Podcasts about Hamlet

For Episode 481, Amy Kim, Josh Parham, Dan Bayer, and Ben Langford join me for a jam-packed episode two weeks before the 98th Academy Awards. We discuss the fallout from the BAFTA Awards, including the John Davidson controversy, the seismic news of Paramount purchasing Warner Bros. Discovery, the Producers Guild of America (PGA) winners, along with the American Cinema Editors (ACE), Art Directors Guild (ADG), and Visual Effects Society (VES) award winners this week. We also give our predictions for what we feel will win tonight's Actor Awards and reveal the winners for our 2025 NBP Film Awards (You can see the Community Winners here). For the Actor Awards, in last week's poll, we asked everyone, "Which Was Your Favorite Oscar-Nominated Acting Performance Of 2025?" and now, for this week's poll, with our final Oscar winner predictions episode approaching next week, we're asking, "Which Film Do You Think Should Be The Next Best Picture Oscar Winner?" We also give our reactions to the trailers for "The Christophers," "Hamlet" (Yes, another one), "Mortal Kombat II," answer your fan-submitted questions, and more. Thank you all for listening, supporting, and subscribing. Enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Hear ye, hear ye! Gather around for ye olde podcaste! Forsooth, we gather here today to discuss the tragedy of "Hamnet," the 2025 film by Chloe Zhao. Open your heart and prepare for a real witchy movie about some guy named William Shakespeare and some play called Hamlet. Plus, a special guest tells us about her experience at the LA premiere for this movie, Chloe Zhao's breathing exercises, and almost fainting during this movie. And the rest is silence!

Pete and Joseph get sad together this week as they review another Best Picture nominee, Hamnet (2025). Chloe Zhao's follow up to Marvel's Eternals shows that she did not fall completely into the studio system, as she brings the viewer on a tale of how William Shakespeare may have written Hamlet. What points in his life led him to pen his classic play? Tune in, then watch for yourselfVisit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/DR93uBACh0khttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass   Email: MCFCpodcast@gmail.comMerch store - https://middle-class-film-class.creator-spring.com/    Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerAngry Otter (Michael)Joseph Navarro     Pete Abeyta  and Tyler Noe

Send a textMaster Shakespeare, are you ready?SHAKESPEARE:As ready as any man may be, entering a room where love is examined like evidence.GEORGE:That's exactly it. Because what happens here is not romance. It's a controlled experiment—and Ophelia is the instrument.GEORGE:Let's start with the setup. Claudius and Polonius plan to spy. They stage-manage Ophelia. They put a book in her hands. They position her.What's the moral temperature of this plan?SHAKESPEARE:Cold. And convenient.They call it “care for her.” They call it “care for the prince.”But the act is simple: they use her presence to harvest Hamlet's secrets.GEORGE:And what's chilling is how normal it seems to them. “We'll just hide over here.”It's like a household trick.SHAKESPEARE:Power always wishes to be ordinary.If it feels ordinary, it feels permissible.GEORGE:So right away, Ophelia enters a room where her feelings aren't the point. Her feelings are the bait.GEORGE:Now—Ophelia. I want to underline something for listeners: she's not “weak.” She's trained.She has been coached to obey father, brother, court—every authority that tells her what “good” looks like.SHAKESPEARE:A young woman in that world is praised for being governable.They call it virtue.But it is also control.GEORGE:So when Polonius gives her instructions, it isn't just advice. It's a system:“Speak when told. Hold this. Stand here. Offer the tokens.”FourSupport the showThank you for experiencing Celebrate Creativity.

Send a textUp to now, Hamlet has lived inside questions.“Did my uncle really do it?”“Can I trust the Ghost?”“Am I being manipulated?”“Am I losing my mind—or pretending to?”Act 3 Scene 2 is the moment Hamlet says, in effect:“I'm done being uncertain. I'm going to test the truth.”In other words, Hamlet creates a situation where Claudius either sits calmly… or cracks.What makes this scene so powerful is that Hamlet is doing two things at once.One: He wants evidence.Two: He wants to feel power again.Because Hamlet has been watched, managed, and fenced in.So now he decides to flip the arrangement.Now he watches.Now he controls the room.Now he designs the moment.And that leads us to one of the best surprises in the play:Hamlet suddenly becomes a director.He lectures the actors about how to perform—not too big, not too fake, not too showy.Support the showThank you for experiencing Celebrate Creativity.

Professor Ronan Hatfull literally wrote the book on the Reduced Shakespeare Company. His new book from Bloomsbury/Arden – Shakespeare in the Theatre: Reduced Shakespeare Company – is the very first full-length study to be published about the RSC. Focusing specifically on our Shakespearean reduction and adaptation, Ronan's book examines the origins and evolution of the company through the creation of The Complete Works of William Shakespeare (abridged), The Reduced Shakespeare Radio Show, William Shakespeare's Long Lost First Play (abridged), and The Comedy of Hamlet! (a prequel). Ronan shares his methodology; how he wanted to make his book accessible to the general reader; how he learned that the RSC carries on the 17th-century tradition of “drolls”; how the RSC injected a bit of danger and the unexpected into Shakespeare and influenced various folks like the Q Brothers and Potted Potter creator Daniel Clarkson; and how for a limited time, Arden Shakespeare is offering to RSC fans a 35% discount on the hardcover edition of the book! (Length 24:54) The post Reduced Shakespeare Book appeared first on Reduced Shakespeare Company.

Recorded - 2/22/2026 On Episode 360 of the Almost Sideways Movie Podcast, we review the latest Glen Powell project before diving into a musical classic from 25 years ago. Does Moulin Rouge! hold up today? Should it have received its Best Picture nomination? Why does Todd hate Ewan McGregor? Here are the highlights:(5:00) "A Hero" - Adam Top 10 Blindspot Review(8:30) "Left-Handed Girl" - Zach Pinot Nominee Review(13:30) "After Dark, My Sweet" - Todd Director Blindspot Review(17:00) "Hamlet" & "Crime 101" - Terry Reviews(23:10) "How to Make a Killing" - Featured ReviewMOULIN ROUGE! 25TH ANNIVERSARY DEEP DIVE(39:00) "Moulin Rouge!" Trivia(57:40) First Impressions(1:28:30) Mt. Rushmore: Imaginary Characters(1:39:30) Recasting "Moulin Rouge!"(2:01:00) Highest WAR, Worst Performance, Minor Character Triumvirate(2:23:00) Tripod of Depravity, Best Scene, Gripes and Conspiracies(2:42:40) LVP, MVP, Quote of the DayFind AlmostSideways everywhere!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠almostsideways.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/AlmostSidewayscom-130953353614569/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AlmostSideways Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideways⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Terry's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideterry⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zach's Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: https://letterboxd.com/pro_zach36/Todd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Too Cool for Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adam's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @adamsideways⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber⁠⁠⁠⁠⁠⁠

We continue with The HAMLET Project, where we explore one scene (or section) of Shakespeare's Hamlet - one month at a time. To our knowledge, this is the first long-form, open rehearsal of this play available online! So yes, something new with Shakespeare.

Send a textGEORGE:So right away: the scene begins with the king and queen acting like concerned parents. But it feels… staged. SHAKESPEARE:Because it is staged.Mark their language: they crave a cause, a label, a tidy diagnosis — “What ails him?”Yet their hands are already in the plot. They have hired watchers.Concern and control wear the same cloak here.GEORGE:And the watchers are Rosencrantz and Guildenstern — Hamlet's old friends.Let me ask bluntly: are they villains?SHAKESPEARE:They are instruments.Not grand villains with black banners — rather men who wish to please authority and keep their place.In a court like this, friendship becomes employment.And employment demands a report.GEORGE:So Claudius says, “Spend time with Hamlet, figure out what's wrong,” but the real job is: Find what he knows. Find what he intends.SHAKESPEARE:Aye.And I make it plain: they are sent for.They are not there by chance. They are summoned, instructed, rewarded.Support the showThank you for experiencing Celebrate Creativity.

This one has had a chance to mature as I got my act together, but it's a real gem as Liv and I cover Grand Theft Hamlet, a truly wonderful exploration of theater, COVID, sociality, and community. Genuinely an amazing piece and I hope you enjoy our conversation about it -- you can watch it on mubi! Learn more about your ad choices. Visit megaphone.fm/adchoices

Suzy Eddie Izzard is a Tony-nominated actor, stand-up comedian, multi-marathon runner and one-time political candidate. Now, she's performing a solo adaptation of Shakespeare's Hamlet at the CAA Theatre in Toronto, in which she plays all 23 characters. Suzy joins guest host Garvia Bailey to tell us about the challenges of doing Hamlet solo, why she was especially keen to breathe new life into Shakespeare's female characters, and why conventional beauty is like winning the acting lottery.

-Trivia- What was Jack Nicholson's character's profession in The Crossing Guard? -Reviews- The Rip Anaconda Primate Hamnet -Trailer Addict- Masters of the Universe Disclosure Day Spider-Noir  

Welcome back to the 270th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 270th episode we have an episode of “The Cup: Editorial” in which Co-Artistic Producers Ryan Borochovitz and Mackenzie Horner pull together various threads that have been on our mind around the topic of Shakespeare on film prompted in part by the Oscar buzz around Chloé Zhao's Hamnet. What does it mean for a movie to be (or not to be) Hamlet? Is Disney's The Lion King really as Hamlet-ish as your cool English teacher would have you believe? What are some pitches for new Shakespearean film adaptations we'd like to see? Join Ryan Borochovitz and Mackenzie Horner, as they discuss everything from Hamnet to Hamlet, Burton to Branagh, and Pride Rock to pumpkin pants. Follow our panelists: Mackenzie Horner – Instagram: (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: @BeforetheDownbeatApple Podcasts: https://apple.co/3aYbBeNSpotify: https://spoti.fi/3sAbjAuRyan Borochovitz – [Just send all that love to CoH instead; he won't mind!]; if you enjoy his theatre thoughts, more can be found at https://nextmag.ca/search/borochovitz Follow us on Instagram/Facebook/Twitter: @cohtheatreIf you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.comCHAPTERS: 0:00 – Intro: no hat upon his head (2.1.89)2:36 – The Topic at Hand9:14 – To be (or not to be) Definitive 19:59 – Hamnet (Non-Spoilers) 24:45 – Weird Hamlets & Classic Hamlets 31:19 – Hakuna Matata 50:17 – To be (or not to be) Hamlet 1:11:42 – The Northman 1:17:22 – End of Act 1 1:21:40 – Let's Do Some Fun Buzzfeed 1:22:30 – M1: Merry Wives of Windsor (dir. Paul Feig) 1:26:38 – R1: Bikebeth (dir. Robert Lepage) 1:32:52 – M2: Bike-us Andronicus 1:38:24 – R2: Denzel's Othello 1:41:05 – M3: Richard II 1:47:04 – R3: Comedy of Error (dir. NOT Joss Whedon) 1:51:30 – M4: A Claymation Night's Dream 1:53:40 – Conclusion: What Can You Do Differently? 1:57:36 – Sign Off

Send a textToday we're in Hamlet, Act 1, Scene 5 — the scene where the ghost finally speaks.And I want to emphasize something from the start:The ghost's message doesn't just give Hamlet information.It changes Hamlet's operating system.It changes what Hamlet thinks the world is.It changes what Hamlet thinks he must do.And it changes what kind of person Hamlet is allowed to be from this moment on.[Music sting]Segment 1 — What happens in the scene (plot, slowly and clearly)GEORGE:Master Shakespeare, let's begin with the basic plot of Act 1, Scene 5. Hamlet has followed the ghost away from Horatio and Marcellus. What happens next?SHAKESPEARE:The dead speaks.The son listens.And the world is no longer the same.GEORGE:Here's the plot in plain language:Hamlet is alone with the ghost.Support the showThank you for experiencing Celebrate Creativity.

Send a textToday we're in Hamlet, Act 1, Scene 4.Act 1, Scene 2 gave us the court saying, “Get over it.”Act 1, Scene 3 gave us family advice that's really control.Now Scene 4 takes us back to the battlements — the cold night air — where the play asks a different question:When truth appears in an unsettling form…Do you follow it?GEORGE:Master Shakespeare, we've moved from court politics and family warnings back to the night watch. Why return to the battlements now?SHAKESPEARE:Because the day has done its work.Now the night may speak.GEORGE:Let me paraphrase that for listeners:Daytime Denmark is where people control the story.Nighttime Denmark is where the story refuses to be controlled.And Hamlet arrives here already loaded.He's grieving. He's disgusted. He's isolated.And now he's standing in a place where the living expect the dead.Support the showThank you for experiencing Celebrate Creativity.

Nick Jeffery read Robert Browning's The Ring and the Book, a Victorian epic poem about a murder mystery in 17th Century Italy, to test a theory. John Granger's best guess after surveying the chapter headings of Hallmarked Man last September was that, of all 77 sources for the 139 epigraphs in Strike8, Browning's poem was the most likely to hold a secret message or special meaning inside it. John had said something similar about another Browning poem and Ink Black Heart, Elizabeth Barrett Browning's Aurora Leigh, and Nick had confirmed that through his own reading and confirmation by Rowling herself. He thought John's track record of spotting important epigraph sources merited a test reading.He published his findings on Friday in a post titled ‘The Ring and The Book – A Rowling Reading.' In brief, the murder in Browning's poem is a point-to-point model for the Ironbridge murder mystery in Hallmarked Man with characters in Rowling-Galbraith's book — most notably, Chloe Griffiths, Tyler Powell, and Ian Griffiths — having their astonishing equivalents in Ring. The less obvious but more important links between the two are in their implicit feminism and other messages: Both works critique abusive relationships and patriarchal power: Guido's control of Pompilia and Dino Longcaster's control of Decima Mullins. The legal system (Books 8–9 especially) is satirized as formalistic, pedantic, and often blind to moral reality. True justice requires personal moral intuition beyond mere evidence or procedure. The Pope's monologue (Book 10) weighs this tension most profoundly. In The Hallmarked Man the police are slow to act on new information gained by Strike and Robin and Farah Navabi manages to hoodwink the courts into escaping punishment for her part in Patterson's crimes.The Ring and The Book dramatizes the eternal struggle between good and evil. Pompilia embodies instinctive purity, sacrificial love, and spiritual insight despite her suffering. Guido represents sophisticated, calculating evil that twists morality to justify cruelty. Browning affirms that evil exists but that good can somehow arise from or shine through evil's consequences. In The Hallmarked Man evil is real, monstrous, and often cloaked in normalcy or power structures, but it can be exposed and defeated through persistence, intuition, and moral courage.Nick also discusses in this article the chiastic structure of Ring (!) and the ‘conversation' he heard between Robert Browning in this poem with Aurora Leigh, the masterpiece by his late wife. His ‘Rowling Reading' of Ring and the Book, consequently, will soon be a touchstone piece not only in Rowling Studies but Browning Studies as well (#ArmstrongBrowningLibraryAndMuseum @ Baylor). As they have done before with Nick's ‘Rowling Reading' articles. the Hogwarts Professor team recorded their conversation about the piece (listen to their discussions of I Capture the Castle and Aurora Leigh). Seven High Points of that Ring and the Book epigraph conversation include:* Nick's review of why Serious Strikers and Rowling Readers should read The Ring and the Book along with the story of his immersion in it;* John's explanation of why he was so confident that Browning's poem was a template of some kind for Hallmarked Man even though only six of Strike8's 139 epigraphs were taken from it;* Their survey of Rowling's previous work with epigraphs — Deathly Hallows and Casual Vacancy all the way to Running Grave and Hallmarked Man — for works with similar embedded-in-the-epigraph texts and those without one (or in which it hasn't yet been discovered);* Nick's discussion of Rowling's previous comments about epigraphs and her answer to the question, ‘Which Came First, the Epigraph or the Story?';* John's best guess pre-publication about the text that will be the epigraph source in Sleep Tight, Evangeline and which Strike text it will most resemble with its Whiskey Shambles title;* Nick's commitment to exploring Blue Oyster Cult epigraphs in Career of Evil to see if one of that band's albums, all of which supposedly had sci-fi themes and story continuity, served as a text-within-the-text for Strike3; and* John's suggestion that the relationship of Elizabeth Barrett Browning and Robert Browning, a great love with a shared vocation, might be a point of reflection for Serious Strikers as a template for understanding the Strike-Ellacott partnership.Nick and John will be recording their group charting of Hallmarked Man's Part Eight this week with Sandy Hope and Ed Shardlow (and Presvytera Lois?), a survey of readers is in the works, and the long-awaited close look at the Strike series in light of the Cupid and Psyche myth draws ever nearer. Stay tuned!The Ten Questions, Epigraph Charting, and Links to Previous Epigraph Discussions Here and Elsewhere:The Ring and The Book – A Rowling Reading, Nick Jeffery, February 2026Intro to Epigraphs 101, John Granger, September 2022The Heart is Not About Emotions and Affection but the Human Spiritual Center, John Granger, October 2022A Rowling Reading of Aurora Leigh, Nick Jeffery, November 2025Beatrice Grove's Pillar Post Page at HogwartsProfessor.com* Scroll down for Prof Groves' posts about epigraphs and literary allusion in Cuckoo's Calling, The Silkworm, Troubled Blood, and Ink Black HeartLethal White: Ibsen's ‘Rosmersholm', John Granger, December 2018Rowling, Dylan Thomas, and the I Ching: Three Thoughts on Strike7's Epigraphs, John Granger, April 2023‘Deathly Hallows' and Penn's ‘Fruits of Solitude,' John Granger, October 2008The Aeschylus Epigraph in ‘Deathly Hallows,' John Granger, October 2008Maid of the Silver Sea Epigraphs: Louise Freeman Davis' Collected Posts, 2025The Faerie Queene Epigraphs in Troubled Blood* Scroll down the Troubled Blood Pillar Post for the Faerie Queene commentary by Beatrice Groves, Elizabeth Baird-Hardy and John GrangerRobert-Galbraith.com Posts about the Epigraphs in Each Book* Hallmarked Man's Epigraphs: The Poetry* Hallmarked Man's Epigraphs: The Prose* Scroll Down the site's ‘Features' Page for all the other Epigraph PostsAgents of Fortune: The Blue Oyster Cult Story, Martin Popoff, May 2016Pompilia: A Feminist Reading Of Robert Browning'S The Ring And The Book, Anne Brady, May 1988Roman Murder Mystery: The True Story of Pompilia, Derek Parker, January 2001Sleep Tight, Evangeline: Nick Jeffery and John Granger talk with Dimitra FimiHallmarked Man Epigraphs: The Tally SheetMatthew Arnold: 17 poems, 25 epigraphs, 6 from Merope: A Tragedy* 3, 17, 52, 103, 108, 110 (Merope), 21, 33, 68, 38, 97, 41, 45, 59, 58, 69, 73, 76, 80, 86, 96, 106, 119, 122, 124Robert Browning: 26 poems, 38 epigraphs including frontispiece, 6 from The Ring and the Book* 44, 75, 62, 64, 102, 118 (Ring and Book), frontispiece, 2, 9, 11, 107, 13, 16, 20, 26, 28, 32, 35, 37, 114, 39, 42, 93, 44, 75, 47, 51, 62, 64, 67, 116, 71, 77, 79, 84, 87, 120, 90, 91, 100, 102, 109, 118, 126A. E. Housman: 5 works, 25 poems, 28 epigraphs, 10 from Last Poems* 1, 5, 7, 53, 19, 92, 56, 65, 74, 105 (Last Poems), 23, 30, 34, 36, 40, 43, 46, 49, 57, 63, 78, 82, 89, 94, 98, 112, 115, 125John Oxenham: 1 work, 26 epigraphs* Parts 1-10, Epilogue, 15, 18, 22, 25, 27, 55, 60, 66, 83, 85, 88, 95, 111, 113, 127 (Maid of the Silver Sea)Albert Pike: 3 works (?), 22 epigraphs, 16 from Morals and Dogma* 4, 16, 12, 121 (Liturgy), 8, 10, 14, 29, 31, 48, 50, 54, 61, 70, 81, 99, 101 (Morals and Dogma), 24, 72 (Ancient and Accepted Rite?)Most epigraphs: Robert BrowningFrontispiece: Robert BrowningMost from one poem: Tie, Robert Browning 6 Ring and Book, Matthew Arnold 6 Merope: A TragedyMost from one novel: John Oxenham 26 Maid of the Silver SeaMost from one didactic or discursive argument: Albert Pike 22 (24?) Morals and DogmaConclusions: Ring and Book your best bet as template, Re-read Maid of the Silver Sea, read Merope: A TragedyTally Sheet of Epigraphs for Ink Black Heart:Poet: epigraph numbers, (total)* Christina Rossetti: 8, 14, 22, 24, 25, 35, 38, 50, 52, 54, 56, 84, 86, 90, 98, 103, 105, 107 (18)* Elizabeth Barrett Browning: 12, 21, 33, 39, 42, 45, 47, 58, 67, 71, 72, 82, 96, 101, 102, 104 (16; all but #s 21 and 58 from ‘Aurora Leigh')* Mary Elizabeth Coleridge: Book, 1, 18, 20, 49, 79, 81, 91, 93, 94, 106 (11)* Emily Dickinson: 11, 31, 53, 58, 59, 65, 70, 76, 99 (8)* Charlotte Mew: 16, 17, 40, 55, 66, 92, 95 (7)* Felicia Hemans: 6, 10, 15, 63, 100 (5)* Amy Levy: 7, 23, 32, 80, 85 (5)* Jean Ingelow: 9, 27, 29, 37, 64 (5)* LEL!: 62, 68, 69, 83 (4); see also Rossetti 52 ‘LEL')* Mary Tighe: 36 (Psyche), 43, 60, 88 (4)* Helen Hunt Jackson: 4, 87, 89 (3)* Joanna Baillie: 13, 21, 34 (3)* Augusta Webster: 44, 48, 51 (3)* Emily Pfeiffer: 3, 75 (2)* Charlotte Bronte: 19, 74 (2)* Adah Isaacs Menken: 30, 57 (2)* Constance Naden: 41, 46 (2)* Mathilda Blind: 61, 97 (2)* Mary Kendall: 73, 77 (2)* Martha Jane Jewsbury: 2 (‘To My Own Heart')* Anne Evans: 28* ‘Michael Field' (Katherine Bradley and Edith Cooper): 78The Heart and Vision epigraphs in Ink Black Heart by chapter number:* Heart: 20, 106 (MEC); 21, 67; 52, 107; 68, 85; 2; 63, 80, 85; 17, 40, 55, 95 (Mew); 19, 74; 27; 30; 36, 60; 87 (23)* Vision: Frontispiece, 1, 49, 81 (MEC); 22, 25, 38, 90, 98 (CR); 59; 3; 34; 95; 57; 88; 48; 46 (17)Tally Sheet of Epigraphs for Cuckoo's Calling:* Frontispiece: Rossetti -- A Dirge* Prologue: Lucius Accius, Telephus* Part One: Boethius, The Consolation of Philosophy* Part Two: Virgil, Aeneid* Part Three: Virgil, Aeneid* Part Four: Pliny the Elder, Historia Naturalis* Part Five: Virgil, Georgics* Epilogue: Horace, Odes* [Closing Poem: Tennyson, Ulysses]Brackets/Latch: 19th Century English poets (see Groves)Most epigraphs: Virgil (3); no other author has more than oneMost frequently referenced work: Aeneid (2), shades in UlyssesCenter of Chiasmus: Aeneid (true if ring has 5, 8, or 9 parts)Turtleback lines: Not evident in authors list, perhaps in meanings of specific epigraphsConclusions:* Read Aeneid to look for Cuckoo's parallels;* Study epigraphs to look for parallelsOnline Literature Review for ‘Epigraphs of Cuckoo's Calling:‘https://robert-galbraith.com/epigraphs-of-the-cuckoos-calling/* 2025 connecting the dots between epigraphs and chapter set to follow (generic)* No mention of Strike as Aeneashttps://strikefans.com/the-cuckoos-calling-epigraphs/* Reprinting of epigraphs without commentary* No mention of Strike as Aeneashttps://thesefilespod.com/blog/the-cuckoos-calling-epigraphs/* Includes a very helpful link to The Rowling Library and an article there about the ‘real world' crime serving as a template for the Landry murder* No mention of Strike as Aeneashttps://mugglenet.wpenginepowered.com/2017/09/literary-allusion-cuckoos-calling-part-1-christina-rossettis-dirge/* Brilliant discussion of the Rossetti poem but curiously without reference to resurrection meaning* No mention of Strike as Aeneashttps://mugglenet.wpenginepowered.com/2017/09/literary-allusion-cuckoos-calling-part-2-tennysons-ulysses/* Brilliant discussion of Strike as Ulysses* No mention of Strike as Aeneas, curious becauseh Virgil models Aeneas on UlyssesThe Ten Questions of This Conversation (Sort Of!)1, (Nick) So, John, I finally wrote up my findings about The Ring and the Book as the story template for Hallmarked Man's murder mystery and, as we did with my posts about Aurora Leigh and I Capture the Castle, let's talk about it, expanding on the correspondences between the Browning poem and Strike 8. The natural place to begin is with your guess about Ring and the Book being a template based on your tally of the Hallmarked Man epigraphs, a theory you shared on our first show post-publication. Can you explain your process and what made you so confident about Ring and the Book?2. (John) Looking at that tally, then, Arnold's Merope and Oxenham's Maid of the Silver Sea are quantitatively more likely equivalents to Aurora Leigh in Ink Black Heart, but the Browning frontispiece, number of his epigraphs, the hidden quality of the Ring and Book poem titles, and the relationship with Barrett Browning made it seem the most likely. That the poem is considered one of the great feminist tracts written by a man didn't hurt. I still want to go back to the Arnold poem, though, because of the centrality of his epigraphs in the center Parts and Oxenham deserves a re-read, too, or just a trip to Louise Freeman Davis site, the home of Oxenham Studies online. What struck me while reading your post, Nick, was in the correspondences you found between Ring and the Book and Hallmarked Man. Can you give us the highlights of that?3. (Nick) The Ironbridge murder mystery, then, is largely lifted from the death of Pompilia. Which is unusual isn't it? Has Rowling-Galbraith ever used her epigraphs to point to the template of her story?4. (John) I think, then, that at least four of the previous Strike novels give us the embedded template, per Beatrice Groves The White Divel and The Revenger's Tragedy (and even Hamlet) gives us important clues about The Silkworm crime, Rosmersholm and its incestuous backdrop inform the murder of Lethal White, the Janus deceiver in Faerie Queene should have been a give-away about the poisoner in Troubled Blood, and, as Rowling confirmed and you demonstrated Nick, Aurora Leigh is the working model for Ink Black Heart. I think the closest Rowling epigraph suggestions to story template was in the Rossetti poem that opens Cuckoo's Calling and the Aeschylus epigraph in Deathly Hallows. What has Rowling said, though, about her epigraph sources? Do they precede the novels or follow the writing?5. (Nick) So it's not one or the other, I think, that is, she has a template in mind and if the source doesn't have sufficient quotable pieces to serve a epigraphs for the whole book, she uses other sources from the genre in play or that highlight her central theme (cf., the Gray's Anatomy heart epigraphs in tandem with the hearty women Victorian poets in Ink Black). What I'm struck by here, though, is the shift in importance of epigraphs to Rowling-Galbraith. The numbers are startling, no, between Cuckoo and Hallmarked?6. (John) Not only do we see a jump from eight or nine epigraphs in Strike1 to 139 in Stike8, but Team Rowling is pushing readers to think more seriously about them by posting reviews of the epigraphs in each book, drawing the dot-to-dot correspondences. I confess the Strike novel whose epigraphs are not like the others, Nick, is Career of Evil and its Blue Oyster Cult lyrics. You've been reading a book about Blue Oyster Cult so I'll defer to you in this despite my great fondness for heavy metal groups with sci-fi themed lyrics...7. (Nick) What about the book we haven't got in hand, John: Sleep Tight, Evangeline? We have been told -- sort of! -- the title is from a 2014 song from an American blues band called ‘The Whiskey Shambles.' Which of the previous epigraph models Rowling has used, from Deathly Hallows to Hallmarked Man, do you think we'll be seeing in Strike9? What are your thoughts on that, especially as the best link we have for Sleep Tight, Evangeline is from a rock and blues band?8. (John) So I hope that we're going to see another Running Grave type epigraph experience in Evangeline, though Grave was unique among Rowling novels and their epigraphs in not having a story-book, poem, or play as its primary source. The I Ching, cannot be a story-template per se because it is a divination tool or means to reflection. Unless you think Pike's Morals and Dogmas Freemasonry encyclopedia qualifies as an equivalent of sorts to the I Ching? That's another outlier, isn't it?9. (Nick) To put a Fourth Generation focus on this, John, we should be looking for a technique that Serious Readers can use for Sleep Tight, Evangeline to hunt for the embedded source if its hidden as were Aurora Leigh and The Ring and the Book. You've found the ones no one else noticed in Ink Black Heart and Hallmarked Man, how did you do that and do you think the same method will work for Cuckoo and Career as well as Evangeline?10. (John) So, yes, I found them but you had the first confirmed by Mrs Murray and then connected the dots between the Browning poems and Rowling's work. If this method is going to work on Cuckoo, Career, and Evangeline it will have to involve a spotter and a shooter, though they can be the same person. The spotter technique is nothing but grunt work; chart the epigraphs used and spot the author most frequently referenced and the work of theirs most frequently cited. The shooter work is actually a lot more involved and interesting; tell us about your experiences with the two Browning's' epic poems, that thrill of discovering correspondences. Do you think that excitement is something Rowling is offering her readers a a treasure hunt or as a point of reflection in terms of meaning? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

Send a textGEORGE:Master Shakespeare, why do we go from the public court scene into this private household scene?SHAKESPEARE:Because the disease is not only in the crown.It is in the rooms of the home.GEORGE:Let me paraphrase that in three ways so it lands:Paraphrase #1 (simple):You're showing us that Denmark's problems aren't only political. They're personal.Paraphrase #2 (blunt):The same habits that make a court dishonest can show up in a family.Paraphrase #3 (image):We leave the palace stage — but we're still inside the same building of power. Just a different hallway.SHAKESPEARE:Aye.GEORGE:Let's lay out the plot of Scene 3 in plain terms.First: Laertes is preparing to leave for France.He gives his sister Ophelia advice about Hamlet.Second: Polonius enters and gives Laertes a long list of fatherly “rules” for life.Third: After Laertes exits, Polonius turns to Ophelia and questions her about Hamlet — and then he gives her orders.So the scene is built like a sandwich:Brother advises sisterFather advises sonFather controls daughterSHAKESPEARE:A neat division.GEORGE:This scene is about warnings.And the warnings are not only about danger.They are about reputation.And reputation is currency in this world.Support the showThank you for experiencing Celebrate Creativity.

Send a textThe scene begins with the king saying - Though yet of Hamlet our dear brother's death The memory be green, and that it us befittedTo bear our hearts in grief, and our whole kingdomTo be contracted in one brow of woe,Yet so far hath discretion fought with natureThat we with wisest sorrow think on himTogether with remembrance of ourselves.Therefore our sometime sister, now our queen,Th' imperial jointress to this warlike state,Now If Act 1, Scene 1 is Denmark at night — cold, nervous, haunted — then Act 1, Scene 2 is Denmark in daylight — warm, ceremonial, confident, and polished.And here's the spine of this scene and the simple phrase that keeps coming back:The court is telling Hamlet, with polite smiles and royal authority, “Get over it.”And Hamlet is thinking, “I can't. And I won't. Because something is wrong.”GEORGE:Master Shakespeare, we begin with a ghost on the battlements — and then we jump into court ceremony and speeches. Master Shakespeare - how does the ghost begin speaking.Ah, Mr. Bartley - My hour is almost comeWhen I to sulf'rous and tormenting flamesMust render up myself.Pity me not, but lend thy serious hearingTo what I shall unfold.Well Master Shakespeare, why place these scenes back-to-back?SHAKESPEARE:Because the world is split, Mr. Bartley.Night shows what day denies.GEORGE:Let me say that again in modern terms:Scene 1 shows you the secret weather of Denmark.Scene 2 shows you the official forecast of Denmark.SHAKESPEARE:Aye.Support the showThank you for experiencing Celebrate Creativity.

Michael Laages www.deutschlandfunk.de, Kultur heute

Practical tips for ego-transcendence.

Send a textMASTER SHAKESPEARE:Good even, sir. I come where questions are sharp and nights are sharper.MR. BARTLEY:And the first question is simple:Why begin Hamlet with guards on watch instead of opening with court life, or the prince, or a grand speech?MASTER SHAKESPEARE:Because the world must feel unsafe before you know why. The audience must stand in the dark with common men—those whose work is to keep danger out. And yet danger comes in anyway.MR. BARTLEY:So the Ghost is a kind of… proof that the job cannot be done?MASTER SHAKESPEARE:Aye. The watch exists to prevent intrusion. Yet what comes is not an army, nor a thief—but a question with armor on.MR. BARTLEY:Let's talk about the Ghost's entrance in this scene. He doesn't speak. He barely does anything. Yet he dominates the stage. How?MASTER SHAKESPEARE:Because he arrives into fear already present. The men are tense before he appears—short greetings, challenges, passwords. Even friendship must announce itself. When the Ghost enters, he does not create fear; he confirms it.MR. BARTLEY:So he's not just a character—he's a verdict.Support the showThank you for experiencing Celebrate Creativity.

I reviews Scarlet (2025) — the stunning animated revenge epic inspired by Hamlet. We break down the plot (no spoilers), voice cast performances, pacing, themes of vengeance vs forgiveness, and why the film's IMAX-scale animation is a must-see—while also calling out the story's biggest weaknesses.

In which, Stephen proves through algebra that Hamlet's grandson is Shakespeare's grandfather.Topics in this episode include Puritanism, whether or not Anne Hathaway became a religious fanatic late in life, Shakespeare's daughter Susanna and her Puritan husband, the squandering of Shakespeare's estate after his death, “Venus and Adonis,” the mystical estate of paternity, Hamlet and paternity, the Sabellian heresy, the authorship question, possible Shakespeare ghost writers, Buck Mulligan's roasts, and James Joyce proves through algebra that he is his own father, just like Jesus and Shakespeare.Support us on Patreon to get episodes early, and to access bonus content and a video version of our podcast. Blooms & Barnacles Social Media:Facebook | BlueSky | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube

Finalmente no ha durado tanto esta historia... ¡Hemos resuelto! A Francesc Miralles lo despertamos para hablar del arte de vivir según Shakespeare. Laura Martínez, como no podía ser de otro modo, hace un repaso por 'Hamnet'y otros 'Hamlet' anteriores. Marta Carillo nos lleva al mundo TikTok para saber más sobre 'Cumbres borrascosas'. 

Fluent Fiction - Danish: Unveiling Secrets at Kronborg: A Fastelavn Mystery Quest Find the full episode transcript, vocabulary words, and more:fluentfiction.com/da/episode/2026-02-18-23-34-02-da Story Transcript:Da: Det er vinter ved Kronborg Slot.En: It is winter at Kronborg Slot.Da: Snefnug svæver ned fra de grå skyer og samler sig på de gamle, stenfyldte mure.En: Snowflakes drift down from the gray clouds and gather on the old, stone-filled walls.Da: Det er Fastelavn, og slottet er fyldt med turister i farverige kostumer.En: It is Fastelavn, and the castle is filled with tourists in colorful costumes.Da: Astrid, slottets guider, står klar til dagens tur.En: Astrid, the castle's guide, stands ready for today's tour.Da: Hun elsker historierne om slottet og håber altid på at finde nye skatte i de gamle rum.En: She loves the stories of the castle and always hopes to find new treasures in the ancient rooms.Da: Freja, Astrids kollega, står ved siden af.En: Freja, Astrid's colleague, stands beside her.Da: Hun er praktisk anlagt og holder sig helst til de kendte stier.En: She is practical and prefers to stick to the known paths.Da: Men i dag er dér noget usædvanligt.En: But today, there is something unusual.Da: Midt i gruppen står Magnus, en turist med stor interesse for danske folkesagn.En: In the middle of the group stands Magnus, a tourist with a great interest in Danish folklore.Da: Han har allerede stillet mange spørgsmål om Hamlet og hekse.En: He has already asked many questions about Hamlet and witches.Da: Turen går godt, indtil de når den gamle lukkede fløj.En: The tour goes well until they reach the old closed wing.Da: Pludselig er Magnus væk.En: Suddenly, Magnus is gone.Da: Gruppen leder, men han er som sunket i jorden.En: The group searches, but he seems to have vanished into thin air.Da: "Han må være blevet væk i forvirringen," siger Freja.En: "He must have gotten lost in the confusion," says Freja.Da: Astrid er ikke så sikker.En: Astrid is not so sure.Da: Der er noget mystisk over hele situationen.En: There is something mysterious about the whole situation.Da: Astrid beslutter sig for at undersøge det selv.En: Astrid decides to investigate on her own.Da: Hun har en plan.En: She has a plan.Da: Hun vil følge eventuelle spor, Magnus efterlod.En: She will follow any trails Magnus left behind.Da: Freja forsøger at overbevise hende om at lade være, at Magnus nok dukker op, men Astrid er fast besluttet.En: Freja tries to convince her to let it go and that Magnus will turn up, but Astrid is determined.Da: Med få spor, bl.a. en gammel billet fundet på gulvet, begiver de sig ud i slottets dyb.En: With a few clues, including an old ticket found on the floor, they venture into the depths of the castle.Da: De når til en lukket sektion.En: They reach a closed section.Da: "Vi skal ikke herind," siger Freja nervøst.En: "We shouldn't go in here," says Freja nervously.Da: Men Astrids nysgerrighed overvinder hende.En: But Astrid's curiosity overcomes her.Da: Magnus' billetter fører dem dybere ind i slottet.En: Magnus's tickets lead them deeper into the castle.Da: Pludselig møder de Magnus, der er i gang med at undersøge en mærkelig gravering på væggen.En: Suddenly, they encounter Magnus, who is examining a strange engraving on the wall.Da: "Der er noget her," siger han ivrigt.En: "There is something here," he says excitedly.Da: I fællesskab finder de en hemmelig dør.En: Together, they discover a secret door.Da: Bag den ligger en skjult kammer, fyldt med gamle effekter fra Fastelavn.En: Behind it lies a hidden chamber, filled with old Fastelavn artifacts.Da: På et bord ligger der en gammel maske, som ser ud til at være knyttet til legender om Fastelavn.En: On a table, there is an old mask that seems to be connected to legends about Fastelavn.Da: Astrid lægger mærke til, at masken bærer symboler forbundet med gamle sagn.En: Astrid notices that the mask bears symbols associated with old myths.Da: De kan alle høre skridt ovenfor.En: They all hear footsteps above.Da: Det er sikkerhed, der leder efter dem.En: It's security, searching for them.Da: "Vi skal hurtigt vise dem, hvad vi har fundet," siger Freja hastigt.En: "We must quickly show them what we've found," says Freja hastily.Da: Da de vender tilbage, er Magnus igen blevet væk, men de opdager ham snart udenfor, desorienteret, men uskadt.En: When they return, Magnus is missing again, but they soon find him outside, disoriented but unharmed.Da: Han forklarer, hvordan han ville finde slottets hemmeligheder, og han blev opslugt af dens mystiske fortid.En: He explains how he wanted to find the castle's secrets and was engulfed by its mysterious past.Da: Fundet af den skjulte kammer bringer ny interesse til slottet.En: The discovery of the hidden chamber brings new interest to the castle.Da: Astrid føler sig mere selvsikker i sin rolle som fortæller af både fakta og myter.En: Astrid feels more confident in her role as a storyteller of both facts and myths.Da: Freja, nu mere interesseret i det mystiske, ser frem til at udforske mere.En: Freja, now more interested in the mysterious, looks forward to exploring more.Da: Og Magnus?En: And Magnus?Da: Han glæder sig over at have vævet gamle historier med nutidens eventyrlyst.En: He delights in having woven old stories with today's sense of adventure.Da: Således slutter en begivenhedsrig dag ved Kronborg Slot.En: Thus ends an eventful day at Kronborg Slot.Da: Historierne lever videre, ikke kun i slottets vægge, men også i de mennesker, der besøger det.En: The stories live on, not only within the castle walls but also in the people who visit it. Vocabulary Words:drift: svæversnowflakes: snefnuggather: samler sigguide: guidertreasures: skattepractical: praktisk anlagtunusual: usædvanligtvanished: sunket i jordenconfusion: forvirringenmysterious: mystiskinvestigate: undersøgetrails: sporclues: spordepths: dybnervously: nervøstengraving: graveringdiscovery: fundhidden: skjultartifacts: effekterlegends: legendersymbols: symbolersecurity: sikkerheddisoriented: desorienteretengulfed: opslugtchamber: kammerconfidence: selvsikkerstoryteller: fortælleradventure: eventyrlysteventful: begivenhedsrigmyths: sagn

Er nannte sich selbst einen "Genuss-Schauspieler" und hat in seiner langen Karriere sowohl den Hamlet, den Puck und Helmut Kohl gespielt. Jetzt ist Lambert Hamel im Alter von 85 Jahren verstorben. 2015 war er zu Gast bei "Eins zu Eins. Der Talk".

Friday means 5-Star Movie Reviews with Andy Peth, and this week delivers a bold triple feature that spans dystopian AI, zombie horror, and anime-inspired revenge. Andy opens with Good Luck, Have Fun, Don't Die, a bizarre, near-future warning about artificial intelligence run amok. While Andy praises Sam Rockwell's brilliant, manic performance and stunning CGI payoff, he doesn't hold back on calling out its flaws. Next up is Cold Storage, where a space fungus turns humans into zombies. Andy highlights solid pacing, fun gross-out effects, and a reliable action turn from Liam Neeson, but Andy can't give it 5 stars. Find out why. The hour wraps with Scarlet, a visually striking anime reimagining of Hamlet featuring a warrior princess caught between vengeance and forgiveness. Andy applauds the epic scale, villain, and emotional weight, but criticizes its heavy-handed pacifist messaging and talky middle. This film will spark debates long after the credits have rolled. The result? Which one, if any are worth your time? Andy breaks it all down. Movie Review Timestamps * 13:35 — Good Luck, Have Fun, Don't Die * 25:56 — Cold Storage * 37:36 — Scarlet HOUR 2 Hour 2 opens with sharp energy as John, Andy, and Richard dive into what went wrong with a Super Bowl that felt more flat than fierce. Was it elite defense—or just an uncompetitive mismatch? And can one brutal game permanently rattle a young quarterback? From there, the conversation pivots into pop culture, Super Bowl commercials, and the bigger question: why does Hollywood feel so uninspired right now? Where did the great romantic comedies go? Why do movies feel longer, heavier, and less fun? Andy argues that weak writing, preachy messaging, and the disappearance of true comedy are draining entertainment of its joy. Then the mood flips. The crew launches into a Valentine's-themed love-song segment packed with movie memories, nostalgia, listener calls, and playful banter. Which songs still hit emotionally? Which movies defined romance for an entire generation? And can classic storytelling—whether in music or film—still connect when modern Hollywood seems to miss the mark? It's funny, opinionated, nostalgic, and unexpectedly revealing. One hour, big questions—about sports, culture, creativity, and what we've lost along the way.

Friday means 5-Star Movie Reviews with Andy Peth, and this week delivers a bold triple feature that spans dystopian AI, zombie horror, and anime-inspired revenge. Andy opens with Good Luck, Have Fun, Don't Die, a bizarre, near-future warning about artificial intelligence run amok. While Andy praises Sam Rockwell's brilliant, manic performance and stunning CGI payoff, he doesn't hold back on calling out its flaws. Next up is Cold Storage, where a space fungus turns humans into zombies. Andy highlights solid pacing, fun gross-out effects, and a reliable action turn from Liam Neeson, but Andy can't give it 5 stars. Find out why. The hour wraps with Scarlet, a visually striking anime reimagining of Hamlet featuring a warrior princess caught between vengeance and forgiveness. Andy applauds the epic scale, villain, and emotional weight, but criticizes its heavy-handed pacifist messaging and talky middle. This film will spark debates long after the credits have rolled. The result? Which one, if any are worth your time? Andy breaks it all down. Movie Review Timestamps * 13:35 — Good Luck, Have Fun, Don't Die * 25:56 — Cold Storage * 37:36 — Scarlet HOUR 2 Hour 2 opens with sharp energy as John, Andy, and Richard dive into what went wrong with a Super Bowl that felt more flat than fierce. Was it elite defense—or just an uncompetitive mismatch? And can one brutal game permanently rattle a young quarterback? From there, the conversation pivots into pop culture, Super Bowl commercials, and the bigger question: why does Hollywood feel so uninspired right now? Where did the great romantic comedies go? Why do movies feel longer, heavier, and less fun? Andy argues that weak writing, preachy messaging, and the disappearance of true comedy are draining entertainment of its joy. Then the mood flips. The crew launches into a Valentine's-themed love-song segment packed with movie memories, nostalgia, listener calls, and playful banter. Which songs still hit emotionally? Which movies defined romance for an entire generation? And can classic storytelling—whether in music or film—still connect when modern Hollywood seems to miss the mark? It's funny, opinionated, nostalgic, and unexpectedly revealing. One hour, big questions—about sports, culture, creativity, and what we've lost along the way.

Finalmente no ha durado tanto esta historia... ¡Hemos resuelto! A Francesc Miralles lo despertamos para hablar del arte de vivir según Shakespeare. Laura Martínez, como no podía ser de otro modo, hace un repaso por 'Hamnet'y otros 'Hamlet' anteriores. Marta Carillo nos lleva al mundo TikTok para saber más sobre 'Cumbres borrascosas'. 

We're diving into “The Fate of Ophelia,” the powerful opening track from The Life of a Showgirl — and there is so much to unpack. In this episode of 13: A Taylor Swift Fan Podcast, we break down the lyrics, literary references, and hidden layers that make this one of Taylor Swift's strongest album openers yet. This song is layered, intentional, and a twist on a classic story. We discuss: The Shakespeare and Hamlet references woven into the lyrics The music theory detail that mirrors Shakespeare's structure How this track connects to The Tortured Poets Department The double narrative theory: the Travis Kelce love story or masters reclamation? The Ophelia painting vs. the album imagery Records broken by “Fate of Ophelia” on the charts Is this Taylor's most sophisticated pop opener yet? Did she rewrite Ophelia's tragic ending into a modern love story? And what do you think this song is about? We're breaking it all down — line by line! What did we miss? What opening album track is your fav? There are lots of ways to reach us! This is a paid advertisement from BetterHelp. Our listeners get 10% off their first month at http://BetterHelp.com/TAYLORSWIFTFAN.  Stay Connected with 13: A Taylor Swift Fan Podcast Join the conversation in our exclusive  Lobster Lounge: station.page/13  Contact the Podcast  Voicemail: (689) 214-1313  Email: the13podcast@gmail.com  Instagram: @the13podcast  TikTok: @the13podcast Twitter/X: @the13TSpodcast  YouTube: 13: A Taylor Swift Fan Podcast  Follow the Hosts  Ana – @anaszabo13  Lacey – @laceygee13  Amy – @amysnichols  Nick – @heynickadams Learn more about your ad choices. Visit megaphone.fm/adchoices

"Scarlet" is a Japanese animated fantasy action film written and directed by Mamoru Hosoda. Inspired by Shakespeare's tragedy "Hamlet," the film follows the eponymous princess, who can cross time and space on a quest for vengeance after her father is murdered. The film had its world premiere out of competition at the 82nd Venice International Film Festival, where it received positive reviews for its scope and scale, animation, and effects. It was nominated for three Annie Awards: Best Feature (Independent), Best Direction, and Best Writing. Hosoda was kind enough to spend some time speaking with us about his work on the film, his work being shown in IMAX, the unique animation techniques used in the making of this film, what he sees for the future of anime in the U.S. and worldwide, and more, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from Sony Pictures Classics. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Hyperion to a Satyr, Siskoid and his guest Ryan Blake discuss the 1987 Finnish film Hamlet Goes Business, a modern Noir adaptation by director Aki Kaurismäki set in the Scandinavian rubber duck industry. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: https://fireandwaterpodcast.com Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with clips from that film, starring Ray Fearon; the 2000 Hamlet, starring Ethan Hawke; and the 1990 Hamlet, starring Mel Gibson. Bonus clips: Star Trek's "Amok Time", starring Leonard Nimoy. Leave a comment, I love to read!

We continue with The HAMLET Project, where we explore one scene (or section) of Shakespeare's Hamlet - one month at a time. To our knowledge, this is the first long-form, open rehearsal of this play available online! So yes, something new with Shakespeare.

Start Artist Song Time Album Year 0:00:55 Sons of Apollo Wither to Black 4:42 MMXX 2020 0:06:00 Kamelot End Of Innocence 3:48 Haven 2015 0:10:14 Pinn Dropp Logismoi 8:03 For The Love Of Drama 2025 0:18:38 Blacksmith Tales Hamlet’s Mill Overture 8:59 Pathway to Hamlet's Mill 2024 0:27:52 Rush Natural Science 8:35 Permanent Waves 1980 0:36:58 Issun Remember Me 8:18 Dark Green Glow 2019 0:45:40 Darkness Is My Canvas The Game 6:17 White Noise 2023 0:51:27 Temperance Start Another Round 4:07 Viridian 2020

Það er verið að rífast um Palestínu og pólitík á kvikmyndahátíðinni Berlinale. Það var þýski leikstjórinn Wim Wenders sem lét fyrstu umdeildu ummælin falla í þeirri rökræðu. Við rekjum atburðarrásina og um hvað er tekist á um. Hamnet í leikstjórn Chloé Zhao gæti verið mynd ársins. Myndin er byggð á samnefndri bók eftir Maggie O'Farrel, sem er söguleg skáldsaga um sonarmissi Shakespeare og hvernig það varð kveikjan, sársaukinn, að harmleiknum Hamlet. Við ræðum þessa mynd í þaula við Ölmu Mjöll Ólafsdóttur, Helgu Dögg Ólafsdóttur og Kolfinnu Nikulásdóttur, sem voru snortnar yfir myndinni.

Welcome to the new episode of the Learn Polish Podcast! Have you ever wondered what Hamlet actually meant in his most famous speech? In this episode, I look at the “To be, or not to be” monologue. I explain in simple words what these deep thoughts mean and how we can understand the prince's choices. I speak clearly and slowly to help you improve your listening skills. Premium members can access the full Polish transcript word-for-word at realpolish.pl.The post ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RP513: Być albo nie być…⁠ appeared first on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠realpolish.pl

Pra muitos, o único que divide o pódio de maior da literatura com Homero. Separe trinta minutos do seu dia e aprenda com o professor Vítor Soares (@profvitorsoares) sobre a vida e o trabalho de William Shakespeare.-Se você quiser ter acesso a episódios exclusivos e quiser ajudar o História em Meia Hora a continuar de pé, clique no link: www.apoia.se/historiaemmeiahoraConheça o meu canal no YouTube e assista o História em Dez Minutos!https://www.youtube.com/@profvitorsoaresConheça meu outro canal: História e Cinema!https://www.youtube.com/@canalhistoriaecinemaOuça "Reinaldo Jaqueline", meu podcast de humor sobre cinema e TV:https://open.spotify.com/show/2MsTGRXkgN5k0gBBRDV4okCompre o livro "História em Meia Hora - Grandes Civilizações"!https://a.co/d/47ogz6QCompre meu primeiro livro-jogo de história do Brasil "O Porão":https://amzn.to/4a4HCO8PIX e contato: historiaemmeiahora@gmail.comApresentação: Prof. Vítor Soares.Roteiro: Prof. Vítor Soares e Prof. Victor Alexandre (@profvictoralexandre)REFERÊNCIAS USADAS:- BLOOM, Harold. Shakespeare: A invenção do humano. Rio de Janeiro: Objetiva, 2001.- DOBSON, Michael. The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660–1769. Oxford: Clarendon Press, 1992.- GREENBLATT, Stephen. Will in the World: How Shakespeare Became Shakespeare. New York: W. W. Norton, 2004.- NOGUEIRA, Milton. Shakespeare: Vida e obra. São Paulo: Perspectiva, 2014.- SHAKESPEARE, William. Hamlet; Macbeth; Rei Lear; Otelo. Diversas edições. Tradução de Barbara Heliodora. São Paulo: Nova Fronteira, 2011- WELLS, Stanley; TAYLOR, Gary (orgs.). William Shakespeare: The Complete Works. Oxford: Oxford University Press, 2005.

Rafael Arinelli, Fabiana Lima, Carissa Vieira e Gustavo Reinecken mergulham na dor shakespeariana de Hamnet, o novo filme de Chloé Zhao que finalmente faz justiça à mulher por trás do bardo mais famoso da história – e não, não estamos falando de Anne Hathaway, a atriz (mas quase).O filme faz uma engenharia reversa emocional: tira Agnes (a verdadeira Anne Hathaway) da sombra do marido e a transforma em protagonista absoluta através da arrebatadora Jessie Buckley. Enquanto isso, Paul Mescal interpreta um Shakespeare curiosamente estático, preso em enquadramentos que sugerem que até fora do palco ele continuava atuando.A grande sacada de Zhao? Fugir das firulas técnicas e deixar que a emoção crua conduza a narrativa. É cinema contemplativo, quase teatral, onde a câmera parada obriga os atores a entregarem tudo. E quando Agnes finalmente assiste à peça Hamlet e compreende que aquilo é o luto materializado do marido... bem, preparem os lenços.Hamnet não é só um filme sobre perda, é sobre como a arte transforma sofrimento em catarse, dor em imortalidade. Shakespeare enterrou o filho e criou uma obra-prima. Isso é cinema, meus caros.• 05m27: Pauta Principal• 1h27m37: Plano Detalhe• 1h47m21: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos: • Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Flavia Sanches• Gabriela Pastori Marino• Guilherme S. Arinelli• Thiago Custodio Coquelet• William SaitoFale Conosco:• Email: contato@cinemacao.com• X: https://cinemacao.short.gy/x-cinemacao• BlueSky: https://cinemacao.short.gy/bsky-cinemacao• Facebook: https://cinemacao.short.gy/face-cinemacao• Instagram: https://cinemacao.short.gy/insta-cinemacao• Tiktok: https://cinemacao.short.gy/tiktok-cinemacao• Youtube: https://cinemacao.short.gy/yt-cinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de R$30,00, você terá acesso a conteúdo exclusivo e muito mais! Não perca mais tempo, torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Fabi): Série: Pluribus• (Fabi): Filme: O Testamento de Ann Lee• (Carissa): Filme: A Natureza das Coisas Invisíveis• (Reinecken): Livro: Shakespeare: A Invenção do Humano• (Reinecken): Podcast: Art of the Cut - Hamnet• (Reinecken): Live: Na ilha - Nomadland• (Rafa): Instagram: Danilo CarneiroEdição: ISSOaí

Paul and Uncle phil talk about the new injury craze Hamlet bones, should the Mets pick up Castellanos, WBC, the potential lockout and the Top Ten NY Mets pitchers of all time.

Is Austin still weird? The jury may be out these days. But to one visiting superstar, Austin's groovy — and that may be even better. Suzy Eddie Izzard extended her run at The Paramount Theater after five sold-out shows, and is performing all 23 characters in “The Tragedy of Hamlet” for local audiences through this weekend. But why did Austin make the cut on the activist and marathon runner's world tour? Izzard joins host Nikki DaVaughn to explain.  And don't forget — tonight is our City Cast Austin Trivia Night! Join us for a night of fun for all, with special perks for our City Cast Austin Neighbors (it's not too late to join and get said perks at membership.citycast.fm!). RSVP here.  Want some more Austin news? Then make sure to sign up for our City Cast Austin newsletter.   Follow us @citycastaustin You can also text us or leave a voicemail.  Interested in advertising with City Cast? Find more info HERE  Learn more about the sponsors of this February 12th episode: City of Austin Window Nation Jeremiah Program Austin New Waterloo - Trick Hat Workway

"Only bought this dress so you could take it off." This week, we're deep diving "Dress" (reputation, 2017). We go line by line through this intimate friends-to-lovers anthem, exploring the transition from public persona to private moments, the dress as both armor and vulnerability, and why this song perfectly captures the spark that ignites a shift from friendship to something more. Join us as we unpack intentionality, agency, emotional nakedness, and discover why this song is the perfect soundtrack for choosing your person. Subscribe for free to get episode updates or upgrade to paid to get our After School premium content: aptaylorswift.substack.com/subscribe. After School subscribers get monthly bonus episodes, exclusive content, and early access to help shape future topics! Stay up to date at aptaylorswift.com Mentioned in this episode: Hamlet, William Shakespeare Summer I Turned Pretty (TV series) Bridgerton (Episode 65 reference)   Episode Highlights: [02:52] The title: What does the dress symbolize and represent? [21:49] Taylor embracing more sensual lyrics  [46:44] Friends to lovers: The journey condensed in one song [52:37] The dress as transition: From friends to lovers, the spark that initiates change   Follow AP Taylor Swift podcast on social! TikTok → tiktok.com/@APTaylorSwift Instagram → instagram.com/APTaylorSwift YouTube → youtube.com/@APTaylorSwift Link Tree → linktr.ee/aptaylorswift Bookshop.org → bookshop.org/shop/apts Libro.fm → tinyurl.com/aptslibro Contact us at aptaylorswift@gmail.com Affiliate Codes: Krowned Krystals - krownedkrystals.com use code APTS at checkout for 10% off! Libro.fm - Looking for an audiobook? Check out our Libro.fm playlist and use code APTS30 for 30% off books found here tinyurl.com/aptslibro This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z

Nineteen Eighty-Three was a great year for cinema. Scarface. The Big Chill. The Outsiders. Risky Business. The Right Stuff. Videodrome. Return of the Jedi. And to represent the year he was born, Lobster picked… this movie. Based on their breakout characters from the sketch comedy show SCTV, Dave Thomas and Rick Moranis star as Canadian brothers Bob and Doug McKenzie in this take (off, eh?) on Hamlet. Something is rotten in Ontario at the Elsinore Brewery, and it isn't just about live mice in the bottles - there's also the nefarious plans of Max Von Sydow's Brewmeister Smith. Bob and Doug try to get to the bottom of the issue, and to the bottoms of many, many bottles of beer in this cult classic, which The Globe and Mail named as one of the best Canadian comedy films ever made. Now us hoseheads are taking off to the Great White North to sample Strange Brew! Beauty, eh?   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

The man who would come to be known as The Bard, was born in April 1564 in Stratford-upon-Avon, United Kingdom. One of, if not the greatest playwright in human history, William Shakespeare is responsible for 38 plays, 154 Sonnets, and credited with the invention of over 600 words in the English language. We still use phrases he invented on a daily basis. The man lived the theater and had a gift for capturing the complicated nature of people, creating complex but relatable characters and doing so with a masterful use of language. The man was also an entrepreneur, owning a share of his theater company and theater itself. Performing for royalty became common place for Shakespeare as he established himself as the premier playwright in London while never forgoting his roots in Stratford-upon-Avon where his family resided. Join us today as we explore the life and works of William Shakespeare. Support the show

What did you think of this episode?Video isn't the go-to for many writers and speakers. Yet, today's guest provides five key reasons to jump on the professional video bandwagon.Welcome to Your Best Writing Life, an extension of the Blue Ridge Mountains Christian Writers Conference held in the beautiful Blue Ridge Mountains of NC. I'm your host, Linda Goldfarb. Each week, I share tips and strategies from industry experts to help you excel in your craft and expand your reach. I'm so glad you're listening in. In this episode, you'll learn 5 Reasons an Author Needs Professional VideoMy industry expert, Andrew Hamlet, is a filmmaker, writer, and creative director at Hamlet Productions LLC. He crafts cinematic stories across film, music, and live events, blending faith, technology, and emotion. Known for ambitious world-building and meticulous production, he partners with brands, ministries, and artists to tell meaningful, high-impact stories for worldwide audiences with boldness.5 Reasons an Author Needs Professional Video1. Video Builds Instant Trust and ConnectionProfessional video allows readers to see your face, hear your voice, and connect with your message before they ever open your book. This builds credibility and deepens audience engagement.2. Video Drives Social EngagementSocial platforms prioritize video content. A polished video grabs attention quickly, increases engagement, and helps your message cut through the noise.3. Video Helps You Sell Without 'Selling'Cinematic trailers, storytelling clips, and short author messages communicate emotion and purpose in seconds—creating interest and boosting book sales naturally.4. Video Increases Speaking and Media OpportunitiesEvent planners, podcasts, and conferences want to see how you communicate. A professional video reel increases your chances of being booked and paid for appearances.5. Video Turns Your Book Into a BrandVideo expands your message into courses, workshops, digital products, communities, and more—transforming your book into the foundation of a broader brand. Use your videos for Courses, Workbooks, Devotionals, speaking topics, Online communities, Digital products, and Ongoing content series.LINKSAndrew HamletAndrew Hamlet on LinkedIn Visit Your Best Writing Life website.Join our Facebook group, Your Best Writing LifeYour host - Linda Goldfarb#1 Podcast in the "Top 50+ Must-Have Tools and Resources for Christian Writers in 2024". Awarded the Spark Media 2022 Most Binge-Worthy PodcastAwarded the Spark Media 2023 Fan Favorites Best Solo Podcast

We continue with The HAMLET Project, where we explore one scene (or section) of Shakespeare's Hamlet - one month at a time. To our knowledge, this is the first long-form, open rehearsal of this play available online! So yes, something new with Shakespeare.

In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3). Today's guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello's Black Handkerchief.” Ian is the current President of the Shakespeare Association of America. John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3). Today's guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello's Black Handkerchief.” Ian is the current President of the Shakespeare Association of America. John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Black Shakespeare: Reading and Misreading Race (Cambridge University Press, 2022), Ian Smith urges readers of Othello, The Merchant of Venice, and Hamlet to develop “racial literacy.” Through both wide social influences and specific professional pressures, Shakespearean critics have been taught to ignore, suppress, and explain away the racial thinking of the plays, a set of evasion strategies that inevitably have political and social ramifications in the contemporary United States. As Ian writes in the introduction, Black Shakespeare is intended to “shift the focus to conditions that shape readers, inform their epistemologies, and influence their reading practices” (3). Today's guest is Ian Smith, Professor of English at the University of Southern California. Ian is the author of the previous monograph, Race and Rhetoric in the Renaissance: Barbarian Errors (Palgrave, 2009), as well as one of the most important articles in early modern literary criticism of the last twenty years, “Othello's Black Handkerchief.” Ian is the current President of the Shakespeare Association of America. John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This week's Empire Podcast sees Chris Hewitt sit down for a delightfully dotty chat with Send Help stars, Rachel McAdams and Dylan O'Brien, who talk about being directed by Sam Raimi with a paper bag over his head, pretending to know how to play golf, and delivering the greatest line reading of all time. There are no spoilers here, but maybe wait until you've seen Send Help before listening. Either side of that, Chris is joined in the podbooth by Helen O'Hara, James Dyer, and Amon Warmann as they use Steven Spielberg's elevation to EGOT status to Mount Rushmore the greatest EGOTs of them all. They also bid a sad farewell to Catherine O'Hara and pore over the pictures of Sam Mendes' Beatles in the news section, while a packed reviews section sees them run their collective critical eye over Send Help, Riz Ahmed's Hamlet, My Father's Shadow, The Chronology Of Water, another Dylan O'Brien movie in Twinless, and 100 Nights Of Hero. Oh, and James may have got a new nickname at last. Enjoy.

On the 501st episode of Piecing It Together, we are live from AMC Town Square after an early screening of Scarlet to talk with Guillermo E. Barahona C. and Gabriel Barahona about Mamoru Hosoda's latest anime. Puzzle pieces include Hamlet, Hacksaw Ridge, Dante's Inferno and more.As always, SPOILER ALERT for Scarlet and the movies we discuss!Guillermo E. Barahona C. is a producer, filmmaker and writer.Check out Guillermo's LinkTree for his work at https://linktr.ee/GuibarahonaAnd Follow Guillermo on Twitter @guillbarahonaGabriel Barahona is a filmmaker with a focus on animation.Check out Gabriel on Instagram at @sckbountyMy latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Shaking" which you can watch at https://www.youtube.com/watch?v=wzm8s4nuqlAThe song at the end of the episode is "Burn."Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our Dashery store to buy shirts and more featuring Piecing It Together logos, movie designs, and artwork for my various music projects at https://bydavidrosen.dashery.com/Share the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts, Spotify, or