Podcasts about paris review daily

Loneliness is what results when a person is cut off from the living world. Ecological loneliness, in particular, is reciprocal - what we mete out always comes back to trouble us. However, as Laura Marris demonstrates, loneliness can entail the shadow work for understanding how a society based on capital and on growth, can create profound isolation. She suggests that this work can look like ground truthing a place that has changed over time, that was once familiar to us, either as individuals or as collectives, but now appears alien. Laura Marris is an essayist, poet, and translator. Her writing has appeared or is forthcoming in The Believer, Harper's, The New York Times, The Paris Review Daily, The Yale Review, Words Without Borders and elsewhere. She has received fellowships from MacDowell, a Katharine Bakeless Fellowship from the Bread Loaf Writer's Conference, and a grant from the Robert B. Silvers Foundation. Her first solo-authored book, The Age of Loneliness, was published by Graywolf in August, 2024. She lives in Buffalo. Image: “The Monk by the Sea” by Caspar David Friedrich, now housed at the Alte Nationalgalerie in Berlin. The image is in the public domain. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Loneliness is what results when a person is cut off from the living world. Ecological loneliness, in particular, is reciprocal - what we mete out always comes back to trouble us. However, as Laura Marris demonstrates, loneliness can entail the shadow work for understanding how a society based on capital and on growth, can create profound isolation. She suggests that this work can look like ground truthing a place that has changed over time, that was once familiar to us, either as individuals or as collectives, but now appears alien. Laura Marris is an essayist, poet, and translator. Her writing has appeared or is forthcoming in The Believer, Harper's, The New York Times, The Paris Review Daily, The Yale Review, Words Without Borders and elsewhere. She has received fellowships from MacDowell, a Katharine Bakeless Fellowship from the Bread Loaf Writer's Conference, and a grant from the Robert B. Silvers Foundation. Her first solo-authored book, The Age of Loneliness, was published by Graywolf in August, 2024. She lives in Buffalo. Image: “The Monk by the Sea” by Caspar David Friedrich, now housed at the Alte Nationalgalerie in Berlin. The image is in the public domain. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Welcome back to Drafting the Past, a podcast about the craft of writing history. In this episode, host Kate Carpenter welcomes someone a little bit different to the podcast: writer and writing coach Helen Betya Rubinstein. Helen is neither a historian nor a writer or history herself, but she has been working as a writing coach for the past six years, often with historians and other academics. If you remember my conversation with Anna Zeide in episode 29 last year, Helen was the writing coach that Anna and her co-editors brought in to a workshop to help book contributors work on writing essays aimed at wider audiences. I'm delighted to have the chance to talk more with Helen about what exactly a writing coach does and the kinds of conversations she finds herself having with historians. In addition to her work as a coach and teacher, Helen is a writer with MFA degrees from Brooklyn College and the University of Iowa, and her essays and fiction have appeared in publications including The Kenyon Review, The Paris Review Daily, and Literary Hub. She is the author of a book of lyric fictions and also has a forthcoming book about writing, teaching, and publishing.

Bill welcomes essayist and memoirist Kelly McMasters to the show. Kelly McMasters is an essayist, professor, mother, and former bookshop owner. She is the author of the Zibby Book Club pick The Leaving Season: A Memoir-in-Essays (WW Norton) and co-editor of the ABA national bestseller Wanting: Women Writing About Desire (Catapult). Her first book, Welcome to Shirley: A Memoir from an Atomic Town, was listed as one of Oprah's top 5 summer memoirs and is the basis for the documentary film ‘The Atomic States of America,' a 2012 Sundance selection, and the anthology she co-edited with Margot Kahn, This Is the Place: Women Writing About Home (Seal Press, 2017), was a New York Times Editor's Choice. Her essays, reviews, and articles have appeared in The Atlantic, The New York Times, The Paris Review Daily, The American Scholar, Literary Hub, Newsday, River Teeth: A Journal of Narrative Nonfiction, Romper, and The Rumpus, among others.

Daisy Alioto is a writer and the CEO of Dirt Media. Daisy also co-founded the NFT funded newsletter, Dirt. Daisy's journalism has appeared in The New York Times Magazine, The Wall Street Journal, The Paris Review Daily, TIME, New York Magazine, GQ, among others. Daisy's tweets have appeared on my timeline every time I open up the app and it's so good to hear those hot takes come to life. Let's discuss publications and perfume. Please welcome Daisy Alioto to Wear Many Hats. instagram.com/dialsfordays ⁠instagram.com/dirt.fyi ⁠⁠instagram.com/wearmanyhatswmh⁠⁠ ⁠⁠instagram.com/rashadrastam⁠⁠ ⁠⁠rashadrastam.com⁠⁠ ⁠⁠wearmanyhats.com⁠⁠ ⁠⁠dahsar.com

On episode 213, we welcome Edward Simon to discuss the mythological history of the tale of Faust and Mephistopheles, god and the devil in theology, whether both figures can represent internal struggles between right and wrong, why so many identify with Faust's decisions, whether the story implies that willful ignorance is just as evil as maliciousness, how Faust was redeemed in Goethe's telling, whether denial of his dark side contributed to Faust obsessively pursuing power and pleasure, the mischaracterization of the seven deadly sins as extreme prohibitions, modern cautions about Faustian bargains, and how Viktor Frankl's emphasis on meaning can be a check on our hedonistic temptations. Ed Simon is the executive director of Belt Media Collaborative and editor in chief of literary journal Belt Magazine. A staff writer for LitHub, his essays and criticism have appeared in the New York Times, the Atlantic, the Paris Review Daily, the New Republic, the Washington Post, and Aeon. His new book, available July 9th, is called Devil's Contract: The History of the Faustian Bargain. | Ed Simon | ► Website | https://edsimon.org ► Linkedin  | https://www.linkedin.com/in/edsimonwriter ► Devil's Contract 1 | bit.ly/PenguinRandomHouse1 ► Devil's Contract 2 | https://amzn.to/3UuFl8p Where you can find us: | Seize The Moment Podcast | ► Facebook | https://www.facebook.com/SeizeTheMoment ► Twitter | https://twitter.com/seize_podcast ► Instagram | https://www.instagram.com/seizethemoment ► TikTok | https://www.tiktok.com/@seizethemomentpodcast      

J. Mae Barizo, born in Toronto to Filipino immigrants, is a poet, essayist, librettist and multidisciplinary artist. She is the author of two books of poetry, Tender Machines (Tupelo Press, 2023) and The Cumulus Effect. A finalist for the Graywolf Nonfiction Prize and the 2023 Megaphone Prize, her work has been anthologized in books published by W.W. Norton, Atelier Editions and Harvard University Press. Recent writing appears in Poetry, Ploughshares, Esquire, Los Angeles Review of Books, Paris Review Daily, Boston Review, BookForum, among others. As a librettist, she is the inaugural recipient of Opera America's IDEA residency, given to artists who have the potential to shape the future of opera. Her monodrama ISOLA will have its world premiere at Long Beach Opera in 2024, and UNBROKEN, commissioned for Opera Theatre of St. Louis, will be premiered in 2024. She is also the recipient of fellowships and awards from Bennington College, Mellon Foundation, Opera America, Jerome Foundation and Poets House. She is on the MFA faculty of The New School and lives in New York City. --- Support this podcast: https://podcasters.spotify.com/pod/show/viewlesswings/support

In this week's episode Iris finds love and marriage. In a whirlwind romance when two people are ready to have serious conversations so they can begin the rest of their lives together, Iris's story is one of hope and opportunity.    Iris Smyles is the author of the novels Iris Has Free Time (which Forbes called “an instant classic… a smart, funny, wise, and sometimes heartbreaking book about a slowly fizzling love affair with youth,”), Dating Tips for the Unemployed (a semi-finalist for the Thurber Prize for American Humor), and, most recently, Droll Tales ("Delightfully weird" - Splice Today). Her stories, essays, and poems have appeared in The Atlantic, The New Yorker, The New York Times, Vogue, Paris Review Daily, BOMB, The Baffler, and Best American Travel Writing among other publications. Born and raised in New York, she currently lives in Great Britain and Greece. Iris website: Iris Smyles Iris books on Amazon: https://www.amazon.com/Books-Iris-Smyles/s?rh=n%3A283155%2Cp_27%3AIris+Smyles Iris on IG: @irissmyles   Make sure to subscribe and sign up for notifications for fantastic dating and relationship advice brought to you by Maria Avgitidis!

The year is 2013 and the Greenspans are the envy of Brookline, Massachusetts, an idyllic (and idealistic) suburb west of Boston. Scott Greenspan is a successful physician with his own cardiology practice. His wife, Deb, is a pillar of the community who spends her free time helping resettle refugees. Their daughter, Maya, works at a distinguished New York publishing house and their son, Gideon, is preparing to follow in his father's footsteps. They are an exceptional family from an exceptional place, living in exceptional times. But when Scott is caught falsifying blood samples at work, he sets in motion a series of scandals that threatens to shatter his family. Deb leaves him for a female power broker; Maya rekindles a hazardous affair from her youth; and Gideon drops out of college to go on a dangerous journey that will put his principles to the test. From Brookline to Berlin to the battlefields of Syria, Hope follows the Greenspans over the course of one tumultuous year as they question, and compromise, the values that have shaped their lives. But in the midst of their disillusionment, they'll discover their own capacity for resilience, connection, and, ultimately, hope. Andrew's debut novel, The Altruists, was published by Viking in the United States and in seventeen other countries. The Altruists was a New York Times Editors' Choice, a Paris Review staff pick, an Amazon Editors' Pick, and the People Book of the Week. Andrew is the editor of Privacy Policy: The Anthology of Surveillance Poetics and his writing has appeared in The New York Times, Esquire, Le Monde, Bookforum, The Paris Review Daily, Guernica, Boston Review, and elsewhere. A graduate of the Iowa Writers' Workshop, Andrew lives in Brooklyn, New York. Recommendations: Helen Garner, The Children's Bach Joyce Carol Oates, Wonderland Leonard Michaels, The Men's Club Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

The year is 2013 and the Greenspans are the envy of Brookline, Massachusetts, an idyllic (and idealistic) suburb west of Boston. Scott Greenspan is a successful physician with his own cardiology practice. His wife, Deb, is a pillar of the community who spends her free time helping resettle refugees. Their daughter, Maya, works at a distinguished New York publishing house and their son, Gideon, is preparing to follow in his father's footsteps. They are an exceptional family from an exceptional place, living in exceptional times. But when Scott is caught falsifying blood samples at work, he sets in motion a series of scandals that threatens to shatter his family. Deb leaves him for a female power broker; Maya rekindles a hazardous affair from her youth; and Gideon drops out of college to go on a dangerous journey that will put his principles to the test. From Brookline to Berlin to the battlefields of Syria, Hope follows the Greenspans over the course of one tumultuous year as they question, and compromise, the values that have shaped their lives. But in the midst of their disillusionment, they'll discover their own capacity for resilience, connection, and, ultimately, hope. Andrew's debut novel, The Altruists, was published by Viking in the United States and in seventeen other countries. The Altruists was a New York Times Editors' Choice, a Paris Review staff pick, an Amazon Editors' Pick, and the People Book of the Week. Andrew is the editor of Privacy Policy: The Anthology of Surveillance Poetics and his writing has appeared in The New York Times, Esquire, Le Monde, Bookforum, The Paris Review Daily, Guernica, Boston Review, and elsewhere. A graduate of the Iowa Writers' Workshop, Andrew lives in Brooklyn, New York. Recommendations: Helen Garner, The Children's Bach Joyce Carol Oates, Wonderland Leonard Michaels, The Men's Club Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The year is 2013 and the Greenspans are the envy of Brookline, Massachusetts, an idyllic (and idealistic) suburb west of Boston. Scott Greenspan is a successful physician with his own cardiology practice. His wife, Deb, is a pillar of the community who spends her free time helping resettle refugees. Their daughter, Maya, works at a distinguished New York publishing house and their son, Gideon, is preparing to follow in his father's footsteps. They are an exceptional family from an exceptional place, living in exceptional times. But when Scott is caught falsifying blood samples at work, he sets in motion a series of scandals that threatens to shatter his family. Deb leaves him for a female power broker; Maya rekindles a hazardous affair from her youth; and Gideon drops out of college to go on a dangerous journey that will put his principles to the test. From Brookline to Berlin to the battlefields of Syria, Hope follows the Greenspans over the course of one tumultuous year as they question, and compromise, the values that have shaped their lives. But in the midst of their disillusionment, they'll discover their own capacity for resilience, connection, and, ultimately, hope. Andrew's debut novel, The Altruists, was published by Viking in the United States and in seventeen other countries. The Altruists was a New York Times Editors' Choice, a Paris Review staff pick, an Amazon Editors' Pick, and the People Book of the Week. Andrew is the editor of Privacy Policy: The Anthology of Surveillance Poetics and his writing has appeared in The New York Times, Esquire, Le Monde, Bookforum, The Paris Review Daily, Guernica, Boston Review, and elsewhere. A graduate of the Iowa Writers' Workshop, Andrew lives in Brooklyn, New York. Recommendations: Helen Garner, The Children's Bach Joyce Carol Oates, Wonderland Leonard Michaels, The Men's Club Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The year is 2013 and the Greenspans are the envy of Brookline, Massachusetts, an idyllic (and idealistic) suburb west of Boston. Scott Greenspan is a successful physician with his own cardiology practice. His wife, Deb, is a pillar of the community who spends her free time helping resettle refugees. Their daughter, Maya, works at a distinguished New York publishing house and their son, Gideon, is preparing to follow in his father's footsteps. They are an exceptional family from an exceptional place, living in exceptional times. But when Scott is caught falsifying blood samples at work, he sets in motion a series of scandals that threatens to shatter his family. Deb leaves him for a female power broker; Maya rekindles a hazardous affair from her youth; and Gideon drops out of college to go on a dangerous journey that will put his principles to the test. From Brookline to Berlin to the battlefields of Syria, Hope follows the Greenspans over the course of one tumultuous year as they question, and compromise, the values that have shaped their lives. But in the midst of their disillusionment, they'll discover their own capacity for resilience, connection, and, ultimately, hope. Andrew's debut novel, The Altruists, was published by Viking in the United States and in seventeen other countries. The Altruists was a New York Times Editors' Choice, a Paris Review staff pick, an Amazon Editors' Pick, and the People Book of the Week. Andrew is the editor of Privacy Policy: The Anthology of Surveillance Poetics and his writing has appeared in The New York Times, Esquire, Le Monde, Bookforum, The Paris Review Daily, Guernica, Boston Review, and elsewhere. A graduate of the Iowa Writers' Workshop, Andrew lives in Brooklyn, New York. Recommendations: Helen Garner, The Children's Bach Joyce Carol Oates, Wonderland Leonard Michaels, The Men's Club Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

On today's episode of The Lives of Writers, Lucas Mann interviews Jill Talbot.Lucas Mann is the author of three books, Captive Audience: On Love and Reality TV, Lord Fear: A Memoir, and Class A: Baseball in Middle of Everywhere. His fourth book, Attachments: Essays On Fatherhood and Other Performances is forthcoming around the spring of 2024. He is also the new co-owner Riffraff Bookstore and Bar in Providence, RI.Jill Talbot is the author of The Last Year: Essays. She's also the author of The Way We Weren't: A Memoir and Loaded: Women and Addiction, the co-editor of The Art of Friction: Where (Non)Fictions Come Together, and the editor of Metawritings: Toward a Theory of Nonfiction. Her craft book, The Essay Form(s), will be published in 2024.____________PART ONE, topics include:-- the longstanding conversation between Jill and Lucas--  the old writing table and a new writing table-- writing and teaching as the same project-- being the daughter of a football coach and granddaughter of a minister-- cheerleading as early identity and coming to non-fiction-- Jill's first book, LOADED____________PART TWO, topics include:-- the process of writing THE WAY THEY WEREN'T-- turning the Paris Review Daily column THE LAST YEAR into a book--  writing from the precipice -- the challenge of writing about parenthood____________PART THREE, topics include:-- navigating the intention of writing about a child-- writing habits changing after her child leaving the house-- the pandemic happening during the writing of the original column-- stories that are and aren't yours to tell-- life after the end of THE LAST YEAR____________Podcast theme music provided by Mike Nagel, author of Duplex. Here's more of his project: Yeah Yeah Cool Cool.The Lives of Writers is edited and produced by Michael Wheaton.Don't forget to check out Autofocus Books. 

In conversation with Asali Solomon Ayana Mathis is the author of The Twelve Tribes of Hattie, ''a remarkable page-turner of a novel'' (Chicago Tribune) that follows the harrowing fortunes of a 15-year-old from Georgia to Philadelphia during the Great Migration. A New York Times bestseller, an NPR Best Book of 2013, and a selection for Oprah's Book Club 2.0, it has been translated into 16 languages. Mathis is a graduate of the Iowa Writers' Workshop and has published fiction in The Atlantic, The New York Times, Guernica, and Rolling Stone, among other places. She teaches writing in Hunter College's MFA program. Set in turbulent 1980s Philadelphia and the small town of Bonaparte, Alabama, The Unsettled tells the tale of a mother, grandmother, and son struggling to save their identities, birthright, and future. Asali Solomon's latest novel, The Days of Afrekete has been called ''a feat of engineering'' by the New York Times. She is also the author of Disgruntled and Get Down: stories. Her previous novel, Disgruntled, was named a best book of the year by the San Francisco Chronicle and The Denver Post. She is the recipient of a Pew Fellowship, a Rona Jaffe Foundation Writers' Award, and the National Book Foundation's ''5 Under 35'' honor. Her work has appeared in O, The Oprah Magazine, Vibe, Essence, The Paris Review Daily, McSweeney's, on NPR, and in several anthologies including The Best Short Stories of 2021: The O. Henry Prize Collection. Solomon is the Bertrand K. Wilbur Chair in the Humanities at Haverford, where she is a Professor of English and director of Creative Writing. Because you love Author Events, please make a donation to keep our podcasts free for everyone. THANK YOU! (recorded 10/10/2023)

Journalist, historian and author Lesley M. M. Blume, historian of science David Hecht, and nuclear historian Alex Wellerstein join Katie to discuss the film Oppenheimer, the legacy and future of nuclear war and what is happening in Fukushima Japan. Then Jamie Peck joins to discuss the latest developments regarding the Stop Cop City Movement as well as her upcoming live show! Lesley M. M. Blume is an award-winning journalist, historian, and New York Times bestselling author. Her work has appeared in The New York Times, National Geographic, The Wall Street Journal, WSJ Magazine, Vanity Fair, Columbia Journalism Review, Vogue, Town & Country, Air Mail, The Hollywood Reporter, Slate, The Los Angeles Review of Books, and The Paris Review Daily, among other publications. She often writes about historical nuclear events, historical war journalism, and the intersection of war and the arts. Blume in New York, 2016. Blume's second major non-fiction book, Fallout: The Hiroshima Cover-up and the Reporter Who Revealed it to the World, was released by Simon & Schuster on August 4, 2020, to mark the 75th anniversary of the atomic bombing of Hiroshima. David K. Hecht is a historian of science, focusing on the modern United States. His particular interest is in public images of science, and he has published on the phenomenon of "scientific celebrities." His first book, Storytelling and Science: Rewriting Oppenheimer in the Nuclear Age, was published 2015 (University of Massachusetts Press), and he is currently researching a second book project on the intersections between nuclear and environmental history. Other scholarly interests include the history of energy, as well as the role that popular rhetoric about science plays in reinforcing (and sometimes challenging) the status quo. His courses include "The Nuclear Age," "The History of Energy," "Image, Myth, and Memory," and "Science on Trial." In 2011 he was awarded the Sydney B. Karofsky prize, Bowdoin's annual teaching prize for junior faculty. Alex Wellerstein is a historian of science and nuclear technology. He is a professor at the Stevens Institute of Technology in Hoboken, New Jersey, where he is the Director of Science and Technology Studies in the College of Arts and Letters. His first book, Restricted Data: The History of Nuclear Secrecy in the United States (University of Chicago Press, 2021), is the first attempt at a comprehensive history of how nuclear weapons ushered in a new period of governmental and scientific secrecy in the USA. His current projects include: a new book about Harry Truman and nuclear weapons; research into the past, present, and potential future of Presidential nuclear weapons use authority; and a video game about life after a full-scale nuclear war set in the early 1980s. His writings on the history of nuclear weapons have appeared in The New Yorker, The Atlantic Magazine, Harper's Magazine, and the Washington Post, among other venues, and his online nuclear weapon effects simulator, the NUKEMAP, has been used by over 50 million people globally. He occasionally maintains a blog: Restricted Data: The Nuclear Secrecy Blog. Link to tickets for Jamie Peck's upcoming live show on September 2, 2023 - https://wl.seetickets.us/event/THE-WOKE-MOB/564089?afflky=TVEye Link to Defend the Atlanta Forest Movement - https://defendtheatlantaforest.org/ Link to Stop Cop City Movement - https://stopcop.city/ Subscribe to Jamie Peck's podcast 'Everybody Loves Communism' - Patreon - https://www.patreon.com/everybodylovescommunism Twitter: @ELCPod ***Please support The Katie Halper Show *** For bonus content, exclusive interviews, to support independent media & to help make this program possible, please join us on Patreon - https://www.patreon.com/thekatiehalpershow Get your Katie Halper Show Merch here! https://katiehalper.myspreadshop.com/all Follow Katie on Twitter: @kthalps

Deesha Philyaw and Dawnie Walton go deep with Nafissa Thompson-Spires, author of the beloved 2018 collection Heads of the Colored People, to discuss Heads' origin, the texts and other media that influenced Thompson-Spires, inspirations for her stories and characters in the collection, and their shared love for the Notes app. Thompson-Spires is candid about her upbringing in California and her own family, and how those experiences have shaped her work in terms of characters, autobiographical-leaning-but-fictionalized events, and even her ideas of place and the ways that racism persists in different ways in different parts of the country. Support this show by becoming an Ursa Member: https://ursastory.com/join/ Reading List: Authors, Stories, and Books Mentioned Heads of the Colored People (Nafissa Thompson-Spires) Mat Johnson The Guardian Interview with Nafissa Thompson-Spires Mark Anthony Neal Victor LaValle Paul Beatty Shirley Jackson Flannery O'Connor George Schuyler Ishmael Reed James McCune Smith Frances Ellen Watkins Harper Solmaz Sharif Sandeep Parmar Charles Dickens Hacks Reservation Dogs Lot (Bryan Washington) Milk Blood Heat (Dantiel W. Moniz) The Secret Lives of Church Ladies (Deesha Philyaw) Seeking Fortune Elsewhere (Sindya Bhanoo) Mary Tyler Moore Theme Song 'Alright' (Kendrick Lamar) Denne Michele Norris About the Author Nafissa Thompson-Spires wrote Heads of the Colored People, which won the PEN Open Book Award, the Hurston/Wright Award for Fiction, and the Los Angeles Times's Art Siedenbaum Award for First Fiction. Her collection was longlisted for the National Book Award, the PEN/ Robert W. Bingham Award, and several other prizes. She also won a 2019 Whiting Award. She earned a PhD in English from ­­­­Vanderbilt University and an MFA in Creative Writing from ­­­­­­the University of Illinois. Her work has appeared in The Paris Review Daily, The Cut, The Root, Ploughshares, 400 Souls, and The 1619 Project, among other publications. New writing is forthcoming in Fourteen Days, edited by Margaret Atwood. She's currently the Richards Family Assistant Professor of Creative Writing at Cornell University. More from Deesha Philyaw and Dawnie Walton: The Secret Lives of Church Ladies (Deesha Philyaw) The Final Revival of Opal & Nev (Dawnie Walton) *** Episode editor: Kelly Araja Associate producer: Marina Leigh Producer: Mark Armstrong Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://ursastory.com/join

Inner Moonlight is the monthly poetry reading series for the Wild Detectives in Dallas. The in-person show is the second Wednesday of every month in the Wild Detectives backyard. We love our podcast fans, so we release recordings of the live performances every month for y'all! On 7/12/23, we featured poet Mag Gabbert. Mag Gabbert is the author of SEX DEPRESSION ANIMALS (Mad Creek Books, 2023), which was selected by Kathy Fagan as the winner of the 2021 Charles B. Wheeler Prize in Poetry; the chapbook The Breakup, which was selected by Kaveh Akbar as the winner of the 2022 Baltic Writing Residencies Chapbook Award; and the chapbook Minml Poems (Cooper Dillon Books, 2020). She's the recipient of a 2021 Discovery Award from 92NY's Unterberg Poetry Center as well as fellowships from the Kenyon Review Writers Workshop, Idyllwild Arts, and Poetry at Round Top. Her work can be found in The American Poetry Review, The Paris Review Daily, Copper Nickel, Guernica, Poetry Daily, and elsewhere. Mag has an MFA from UC Riverside and a PhD from Texas Tech. She lives in Dallas, Texas and teaches at Southern Methodist University. Presented by The Writer's Garret https://writersgarret.org/ www.logencure.com/innermoonlight

Well, this is it: the Season 2 finale! What could be better than having a great novelist AND musician as my last guest for the summer. Enter Franz Nicolay. Franz is here to talk about his rock novel ‘Someone Should Pay For Your Pain', a story that follows singer-songwriter Rudy, his conflicted relationship with a successful former protégé named Ryan, and Rudy's young niece, Lily, who wants to travel with him and whose surprise appearance forces a reckoning with himself and his past. ‘Buzzfeed' named it one of its “42 Great Books To Read” for spring 2021, stating, “Starting at the midlife crisis of an early-aughts indie rock never-was, Franz Nicolay delivers a tight-fisted gut punch of a novel, weaving a road-weary world with a lyricist's skill for evocation, emotion, and economy. . . . A knockout fiction debut from a longtime troubadour.”  In addition to records under his own name, Franz Nicolay was a member of cabaret-punk orchestra World Inferno Friendship Society and is still a member of The Hold Steady, which ‘Rolling Stone' magazine called “one of the all-time great New York bands.” Franz has also recorded or performed with dozens of other acts. His first book, the nonfiction ‘The Humorless Ladies of Border Control', was named a “Season's Best Travel Book” by ‘The New York Times'. His second book, the novel ‘Someone Should Pay For Your Pain', was named one of ‘Rolling Stone's “Best Music Books of 2021.” His writing has appeared in ‘The New York Times', ‘Slate', ‘The Paris Review Daily', ‘The Kenyon Review Online', ‘Ploughshares', the ‘Los Angeles Review of Books', ‘Threepenny Review', and elsewhere. He has taught at UC–Berkeley and is currently a faculty member in music and written arts at Bard College and in Columbia University's MFA fiction program.   MUSIC IN THE EPISODE IN ORDER OF APPEARANCE: Punk Rock Instrumental No Copyright “Always Something In My Blindspot Waiting” by Vic Ruggiero “Sideways Skull” by The Hold Steady “Perdido” by The Hold Steady Clip from the beginning of documentary on World Inferno Friendship Society “This Is Not a Pipe” by Franz Nicolay “So You Want to be a Rock and Roll Star” by Patti Smith “Gainesville Rock City” by Less than Jake “Someone Will Pay” by Justin Townes Earle “I Was a Teenage Anarchist” by Against Me! “Good Day” by The Dresden Dolls “When You Get to Asheville” by Steve Martin and Edie Brickell “New River, Spring For Me” by Franz Nicolay     LINKS: Leave a rating and comment for Rock is Lit on Goodpods: https://goodpods.com/podcasts/rock-is-lit-212451 Leave a rating and comment for Rock is Lit on Apple Podcasts: https://podcasts.apple.com/us/podcast/rock-is-lit/id1642987350 Franz Nicolay's website: https://franznicolay.com/ Franz Nicolay on Twitter, Instagram: @FranzNicolay The Hold Steady's website: https://theholdsteady.net/ The World Inferno Friendship Society's website: https://www.worldinferno.com/ Documentary on World Inferno Friendship Society (Infernite version): https://www.youtube.com/watch?v=iADNLE7H5qE Book trailer for Salman Rushdie's novel ‘Luka and the Fire of Life' (Franz is in the trailer): https://www.youtube.com/watch?v=P1IpnC4bImo Christy Alexander Hallberg's website: https://www.christyalexanderhallberg.com/ Christy Alexander Hallberg on Twitter, Instagram, YouTube: @ChristyHallberg Learn more about your ad choices. Visit megaphone.fm/adchoices

In Sex Depression Animals (Ohio State UP, 2023), Mag Gabbert redefines the bestiary in fiery, insistent, and resistant terms. These poems recast the traumas of her adolescence while charting new paths toward linguistic and bodily autonomy as an adult. Using dreamlike, shimmering imagery, she pieces together a fractured portrait of femininity—one that electrifies the confessional mode with its formal play and rich curiosity. Gabbert examines the origin of shame, the role of inheritance, and what counts as a myth, asking, “What's the opposite of a man? / A woman? A wound? The devil's image?” Mag Gabbert has received a Discovery Award from 92NY's Unterberg Poetry Center and fellowships from the Kenyon Review Writers Workshop and Idyllwild Arts. Her poems have appeared in American Poetry Review, Paris Review Daily, Pleiades, Massachusetts Review, and elsewhere. She teaches at Southern Methodist University. Anna Zumbahlen lives in Albuquerque and works in book marketing and publicity at the University of Chicago Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming."So the book is divided. In the first section, summer, the equivalent of summer is Heat. And then there is Flood, which in Australia does tend to happen sort of towards the beginning of autumn, particularly if there have been tropical cyclones in the north of the country. And then winter I've given Tremor. Australia is not somewhere that particularly experiences earthquakes. And so I was interested in introducing something, sort of climactic form of extremity that doesn't happen very often. And then the end of the book, the springtime is Fire. So that was how it came into form because I was interested in talking about the ways in which humans have created an idea of what nature should be in the way that we make our human culture and human meaning from the weather in our environments. And that was not the case where I was from, and it's not the case anymore. So to sort of undo some of that idea of the four seasons being harmonious."www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"So the book is divided. In the first section, summer, the equivalent of summer is Heat. And then there is Flood, which in Australia does tend to happen sort of towards the beginning of autumn, particularly if there have been tropical cyclones in the north of the country. And then winter I've given Tremor. Australia is not somewhere that particularly experiences earthquakes. And so I was interested in introducing something, sort of climactic form of extremity that doesn't happen very often. And then the end of the book, the springtime is Fire. So that was how it came into form because I was interested in talking about the ways in which humans have created an idea of what nature should be in the way that we make our human culture and human meaning from the weather in our environments. And that was not the case where I was from, and it's not the case anymore. So to sort of undo some of that idea of the four seasons being harmonious."Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming."The Inland Sea came out in 2020. And in that period as I was writing it, I would keep noticing each year would be 'the worst on record.' Like the hottest day on record, the most fires on record. And there was a sort of strangeness to having written the book in a period of Black Summer fires that burned for nearly six months and just decimated huge sways of land. In 2020, I had gone back to the Sydney Writers Festival and spent some time with family, and then just got stuck for months in the COVID lockdown. And I would go on runs into these stretches of bushland that had been burned, and I would make my way through these skeleton forests. The trees were black. The soil was black. There was no color at all. No bird song. No insects. And it was March. There should have been so much wildlife. It was deeply eerie."www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"The Inland Sea came out in 2020. And in that period as I was writing it, I would keep noticing each year would be 'the worst on record.' Like the hottest day on record, the most fires on record. And there was a sort of strangeness to having written the book in a period of Black Summer fires that burned for nearly six months and just decimated huge sways of land. In 2020, I had gone back to the Sydney Writers Festival and spent some time with family, and then just got stuck for months in the COVID lockdown. And I would go on runs into these stretches of bushland that had been burned, and I would make my way through these skeleton forests. The trees were black. The soil was black. There was no color at all. No bird song. No insects. And it was March. There should have been so much wildlife. It was deeply eerie."Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"So the book is divided. In the first section, summer, the equivalent of summer is Heat. And then there is Flood, which in Australia does tend to happen sort of towards the beginning of autumn, particularly if there have been tropical cyclones in the north of the country. And then winter I've given Tremor. Australia is not somewhere that particularly experiences earthquakes. And so I was interested in introducing something, sort of climactic form of extremity that doesn't happen very often. And then the end of the book, the springtime is Fire. So that was how it came into form because I was interested in talking about the ways in which humans have created an idea of what nature should be in the way that we make our human culture and human meaning from the weather in our environments. And that was not the case where I was from, and it's not the case anymore. So to sort of undo some of that idea of the four seasons being harmonious."Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming."So the book is divided. In the first section, summer, the equivalent of summer is Heat. And then there is Flood, which in Australia does tend to happen sort of towards the beginning of autumn, particularly if there have been tropical cyclones in the north of the country. And then winter I've given Tremor. Australia is not somewhere that particularly experiences earthquakes. And so I was interested in introducing something, sort of climactic form of extremity that doesn't happen very often. And then the end of the book, the springtime is Fire. So that was how it came into form because I was interested in talking about the ways in which humans have created an idea of what nature should be in the way that we make our human culture and human meaning from the weather in our environments. And that was not the case where I was from, and it's not the case anymore. So to sort of undo some of that idea of the four seasons being harmonious."www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I think one thing that is not talked about enough is the importance of the arts and the importance of the humanities. And on the university level, the defunding of these sorts of programs and the kind of devaluing of that knowledge is an enormous loss. The arts are what tell us who we are. They're for the soul and they make being alive worthwhile. And the importance of making connections and finding a way to reach others and communicate and connect by trying to be honest and complicated and complex - because I truly believe that without those things, whatever future we can imagine for ourselves is going to be paltry. And it won't be imaginative. And without the humanities and the arts, it doesn't make me feel hopeful about the future."Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming."I think one thing that is not talked about enough is the importance of the arts and the importance of the humanities. And on the university level, the defunding of these sorts of programs and the kind of devaluing of that knowledge is an enormous loss. The arts are what tell us who we are. They're for the soul and they make being alive worthwhile. And the importance of making connections and finding a way to reach others and communicate and connect by trying to be honest and complicated and complex - because I truly believe that without those things, whatever future we can imagine for ourselves is going to be paltry. And it won't be imaginative. And without the humanities and the arts, it doesn't make me feel hopeful about the future."www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"The Inland Sea came out in 2020. And in that period as I was writing it, I would keep noticing each year would be 'the worst on record.' Like the hottest day on record, the most fires on record. And there was a sort of strangeness to having written the book in a period of Black Summer fires that burned for nearly six months and just decimated huge sways of land. In 2020, I had gone back to the Sydney Writers Festival and spent some time with family, and then just got stuck for months in the COVID lockdown. And I would go on runs into these stretches of bushland that had been burned, and I would make my way through these skeleton forests. The trees were black. The soil was black. There was no color at all. No bird song. No insects. And it was March. There should have been so much wildlife. It was deeply eerie."Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I was reading ecological history and also reading about violence against women and how violence perpetuates itself over many generations. And there was something about this European sort of supremacy of ideas about nature, their ideas about rationality, all of this stuff that sort of came from the Enlightenment. John Oxley's diaries made no mention of the Indigenous Australians who were at the time subject to genocide. So I was interested in these ideas about how they tried to tame the land, which is often talked about as 'a woman' and the way that the kind of violence that comes from a particular kind of European colonial project that is enacted on the land intertwines with the way that violence is enacted upon women. And it was something that I felt growing up in Australia."Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming."I was reading ecological history and also reading about violence against women and how violence perpetuates itself over many generations. And there was something about this European sort of supremacy of ideas about nature, their ideas about rationality, all of this stuff that sort of came from the Enlightenment. John Oxley's diaries made no mention of the Indigenous Australians who were at the time subject to genocide. So I was interested in these ideas about how they tried to tame the land, which is often talked about as 'a woman' and the way that the kind of violence that comes from a particular kind of European colonial project that is enacted on the land intertwines with the way that violence is enacted upon women. And it was something that I felt growing up in Australia."www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming."The Inland Sea came out in 2020. And in that period as I was writing it, I would keep noticing each year would be 'the worst on record.' Like the hottest day on record, the most fires on record. And there was a sort of strangeness to having written the book in a period of Black Summer fires that burned for nearly six months and just decimated huge sways of land. In 2020, I had gone back to the Sydney Writers Festival and spent some time with family, and then just got stuck for months in the COVID lockdown. And I would go on runs into these stretches of bushland that had been burned, and I would make my way through these skeleton forests. The trees were black. The soil was black. There was no color at all. No bird song. No insects. And it was March. There should have been so much wildlife. It was deeply eerie."www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming."I was reading ecological history and also reading about violence against women and how violence perpetuates itself over many generations. And there was something about this European sort of supremacy of ideas about nature, their ideas about rationality, all of this stuff that sort of came from the Enlightenment. John Oxley's diaries made no mention of the Indigenous Australians who were at the time subject to genocide. So I was interested in these ideas about how they tried to tame the land, which is often talked about as 'a woman' and the way that the kind of violence that comes from a particular kind of European colonial project that is enacted on the land intertwines with the way that violence is enacted upon women. And it was something that I felt growing up in Australia."www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I was reading ecological history and also reading about violence against women and how violence perpetuates itself over many generations. And there was something about this European sort of supremacy of ideas about nature, their ideas about rationality, all of this stuff that sort of came from the Enlightenment. John Oxley's diaries made no mention of the Indigenous Australians who were at the time subject to genocide. So I was interested in these ideas about how they tried to tame the land, which is often talked about as 'a woman' and the way that the kind of violence that comes from a particular kind of European colonial project that is enacted on the land intertwines with the way that violence is enacted upon women. And it was something that I felt growing up in Australia."Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"The Inland Sea came out in 2020. And in that period as I was writing it, I would keep noticing each year would be 'the worst on record.' Like the hottest day on record, the most fires on record. And there was a sort of strangeness to having written the book in a period of Black Summer fires that burned for nearly six months and just decimated huge sways of land. In 2020, I had gone back to the Sydney Writers Festival and spent some time with family, and then just got stuck for months in the COVID lockdown. And I would go on runs into these stretches of bushland that had been burned, and I would make my way through these skeleton forests. The trees were black. The soil was black. There was no color at all. No bird song. No insects. And it was March. There should have been so much wildlife. It was deeply eerie."Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming."The Inland Sea came out in 2020. And in that period as I was writing it, I would keep noticing each year would be 'the worst on record.' Like the hottest day on record, the most fires on record. And there was a sort of strangeness to having written the book in a period of Black Summer fires that burned for nearly six months and just decimated huge sways of land. In 2020, I had gone back to the Sydney Writers Festival and spent some time with family, and then just got stuck for months in the COVID lockdown. And I would go on runs into these stretches of bushland that had been burned, and I would make my way through these skeleton forests. The trees were black. The soil was black. There was no color at all. No bird song. No insects. And it was March. There should have been so much wildlife. It was deeply eerie."www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"So the book is divided. In the first section, summer, the equivalent of summer is Heat. And then there is Flood, which in Australia does tend to happen sort of towards the beginning of autumn, particularly if there have been tropical cyclones in the north of the country. And then winter I've given Tremor. Australia is not somewhere that particularly experiences earthquakes. And so I was interested in introducing something, sort of climactic form of extremity that doesn't happen very often. And then the end of the book, the springtime is Fire. So that was how it came into form because I was interested in talking about the ways in which humans have created an idea of what nature should be in the way that we make our human culture and human meaning from the weather in our environments. And that was not the case where I was from, and it's not the case anymore. So to sort of undo some of that idea of the four seasons being harmonious."Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming."I think one thing that is not talked about enough is the importance of the arts and the importance of the humanities. And on the university level, the defunding of these sorts of programs and the kind of devaluing of that knowledge is an enormous loss. The arts are what tell us who we are. They're for the soul and they make being alive worthwhile. And the importance of making connections and finding a way to reach others and communicate and connect by trying to be honest and complicated and complex - because I truly believe that without those things, whatever future we can imagine for ourselves is going to be paltry. And it won't be imaginative. And without the humanities and the arts, it doesn't make me feel hopeful about the future."www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

"I think one thing that is not talked about enough is the importance of the arts and the importance of the humanities. And on the university level, the defunding of these sorts of programs and the kind of devaluing of that knowledge is an enormous loss. The arts are what tell us who we are. They're for the soul and they make being alive worthwhile. And the importance of making connections and finding a way to reach others and communicate and connect by trying to be honest and complicated and complex - because I truly believe that without those things, whatever future we can imagine for ourselves is going to be paltry. And it won't be imaginative. And without the humanities and the arts, it doesn't make me feel hopeful about the future."Madeleine Watts is an Australian writer based in New York. Her first novel The Inland Sea was published in 2020 and was shortlisted for the Miles Franklin Literary Award and the UTS Glenda Adams Award for New Writing. Her essays and stories have been published in Harper's Magazine, The Believer, The Guardian, The White Review, and The Paris Review Daily, among others. She teaches creative writing at Columbia University in New York. Her second novel, Elegy, Southwest, is forthcoming.www.madeleinewatts.comwww.penguinrandomhouse.com/books/667704/the-inland-sea-by-madeleine-wattswww.creativeprocess.info www.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Today, Courtney Zoffness discusses Spilt Milk (memoirs), why pregnancy and early parenthood is a fertile time for creatives (haha see what I did there), moving between fiction and nonfiction, “going long,” working with McSweeney's, and more!  Courtney Zoffness is the author of the memoir-in-essays SPILT MILK, out now in paperback. Spilt Milk was named a best debut of the year by BookPage and Refinery29, and a “must-read” by Publishers Weekly and Good Morning America. Also a fiction writer, Zoffness was the second-ever woman to win the Sunday Times Short Story Award, the most valuable international prize for short fiction, amid entries from 38 countries. She joined a list of winners that includes Anthony Doerr and Junot Díaz. Other honors include an Emerging Writers Fellowship from The Center for Fiction and two residency fellowships from MacDowell. Her writing has appeared in the New York Times, The Paris Review Daily, Guernica, No Tokens, and elsewhere. Zoffness holds graduate degrees from the Writing Seminars at Johns Hopkins University and the University of Arizona, and a B.A. from the University of Pennsylvania. She's taught at a dozen different institutions and delivered readings and talks at venues across the US and abroad. Currently she directs the creative writing program at Drew University. She lives with her family in Brooklyn, NY. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ravi Mangla, author of The Observant, stopped by PCL recently to chat with Your Friendly Neighborhood Librarians about his 2022 novel, his writing style and favorite books, and what the Monroe County Library System has meant to him. The Pittsford native's writing has appeared in The Atlantic, The Nation, Jacobin, The Kenyon Review, Cincinnati Review, Mid-American Review, Salon, The Paris Review Daily, Quarterly West, American Short Fiction, Tin House Online, and the Los Angeles Review of Books.

About Colin Winnette: COLIN WINNETTE's books include Coyote, Haints Stay, and The Job of the Wasp, which was an American Booksellers Association's Indie Next Pick. Winnette's writing has appeared in numerous publications, including Playboy, McSweeney's, The Believer, and The Paris Review Daily. A former bookseller in Texas, Vermont, New York, and California, he is now a writer living in San Francisco. About Users: Marrying the philosophical absurdities of life, technology, start-up culture, and family, Users is for readers of Ling Ma, Dave Eggers's The Circle, and viewers of the hit Apple TV+ original series Severance Miles, a lead creative at a midsize virtual reality company known for its “original experiences,” has engineered a new product called The Ghost Lover. Wildly popular from the outset, the “game” is simple: a user's simulated life is almost identical to their reality, except they're haunted by the ghost of an ex-lover. However, when a shift in the company's strategic vision puts The Ghost Lover at the center of a platform-wide controversy, Miles becomes the target of user outrage, and starts receiving a series of anonymous death threats. Typed notes sealed in envelopes with no postage or return address, these persistent threats push Miles into a paranoid panic, blurring his own sense of reality, catalyzing the collapse of his career, his marriage, and his relationship with his children. The once-promising road to success becomes a narrow set of choices for Miles, who, in a last ditch effort to save his job, pitches his masterpiece, a revolutionary device code-named the Egg, which will transform the company. The consequences for Miles seal him inside the walls of his life as what was once anxiety explodes into devastating absoluteness. In a world rife with the unchecked power and ambition of tech, Users investigates—with both humor and creeping dread—how interpersonal experiences and private decisions influence the hasty developments that have the power to permanently alter the landscape of human experience.

Madelaine Lucas is the author of the debut novel Thirst for Salt, available from Tin House. Lucas is a senior editor of NOON. Born in 1990, she was raised in Melbourne and Sydney as the daughter of a visual artist and a rock ‘n' roll musician. In 2015, she moved to New York to complete her MFA in fiction at Columbia University, where she now teaches in the undergraduate and graduate writing programs. Her essays and interviews have appeared in publications such as Paris Review Daily, The Believer, Literary Hub, Catapult, The Lifted Brow and Meanjin, and her fiction has been awarded the Elizabeth Jolley Prize and the Overland/Victoria University Emerging Writer's Prize. She lives in Brooklyn with her husband and her dog, Pancho. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Launched in 2011. Books. Literature. Writing. Publishing. Authors. Screenwriters. Etc. Available where podcasts are available: Apple Podcasts, Google Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  YouTube TikTok Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Black and Published, Nikesha speaks with Destiny O. Birdsong, author of the triptych novel Nobody's Magic.  She's also a poet and essayist, and her workhas either appeared or is forthcoming in the Paris Review Daily, Poets & Writers, African American Review, The Best American Poetry 2021, and elsewhere. Nobody's Magic, was published by Grand Central in February 2022 and was longlisted for the Center for Fiction's First Novel Prize.In our conversation, Destiny discusses the deal she made with herself to write whatever came to her mind, shopping a manuscript before it was ready and the power of affirmation that boosted her confidence for writing a story entirely in AAVE. Support the showFollow the Show: IG: @blkandpublished Twitter: @BLKandPublished Follow Me:IG: @nikesha_elise Twitter: @Nikesha_Elise Get My Books

Jordan talks with Asali Solomon about The Days of Afrekete, the unexpected discovery that she's a funny writer, and trying to impart wisdom to students while she's still learning too.  MENTIONED: Get a Life (1990-1992) The Simple Stories by Langston Hughes The Book of Night Women by Marlon James An Exact Replica of a Figment of My Imagination by Elizabeth McCracken Asali Solomon's first novel, Disgruntled, was named a best book of the year by the San Francisco Chronicle and The Denver Post. Her debut story collection, Get Down, earned her a Rona Jaffe Foundation Writers' Award and the National Book Foundation's “5 Under 35” honor, and was a finalist for the Hurston/Wright Legacy Award. Her work has appeared in O, The Oprah Magazine, Vibe, Essence, The Paris Review Daily, McSweeney's, and several anthologies, and on NPR. Solomon teaches fiction writing and literature of the African diaspora at Haverford College. She was born and raised in Philadelphia, where she lives with her husband and two sons. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, Elisa Gabbert talks to us about conceptualizing her audience(s), the difference for her between writing prose and poetry, “borrowing greatness” from other authors as well as Reddit and Wikipedia, “pseudo-sequiturs,” titles, and more!  Elisa Gabbert is the author of six collections of poetry, essays, and criticism: Normal Distance (Soft Skull); The Unreality of Memory & Other Essays, out now from FSG Originals and Atlantic UK; The Word Pretty (Black Ocean, 2018); L'Heure Bleue, or the Judy Poems (Black Ocean, 2016); The Self Unstable (Black Ocean, 2013); and The French Exit (Birds LLC, 2010). The Unreality of Memory and The Word Pretty were both named a New York Times Editors' Choice, and The Self Unstable was chosen by the New Yorker as one of the best books of 2013. She writes the On Poetry column for the New York Times, and her work has appeared in Harper's, The New Yorker, The Believer, The New York Times Magazine and Book Review, the New York Review of Books, the Guardian Long Read, the London Review of Books, A Public Space, The Nation, the Paris Review Daily, American Poetry Review, and many other venues. Her next collection of nonfiction, Any Person Is the Only Self, will be out in 2023 from FSG. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Black & Published, Nikesha speaks with Maisy Card, author of the novel, These Ghosts Are Family which won an American Book Award, the  2021 OCM Bocas Prize in fiction and was a finalist for the PEN/Hemingway Award for Debut Novel, among others.  Maisy's writing has appeared in The Paris Review Daily,  The New York Times, and other publications. She was born in Portmore, Jamaica but was raised in Queens, NY. In our conversation, Maisy discusses the difference between the fun and work of writing, telling a family story to say all the things she couldn't say to her own family, and the spooky parallels she noticed between the ghost story she created and her own real life. Support the show

Join Maya Marshall and special guests for a celebration of her new book All the Blood Involved in Love. All the Blood Involved in Love is an urgent and evocative collection—featuring complex and compelling poems about the choices we make surrounding home, freedom, healing, partnership, and family. In a moment of critical struggle for reproductive justice, Maya Marshall's haunting debut meditates on womanhood—with and without motherhood. Traversing familial mythography with an unflinching seriousness, Marshall moves deftly between contemporary politics, the stakes of race and interracial partnership, and the monetary, mental, and physical costs of adopting or birthing a Black child. Get All the Blood Involved in Love from Haymarket: https://www.haymarketbooks.org/books/1884-all-the-blood-involved-in-love --------------------------------------------------------------------- Speakers: Maya Marshall, a writer and editor, is cofounder of underbellymag.com, the journal on the practical magic of poetic revision. As an educator, Marshall has taught at Northwestern University and Loyola University Chicago. She holds fellowships from MacDowell, Vermont Studio Center, Callaloo, The Watering Hole, Community of Writers, and Cave Canem. She is the author of Secondhand (Dancing Girl Press, 2016). Her writing appears in Best New Poets 2019, Muzzle, RHINO, Potomac Review, Blackbird, and elsewhere. All the Blood Involved in Love is Marshall's debut poetry collection with Haymarket Books. Destiny O. Birdsong is a poet, novelist, and essayist whose work has appeared in the Paris Review Daily, African American Review, and Catapult, among other publications. Her debut poetry collection, Negotiations, was published in 2020 by Tin House and was longlisted for the 2021 PEN/Voelcker Award. Her debut novel, Nobody's Magic, was published in February 2022 from Grand Central Publishing. Tarfia Faizullah was born in Brooklyn, New York, and raised in Texas. She is the author of Registers of Illuminated Villages (Graywolf Press, 2018) and Seam (Southern Illinois University Press, 2014). She lives in Dallas, Texas. Aricka Foreman is an American poet and interdisciplinary writer from Detroit, MI. She is the author of the chapbook Dream with a Glass Chamber, and Salt Body Shimmer (YesYes Books) winner of the 2021 Lambda Literary Award for Bisexual Poetry. She has earned fellowships from Cave Canem, Callaloo, and the Millay Colony. Aricka lives in Chicago and works as a publicist at Haymarket Books. Nicole Homer is an Associate Professor of English at a community college in Central New Jersey. They are a poet, writer, and performer whose work can be found in the American Academy of Poets Poem-a-Day, Muzzle, The Offing, Rattle, The Collagist and elsewhere. A fellow of The Watering Hole, Callaloo and VONA, Nicole serves as a Contributing Editor at BlackNerdProblems writing pop culture critique through a POC lens. Their award-winning collection, Pecking Order (Write Bloody) is an unflinching look at how race and gender politics play out in the domestic sphere. Natasha Oladokun (she/her) is a poet and essayist. She holds fellowships from Cave Canem, the Virginia Center for Creative Arts, the Jackson Center for Creative Writing, Twelve Literary Arts, and the University of Wisconsin-Madison, where she was the inaugural First Wave Poetry fellow. Her work has appeared in the American Poetry Review, The Academy of American Poets, Harvard Review Online, and Kenyon Review Online. You can read her column The PettyCoat Chronicles—on pop culture and period dramas—at Catapult. She is Associate Poetry Editor at storySouth, and currently lives in Madison, WI. Watch the live event recording: https://youtu.be/qFVhGJYqI98 Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Join Chris in a sit down with Dr. Destiny O. Birdsong, author of Nobody's Magic (Grand Central Publishing) and Negotiations (Tin House), about passions, process, pitfalls, and Poetry! Destiny O. Birdsong is a poet, novelist, and essayist whose work has appeared in the Paris Review Daily, African American Review, and Catapult, among other publications. Her debut poetry collection, Negotiations, was published in 2020 by Tin House and was longlisted for the 2021 PEN/Voelcker Award. Her debut novel, Nobody's Magic, was published in February 2022 from Grand Central Publishing. During July 2022, she was the Hurston-Wright Foundation's inaugural Writer-in-Residence at Rutgers University-Newark. She will also serve as an Artist-in-Residence at the University of Tennessee-Knoxville from 2022-2023. Connect with her below. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this episode, I chat with Tom Nissley owner of Phinney Books in Seattle, about his book A Reader's Book of Days, what he learned from being an eight-time champion on Jeopardy!, living in the Pacific Northwest, and what he loves about indie bookshops.Phinney Books in Seattle is a general-interest independent book store selling a carefully chosen selection of new books across a variety of categories. Owner Tom Nissley is an eight-time champion on Jeopardy! and a former editor at Amazon, where he launched their books blog, Omnivoracious. He holds a Ph.D. in English literature and has written for the Paris Review Daily, The Millions, and The Stranger. He blogs, mostly about books, at Ephemeral Firmament, and he lives in Seattle with his wife and two sons (and, half the year, his mother-in-law).Phinney BooksA Reader's Book of Days, Tom NissleyThe Ice Palace, Tarjei VesaasIn Love: A Memoir of Loss and Love, Amy BloomSupport the show

Episode 117 Notes and Links to Nadia Owusu's Work          On Episode 117 of The Chills at Will Podcast, Pete welcomes Nadia Owusu, and the discuss, among other topics, her early love of language and her experiences living in multiple countries, her relationship with her parents and her parents' families, aftershocks both literal and figurative, colonialism and trauma, tradition, and coming to terms with her past and all of our pasts.       NADIA OWUSU is a Ghanaian and Armenian-American writer and urbanist. Her debut memoir, Aftershocks, was selected as a best book of 2021 by Time, Vogue, Esquire, The Guardian, NPR, and others. It was one of President Barack Obama's favorite books of the year, a New York Times Book Review Editor's Choice, and a 2021 Goodreads Choice Award nominee. In 2019, Nadia was the recipient of a Whiting Award. Her writing has appeared or is forthcoming in The New York Times, Orion, Granta, The Paris Review Daily, The Guardian, The Wall Street Journal, The Literary Review, Slate, Bon Appétit, Travel + Leisure, and others. Nadia is the Director of Storytelling at Frontline Solutions, a Black-owned consulting firm that helps social-change organizations to define goals, execute plans, and evaluate impact. She is a graduate of Pace University (BA) and Hunter College (MS). She earned her MFA in creative nonfiction at the Mountainview low-residency program where she currently teaches. She lives in Brooklyn.     Nadia Owusu's Website   From The Guardian, Feb 2021: "Nadia Owusu: 'I wrote as a way to process trauma' "   Buy the Award-Winning Aftershocks   Aftershocks Review in The New York Times At about 2:50, Nadia describes her childhood reading interests and relationship with language, including the “important” Their Eyes Were Watching God and Things Fall Apart   At about 4:20, Nadia discusses books as constants in her life as the family moved often in her childhood   At about 5:00, Nadia responds to Pete's question about Achebe's book and its significance in African countries today   At about 6:40, Pete wonders about texts that were thrilling/transformational for Nadia as a high school/college student    At about 7:55, Pete and Nadia discuss the many places in which Nadia grew up, and she explores how reading connected to this upbringing, including ideas of empathy    At about 10:00, Pete asks Nadia about James Baldwin and his connection to Pan-Africanism   At about 12:00, Pete and Nadia discuss the implications of the Anansi and the African diaspora, and Nadia details the meaning of the term “bush” as used by her father and in the Ashanti culture as a whole   At about 14:35, Pete and Nadia discuss narrative and ideas of time in her book, and Nadia gives more insight into the significance of a family trip to Ghana and ideas of “double-consciousness”   At about 16:40, Nadia talks about not having a lot of information about, and connection to, her Armenian heritage, and how being Ghanaian and Armenian-American informed her life and the trip mentioned above   At about 18:30, Nadia describes the familial and political structures of Ghanaian peoples, and how they were and have been affected by colonialism   At about 20:20, Pete remarks on the specifics of “aftershocks” of the book's title, as well as the skillful ways in which Nadia writes about how much of  African life is still affected by European colonialism   At about 21:10, Nadia expands on the ways in which colonialism continues to   At about 22:30, the two talk about colonialism's specific legacy in Tanzania, particularly with regards to oppression coming from organized religion and the horrid debacle with George Bush's   At about 25:50, Pete and Nadia trace the book's beginnings and the earliest “aftershock” that came in 1988 with the disastrous Armenian earthquake    At about 28:50, Pete and Nadia parse the usage of the word “aftershock” and trauma's everlasting effects    At about 30:15, Nadia responds to Pete's questions about her exploration of her Armenian family   At about 32:50, Pete wonders about the circumstances of Nadia's mother leaving the family and its connections to misogyny and internalized misogyny    At about 35:05, Pete makes a request regarding beloved Aunt Harriet   At about 36:45, Nadia responds to Pete's questions about difficulties and challenges in writing a memoir, especially with regards to public and unfiltered exposure for her and those in her life   At about 40:45, Nadia discusses the importance of the book's blue chair motif and the history of the chair   At about 44:50, Nadia talks about her father and the term of endearment “Baba”   At about 45:30, Nadia explains her process in writing about Kwame, her half-brother, and how his case mirrored that of many victimized by racist law enforcement practices   At about 48:00, Nadia talks about her first-hand experience in New York City during 9/11   At about 49:30, Nadia explains how listening to Coltrane and allowing herself “madness” led to breakthroughs during her tough times   At about 51:20, Nadia discusses her ideas of her father as “man-god” and his contradictions and ideas of faith    At about 52:00, Shout out to the great Malala and her father!    At about 53:55, Pete shouts out the creative and meaningful ending chapters of “Libations” and “Home,” and Nadia gives her rationale for these two chapters, including her interest in ceremony   At about 56:10, Pete makes comparisons between Aftershocks and Jean Guerrero's Crux, in that books work    At about 57:20, Nadia shouts out contemporary writers who thrill, including Caleb Azumah Nelson, Hanif Abdurraqib, David Diop   At about 58:15, Pete highlights the interesting variety of work that Nadia does, and Nadia talks about future projects   At about 59:55, Pete asks Nadia about meaningful feedback from readers of her book   At about 1:02:00, Nadia gives out her social media and contact information, and shouts out Café Con Libros, The Word is Change as cool booksellers to buy her book   At about 1:03:10, Nadia reads from “Failures of a Language,” a chapter from her book     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.  This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 118 with SJ Sindu, a Tamil diaspora author of two literary novels, two hybrid chapbooks, and a forthcoming graphic novel. Her first novel, Marriage of a Thousand Lies, won the Publishing Triangle Edmund White Award and was a Stonewall Honor Book and a finalist for a Lambda Literary Award. Sindu's second novel, Blue-Skinned Gods, was published to high praise in November 2021 by Soho Press. A 2013 Lambda Literary Fellow, Sindu teaches at the University of Toronto Scarborough.      The episode will air on April 13.