Podcasts about Hamlet

From closing dinner conversations that changed his career trajectory to advising on transactions up to half a billion dollars, Channing Hamlet shares proven strategies for selling businesses at premium valuations through proper preparation, understanding sector-specific value drivers, and creative deal structures. In this episode of the DealQuest Podcast, host Corey Kupfer sits down with Channing Hamlet, Managing Director at Objective Investment Banking and Valuation, who has over 30 years of experience advising business owners on management issues, transaction execution, and business valuation. Channing's firm specializes in lower middle market transactions, typically ranging from $10-25 million up to $100-150 million in value. WHAT YOU'LL LEARN: In this episode, you'll discover how buyer expectations have dramatically shifted over 25 years and why preparation requirements for premium valuations have intensified. Channing explains why clean accounting is no longer optional, how financial projections can make or break your valuation, and the three key value drivers beyond revenue and EBITDA. You'll also learn creative deal structures that can save transactions when traditional financing becomes challenging. CHANNING'S JOURNEY: Channing's path into dealmaking started at the family dinner table, where his father frequently hosted business visitors for dinner conversations about deals and transactions. His pivotal moment came while working at Legg Mason doing M&A, when a patriarch from a third-generation family business pulled him aside at a closing dinner and shared how much the work had changed his family's life. That moment hooked him on helping entrepreneurs and family businesses navigate successful exits. KEY INSIGHTS: In the mid-1990s, private equity firms paid four to six times EBITDA. Today, good companies sell for 10 to 14 times EBITDA, but buyers expect sellers to show up polished and prepared. Channing identifies three major value drivers beyond EBITDA. First, understanding what drives value in your specific sector. Second, building predictability through recurring revenue and systematized operations. Third, clearly articulating your differentiation and unique value proposition. Financial projections matter because selling takes approximately nine months, meaning buyers pay based on projected results, not historical performance. A last-minute budget won't stand up to scrutiny. Channing also shares a creative deal structure where seller financing at 10% interest saved a transaction when traditional bank financing fell through. Perfect for business owners considering an exit in the next 3-5 years, M&A advisors working with lower middle market companies, and anyone wanting to understand what truly drives premium valuations. FOR MORE ON THIS EPISODE: https://www.coreykupfer.com/blog/channinghamlet FOR MORE ON CHANNING HAMLET: https://objectivecp.com https://www.linkedin.com/in/channing-hamlet/ FOR MORE ON COREY KUPFER https://www.linkedin.com/in/coreykupfer/ https://www.coreykupfer.com/ Corey Kupfer is an expert strategist, negotiator, and dealmaker. He has more than 35 years of professional deal-making and negotiating experience. Corey is a successful entrepreneur, attorney, consultant, author, and professional speaker. He is deeply passionate about deal-driven growth. He is also the creator and host of the DealQuest Podcast. Get deal-ready with the DealQuest Podcast with Corey Kupfer, where like-minded entrepreneurs and business leaders converge, share insights and challenges, and success stories. Equip yourself with the tools, resources, and support necessary to navigate the complex yet rewarding world of dealmaking. Dive into the world of deal-driven growth today! Episode Highlights with Timestamps [00:00] - Introduction: Channing Hamlet's journey from family dinner table conversations to investment banking [02:17] - Growing up around business deal discussions and choosing the outdoor life [03:45] - The closing dinner moment that changed everything at Legg Mason [08:19] - How the M&A landscape has transformed over 25 years [10:26] - Why buyer expectations and preparation requirements have increased [18:52] - Understanding sector-specific value drivers through the printing industry example [23:39] - Market outlook for 2023 and beyond [31:43] - The three legs of Objective's valuation practice[40:03] - Finding Objective Capital Partners and getting in touch Guest Bio Channing Hamlet is a Managing Director at Objective Investment Banking and Valuation, focused on leading the firm's valuation advisory service practice and transaction execution for its investment banking services practice. He is a results-driven executive with 30+ years of experience advising owners on management issues, transaction execution, and business valuation. Channing draws on a diverse background that includes direct management experience, strategy consulting, private equity investing, investment banking, and business appraisal experience to advise his clients. He is actively involved in the LA and San Diego business communities and has spoken at numerous organizations including EO. He was chosen as the Investment Banking Visionary for 2022 and 2021 in Banking and Finance magazine. Host Bio Corey Kupfer is an expert strategist, negotiator, and dealmaker with more than 35 years of professional deal-making and negotiating experience. Corey is a successful entrepreneur, attorney, consultant, author, and professional speaker deeply passionate about deal-driven growth. He is the creator and host of the DealQuest Podcast. Show Description Do you want your business to grow faster? The DealQuest Podcast with Corey Kupfer reveals how successful entrepreneurs and business leaders use strategic deals to accelerate growth. From large mergers and acquisitions to capital raising, joint ventures, strategic alliances, real estate deals, and more, this show discusses the full spectrum of deal-driven growth strategies. Get the confidence to pursue deals that will help your company scale faster. Related Episodes Episode 350 - Tom Dillon: When NOT to Take Venture Capital Money: Explore valuation considerations and preparing for exit from a fractional CFO perspective. Episode 330 - Pete Mohr: Building Exit-Ready Businesses: Discover how to build a business that commands premium multiples through systematization and predictability. Episode 332 - John Martinka: Exit with Style, Grace, and More Money: Learn practical strategies for maximizing value when selling your business. Episode 339 - Solocast 74: Exit and Succession Planning: Corey's insights on preparing for successful business transitions and the importance of advance planning. Episode 88 - Internal Succession Deals: Explore options for transitioning business ownership to next-generation leadership. Keywords/Tags business valuation, selling a business, M&A preparation, EBITDA multiples, exit strategy, investment banking, lower middle market transactions, sell-side advisory, company valuation, premium valuation, buyer expectations, financial projections, value drivers, private equity, business sale preparation, transaction execution, family business sale, entrepreneurship, dealmaking, business growth strategies

In dieser Folge von „Pile of Shame“ kommen Sven, Steffen, Torben und Daniel zusammen, um über Spiele zu sprechen, die lange im Regal lagen – den sprichwörtlichen „Pile of Shame“. Im Mittelpunkt steht dabei die Frage, warum bestimmte Titel trotz Interesse nicht auf den Tisch kamen und was sich nach den ersten Partien daran bestätigt oder verändert hat. Als gemeinsamer Rahmen dient ein spielerisches Vorgehen: Zu Beginn wählt jede Person eine Kategorie, die das mitgebrachte Spiel besonders beschreibt, und die anderen versuchen im Gespräch zu erraten, um welchen Titel es geht.Sven eröffnet die Runde mit „Dungeon Up“, einem Print-and-Play-Kartenspiel, das er vor mehr als zwei Jahren über Kickstarter unterstützt hat. Thema ist dabei auch der praktische Teil: Karten müssen zunächst selbst produziert werden, bevor es überhaupt losgehen kann. Inhaltlich dreht sich das Spiel um einen Helden, der sich durch einen Dungeon arbeitet, gegen Monster antritt und versucht, den Ausgang zu erreichen. Aufbau und Mechanismen werden Schritt für Schritt skizziert, sodass nachvollziehbar wird, wie das Kartenspiel seine Spannung aus dem Kampf gegen Gegner und dem Fortschritt im Dungeon bezieht.Steffen bringt „Hamlet“ mit, das bei ihm ebenfalls länger ungespielt blieb. Im Gespräch geht es darum, wie das Dorf im Spielverlauf organisch wächst und warum dabei Logistik und Planung eine zentrale Rolle einnehmen. Neben dem System aus Wegen, Gebäuden und Versorgungsketten werden auch die Produktion und das visuelle Detailniveau angesprochen – ebenso wie die Frage, wie stark sich Mitspielende gegenseitig beeinflussen, wenn das Dorf größer wird und Abläufe ineinandergreifen.Torben ergänzt die Auswahl mit „Forgotten Waters“, einem semi-kooperativen Abenteuerspiel mit Piraten-Thema. Hier steht der Spagat zwischen gemeinsamer Reise und individuellen Zielen im Fokus: Alle arbeiten am Fortschritt der Geschichte, verfolgen aber zugleich persönliche Vorgaben. Thematisiert werden außerdem die App-Unterstützung und die Art, wie Interaktion am Tisch entsteht – gerade dann, wenn Entscheidungen nicht nur den eigenen Charakter, sondern die gesamte Crew betreffen.Im weiteren Verlauf streift die Folge auch Wettspiele und die Dynamik, die dadurch in großen Runden entstehen kann. „Ready, Set, Bet“ kommt als Beispiel dafür auf den Tisch: Live-Wetten, schnelle Entscheidungen und der ständige Blick auf den Rennverlauf sorgen dafür, dass sich Partien stark über die Gruppe definieren. Die Runde ordnet ein, warum solche Spiele besonders dann funktionieren, wenn viele Personen am Tisch sitzen und die Entscheidungen im Takt des Spiels fallen müssen.So entsteht eine Folge, die nicht nur Titel vorstellt, sondern vor allem den Austausch darüber in den Vordergrund rückt, weshalb Spiele liegen bleiben – und was passiert, wenn sie dann doch endlich gespielt werden.

Don't miss any of the fun! Full episode available on Fun For All Ages. Links below Subscribe now on  Apple ⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/fun-for-all-ages-with-frank-santopadre/id1824012922⁠⁠⁠⁠⁠⁠⁠⁠ Spotify ⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/18EQJNDwlYMUSh2uXD6Mu6?si=97966f6f8c474bc9⁠⁠⁠⁠⁠⁠⁠⁠ Amazon ⁠⁠⁠⁠⁠⁠⁠⁠https://music.amazon.com/podcasts/13b5ed88-d28d-4f0c-a65e-8b32eecd80f6/fun-for-all-ages-with-frank-santopadre⁠⁠⁠⁠⁠⁠⁠⁠ YouTube ⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/playlist?list=PLgvlbF41NLLPvsrcZ9XIsYKkH_HvUXHSG⁠⁠⁠⁠⁠⁠⁠⁠ iHeart ⁠⁠⁠⁠⁠⁠⁠⁠https://www.iheart.com/podcast/269-fun-for-all-ages-with-fran-283612643/⁠⁠⁠⁠⁠⁠⁠⁠ TuneIn ⁠⁠⁠⁠⁠⁠⁠⁠http://tun.in/pxOWO⁠⁠⁠ The "Amazing Colossal Podcast" holiday tradition marches on as Frank is joined by old friend Mario Cantone and comedian-actress Susie Essman to talk about the best (and worst) Christmas movies on TCM, the secret life of Frosty the Snowman, the musical genius of Irving Berlin and Leslie Bricusse, the existential crisis of "It's a Wonderful Life" and the conclusions of "Curb Your Enthusiasm" and "Sex and the City." Also, Jerry Seinfeld plays Hamlet, Susie asks for a Patti Playpal, Mario praises the "Miracle on 34th Street" remake and Frank salutes Gilbert with "The Twelve Jews of Christmas." PLUS: "The Shop Around the Corner"! The return of "Yule Be Sorry!" Mario "outs" Yukon Cornelius! The brilliance of "How the Grinch Stole Christmas!" And the panel remembers the talents of Bob Einstein, Willie Garson and Richard Lewis! Learn more about your ad choices. Visit megaphone.fm/adchoices

Joe, James and Rhys take a look at Franco Zeffirelli's 1990 movie, HAMLET, based on the Shakespeare play of the same name and starring, er, Mel Gibson. ALSO: Pluribus, Murderbot, Radiohead (!?) and more!You can get this episode ad-free by signing up at http://patreon.com/cinematicuniverseNOTE: We recorded this before the shocking death of Rob Reiner. Suffice to say we're all horrified, and expect to talk about his work and our collective love of it on a future episode. Hosted on Acast. See acast.com/privacy for more information.

James Gunn has announced the actor playing Brainiac in Man of Tomorrow, the sequel to Superman, and the role is going to Lars Eidinger. In this quick update, we break down who Eidinger is, why his background as a major German stage actor stands out, and what that might mean for the way Brainiac is portrayed.We also talk through the classic Brainiac vibe, the “smarter than Lex” angle, and why this casting choice could lean into a colder, more philosophical version of the character.00:00 New Brainiac casting announced for Man of Tomorrow00:20 Who Lars Eidinger is and what he's known for00:37 Why a stage actor could shape Brainiac's voice and presence00:43 What you think about this castingJames Gunn revealed Lars Eidinger as the new Brainiac for Man of Tomorrow.Eidinger's résumé includes major stage work, including roles like Hamlet and Richard III.The casting could point to a Brainiac that feels calculated, philosophical, and genuinely intimidating.A strong “presence” villain is exactly what you want opposite Superman and Lex.“We have our new Brainiac. It's Lars Eidinger.”“Brainiac is usually the super smart supercomputer, right?”“I wonder if he's going to have, like, a philosopher speaking voice.”“Somebody who can seem smarter than even Lex Luthor.”“What do you guys think about Lars joining the cast for Man of Tomorrow in this version of Brainiac?”If you enjoyed the update, make sure you're subscribed to Geek Freaks Headlines so you never miss a breaking story. Ratings and reviews help a ton, and if you share this episode, tag it with #GeekFreaksHeadlines.GeekFreaksPodcast.com (Source of all news discussed on our podcast)Facebook: https://www.facebook.com/thegeekfreakspodcastInstagram: https://www.instagram.com/geekfreakspodcast/Threads: https://www.threads.net/@geekfreakspodcastTwitter: https://twitter.com/geekfreakspodPatreon: https://www.patreon.com/GeekFreakspodcastGot a take on this Brainiac casting, or a story you want us to cover next? Send it our way on social media and we'll hit the best ones in a future episode.Geek Freaks Headlines, DCU, DC Studios, James Gunn, Superman Sequel, Man of Tomorrow, Brainiac, Lars Eidinger, Casting News, Superhero Movies, DC Comics, Entertainment NewsTimestampsKey TakeawaysMemorable QuotesCall to ActionLinks and ResourcesFollow UsListener QuestionsApple Podcast Tags

PopaHALLics #157 "Ho Ho Pop"On our last episode of 2025, we discuss new movies including the latest "Knives Out" and "Hamnet," and books including a great take on the Lennon-McCartney relationship. Plus Kate looks back at "Buffy the Vampire Slayer"!In Theaters:"Hamnet." Academy-Award winning director Chloe Zhao and author Maggie O'Farrell explore how the loss of a son inspires William Shakespeare's "Hamlet." Starring Jessie Buckley and Paul Mescal.Streaming: "Wake up Dead Man: A Knives Out Mystery," Netflix. In the third installment of Rian Johnson's detective series, Benoit Blanc (Daniel Craig, in thumbnail photo) investigates a murder mystery "with biblical proportions" in a small town. With Josh O'Connor, Josh Brolin, and Glenn Close."The Family Plan 2," Apple TV. In this action comedy sequel, the Morgans' trip to London at Christmas is complicated by a "ghost from the past." Starring Mark Wahlberg, Michelle Monaghan, and Kit Harrington ("Game of Thrones")."Buffy the Vampire Slayer," Hulu. Buffy (Sarah Michelle Gellar) and her friends (including Alyson Hannigan and Nicholas Brendon) battle vampires and the terrors of high school in this series (1997-2003).Books:"John & Paul: A Love Story in Song," by Ian Leslie. This fresh take on the Beatles examines Lennon and McCartney's relationship from 1957 to 1980 through songs, both their favorites and their originals."Brightly Shining," by Ingvild H. Rishøi. Two young sisters struggle to make a Christmas for themselves as their father struggles with unemployment and alcoholism."Mr. Splitfoot," by Samantha Harris. This contemporary gothic novel interweaves two timelines, one about two orphans in the 1980s and the other about a mysterious walking pilgrimage decades later.The "fair use" doctrine of U.S. copyright law allows for limited unauthorized use of copyrighted material for purposes such as comment and education.

Here's the second of two mini seasons of crossover episodes with Emily C A Synder and Colin Kovarik of the Hamlet to Hamilton podcast. It's actually second of five, as it follows on from the two part 1560 and All That which came as a mini set. We have been dancing through texts from the medieval up to the reign of Elizabeth on their podcast, and now we're doing the same over on ours - from the end of 1560's into the wilds of the 1570's. It's a case of thinking aloud, and seeing what comes up. Hamlet to Hamilton: Exploring Verse Drama is an educational podcast from TURN TO FLESH PRODUCTIONS Audio Network. Teaching how to write and perform new verse drama.  Hosted by Emily C. A. Snyder.  Edited by Colin Kovarik. SEASON ONE: Writing Verse Drama SEASON TWO: Arthur Through the Ages SEASON THREE: Soliloquy SEASON FOUR: The Origins of English Verse Drama - which is with us! Hamlet to Hamilton website - http://www.hamlettohamilton.com/ Support H2H at their patreon - https://www.patreon.com/hamlettohamilton Our patrons received this episode in May 2024 - 19 months early! The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

Nghe trọn nội dung sách nói Yêu Một Người Khó Lắm trên ứng dụng Voiz FM: https://voiz.vn/play/6726/ “Yêu một người khó lắm!” – tựa sách như một lời thổn thức, vừa buồn vừa rực rỡ, của thanh xuân chúng mình. Bởi nếu ai sinh ra cũng dễ dàng tìm thấy tình yêu đời mình và hạnh phúc trọn vẹn mãi mãi, thì có lẽ trên đời này đã chẳng còn nhạc, còn thơ, hay văn chương để cất lên nỗi niềm của con tim. Ít nhất, chúng ta đều từng đau chung một nỗi đau – nỗi đau của nhân thế muôn đời. Cuốn sách gồm 10 truyện ngắn nhẹ nhàng và sâu lắng. Nổi bật có “Người chữa trị trái tim” – câu chuyện về hành trình tìm lại tình yêu đầu đời của Mai, cô gái trẻ “cứng đầu” với hình bóng chàng trai năm xưa; “Chiếc xe đạp gỗ nhỏ” – bài học về sự trân trọng hạnh phúc đang có; và “Yêu một người khó lắm” – hành trình đầy cảm xúc của Trung trong nỗ lực chinh phục lại người yêu cũ. Mỗi truyện là một lát cắt của yêu thương, của mất mát và trưởng thành. Tại ứng dụng sách nói Voiz FM, sách nói Yêu Một Người Khó Lắm được đầu tư chất lượng âm thanh và thu âm chuyên nghiệp, tốt nhất để mang lại trải nghiệm nghe tuyệt vời cho bạn.--- Về Voiz FM: Voiz FM là ứng dụng sách nói podcast ra mắt thị trường công nghệ từ năm 2019. Với gần 2000 tựa sách độc quyền, Voiz FM hiện đang là nền tảng sách nói podcast bản quyền hàng đầu Việt Nam. Bạn có thể trải nghiệm miễn phí đa dạng nội dung tại Voiz FM từ sách nói, podcast đến truyện nói, sách tóm tắt và nội dung dành cho thiếu nhi. ---Voiz FM website: https://voiz.vn/ Theo dõi Facebook Voiz FM: https://www.facebook.com/VoizFM Tham khảo thêm các bài viết review, tổng hợp, gợi ý sách để lựa chọn sách nói dễ dàng hơn tại trang Blog Voiz FM: http://blog.voiz.vn/ ---Cảm ơn bạn đã ủng hộ Voiz FM. Nếu bạn yêu thích sách nói Yêu Một Người Khó Lắm và các nội dung sách nói podcast khác, hãy đăng ký kênh để nhận thông báo về những nội dung mới nhất của Voiz FM channel nhé. Ngoài ra, bạn có thể nghe BẢN FULL ĐỘC QUYỀN hàng chục ngàn nội dung Chất lượng cao khác tại ứng dụng Voiz FM.Tải ứng dụng Voiz FM: voiz.vn/download#voizfm #podcast #yeumotnguoikholam #hamlettruong

Your backdoor anime hangout had the press media opportunity to watch Mamoru Hosoda's latest film, Scarlet, at the Animation is Film Festival. The plot goes:After witnessing her father's wrongful execution, Scarlet is hellbent on revenge towards her uncle and father's murder, Claudius. However due to Claudius's cunning, he poisons her and Scarlet is brought into a purgatory where the living, the dead, time, and space live all at once. Now in this world, she is determined to escape in the hopes of completing her revenge; however when she is killed in the world, she will be permanently dead. This is Hosoda's most ambitious and potentially divisive film as it utilizes the 2D/3D hybrid animation style inspired from Spiderman: Into the Spiderverse and Arcane while telling an epic loosely adapted from Shakespeare's Hamlet. To discuss and dig deeper into the film's scope, execution, and theme I talk with a fellow geek (or fan) of Hosoda's filmography - “heroofheart”- of the entertainment publication Geek vs Fan. FYI - Spoiler Talk begins on the 31:36 mark.Scarlet will have its theatrical wide release in the beginning of February 2026.In IMAX beginning on 06 February 2026.Wide release on 13 February 2026.More Information on Scarlet's website

"El extranjero", de Albert Camus; y "Los secretos que jamás te contaron" de Albert Espinosa son las lecturas que nos recomienda Miguel. No obstante también nos pondera un par de representaciones teatrales muy singulares que se llevan a cabo estos días en la población. La primera de ellas este mismo domingo 21 de diciembre a las 18:30h. Niños de entre 9 y 11 años representarán el musical "Annie". Y para el 2 de enero, jóvenes de entre 12 y 14 años ponen en escena "Hamlet".Ya de paso, nuestro anfitrión Miguel Gallego nos recomienda encarecidamente disfrutar de la Navidad en Aledo.

Hark! A New BaaM Episode Appeareth  This week on Beer and a Movie, we are joined by Emily Suggs, our most learned and oft-returning guest, for a thoughtful dip into Hamnet—a most modern tale and fictionalized accounting of the writing of Hamlet, now strutting about the awards circuit in fine hose. But lo, Shakespeare hath been borrowed from before. Thus, we turn our gaze unto Shakespeare in Love, and discourse upon inspiration, grief, creation, and the eternal question: what if the bard was, in fact, very horny? Our cups run dry of alcohol this fortnight, yet not of flavor, as we quaff Brooklyn Brewery's Special Effects Grapefruit IPA alongside Best Day Brewing's Galaxy Ripple Imperial IPA—our first parley with Best Day. Same keen analysis. Same merry disputation. Just NA beers, gentlefolk.

On this episode of Hyperion to a Satyr, Siskoid and his guest Ryan Daly discuss the 2018 production of Hamlet, with Andrew Scott (Sherlock, Fleabag) in the title role. Watch it on YouTube: https://www.youtube.com/watch?v=AR28oIFTzNY Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: https://fireandwaterpodcast.com Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with clips from that film, starring Ray Fearon; and the 2018 Hamlet, starring Andrew Scott. Bonus clips: Hamlet (2018), directed by Robert Icke, starring Andrew Scott, Juliet Stevenson, Joshua Higgott, Angus Wright and Jessica Brown Findlay. Leave a comment, I love to read!

Show notes below: Talking Shit With Tara Cheyenne is a Tara Cheyenne Performance Production www.taracheyenne.com Instagram: @TaraCheyenneTCP  /  FB: https://www.facebook.com/taracheyenneperformance Podcast produced, edited and music by Marc Stewart Music © 2025 Tara Cheyenne Performance   Subscribe/follow share through Podbean and Google Podcasts and Apple Podcasts and Spotify.   Donate! To keep this podcast ad-free please go to:  https://www.canadahelps.org/en/dn/13386   Links:   https://bardonthebeach.org/education/   https://www.taracheyenne.com/carry-the-one   https://www.taracheyenne.com/wet-mess-workshop     About Mary: Mary Hartman (she/her) has combined an academic background and experience as a professional actor and director to create opportunities for people all ages to learn through participating in Shakespeare performance. Mary has played a variety of roles professionally including Helena in A Midsummer Night's Dream, Olivia in Twelfth Night, Horatio in Hamlet and Phebe in As You Like It and has directed productions of Shakespeare's plays in extraordinary situations, from a seven-person workshop of Measure for Measure to Julius Caesar with 150 fourth graders. As Director of Education at Bard on the Beach, she has designed and developed many new programs to inspire community through Shakespeare. She has traveled extensively to share strategies through associations of teachers and theatre professionals. She holds a master's degree from King's College, University of London and a bachelor's degree from Dartmouth College, and has received numerous awards and honours.  About Tara: Tara Cheyenne Friedenberg, is an award winning creator, performer, choreographer, director, writer, and artistic director of Tara Cheyenne Performance, working across disciplines in film, dance, theatre, and experimental performance. She is renowned as a trailblazer in interdisciplinary performance and as a mighty performer "who defies categorization on any level". Along with her own creations Tara has collaborated with many theatre companies and artists including; Zee Zee Theatre, Bard on the Beach, ItsaZoo Theatre, The Arts Club, Boca De Lupo, Ruby Slippers, The Firehall Arts Centre, Vertigo Theatre (Calgary).  With a string of celebrated solo shows to her credit (including bANGER, Goggles, Porno Death Cult, I can't remember the word for I can't remember, Body Parts, Pants), multidisciplinary collaborations, commissions and boundary bending ensemble creations Tara's work is celebrated both nationally and internationally.  Tara is known for her unique and dynamic hybrid of dance, comedy and theatre. She is sought after for creating innovative movement for theatre and has performed her full length solos and ensemble works around the world (highlights: DanceBase/Edinburgh, South Bank Centre/London, On the Boards/Seattle USA, High Performance Rodeo/Calgary etc.). Recent works include a collaboration with Italian dance/performance artist Silvia Gribaudi, empty.swimming.pool, (Castiglioncello, Bassano, Victoria and Vancouver), ensemble creation, how to be,  which premiered at The Cultch, and her solo I can't remember the word for I can't remember, toured widely, and her newest solo Body Parts has been made into a stunning film which is currently touring virtually. Tara lives on the unceded Coast Salish territories with her partner composer Marc Stewart and their child. 

Numa atividade como o marketing ou a comunicação, em que há uma tremenda pressão para fazer e fazer depressa, nem sempre é fácil encontrar o espaço para parar, ganhar distância e refletir sobre o que fazemos. É para contrariar esta dificuldade que, no nosso podcast, frequentemente temos convidados ligados à academia. Profissionais para quem esse pensar, esse ganhar distância, não é algo que acontece nos intervalos, mas é a atividade principal.Mas é ainda melhor quando o nosso convidado leva essa capacidade de reflexão e sistematização para áreas normalmente associadas apenas ao talento individual – como é o caso da criatividade. É o que faz o Alexandre Duarte, professor e investigador de referência nas ciências da comunicação, com um foco na criatividade publicitária e na construção de marca. Com uma bagagem de muitos anos como criativo e estratega de comunicação, o Alexandre explica-nos neste episódio como se faz a ponte entre a teoria e a prática, e porque é que ela é tão importante nestes nossos tempos de mudança acelerada.Oiça o episódio e descubra:Qual é a única maneira de se preparar para ser um criativo publicitárioComo mudou o papel da escola numa sociedade em que é preciso estar sempre a aprenderQuais são as 4 – ou 5 – grandes eras do branding, e o que caracteriza aquela em que estamosComo a chegada da IA cria um novo paradigma para a comunicação das marcasO que muda no modelo de vendas quando toda a informação está disponível onlineO que é uma boa ideia e qual é o segredo para as produzirSobre o convidado:Perfil do Alexandre Duarte no LinkedInOficina de PortfolioInstituições mencionadas:IADEUniversidade EuropeiaAPANRestartCannes LionsOrganização Internacional do TrabalhoFederação Portuguesa de Krav MagáConteúdos mencionados:Artigo sobre a evolução do brandingMarketing Business-to-Business: o podcast - episódio #109, com Rodrigo GralheiroEscolas Matam a Aprendizagem - TEDx com Murilo GunCampanha da Vodafone para o Natal de 2022 Sai da Frente GuedesPsy - Gangnam SyleIce Bucket ChallengeHarlem ShakeMannequin ChallengeEvento mencionado:I Conferência Ibero-Americana de Publicidade 2025Empresas mencionadas:TBWADMB&BSaatchi & SaatchiW/BrasilOgilvyBrandia CentralBBDOWTFGalpBarclaysEDPCarrisMarcas mencionadas:Red BullRenaultBMWFordCoca-ColaSuper BockPessoas mencionadas:Pedro BidarraJosé CabaçoWashington OlivettoStefan StagmeisterMurilo GunDavid DrogaKhabane LameJosé MourinhoBill Gates Para continuar a acompanhar-nos vá ao site da Hamlet e fique em dia com a comunicação de marketing B2B no nosso blog e ao subscrever a Newsletter B2B da Hamlet.Siga-nos também no LinkedIn, Instagram e Facebook.

This week Karen Peterson (@karenmpeterson) & Derek Miranda (@DerekMiranda85) sit down to talk HAMNET. As always, featured reviews are done in two parts, a NON-SPOILER review with letter grade and brief discussion, followed by a more in depth SPOILER review. PLOT SUMMARY: William Shakespeare and his wife, Agnes, celebrate the birth of their son, Hamnet. However, when tragedy strikes and Hamnet dies at a young age, it inspires Shakespeare to write his timeless masterpiece "Hamlet." Directed by: Chloé Zhao Written by: Chloé Zhao, Maggie O'Farrell Starring: Jessie Buckley, Paul Mescal, Emily Watson, Joe Alwyn, Jacobi Jupe, Noah Jupe   @TheWatchAndTalk (Twitter/Instagram) Letterboxd.com/TheWatchandTalk Facebook.com/TheWatchAndTalk www.TheWatchAndTalk.com TheWatchAndTalk@gmail.com Support the show! www.Patreon.com/TheWatchAndTalk

Today on Whats My Frame I'm joined by Andrew Fleming. Andrew is a highly accomplished producer, director and screenwriter, most recently known for executive producing and directing the global hit series EMILY IN PARIS. Today Andy and I chat about directing the pilot of EMILY, exploring her world and the exciting new cities and storylines coming to Season 5. A frequent collaborator of Darren Star, Fleming also directed the pilot and additional episodes of Star's series UNCOUPLED, starring Neil Patrick Harris, and directed the pilot and served as executive producer of the Netflix series INSATIABLE, starring Debby Ryan.  On the feature side, Fleming co-wrote and directed the seminal political satire DICK, starring Kirsten Dunst, Michelle Williams, and Will Ferrell as well as cult-favorite genre film THE CRAFT, starring Fairuza Balk, Robin Tunney, Neve Campbell, and Rachel True. He also co-wrote and directed HAMLET 2, which premiered at the Sundance Film Festival, and wrote and directed the Sundance hit film THREESOME, and Paul Rudd/Steve Coogan comedy IDEAL HOME. Fleming was also the director of the Emma Roberts NANCY DREW feature, and the Michael Douglas/Albert Brooks comedy THE IN-LAWS. He has directed the television pilots for such shows as GROSSE POINTE, DIFFICULT PEOPLE, ODD MOM OUT, BAD JUDGE, as well as UNCOUPLED. He has also directed episodes for ARRESTED DEVELOPMENT,  NEW GIRL, RED OAKS, LADY DYNAMITE, YOUNGER & Dolly Parton's HEARTSTRINGS among others. Follow Andrew on IG @andymanf---What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

C'est bientôt Noël et Nicolas vous donne des idées de cadeaux à offrir sous le sapin, de la poésie et du théâtre : Punks de John Keene (Cambourakis) et La Tragédie d'Hamlet de Shakespeare (Gallimard)

Hello, and welcome to The Critic Show.Let's not bother burying the lede. Britain's best in-print periodical and online comment engine is re-launching our podcast — and this time you'll be able to see us, as well as listen.Today we've released the first 4 episodes, which you can watch here. In these first episodes, regular Critics Chris Bayliss, Poppy Coburn, Fleur Meston and I discuss anarcho-tyranny, how the Overton window has shifted on immigration in the last year and whether Britain's economy is fake. There's also an episode with Critic editor Graham Stewart and I, where we discuss the Christmas double issue, the new Critic Essay and the debut piece by Ben Barry, on the decline and fall of the British Army. After that you'll be able to join us every Monday. You can find it here on Outpost - and for full access to the exclusive bonus episodes, subscribe now. Does the world need another podcast? I get it. It must feel like every magazine has a podcast. It must feel like every 25-75 year-old man with a passing interest in culture and politics — and a lingering sense of frustration in life — has a podcast.Well, forget all that. It's like watching St Paul's being built and asking Christopher Wren if London hasn't got enough churches. It's like watching Shakespeare draft Hamlet and asking if the world really needs another play about moody teenagers. It's like hearing Beethoven preparing his Ninth and asking if he doesn't think there are already enough symphonies.Produced in partnership with Outpost Studios, this won't be another chummy centrist political podcast — the kind Ben Sixsmith hates — that regurgitates the week's news. Britain's podcast market is saturated with the offerings of centrist hacks endlessly rehashing whatever has come up in Westminster that week, with no attempt to get under the skin of any story.Rather than chase the news cycle, we're going to do what The Critic does best — leading sacred cows to slaughter. We'll have satire rather than sanctimoniousness, punchy commentary rather than ponderous blather and, crucially, The Critic Show won't be hosted by a man who made the case for invading Iraq or Lewis Goodall.Instead it will be hosted by me, Tom Jones, frequent contributor to these most august pages and owner of both the best hair and the best Donald Trump impression in journalism. I hope you'll join me, as well as all the other varied and talented Critic contributors who will appear on the podcast, as we dig the scalpel of our analysis into the flesh of world events. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.outpoststudios.net/subscribe

Bobby Bones joins Movie Mike to talk about his Top 5 movies he saw in 2025, him going back to the movie theaters for the first time in years and are we seeing the death of movie stars? In the Movie Review, Mike and Kelsey talk about Hamnet starring Jessie Buckley and Paul Mescal. It’s about William Shakespeare and his wife, Agnes, who celebrate the birth of their son, Hamnet. However, when tragedy strikes and Hamnet dies at a young age, it inspires Shakespeare to write his timeless masterpiece "Hamlet." Mike talks about why he thinks it’s in contention for best picture, Kelsey shares why the movie was better than the book and the effect a girl was crying uncontrollably in the theater had on their movie experience. In The Trailer Park, Mike talks about How to Make a Killing starring Glen Powell. The movie is about his character who is the heir to a multi-billion dollar fortune and will go to any lengths to grab everything he believes he deserves. Mike shares why he thinks we might be romanticizing murder a bit too much recently. New Episodes Every Monday! Watch on YouTube: @MikeDeestro Follow Mike on TikTok: @mikedeestro Follow Mike on Instagram: @mikedeestro Follow Mike on X: @mikedeestro Follow Mike on Letterboxd: @mikedeestro Email: MovieMikeD@gmail.comSee omnystudio.com/listener for privacy information.

Send us a textThis week we review the season five episode The Paragon of Animals.Joe thinks Patrick Stewart is great, but still not as good as the Hamlet from Rosencrantz and Guildenstern are Dead, Sarah isn't sure what the Pak'ma'ra agricultural colony does, and Mike gives suggestions about the Season 5 Bingo Card.Spoiler-free discussion: 0:00:00 - 1:03:09Spoiler Zone: 1:03:09 - 1:04:24Next Episode and other Shenanigans: 1:04:24Music from this episode:"Surf Punk Rock" By absentrealities is licensed under CC-BY 3.0"Please Define The Error" By Delta Centauri is licensed under CC-BY 3.0"The Haunted McMansion" By Megabit Melodies is licensed under CC-BY 3.0

Bobby Bones joins Movie Mike to talk about his Top 5 movies he saw in 2025, him going back to the movie theaters for the first time in years and are we seeing the death of movie stars? In the Movie Review, Mike and Kelsey talk about Hamnet starring Jessie Buckley and Paul Mescal. It’s about William Shakespeare and his wife, Agnes, who celebrate the birth of their son, Hamnet. However, when tragedy strikes and Hamnet dies at a young age, it inspires Shakespeare to write his timeless masterpiece "Hamlet." Mike talks about why he thinks it’s in contention for best picture, Kelsey shares why the movie was better than the book and the effect a girl was crying uncontrollably in the theater had on their movie experience. In The Trailer Park, Mike talks about How to Make a Killing starring Glen Powell. The movie is about his character who is the heir to a multi-billion dollar fortune and will go to any lengths to grab everything he believes he deserves. Mike shares why he thinks we might be romanticizing murder a bit too much recently. New Episodes Every Monday! Watch on YouTube: @MikeDeestro Follow Mike on TikTok: @mikedeestro Follow Mike on Instagram: @mikedeestro Follow Mike on X: @mikedeestro Follow Mike on Letterboxd: @mikedeestro Email: MovieMikeD@gmail.comSee omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Early screenings of Chloé Zhao's Hamnet had critics weeping in the aisles Host Alex Heeney left it dry-eyed — and so did her guest, Angelo Muredda. We're Shakespeare fans, long-time film critics, and not exactly immune to a good cry — so in this episode, we try to figure out why the film didn't land. We dig into what works in the film (a short list) and what doesn't (a longer one), where the adaptation of Maggie O'Farrell's novel went awry, and whether having read a synopsis of Hamlet on Wikipedia might actually impede your enjoyment of the film.

De uitzending start met een fragment uit de podcast 'Ergens'. (https://npo.nl/luister/podcasts/1295-ergens) (09:26) Eelco Smits is acteur. Hij zat vijftien jaar bij het Internationaal Theater Amsterdam (voorheen Toneelgroep Amsterdam), waar hij kortgeleden afscheid nam. Smits speelde onder andere in ‘Angels in America', ‘Hamlet' en ‘Geschiedenis van Geweld', waar hij een Louis d'Or voor won. In 2018 ontving hij de Paul Steenbergenpenning voor zijn hele oeuvre. Nu speelt hij in ‘Pride & Prejudice', een theaterbewerking van de wereldberoemde roman van Jane Austen. De theaterbewerking wordt vanuit een queer perspectief verteld. Met gevoel voor kostuumdrama trekken de spelers de wortels van het patriarchaat met brute kracht uit de grond. Nog steeds feestelijk en frivool, maar ook compromisloos, kwetsbaar en eigentijds. Femke van der Laan gaat met Eelco Smits in gesprek.

Hamnet ali kako bi lahko tragedija iz Shakespearovega resničnega življenja navdihnila nastanek njegove brezčasne mojstrovine Hamlet. Fantasy ali spraševanje o svoji lastni identiteti. V oddaji Gremo v kino pa govorimo tudi o festivalu LGBT filma in dogajanju okrog prevzemanja ameriškega medijskega velikana Warnerja Brosa.

This week on the I Hate Critics Movie Review Podcast we talked about an 80s legend brought back to life. A YouTube Channel called Movies of the 80s has uncovered the legend The Krull Wedding Contest from 1983. Jeff is appearing alongside Gremlins Star Zack Galligan and former WCW World Heavyweight Champion, Lex Luger at the Quad City Toy Show July 14th and 15th in East Moline, IL, New Movies this week Five Nights at Freddy's 2 Directed by Emma Tammi Starring Josh Hutcherson, Elizabeth Lail, Piper Rubio, and McKenna Grace One year has passed since the supernatural nightmare at Freddy Fazbear's Pizza. Former security guard Mike has kept the truth from his 11-year-old sister, Abby, concerning the fate of her animatronic friends. When Abby sneaks out to reconnect with Freddy, Bonnie, Chica and Foxy, she sets into motion a terrifying series of events that reveal dark secrets about the true origin of Freddy's. Hamnet Directed by Chloe Zhao Starring Jessie Buckley and Paul Mescal William Shakespeare and his wife, Agnes, celebrate the birth of their son, Hamnet. However, when tragedy strikes and Hamnet dies at a young age, it inspires Shakespeare to write his timeless masterpiece "Hamlet." Classic Shakespeare in Love Directed by John Madden Starring Gwyneth Paltrow, Josef Fiennes, Tom Wilkinson, Geoffrey Rush, Judi Dench, Ben Affleck "Shakespeare in Love" is a romantic comedy for the 1990s set in the 1590s. It imaginatively unfolds the witty, sexy and timeless tale behind the creation of the greatest love story ever told. A young Shakespeare (Joseph Fiennes) is out of cash and ideas, he meets his ideal woman and she inspires him to write one of his most famous plays.

To cream, or not to cream, that is the question: whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous foreskins, or to take arms against a sea of semen and by opposing, edge them. These are the deep questions posed by the new prequel to Hamlet, “Hamnet”, directed by Chloe Zhao. So, did we love this thing, or did it put us to sleep? After all, to sleep, perchance to cream - ay, there's the rub. 0:00 – Introductions 14:21 – “Hamnet” Spoiler-Free Review 59:21 - What We've Been Watching Original Music provided by Kurt Moren https://ofsilent.life/

When novelist Maggie O'Farrell learned that Shakespeare had a son who died just a few years before he wrote “Hamlet” — and that history books barely mentioned it — she wanted to find out more. That led her to write the bestselling novel “Hamnet,” which has now been adapted into a new film starring Paul Mescal and Jessie Buckley. Maggie joins Tom Power to tell us how her Hamnet story came to be, what Shakespeare might have been trying to tell us by naming his play after his son, and why she waited until her own son was past the age that Hamnet was when he died to start writing her novel.

Ronald Young Jr. reviews Hamnet with Daryl Murphy… RYJ and Daryl debate whether or not they're pronouncing Agnes correctly in this movieDM - 4.5 of 5 starsRYJ - 4.75 of 5 starsFollow me on IG, TikTok, Threads, Bluesky, and Letterbxd - @ohitsbigronFollow Daryl on IG and ThreadsAvailable in theatersStarring Jessie Buckley, Paul Mescal, Emily Watson, and Joe AlwynWritten by Chloe Zhao and Maggie O'FarrellDirected by Chloe ZhaoFor more information about Hamnet, check out this linkSupport Leaving The Theater on Patreon using this link

For this week's main podcast review, Megan Lachinski, Josh Parham, Dan Bayer, and Brendan Hodges join me to discuss the latest film from Academy Award-winner Chloé Zhao, "Hamnet," starring Jessie Buckley, Paul Mescal, Emily Watson, Joe Alwyn, Jacobi Jupe, and Noah Jupe. The historical drama film co-written by Maggie O'Farrell, the author of the title novel this film is based on is a largely fictional story dramatizing the marriage between Anne Hathaway (Agnes Hathaway in the novel and film) and William Shakespeare, and the impact of the tragic death of their 11-year-old son Hamnet on their relationship, which inspired Shakespeare's iconic play "Hamlet." The film had its world premiere at the Telluride Film Festival and has been drawing tears from audiences everywhere it plays, including the Toronto International Film Festival, where it won the People's Choice Award. What did we think of it, though? Please tune in as we discuss the story, performances, cinematography, score, whether it made us as emotional as intended, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

We here at the Visually Stunning Movie Podcast love Jessie Buckley, so how much are we going to love her in this fantastically historical piece of fiction?HAMNET125 Minutes, Rated PG-13Written by Chloe Zhao, Maggie O'FarrellDirected by Chloe ZhaoSynopsis:A powerful story of love and loss that inspired the creation of Shakespeare's timeless masterpiece, "Hamlet".Probably a lot, but what about the rest of the movie?~~~~~You can read more reviews and opinions on our website: https://VSMoviePodcast.com.Please LIKE, SHARE, and FOLLOW us on:Facebook (@vsmoviepodcast) (https://facebook.com/vsmoviepodcast)X (@vsmoviepodcast) (https://x.com/vsmoviepodcast)Instagram (@visuallystunningmoviepodcast) (https://instagram.com/visuallystunningmoviepodcast)Threads (@visuallystunningmoviepodcast) (https://threads.net/@visuallystunningmoviepodcast)BlueSky (@vsmoviepodcast.bsky.social) (https://bsky.app/profile/vsmoviepodcast.bsky.social)YouTube (@visuallystunningmoviepodcast) (https://youtube.com/visuallystunningmoviepodcast)Don't forget to SUBSCRIBE to our audio wherever you listen to podcasts (https://shows.acast.com/vsmoviepodcast).And please, if you like what we do, consider helping us keep on entertaining you. Find out how on our Contact/Support page (https://VSMoviePodcast.com/Contact-VSMP/). Hosted on Acast. See acast.com/privacy for more information.

News of Netflix buying WB & Critics Choice Noms opens the show, and then we dive into a full film study review of Chloe Zhao's Hamnet, the sad story of how Shakespeare came to write Hamlet. WB sells to Netflix - 1:01 NON-SPOILER REVIEW: Reception & Awards Profiles - 7:01 Awards Profile Thus Far including Critics Choice Award Noms - 12:01 Movie Watching Stories & Non-Spoiler Script Thoughts - 13:46 Performance Reviews - 18:32 Production Values - 25:07 Oscar Lens & Over/Under for Nominations - 31:29 Spoiler Warning - 38:17 SPOILER FILLED REVIEW: The big emotional scene - 39:05 That Ending & Arguments Against Tragedy Porn - 48:15 7 Stages - 56:55 More Bests and a Few Worsts - 1:01:29 Final Grades - 1:08:19 OUTRO: Please subscribe to our show wherever you get your podcasts and rate, review, like our show to help us grow. https://linktr.ee/mikemikeandoscar Otherwise, stay tuned for more Oscar Profiles, Oscar Race Checkpoints and gambling specials in the near future as we kick awards season into high gear.

Memphis guitarist and Stax Recrds co-founder Steve Cropper died this week. Such a big influence on music - especially my favourite roots music of the sixties. Also paid tribute to reggae pioneer Jimmy Cliff, and Scottish songwriter / educator Adam McNaughton with a couple of songs towards the end of the show (including the condensed "Hamlet". The whole play in 4 minutes to the tune of The Mason's Apron!). Also a Get Well Soon to English troubadour Rory McLeaod, who is recovering from a heart attack. I included lots of new, mostly Canadian, music as well, and local concert previews, of course.

Hendriks, Marc-Oliver www.deutschlandfunkkultur.de, Fazit

MERCHANDISE NOW ON SALE THROUGH 12/31 ANNUAL SUBSCRIPTIONS AVAILABLE THROUGH 12/31   Tom Stoppard, the acclaimed, prolific playwright behind Arcadia, Rosencrantz and Guildenstern are Dead, Rock 'n' Roll and so many other plays, along with the screenplays to Shakespeare in Love, Brazil, and Anna Karenina, has died. He leaves behind a staggering, inspiring, often frustrating body of work that will continue to be seen long after we are gone. We are joined today by Abigail Thorn (The Acolyte, House of the Dragon) to look at the corners of his oeuvre that have spoken to us over the years, and discuss what we can learn from him going forward.   Abigail Thorn: Bluesky // Instagram The Prince: A transformative new play that has everything: sword fighting, lesbianism, Hamlet, and disappointed parents. Available on Nebula.   Philosophy Tube: Giving away philosophy degrees for free! Youtube // Nebula // Patreon   Kill James Bond! is a comedy film review/ pop culture commentary podcast about the portrayal of masculinity in cinema. November Kelly, Abigail Thorn, and Devon have watched Bond movies, War on Terror movies, Eurospy movies, and now they take on their biggest task yet: Heist Movies. What can Heat, Oceans' 11, and the Fast and Furious movies teach us about how masculinity was imagined by the people who created them? What does that say about Society? Free episodes are released every fortnight on all major podcast platforms and bonus episodes are released for supporters on Patreon on the interstitial weeks. Website / Twitter / Patreon Listen on Apple Podcasts / Spotify / Google Podcast

Structured video interviews are becoming a more common for medical-school applicants, and those prompts for a 90-second mini-essay can feel like being asked for a webcam Hamlet on-the-fly. Never fear! In this episode, Drs. Marina and Zulma break down how to craft a crisp personal story, master your nonverbal presence, and avoid the dreaded mid-sentence cutoff.

Since it was penned more than four hundred years ago, Shakespeare's “Hamlet” has been in production nearly continuously, and has been adapted in many ways. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz consider why this story of a brooding young prince has continued to speak to audiences throughout the centuries. They discuss the new film “Hamnet,” directed by Chloé Zhao, which recasts the writing of “Hamlet” as Shakespeare's response to the death of his child; Tom Stoppard's absurdist play “Rosencrantz and Guildenstern Are Dead”; Michael Almereyda's 2000 “Hamlet,” which presents the protagonist as a melancholy film student home from college; and other adaptations. What accounts for this story's hold over audiences, centuries after it was written? “I think it endures because every generation has its version of the incomprehensible,” Cunningham says. “It's not just death—it's politics, it's society. Everybody has to deal with their own version of ‘This does not make sense and yet it is.' ”Read, watch, and listen with the critics:“Hamnet” (2025)“Hamnet,” by Maggie O'Farrell“Hamlet,” by William ShakespeareKenneth Branagh's “Hamlet” (1996) Michael Almereyda's “Hamlet” (2000)“Rosencrantz and Guildenstern Are Dead” (1990)John Gielgud's “Hamlet” (1964)Robert Icke's “Hamlet” (2017, 2022)“Every Generation Gets the Shakespeare It Deserves” by Drew Lichtenberg (The New York Times)“Hamlet and His Problems" by T. S. EliotNew episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices

Hamnet, the acclaimed novel by Maggie O'Farrell, is now a major film. The story imagines the life and death of Shakespeare's son, Hamnet, whose loss would later echo through one of his most famous tragedies, Hamlet. O'Farrell joins director and co-writer Chloé Zhao to reveal how they adapted the novel for the big screen. With Jessie Buckley as Agnes and Paul Mescal as William, the film reframes the Shakespeare family story as one of deep love, rupturing grief, and artistic creation. O'Farrell and Zhao discuss developing the screenplay together, interpreting Shakespeare as a husband and father, building the film's immersive natural world, and shaping an unforgettable Globe Theatre sequence that anchors the emotional arc of the story. O'Farrell and Zhao talk about adaptation, artistry, and how a 400-year-old loss continues to inspire new ways of imagining Shakespeare's life and legacy. From the Shakespeare Unlimited podcast. Published December 2, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. We had technical help from Hamish Brown in Stirling, Scotland, and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

“Get thee to a nunnery!” (…and a movie theatre)   You may have read Hamlet in your Senior English Class, but we promise you've never properly learned about William Shakespeare, the genius playwright behind it.   Hamnet explores love and all its intricacies, guiding Papa Shakespeare to one of the most recognized pieces of literature in the world.   Join us as we discuss the film…spoiler free, in our spoiler free Hamnet review!   Show Open [00:00] Review Round 1 [04:01] Review Round 2 [13:00] Review Round 3 [19:09] Last Looks [22:51] Show Close [26:58]   Thanks for listening!   Please rate, review, and subscribe if you liked this episode!   For all things Popcorn for Breakfast: https://linktr.ee/popcornforbreakfast   Chat with us on Discord: https://discord.gg/7wGQ4AARWn Follow us on Twitch: https://www.twitch.tv/popcornforbreakfast Subscribe to our YouTube channel: https://www.youtube.com/channel/UCeVJZwPMrr3_2p171MCP1RQ Follow us on Spotify: https://open.spotify.com/show/4HhMxftbuf1oPn10DxPLib?si=2l8dmt0nTcyE7eOwtHrjlw&nd=1 Like us on Facebook: https://www.facebook.com/popcorn4breakfast Follow us on Twitter: @pfb_podcast Follow us on Instagram: @pfb_podcast Follow us on TikTok: https://www.tiktok.com/@popcornforbreakfast? popcorn4breakfast.com Email us: contact@popcorn4breakfast.com   Our original music is by Rhetoric, check them out on Spotify: https://open.spotify.com/artist/44JvjuUomvPdSqZRxxz2Tk?si=hcYoSMLUQ0iPctllftAg2g&nd=1

In this week's episode of The Costume House, host Spencer Williams welcomes visionary costume designer Malgosia Turzanska to discuss her latest collaboration with director Chloé Zhao, Hamnet. Spencer and Malgosia explore the power of Agnes's vivid red palette, the organic textiles that root the film in its natural world, and the idea of art as a form of quiet rebellion. They also step behind the curtain of Hamlet, the "play within a film,” diving into the Shakespearean influences that shaped its layered, performance-driven costumes.----Malgosia Turzanska on Instagram: @malgosia_turzanskaSpencer Williams on Instagram: @hautespencerWatch The Costume House with Spencer Williams now, on YouTube: https://youtu.be/dZr6zQAr7O4

In this week's episode of The Costume House, host Spencer Williams welcomes visionary costume designer Malgosia Turzanska to discuss her latest collaboration with director Chloé Zhao, Hamnet. Spencer and Malgosia explore the power of Agnes's vivid red palette, the organic textiles that root the film in its natural world, and the idea of art as a form of quiet rebellion. They also step behind the curtain of Hamlet, the "play within a film,” diving into the Shakespearean influences that shaped its layered, performance-driven costumes.----Malgosia Turzanska on Instagram: @malgosia_turzanskaSpencer Williams on Instagram: @hautespencerWatch The Costume House with Spencer Williams now, on YouTube: https://youtu.be/dZr6zQAr7O4

Hamnet tells the fictionalized account of the lives of William Shakespeare and his wife, played by Paul Mescal and Jessie Buckley. They fall in love, have children, suffer an unspeakable tragedy. When their only son dies, it creates a rift in their marriage and inspires Will to write one of his greatest works–Hamlet. Directed by Chloé Zhao (Nomadland), it does everything it can to make you cry a whole lot.Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopcultureLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

43 aspirantes quieren dirigir la FGR; entre ellos, Ernestina Godoy y Ricardo Peralta  En Volaris, pilotos extranjeros seguirán volando hasta enero de 2026  Papa León XIV lanza mensaje de esperanza por la paz en Medio OrienteMás información en nuestro Podcast

Is there anything more lifeless than a valley full of dried bones? From the skeletal ruins of life that used to be, a collage of hope for the start of Advent. Because here's the thing about hope: it makes the most sense and is the most powerful in the face of the hopeless.Sermon begins at minute marker 2:41 Ezekiel 37:1-14Resources:Hamlet and Horatio come upon two gravediggers who identify a skull as having belonged to Yorick, “Alas, poor Yorick! … a fellow of infinite jest, of most excellent fancy …” from Hamlet, Act 5, Scene 1.Mariame Kaba: “Hope is a Discipline.” from an interview by Kim Wilson and Brian Sonenstein, in Beyond Prisons, January 2018. Published in: We Do This ‘Til We Free Us: Abolitionist Organizing and Transforming Justice, (Haymarket Books, 2021), p. 26-28.Andrea Gibson: “Even when the truth isn't hopeful, the telling of it is.” from Take Me With You.Barbara Kingsolver: “The very least you can do in your life is to figure out what you hope for. The most you can do is live inside that hope, running down its hallways, touching the walls on both sides.” from 2008 commencement address at Duke University, titled “How to be Hopeful”.Jan Richardson, “Blessing of Hope,” The Cure for Sorrow: A Book of Blessings for Times of Grief (Wanton Gospeller Press, 2016), 172-173.Image: detail from “Hamlet and Horatio in front of the gravediggers” (Act.V Sc.I), print by: Eugène Delacroix, British Museum, Public domain, via Wikimedia Commons.

Is this episode better than Hamlet?  Michelle thinks maybe! ;)  Today we discuss one of the most controversial deaths in the series and wear out the "This is Stupid" supercut. SPOILERS for ALL seasons! Looking for earlier episodes? Find our back catalogue here: https://directory.libsyn.com/shows/view/id/theplaidcast We would love to hear from you! Email: theplaidcast@gmail.com Facebook: www.facebook.com/groups/theplaidcast

History has not graced us with many details about Shakespeare as a person, but we do know that he and his wife had three children, including a son named Hamnet who died at the age of 11 in 1596, four years before Shakespeare went on to write his great tragedy “Hamlet.”Maggie O'Farrell's novel “Hamnet” — one of the Book Review's 10 Best Books of 2020, and the source of Chloé Zhao's new movie of the same name — starts from those scant facts, and spins them into a powerful story of grief, art and family steeped in the textures of late-16th-century life.In this episode of the Book Review Book Club, host MJ Franklin discusses “Hamnet” with his colleagues Leah Greenblatt, Jennifer Harlan and Sarah Lyall. Other works mentioned in this podcast:“Hamlet,” “King Lear,” “Macbeth,” “The Winter's Tale,” by William Shakespeare“Little Women,” by Louisa May Alcott“Grief Is the Thing With Feathers,” by Max Porter“Lincoln in the Bardo,” by George Saunders“Fi,” by Alexandra Fuller“Things In Nature Merely Grow,” by Yiyun Li“The Accidental Tourist,” by Anne Tyler“Will in the World” and “Dark Renaissance,” by Stephen Greenblatt“Gabriel,” by Edward Hirsch“Once More We Saw Stars,” by Jayson Greene“The Dutch House,” by Ann Patchett Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Welcome to this episode of Kermode on Film, in which Mark talks with three exceptional actors who appeared on the MK3D show at the BFI Southbank on Monday 17 November 2025.First, Mark is joined by Tamsin Greig to discuss her role in RIOT WOMEN, the fantastic new BBC series by writer Sally Wainwright.Mark then speaks with Felicity Jones about her work in the new feature TRAIN DREAMS.Finally, he welcomes John Simm to talk about his extraordinary work across screen and stage — from HUMAN TRAFFIC to HAMLET, from LIFE ON MARS to DR WHO.If you missed Part 1, featuring Jack Howard, Caroline Goodall, Hannah Onslow, Amy Berg and Christopher Frayling, you can listen to it here: https://shows.acast.com/kermodeonfilm/episodes/jack-howards-caroline-goodall-hannah-onslow-for-the-second-tThanks for listening. Stay safe, and keep watching the skies.----Opening title quotes from:Mary Poppins (Robert Stevenson, Walt Disney Productions – featuring Julie Andrews)Nope (Jordan Peele, Universal Pictures – featuring Keke Palmer)Withnail & I (Bruce Robinson, HandMade Films – featuring Richard E. Grant)The Exorcist (William Friedkin, Warner Bros. – featuring Ellen Burstyn and Linda Blair)These films are essential viewing.Watch them. Love them. Share them.They are masterpieces.Mark Kermode Live in 3D and Kermode on Film are HLA Agency productionsThis episode was edited by Alex Archbold JonesImage by Julie Edwards.© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

This message is part of our Wednesday night series through the book of 1 Timothy, taught by the men of Kirby Woods. Preached on November 19th, 2025 by Lucian Hamlet. Series: The Book of 1 Timothy. Primary Text: 1 Timothy 4:6-16. Join us in person Sundays at 10:30am at 6325 Poplar Ave, Memphis TN or online at https://www.kirbywoods.org/live. Follow us online! Facebook: https://www.facebook.com/kirbywoodsmemphis Instagram: https://www.instagram.com/kirbywoodsmemphis YouTube: https://www.youtube.com/@kirbywoods Podcast: https://kirbywoodspodcast.buzzsprout.com

Stefan and Quinn discuss the role of fate and destiny in two recent films, and how they reflect ongoing human concerns going back to Hamlet and Oedipus Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Substack: https://jmylesoftir.substack.com/.../the-money-will- roll...   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/

Episode 195 Last time I completed my review of ‘Hamlet', although it is probably wrong to say that one's thoughts on Hamlet are ever complete. I am not alone in finding that every time I see the play, and it is I think, as it is for many, the Shakespeare play I have seen most often, I find something new in it to think on. To complete this quartet of episodes on the play we have the second part of my conversation with Colin David Reese about the play and in this segment, which is much shorter than the previous conversation, we focussed on the character of Polonius, although as you will near Colin also brought in other thoughts generated by the play and his knowledge of other Shakespeare plays. I certainly was not expecting to hear about ‘The Taming of the Shrew' in the context of this conversation, but I'm glad we went there and it just illustrates how any Shakespeare conversation can lead you to all sorts of places. Before we get to Colin's thoughts, I thought I would share with you some of the views of the play and Polonius from critics and commentators from the past. This is, of course, a tiny selection given the vast amount that has been written about Hamlet, but they are pieces that I have come across and found particularly interesting. If this piques your interest in Shakespeare criticism through time I have produced a series on that very subject for members on Patreon where I traced criticism and praise for Shakespeare from the praise poems in the First Folio to the 19th century romantics. To find out more about that just pop over to the website or to patreon.com.John DrydenSamuel JonsonSamuel Taylor ColeridgeWilliam HazlittA C BradleyColin Dave Reese on PoloniusColin's Website and access to ‘Shakespeare Unbound: A Gift to the Future': https://shakespeareunbound.orgSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Merriam-Webster's Word of the Day for November 14, 2025 is: heyday • HAY-day • noun Heyday refers to the period of one's greatest popularity, vigor, or prosperity. It is usually used in the singular. // In its heyday, the circus was a major form of entertainment for the small town. See the entry > Examples: "In its heyday, there were more than 200 Chi-Chi's nationwide; the last restaurant closed in 2004." — Nicole Hvidsten, The Minnesota Star Tribune, 1 Oct. 2025 Did you know? The day in heyday originally had nothing to do with the kind of day that's made up of 24 hours. Heyday was first used in the first half of the 16th century as an extended form of the interjection hey, used since the 13th century to express elation or wonder, as it still often is in phrases like "hey, look at that!" The day part was most likely just an extra syllable tagged on for effect. By the end of the 16th century heyday had developed noun use with the meaning "high spirits," as when Shakespeare's Hamlet tells his mother, "You cannot call it love; for at your age / The heyday in the blood is tame …” It wasn't until the 18th century that the day syllable's resemblance to the word day likely influenced the development of the now-familiar use referring to the period when one's achievement or popularity has reached its zenith.