Podcasts about Cappella

Music journalist Chris Ingalls (PopMatters) is back to help the boys close out the year! Thomas initiates with an examination of the artistic tightrope that is the grocery store playlist. Chris then pays tribute to a forgotten but wonderful Todd Rundgren album "A Cappella" - and yes, it's just as it sounds...   https://www.niagaramoonmusic.com/   https://www.thinlear.com/ Bluesky IG Tiktok

In celebration of the coming New Year, this week, we feature two singers from the Narragansett Bay Chorus as they bring us some of their favorite A Cappella music. The first part of the show features Josh Daly, a brand-new member, and then we welcome Kurt Anderson, VP of Music. We'll be listening to some songs by eight different groups. For more information, you can go to www.SingNBC.com

On this week's episode we hear originals from The Funx Street Corner Symphony Arora

Anthony Morel vous fait découvrir toutes les nouveautés technos.

On this week's episode we hear originals by Bauchklang Duwende EH440

Cette semaine au balado, je me suis assise avec François et FA2, deux membres du groupe de musique a cappella QW4RTZ, afin de discuter de leur métier assez peu conventionnel!

C'est un orchestre qui porte bien son nom tant il nous régale avec des programmes colorés depuis déjà 20 ans, mais sait aussi nous surprendre, élargir nos horizons en nous faisant découvrir des compositeurs oubliés, en mêlant musiques classiques et populaires, musiques anciennes et créations contemporaines. La riche saison anniversaire, particulièrement contrastée, de la Cappella Mediterranea, reflète justement l'éclectisme voire l'audace de son fondateur et chef Leonardo Garcia-Alarcon. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Host: Coach Guests: Center Stage Quartet Air date: Nov 13, 2025

On this week's episode we hear originals by VoxID Vocal Tonic Five O'Clock Shadow

On this week's episode we hear originals by Ball in the House Suade Wise Guys

**It's The Pacman Show Replay On traxfm.org. This Week The Pacman Played Dance Classics/Hindi Bhangra/RnB/Boogie/Hip Hop/Remixes With Janet Jackson, Kishore Kumar's "Koi Roko Na", Simply Red, Kindred The Soul Family, Willie Hutch, Himesh Reshammiya - "Mohobat Ke", Veronica, Shankar-Ehsaan-Loy - "Chup Chup Ke", Lindsey Webster, Terri Wells, Delegation, Cappella, Anton Flanders, Hijack, Breakwater, Cosmos & More #originalpirates #danceclassics #hindi #bhangra #remixes #boogie #80svibes #90svibes #reggaemusic Catch The Pacman Every Monday From 9:00 PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

On this week's episode we hear originals by Three 5 and 6 The Coats Rockapella

Ladysmith Black Mambazo en concert au SVICC à Pailles : la première partie assurée par des groupes a cappella mauriciens by TOPFM MAURITIUS

In this lively episode of "The Yard Sign," Florida's original political podcast, hosts Johnny Torres and Anibal Cabrera dive into a mix of humor, personal anecdotes, and political commentary. The duo kicks off with lighthearted banter about Anibal's recovery from illness, joking about his "little blue pills" and pharmacy mishaps, before sharing stories of their co-hosts' absences and a funny encounter with another host's girlfriend. They discuss a scandal in the Hillsborough County Sheriff's Office involving plagiarism and cheating on FBI courses, sparked by a scorned wife's email, praising Sheriff Chad Chronister's handling while noting the systemic issues. The conversation shifts to generational differences, with Gen Alpha emerging as surprisingly conservative, and the decline of nightlife as younger crowds prefer daytime raves. They lament aging politicians like Mitch McConnell and Nancy Pelosi clinging to power, advocating for term limits and retirement. The hosts also touch on pop culture, from binge-watching "The Newsroom" to JK Rowling's triumphs, and express excitement over Trump's second term, joking dreaming up White House additions like a putting green. The episode wraps with a mockery of the "No Kings" protests, celebrating America's rejection of monarchy, and a fast-food debate crowning Burger King's superiority. Anibal shares his wife's a cappella competition in Ohio, and the hosts tease upcoming political events and guest appearances, including potential county commission candidates. Packed with laughs, local insights, and unfiltered takes, this episode is a rollercoaster of Tampa flair and political spice.   **Topic Chapters with Timestamps:**   - 00:00:22 - Intro and Anibal's Health Banter   - 00:02:06 - Co-Host Absences and Girlfriend Stories   - 00:05:25 - Hillsborough Sheriff Plagiarism Scandal   - 00:09:15 - TikTok, Gen Alpha, and Nightlife Decline   - 00:16:12 - Aging Politicians and Term Limits   - 00:21:40 - Pop Culture: Newsroom, West Wing, JK Rowling   - 00:46:01 - Trump's Second Term and White House Ideas   - 01:04:17 - "No Kings" Protests and Fast Food Debate   - 01:17:20 - Parking Woes and Tampa Food Scene   - 01:19:15 - A Cappella, Political Events, and Closing     **YouTube Tags:**   The Yard Sign, Florida politics, Tampa podcast, Hillsborough Sheriff scandal, Chad Chronister, Gen Alpha conservative, term limits, Trump second term, No Kings protests, Burger King vs McDonalds, Tampa nightlife, JK Rowling, a cappella competition, political podcast, Johnny Torres, Anibal Cabrera  

On this week's episode we hear originals by 4:2:Five The Magnets Aora

On this week's episode we hear originals by Coco's Lunch Mark Silverberg Richard Steighner

Seaside A Cappella's music director and founder, Judy Comeau stops by to talk about the win after arriving back home.

On this week's episode we hear originals by Street Corner Symphony Boyz Nite Out Five O'Clock Shadow

On this week's episode we hear originals by The Octopodes Almost Recess Five O'Clock Shadow

Fluent Fiction - Italian: Unveiling the Sistine Secret: A Tale of Hidden Artistry Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2025-09-16-22-34-02-it Story Transcript:It: La luce soffusa delle candele illuminava appena gli affreschi della Cappella Sistina.En: The soft light of the candles barely illuminated the frescoes of the Cappella Sistina.It: Marcello osservava le ombre danzare sul soffitto, riflettendo sul loro significato segreto.En: Marcello watched the shadows dance on the ceiling, reflecting on their secret meaning.It: Era l'autunno, e l'atmosfera era impregnata di mistero, accentuata dalla Festa di San Gennaro appena celebrata.En: It was autumn, and the atmosphere was filled with mystery, accentuated by the recently celebrated Festa di San Gennaro.It: Improvvisamente, un sussurro attraversò la folla di visitatori.En: Suddenly, a whisper passed through the crowd of visitors.It: Il buio era calato con un improvviso blackout, lasciando tutti sospesi tra meraviglia e sorpresa.En: The darkness descended with an unexpected blackout, leaving everyone suspended between wonder and surprise.It: Marcello, artigiano della storia dell'arte, sentì crescere l'adrenalina.En: Marcello, an artisan of art history, felt adrenaline rising.It: Questa era la sua occasione.En: This was his chance.It: "Devo trovare il pezzo perduto di Michelangelo," pensò Marcello, il cuore che batteva forte.En: "I must find Michelangelo's lost piece," thought Marcello, his heart pounding.It: Ricordava una storia raccontatagli da suo nonno, un racconto di un'opera nascosta tra le pennellate del maestro.En: He remembered a story told to him by his grandfather, a tale of a hidden work among the master's brushstrokes.It: Accanto a lui, Giulia e Alessandro cercavano di calmare la folla.En: Next to him, Giulia and Alessandro were trying to calm the crowd.It: Giulia, con la sua dolce voce rassicurante, invitava alla calma.En: Giulia, with her sweet reassuring voice, urged calmness.It: Alessandro, invece, scrutava Marcello con sguardo indagatore.En: Alessandro, on the other hand, scrutinized Marcello with an inquisitive look.It: Quel giorno avrebbe potuto portare a galla motivazioni nascoste.En: That day could bring hidden motives to light.It: Marcello sapeva che doveva scegliere di chi fidarsi.En: Marcello knew he had to choose whom to trust.It: Giulia, amica di lunga data, era sempre stata leale.En: Giulia, a longtime friend, had always been loyal.It: Alessandro, nuovo nella cerchia, aveva però mostrato interesse negli antichi segreti della Cappella.En: Alessandro, new to the circle, had shown interest in the ancient secrets of the Cappella.It: Con decisione, Marcello si avvicinò a Giulia.En: With determination, Marcello approached Giulia.It: "Hai il mio aiuto," disse lei prontamente, intuendo la sua esitazione.En: "You have my help," she said promptly, sensing his hesitation.It: Entrambi si mossero verso l'altare maggiore, dove Marcello sospettava fosse celata la chiave del mistero.En: Together, they moved toward the main altar, where Marcello suspected the key to the mystery might be hidden.It: Guidati dalla tenue luce dei cellulari, Marcello e Giulia trovarono una piccola fessura nel pavimento, mai notata prima.En: Guided by the faint light of cell phones, Marcello and Giulia found a small crack in the floor, never noticed before.It: Marcello, con mani tremanti ma determinate, aprì il compartimento segreto.En: Marcello, with trembling but determined hands, opened the secret compartment.It: All'interno, una vecchia pergamena avvolta con cura portava l'inconfondibile firma di Michelangelo.En: Inside, an old scroll carefully wrapped bore Michelangelo's unmistakable signature.It: Marcello trattenne il respiro, il suo sogno era realtà.En: Marcello held his breath; his dream was reality.It: Ma un rumore di passi interruppe il momento.En: But a sound of footsteps interrupted the moment.It: Alessandro li aveva seguiti, i suoi occhi fissavano il documento.En: Alessandro had followed them, his eyes fixed on the document.It: "Non tutto è come sembra, Marcello," disse, la voce carica di una verità nascosta.En: "Not everything is as it seems, Marcello," he said, his voice laden with a hidden truth.It: Marcello comprese in quel momento che Alessandro sapeva di più di quanto avesse mai lasciato intendere.En: Marcello understood at that moment that Alessandro knew more than he had ever let on.It: Sulle sue labbra fiorì un sorriso comprensivo.En: A knowing smile appeared on his lips.It: "I segreti non sono fatti per tutti," pensò.En: "Secrets aren't meant for everyone," he thought.It: Decise che il mondo non era pronto.En: He decided that the world wasn't ready.It: Richiuse il compartimento con cura, ripiegando il documento.En: He carefully closed the compartment, folding the document.It: Un attimo dopo, le luci si riaccesero.En: A moment later, the lights came back on.It: La Cappella tornò alla vita normale, le ombre svanite, i segreti al sicuro.En: The Cappella returned to normal life, the shadows vanished, the secrets safe.It: Marcello guardò Giulia e Alessandro, consapevole della lezione appresa.En: Marcello looked at Giulia and Alessandro, aware of the lesson learned.It: Il potere del passato era troppo grande per essere rivelato senza conseguenze.En: The power of the past was too great to be revealed without consequences.It: In silenzio, lasciarono la Cappella, mentre nel cuore di Marcello si insediava una nuova responsabilità: preservare la storia e le sue meraviglie invisibili, abbracciando il peso della conoscenza e la quiete del mistero.En: In silence, they left the Cappella, while in Marcello's heart settled a new responsibility: to preserve history and its invisible wonders, embracing the weight of knowledge and the quiet of mystery. Vocabulary Words:the candle: la candelathe fresco: l'affrescothe shadow: l'ombrathe ceiling: il soffittothe mystery: il misterothe visitor: il visitatorethe whisper: il sussurrothe crowd: la follathe blackout: il blackoutthe artisan: l'artigianothe adrenaline: l'adrenalinathe tale: il raccontothe brushstroke: la pennellatathe motive: la motivazionethe circle: la cerchiathe altar: l'altarethe crack: la fessurathe scroll: la pergamenathe signature: la firmathe document: il documentothe footstep: il passothe truth: la veritàthe secret: il segretothe responsibility: la responsabilitàthe knowledge: la conoscenzathe wonder: la meravigliathe autumn: l'autunnothe occasion: l'occasionereassuring: rassicurantedetermined: determinato

On this week's episode we hear originals from Rockapella Basix Nate Kellison

On this week's episode we hear originals by Mauf The House Jacks EH440

“I love the way that contemporary a cappella engages singers who might not necessarily see themselves as ‘choral singers' to be able to sing together and maybe discover a love of more traditional choral music. For me, it's all about engaging more singers. Group singing is such a beautiful community, and I've seen the ways it can really change lives, create beautiful spaces for self-expression, and do some good for the world in a time where we really need it."Rob Dietz is a multi award-winning singer and vocal percussionist who has been arranging, composing, teaching, and performing contemporary a cappella music for over twenty years. Based in Los Angeles, Rob is best known for his work as an arranger and group coach on NBC's The Sing-Off. His arrangements have been performed by top-tier vocal artists, including Grammy-winning groups Pentatonix and The Swingles, as well as VoicePlay, Kings Return, and many more.He earned his bachelor's degree in music with an outside field in business from Ithaca College in 2010. While at Ithaca, Rob had the honor of directing the all male-identified group, Ithacappella, with whom he twice advanced to the finals of the International Championship of Collegiate A Cappella.As a performer, Rob is an internationally recognized vocal percussionist, with credits including Glee (FOX) and The Late Late Show with James Corden. Rob has a deep passion for a cappella education, and is a founding co-director (along with Ben Bram and Avi Kaplan) of A Cappella Academy. In 2016, he launched Legacy, a youth a cappella group in Los Angeles. In 2023, he transitioned Legacy into Academy Choir: Los Angeles, a larger ensemble blending contemporary a cappella with modern choral music.In addition to directing his own groups, Rob is a sought-after clinician and presenter, having conducted honor ensembles at regional and state festivals. He is also the author of A Cappella 101: A Beginner's Guide to Contemporary A Cappella Singing.Alongside his work in contemporary a cappella, Rob is also an accomplished choral composer, with works published by Hal Leonard, Alfred, GIA Publications, and Heritage. Rob currently serves as the national repertoire and resources co-chair for Contemporary/Commercial music for the American Choral Directors Association To get in touch with Rob, you can visit robdietzmusic.com or find him on Instagram (@rdietz55) or Facebook (@rdietz2).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

This week we're joined by an incredible panel of music educators, including: Cindy Ellis - Miami Arts Studio (BellArmonia) Dr. J.D. Frizzell - Briarcrest Christian School (OneVoice) Kelsey Burkett - Hilliard Memorial Middle School (Blue Notes, Shades of Blue)

On this week's episode we hear originals by MeasureXmeasure Anders Mister Tim

On this week's episode we hear originals by Monkey Puzzle Three 5 and 6 Forte

On this week's episode we hear originals by Solfa Arora Richard Steighner

Alan's Web site: https://www.alansmale.com/ Web sites for The Chromatics, and their AstroCappella project of astronomically correct a cappella songs: https://www.thechromatics.com https://www.astrocappella.com Alan on the following Socials: Alan's Facebook page: https://www.facebook.com/alan.smale Alan on BlueSky: @alansmale.bsky.social Alan on Twitter: @alansmale Alan on LinkedIn: https://www.linkedin.com/in/alansmale Alan’s Author page on Amazon: https://www.amazon.com/stores/Alan-Smale/author/B00BAFDPWO Alan and The Chromatics performing in the centrifuge at the NASA Goddard […]

In passato gli artisti hanno documentato eventi drammatici importanti per le generazioni future, commenta il direttore di BlackArt Projects Andrea Candiani, citando ad esempio Giotto con la Cappella degli Scrovegni. E chiede: Attualmente qual'è il ruolo dell'arte?

On this week's episode we hear originals by Fourth Avenue Jyde InPulse

On this week's episode we hear originals by The House Jacks MICappella The Bobs

On this week's episode we hear originals by TAG On The Rocks The Funx

On this week's episode we hear originals by Suade Backtrack Vocals EH440

On this week's episode we hear originals from The Magnets Vocal Tonic Ball in the House

Last fall, I met Francesco Galgani and tried his wines and I was completely blown away. I always think of Vernaccia as a more historical Pinot Grigio -- light on flavor, boring, and not anything to get excited about. But then I visited Cappella Sant'Andrea. HOLY CRAP!! This is the BEST Vernaccia on earth. Francesco and Flavia, the owners and winemakers, are truly the Masters of Vernaccia di San Gimignano. You will never taste Vernaccia like this.    In the show Francesco and I discuss the long history of Vernaccia, wine in San Gimignano, why there is so much crappy Vernaccia, and how they do it right. Their Rialto and Prima Luce, especially are stunning. I can't sing their praises more.   Two things mentioned in the show:  Follow Francesco on IG, he's a brilliant artist: @francescogalgani If you want to order directly from Francesco, and have the wine shipped from Italy, please visit their website: https://www.cappellasantandrea.it/chi-siamo1 and you can contact them for orders and pricing!      Full show notes and all back episodes are on Patreon. Join the community today! www.patreon.com/winefornormalpeople _______________________________________________________________   This show is brought to you by my exclusive sponsor, Wine Access – THE place to discover your next favorite bottle. Wine Access has highly allocated wines and incredible values, plus free shipping on orders of $150 or more. You can't go wrong with Wine Access! Join the WFNP/Wine Access wine club and get 6 awesome bottles for just $150 four times a year. That includes shipping! When you become a member, you also get 10% all your purchases on the site. Go to wineaccess.com/normal to sign up!   

On this week's episode we hear originals by Richard Steighner The Bobs Les Brünettes

Trevor Loudon Reports – Jeffrey Cappella's appearance on Trevor Loudon Reports delivered a stark warning about Russia's covert aggression, Iran's nuclear threat, and the internal battle within MAGA. “The probability of long-term stability and security in the region is very low should the mullah regime stay in power,” he declared, advocating for regime change driven by Iranians with strategic support...

Trevor Loudon Reports – Jeffrey Cappella's appearance on Trevor Loudon Reports delivered a stark warning about Russia's covert aggression, Iran's nuclear threat, and the internal battle within MAGA. “The probability of long-term stability and security in the region is very low should the mullah regime stay in power,” he declared, advocating for regime change driven by Iranians with strategic support...

“We had 10 sopranos, 4 altos, 2 tenors, and 1 bass, and they were all volunteers. We were spending hours trying to learn this music that we didn't have the numbers for, so I ended up writing almost 100 church arrangements, and I made the voice leading very stepwise. Being that close to the music made me a better writer because I'm not just writing for ensembles I don't hear regularly. I'm there in the rehearsal process, and I know what's hard and what might be easier to grab onto.” MaryAnne Muglia (she/her) is a composer, vocalist, and educator based in Arizona. She arranges and writes contemporary choral music, vocal jazz, and indie-influenced original songs. Her music has been performed by ensembles across the country, including Lyyra, Chanticleer, The King's Return, Säje Voices, and more. Recent commissions include works for community choirs, professional vocal groups, and student ensembles of all levels.​MaryAnne's arrangements and compositions have been published by Alfred Music, Graphite Publishing, Anchor Music, Hal Leonard, and Shawnee Press, and she has self-published over 25,000 copies of her work to date. She is the founder of Red Letter Daze, a professional vocal group with over 200,000 followers online and multiple Contemporary A Cappella Recording Award (CARA) recognitions. With Red Letter Daze, she has headlined major events including the NAU Jazz Madrigal Festival and the BOSS Festival (Boston Sings), sharing her original work and signature vocal arrangements with audiences nationwide. Her viral videos—including harmony breakdowns and arrangements of “The Parting Glass,” “The Sound of Silence,” “Carol of the Bells,” —have garnered millions of views across platforms. She also directs the Vocal Jazz and A Cappella programs at Chandler-Gilbert Community College and teaches at A Cappella Academy, a premier summer intensive for young vocalists founded by Avi Kaplan, Ben Bram, and Rob Dietz.​To get in touch with MaryAnne, you can visit her website (maryannemuglia.com) or find her on Instagram (@maryanne.muglia).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

On this week's episode we hear originals from Boyz Nite Out Four Shadow No Limit

Deke and Dietz are back with a brand new panel discussion format! This week's topic: How to build a career in a cappella. Featuring: Angela Ugolini - Producer/Engineer of Aurum Productions and Singer with Musae Chrissy Aloisio - NYC-based Voice Teacher and Singer/Choreographer of Backtrack Vocals  Layne Stein - Arranger, Writer, Creator, and Performer. Founding Member of VoicePlay and PattyCake Productions Tehillah Alphonso - GRAMMY®-nominated Arranger, Session Singer, and Teacher    

On this week's episode we hear originals by Ball in the House Duwende Street Corner Symphony

Today OnWithMarioLopez – Actor Scott Porter stops by to talk season 3 of his hit Netflix series 'Ginny And Georgia', music and more! Plus, why is Gen X pushing to become Generation Goonie, exciting 'True Detective' news, your comments and much more!See omnystudio.com/listener for privacy information.

This week, our "4 Questions Journalist Spotlight" shines Blake DeVine, a reporter with WANF TV/Atlanta News First.Coolest Thing About Blake: He's got a big A Cappella choir background!Last Podcast: "Acquired" podcast, it goes behind the scenes of the biggest tech IPOs and acquisitionsLast Book Read: Dave Ramsey "Total Money Makeover"Favorite Local Restaurant: Southern Kitchen (Midtown)Favorite Guilty Pleasure: Milkshakes at CookoutFavorite Local Getaway: Helen, GAFavorite Non-Work Hobby: Bobby Jones golf courseWebsite: www.AtlantaNewsFirst.com Mitch's day job is providing public relations services, media training, and crisis communications, but he also operates Leff's Atlanta Media (www.leffsatlantamedia.com), an online database with contact info for thousands of Atlanta-based journalists.

On this week's episode we hear originals by The Octopodes Reverie Cadenza

all the acapella good vibes

La riflessione di Andrea Candiani al ritorno dalla sua visita alla Cappella degli Scrovegni di Padova.

A touring singer, custom songwriter & music arranger who performs as the high tenor for the R&B/Soul/Pop A Cappella group Ball in the House which as been featured on America's Got Talent and in Cool Whip Commercials. In high school Wallace participated in All-State choirs, Solo and Ensemble competitions, and even had the opportunity to share his talents overseas in Europe. He pursued a degree in music at Florida State University where he was introduced to contemporary A Cappella music. He joined Reverb, a start-up, all-male a cappella group. Later he joined the United States Air Force, an experience that instilled in him the values of leadership, discipline, and the pursuit of excellence. As he transitioned from military life, he found a home in West Palm Beach, Florida, with his beloved wife, Angie. He continued to share his vocal talents with the community, through serving as a cantor for local churches and serenading patrons in restaurants and nightclubs as a crooner. It was during that period that he stumbled upon Ball in the House. Nearly 9 years later, through singing with Ball in the House he has found a way to showcases his talents that allows him to connect with a diverse and appreciative audience. He feels honored to be part of such a storied group where his passion for music can shine.

Perhaps no executive order of President Trump’s has so far been met with as much confusion and consternation as the one issued two weeks ago freezing federal funding for grants and loans. Although it has been blocked temporarily by federal courts, nonprofits and organizations are still reeling from the effect it’s had on grants they’ve won from agencies like the National Endowment for the Arts.  That’s especially true if you’re a nonprofit like Portland choir Cappella Romana, which won a $35,000 NEA grant last May for the premiere of a work about racial reconciliation that fuses Orthodox music with African American gospel. As first reported in Oregon ArtsWatch, the choir was uncertain its NEA grant money could be accessed for performances of Canon for Racial Reconciliation in Seattle and Portland after the federal funding freeze was announced. But a direct appeal to donors, who gave more than $20,000 in 48 hours, has ensured the shows on Feb. 28 and March 1 will go on. On the morning of Feb. 11, the NEA funds appeared in Cappella Romana’s accounts, according to executive director Mark Powell. He joins us to talk about the Canon for Racial Reconciliation, and how the evolving guidance for NEA grants may close the door to works championing racial diversity or marginalized communities.  

6pm: John Curley - Live from the DC Airport // Unpacking The Inauguration of the 47th President Donald J Trump // Carrie Underwood sings ‘America the Beautiful’ a cappella after major snafu at Trump inauguration: ‘Help me out here’