Podcasts about Cappella

Last fall, I met Francesco Galgani and tried his wines and I was completely blown away. I always think of Vernaccia as a more historical Pinot Grigio -- light on flavor, boring, and not anything to get excited about. But then I visited Cappella Sant'Andrea. HOLY CRAP!! This is the BEST Vernaccia on earth. Francesco and Flavia, the owners and winemakers, are truly the Masters of Vernaccia di San Gimignano. You will never taste Vernaccia like this.    In the show Francesco and I discuss the long history of Vernaccia, wine in San Gimignano, why there is so much crappy Vernaccia, and how they do it right. Their Rialto and Prima Luce, especially are stunning. I can't sing their praises more.   Two things mentioned in the show:  Follow Francesco on IG, he's a brilliant artist: @francescogalgani If you want to order directly from Francesco, and have the wine shipped from Italy, please visit their website: https://www.cappellasantandrea.it/chi-siamo1 and you can contact them for orders and pricing!      Full show notes and all back episodes are on Patreon. Join the community today! www.patreon.com/winefornormalpeople _______________________________________________________________   This show is brought to you by my exclusive sponsor, Wine Access – THE place to discover your next favorite bottle. Wine Access has highly allocated wines and incredible values, plus free shipping on orders of $150 or more. You can't go wrong with Wine Access! Join the WFNP/Wine Access wine club and get 6 awesome bottles for just $150 four times a year. That includes shipping! When you become a member, you also get 10% all your purchases on the site. Go to wineaccess.com/normal to sign up!   

On this week's episode we hear originals by Richard Steighner The Bobs Les Brünettes

Trevor Loudon Reports – Jeffrey Cappella's appearance on Trevor Loudon Reports delivered a stark warning about Russia's covert aggression, Iran's nuclear threat, and the internal battle within MAGA. “The probability of long-term stability and security in the region is very low should the mullah regime stay in power,” he declared, advocating for regime change driven by Iranians with strategic support...

Trevor Loudon Reports – Jeffrey Cappella's appearance on Trevor Loudon Reports delivered a stark warning about Russia's covert aggression, Iran's nuclear threat, and the internal battle within MAGA. “The probability of long-term stability and security in the region is very low should the mullah regime stay in power,” he declared, advocating for regime change driven by Iranians with strategic support...

“We had 10 sopranos, 4 altos, 2 tenors, and 1 bass, and they were all volunteers. We were spending hours trying to learn this music that we didn't have the numbers for, so I ended up writing almost 100 church arrangements, and I made the voice leading very stepwise. Being that close to the music made me a better writer because I'm not just writing for ensembles I don't hear regularly. I'm there in the rehearsal process, and I know what's hard and what might be easier to grab onto.” MaryAnne Muglia (she/her) is a composer, vocalist, and educator based in Arizona. She arranges and writes contemporary choral music, vocal jazz, and indie-influenced original songs. Her music has been performed by ensembles across the country, including Lyyra, Chanticleer, The King's Return, Säje Voices, and more. Recent commissions include works for community choirs, professional vocal groups, and student ensembles of all levels.​MaryAnne's arrangements and compositions have been published by Alfred Music, Graphite Publishing, Anchor Music, Hal Leonard, and Shawnee Press, and she has self-published over 25,000 copies of her work to date. She is the founder of Red Letter Daze, a professional vocal group with over 200,000 followers online and multiple Contemporary A Cappella Recording Award (CARA) recognitions. With Red Letter Daze, she has headlined major events including the NAU Jazz Madrigal Festival and the BOSS Festival (Boston Sings), sharing her original work and signature vocal arrangements with audiences nationwide. Her viral videos—including harmony breakdowns and arrangements of “The Parting Glass,” “The Sound of Silence,” “Carol of the Bells,” —have garnered millions of views across platforms. She also directs the Vocal Jazz and A Cappella programs at Chandler-Gilbert Community College and teaches at A Cappella Academy, a premier summer intensive for young vocalists founded by Avi Kaplan, Ben Bram, and Rob Dietz.​To get in touch with MaryAnne, you can visit her website (maryannemuglia.com) or find her on Instagram (@maryanne.muglia).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Pred nami je drugi koncert v ciklu Plačnik in A-Cappella. Na vrtu pred Plečnikovo hišo v Trnovem bo 2. julija, ob 20.30 nastopila ženska vokalna zasedba SLOVENA VOICES. Na koncert nas bo povabil umetniški vodja cikla Niko Houška!

On this week's episode we hear originals from Boyz Nite Out Four Shadow No Limit

Deke and Dietz are back with a brand new panel discussion format! This week's topic: How to build a career in a cappella. Featuring: Angela Ugolini - Producer/Engineer of Aurum Productions and Singer with Musae Chrissy Aloisio - NYC-based Voice Teacher and Singer/Choreographer of Backtrack Vocals  Layne Stein - Arranger, Writer, Creator, and Performer. Founding Member of VoicePlay and PattyCake Productions Tehillah Alphonso - GRAMMY®-nominated Arranger, Session Singer, and Teacher    

On this week's episode we hear originals by Ball in the House Duwende Street Corner Symphony

Today OnWithMarioLopez – Actor Scott Porter stops by to talk season 3 of his hit Netflix series 'Ginny And Georgia', music and more! Plus, why is Gen X pushing to become Generation Goonie, exciting 'True Detective' news, your comments and much more!See omnystudio.com/listener for privacy information.

This week, our "4 Questions Journalist Spotlight" shines Blake DeVine, a reporter with WANF TV/Atlanta News First.Coolest Thing About Blake: He's got a big A Cappella choir background!Last Podcast: "Acquired" podcast, it goes behind the scenes of the biggest tech IPOs and acquisitionsLast Book Read: Dave Ramsey "Total Money Makeover"Favorite Local Restaurant: Southern Kitchen (Midtown)Favorite Guilty Pleasure: Milkshakes at CookoutFavorite Local Getaway: Helen, GAFavorite Non-Work Hobby: Bobby Jones golf courseWebsite: www.AtlantaNewsFirst.com Mitch's day job is providing public relations services, media training, and crisis communications, but he also operates Leff's Atlanta Media (www.leffsatlantamedia.com), an online database with contact info for thousands of Atlanta-based journalists.

On this week's episode we hear originals by The Octopodes Reverie Cadenza

all the acapella good vibes

On this week's episode we hear originals by Arora The House Jacks Basix

Form a line and listen to this episode with 118,999 of your closest friends! Covers by: Naim Thomas, The Island Caribbean Steel Drum Band, Mile 21 A Cappella, The Chipmunks, Crew 7 and Jane Vogue, Leo Tidal playlist here

Korsische Polyphonie, persischsprachiger Flamenco von Farnaz Ohadi, ein Dok-Film über den Geiger Caliu aus Clejani und ein Fanfare Ciocarlia Porträt: vorgestellt von Grit Friedrich

Giuliano Pisani"L'ignoranza e la scelta"Etica per un'umanità disorientataRonzani Editorewww.ronzanieditore.itGli uomini hanno smarrito la conoscenza e sono in balia di una propaganda vile e abietta, di messaggi fuorvianti, folli, criminali. L'ingiustizia prepara terreni fertili alle sementi dell'odio. Il nemico mortale è l'ignoranza, l'amathia. È qui che attecchisce il fanatismo. La conoscenza dei fatti e la capacità di interrogarli possono cambiare il mondo. Abbiamo il dovere di provarci.L'etica si nutre di libertà. In una società disorientata come l'attuale, che impone ogni giorno scelte complesse, nessuno di noi può permettersi il lusso di non saper distinguere il bene dal male, di non saper tracciare un confine netto tra informazione, propaganda e manipolazione. Qual è il rischio dell'inconsapevolezza? L'ignoranza etica – l'amathia del pensiero greco – è agli antipodi dell'insegnamento socratico, che muove dal dubbio metodico (“so di non sapere”) e ha come fine il rispetto del primo motto delfico: “conosci te stesso”, che interroga il nostro ruolo sociale e ci mette in condizione di prendere decisioni. L'amathès, convinto di sapere ciò che non sa, è facile preda di ideologie e alienazioni e mina alla base, con la sua acriticità, l'obiettivo sociale per definizione: la pacifica convivenza. Come evitare, ciascuno di noi, di cadere vittima della stessa sirena? È lungo il lavoro da fare per riuscire a costruire un nuovo modo di pensare che ci configuri comunità consapevole; ma sarà bene provarci, tenendo a mente che essere coerenti non significa vedere sempre le cose nello stesso modo, ma agire in conformità a ciò che è giusto e doveroso in quel preciso momento, di fronte a quella specifica scelta.Giuliano PisaniFilologo classico e storico dell'arte, è autore di studi, edizioni e traduzioni dal greco e dal latino (Platone, Plutarco, Marsilio Ficino). Ha fornito un'interpretazione innovativa della Cappella degli Scrovegni (I volti segreti di Giotto, Milano, Rizzoli, 2008; La rivoluzione di Giotto, Milano, Skira, 2020) individuandone la chiave di lettura negli scritti di Sant'Agostino. Studi innovativi ha dedicato anche a Orazio, Raffaello e Canova. Ha tenuto seminari e conferenze in molte università e centri culturali europei (spesso in collaborazione con le ambasciate italiane). Ha pubblicato il romanzo Raphael (Milano, GMlibri, 2019) e promosso con Antonia Arslan il progetto “Padova. Casa dei Giusti”, nel cui ambito si inserisce il “Giardino dei Giusti del Mondo di Padova”. Socio effettivo dell'Accademia Galileiana di Scienze, Lettere ed Arti e di altre prestigiose istituzioni, è dal 2017 Cavaliere dell'Ordine al Merito della Repubblica Italiana. IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

On this week's episode we hear originals by The Glue Throat Culture 17th Avenue Allstars

On this week's episode we hear originals by Tonic Sol-Fa Forte Richard Steighner

On this week's episode we hear original music by Street Corner Symphony Vocaldente Rockapella

On this week's episode we hear original songs by Backtrack Vocals Postyr Face

On this week's episode we hear original songs by The Magnets The House Jacks EH440

durée : 00:10:57 - Roland de Lassus : Psaumes de la Pénitence, par la Cappella Amsterdam, sous la direction de Daniel Reuss - La Cappella Amsterdam et son chef d'orchestre Daniel Reuss présentent un enregistrement complet des Psaumes de Pénitence d'Orlando di Lasso.

durée : 00:10:57 - Roland de Lassus : Psaumes de la Pénitence, par la Cappella Amsterdam, sous la direction de Daniel Reuss - La Cappella Amsterdam et son chef d'orchestre Daniel Reuss présentent un enregistrement complet des Psaumes de Pénitence d'Orlando di Lasso.

Ladue Schools Superintendent Dr. Jim Wipke sits down with Viva Voce—Ladue Horton Watkins High School's award-winning all-female a cappella group—and their passionate director, Leah Alrutz. Fresh off a fourth-place finish at the 2025 International Championship of High School A Cappella Midwest Quarterfinal, these student leaders open up about competition, community, and the deep bonds formed through music.You'll hear from members Kayla Wallace, Kate Sheley, Maya Mathew, and Emma Bangert as they share what it means to lead with harmony—on and off the stage. Leah Alrutz reflects on the group's origin, evolution, and the tradition of excellence they've built since 2016. Plus, stay tuned for a special surprise: Viva Voce crafts and performs a spontaneous jingle for the podcast!This episode celebrates student voice, artistic excellence, and the joy of creating something powerful—together.

On this week's episode we hear originals from Tonic Sol-Fa The Bobs MiCappella

Marco Ansaldo"La morte di Papa Francesco"L'annuncio della morte di Papa Francesco è stato dato nella Cappella di Casa Santa Marta dal camerlengo, il cardinale Kevin Farrell. Accanto a lui il cardinale Segretario di Stato Pietro Parolin, il Sostituto mons. Edgar Pena Parra e il Maestro delle Cerimonie mons. Diego Ravelli: “Carissimi fratelli e sorelle - le parole di Farrell - con profondo dolore devo annunciare la morte di nostro Santo Padre Francesco. Alle ore 7:35 di questa mattina il Vescovo di Roma, Francesco, è tornato alla casa del Padre. La sua vita tutta intera è stata dedicata al servizio del Signore e della Sua chiesa. Ci ha insegnato a vivere i valori del Vangelo con fedeltà, coraggio ed amore universale, in modo particolare a favore dei più poveri e emarginati. Con immensa gratitudine per il suo esempio di vero discepolo del Signore Gesù, raccomandiamo l'anima di Papa Francesco all'infinito amore misericordioso di Dio Uno e Trino.” Emorragia cerebrale possibile causa della morte. Ieri, a Pasqua, l'ultima apparizione davanti a 35mila fedeli. Bandiere a mezz'asta a Palazzo Chigi, Camera, Senato e Quirinale. Ma anche ambasciate e caserme. Migliaia in preghiera a piazza San Pietro.Marco Ansaldo è considerato uno dei più autorevoli esperti di Turchia, paese dove da più di trent'anni viaggia, lavorando e abitando a Istanbul. Si è occupato di politica e cultura scrivendo centinaia di reportage e una lunga serie di interviste con i maggiori protagonisti, dal presidente Recep Tayyip Erdogan al premio Nobel per la letteratura Orhan Pamuk. Ha redatto le voci dell'Enciclopedia Treccani e del Dizionario Utet, e inventato il Foro di dialogo intergovernativo Italia-Turchia. Da Istanbul ha collaborato anche con La7 al programma Atlantide.Per sette anni, dal 2010 al 2016, è stato vaticanista di Repubblica, dove ha seguito i pontificati di Papa Benedetto XVI e di Papa Francesco. Ha seguito due Conclavi, decine di viaggi papali, il caso dei Corvi in Vaticano e gli scandali Vatileaks 1 e 2. Da più di dieci anni scrive di Vaticano per il prestigioso settimanale tedesco Die Zeit.Genovese, è ambasciatore all'estero dell'U.C. Sampdoria e ha scritto tre testi sul calcio; per anni disc-jockey e conduttore radiofonico, allievo di tre Conservatori di Stato si occupa anche di musica collaborando oggi con Rai Radio 3.È curatore di cicli e convegni culturali e tiene conferenze in organismi e istituzioni sui vari temi di cui è esperto. Ha scritto una quindicina di libri e oggi vive fra Istanbul, Genova e Roma. È probiviro della Federazione Nazionale della Stampa Italiana.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

On this week's episode we hear originals by Suede The Glue Wise Guys

In dieser Folge geht es auf die Bühne – und mitten ins Herz! Tobias Hanf, Gründungsmitglied von LaLeLu – A Cappella Comedy, erzählt, wie aus einer Semesteridee ein Karriereweg wurde, warum Parodien das Publikum seit 30 Jahren begeistern – und was es braucht, um in einer Gruppe so lange erfolgreich zusammenzuarbeiten. Wir sprechen über:

durée : 00:17:00 - Le Disque classique du jour du lundi 14 avril 2025 - Leonardo Garcia Alarcon met en regard deux œuvres monumentales : une Messa Concertata du maître de chapelle de la Basilique San Petronio de Bologne et le célèbre Dixit Dominus que George Friedrich Haendel composa lors de son séjour à Rome en 1707.

durée : 00:17:00 - Le Disque classique du jour du lundi 14 avril 2025 - Leonardo Garcia Alarcon met en regard deux œuvres monumentales : une Messa Concertata du maître de chapelle de la Basilique San Petronio de Bologne et le célèbre Dixit Dominus que George Friedrich Haendel composa lors de son séjour à Rome en 1707.

La riflessione di Andrea Candiani al ritorno dalla sua visita alla Cappella degli Scrovegni di Padova.

On this week's episode we hear original music from Go Fish Marcoux Corner Ball in The House

On this week's episode we hear original songs by EH440 Duwende Five O'Clock Shadow

On this week's episode we hear original songs by Spiralmouth Three 5 and 6 The Blenders

On this week's episode we hear originals by: MaybeBop Street Corner Symphony The Funx

Verso la fine del secolo XIX, in Italia, la didattica organistica iniziò ad ammiccare lo sguardo verso nuovi orizzonti. La disciplina dell'accompagnamento alla tastiera del canto gregoriano, infatti, andò ad affiancarsi allo studio di una prassi tanto antica quanto difficilmente codificata in forma scritta e in maniera sistematica nei secoli precedenti: l'improvvisazione organistica. A prestare attenzione a questo dato di fatto, riferendolo alla prestigiosa attività musicale svolta nel Duomo di Milano è Claudio Cardani. Partendo dalla fine del Seicento per arrivare agli inizi del Novecento. Cardani ha pazientemente raccolto - in una pubblicazione edita dall'Associazione Serassi - gli elementi che fanno la storia del ruolo dell'improvvisazione organistica nella pratica liturgica della Cappella milanese. Lo ha fatto descrivendo le modalità con cui la Fabbrica del Duomo gestiva i diversi incarichi musicali, l'analisi dei regolamenti e dei bandi di Concorsi le cui prove dimostrano che la quasi totalità degli interventi organistici erano di carattere improvvisativo. Claudio Cardani è ospite al microfono di Giovanni Conti.

On this week's episode we hear original by SoVoSo STC TAG

On this week's episode we hear originals by Postyr Mauf Rockapella

A touring singer, custom songwriter & music arranger who performs as the high tenor for the R&B/Soul/Pop A Cappella group Ball in the House which as been featured on America's Got Talent and in Cool Whip Commercials. In high school Wallace participated in All-State choirs, Solo and Ensemble competitions, and even had the opportunity to share his talents overseas in Europe. He pursued a degree in music at Florida State University where he was introduced to contemporary A Cappella music. He joined Reverb, a start-up, all-male a cappella group. Later he joined the United States Air Force, an experience that instilled in him the values of leadership, discipline, and the pursuit of excellence. As he transitioned from military life, he found a home in West Palm Beach, Florida, with his beloved wife, Angie. He continued to share his vocal talents with the community, through serving as a cantor for local churches and serenading patrons in restaurants and nightclubs as a crooner. It was during that period that he stumbled upon Ball in the House. Nearly 9 years later, through singing with Ball in the House he has found a way to showcases his talents that allows him to connect with a diverse and appreciative audience. He feels honored to be part of such a storied group where his passion for music can shine.

On this week's episode we hear originals by The House Jacks MeasureXmeasure Richard Steighner

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On this week's episode we hear originals by Eric Chung Four Shadow M-Pact

We start to gear up for the 2025 PMEA All-State Festival by talking with the conductors of all six All-State ensembles. Today we talk with JD Frizzell, All-State Contemporary A Cappella Ensemble Conductor and Gary Smulyan, All-State Jazz Ensemble Conductor. Learn about the musical programs and what student participants can expect.

On this week's episode we hear originals by Forte Counter Measure The Magnets

Perhaps no executive order of President Trump’s has so far been met with as much confusion and consternation as the one issued two weeks ago freezing federal funding for grants and loans. Although it has been blocked temporarily by federal courts, nonprofits and organizations are still reeling from the effect it’s had on grants they’ve won from agencies like the National Endowment for the Arts.  That’s especially true if you’re a nonprofit like Portland choir Cappella Romana, which won a $35,000 NEA grant last May for the premiere of a work about racial reconciliation that fuses Orthodox music with African American gospel. As first reported in Oregon ArtsWatch, the choir was uncertain its NEA grant money could be accessed for performances of Canon for Racial Reconciliation in Seattle and Portland after the federal funding freeze was announced. But a direct appeal to donors, who gave more than $20,000 in 48 hours, has ensured the shows on Feb. 28 and March 1 will go on. On the morning of Feb. 11, the NEA funds appeared in Cappella Romana’s accounts, according to executive director Mark Powell. He joins us to talk about the Canon for Racial Reconciliation, and how the evolving guidance for NEA grants may close the door to works championing racial diversity or marginalized communities.  

6pm: John Curley - Live from the DC Airport // Unpacking The Inauguration of the 47th President Donald J Trump // Carrie Underwood sings ‘America the Beautiful’ a cappella after major snafu at Trump inauguration: ‘Help me out here’

The subject of this week's program is A Cappella Holiday music with Mike Maino. Mike has a chance to do the first in a series about great American a cappella groups. In this case the artists are a group from Florida, “The Liberty Voices”, along with “Acoustix” from Dallas and “Rockapella”, which has Rhode Island roots. For more information or comments you can call (401) 294-9274, or email maino@classical959.com

Musical pill containing songs without instrumental accompaniment.Credits :  “Le ragazze” by C. Mattone (1995) performed by Neri per Caso  -  “Brava” by B. Canfora (1965) performed by Alti & Bassi  -  “Il pescatore” by F. De André / F. Zauli / G.P. Reverberi (1970) performed by Cluster  -  “Vita” by Mogol / M. Lavezzi (1988) performed by Venice Vocal Jam  -  “All I Want for Christmas Is You” by M. Carey / W. Afanasieff (1994) performed by Glissando Vocal Ensemble.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/pillole-di-italiano--4214375/support.

Merriam-Webster's Word of the Day for November 6, 2024 is: a cappella • ah-kuh-PEL-uh • adverb or adjective When a song is performed a cappella, it is sung unaccompanied by instrumental music. // A hush fell over the audience as a voice from offstage began singing a cappella. // Several a cappella groups are slated to perform during the celebration. See the entry > Examples: "In a video posted to Twitter ... H.E.R. delivers a hauntingly beautiful cover of Coldplay's classic 'Fix You,' which peaked at No. 59 on the Billboard Hot 100 in 2005. Backed by four of her background singers, H.E.R. belts out the 2005 hit completely a cappella." — Kyle Denis, Billboard, 14 July 2022 Did you know? A cappella arrived in English in the 18th century via the Italian phrase a cappella, meaning "in chapel or choir style." (Medieval Latin capella, meaning "chapel," is the source of English chapel.) The a cappella style reached preeminence in the late 16th century in the music that composer Giovanni Pierluigi da Palestrina wrote for the Sistine Chapel of the Vatican. Because no independent instrumental parts were written down, scholars once thought that the choir sang unaccompanied, but current evidence makes clear that an organ or other instruments doubled some or several of the vocal parts. Regardless, today a cappella describes a purely vocal performance.