Podcast appearances and mentions of Ralph Ellison

This conversation starts with fictional candidate Willy Stark, a favorite subject of our guest, Steve Ealy. Steve has written on how to read the Qur'an, the Federalist Papers and constitutional interpretation, the philosophers Jurgen Habermas, Michael Oakeshott, and Eric Voegelin, and the writers C. S. Lewis, Ralph Ellison, Fyodor Deostoevsky, James Fenimore Cooper, John Steinbeck, and Robert Penn Warren. He is currently working on a book-length study of Robert Penn Warren.  In other words, he is qualified to dicsuss Donald Trump in the perspective of history.  

Notes and Links to Jon Hickey's Work        Jon Hickey is a writer from Minnesota. He earned an MFA from Cornell University and was a Stegner Fellow in fiction at Stanford University. His short stories have appeared in numerous journals such as Virginia Quarterly Review, Gulf Coast, and the Massachusetts Review, among other places. He is a member of the Lac du Flambeau Band of Chippewa Indians (Anishinaabe). He lives in San Francisco with his wife and two sons. Buy Big Chief   Jon Hickey's Website   Book Review for Big Chief in San Francisco Chronicle   At about 1:35, Jon talks about his mindset and early feedback for his novel as Pub Day approaches  At about 3:25, Jon gives out social media and contact info and talks about book events that are upcoming  At about 5:15, “Midwest/Minnesota Nice” is discussed  At about 8:45, Jon mentions exciting advance praise for Big Chief At about 9:45, Jon gives background on language loss in his family, as his grandparents were the “boarding school generation” At about 11:30, Jon talks about how Anishinaabe functions as a language, and how it is both in his DNA and “mysterious”  At about 13:15, John traces his childhood reading, including Stephen King as a transformative writer At about 17:20, John chronicles inspiring and thrilling writers and works and the wonderful writing programs he was part of At about 18:20, Jon charts the huge imprint that Ralph Ellison's Invisible Man has left on him At about 22:00, Kyle Edwards and his Small Ceremonies, as well as Kate Folk and her Sky Daddy , are mentioned as contemporary works/writers who thrill and challenge Jon At about 24:20, Pete lays out some of Big Chief's exposition At about 25:55, Jon responds to Pete asking about how Jon pictures the book's narrator and protagonist At about 29:00, Mack, the tribal president in the book, is described At about 30:00, Jon responds to Pete wondering about motivations for Mitch related to bullying and feelings of being an outsider from his childhood At about 32:15, Ideas of power in politics are discussed At about 34:10, Ideas of authenticity and genuineness and morality are discussed, in connection to politics and voting in the book and beyond, especially regarding Joe Beck At about 35:40, Jon riffs on what he kept in mind while writing the book, with regard to moralizing as an author At about 39:00, Jon responds to Pete's question about blood quantum and similar ideas and how the discourses have changed or not At about 42:40, Jon talks about tropes and irony and “outward signs” of being indigenous, and how that is reflected in his book's cover and in society at large At about 43:40, The title and its inspiration is discussed   At about 45:50, Jon reads a representative excerpt that speaks of themes of belonging, and Pete and Jon further discuss ideas of childhood's impacts on adulthood At about 47:15, Jon discusses the significance of Mack's protection of Mitch, and Mitch's self-esteem and power's connection to cynicism At about 51:10, Mack and his bearing and his motivations are discussed At about 52:00, a pivotal and tragic event-Mitch's mother's death-and the subsequent fire vigil is discussed  At about 55:45, The book's upcoming election and sabotage and Gloria are discussed, with a tip of the cat to Harvey Keitel in calling Mitch a “fixer” At about 1:00:20, Mitch and his cynicism and his work on the campaign are explored, with connections to current political climates  At about 1:02:15, the platforms of the two candidates and ideas of banishment from the tribe are considered  At about 1:05:50, Pete wonders if Mack is a Trump-ish figure, and Jon reflects on how he has tried to write about identity through tribal politics  At about 1:10:00, Pete and Jon ponder the “void” within Mitch and talk about the local political and larger political world collide  At about 1:12:05, Pete compliments the “beautiful” ending, and the two discuss the Sopranos ending, and Jon discusses his mindset in crafting his book's ending At about 1:14:40, Jon outlines changes in the book's previous permutations  At about 1:16:40, Jon defines what is what for him a “work of art” You can now subscribe to the podcast on Apple Podcasts, and leave a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he's @chillsatwillpodcast, or on Twitter, where he's @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Episode 270 guest Jason De León is up on the website this week. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 280 with Jahmal Mayfield, who writes gritty crime novels that touch on large social issues. His stellar SMOKE KINGS was inspired by Kimberly Jones' passionate viral video, “How can we win?” The episode airs on April 15.  

Join the #McConnellCenter as we welcome Steve Ealy as he attempts to convince us of the importance of reading All The King's Men by Robert Penn Warren! Steve Ealy is a Senior Fellow Emeritus at Liberty Fund, Inc. He has published academic articles on Robert Penn Warren, Ralph Ellison, the Qur'an, and The Federalist Papers. He received his BA in political science from Furman University, and earned an MA in government at Claremont Graduate University and his PhD in political science from the University of Georgia. We all know we need to read more and there are literally millions of books on shelves with new ones printed every day. How do we sort through all the possibilities to find the book that is just right for us now? Well, the McConnell Center is bringing authors and experts to inspire us to read impactful and entertaining books that might be on our shelves or in our e-readers, but which we haven't yet picked up. We hope you learn a lot in the following podcast and we hope you might be inspired to pick up one or more of the books we are highlighting this year at the University of Louisville's McConnell Center. Stay Connected Visit us at McConnellcenter.org Subscribe to our newsletter  Facebook: @mcconnellcenter Instagram: @ulmcenter  Twitter: @ULmCenter This podcast is a production of the McConnell Center

Long time friend and avid reader Paul Daniel takes us on a journey through three of his most recent reads: Imminent by Luis Elizondo, Ringmaster by Abraham Josephine Reisman, and Invisible Man by Ralph Ellison. Paul has a few choice words, some bold opinions, and a lot of literary sass. AMI Audiobook Review is broadcast on AMI-audio in Canada and publishes three new podcast episodes a week on Mondays, Wednesdays and Fridays.Follow AMI Audiobook Review on YouTube & Instagram!We want your feedback!Be that comments, suggestions, hot-takes, audiobook recommendations or reviews of your own… hit us up! Our email address is: audiobookreview@ami.caAbout AMIAMI is a media company that entertains, informs and empowers Canadians with disabilities through three broadcast services — AMI-tv and AMI-audio in English and AMI-télé in French — and streaming platform AMI+. Our vision is to establish AMI as a leader in the offering of accessible content, providing a voice for Canadians with disabilities through authentic storytelling, representation and positive portrayal. To learn more visit AMI.ca and AMItele.ca.Find more great AMI Original Content on AMI+Learn more at AMI.caConnect with Accessible Media Inc. online:X /Twitter @AccessibleMediaInstagram @AccessibleMediaInc / @AMI-audioFacebook at @AccessibleMediaIncTikTok @AccessibleMediaInc

Recently for our book club we read Ralph Ellison's Invisible Man. Originally published in the 1950s, it's considered a classic of American literature, though it rarely makes the rounds in most online book spaces these days. In this episode we do a deep dive on the only novel Ellison saw published in his lifetime.Join our book club!patreon.com/LifeonBooksJoin the Life on Books mailing list to stay up to date on all of our latest book giveaways, projects, and more!https://linktw.in/BRYAnVhWant to read one book from every country? Check out our resource online:https://linktw.in/ZeoltyWant to know my all time favorite books? Click the link below!https://bookshop.org/shop/lifeonbooksInvisible Man by Ralph Ellisonhttps://amzn.to/41GOIa2https://bookshop.org/a/103053/9780679...2666 by Roberto Bolanohttps://amzn.to/4kEu95Ehttps://bookshop.org/a/103053/9780312...The Count of Monte Cristo by Alexandre Dumashttps://amzn.to/3F7YY2ghttps://bookshop.org/a/103053/9780140...Carpentaria by Alexis Wrighthttps://bookshop.org/a/103053/9780811...https://amzn.to/4hXjNvkWoman Running in the Mountains by Yuko Tsushimahttps://amzn.to/3QNxBgwhttps://bookshop.org/a/103053/9781681...Pedro Paramo by Juan Rulfohttps://amzn.to/4it2CCkhttps://bookshop.org/a/103053/9780802...Something Happened by Joseph Hellerhttps://amzn.to/3QKJqUPhttps://bookshop.org/a/103053/9780684...Warrior Dreams by James William Gibsonhttps://amzn.to/3F9FGcUMumbo Jumbo by Ishmael Reedhttps://amzn.to/41K6hWQhttps://bookshop.org/a/103053/9780684...Omensetter's Luck by William H. Gasshttps://amzn.to/3XrFDiMhttps://bookshop.org/a/103053/9780141...Follow me on Instagram:  / alifeonbooks  Follow Andy on Instagram  / metafictional.meathead  This video was created with:Sony A7IV https://amzn.to/3WGit8iSigma 24-70https://amzn.to/3yjDPisAputure 300Xhttps://amzn.to/4fnxwv0Aputure Light Domehttps://amzn.to/3WptlGkRode Wireless Micshttps://amzn.to/3YpavBWShure SM7Bhttps://amzn.to/46vyQbk

Mike is honoured to welcome Anthony D Holt Jr (Tony Holt), to talk about the relevance of Ralph Ellison's 1962 novel Invisible Man to today's society, what we can learn and why Tony wrote an essay comparing it to Black Panther! You don't need to read Invisible Man by Ralph Ellison to understand what is discussed in this conversation (although it will bring additional context), as the duo talk about code-switching, the power of understanding someone else's perspective, identity (both cultural and individual) and Tony's essay comparing Invisible Man to the 2018 Black Panther run by Ta-Nehisi Coates from Comics Lit Volume 1. Mike & Tony also talk about Tony's home city of Detroit, other works by Ellison and so much more – this conversation is important to every person on this planet. Although Tony doesn't have social media, you can find his notable releases and podcast appearances at https://linktr.ee/tonyholtjr Tony mentioned a few things in this conversation, including; Ta-Nehisi Coates' 2018 Black Panther run; The Intergalactic Empire of Wakanda and his book Between the World and Me. Detroit: I Do Mind Dying, A Study In Urban Revolution by Dan Georgakas & Marvin Surkin. The podcast The Prof G Pod with Scott Galloway. The Detroit-based producer J Dilla and the book about him called Dilla Time by Dan Charnas – since recording, a street in Detroit was officially renamed J Dilla Street, details here: https://hiphopdx.com/news/j-dilla-street-renaming-detroit-common-questlove Find Comics Lit Volume 1 on Amazon or at the below link, you get 10% off with code 4HP10 at checkout (& don't forget to review): www.accomplishinginnovationpress.com/product/comics-lit-vol-1 Mike also spoke about Comics Lit Vol1  in full with Tonya Todd and Tony Farina in episode 250 of Genuine Chit-Chat! The conversation that sparked Mike picking up Invisible Man was an episode of Tonya Todd's Banned Books Conversations, found on the podcast feed of the Femme On Collective or here: https://youtu.be/eTdFuragMug?si=yHRxLxILsGkwO2TA The last episode of GCC was Douglas Vincent speaking about his Star Wars journey from 1977 to the Disney era and prior to that was the return of Gough of Beernuts Productions! If you want to support the show and get bonus content & early access, please support on Patreon for at least one exclusive bonus episode every week: www.patreon.com/GenuineChitChat Mike's Recent Guest Spots: Mike appeared on Spider-Dan & The Secret Bores for their top 5 small cast movies, listen here: https://pod.fo/e/289237  Mike recently appeared on JAC's Back To The Filmography podcast, tune in here:  https://pod.fo/e/28e32e Mike also appeared on Spider-Dan's pod with Megan, talking Princess Diana in Spencer: https://pod.fo/e/2916c6  Find all of Mike's social media & other links at https://linktr.ee/GenuineChitChat  Intro & outro read by BZ The Voice: http://bzthevoice.com Don't forget to share and review the podcast, it helps more than you know!

In this episode of Conceptually Speaking, I sit down with Dr. Annie Abrams, author of Short Changed: How Advanced Placement Cheats American Students, to explore the complex relationship between policy, pedagogy, and the purpose of English education in America. Our conversation weaves between critiques of AP's corporatization of liberal arts education and deeper questions about what it means to teach literature meaningfully. Annie and I wrestle with how institutional forces shape (and often constrain) the rich interpretive practices and humanizing ethos that make English teaching worthwhile.Key Concepts from the Episode:Corporate MediationAP's shift from facilitating teacher-professor collaboration to prescribing standardized curriculumThe "AP brand" becoming synonymous with rigor while potentially undermining authentic liberal arts experiencesSpaces of/for Literary DiscourseLack of institutional support for teachers to engage deeply with texts and scholarshipDisconnect between growing public appetite for literary criticism and classroom spacesVision for ChangeDrawing on Ralph Ellison to balance critique with hope for the American project Need to move beyond standardized frameworks to build sustainable communities of practice with institutional supportFor teachers wrestling with their own relationship to AP or seeking ways to cultivate more meaningful literary experiences in their classrooms, this conversation offers both validation and vision for what might be possible. While we may not have all the answers, the episode demonstrates the value of creating spaces where we can explore these questions together.Check out more of Annie's work here:Short Changed (book)Teaching Ellison (article)Show Information:My SiteMy SubstackMusic Credit:Infraction - No Copyright MusicSupport the show

Today we're spotlighting art you can see in museums around our area. We finish with a show presented by The Gordon Parks Foundation that examines the photography of a friend of Gordon's: Ralph Ellison, author of Invisible Man. Programs director Michal Raz-Russo discusses Ellison's work and the special relationship between Ellison and Parks. Ralph Ellison: Photographer is on view at The Gordon Parks Foundation in Pleasantville through February 7.

In Stay Black and Die: On Melancholy and Genius (Duke UP, 2023), I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass's intellect to his matrilineage, reading Gaye's falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison's life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Stay Black and Die: On Melancholy and Genius (Duke UP, 2023), I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass's intellect to his matrilineage, reading Gaye's falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison's life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Stay Black and Die: On Melancholy and Genius (Duke UP, 2023), I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass's intellect to his matrilineage, reading Gaye's falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison's life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Stay Black and Die: On Melancholy and Genius (Duke UP, 2023), I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass's intellect to his matrilineage, reading Gaye's falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison's life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Stay Black and Die: On Melancholy and Genius (Duke UP, 2023), I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass's intellect to his matrilineage, reading Gaye's falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison's life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In Stay Black and Die: On Melancholy and Genius (Duke UP, 2023), I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass's intellect to his matrilineage, reading Gaye's falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison's life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Stay Black and Die: On Melancholy and Genius (Duke UP, 2023), I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass's intellect to his matrilineage, reading Gaye's falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison's life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Join the #McConnellCenter as we welcome Trivius Caldwell for a discussion centered around Ralph Ellison.  Lieutenant Colonel Trivius G. Caldwell is an accomplished U.S. Army officer with over 18 years of diverse military experience. Commissioned in 2006 as a Second Lieutenant of Infantry through ROTC at Tuskegee University, he has served in a range of leadership roles, including command of two Infantry Companies in the 82nd Airborne Division and multiple staff officer positions. We all know we need to read more and there are literally millions of books on shelves with new ones printed every day. How do we sort through all the possibilities to find the book that is just right for us now? Well, the McConnell Center is bringing authors and experts to inspire us to read impactful and entertaining books that might be on our shelves or in our e-readers, but which we haven't yet picked up. We hope you learn a lot in the following podcast and we hope you might be inspired to pick up one or more of the books we are highlighting this year at the University of Louisville's McConnell Center. Stay Connected Visit us at McConnellcenter.org Subscribe to our newsletter  Facebook: @mcconnellcenter Instagram: @ulmcenter  Twitter: @ULmCenter This podcast is a production of the McConnell Center

This special episode explores the incredible legacy of businessman and visionary philanthropist Julius Rosenwald. How he was born to German Jewish immigrants, rose to become the President of Sears Roebuck and the meaningful way that his legacy continues to live on and have meaningful impact to this day…! Inspired by the Jewish ideals of tzedakah (charity) and tikkun olam (repairing the world) and a deep concern over racial inequality in America, Rosenwald used his wealth to become one of America's most effective philanthropists. Influenced by the writings of the educator Booker T. Washington, Rosenwald joined forces with African American communities during the Jim Crow era to build 5,300 schools, providing 660,000 black children with access to education in the segregated American South. The Rosenwald Fund also provided grants to support a who's who of African American artists and intellectuals and numerous artists that Eric represents and promotes, including Elizabeth Catlett, Jacob Lawrence, William Artis and others who were greatly helped by Rosenwald Foundation funds.   Featuring Community Leader Roger Smith; Eric's cousin from Virginia - from the very school that Eric's Mother attended that was built thanks to the generosity of Rosenwald that is an historic landmark… They discuss how Dunbar Schoolhouse came about, how the building itself had been assembled and how Roger, alongside his Family have been instrumental in restoring and maintaining the school. Preserving its history through an on-sight museum  — committed to keeping the story of Dunbar Schoolhouse alive..! The various wonderful community programs that they currently run and the significant role that the school plays in the community.  Filmmaker Aviva Kempner joins Eric from Washington. They discuss her feature-length historical documentary about Julius Rosenwald entitled “Rosenwald: A Remarkable Story of a Jewish Partnership with African American Communities” and all the wonderful things she learned in the process of making the film.  They discuss Rosenwald's background and life — the role of his Rabbi and how it motivated his philanthropic efforts… meeting Booker T. Washington and the strong friendship that they forged.  Realizing the need for and power of education as a way to uplift communities and becoming involved in building schools in the rural south. Addressing the needs for housing brought about by the Great Migration, funding the building of housing and YMCAs for African Americans and supporting countess artists and intellectuals including Marian Anderson, James Baldwin, Ralph Bunche, W.E.B. DuBois, Katherine Dunham, Ralph Ellison, John Hope Franklin, Zora Neale Hurston, Jacob Lawrence, Dr. Charles Drew, Augusta Savage, and Langston Hughes. His genius in “matching grants”, the way it made the community feel self-empowered and invested in the mission.  The theory of ‘spending down' and how its principles helped inspire other philanthropic institutions. The unique design and ingenuity of the building construction… the power of community and how his work continues to live on today. They explore what lead to her making movies — from being the daughter of a Holocaust Survivor, a passionate activist and viewing movies as a powerful tool to educate people. The many films she's made throughout her life and is in the process of producing and her dedication to telling stories that celebrate the lives of lesser-known Jewish heroes for over forty years…! For more on Eric's Perspective, visit www.ericsperspective.com#ERICSPERSPECTIVE #AFRICANAMERICAN #ART Connect with us ONLINE:  Visit Eric's Perspective website: https://bit.ly/2ZQ41x1 Facebook: https://bit.ly/3jq

This week on The Learning Curve, co-hosts Alisha Searcy of DFER and U-Arkansas Prof. Albert Cheng interview Carl Rollyson, CUNY professor, and acclaimed biographer of William Faulkner. Prof. Rollyson offers an in-depth exploration of Faulkner's life, work, and enduring legacy. He discusses Faulkner's formative years in early 20th-century Mississippi a region still grappling with its post-Civil War identity, and his early literary influences, including mentorship by Phil Stone and encounters with literary greats like Sherwood Anderson. Rollyson delves into Faulkner's tumultuous personal life, his complex marriage to his wife Estelle, and his writing routine at his Oxford, Mississippi, home, Rowan Oak. Rollyson examines Faulkner's creation of Yoknapatawpha County, the setting for masterpieces such as The Sound and the Fury and Absalom, Absalom!, as well as his Hollywood years and their impact on his craft. He also explores Faulkner's views on race and civil rights, his Nobel Prize-winning novels, and his influence on Southern literature and writers like Flannery O'Connor and Ralph Ellison. In closing, Prof. Rollyson reads a passage from his two-volume biography, The Life of William Faulkner.

Tony Holt is a creative writer who first ventured into publishing with a collection of poems called The Torn Page. He is a graduate of Kalamazoo College with a Bachelor of Arts in psychology and literature.  Tony's essay, Invisible Kings: Black Identity and Power, examines the link between Ralph Ellison's Invisible Man and the Black Panther volumes written by Ta-Nehisi Coates.  To Learn More About Tony Check Out: IG: https://www.instagram.com/therealmzada/ #tonyholt #comicslit #ralphellison #invisibleman #blackpanther #tanehisicoates #comics #literature

In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), renowned biographer Dr. Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb. Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), renowned biographer Dr. Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb. Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), renowned biographer Dr. Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb. Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), renowned biographer Dr. Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb. Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), renowned biographer Dr. Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb. Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), renowned biographer Dr. Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb. Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), renowned biographer Dr. Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb. Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1939, when John Steinbeck's The Grapes of Wrath was published, it became an instant bestseller and a prevailing narrative in the nation's collective imagination of the era. But it also stopped the publication of another important novel, silencing a gifted writer who was more intimately connected to the true experiences of Dust Bowl migrants. In Riding Like the Wind: The Life of Sanora Babb (University of California Press, 2024), renowned biographer Dr. Iris Jamahl Dunkle revives the groundbreaking voice of Sanora Babb. Dunkle follows Babb from her impoverished childhood in eastern Colorado to California. There, she befriended the era's literati, including Ray Bradbury and Ralph Ellison; entered into an illegal marriage; and was blacklisted by the House Un-American Activities Committee. It was Babb's field notes and oral histories of migrant farmworkers that Steinbeck relied on to write his novel. But this is not merely a saga of literary usurping; on her own merits, Babb's impact was profound. Her life and work feature heavily in Ken Burns's award-winning documentary The Dust Bowl and inspired Kristin Hannah in her bestseller The Four Winds. Riding Like the Wind reminds us with fresh awareness that the stories we know—and who tells them—can change the way we remember history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Today's book: Invisible Man by Ralph Ellison (1952) Where Radical Readers Discuss Prohibited Prose Banned books are works that have been removed from a library shelf or school curriculum. Over the course of Banned Books Week, this series covers seven different books, the reasons they were banned, and the value in reading them. Guest Links: Anthony Holt Jr. https://accomplishinginnovationpress.com/product/comics-lit-vol-1/ Fly Messias Instagram: @flyinhd Facebook: @Mzz.Fly Spider-Dan https://www.spiderdanandthesecretbores.com/ Instagram & Threads: @spiderdansecretbores Spider-Dan's chats with Tonya: She-Hulk: Podcast at Large (with Tony) https://open.spotify.com/episode/5pVJsszZ0IWujgMOah7uEa Batman Returns https://open.spotify.com/episode/5hLsrrRifjwXdSgIKZkYZ0 The Crow https://open.spotify.com/episode/6FET2Ys49yOtYVSJLefVYo Pam Grier Movies: Coffy vs Foxy Brown https://open.spotify.com/episode/1hRGcuPqwoRjhcrbHgn5xw Host: Tonya Todd Video Producer: JP Butler Audio Producer: Ria Carrogan Graphics: Mike Burton

Today, we're joined by one of our favorite writers and thinkers, Vinson Cunningham, to discuss his excellent debut novel, Great Expectations, which tells the story of brilliant-but-unmoored young black man, David Hammond, who finds himself recruited — by fluke, folly, or fate — onto a historic presidential campaign for a certain charismatic Illinois senator. A staff writer at the New Yorker, Vinson also worked for Obama's 2008 campaign in his early twenties. (He bears at least some resemblance to his protagonist.) And his novel provides a wonderful jumping-off point for a deep discussion of political theater, the novel of ideas, race, faith,  the meaning of Barack Obama, and the meaning of Kamala Harris. Also discussed: Christopher Isherwood, Saul Bellow, Garry Wills, Ralph Ellison, Marilynne Robinson, Paul Pierce, and Kobe Bryant! If you can't get enough Vinson, check out his podcast with Naomi Fry and Alexandra Schwartz, Critics at Large.  Sources:Vinson Cunningham, Great Expectations: A Novel (2024)— "The Kamala Show," The New Yorker, Aug 19, 2024— "Searching for the Star of the N.B.A. Finals," The New Yorker, June 21, 2024— "Many and One," Commonweal, Dec 14, 2020.Saul Bellow, Ravelstein  (2001) Garry Wills, Lincoln at Gettysburg (1992)Ralph Ellison, Invisible Man (1952)— Shadow and Act (1964)David Haglund, "Leaving the Morman Church, After Reading a Poem," New Yorker Radio Hour, Mar 25, 2016. Phil Jackson, Sacred Hoops: Spiritual Lessons of a Hardwood Warrior (1995)Glenn Loury, Late Admissions: Confessions of a Black Conservative (2024)Matthew Sitman, "Saving Calvin from Clichés: An Interview with Marilynne Robinson," Commonweal, Oct 5, 2017...and don't forget to subscribe to Know Your Enemy on Patreon so you can listen to all of our premium episodes!

Igoni Barrett er en nigeriansk forfatter, kjent for sine noveller og den prisbelønnede romanen Blackass fra 2015. I 2014 ble han inkludert på Hay-festivalens Africa39, en liste over 39 lovende afrikanske forfattere under 40. Barrett sitter også i Litteraturhusets kunstneriske råd for vårt prosjekt som løfter afrikansk litteratur.Dette er Igoni Barretts leseliste:Abdulrazak Gurnah, Afterlives (Etterliv)Zoe Wicomb, You Can't Get Lost in Cape Town (Ingen går seg vill i Cape Town)Toni Morrison, The Bluest Eye (De blåeste øyne) JazzAlex Haley, Roots (Røtter)Ralph Ellison, Invisible Man (Usynlig mann)Yambo Ouloguem, Le devoir de violence (Bound To Violence)Mohamed Mbougar Sarr, La plus secrète mémoire des hommes (Menneskenes mest fordekte minne) Hosted on Acast. See acast.com/privacy for more information.

Igoni Barrett is a Nigerian writer of novels and short stories, especially well known for his award-winning novel 2015 Blackass. In 2014, he was named on the Hay Festival's Africa39 list of African writers under 40. Barrett is also part of the House of Literature's artistic council, advising in our project to promote African literature.This is Igoni Barrett's reading list:Abdulrazak Gurnah, Afterlives (Etterliv)Zoe Wicomb, You Can't Get Lost in Cape Town (Ingen går seg vill i Cape Town)Toni Morrison, The Bluest Eye (De blåeste øyne) JazzAlex Haley, Roots (Røtter)Ralph Ellison, Invisible Man (Usynlig mann)Yambo Ouloguem, Le devoir de violence (Bound To Violence)Mohamed Mbougar Sarr, La plus secrète mémoire des hommes (Menneskenes mest fordekte minne) Hosted on Acast. See acast.com/privacy for more information.

In Episode Fourteen, DDSWTNP turn our attention for the first time to DeLillo's drama – and to a largely unknown work by DeLillo as playwright, a 1966 radio play and disturbing take on U.S. race relations titled Mother. We cover the circumstances of the play's original broadcasts, its re-emergence in an internet archive recording more than 50 years later, and the strange way in which this story's armchair progressives and Billie Holiday fans, Ralph and Sally, end up making a fetishizing travesty of civil rights and racial integration in the play's brief 27 minutes. Topics include the importance of radio to Mother's themes of media occlusion, moral numbness, and erasure; what DeLillo means by Ralph's “white malady” of transparency and how it reworks images from another Ralph's Invisible Man; and what this play has to do with contemporaneous issues like interracial marriage in Loving v. Virginia. We talk extensively as well about how Mother presages parts of the early novels, from jazz love in Americana to Taft in End Zone and Azarian in Great Jones Street. Before (and after) listening to our analysis, take in this troubling 27-minute play at https://archive.org/details/pra-BB3830.01 Our raffle for a hardcover Amazons has been extended to August 1 – donate and enter to win at https://buymeacoffee.com/delillopodcast Texts mentioned and discussed in this episode: James Baldwin, The Fire Next Time. Dial Press, 1963. Samuel Beckett, Endgame. 1957. Don DeLillo, The Mystery at the Middle of Ordinary Life. 2000.https://muse.jhu.edu/article/30660/pdf Ralph Ellison, Invisible Man. Random House, 1952. “The writer is driven by his conviction that some truths aren't arrived at so easily, that life is still full of mystery, that it might be better for you, Dear Reader, if you went back to the Living section of your newspaper because this is the dying section and you don't really want to be here.” (Thomas LeClair, “An Interview with Don DeLillo,” Contemporary Literature 23.1 (1982): 19-31) Eugene Ionesco, Rhinoceros. 1959. Mark Osteen. “Chronology.” In Don DeLillo, Three Novels of the 1980s. Library of America, 2022. Jean-Paul Sartre, No Exit. 1944.

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Housing experts and activists have long described the foundational role race has played in the creation of mass homeownership. This book insistently tracks the inverse: the role of mass homeownership in changing the definition, perception, and value of race. In The Residential Is Racial: A Perceptual History of Mass Homeownership (Stanford University Press, 2024) Dr. Adrienne Brown reveals how mass homeownership remade the rubrics of race, from the early cases realtors made for homeownership's necessity to white survival through to the 1968 Fair Housing Act. Reading real estate archives and appraisal textbooks alongside literary works by F. Scott Fitzgerald, John Steinbeck, Lorraine Hansberry, Richard Wright, Gwendolyn Brooks, James Baldwin, Ralph Ellison, John Cheever, and Thomas Pynchon, Dr. Brown goes beyond merely identifying the discriminatory mechanisms that the real estate industry used to forestall black homeownership. Rather, she reveals that redlining and other forms of racial discrimination are perceptual modes, changing what it means to sense race and assign it value. Resituating residential discrimination as a key moment within the history of perception and aesthetics as well as of policy, demography, and democracy, we get an even more expansive picture of both its origins and its impacts. This book discovers that the racial honing of perception on the block—seeing race like a bureaucrat, an appraiser, and a homeowner—has become central to the functioning of the residential itself. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

Patrick and Abby welcome politics professor Kevin Duong to discuss his research on the history of the Lafargue Clinic (1946-1958), an experiment in radical psychoanalysis aimed at providing free care to marginalized community members in the Harlem neighborhood of New York City. Bringing together American notables like Richard Wright and Ralph Ellison alongside a colorful array of expatriate European clinicians, including antifascist partisans and refugees, the clinic sought to fuse Freud's calls for “psychotherapy for the people” with a Marxist attention to the material dimensions of suffering. Duong walks Abby and Patrick through how the clinic functioned and what therapy there was like, from group analysis of children at play to evening seminars in which everyone involved with the clinic worked with a consenting patient to explore their distress. They also unpack the clinic's theoretical contributions, from the notion of “class unconsciousness” to “social neurosis,” and the implications of its work on our ideas about transference, scarcity, and abundance; the ways in which authority is constituted in both therapy and social movements; how organizing and therapy relate to the recognition of suffering and the realization of desires; the Cold War, contemporary memory, the repressed histories of radical psychoanalysis and what it would mean to “repeat with a difference”; and more. Kevin's article, “Broke Psychoanalysis: In Memory of Harlem's Lafargue Clinic” is here: https://www.parapraxismagazine.com/articles/broke-psychoanalysisHave you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! 484 775-0107 A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media: Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

Why invest time in reading literature? This episode answers just that, highlighting how stories enrich our lives, teach us empathy, and offer experiences that facts alone cannot. I'll discuss the dynamic relationship between reader and text, and how this interaction brings new meanings each time. Featuring Ralph Ellison's 'King of the Bingo Game,' I explore the transformative power of engaging with literature.IMPORTANT LINKS:

We Are the Leaders We Have Been Looking For (The W. E. B. Du Bois Lectures) by Eddie Glaude Jr. https://amzn.to/3JQZWyM We are more than the circumstances of our lives, and what we do matters. In We Are the Leaders We Have Been Looking For, one of the nation's preeminent scholars and a New York Times bestselling author, Eddie S. Glaude Jr., makes the case that the hard work of becoming a better person should be a critical feature of Black politics. Through virtuoso interpretations of Martin Luther King, Jr., Malcolm X, and Ella Baker, Glaude shows how we have the power to be the heroes that our democracy so desperately requires. Based on the Du Bois Lectures delivered at Harvard University, the book begins with Glaude's unease with the Obama years. He felt then, and does even more urgently now, that the excitement around the Obama presidency constrained our politics as we turned to yet another prophet-like figure. He examines his personal history and the traditions that both shape and overwhelm his own voice. Glaude weaves anecdotes about his evolving views on Black politics together with the writings of Ralph Waldo Emerson, John Dewey, Toni Morrison, James Baldwin, and Ralph Ellison, encouraging us to reflect on the lessons of these great thinkers and address imaginatively the challenges of our day in voices uniquely our own. Narrated with passion and philosophical intensity, this book is a powerful reminder that if American democracy is to survive, we must step out from under the shadows of past giants to build a better society―one that derives its strength from the pew, not the pulpit.

James by Percival Everett flips the script on an American classic as Huck Finn steps to the side and Jim takes center stage in a powerful and often very funny, story of family, home and freedom. Everett joined us live at The Grove to talk about language and storytelling, his sense of humor (and its origins), philosophy, identity and more with Miwa Messer, host of Poured Over. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang.                    New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app.         Featured Books (Episode): James by Percival Everett The Adventures of Huckleberry Finn by Mark Twain Erasure by Percival Everett Dr. No by Percival Everett I Am Not Sidney Poitier by Percival Everett Glyph by Percival Everett Telephone by Percival Everett Invisible Man by Ralph Ellison

In this episode, we talk with the brilliant Kendall Bryant about a book that's in the hallowed halls of their personal canon, Invisible Man by Ralph Ellison. The story of this book for Kendall is interwoven with their history, their conception of the present, and their vision for the future. --- Support this podcast: https://podcasters.spotify.com/pod/show/realballersread/support

“If my mother and my grandma were in this book, how would they be? And what kind of love can I show them as a writer…”  The American Daughters by Maurice Carlos Ruffin brings readers to pre-Civil War New Orleans to meet a cast of strong, fierce women in a hope filled novel of freedom and liberation. Ruffin joins us to talk about the intricacies of writing about his hometown, cultural impacts on identity, building empathy through fiction and more with Miwa Messer, host of Poured Over.    This episode of Poured Over was hosted by Executive Producer Miwa Messer and mixed by Harry Liang.                    New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app.          Featured Books (Episode):  The American Daughters by Maurice Carlos Ruffin  We Cast a Shadow by Maurice Carlos Ruffin  The Prophets by Robert Jones, Jr.  Ours by Phillip B. Williams  American Spy by Lauren Wilkinson  Lone Women by Victor LaValle  Lolita by Vladimir Nabokov  The Invisible Man by Ralph Ellison  Middlesex by Jeffrey Eugenides   12 Years a Slave by Solomon Northup  Trust Exercise by Susan Choi 

Chris and Shayna consider Ralph Ellison's quote, from his speech upon receiving the National Book Award in 1953: "The way home we seek, is that condition of man's being at home in the world, which is called love, and which we term democracy."

Episode Summary:In the depths of the Great Depression, the U.S government hired out-of-work writers and laid-off reporters and sent them out to record the stories of all kinds of Americans. Dubbed the Federal Writers' Project, historians have called the program a giant "listening project." In this introductory episode, host Chris Haley sets the stage, laying out 1930s America, the New Deal, and the cultural forces that both supported and opposed the Writers' Project. We meet the agency's national director Henry Alsberg and a handful of its writers across the country, including Zora Neale Hurston, Studs Terkel and Ralph Ellison. We also dig into the key questions that are still debated in public forums today: What history gets told? And who gets to tell it? Speakers:Scott Borchert, authorDavid Bradley, novelistDouglas Brinkley, historianTameka Hobbs, historianDavid Kipen, authorDena Epstein, daughter of federal writer Hilda PolacheckStuds Terkel, oral historianLinks and Resources:American Life Histories: Manuscripts from the Federal Writers' ProjectBorn to Slavery: Slave Narratives from the Federal Writers' ProjectAuthor Scott Borchert on the Federal Writers' Project and the WPA guidebooks Article on Library of Congress symposium on The Millions Further Reading:Soul of a People by David A. TaylorRepublic of Detours by Scott Borchert Barracoon by Zora Neale HurstonCalifornia in the 1930s by David KipenHard Times by Studs TerkelFirst-Person America by Ann Banks Henry Alsberg by Susan DeMasiLong Past Slavery by Catherine A. StewartCredits:Host: Chris HaleyDirector: Andrea KalinProducers: Andrea Kalin, David A. Taylor, James MirabelloWriter: David A. TaylorEditors: Steve Klingbiel and Ethan OserStory Editor: Michael MayAdditional Voices: Karen Simon, Robert Mirabello, Gary Hogan and Vince BrownFeaturing music and archival material from:Pond5Library of Congress National Archives New York Public LibrarySwing Time (RKO, 1936)Smithsonian FolkwaysFor additional content, visit peoplesrecorder.info or follow us on social media: @peoplesrecorderProduced with support from: National Endowment for the HumanitiesFlorida Humanities Virginia HumanitiesWisconsin HumanitiesCalifornia HumanitiesHumanities Nebraska Hosted on Acast. See acast.com/privacy for more information.

This week, I want to share a quick resource to help you celebrate Black Artists and Authors in your classroom next month.  Last year I started a project to create heritage displays you can use in your classroom throughout the year for special months like Black History month, Women's History month, Asian American and Pacific Islander Heritage Month, Pride month, and more. Each display has a colorful header and a series of interactive posters featuring artists, creators, activists, and authors. Students can read the bio and scan the QR code on each poster to go learn more about the featured person. February's display features Zora Neal Hurston, Ralph Ellison, Toni Morrison, Langston Hughes, Maya Angelou, Amanda Gorman, Jason Reynolds, and more. It's a super quick display to put up - you just print out the pieces and put them up on some colorful paper on your bulletin board, door, or hallway. I'd love to share this free resource with you and help you get ready for Black History Month right around the corner! Then you can snag some books featured in the display to put up on your windowsill, along the top of your shelves, and along your whiteboard tray, and you'll be ready to rock.  Easy, right? Here's the link to grab this free resource: https://spark-creativity.ck.page/93cae16cef  Go Further:  Explore alllll the Episodes of The Spark Creativity Teacher Podcast. Join our community, Creative High School English, on Facebook. Come hang out on Instagram.  Enjoying the podcast? Please consider sharing it with a friend, snagging a screenshot to share on the ‘gram, or tapping those ⭐⭐⭐⭐⭐ to help others discover the show. Thank you!   

We take a break from the news this week to convene the first ever Checks and Balance Book Club. All summer we've been reading three works, picked by the team, from the canon of American literature. In this episode, we'll present our analysis, hear what listeners thought, and work out what it means to be a Great American Novel. Plus, a very special quiz. If you want to read along, the books we discuss are “The Age of Innocence” by Edith Wharton, “The Sound and the Fury” by William Faulkner and “Invisible Man” by Ralph Ellison. John Prideaux hosts with Charlotte Howard, Idrees Kahloon and Jon Fasman.You can now find every episode of Checks and Balance in one place and sign up to our weekly newsletter. For full access to print, digital and audio editions, as well as exclusive live events, subscribe to The Economist at economist.com/uspod. Hosted on Acast. See acast.com/privacy for more information.

We take a break from the news this week to convene the first ever Checks and Balance Book Club. All summer we've been reading three works, picked by the team, from the canon of American literature. In this episode, we'll present our analysis, hear what listeners thought, and work out what it means to be a Great American Novel. Plus, a very special quiz. If you want to read along, the books we discuss are “The Age of Innocence” by Edith Wharton, “The Sound and the Fury” by William Faulkner and “Invisible Man” by Ralph Ellison.John Prideaux hosts with Charlotte Howard, Idrees Kahloon and Jon Fasman.You can now find every episode of Checks and Balance in one place and sign up to our weekly newsletter. For full access to print, digital and audio editions, as well as exclusive live events, subscribe to The Economist at economist.com/uspod.  Hosted on Acast. See acast.com/privacy for more information.

In this episode, which was originally published in August 2022, Sean Illing talks with Corey Robin, author of a 2019 book about the life and thought of Supreme Court Justice Clarence Thomas. Robin discusses how Thomas — whose concurring opinion in the case that overturned Roe v. Wade garnered recent attention — developed the ideological basis of his extremist judicial philosophy, how his views went from the hard-right fringe to more mainstream over the course of his 30 years on the Supreme Court, and how the failures of the 1960s movements shaped his fundamental pessimism about racial progress in America. Host: Sean Illing (@seanilling), host, The Gray Area Guest: Corey Robin (@CoreyRobin), author; professor of political science, Brooklyn College and CUNY Graduate Center References:  The Enigma of Clarence Thomas by Corey Robin (Metropolitan; 2019) "The Self-Fulfilling Prophecies of Clarence Thomas" by Corey Robin (New Yorker; July 9) Clarence Thomas's opening statement, Anita Hill hearing (C-SPAN; Oct. 11, 1991) Invisible Man by Ralph Ellison (1952) Dobbs v. Jackson Women's Health Organization (2022); Thomas's concurrence American Negro Slave Revolts by Herbert Aptheker (1943) Reconstruction: America's Unfinished Revolution - 1863–1877 by Eric Foner (1988; updated 2014) The Culture of Narcissism: American Life in An Age of Diminishing Expectations by Christopher Lasch (Norton; 1979) The Rhetoric of Reaction by Albert O. Hirschman (Harvard; 1991)   Enjoyed this episode? Rate The Gray Area ⭐⭐⭐⭐⭐ and leave a review on Apple Podcasts. Subscribe for free. Be the first to hear the next episode of The Gray Area. Subscribe in your favorite podcast app. Support The Gray Area by making a financial contribution to Vox! bit.ly/givepodcasts This episode was made by:  Producer: Erikk Geannikis Editor: Amy Drozdowska Engineer: Patrick Boyd Deputy Editorial Director, Vox Talk: A.M. Hall Learn more about your ad choices. Visit podcastchoices.com/adchoices