Podcasts about Hamlet

In Shakespeare's play, Antony and Cleopatra, Cleopatra declares “It is my birth-day: I had thought to have held it poor: but, since my lord Is Antony again, I will be Cleopatra.” Indicating that she was relieved to be marking the occasion in a better way. Julius Ceasar, similarly declares in Act V, “This is my birth-day; as this very day was Cassius born.” In Pericles, the First Fisherman says “he hath a fair daughter, and to-morrow is her birth-day;” (Act II).  In Shakespeare's Hamlet, Marcellus talks about celebrating our Savior's birth with singing. Other references to the day of one's birth show up in Henry VI Part II the Earl of Suffolk talks about having a cunning old man calculate the day of his birth (Act IV), and later in that same act, Jack Cade talks about how his father was ignorant of both his birth and parentage. All of these mentions of birth days, their calculations, and their celebrations, has me wondering what exactly birthdays were like for Shakespeare's England. We always celebrate Shakespeare's birthday in style in around here, but would the bard have celebrated his own day of birth? To find out, we've invited one of the authors of the article “Debating the Birthday: Innovation and Resistance in Celebrating Children” Peter Stearns, to the show to day, to help us explore the history of marking a birthday with cakes, gifts, and a gathering of friends. Would this have occurred for Shakespeare's lifetime? Let's find out right now, on That Shakespeare Life.   Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.

Ep. 680: Cranford | Chapter 2 Book talk begins at 6:13. This week's chapter is a sobering reminder that small towns sometimes carry the heaviest stories. Also, we get another battle over Dickens vs. Johnson (yep, that again). --------------------------------------------------------------- • 02:40 - : Listen to “The Blog” (4 min vs 19 min on “The Gist—yes, he titled them in reverse). This is one of the Long-Covid papers we've been waiting for. PEM—post-exertional malaise is “feeling tired/sore a day after a workout” on crack. • PEM pain and brain fog can last up to two weeks after exertion…The Rank Study he mentions is the group saying “duh m'dude. If you've been in bed for a year yer gonna be tired after a workouta. You gotta get back on your exercise routine and qitcherbellyaching” —a theory that's led to permanent patient paralysis. The other study is big because it indicates that the damage is mitochondrial, not systematic (i.e., we're getting plenty of blood to our muscles. The muscles just can't do anything WITH that oxygen) • —and from the People who created the Visible app that has saved my life (MakeVisible.com) • 03:20 Snake Oil!!! • 04:03 RAFFLE of "Knitting Companion," the amazing ergonomic book. Join the raffle here: • 06:13 BOOK TALK BEGINS • 06:40 - Re-hash Ch 1 • 09:35 - Humor and Gaskell • 10:40 - I'm drinking Plum Deluxe Bookshop Blend White. To pick your own from The CraftLit Collection of Plum Deluxe Teas, visit bit.ly/craftlit-pdtea to learn more. • 11:20 - Who's the narrator?! • 12:26 - Bakehouses • 14:20 - Flints haberdashery in London (UPDATE - apparently NOT a real place! But the meaning is the same.) • 15:15 - Biblical DebORah (the pronunciation that should be used ahem) read about her in Judges 4:4. • 15:36 - “Strong minded” women - yeah, that was an insult. Kinda like “She was warned. She was given an explanation. Nevertheless, she persisted…” when Elizabeth Warren tried to read a letter from Coretta Scott King into the Congressional Record in February 2017. See Mary Wollstonecraft on masculine women on • 17:50 - - this is not the one I remembered (they haven't digitised their entire collection) but it DOES have a shocking poem in it—by a 14 year old girl. • 18:50 - Just a heads up: Gaskell sort of doesn't really quote things accurately—at this time code she's sort of quoting Hamlet, she also makes up words like Brunonian • 20:02 - Sort of quoting Alexander Pope “Imitations of Horace” 1733 • 20:17 - Sort of quoting/sub-referencing Spenser's “The Faerie Queene” IV:3;32, 1596 • 20:55 - Nasty cruel Railroads. Yup. • 22:17 - The guy who got a railroad spike through his head - Phineas Gage () • 23:13 - Bonnet as helmet • In fashion in 1820. Not in fashion by the 1840s: • 24:50   *CraftLit's Socials* • Find everything here: https://www.linktr.ee/craftlitchannel • Join the newsletter: http://eepurl.com/2raf9  • Podcast site: http://craftlit.com • Facebook: https://www.facebook.com/CraftLit/ • Facebook group: https://www.facebook.com/groups/craftlit • Pinterest: https://www.pinterest.com/craftlit/ • TikTok podcast: https://www.tiktok.com/@craftlit • Email: heather@craftlit.com • Previous CraftLit Classics can be found here: https://bit.ly/craftlit-library-2023   *SUPPORT THE SHOW!* • CraftLit App Premium feed bit.ly/libsynpremiumcraftlit (only one tier available) • PATREON:   https://patreon.com/craftlit (all tiers, below) ——Walter Harright -  $5/mo for the same audio as on App ——Jane Eyre - $10/mo for even-month Book Parties ——Mina Harker - $15/mo for odd-month Watch Parties *All tiers and benefits are also available as* —*YouTube Channel Memberships*  —*Ko-Fi* https://ko-fi.com/craftlit  —*NEW* at CraftLit.com — Premium Memberships https://craftlit.com/membership-levels/ *IF you want to join a particular Book or Watch Patry but you don't want to join any of the above membership options*, please use PayPal.me/craftlit or CraftLit @ Venmo and include what you want to attend in the message field. Please give us at least 24 hours to get your message and add you to the attendee list.     • Download the FREE CraftLit App for iOS or Android (you can call or email feedback straight from within the app) • Call 1-206-350-1642

SUMMARY: We talk with Max Lardent and Breon Jenay about the Fallout Fringe Festival coming to Las Vegas in June. We learn about the festival's origin, the rubric of accepting performers, doing Shakespeare with sock puppets, plus the disturbing genesis of a talking tree. Also, Scoop Mail and a Scoopardy.

Neste episódio voltamos a um tema que é um dos grandes desafios que as empresas enfrentam nos nossos dias: recrutar e fidelizar o melhor talento. O mercado de trabalho tem mudado muito, a um ritmo que não parece que vá abrandar no futuro próximo, e é preciso todos os dias encontrar novas formas de lidar com este desafio. Para nos ajudar a entender este assunto, tivemos o prazer de conversar com a Lucia Cardoso Pereira, da Adecco Portugal. À frente do marketing de uma empresa líder na área de Recursos Humanos, a Lucia conta-nos para onde estão a evoluir as relações entre as empresas e o talento, e também para nos falar de algumas das abordagens inovadoras que a Adecco tem experimentado na atração e retenção de colaboradores.Ouça o episódio e descubra:Como a inteligência artificial impacta no recrutamento e na produtividadeQuais são as estratégias de employer branding que realmente funcionamQual o papel das lideranças na adaptação às mudanças tecnológicasPor que a confiança, a autenticidade e a segurança psicológica são hoje ativos estratégicosComo usar o TikTok  como ferramenta de recrutamento - e que benefícios adicionais podem vir dissoSobre a convidada:Perfil do Lucia Cardoso Pereira no LinkedInSite da Adecco PortugalPerfil da Adecco Portugal no LinkedIn Ferramenta de aplicação mencionada:CV Maker Estudo mencionado:Global Workforce of the Future Livro recomendado:Simon Sinek - Leaders Eat Last Podcasts recomendados:Menos Gente Chata no Trabalho (Adecco)WorkLifeMarketing por IdiotasOn Purpose Para continuar a acompanhar-nos vá ao site da Hamlet e fique em dia com a comunicação de marketing B2B no nosso blog e ao subscrever a Newsletter B2B da Hamlet.Siga-nos também no LinkedIn, Instagram e Facebook.

Veckans avsnitt presenteras i samarbete med påskharen som levererar ett avsnitt till bredden fyllt av babbel. Det snackas om den trailerbonanza som utgjorde Triple-i Initiative och det snickas om mikrotransaktioner, spelpriser och hur spelutvecklare bäst ska ta betalt för sitt arbete. Efter både snick och snack bubblar Susanne om Promise Mascot Agency som vi tror är ett spel (kan också vara en feberdröm hon haft) och Elisabeth tar ner Blue Prince från sin piedestal för att ge det en uppsträckning. Anton i sin tur höjer ögonbrynen och berättar att han minsann varit på teaaaater och sett Hamlet (fast i GTA). Den pratglada Juntan kunde inte alls fatta sig kort, utan bjuder dessutom på extraljud om fotbollsskor. Ligger bakom lås och bom på speljuntan.se - för att låsa upp det blir du patreon och en del av att göra spelpodden du lyssnar på varje vecka till verklighet. Spel som nämns i avsnittet: The Alters, Opus: Prism Peak, Starbirds, Vampire Survivors, Heroes of Might and Magic: Olden Era, No I'm Not A Human, Moonlighter 2, Outbound, Season: A Letter to the Future, Endless Legend 2, Timberborn, Neverway, Paradise Killer, Fortnite, Roblox, Call of Duty, Minecraft, Split Fiction, Last of Us 1&2, , Blue Prince, Promise Mascot Agency, Grand Theft Auto, Animal Crossing. Tidskoder: (01:10) Personliga frågan (06:20) Spelnyheter (34:40) Reklam (35:30) Spelintryck

Today, we'll meet the folks who preserve the people's history. Then, a Hamlet retelling mixes old themes with modern truths. It's ‘Fat Ham' at the San Francisco Playhouse. And, stay tuned 'For a Spell.' 

It's rare that the fae and the dead have much to do with each other, which is surprising given that within the latter category, the wraiths called Sandmen are oneiromancers extraordinaire. Manipulating the dreams of mortals from beyond the grave, they should be one of the more likely sorts of Prodigal a changeling may encounter. They are suggested as antagonists (in the C20 corebook, if not elsewhere), but what do these dramatic ghosts get up to on their own time? We're opening up their splatbook, Guildbook: Sandmen, to answer this question and learn more about being a theatre person for all eternity, for better or worse. Perhaps you'll be inspired to introduce them on the fringes of dreams in your own game for an unsettling bit of mystery... We previously talked about crossover between Changeling: the Dreaming and Wraith: the Oblivion waaaay back in Season One; check out that episode (#25) here: https://changelingthepodcast.com/podcast/episode-25-changeling-and-wraith-crossover/. And if you'd like to purchase the guildbook in question, you can follow the mist-shrouded path to https://www.storytellersvault.com/product/143?affiliate_id=3063731. Aside from all that, should you want to send missives in dreams to us, you have a range of options: Discord: https://discord.me/ctp Email: podcast@changelingthepodcast.com Facebook: https://www.facebook.com/profile.php?id=100082973960699 Mastodon: https://dice.camp/@ChangelingPod Patreon: https://www.patreon.com/changelingthepodcast YouTube: https://www.youtube.com/@ChangelingThePodcast your hosts Josh Hillerup (any pronoun) makes use of a relic shepherd's crook to ensure no vaudevillian Sandmen get too fast and loose with Phantasm. Pooka G (any pronoun/they) worked in a haunted theatre during university, but the ghost mostly just hid among remaindered prop furniture. To die, to sleep; — To sleep, perchance to dream: — ay, there's the rub; For in that sleep of death what dreams may come, When we have shuffled off this mortal coil, Must give us pause. —William Shakespeare, Hamlet, III.i.64–68

Original Release Date: Monday 14 April 2025    Description:   This week's episode finds Dean Haglund and Phil Leirness in fine form, discussing this year's Oscar-winning animated feature Flow, how it was made, and why actual cats might be enjoying it! The "Lawsuit of the Week" returns, and it is a rather astounding one involving a once Oscar-nominated filmmaker. Phil and Dean both relate to a recent Substack post by one of Phil's favorite journalists entitled, "We Are Schrödinger's Cat". You will find out why. Dean learns some very cool things about the Helsingør locale where he was married, including about a (rather legendary, though rarely-seen) version of Hamlet entirely shot there and about the World War II "underground railroad" operation run through there! The Scandinavian countries are very much on Phil's mind. Dean and Phil discuss how high those countries rank on the list of "happiest" countries and how low the USA ranks. Two recent Scandinavian horror films (this past year's Oscar-nominated The Girl with the Needle and the 2021 supernatural thriller The Innocents) both get reviewed, and the world's first open-air museum, the Norsk Folkemusuem, gets described. Finally, Phil tips his hat to the success of the just-completed season 3 of "The White Lotus", while Dean grabs his popcorn and pours his wine and sits down to start season 1!

Haumann Máté színművész színházi pályája egyik legnagyobb kihívásához érkezett: ő alakítja a címszerepet Shakespeare Hamletjében a Magyar Színházban. Hamletet eljátszani minden színész számára életre szóló kihívás – szinte monumentális feladat. Kíváncsi vagyok, mit jelent számára az alkotási folyamat úgy, hogy több mint 20 évnyi szabadúszás után most először szerződött kőszínházhoz? Hogyan készül egy ilyen monumentális szerepre? Mi az, amitől ez a történet évszázadok óta nem veszít aktualitásából? És vajon mit adhat egy kortárs előadás a nézőknek 2025-ben? Máté egyedülálló pályát járt be: a magyar színház és film világából egyenesen Hollywoodig vezetett az útja, és olyan produkciókban tűnt fel, mint Christopher Nolan Oppenheimer című filmje. De mit jelent számára a magyar színházi közeg, és milyen érzés visszatérni egy olyan szerepben, amely minden színész számára sorsfordító lehet? Lenni vagy nem lenni? Ma este erről is szó lesz – és sok minden másról is!A Sláger FM-en minden este 22 órakor a kultúráé a főszerep S. Miller András az egyik oldalon, a másikon pedig a térség kiemelkedő színházi kulturális, zenei szcena résztvevői Egy óra Budapest és Pest megye aktuális kult történeteivel. Sláger KULT – A természetes emberi hangok műsora.

Entrevistem Maria del Mar Bonet, que divendres fa un concert a l'Auditori de Barcelona i dissabte a l'Auditori de Girona. A "L'entrevista pendent" rebem en Peyu que, amb Albert Pla, estrena "Hamlet" a l'Auditori Teatre Calldetenes.

This week on Game of Groans, Emily and Kate are joined by Dylan Wren from Your Friendly Neighborhood Gamers to talk about Episode 7 of Season 2, The Red Sowing.They discuss spoilers for "The Witch" movie, the power of friendship, purebred dogs, the aura of ableism, a dragon arms race, Daemon and his influencer apology, the whisper campaign cloak, and Hamlet.Additionally, Emily finds out who Black Phillip is, Dylan expresses his distaste for Harrenhal this season, and Kate questions not showing a beheading.New episodes biweekly, the next episode is coming April 22nd. Music is by Simon Daum.Your Friendly Neighborhood GamersInstagram: @yourfriendlyneighborhoodgamersDiscord: https://discord.gg/euhEYZxC58 Website: www.fngamers.comYoutube: https://www.youtube.com/channel/UCRgS_YRAM8_PlWNvxrjQshASupport us on Patreon! Become one of our Patrons at www.patreon.com/gameofgroanspodInstagram: @gameofgroanspodFacebook: facebook.com/gameofgroanspodBluesky: @gameofgroanspod.bsky.socialWebsite: www.gameofgroanspod.comEmail: gameofgroanspod@gmail.comWant to reach out? Send us a text!Support the show

KPFA Theatre Critic Richard Wolinsky reviews “Eddie Izzard Hamlet” at ACT Strand Theatre through April 20, 2025. The post Review: “Eddie Izzard Hamlet” at ACT Strand Theatre appeared first on KPFA.

Samen met zoon Roman is acteur Jacob Derwig tot en met 3 mei te zien in de nieuwe theatervoorstelling ‘Hamlet', geregisseerd door Erik Whien. De Shakespeare-klassieker is bewerkt tot een kernachtig familiedrama, waarin de eenzame, opgroeiende Hamlet centraal staat. Jacob Derwig is o.a. bekend van zijn rollen in series als ‘Klem', films als ‘Bankier van het verzet' en theatervoorstellingen als ‘Verdriet is het ding met veren'.  Presentatie: Willemijn Veenhoven

Christina and Scott pay tribute to a dear friend, talk about a performance of Hamlet, and hope for a better future. nowherestaff@gmail.com  

In this episode, I'm joined by Hamlet Azarian, a seasoned marketing executive with over 20 years of experience in scaling early-stage startups from ideation to success. Hamlet breaks down his data-driven approach to marketing, emphasizing the importance of multivariate testing, customer personas, and psychographics to deeply understand user needs. We discuss actionable strategies, such as rapid testing of ideas through prototypes and landing pages, and leveraging tools like Hotjar and CallRail to optimize customer engagement. Hamlet also highlights the power of focusing on progress over perfection and shares insights from his journey of building an agency with a mission to educate and empower future marketers. Whether you're a creative professional, an entrepreneur, or simply curious about growth marketing, this episode is packed with insights to help you take your ideas to the next level.Timestamps:(00:00) - Introduction to Hamlet Azarian(01:30) - Early-stage startup dynamics(03:00) - Example: Scaling Camino Financial(08:00) - Multivariate testing and audience targeting(15:00) - Understanding customer personas and psychographics(25:00) - Building marketing strategies through interviews(32:50) - Optimizing landing pages and pre-launch campaigns(38:20) - Growth mindset and startup culture(50:30) - Tools and tech stack for data-driven marketing(54:00) - Closing thoughts and action stepsCheck out today's guest, Hamlet Azarian:Hamlet's LinkedIn: https://www.linkedin.com/in/hamletazarianAzarian Growth Agency's Website: https://azariangrowthagency.com/Hamlet's Website: https://hamletazarian.com/Check out The Futur:Website: https://www.thefutur.com/Courses: https://www.thefutur.com/shopLinkedin: https://www.linkedin.com/company/the-futur/Podcasts: https://thefutur.com/podcastInstagram: https://www.instagram.com/thefuturishere/Facebook: https://www.facebook.com/theFuturisHere/Twitter: https://x.com/thefuturishereTikTok: https://www.tiktok.com/@thefuturishereYoutube:https://www.youtube.com/thefuturishereCheck out Chris Do:Website: https://zaap.bio/thechrisdoLinkedIn:https://www.linkedin.com/in/thechrisdo/Facebook:https://www.facebook.com/BizOfDesignInstagram:https://www.instagram.com/thechrisdo/Twitter:

Vengeance is such a core human urge that there are hundreds and thousands of parables and plays and stories warning us about what a dangerous path it is. In the classic Shakespearean tragedy, Hamlet destroyed himself and the entire Danish royal family in the name of revenge. Francis Bacon wrote “A man that studieth revenge keeps his own wounds green.” Today's story is a good reminder that if you seek revenge, you should dig two graves. Join Katie and Whitney, plus the hosts of Last Podcast on the Left, Sinisterhood, and Scared to Death, on the very first CRIMEWAVE true crime cruise! Get your fan code now--tickets are on sale now: CrimeWaveatSea.com/CAMPFIRESources:Crime Traveler, Fiona Guy: https://www.crimetraveller.org/2024/12/fiona-beal-murder-case/The Independent, Amy Clare Martin: https://www.the-independent.com/news/uk/crime/fiona-beal-murder-trial-sentence-teacher-b2553200.htmlBBC News: https://www.bbc.com/news/uk-england-northamptonshire-68846713NN Journal, Sarah Ward: https://www.nnjournal.co.uk/p/im-not-a-total-monster-i-know-whatEmma Kenny, YouTube channel: Respected Teacher Conned Boyfriend Into Deadly Sex GameFollow us, campers!Patreon (join to get all episodes ad-free, at least a day early, an extra episode a month, and a free sticker!): https://patreon.com/TrueCrimeCampfirehttps://www.truecrimecampfirepod.com/Facebook: True Crime CampfireInstagram: https://www.instagram.com/truecrimecampfire/?hl=enTwitter: @TCCampfire https://twitter.com/TCCampfireEmail: truecrimecampfirepod@gmail.comMERCH! https://true-crime-campfire.myspreadshop.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-crime-campfire--4251960/support.

Steven welcomes his wife, Annie, back for another episode to take a deep dive into what it is like to prepare for tackling the role of Hamlet. Together, they discuss the actor's process, the complexities of the script and the role, famous women who have played the Prince of Denmark, why "Hamlet" is so important to actors, and more. Support the show by picking up official Don't Quill the Messenger merchandise at www.dontquillthepodcast.com and becoming a Patron at http://www.patreon.com/dontquillthemessenger  Made possible by Patrons: Brent Evans & Patty Henson, Clare Jaget, Daniel Cowan, David Neufer, Deduce, Earl Showerman, Edward Henke, Ellen Swanson, Eva Varelas, Frank Lawler, Ian Stockdale, James Warren, Jeanine, Jen Swan, John Creider, John Eddings, Kara Elizabeth Martin, Michael Hannigan, Richard Wood, Romola, Sandi Boney, Sandi Paulus, Sara Gerard, Sheila Kethley, Stephen Hopkins, Teacher Mallory, Tim Norman, Tim Price, Vanessa Lops, Yvonne Don't Quill the Messenger is a part of the Dragon Wagon Radio independent podcast network. For more great podcasts visit www.dragonwagonradio.com

A piece of ground breaking research suggests women are tending to marry men less educated than themselves. Twas ever thus… Esther and Giles are on trend, they have a ‘marriage of unequals' with Esther technically more educated than Giles.A new AI concept offers the chance to talk with fictional characters in books. Might Giles one day be able to chat with Hamlet…the app may prefer he stick to Lucy the turtle for now. Does Badger from Wind in the Willows have a dark secret?In recent weeks Jeff Bezos and David Beckham have each thrown very glamourous parties. But are such parties any good? Do the people attending actually have any fun?Finally, American singer Chappel Roan has lifted the lid on parents – they aren't very happy. Of course not, they have children!Oh, and President Trump's ‘liberation day' tariffs are bound to fail, just don't ask Esther why. Hosted on Acast. See acast.com/privacy for more information.

0:00 - A horrifying dream where Conner murdered his brother. 5:40 - RECOMMENDATION - “Grand Theft Hamlet” (2024). Thanks for joining us! If you enjoy our show, please tell your friends.If you're interested in my writing, visit https://jconnor.substack.com/ -----Executive Producers: Conner Dempsey • Dustin WeldonTheme Music by Dustin WeldonProduced & Engineered by Conner DempseyPowered by Zoom, Skype, QuickTime, Adobe Audition, & Adobe Premiere ProSpecial Thanks to Anchor FMFOR ENTERTAINMENT PURPOSES ONLY. This is critique, protected under Fair Use.I DO NOT OWN THIS CONTENT. CONTENT IS IN THE PUBLIC DOMAIN.Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

George Fouracres and Pierre Novellie met while studying Anglo-Saxon, Norse and Celtic at Cambridge, so it's a fair expectation that they might do well at quizzes.They're both annoyingly multi-talented clever people, performing work ranging from stand-up to musicals, Pierre has a very successful podcast of his own - BudPod with Phil Wang, he's the author of the book Why Can't I Just Enjoy Things? A Comedian's Guide to Autism. And George meanwhile has played Hamlet for the Globe Theatre! But right now, they're both doing shows at the Melbourne International Comedy Festival.George is the one man in “One Man Musical” created by musical comedians Flo and Joan, AKA the sisters Rosie and Nicola Dempsey.And Pierre's performing his stand up solo “Must We”Get tickets to both shows here:https://www.comedyfestival.com.au/browse-shows/pierre-novellie/https://www.comedyfestival.com.au/browse-shows/one-man-musical/Support this show http://supporter.acast.com/the-saturday-quiz. Hosted on Acast. See acast.com/privacy for more information.

Send us a textDo not adjust your internets! The Fat Dude returns this week with an all new Let's Taco ‘Bout! I am joined by returning guest and movie lover, Dylan Ferguson. We talk about Dylan's journey into fatherhood, discussing the early days of his little one, things he's learned, and how he can't wait to share his love of movies with his kid. We then dive into our discussion of our movie of the week, the MUBI-released documentary, Grand Theft Hamlet.You can follow Dylan on IG and Letterboxd at @officialDJFerg.Follow Fat Dude Digs Flicks across social media:Facebook - Fat Dude Digs FlicksInstagram - FatDudeDigsFlicks TikTok - FatDudeDigsFlicksLetterboxd - FatDudeFlicksBlueSky - FatDudeDigsFlicks.bsky.socialSubscribe to this podcast on Apple Podcasts, Stitcher Radio, Spotify, or wherever you get your podcasts. Search for Fat Dude Digs Flicks and click on that subscribe button. Please take a second to rate and review the show, while you're at it!Subscribe to the Fat Dude Digs Flicks YouTube channel and send a thumbs up or two my way!If you'd like to contact me for any recommendations, questions, comments, concerns, or to be a future guest, you can send an email to FatDudeDigsFlicks@gmail.com.And now the call to action:The fight for Women's Reproductive Rights continues. If you are interested in supporting a woman's right to choose, please look into the following organizations:Planned ParenthoodCenter for Reproductive RightsPathfinder InternationalNational Women's Law CenterNARAL Pro-Choice AmericaReligious Coalition for Reproductive ChoiceEquality NowEvery Mother CountsGlobal Fund For WomenGun violence in the United States has reached epidemic proportions. Join the fight for better gun laws and regulations by looking into or contributing to:Coalition to Stop Gun ViolenceEverytown for Gun SafetyThe Brady CampaignNewtown Action AllianceMoms Demand Action for Gun Sense in AmericaAmericans for Responsible SolutionsLaw Center to Prevent Gun ViolenceHelp protect, defend, and support our LGBTQ+ brothers, sisters, and non-binary spiritual siblings by checking out:Transformation Project SDGLAADTrans LifelineThe Trevor ProjectThe Center of Excellence for Transgender HealthGender DiversityHuman Rights CampainIt Gets Better ProjectThe Transgender Law CenterFORGEGLSENThe Matthew Shepard FoundationPride FoundationTransgender Legal Defense and Education FundTrans Women of Color CollectiveTrans Youth Equality FoundationNational Center For Transgender EqualityTrue Colors FundThe Trans Culture District Support the show

On today's show, we hear from the directors of the new movie "Freaky Tales," then ODC/Dance talks about one of their upcoming shows, and the play "Fat Ham" puts a Black, Southern, queer twist on Shakespeare's "Hamlet."

Shakespeare wrote in Hamlet, “The play's the thing, wherein I'll catch the conscience of the king,” highlighting drama's power. That same force drives The Trojan Women Project, created by Charlotte Eagar and William Stirling. The project uses Euripides' ancient play to help refugees from the Middle East and Ukraine cope with trauma, combining classical text with lived experience for both therapy and insight. Charlotte and William have worked on this project for over a decade. The Tällberg Foundation first met them in 2014 when they brought Syrian refugee cast members to a workshop. The performance of The Trojan Women was powerful, raw, and deeply personal. In this episode, the filmmakers discuss how theater can heal and transform both refugees and audiences.

Members of touring group Actors from the London Stage, Esmonde Cole and Sadie Pepperrell, join host Henry McNulty in the studio to discuss their upcoming performances of Hamlet at Gonzaga University.

Society in the digital space is becoming more and more broken but you can still show up authentically and fill gaps that people need to thrive. In this episode of Ladies Who Launch, the first back in 8 months, Alyssa and Dakota candidly discuss where they've been and what's coming down the pipeline for 2025 while diving into the depths of trolling, bad behaviour online, adding to the noise and what being yourself, scrappy or not will do for your brand if you show up as YOU and you only.Episode highlights:Taking the reins on your brand image, using social media for good, success mindset, brand, mental health, opinions on bad marketing, leadership and relationships.Takeaways:Social media can easily become a place for fear, half-truths and a place for hate but there is still a massive opportunity to outshine the b*llshit and add value.If you don't control your narrative, someone else will.Don't go online without a plan.Your brand is everything, so make it real.If you enjoyed this episode of Ladies Who Launch, please be sure to take a screenshot and share it on social media and tag us @ladieswholaunchpod OR, link us to a friend or colleague by sharing the episode. Also please make sure to give us a review and a five-star rating if you're loving what we're putting down!Resources and links:Get in queue for our new newsletter, dropping April 2025Stay tuned to our Instagram for updates on episode drops, merch, newsletter drops, events and more__Transcript:  Dakota Kidby: [00:00:02] Hey, hey, welcome to Ladies Who Launch, the podcast where we cut through the noise, ditch the fluff and get real about all things marketing. Alyssa Berry: [00:00:11] That's right, we are your hosts, Dakota and Alyssa, two entrepreneurs from Calgary who are here to serve up equal parts solid advice, industry banter, and a whole lot of unfiltered opinions. Dakota Kidby: [00:00:21] So grab your coffee, buckle up, and get ready for a podcast that's equal parts fun and real talk. Whether you're in the biz or just curious about what goes down behind the scenes of marketing, we've got you covered. Alyssa Berry: [00:00:33] Let's get to it. Welcome to Ladies Who Launch. Dakota Kidby: [00:00:40] We're back. Alyssa Berry: [00:00:42] Look who's back. Back again. Dakota Kidby: [00:00:45] The ladies are back. Tell a friend. Alyssa Berry: [00:00:49] Oh, my God, it's only been, what? Eight months. Here we are. Dakota Kidby: [00:00:54] We're back after an eight month hiatus. Welcome back to season five of Ladies Who launch. Alyssa Berry: [00:01:01] The eight month hiatus that was supposed to be like two. But Dakota and I are always on our own schedule, as many of our listeners know, so we are happy to be back, Dakota Kidby: [00:01:12] Happy to finally be back with you guys. And we have a brand new setup. We are now using new software, we have new tech, new equipment. We're going to be on YouTube. So we really look forward to taking Ladies Who Launch to the next level this year. Alyssa Berry: [00:01:28] Yes, and we did a rebrand too. So if you've been on our Instagram recently, you'll see we have a whole new logo brand we're coming out with. We're going to have new newsletter, new community events. We're back at it hardcore because we missed our community. And we know you guys missed us too. So.  Dakota Kidby: [00:01:46] Yeah, we got a lot of feedback from you guys over our hiatus that people were unimpressed that we were not recording. So we really appreciate your guys's support and we are very excited for season five of Ladies Who Launch. Alyssa Berry: [00:02:01] It's crazy it's season five, to be honest. Dakota Kidby: [00:02:03] I know. Yeah, so we started this, for those of you who are new to the podcast, Alyssa and myself started this podcast over Covid in 2020 as sort of an outlet to be able to get together as friends and be opinionated about all the things that we like to be opinionated about. And 90% of the time that is marketing, because we are both marketing professionals. I want to say 10% of the time it's everything else from period poverty to politics to what's going on in the world, to stuff that's going on in our city and so on and so forth. So.  Alyssa Berry: [00:02:40] And we will just pick up right where we left off. But we probably should give everyone a bit of an insight into what's gone on in these last eight months, both professionally and personally and all those sorts of things before we kind of dive back in. But we are still here. We are. We do still live in Calgary. Yeah, we both still have our own companies. We both still love our community. But some changes have happened. Dakota Kidby: [00:03:07] They have. Alyssa, do you want to go first? Alyssa Berry: [00:03:10] Yeah. I'm not going to delve too much into it because it's not really, well... I went to a bit of a dark side, and I took a full time gig back in August. The landscape for, I think everybody's going through this with small business and especially the sectors that I worked in, in tourism and culture were still having difficulty kind of coming back recovering from Covid. And I sort of had this moment of like, how much do I want to keep struggling with this? And I still do have my business and I still do work on the side. So don't think Alyssa Berry Communications has gone anywhere. I still work with clients and people that I love and, love doing work for them. But sometimes you need to be an adult and realize that sometimes a paycheck is necessary for whatever reasons. There's never any sense of failure or anything for any business person that has to make other arrangements, especially those of us that don't have spouses who can pick up the slack while the other is kind of struggling. So that's where I am. I'm not going to talk about it because obviously it's not for public consumption in that way, because this podcast is all about my business and me being a marketer and me being in the community. So that's still what we're going to focus on, because all of those things are still true. But yeah, that was sort of my big personal professional change for 2024 and into 2025. Dakota Kidby: [00:04:47] And we're all going to give you a big applaud because, applause, applause, because it's it's very hard to be brave a lot of the time, especially when you own your own business and you realize that you have to go elsewhere to make ends meet and pay the bills just because your particular audience isn't entirely there anymore. And so, yeah, I mean, I think it's been good for you in some ways as well. So, yeah, I just want to say, you know, I commend you for being brave, that's all. Alyssa Berry: [00:05:24] Yeah. And that's where we'll leave it. Dakota Kidby: [00:05:27] Okay. Got it. So, yeah, similarly, I really did some pretty massive work on myself over the last eight months, probably more than I ever have. I've talked about this a couple times in past episodes, and I just got very real with where I, where my life was going and where I want my life to go. And I also made some brave, scary decisions. So part of that included hiring pretty much a full team. So we now have like an operations team at Social Centric. We have back end web and full stack app and front end and back end web developers on our team. Um, and then we also have a full timer who is kind of my right hand woman. So I was very proud that I was able to pay salaries last year. But with that came some investment into the company to be able to do that. And then on top of that we also got very real about our client roster for the first time ever, I think. And we really looked at like, who do we actually want to work with and who just is not a fit for us professionally and personally, and we either amiably or... Well, no, they were all amiable, but we like we parted ways with them, either both of us parting ways or us parting ways and we just got very real about the types of clients that we want to work with moving forward. And we have only onboarded clients that make sense for us in 2025 so far. But I'll get real with you guys and say that that was really scary for me in the sense that I haven't been in debt in six, seven, probably eight years and debt really scares me for many reasons, and maybe we'll get into that in another episode. I have a family member who was really bad with money. Dakota Kidby: [00:07:26] My mom. And she ended up taking her life when I was 24 because of that and many other reasons. So I have a lot of inner wounding when it comes to debt and asking for help and any of that stuff. But the fact of the matter is, is if you're going to grow your business and scale up, you know, unless you have a bunch of seed money or people helping you or investors, you usually will have to go into a bit of debt. So that's been really interesting for me. Learning about getting grants, applying for lines of credit. And like actually growing the business in a way that a startup would grow because luckily for me, I never really had to do that. I had clients right out of the gate. But yeah, when you're supporting other people's salaries, you have a totally different responsibility. And so, yeah, we rebranded into a digital marketing house about two months ago, and we are very heavily overhauling our processes and our operations. We've made a lot of changes over the last couple of months. I've had to step into a bunch of different hats that I've never worn before, which has been really interesting. And I'm also learning a lot more about where I want to take not only Social Centric, but my own skill sets into the future. So.  Alyssa Berry: [00:08:44] Yeah, I think we need an episode on good and bad debt because I'm a believer that there's good debt to have, like a mortgage or investing in your company or investing in yourself, those kind of things. So yeah, that's probably a good conversation to have because people get super, super scared of investing in themselves or investing in their company, especially as women. [00:09:06] And we need to do [00:09:07] better at believing in ourselves. Dakota Kidby: [00:09:10] Absolutely. One thing I can say is there's one person that I'll always bet on in this world, and that's me. I do trust myself very, very deeply. That being said, to Alyssa's point, yeah, I do think an episode on that would be really great because I think when you start a business, you don't entirely understand the things that you need in order to be successful. And I was a bit chaotic and choppy over the last ten years in growing Social Centric. And there's absolutely nothing wrong with that. If there isn't even just a like a little bit of chaos, you probably aren't doing it right, or you're probably not taking risks. But I will say that had I had the knowledge that I have now, I probably would have gone about it a different way and I would have avoided a lot of burnout. Alyssa Berry: [00:10:01] But that's eight months in a nutshell, and that's why we were away longer than we intended. And just to give you, all of our listeners, especially those that kept messaging us and asking like, what's happening? Where are you guys? What are you coming back? What's going on? Just know that there's a lot of things going on. Dakota Kidby: [00:10:17] A lot going on. Yeah. Alyssa Berry: [00:10:18] In the background. And as we have been very candid about in this podcast from the get go, is that Ladies Who Launch is a passion project for us, and it's our own investments and our own time and money and all of those sorts of things. So sometimes when other things take priority, those passion projects just sort of have to be shelved for a little while while your actual adult things have to happen. And so I think we're both glad to be in a place where we are back. Dakota Kidby: [00:10:45] Yeah. We are. We're really happy to be in a place where we're back, and we do genuinely have a lot of really exciting things rolling out this year that we were going to talk about with you guys. We're going to be rolling out a really engaging, killer newsletter that's going to be full of phenomenal content, opportunities and opportunities to connect with us and others, and features of other women and marketers. And not only women, actually, probably everybody, that we think are awesome and that we want to share with you. And on top of that as well, we're going to be putting together a couple of in-person events in Calgary this year, which we're really excited about. And so we'll be offering that up to anybody who wants to attend. So if you're a listener that isn't in Calgary and you want to come down and hang out with us, that opportunity will be available this year. And we would love to meet you guys. So yeah. But other than that, we are coming off the heels of International Women's Day yesterday, and I wanted to kick off season five with you all by talking a little bit about authenticity and fake news on social media, because fuck me, I have seen so much bullshit on social media, especially the last couple of months, pertaining to not only just people like us, but also like, of course, with everything going down in the States and like a couple of celebrities have been really like kicking up dust on there over some of the stupidest shit I've ever seen. I personally, as someone who's in the digital marketing world, I'm having such a rough time understanding how we're using social media these days. And so I really wanted to unpack a few things with Alyssa on the podcast, because I thought it'd be really interesting. I want her opinion on a couple of things. I thought you guys would find it fun for us to banter about a few things, and then from there, I kind of want to dive into, well, how can you still use social media ethically and authentically in a world that is just wrought with trashy news and people pitting themselves and others against other people? Like, what do you, how is social media still relevant? Is it going away? Like, I want to talk about all of those things, but I'd like to use someone who's been all over the news lately as an example of the internet just being a trashy place. Dakota Kidby: [00:13:23] And Alyssa and I have very different opinions on this woman, which I think is going to make this very interesting. I hate to use this person as an example, because yes, they are a person of affluence. So I just want to like kick that off that this person is a person of affluence and they are very, she is a very wealthy woman who probably doesn't deserve all the hype. But that being said, I personally think Meghan Markle is, like, I think she's just a regular girl, just like Marie Antoinette was a regular girl, just like Anne Boleyn was a regular girl, just like Princess Diana was a regular girl. And does she have her demons and her blind spots? I'm sure she does. But first and foremost, I think she's been dealt a shitty fucking deck of cards personally. In the sense that what I see is this very genuine, kind-hearted woman who just wants to be a mum to her kids. She married this dude because she fell in love with him. Yes, he's a prince. Whatever. And what happened to her up in Britain, to me, is very, very much, resembles what happened to Diana and that, and I just think the whole, like the media up there and the media in particular that cover Palace news and whatever, the whole thing to me is just completely disgusting. I also don't entirely myself believe in the institution of the royals and the firm, as what people call it. I think it's all just a bunch of total bullshit. I think it's completely archaic and and I'm not surprised that the two of them like, left, and they just want to be normal. And like, I don't think there's anything wrong with that. Where I think Meghan fell short is after everything that went down, you know, after they got married and left, I don't really entirely see why she started this series on Netflix. Part of me wants to commend her for doing it because it's like, yeah, screw you, I'm still going to do what I want to do. Dakota Kidby: [00:15:38] But another part of me is like, okay, you didn't want more backlash, you didn't want more paparazzi coming after you, you didn't want more face time in the media. Why did you start this show? And then the problem with the show, in my opinion, if any of you have seen it, it's basically a cooking show that she does. It kind of reminds me of Marie Antoinette, and she's got her big palace out in Montecito, and then she bought this, like $8 million house to produce the show in. And it's very much like Marie's Hamlet in Versailles. I don't know if anyone's ever been there, but to me, it just reminds me of this opulent, disgusting wealth that, like, this woman who's been in the media for so many things that are not good, is now going to go buy this $8 million mansion to cook in and sprinkle flowers on things. And so I get where she's coming from. I think her heart's in the right place. She wants to share her joy with other people, but of course it's coming off as unrelatable and people are just tearing her apart. But what really kills me, and I'll let Alyssa interject in a moment here, what I don't like about this, and any woman or person who's in the media - and this happens to people who are in the public eye all the time, take Blake Lively, Anna Kendrick, all the people who've been in the public eye lately - these freaking bloggers who have made their careers and lifestyles off of literally like gathering videotape of these people and analyzing everything from like, their face changing from a smile to what they would call a mask. And then they pinpoint these people as narcissists and they just, it's their whole career to tear these people apart. And they just, and judge these people over like, things that they just would not know. It just makes me sick to my stomach. Anyway, that's my rant. [00:17:33] Hey y'all, sorry for the interruption. Just wanting to remind you to please give us five stars and subscribe to our podcast wherever you listen to podcasts. Honestly guys, this is the way that we build our podcast. And if you're a supporter of Ladies Who Launch, we would really, really appreciate it if you could just give us those five stars and subscribe. Thanks, guys. Now back to the episode. Alyssa Berry: [00:17:51] Okay. Uh, do you need a breath there? Dakota Kidby: [00:17:53] Yeah. I'm good. Okay. We're good. Alyssa Berry: [00:17:55] There was a lot going on there. Dakota Kidby: [00:17:56] There was a lot. Alyssa Berry: [00:17:57] Here's my thing with the Meghan Markle situation. And it's interesting that we are talking about this because I am a royalist. I'm a monarchist. And not because I think it isn't bullshit. Because, my grandma was and we, I remember I was like a little little kid for the Diana Charles wedding and like, we got up at my grandma's house and had at like four in the morning and had our crumpets and whatever, because my grandma's British and like, it was a very big part of. And I think a lot of the Diana situation for people sort of like revering Princess Diana, are all like sort of under the age of 35 because they didn't actually see all that went on during that time. Alyssa Berry: [00:18:38] And I mean, we can go into Diana in itself, but the Diana is an interesting parallel, because if you actually watch what's sort of taken place over the last six years, Meghan's used Diana as sort of her wedge to meet, first meet and then be with Harry. So I was a huge Meghan supporter. I thought she was awesome. I mean, who didn't watch Suits and like, I mean, I thought it was great. She was like, it was so cool to have a celebrity, like, be part of the royal family and like, oh, cool, whatever. I sort of bit of side-eyed during the wedding when, like, not a single member of her family was invited. I always find that a bit interesting. And I know people have family issues, but like, no one was there. Like, not a friend, not an anyone. And I always, I always have, and this is my own bias and I get that, but I always side-eye a little bit women who don't have close friendships. Because in order to have friends, you have to know how to be a friend. And I just always find women who have friends because, like, whether it's at work or they're always transactional in some way. But I always sort of look differently at women who just don't seem to have very solid, close girlfriends. Like, people talk about Serena Williams and all these people. Alyssa Berry: [00:19:59] It's like, yeah, she does know all these people, but they're not her girlfriends. They're not her people. And it was interesting to see at the wedding, like all of the celebrities that came, like, obviously the Beckhams are friends of the royal family, so that's different. But like George Clooney and his wife. Well, George Clooney publicly said like, oh, we thought we came because of her dad. Because of course her dad was well known. He was a lighting guy in Hollywood, so a lot of them knew him and were like, oh, we thought Thomas was going to be here. So when we got the invitation, we thought it was coming from him and blah blah, blah. So that's where I sort of like was like, what's going on here? But my biggest thing, and I mean them leaving whatever, she can say whatever she wants about the royal family, about them being racist. No one knows if any of that is true, because the royal family can never defend themselves against that. And even Harry has sort of backtracked from a lot of that stuff that they spewed out during Oprah. And it's interesting that Oprah has never made any comment about that interview since. And it's been scrubbed from her, like, TV thing, like she wants, because a lot of the things that they said in that were factually incorrect then about like, Archie not having a title which just based on where he and, well, now the little girl, whatever her name is, is in this line of succession, only the the children of the current monarch are titled or the grandchildren of the current monarch. Alyssa Berry: [00:21:19] And so now they are titled because now Charles is the monarch. But at the time they wouldn't be because they were not the immediate heirs to the throne. So saying those kind of things, like there were so many factually incorrect things that they were throwing out there that, like Oprah wouldn't know to push them on, but since then have come out as factually incorrect. So putting all that aside, because like as the Queen said, recollections vary. So moving on from that, I'm with you on I, look, I was really sort of rooting for them. And as I said, I was a big fan of hers. But since the, since them leaving and I think everyone had high like expectations of like, oh, this could be really good. Well, Harry does nothing. I'm not even sure what Prince Harry does now. I mean, he's been removed from his friends, his family, his job. Like he's not in the military anymore. I don't know what he does every day. So that's another side plot, whatever that is. But I had high hopes that, like, she would like, even go back to acting or be like... And it just seemed like it's so, it's all just like throwing stuff against the wall to see what sticks. Alyssa Berry: [00:22:34] Like, now we're in tradwife territory. And I have to say, like, if this was anyone but Meghan Markle in this Netflix TV show, people would be like, this is the fucking stupidest bullshit. But because it's Meghan Markle, people feel the need to defend it in some way. It's like, no, she's taking pretzels from a bag and putting it in another friggin plastic bag and putting a tag on it. And it's sort of reiterated my whole thing about like, she doesn't have friends because in that first episode where she's like going like, oh, Daniel's my oldest friend. And we've been like together, and he's done my makeup forever. But she didn't know he was left-handed when he started, when they started cutting the vegetables. And then he sort of made some, like, how close are you people? So everyone just sort of comes in and like, there's no sense of... And getting back to the authenticity thing, it's like, and people can rag on Martha Stewart and there's many reasons, but Martha Stewart was a rich housewife. She made her existence into her job. And Meghan isn't a rich housewife. She's rich, but she doesn't want to be a housewife. I mean, that's very obvious. So to make a show about being like a tradwife and like going out and like tending to your bees to then make candles, it's just like, who is the audience for this? I get it, some of the audience is just her people be like, whatever Meghan does, I'm going to watch cool, whatever. Alyssa Berry: [00:24:02] But I think the majority, from what I've sort of seen, the majority of people watching were hate watching it. And I'm like, is that really what you want to be like known for being the hate? I just, I don't know, like as a woman, and this is where we when you talk about being a narcissist, I think, she is a raging narcissist and I don't, she has all the tendencies of it in terms of not having solid relationships with people. Everything's always about her. Everything's my life is so hard and all these people are mean to me and like, never taking any responsibility, those are all very narcissistic behaviors. But, and I think I said this to you on one of our in our text chats when we were going back and forth about this show, is that women have a very difficult time seeing other women and their narcissistic behavior. We are very quick to point out men's narcissistic behavior, but we are very, we have a very difficult time pinpointing or associating women being narcissists, which they totally can be. And this is my own like pseudo psychoanalysis of the whole situation is that for a lot of women, they had narcissistic mothers, and the behavior of their moms with being controlling and being self-hating and being, like, how many mothers like telling you, like, you don't need a second plate, like all that sort of very selfish, controlling behavior and making everything your daughter's fault and making your life problems on your kids or on your daughter. Alyssa Berry: [00:25:34] Most women listening would be like, oh, yeah, it's totally my mom. Maybe not to that degree, but because we grew up with that and we see that in either our moms or women bosses that we've had. We are very, it's very difficult for us to step back and be like, wait a minute. Like, this isn't actually cool behavior. Like the other thing that's sort of related and how I sort of picked up on this interesting facets of Meghan's behavior is that she is so very, very careful about people, anyone seeing her kids, which I totally respect. No issues there. But the fact that like they hid the birth of Archie and they didn't announce it for days later. Like there's so many weird things there which just sort of like, was like, that's kind of strange, but like, even now. And that's cool. Nobody sees their kids. I totally get it. No issues there. But she also doesn't have any issue prancing other people's kids out for her own publicity, like showing up at the Uvalde shooting to like, comfort all the grieving parents in the parking lot and bringing flowers for a publicity stunt, or her and Harry going to Africa or Colombia and, like, traipsing around, like, underprivileged kids at orphanages and putting them on camera and being like, oh, aren't we great? Like, look at us here. Alyssa Berry: [00:26:55] Yeah, no problem exploiting other people's kids. But don't, God forbid, look at my kids. Like it's things like that that I just always side-eye. And she's just always sort of stepped in it in her own way. Again, I'm still hoping for the best here because I think, like, no one wants to think the worst of people. And I'm not one who wants to think the worst of people. But it gets back to that inauthentic thing. Like she is not authentically a rich housewife who is inviting friends over to enjoy her stuff. Like it's so obviously staged and acted. It's like just create a satiric, funny comedy about being a fake tradwife or whatever. Like, I think that would be a friggin funny show. But when you're, when you're making it a reality show, what is like, what actually is the thought process here? Dakota Kidby: [00:27:48] Oh, I have so many things to say. Okay, so first and foremost, I disagree that she doesn't have close girlfriends. I actually think she has a lot of close girlfriends. And... Alyssa Berry: [00:28:00] Where are they then? No one is stepping up for her. Dakota Kidby: [00:28:04] Abigail Spencer is stepping up for her. Mindy Kaling is stepping up for her. Alyssa Berry: [00:28:08] Mindy Kaling didn't even know her last name. Dakota Kidby: [00:28:11] So, fair enough. Fair enough. But I mean, here's the other thing all these people like, they probably don't see each other all the freaking time. Alyssa Berry: [00:28:20] It's transactional, and that's totally cool. Celebrities like, that's kind of the lifestyle. Like they have transactional relationships. You meet people on a set and you're besties and you do all the the show promotion together and oh my God, we're so besties. And look at us... Dakota Kidby: [00:28:34] But you're talking. She doesn't have like, an Alyssa and a Dakota. Alyssa Berry: [00:28:37] No. Dakota Kidby: [00:28:37] Or an Alyssa and a Karen or a Dakota and Lindsay. Alyssa Berry: [00:28:40] Yeah, because those people would be telling her, okay, let's just maybe take five steps back here and, like, assess what's happening and let's do this. Because even like their weird charitable organization that doesn't actually give out money. Yeah. Dakota Kidby: [00:28:57] The Archwell Foundation? Alyssa Berry: [00:28:58] Yeah. Dakota Kidby: [00:28:58] So that's what I thought Harry's job was, is I thought that's like he's doing that. Alyssa Berry: [00:29:03] In what way? Dakota Kidby: [00:29:05] And I don't know, I don't know. Alyssa Berry: [00:29:06] But that's the thing. Dakota Kidby: [00:29:07] I didn't go down that deep of a hole. Alyssa Berry: [00:29:08] They're doing all these things, like they kind of throw out all these things and, but what actually is the result of... Like, I just would like, I mean, yeah, I don't... The Harry things. Dakota Kidby: [00:29:18] This is kind of my point is like going back to the authenticity piece, whether you're somebody who already has a big public profile or not, anything you do online these days, like you better be doing it authentically because it'll get called out real quick if you're not. Alyssa Berry: [00:29:41] Really quickly. Dakota Kidby: [00:29:43] And social media is not only difficult to do now in the sense that there's a million steps. I'm not saying it has to be perfect or really good all of the time, but it has to be authentic. And what I mean by that is it's got to have a plan and a strategy and it's got to have some sort of a gap that it is filling to help, to actually help people with something. And if you don't, that's fine, like then it's probably just fodder. But there are channels that make fun of tradwives that are filling a gap for people because they're hilarious. Alyssa Berry: [00:30:26] They're hilarious. Dakota Kidby: [00:30:26] So you can be hilarious and fill a gap. But yeah, like, it is so unbelievably difficult these days to get seen, noticed, liked, followed on social. And so step number one, why are you even doing it? Like is it for to sell, to sell something? Is it to sell you as a human being, as a brand? What is it? And then how are you going to do it in a way that is authentically telling your story to fill a gap, right? And this is where Meghan missed the mark. She doesn't know her audience at all. Alyssa Berry: [00:31:02] No. Dakota Kidby: [00:31:03] Has no fucking clue who they are. Pardon my language. Alyssa Berry: [00:31:06] And also doesn't want to, I think, like, I don't think she's interested in the plebs and the poors and the people who would follow her. Like she's not interested in that. Dakota Kidby: [00:31:15] Yeah. And then the other thing, too, is she's put herself back into the line of fire after complaining for forever. And like, I watched Harry and Meghan over the weekend to do some like reconnaissance for this episode. And I got to tell you, that documentary definitely broke my heart in the sense that I just saw a woman like, a woman who fell in love. And I don't know if she lied about not knowing Harry. Alyssa and I have different perspectives on that. Alyssa Berry: [00:31:43] She totally knew him. She had Princess Diana posters all over her bedroom. Dakota Kidby: [00:31:47] Oh, wow. Okay. Alyssa Berry: [00:31:49] Yeah. Like, there's some lore of Meghan that, like, people choose to, whether they want to, whatever. She wears Diana's perfume. Like, it's all just a little weird. It's a little psycho-ish. Like. And the fact in his book when he said he sleeps next, like, with a thing of his mother's hair next to the bed. Like, there's so many, like, I think a lot of this more so does Harry. Dakota Kidby: [00:32:09] He does? Alyssa Berry: [00:32:10] Yeah. I have issues more with Harry, I think, than her. Like the fact that, like, he should have prepped her, like, why do you think it took like William, like seven, eight years to bring Catherine into the family. There is so much to learn. You need to know that they're ready for it. You want to make sure they're protected. He didn't do any of that. First of all, I mean, they were both in their late 30s, so it's not like we're talking about a 19 year old Diana, which was a whole other kettle of fish. Dakota Kidby: [00:32:36] Yes. Alyssa Berry: [00:32:37] He's an idiot. Like he didn't prepare her. He didn't, like he didn't explain like that like just even though the Queen's your grandma, like, we still curtsy to the Queen, like there's so many things that like. Dakota Kidby: [00:32:48] And that part on her new show or on the documentary, when she's like, she made fun of the curtsying process and he just looked livid. Alyssa Berry: [00:32:57] Livid.  Dakota Kidby: [00:32:58] Like, you don't do that. Like and that I respect, I respect tradition, I respect the Queen. Alyssa Berry: [00:33:03] Like, just know what you're doing. Like, you can think it's shit. Like, we could all think the royal family's... Dakota Kidby: [00:33:08] Don't do it on TV. Alyssa Berry: [00:33:09] And you're marrying into it. You made that decision. No one forced you. So the least you could do is like, pretend to like not, well, not even she could have pretended, she is an actress, but it's like, at least like...  Dakota Kidby: [00:33:23] Just respect it. Respect the tradition. You could literally say in the same breath, you know, I respect the tradition of this, but I disagree with it. Alyssa Berry: [00:33:32] Yeah. And you could have like because even at the time, like the Queen, when she met with the Queen at the beginning, the Queen was like, we think it's great you're here. And if you want to keep acting like, please do, like no one's going to, you don't have to, like, be a full time member if you don't want to. Like, so many concessions were made and she didn't... But it's like that's on fucking Harry. Again, pardon my language, but it's like he is a total idiot. And he has been for years. Like, does anyone remember the gong show at Cowboys in the late 90s with the strippers and the pool table and his time at CFB Suffield, and I was in high school at the time, or maybe not high school maybe, yeah, whatever, was legendary. Everybody in Medicine Hat knew, like he was a massive drug addict. Charles and William covered so much of his crap. It was his, it was the Queen that basically forced him into the military to be like, look, kid, you need to do something like, you are ridiculous. Dakota Kidby: [00:34:28] Out of control. Alyssa Berry: [00:34:29] Out of control. And so a lot of what I think went wrong was on him more so than her, but I think she fed into it. And then because she is an actress, then making it a bigger deal and making it a thing, thinking that you're going to get sympathy, which she did. But again, it's to a family that can't defend itself. So again, whatever they've said, no one knows if any of that's true or whatever is true, because the royal family can't ever come out and be like, no, she's full of shit. Or yeah, this might have happened, but it was more like this, because they don't do that, right? So it's an interesting, like it was kind of a bit of a perfect storm how all of that happened. And how it all spun off. But I agree with you that it's like, I had high expectations or hopes of what they would do with this, with their celebrity moving forward, and it's really just been a lot of nothing. Dakota Kidby: [00:35:30] 100%. Alyssa Berry: [00:35:31] And it's disappointing on all levels. But to me, Harry's the bigger idiot in this whole thing. But that's another conversation. Dakota Kidby: [00:35:38] That's another conversation for another day. Yeah. I think what irks me and what I've been struggling with lately is I don't, so I do digital and social media marketing for a living, but a lot of the time I absolutely detest what I see online, and it's actually been really good for my mental health because I've stopped scrolling and I just don't do it anymore because it's such a waste of my time. I'll try to, like, get the algorithm corrected to the point where only the things that I really want to see are showing up on my algorithm. So like people's podcasts that I listen listened to, advice that I like to get, that kind of thing, cooking, but other than that, like. Alyssa Berry: [00:36:20] It's so toxic. Dakota Kidby: [00:36:21] But it's still to this day, like, I still, because I'm in this space, I'll receive probably, I'll get served five ads a day about coaching and like, social media support and take my course and all that crap. And that whole world also drives me bananas, even though I do respect some people that do that, and I do access some people that do that really well. And I even have a business coach that does that for a living. That being said, the amount of bullshit that I get served on a daily basis, I can't frickin stand it. So if I can give you one big piece of advice for 2025 from the social media space, it is, as I've mentioned a number of times now, to be as authentic as possible. And what does that mean? Just be yourself. Like, be yourself. Speak your mind. Have an opinion, give a voice to issues and things that don't necessarily get airtime. Be contentious if you have to, right. Obviously if your brand is sensitive, you want to be careful about what you're spouting off. And sometimes politics can be a really tricky place, so just be a little careful with that. But if you want to make an impact, then feel free to talk about whatever you want. Just keep in mind that there will be haters and there will be trolls no matter what, no matter what. Alyssa Berry: [00:37:41] And I think that's what my advice to a Meghan Markle would be. Like, if you look at her Instagram now, like I think it's what was it, as ever, Meghan or whatever she changed it to, again, just terrible rebranding. Like that needs a whole other discussion about just the terrible rebranding. But her whole, her whole existence on social media is so heavily filtered and curated, I think it just also leads into that inauthenticity feeling. If she would have gone back to, like before she got married, she had that blog called The Tig or whatever it was called, and she had...  Dakota Kidby: [00:38:20] I love that brand. Alyssa Berry: [00:38:20] Right. So great, so great. She was authentic, she talked about, like, food she liked, but like, do that, but, like, just trying to be like, you're trying to be that, but in this weird filtered still like I'm a duchess sort of way. And it's like, you're like, just lean in to you authentically, like food and just talk about food and not have to have this whole pretense that you're going to cook it, like, make your own flower in the backyard or whatever. Like, no one's doing that. Stop it. So that's what I would say. And I mean, I would say that to any client that I have now. I mean, I understand that people have to sell things, whether you're a retail store or whether you're selling whatever, and that social media is a mechanism to do that. But if you watch some of the like most successful people on social media, they do just show up as themselves. Like that's why TikTok took off so much during Covid. It was just people in their living rooms making videos and doing silly dances and all those sorts of things. And so it's like...  Dakota Kidby: [00:39:25] Having fun. Alyssa Berry: [00:39:26] Having fun. Whatever. Like do that. Like even as a business, you can do that and just show up and just talk in your living room. Like, don't make your social media existence so polished and so filtered and oh my God, every hair on your head must be like photoshopped out before you post an image to Instagram or do a reel. It's like the whole fun of social media is that it's cuckoo bananas. Like, lean into that. Dakota Kidby: [00:39:53] People, people want scrappy. Alyssa Berry: [00:39:56] Yeah. Dakota Kidby: [00:39:57] And any of us business owners who are tuning in and Alyssa and myself, they know, we know that scrappiness is a massive part of starting a business or starting a brand. And when I say scrappiness, I mean there's chaos. There's shit that goes wrong. And it's the stuff that goes wrong that people value hearing about because they're dealing with it too. And they want to know that they're not alone. Nobody really, in today's day and age, wants to hear about how fucking perfect someone's life is, or how they went out and ground this einkorn flour to make these pancakes for their children and milked the cow like, yeah, there's that whole tradwife vibe going on, and sometimes I buy into it, but I think, like, actually one of my favorite brands... And people may come for me for saying this because a lot of people would say that she is very perfect and exudes this, but I really love Hannah, the ballerina farm lady. You know, like, yeah, she's a former ballerina. She does the pageant circuit. She's got, like her ten kids, she's got a hunky husband, she lives on the farm and they do cook every, like you know, they do cook their meals from scratch and whatever. Alyssa Berry: [00:41:10] She does, he doesn't do anything. I'm just going to put that in there. She does all of that. And he wanted those ten kids. She did not. But I'll leave it at that. Dakota Kidby: [00:41:19] Again, this is that fodder though that I just like...  Alyssa Berry: [00:41:22] But this is the whole thing is you're putting that out online. Your husband is a complete friggin moron. You're showing him being a complete friggin moron. I have every right to say that you are in this situation, well, a) because they're Mormon, but b) because your husband is rich and you can live that way because you're rich. Dakota Kidby: [00:41:40] That being said, I, like there's been many pieces of content she's put out talking about, like, do we cook every single meal this way? Absolutely not. Do you know how long it takes me to make this pumpkin stew that I do in the pumpkin? It takes me six hours. Sourdough bread takes this long, like, and, you know, most of the time. Alyssa Berry: [00:42:00] And I have three nannies.  Dakota Kidby: [00:42:02] Well. And if I had that many kids, I'd probably... Alyssa Berry: [00:42:05] Right. But like, let's just talk about it. Let's not pretend she's doing that all on her own. It's a business. Dakota Kidby: [00:42:09] And I don't think she does pretend that though. That's what I really respect, is she doesn't pretend. Alyssa Berry: [00:42:15] But you know who I am finding really effective on social media right now are Canadian businesses who are online and talking about the tariffs and shopping local and making adjustments and being like, Chapman ice cream, for example, just made a post online this week and their Canadian ice cream company, amazing company out of Ontario, treat their employees really great, all of that. And they said they're just going to eat whatever it costs them for these tariffs over like for the rest of the year or whatever. And they're looking at other supplier alternatives. So we're looking in Europe and other places to get supplies so that we can extricate ourselves from the US and not be... So that's all very authentic, interesting people struggling, being like, hey, I'm a small business that sells leggings online, and Amazon is kicking my ass. Like I saw one small business owner, it's Aro, A R O, I think, athletics and I think she's out of Ontario too, if not BC. Anyway, she sells like athleisure wear and she went on Amazon. She started selling her items on Amazon Canada and she just pulled from Amazon. And not because Amazon's awful, because we know it is, but she's getting, because there's no oversight from Amazon of what people are returning or what people are... So she is getting people returning items that they didn't buy from her, like their like socks or whatever, but because they had a shipping label or that they had ordered from her in the past, they're returning it to her and she has to eat the cost of that return from Amazon, even though it wasn't from her, like they're not her items. And so she's like, I'm just going to get off Amazon because there's no oversight of what... Dakota Kidby: [00:44:02] I've actually heard of that. Now that I think about it. Alyssa Berry: [00:44:04] She's now like, okay, so now I'm back. I'm just going to be selling on my website, doing all that. So hey, if you can support, this is what we're doing, blah, blah, blah, that's authentic. Like showing what's really going on behind the scenes in running a small business right now, especially small businesses in the clothing or retail sector in Canada that are making and supplying their own clothing here in Canada. And having to justify like one guy who's really great is Connor Curran, who runs who owns Local Laundry, which is a Calgary company. And him talking about like when people bitch at him about like, well, why is your hoodie like $70. He's like, well because we pay people. Dakota Kidby: [00:44:39] Yeah. We pay people fair wages. Alyssa Berry: [00:44:41] We pay people, like and it's made here in Canada. It's made by seamstresses. The fabric, all of that is Canadian. So people are now getting educated about that stuff. It's like, oh, I have no problem spending $70 on a hoodie that I can wear for the next 15 years if I know that. Dakota Kidby: [00:44:54] And that's a great way to show up authentically and be honest. Alyssa Berry: [00:44:57] So those are the kind of things like that are resonating right now, because that's just what's happening right now online. But that's just sort of a testament of what people want to see from people online is like, everything isn't great. You don't have to pretend it is. And talk about it. Dakota Kidby: [00:45:14] Don't pretend. I think some of my favorite videos over the last while have been, I really appreciate, as someone who has really bad seasonal depression, those like refresh videos where folks kind of get up in the morning on a Sunday and they're like, come, come for a depression, like I've come out of my depression, let's do a refresh together. And you go through the house and like, they clean everything and it like motivates you to go do that. Alyssa Berry: [00:45:37] I like that too. I like the ones that are the, what do they call it, the the late shift or the last shift where they make sure their kitchen and everything is clean before they go to bed at night. And I'm like, oh, I love that. I think it's called the late shift. Dakota Kidby: [00:45:49] Oh no, I haven't heard of that. Alyssa Berry: [00:45:50] So make sure all the toys are picked up and the the kitchen is cleaned before you go to bed because you can, you wake up and it's, you're in a better mood. Dakota Kidby: [00:45:56] And then you feel good. Alyssa Berry: [00:45:57] I love that stuff. I'm a sucker for all that kind of stuff. Dakota Kidby: [00:46:01] But yeah, just so yeah. Anyway, interesting stuff going down right now and yeah, so. But yeah, for our Canadian listeners, getting yourself educated around what's going on with tariffs and flipping the script on how you shop, very important right now. And we'll definitely talk about that in another episode coming up pretty soon here too. But yeah, other than that, I think we're out of time for today. So we appreciated having you guys listen in and we will see you in two weeks. Alyssa Berry: [00:46:34] Thanks for tuning in to another episode of Ladies Who Launch. 

We talk about the film Grand Theft Hamlet. Buy the shirt! Support this show on Patreon! Buy books from our Bookshop.org page! Chris Hunt created the theme song for this show.

Marvel March Madness wraps up with Ryan North! Jimmy gets instantly hooked as he reads his first Fantastic Four comics with volume 1 of Ryan's current run. If you haven't been reading Fantastic Four, you are missing out. Ryan talks a lot about the series, how he approaches writing it, and some of the different artists he's been able to work with. Issue #30 comes out March 26th. Ryan is also writing the new One World Under Doom. Ryan chats about the fun of writing Dr. Doom as the Sorcerer Supreme, and if there were any characters he was excited about using in this series. Hint: there were! It wouldn't be the Cryptid Creator Corner though without Jimmy going rogue and asking Ryan about some of his other works that Jimmy is now obsessed with, including To Be or Not To Be, a book that turns Hamlet into a choose-your-own adventure book. There's also How to Invent Everything, a book whose premise is that your time machine strands you in the distant past and you can't repair it so you might as well get work inventing, well, everything. At Comic Book Yeti we don't know anyone that thinks about time travel as much as Jimmy, except now, maybe Ryan? This conversation is such an excellent end to Marvel March Madness!  Follow Ryan on Bluesky: https://bsky.app/profile/ryannorth.ca Ryan's website: https://www.ryannorth.ca/ Dinosaur comics: https://www.qwantz.com/about.html Fantastic Four #30 From the publisher FANTASTIC THREE! After Ben Grimm has suffered a terrible (and very public) defeat at the hands of Doom, he's left lost, adrift — and more vulnerable than he has been in years. And when a trip to New York goes wrong and his fate suddenly turns from bad to worse, Ben has never been more vulnerable — and soon takes a shocking shortcut he won't be able to undo! This is one Thing and Alicia story you won't soon forget!   One World Under Doom From the publisher ONE WORLD UNDER DOOM! Six months ago, Doctor Victor Von Doom became Sorcerer Supreme - then disappeared behind Latveria's closed borders. For most, there's enough going on in the world that Doom's absence is not a priority, and some time without him feels like a blessing. Only a few recognize it for what it truly was...the calm before the storm. It is a storm that has now arrived. The world has woken up to a new reality: Doctor Doom, Earth's Sorcerer Supreme, has magically taken over every broadcast medium on the planet and declared himself Emperor of the World - the ruler of a new United Latveria! And shockingly, impossibly, all of Earth's leaders seem to be going along with this. Luckily, whether it's mind control or Doombots, whatever's affecting them hasn't affected Earth's heroes - and so they quickly form a strike team to stop Doom's machinations. But will they succeed? And what happens when some begin to welcome their new Emperor with open arms, clamoring for One World Under Doom? Marvel's biggest and most shocking event ever begins right here. To Be or Not To Be: https://bookshop.org/p/books/to-be-or-not-to-be-a-chooseable-path-adventure-ryan-north/12470776 How to Invent Everything: https://bookshop.org/p/books/how-to-invent-everything-a-survival-guide-for-the-stranded-time-traveler-ryan-north/12476891 PATREON We have a new Patreon, CryptidCreatorCornerpod. If you like what we do, please consider supporting us. We got two simple tiers, $1 and $3. Want to know more, you know what to do. ARKENFORGE Play TTRPG games? Make sure to check out our partner Arkenforge. Use the discount code YETI5 to get $5 off your order. THE LANTERN CATALOG Created on the premise of creating light in the dark, this is the the go to resource to keep you up to date on the indy projects and the creators you love. You can find them at https://www.thelanterncatalog.com/. Make sure to check out our sponsor 2000AD. Learn more about your ad choices. Visit megaphone.fm/adchoices

Original Release Date: Monday 25 March 2025    Description:   Due to the ridiculous travel itineraries of your friends in podcasting, this week's show is coming at you one day late, but is jumbo-sized to make up for its tardiness! The festivities get started on a midnight train ride through Denmark two Saturdays back as Phil Leirness and Jon Lawlor discussed sandwiches, the English language, the honor system of Copenhagen and swapped tales of the magnificent Copenhagen City Hall. Then, back in Los Angeles, Phil quizzes Lily Holleman (Leirness) about the terrors of London Heathrow Airport, the joys of steam-punk weddings, the incredible history of the Koronborg Slot (aka “Hamlet's Castle”), the delights of Copenhagen breakfasts, and the inspiring art of Edvard Munch. Finally, Phil connects with Dean Haglund, who is enjoying his honeymoon in Portugal. They discuss Dean's nuptials, their respective Nordic ancestry, Dean's visit to Paris, the delights of Lisbon, Guy Maddin's most recent film, the television miniseries “A Gentleman in Moscow” and much more!

For centuries, the playwright Thomas Kyd has been best known as the author of The Spanish Tragedy, a terrific story of revenge believed to have strongly influenced Shakespeare's Hamlet. And yet, a contemporary referred to Kyd as "industrious Kyd." What happened to the rest of his plays? In this episode, Jacke talks to scholar Brian Vickers about his new book Thomas Kyd: A Dramatist Restored, the first full study of Kyd's life and works, in which Vickers discusses Kyd's accepted canon as well as three additional plays Vickers has newly identified as having been written by Kyd—exciting discoveries that establish him as a major dramatist. PLUS Jonathan D.S. Schroeder (editor of The United States Governed by Six Hundred Thousand Despots: A True Story of Slavery; A Rediscovered Narrative, with a Full Biography, by John Swanson Jacobs) stops by to discuss his choice for the last book he will ever read. Additional listening: 646 Discovering a Long Lost Slave Narrative (with Jonathan D.S. Schroeder) 48 Hamlet 332 Top 10 Things To Love About Hamlet (with Laurie Frankel) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mistrz. Jan Englert mówi wprost, że „Hamlet” to jego pożegnanie. Tylko że my nie chcemy się żegnać. Rozmawiamy o tym, czym dla niego jest zasada fair play, jak odbiera polityków i ich umiejętności aktorskie oraz jakie ma spojrzenie na używki w teatrze. Czego boi się najbardziej? Czy czuje się „ojcodziadem”? Co najbardziej podziwia w Helenie, swojej córce? Mówi o tym, że całe życie poszukiwał lepszych od siebie oraz o tym, że nie dzieli ludzi według pokoleń. Zna młodych starych i starych młodych. A jak widzi Kubę Wojewódzkiego? Jak wspomina swoją mamę? Czy czuje, że byłby jeszcze „większy”, gdyby urodził się w innym kraju? Ta rozmowa jest lekcją nieśmiertelności. Dlaczego? Posłuchajcie, bo naprawdę warto. Podcast WojewódzkiKędzierski ma partnerów komercyjnych. Zapraszają Kuba Wojewódzki i Piotr Kędzierski. #wojewódzkikędzierski #płatnawspółpraca #podcast 

Columbia Workshop || (9, 16) Hamlet, Parts 1-2 | Broadcast: September 19, 1936; November 14, 1936 || Featuring: Orson Welles01:20 Part 1 || 31:20 - Part 2NOTE: Part 2 starts with some vinyl static, it clears up after a few minutes.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES.Subscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#orsonwelles #oldtimeradio #otr #radioclassics #citizenkane #oldtimeradioclassics #classicradio #mercurytheatre #duaneotr:::: :This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

This episode will feature poet Quentin Lewis who is imprisoned at Wende Correctional Facility in Western New York.It will air Tuesday, March 25 at 2 and 5pm, and Friday, March 28 at 5pm on WRFI and will post to this feed following the debut.Hamlet calls death "the undiscovered country," a mysterious land from which no one returns. Host Michael Rhynes repurposes the concept to highlight the invisibility and disenfranchisement of prison populations. Although incarcerated people are all around us, they are largely invisible to us, their humanity erased.In the program, Michael engages poets and writers who are incarcerated in New York. We hear about about their work and lives. The project aims to elevate theses writers' voices and restore what's lost to all of us when people are exiled to the "Undiscovered Country."Michael was wrongfully incarcerated in New York State for 39 years and was exonerated in 2023. While in prison he published poetry including a chapbook entitled "Guerillas in the Mist" and started a theatre troupe. He brings his wealth of lived experience to discussions of incarceration, re-entry, and criminal justice.The program is under development but has already aired some preliminary episodes. It's a partnership between WRFI, Prisoner Express, the Cornell Prison Education Program and Civic Ensemble's Re-Entry Theatre project and supported by a grant from Humanities New York.

Melisa and Gabe know a lot about Hamlet. Allison brings us a tale from r/amItheAngel that involves cheating and a very stupid man. R/nicegirls has a text thread from a girl who threatens someone with using her uncle's political power? A former Bachelor contestant has become a bonkers evangelical podcaster with her billionaire husband. And finally, elephants.Elephant Video:  https://www.youtube.com/watch?v=foahTqz7On4Check out all of our content on Patreon, Ad Free! Watch the full episodes of TLDRI, listen to the full episodes of The Variety Show, watch the International Question and Topix videos, join us for a monthly livestream, PLUS MORE:https://www.patreon.com/justbetweenusThis has been a Gallison ProductionProduced by Melisa D. Monts and Diamond MPrint ProductionsPost-Production by Coco LlorensProduction Assistance by Melanie D. WatsonOur Sponsors:* Check out Diet Smoke and use my code JUSTBETWEENUS20 for a great deal: https://www.dietsmoke.com* Check out Happy Mammoth and use my code JUSTBETWEENUS for a great deal: https://happymammoth.com* Check out Rosetta Stone and use my code TODAY for a great deal: https://www.rosettastone.comSupport this podcast at — https://redcircle.com/just-between-us/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In the twenty-third episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with fellow podcaster Lee from Spro & Lee Take on the Academy as they discuss the irreverent nature and knowing stupidity of SCTV favorites Bob & Doug McKenzie as they become the Rosencrantz & Guildenstern of an unsuspecting Hamlet tragedy in the sketch turned film adaptation known as Strange Brew (1983).

John welcomes his pastor, Mike Hamlet, to the podcast. Mike is the pastor at First Baptist North Spartanburg in Spartanburg, SC, where he has been pastor for over 40 years. Join John as he has the opportunity to have a candid conversation with Mike about the lessons God has graciously taught him over his many years in ministry___________________________________________________________We post a weekly devotional episode every Thursday and our regular episodes on the 1st and 3rd Tuesdays of each month!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit our website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook

If you're enjoying the Hardcore Literature Show, there are two ways you can show your support and ensure it continues: 1. Please leave a quick review on iTunes. 2. Join in the fun over at the Hardcore Literature Book Club: patreon.com/hardcoreliterature Thank you so much. Happy listening and reading! - Benjamin  

THIS VOYAGE, the Decksperts MARK A. ALTMAN (author, The Fifty Year Mission, writer/producer, Pandora, Agent X, The Librarians, writer/producer Free Enterprise), DAREN DOCHTERMAN (associate producer, Star Trek: The Motion Picture), ASHLEY E. MILLER (showrunner; DOTA: Dragon's Blood, writer, X-Men: First Class, Thor) and STEVEN MELCHING (The Clone Wars, Rebels) are back on DECK 78 as the Decksperts sit down with actor JAMES MARSTERS to talk about his amazing career from Buffy to Angel, Hamlet to Runaways and more. Don't miss this lively conversation with a very undead James Marsters. **Join us on our new INGLORIOUS TREKSPERTS DISCORD Channel at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/7kgmJSExeh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ SUBSCRIBE TO TREKSPERTS PLUS TODAY... and get every episode of INGLORIOUS TREKSPERTS commercial free and one-week early along with our new podcast, INGLORIOUS TREKSPERTS presents DECK 78 along with additional bonus content and surprises all season long. For more details, visit trekkspertsplus.com. Learn all that is learnable about Star Trek in Mark A. Altman & Edward Gross' THE FIFTY-YEAR MISSION, available in hardcover, paperback, digital and audio from St. Maritn's Press. Follow Inglorious Treksperts at @inglorioustrek on Twitter, Facebook and at @inglorioustreksperts on Instagram. And now follow the Treksperts Briefing Room at @trekspertsBR, an entirely separate Twitter & Instagram feed."Mark A. Altman is the world's foremost Trekspert" - Los Angeles Times

Sam Crane is the director and star of “Grand Theft Hamlet” — a documentary about how he mounted a full production of Shakespeare's “Hamlet” inside the hit video game “Grand Theft Auto V.” Sam joins Tom Power to talk about the project, what the process of making it looked like, and why Shakespeare translates so well to the ultra-violent world of “Grand Theft Auto.”

Discussing the 2025 documentary Grand Theft Hamlet with Twitch Streamer and professional GTA roleplayer Jerry Jensen. Sponsor an Episode: https://patreon.com/lowres LowRes Instagram Page: https://www.instagram.com/lowreswunderbred Hans on Twitter: https://www.twitter.com/hwordname Hosted on Acast. See acast.com/privacy for more information.

Il premio Goncourt Mathias Enard torna in libreria con Disertare, un romanzo in cui s'intrecciano le vicende di un soldato che abbandona la guerra e quelle di un matematico della Germania Est. Mayhem è il titolo dell'album con cui Lady Gaga, dopo cinque anni, torna al pop che l'ha resa famosa. Un documentario britannico segue le peripezie di una compagnia che cerca di mettere in scena Amleto all'interno del mondo virtuale del videogioco Grand theft auto. Fino al 28 marzo Officine fotografiche organizza a Roma Obiettivo donna, una rassegna dedicata alla creatività delle fotografe. CONYasmina Mélaouah, traduttrice Claudio Rossi Marcelli, giornalista di InternazionaleMattia Palma, giornalista teatrale e drammaturgoDaria Scolamacchia, photo editorNinni Romeo, fotografaSe ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità . Vai su internazionale.it/podcastScrivi a podcast@internazionale.it o manda un vocale a +39 3347063050Produzione di Vincenzo De Simone.Musiche di Carlo Madaghiele, Raffaele Scogna, Jonathan Zenti e Giacomo Zorzi.Direzione creativa di Jonathan Zenti.Mathias Enard su Disertare: https://www.youtube.com/watch?v=VzHmX3Av7ZIAbracadabra di Lady Gaga: https://www.youtube.com/watch?v=vBynw9Isr28Grand theft Hamlet: https://www.youtube.com/watch?v=g1mufiI88kcObiettivo donna: https://www.youtube.com/watch?v=WSvqC3oKiq8

On this day, March 13, 1619, the stage lost one of its greatest stars. Richard Burbage wasn't just an actor—he was Shakespeare's leading man, the original Hamlet, Othello, and King Lear. But his impact went far beyond the stage.   From his early years in London to his legendary performances at The Globe Theatre, Burbage helped shape the golden age of English drama. He was a close friend of Shakespeare, a theatre pioneer, and a performer whose talent left an indelible mark on history.   Join me as we uncover the life, legacy, and lasting influence of Richard Burbage—the man who first brought Shakespeare's greatest characters to life.   If you love Tudor and Elizabethan history, don't forget to subscribe and hit the notification bell for more deep dives into the past!   #shakespeare #theglobe #actors

Veteran Shakespearean actor Geoffrey Barnes joins the Reduced Shakespeare Company to play Yorick and Ophelia's mother in the regional theatre premiere of The Comedy of Hamlet! (a prequel). The RSC's 11th stage show marks the company's seventh appearance at Merrimack Repertory Theatre, as well as MRT's 300th production, and Geoffrey discusses how his many years at Cincinnati Shakespeare Company and Oregon Shakespeare Festival – as well as his background in musical theatre and experience performing RSC scripts at CSC – serve him well in this comic prequel to Shakespeare's greatest tragedy. Geoffrey reveals the value of a comedian not thinking he's funny; how he finds the rhythms and music of the language, whether it's Shakespeare, vaudeville, or August Wilson; and the importance of letting the music and the jokes serve the characters and the story. (Length 21:05) The post Meet Geoffrey Barnes appeared first on Reduced Shakespeare Company.

GRAND THEFT HAMLET tells the radical tale of a band of artists who stage a virtual production of Shakespeare's Hamlet inside the online video game Grand Theft Auto. But it's hardly the first time filmmakers have messed with Shakespeare's great Dane.Host Rico Gagliano learns the history of Hamlet on screen, with help from the movie's cocreators, Pinny Grylls and Sam Crane, director Michael Almereyda (HAMLET 2000), and Rico's own playwright father.GRAND THEFT HAMLET is now streaming exclusively on MUBI worldwide.To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

Friendship advice: ‘Are you a radiator or a drain?' To hear more from Gugu tackling your failures join our community of subscribers here: https://howtofail.supportingcast.fm/#content Gugu Mbatha-Raw is an actor who firmly resists typecasting: her West End debut was as Ophelia in Hamlet; while on-screen she has tackled everything from Belle, to a victim of sexual assault in the hit drama The Morning Show. Her co-stars have included Jennifer Aniston, Matthew McConaughey, Kiefer Sutherland and Will Smith. Now, Mbatha-Raw returns to Apple TV+ with the second season of psychological thriller Surface. Although consistently a high-achiever, Gugu's failures have shaped her in important ways - including one failure she shares in common with a former HTF guest, namely Mr Jamie Dornan… Have something to share of your own? I'd love to hear from you! Click here to get in touch: howtofailpod.com Production & Post Production Coordinator: Eric Ryan Studio and Mix Engineer: Matias Torres Sole & Gulliver Lawrence-Tickell Producer: Hannah Talbot Executive Producer: Carly Maile Head of Marketing: Kieran Lancini How to Fail is an Elizabeth Day and Sony Music Entertainment Production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

David, Devindra, and Jeff break down the 2025 Academy Awards ceremony, step into the spotlight with The Only Girl in the Orchestra, assess the cultural code-switching in the second season of Mo, and see if Kate Hudson can shoot and score in Running Point. Then they drive through a Shakespearean tale in cyberspace with Grand Theft Hamlet. We're making video versions of our reviews! Be sure to follow us on the following platforms: YouTube Tiktok Instagram Threads Weekly Plugs David - Decoding Everything: Notable Moments from the Oscars Devindra - Engadget Podcast on iPhone 16e and Alexa+ Jeff - DLC 589 with Veerender Singh Jubbal Shownotes (All timestamps are approximate only)    What we've been watching (~00:24:51) David - The Only Girl in the Orchestra, Jailbreak: Love on the Run Devindra - Mo Season 2, Pantheon Season 2  Jeff - Running Point, Win or Lose Featured Review (~00:51:32)     Grand Theft Hamlet Support David's artistic endeavors at his Patreon and subscribe to his free newsletter Decoding Everything. Check out Jeff Cannata's podcasts DLC and We Have Concerns. Listen to Devindra's podcast with Engadget on all things tech. You can always e-mail us at slashfilmcast(AT)gmail(DOT)com. Credits: Our theme song is by Tim McEwan from The Midnight. This episode was edited by Noah Ross who also created our weekly plugs and spoiler bumper music. Our Slashfilmcourt music comes from Simon Harris. If you'd like advertise with us or sponsor us, please e-mail slashfilmcast@gmail.com. You can support the podcast by going to patreon.com/filmpodcast or by leaving a review on Apple Podcasts.

WHEN WE CEASE TO UNDERSTAND THE WORLD by Benjamin Labatut (translated by Adrian Nathan West), chosen by Ted Hodgkinson ENTER GHOST by Isabella Hammad, chosen by Inua Ellams GHOSTING: A DOUBLE LIFE by Jennie Erdal, chosen by Harriett GilbertAs Head of Literature and Spoken Word-programming at the Southbank Centre in London, writers and writing are at the heart of Ted Hodgkinson's work. In 2020 he chaired the judging panel of the International Booker Prize and he has judged many other awards, including the Orwell Prize for Political Writing. His choice of a good read is a slim, genre-defying book by Chilean author Benjamin Labatut which packs a huge punch. It's about the scientists and mathematicians whose work has shaped our world, and the unintended - sometimes horrifying - consequences of scientific advancement.Inua Ellams is a playwright, poet and curator. His work includes Barber Shop Chronicles, The Half-God of Rainfall, and an updating of Chekhov's Three Sisters, set during the Biafran Civil War, and he's recently been announced as one of the writers of the next series of Dr Who. His choice is Isabella Hammad's 2023 novel Enter Ghost. After a disastrous love affair, British-Palestinian actress Sonia goes to stay with her sister in Haifa. Intending the visit as a holiday, she finds herself investigating her family's history and getting involved in a production of Hamlet, to be staged in the West Bank.Presenter Harriett Gilbert's choice is Ghosting by Jennie Erdal. A fascinating account of Jennie's time as ghostwriter for 'Tiger' (the publisher Naim Attallah), penning everything from novels to love letters in his name.Producer: Mair Bosworth

The Chicago Tribune's Michael Phillips joins Adam and Josh for some Oscar predictions—and corrections. Plus Josh nominates GRAND THEFT HAMLET for the 2025 Golden Brick Award.  This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Intro (00:00:00-00:04:03) Oscar Picks: Supporting Actress/Actor (00:04:04-00:25:32) Oscar Picks: Lead Actor/Actress (00:25:33-00:43:38) Filmspotting Family (00:43:39-00:47:56) Golden Brickspotting (JL): “Grand Theft Hamlet” (00:47:57-00:53:39) Notes (00:53:40-00:54:16) Massacre Theatre (00:54:17-01:02:56) Oscar Picks: Director/Picture (01:02:57-01:17:19) Credits / New Releases (01:17:20-01:21:49) Notes/Links: Filmspotting Fest https://www.filmspottingfest.com Filmspotting Pantheon https://letterboxd.com/filmspotting/list/filmspotting-pantheon/detail/ Filmspotting Golden Brick Awards https://www.filmspotting.net/bricks Feedback: Email us at feedback@filmspotting.net. Ask Us Anything and we might answer your question in bonus content. Support us: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Follow: https://www.instagram.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

How do you tie together the stories of ancient Egypt, Robin Hood, Freddy Kreuger, and Hamlet – on a single stage? Well, through time travel, of course. But also with the minds and talent of a group of actors at Sing Sing correctional facility in New York. Such a play – titled "Breakin' the Mummy's Code" – was made possible through a program called RTA: Rehabilitation Through the Arts. It was born in 1996 after a group of incarcerated men at Sing Sing put on a few theater productions. They decided they wanted those productions to be something more – an organized group that could bring the power of theater to people inside prisons.The program's story is now on the big screen in the film "Sing Sing." We talk to the people who made the movie possible.Find more of our programs online. Listen to 1A sponsor-free by signing up for 1A+ at plus.npr.org/the1a.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Merriam-Webster's Word of the Day for February 24, 2025 is: quip • KWIP • noun Quip can refer to a clever, usually taunting remark, or to a witty or funny observation or response usually made on the spur of the moment. // They traded quips over a beer and laughed themselves silly. See the entry > Examples: "He's always got a story, is always ready with a quip and isn't afraid to let the four-letter words roll off the tongue in the most creative ways." — Nathan Brown, The Indianapolis Star, 26 Apr. 2023 Did you know? To tweak a well-known line from Hamlet, brevity is the soul of quip. While jokes are often brief stories with setups followed by surprising and funny endings (chickens crossing roads, elephant footprints in the butter, etc.) quips are even briefer, and not so planned or scripted. They are more likely to arise naturally in conversation when someone is especially quick-witted, firing off zingers, retorts, or—if you want to get extra fancy about it—bon mots. Brevity also plays a role in quip's etymology: quip is a shortening of quippy, a now-obsolete noun of the same meaning. Quippy's origins are uncertain, but they may lie in the Latin word quippe, meaning "indeed" or "to be sure," which was often used ironically. Quip entered English as a noun in the 1500s, but was verbified within decades; the verb quip means "to make quips" or "to jest or jibe at."

What if Gertrude had more power than we thought? What if Ophelia's fate wasn't sealed from the start? And what does it really mean to mother a prince who might be losing his mind? Playwright Lauren Gunderson, one of the most produced living playwrights in America, takes on Hamlet in her latest play, A Room in the Castle. This sharp, feminist reimagining follows Ophelia, her handmaid, and Queen Gertrude as they navigate the dangers of Elsinore, wrestling with the weight of survival, duty, and defiant hope in the face of chaos. Gunderson, known for her witty and powerful storytelling in The Book of Will and The Half-Life of Marie Curie, discusses how she reclaims the voices of Hamlet‘s women, why Gertrude's famous speech about Ophelia's drowning might not be as simple as it seems, and how she crafted new ending that brings new light to Shakespeare's most famous tragedy. >> Get your tickets to Folger Theatre's A Room in the Castle, a co-production with Cincinnati Shakespeare Company, on stage March 4 – April 6