Podcast appearances and mentions of Janis Joplin

Ce 30 septembre, Marjorie Hache réunit Linkin Park, The Black Keys, Trust, Papa Roach, Janis Joplin, Stevie Ray Vaughan, Anthrax et Public Enemy, Bob Dylan, Echo and the Bunnymen, Peter Frampton ainsi que The Smashing Pumpkins. L'animatrice souligne par ailleurs l'anniversaire de la naissance de Marc Bolan, véritable pionnier du glam rock et fondateur de T-Rex, avec le mémorable "Cosmic Dancer".Le duo Lambrini Girls s'illustre avec le percutant "Bang Bang Bang". Jack White fait résonner "Neighbors Blues", tandis que Phoebe Bridgers, les Toulousains de Slift et les New-Yorkais de Show Me the Body viennent enrichir cette belle sélection. La primeur de la soirée met en lumière la chanteuse francilienne Oma Jali, qui dévoile "Suddenly", un premier single solo mariant brillamment l'univers de la soul et du rock.L'album de la semaine prolonge l'exploration de "Ride Lonesome", le 15e disque de Beck. L'artiste américain, offre ici une parenthèse solitaire et introspective avec la douce balade "It Ends Right Here". Enfin, pour la reprise du jour le quatuor britannique Skunk Anansie s'approprie le frénétique "Search And Destroy" des Stooges, une version explosive initialement enregistrée pour la B.O. du film Sucker Punch.Linkin Park - FaintLambrini Girls - Bang Bang BangT. Rex - Cosmic DancerMano Negra - King Of BongoThe Black Keys - FeverTrust - AntisocialPapa Roach - Last ResortBeck - It Ends Right HereGrant Lee Buffalo - FuzzyJanis Joplin & Big Brother And The Holding Company - SummertimeStevie Ray Vaughan - Pride And JoyJack White - Neighbors BluesSkunk Anansie - Search And DestroyAnthrax & Public Enemy - Bring The NoiseShow Me The Body - Dance In The USABob Dylan - Lay, Lady, LayJeff Buckley - Forget HerPhoebe Bridgers - Lost BoysGary Glitter - Rock & Roll Part 2Mss Frnce - De Plein FouetOma Jali - SuddenlyThe Smashing Pumpkins - Bullet With Butterfly WingsEcho & The Bunnymen - The CutterPeter Frampton - Show Me The WaySlift - FantasiaHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Sound Healing with David Gibson The Harmonic Structure of Sound: Odd and Even Harmonics From Guitar Strings to Galaxies David Gibson devotes the hour to the harmonic structure of sound, tracing odd and even harmonics from a plucked guitar string and the singing voice through gongs, crystal bowls, planetary distances, and the golden mean, closing with a live sound meditation for peace. Inside the Sound Healing Center David Gibson opens the broadcast with a tour of the Sound Healing Center's four branches: the Globe Institute, the Sound Healing Store, the Sound Therapy Center, and the Sound Healing Research Foundation. He describes Globe Institute as the only state-approved sound healing college in the United States, offering two sound healing certificates and an audio recording certificate, in person in Sausalito and online, with the online certificate program able to start September 29th and the recording program already underway. He walks through the Store's four hundred instruments and technologies, from crystal bowls and Tibetan bowls to Brainwave Assessment and voice analysis software, and mentions the contract bringing eight sound protocols into Northern California's largest dementia care company. He also describes the Research Foundation's library of over a thousand clinical papers, the Medical Sound Association's bimonthly treatment-plan meetings, and a $100,000 grant funding sound curriculum in Montessori schools, before inviting listeners to an October 4th open house in Sausalito. The Harmonic Structure of Sound Turning to the day's subject, Gibson explains the harmonic structure of sound, the mathematics behind why one instrument or voice feels different from another. He sings a single sustained "ah" and tells listeners they just heard over a hundred notes and frequencies stacked inside that one sound, since nearly every sound in nature is built from many frequencies at once rather than just one. Demonstrating on a guitar, he plucks the open E string at what he simplifies to 80 Hz, calling it the fundamental or root frequency, then rests a finger lightly on the twelfth fret to isolate the second harmonic at 160 Hz, an octave higher. He shows how the string is simultaneously vibrating in two, three, four, and dozens of smaller sections at once, each producing a frequency that is a whole-number multiple of the root, and explains that the voice's vocal cords generate roughly a hundred such vibrations in exactly the same mathematical pattern. Odd Harmonics Versus Even Harmonics Gibson then divides instruments and voices into two families based on which harmonics they emphasize. Metal instruments with bumps, reed instruments, and bagpipes, he explains, produce mostly odd-numbered harmonics, forming a dissonant, edgy chord that he calls activating, evident in gongs, Tibetan bowls struck with a wood stick, clarinets, and heavy metal guitar distortion. Instruments built from nylon string or wood, such as the harp, classical guitar, and wood tongue drum, produce even-numbered harmonics instead, forming a warmer, sweeter chord that calms the nervous system. He carries the same odd-even split into vowels, contrasting the tense, effortful "e" with the relaxed, resonant "oo," and into singers, naming Janis Joplin, Axl Rose, and Bob Dylan as odd-harmonic voices and Barry White and Norah Jones as even-harmonic ones, adding that Adele carries a slight edge of her own. Matching Sound To The Nervous System Gibson maps out when to reach for each family of sound. Odd harmonics, he says, break up stuck energy and emotion, energize a room, and help ease people out of depression once introduced gradually, and can speed blood flow for people in early-stage dementia. But he warns they can trigger panic attacks, overwhelm anyone fragile, freshly out of surgery, or living with advanced dementia, where even a Tibetan bowl must be handled carefully and gongs are off limits entirely. He lays out his spectrum of instruments running from most activating to most calming, gongs, noisemakers, the ocean drum, and wood-struck Tibetan bowls at one end, softening through rattles, drums, and frosted bowls, down to soft shakers, handpan, FreeNote xylophone, RAV drum, sansula, and koshi chimes at the other. He notes his own taste shifts through the day, favoring warm even harmonics in the morning, more activation in the afternoon, and calm again by evening. Harmonics Across Nature And The Body Zooming out, Gibson traces the same harmonic mathematics through the rest of the body and the cosmos. He describes alchemy crystal bowls carrying the vibrational signature of whatever gemstones or metals are embedded in them into every water droplet of the body, and recounts a visitor who had mapped harmonic chords for each organ, explaining that a person's voice takes on the harmonic structure of their weakest organ, fear-holding kidneys sounding one way, an angry liver another. He extends the pattern to the solar system, describing the distance from the Sun to Mercury as a root frequency multiplied outward through Venus, Earth, Mars, and the asteroid belt, a structure some spiritual teachers, he notes, associate with love. He adds that electron shells, vertebrae, and, in Fabien Maman's view, the human aura all follow the same one-times, two-times, three-times series, which is why acoustic instruments map to the body more precisely than electronic ones. The Golden Mean And Closing Meditation Gibson closes by setting the harmonic series against a second pattern, the Fibonacci sequence and its golden mean ratio of 1.618, which he calls nature's spiral, visible in the proportions of the fingers, hand, arm, and face and in shells and galaxies alike, and which he associates with the heart's own resonance when generating love. He calls the harmonic series the masculine structure of the universe and the golden mean its feminine counterpart. To let listeners feel the contrast directly, he plays his own recorded piece "Angelica," built on the odd, edgy harmonics of a tanpura, followed immediately by a mellow, even-harmonic piece he composed for sleep. He then leads listeners live in making the calmest, warmest sound they can manage with their own voice, and sends them off asking them to hold that peaceful state through the evening, the weeks, and the months ahead.

"Pearl”, das Soloalbum von Janis Joplin, hat einen traurigen Beigeschmack, es ist ihr erfolgreichstes Album geworden. Sie selbst hat das aber nie erfahren können. Gestorben ist Janis Joplin Ende 1970 an einer Überdosis Heroin, nur wenige Stunden nachdem sie noch im Tonstudio gestanden hat. Mit ihrem frühen Tod gehört Janis Joplin auch zum traurigen "Club 27", in dem viele Rock- und Popstars durch ihr frühes Ableben sind. Neben Janis Joplin gehören zum Beispiel auch Jimi Hendrix, Kurt Cobain, Amy Winehouse, Jim Morrison oder auch Brian Jones in den "Club 27". Aufgenommen hatte Janis Joplin das Album mit "ihrer" neuen Band, der Full Tilt Boogie Band, die sich für sie auch nach der Band angefühlt hat, die fest zu ihr dazugehören sollte. Vorher hatte Janis Joplin schon mit anderen Bands zusammengespielt, aber die Full Tilt Boogie Band war auf dem Weg, ihre feste Band zu werden. Und dass das Zusammenspiel zwischen Janis Joplin und der Band gut funktioniert, das hört man auch, findet Musikredakteur Benjamin Brendebach. Die Songs, die Janis Joplin auf ihrem Album "Pearl" singt, hat sie größtenteils nicht selbst geschrieben – genauer gesagt ist nur der Song "Move Over" von ihr geschrieben worden. Aber dennoch macht sie mit ihrer Art zu singen die Songs zu ihren eigenen, findet auch Musikredakteurin Katharina Heinius: "Sie macht jeden Song zu ihrem eigenen Song!" Die Songwriter, mit denen sie für "Pearl" zusammengearbeitet hat, waren überzeugt von Janis Joplin, erklärt Katharina Heinius. Das ist alleine schon daran zu erkennen, dass sie ihr die Songs überhaupt angeboten haben. Insgesamt sind zehn Songs auf dem Album von Janis Joplin, darunter auch einige ihrer größten Hits. Es gibt Blues-Momente, Folk-Momente und noch ganz viel mehr. Aber eine Frage bleibt: Es gibt keinen Song auf dem Album mit dem Titel "Pearl". Warum also trägt das Album diesen Titel – das erfahrt ihr im Podcast! __________ Über diese Songs vom Album "Pearl" sprechen wir im Podcast • (04:01) – "Move Over" • (08:33) – "Can't Turn You Loose" • (11:43) – "Cry Baby" • (17:19) – "A Woman Left Lonely" • (24:18) – "Me And Bobby McGee" • (31:46) – "Buried Alive In The Blues" • (34:56) – "Mercedes Benz" __________ Shownotes: • Die Manson-Morde (Tate-Morde): https://www.ndr.de/geschichte/koepfe/Charles-Manson-Die-Tate-Morde-machten-ihn-zur-duesteren-Ikone,manson136.html • Informationen zum Kent State Massaker: https://www.kent.edu/may-4-historical-accuracy • Podcastfolge von "Der Stichtag – Die Chronik der ARD" zum Altamont Free Concert: https://www.ardsounds.de/episode/urn:ard:episode:f8c7154bf271dd3c/ • Dokumentation: "The Day the Rock Star Died – Janis Joplin": https://www.zdf.de/portraits/the-day-the-rock-star-died-100#focus=the-day-the-rock-star-died-janis-joplin-100 • Die Meilensteine Live in Sinsheim am 24.9. – Hier könnt ihr euch anmelden: https://www.swr.de/unternehmen/events/regiotour-bw-meilensteine-2026-100.html

Hoy en La Gran Travesía sonarán Howlin´ Wolf, B. B. King, Eric Clapton, Blind Willie McTell, Janis Joplin, Albert Collins, Buddy Guy, Blues Brothers, Fleetwood Mac, Bob Dylan...entre otros. ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Sergio, Gin1975, Arturolietor, Alul, JBsabe, Antonio Vicente Álvarez, Aida Borrallo, Eduardo Gutiérrez, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Raquel, Sergio Rodríguez Rojas, Jose Antonio Moral, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Francisco Quintana, Con, Tete García, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Alberto, Dani Pérez, Vicente DC, Leticia, Melomanic, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

On this episode of Eyewitness History, Josh Cohen sits down with legendary guitarist Jorma Kaukonen, founding member of Jefferson Airplane and longtime member of Hot Tuna. Kaukonen takes us back to the San Francisco music scene that helped transform American rock, sharing memories of his years with Jefferson Airplane, his experiences with Janis Joplin, and what it was like performing at the legendary Woodstock festival in 1969. He also reflects on the realities of sudden fame, the friendships and relationships that helped shape his career, his lifelong passion for the guitar, and some of his favorite memories from nearly seven decades in music. Kaukonen discusses what it meant to see Jefferson Airplane inducted into the Rock & Roll Hall of Fame, the importance of passing musical knowledge on to the next generation through Fur Peace Ranch, and what continues to inspire him to pick up a guitar and perform. Be sure to visit his site at https://jormakaukonen.com/See omnystudio.com/listener for privacy information.

Ce 16 septembre, Marjorie Hache met à l'honneur David Bowie, Otis Redding, AC/DC, Deep Purple, Sparks, Foals, Madness, The Strokes, Billy Squier, Janis Joplin, Radiohead, Eels, Grizzly Bear, The Limiñanas ou encore les Foo Fighters. L'animatrice souligne le 41e anniversaire de la sortie de "Hounds Of Love", le cinquième album de l'Anglaise Kate Bush, en diffusant l'un de ses plus beaux joyaux, "Cloudbusting". Interpol donne le ton des nouveautés avec "Iron City", extrait de "This Mirror Weighs A Ton". Les Anglais de Fat Dog confirment leur singularité avec leur punk-électro, tandis que le groupe français Chest et les métalleux de Static Dress complètent la sélection. La primeur de la soirée met en lumière le quatuor mancunien Westside Cowboy, qui offre le percutant titre "Pin Up Boys". L'album de la semaine s'attarde sur "Get Mean", le cinquième disque du duo Boy Harsher. On en découvre aujourd'hui le titre "Jeans", confirmant leur maîtrise d'une électro-pop sombre, froide et résolument gothique. Enfin, la reprise du jour s'annonce élégante : la popstar Lily Allen s'approprie le mythique "Don't Get Me Wrong" des Pretenders, pour en livrer une version pleine de charme, sublimée par son irrésistible accent. David Bowie - Life On Mars Interpol - Iron City Kate Bush - Cloudbusting Weezer - All My Favorite Songs Otis Redding - Stand By Me AC/DC - Rock & Roll Train Deep Purple - Smoke On The Water Boy Harsher - Jeans Sparks - When I'm With You Foals - My Number Chest - Lotus Eater Lily Allen - Don't Get Me Wrong Madness - One Step Beyond The Strokes - Juicebox Static Dress - ...Hospice Billy Squier - The Stroke Cocteau Twins - Fifty-Fifty Clown Fat Dog - Call It What You Want Janis Joplin - Cry Baby Radiohead - The Bends Westside Cowboy - Pin Up Boys Blood, Sweat & Tears - Spinning Wheel Eels - Mr. E's Beautiful Blues Grizzly Bear - Two Weeks Foo Fighters - Learn To Fly The Liminanas & Laurent Garnier - Que Calor ! (Feat. Edi Pistolas)Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

You've nodded along to the story lesson all year and kept firing the art gatling gun. So I'm done teaching it. This episode, I become it. Want to join Patrick for a live webinar? He hosts one every Monday, Wednesday, and Friday. Register here: asf.today/webinar I've never recorded an episode like this one. Three proofs that the art doesn't change, the story does. Then I run the experiment on myself, on you: the mini life story I've avoided telling for nine years. At the end, one question. How much more do you have in common with me now than you did forty minutes ago? In this episode: The two failure modes after every "yeah yeah, I get it": nod and revert, or one post and revert The art gatling gun. Art, art, art, one shot fired forever. What I see when I open your profile My hedge: the artist who did the exact opposite of everything I teach, to the tune of $347K, and the softball story about copying a fence-clearing home run What happens on a webinar when one artist opens with their story instead of their awards: the whole room asks for their Instagram Mona Lisa: respected, not famous, until a Louvre handyman walked out with it in 1911. Story added, value explodes Banksy: signed originals at $60 from an unmarked Central Park stall. Eight buyers all day. Story removed, value collapses Joshua Bell: a $3.5M Stradivarius in a DC Metro station, 1,097 people walked past. Context removed, excellence disappears How Elon Musk interviews: "Tell me the story of your life." Your art is the résumé. The story is the interview. Every collector is Musk I asked AI what my listeners actually know about me after nine years. It's embarrassingly thin Then the story: Hawaii, Pearl Harbor from a front yard, Boston Latin and MIT, Janis Joplin as the backyard band, an IBM under the Christmas tree, a john boat off La Jolla Scott and the nametag, the dog you end up walking, and the claw machine: every facet you surface opens another lane to your art "But I'm not interesting." Rare lanes are small, common lanes are enormous. Painting at 5am in half the garage is a bin with millions of people in it This week's homework: make the list. Every facet of your life someone could glom onto, the mundane ones included. Pick one and put it in front of your art this week. You don't know what's going to work. You do know art, art, art isn't. Resources mentioned: Hello, My Name is Scott by Scott Ginsberg — the nametag guy Banksy's Central Park stall, October 2013 — go look at the picture Related episodes: The Artwork Didn't Change. The Story Did. — where this year started 4 Prompts That Pull Your Story Out — if you need help making the list The Coffee Shop Test The Algorithm Doesn't Care About Your Art — memes are the fuel, this is the sorting machine When a Buyer Asks for ode

Gregg Owen was born in St. Paul, Minnesota, on December 25, 1948. He spent part of his childhood in Gemmell, Minnesota, a small town near the Canadian border, where his mother lived in the back of his grandparents' tavern while his father served as a United States Air Force pilot in Korea.  At age ten, his family moved to the Chicago suburbs. By fifteen, Gregg was playing keyboards professionally while still in high school. Music took him on the road. Law took him somewhere very different. Gregg toured and recorded with bands including the Shady Daze, the American Breed, and Jerico while earning his law degree.  He shared the stage with artists such as Janis Joplin and The Doors and recorded with major labels across the United States.  In 1975, he entered the Cook County State's Attorney's Office as a legal intern. Within a year, he became an Assistant State's Attorney. He went on to prosecute murder cases at 26th and California during one of the most corrupt periods in Chicago courthouse history. Before leaving the office in 1984, he had tried 64 felony jury trials — 61 of them murder cases — and later became the first Chief of Gang Prosecutions in Cook County history. In his new book, "Convergence" Gregg tells the compelling true story of a cocaine fueled double murder that shook the city of Chicago...not only from the brutality of the crime, but because of the corruption that almost kept a murderer out of jail and evading justice. Gregg Owen's official website. "Convergence" available from Amazon. Support the Necronomicast and "Buy Me A Coffee"!  Thank you! "Phantom from Space" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 http://creativecommons.org/licenses/by/4.0/

Tu as sûrement déjà entendu parler du « Club des 27 ». Un groupe très particulier de musiciens qui ont tous un point commun. Ils sont morts à 27 ans. Jimi Hendrix. Janis Joplin. Jim Morrison. Kurt Cobain. Et plus tard, Amy Winehouse. Des artistes immenses, disparus très jeunes, parfois dans des circonstances tragiques... Hébergé par Audion. Visitez https://www.audion.fm/fr/privacy-policy pour plus d'informations.

Janis Joplin, Jimi Hendrix, Kurt Cobain e Amy Winehouse... o que liga esses ídolos além do talento absurdo? Neste episódio de “Arquivos Proibidos”, a ANITA BORGES e o FABIO JACQUES do Muita Brisa vão investigar o Clube dos 27: a teoria amaldiçoada da história do rock. Trato com o diabo, coincidência macabra ou o peso esmagador da fama? Será que o Vilela não colou na bancada hoje por puro medo de ser convocado pra tocar nessa banda do além?

Our conversation was like we were on a tour bus with Jefferson Starship original member David Freiberg and current lead vocalist Cathy Richardson. We trace David's arc from the 60s San Francisco scene (Quicksilver Messenger Service, Jefferson Airplane, and yes, the Starship family tree) to being that humble glue-guy who'd rather make the song work than hog the spotlight. Cathy walks in with Broadway chops (she played Janis Joplin in Love Janice) and then casually becomes the modern voice of Jefferson Starship (with Grace Slick's endorsement at the GRAMMY Salute to Music Legends).We get behind-the-scenes magic: the Miracles studio night, Pete Sears tracking bass on their new single "Jetpack," and recording in the very rooms where legends were made in Sausalito. Beyond the nostalgia, we also look into the practical stuff: what keeps a decades-old band alive (low ego, real friendship, and a shared mission), how they psych themselves up before stadiums with a ritual we now lovingly call "the clump," and the surprising logistics (yes, sometimes the bass is coming from a keyboard).The conversation moves from thoughtful nostalgia to the realities of the road, long bus days, the thrill of thousands of voices, and the joy of still having more music left. If you want a warm, honest look at longevity in rock with a side of good-natured ribbing, this is the one.[00:00] Jefferson Starship Intro[00:33] Show Welcome and Sponsor[01:02] Meet David and Cathy[03:08] Still Touring at 88[05:16] Band Chemistry and Mission[07:04] David the Glue and Ego[08:28] Making of Jane[09:44] Favorite Moments and Miracles[11:33] Cathy Journey to Frontwoman[14:30] Grace Slick and Hall of Fame[15:46] Tour Energy and The Clump[19:56] Musical Roots and Training[23:47] St Charles Show Details[24:05] Advice for Young Musicians[26:22] New Single Jet Pack[28:57] Thanks and Closing[29:36] Play Jet Pack and Sign OffTakeaways:We've kept Jefferson Starship alive by putting egos aside and focusing on the song, not stardom.David learned to be the glue by playing whatever fit the song, valuing arrangements and team contributions over personal spotlight every single time on stage and in studio.Cathy never imagined fronting Jefferson Starship, but portraying Janis opened doors and taught her to step into historic shoes confidently.Tour life is brutal and boring between shows, so JS invented the "clump" ritual to "psych ourselves up and blow each other's lungs out before hitting the stage."If you want it, do it: gig constantly, record your songs, hustle smart, and understand success can mean many sustainable musical lives, not just global superstardom.We put out "Jetpack" to have new conversation starters on tour, recording in the same Sausalito room where classic Jefferson Starship magic was made.Musicians don't retire — we stop when the music's gone; honestly, we still wake up hungry, so we're in it till we drop.Home Page - Jefferson StarshipYouTube - Jefferson StarshipFacebook - Jefferson StarshipX - Jefferson StarshipThis is Season 9! For more episodes, go to stlintune.com#jeffersonstarship #rockband #psychedelicrock #stcharlesfamilyarena #graceslick #paulkantner #davidfreiberg #cathyrichardson

Orfeh is a Tony and Grammy Award-nominated New Yorker. Last summer she completed a run in her West End debut in “Burlesque The Musical” as Tess. On Broadway, she is best known for originating the role of Paulette in “Legally Blonde: The Musical” (Tony nomination) and was most recently seen as Mama Morton in “Chicago.” Other NY stage credits include Kit De Luca in “Pretty Woman: The Musical,” Janis Joplin in “Love, Janis” and Annette in “Saturday Night Fever.” TV appearances include roles on “Law & Order: SVU” and “Sex and the City,” among others. As a producer, she is Tony-nominated for this season's "The Lost Boys" on Broadway. A singer, songwriter and recording artist, Orfeh and her band have performed everywhere from Jazz at Lincoln Center to Theatre Royal Drury Lane in London. Upcoming projects include Heidi in the Heidi Fleiss musical "Little Black Book." She began her music career as a teen, when she landed on the Billboard charts with her album “Or-N-More.” Her latest singles “Live My Life” and “Back In Love Again” are available on all streaming platforms. Instagram: @orfeh, tiktok: @offical_orfeh Learn more about your ad choices. Visit podcastchoices.com/adchoices

Making a Scene Presents Gerry Casey's Interview with SujataSujata is a British-Indian singer and songwriter based in London. Raised in Calcutta by her musical family and steeped in the Bengali Folk Music tradition, her focus moved to Pop and Rock soon after she settled in England. Inspired by Janis Joplin, Dolly Parton, Aretha Franklin, George Harrison and her own cross-cultural upbringing, Sujata's songs present a unique fusion of Rock, Pop, Blues and Indian sounds – sitars and tablas with guitars and drums. Her powerful, potent lyrics reflect the challenges of life and honour the human spirit. On the subject of songwriting, Sujata states “If there's something I want to say, but can't for whatever reason – I turn it into a song”. http://www.makingascene.org

We share more reimagined and reinterpreted songs that rival the originals, including Janis Joplin's iconic take on Kris Kristofferson's “Me and Bobby McGee,” a reggae version of The Beatles' “Don't Let Me Down,” and more.NPR Music's Dora Levite and Lars Gotrich rejoin host Robin Hilton for another round.Leave us a review on Apple or Spotify wherever you listen to podcasts. Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.orgFeatured artists and songs:(00:00) Intro(04:30) Dolly Parton, Linda Ronstadt & Emmylou Harris: Neil Young's “After the Gold Rush”(09:31) Frodus: Devo's “Explosions” (12:58) Janis Joplin: Kris Kristofferson's “Me and Bobby McGee”(17:12) Jai Paul: Jennifer Paige's “Crush”(22:26) Luther Vandross & Mariah Carey: Lionel Richie & Diana Ross's “Endless Love”(27:40) Nico: Jackson Browne's “These Days”(32:34) Tricky: Public Enemy's “Black Steel in the Hour of Chaos”(35:29) Cassandra Wilson: Neil Young's “Harvest Moon”(40:04) Phoebe Bridgers: The Cure's “Friday I'm In Love”(43:56) Marcia Griffiths: The Beatles' “Don't Let Me Down”Support public media with NPR+ and enjoy perks for over 25 podcasts like this one. This show's perks include bonus episodes and sponsor-free listening. Learn more at plus.npr.org.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

"Well, the rain exploded with a mighty crashAs we fell into the sunAnd the first one said to the second one there"I hope you're having fun"Please join me, the Rain has left so it's time for fun on this Labor Day Weekend. Joining us are David Bowie, Ian Matthews, Joni itchell, Marshall Tucker Band, Led Zeppelin, Linda Ronstadt, Meat Loaf, New Riders Of The Purple Sage, Ozark Mountain Daredevils, Little Feat, Bruce Springsteen, Eddie Money, Derek & The Dominos, Arlo Guthrie, Janis Joplin,Charlie Daniels Band, Sweet, Sugarloaf, Hall & Oates & Stevie Wonder..

Vous avez sûrement remarqué que de nombreuses stars meurent de manière assez brutale, souvent très jeunes ? Impossible de ne pas penser à Amy Winehouse, Kurt Cobain, Janis Joplin ou encore Jim Morrison, tous disparus à l'âge de 27 ans.  Cette succession de morts prématurées et tragiques donne l'impression que les stars sont vouées à mourir jeunes. Et cette impression n'est pas qu'un mythe : des études suggèrent que ce phénomène est bel et bien réel.  Comment peut-on expliquer un tel écart d'espérance de vie ? Ce phénomène concerne-t-il toutes les stars ? Écoutez la suite de cet épisode de "Maintenant, vous savez". Un podcast Bababam Originals écrit et réalisé par Magalie Bertet. Première diffusion : décembre 2025 À écouter ensuite : ⁠⁠Jusqu'où les stars sont-elles prêtes à aller pour préserver leur image ?⁠⁠ ⁠⁠Quels sont les mariages arrangés de stars les plus célèbres ?⁠⁠ ⁠⁠Qui sont ces stars accros au sexe ?⁠⁠ Retrouvez tous les épisodes de "Maintenant vous savez". Pour rester informé et recevoir le meilleur de “Maintenant vous savez” chaque semaine, abonnez-vous à notre newsletter. Suivez Bababam sur Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailIn this episode we explore the life and music of Texas Songster and Bluesman Mance Lipscomb. Though he was relatively unheard of, outside of Washington County for most of his life, Mance found fame in his 60s when he was "discovered" by Arhoolie Record owner Chris Strawkowitz and his friend Mack McCormick in 1960. After a harsh life as a Texas Sharecropper, Mance found himself in the middle of the folk music revival of the early 60s and on the stage with Bob Dylan, The Grateful Dead, Muddy Waters, Janis Joplin, and even Willie Nelson. His story is as powerful as his music and his legacy is that of a master musician finally getting the recognition he deserves.

As lead guitar for Jefferson Airplane and Hot Tuna, Jorma Kaukonen performed at Woodstock, Altamont, the Monterey Pop Festival and on some of the most legendary concert bills of the psychedelic rock era, sharing the stage with everyone from the Grateful Dead and Janis Joplin to B.B. King and Muddy Waters. Along the way, he not only lived cannabis history, he inhaled it. As you're about to hear… For the past three decades, Jorma has been happily living a sober life, but when a lifetime of non-stop guitar playing finally caught up with him in the form of joint and muscle pain, he recently rediscovered the medicinal power of cannabis. And so he's now the proud proprietor of Jorma's Choice full-spectrum CBD oil muscle balm, touted as providing all natural relief for fingerpicking' hands and sore muscles. PATREON Please ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠support Great Moments in Weed HIstory on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Supporters get exclusive access to video versions of this podcast and private seshes, plus cool rewards like a signed book. And it truly helps us make the best show possible. EPISODE ARCHIVE Visit our podcast feed for 150+ episodes of Great Moments in Weed History, and subscribe now to get a new weekly podcast every Weednesday. 

Concluding the Deadcast's Summer Magic 1985 run, we pull into Maryland for 2 over-the-top shows, explore the band's ‘80s gear, the Dead Heads' ‘80s pipecraft, & the enthralling scene around the Dead.Guests: David Lemieux, Peter Miller, Dennis McNally, Dan English, Nick Paumgarten, Jeffrey Alexander, Christian Crumlish, Nicholas G. Meriwether, David Leopold, Will Backstrom, Andy Perrine, Geoff Mockbee, Harry Clark, Mike SmartSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

durée : 00:03:54 - Les Matins de France Culture - par : Raphaël Laloum - En 1963, Janis Joplin est étudiante à Austin au Texas aux États-Unis. Passionnée de musique et en révolte contre sa famille, la jeune fille fait partie de la génération beatnik. Sa soif de liberté la pousse à prendre la route jusqu'à San Francisco. - équipe : Thomas Beau Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Winston Churchill's warning that "success is not final, failure is not fatal" sets the tone for a fast-moving episode full of comeback stories, Texas legends, and the kind of colorful observations only Kent Hance can deliver. If you like sharp political commentary wrapped in unforgettable storytelling, this one is built to keep you listening. From there, the conversation ranges widely but never drifts: Hance connects Churchill's mindset to rebuilding after disaster, then pivots into a parade of true-life tales that bounce from country music chaos to football greatness, political power, and bureaucratic drama. Hance spins stories with his trademark mix of wit, memory, and straight talk.You'll hear Hance on: George Jones, Bob Wills, and the wild behavior that came with legendary fame Bobby Bare, Janis Joplin, and the music stories that made Texas and country radio what they are Jimmy Johnson, Terry Bradshaw, Drew Brees, and the sports figures who left a mark far beyond the field Red McCombs and Boone Pickens, the big-swing businessmen who never feared taking chances Gen Z, inheritance, and why some people struggle to connect in a hyper-digital world Senator Richard Shelby, Katie Britt, and the long game of political influence in Alabama Fauci, Comey, Rand Paul, and the fallout from COVID-era public narratives Hance also digs into one of his favorite recurring themes: stupid criminals, absurd decisions, and the strange ways real life can sound like a joke until it isn't. Along the way, he revisits the importance of persistence, resilience, and knowing when to keep going even when the odds look bad. This episode is part nostalgia, part political commentary, part pure Texas storytelling - and it's exactly the kind of conversation that rewards anyone who enjoys sharp memory, old-school perspective, and a host who can make every detour worth the trip. Perfect for listeners who want insight, laughs, and a few unforgettable stories they'll be repeating later.

Pour écouter 5000 ans d'Histoire en entier, sans pub et avec les bonus, pour 2€ par mois :https://m.audiomeans.fr/s/S-tavkjvmo Aujourd'hui, retour sur le 15 août 1969, quand Woodstock devient mythique. Ce vendredi 15 août 1969, dans un champ boueux de l'État de New York, le ciel s'ouvre et la jeunesse aussi. Ils étaient censés être 50 000, ils seront près de 500 000. Une marée humaine, sans armes, sans plans, avec pour seule boussole la musique, l'amour et un profond besoin de liberté. Le festival de Woodstock commence ce vendredi-là sous la pluie et les improvisations. Mais très vite, ils dépassent tout ce qu'on avait imaginé, ce n'est plus un concert, c'est un moment d'histoire. À l'affiche, Richie Havens, Santana, The Woo, Janis Joplin, Jimi Hendrix, Joe Cooker, etc. et tant d'autres, mais les stars, ce sont aussi les anonymes, ceux qui dorment dans les tentes, qui partagent un sandwich, qui chantent sous l'orage. Le Vietnam, pendant ce temps-là, fait rage, les tensions raciales secouent l'Amérique, l'assassinat de Martin Luther King est encore dans les mémoires et pendant trois jours, la jeunesse dit non, non à la haine, non à la guerre et elle le dit avec des guitares, des fleurs, des substances illicites aussi, c'est vrai, des cris et des notes lancées vers le ciel. Woodstock, c'est un véritable chaos, mais un chaos organisé. Pas assez de nourriture, pas assez de toilettes, mais pas de violence, un miracle logistique et un véritable rêve collectif. Le 15 août 1969, la contre-culture monte sur scène et même si ça ne durera pas, elle laissera une trace indélébile dans les consciences. Woodstock, c'est plus qu'un concert, c'est une génération qui pour un instant a cru que l'harmonie n'était pas qu'une question de musique. A demain dans TIME SHOT pour une nouvelle Minute Histoire. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

“ 3 Days of Peace and Music. » Le 15 août 1969, dans une prairie de Bethel, à 100 kilomètres de Woodstock, un festival de musique va marquer l'histoire. On attendait 50 000 personnes, il en viendra 450 000. Jimi Hendrix, Janis Joplin, Santana, The Who, Crosby, Stills, Nash and Young… 32 artistes enflamment un public venu célébrer trois jours de paix et de musique. Météo désastreuse, pénurie de nourriture, chaos logistique, l'armée américaine mobilisée pour assurer le ravitaillement : Woodstock sera malgré tout qualifié d'« accident de société le plus réussi des sixties ». Un mythe que les éditions suivantes ne parviendront jamais à reproduirePour plus d'histoires, d'interviews et d'actualités de SBS French, explorez notre collection de podcasts ici >>https://www.sbs.com.au/language/french/fr/collection/featured-podcasts

The Grateful Dead made their only visit to the land of chocolate on a rainy night in summer 1985, a pivotal show for different reasons for lighting crew member Dan English and longtime Dead Head photographer Bob MinkinGuests: David Lemieux, Dennis McNally, Dan English, Bob Minkin, Hawk, Dave Leopold, John Leopold, James Williamson, DNA, Johnny Dwork, Andy Perrine, Tom Storrer, Joe Noce, Joe StevanoffSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Erica plays a cross section of artists that Clive Davis had a hand in discovering and/or assisting in their careers, like Janis Joplin, Chicago, Whitney Houston, and many more.

¿Cómo se sigue adelante cuando parece que nada cambia?En este episodio de A Pie de Letra, Iñaki nos presenta "Kozmic Blues" de Janis Joplin, una canción tan intensa como incómoda, nacida en una época de revoluciones, guerras y profundas transformaciones sociales.Lo que comienza como una conversación sobre el contexto de los años sesenta y el desencanto que transmite Janis, termina llevándonos a una pregunta mucho más cercana: ¿qué hacemos cuando sentimos que el mundo avanza, pero los grandes problemas siguen siendo los mismos?Hablamos del cinismo, de la protesta, de la responsabilidad individual, de la atención como el recurso más valioso de nuestra época y de aquello que vale la pena conservar aunque el mundo nunca llegue a ser como imaginamos.Y justo cuando parece que la conversación ha llegado a una conclusión, Hazel plantea una pregunta que nadie veía venir. Las respuestas no hablan de Janis Joplin, ni de los años sesenta, ni siquiera del mundo... hablan de cada uno de nosotros.Y quizá ahí se encuentre el verdadero corazón de este episodio.#apiedeletra #elpoderdelamusicaMándanos un mensaje.Agrégate nuestros playlists a tu Spotify: 'A Pie De Letra Temporada 1' y 'A Pie De Letra Temporada 2' y Temporada 3, para que nos acompañes cada semana con una nueva canción.

From the Music History Today Podcast Network, This is the Music History Today podcast for August 12. On today's show, #FreeBritney unofficially frees Britney, Shakira goes unplugged, and Janis Joplin goes on stage for the last time. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:34 What happened on this date in music history12:17 Music award ceremonies that were held on this date in music history13:40 Albums released on this date in music history 20:38 Singles released on this date in music history 23:11 Birthdays of music artists on this date in music history 30:13 Passings of music artists on this date in music history 35:50 What's on tomorrow's episode

In this episode we're joined by special guest Tim Page to trace the arc of his career from reviewing James Chance & the Contortions to winning the Pulitzer Prize. In a conversation that's as entertaining as it is erudite, Tim recalls his teenage discovery of Rolling Stone and the subsequent influence of rock criticism on his singular brand of classical music reviewing. After touching on the 1967 documentary A Day with Timmy Page, we hear about his journey as a critic from New York Rocker to the Washington Post via the New York Times. With reference to the 2002 collection Tim Page on Music, our guest reflects on his affection for Sean O'Hagan's High Llamas and Stephin Merritt's Magnetic Fields. Merritt and his electro-pop offshoot Future Bible Heroes are then heard in clips from an audio interview by the late Andy Gill. From there we turn to another of Tim's great passions – the tragic and long-neglected Judee Sill – and pay collective tribute to what he calls her "extraordinary gifts". After William quotes from newly-added library interviews with Janis Joplin (1970) and Ozzy Osbourne (2001), Jasper talks us out with his thoughts on pieces about country singer Tom T. Hall (1973) and Dallas Austin's Highland Place Mobsters (2014). Many thanks to special guest Tim Page. Pieces discussed: The Contortions + James White & the Blacks, Minimalism: Hey, DJ, The Everlasting Forever Of Arthur Lee, Future Bible Heroes audio (2002), Judee Sill: Lunch And Judee, Judee Sill: Heart Food, Judee Sill: A Brief Life, an Enduring Musical Impression, Miss Janis — Texas White Queen Of Rock, Ozzy Osbourne, Tom T. Hall and Make It Funky: The Rise & Fall of the Highland Place Mobsters.

The Deadcast points to the Saratoga Performing Arts Center in New York, set inside the lush green of a state park & home to some of the wildest Grateful Dead shows of the mid-1980s, with a look at the 1985 parking lot scene.Guests: David Lemieux, David Leopold, Johnny Dwork, DNA, Ken Schneider, Andy Perrine, David Moran, Corry Arnold, Nicholas Meriwether, Annabelle Walsh, Donick CarrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

SHOPIFY: Sign up for a £1-per-month trial period at https://www.shopify.co.uk/shaunNORD: Get 4 months extra on a 2 year plan here: https://nordvpn.com/attwood It's risk free with Nord's 30 day money-back guarantee!Were the unaliving of some of rock music's biggest legends exactly as they were reported, or do unanswered questions still remain? Join veteran broadcaster, author, and investigator Richard Syrett for a fascinating forensic examination of the mysterious endings of icons including Jimi Hendrix, Janis Joplin, Jim Morrison, Brian Jones, Kurt Cobain, Amy Winehouse, and more. We'll examine the official findings, forensic evidence, lingering questions, and competing theories that continue to captivate music fans and true crime enthusiasts around the world. If you're fascinated by classic rock, forensic science, cold cases, and unsolved mysteries, you won't want to miss this livestream.Follow Richard Syrett:

On this episode of The Bandwich Tapes, I sit down with singer-songwriter Celeste Marie Wilson for a conversation about songwriting, identity, performance, and the long road toward becoming the artist she always wanted to be.With her debut album, Southern American Princess, on the way, Celeste shares how the project has become more than just a collection of songs. We talk about embracing Southern roots after once wanting to escape them, how poetry naturally evolved into songwriting, and why place, family, and storytelling have become central to her artistic voice.We also spend time discussing the craft behind the music. Celeste talks about developing her voice over more than a decade of dedicated work, the importance of vocal health, recording in the studio with an open mind, and why collaboration often leads to performances she never could have imagined on her own.Along the way, we dive into musical theater, songwriting influences like Dolly Parton, Kris Kristofferson, Janis Joplin, and Kristin Chenoweth, the experience of winning a Josie Music Award, and the thoughtful process of assembling an album that tells a complete story from beginning to end. It's an honest conversation about finding confidence in your own voice, both musically and personally. Key Takeaways Celeste discusses how Southern American Princess became an exploration of Southern identity, heritage, and personal growth.  She explains why she considers herself a writer first and a singer second, with songwriting rooted in poetry and storytelling.  Musical theater helped shape her approach to live performance, from stage presence to visual presentation and audience engagement.  She shares her disciplined philosophy on vocal health, including regular coaching, fitness, and the protection of her instrument.  Recording sessions are collaborative, and she intentionally leaves her ego behind so producers, engineers, and musicians can shape the songs together.  Celeste reflects on winning a Josie Music Award and how trusting her instincts ultimately led her to opportunities in Nashville.  The conversation explores why album sequencing still matters and how a carefully ordered record creates a meaningful listening experience. Music from the ShowMarie - Celeste Marie WilsonAbout the ShowThe Bandwich Tapes is a long-form interview podcast in which I sit down with musicians, songwriters, composers, producers, and artists to explore the creative process behind their music. Rather than focusing on biographies, these conversations dive into artistic philosophy, collaboration, craft, career development, and the stories that shape the people making today's music.Connect with the ShowEmail: contact@thebandwichtapes.com

Walter dives deep into the bizarre, discussing everything from toddlers with past-life memories of being a French chanteuse to theories that J. Edgar Hoover used bad drugs to take out rock stars like Jimi Hendrix and Janis Joplin. We explore the grand conspiracy of Tartaria, the 1859 Carrington Event, and how a 19th-century "Great Reset" allegedly stole the world's atmospheric free energy—and somehow left the Palace of Versailles completely without bathrooms.

Patchouli by Nemat + Cheap Thrills by Big Brother and the Holding Company (1968) + Janis Joplin (1943-1970) + Mark Rydell's The Rose (1979) with Eva Knowles 7/20/26 S8E45 To hear this episode and the complete continuing story of The Perfume Nationalist please subscribe on Patreon.

Janis Joplin became one of the defining voices of the 1960s, turning pain, vulnerability, and raw emotion into some of rock's most iconic performances. Her story is a heartbreaking examination of fame, self-worth, addiction, and how one extraordinary talent became one of music's greatest tragedies. Learn more about your ad choices. Visit megaphone.fm/adchoices

The para-social relationship that with we have with celebrities is perhaps the deepest and strongest with artists. Those who put their emotionality into a consumable product in order for others to take a better peek into the human experience. Art has the capacity to take an emotional situation that largely takes place on a personal level (in our own head) and express it so that others can not only relate to it, but find a tribe of like minded individuals, thus, removing the weight of supposed isolation.Janis Joplin. Jimi Hendrix. Jim Morrison. Kurt Cobain. There are so many great artists that we lost early, and coincidentally, a handful of notable people died at the same age within a short period of time. That age was of course 27. We decided to learn about the history of the 27 Club, the members, and a few possible explanations. That's right! It's Probin' Time!And if you enjoy what we're doing here at The Pit and would like to support us further, please go check out our Patreon where you can access our brand new Patreon-exclusive podcast: No5talgia! That's right! An entire, brand new, Patreon exclusive podcast ONLY for our specialist supporters. Last week we broke down our top 5 box office flops and this week we take on our top 5 first watches.Make sure you sign up for our live watch-a-longs happening every Tuesday throughout 2026 at The Theater Nostalgia! Every other Tuesday is Twin Peaks Tuesdays, mixed with classic films and cartoons. Free to sign up! Links in bio.Twin Peaks Tuesdays!Monthly Movie Watchalongs!EtsyLinktreeYoutubeAralessThe Franchise Doctors - OUT NOW!Half-Assed Podcast Networksongs at the end: Smoke in the Air - Black Magic NoizeInstagram:@ruining_your.childhood@feral_williams@aralessbmn@madshroommc@blackmagicnoize206@strangeloopanimation

In this episode of Tunesmate, Ray and Marc celebrate the life and career of legendary music executive Clive Davis. He helped launch or relaunch the careers of artists including Whitney Houston, Alicia Keys, Barry Manilow, Santana, Aretha Franklin, Janis Joplin, Bruce Springsteen, Billy Joel, Earth, Wind & Fire, Jennifer Hudson, Pink, TLC, Outkast, and many others. Listen to explore his incredible legacy of more than six decades, the artists he helped launch, and the lasting impact he has had on the music industry.

Set the controls for the heart of 1985 and the Dead's 20th anniversary shows at the Greek Theatre in Berkeley, with a look at the band's very busy year, plus Dead Head adventures aplenty.Guests: Dennis McNally, Len Dell'Amico, Rosie McGee, John Leopold, Dave Leopold, Johnny Dwork, David Lemieux, Nicholas Meriwether, Dave PerlisSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week the boys sit down and talk about Cypress, Elvis, Janis Joplin, Mariah Carrey, Fiona Apple, Joni Mitchell, Old Town, Whitney Houston, MJ, and much much more!!!

But wait, Jim Morrison overdosed on heroin because he was a drug addict rockstar just like Janis Joplin, right? Wrong. Who exactly was “the Count," the French aristocrat who was there at the scene of Jim’s death? The same man who was with Janis Joplin hours before she died? Was rumored to somehow be involved with Jimi Hendrix? The friend of Keith Richards and Gram Parsons? And why did Jim Morrison hate him so much? And why was Mick Jagger’s ex-girlfriend Marianne Faithfull so insistent that she knew how Jim really died? To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Visit www.disgracelandpod.com/merch to see the latest Disgraceland merch! Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter) Facebook Fan Group See omnystudio.com/listener for privacy information.

We explore the very high times of the Grateful Dead's 1966, touring Rancho Olompali with Rosie McGee, swan-diving into Owsley's magical banana box of mystery reels, and celebrating the feral young Dead heard on the new July 3rd, 1966 Fillmore Auditorium release.Guests: Rosie McGee, Ron Rakow, Bob Matthews, David Freiberg, David Lemieux, HawkSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of the Behind The Song podcast, Janda remembers the legendary Clive Davis, the music icon who almost single-handedly dragged the music industry into the rock revolution. He was a lawyer with no musical training whatsoever but with truly magic ears when it came to signing the cream of rock's crop: from Janis Joplin to Aerosmith, The Grateful Dead to Springsteen, Santana to Billy Joel. Hear the story of how his legacy unfolded in this episode! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Rolling Stone: just saying the words conjures a whiff patchouli and pot smoke, flashes of of Jim Morison, Janis Joplin, and Lester Bangs, and strains of the Grateful Dead and Sly and the Family Stone.  But our guest this month argues that the magazine was so much more than that. Rolling Stone was in fact pivotal in the remaking of consumer capitalism since the 1960s. In our conversation, we talk about evolving taste cultures, the co-optation of radical politics, and the past and future of criticism. And don't worry—Lester Bangs is in there too. So fire up your hi-fi, flip on your black light, and listen to today's interview. 

The Deadcast explores Steal Your Face's iconic artwork & visits the Grateful Dead's June 1976 return to the road, including a tour of the Dead Head culture that bloomed in their absence.Guests: Richard Loren, John Scher, Ron Rakow, Eugene Dolgoff, Pat Lee, Johnny Dwork, Dave Davis, Rob Bleetstein, John Brackett, Starfinder Stanley, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Veteran performer Paul Capsis on his strict upbringing and the strong female role models who helped him stay in school despite the brutality.A powerful and expressive voice, flamboyant physical presence, and mane of dark hair have become his trademarks as a performer.But when Paul was growing up in inner-city Sydney as the child of Greek and Maltese parents, these same qualities brought him a world of trouble. At school he was relentlessly ridiculed and beaten.The love of his Maltese grandmother, Angela, and other family members, helped Paul stay in school despite the brutality; as did immersing himself in the music of his favourite singers, Janis Joplin and Billie Holiday.This episode of Conversations was first broadcast in 2018The producer was Michelle Ransom Hughes and the Executive Producer was Pam O'Brien.It explores performing, singing, homophobia, bullying, Maltese heritage, Greek heritage, strong female role models, Janis Joplin, cabaret, grandmas, women, inner-city Sydney.

The Tim Conway Jr. Show Hour 3 (6.23) Tim Conway Jr. opens with the latest on the Boyle Heights fire, then turns to the World Cup — where Team Norway reportedly brought in 600 pounds of fish. Olivia Rodrigo announces an all-women lineup for her Daisy Chain Fields festival in Irvine (and yes, Conway's high school graduation photo somehow ended up on one of her albums). The show pays tribute to legendary music mogul Clive Davis, who died peacefully at his Manhattan home Monday of age-related illness at 94. Known as the "Man with the Golden Ears," Davis launched or revived the careers of superstars including Janis Joplin, Whitney Houston, Carlos Santana and Alicia Keys. The best way to celebrate with him? Press plays on the artists he made famous. Plus: France records 40 drownings in five days as an extreme heatwave grips the country. Teens caught dangerously dangling out of a self-driving Waymo car in Santa Monica — and passengers stuck inside one through a construction zone with police following. A second tiny home village brings 50 units to Van Nuys for the homeless (cue the Van Nuys song). And our friend, the amazing singer Juno Wilson, stops by — come fly with me.

Twenty-seven can be a pivotal and tumultuous age. It's held up as the year of peak performance in many sports and it's also seen as a cursed age for pop and rock stars, exemplified by the so-called 27 Club. Artists like Jimi Hendrix, Janis Joplin, Kurt Cobain and Amy Winehouse, all died at 27. As part of our series, The Greatest Numbers of All Time, IDEAS producer Chris Wodskou makes the case for a number that may not stick out in your mind but is more significant than you think.More episodes in this series:Listen to 12 is SublimeListen to The Curse of 13Guests in this podcast:David Awosoga is a PhD student in Statistics at University of Waterloo and sports performance data analyst.Alan Cross is a music historian, broadcaster, and host of The Ongoing History of New Music podcastDianna Kenny is a professor emerita of psychology and music at University of Sydney and psychotherapist in private practice.Michael Owen is a retired clinical psychologist and author of The 27 Club.Maria Westerstahl is senior lecturer at Karolinska Institutet in Sweden.

Details on heavy wind and rain bearing down on tens of millions across the Northeast and parts of South as more than 100,000 lost power from Mississippi to New York.  Also, Vice President J.D. Vance returns from his trip to Switzerland, saying that face-to-face talks have set the foundation for a lasting peace deal in Iran. Plus, remembering music producer icon Clive Davis following his death at 94. And, how ranch dressing is becoming a surprising cultural superstar during World Cup summer.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Deadcast tells the dramatic story of when the Hells Angels put ex-Grateful Dead Records president Ron Rakow on trial for walking away from the Dead with $225,000 he believed the band owed him.Guests: Ron Rakow, Steve Brown, Terry Haggerty, John Scher, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast uncovers the secrets of Steal Your Face, the Dead's 1976 live album with a checkered reputation, dramatic backstory, & sonic experimentation by Phil Lesh & Owsley Stanley. Guests: Ron Rakow, Al Teller, John Scher, Ned Lagin, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Like the Foo Fighters Taylor Hawkins’ death, the details around the Doors Jim Morrison’s death are mysterious. Was a debonair jetset Count responsible for the singer’s death along with the death of Janis Joplin and possibly others? We get into this incredible story along with your voicemails, text, dms and more in this bonus episode. For more rock 'n' roll and true crime, check out our archive, featuring episodes such as: Donny Hathaway Jim Morrison See omnystudio.com/listener for privacy information.