HEAVY Music Interviews

Interview by Ali WilliamsSome bands talk about changing the world. Others actually try to rewire the power source. When HEAVY's Ali Williams caught up with Lime Cordiale's Ollie Leimbach, he was literally on the floor, charging his laptop somewhere five hours north of Sydney. Very rock 'n' roll. Very Northern Rivers. Very “I may or may not be barefoot and slightly stinky.” Which, frankly, checks out. Between laughs about weather patterns and mild coastal smugness, Ollie casually dropped the fact that Lime Cordiale are putting the finishing touches on album number four . Not that they're rushing it. “We're not a three-week studio band,” he admits. This one's only taken about a year. Growth. Maturity. Slightly less agonising perfectionism. But the real headline here isn't just new music. It's Lime Green Festival, their upcoming off-grid, battery-powered, 5,000-capacity experiment-slash-party happening April 18 off the coast of Adelaide . Yes, battery powered. As in, no diesel generators chugging away backstage. As in, the band is fully prepared to risk a blackout mid-set in the name of progress. Bold. Slightly terrifying. Excellent content. The Lime Green concept was born out of a crisis of conscience. During COVID, the band were working on a farm on the Mid-North Coast, diving into regenerative agriculture and learning how to reduce their footprint. Then touring came back. Planes. Diesel buses. Global laps. Cue existential whiplash. Rather than retreat into eco-guilt or write twelve reggae protest songs (no dreadlocks involved, he promises), Lime Cordiale decided to tackle the industry from within. Their approach is refreshingly non-preachy. No finger wagging. No “stop living your life.” Just practical shifts. They've trialled biodiesel buses in Europe, slashing touring emissions by around 98 percent. They've put a dollar from every ticket toward environmental causes they genuinely connect with. In Adelaide, that means supporting awareness around the current algal bloom crisis devastating local waters . Dead fish, stinging water, beaches people can't swim in. Not exactly tourism brochure material. The Lime Green Festival, though, is the big swing. Fully off-grid. Fully battery-powered. A case study in proving that you can run a major event without defaulting to fossil fuel generators. The battery companies are confident. The production crews are cautious. Ollie seems almost excited about the possibility of chaos. “If there is a blackout halfway through, that's part of the journey,” he shrugs . That's the spirit. Punk rock, but with renewable infrastructure. The lineup includes The Dreggs alongside Adelaide locals Alexia, Pash, and a Triple J Unearthed winner . Capacity sits at 5,000, which would make it Australia's largest fully battery-powered festival to date . Casual. Beyond the headline tech flex, Lime Green will feature practical green initiatives: better waste sorting, encouragement to bring reusable bottles, conscious messaging. Not exactly radical ideas, but when you've ever seen a post-gig floor that looks like a plastic tornado hit a bar fridge, you understand why it matters. Throughout the chat, Ollie keeps circling back to one core idea: don't shame people into change. Don't demand everyone bin their petrol cars tomorrow. Replace things when they break. Upgrade when it makes sense. Let progress feel possible, not punitive. It's a refreshingly pragmatic take in a space that often devolves into moral Olympics. At the end of the day, Lime Green will still be what everyone actually shows up for: good music, a crowd, and a reason to forget your inbox for a few hours. The difference is that it might also quietly prove that the industry can do better without killing the vibe. Album number four is brewing. The future might be battery powered. And if the lights flicker mid-chorus on April 18, at least you'll know you're witnessing a social experiment in real time. Tickets for Lime Green Festival are available now at limegreenfest.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela CroudaceIn conversation with Dominic (Nicky) Palermo, the driving force behind Nothing, it's clear that A Short History of Decay isn't just another chapter for the long-running shoegaze outfit, it's a reckoning. Described as their most emotionally direct release to date, the record finds Palermo shedding vagueness in favour of brutal self-examination.“I just had to look at myself in the mirror a little bit more,” he admits. Time away from the relentless album-tour cycle forced reflection on family, identity and the distractions that once kept deeper truths at bay. The result is a body of work that feels less like therapy and more like confrontation.Borrowing its title from Romanian philosopher Emil Cioran's book of the same name, the album also draws inspiration from William H. Gass's novel The Tunnel, literature steeped in guilt, introspection and uncomfortable honesty. Palermo also carried a stark line from ancient philosopher Anaxagoras with him throughout recording: “The descent to hell is the same from every place.” It became a kind of thesis statement, there's no holding back with this record.Sonically, singles like Toothless Coal push into industrial territory, reflecting a band no longer trying to fit neatly into any box. After 15 years, Nothing still thrives in that tension; not heavy enough for some, not soft enough for others.And for Australian fans? Palermo hints there's a strong chance we'll see Nothing return this year — perhaps even for a festival slot. If this turns out to be true, you heard it here first! Fingers crossed.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Ali WilliamsGenerally speaking, bands spend years in rehearsal rooms crafting a “carefully curated sonic identity.” Others however, make an EP in a uni dorm room in a single day just to “see what happens”. Meet Tom, the founding member of Lismore's Media Puzzle, who definately falls in the latter category. In this week's chat with HEAVY Mag's Ali Williams, Tom proves that sometimes the best things start as a joke and spiral wildly into something very real. What began as a one-man experiment with a drum machine and a “let's just put it out and see” attitude quickly snowballed into a full five-piece outfit reverse-engineering lo-fi chaos into tight, high-energy live shows . Tom describes Media Puzzle as falling somewhere under punk, synth punk and the wonderfully unserious label of “egg punk.” Yes, egg punk. It's fast, scrappy, lo-fi, and occasionally powered by a drum machine that had to be dragged from bedroom obscurity into full band reality . The early worlds of Media Puzzle had no band at all, it was just Tom in his bedroom with a laptop, guitar ,drum machine he could use with synth samples. After showing his one day work of art to his friends, they loved it and wanted in. Tom found himself pulling apart his own recordings, rebuilding them piece by piece like some musical Rubik's Cube. ranslating bedroom experiments into something a five-piece could detonate onstage . There's something beautifully chaotic about having to reverse engineer your own songs because you can't quite remember how you made them in the first place. Most bands polish demos. Media Puzzle disassemble them like they're defusing a bomb. Their upcoming run supporting Regurgitator is a genuine full-circle moment for the band. Ten shows across Ulladulla, Canberra, Albury, Melbourne, Brisbane, Sydney and Bathurst are locked in , kicking off March 13 , marking their first proper tour invite and easily their biggest leap so far . For a few members, it's poetic. Bassist Kelly once snuck into a Regurgitator show at 16 . Now she's sharing the bill. That's not just ironic nostalgia. That's rock and roll karma doing its job. The timing couldn't be better. Media Puzzle are dropping a new album around the same time the tour kicks off . According to Tom, it's a step in a “somewhat different direction” while still sounding like them, which in Media Puzzle terms probably means faster, weirder and somehow tighter all at once. The interview drifts into everything from the widely recognised, now redundant Southern Cross University's Bachelor of Contemporary Music that helped shape Tom and a generation of musicians drawn to the Northern Rivers, to the glamorous reality of balancing band life with a day job at Bunnings. Rock and roll might be chaotic, but sausage sizzles keep the lights on. What makes Media Puzzle compelling isn't just the genre-blending, DIY approach or the scrappy origins. It's the freedom. Tom describes the project as something without rules, a space to try anything and learn in public . In an industry obsessed with strategy, that kind of creative recklessness feels refreshing. From dorm-room experiment to national tour support for one of Australia's most iconic alternative acts, Media Puzzle are no longer just “seeing what happens.” They're making it happen. And come March 13, they'll be doing it loud, fast and proudly egg-shaped. For more info and links to tickets for all of Regurgitators Jukeboxxin Tour head to https://www.regurgitator.net/blog Tell ‘em ya mum sent ya and they'll tell you she loves it.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

American deathcore outfit Signs of the Swarm are widely regarded as deathcore's most ferocious bands.After recently completing a sold out US tour to celebrate ten years as a band, Signs Of The Swarm have now set their sights on Australia, heading Down Under for a string of shows with Born Of Osiris in March.Over six studio albums - the most recent of which being last years To Rid Myself Of Truth - Signs Of The Swarm have embedded themselves in the upper echelon of metal bands worldwide, with an unrelenting presence and dynamic output that looks set to dominate well beyond their current decade of dominance.HEAVY caught up with frontman David Simonich to find out more. We question David about their ferocious reputation and ask if it is a badge of honour worn proudly by the band."Absolutely," he smiled. "I feel like that we bring an attitude that a lot of people can't imitate because it's very organic. We just try to be ourselves and that's just the energy that conveys of us being ourselves, you know? Good old American deathcore, brother."With the band recently celebrating ten years together, we take the opportunity to ask David what sorts of things he has learnt about himself and his music over the journey."There's been a lot of learning curves professionally and musically," he measured, "always figuring out, like, sometimes you have to find the right balance of what you want to do and what your fans will like, where you'll be happy to play it for 10 more years. You know what I mean? So there's some songs on other records where I'm like, man, I hope I never have to play that one. Just my head was in the wrong place at the wrong time, you know?"In the full interview David answers the last question in more detail, talks about touring with Born Of Osiris and what fans can expect from the shows, celebrating ten years, how Signs Of The Swarm have grown as a band, how their live show has expanded since the last Australian tour with Within Destruction in 2022, some funny tales from that tour and more.BORN OF OSIRIS and SIGNS OF THE SWARM 2026 Australian Tour DatesWednesday 18th March ADELAIDE, Lion Arts FactoryThursday 19th March MELBOURNE, Max WattsFriday 20th March BRISBANE, Brightside OutdoorsSaturday 21st March SYDNEY, Manning Bar Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela CroudaceElectric Six are heading back to Australia, and according to frontman Dick Valentine, there's “no reason not to do it.” Big, profitable shows, short flights between cities and a guaranteed good time keep the band returning Down Under.This run promises refinement over chaos. “We're respectful, polite… and we have a good time,” Valentine laughs, describing the live show as “drunk karaoke” backed by seriously tight musicianship. Expect the hits, including the ever-electric Gay Bar, plus deep cuts for diehards yelling requests.Beyond the stage, it's the simple pleasures that win them over: hotel television, great food, and elite pre-flight rituals at the Virgin Australia Lounge.After 25 years, Electric Six remain shocked they're still doing this, but Australia keeps proving why they should.And if Valentine gets his way, fans will walk out of the final Melbourne show already demanding their return. In a world that feels increasingly chaotic, he half-jokes that Australia might be “our only hope.” Refined or ridiculous, Electric Six are ready to plug back in and let the absurdity roar.Tix from: https://metropolistouring.com/electric-six-2026/Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

U.S rock/metal outfit Story Of The Year exploded onto the scene with their groundbreaking debut Page Avenue, one of the first albums of its kind to sell over a million copies.The breakout single “Until the Day I Die” quickly became both an enduring anthem and a mission statement for the band. What began as four friends working in a St. Louis pizza joint evolved into a movement, connecting deeply with fans through every era. From Page Avenue (2003) to In the Wake of Determination (2005), The Black Swan (2008), The Constant (2010), Wolves (2017), and Tear Me to Pieces (2023) the band, comprised of Dan Marsala, Ryan Phillips, Josh Wills, and Adam Russell, has delivered a signature blend of melodic aggression, raw vulnerability, and anthems built to scream along to in the dark.And, fans will be pleased to confirm, Story Of The Year are back bigger and better with A.R.S.O.N., marking the next evolution of the band's signature sound and raw, personal lyricism - elements that have earned the band a dedicated global following. An acronym for “All Rage, Still Only Numb,” the album channels their trademark energy into a powerful exploration of anxiety, emotional turmoil and inner darkness. With a dynamic blend of modern post-hardcore, polished production, and nods to their emo roots, A.R.S.O.N. delivers a compelling, storied sonic journey through the fight of Story Of The Year to make it through this life.HEAVY recently caught up with vocalist/drummer Dan Marsala to find out more, running through our review of the album track by track and listening to his thoughts on our thoughts...Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Hailing from America's Rust Belt, hardened nu-metal underdogs KING 810 have built a towering sonic reputation around themes of poverty, crime and the real-world experiences linked to their hometown of Flint, Michigan. Unleashing their debut album Memoirs of a Murderer in 2014, KING 810's maiden LP reached #18 on the Billboard Top Hard Rock Albums charts and #8 on the Billboard Top Heatseekers charts, with the group since forging their own path as an independent band through numerous albums.Earlier this year, KING 810 unveiled two palpitating releases, Rustbelt Nu Metal and K7 Rustbelt Nu Metal 2, with both LPs captured in front of a live audience in compelling and rambunctious fashion, and a promised third album in the Rustbelt series still yet to come.A band renowned for never holding back when it comes to their performances, KING 810 surge with chaos and intensity in a live setting, balanced with raw catharsis and an unwavering audience connection driven by lead vocalist David Gunn. And while often perceived as controversial due to the reality of their lives spent growing up on the streets of a deeply troubled city, the band's balance of heavy discomfort and spiritual insight has led to them becoming seasoned festival performers, with the likes of Download Festival, Rock am Ring in their wake, along with their own acclaimed headline shows and sharing stages with many of the scene's elite, including Korn, Slipknot and Alpha Wolf. Previously appearing at the final edition of Soundwave in 2015, KING 810 also most recently toured Australia in 2024, supporting In Hearts Wake, with Everblack Media noting of their Brisbane support slot: "for a band who has not been to Australia in over 10 years, they certainly got a warm welcome back with the crowd moshing to every song". But in 2026, it's headline prime-time for the ferocious quartet; and KING 810 will not be pulling any punches.HEAVY spoke with Gunn to find out more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

A whole new world of inventive, insidious and infectious metalcore awaits in 2026, with Melbourne's The Gloom In The Corner -- Mikey Arthur (vocals), Jesse Abdurazak (guitar), Paul Musolino (bass) and Joshua Clinch (drums) -- on the cusp of releasing their third full-length album Royal Discordance, due out on Friday 27 February via SharpTone Records.A record that could readily soundtrack an Anime epic, a Netflix smash series, or a sprawling open-world game, Royal Discordance is certainly not your average metalcore album. An action-packed opus hell-bent on sharp narratives and astonishing sonic dexterity, Royal Discordance journeys between an all-out onslaught (previous single Assassination Run) through to cinematic-yet-sinister brutality on Nope (Hollow Point Elysium), grinning chaotic frenzy on You Didn't Like Me Then (You Won't Like Me Now), and a double closing sucker punch via the two-track suite Love 1: A Quaver Through the Pale and Love 2: A Walk Amongst The Poppy Fields.HEAVY caught up with Mikey Arthur to find out more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Formed in early 2022, Townsville metal outfit Varrim burst onto the scene with their debut single Buried in the Hills in August 2022, immediately setting the tone for their signature sound: angry, heavy, and groovy, with blasts of rage, wicked hooks, and evil breakdowns. This track marked the start of what would become Varrim's DNA.Following up with Spirit Bomb - inspired by vocalist Kurt's love for Goku from Dragon Ball Z - the band continued to refine their sound — blending brutal heaviness with melodic and chaotic energy. In April 2023, Varrim released Hunger for the Taste of Conquer, while simultaneously chipping away at their debut EP, Funeral for the Undead, featuring four tracks: Funeral for the Undead, Slaves, Genetic Hell, and Dethroned.The EP launched Varrim into live performance mode, securing shows across Cairns, Townsville, Mackay, Rockhampton, and Yeppoon. Known for their high-energy, brutal live sets, Varrim quickly gained a reputation as a band to watch in the local heavy scene.In December 2024, the band teamed up with local filmmaker Arik to release their debut music video for the single Exhume, featuring vocals from Yowie Smith. Exhume showcased a new direction for Varrim — darker, heavier, and packed with groove-laden, crushing breakdowns — setting the stage for the band's next evolution.Throughout the following year, Varrim focused on recording their next single, Carnography, and developing a music video to match. Despite a busy year of recording and production, the band still tore up stages alongside acts like Hidden Intent, King Parrot, and Pig Destroyer, as well as performing with numerous local heavy bands, steadily building a devoted following.Carnography, dropping 21/02/26, will be the first release from Varrim's upcoming 5-track EP Devourance. With more music, more live shows, and a relentless drive, 2026 promises to be another year of growth, aggression, and pure Varrim energy. HEAVY caught up with vocalist Kurt to find out more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Ali WilliamsLord of the Lost are currently somewhere between frostbite and frequent flyer miles. When HEAVY's Ali Williams caught up with frontman Chris Harms, the band were enjoying an “off day” in Las Vegas, which sounds glamorous until you realise it comes after three straight weeks of snow and a delightful minus 25 degrees in Canada. Celsius, for the record. The kind of cold that makes you reconsider every life choice that led you there. The German dark rock outfit are wrapping up the North American leg of their tour before pointing themselves toward Australia for the very first time. Yes, first time. Seventeen years into their career and they've somehow never made it Down Under.  Not for lack of trying either. A previous Australian run collapsed thanks to the classic rock'n'roll villain arc of a disappearing promoter and vanishing ticket money . Enter Hardline Media and Extratours, who stepped in to resurrect the tour and finally get the band on a plane for the 28-hour trek south That's commitment. Or madness. Possibly both. The Australian run kicks off in Brisbane on February 19 before heading through Melbourne, Sydney and wrapping up in Adelaide It's a tight schedule. Fly in the night before the first show, play, fly, repeat, and then straight back out again No cuddling koalas, no hunting for drop bears, no leisurely beach days. Just work, work, work. Romantic, isn't it? Musically, Lord of the Lost are in the middle of rolling out their ambitious Opus trilogy. Volumes 1 and 2 are already out in the world, with Volume 3 on the way. Two singles from the final instalment have already dropped, meaning Aussie fans will get a taste of the new material alongside the older cuts that built their reputation Harms promises a set that represents the whole journey, not just the shiny new toys. And journey is the right word. Over 17 years, the band have evolved through multiple musical styles, toured with Iron Maiden and even dipped into the Eurovision Song Contest in 2023 tghe result is a fanbase that's gloriously mixed. Older devotees have grown up with the band, while younger fans keep discovering them through playlists and, somehow, TikTok Harms jokes they're “too old for TikTok,” but the algorithm clearly disagrees. As for what Aussie audiences can expect? According to Harms (who answered in jest), “extremely boring shows” with zero effort and maximum disappointment. Given their reputation for theatrical impact and high-energy performances, we'll assume that's the driest German humour you'll hear all summer. After surviving Canadian blizzards and Vegas temptations, Lord of the Lost are trading snow boots for sunscreen and finally ticking Australia off the bucket list. Brisbane, Melbourne, Sydney and Adelaide, prepare yourselves. Seventeen years in the making, and they're not flying 28 hours for a quiet night out.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela CroudaceA Wilhelm Scream are heading back to Australia this March and if you know AWS you know that these guys, much like myself, love a chat! So much in fact, that we had to schedule two interviews just to get through all my questions. Thank you for the laughs guys, I sincerely needed that after the week I was having, anyway, let's get into what we discussed.Our interview with Trev and Ben started off strong talking of coffee rituals, the band's unfiltered group chat, and the ever-expanding “Wilhelm Scream” lore that continually grows more nuanced.Beneath the laughs, though, was something more telling. Trev spoke about constantly chasing the next goal, never settling, never coasting. It's that mindset that's fuelled a career built on integrity rather than trends. Far from a cliché quintet, A Wilhelm Scream have carved out their lane with staggeringly rich albums of ultra-technical, melodic punk firestorms, drawing from their deep catalogue when shaping new material instead of reinventing themselves for relevance.Joining them in Melbourne on March 8 are Authority Zero and Aussie punks The Decline. Expect riffs, sweat and zero complacency, oh yeah and maybe a dash of yapping.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Mizzie MaxxAlt rock icons Yellowcard have released a new version of their track Bedroom Posters which features current touring partners Good Charlotte. The original version of Bedroom Posters can be found on their 2025 album, Better Days.“GC and Yellowcard finally have a song together and it feels so right”, Good Charlotte lead vocalist Joel Madden says. "I love this band and this song and I'm so happy we got the GCXYC collab. And now we are going on tour! This is our love language and I hope everyone that listens feels the love that both our bands have for each other, our fans, and for the music. I can't wait for tour!”Better Days is Yellowcard's first new album in almost a decade and first with executive producer Travis Barker, with Barker also playing drums on every song including Bedroom Posters, Better Days, honestly I and Take What you Want.Yellowcard join Good Charlotte in Australia on their Motel Du Cap World Tour, GC's first shows down under in eight years! The tour hits Australia & New Zealand, starting on February 17. HEAVY's Mizzie Maxx spoke with Yellowcard violinist Sean Mackin to find out more."We were just here celebrating 20 years of Ocean Avenue, so we're going to mix up the set a little bit," Mackin began. "We have this new batch of songs from the album Better Days with Travis Barker producing, and hopefully everyone in Australia is aware of those songs and we can play a couple off of that. It's a small milestone for us, we've never had a number one song before with Better Days reaching number one on the charts in the United States."In the full interview, Sean spoke more about Yellowcard's visit to Australia, their upcoming live-show plans, and creative work around the new album Better Days. He said the Australian performances will blend Ocean Avenue anniversary material with tracks from Better Days. Sean highlighted the single Bedroom Posters, which features Joel Madden of Good Charlotte, revealing that collaboration grew out of long-standing Warped Tour relationships and a backstage conversation that led Joel to agree to contribute quickly. Conversation then turned to songwriting and production choices for Better Days, including collaborative sessions with songwriter Nick Long and producer Travis Barker, who invited the band to his studio and helped write multiple songs. He group discussed the album's emotional content, Sean's violin contributions—traced to his mother's influence—and practical advice for emerging bands to stay genuine and outwork competitors plus more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Explosive Ukrainian metalcore force SPACE OF VARIATIONS returns with their new album, Poisoned Art, out now via Napalm Records. Blending furious brutality with heartfelt emotion, the four-piece band sheds their skin and continues to push the boundaries of modern metal, their new record showing a new facet of their ever-evolving sound—a new era.Bold as ever, Poisoned Art explores the boundaries of modern sounds. SPACE OF VARIATIONS directs the way into the future of metalcore: unbroken, unapologetic—unstoppable.HEAVY caught up with the band to find out more, starting by asking how they were feeling about Poisoned Art just out from last weeks release."I'm excited, confident, but in the same way, I'm thinking how to play these songs live," Dima Kozhuhar (vocals) replied. "It's both things for me. It's like excitement and a little bit of like fear, you know, how the people will react. But in the end, I'm happy that we did this album and finished it."We ask the band to dive deeper into the album from a musical point of view."What can I say about musical parts from a musical point of view?" Alex Zatserkovny (guitar, vocals) measured. "It's a natural extension of our previous art. For me it's still Space Of Variations and we always change something when we're recording. It's like normal, organic and natural stuff. I don't know, we're always looking for some new angles, new points of view or art. No dramatic changes, I believe, but at the same time, I believe this album sounds very different from all previous albums."Discussion then moved into musical intent and composition: the band described the album as a natural extension of prior work, blending genres and seeking new angles in composition and sound. They explained the singles strategy—releasing varied tracks (Halo, Tribe, Lies, Doppelganger, Ghost Town) to keep listeners uncertain about the album's full scope—and confirmed Tribe was chosen as opener and lead single for its impactful qualities. They addressed bilingual lyrics as a nod to Ukrainian fans and discussed touring ambitions including a clear interest in playing Australia, plus more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

In recent years, California deathcore juggernauts Spite have risen to the forefront of modern heavy music, building a reputation as one of the most formidable forces in the genre. They've drawn comparisons to Thy Art Is Murder, The Acacia Strain and Suicide Silence, and have consistently pushed and pulled at the boundaries of metalcore, nu metal and deathcore. Their rise has been fast and impossible to ignore, seeing the band collect millions of streams and hundreds of thousands of social media followers.Unafraid to experiment and unfazed by expectation, Spite have continually expanded their sonic palate with each new release, culminating with last year's well received album New World Killer, which will be the focus of the band's debut Australian headline performances.Through past visits sharing the stage with Make Them Suffer and Thy Art Is Murder, Spite have integrated themselves into the lives of Australian music lovers with their uncompromising live assault and inate ability to genuinely enjoy each passing moment as a band.With the tour set to kick off in Brisbane on April 24, HEAVY caught up with frontman Darius Tehrani to guage just how much carnage Spite plans to reign down on us all.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Brisbane rock outfit Sound Affliction are proud to release their debut album, Behind The Walls, available now via Australia's only independent rock music label XMusic.The band comment "Behind The Walls is a cumulation of several years of hard work, writing, recording and performing songs we love. It features a diverse range of songs but sticks to the band's core theme of hard rock with emotive lyrics.Our songs are known for dealing with issues that many people face in modern society, such as depression, anxiety and addiction. As the title suggests we all build walls around us to protect ourselves from the outside world, but who really knows what is going on behind those walls."XMusic's Tim McLean-Smith adds "Sound Affliction have delivered an amazing debut album full of driving riffs overlayed by melodies and incredible vocal performances. You discover more the more you listen to this album. Turn it UP! And enjoy."Sound Affliction have shown their tremendous range via four widely diverse singles, the emotionally charged Sober, the riff frenzy of Devil In Me and the powerful songwriting of Leave The Light On and the angst filled The End. To celebrate the release of the album, they have also dropped the final single from it, Fly.HEAVY caught up with the band to find out more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Mighty Swedish Modern Melodic Metallers, BATTLE BEAST head here for the first time EVER in March and the first shows with NEW singer Marina La Torraca. And not only will the shows be their first Down Under, but the opening performance in Perth will also mark the debut show with La Torraca out the front!Marina La Torraca is a Brazilian vocalist from São Paulo, best known as the powerhouse frontwoman of modern metal band Phantom Elite and as a member of the symphonic metal project Exit Eden. She began performing in her teens in local cover bands before moving into formal training, including studying musical theatre in New York.Renowned for her versatile, commanding vocal range, Marina effortlessly transitions from dramatic, melodic passages to fierce, harsh screams. Alongside her career in metal, she has starred in professional musical theatre productions across German-speaking countries. Beyond the stage, she is also an accomplished graphic designer, vocal coach, producer, and songwriter.Now, those talents are joining with Battle Beast to begin the next phase in the evoltion and growth of this great Swedish band. HEAVY sat down with founding member and bassist Eero Sipilä and Marina La Torraca to find out more.The dates are below:March 10, 2026 North Perth – Magnet HouseMarch 11, 2026 Adelaide – Lion Arts FactoryMarch 13, 2026 Melbourne – Max Watts MelbourneMarch 14, 2026 Sydney – Manning BarMarch 15, 2026 Brisbane – CrowbarTickets on sale now  from: https://thephoenix.au/battle-beast/Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Failsafe are proof that age has nothing to do with impact. The Sydney trio are only 18, yet they carry themselves with the confidence, humility and purpose of a band far beyond their years (oh yeah and they have a whopping three releases under their belt already!). Formed while still in school, Failsafe began as three friends jamming in a bedroom in Sydney's Inner West, chasing connection and catharsis rather than polish or hype.Those humble beginnings quickly spilled into local bowlo shows before snowballing into a relentless run of gigs across the city. In just two short years, Failsafe have become familiar faces in their local music scene, earning a loyal following through sweat-soaked, bleeding-heart rock performances that feel urgent and alive. They're not just playing punk and rock, they're actively pulling it back to what it was always meant to be: community, expression and somewhat-controlled chaos.Their fiercely DIY ethos defines everything they do. From generator-powered skate park and park pop ups to all-ages gigs, Failsafe prioritise inclusion, even inviting fans to be part of one their music videos. Musically, Theo Fernandez's fast-footed pulse drives the momentum, Anna Morrow's groovy bass anchors it, and Liam Elwing's screeching guitar and raw vocals cut deep.As Anna explains, “Growing up I felt like I could really understand what other people put out, but not really express myself verbally… being able to do that through music is an entirely different skill… it's being really vulnerable and also incredibly dangerous and exciting.” It's that intelligence and drive to take hold of goal after goal that sets Failsafe apart from all the garage bands that never get beyond the garage.They may be young, but these guys are mighty. Check them out on spotify: Failsafe or Youtube: failsafesydneyBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

If you've ever wondered what it's like to survive 30 years in an Australian band without a punch-up, a lawsuit, or at least a few costume changes, Quan Yeomans of Regurgitator is here to tell you—it's mostly sweat, setlist amnesia, and just the right amount of “naive courage” to dive headfirst into the circle pit of life.Ali Williams catches up with Quan mid-tour, somewhere between a billion-degree beach day and Quan's Melbourne “hoodie weather.” Regurgitator's recent shows clock in at a marathon hour and 55 minutes, a feat even Quan admits is “too much for me.” The band briefly flirted with the idea of an intermission—abandoned after realising it just broke the groove. Audiences now get an uninterrupted slab of Gurge, and honestly, no one's screaming for an encore after that much garage rock. As Quan puts it: “I played everything!”The current tour isn't just another lap around the sun—it's a madcap dive into the Regurgitator singles catalogue, dusting off tracks they haven't played in years (thank you, Google, for those forgotten lyrics). There are over 50 singles, so no, they're not playing them all (unless you fancy a three-hour endurance test). But the setlist is a living, breathing thing, evolving with every gig—much like the band themselves. Expect some surprises, and don't get too comfortable: they change it up to avoid “getting bored” and keep the fans guessing.Forget the urban legend about meeting band members Ben Ely and Quan meeting on a Brisbane bus—turns out Ben first rocked up at Quan's mum's place to score weed. “He just happened to walk downstairs where I was tinkering with my 4-track,” says Quan, and the rest is history. Brisbane in those days was a tight little scene: cross a few one-way streets and you'd bump into half your future bandmates (or get hopelessly lost, if you're Ali).Regurgitator's music has always balanced piss-taking parody with actual substance—something Quan admits is often missed by casual listeners. “I'm amazed how many people don't listen to the lyrics,” he laughs, despite the fact he obsesses over every word. These days, their songs show up on random playlists, introducing a whole new generation of fans (many thanks to TikTok and Spotify—“even if Spotify's evil,” Quan quips). The band's legacy now stretches from ‘90s moshers to 19-year-olds who think The Angels are edgy vintage.Despite three decades of gigging and a few legendary bust-ups (including one that almost ended in a lawsuit—cheers, Martin), Quan says the band feels more like a family than ever. New members like Sarah have slotted in seamlessly, proving sometimes a bit of stability trumps creative friction. That said, Quan reckons the secret to not going stale is “reinventing yourself—take a page from Bowie.” But these days, the wild competitive spark of youth has mellowed into something more sustainable: “Now it's way easier to tour. It's easygoing, it's lovely.”Swerving into songwriting, journalism, and the perils of letting technology do all the heavy lifting. Quan's not shy about the state of AI writing: “My god, the writing part is so bad. It's terrible… it just messes it up every time. It's such a slop.” For Regurgitator, the real art comes from putting in the work, not “pressing buttons.” So, aspiring artists—take note: it's called a work of art for a reason.As Quan wraps up, he drops the essential plug: “You can catch us playing at a rural town near you, and probably a big city as well, so please come along. We'd love to see your face. It'll be a good time.” So, whether you're an OG Gurge tragic or a TikTok kid who thinks Polyester Girl is a deep cut, Regurgitator's Jukeboxxin' tour is your chance to see living legends in the flesh.Check out Regurgitator's upcoming Jukeboxxin' dates—from the Top end to Tassie and everywhere in between. Expect singalongs, sweat, and possibly a history lesson in Aussie music, all delivered with Regurgitator's signature sideways grin. Tickets available now—don't sleep on it.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Italian metal icons Lacuna Coil are set to return to Australia for their first full headline tour in nearly a decade, and according to bassist Andrea Ferro, the timing couldn't feel more right.Following a standout appearance at Good Things Festival 2022, the band are eager to reconnect with their dedicated Australian fanbase while showcasing material from their latest record .While Andrea only learned through our interview that their Good Things set was hailed as one of the festival's best, he says the decision to return was driven by a mix of unfinished business and excitement around new music. “We don't come there so often because of distance and cost,” he explains, “but we know we have a very solid fan base, so we couldn't wait to be back” .The tour also marks a rare opportunity for the band to fully immerse themselves in Australia again, something Andrea describes as uniquely special compared to touring Europe or the US.“When we're there, I really feel I'm somewhere else,” he says, noting the landscapes, cities, and wildlife that make each visit memorable .With new songs primed for the live stage and long-awaited headline shows ahead, Lacuna Coil's Australian return promises to be a powerful start to the year.Tickets:  https://www.destroyalllines.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

For Thrice drummer Riley Breckenridge, returning to Australia is never just another tour stop, it's a highlight etched deep into the band's history. From their earliest visits alongside Hot Water Music and Alkaline Trio to their most recent run in 2023, Australian audiences have consistently left a lasting impression. “The crowd response blew our minds,” Breckenridge recalls, noting that no matter the venue size, the enthusiasm has never faded.This upcoming tour sees Thrice bringing Horizons West to Australian stages for the first time, a record shaped by reconnection both musically and physically. Unlike Horizons East that was written remotely, West was crafted together in the same room, allowing the band to focus on how songs would translate live. The result, Breckenridge says, is some of their strongest live material in years.That sense of evolution also extends to Thrice's legacy. Revisiting The Artist in the Ambulance has given the songs new life, refined by decades of growth while retaining their emotional urgency. “A lot of it has aged like a fine wine,” he reflects.With a setlist spanning over two decades, Breckenridge promises a cohesive, dynamic journey that honours the past while celebrating where Thrice are now. As always, Australia remains central to that story. Riley even shared that he'd move here if he could and if he does you can thank me for encouraging him to do so, so that his family can witness kookaburra's first hand.Tickets: https://sbmpresents.com/tour/thrice-2026Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Set to bring their monstrous headline show to Australian shores next month, Michigan metalcore titans We Came As Romans return to Australia in support of their new album All is Beautiful.. Because We're Doomed, joined by very special guests Caskets (UK) and Headwreck. They will also be performing at Life's A Beach, the first-ever curated summer event by Polaris will take place at the Riviera Beach Club in St Kilda, joined by a stacked array of talent.Stepping into view in 2009 via their debut album To Plant a Seed, We Came As Romans have remained a powerful force of sharp melodies, thick guitars, grooves and unwavering positivity in the face of an uncertain world. Between countless sold out shows, over 250 million streams, seven studio albums and ongoing critical acclaim, We Came As Romans relentlessly forge ahead with a sonic blend that spans metalcore, post-harcore, electronic hues at times and an urgency that captivates in any and every live setting.Traversing tragedy and tenacity along the way, the band returned with gusto in 2025 with the recent release of their seventh studio album All Is Beautiful…Because We're Doomed; the band's second studio album since the tragic passing of their brother Kyle Pavone, and a collection of tracks that wrestles with the highs and lows of humanity.In a live setting, We Came As Romans have spent their storied career touring with some of the giants of the scene, spanning Bring Me The Horizon, I Prevail, The Used, Sleeping With Sirens, Parkway Drive and countless others, with WCAR performing down under most recently in 2023 which marked their first Aussie performances since 2015.HEAVY sat down to chat with frontman Andrew Glass ahead of this months tour to find out more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Melbourne's high energy rockers, XCalibre release their brand new album, X, today! Born from grit, fire, and raw emotion, XCalibre are a powerhouse rock trio from Melbourne, Australia, blending hard-hitting riffs with cinematic energy and heartfelt storytelling.XCalibre channel life's chaos, resilience, and redemption into every note, crafting songs that hit as hard emotionally as they do sonically. Their music fuses modern hard rock intensity with classic influences, creating a sound that's both anthemic and deeply personal.To celebrate the release of X, the band have released their most touching yet enormous song to date. Lights and Sound. With a feeling evoking the epic melodies of Lanterns by Birds of Tokyo, Lights and Sound is, as frontman Dan Marazita explains, "inspired by a big chapter from earlier in life and the need for closure. The song explores what it feels like to stand at the edge of change. Looking back on a meaningful connection, recognising that people grow in different directions and stepping forward without bitterness.It's reflective, emotional and grounded in respect. Sonically, it strips back the big riffs but holds onto Xcalibre's emotional core and melody. Even without the heaviness, it still feels massive.”HEAVY's Angela Croudace spoke with Marazita to find out more.X also features the unstoppable House Of Pain and Gravity (Through It All), which features DJ Lethal (Limp Bizkit) and Marcos Curiel (P.O.D.), and was recorded at Matt Sorum's studio in Los Angeles. X is out now via XMusic: https://lnk.to/HHI9cxBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

COPPERHEAD are a three-piece heavy rock/metal band from North-West Tasmania, delivering a powerful no-nonsense sound that punches well beyond their years.Fronted by Charlie Wicks (15) on guitar and vocals, alongside Nate Starkey (16) on bass and Charlie Williams (19) on drums, Copperhead already show the chemistry and focus of a band built for bigger stages. Despite their young age, their sound is confident, aggressive, and unapologetically heavy and wearing their influences like a badge of honour, unashamedly drawing from the power and grit of bands such as Metallica, Nirvana, Alice in Chains, and even flashes of early Silverchair.After travelling to Melbourne to record with producer Tyson Fish (Mammal, Vance Joy), the band went on to dominate at the Rock Challenge in Tasmania, the state's elite school band competition, taking out both their heat and the state finals in the high school division.Their debut single Mortal Souls delivered hard-hitting riffs and relentless energy and quickly racking up thousands of streams across Spotify, establishing Copperhead as one of Tasmania's most exciting emerging heavy acts.Now gearing up for the release of their new single Public Indecency, Copperhead continue to push an old-school rock/metal sound with a modern edge. Early listeners have already described the track as something that “could fit perfectly on Metallica's Black Album.”Both songs have been co-written with Australian punk band Captives and Public Indecency is shaping up to be a defining moment, not just for the band, but for the next generation of Tasmanian heavy music.HEAVY caught up for a chat with all three band members ahead of Friday's release and start by ask how they are feeling just a couple of days out."We're extremely excited," drummer Charlie Williams exclaimed. "We've had this song in the files for months now and we've just been so eager to it out to the world. And now it's finally happening and it's going to be out next week."Public Indecency follows Copperhead's debut single Mortal Souls, and we ask the boys what their thought process was when deciding which song to lead with."We released Mortal Souls first because we thought it was just a good way to really show people who we are," Williams replied. "But Public Indecency is our favorite out of the two songs. We kind of wanted to hold off on releasing the better song because people are going to be surprised on how different it is musically. Mortal Souls is just a thrash it out, fucking just go hard all the time, and Public Indecency is also that in a way, but it's a lot more like… I don't even know how to describe it (laughs)."In the full interview, Copperhead spoke more about Public Indecency and how it represents them as a band. They talked about the title and subject matter, emphasing the need to have fun with your music whenever possible.The band spoke about their youth and love for old school rock and metal, recording in Melbourne, co-writing both songs with Captives, album and tour plans and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Words and Interview by Kyra JadeThis is NOT a drill. Karnivool has gifted us a new album - In Verses - after a cool 13 years carefully curating each song. Spoiler alert, it's every bit as magical as you are imaging!  Just like Karnivool I'm from Perth myself and have always carried this sense of pride and connection to the band through their music. Sometimes it feels like you are isolated away from the rest of the world in W.A so to see a band from there successfully take on the rest of Australia and then the world is nothing short of amazing.  Now, nothing really gets me more excited than a message from my boss Kris at HEAVY MAG that says ‘You're a big Karnivool fan, right?'. Whatever it is, yes count me in. Before I knew it, I was locked in for an interview on my lunch break from my work ute the following Monday. The makings of a true interviewer I've since been told… thus starting the first of my His-Vis interview series.Monday rolls around and it's time to dig in and see what's been going on in the Karnivool camp! What was the moment they decided it was ‘time' to put it all together and release the music that's been burning a hole in their pocket for so long? I'll take the chance to fire away all the questions that have been burning a hole in my pockets for years too! Lucky for me the man with all the answers, frontman Ian Kenny, just entered my Zoom and I couldn't be more excited to hear what he has to say.We took a walk down memory lane and reflected on releasing their 2001 debut EP Persona. Mostly I was curious to know if they would, or have, played it live cover-to-cover and Ian's reaction was pretty much 'Shut it down'

Live Nation are bringing iconic Canadian band The Tea Party back to Australia next month (February), bringing a unique live experience to our shores with the Elements Tour, celebrating the 35th anniversary of the band.Performing five shows in Australia, The Tea Party explore a new live musical theme around Elements, with Symphony shows in Melbourne and Sydney aligned to wind, and rock shows in Thirroul, Brisbane and Adelaide aligned to fire. In both formats, The Tea Party will be playing a set that features their greatest hits.The Fire shows will feature the three-piece tour de force fans are very familiar with, while the Wind show will bring a new dynamic to the live shows with The Tea Party accompanied by a fifty-piece Orchestra. Conducted by Sarah-Grace Williams, Hamer Hall in Melbourne will play host to The Tea Party with Orchestra Victoria, while the iconic Opera House in Sydney will feature a performance with The Metropolitan Orchestra and mark the rock outfit's first performance at the famed Opera House.HEAVY sat down with frontman Jeff Martin to discuss the intricacies of the tour, starting with a breakdown on the two differing shows."Well, the fire part is basically…" he measured. "There's going to be three standalone rock shows where it's just the three of us on stage doing what we do best. If you've ever seen the Tea Party live, it's a very, very powerful experience. It's very emotional because the roller coaster that we take the audience on. It can be some of the heaviest music and then some of the most romantic, gentle moments as well.So it really travels the whole kaleidoscope of the emotional spectrum. But then there's the wind elements of the tour as well. We are going to be playing one of the seven wonders of the world, the Sydney Opera House, with the symphony. And we're also doing the home of classical music here in Australia at Hamer Hall in Melbourne with the Melbourne Symphony Orchestra. We've done symphonies before, and it's always been a great success, but it's an honour to play one of the most iconic iconic buildings in the world."In the full interview, Jeff talks more about the opposing musical forces of nature with the Wind and Fire elements of the tour, taking us deeper into the mechanics of playing with an orchestra and the level of commitment required to make it work and how different the set lists will be between elements.He highlighted the different emotions he gets from playing a full rock show as opposed to an orchestral performance, 35 years of The Tea Party and his personal journey, future plans and more.Tickets for all shows: https://www.livenation.com.au/Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Simon Russell-WhiteVideography and editing by Rashid AlKamraikhiMetallic hardcore punk band Better Lovers are currently in the country for their Aussie live debut tour, joined by special guests Split Chain and Blind Girls. After tearing it up around the world for the last two years, and dropping the absolutely killer 2024 album Highly Irresponsible, the legends are finally hitting Australia for some massive shows and HEAVY had the pleasure of chatting with the band before the first show of the tour in Brisbane.But first, have a read of part of reviewer/interviewer Simon Russel-White's thoughts after the show..."Collectively Better Lovers crushed Crowbar, and having no barrier made for an all out old school crowd surfing bonanza, having positioned my 42 year old self in front of bassist Stephen Micciche I was soon reminded of the roughness that had already ensued, as a result my left eye now has a Frank-N-Furteresk look about it, but no complaints here as I will wear this ‘shiner' with pride as it's a small price for admission for what was witnessed."Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Simon Russell-WhiteVideography and editing by Rashid AlKamraikhiThere's a phrase you'll hear repeatedly when in the company of Split Chain: “The Chain does what it wants”. As mantras go, it's used by the Bristol, UK quintet as a means of encapsulating the broad-minded, unconstrained creative freedom with which they approach their art, as well as a means through which to try to make sense of the sky-rocketing trajectory the band have found themselves on.Call it instinct, fate, divine intervention, whatever – the whims of ‘The Chain' have led to a moment where one thing is abundantly clear: Split Chain are one of the hottest, zeitgeist-capturing new bands in the world.In Australia right now on tour with Better Lovers, this is Split Chains first ever trip Down Under, and this is what HEAVY reviewer and conductor of this interview, Simon Russell-White, thought of their live performance in Brisbane..."It's currently 6° Celsius in Bristol, UK, this being the hometown of English rockers Split Chain. If the hot and humid weather in Queensland bothered anyone on stage, then they sure didn't show it. Split Chain delivers a heavy and emotive set, emotive in the way of musical notation and all out deep feels. Singer “Bert” Martinez-Cowles voice sails through the PA system as the band cruises through their eclectic tracks including stand out (for me) ‘who am i?' drawing serious attention and crowd participation.It's been a whirlwind two plus years for the lads, from playing small hometown shows, to signing with Epitaph soon after now Bert, Jake, Oliver, Tom and Aaron have embarked on their first ever Australian tour, and tonight's show along with Better Lovers is their first here in the land of Oz. It was special, and the reception the quintet received will surely see them return very soon!"With three shows left in Melbourne, Belgrave and Adelaide be sure to catch this epic line-up for yourself.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Hailing from the city of Bergen, Norway, Slomosa channel the sprawl of their surroundings through a sweeping signature hybrid of revved-up stoner rock riffage, grungy hooks, and a concentrated punk wallop. As if holding up a sonic mirror image to the landscape, an avalanche of distortion tumbles into valleys of massive melody, teeming with tectonic force. Dubbed Tundra Rock, Slomosa love the term so much they named their most recent album after the title.“‘Tundra Rock' is ‘Desert Rock' in our terms,” frontman Benjamin Berdous observes. “A desert doesn't have to be warm. If you think about it, the biggest desert in the world is Antarctica. In this respect, the tundra is our desert. We thought it would be cool to coin a genre, and it's stuck to us. You could certainly say the grandiosity of nature is evident in the songs.”Nearly ten years ago, Ben planted the seeds for Slomosa as a “casual excuse to drink beer, smoke, and play rock music with friends.” Without pressure or expectations, songs naturally took shape under the influence of everyone from Kyuss, Queens of the Stone Age, and Sleep to Nirvana, Alice In Chains, and Soundgarden. The band's 2020 eponymous debut, SLOMOSA, has piled up over 10 million streams fueled by Kevin, In My Mind's Desert, There Is Nothing New Under The Sun, and Horses. With Tundra Rock further cementing Slomosa amongst rocks elite, HEAVY felt it was time to have a chat with these legends in the makings ourselves. We start by asking if Tundra Rocks was received as well as the band had hoped."Yeah, and even more," Benjamin smiled. "It's the hard second album, the difficult second album. So I mean, it was excitement around it. And you never know. You never know what the reception will be like, And we released it on some new labels as well. So, yeah, it was all not nerve wracking, but of course, excited. But after a day or two, it became pretty clear that the reception was good. And yeah, I'm very pleased with how it went."Whispers have been circulating of late about Slomosa finally making their way to Australia, so, attempting to put rumours to rest, we ask Benjamin straight out if they are true."It might be…" he grinned. "We definitely want to come to Australia and New Zealand. We get a lot of messages from people down there. So that's definitely something that we have to do. And yeah, it does look like there might be some news on the horizon, but I can't say much more than that."In the full interview, Benjamin reflected more on the success of Slomosa's second album, Tundra Rock, released in September 2024, noting the challenges of following up a successful debut and the evolution of the band's sound over the years. He introduced the term "Tundra Rock" to describe their unique musical style, influenced by desert rock bands, and discussed the balance between touring and songwriting.He highlighted how the band aims to innovate while maintaining their identity, with plans for future projects, including a sludge album. We discussed the blending of genres in Slomosa's music and how they get the balance right in the creative process, the early days of the band, touring Australia and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Gold Coast hard rock outfit Hammers have always been a band who put themselves and their music first, even to the point of possible self harm. They have steadfastly refused to follow convention or fall into the mass-produced assembly line of artists currently making up the fringes of major record labels, instead lurking further back in the shadows and biding their time.The release of their debut EP Homeblokes in 2018, and a sophomore 2020 EP Kicking Goals, saw Hammers entrench themselves in the ears and minds of a faithful following, but despite a chorus of concerns about capitalizing on their growing momentum Hammers continued to let their back catalogue of music and their volatile live performances steer their path. In a world where content was rapidly becoming King, Hammers again resisted the temptation to rush out a new release, toiling away in the background and nurturing the seeds that were to become their first full collection of songs to catapult Hammers into the next phase of their career.Not that rising through the proverbial ranks was, is, or ever will be top of Hammers agenda. It was more about taking the time to get things right for themselves. Give them something to set loose of the world free of burdens and expectations, or simply put, something that was good enough for them. And if its good enough for them then…HEAVY spent some time with Lucas Stone (vocals + guitar) and Ryan 'Ruckus' Lucas (drums) to dive deeper into the creation of their album Death Wobbles, which will be out on January 23. We start by asking if they still felt nervous going into the release of their debut full-length Death Wobbles, despite the fact Hammers have already built themselves a solid name and fanbase."I think I'm always, no matter what I do, an equal parts nervous and don't give a fuck what people think kind of person," Stone laughed. "As a writer I've been doing this a long time and Hammers haven't released a full-length album yet, but we did that strategically so we could grow as a band and become what we are. I think I'm excitingly nervous, bro. Essentially, as a band, the way it should be is you do it for yourselves. As much as you pass it on to the fans and whoever comes into your camp, over time you are essentially doing a selfish thing. So we're excited about what we've done, and we can't wait to get it out, but it's like just handing your kids over to a babysitter you don't know (laughs)."In the full interview, Stone and Ruckus highlighted Death Wobbles as a reflection of Hammers growth from their touring experiences and previous EPs. The discussion emphasized their commitment to authenticity and a desire to create unique music that challenges listeners. We spoke about not playing by the rules and the risks of alienation, as well as the burdens of expectation and commitment.The boys talked about their sound and finding the sonic balance to it, the opening track Apeshit and how it represents the full album, upcoming tours and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Rock stars in their homeland of Finland since their first album, Peep, went Gold when they were just 16 years old, The Rasmus have built a legacy that stretches across 11 albums. Their music and engaging approach to life have won them legions of fans the world over, but it was with last years chart topping release, Weirdo, that things came full circle for the band.Weirdo was a blast back to the roots of The Rasmus, tapping into the psyche of the underdog which has been the band's hallmark throughout. Underdogs, outcasts, and perceived weirdo's themselves, The Rasmus have stood up for the underdogs their whole career, even when the band became far from that themselves.The fact their have never set foot in Australia has not been lost on them or their fans. It is something that will be remedied later this month, as The Rasmus touch down in this country for three select shows. Frontman Lauri Ylönen joined HEAVY to talk more. We start by asking if he is packed and ready to go."No," he laughed. "I always pack like one hour before I leave, so I'm pretty used to doing that. But yeah, it's exciting. You know, the first time can always happen once. And now, after a couple of decades, we are coming over to play there, which is kind of sad that it didn't happen before. But, you know, it's happening now, and we're happy. We're going to play quite intimate shows in these rather small clubs, so I'm expecting that to be really good. We've been playing this tour with this album for three months now, and the band is in really good shap,e and we're having an incredible feeling within the band, and now hitting smaller clubs… it's gonna be really intense. And it's going to be really interesting to finally meet these fans that have been writing and contacting us on social media for years and years. It's going to be so emotional."In the full interview, Lauri spoke more about the tour and what to expect. Reflecting on the band's three-decade journey, he noted that themes of individuality and feeling like a "weirdo" remain central to their music. Lauri also mentioned the positive reception of their latest album, "Weirdo," and confirmed plans to enter the studio for new music after the tour, aiming to evolve while remaining true to their roots and more.Fri, Jan 30: The Triffid, BrisbaneSat, Jan 31: Manning Bar, SydneySun, Feb 1: Max Watts, MelbourneTix: https://thephoenix.au/Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

THE FUNERAL PORTRAIT has jumped headlong into 2026 with the January 16 release of their first-ever live album, LIVE FROM SUFFOCATE CITY via Better Noise Music. To coincide with the album, the band is bringing the track Stay Weird to cinematic life as well.“‘Stay Weird' has always been our love letter to the beautifully strange souls who've supported this band from day one,” declares frontman Lee Jennings. “Hearing The Coffin Crew scream it back at us in Atlanta during our Suffocate City Town Hall Meeting was unreal. That night captured everything we stand for—individuality, belonging, and the freedom to be exactly who you are. I'm beyond excited that this live album lets the world feel that energy.”On LIVE FROM SUFFOCATE CITY, fans are invited to step inside the chaos and catharsis of THE FUNERAL PORTRAIT's first-ever Suffocate City Town Hall Meeting, captured live from their sold-out hometown show at The Masquerade in Atlanta, GA in 2025. The exclusive Blu-ray documents the band's legendary performance in front of a packed house of diehard fans. It's a thrilling night of raw emotion, high-energy theatrics, and fan-favourite anthems.Frontman Jennings joined HEAVY to tell us more. We start by asking why now is the right time to release a live album."I don't know…," he measured. "I think I just wanted something… I wanted something when we were ready, right? Because a lot of bands don't even do live records any more, and for me, growing up, that was such a big thing. I wanted that. I wanted to see a band live. And especially our band, we're very, very theatrical and over the top. So I wanted to bring that on stage and show it to everyone."In the full interview, Lee discussed the upcoming release of Live from Suffocate City in greater detail, highlighting the challenges of producing a live record that authentically captures the atmosphere of their performances, including audience interactions and background sounds. He expressed a desire to evolve the set list by focusing on songs that resonate with his current emotions, despite potential backlash from fans regarding the removal of older tracks.The conversation also covered plans for an upcoming concert where they will perform the album in its entirety, accompanied by a Blu-ray release featuring dynamic footage filmed with 12 cameras. Lee shared insights on the band's success following the release of Greetings from Suffocate City in September 2024, mentioning plans for a potential tour in Australia and the challenges of touring while emphasizing their commitment to engaging with fans and expanding their international presence and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Kansas City atmospheric prog-rock band A Light Within returned late last year with their haunting new single Dying Clock, marking their first new single since 2024's Identity and the next step in their slow-burning creative evolution. Known for their dark, atmospheric soundscapes and cinematic songwriting, the band remains a must-listen for fans of Porcupine Tree, Failure, Katatonia, Tool, and Pink Floyd.Dying Clock arrived as the band continues rebuilding after a turbulent few years. A Light Within carefully crafted the track throughout 2025 and enlisted Failure drummer Kelli Scott to add his signature sound during the session. The song, clocking in at just over nine minutes, wastes no time and takes the listener on an auditory journey with an ending that even the most discerning post-rock and metal fans will appreciate. Bass on the track comes courtesy of Madelyn Robertson. Their last full release, Epilogue in 2018, concluded a conceptual trilogy built from transcribed diary entries and was recorded by respected engineer Paul Malinowski (Season to Risk, Shiner, The Life and Times) and mastered by Acle Kahney of TesseracT.Kyle Brandt (vocals, keys, production) and Jeff Irvine (guitar) joined HEAVY to bring us up to speed."It's been well received so far, and I'm glad to hear that," Kyle smiled when we asked how the new single was received. "That keeps the motivation strong and healthy. Even though mainly we make music for ourselves, when anybody else enjoys it, it's like icing on the cake, so to speak."We ask the boys to take us deeper into the musical side of Dying Clock."It kind of started as a jam in the room, and then it got to not very far," Jeff laughed. "And Kyle took that room recording and made a really killer demo out of it, like fully structured it out. We had an idea of wanting it to be two songs in one song type thing, a song with two parts, if you will. And he did that, and it was really cool. I came over and did some demo guitar recordings on it, fully digital, which I had never done. He had me kicking and screaming to pull me into that direction. But I did it. And some of those guitar tracks are still on the demo or on the song now."In the full interview, Jeff and Kyle shared insights into the creative process behind their songs, highlighting the contributions of drummer Kelli Scott (Failure), whose unique style transformed their sound. They emphasized a shift towards a more independent writing approach, with a focus on emotional expression rather than technicality, resulting in a blend of post-rock and melodic prog rock influences. The conversation also touched on the challenges of adapting to remote recording during the COVID-19pandemic, as well as the transition from analogue to digital production methods. Kyle discussed his previous work, a conceptual trilogy inspired by the album Posthumous Silence, and shared personal anecdotes related to his songwriting and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Melbourne-based rockers Sisters Doll have always been a band who value their support base. From driving 30 hours to play a handful of shows in Far North Queensland to playing on the open waters of America as part of the Monsters Of Rock Cruise, Sisters Doll have never lost sight of who they are and where they come from.Which is why it came as a bit of a surprise to hear the band have not toured here in their own backyard on a larger scale for a couple of years, but that is about to be rectified when Sisters Doll hit the road for the Good Day To Be Alive 2026 Tour, starting in Melbourne on January 31. It is being touted as their biggest Australian headline tour to date, and promises to reinvigorate the Doll Army, who have been waiting patiently for a fresh dose of one of the finest rock acts currently touring this country.With the tour only a matter of weeks away, HEAVY spoke with frontman Brennan Mileto to find out more."We haven't done an Australian tour for so long," he almost apologised. "We've been overseas a lot of times. We've been to America. We had our first UK tour last year. Obviously, we've gone up to Sydney occasionally and done the odd Sydney show, but we haven't actually gone to all of the other states since 2023. So we kind of thought it's time, you know, we probably should have done it last year when the album dropped, but obviously logistically it just didn't happen."In the full interview, we discussed the upcoming Australian tour, which begins in Melbourne on January 31, emphasising the band's excitement to reconnect with fans after an unusually long hiatus. Brennan highlighted the positive reception of their re-released song Good Day To Be Alive and the success of their last album, Scars, while hinting at a heavier sound for their next project.The conversation also touched on fan dedication, with Brennan sharing stories about fans getting tattoos of their favourite artists and his own memorable experience performing with his idol, Ace Frehley. We talked about Sisters Doll's live show and what to expect, how it has changed over the years, the 16th anniversary of the band and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Archspire vocalist Oliver “Oli” Alleron is clearly excited about returning to Australia, with the band set to tour in January. From his love of Australian crowds to his unexpected obsession with The Block, Oliver speaks warmly about the country, its food, and its famously outgoing fans. He recalls being blown away by the sheer number of shoeys happening on stage during their last visit, and hints they may make a return. With a new drummer joining the line-up and a freshly self-produced album funded largely by fans, Archspire are entering an exciting new chapter. Oliver admits perfection isn't the goal live; having fun, staying relaxed, and connecting with the crowd matters most. Check out everything he had to say in the full interview.Archspire - Return To Prison Island Australian Tour  with Aborted and OrganectomyJan 24 - Froth & Fury PerthJan 27 - The Croxton, MelbourneJan 28 - The Triffid, BrisbaneJan 29 at The Baso, CanberraJan 30 - Liberty Hall, SydneyJan 31 - Froth & Fury Adelaidehttps://swdpresents.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

With the worldwide excitement around the recently completed European tour, GRAMMY®-winning, progressive music titans Dream Theater have announced their 40th Anniversary Tour 2026 leg for Australia. The tour will be An Evening With Dream Theater and will be the first tour of Australia since drummer Mike Portnoy's return to the lineup, joining vocalist James LaBrie, bassist John Myung, guitarist John Petrucci, and keyboardist Jordan Rudess.Simultaneously, these five old friends enter a bold new era fuelled by some of the most focused, formidable, and fiery music of their career. They're harnessing the memories of the past and the promise of the future in order to make the most of the present. Ultimately, the group's sixteenth full-length album, Parasomnia [Inside Out Music/Sony Music], represents both where they came from and where they're going as not only bandmates, but as brothers. HEAVY spent some time with Rudess to find out more.In the interview, we spoke about the band's upcoming Australian tour in February 2026, marking their first tour with Mike Portnoy on drums in 15 years. Jordan highlighted Portnoy's significant contributions to the band's sound and described how his return has enhanced their live performances with his unique skills as a drummer and creative director. The tour will kick off in Adelaide on February 10 and conclude in Brisbane on February 15th, following a year-long world tour.Jordan discussed joining Dream Theater after playing with John and Mike in Liquid Tension Experiment, initially declining the offer before later accepting it. He described the transition as a significant life change, noting the differences between Liquid Tension's open creative style and Dream Theater's structured approach, as well as the band's international fan base and media presence. He discussed the challenges of joining Dream Theater, a band known for its distinct sound and brand identity. He acknowledged that while the band is not strictly limited to three-chord rock, there is an expectation to remain true to the established style that fans appreciate. Jordan noted that while the band has evolved over time, there is a balance between innovation and respecting the band's heritage.Jordan explained that Dream Theater's appeal lies in their ability to combine technical virtuosity with emotional depth, creating music that appeals both to serious musicians and general audiences. He noted that the band's shows often feature accessible melodies that engage fans, as demonstrated by their experiences performing in Italy where audiences sing along and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Ali WilliamsIf there were a Frequent Flyer program for alternative rock bands visiting Australia, Anberlin would have Platinum for life. In this sun-drenched, laugh-out-loud podcast throwdown, HEAVY's Ali Williams checks in with Anberlin's resident rhythm wizard, Nate Young—straight from muggy Florida to the Gold Coast—about their upcoming Aussie invasion, a band that keeps dodging retirement like it's a game of whack-a-mole, and why their passports deserve a spot in the ARIA Hall of Fame. Anberlin are rolling in with a brand-new frontman, a rebooted classic album, and a fan base that's as loyal (and occasionally unhinged) as a Queensland summer. With headline shows locked in, for An Emo Extravaganza presented by Destroy All Lines, Anberlin aren't just making another comeback—they're turning it into an art form. It's official: Anberlin is heading back to Oz in February 2026, and if anyone knows how to party like it's 2005, it's these guys. After racking up at least a dozen prior Australian jaunts, “I keep throwing around 12 or 13,” Nate confesses, they're still genuinely excited—borderline addicted—to our beaches, weather, and, let's be honest, fans who go harder than the humidity in a long hot Oz summer. On this tour, Anberlin will be hitting Brisbane, Melbourne, and Sydney, with a power-packed line-up including Cartel, This Wild Life, and Hot Chelle Rae. Yes, they're headlining, and yes, it's going to be loud. Plus, as if that wasn't enough, they're also landing at the Froth and Fury Festival, so get ready for an emotional, sweaty sing-along with thousands of other kids who still pretend they're 22 at heart. What's a reunion tour without a twist? This time, Anberlin's dusting off their classic album Never Take Friendship Personal—but giving it a fresh coat of paint thanks to new frontman Matty Mullins. After re-recording the album with Matty's pipes - “just to give fans a way to hear what these songs are going to sound like with him singing” - Nate admits the switch wasn't exactly easy street—“switching out a singer is not easy and usually just doesn't work… but we're thankful fans seem to be cool with it.” And if any hardcore purists complain? Well, that's just part of being a band with a pulse. Mullins isn't just a newbie, either—he grew up a genuine Anberlin fan. Nate grins, “He's an absolutely ripping singer and just a good frontman, really positive energy for us.” The new era isn't just a reboot—it's evolution, and for Anberlin it's proof you can keep relevant by daring to change (instead of fading into permanent hiatus, or, worse, nostalgia-bloated obscurity). The pair get real about age, confidence, and what it means to be an “alternative rock” band in a post-genre world. For Nate, growing up in the spotlight since he was 14 means he's learned not to sweat the small stuff (or the labels). “Time is a construct,” he deadpans, “so none of it matters.” Emo, alt-rock, post-hardcore—whatever you call it, Anberlin's brand of high-octane anthems and gratitude-fuelled stage presence hasn't aged a day. From message boards to TikTok, Nate reflects on the perks (and weirdness) of being able to actually connect with fans now—sometimes for better, sometimes for audacity that's usually… for sure, or respectfully if you will. Still, he wouldn't trade the chaos of social media for the pre-Internet “mystique” of old: “It's given us a connection with our fans that's really special.” Anberlin are back in Australia in February 2026, headlining shows in the main capitals, a big set at Froth and Fury Festival, and an all-new take on Never Take Friendship Personal that'll remind you why this band has lasted the distance. And in true Anberlin fashion, they're not slowing down or growing up quietly—just growing better, louder, and a hell of a lot wiser. Tickets and event info at official outlets—don't snooze, or you'll be stuck watching old clips on TikTok, wondering why you missed the reunion of the year.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Ali WilliamsIf you think the wildest part of touring is the fans, you've clearly never tried to drive a truck through an American winter. HEAVY caught up with Matty Mullins—frontman, ice-road survivor, and Memphis May Fire's resident optimist—while he was holed up in Salt Lake City after some “eventful” /white-knuckle drives that would've had most people praying to whatever rock gods they believe in. Turns out, touring with Memphis May Fire is less “luxury tour bus” and more ‘Frostpunk on wheels'. Memphis May Fire will be returning Down Under with BLESSTHEFALL in April 2026. Matty's racking up more frequent flyer miles than your average travel vlogger, but in his words, “we owed our Australian fans a proper return after too long away". As a regular coming to Australia so often, he might as well apply for citizenship and start calling Vegemite “delicious” with a straight face. Whilst he assured me there will be no pyrotechnic awesomeness or indoor fireworks this time—(insurance companies everywhere just collectively sighed in relief), the band's packing a new setlist, bigger production, and some mates from Blessthefall. The only thing going up in flames will be the crowd's energy and maybe a box of your possessions you left at an unhinged ex's place. Matty laughs off the chaos, proving he's either a genuinely chill dude or just totally numb to tour madness at this point. “I never, ever know what day it is,” he laughs. Touring sounds glamorous, right up until you're living out of a suitcase and arguing with the GPS about which patch of ice to die on next. For Matty, it's been night after night of long, snowy drives and just enough adrenaline to keep things interesting. What keeps Memphis May Fire alive after years of this chaos? Stubbornness, a refusal to quit, and the knowledge that some maniac on the internet will have a hot take on whatever you do anyway. Matty's refreshingly honest about the ups, the downs, and the sheer weirdness that comes with being in a band in 2025. There's no pretending it's all sunshine and sold-out shows—but there's a hell of a lot of laughter along the way. Every touring band has wild stories, but Matty's “unhinged moment” takes the cake (and probably an earlobe). He tells of a band trip to a South African wildlife preserve, one overly friendly baby leopard, and a bass player who learns the hard way what “bite force” means. The aftermath? Paper towels, disinfectant spray, and a new story to explain at airport security. Scar stories: not just for mosh pits. He gives a few hints about what's in the pipeline for Memphis May Fire—new music, surprise setlists. He doesn't spill everything, but has promised that they're bringing something new and exciting the second time around, and those who saw them recently won't be disappointed because it's not going to be just a repeat of their last shows, so watch this space! Memphis May Fire are still out there, still grinding, still finding new ways to laugh at the madness. Get to a show, bring the good vibes, and maybe offer to drive the van if it snows. Tickets for Memphis May Fire's next Australian tour are going fast—for all the details and your backstage pass, head to https://thephoenix.au/memphis-may-fire-2026/, and maybe, just maybe, send Matty a warm pair of socks. Catch you in the pit, or over at the bar.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

No matter what they do musically from now until eternity, New York rockers Wheatus will always be known as the Dirtbag band. The fact that Teenage Dirtbag is probably bigger today than when it first smashed the air waves 25 years ago is made even more impressive when you factor in that Teenage Dirtbag was, in fact, Wheatus' debut single.While no one could have foreseen or even guessed the impact that one song would have on not only the band but a whole generation of movies through to fashion trends, its enduring appeal has, at the very least, kept Wheatus and frontman Brendan Brown young at heart and ready for the next adventure. The viral "Teenage Dirtbag photos" trend on TikTok has attracted over a million participants, including celebs like Madonna, Lady Gaga, Mark Ruffalo, Lil Nas X, Jon Bon Jovi, Chevy Chase and the hashtag #teenagedirtbag has been viewed over 2 billion times. The song's universal appeal has also led to it being featured in Netflix's Big Mouth, Disney's Cruel Summer, and, in 2023, the song incredibly re-entered the UK Top 40 charts.Not bad for a song about life in general.While Wheatus' musical journey exploded from the very outset because of that track, their sudden success was casually taken in the band's stride, who refused to succumb to the weight of public expectation and continued on their own trajectory that somehow has always managed to stay on a similar path with their famous debut song.The band are regular visitors to these shores and have a devoted and loyal following, which in turn allows Brendan and co the freedom and ability to make these regular and always fun stopovers. They are one of the few bands who need no reason or gimmick to draw crowds in Australia, which is why the fact that Wheatus' tour in January next year to celebrate 25 years since their world was turned upside down has already been received as a celebration of music rather than a clever marketing strategy to keep the tills ringing.Always happy to chat, Brendan joined HEAVY recently to discuss the tour and the continued success of Teenage Dirtbag, including their birthday present to themselves by playing their debut album in full."We've been playing that album for years," he smiled, "we never laid off of it. We didn't have to relearn a thing. There are a couple of tweaks we have had to make to the back catalogue to make sure that we get everything in order, should anybody call out anything. But you know, we don't do any set lists. It's all request sets. So, kids are shouting, people are shouting and telling us what to play. You say it, we play it, that's how we do it."We bring up the massive success of Teenage Dirtbag and ask if it sometimes feels like going through the motions, having played it so often."No, man, absolutely not," he stressed. "Never. It's a weird song, you know. I hadn't considered that it would ever be a single. I'd kind of written that off. I didn't think it could be one because it was too long, and it had this meandering story and switched characters and all that stuff. So I didn't think that it would happen. The way that it has is incredible. I mean, I don't know what to make of it, but as a song, I'm quite proud of it."In the full interview, Brendan talked more about the band's upcoming 2026 tour of Australia celebrating the 25th anniversary of their self-titled album, starting in Brisbane on January 15 and concluding with three shows in New Zealand. He confirmed plans to take a break over Christmas to recharge before the tour and noted that the band has consistently performed songs from the album, negating the need for extensive relearning. The band will feature all request sets, allowing fans to choose their preferred songs.We discussed the success of Teenage Dirtbag, with Brendan sharing insights into the song's origins, it's recording in his mother's basement, and the album's snarky tone reflecting his frustrations in the music industry. Talk turned to the song's lasting impact on audiences and his initial thoughts on Teenage Dirtbag, including how he didn't really have much confidence in the song when it was first written and plenty more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Simon Russell-WhiteThough Australia is familiar territory for the members of Better Lovers - Jordan Buckley (guitarist/ex Every Time I Die) and Will Putney (guitarist/producer/Fit For An Autopsy) - there is an air of honesty and humility about the debut Australian tour for the five piece, also featuring Greg Puciato (vocals/ex Dillinger Escape Plan/Killer be Killed & The Black Queen), Steve Micciche (bass/ex Every Time I Die) and Clayton "Goose" Holyoak (drums/ex Every Time I Die).For Jordan, it's been 6 years since he travelled to this Great Southern Land, and when asked the obvious question about how excited the band is about finally coming out to Australia, his reply was in the form of a question: “Be honest, is it gonna be good?!"Between Jordan, Will, Greg, Steve & Clayton, the discographies, tours and (dead set) legacies these guys possess is something to be in awe of and has earned each member much respect in the industry, especially in the genre, a genre that is tackled by many and has become saturated.To give an answer on how the tour will go, made for an easy reply, one in which I hope offered reassurance of how excited the Better Lovers punters of Australia truly are!To mix things up, joining Better Lovers on the tour is the Gold Coast's own Blind Girls and English nu metallers Split Chain. “It's a cool, mixed bill, always love a good mixed bill,” says Putney as the conversation leans into what to expect from the tour. “Reminds me of being a kid, when I first started going to shows,” he adds, as he reminisces and reels off some absolute classic gig line ups he attended many moons ago.The band's debut album, Highly Irresponsible, came into this world just over a year ago, and more recently as a deluxe edition with some extra absolute slammers of tracks. “So grateful and doesn't get any better,” says Buckley when discussing the reception the album has received worldwide. Be sure to check out those extra tracks, sitting at the end of such an album makes for a huge ending to it!Before you settle in and enjoy this conversation, as a collective, be it organisers, fans, even the sometimes unsung door people, can we please guarantee two things for the band?!Make sure the AC is in working order at all venues.Adelaide fans, make sure the last show of the tour, the best show of the tour. Amongst the insanity that will be Better Lovers' debut Australian tour, kicking off in Brisbane, there will no doubt be appreciation, sweet relief and a love for music that will be palpable for all involved, let's get hot, Australia!Tickets from destroyalllines.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Ali WilliamsIf you've ever wondered what happens when progressive death metal collides head-on with a full-blown orchestra (spoiler: nobody wears a tux, but plenty of heads bang), Persefone's latest adventure has the answer. In a good vibes interview with HEAVY Magazine's Ali Williams, Bobby Verdeguer from Persefone takes us behind the scenes of the band's new live album, out now, and gives us a taste of the chaos, genius, and caffeine that went into its creation. Persefone's new release, Live In Andorra, isn't just another concert recording—it's a mad scientist experiment: death progressive metal and live orchestra in the same room. Recorded during a one-off orchestral show at the National Auditorium of Andorra in May 2024, the album celebrates the band's 20-year history and their return home after a decade, featuring a full collaboration with the Orquestra Nacional Clàssica d'Andorra. Bobby admits that making a live album in today's “attention-deficit” age is, in his words, “a stupid idea.” But when the end result is this sublime, who cares about market logic? If you want new music, you're out of luck—this is a celebration of the band's 20th anniversary, featuring songs from across their catalogue, played with enough complexity to make even a Swiss watch blush. What results when you have an orchestra, a death metal band, and two rehearsals—one the morning of the show? “Stressful” is an understatement. The orchestra arrived the day before the recording, and after a couple of quick run-throughs, it was showtime. The whole thing was captured live, meaning there was “extra pressure of not fucking things up,” as Bobby charmingly put it. The musical tightrope walk paid off, resulting in a performance that's as raw as it is sophisticated. The artwork for their latest release is mint, so you know the merch is gonna slap. As for vinyl? You'd better buy two copies: “One you open, one you keep sealed for street cred.” He's not joking about the collector mentality, either—just don't expect to find a Persefone vinyl in a bargain bin anytime soon. Touring has been relentless, including recent festival runs in the US and a debut Australian tour with Belakor and Orpheus Omega. Oh, and if you're ever planning to fly from Andorra to Australia, prepare for two days, four stopovers, and a test of your will to live (someone, please, sponsor these guys an airline). With the live album freshly set forth on the world, Persefone aren't about to rest on their laurels. Upcoming plans include shows in France, a stint on the 70,000 Tons of Metal cruise (yep, the floating festival of your dreams), and a US tour (still under wraps). Most importantly for fans: they're already working on a new studio album of fresh material, aiming to top even this ambitious milestone. If you're new to Persefone, Bobby promises this album is the perfect entry point—a wild snapshot of the band's evolution, energy, and international weirdness. For longtime fans, it's a high-octane victory lap, packed with classic tracks and orchestral bombast. In the immortal words of Bobby: “Go listen.” Live in Andorra is out now —get ready to be crushed, caressed, and possibly convinced you need more vinyl in your life. For more interviews, reviews, and unfiltered metal mayhem, keep it locked on HEAVY Magazine.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Individually, Sarah McLeod and Dallas Frasca are two of the most powerful voices in Australian rock. Not only have they both had successful careers - McLeod with The Superjesus and Frasca with her band of the same name - but they have both contributed much more to the Australian music scene via other roles within the industry. ARIA winner and South Australian Music Hall of Fame inductee Sarah McLeod, both as a solo performer and frontwoman of Australian rock legends The Superjesus, has remained a passionate advocate for change and progress within the Australian music space while APRA and AWMA nominated artist Dallas Frasca is a kindred spirit of sorts for Sarah, again another artist who has brought bold and visceral energy to her expansive catalogue of music and live performances across many years.So it should come as no surprise to find that both of their lives and careers have become entwined for the 2026 GREEN ELECTRIC TOUR, which represents both McLeod and Frasca's ongoing commitment to sustainability; more specifically, sustainable touring. It is a highly ambitious journey into the unknown, with little by way of previous undertakings by other bands from which to use as a reference.Instead, the two have chosen to dive in headfirst, supported by Music Australia, The Harbour Agency and Spank Betty Records. The tour also supports Seed Mob, Australia's first Indigenous youth-led climate justice organisation in their ongoing fight for climate justice. From recycled merchandise and sustainable travel routes to meat-free catering and eco-certified accommodation, every detail has been designed to minimise impact. Fans are invited to join the movement by wearing their best sustainable fashion to the gigs, and carpooling, taking public transport, walking, or riding bikes to venues wherever possible — making the audience part of the solution, not just the show.For both McLeod and Frasca, the launch of the GREEN ELECTRIC TOUR also aims to inspire other musicians, and their fans, to reconsider their own approach to experiencing live music and touring – with a shift in mindset and a turn toward more sustainable pathways, the future of this industry is greener, healthier, and more long-lasting.HEAVY was fortunate enough to nail down both Sarah and Dallas during a welcome break to their busy schedules, and we started by asking if they were prepared for the magnitude of the task they have set for themselves."It's hard, actually," Sarah replied."It is," Dallas reiterated. "I think… putting a tour together is a massive workload as it is, and even doing four weeks of touring is huge in the matrix of that. But this is a whole other element, and maybe when we get to the end of it, I think we would have gone, okay, we've sort of normalized this new thinking around things, and it will be easier. But we've got the machete out in the jungle at the moment, and we're just figuring things out. There's no one perfect way to do it either. Sarah and I have got a few non-negotiables that we can't move on, with venues and things like that. And then we're just sort of piecing things around it. So we'll make some mistakes along the way. We'll probably get to the other end and think we should have done it that way, and hopefully we'll walk in that direction afterwards, but we're learning. We are both definitely learning along the way. And it's a lot more work than your normal tour. Yes, we have put our hands on our faces many times (laughs)."In the full interview, Sarah and Dallas run through the idea behind sustainable touring and how they plan to make the run of shows as faithful to their cause as possible. They discussed some of their ideas to do that and ways in which the crowd can participate, while highlighting the fact that the very nature of touring makes it difficult to adhere strictly to some of the protocol.We talked about their musical union and the benefits of musicians investing actual time into sustainable touring, suggesting ideas along the way which would be beneficial to the planet as a whole if more people invested in them. Talk turned to an unplanned sonic union that has already blossomed, with plans already in place to film a music video for the newly written track, which you will have to watch to find out more about.The basic structure of the live shows was discussed, along with the two drummers who are special guests for the tour, with Sarah and Dallas both expressing excitement for the plethora of possibilities this one journey into sustainability can raise.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

As with any musical experience, drumming can be either the most frustrating thing on the planet or one of the most beautiful things on Earth. It is, by very definition, the loudest part of any band, but there is far more to mastering the craft than simply being able to smash things. It takes a special kind of person to be a drummer, but still, it is nigh on impossible to outwardly say what qualities a person needs to master the craft.Which is just one of the reasons that the newly released book from The Babes' drummer Moni Lashes, THE ART OF HARD ROCK DRUMMING - A COMPREHENSIVE TOOLKIT FOR THE MODERN HARD ROCK DRUMMER, is not only a brilliant idea, but also one which may just clear some of the mystery surrounding the person who sits at the rear of the band and makes all the noise.By stripping the craft back before slowly reassembling it with an easy-to-digest handbook, Lashes has poured every ounce of her 30 years of experience into the publication, aiming to provide a complete and rounded insight into both the teachings and the pleasures of drumming. It is a book written through blood, sweat and tears, from the good times through the bad, and, most importantly, from the perspective of someone who has fought in the trenches and loves her art just as much as her passion.Featuring tutorials, play-throughs, video demonstrations and more, The Art Of Hard Rock Drumming provides an invaluable insight into the mechanics of drumming, providing tips and exercises to help everyone from beginners to seasoned veterans to help gain more understanding of what it takes to be the best and stay at the top of your game, all the while enjoying every moment of the journey.To take us deeper into the book and explain the methodology behind the words, HEAVY sat down for an engaging chat with drumming legend and author of the book, Moni Lashes."It's been really positive, and I'm very fortunate to have such support," Lashes enthused when we asked how the early reception has been. "I've had some great testimonials from drummers that I actually look up to myself, so it gives me the boost and the confidence to just keep pushing with this. I basically wrote this book as a drum educator, because when I'm not on tour with a band, I teach drums. And I grew up learning from drum books and picking and choosing things I liked. And for the authors of those books to actually give me testimonials has blown my mind."With a plethora of influences surrounding her on a daily basis, Lashes admits finding subject matter was only as difficult as she allowed it to be."The book is a combination of what I learned, my learnings and style from my teachers as well as what I find is beneficial for my students," she offered. "And a couple of my students have actually gone on to get scholarships at the conservatorium and international music colleges, so I think I've got some success stories from my method of teaching. I really believe that we need to have more kids playing instruments. I don't think we need to be so rigid and make it as boring as maybe history did. You've got to give and take and make it fun and still get the fundamentals down, which is what I hope my book does."In the full interview, Lashes emphasized the importance of structured practice, innovative teaching methods that are essential when learning to be a drummer. She outlined some of the teaching methods she has applied to the book, including the use of QR codes for video demonstrations and the role of silence over volume in enhancing performances.She highlighted certain sections of the book, running through four essential elements of learning that she has focused on. Moni explained her teaching methods and how they have been shaped through experience, offering tips and advice for beginners through to professionals, detailing how different stages or chapters of the book can be used for maximum effect.The levels of commitment required to master the drums was also discussed, with Lashes giving some valuable insights into different methods and processes which have guided her through her own personal journey. She covered more ground in select chapters, explaining the whys and hows of her teachings, and used her own experiences to relate to different levels of the learning process.Her band, The Babes, was discussed along with upcoming new music from the band, her love of performing and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Ali WilliamsStrap yourselves in, metalheads, because the legends in Mortal Sin are roaring back onto the scene, and they're not tiptoeing in—they're drop-kicking the door open and headbanging straight through it. HEAVY Mag's Ali Williams caught up with frontman Mat Maurer for a chat. It's been a minute (okay, a decade or so) since Mortal Sin hit the highways, but when Mat ran into Andy and Nathan at a Baby Animals gig, talk of the band's 40th anniversary snowballed into what's become the biggest tour in their history. They're talking nine shows up and down the East Coast, Froth and Fury Festival in Adelaide, a Perth date, and even more to come with Part 2 hitting North Queensland, Tasmania, and (possibly) New Zealand. Hell, there might even be a Broken Hill pitstop, just to prove they're covering every inch of Oz. And no, it's not just the “old die-hards” crawling out of their man-caves—Mat reckons even the grandkids are getting in on the action. “All the grandkids,” he laughs. “That's the cycle of heavy metal for you.” If you thought a mega-tour was enough, think again. Mortal Sin are celebrating with a special 40th anniversary vinyl reissue of their 1986 classic Mayhemic Destruction. But in true Mortal Sin style, there's a twist: the cover art is so secret, only the band has seen it. “We're even going to release it in a brown paper bag,” Mat teases. “You won't see it till you crack it open—and trust me, you're gonna lose your mind when you do.” Vinyl nerds, start queuing now—Mat's even promising a splatter-wax collector's edition.The guys are taking the mayhem global, with Germany's Keep It True Festival on the cards, a month of shows across Europe in August, and the calendar jammed so tight they're turning down offers from South America just to catch their breath. Locally, they'll be headlining Shredfest in Brisbane on May 2 at The Mansfield Tavern, with more Gold Coast and regional shows in the pipeline. If you're not planning on seeing Mortal Sin live in 2026, are you even trying? When HEAVY asked Mat for some of his most memorable highlights from decades of carnage, he rattles off support slots for Metallica's ...And Justice For All tour and opening the main stage at Wacken in front of 60,000 maniacs. Not bad for a band that's survived line up changes, pandemic boredom, and the rising cost of vinyl pressing (seriously, it's not cheap). And just so you know, Mat collects PEZ dispensers—1,500 of the little suckers—Ali confesses she's been hunting for the elusive Elvis model, and Mat says he's still yet to find one himself. Metal never dies, and apparently, neither does novelty candy. There's a lot of love in the air—between the band, their fans, and the sheer thrill of playing live again. There's are weird magic that happens when artists and fans meet face-to-face, sober (usually), and sweating it out at the front of the stage. “Playing is always a highlight,” Mat says. “You can't do that from your lounge chair.” Mortal Sin are back, bigger and rowdier than ever, serving up nostalgia with a side of fresh chaos. Don't sleep on this—unless you're too old to mosh, in which case, bring the grandkids and let them jump in the pit for you. Make sure you save the dates and find a local show for their 40th anniversary. Grab your tickets at www.churchesofsteel.com or hit up their Facebook page. See you on the road!Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

The turn of the century was a significant period for the nu metal scene, with the genre building off the back of a string of breakout bands from the mid to late 90s onwards that saw the rap/metal hybrid style of music surge in popularity. Bands such as Korn, Limp Bizkit, System Of A Down and Linkin Park dominated headlines, but there was also an ever-growing list that included Sevendust, P.O.D, Drowning Pool and more that played just as big a role in the development of the genre.Two of those bands were hed (pe) and Nonpoint, both of whom released memorable albums in the height of nu metal's expansion. For hed (pe) it was their second album, Broke, and for Nonpoint it was their debut, Statement. Both albums elevated the respective bands' career trajectories, and that success led to numerous tours involving hed (pe) and Nonpoint that forged an unbreakable bond between the two bands that continues to this day.Both of those albums turned 25 this year, with both remaining as poignant and relevant today as they did upon release. So much so that both bands are uniting once more for a road trip from Hell, with Australia firmly in their sights early next year. Known for their legendary live performances and explosive tracks such as Bullet with a Name, What a Day, Ruthless, and more, Nonpoint has consistently captivated audiences with infectious riffs, compelling lyrics, and an uncompromising raw energy. Their discography and stagecraft have made them staples at rock radio and fixtures on festival line ups, earning them a dedicated international following.And now they have one more reason to celebrate, one more reason to tear up the stage, and one more reason to deliver Australian audiences a full-blown sonic assault rarely seen or heard on these shores.With anticipation for the February tour intensifying by the day, HEAVY accepted the offer to spend some time with Nonpoint frontman Elias Soriano to delve into the history of Nonpoint and what we can expect from their impending visit. One of the topics of discussion was the pairing of hed (pe) and Nonpoint on the same line-up and the sense of impending doom that has developed because of it."Yeah, those guys put on a great show," he smiled. "We're glad to team up with them again. The last run was really, really fun, so we're definitely going to be enjoying some good times on this one."The two bands have been touring and playing together since the turn of the century, and we asked Elias what his memories were of those early days and if the mentality of the earlier nu metal bands was more of an us-against-them feeling."At that time, everything was really moving in a big way," he recalled. "There were a lot of bands touring at that time. The big festivals and the touring festivals were really popular, especially with OzFest and Warped Tour and festivals like that. So being a part of that and being a part of the meld of hip-hop and rock that was happening at our time, that was an interesting culture that a different type of fan gravitated towards. So it's good to tour with bands like that, that share those types of fans and share that type of show."In the full interview, Elias talks more about the upcoming tour and what to expect, Nonpoint's first visit to Australia as part of Soundwave in 2010, the early days of nu metal and what it was like playing what was essentially a new cross-pollination of music to a non-existent fan base.He recalled his first reactions to hed (pe)'s album Broke and outlined similarities between that record and Nonpoint's release in the same year, Statement. Talk diverted to the early days of Nonpoint and the musical climate that gave birth to the band, the birth and sustainability of nu metal, new music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

For 35 years, Poland's unholy giants Behemoth have flown the flag for blackened death metal not only in their home country, but in all corners of the world. Along with Vader and Hate, Behemoth have played an important role in establishing the Polish extreme metal underground with an uncompromisingly brutal attitude that burns brighter with each passing year.Fresh from releasing their most recent album – The Shit Ov God - in May this year on Nuclear Blast, Behemoth have set their sights on Australia in February 2026 to perform tracks from their storied discography alongside new material. Straddling the line between the sacred and profane, Behemoth has risen to become extreme metal's most revered and provocative band, steeped in anti-authoritarian fire. Renowned for their elaborate live performances, the band continues to push boundaries with their fearless artistry and vision, and have vowed to bring their menacing glory to Australian fans on the upcoming tour.To celebrate the momentous occasion, HEAVY recently sat down with guitarist/vocalist Nergal to journey through the sordid world of Behemoth. We ask if his excitement levels remain as high despite touring most countries multiple times."Yes," he smiled warmly. "I don't want to sound arrogant here, because the fact is that from the first tour that we did in Australia to the next one, it just grew by a few per cent. But every time it was bigger and bigger crowds. We even did some like big festival appearances, so we played in front of really big crowds there as well. Mostly, it's club tours, but still, I don't want to be like, oh, Behemoth is coming back, everyone is just fucking bowing. No, no, you always have to earn that. You have to work hard. We have a new record called The Shit Ov God, and I don't know how it's going over there in Australia. So it's always a test.It's always a question of how many people would like to go and check it out again if they've seen us before? And I hope they will. And how many of the newcomers are going to show up? So it's always a question mark, you know. I don't want to sound too full of myself, like it's a royal return of Behemoth. No, no. We do work hard; we do care about it, and we would love to have the biggest run yet in Australia."In the full interview, Nergal discussed Behemoth's upcoming tour in Australia in greater detail, highlighting the band's strong connections and positive experiences in the country. Nergal expressed enthusiasm for returning to Australia, noting the growth of their audience and the importance of continually earning their place in the music scene. He shared personal reflections on his career, emphasizing the gradual success of Behemoth over 34 years and the evolution of their live performances into elaborate spectacles.He also mentioned the financial challenges of live show production, drawing inspiration from other bands like Rammstein while remaining committed to enhancing their stage presence. The conversation further explored Nergal's creative process, which he described as organic and akin to piecing together a puzzle. He emphasized the need to capture fleeting ideas through notes to avoid losing creative opportunities and the challenges that come with longevity in the music scene. Nergal also discussed Behemoth's latest album, The Shit Ov God, acknowledging its potential for mixed reactions while highlighting its philosophical significance. He talked about the themes of the album and the title, expressing his thoughts going into an album cycle and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela CroudaceAfter more than two decades of pushing boundaries, Bob Rifo or Sir Bob Cornelius Rifo from The Bloody Beetroots, remains committed to honesty, discipline and human connection. Speaking about his recently dropped EP Forever Part One, Bob explains that the project is a direct reflection of his life, shaped by a long creative journey that began after COVID and led to splitting the release into two parts.Looking back on 20-plus years in the industry, Bob says the time has flown, but credits discipline as the key to longevity, both creatively and personally. He reflects on early burnout, learning the hard way that sustainability requires balance and self-awareness.Bob also discusses his iconic mask, which allows him to protect his privacy while keeping the focus on the music.As he enters what he calls the most 'open era' of The Bloody Beetroots, Bob is finally able to articulate the ideas and emotions behind his work, rejecting conformity and embracing authenticity.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

HEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Geoffro and Angela get up close and personal with Bad Nerves.Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them.Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

HEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Angela catches up with Palaye Royale.Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

HEAVY was lucky to again be invited backstage at Good Things 2025 to chat with the bands about their shows and other fun stuff. Today, Angela tackles Scream Queen to get the low down.Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Big thanks to Destroy All Lines and the team at Dallas Does PR for allowing us to share the day with them. Big thanks also to the team - Kyra, Geoffro and Angela as well as our new video team, Grey & Brook.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Ali WilliamsIf you thought progressive metal was all serious faces and minor chords, think again. Mitch from Dyssidia joined HEAVY's own Ali Williams for a wild, winding, and refreshingly unfiltered chat—spanning everything from vinyl snobbery to deadly Frisbees and Adelaide's criminally underrated music scene.Dyssidia just dropped their sophomore album Deeper Wells of Meaning—only five years after their debut, because, you know, global pandemics and musicians' creative “pauses.” Mitch spills on the pain of planning an album launch, only to have COVID crash the party two weeks later. The silver lining? More time to marinate, mature, and, presumably, stare at the ceiling thinking about vinyl colour options. Forget digital downloads; Mitch's passion for vinyl is a religion. The band doesn't just release albums—they curate tactile experiences. The latest artwork, painted by Adam Burke (with an actual brush—no AI here, people), is so gorgeous that Mitch reckons at least 20% of positive feedback is just fans drooling over the cover. Want a double LP with wild colours? Dyssidia's got you. Want a band-branded stubby cooler? Even better—just watch out for Mitch's plans to weaponize plastic frisbees at shows. Rock and roll, but with dental insurance. The band's gearing up for their album launch in Adelaide, with Adriatic, Wings of Thanatos, and Kuiper joining the chaos. Touring across Australia is like prepping for the Olympics—distances are brutal, costs are bonkers, and sometimes even the koalas get confused by daylight savings. Perth fans: you're loved, you're loyal, but unless someone donates a private jet, don't hold your breath for monthly Dyssidia visits.Dyssidia have re-joined forces with Wild Thing Records—mainly because the contracts are so chill they're basically handshakes, and the friendships are the real glue. According to Mitch, it's not about the business as much as it is about the hang. “Most of the time, you're just trying to survive and connect with other bands, so your mini-tour isn't just you in a van talking to yourself.”There's no road map for being a modern prog-metal band. Dyssidia is all about that flexible, DIY, make-it-work spirit—embracing the weirdness of the times, working from home, and enjoying the freedom to create on your own terms. New music is brewing (eventually), Adelaide is still underrated, and at least Ali and Mitch are now Facebook friends. In the words of the great philosopher: Thanks babe.”Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.