edge was something she was imagining, she knew."Whatever you want, just keep the monsters away from me!" Cassie cried with a melodramatic wave of her arms. She ducked out from under his arm, darted the last few feet to the door of his car and leapt inside.The drive to her house was quiet, each of them thinking their own private thoughts in companionable silence. Once they got to the house, Cassie began to feel again a twinge of that fear she had experienced in the theater. The darkness, the quiet, the sense of waiting, it unnerved her enough that she let Andrew lead the way through the front door, clinging to his arm as if that would save her if some slasher movie antagonist were waiting on the other side."I don't want to go to sleep yet," Cassie said as they marched to her room, Andrew turning on lights as they went. "I'm all antsy. Let's play a game or something, huh?"Cassie had a grand total of three board games, one of which was nothing more than a sticky Candy Land board, devoid of any cards or playing pieces; there was little there with which to while away the evening hours."Let's play Never Have I Ever," Cassie suggested, and Andrew shrugged, his preferred signal of acquiescence.They sat on either end of her bed, both cross-legged, facing each other and hugging pillows in their laps. Each of them held up all ten fingers, ready to play."Never have I ever...read Hamlet," Andrew said by way of starting. Cassie shook her head."No, that's boring!""What? We always do stuff like that.""I know! Let's talk about something more fun than our reading lists and bodily functions." She eyed him beadily, daring him to repeat his disgusting scatological comments from the last time they'd played this game."Like what?""Like..." Cassie considered and discarded a dozen suggestions instantly, filing them away as either too mild or far too dirty. "Like, never have I ever kissed someone below the chin.""Really, never?""Never ever.""I'm not putting a finger down for that. It's dumb. You can't seriously have gotten to be nearly twenty years old and never done that.""But I haven't!""Come here. Kiss me right here on the neck, and then think of another one." He was laughing, but he did lean forward and pull his shirt away from the side of his neck, clearly intending for her to follow through.With another blush; would they never stop?; she bent and pressed her lips quickly to the spot where his neck met his shoulder. It was brief, but she was still pleasantly surprised by how warm his skin was there."Alright, now think of a better one than that," Andrew said with another laugh, sitting back."I can't think of anything. You say one.""Alright, fine. Never have I ever...made out with a hot girl who was sober."It was Cassie's turn to laugh. "Wait, how many drunk hot girls have you made out with?""Just one, but she was scorching.""Oh, prettier than me, huh?" She meant it as a joke, but her tone fell a little short of the levity she was going for, and she ended up sounding a great deal more jealous than she felt."Well, no, I mean, not prettier than you, per se..."Cassie gave him her most dramatic look of mock-hurt. "You don't think I'm pretty, Andrew?""Are you kidding? You're beautiful, Cass. But you're...you know...you're Cassie."A jolt of something like fear, but entirely not, shot through Cassie's stomach. He'd never said that before, that she was beautiful. True, he'd qualified it, but at the same time...he thought she was beautiful. Her face warmed."I'm tempted to make you make out with me and pick another one, just because you were so obnoxious about mine," Cassie said, laughing.Andrew laughed once, but then his smile became something decidedly more inviting."Oh, really? That wasn't obnoxious. I was merely pointing out that there are things in this life that you should have done in your teenage years.""And making out with a girl with no alcohol involved is definitely something you should have done. I still have another couple months before I'm out of my teens. You've missed the boat already! Anything you do now is necessary just to catch up.""So you think I should have done...this?" He rolled up onto his hands and knees, which put his face directly in front of hers, an inch or two away. After a pause, their lips touched, and in her surprise at the suddenness of it she broke the kiss to suck in a startled breath.He backed away a couple of inches, thinking he'd startled her unpleasantly, but Cassie followed him, leaning forward until they were separated by a mere sliver of air. Andrew kissed her again, softly at first, but then inspiration seemed to strike, and he sat up a little, putting his hands on either side of her face to hold her to him. When he finally released her, both of them were breathing a little harder, eyes a little wide, movements a little uncertain."So," Andrew said, clearing his throat and sitting back. "So, I guess I can't use that one anymore. Unless you've been drinking, of course?" Still too stunned to react properly to his comic jabs, she merely shook her head. "I thought not. You're not alcoholic enough to sneak a flask into a movie theater. Well, is it your turn to think of one, then, or are you going to make me go again?""I, um..." Cassie shook her head a little, cleared her throat. "Well, let's see. Never have I ever..." She thought of the moment earlier when Andrew had pulled his shirt back from his neck, showing off the lovely, muscled shoulders he was secretly proud of. She wondered if the rest of him was as nice as his shoulders. "Never have I ever seen any of my friends naked."Andrew's eyebrows shot up. "What, you've never been in a locker room before?""When would I have been in a locker room?" Cassie laughed. She was not the athletic sort, as Andrew was well aware."Still, never? Like, you've never gone streaking, skinny dipping, changed in front of each other, anything?"Cassie shook her head, grinning. Andrew stood up next to the bed. "Well, I can't let that go unchanged. Seriously, nudity among friends; it's a rite of passage!"He seized the back of his shirt and tugged it over his head, dumping it unceremoniously on the floor before going to work on his belt. Cassie watched with a mixture of horrified amazement that he was actually stripping naked in her bedroom, laughable discomfort because it was Andrew, and a growing appetite for the new perspective she was gaining on him, this thought of him as a real, handsome, sexy boy; not just her buddy Andrew.His pants hit the floor and he stepped out of them, standing awkwardly in his boxers for a moment before seizing the waistband and tugging those down to his ankles, too. Cassie couldn't help but stare; she'd never seen any boy totally naked, and here was a very fine specimen of man, standing in front of her with much less self-consciousness than she would have expected.After a moment, he bent to pull his boxers and pants back on, but Cassie protested."Aw, you're going to put it all back on?" she asked jokingly. "Here I thought you were going to play the rest of the game that way."Shrugging, Andrew sat back at the end of the bed as he had been, with the notable difference that he was now stark naked. "This hardly seems fair.""What do you mean?""I'm totally hanging free here, and you're still bundled up like a nun. A little reciprocation would be fair, don't you think?"Cassie shuddered at the idea of Andrew seeing her naked. She was self-conscious enough about seeing herself in the mirror.But Andrew was staring at her expectantly, and she knew he would play along no more without this quid pro quo. She stood nervously, then pulled her shirt up over her head, dropping it beside her. Andrew just watched, expressionless except for his small smile, so she carried on.Her skirt followed her shirt to the floor, and then with a deep breath she unclasped her bra in the back and dropped that onto the pile as well. Without looking at Andrew, and with a face undoubtedly colored like a beet, she slipped her panties off, sliding them down her long bare legs and kicking them off onto the pile of discarded clothes.Andrew's eyes took in every inch of her nudity, and he sighed; she thought she heard him say "Cass" under his breath. When his eyes trailed back up to meet hers, he smiled. "And now neither of us can use that one."Cassie sat back down, a little closer to Andrew this time, their knees touching. "It's your turn."Andrew hadn't taken his eyes away from her yet, and still didn't as he answered without hesitation, "Never have I ever touched every inch of a girl's naked body." His hands were already reaching out to touch her shoulders, trail along her leg, cup her face. Grabbing her legs, he pulled her farther down on the bed so that she could fit lying down without hitting her head on the headboard. He took her face in his hands and kissed her sweetly."Andrew!" Cassie cried in a voice that was half a laugh when they paused to breathe. "What are you doing?""Not sure yet," Andrew said absently, tucking her hair behind her ears and kissing her soundly.Cassie could feel her heart beating in every extremity; had she ever been able to feel every inch of her hypersensitive skin the way she could now? Andrew did not stop kissing her as his hands fell away from her face, slipped down her neck and gently ran over her tits to her stomach. When his thumbs grazed over her nipples, a shock wave ran down through her torso, straight to that soft, dark place between her legs. She had never been as aware of that spot as she was at that instant.Andrew was kneeling over her now as she lay back on the bed, and in their mutual nudity it was impossible for him to hide his body's appreciation of this turn of events. His erection brushed against her thigh as he shifted, and she tensed, the unfamiliarity suddenly overwhelming her.The kissing stopped immediately; Andrew sat back, concern on his face. "Is this okay? Are you-- I mean, is this too weird?""No, no," she assured him, and she meant it. All this felt surprisingly natural, even as quickly as it was moving; as if this was the most obvious and right state for them to be in, and everything they had been and done before had been awkward and unsatisfying. "Please come back."He acquiesced with a vengeance, the force of his kiss pinning her to the bed as she wrapped one arm around his shoulders and grasped the back of his neck with the other. When he suddenly moved to change positions, he almost lifted her off the bed in his enthusiasm as she clung to him. She admired for a moment the powerful muscles of his abdomen and lower body when he sat up on his knees to shift, putting himself between her legs.She was unbelievably, overwhelmingly aroused, almost to the point of discomfort; she could feel the slickness of her own juices between her thighs as she moved over on the bed to center herself, and when she spread her legs apart to give Andrew a place to kneel, the cold air of the room was a shock on her wet flesh.Andrew's hands were on her hips, his thumbs tracing small circles on the skin of her stomach as his kisses began to trail downward; along her neck, across her collarbone, up the mound of her tit. His mouth closed over one nipple, his tongue moving torturously slowly in a narrowing spiral around it, ending at last in a fierce, cat-tongue lick and a small, playful nip.The muscles in Cassie's stomach tightened suddenly, jerking her, forcing a small gasp out from between her lips. Andrew smiled against her skin.One hand slid away from her hip, along the outside of her leg, fingers dragging lazily across the skin of her thigh. He folded his hand so that only his index finger pressed against her skin as he worked his way back up, running it along between her legs as she squirmed. At length, his finger found the already wet-slick folds of her nether lips, teasing them apart and sliding from her clit to her drenched opening.Her fingers tightened on the skin of his back, her mouth dropping open; it seemed suddenly as if there wasn't enough oxygen in the room, and the lack made her deliciously dizzy. He pulled back from her a little, watching her face as his finger slid up and down slowly.She couldn't get enough of his face, especially the tiny smile, like he had a secret and was going to tell her in little pieces, stretched out over the night. There was something strange and thrilling about watching him touch her; he seemed to waver between being the Andrew she'd always known and trusted more than anyone else in the world, and a completely different man, surprisingly sexy, totally aware of what she wanted and needed and ached for."Is this really happening?"She didn't realize she'd spoken the words aloud until Andrew paused in his finger's ministrations and bent to bury his face in her neck, whispering between kisses, "It must be, unless we're both sharing the best dream I've ever had."He sat up, eyes on her body like he was trying to memorize it. His hand started to move again, faster, his fingertip teasing her clit and sending alarmingly powerful jolts of pleasure through her body. Her toes and fingers were going numb in waves of tingles. She was blazing hot inside; her skin ought to be steaming in the air of the room.And at the core of her, so close to his hand, she began to feel an almost unbearable emptiness, as if he'd stolen a piece of her and he alone could return it. She closed her eyes, concentrated. She was so empty; she was a shell made only of feverish skin, holding nothing but this raging inferno and a desperate, gaping vacancy.
Never Have I Ever.Cass finds the stud in her buddy Andrew.Based on a post by SmallTownPrincess. Listen to the Podcast at My first Time.Cassie gasped, jumping in her seat as the clap of thunder and splitting bolt of lightning across the screen lit the theater like daylight for an instant. In her momentary panic, she grabbed at the armrest, the fingers of her left hand finding instead the warm forearm of her fellow movie-goer and best friend, Andrew.Their met eyes for a moment, hers still wide with residual surprise and his glittering with amusement. With a blush for her silly panic and for the unexpected touch, she took her hand away, crossing her arms across her stomach and turning her face back to the screen.Recently, for reasons she couldn't entirely understand, Cassie had begun to feel awkward around Andrew.Too often she found herself blushing for small things, or giggling nervously, or losing the courage to do things like brush a hand through his hair or jump on his back for a piggy-back ride; things that a few months earlier she would have done without thinking.It was their stupid friend Margaret who'd started it, with her talk of "friends with benefits." Cassie had never considered the idea that her tall, gangly Andy could be, as Margaret had put it, "a certified hottie." They'd been friends for so long that she could no longer hold herself far enough away from him to be able to see him with an objective, appraising eye.Andrew's lips suddenly brushed her ear as he leaned over close to whisper to her, and she nearly jumped again. "The scary part's coming," he murmured, offering his shoulder as a place for her to hide her eyes.Ah, this was why she loved him so. Who else would understand how much she loved horror films; and how deeply they terrified her? Who would take the time to go to these films first without her, then come back to see them a second time, ready to point out all the really horrific scenes so that she could hide her face and not be scarred beyond belief?No doubt he would also stay with her after the movie tonight, curled in an uncomfortable ball on the floor next to her bed to act as her protector. He snored and drooled and would probably sleep through the apocalypse, but somehow having him there still made her feel better.When the film ended, the heroine narrowly escaping by boat as the only survivor, Cassie and Andrew filed out into the chilly, early autumn night. Cassie shivered, and Andrew dropped a friendly arm around her shoulders."Did you like it?" Cassie asked."It was alright. Definitely better this time than when I watched it by myself. Your reactions are priceless," Andrew said with a laugh."I can't help it! I jump at the jumps, I'm scared of the scary parts; that's what's supposed to happen when you go see a horror movie!""I wasn't complaining. I'm amused.""Hey, I saw you jump a little when he came out from under the shed to grab that girl's ankles.""Strictly for your benefit. I am never scared.""Oh? Well, good. You can stay up and keep watch tonight. Make sure no creepers come in my house in the middle of the night to chop me up for their stew."Andrew stifled a yawn, shaking his head. "An all-night vigil? Fat chance of that. You'd have to stay up with me."Immediately, Cassie began to think of ways she might keep him awake, each a little more risqué than the last, and she blushed again. What was it about him tonight that made her think such silly thoughts? He was joking with her, being her almost-brotherly friend as he always had been. The flirtatious edge was something she was imagining, she knew."Whatever you want, just keep the monsters away from me!" Cassie cried with a melodramatic wave of her arms. She ducked out from under his arm, darted the last few feet to the door of his car and leapt inside.The drive to her house was quiet, each of them thinking their own private thoughts in companionable silence. Once they got to the house, Cassie began to feel again a twinge of that fear she had experienced in the theater. The darkness, the quiet, the sense of waiting, it unnerved her enough that she let Andrew lead the way through the front door, clinging to his arm as if that would save her if some slasher movie antagonist were waiting on the other side."I don't want to go to sleep yet," Cassie said as they marched to her room, Andrew turning on lights as they went. "I'm all antsy. Let's play a game or something, huh?"Cassie had a grand total of three board games, one of which was nothing more than a sticky Candy Land board, devoid of any cards or playing pieces; there was little there with which to while away the evening hours."Let's play Never Have I Ever," Cassie suggested, and Andrew shrugged, his preferred signal of acquiescence.They sat on either end of her bed, both cross-legged, facing each other and hugging pillows in their laps. Each of them held up all ten fingers, ready to play."Never have I ever...read Hamlet," Andrew said by way of starting. Cassie shook her head."No, that's boring!""What? We always do stuff like that.""I know! Let's talk about something more fun than our reading lists and bodily functions." She eyed him beadily, daring him to repeat his disgusting scatological comments from the last time they'd played this game."Like what?""Like..." Cassie considered and discarded a dozen suggestions instantly, filing them away as either too mild or far too dirty. "Like, never have I ever kissed someone below the chin.""Really, never?""Never ever.""I'm not putting a finger down for that. It's dumb. You can't seriously have gotten to be nearly twenty years old and never done that.""But I haven't!""Come here. Kiss me right here on the neck, and then think of another one." He was laughing, but he did lean forward and pull his shirt away from the side of his neck, clearly intending for her to follow through.With another blush; would they never stop?; she bent and pressed her lips quickly to the spot where his neck met his shoulder. It was brief, but she was still pleasantly surprised by how warm his skin was there."Alright, now think of a better one than that," Andrew said with another laugh, sitting back."I can't think of anything. You say one.""Alright, fine. Never have I ever...made out with a hot girl who was sober."It was Cassie's turn to laugh. "Wait, how many drunk hot girls have you made out with?""Just one, but she was scorching.""Oh, prettier than me, huh?" She meant it as a joke, but her tone fell a little short of the levity she was going for, and she ended up sounding a great deal more jealous than she felt."Well, no, I mean, not prettier than you, per se..."Cassie gave him her most dramatic look of mock-hurt. "You don't think I'm pretty, Andrew?""Are you kidding? You're beautiful, Cass. But you're...you know...you're Cassie."A jolt of something like fear, but entirely not, shot through Cassie's stomach. He'd never said that before, that she was beautiful. True, he'd qualified it, but at the same time...he thought she was beautiful. Her face warmed."I'm tempted to make you make out with me and pick another one, just because you were so obnoxious about mine," Cassie said, laughing.Andrew laughed once, but then his smile became something decidedly more inviting."Oh, really? That wasn't obnoxious. I was merely pointing out that there are things in this life that you should have done in your teenage years.""And making out with a girl with no alcohol involved is definitely something you should have done. I still have another couple months before I'm out of my teens. You've missed the boat already! Anything you do now is necessary just to catch up.""So you think I should have done...this?" He rolled up onto his hands and knees, which put his face directly in front of hers, an inch or two away. After a pause, their lips touched, and in her surprise at the suddenness of it she broke the kiss to suck in a startled breath.He backed away a couple of inches, thinking he'd startled her unpleasantly, but Cassie followed him, leaning forward until they were separated by a mere sliver of air. Andrew kissed her again, softly at first, but then inspiration seemed to strike, and he sat up a little, putting his hands on either side of her face to hold her to him. When he finally released her, both of them were breathing a little harder, eyes a little wide, movements a little uncertain."So," Andrew said, clearing his throat and sitting back. "So, I guess I can't use that one anymore. Unless you've been drinking, of course?" Still too stunned to react properly to his comic jabs, she merely shook her head. "I thought not. You're not alcoholic enough to sneak a flask into a movie theater. Well, is it your turn to think of one, then, or are you going to make me go again?""I, um..." Cassie shook her head a little, cleared her throat. "Well, let's see. Never have I ever..." She thought of the moment earlier when Andrew had pulled his shirt back from his neck, showing off the lovely, muscled shoulders he was secretly proud of. She wondered if the rest of him was as nice as his shoulders. "Never have I ever seen any of my friends naked."Andrew's eyebrows shot up. "What, you've never been in a locker room before?""When would I have been in a locker room?" Cassie laughed. She was not the athletic sort, as Andrew was well aware."Still, never? Like, you've never gone streaking, skinny dipping, changed in front of each other, anything?"Cassie shook her head, grinning. Andrew stood up next to the bed. "Well, I can't let that go unchanged. Seriously, nudity among friends; it's a rite of passage!"He seized the back of his shirt and tugged it over his head, dumping it unceremoniously on the floor before going to work on his belt. Cassie watched with a mixture of horrified amazement that he was actually stripping naked in her bedroom, laughable discomfort because it was Andrew, and a growing appetite for the new perspective she was gaining on him, this thought of him as a real, handsome, sexy boy; not just her buddy Andrew.His pants hit the floor and he stepped out of them, standing awkwardly in his boxers for a moment before seizing the waistband and tugging those down to his ankles, too. Cassie couldn't help but stare; she'd never seen any boy totally naked, and here was a very fine specimen of man, standing in front of her with much less self-consciousness than she would have expected.After a moment, he bent to pull his boxers and pants back on, but Cassie protested."Aw, you're going to put it all back on?" she asked jokingly. "Here I thought you were going to play the rest of the game that way."Shrugging, Andrew sat back at the end of the bed as he had been, with the notable difference that he was now stark naked. "This hardly seems fair.""What do you mean?""I'm totally hanging free here, and you're still bundled up like a nun. A little reciprocation would be fair, don't you think?"Cassie shuddered at the idea of Andrew seeing her naked. She was self-conscious enough about seeing herself in the mirror.But Andrew was staring at her expectantly, and she knew he would play along no more without this quid pro quo. She stood nervously, then pulled her shirt up over her head, dropping it beside her. Andrew just watched, expressionless except for his small smile, so she carried on.Her skirt followed her shirt to the floor, and then with a deep breath she unclasped her bra in the back and dropped that onto the pile as well. Without looking at Andrew, and with a face undoubtedly colored like a beet, she slipped her panties off, sliding them down her long bare legs and kicking them off onto the pile of discarded clothes.Andrew's eyes took in every inch of her nudity, and he sighed; she thought she heard him say "Cass" under his breath. When his eyes trailed back up to meet hers, he smiled. "And now neither of us can use that one."Cassie sat back down, a little closer to Andrew this time, their knees touching. "It's your turn."Andrew hadn't taken his eyes away from her yet, and still didn't as he answered without hesitation, "Never have I ever touched every inch of a girl's naked body." His hands were already reaching out to touch her shoulders, trail along her leg, cup her face. Grabbing her legs, he pulled her farther down on the bed so that she could fit lying down without hitting her head on the headboard. He took her face in his hands and kissed her sweetly."Andrew!" Cassie cried in a voice that was half a laugh when they paused to breathe. "What are you doing?""Not sure yet," Andrew said absently, tucking her hair behind her ears and kissing her soundly.Cassie could feel her heart beating in every extremity; had she ever been able to feel every inch of her hypersensitive skin the way she could now? Andrew did not stop kissing her as his hands fell away from her face, slipped down her neck and gently ran over her tits to her stomach. When his thumbs grazed over her nipples, a shock wave ran down through her torso, straight to that soft, dark place between her legs. She had never been as aware of that spot as she was at that instant.Andrew was kneeling over her now as she lay back on the bed, and in their mutual nudity it was impossible for him to hide his body's appreciation of this turn of events. His erection brushed against her thigh as he shifted, and she tensed, the unfamiliarity suddenly overwhelming her.The kissing stopped immediately; Andrew sat back, concern on his face. "Is this okay? Are you-- I mean, is this too weird?""No, no," she assured him, and she meant it. All this felt surprisingly natural, even as quickly as it was moving; as if this was the most obvious and right state for them to be in, and everything they had been and done before had been awkward and unsatisfying. "Please come back."He acquiesced with a vengeance, the force of his kiss pinning her to the bed as she wrapped one arm around his shoulders and grasped the back of his neck with the other. When he suddenly moved to change positions, he almost lifted her off the bed in his enthusiasm as she clung to him. She admired for a moment the powerful muscles of his abdomen and lower body when he sat up on his knees to shift, putting himself between her legs.She was unbelievably, overwhelmingly aroused, almost to the point of discomfort; she could feel the slickness of her own juices between her thighs as she moved over on the bed to center herself, and when she spread her legs apart to give Andrew a place to kneel, the cold air of the room was a shock on her wet flesh.Andrew's hands were on her hips, his thumbs tracing small circles on the skin of her stomach as his kisses began to trail downward; along her neck, across her collarbone, up the mound of her tit. His mouth closed over one nipple, his tongue moving torturously slowly in a narrowing spiral around it, ending at last in a fierce, cat-tongue lick and a small, playful nip.The muscles in Cassie's stomach tightened suddenly, jerking her, forcing a small gasp out from between her lips. Andrew smiled against her skin.One hand slid away from her hip, along the outside of her leg, fingers dragging lazily across the skin of her thigh. He folded his hand so that only his index finger pressed against her skin as he worked his way back up, running it along between her legs as she squirmed. At length, his finger found the already wet-slick folds of her nether lips, teasing them apart and sliding from her clit to her drenched opening.Her fingers tightened on the skin of his back, her mouth dropping open; it seemed suddenly as if there wasn't enough oxygen in the room, and the lack made her deliciously dizzy. He pulled back from her a little, watching her face as his finger slid up and down slowly.She couldn't get enough of his face, especially the tiny smile, like he had a secret and was going to tell her in little pieces, stretched out over the night. There was something strange and thrilling about watching him touch her; he seemed to waver between being the Andrew she'd always known and trusted more than anyone else in the world, and a completely different man, surprisingly sexy, totally aware of what she wanted and needed and ached for."Is this really happening?"She didn't realize she'd spoken the words aloud until Andrew paused in his finger's ministrations and bent to bury his face in her neck, whispering between kisses, "It must be, unless we're both sharing the best dream I've ever had."He sat up, eyes on her body like he was trying to memorize it. His hand started to move again, faster, his fingertip teasing her clit and sending alarmingly powerful jolts of pleasure through her body. Her toes and fingers were going numb in waves of tingles. She was blazing hot inside; her skin ought to be steaming in the air of the room.And at the core of her, so close to his hand, she began to feel an almost unbearable emptiness, as if he'd stolen a piece of her and he alone could return it. She closed her eyes, concentrated. She was so empty; she was a shell made only of feverish skin, holding nothing but this raging inferno and a desperate, gaping vacancy.
To paraphrase Shakespeare, “It is a tale told by three idiots, full of sound and fury, signifying nothing.” “So shall you hear of carnal, bloody, and unnatural acts, of accidental judgments, casual slaughters, of deaths put on by cunning and forced cause. And, in this upshot, purposes mistook, fallen on the inventors' heads.” It's Grand Theft Hamlet, the COVID-initated, machinima documentary written and directed by Sam Crane and Pilly Grylls. Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media
In this episode, we dive into Don't Sleep with the Dead by Nghi Vo—a haunting, magical companion to The Chosen and the Beautiful. Set in the late 1930s, Nick Carraway is still pretending—about his past, his identity, and his humanity—until a familiar figure from 1922 returns. Dead or not, Gatsby isn't finished with him. A reimagining of The Great Gatsby like you've never heard before.Author ReadsLooking for Hamlet by Marvin W. HuntThe Lies of Ajungo by Moses Ose Utomi
Correspondent Mo Rocca sits down with Pulitzer Prize-winning New York Times columnist Maureen Dowd at the Folger Shakespeare Library, in Washington, D.C., to talk about her fascination with the work of William Shakespeare, a fascination that began as a teenager with her crush on Hamlet. She also compares today's political figures to Shakespeare's characters and their use/abuse of power and the failures of leadership. "No one," she says, "knows more about power than Shakespeare." To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - completes Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act 5, Scene 2, Part 2, the tragedy resolves itself in a number of deaths. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: https://fireandwaterpodcast.com Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 1980 Hamlet, starring Derek Jacobi; and the 1996 Hamlet, starring Kenneth Branagh. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Derek Jacobi, Nicholas Farrel, and Julie Christie; Hamlet 1948 by Laurence Olivier, starring Laurence Olivier; Hamlet 1980 by Rodney Bennett, starring Patrick Stewart and Derek Jacobi; Hamlet 1990 by Franco Zeffirelli, starring Stephen Dillane; Hamlet 2000 by Michael Almereyda, starring Liev Schreiber and Robert MacNeil; Hamlet 2007 by Alexander Fodor, starring Katie Reddin-Clancy; "She'll Never Know" by Marillion; Hamlet 2009 by Gregory Doran, starring Patrick Stewart; In a Bleak Midwinter by Kenneth Branagh, starring Michael Maloney; and "Le duel", "La mort d'Hamlet" and "Le rideau tombe" by Johnny Hallyday. Leave a comment, I love to read!
Rafe looks at what means mean and why they are not all they might be cracked up to be. Along the way we hear stories about Zach's youth, about Amazon's call centers, about support sets and mass functions, about Carl Jung, and Hamlet and Horatio, and we come to the conclusion that indeed there are more things in heaven and earth than are dreamt of in philosophy. As such, be wary of systems that ignore the fundamental components of humanity.*****As always, you can reach the Buf at bufnagle@bufnagle.com*****As you know, this is an independent podcast so your hosts also carry all the expenses of running this podcast. As such, some of you have asked how you can help out. Well, here's the answer: support us on Buy Me a Coffee:https://buymeacoffee.com/bufnagleOn this page, you can do a really nice thing like send us a couple dollars to help cover the cost of recording and hosting and microphones and research and all that. Any little bit really helps! Thank you in advance!!!
Tribeca Festival World Premiere 2025 – This revelatory new take on Shakespeare's iconic tragedy drops you inside the fractured mind of the prince. With breathtaking binaural sound design by Tony-Award winner Mikhail Fiksel and starring Daniel Kyri (Chicago Fire), this is Hamlet as you've never heard it. Link: https://www.hamlet.fm RSS Feed: https://feeds.libsyn.com/576895/rss
Shakespeare wrote his play Hamlet in the early 1600s and by the late 1600s, well after the death of William Shakespeare in 1616, playing troupes are taking plays including Shakespeare's Hamlet and other works by early modern playwrights, and turning them into performance adaptations using a new medium---specifically, they're using puppets. Puppetry, marionettes, and glove puppets perform miniature versions of their human like counterparts as a popular form of theater entertainment for the 17th century. Our guest this week, Tiffany Stern, recently gave a lecture at the University of Birmingham, outlining how the examination of these puppet performances and how exploring the puppets themselves, like one that survives from the 17th century puppet named Amleto, suspiciously similar to the name Hamlet, can not only shed light on stereotypes that carry over from Shakespeare's lifetime, but these puppets also influence how we understand what it means to be a storyteller. Hosted on Acast. See acast.com/privacy for more information.
Hamlet @ Mark Taper Forum - 8.6 out of 10! Great Show! LA Theatre Bites Recommended! May 28 – July 6, 2025 www.latheatrebites.com
Fugazi audience etiquette; Kool Aid contractor challenge; Waze & Google Maps gossip with each other; Hamlet skull at commercial auditions; do you have pervy voice?Unlock the BONUS SCENE(S) at improv4humans.com and gain access to every episode of i4h, all ad-free, as well as TONS of exclusive new podcasts delving deeper into improv, the history of comedy, music and sci-fi.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Shakespeare is now a towering figure of global theatre. But in the 1590s, he was just an up-and-coming young playwright, trying to scratch out a living in Shoreditch's emerging theatre scene. Daniel Swift revisits this early stage of the Bard's career in his new book The Dream Factory, linking it with the story of a long-lost Shoreditch playhouse simply called 'The Theatre'. Speaking to Ellie Cawthorne, Daniel reveals what it would have been like to see one of Shakespeare's original productions, and how he may have been inspired by a terrible play called Hamlet. (Ad) Daniel Swift is the author of The Dream Factory: London's First Playhouse and the Making of William Shakespeare (Yale University Press, 2025). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Fthe-dream-factory%2Fdaniel-swift%2F%2F9780300263541. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Daniel Kyri, best known for playing Darren Ritter on “Chicago Fire,” shares his latest title role in the audio drama “Hamlet,” which has its World Listening Premiere at the Tribeca Film Festival this Thursday, and his debut EP.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.
El elenco, de la compañía peruana Teatro la Plaza, ha recorrido el mundo con una deconstrucción del clásico de Shakespeare. La obra expone temas de aceptación y existencia a través de deseos, frustraciones y experiencias de sus intérpretes con síndrome de Down.
México celebró sus primeras elecciones judiciales, las menos concurridas desde 1994, donde la ciudadanía eligió directamente a jueces, magistrados y ministros, incluyendo a los nueve integrantes de la Suprema Corte de Justicia de la Nación. La obra de teatro Hamlet llega al Festival Rising de Melbourne, interpretada por ocho actores con síndrome de Down. Escucha estas y otras historias en el programa de hoy.
William Shakespeare's “Hamlet” is the story of a Danish prince who can't decide how to respond to his father's murder. St. Louis Shakespeare Festival's production of the play in Forest Park this month is inspired by the fashion and jazz of mid-20th-Century Manhattan. As St. Louis Public Radio's Jeremy Goodwin reports, the production shows that one of the most famous plays ever written can inspire new sounds and surprises.
Recorded for release W/C 2nd June 2025 This week we find out about Ballet BC at the Wolverhampton Gran, a health Screen event from Wolverhampton City Rotary Club, a song raising awareness of Type 1 Diabetes from girl group 1 Type and hear about Hamlet at the Stafford Gatehouse from Richard Cheshire, Benedict Shaw and Alex Wadham.
A discussion with my brainiest about attending a performance of Hamlet.This is a special release from the SWM Vault. It's been remastered and re-edited, but it might be a little looser than a new episode. If you want access to the full vault, you can join Sleep With Me Plus at sleepwithmepodcast.com/plusGet your Sleep With Me SleepPhones. Use "sleepwithme" for $5 off!!Would you like to relax or fall asleep with curious stories from history? If so, then try Calm History, a podcast that will educate and sedate you. Relax with gently narrated stories about history. Calm History: https://podfollow.com/calm-historyLearn more about producer Russell aka Rusty Biscuit at russellsperberg.com and @BabyTeethLA on IG.Show Artwork by Emily TatGoing through a hard time? You can find support at the Crisis Textline and see more global helplines here.HELIX SLEEP - Take the 2-minute sleep quiz and they'll match you to a customized mattress that'll give you the best sleep of your life. Visit helixsleep.com/sleep and get a special deal exclusive for SWM listeners!ZOCDOC - With Zocdoc, you can search for local doctors who take your insurance, read verified patient reviews and book an appointment, in-person or video chat. Download the Zocdoc app to sign-up for FREE at zocdoc.com/sleep PROGRESSIVE - With the Name Your Price tool, you tell Progressive how much you want to pay for car insurance, and they'll show you coverage options that fit your budget. Get your quote today at progressive.comQUINCE - Quince sells luxurious, ethically-made clothes and bedding at an affordable price. Transition your bed for the season with soft, breathable bedding from Quince. Go to Quince.com/sleep to get free shipping and 365-day returns on your next order. MINT MOBILE - This year, skip breaking a sweat AND breaking the bank. Get your summersavings and shop premium wireless plans at mintmobile.com/sleepwithme (Upfront payment of $45 for 3-month 5 gigabyte plan required [equivalentto $15/mo.]. New customer offer for first 3 months only, then full-price plan options available. Taxes & fees extra. See Mint Mobile for details.)MARLEY SPOON - With their 15-Minute Express Recipes and Ready to Heat Meals, Marley Spoon takes the guesswork out of dinner with delicious meals that you can make quickly. Head to MarleySpoon.com/offer/sleep and use code SLEEP for up to 26 free meals! Learn about your ad choices: dovetail.prx.org/ad-choices
Shakespeare, Appreciated Hamlet; Act 5, Scene 2May 29, 2025 Gideon Rappaport, author of Appreciating Shakespeare, has released a newly annotated edition of Shakespeare's Hamlet. Can modern readers and actors truly grasp Shakespeare's work as he intended? Rappaport believes they not only can, but they must. Click here to follow along with the text. Click here to see the Folio Version. Gideon's Media Connections: Appreciating Shakespeare Shakespeare's Real Take Gideon's podcast
We're switching things up for this episode of Cinebuds and talking about … the theater!OK, sure, Dori and Kpolly talk about theaters all the time in the context of movies. For this installment, they're talking about live theater being brought to movie theaters to give audiences the chance to experience live theater while sitting in a movie theater.Milwaukee Film has done this in the past and recently resuscitated the practice via National Theatre Live, which for 15+ years has delivered the best of British theatre to movie houses around the world. We're talking instantly recognizable names and faces like Benedict Cumberbatch, Michael Sheen, Phoebe Waller-Bridge and Andrew Scott treading the boards in productions of Hamlet, Frankenstein and Vanya.The brilliant Scott gets the spotlight treatment in this episode of Cinebuds, as our movie-loving duo applies some of that adoration to Scott's astounding performance in Vanya. The stage play sees him take on every character in a way few actors can while utilizing subtle shifts in tone, expression and body language, with a little help from creative propwork.You can hear all about Vanya and Scott's sizable undertaking in the full episode of Cinebuds, and find more information on National Theatre Live at the Oriental via the Milwaukee Film website.Cinebuds is sponsored by Joe Wilde Co.
Eduardo Vasco y Lara Grube vienen a hablarnos de 'Viaje hasta el límite', una obra de Luis Martín-Santos escrita en 1953 y ahora en cartel en el Teatro Español hasta el 8 de junio. Ernesto Arias interpreta a Pedro, un empresario que lleva al extremo sus relaciones para saber si lo quieren a él o a su dinero. Con ecos de Sartre y Camus, la pieza explora la codicia, el amor y el efecto Pigmalión en un entorno de posguerra marcado por la alta burguesía.Dani Galindo informa sobre la décima edición del Festival Visibles, que promueve la inclusión y diversidad en las artes escénicas, con una programación que pone en valor las diferencias. Ángela Núñez nos presenta la obra del escultor gallego Rodríguez-Méndez, expuesta en el Centro de Arte Contemporáneo 2 de Mayo de Móstoles. Su trabajo, en constante transformación, desafía los límites del objeto artístico. Agnès Batlle nos lleva al CaixaForum Barcelona, donde José Juan Pérez Preciado comisaría Rubens y los artistas del Barroco flamenco, una exposición con 60 obras que muestran la influencia de Rubens en otros grandes maestros flamencos.Laura García cubre la nueva creación de La Fura dels Baus en el Teatro Cervantes de Málaga: SONS: ser o no ser, una versión inmersiva de Hamlet que mezcla proyecciones, sonido envolvente y contacto directo con el público. Inko Martín adelanta el homenaje de la Orquesta y Coro RTVE al director rumano Sergiu Comissiona, que tendrá lugar el 30 de mayo en el Teatro Monumental. Por último, Martín Llade comenta El poder de la música, de Pedro González Mira, un relato novelado donde un personaje, Gastón, recorre su vida a través de la música, desde la radio de su infancia hasta convertirse en crítico, guiado por Bach, Bartók o Beethoven.Escuchar audio
A collab between the Drunken Spear and Couch in the Dungeon Gaming, as we explore a nmoon in Tales of Vanlig The Phantom Vanguard.All seems well as we start an adventure with a group of younglings in the Hamlet of Oakridge, however that peace is quickly shattered as tragedy falls.
LOUNGE LIZARDS PRESENTED BY FABRICA5 - Visit Fabrica005.com and use code LIZARDPOD at checkout for 10% off THE ENTIRE STORE! Free worldwide shipping from Miami on all orders over $125. See website for more information and terms.Recorded at Ten86 Cigars in Hawthorne, New Jersey the lizards welcome Rob Ayala (Friends of el Habano/FOH, Bond Roberts) and Hamlet Paredes (Cuban Legend, Master Blender, Partagás, Rocky Patel) in-studio for a two and a half hour conversation. The guys smoke Bond Roberts 109 and Bond Roberts Fenómenos, they discuss all things Fabrica5, blending, quality control, the Honduran parallels to Cuban tobacco and the current state of the Cuban cigar market.PLUS: Foursquare 12 Years Aged Private Cask Selection Single Blended Rum, The "Why" of Fabrica5, Hamlet's Storied History, Rob's Perspective on Cuban Cigar Price Increases and the Future, How Sharing Cubans has Changed.Join the Lounge Lizards for a weekly discussion on all things cigars (both Cuban and non-Cuban), whiskey, food, travel, life and work. This is your formal invitation to join us in a relaxing discussion amongst friends and become a card-carrying Lounge Lizard yourself. This is not your typical cigar podcast. We're a group of friends who love sharing cigars, whiskey and a good laugh.website/merch/rating archive: loungelizardspod.comemail: hello@loungelizardspod.com to join the conversation and be featured on an upcoming episode!instagram: @loungelizardspodGizmo HQ: LizardGizmo.com
这期“调戏”栏目推荐 《Grand Theft Hamlet》(《侠盗哈姆雷特》)是一部融合游戏与戏剧的纪录片,讲述两位英国演员在新冠封锁期间,通过《GTA V》(侠盗猎车手5)这个开放世界游戏,在虚拟世界中尝试排演并上演莎士比亚的《哈姆雷特》。影片探索了数字时代的创作自由、即兴艺术与技术的结合,以及隔离中的人类情感与连接。这是一场关于表演、友情与游戏边界的独特实验。观看链接https://www.bilibili.com/video/BV1yiPAeSEbC编辑推荐1.《第11号站》(Station Eleven)这是一部改编自同名小说的末日题材剧集,讲述了一场致命流感疫情后幸存者的故事。豆瓣链接:https://movie.douban.com/subject/34864023/2.《黑帮领地》(MobLand)2025年英国犯罪剧集,由汤姆·哈迪主演,聚焦伦敦两大犯罪家族之间的权力斗争。豆瓣链接:https://movie.douban.com/subject/37252183/3.《混沌少年时》(Adolescence)2025年Netflix推出的英国青春剧集,探讨青少年成长过程中的挑战与社会影响。豆瓣链接: https://movie.douban.com/subject/36820950/ Hosted on Acast. See acast.com/privacy for more information.
El actor, director y productor teatral Sergio Peris-Mencheta cuenta como le ha cambiado, por dentro y por fuera, la enfermedad que sufrió hace apenas un año y que relata en su libro "730 días" editado por planeta. Esas noches oscuras del alma que le han hecho darse cuenta de que, a pesar de que lo tenía todo, no era feliz. "Yo no quería ser el bestia, el grande, el malo de las pelis. Yo quería ser Hamlet, yo quería ser James Dean. yo quería ser Paul Newman". "Ahora me encuentro en un momento de mi vida de redescubrirme, de volver a pasar por, quien en algún momento fui de niño". Además nos invita a ver su nueva obra teatral "Blaubereen" que llegará a los teatros del Canal en Madrid el 5 de junio y estará hasta el 29 del mismo mes con una historia sobre Auschwitz, el campo más letal, donde nos hace reflexionar sobre la banalidad del mal.
Hits by the Original Artists including Doctor Syn Alias The Scarecrow, Cruise Control, Maverick, Hamlet, The Staircase in the Woods by Chuck Wendig, Civilization 7, Devil May Cry anime, The Accountant 2, Daggerheart TTRPG, Phantasmagoria, AI Vader in Fortnite, the Terrifier Academic Conference, Sesame Street on Netflix, Highlander moves to Amazon, Disney's next theme park, the first true IMAX movie, and the Street Fighter movie ramps up. So, no COD's, it's time for a GeekShock!
Abigail Thorn (The Acolyte, House of the Dragon) and the lads stand up for their beliefs and just kinda drive around New Mexico as they cover the 2014 evangelical political thriller: Persecuted. Topics include passion plays, the art of selling evangelicalism, and what it means to build your entire theological identity around whining like a smol bean. Abigail Thorn: Bluesky // Instagram The Prince: A transformative new play that has everything: sword fighting, lesbianism, Hamlet, and disappointed parents. Available on Nebula. Philosophy Tube: Giving away philosophy degrees for free! Youtube // Nebula // Patreon Kill James Bond! is a comedy film review/ pop culture commentary podcast about the portrayal of masculinity in cinema. November Kelly, Abigail Thorn, and Devon have watched Bond movies, War on Terror movies, Eurospy movies, and now they take on their biggest task yet: Heist Movies. What can Heat, Oceans' 11, and the Fast and Furious movies teach us about how masculinity was imagined by the people who created them? What does that say about Society? Free episodes are released every fortnight on all major podcast platforms and bonus episodes are released for supporters on Patreon on the interstitial weeks. Website / Twitter / Patreon Listen on Apple Podcasts / Spotify / Google Podcasts Media Referenced in this Episode: Persecuted. Dir. Daniel Lusko. 2014. TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com Interstitial: “Da Pope” // Written by A.J. Ditty // Feat. Donovan Eyre as “Da Pope”
Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act 5, Scene 2, Part 1, Hamlet is presented with a friendly contest that's likely a trap, but he's ready for whatever comes next. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 1980 Hamlet, starring Derek Jacobi; and the 1996 Hamlet, starring Kenneth Branagh. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Kenneth Branagh and Robin Williams; Hamlet 1948 by Laurence Olivier, starring Laurence Olivier; Hamlet 1980 by Rodney Bennett, starring Peter Gale and Derek Jacobi; Hamlet 1990 by Franco Zeffirelli, starring Mel Gibson; Hamlet 2000 by Michael Almereyda, starring Ethan Hawke; "Coming" by Goldie; Hamlet 2007 by Alexander Fodor, starring Max Davis and William Belchambers; and Hamlet 2009 by Gregory Doran, starring Ryan Gage and David Tennant. Leave a comment, I love to read!
LOUNGE LIZARDS PRESENTED BY FABRICA5 - Visit Fabrica005.com and use code LIZARDPOD at checkout for 10% off THE ENTIRE STORE! Free worldwide shipping from Miami on all orders over $125. See website for more information and terms.Recorded at Ten86 Lounge in Hawthorne, New Jersey, the lizards pair Diplomáticos No. 2 with J.P. Wiser's 18 Years Old Canadian Blended Whisky. The lizards revisit the only cigar this Cuban marca produces, they answer a listener email on a retailer's impact on Cuban cigar prices and they discuss inventory management.PLUS: NY/NJ Travel Nightmares, The Joy in Sharing Holy Grail Cigars, Preview of Rob Ayala/Hamlet Paredes In Studio Next Week & When Do Aged Cigars Peak?Join the Lounge Lizards for a weekly discussion on all things cigars (both Cuban and non-Cuban), whiskey, food, travel, life and work. This is your formal invitation to join us in a relaxing discussion amongst friends and become a card-carrying Lounge Lizard yourself. This is not your typical cigar podcast. We're a group of friends who love sharing cigars, whiskey and a good laugh.website/merch/rating archive: loungelizardspod.comemail: hello@loungelizardspod.com to join the conversation and be featured on an upcoming episode!cuban cigar box codes archive: loungelizardspod.com/codesinstagram: @loungelizardspodGizmo HQ: LizardGizmo.com
Heather, Nick and Matt discuss the 2024 documentary Grand Theft Hamlet, the story of two out of work actors at the height of the pandemic attempting to stage a production of Hamlet within Grand Theft Auto Online. Grand Theft Hamlet is available to stream on Mubi. Our next We Play, You Play: Mother 3 Check out our brand new merch at kinshipgoods.com/getplayed Follow us on social media @getplayedpod Music by Ben Prunty benpruntymusic.com Art by Duck Brigade duckbrigade.com For ad-free main feed episodes, our complete back catalogue including How Did This Get Played? and our Premium DLC episodes and our exclusive show Get Anime'd where we're currently experiencing AniMAYhem go to patreon.com/getplayed Join us on our Discord server here: https://discord.gg/getplayed Wanna leave us a voicemail? Call 616-2-PLAYED (616-275-2933) or write us an email at getplayedpod@gmail.com Advertise on Get Played via Gumball.fm All of our links can be found at linktree.com/getplayedpodSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Vanessa Magula wraps up her episodes by taking questions from the Patreon Peeps! This week, she talks about her connection to all three Schuyler sisters including having such a soft spot for Eliza and why performing Satisfied is like playing Hamlet. From owning the room as Angelica, to accessing love through Eliza, and slayingggg that red dress as Maria, Vanessa absolutely LOVES being a standby. Vanessa also talks about her amazing husband Andrew, her newfound love of handbags and their trends, more NYC improv stories (Shitzprobe and Story Pirates), we once again bring it back to Warriors, and we beg the question IS IT TIME FOR AN IN THE HEIGHTS REVIVAL YET OR WHAT?! Vanessa on Instagram /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps
On this episode, we discuss and debate all of the HAMLET film versions we've seen over the years and what makes Shakespeare cinematic! Panel: Kristin Battestella, Amy Thomasson Shop merch here: https://insessionfilm.com/store/ Thanks for listening and be sure to subscribe on your podcast app of choice! https://insessionfilm.com/subscribe
Phileaux, Godwin, and Winnie are back to save Thrilliam Shakespere's sexy romps from becoming terrible tragedies. This time they must help an emo Prince solve the murder of his father -- only to find they're not the only intruders into the story. Something is rotten in the state of Denmark! Additional Music in this Episode: '"Heavy Drums Bass", "Green Daze", and "Modern Rock Boy" by Jason Shaw: https://audionautix.com/.Center for Reproductive Rights: https://reproductiverights.org/
estival Fever continues this week with a forgotten adaptation and the Venice Film Festival. Tom Stoppard earned his first Tony Award for Best Play for Rosencrantz and Guildenstern Are Dead, an absurdist spoof of Hamlet and various theatre tropes from the perspective of two of the Bard's minor characters. A film version was long delayed … Continue reading "341 – Rosencrantz And Guildenstern Are Dead (Festival Fever!)"