Podcasts about Cappella

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TESTO DELL'ARTICOLO ➜ https://www.bastabugie.it/8671LETTERE AL SACERDOTE: CHE FINE HA FATTO SANTIAGO MATAMOROS?di Don Stefano Bimbi Cari amici di BastaBugie,quest'estate ho avuto la gioia di fare il Cammino di Santiago e arrivare finalmente a Compostela.Prima di partire avevo letto qualcosa sulla famosa statua di Santiago Matamoros, con San Giacomo a cavallo e la spada in mano. Mi ero ripromessa di cercarla nella Cattedrale, ma una volta arrivata non sono riuscita a trovarla.Ho chiesto anche informazioni e mi è sembrato di capire che non si trovi più nella Cattedrale. Mi è dispiaciuto, perché mi sembra un'immagine molto legata alla storia cristiana della Spagna e alla Reconquista.Sapete dirmi che fine ha fatto? È stata davvero rimossa? E per quale motivo?Grazie e complimenti per BastaBugie, che seguo sempre con interesse.Un caro saluto,CaterinaRISPONDE IL SACERDOTECara Caterina,hai visto bene: la celebre statua settecentesca di Santiago Matamoros, opera dello scultore José Gambino, non si trova più nel posto che occupava nella Cattedrale di Santiago. La sua storia recente è piuttosto significativa.BastaBugie se ne era occupata già anni fa. Nel 2015 pubblicammo anche una fotografia che noi avevamo scattato proprio a Compostela: la statua era ancora al suo posto, ma un'abbondante composizione floreale copriva la parte inferiore, nascondendo alla vista i mori sconfitti sotto il cavallo dell'Apostolo. Con un po' di ironia ci chiedemmo allora se Santiago Matamoros non fosse diventato "Santiago Mataflores".In realtà la questione era iniziata ancora prima. Nel 2004 la statua era stata temporaneamente rimossa e, quando tornò ad essere esposta, le figure dei musulmani ai piedi del cavallo vennero appunto coperte dai fiori.Poi arrivò un nuovo capitolo. Durante i lavori di restauro della Cattedrale la statua fu nuovamente rimossa dal suo camerino e, nel 2021, trasferita nella Cappella dell'Alba. All'epoca si parlò ancora di una sistemazione provvisoria.Adesso sappiamo invece quale è stata la destinazione definitiva: dal 2026 il Santiago Matamoros di Gambino fa parte dell'esposizione permanente del nuovo Museo Diocesano, ospitato nel monastero di San Martín Pinario. Quindi non è stato giudicato degno nemmeno di stare nel Museo della Cattedrale dove vanno principalmente tutti i turisti.Dunque la statua non è stata distrutta, né è scomparsa: è ancora visibile, ma bisogna andare a cercarla perché altrimenti il visitatore medio non la incontrerà mai. Il 100% dei pellegrini visita la cattedrale, una parte soltanto visiterà il museo della cattedrale, ma all'altro museo ci andranno solo l'1% perché motivati a ricercare la statua originale del Matamoros.Vale la pena aggiungere che nella Cattedrale non sono state cancellate tutte le raffigurazioni di Santiago Matamoros. Ne rimangono altre, tra cui quella molto evidente posta in alto sul grande baldacchino barocco dell'altare maggiore e quella sopra l'organo di sinistra della navata centrale.Ma perché Santiago viene rappresentato a cavallo, con la spada in mano?Bisogna tornare alla grande storia cristiana della Spagna. San Giacomo apparve miracolosamente durante la lotta dei cristiani contro la dominazione musulmana. L'episodio più celebre è quello legato alla battaglia di Clavijo, nella quale l'Apostolo è apparso su un cavallo bianco per sostenere l'esercito cristiano del re Ramiro I. Da qui nasce l'iconografia di Santiago Matamoros, cioè San Giacomo uccisore dei mori.Al di là della discussione storica sull'effettivo svolgimento della battaglia di Clavijo, questa tradizione ebbe un'importanza enorme: per secoli Santiago divenne il grande patrono e protettore della Reconquista, il simbolo celeste di una Spagna che lottava per liberare le proprie terre dalla dominazione islamica e ricostruire la propria identità cristiana.Non si comprende quindi Santiago Matamoros giudicandolo semplicemente con le categorie politiche di oggi. Quell'immagine appartiene alla storia, alla fede e alla memoria di un popolo cristiano.E forse proprio chi arriva a Compostela dopo aver percorso centinaia di chilometri dovrebbe poter conoscere Santiago in tutte le forme nelle quali la cristianità lo ha venerato nei secoli: Apostolo, pellegrino, evangelizzatore e anche difensore della fede.Un caro saluto e buon cammino... anche dopo il Cammino di Santiago!

DOMRADIO.DE hat am Samstag die Beauftragungsfeier der Pastoral- und Gemeindereferenten für das Erzbistum Köln im Kölner Dom mit Weihbischof Ansgar Puff übertragen. Acht Frauen und Männer haben im Rahmen des Wortgottesdienstes ihren dreijährigen Pastoralkurs abgeschlossen und werden anschließend durch die Beauftragung als Gemeinde- oder Pastoralreferentinnen, bzw. Gemeinde-, oider Pastoralreferenten für das Erzbistum Köln tätig sein.  Die musikalische Gestaltung lag bei einem Gemeinschaftschor aus Mitgliedern von: A CAPPELLA, basiliCANTO, Cantamos (Chor und Band), Chorgemeinschaft St. ServaƟus & St. Anno, CHORZEIT, Chor ´72, Kirchenchor Holpe, Mucher Konzertgemeinschaft. Die musikalische Leitung hatte Dirk van Betteray. Kantorin: Gisela Ries-Sudowe. An der Domorgel saß Hoonbyeong Chae.

Il Santuario della Madonna di Tirano sorge in un luogo geograficamente e storicamente strategico, situato all'imbocco della Valposchiavo, al crocevia delle vie di comunicazione che collegano la Valtellina ai passi alpini del Bernina e dello Stelvio.La sua storia spirituale ha inizio all'alba del 29 settembre 1504. Secondo la tradizione devozionale, il tiranese Mario Omodèi si stava recando nei suoi campi quando fu sorpreso da una luce sfolgorante. In quel bagliore gli apparve la Vergine Maria che, pronunciando le celebri parole “Bene avrai” (promessa di guarigione dalla peste che allora flagellava la zona), chiese esplicitamente che in quel preciso luogo venisse edificato un tempio in suo onore.La risposta della comunità locale fu immediata e corale: la prima pietra del nuovo edificio sacro venne posta il 25 marzo 1505, nel giorno dell'Annunciazione. Nel giro di pochi decenni, grazie al fervore religioso e al sostegno delle autorità locali, prese forma quello che oggi è considerato uno dei più splendidi e significativi esempi di architettura rinascimentale lombarda nell'intera area alpina.Un capolavoro del Rinascimento: l'armonia delle forme e lo stupore baroccoL'architettura del Santuario è un mirabile esempio di transizione e fusione di stili. All'esterno, la facciata e le linee strutturali esprimono il perfetto equilibrio, la simmetria e la razionalità tipiche del Rinascimento lombardo, fortemente influenzato dai modelli dei maestri attivi a Milano e Como (tra cui spicca l'influenza di Giovanni Antonio Amadeo). Il campanile, slanciato e monumentale, svetta con le sue bifore e trifore, richiamando lo stile romanico-rinascimentale.Varcata la soglia, l'osservatore viene accolto da un contrasto scenografico straordinario: la purezza rinascimentale cede il passo a una sorprendente e fastosa ricchezza barocca. Navate e cappelle sono decorate da un fitto tessuto di affreschi, stucchi, sculture e marmi policromi.Il fulcro visivo e spirituale dell'interno è senza dubbio la monumentale cassa lignea dell'organo seicentesco, un capolavoro assoluto dell'intaglio valtellinese realizzato da Giuseppe Bulgarini tra il 1608 e il 1617, completato successivamente dalle decorazioni di Giovanni Battista Salmoiraghi. Questa colossale struttura lignea, sorretta da telamoni e decorata con intricati dettagli di angeli, profeti e scene bibliche, è considerata uno degli organi storici più importanti d'Europa.Al centro della devozione popolare rimane tuttavia la Cappella dell'Apparizione, collocata esattamente nel punto in cui la tradizione colloca l'incontro tra l'Omodèi e la Vergine, un luogo intimo che custodisce il cuore spirituale del santuario.All'ombra della storia: tra il Ducato di Milano e le Tre LegheQuando iniziarono i lavori di costruzione, la Valtellina apparteneva ancora al Ducato di Milano, sotto l'influenza politica e artistica della pianura lombarda. Tuttavia, il destino politico della valle stava per cambiare radicalmente. Nel 1512, appena sette anni dopo la posa della prima pietra, la Valtellina passò sotto il dominio delle Tre Leghe (l'odierno Canton Grigioni), inaugurando una complessa vicenda geopolitica destinata a durare quasi tre secoli, fino al 1797.Questo dettaglio temporale è fondamentale per comprendere l'identità del Santuario: la chiesa precede cronologicamente la Riforma protestante. Essa non nacque, quindi, come un baluardo confessionale o come un simbolo della Controriforma contro il protestantesimo d'oltralpe. Ciononostante, nei secoli successivi e in particolare durante i drammatici anni delle guerre di religione in Valtellina (culminate nel Sacro Macello del 1620), il Santuario assunse inevitabilmente un ruolo politico e religioso di primissimo piano, diventando il baluardo dell'identità cattolica della valle di fronte ai dominatori grigionesi, in gran parte di fede riformata.Maestranze ticinesi: la permeabilità delle frontiere alpineLa storia del cantiere di Tirano è anche la testimonianza di quanto fossero permeabili e fluidi gli antichi confini alpini, ben prima del concetto moderno di frontiera di Stato. Le Alpi non erano barriere insormontabili, bensì vie di transito per idee, merci e artisti.Al grande cantiere del Santuario lavorarono infatti numerosi maestri costruttori, scultori, stuccatori e pittori provenienti dai territori dell'attuale Canton Ticino e dalle valli dei laghi lombardi. Queste maestranze (tra cui figurano storicamente architetti della cerchia dei Rodari di Maroggia) portarono in Valtellina il “saper fare” tecnico e artistico sviluppato nei grandi cantieri del Duomo di Como e della Certosa di Pavia, lasciando un'impronta indelebile nella pietra e negli stucchi della basilica.L'asse Tirano-Valposchiavo: una rete economica e religiosaIl Santuario non crebbe soltanto grazie alla fede, ma anche grazie a una solida struttura amministrativa alimentata dalle generose offerte dei pellegrini e da un importante patrimonio di beni immobili e terreni.Nel 1517, un atto fondamentale sancì la confluenza nell'amministrazione del Santuario dei possedimenti degli antichi xenodochi (ospizi per pellegrini) di Santa Perpetua (situato a Tirano) e di San Remigio (posto sul crinale montuoso verso la Valposchiavo). Questi due storici avamposti dell'accoglienza alpina testimoniano l'esistenza di una fitta rete religiosa, assistenziale ed economica che da secoli univa Tirano alla Svizzera e, nello specifico, alla Valposchiavo. La gestione unificata di questi beni permise al Santuario di disporre delle risorse necessarie per completare le sue monumentali strutture e per assistere i viandanti che valicavano i passi alpini.Un patrimonio civico che guarda al futuroOggi la Basilica della Madonna di Tirano presenta una peculiarità giuridica e amministrativa straordinariamente rara: appartiene direttamente al Comune di Tirano e non alla diocesi, una condizione storica che ne sottolinea il profondo legame civico con la popolazione locale.Dichiarata nel 1946 “Patrona della Valtellina” da Papa Pio XII, la Basilica continua a essere un polo d'attrazione spirituale, artistico e turistico di livello internazionale. Il legame con la Svizzera rimane vivo anche grazie alla vicina stazione del Trenino Rosso del Bernina (Patrimonio Mondiale UNESCO), che porta migliaia di visitatori svizzeri e internazionali a concludere il proprio viaggio proprio di fronte alla maestosa facciata del Santuario.Oggi questo straordinario monumento non si limita a custodire il proprio passato, ma guarda al futuro. Sono infatti in atto e in fase di progettazione importanti interventi urbanistici destinati a ridisegnare, pedonalizzare e valorizzare l'intera piazza e l'area circostante, per garantire che questo storico crocevia di popoli continui a essere, per i secoli a venire, un luogo di incontro, bellezza e accoglienza.

Po večletni prenovi bo v nedeljo, 13. septembra ponovno odprl svoja vrata prenovljeni Dvorec Radlje. Poleg tega pa v oddaji o kulturi še o naslednjem, že četrtem koncertu v ciklu Plečnik in A-Cappella. Tokrat bo v Narodni in univerzitetni knjižnici nastopil Komorni zbor Ave.

Lyrics Below “It Won't Be Long” is a deeply rhythmic a cappella performance built around a strong baritone lead, rich three-part male harmonies, call-and-response phrasing, and driving vocal percussion. The arrangement moves between tightly stacked chords, rhythmic responses, expressive melismas, spontaneous vocal improvisation, and deep bass pulses that create the groove without instruments. The lyrics look toward the return of Christ, the signs of the times, eternity, and the promise of reaching the other side. [Verse 1] There is nothing I could tell you That you've already heard When the son of man returns Will he find faith on the earth? There's a river and it's deep and wide You know it won't be long Until we get to the other side It won't be long [Verse 2] There is nothing I could tell you That you've already heard When the son of man returns Will he find faith on the earth? Look around and what do you see? You know it won't be long Signs of the times, the apostasy It won't be long [Verse 3] There is nothing I could tell you That you've already heard When the son of man returns Will he find faith on the earth? Apocalyptic visions I see You know it won't be long Time no more, eternity It won't be long [Verse 4] There is nothing I could tell you That you've already heard When the son of man returns Will he find faith on the earth? There's a Heaven to gain and a hell to shun You know it won't be long Until we get to the other side It won't be long ©2022

Please consider how you can be faithful to the Lord Jesus Christ through your financial support to the continued work of His Church in this time. Contributions can be made by PayPal by visiting our website ( faithbiblepres.org ) or by mailing your contribution to: Faith Bible Presbyterian Church 3001 Marian Dr. Trenton Mi 48183 "The Pastor ought to have two voices: one, for gathering the sheep; and another, for warding off and driving away wolves and thieves. The Scripture supplies him with the means of doing both." ~ John Calvin (July 10, 1509 - May 27, 1564). "My sheep hear My voice, and I know them, and they follow Me." ~ NKJV John 10:27 "Satan's greatest success is in making people think they have plenty of time before they die to consider their eternal welfare" ~ John Owen (1616 - August 1683). "For the word of God and testimony of Jesus Christ." ~ NKJV Rev. 1:9 Fᴀɪᴛʜ Bɪʙʟᴇ Pʀᴇsʙʏᴛᴇʀɪᴀɴ Cʜᴜʀᴄʜ ~ Tʀᴜᴇ Worship & Aᴜᴛʜᴇɴᴛɪᴄ Fᴇʟʟᴏᴡsʜɪᴘ ~ Faith Bible Presbyterian Church is a Bible believing and Christ honoring church that is committed to teaching|preaching the Word of God with diligence and authority. We stand for the historic Christian faith, and we welcome you to our services of worship. Won't you join us? faithbiblepres.org

Please consider how you can be faithful to the Lord Jesus Christ through your financial support to the continued work of His Church in this time. Contributions can be made by PayPal by visiting our website ( faithbiblepres.org ) or by mailing your contribution to: Faith Bible Presbyterian Church 3001 Marian Dr. Trenton Mi 48183 "The Pastor ought to have two voices: one, for gathering the sheep; and another, for warding off and driving away wolves and thieves. The Scripture supplies him with the means of doing both." ~ John Calvin (July 10, 1509 - May 27, 1564). "My sheep hear My voice, and I know them, and they follow Me." ~ NKJV John 10:27 "Satan's greatest success is in making people think they have plenty of time before they die to consider their eternal welfare" ~ John Owen (1616 - August 1683). "For the word of God and testimony of Jesus Christ." ~ NKJV Rev. 1:9 Fᴀɪᴛʜ Bɪʙʟᴇ Pʀᴇsʙʏᴛᴇʀɪᴀɴ Cʜᴜʀᴄʜ ~ Tʀᴜᴇ Worship & Aᴜᴛʜᴇɴᴛɪᴄ Fᴇʟʟᴏᴡsʜɪᴘ ~ Faith Bible Presbyterian Church is a Bible believing and Christ honoring church that is committed to teaching|preaching the Word of God with diligence and authority. We stand for the historic Christian faith, and we welcome you to our services of worship. Won't you join us? faithbiblepres.org

Aired 8/18/2026 on 97.3/107.9 The Rock in Morro Bay, CA.Captain Beefheart & The Magic Band ~ Nowadays a Woman's Gotta Hit a ManThe Last ~ She Don't Know Why I'm HereJohn's Children ~ Midsummer Night's SceneThe Squires ~ Going All the WayThe Kinks ~ 20th Century ManThe Byrds ~ Everybody's Been BurnedAcetone ~ York Blvd. (rehearsal tape) Lamin Fofana ~ BluesRamsey Lewis ~ Eternal JourneyMagic Carpet ~ Rumba GnawaNubya Garcia ~ OdysseyRoser Monforte/Jordi Pallares/Pau Mainé ~ Baraka Royal Trux ~ Turn of the CenturyJames Blood Ulmer ~ Devil's Got To BurnBill Orcutt & Mabe Fratti ~ The Heaven of our MiseryMarisa Anderson ~ Pair of DudukMagic Tuber Stringband ~ Dog-Headed ManBCMC ~ Melodía Compacta Manual ~ Neon ReverieA.R. Kane ~ Baby Milk SnatcherSpiritualized ~ Ladies And Gentlemen (Moles Studio Mix 7), (Original Oratone Ideas), (A Cappella w/ Lead Vocal)Anna von Hausswolff ~ Consensual Neglect Manu Dibango ~ Echos BetiShango ~ Thank YouDeadline ~ Baliphone DubMandigo ~ MusoToure Kunda ~ Babacady Ashra ~ Morgana da capoSetting ~ Gum BumpHorse Lords ~ Demand to Be Taken to Heaven Alive!gamut inc ~ 5 CountingMary Lou Williams & Her Orchestra ~ Rag of Rags

En janvier 2024, elle nous donnait l'élan parfait pour démarrer l'année depuis l'Italie. Et si, aujourd'hui, on s'en inspirait pour recharger nos batteries estivales ? La plus italienne des Françaises, Alice Cheron, incarne à merveille cette dolce vita qu'on rêve tous d'adopter. Depuis Florence, elle partage un art de vivre à l'italienne aussi joyeux qu'exigeant, à travers son blog devenu culte Ali di Firenze, sa web-série Dolce Follia, et ses fugues italiennes, des escapades enchantées réservées aux femmes en quête de sens, de beauté et de souffle nouveau. Dans cet épisode, Alice nous parle de reconnection, de créativité, de réinvention… Et nous offre une bouffée d'inspiration solaire, à écouter en maillot sur la plage ou dans le train en direction des vacances ! Bref, un replay comme un second départ. Bell'ascolto !· À lire cet été :Retrouvez son rendez-vous carte postale « Merci l'Italie » via le compte Instagram : @alidifirenze , ou ses newsletters « CURIOSARE » et « BOBINE » auxquelles vous pouvez vous abonner via son site internet : www.alidifirenze.fr , ainsi que son livre « L'Appel de la fugue » (Editions Leduc, 2020).· Les inspirations italiennes d'Alice Cheron :Son musée préféré à Florence, la Cappella dei Principi, la chapelle privée de la famille Médicis, située dans la basilique San Lorenzo. En profiter pour y découvrir (sur réservation) « la chambre secrète » de Michel-Ange. Et non loin de là, l'Opificio delle Pietre Dure, un institut spécialisé dans la marqueterie de pierres précieuses et semi-précieuses, unique en son genre !Ses lieux « connectés à la matière » et au travail de la pierre à Florence : le Musée du Bargello, la Galerie de l'Académie qui accueille le célèbre « David » de Michel-Ange, mais aussi sa série de sculptures « Les prisonniers », ainsi que le plus méconnu Musée Marino Marini et l'artiste florentin contemporain Duccio Maria Gambi qui travaille le béton.La région italienne de la Versilia, dans le nord-ouest de la Toscane, qui abrite des trésors tels que les villes de Forte dei Marmi, Pietrasanta ou encore Carrare.Le film « La Grande Bellezza » de Paolo Sorrentino (2013).La chanson « Tintarella di luna » de Mina.La trilogie romanesque de Marlena de Blasi : « 1000 jours à Venise » (2002), « 1000 jours en Toscane » (2004), et « Un palais à Orvieto » (2013).Conçu, réalisé et présenté par Claire PlantinetMontage Générique : François PraudMixage épisode : Alice Krief - Les belles fréquencesMusique : Happy Clapping Cinematic Score / PaBlikMM / Envato ElementsCréation visuelle : Thomas JouffritPortrait Alice Cheron : © Alex Dani Retrouvez allora sur Instagram @allora.lepodcast ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

What Am I Here 4? A Cappella: We got some straight Corey vocals to inject into your veins and can do some in the moment remixes and compare the song to "Sultans of Swing" by Dire Straits.Convention Appearances: We have some clips of Corey at a recent Fan Expo boring people with stories about his music.Jamie Kennedy Interview: We watch the last third of the Corey Feldman appearance on Jamie Kennedy's podcast and this one focuses on conspiracies, demon worshipping and of course, Corey's music.COREY FELDMAN!, SHOW STOPPER!, LET'S JUST TALK!, DON CHEADLE!, BOOGIE NIGHTS!, JIM AND THEM IS POP CULTURE!, COREY FELDMAN SHOW!, REAL ONES!, PO BOX!, XP!, HP!, MANA!, HADRON COLLIDER!, CERN!, TIME IS SLOW AGAIN!, EPIC GEAR!, TAYLOR SWIFT!, TRAVIS KELCE!, ADAM SANDLER!, OPERA MAN!, THE 3 ADAM SANDLERS!, A CAPPELLA!, BEAT!, REMIX!, WHAT AM I HERE 4?!, COREY FELDMAN SONG!, CYPHER!, SOUNDS OF HELL!, DIRE STRAITS!, SULTANS OF SWING!, BORING!, RAMBLING!, GUITAR SOLO!, CHORD PROGRESSION!, RIFF!, SOLO!, INDIANA!, CALLERS!, 4 YEAR ANNIVERSARY VIDEO!, FAVORITE!, SCARY MOVIE!, K-POP DEMON HUNTERS!, PARODY!, CONVENTION APPEARANCES!, GOONIES!, MUSIC!, EMPTY!, FAIREST!, SINGLE!, COREY SOUND!, STAND BY ME!, EAR!, CONSPIRACIES!, EPSTEIN!, PIZZAGATE!, HOLLYWOOD!, DEMONIC!, BAAL!, JAMIE KENNEDY!, DEEP TRUTHERS!, BAAL HANG OUT!, RETRO ROCK!, 22 FOR 4!, EVOLUTION!,You can find the videos from this episode at our Discord RIGHT HERE!

Series: N/AService: Sunday Morning Class - SAM - 10:45AMType: SermonSpeaker: Daniel Lookadoo

Pri založbi KUD Logos je izšla monografija slikarskih del akademskega slikarja, kaligrafa in oblikovalca Lucijana Bratuša. Na odru Kongresnega trga bo nocojšnja Poletna noč posvečena eni od legend slovenske zabavne glasbe Otu Pestnerju. Na drugem koncertu cikla PLEČNIK IN A-CAPPELLA pa bo nastopil Akademski pevski zbor Maribor pod vodstvom Uroša Jurgca.

In this episode of Creative Guts, Becky Barsi and Joe Acone talk with Terry Neill and Jill Teeters of Northern Voices A Cappella, a Manchester-based chorus celebrating its 50th anniversary.  This conversation covers how the chorus makes music, prepares for performances, and competes as part of SingUnited International (formerly known as Sweet Adelines International). Most recently, Northern Voices earned 1st place Division A, 3rd place overall, and “Most Improved” at the regional competition in Springfield, MA.  Learn more about Northern Voices by visiting their website: Learn more at northernvoicesac.org on Facebook at Northern Voices A Cappella, and on Instagram at @northernvoicesacappella.  Listen to this episode wherever you listen to podcasts or on our website www.CreativeGutsPodcast.com. Connect with us on Instagram, Facebook, LinkedIn, and Discord. Subscribe to our Substack newsletter at creativegutspod.substack.com.  If you love listening, consider making a donation to Creative Guts! Our budget is tiny, so donations of any size make a big difference. Learn more about us and make a tax-deductible donation at www.CreativeGutsPodcast.com.  Thank you to Kennebunk Savings Bank for being an official sponsor of the podcast! Thank you to our friends at Art Up Front Street Studios and Gallery in Exeter, NH and the Rochester Museum of Fine Arts in Rochester, NH for their support of the show!  Any views or opinions expressed by our hosts or guests do not necessarily reflect the views or positions of Creative Guts.

Con Carlos Marco, Juan Luis García y Javier Cadena, de B Vocal, hablamos de la VIII edición del Festival Internacional B Vocal a cappella. Los días 12, 13 y 14 de junio, en el Teatro Principal de Zaragoza. En esta ocasión el festival volverá a contar con formaciones nacionales e internacionales de reconocido prestigio. Tres grandes conciertos en los que la Voz será la gran protagonista, desplegando toda la magia de sus armonías con una puesta en escena espectacular.

Predstavili smo letošnji mednarodni cikel vokalne glasbe Plečnik in A-cappella, ki vzpostavlja edinstven umetniški dialog med glasbo in arhitekturo. Med junijem in oktobrom bo na petih slikovitih Plečnikovih lokacijah v Ljubljani nastopilo pet vokalnih zasedb in zborov. Koncertni cikel, ki bo potekal med 3. junijem in 7. oktobrom, je predstavil umetniški vodja Niko Houška.

Während des Musikstudiums in Mainz vor drei Jahren haben sie sich zusammengetan. Drei Frauen und zwei Männer nennen sich seitdem „Lylac“ und haben sich schnell in der Jazzvokal-Szene einen Namen gemacht. Das Ensemble agiert demokratisch und hat mittlerweile viele eigene Stücke im Repertoire. Warum die fünf so gut harmonieren und was ihnen zur Produktion des zweiten Albums fehlt, erzählen sie in SWR Kultur.

We examine the use of the term “Black on Black crime.” We explore the history of the Milwaukee Socialists and how they rose to power. We learn about King's Chord – Rufus King High School's A Cappella group.

Introducing the new Stritch Family Literacy Center. We plan a trip to the International Crane Foundation. We learn about King's Chord – Rufus King High School's A Cappella group.

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This episode is for my friend, the brilliant Michaela "DREAM PARTY HOTEL" Costello. If this goes well enough, I might do it again.We go a cappella and turn a dedication into a string of monologues about desire, surveillance, addiction, power, and the weird comfort of honest machines. We move from microfilm hidden in office junk to dating polarity satire to psychedelic time collapse, then land on practical tools for boundaries and refined anger. • ditching the droning bed music and making the voice the whole instrument • collecting obsolete office equipment as a defense against the pinging present • an authority figure renaming a hobby into inventory and leverage • hidden microfilm and the thrill of stumbling into secrecy • desire as an asset that always gets audited • a satire of being wanted by everyone and still craving solitude • Polarizer as a parody of modern dating and sexual polarity logic • Helena Mayfair's experience collecting and fear that nothing means anything • platitudes twisted into sharp one-liners • quitting cocaine framed through empathy, discipline, and embodiment • Saffron as a haunting made of symbols, metaphor, and paradox • Bufo alvarius and ego dissolution as a reset that changes everything • living in paradox as pleasure and peril at once • refined anger as a blade instead of a wildfire • the two-page practice for safe-and-alive love plus a rule against early confusion • fear of not belonging and the urge to cut people off first • late poetic fragments about freedom, choice, and obedience to nothing you really need to investigate for yourself. So get polarized today. I love you, personally. Levity saves lives."The Meat Obeys" is written by Emerson Penn Dameron and Anton Donovan Provost, performed by Anton Donovan, from his album Never Enough, courtesy of LSL Productions.Got something to say to me? Slide into the DMs.Support the show

Sharp Attitudes 4/13/26: Eric Nakajima, Holyoke's Planning & Econ Dev Dir: Gateways. Author Jennifer Acker on “Surrender,” Tuesday at the Odyssey. Dr. Jane Fleishman: elders & intimate relationships & dating. S#arp Attitude-THE UMass women's a cappella group-LIVE in the studio: the Manna event.

durée : 00:11:53 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Les compositions chorales a cappella de Poulenc forment un corpus unique, qui révèle une intériorité fragile et empreinte d'une profonde humanité. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:11:53 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Les compositions chorales a cappella de Poulenc forment un corpus unique, qui révèle une intériorité fragile et empreinte d'une profonde humanité. - réalisation : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Anthony Thaxton talks with student, Ella Kosenesky, about EMU's Evergreen A Cappella club. Produced and hosted by Anthony Thaxton

durée : 00:04:50 - Igor Stravinsky : Late Works - Cappella Amsterdam, Noord Nederlands Orkest, Daniel Reuss - La Cappella Amsterdam, sous la direction de son chef Daniel Reuss, et le Noord Nederlands Orkest présentent un enregistrement des dernières œuvres d'Igor Stravinsky, témoignant de la remarquable évolution du compositeur. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:50 - Igor Stravinsky : Late Works - Cappella Amsterdam, Noord Nederlands Orkest, Daniel Reuss - La Cappella Amsterdam, sous la direction de son chef Daniel Reuss, et le Noord Nederlands Orkest présentent un enregistrement des dernières œuvres d'Igor Stravinsky, témoignant de la remarquable évolution du compositeur. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The battlefields were not the only places that threatened death during World War I. As conflict raged on and supply lines tightened, the allied powers of France, Britain, and Italy faced a fundamental problem: keeping their soldier and civilian populations safe from starvation. Wheat at War: Allied Economic Cooperation in the Great War (Oxford UP, 2025) describes how, faced with this immense challenge, the Allies devised a multilateral institution--the Wheat Executive--to do what no state could do alone. Rosella Cappella Zielinski and Paul Poast examine the difficult considerations made by the allied powers when ceding authority to an international body that would make decisions for them. Beyond successfully managing wheat shipping and distribution, they argue, the Wheat Executive proved to have significant influence in the evolving landscape of interstate cooperation. As a case study, the Wheat Executive improves our understanding of international institutional design, the importance of commodities during wartime, economic coordination amongst wartime coalition members, and the legacies of international cooperation during the First World War. As one of the first great experiments in supranationalism, the Allies' management of wheat while at war provides lessons about the emergence of international organizations and their contours. Jobie Turner is a military historian who studies logistics in warfare.  His most recent work is Feeding Victory:  Innovative Logistics from Lake George to Khe Sanh, 1755-1968 which discuss the impact of technology on transportation across three centuries of warfare.  Jobie is a retired Colonel in the USAF and a pilot for United Airlines email: here  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The battlefields were not the only places that threatened death during World War I. As conflict raged on and supply lines tightened, the allied powers of France, Britain, and Italy faced a fundamental problem: keeping their soldier and civilian populations safe from starvation. Wheat at War: Allied Economic Cooperation in the Great War (Oxford UP, 2025) describes how, faced with this immense challenge, the Allies devised a multilateral institution--the Wheat Executive--to do what no state could do alone. Rosella Cappella Zielinski and Paul Poast examine the difficult considerations made by the allied powers when ceding authority to an international body that would make decisions for them. Beyond successfully managing wheat shipping and distribution, they argue, the Wheat Executive proved to have significant influence in the evolving landscape of interstate cooperation. As a case study, the Wheat Executive improves our understanding of international institutional design, the importance of commodities during wartime, economic coordination amongst wartime coalition members, and the legacies of international cooperation during the First World War. As one of the first great experiments in supranationalism, the Allies' management of wheat while at war provides lessons about the emergence of international organizations and their contours. Jobie Turner is a military historian who studies logistics in warfare.  His most recent work is Feeding Victory:  Innovative Logistics from Lake George to Khe Sanh, 1755-1968 which discuss the impact of technology on transportation across three centuries of warfare.  Jobie is a retired Colonel in the USAF and a pilot for United Airlines email: here  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The battlefields were not the only places that threatened death during World War I. As conflict raged on and supply lines tightened, the allied powers of France, Britain, and Italy faced a fundamental problem: keeping their soldier and civilian populations safe from starvation. Wheat at War: Allied Economic Cooperation in the Great War (Oxford UP, 2025) describes how, faced with this immense challenge, the Allies devised a multilateral institution--the Wheat Executive--to do what no state could do alone. Rosella Cappella Zielinski and Paul Poast examine the difficult considerations made by the allied powers when ceding authority to an international body that would make decisions for them. Beyond successfully managing wheat shipping and distribution, they argue, the Wheat Executive proved to have significant influence in the evolving landscape of interstate cooperation. As a case study, the Wheat Executive improves our understanding of international institutional design, the importance of commodities during wartime, economic coordination amongst wartime coalition members, and the legacies of international cooperation during the First World War. As one of the first great experiments in supranationalism, the Allies' management of wheat while at war provides lessons about the emergence of international organizations and their contours. Jobie Turner is a military historian who studies logistics in warfare.  His most recent work is Feeding Victory:  Innovative Logistics from Lake George to Khe Sanh, 1755-1968 which discuss the impact of technology on transportation across three centuries of warfare.  Jobie is a retired Colonel in the USAF and a pilot for United Airlines email: here  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

The battlefields were not the only places that threatened death during World War I. As conflict raged on and supply lines tightened, the allied powers of France, Britain, and Italy faced a fundamental problem: keeping their soldier and civilian populations safe from starvation. Wheat at War: Allied Economic Cooperation in the Great War (Oxford UP, 2025) describes how, faced with this immense challenge, the Allies devised a multilateral institution--the Wheat Executive--to do what no state could do alone. Rosella Cappella Zielinski and Paul Poast examine the difficult considerations made by the allied powers when ceding authority to an international body that would make decisions for them. Beyond successfully managing wheat shipping and distribution, they argue, the Wheat Executive proved to have significant influence in the evolving landscape of interstate cooperation. As a case study, the Wheat Executive improves our understanding of international institutional design, the importance of commodities during wartime, economic coordination amongst wartime coalition members, and the legacies of international cooperation during the First World War. As one of the first great experiments in supranationalism, the Allies' management of wheat while at war provides lessons about the emergence of international organizations and their contours. Jobie Turner is a military historian who studies logistics in warfare.  His most recent work is Feeding Victory:  Innovative Logistics from Lake George to Khe Sanh, 1755-1968 which discuss the impact of technology on transportation across three centuries of warfare.  Jobie is a retired Colonel in the USAF and a pilot for United Airlines email: here  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

The battlefields were not the only places that threatened death during World War I. As conflict raged on and supply lines tightened, the allied powers of France, Britain, and Italy faced a fundamental problem: keeping their soldier and civilian populations safe from starvation. Wheat at War: Allied Economic Cooperation in the Great War (Oxford UP, 2025) describes how, faced with this immense challenge, the Allies devised a multilateral institution--the Wheat Executive--to do what no state could do alone. Rosella Cappella Zielinski and Paul Poast examine the difficult considerations made by the allied powers when ceding authority to an international body that would make decisions for them. Beyond successfully managing wheat shipping and distribution, they argue, the Wheat Executive proved to have significant influence in the evolving landscape of interstate cooperation. As a case study, the Wheat Executive improves our understanding of international institutional design, the importance of commodities during wartime, economic coordination amongst wartime coalition members, and the legacies of international cooperation during the First World War. As one of the first great experiments in supranationalism, the Allies' management of wheat while at war provides lessons about the emergence of international organizations and their contours. Jobie Turner is a military historian who studies logistics in warfare.  His most recent work is Feeding Victory:  Innovative Logistics from Lake George to Khe Sanh, 1755-1968 which discuss the impact of technology on transportation across three centuries of warfare.  Jobie is a retired Colonel in the USAF and a pilot for United Airlines email: here  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The battlefields were not the only places that threatened death during World War I. As conflict raged on and supply lines tightened, the allied powers of France, Britain, and Italy faced a fundamental problem: keeping their soldier and civilian populations safe from starvation. Wheat at War: Allied Economic Cooperation in the Great War (Oxford UP, 2025) describes how, faced with this immense challenge, the Allies devised a multilateral institution--the Wheat Executive--to do what no state could do alone. Rosella Cappella Zielinski and Paul Poast examine the difficult considerations made by the allied powers when ceding authority to an international body that would make decisions for them. Beyond successfully managing wheat shipping and distribution, they argue, the Wheat Executive proved to have significant influence in the evolving landscape of interstate cooperation. As a case study, the Wheat Executive improves our understanding of international institutional design, the importance of commodities during wartime, economic coordination amongst wartime coalition members, and the legacies of international cooperation during the First World War. As one of the first great experiments in supranationalism, the Allies' management of wheat while at war provides lessons about the emergence of international organizations and their contours. Jobie Turner is a military historian who studies logistics in warfare.  His most recent work is Feeding Victory:  Innovative Logistics from Lake George to Khe Sanh, 1755-1968 which discuss the impact of technology on transportation across three centuries of warfare.  Jobie is a retired Colonel in the USAF and a pilot for United Airlines email: here  Learn more about your ad choices. Visit megaphone.fm/adchoices

After last week's book heavy content, Eli and Paul decide to delight your ears this week by revealing their weird little 7 inch vinyl treats! These musical curios will make you question everything you know… Well, maybe not, but they are definitely “interesting”. CheapShow peaks back into the 1970s and 80s with a selection of tracks that tickle the nostalgia bone. There is some cute New Wave “computer game” based pop music from New Zealand, The Highway Code as sung by some A Cappella vocal group, an awful ballad taken from a forgotten Pirate movie and a flexidisc containing the familiar tones of kids TV favourite, Johnny Ball! Oh… And we have a new food segment on the show now too. Apparently. See pics/videos for this episode on our website: https://www.thecheapshow.co.uk/ep-474-think-of-a-platter www.patreon.com/cheapshow If you want to get involved, email us at thecheapshow@gmail.com For all other information, please visit: www.thecheapshow.co.uk Like, Review, Share, Comment... LOVE US! MERCH Official CheapShow Magazine Shop: www.cheapmag.shop Send Us Stuff: CheapShow PO BOX 1309 Harrow HA1 9QJ

We start our series getting ready for the 2026 PMEA All-State Festival by talking with the conductors of all seven All-State ensembles. Today we talk with Paul Bratcher, All-State Jazz Ensemble Conductor and Spencer Camacho, All-State Contemporary A Cappella Ensemble Conductor. Learn about the musical programs and what student participants can expect.

Northwestern has 12 a cappella groups, each with its own traditions and unique melodies. The Daily talked to three of these groups about their distinctive cultures.

In this episode of One Symphony, conductor Devin Patrick Hughes sits down with acclaimed film and television composer Lesley Barber for a wide-ranging, behind-the-scenes conversation about writing music that reveals what characters can't say out loud. Lesley shares how improvising and composing before formal training shaped her voice, how pop, R&B, and composers like Schubert, Bach, and Chopin influenced her musical language, and why her chamber-score approach to Maurice Sendak's Little Bear became so enduring that listeners now pass it down to the next generation. The conversation then dives deep into Manchester by the Sea—from the time-crunch sprint to Sundance, to recording her daughter's a cappella vocals in a dorm room for intimate “in-your-head” sound, then expanding into a large hall for an almost omniscient sense of space. Along the way, Lesley unpacks her fascination with fate, time, and music that can feel “mathematical” yet emotionally unavoidable, and why the most powerful film music often lives in the story's absences—making the invisible audible. Devin and Lesley also explore international orchestras, building creative teams across time zones, writing the Late Nighttheme under extreme deadline pressure, and what the future could look like for film music in the concert hall. Music Selections Featured in This Episode “Boarding School Titles” from the film Boarding School. Composed and performed by Lesley Barber. “Sentimental Journey” from the film Mansfield Park. Composed by Lesley Barber. “Hide & Seek” from the television series Little Bear. Composed by Lesley Barber. “Manchester Minimalist Piano and Strings (Variation)” from the film Manchester By The Sea. Composed by Lesley Barber. “Floating 149 A Cappella” from the film Manchester By the Sea. Composed by Lesley Barber. “Smoke” from the film Manchester By The Sea. Composed by Lesley Barber. “Molly's Theme” from the film Late Night. Composed by Lesley Barber. “That's Our Show Everybody” from the film Late Night. Composed by Lesley Barber. “Game of Cards” from the film Mansfield Park. Composed by Lesley Barber. “Boarding School Titles” from the film Boarding School. Composed by Lesley Barber. “Emily's Theme” from the television series Little Bear. Composed by Lesley Barber. “Terry's Theme” from the film You Can Count on Me. Composed by Lesley Barber. “Little Bear's Room” from the television series Little Bear. Composed by Lesley Barber. “Manchester Minimalist String Reprise” from the film Manchester By The Sea. Composed by Lesley Barber.

durée : 00:25:31 - Léo Warynski, chef de chœur et chef d'orchestre (4/5) - par : Judith Chaine - Léo Warynski revient sur ses débuts professionnels et nous parle des Métaboles, le chœur qu'il a fondé en 2010, entre passion pour le chant a cappella et désir de liberté dans le répertoire, de la musique ancienne aux créations contemporaines. - réalisé par : Pierre Willer Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

How does a group of nine college students, with no traditional instruments, become a viral, global musical phenomenon? Join Mayor Bryan Barnett as he sits down with Rochester Hills resident, Seggie Isho, member of the beloved a capella group, Straight No Chaser (SNC). Take a deep dive into the world of a cappella through the lens of SNC, and how the group has balanced more than 15 years of global touring while still staying grounded and on a consistent path to success. Rochester Hills IS Innovative by Nature and the "Preeminent Place to Live, Work and Raise a Family." Learn more about our fantastic city at our award-winning website!Or follow us on Facebook!

Ornella BaderyIl Forte di Bardwww.fortedibard.itIn occasione del ventennale del Forte di Bard prende il via il progetto Capolavori al Forte che vedrà alternarsi ogni anno, sino al 2028, un grande capolavoro dell'arte italiana all'interno della ex Cappella militare. Il progetto nasce dalla volontà di valorizzare opere uniche, che raccontano non solo il genio di maestri italiani ma anche storie e iconografie eccezionali.Il primo capolavoro ad essere esposto, fino al 6 aprile 2026, porta la firma di Michelangelo Merisi, detto Caravaggio, ed è uno dei suoi ultimi lavori: il San Giovanni Battista. Un'opera intensa che racconta la maturità dell'artista ma soprattutto il pathos emotivo che lo contraddistingue. Una rappresentazione inedita di San Giovanni che doveva rappresentare la sua redenzione e che invece l'ha accompagnato nel suo ultimo viaggio verso la prematura morte.In collaborazione con MondoMostre e Galleria Borghese, Roma.Con i suoi spazi espositivi e la sua naturale predisposizione ad accogliere mostre che spaziano dal fotografico al classico, incontrando la grafica e il design, il Forte di Bard propone una stagione invernale 2025-2026 particolarmente eclettica.Tre grandi esposizioni animeranno le sale dell'imponente struttura fortificata, un tempo struttura difensiva della via d'accesso in Valle d'Aosta e ora vero e proprio luogo d'arte e di incontri.Ad aprire la stagione il concorso fotografico internazionale «Bird Photographer of the Year», che presenta al grande pubblico i migliori scatti che illustrano il variegato e affascinante mondo dei volatili, spaziando dall'ornitologia e dall'osservazione più tecnica e scientifica ad un approccio più estetico e spettacolare. Visitabile fino al 1° marzo 2026.La natura è protagonista anche dell'universo fotografico di Stefano Unterthiner, fortemente legato alla realtà del Forte di Bard. Nella mostra “Una finestra sull'Artico”, visitabile fino al 3 maggio 2026, egli ha scelto e raccolto sessanta fotografie che raccontano le spedizioni nell'arcipelago Svalbard, in Norvegia e immortalano renne e orsi polari, ma danno inoltre voce alle testimonianze antropiche della piccola comunità di Logyearbyen. Paesaggi di un accecante biancore, ma dal sapore sociale e antropologico, che evidenziano l'impatto del cambiamento climatico sul mondo fragile del “Paradis blanc”.«Fernando Botero. Tecnica monumentale» Fino al 6 aprile 2026 il Forte di Bard completa la sua proposta espositiva con un importante progetto dedicato al pittore, scultore e disegnatore colombiano Fernando Botero.  Curata da Cecilia Braschi,Fernando Botero Tecnica monumentale ripercorre, attraverso oltre cento opere, i principali temi e motivi cari all'artista colombiano, mettendo in luce la sua versatilità tecnica: dall'acquarello al pastello, dal disegno al carboncino, passando dalla pittura ad olio all'affresco, fino alla scultura. In sessanta anni di carriera, Fernando Botero, scomparso nel 2023, ha cercato l'espressione del suo stile, personale e inconfondibile, in ogni tecnica, ha esplorato con abilità e sapienza tutti i materiali, lasciandosi ispirare dai grandi maestri dell'Ottocento italiano e spaziando dalla natura morta al nudo, dalla scena di genere al ritratto, dal dialogo con la storia dell'arte alla denuncia sociale e politica.I suoi personaggi pieni e rotondi e le sue immagini barocche dall'atmosfera sudamericana approdano nella mostra allestita nelle sale delle Cannoniere e suddivisa in sette sezioni tematiche che permetteranno al visitatore di addentrarsi nel processo creativo dell'artista e apprezzare l'ecletticità e l'approccio estetico di questo grande maestro del ‘900.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Music journalist Chris Ingalls (PopMatters) is back to help the boys close out the year! Thomas initiates with an examination of the artistic tightrope that is the grocery store playlist. Chris then pays tribute to a forgotten but wonderful Todd Rundgren album "A Cappella" - and yes, it's just as it sounds...   https://www.niagaramoonmusic.com/   https://www.thinlear.com/ Bluesky IG Tiktok

Kaj oz. kdo je zaznamoval domače glasbeno prizorišče?- 70. obletnica delovanja Simfoničnega orkestra RTV Slovenija,   - jazz na programu Ars v letu 2025 in 80. obletnica Big Banda RTV Slovenija, - koncerti zborov Vikra, Voces8, Tenebrae in Cappella pratensis, - novi glasbeno-odrski deli Sopra lo amore in Razcvet, - prva slovenska izvedba Thomaseve opere Hamlet v SNG Maribor, - nastop Simfoničnega orkestra Zahodnonemškega radia iz Kölna, - obsežna turneja orkestra Slovenske filharmonije v Južni Koreji in na Japonskem ter - nastop izjemnega v Berlinu delujočega tria Tempestoso.

In celebration of the coming New Year, this week, we feature two singers from the Narragansett Bay Chorus as they bring us some of their favorite A Cappella music. The first part of the show features Josh Daly, a brand-new member, and then we welcome Kurt Anderson, VP of Music. We'll be listening to some songs by eight different groups. For more information, you can go to www.SingNBC.com

Host: Coach Guests: Center Stage Quartet Air date: Nov 13, 2025

In this lively episode of "The Yard Sign," Florida's original political podcast, hosts Johnny Torres and Anibal Cabrera dive into a mix of humor, personal anecdotes, and political commentary. The duo kicks off with lighthearted banter about Anibal's recovery from illness, joking about his "little blue pills" and pharmacy mishaps, before sharing stories of their co-hosts' absences and a funny encounter with another host's girlfriend. They discuss a scandal in the Hillsborough County Sheriff's Office involving plagiarism and cheating on FBI courses, sparked by a scorned wife's email, praising Sheriff Chad Chronister's handling while noting the systemic issues. The conversation shifts to generational differences, with Gen Alpha emerging as surprisingly conservative, and the decline of nightlife as younger crowds prefer daytime raves. They lament aging politicians like Mitch McConnell and Nancy Pelosi clinging to power, advocating for term limits and retirement. The hosts also touch on pop culture, from binge-watching "The Newsroom" to JK Rowling's triumphs, and express excitement over Trump's second term, joking dreaming up White House additions like a putting green. The episode wraps with a mockery of the "No Kings" protests, celebrating America's rejection of monarchy, and a fast-food debate crowning Burger King's superiority. Anibal shares his wife's a cappella competition in Ohio, and the hosts tease upcoming political events and guest appearances, including potential county commission candidates. Packed with laughs, local insights, and unfiltered takes, this episode is a rollercoaster of Tampa flair and political spice.   **Topic Chapters with Timestamps:**   - 00:00:22 - Intro and Anibal's Health Banter   - 00:02:06 - Co-Host Absences and Girlfriend Stories   - 00:05:25 - Hillsborough Sheriff Plagiarism Scandal   - 00:09:15 - TikTok, Gen Alpha, and Nightlife Decline   - 00:16:12 - Aging Politicians and Term Limits   - 00:21:40 - Pop Culture: Newsroom, West Wing, JK Rowling   - 00:46:01 - Trump's Second Term and White House Ideas   - 01:04:17 - "No Kings" Protests and Fast Food Debate   - 01:17:20 - Parking Woes and Tampa Food Scene   - 01:19:15 - A Cappella, Political Events, and Closing     **YouTube Tags:**   The Yard Sign, Florida politics, Tampa podcast, Hillsborough Sheriff scandal, Chad Chronister, Gen Alpha conservative, term limits, Trump second term, No Kings protests, Burger King vs McDonalds, Tampa nightlife, JK Rowling, a cappella competition, political podcast, Johnny Torres, Anibal Cabrera  

Seaside A Cappella's music director and founder, Judy Comeau stops by to talk about the win after arriving back home.

In passato gli artisti hanno documentato eventi drammatici importanti per le generazioni future, commenta il direttore di BlackArt Projects Andrea Candiani, citando ad esempio Giotto con la Cappella degli Scrovegni. E chiede: Attualmente qual'è il ruolo dell'arte?

Last fall, I met Francesco Galgani and tried his wines and I was completely blown away. I always think of Vernaccia as a more historical Pinot Grigio -- light on flavor, boring, and not anything to get excited about. But then I visited Cappella Sant'Andrea. HOLY CRAP!! This is the BEST Vernaccia on earth. Francesco and Flavia, the owners and winemakers, are truly the Masters of Vernaccia di San Gimignano. You will never taste Vernaccia like this.    In the show Francesco and I discuss the long history of Vernaccia, wine in San Gimignano, why there is so much crappy Vernaccia, and how they do it right. Their Rialto and Prima Luce, especially are stunning. I can't sing their praises more.   Two things mentioned in the show:  Follow Francesco on IG, he's a brilliant artist: @francescogalgani If you want to order directly from Francesco, and have the wine shipped from Italy, please visit their website: https://www.cappellasantandrea.it/chi-siamo1 and you can contact them for orders and pricing!      Full show notes and all back episodes are on Patreon. Join the community today! www.patreon.com/winefornormalpeople _______________________________________________________________   This show is brought to you by my exclusive sponsor, Wine Access – THE place to discover your next favorite bottle. Wine Access has highly allocated wines and incredible values, plus free shipping on orders of $150 or more. You can't go wrong with Wine Access! Join the WFNP/Wine Access wine club and get 6 awesome bottles for just $150 four times a year. That includes shipping! When you become a member, you also get 10% all your purchases on the site. Go to wineaccess.com/normal to sign up!   

Trevor Loudon Reports – Jeffrey Cappella's appearance on Trevor Loudon Reports delivered a stark warning about Russia's covert aggression, Iran's nuclear threat, and the internal battle within MAGA. “The probability of long-term stability and security in the region is very low should the mullah regime stay in power,” he declared, advocating for regime change driven by Iranians with strategic support...