Podcasts about Hamlet

Today is part 2 of our series helping you build an internal operating system. We identify the four things you'll need to have happen for your startup to gain momentum, then we organize those into a system that'll help you move fast based on inertia. Tacklebox Monkeys and Shakespeare 101 Essays That Will Change The Way You Think Delta 4 Status Level Jump   00:25 - Internal Operating System Part II 03:15 - Monkeys and Shakespeare 07:40 - Smooth Jazz 08: 05 - Reverse Engineering a System 10:45 - Where is the Monkey? 11:33 - The Four Things That Matter for an Early Stage Business 11:40 - Problem 12:01 - Delta 4 Status Level Jump 13:34 - Secret 16:35 - Optimize for Inertia 18:37 - 101 Essays That Will Change The Way You Think 20:00 - The Thousand Daily Votes 21:43 - The Last 15% 23:30 - Script the Beginning and End 24:30 - Feedback Loop Optimization

Two of G.K. Chesterton's most unexpectedly prophetic essays take center stage in this issue of Gilbert Magazine: "An Architect's Nightmare," a 1928 piece that anticipates nearly everything being said today about AI, passive technology, and false progress, and "Freud on Slips of the Pen," a recently unearthed 1921 Daily Express article in which Chesterton dismantles psychoanalysis with surgical wit. Joe Grabowski and Grettelyn Darkey walk through the current issue of Gilbert—the official publication of the Society of G.K. Chesterton —drawing out what Chesterton saw about passive entertainment, the cyclical delusions of optimists and pessimists, and why art remains the irreducible signature of man. In This Episode: What G.K. Chesterton's 1928 essay "An Architect's Nightmare" reveals about spaces built for man vs. spaces man is expected to serve—and why his critique of industrial-age optimism and pessimism maps almost perfectly onto today's conversations about AI The pattern Chesterton exposed over a century ago: enthusiastic builders of terrible things who become pessimists insisting nothing can be done—and why Chesterton holds that human will, not historical inevitability, is what truly separates man from the octopus "Freud on Slips of the Pen": a newly unearthed 1921 essay in which G.K. Chesterton takes apart the Freudian slip using Hamlet, Punch and Judy, and the plain observation that a man who writes something down and doesn't cross it out intended to write it Chesterton on the standardizing effects of the cinema—how the same concerns raised about silent films in the 1920s echo in every conversation about video games, social media, and passive screen entertainment today A tour of the current Gilbert: the Chesterton Schools Network's capstone Rome pilgrimage, an 11th-grader's essay on Dante, a takedown of Paul Ehrlich's famously wrong prophecies, and G.K. Chesterton's poem "After Reading a Book of Modern Verse" Chapters: 00:00: Welcome and Introduction 02:24: Gilbert Magazine and the Legacy of G.K. Chesterton's GK's Weekly 05:30: The Current Issue: Cover Art and the Rome Pilgrimage Feature 11:29: "An Architect's Nightmare": G.K. Chesterton's 1928 Essay on Space, Man, and False Progress 19:05: The Optimist–Pessimist Cycle and What Chesterton Says About the AI Age 23:14: Virginia de la Lastra at the UN and Joe's Editorial on Passive Entertainment 29:10: Chesterton on Cinema, the Toy Theater, and the Imaginative Life 32:14: "Freud on Slips of the Pen": A Newly Unearthed 1921 Chesterton Essay 40:30: A Chesterton Poem, a Student's Essay on Dante, and Paul Ehrlich's Prophecies 44:24: Closing and How to Subscribe to Gilbert Resources Mentioned: Gilbert Magazine 2026 Chesterton Conference—"The Outline of Sanity" What I Saw in America by G.K. Chesterton Chesterton Schools Network Become a Member of the Society FOLLOW US: Instagram Facebook X SUPPORT: Donate Shop Produced by Saint Kolbe Studios

Read transcriptAbout this episode: Stephen Drover has directed Macbeth before; twenty years ago, the day after it closed, he wanted to do it again. Now, as both adapter and director for Bard on the Beach in Vancouver, he's finally getting that chance. In this rich conversation, Stephen talks about approaching Shakespeare not as a sacred text to be served but as a living collaboration, asking not what the words inherently mean but what meaning is being created in this specific theatre, for this specific audience, right now. The conversation covers the challenge of stripping away cultural baggage around the witches, to building a post-environmental dystopia as the world of the play, to why Stephen leans into the brutal, blood-soaked reality of the play rather than sanitizing it for comfortable consumption. He also reflects on how becoming a parent has changed the way he receives Macbeth's deeply embedded anxieties about children and grief. This episode explores: Approaching Shakespeare as a collaborator rather than a proprietor — and what that means in practice for this production The concentric rings of Stephen's career: actor to director to artistic director to dramaturg How a late diagnosis of autism spectrum disorder and ADHD illuminates why theatre suits his brain so well New play development at the Arts Club and the 'one size fits one' philosophy And much more! Guest:

Welcome, welcome! We have a movie review for you today. We're way overdue on breaking up our routine with a movie and frankly it's been a busy month which has lead to a decrease in podcasting time. We're getting back into our groove, but that groove needs to expand into an unrecognizable song on the vinyl. This metaphor doesn't work, and neither did this movie!Get ready for Shakesphere's Hamlet, some aferlife discussion... time traveling, the worst medic known to man and a bad ass dragon. This movie has all the makings of something great or something hella confusing. I wondering which it is?Oh and if you came here thinking you could for some reason watch the movie, I don't know how to help you. This is an audio podcast and I even added the word "review" in the title.

"It's me, hi, I'm the problem, it's me.” This week, we (finally) go line-by-line through what might be Taylor Swift's most psychologically dense song: “Anti-Hero” from Midnights (2022). From the Hamlet-coded antihero definition, to the “Beauty and the Beast” reference lurking in "tale as old as time," to ghosts and Freud, this song keeps delivering new angles. We each came to the song with our own anxieties, and we leave with three potentially different purposes of this high-anxiety, deeply revealing song. Subscribe for free to get episode updates or upgrade to paid to get our After School premium content: aptaylorswift.substack.com/subscribe.  After School subscribers get monthly bonus episodes, exclusive content, and early access to help shape future topics! Stay up to date at aptaylorswift.com Mentioned in this episode: Hamlet, William Shakespeare Alice in Wonderland, Lewis Carroll Beauty and the Beast (Disney) Dexter (Showtime) Younger (Paramount+) 30 Rock, "Seinfeldvision" — the "sexy baby" episode "Blank Space," 1989 (2014) The Miss Americana Documentary (Netflix) Lena Dunham's Substack

O'Farrell's 2020 novel ‘Hamnet' was adapted into an award-winning film last year. She co-wrote the screenplay. It's about the grief Shakespeare and his wife Agnes struggle with after their son, Hamnet, dies of the plague, and how that grief leads him to write the play Hamlet. O'Farrell's new novel, ‘Land,' is about the lives of an Irish family living in the aftermath of the Great Famine. Even though she writes historical novels, she tries not to lean too much into history: “I find there's nothing that makes me put a book down faster than if somebody is trying to show me that they've done all their homework,” she says. ‘Land' is in part based on her family. Critic Maureen Corrigan reviews Classicist Mary Beard's new book ‘Talking Classics.'See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

On this PRmoment podcast today we're chatting about the Nils Leonardgate.Is comparing earned media creativity and paid media creativity pointless?I normally have this debate internally in my own head when I watch the annual PR/ad creative bun fight at Cannes but it's come a bit early this year following Uncommon founder Nils Leonard's latest activation of his "let's start a fight' strategy where he says: "The PR industry should be scared, not just of Uncommon but in general."We'll also discuss to what extent paid media creative and earned media creatives are similar, and to what extent are they different. Can they ever be compared with much validity? To talk about all this stuff welcome Hope & Glory co-founder James Gordon Macintosh.Before we start the final entry deadline to The Creative Moment Awards is on Friday 19th June 2026.Key Themes1. Ad Land's Cyclical "Discovery"Gordon-Macintosh believes that this is not a paradigm shift, but rather a predictable, cyclical reaction to macroeconomic pressures. Whenever paid media budgets shrink due to client belt-tightening or shifting algorithms, advertising shops look to colonise PR space to protect their revenue lines. Every decade, advertising "discovers" a discipline PR has been practicing for years—whether it's social media, creator marketing, or culture marketing—and rebrands it as something entirely new.2. Bought vs. Earned Creative ArchitectureThe structural divergence between advertising creativity and PR creativity forms a central pillar of the debate. Advertising is hardwired for absolute control—agencies write a script, buy the slot, and force eyeballs onto the screen. PR, conversely, requires navigating a chaotic, reactive ecosystem of third-party validation, shifting editorial gatekeepers, and genuine cultural conversations where control is surrendered in exchange for authenticity.3. The "Infinite Monkey Cage" of Ad-Led PRWhile acknowledging Uncommon's brilliant output (such as Rat Boot and PAIN), Gordon-Macintosh draws a line between flashy stunts and sustainable communication strategy.Quotes from James Gordon Macintosh:"Every decade, I'd say advertising discovers something PR has frankly been doing for years, and they try to give it a new name.""Advertising is about buying your way into the media space—you buy the eyeballs. PR genuinely has to engage with what people are actually talking about.""If you take an infinite number of monkeys and give them an infinite number of typewriters... mathematically one will eventually write Hamlet. In ad agencies, an earned idea is all too often luck, not skill."

Sean Keilen, professor of literature at the University of California, Santa Cruz, talks with Chris about his new book, Shakespeare's Scholars: Three Lessons from the Liberal Arts. They discuss how Shakespeare depicts the role of scholars in Hamlet and The Tempest, what Shakespeare can teach us about the scholar's proper relationship to the public, and the current […]

Guests: Dr. Kelly Williams, Marion L Brittain Postdoctoral Fellow at Georgia Tech; Dr. Meryem Yilmaz Soylu, research scientist at the Center for 21st Century Universities (C21U); Alison Valk, the Emerging Technologies Librarian at the Georgia Tech Library.  First broadcast May 29 2026. Playlist "That's as you like it."

Director Cora Therber joins the podcast to talk about "untitled hamlet play" by Rory O'Neill, which opens this weekend by LOVECHILD Theater in NYC.  See the show at the John DeSotelle Studio, May 29 - 31, 2026.  Get tickets through the LOVECHILD Insta (@lovechildtheaterco) or here: https://www.eventbrite.com/e/lovechild-presents-untitled-hamlet-play-tickets-1988245208942 ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Thanks so much for listening! We'll see you next week.

David, Devindra, and Jeff assess the price of pop stardom in Mother Mary, check out Riz Ahmed's take on a classic in Hamlet, and try to find the perfect pitch with Tuner. Then they return to a galaxy far far away with Star Wars: The Mandalorian and Grogu.We're making video versions of our reviews! Be sure to follow us on the following platforms: YouTube Tiktok Instagram Threads Thanks to our SPONSOR: STORYWORTH: This year, give Dad a gift that captures who he really is, before the stories get harder to remember. Order RIGHT NOW and save up to $20 at storyworth.com/FILMCASTWeekly PlugsDavid - Decoding Everything: Stephen David Miller's Cannes DispatchesDevindra - Engadget Podcast on RGB TVs, OLED and what to buy this weekendJeff - Jeff's Cameo PageShownotes (All timestamps are approximate only)   What we've been watching (~00:16:46)David - Mother Mary, Hamlet (2025)Devindra - Hamlet (2025), Nemesis, Star Wars: Maul – Shadow LordJeff - Tuner, Maximum Pleasure GuaranteedFeatured Review (~01:05:29)    Star Wars: The Mandalorian and GroguSPOILERS (~01:28:46)Support David's artistic endeavors at his Patreon and subscribe to his free newsletter Decoding Everything. Check out Jeff Cannata's podcasts DLC and We Have Concerns. Listen to Devindra's podcast with Engadget on all things tech. You can always e-mail us at slashfilmcast(AT)gmail(DOT)com.Credits: Our theme song is by Tim McEwan from The Midnight. This episode was edited by Noah Ross who also created our weekly plugs and spoiler bumper music. Our Slashfilmcourt music comes from Simon Harris. If you'd like to advertise with us or sponsor us, please e-mail slashfilmcast@gmail.com. You can support the podcast by going to patreon.com/filmpodcast or by leaving a review on Apple Podcasts.

Send us Fan MailWe continue our theme of "Movies That Couldn't Be Made Today" with one that literally couldn't (for TECH-nical reasons). . .  we are watching something filmed in vibrant, beautiful, and now extinct TECHNICOLOR!!!  Our shining example of this format is 1947's "Black Narcissus."  Directed by the duo of Powell and Pressburger, starring Deborah Kerr and David Farrar, this film is about a group of nuns tasked with setting up a convent high in the Himalayas, leaving familiarity behind and grappling with the mysticism and other-worldliness of this strange setting.We also review in layman's terms what the Technicolor process is, what made it so special, and why it is not possible to recreate it in today's world.So, as Hamlet tells Ophelia, so we advise you, "Get thee to a nunnery... go!"

Christian Friedel zählt zu den herausragenden deutschen Schauspielern, die auch international große Beachtung finden. Seinen Durchbruch hatte er mit dem oscarprämierten Film Das weiße Band. In Elser – Er hätte die Welt verändert spielte er den Hitler-Attentäter Georg Elser, und in dem oscarprämierten Film The Zone of Interest verkörpert er den Auschwitz-Kommandanten Rudolf Höß. Zuletzt haben ihn viele auch in The White Lotus gesehen. Daneben ist Christian ein leidenschaftlicher Musiker. Seine Band Woods of Burnam bindet er gerne in seine Theaterprojekte ein, etwa Hamlet oder Macbeth. Wir hören, warum er früher zu viel Selbstbewusstsein hatte, andere damit genervt hat – und wann das gekippt ist. Denn heute erlebt man ihn ganz anders. Und was bedeutet es eigentlich, ein „historisches Gesicht“ zu haben? Er hat offensichtlich eines – hat er vielleicht schon einmal gelebt? Podcasttipp: „Mutterstadt 0711 – HipHop-Hauptstadt Stuttgart!?!“ https://www.ardsounds.de/sendung/mutterstadt-0711-hiphop-hauptstadt-stuttgart/urn:ard:show:f8c72aee02263e48/

It's Memorial Day in the United States, a day devoted to remembering the soldiers who have died in service. Together, the society grieves, mourns, and attempts to unite. Similarly, communities can come together through actions like loving; giving; marrying; conversing; acting and doing; and speaking to one another. But what happens when individuals are blocked from the processes that bring a community together? In this episode, Jacke talks to author Sarah Beckwith about her book Shakespeare and Loss: The Late, Great Tragedies, which looks at Shakespeare's use of protagonists who are driven out (or drive themselves out) of family and society in plays like Hamlet, King Lear, Timon of Athens, Macbeth, Coriolanus, and Antony and Cleopatra. How (and why) does Shakespeare portray individuals who have lost their access to these vital concepts of human bonding? And what can we learn from Shakespeare's examples? PLUS Caroline Lea (Love, Sex, and Frankenstein) stops by to discuss her choice for the last book she will ever read. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠patreon.com/literature⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠historyofliterature.com/donate⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're sampling Tropetails cocktail mixes, discussing what we're reading and playing, and what books we're looking forward to in the coming months.We were not paid to promote them, but we did receive free samples and they are delicious.We also mentioned:Manta: Flower of Allure aka Flowers are Bait Game: Winter BurrowGame: Librarian – Tidy Up the Arcane LibraryElyse's review of YesteryearMy review of Platform Decay...This episode is brought to you by Ophelia — an original audio drama, inspired by Hamlet, where Ophelia finally gets to be the main character.Forbidden magic, a crumbling kingdom, a slow-burn love triangle with a prince and his very guarded, very intriguing, best friend. The kind of love triangle where you will absolutely pick a side and you will not be quiet about it. Learn more at Hatch.co/ophelia ...Support for this episode comes from The Undergrads: Student Union by #1 New York Times-bestselling author Julie Murphy–a sexy new rom com about a college marriage of convenience that goes way beyond chemistry 101. Ali Hazelwood calls The Undergrads: Student Union “one addictively swoony book.” Available now wherever books are sold!...You can get 10% off of Tropetails drink mixes with code SBTBTROPES!Find all the books and games we discuss at SBTB! Hosted on Acast. See acast.com/privacy for more information.

Fluent Fiction - Danish: Ghosts & Giggles: Courage Under Siege at Kronborg Slot Find the full episode transcript, vocabulary words, and more:fluentfiction.com/da/episode/2026-05-21-07-38-19-da Story Transcript:Da: Solen skinnede blidt ind gennem de store, blyindfattede vinduer i Kronborg Slots Børneafdeling.En: The sun gently shone through the large, leaded windows in Kronborg Slot's Children's Department.Da: Tapeter fyldt med motiver af sværd og skjolde dekorerede væggene, og de tunge gardiner svajede svagt i den lune forårsvind.En: Wallpapers filled with motifs of swords and shields decorated the walls, and the heavy curtains swayed slightly in the warm spring breeze.Da: Blandt børnene stod Søren, en frivillig med et stort smil og endnu større historier om Hamlet og Danmarks fortid.En: Among the children stood Søren, a volunteer with a big smile and even bigger stories about Hamlet and Denmark's past.Da: Søren elskede at fortælle om slottets historie og spøgelseshistorierne, som knyttede sig til dets vægge.En: Søren loved telling the castle's history and the ghost stories tied to its walls.Da: Men hvis sandheden skulle frem, var Søren faktisk lidt bange for spøgelser, selvom han bramfrit hævdede det modsatte.En: But to tell the truth, Søren was actually a bit afraid of ghosts, even though he boldly claimed otherwise.Da: Lise og Jens, to drilske børn på børnehjemmet, besluttede sig for at drage nytte af Søren's praleri.En: Lise and Jens, two mischievous children at the orphanage, decided to take advantage of Søren's boasting.Da: De mente, han trængte til en lærestreg og planlagde en spøg.En: They thought he needed a lesson and planned a prank.Da: De lod sig inspirere af slotsets sagn og skabte falske spøgelser ved hjælp af lagner, lys og snore.En: They drew inspiration from the castle's legends and created fake ghosts using sheets, lights, and strings.Da: En eftermiddag inviterede Søren børnene til en rekonstruktion af en berømt slotscene.En: One afternoon, Søren invited the children to a re-enactment of a famous castle scene.Da: Han svingede sin legetøjssværd med entusiasme, mens han spillede rollen som Hamlet.En: He swung his toy sword with enthusiasm as he played the role of Hamlet.Da: Lise og Jens ventede spændt på det rette øjeblik, og da Søren nåede klimaks i sin fortælling, udløste de deres plan.En: Lise and Jens waited eagerly for the right moment, and when Søren reached the climax of his tale, they set their plan in motion.Da: Pludselig svævede "spøgelser" gennem rummet.En: Suddenly, "ghosts" floated through the room.Da: Søren sprang forskrækket op, men vendte det hurtigt til en del af showet.En: Søren jumped in fright but quickly turned it into part of the show.Da: "Se!En: "Look!Da: Endda spøgelserne vil lære noget nyt!"En: Even the ghosts want to learn something new!"Da: råbte han, mens han kæmpede mod de usynlige fjender med sit legetøjssværd.En: he shouted, as he battled the invisible enemies with his toy sword.Da: Børnenes latter fyldte rummet, men Søren stod fast.En: The children's laughter filled the room, but Søren stood firm.Da: Han smilede, svingede sværdet en sidste gang og bukkede dybt.En: He smiled, swung the sword one last time, and bowed deeply.Da: "En sand ridder frygter aldrig spøgelser, kun uvidenhed!"En: "A true knight fears no ghosts, only ignorance!"Da: proklamerede han, stadig med et stædigt glimt af mod i øjnene.En: he proclaimed, still with a stubborn glimmer of courage in his eyes.Da: Da spøgelsen sivede væk, samlede Søren børnene omkring sig.En: As the "ghosts" faded away, Søren gathered the children around him.Da: Han forklarede, hvordan spøgelseshistorier stammer fra rigtige hændelser og folkets forestillinger gennem tiden.En: He explained how ghost stories come from real events and people's imaginations over time.Da: Børnene lyttede interesseret; hans frygt var forvandlet til fascination.En: The children listened intently; his fear had been transformed into fascination.Da: "Det er sådan, vi lærer," sagde han blidt.En: "That's how we learn," he said gently.Da: Fra den dag af var Søren kendt som "Sir Skrig-Meget" blandt børnene, men nu med et stolt smil.En: From that day on, Søren was known as "Sir Screams-a-Lot" among the children, but now with a proud smile.Da: Hans oplevelse viste, at læring kan være sjov, og at det er helt okay ikke altid at være så modig, som man gerne vil tro.En: His experience showed that learning can be fun, and that it's perfectly okay not always to be as brave as you want to believe.Da: Børnenes beundring for ham voksede, og Søren opdagede, at ægte mod betyder at stå over for sine frygter, alle sammen, med et åbent hjerte og et grin.En: The children's admiration for him grew, and Søren discovered that true courage means facing your fears, all of them, with an open heart and a laugh. Vocabulary Words:gently: blidtleaded: blyindfattedewallpapers: tapetermotifs: motiverswayed: svajedebreeze: forårsvindvolunteer: frivilligboasting: pralerimischievous: drilskeorphanage: børnehjemmetprank: spøginspiration: lod sig inspirereenthusiasm: entusiasmeeagerly: spændtclimax: klimaksfright: forskækketlaughter: latterfaded: sivede vækgathered: samledeimagination: forestillingeradmiration: beundringcourage: modignorance: uvidenhedtransformed: forvandletfascination: fascinationembrace: åben hjerteknight: ridderintently: interesseretproclaimed: proklameredelesson: lærestreg

In dieser Sitzung steht der Übergang von der Konstruktionsgrammatik zur Konstruktionsdidaktik im Fokus. Im Gegensatz zu traditionellen Ansätzen begreift die Konstruktionsdidaktik Sprache als ein durch soziale Interaktion gelerntes System holistischer Einheiten. Anhand von Frequenzanalysen aus einem eigens erstellen kleinen Untersuchungskorpus (u. a. Doktor Albolit, Hamlet und Faust aus der Weltliteratur für Kinder sowie Das Land ohne Buchstaben) wird demonstriert, wie sich hochfrequente sprachliche Muster für den Unterricht nutzbar machen lassen. Im Zentrum der praktischen Analyse steht das prototypische Transferverb "geben", dessen syntaktische und semantische Eigenschaften über die Valenzgrammatik hinaus bis hin zu semantischen Rollen (wie dem Benefaktiv) und der Frame-Semantik erprobt werden. Die Relevanz und Prototypik spezifischer sprachlicher Muster werden so am Beispiel gelernt.Präsentation (*.pdf): Alexander Lasch. 2026. Grammatik in der Schule. Zenodo. DOI: ⁠⁠https://doi.org/10.5281/zenodo.19236685⁠⁠. Videoaufzeichnungen: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://youtube.com/@AlexanderLasch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Informationen & Material zu allen Vorlesungen: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://kurzelinks.de/fl7f⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Worksheet zu den Vorlesungen: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://kurzlinks.de/WorksheetVorlesungen⁠⁠⁠⁠⁠⁠⁠⁠⁠. Intro: "Reflections" von Scott Holmes (CC BY via ⁠⁠⁠⁠⁠⁠FMA⁠⁠⁠⁠⁠⁠).#Linguistik #OER #Sprache #Sprachwissenschaft #Grammatik #Konstruktionsgrammatik #Konstruktionsdikdatik

We're back in the time machine, heading back to December 2012 to see what new books were reviewed in Romantic Times magazine.We've got “multicultural” books, beefy paragraphs, big thorns, Schroedinger's baby, and “charming vulgar nonsense.” Plus, we ask a very important question: if you were suddenly the heroine of an Inspirational romance, how would you know?TW/CW for the erotica section at the end. It was a time, y'all.If you want to watch this episode with images of the covers and Amanda and I cracking up a lot, head over to our YouTube page.We also mentioned:SNL: Dylan McDermott or Durmot Mulroney?Goodreads: The Folly of the World review...Support for this episode comes from Labyrinthine by CJ Holmes, a dark, myth-inspired romantasy—where love is dangerous, desire is a risk, and monsters don't always look like monsters.Princess Azhara was born cursed. Marked by ancient magic. Promised in an unholy bargain sealed in blood, she is the prize. When the Reaping begins, suitors will descend into the labyrinth beneath the palace—each one fighting to win her hand or die trying.A “beautifully woven tale of love, magic, and sacrifice,” Labyrinthine is available now in paperback, ebook, and audio, wherever books are sold. Learn more at CJHolmesWriting.com, or check the link in the show notes to find your copy today!...This episode is brought to you by Ophelia — an original audio drama, inspired by Hamlet, where Ophelia finally gets to be the main character.Forbidden magic, a crumbling kingdom, a slow-burn love triangle with a prince and his very guarded, very intriguing, best friend. The kind of love triangle where you will absolutely pick a side and you will not be quiet about it. Learn more at Hatch.co/ophelia Hosted on Acast. See acast.com/privacy for more information.

What happens when grief is too large to stay silent? In this episode of the Everyone Dies podcast, we explore the death of a child and how profound loss reshapes the human heart. Inspired by the film Hamnet, author Neil Perry Gordon shares his journey of losing his son, Sam, and how grief often finds another form in art and creativity. This is a conversation about learning how love continues after death and why grief changes the imagination forever. https://bit.ly/4dLOCDVWe discuss:The emotional connection between Hamnet and HamletHow parents survive the death of a childWhy grief often appears indirectly through creativityThe difference between healing and continuationHow art can help grieving people feel less aloneA month after we started this podcast in 2020, Charlie's son Michael was murdered. Last year at this time we published a podcast, written by Charlie, titled “When your child is murdered”. We deliberately did not say Michael died, because that implies something very different than the senselessness and harshness of murder. Michael was 23 at the time he was shot, and we mourn along with Charlie and Michael's mother, Kim. We dedicate this second week of May podcast to Michael and his family…and to all the families grieving the untimely deaths of their children. In This Episode:00:00 - Intro - Memorial Episode, 6 Years Since the Murder of Charlie's Son00:55 - Reading by Neil Perry: "Hamnet, Hamlet and the loss of my son"10:14 - Intro to S6E7 Rebroadcast: Grieving a Child That Was Murdered11:58 - Road Trip, New Hampshire13:51 - Recipe: Poutin15:41 - Remembering Michael, Charlie's Murdered Son23:55 - Eric Clapton: Tears in Heaven25:48 - OutroRelated Episodes:S6E7: Traumatic Grief, Grieving a Child that Was MurderedS1E52: Coping with a Child's DeathS6E34: Surviving the Waves: Tips on How to Live Alongside GriefS1E12: Traumatic GriefS4E39: Traumatic Grief: What it is and How to Find a Therapist to Help Manage ItS6E45: When Closure Isn't Possible: How to Find a Way Forward Through GriefSupport the showConnect with Us: Email our Host: mail@every1dies.org  Website: https://every1dies.org: Find show notes, links and expanded resources Follow Us: Facebook | Instagram | YouTube  

OPHELIA is an original romantasy audio drama from Hatch: a sweeping trilogy inspired by Shakespeare's Hamlet, where Ophelia finally takes center stage. Perfect for fans of Fourth Wing, ACOTAR, and enemies-to-lovers fantasy romance. Produced to help you unwind for sleep. Book 1 begins in a kingdom where magic is outlawed and the land itself is dying. Ophelia has always been expected to stay silent—agreeable, invisible, safe. But on the eve of her twenty-first birthday, something within her awakens.As she reconnects with Prince Hamlet, heir to a crumbling throne, and his brilliant, guarded friend Horatio, Ophelia is drawn into a dangerous world of court intrigue, hidden power, and forbidden attraction. Caught between love, loyalty, and a magic she cannot deny, she must decide: remain hidden… or risk everything for freedom, desire, and the fate of her kingdom.Narrated by Genevieve Gaunt, this immersive audio drama blends fantasy romance, forbidden magic, and slow-burning desire into a richly cinematic listening experience, perfect for unwinding at the end of the day. Ideal for fans of romantasy, fantasy romance, Shakespeare retellings, and narrative fiction podcasts, OPHELIA is a bold reimagining of a classic story told across a sweeping trilogy, thoughtfully designed for sleep.Book 1 is free wherever you listen. Books 2 and 3 available exclusively on Hatch+. Discover more at hatch.co/ophelia.

 Listen to the Show Right Click to Save GuestsJarrott Productions DestinationAustin Shakespeare Much Ado About NothingBroadway in Austin The Wiz What We Talked About Book of Mormon Outer Critics Circle Awards Hamlet & Othello Participation Fees? B-Roll in performances? Paranormal Activity Adrienne Warren in Proof Rent 30th anniversary concertThank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)  

In Romeo and Juliet, Juliet declares "Thou know'st the mask of night is on my face, Else would a maiden blush bepaint my cheek" Katharina in Taming of the SHrew talks about painting your face, and Timon of Athens makes a connection between painting and your face saying "wear them, betray with them: whore still; Paint till a horse may mire upon your face, A pox of wrinkles!" And of course, Hamlet has the most famous facial disguise quote when he says "God has given you one face but you make yourself another." All of these references underpin what we know about cosmetics and facial care in Shakespeare's England. Famously, Queen Elizabeth herself kept her face quite decadently forever striving after that porcelain skinned ideal that was a hallmark of the Elizabethan Era. But what did women use to take care of their faces in the Elizabethan era, and in a. Culture where people like Hamlet were suspicious of women who disguised their true form, how was makeup received? Was it something normal and every day, or were there instances when applying makeup, or perhaps even the wrong makeup, could get someone into trouble? To find out more and explore the intricate and complex world of makeup, cosmetics, and facial care for women of Shakespeare's lifetime, we're delighted to welcome historian and author of Beauty and Cosmetics, 1550–1950, Sarah Jane Downing to the show this week. She's here to take us behind the makeup counters of Tudor women and share with us what we might there.

Purple Pants Podcast | Survivor News  50 Ep 11 Recap: Survivor Hamlet ft Jawan Pitts The baby boys, Jack, and Brice are back this week with special guest Jawan Pitts from Survivor 49 breaking down Survivor Season 50 Episode 11. After the fallout from last week's chaotic Tribal, the game gets flipped upside down with a shocking immunity controversy that leaves everyone scrambling. A brutal split Tribal forces players to adapt quickly as alliances crack, paranoia spreads across camp, and one massive blindside leaves the players and jury speechless. Brice, Jack, and Jawan dive into the Tiffany immunity drama, Ozzy's emotional downfall, who is gaining momentum heading into the endgame, and how this double elimination could completely reshape the season. Tickets and updates for Brice and Wen 50 events:https://briceandwenpresent.flite.city/ You can also watch along on Brice Izyah’s YouTube channel to watch us break it all down https://youtube.com/channel/UCFlglGPPamVHaNAb0tL_s7g LISTEN: Subscribe to the Purple Pants podcast feed  WATCH: Watch and subscribe to the podcast on YouTube SUPPORT: Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks! Previously on the Purple Pants Podcast Feed: Purple Pants Podcast Archives

Purple Pants Podcast | Survivor News  50 Ep 11 Recap: Survivor Hamlet ft Jawan Pitts The baby boys, Jack, and Brice are back this week with special guest Jawan Pitts from Survivor 49 breaking down Survivor Season 50 Episode 11. After the fallout from last week's chaotic Tribal, the game gets flipped upside down with a shocking immunity controversy that leaves everyone scrambling. A brutal split Tribal forces players to adapt quickly as alliances crack, paranoia spreads across camp, and one massive blindside leaves the players and jury speechless. Brice, Jack, and Jawan dive into the Tiffany immunity drama, Ozzy's emotional downfall, who is gaining momentum heading into the endgame, and how this double elimination could completely reshape the season. Tickets and updates for Brice and Wen 50 events:https://briceandwenpresent.flite.city/ You can also watch along on Brice Izyah’s YouTube channel to watch us break it all down https://youtube.com/channel/UCFlglGPPamVHaNAb0tL_s7g LISTEN: Subscribe to the Purple Pants podcast feed  WATCH: Watch and subscribe to the podcast on YouTube SUPPORT: Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks! Previously on the Purple Pants Podcast Feed: Purple Pants Podcast Archives

Survivor News  50 Ep 11 Recap: Survivor Hamlet ft Jawan Pitts The baby boys, Jack, and Brice are back this week with special guest Jawan Pitts from Survivor 49 breaking down Survivor Season 50 Episode 11. After the fallout from last week's chaotic Tribal, the game gets flipped upside down with a shocking immunity controversy that leaves everyone scrambling. A brutal split Tribal forces players to adapt quickly as alliances crack, paranoia spreads across camp, and one massive blindside leaves the players and jury speechless. Brice, Jack, and Jawan dive into the Tiffany immunity drama, Ozzy's emotional downfall, who is gaining momentum heading into the endgame, and how this double elimination could completely reshape the season. Tickets and updates for Brice and Wen 50 events:https://briceandwenpresent.flite.city/ You can also watch along on Brice Izyah's YouTube channel to watch us break it all down https://youtube.com/channel/UCFlglGPPamVHaNAb0tL_s7g Previously on the Purple Pants Podcast Feed:Purple Pants Podcast Archives LISTEN: Subscribe to the Purple Pants podcast feed WATCH: Watch and subscribe to the podcast on YouTubeSUPPORT: Become a RHAP Patron for bonus content, access to Facebook and Discord groups plus more great perks! Learn more about your ad choices. Visit megaphone.fm/adchoices

Nalini Singh is back to talk about Archangel's Eternity, which I have been calling “Archangel's Finale.”We've got questions from readers and listeners, and some behind the scenes details about how Nalini organizes the massive worlds she's built in her series.Plus she teases some major surprises for the next Psy-Changeling book, and what she's working on right now.You can find the video of this episode on our YouTube channel if you'd like to watch us!You can find Nalini Singh at her website, NaliniSingh.com, and on Instagram and Facebook as AuthorNaliniSingh.Do not miss the chance to sign up for her newsletter!We also mentioned:Nalini's virtual event with the Ashland Public Library on Wednesday, June 10!The next Psy-Changeling book is Cold Redemption, coming out in December 1, 2026.Nalini's prior episodes:676. Exploring Atonement Sky with Nalini Singh489. Archangel's Light with Nalini Singh409. Alpha Night and Alpha Women With Nalini Singh361. Playing Verbal Poker with Nalini Singh356. Our Book Club Discussion of Rebel Hard by Nalini Singh24. An Interview with Nalini Singh...Support for this episode comes from The Undergrads: Student Union by #1 New York Times-bestselling author Julie Murphy–a sexy new rom com about a college marriage of convenience that goes way beyond chemistry 101. Ali Hazelwood calls The Undergrads: Student Union “one addictively swoony book.” Available now wherever books are sold!...This episode is brought to you by Hatch, producers of Ophelia, an original audio drama, inspired by Hamlet, where Ophelia finally gets to be the main character. Book one of the three part series is now available for free wherever you stream, with new chapters dropping every Tuesday. For books 2 and 3, check out hatch.co/Ophelia.Stay tuned to the end of the episode for a sample of Ophelia, brought to you by Hatch.co! Hosted on Acast. See acast.com/privacy for more information.

On Friday's show: Houston in recent days and weeks has been shaken by a string of devastating domestic violence homicides, including a murder-suicide involving the prominent owners of several local restaurants and their children. The head of the Harris County Domestic Violence Coordinating Council contemplates what these stories reveal and what can be done to prevent them. And we examine what law enforcement and nonprofits are doing to intervene.*If you or someone you know is experiencing domestic violence, call the National Domestic Violence Hotline at 800-799-SAFE (7233) or visit thehotline.org.Also this hour: Our panel of non-experts breaks down The Good, The Bad, and The Ugly of the week.And there have been all kinds of adaptations of Shakespeare's plays, putting them in unusual settings. So, why not a version of Hamlet set at a family barbecue in the South? We talk with a couple of the folks cooking up 4th Wall Theatre Company's production of the Pulitzer Prize-winning play, Fat Ham, which runs through May 23.Watch

Click here for the DRB Daily Sign Up form! TODAY'S SCRIPTURE: 2 Samuel chapters 13-14, Matthew 24 Click HERE to give! One Year Bible Podcast: Join Hunter and Heather Barnes on the Daily Radio Bible, a daily Bible‑in‑a‑year podcast with 20‑minute Scripture readings, Christ‑centered devotion, and guided prayer.This daily Bible reading and devotional invites you to live as a citizen of Jesus' kingdom, reconciled, renewed, and deeply loved. TODAY'S EPISODE: Welcome to the Daily Radio Bible! On this 6th day of May, join Hunter, your Bible reading coach, as we journey through pivotal passages: 2 Samuel 11–12, Psalm 51, and Matthew 23. Today's episode confronts the story of David's great fall—from his secret sins with Bathsheba to his confrontation by the prophet Nathan—and explores the power of repentance and restoration found in Psalm 51. As we listen to Jesus' sharp words to the religious leaders in Matthew 23, we're invited to reflect on the themes of humility, the dangers of hypocrisy, and God's unfailing love and desire to restore us. Let's dive into the Scriptures together, pray, and be reminded that no matter what, you are deeply loved. TODAY'S DEVOTION: A story exposes the heart. In the play Hamlet, Shakespeare wrote, "The play is the thing wherein I'll capture the conscience of the king." Stories hold a certain power—a way of reaching into hidden places and bringing truth to the surface. This is exactly what happened in the encounter between the prophet Nathan and King David. Nathan did not confront David with a simple accusation; he told him a story—a story about a rich man's cruelty toward a poor man, a story of broken trust, of taking what wasn't his, of conspiracy and the covering up of wrongdoing. Through this story, Nathan captured David's conscience and exposed his heart 17:14. And David saw it. He saw the depth of his sin—his betrayal, his adultery, his conspiracy, his murder. He saw how he had despised the word of the Lord, not just as a book of rules, but as the very presence and blessing of God, the union that God had given him—an anointing that David once cherished and then cast aside. David turned away from God in a moment of self-indulgence, as if he could separate himself from the God who called and blessed him 18:40. Yet, what this story reveals is that though we may despise or deny our union with God, God does not despise us—he will not abandon or reject us. God's discipline is not about retribution; it is about restoration. He sends his prophets and his word not to condemn, but to restore us, to recall us to himself. Psalm 51 is David's cry for restoration—a pleading for a renewed and healed heart, for the joy of God's salvation to be his once again 19:43. Even if we find ourselves far from God, in denial, in brokenness, God's word comes to heal, to renew, to draw us back. He will make us whole. That's the heart of God—to restore and not reject, to draw near rather than cast out 20:09. May we not deny the union we have with God. Instead, let us embrace it and live out of the wholeness and restoration that only he gives. May his love, his discipline, and his relentless pursuit bring us home, renew our hearts, and make us instruments of his peace and grace. That's a prayer I have for my own soul. That's a prayer I have for my family, for my wife, my daughters, and my son. And that's my prayer for you. May it be so. TODAY'S PRAYERS: Lord God Almighty and everlasting father you have brought us in safety to this new day preserve us with your Mighty power that we might not fall into sin or be overcome by adversity. And in all we do, direct us to the fulfilling of your purpose  through Jesus Christ Our Lord amen.   Oh God you have made of one blood all the peoples of the earth and sent your blessed son to preach peace to those who are far and those who are near. Grant that people everywhere may seek after you, and find you. Bring the nations into your fold, pour out your Spirit on all flesh, and hasten the coming of your kingdom through Jesus Christ our Lord, Amen.   And now Lord,  make me an instrument of your peace.  Where there is hatred let me sow love. Where there is injury, pardon.  Where there is doubt, faith. Where there is despair, hope.  Where there is darkness, light.  And where there is sadness,  Joy.  Oh Lord grant that I might not seek to be consoled as to console. To be understood as to understand, to be loved as to love.  For it is in the giving that we receive, in the pardoning that we are pardoned, it is in the dying that we are born unto eternal life.  Amen And now as our Lord has taught us we are bold to pray... Our Father who art in heaven, hallowed be thy name, thy kingdom come thy will be done on earth as it is in heaven, give us this day our daily bread, and forgive us our tresspasses as we forgive those who trespass against us, and lead us not unto temptation, but deliver us from evil, for thine is the Kingdom and the power and the glory forever. Amen. Loving God, we give you thanks for restoring us in your image. And nourishing us with spiritual food, now send us forth as forgiven people, healed and renewed, that we may proclaim your love to the world, and continue in the risen life of Christ.  Amen.  OUR WEBSITE: www.dailyradiobible.com We are reading through the New Living Translation.   Leave us a voicemail HERE: https://www.speakpipe.com/dailyradiobible Subscribe to us at YouTube: https://www.youtube.com/@Dailyradiobible/featured OTHER PODCASTS: Listen with Apple Podcast DAILY BIBLE FOR KIDS DAILY PSALMS DAILY PROVERBS DAILY LECTIONARY DAILY CHRONOLOGICAL  

Click here for the DRB Daily Sign Up form! TODAY'S SCRIPTURE: 2 Samuel 11–12, Psalm 51, Matthew 23 Click HERE to give! One Year Bible Podcast: Join Hunter and Heather Barnes on the Daily Radio Bible, a daily Bible‑in‑a‑year podcast with 20‑minute Scripture readings, Christ‑centered devotion, and guided prayer.This daily Bible reading and devotional invites you to live as a citizen of Jesus' kingdom, reconciled, renewed, and deeply loved. TODAY'S EPISODE: Welcome to the Daily Radio Bible! On this 6th day of May, join Hunter, your Bible reading coach, as we journey through pivotal passages: 2 Samuel 11–12, Psalm 51, and Matthew 23. Today's episode confronts the story of David's great fall—from his secret sins with Bathsheba to his confrontation by the prophet Nathan—and explores the power of repentance and restoration found in Psalm 51. As we listen to Jesus' sharp words to the religious leaders in Matthew 23, we're invited to reflect on the themes of humility, the dangers of hypocrisy, and God's unfailing love and desire to restore us. Let's dive into the Scriptures together, pray, and be reminded that no matter what, you are deeply loved. TODAY'S DEVOTION: A story exposes the heart. In the play Hamlet, Shakespeare wrote, "The play is the thing wherein I'll capture the conscience of the king." Stories hold a certain power—a way of reaching into hidden places and bringing truth to the surface. This is exactly what happened in the encounter between the prophet Nathan and King David. Nathan did not confront David with a simple accusation; he told him a story—a story about a rich man's cruelty toward a poor man, a story of broken trust, of taking what wasn't his, of conspiracy and the covering up of wrongdoing. Through this story, Nathan captured David's conscience and exposed his heart 17:14. And David saw it. He saw the depth of his sin—his betrayal, his adultery, his conspiracy, his murder. He saw how he had despised the word of the Lord, not just as a book of rules, but as the very presence and blessing of God, the union that God had given him—an anointing that David once cherished and then cast aside. David turned away from God in a moment of self-indulgence, as if he could separate himself from the God who called and blessed him 18:40. Yet, what this story reveals is that though we may despise or deny our union with God, God does not despise us—he will not abandon or reject us. God's discipline is not about retribution; it is about restoration. He sends his prophets and his word not to condemn, but to restore us, to recall us to himself. Psalm 51 is David's cry for restoration—a pleading for a renewed and healed heart, for the joy of God's salvation to be his once again 19:43. Even if we find ourselves far from God, in denial, in brokenness, God's word comes to heal, to renew, to draw us back. He will make us whole. That's the heart of God—to restore and not reject, to draw near rather than cast out 20:09. May we not deny the union we have with God. Instead, let us embrace it and live out of the wholeness and restoration that only he gives. May his love, his discipline, and his relentless pursuit bring us home, renew our hearts, and make us instruments of his peace and grace. That's a prayer I have for my own soul. That's a prayer I have for my family, for my wife, my daughters, and my son. And that's my prayer for you. May it be so. TODAY'S PRAYERS: Lord God Almighty and everlasting father you have brought us in safety to this new day preserve us with your Mighty power that we might not fall into sin or be overcome by adversity. And in all we do, direct us to the fulfilling of your purpose  through Jesus Christ Our Lord amen.   Oh God you have made of one blood all the peoples of the earth and sent your blessed son to preach peace to those who are far and those who are near. Grant that people everywhere may seek after you, and find you. Bring the nations into your fold, pour out your Spirit on all flesh, and hasten the coming of your kingdom through Jesus Christ our Lord, Amen.   And now Lord,  make me an instrument of your peace.  Where there is hatred let me sow love. Where there is injury, pardon.  Where there is doubt, faith. Where there is despair, hope.  Where there is darkness, light.  And where there is sadness,  Joy.  Oh Lord grant that I might not seek to be consoled as to console. To be understood as to understand, to be loved as to love.  For it is in the giving that we receive, in the pardoning that we are pardoned, it is in the dying that we are born unto eternal life.  Amen And now as our Lord has taught us we are bold to pray... Our Father who art in heaven, hallowed be thy name, thy kingdom come thy will be done on earth as it is in heaven, give us this day our daily bread, and forgive us our tresspasses as we forgive those who trespass against us, and lead us not unto temptation, but deliver us from evil, for thine is the Kingdom and the power and the glory forever. Amen. Loving God, we give you thanks for restoring us in your image. And nourishing us with spiritual food, now send us forth as forgiven people, healed and renewed, that we may proclaim your love to the world, and continue in the risen life of Christ.  Amen.  OUR WEBSITE: www.dailyradiobible.com We are reading through the New Living Translation.   Leave us a voicemail HERE: https://www.speakpipe.com/dailyradiobible Subscribe to us at YouTube: https://www.youtube.com/@Dailyradiobible/featured OTHER PODCASTS: Listen with Apple Podcast DAILY BIBLE FOR KIDS DAILY PSALMS DAILY PROVERBS DAILY LECTIONARY DAILY CHRONOLOGICAL  

Riz Ahmed is an Oscar and Emmy-award winning actor and rapper, known for pushing for more nuanced portrayals of South Asians, and especially Muslims, on screen. In his most recent projects, he's shaking the foundations of British cultural mythology by taking on two roles that have long been definitive for white actors: James Bond and Hamlet. He joins Tom to talk about his new series Bait, where he plays an actor chasing the role of 007, and why he wanted to strip down Shakespeare's most famous tragedy into something more contemporary for his film Hamlet.

Forsooth! Brave knights of the realm fight tremendous beasts most savage - but not nigh as savage as the idiot teens of Laurel High! It's all-out moronoc action in Swing with Scooter #6 and Star-Spangled War Stories #132! Chapters (00:00:00) - Checkered Past(00:03:34) - Teens walking around in the cold(00:06:45) - The Secret to Traveling(00:07:01) - The Grades Are In(00:09:27) - The Real Life of Acting(00:12:50) - Scooter the Ghost in Hamlet(00:13:56) - Letteres Gets Called Out in "The New Yorker"(00:14:33) - The Secret Life of Scooter(00:18:36) - The Lighting in Hamlet(00:20:52) - The Hamlet Play(00:22:17) - The Kids in Hamlet(00:24:40) - In the Elevator With Ms. Bluff(00:25:18) - Kenny the Beatnik Bashes His Head Open(00:27:29) - The Comedy of Hamlet(00:32:53) - The Statue Made With Peanut Butter(00:33:16) - Scooter Comics: The Evolution(00:34:39) - Star Spangled War Stories: Private War in the Big House of(00:36:39) - Jerry Conway and Len Strazewski(00:38:22) - Jackie Blaine vs Nick Tardy(00:41:50) - Little Songs for Kids(00:45:54) - Jackie and Nick in Land of the Lost(00:50:28) - Nick Trapped In The Big House Of Monsters

We dig into the 2024 film that imagines what inspired one of the Bard's most famous plays, and whether it's actually any good. Spoiler: It's super good.

Programming note: this week's episode is dropping on 30 April 2026. Smart Bitches Trashy Books, LLC, is withdrawing our labor on May 1, 2026, alongside other companies, school districts, and activists as part of the May Day Nationwide Day of Collective Action. For more information, visit MayDayStrong.org. ...Ilana Masad and Stevie K. Seibert Desjarlais are the editors of a new and excellent anthology called Here for All The Reasons: Why We Watch the Bachelor.The essays inside are incredible, and provide deep and incisive critique of The Bachelor franchise from people who love, or used to love it deeply. Some of the topics blew my mind. I was so excited to talk to Ilana and Stevie about their work, and we happened to record just as the latest season of The Bachelorette was cancelled, so we talk about that as well.If you like deep examinations of pop culture and of properties typically dismissed as meaningless fluff – hello, yes, I do! – you'll have fun with us today.We're going to talk about conservative fantasy, polyamory, grad school, changing portrayals of masculinity in reality tv, media literacy and so much more.As I say during our conversation, I think the best critiques of things come from people who are fans.TW/CW: At about 50 minutes into the interview, we discuss allegations of domestic violence from Taylor Frankie Paul, and at 1 hour and 20 minutes, we discuss the loss of their friend Dr. Katie McWain, to whom the book is dedicated....You can find Ilana Masad at her website, IlanaMasad.com. She's on Bluesky @IlanaSlightly, and on Instagram @Ilanaslightlyignorant.You can read Ilana's article, “How ‘The Bachelor' Franchise Celebrates Polyamory” from the March 2018 issue of Playboy via the Web Archive. Stevie's work can be found at The Quarterly Review of Film and Television, The Journal of Pedagogy, The Journal of Popular Film and Television, and The Popular Culture Studies Journal. You can read “From Nobody to Nurturing: Skeptical Action Heroes Seek (and Find) Different Masculinity” online in the Popular Culture Studies Journal, Vol. 13, Issue 2 (PDF)We also discussed:“Media Literacy and Education in Finland” – Finland ToolboxThe Finnish National Curriculum on Media Literacy: A Global Model for Education“Geriaction” The Call Your Coven podcast“Under the Mormon Influence: How the women of Utah blogged and posted their way into American hearts and Wallets” by Bridget Read, 9 Feb. 2026 – The Cut (Paywalled)...This episode is brought to you by Hatch.You know how you finish a romantasy and you just need the next thing immediately? Hatch made that thing.It's called Ophelia — an original audio drama, inspired by Hamlet, where Ophelia finally gets to be the main character.Forbidden magic, a crumbling kingdom, a slow-burn love triangle with a prince and his very guarded, very intriguing, best friend. The kind of love triangle where you will absolutely pick a side and you will not be quiet about it.Book one of the three part series is now available for free wherever you stream, with new chapters dropping every Tuesday. For books 2 and 3, check out hatch.co/Ophelia....Music: Purple-planet.com Hosted on Acast. See acast.com/privacy for more information.

MUSICAL THEATRE WRITING COLLECTIVE: https://www.musicaltheatrewritingcollective.com/mtwc-aboutWant some FREE TIPS???For Writers:Em's TOP 10 STRUCTURE TIPS - https://michael-radi.mykajabi.com/structure-tips-email—————————————————————————————****GO EVEN DEEPER WITH…****For WRITERS:MUSICAL THEATRE WRITING COLLECTIVE:https://www.musicaltheatrewritingcollective.com/mtwc-aboutLibretto Formatting Guide:https://michaelradi.thrivecart.com/libretto-formatting-guide/Flagship Musical Theatre Writing Workshop Course:https://www.musicaltheatrewritingcollective.com/mt-writing-workshop-courseBook & Beyond Libretto Writing Course:https://www.musicaltheatrewritingcollective.com/book-and-beyond-courseDo you want to learn *how to write* Musical Theatre? Are you looking for a *warm and welcoming community* of writers? Then check out the collective at the link above!—————————————————————————————One of My Favorite Writing Books:(Disclosure: I get commissions for purchases made through this post. I am an affiliate of bookshop.org and I will earn a commission if you click through the title links below and make a purchase. As an Amazon Associate I earn from qualifying purchases, and will do so from the Amazon link below.)“The Writer's Journey” by Christopher Vogler:Bookshop.Org link:https://bookshop.org/a/4758/9781615933150Amazon link:https://www.amazon.com/gp/product/193290736X/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=193290736X&linkCode=as2&tag=mtwgrecomme01-20&linkId=e804571516b48d9d6d11853c8765900e————————————————————————Em Radi (any/all) is a Composer-Lyricist, Librettist, Performer, Vocal Coach, Musical Theatre Writing Coach, Musical Director, and the Founder of the Musical Theatre Writing Collective currently residing in New York City. They are an alumnus of the esteemed Lehman Engel BMI Musical Theatre Workshop as a lyricist, and has written six full-length musical theatre pieces in addition to ongoing projects. His original musical The King's Legacy, which received its world premiere production in August 2019 at the Bristol Valley Theater in Naples, NY, and has also been presented in Industry Reading format both in fall of 2019 as part of the Dramatists Guild Friday Night Footlights and in November 2016. Em's original one-person show 'S Wonderful: An Evening with George Gershwin also played its premiere production at BVT in 2021. Other current projects include a musical adaptation of The Legend Of Sleepy Hollow, a queer pop-punk adaptation of Hamlet, and a mother-daughter coming of age musical set in the world of competitive baton twirling, based loosely off of their family's history with the sport.Learn more about Em at their website:http://www.michaelradi.comEm's Patreon Community:https://www.patreon.com/michaelradiLearn more about The King's Legacy on the website:https://www.thekingslegacymusical.com/And listen to/watch numbers from The King's Legacy on YouTube starting at:https://youtu.be/YSp0q-6KQeoThe Glamorous Life Blog:http://www.michaelradi.com/the-glamorous-lifeFollow Em on…FB: https://www.facebook.com/michael.radi.54IG: @emmy.radi @mtwriterguyTW: @MichaelRadi88TT: @michaelradi—————————————————————————————Musical Theatre Writer Guy was written and recorded on traditional and unceded territory of the Munsee Lenape and Canarsie People.

Theatre director and writer Robert Icke talks to John Wilson about his formative creative influences. Described by Variety magazine as ‘the great hope of British theatre' and with his radical new versions of classic plays, Icke has built a reputation for revelatory productions. Born in Stockton on Tees in 1986, he made his name in 2015 with an epic new version of the Greek tragedy Oresteia, which he had adapted himself. It won several awards and, at 29, Icke became the youngest ever recipient of the Best Director award at the Olivier Awards. More acclaim followed for his 2017 production of Hamlet, starring Andrew Scott, his adaptation of the Arthur Schnitzler play The Doctor, and his new version of Oedipus which transferred to Broadway in 2025. His latest West End production is Romeo and Juliet, starring Sadie Sink of Stranger Things fame. Producer: Edwina Pitman

Únete a nuestra comunidad El Mapa de la Ansiedad en Skool: https://www.skool.com/elmapadelaansiedad Un espacio con cursos, recursos y una comunidad donde compartir, aprender y comprender mejor la ansiedad, la tristeza y los procesos emocionales. En este episodio de La teoría de la mente, seguimos el rastro de una de las imágenes más poderosas para describir la tristeza profunda: el perro negro. Una sombra que acompaña, que se sienta al lado, que llega sin avisar y que convierte incluso las tareas más simples en una montaña difícil de escalar. A partir de esta metáfora, popularizada por Winston Churchill, viajamos por la historia de la melancolía para construir una auténtica biografía de la tristeza. Antes de llamarse depresión, antes de convertirse en diagnóstico clínico, la tristeza fue bilis negra, temperamento, pecado, genialidad, posesión, sensibilidad artística y también una forma de lucidez incómoda. Comenzamos en la antigua Grecia, con la medicina hipocrática y la teoría de los cuatro humores: sangre, flema, bilis amarilla y bilis negra. De ahí nace la palabra melancolía, del griego mélas —negro— y kholé —bilis—. Pero la historia no se queda en el cuerpo. En textos atribuidos a la escuela de Aristóteles, como el famoso Problema XXX, 1, aparece una pregunta fascinante: ¿por qué tantos hombres destacados en la filosofía, la política, la poesía y las artes parecen ser melancólicos? Desde ahí exploramos una idea que sigue viva: ¿puede el sufrimiento abrir caminos de conocimiento? ¿Existe una lucidez melancólica? ¿O estamos romantizando una carga emocional que puede destruirnos? El episodio avanza hacia la Edad Media, donde la tristeza se transforma en acedia, una especie de pereza espiritual o demonio interno asociado a la culpa, la apatía y la inmovilidad. Después viajamos al Renacimiento, cuando Saturno, Marsilio Ficino y Robert Burton convierten la melancolía en una marca de profundidad intelectual. La tristeza se vuelve prestigio, pose social y teatro cultural. También analizamos cómo la literatura refleja distintas formas de sufrimiento: Don Quijote, atrapado entre un mundo interior que ya no encaja con la realidad; Hamlet, cuya tristeza se interpreta como filosofía; Ofelia, reducida a histeria; Lady Macbeth, prisionera de la culpa corporal; y El rey Lear, quebrado por la pérdida del poder, la familia y la identidad. Finalmente llegamos a Freud y a su ensayo Duelo y melancolía, donde aparece una de las frases más inquietantes del psicoanálisis: “la sombra del objeto cae sobre el yo”. Hablamos de pérdida, culpa, vacío, depresión moderna, neurociencia, psicofármacos y del delicado equilibrio entre aliviar el dolor y escuchar lo que ese dolor quizá intenta decirnos. Este episodio no busca glorificar la tristeza ni romantizar la depresión. La depresión puede inmovilizar, apagar y romper; cuando eso ocurre, pedir ayuda profesional es fundamental. Pero tampoco conviene humillar toda tristeza, silenciarla o tratarla solo como un fallo que hay que corregir cuanto antes. Quizá la clave no sea expulsar para siempre al perro negro, sino aprender a reconocer sus pasos: saber cuándo viene de visita y cuándo se está instalando demasiado tiempo. Bienvenidos a La teoría de la mente. Nuestra escuela de ansiedad: www.escuelaansiedad.com Nuestro nuevo libro: www.elmapadelaansiedad.com Visita nuestra página web: http://www.amadag.com Facebook: https://www.facebook.com/Asociacion.Agorafobia/ Instagram: https://www.instagram.com/amadag.psico/ ▶️ YouTube AMADAG TV: https://www.youtube.com/channel/UC22fPGPhEhgiXCM7PGl68rw 25 keywords melancolía, tristeza profunda, perro negro, depresión, historia de la depresión, bilis negra, Hipócrates, Aristóteles, Problema XXX, acedia, Edad Media, Saturno, Marsilio Ficino, Robert Burton, Anatomía de la melancolía, Don Quijote, Cervantes, Shakespeare, Hamlet, Ofelia, Lady Macbeth, Rey Lear, Freud, duelo y melancolía, salud mental 6 hashtags #Melancolia, #Depresion, #SaludMental, #LaTeoriaDeLaMente, #PerroNegro, #Ansiedad

At Cincinnati Shakespeare Company, Pericles boldly goes where no Pericles has gone before. Artistic Director Brian Isaac Phillips discusses how his space-age setting for Shakespeare's underrated Romance is weirdly more relatable than the maritime travel in the original; how they've changed very little language (apart from some references of ‘sea' to ‘sky'); how there's nothing new under the sun (from any galaxy); how he and his cast are playing it straight and not campy or spoofy; how companies don't program Pericles unless they have a passion for it, which always shows; how this bucket-list show gives both actors and audiences the opportunity to complete their personal canons; and the rewards of producing a less-well-known play that carries less baggage for audiences than, say, Romeo and Juliet or Hamlet. (Length 21:33) The post Science Fiction Pericles appeared first on Reduced Shakespeare Company.

In the eighteenth century, Samuel Johnson famously argued that Shakespeare is enduringly popular because he “is above all writers, at least above all modern writers, the poet of nature; the poet that holds up to his readers a faithful mirror of manners and of life.” Johnson's view largely prevailed until the late twentieth century, when it was challenged by a growing scepticism about the existence of a general human nature. In Thinking Through Shakespeare (Princeton UP, 2026), eminent literary critic David Womersley pushes back against this change by exploring how Shakespeare's plays think through—and invite us to think through—deep human questions of lasting importance.Thinking Through Shakespeare explores four perennial human problems: personal identity, the distinction between civilization and barbarism, the relation between political power and religious authority and the tension between means and ends. It examines the history of these problems, from antiquity to today, and traces how Shakespeare engages with them in the great tragedies—Othello, Hamlet, Macbeth and King Lear—but also in his other plays. Without arguing that human nature is universal or unchanging, or that Shakespeare has some special access to timeless wisdom, the book makes the case that his drama is powerful because it serves as a forensic tool, probing rival perspectives on questions that have preoccupied many people in many societies over many centuries.By revealing in new ways how Shakespeare's plays are animated and driven by central human problems, and why he should again be viewed as the great poet of human nature, Thinking Through Shakespeare opens up a richer understanding and appreciation of his work. David Womersley is the Thomas Warton Professor of English Literature at the University of Oxford. His books include Divinity and State, Gibbon and the “Watchmen of the Holy City” and The Transformation of the Decline and Fall of the Roman Empire. He is also the editor of many books, including the Penguin Classics editions of Gibbons's Decline and Fall of the Roman Empire, Boswell's Life of Samuel Johnson and David Hume's complete essays. He is a Fellow of the British Academy and of the Royal Historical Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Riz Ahmed is back on Bullseye! He chats with us about his role in the new Hamlet film and his personal relationship with Shakespeare's work. We also get into his early days as a battle rapper, if he plans to keep rapping as he gets older, and much more!See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Choice Classic Radio presents Sherlock Holmes. Today we bring to you the episode titled “The Adventure of the Original Hamlet.”  Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

…Gravy? Topics in this episode include the grande finale of Stephen's Hamlet theory, he finally proves by algebra that Shakespeare is the ghost of his own father, dio boia, James Joyce's reaction to Karl Bleibtreu's Shakespeare conspiracy theories, Dana, Fred Ryan, the poetry and theatrical stylings of Buck Mulligan, Oliver St. John Gogarty's play Blight, and the origin story of Medical Dick and Medical Davy. Support us on Patreon to get episodes early, and to access bonus content and a video version of our podcast. On the Blog: Poetry in Ulysses: Medical Dick and Medical Davy Blooms & Barnacles Social Media: Facebook | BlueSky | Instagram Subscribe to Blooms & Barnacles: Apple Podcasts | Spotify | YouTube

The Jareds Stern discuss how comedy keeps you humble, revisiting college 30 years later, and a trip to the theater to see Eddie Izzard's one-person rendition of Hamlet. (Recorded 4/22/26)BUY THE BOOK!⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shorturl.at/9Ob5J⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to past episodes!⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://jaredstern.com/between-two-sternsSee Jared Stern live!⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://jaredstern.com/laugh-at-me/

Our exit today has us trying to diffuse a bomb using seating at Madison Square Garden. This week, we are talking about Bad Company, written by Gary M. Goodman, David Himmelstein, Jason Richman, and Michael Browning and directed by Joel Schumacher.Along the way, we talk a lot about Anthony Hopkins and Joel Schumacher, along with Die Hard, the Coen Brothers, Hamlet, the World Trade Center, action comedies, and a fun game about 2002 trailers!Theme music by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

While we are on a break, enjoy this episode from Season 2. Season 3 starts May 19!

Host Jeff Goldsmith talks to screenwriter Michael Lesslie about his latest film, Hamlet. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

Nick is back with fellow film critics Erik Childress and Steve Prokopy to review a new round of movies, including the video game-inspired horror film Exit 8, another take on Hamlet, the reboot Faces of Death, and the rom-com You, Me & Tuscany. They also talk about the current box office and what's coming up at the Chicago Critics Film Festival. Later, Esmeralda Leon joins Nick to catch up on how she celebrated her birthday before the conversation shifts into a fun run through some of the greatest movie one-liners ever, including “Leave the gun…take the cannoli” and “Frankly my dear, I don't give a damn,” along with a few more favorites. [Ep 445]

Joseph Pearce explores Shakespeare's Hamlet and Macbeth, revealing powerful themes of conscience, sin, grace, and moral choice. The post GWWL8 – William Shakespeare – Hamlet and Macbeth – Great Works in Western Literature with Joseph Pearce – Discerning Hearts Podcasts appeared first on Discerning Hearts Catholic Podcasts.

Links Video Heaven (2025) — dir. Alex Ross Perry Lucia Keskin (Chi With A C) doesn't learn ANYTHING the hard way | Off Menu Podcast - YouTube "Difficult difficult lemon difficult" - YouTube Jury Duty Todd's Chants - Jury Duty Nirvanna the Band the Show the Movie Nirvana the Band the Show (TV series) Nirvanna the Band the Show the Movie Movie Clip - Hardware - YouTube The Testament of Ann Lee Space Ghost Coast to Coast Difficult difficult lemon difficult - In the Loop Dr. Katz, Professional Therapist Blackberry (film) F for Fake F for Fake (1973) - How to Structure a Video Essay - YouTube Sam Campbell Wanted To Be Diane Morgan's Servant on Last One Laughing - BBC - YouTube George Fouracres - What Kind Of Irish Is Your Grandad - SNL UK - YouTube Kathy - SNL - YouTube I'll Never Buy A Low Quality Phone Case Again! $1,300 Phone Ruined! - YouTube Spotlight (film) Doubt Ben Hur Snails and Oysters Scene in Spartacus Gore Vidal and Bill Buckley face off, 1968 DNC The Lifelong Feud Between Truman Capote and Gore Vidal, Explained | Vanity Fair Irma Vep (TV series) Going Clear — dir. Alex Gibney Repo Man — dir. Alex Cox Ex Machina — dir. Alex Garland HyperNormalisation — dir. Adam Curtis Hamlet 2000 Hamlet with Kenneth Branagh Hamlet with David Tennant Technology Connections — CD series Technology Connections — LaserDisc series

In his new Prime Video series, ‘Bait,' Riz Ahmed plays an actor auditioning to be the next James Bond. Ahmed says Bond is a "symbol of aspiration, this unattainable kind of self" his character is pursuing. He spoke with Tonya Mosley about being his own worst critic, why he connected to Hamlet, and his early days as an MC on pirate radio. To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy