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It's only January and Trivium have already put on a gig of the year contender during their recent tour of the UK. Ahead of the Birmingham show Matt caught up with guitarist Corey Beaulieu, they cover everything from how the band mixes up the setlist, through guitar rigs for the tour and onto the bands latest albums. ===================== Follow The Razor's Edge online: Web: https://therazorsedge.rocks Facebook: https://www.facebook.com/therazorsedgerocks Twitter: https://twitter.com/_therazorsedge_ Instagram: https://www.instagram.com/therazorsedgerocks
Trivium steadily raised its metal flag through the old-fashioned method—relentless touring. The band took any and all opening slots, priming crowds for Metallica, Iron Maiden, Killswitch Engage, Machine Head, DragonForce, Korn, and Megadeth before graduating to headliner status. That constant grind was fueled by 10 full-length releases that incorporate varying tints and tinges of their three core musical tenets: metalcore, melodic death metal, and thrash. (The band derives their name from a Latin word that means “three-way intersection,” describing their combination of these aggressive subgenres.)And while tone dictates many decisions made by a guitarist, touring comes with a cost and might be the one thing that could trump a player's desired setup or sound. Now, with elevated gas prices, venues fleecing bands for merch cuts, and overall hiked inflation, many artists are having to compromise and condense their live arsenal. Thankfully, digital modelers like the Fractal Axe-Fx and Kemper Profiler have made that decision easier (or harder, depending where one sits on the digital-versus-analog debate). Trivium embraced the future in the early 2010s, when they shifted towards the Axe-Fx II and then pivoted to the Kemper Profiler.“We were one of the first bands to use Axe-Fx and Kemper, and both those things rule,” says Matt Heafy. So, it's rare to see a hard-charging, globetrotting force like Trivium—who were rocking Kempers during our 2014 Rig Rundown—return to their roots, blasting through furious 5150-style heads after nearly a decade on the digital dial.“In 2019, when we were in the studio recording What the Dead Men Say, we didn't have any amps and it was a bummer. We had to scramble to find somebody who had tube amps that we could use to track, so after we finished that album, I never wanted to be stuck in that situation again. I scoured Reverb and bought all my favorite amps and everything we used for all our past albums. Through that process, I really got back into messing with gear,” explains Corey Beaulieu.Onstage, the return of the stacks enhanced their performance. “The modelers had a slight latency—I don't think the crowd noticed the difference—and I felt that if we could shave off a little bit of that by bringing back the amps, reducing the response even closer to zero, we'd be better for it. We've just really loved returning to live tube heads.”The afternoon ahead of Trivium's headlining performance at Nashville's Marathon Music Works on October 14, guitarists Beaulieu and Heafy joined PG's Chris Kies to cover the pair's smorgasbord of signature gear—they know what they like, and brands are eager to hit their high standards—and why they transitioned back to traditional tube-drenched tone.Brought to you...
Trivium's Corey Beaulieu called in to talk about their upcoming concert at the Wiltern on 11/10/22. Here's what we talked about: "In The Court Of The Dragon" (0-4) The Hangar (4-6) "Feast Of Fire" song (6-8) "Shadow Of The Abattoir" (8-10) Touring with Iron Maiden (1-13) 11/10/22 at the Wiltern (13-15) Setlist (15-18) Mandatory Metallica (18-end)
We had the pleasure of interviewing Paolo Gregoletto of Trivium over Zoom video! Grammy-nominated band TRIVIUM — Matt Heafy [vocals, guitar], Corey Beaulieu [guitar], Paolo Gregoletto [bass], and Alex Bent [drums] — have released their tenth album, titled In The Court Of The Dragon, via longtime label Roadrunner Records. The record was produced and mixed by Josh Wilbur and recorded in the Fall of 2020 at Full Sail University in Orlando.The band has also shared the new song "Feast Of Fire," which is joined by an official music video. The footage was filmed at the band's HQ — The Hangar in Orlando. It was shot by director John Deeb. "There's always that one song you aren't expecting when you begin writing a new album," says Gregoletto about the song and, in turn, sharing an inside look at the band's songwriting process. "It could be a riff written on the spot in the rehearsal space, a lyric that pairs just right with a melody, or in the case of 'Feast Of Fire,' sitting right there in front of us in the middle of a demo that Corey brought in. We were well into pre-production at Full Sail when we all decided that something about the demo we had tracked was good but could be even better. Our producer Josh Wilbur even had in his notes: 'Bridge is special, maybe so special it needs its own song.' We tore the song apart and began again on the spot."He continues, "We went into this album knowing we had time to consider everything and anything that came about during this period, and if need be, we could start again if it didn't feel right given that no touring was on the horizon."Further pulling back the curtain, he says, "I had the words 'Feast Of Fire' written in my running list of notes for lyric ideas that I try to amass before we record. Something about the phrase stuck out to me. It felt like the missing piece of the story we were trying to tell with this album, a climactic moment and a real centerpiece for the narrative."He finishes, "After all these years, I'm still blown away at how a song can really appear out of thin air and take the album to a place you weren't expecting. Those are the moments we are always looking for when making a record."The album cover is an original oil painting by French artist Mathieu Nozieres (@mathieunozieres on Instagram)"While the music of In The Court Of The Dragon was taking shape, we knew we needed epic artwork of the type that you might see on the wall of an important museum from a long dead renaissance master," says Heafy. "After extensive research, we found one of the few living artists who is capable of creating artwork like Caravaggio and Gentileschi — painter Mathieu Nozieres. Mathieu took our song title and created an original oil painting on canvas unlike anything we could have ever imagined. It's so staggeringly breathtaking and epic and it looks like what the song and album sounds like." Last month, Trivium shared the album's title track, "In The Court Of The Dragon," which featured an epic intro composed and orchestrated by Ihsahn (Emperor) and was accompanied by an official short film music video directed by Ryan Mackfall. Loudwire called out the song as "a skillful blend of dynamics. And blast beats just sound really, really good beneath Matt Heafy's soothing clean singing" while Revolver labeled it "epic."We want to hear from you! Please email Tera@BringinitBackwards.com.www.BringinitBackwards.com#podcast #interview #bringinbackpod #PaoloGregoletto #Trivium #zoomListen & Subscribe to BiBFollow our podcast on Instagram and Twitter!
Corey Beaulieu, guitarist for Trivium, is the guest on this episode of the BREWtally Speaking Podcast!! Corey joins us to talk about the bands latest album, What The Dead Men Say, and the decision to continue with the original release date of the record in spite of potential for the album sales to not be as good as initially projected before the pandemic hit. We also discuss wether this pandemic will alter antiquated practices within the music industry, as well as the bands plans for supporting this record since they can't go out and tour behind the release properly and more. Intro Music: "Introduction to BREWtality" by Tom Smith "Pretty Lights" by Heartsick Show Sponsors: Rockabilia (www.rockabilia.com) The Bean Bastard (www.thebeanbastard) On Point Pomade (www.onpointpomade) USE OUR CODE BSP15 AND GET 15% OFF YOUR TOTAL ORDER!! Links: Facebook: www.facebook.com/trivium www.facebook.com/rockabiliacom www.facebook.com/onpointpomade www.facebook.com/thebeanbastard www.facebook.com/brewspeakpod Instagram: @triviumband, @coreytrivium, @rockabiliacom, @onpointpomade, @thebeanbastard, @brewspeakpod, @jbeatty616 Twitter: @triviumofficial ,@coreytrivium, @onpointpomade, @brewspeakpod, @discussmetaldan, @jbeatty616 Website: www.trivium.org www.brewspeakpod.com Patreon: www.patreon.com/brewspeakpod Email: Brewtallyspeaking@gmail.com RATE/REVIEW/SUBSCRIBE!!!
Welcome to this weeks episode of Heavy Metal History. My guest is guitarist Corey Beaulieu of the band Trivium. Corey came on the podcast to delve into the writing and recording behind the bands 2nd album "Ascendancy" which is celebrating a 15 year anniversary. We also discuss the impact of the current viral outbreak and briefly discuss how the bands music has and imagery has ended up in some films!
Nick returns with another great guest. Nick is joined by lead guitar player, Corey Beaulieu from Trivium. Corey comes to the show to discuss Trivium's new album, the songwriting process, the current state of the music business, upcoming tour with Megadeth and much much more. Make sure to follow on all social media platforms.Twitter- nicksrnwpodcastInstagram- rocknwrestlingpodcastFacebook- Nick's Rock N Wrestling Podcast
Metal mayhem returns! Corey Beaulieu (@CoreyTrivium) of Trivium (@TriviumOfficial) joins Anne Erickson (@AnneErickson) to talk about why he hopes people have a deeper appreciation for live music after COVID-19 and much more. Anne also talks about some stuff she's been watching while on quarantine, such as Headbanger's Ball episodes with Jamey Jasta and Riki Rachtman! Classic stuff. Don't forget to follow us at @audioinkradio on Twitter and Facebook. You can email Anne at anne@audioinkradio.com. Stay healthy and safe! xoxo
We got the opportunity to chat with the talented Corey Beaulieu, guitarist of Trivium. They just dropped their 9th studio album titled "What The Dead Men Say" and it's nothing short of spectacular. Corey goes into the development process for the newest record, and the challenges of meeting the logistic and financial goals of the band during an album release within a pandemic. We also test him on how well he knows his own songs. "What The Dead Men Say" is out now via Roadrunner Records.
Guest : Corey Beaulieu from TRIVIUMMetal, Rock and Everything noisy from Australia and around the world!This episode Hosted by Nev Pearcewww.facebook.com/EverblackmediaThe Everblack Metal Podcast is proudly supported by :RW Promotion : www.rwpromotion.com.auBlacklight Art & Design : www.blacklightad.com.au
Guest : Corey Beaulieu from TRIVIUMMetal, Rock and Everything noisy from Australia and around the world!This episode Hosted by Nev Pearcewww.facebook.com/EverblackmediaThe Everblack Metal Podcast is proudly supported by :RW Promotion : www.rwpromotion.com.auBlacklight Art & Design : www.blacklightad.com.au
PODCAST: EPISODE 78 – Corey Beaulieu of Trivium on New Album, New Realities Continue reading → The post PODCAST: EPISODE 78 – Corey Beaulieu of Trivium on New Album, New Realities appeared first on Ghost Cult Magazine.
Robb and Jared sit down with Corey Beaulieu (Trivium) to discuss the pre-Ascendancy days of Trivium opening for Machine Head, Corey's role in helping Jared’s old band Sanctity get signed, and his collection of Jim Carrey posters.
From the Archives: We caught up with Corey Beaulieu from Trivium and took a deep dive on guitars, studio and tour gear and got some great insight into how he sets up his tone for records. Hit the links for more from Trivium: https://twitter.com/coreytrivium?lang=en https://www.facebook.com/Trivium/ http://www.trivium.org/unreleased?ref=https://www.google.com/ Music By: Meka Nism https://www.meka-nism.com/
Corey Beaulieu of Trivium called in to talk about their upcoming tour stop at the House of Blues in Anaheim on Friday November 2, here's what we talked about: Tour (0-3) Album (3-6) Solos & Vocals (6-8) Almost 20 years of Trivium (8-9) Halloween Costumes (9-10) Sports & Fantasy Sports (10-12) Flannel 5-Nirvana, Pearl Jam, STP, Soundgarden, AIC (12-13) The Big 4-Metallica, Megadeth, Slayer, Anthrax (13-14) RIP Vinnie Paul (14 to end)
Corey Beaulieu of Trivium speaks with Mark Strigl and Mitch Lafon at Heavy Montreal. This interview was recorded on July 29, 2018.Follow Mark Strigl on Twitter at these accounts: @talkingmetal & @striglFollow Talking Metal on Instagram.Call the Talking Metal hotline and leave a message. Let us know what you thought of this episode or make a song request – 973-757-1917.Support Mark Strigl and his podcasts on Patreon here: www.patreon.com/talkingmetalUse the Paypal tab to make a donation (the Paypal is paypal.me/MarkStrigl), OR use this link to make a purchase on Amazon.Thanks for listening to Talking Metal!Please leave Talking Metal on 5-star review on iTunes. Thanks!
Check out our interview with Corey of Trivium. He tells what it is like touring behind one of their biggest releases to date.
Corey Beaulieu, guitarist of Trivium, joins myself at Rock Allegiance 2016
Joining Brando in-studio are Paolo Gregoletto and Corey Beaulieu from the heavy metal band Trivium, who have sold over a million albums to date! Corey's very first album as a kid was NOT Appetite, but Use Your Illusion 2! He sites GNR and Slash as the reason he became a guitar player. Paolo goes deep into the history of Trivium as to compare how fans see original lineups, of course relating to Guns N' Roses' changes throughout the years. That and so much more on the latest episode of The AFD Show! Please subscribe on iHeartRadio and Apple Podcasts. Leave us a review!!