Podcasts about visible empire

What happens when you come of age in mid-life? Why is so challenging to figure out your own past? Can you find the permission to be weird? (And can you be happy if you don't?) Memoirist and English professor Hannah Pittard joins us to explore: If the personal is ever too personal. What is a collective memory. The imperfect way we perceive our own experiences. Taking risks in writing and in life. The memoir We Are Too Many. Today's book is: We Are Too Many, a memoir about a marriage-ending affair between award-winning author Hannah Pittard's husband and her best friend. An innovative and genre-bending look at a marriage and friendship gone wrong, Professor Pittard recalls a decade's worth of conversations that are fast-paced, intimate, and reveal the vulnerabilities inherent in any friendship or marriage. She takes stock not only of her own past and future but also of the larger, more universal experiences they connect with—from the depths of female rage to the ways we outgrow certain people. We Are Too Many examines the unfiltered parts of the female experience, as well as the possibilities in starting life over after a catastrophe. Our guest is: Professor Hannah Pittard, who is the author Visible Empire, Reunion, Listen to Me, The Fates Will Find Their Way, and the memoir We Are Too Many. She is a professor of English at the University of Kentucky. Our host is: Dr. Christina Gessler, who is a historian. Listeners to this episode may also be interested in: Becoming the Writer You Already Are, by Michelle R. Boyd Story Genius, by Lisa Cron Writing Down the Bones, by Natalie Goldberg Revise, by Pamela Haag Bird by Bird, by Anne Lamott Academic Life episode with Professor Morgan Talty about Night of the Living Rez Academic Life episode with novelist Erica Bauermeister, who left academia Academic Life episode with Nancy Thayer, an English professor who left academia to write full time Academic Life episode on writing memoir with Dr. Rebekah Tausig Academic Life episode on Shoutin in the Fire with Dante Stewart Welcome to The Academic Life! Join us here each week to learn from today's experts inside and outside the academy, and embrace the broad definition of what it truly means to live an academic life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Frank Reiss and Emmy Carmichael from A Cappella Books in Atlanta stopped by On Second Thought to share their recommendations for our Southern Reading List. It's our series of authors and readers sharing books that define and reflect the South. Carmichael recommends Caleb Johnson's Treeborne and Hannah Pittard's Visible Empire. Reiss recommends Anne Gisleson's The Futilitarians: Our Year of Thinking, Drinking, Grieving, and Reading and Michael Farris Smith's The Fighter. The shop also sponsors events with authors. On Second Thought host Virginia Prescott will host two events sponsored by them next week. The first event is with podcast host and journalist, Malcolm Gladwell . Gladwell is the man who introduced "the tipping point" to the lexicon and discusses his new book Talking to Strangers. He will be at the Ferst Center Thursday, Oct. 10. The next event is with MSNBC host Rachel Maddow . Maddow will talk about her book blowout about the oil and gas industry, and how the industry is

Listen to full program By segment One On June 3, 1962, a chartered Air France jet crashed on takeoff from Orly Airport in Paris. 106 of Atlanta's civic and arts leaders perished in the crash. Novelist Hannah Pittard, Director of the University of Kentucky's MFA Program in Creative Writing, discusses her historical fiction "Visible Empire," about the dynamics that play out in a community in the aftermath of such a catastrophe. LISTEN Two Lexington is among Scott Shapiro’s "University Cities.” What makes them special and what cautionary tales should they heed? We're joined by the Chief Innovation Officer in the administration of Lexington Mayor Jim Gray who was tasked with establishing a benchmark for Lexington’s future as home to a pair of universities within walking distance of its downtown. LISTEN Three The science behind "you are what you eat" (and what your mom and dad ate; and your grandparents.) A conversation with Alltech nutrigenomics research scientist Kirstin Brennan. LISTEN

Listen to full program By segment One On June 3, 1962, a chartered Air France jet crashed on takeoff from Orly Airport in Paris. 106 of Atlanta's civic and arts leaders perished in the crash. Novelist Hannah Pittard, Director of the University of Kentucky's MFA Program in Creative Writing, discusses her historical fiction "Visible Empire," about the dynamics that play out in a community in the aftermath of such a catastrophe. LISTEN Two Lexington is among Scott Shapiro’s "University Cities.” What makes them special and what cautionary tales should they heed? We're joined by the Chief Innovation Officer in the administration of Lexington Mayor Jim Gray who was tasked with establishing a benchmark for Lexington’s future as home to a pair of universities within walking distance of its downtown. LISTEN Three The science behind "you are what you eat" (and what your mom and dad ate; and your grandparents.) A conversation with Alltech nutrigenomics research scientist Kirstin Brennan. LISTEN

Hannah Pittard is the author of four novels. Her most recent, Visible Empire,was an Amazon Editors' Pick for Summer Fiction, an IndieNext List Pick, a New York Times "New and Noteworthy" Selection, an O Magazine Book of Summer, and one of Southern Living's Best New Books of Summer. Her previous novels include Listen to me, The Fates will Find Their Way and Reunion. She directs the MFA program in creative writing at the University of Kentucky. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hannah Pittard, an American novelist and author of short stories, talks about her new book, "Visible Empire." The novel is based on true events-of wealth, race, grief, and love, charting one sweltering summer in Atlanta...

Hannah Pittard is the head of the creative writing program at the University of Kentucky. Her writing has appeared in The New York Times, The Oxford American, McSweeney's among many others. She is the winner of the 2006 Amanda Davis Highwire Fiction Award. Her novels are, Reunion, The Fates, Listen to Me, and in this episode, we talk about her fourth published novel, Visible Empire, available from Houghton Mifflin Harcourt. It's the story of grieving, greed, and racial oppression in Atlanta in the aftermath of Airfrance Flight 007 which crashed in Paris and killed over 100 of the richest white Atlantans of the early 1960s.

Hannah Pittard drops back into the Damn Library after writing and editing and publishing an entire new novel called Visible Empire! While drinking a cocktail featuring guava and egg white, she and the guys get way into 1962, how you need to make sure your ex knows where you got your ideas from, and how you should always kill the dog, amongst other topics. They also all discuss Ralph Ellison's classic novel Invisible Man, and how the speeches are excellent, it's devastating, but there's also nice parts.  contribute! https://patreon.com/smdb for drink recipes, book lists, and more, visit: somanydamnbooks.com music: Disaster Magic - Get Raining (https://soundcloud.com/disaster-magic) Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Jeff and Rebecca talk about The Boston Review's Junot Diaz decision, an unprecedented Amazon scam, Michael Lewis' Audible original, and much more. This episode is sponsored by: Visible Empire by Hannah Pittard Recommended The Great Courses Plus Links discussed in this episode: Boston Review decides to keep Junot Diaz in editorial position In response, the poetry editors resign And VIDA responds Amazon boots notorious KU abuser Audible Originals follow-up: Michael Lewis & Ada Calhoun publishing new books here New UK publisher will offer budding authors 24K salary

This week, Liberty and Rebecca discuss There There, Visible Empire, Small Country, and more great books. This episode was sponsored by ThirdLove and Tonight I'm Someone Else: Essays by Chelsea Hodson.  

Host Bill Goodman is joined by author Hannah Pittard. She is an associate professor of English at the University of Kentucky and is the director of creative writing in the MFA program. Pittard has written four novels, including "Listen to Me" (a New York Times Editors' Choice) and the forthcoming "Visible Empire" which will be available this June.

Daniela Bleichmar‘s new book is a story about 12,000 images. In Visible Empire: Botanical Expeditions and Visual Culture in the Hispanic Enlightenment (University of Chicago Press, 2012), Bleichmar uses this vast (and gorgeous) archive of botanical images assembled by Spanish natural history expeditions to explore the connections between natural history, visual culture, and empire in the eighteenth century Hispanic world. In beautifully argued chapters, Bleichmar explores that ways that eighteenth century natural history expeditions were grounded in a visual epistemology where observation and representation were powerful tools for negotiating both scientific and imperial spheres. The “botanical reconquista” spanned fields, shops, gardens, and cabinets across the New World and the Old. Botanists, artists, and others employed images for collaboration and competition, developing distinct styles and practices for observing and representing the natural world. The expeditions' taxonomic botanizing was ultimately more successful than their efforts to exploit the cinnamon, cinchona, and other products that comprised the “green gold” of the colonial herbarium. Nonetheless, they made imperial nature visible…even as they made much of the empire invisible. Enjoy the book! And be sure to check out the fifth chapter, which juxtaposes Casta paintings from Mexico with some fascinating and little-known paintings from Quito and Peru to deepen and extend our understanding of the visuality of Spanish empire in the eighteenth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniela Bleichmar‘s new book is a story about 12,000 images. In Visible Empire: Botanical Expeditions and Visual Culture in the Hispanic Enlightenment (University of Chicago Press, 2012), Bleichmar uses this vast (and gorgeous) archive of botanical images assembled by Spanish natural history expeditions to explore the connections between natural history, visual culture, and empire in the eighteenth century Hispanic world. In beautifully argued chapters, Bleichmar explores that ways that eighteenth century natural history expeditions were grounded in a visual epistemology where observation and representation were powerful tools for negotiating both scientific and imperial spheres. The “botanical reconquista” spanned fields, shops, gardens, and cabinets across the New World and the Old. Botanists, artists, and others employed images for collaboration and competition, developing distinct styles and practices for observing and representing the natural world. The expeditions' taxonomic botanizing was ultimately more successful than their efforts to exploit the cinnamon, cinchona, and other products that comprised the “green gold” of the colonial herbarium. Nonetheless, they made imperial nature visible…even as they made much of the empire invisible. Enjoy the book! And be sure to check out the fifth chapter, which juxtaposes Casta paintings from Mexico with some fascinating and little-known paintings from Quito and Peru to deepen and extend our understanding of the visuality of Spanish empire in the eighteenth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniela Bleichmar‘s new book is a story about 12,000 images. In Visible Empire: Botanical Expeditions and Visual Culture in the Hispanic Enlightenment (University of Chicago Press, 2012), Bleichmar uses this vast (and gorgeous) archive of botanical images assembled by Spanish natural history expeditions to explore the connections between natural history, visual culture, and empire in the eighteenth century Hispanic world. In beautifully argued chapters, Bleichmar explores that ways that eighteenth century natural history expeditions were grounded in a visual epistemology where observation and representation were powerful tools for negotiating both scientific and imperial spheres. The “botanical reconquista” spanned fields, shops, gardens, and cabinets across the New World and the Old. Botanists, artists, and others employed images for collaboration and competition, developing distinct styles and practices for observing and representing the natural world. The expeditions' taxonomic botanizing was ultimately more successful than their efforts to exploit the cinnamon, cinchona, and other products that comprised the “green gold” of the colonial herbarium. Nonetheless, they made imperial nature visible…even as they made much of the empire invisible. Enjoy the book! And be sure to check out the fifth chapter, which juxtaposes Casta paintings from Mexico with some fascinating and little-known paintings from Quito and Peru to deepen and extend our understanding of the visuality of Spanish empire in the eighteenth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniela Bleichmar‘s new book is a story about 12,000 images. In Visible Empire: Botanical Expeditions and Visual Culture in the Hispanic Enlightenment (University of Chicago Press, 2012), Bleichmar uses this vast (and gorgeous) archive of botanical images assembled by Spanish natural history expeditions to explore the connections between natural history, visual culture, and empire in the eighteenth century Hispanic world. In beautifully argued chapters, Bleichmar explores that ways that eighteenth century natural history expeditions were grounded in a visual epistemology where observation and representation were powerful tools for negotiating both scientific and imperial spheres. The “botanical reconquista” spanned fields, shops, gardens, and cabinets across the New World and the Old. Botanists, artists, and others employed images for collaboration and competition, developing distinct styles and practices for observing and representing the natural world. The expeditions’ taxonomic botanizing was ultimately more successful than their efforts to exploit the cinnamon, cinchona, and other products that comprised the “green gold” of the colonial herbarium. Nonetheless, they made imperial nature visible…even as they made much of the empire invisible. Enjoy the book! And be sure to check out the fifth chapter, which juxtaposes Casta paintings from Mexico with some fascinating and little-known paintings from Quito and Peru to deepen and extend our understanding of the visuality of Spanish empire in the eighteenth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniela Bleichmar‘s new book is a story about 12,000 images. In Visible Empire: Botanical Expeditions and Visual Culture in the Hispanic Enlightenment (University of Chicago Press, 2012), Bleichmar uses this vast (and gorgeous) archive of botanical images assembled by Spanish natural history expeditions to explore the connections between natural history, visual culture, and empire in the eighteenth century Hispanic world. In beautifully argued chapters, Bleichmar explores that ways that eighteenth century natural history expeditions were grounded in a visual epistemology where observation and representation were powerful tools for negotiating both scientific and imperial spheres. The “botanical reconquista” spanned fields, shops, gardens, and cabinets across the New World and the Old. Botanists, artists, and others employed images for collaboration and competition, developing distinct styles and practices for observing and representing the natural world. The expeditions’ taxonomic botanizing was ultimately more successful than their efforts to exploit the cinnamon, cinchona, and other products that comprised the “green gold” of the colonial herbarium. Nonetheless, they made imperial nature visible…even as they made much of the empire invisible. Enjoy the book! And be sure to check out the fifth chapter, which juxtaposes Casta paintings from Mexico with some fascinating and little-known paintings from Quito and Peru to deepen and extend our understanding of the visuality of Spanish empire in the eighteenth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniela Bleichmar‘s new book is a story about 12,000 images. In Visible Empire: Botanical Expeditions and Visual Culture in the Hispanic Enlightenment (University of Chicago Press, 2012), Bleichmar uses this vast (and gorgeous) archive of botanical images assembled by Spanish natural history expeditions to explore the connections between natural history, visual culture, and empire in the eighteenth century Hispanic world. In beautifully argued chapters, Bleichmar explores that ways that eighteenth century natural history expeditions were grounded in a visual epistemology where observation and representation were powerful tools for negotiating both scientific and imperial spheres. The “botanical reconquista” spanned fields, shops, gardens, and cabinets across the New World and the Old. Botanists, artists, and others employed images for collaboration and competition, developing distinct styles and practices for observing and representing the natural world. The expeditions’ taxonomic botanizing was ultimately more successful than their efforts to exploit the cinnamon, cinchona, and other products that comprised the “green gold” of the colonial herbarium. Nonetheless, they made imperial nature visible…even as they made much of the empire invisible. Enjoy the book! And be sure to check out the fifth chapter, which juxtaposes Casta paintings from Mexico with some fascinating and little-known paintings from Quito and Peru to deepen and extend our understanding of the visuality of Spanish empire in the eighteenth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniela Bleichmar‘s new book is a story about 12,000 images. In Visible Empire: Botanical Expeditions and Visual Culture in the Hispanic Enlightenment (University of Chicago Press, 2012), Bleichmar uses this vast (and gorgeous) archive of botanical images assembled by Spanish natural history expeditions to explore the connections between natural history, visual culture, and empire in the eighteenth century Hispanic world. In beautifully argued chapters, Bleichmar explores that ways that eighteenth century natural history expeditions were grounded in a visual epistemology where observation and representation were powerful tools for negotiating both scientific and imperial spheres. The “botanical reconquista” spanned fields, shops, gardens, and cabinets across the New World and the Old. Botanists, artists, and others employed images for collaboration and competition, developing distinct styles and practices for observing and representing the natural world. The expeditions’ taxonomic botanizing was ultimately more successful than their efforts to exploit the cinnamon, cinchona, and other products that comprised the “green gold” of the colonial herbarium. Nonetheless, they made imperial nature visible…even as they made much of the empire invisible. Enjoy the book! And be sure to check out the fifth chapter, which juxtaposes Casta paintings from Mexico with some fascinating and little-known paintings from Quito and Peru to deepen and extend our understanding of the visuality of Spanish empire in the eighteenth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Daniela Bleichmar‘s new book is a story about 12,000 images. In Visible Empire: Botanical Expeditions and Visual Culture in the Hispanic Enlightenment (University of Chicago Press, 2012), Bleichmar uses this vast (and gorgeous) archive of botanical images assembled by Spanish natural history expeditions to explore the connections between natural history, visual culture, and empire in the eighteenth century Hispanic world. In beautifully argued chapters, Bleichmar explores that ways that eighteenth century natural history expeditions were grounded in a visual epistemology where observation and representation were powerful tools for negotiating both scientific and imperial spheres. The “botanical reconquista” spanned fields, shops, gardens, and cabinets across the New World and the Old. Botanists, artists, and others employed images for collaboration and competition, developing distinct styles and practices for observing and representing the natural world. The expeditions’ taxonomic botanizing was ultimately more successful than their efforts to exploit the cinnamon, cinchona, and other products that comprised the “green gold” of the colonial herbarium. Nonetheless, they made imperial nature visible…even as they made much of the empire invisible. Enjoy the book! And be sure to check out the fifth chapter, which juxtaposes Casta paintings from Mexico with some fascinating and little-known paintings from Quito and Peru to deepen and extend our understanding of the visuality of Spanish empire in the eighteenth century. Learn more about your ad choices. Visit megaphone.fm/adchoices