HEAVY Music Interviews

Interview by Kris PetersBrisbane sleaze rock outfit Snake Bite Whisky have been terrorizing the airwaves since 2014, along the way releasing two albums in This Side Of Hell and Black Candy.Their crossover appeal, coupled with an energetic live performance and precision playing, has seen the band make inroads overseas, particularly the seedier side of LA where their particular brand of rock was nurtured and grown.With the recent arrival of two new guitarists and an opportunity to join the roster of growing Australian label XMusic, Snake Bite Whisky have embarked on the next stage of their musical journey which has already promised so much and seems set to reach new elevated heights with the release of some new material, spearheaded by the mellower love song of sorts called Living To Die which is out now.Coming together from the ashes of a song started over 30 years ago, Living To Die showcases a softer side to Snake Bite Whisky while maintaining their trademark sound and loud guitars. It is not a new direction for the band per se, rather a revealing of another string to their musical bow that will appeal to fans both old and new.HEAVY sat down recently with the band from rehearsal to find out more."It's been a long journey," guitarist Scuba Steve sighed when we asked how they are feeling about having Living To Die unleashed on the world. "It's been a long time in the making, and a lot of work and effort has gone into it, and it's come out the other side exactly how we wanted it. Actually, better than we thought."In the full interview, the boys run us through Living To Die musically and what they were going for, the personal nature of the song, the extended intro and the thought process behind it, whether it is a stand-alone single or part of a bigger picture, the new members and what they bring to the band, signing with XMusic and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersComing together from opposing corners of the planet, Calva Louise are a band who not only benefit from the wisdom of a diverse cultural well to draw from, but also from a musical vision and delivery that far transcends most music in the modern world.To categorise their music would be doing an injustice to the rich sonic palate offered up from the talented trio, but if push came to shove, you would be safe to say theirs is a musical blending of metal, punk and electronics. But the depth of their music goes much deeper than that.Painting an almost cinematic dimension through eclectic and boisterous bodies of sound, Calva Louise have thrown pretty much every rule book out the window, instead following their own path and vision to create a dynamic and powerful sound that is truly something fresh and unique on the shrinking landscape.After two early albums - Rhinoceros and Euphoric - it was the 2023 release of the mixtape Over The Threshold that broke Calva Louise through the barriers and into the ears of a hungry public tired of the same formulaic music. Such was its impact, Over The Threshold reached the ears of Pendulum's Gareth McGrillen, who messaged the band on Instagram, leading to him coming on board to record Calava Louise's new album Edge Of The Abyss, which is due for release on July 11.HEAVY caught up with drummer Ben Parker and bass/vocals Alizon Taho to find out more about the new album and Calva Louise's musical journey."I guess it's a continuous evolution," Parker replied when we asked him to tell us about Edge Of The Abyss musically. "Our sound has been like that from the start, and this is closer to what I think we've always wanted to do. And every release we've done throughout the band's timeline has increasingly got closer to that. It's almost like a bit of a nonstop vision, and it evolves as it goes. Obviously, this album is still very much in the heavy vein - much like the last release, like probably even a little bit more so, I would say."In the full interview, Ben and Alizon explained the DIY production process of the album, where each member recorded their parts remotely, culminating in collaboration with co-producer Mazar in Italy and Gareth McGrillen from Pendulum for additional production. They ran through the interesting concept for the album and how it follows their previous bodies of work.Talk turned to their eclectic sound and the difficulties of blending genres together in the creative process, opening track Tunnel Vision and why it was chosen to introduce Edge Of The Abyss, working with McGrillen and what he brought to the overall sound and feel of the album and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersMusic means many things to many different people, but regardless of whether you listen to country or heavy metal, one common denominator remains. Music is supposed to be fun.Which is exactly the way South Wales entertainment machine Punk Rock Factory approach each and every waking moment. Essentially a covers band who spice up everyone from Meatloaf to Michael Jackson to Abba to Disney classics with their own punk-fuelled tinge, Punk Rock Factory are a band who seem to bring themselves just as much joy as they do their fans.Formed in 2014, Punk Rock Factory spent their early years refining their craft, toiling away without major success. But all of that changed at a time - ironically - when most of the world suffered during COVID. With more time on their hands due to the necessity of lockdown, the band invested their efforts into their social media and online presence, with immediate success.They emerged from lockdown with enough momentum to carry their music throughout the music universe, culminating in invitations to play iconic festivals such as Bloodstock, Download and Slam Dunk to rapturous applause. These days, they are selling out venues worldwide, and the party is headed back to Australia this November.HEAVY sat down with Peej (vocals, guitar) and Ryan (guitar) to join in the festivities. Being new to the band ourselves, we ask what to expect from a Punk Rock Factory live show."Fun." Ryan replied without hesitation. "It's always a laugh, man.""Our shows are…" Peej jumped in. "I mean, the main word I would call them is ridiculous to be honest (laughs). It's full of guilty pleasure tracks and just good sing-along stuff, and we play a lot of like cartoons and TV stuff and Disney stuff, but we're not… I wouldn't say we're a child-oriented band. We're not the Wiggles. I do swear a lot when it's an all-ages show - I really do try not to - but fuck it, it's their own fault if they brought the kids (laughs). It's chaos, it's fun. We love being there and appreciate being there just as much as the fans do. The fact that people turn up night after night to come and watch us piss about on stage for an hour and a half is fucking great, and I think that comes across. We have such a laugh and the banter with the crowd… it's almost as if you're in a room with a load of your mates and everyone's involved and everyone's having a laugh and chipping in. That's the vibe of our show."In the full interview, Ryan and Peej described their live shows as chaotic and interactive, emphasizing the importance of audience engagement to enhance the experience. They clarified that their performances, while featuring some cartoon and Disney songs, are not aimed at children.The band shared insights into their creative process for punk rock covers, utilizing software like Moises to isolate song elements, and acknowledged the challenges of adapting complex genres. They reflected on their evolution since 2014, noting how they leveraged TikTok during the pandemic to expand their audience. We spoke about choosing songs to cover and what happens if they are too difficult, the process of breaking down and then reconstructing a song, what they get out of being in Punk Rock Factory and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersSydney sludge fuelled outfit Black Rheno have just released another single - A Bad Ass Love Song - and to celebrate the trio are hitting the road this August to take their music to the people that matter most to them, the fans.A Bad Ass Love Song is the third single released in recent times by Black Rheno, with all three earmarked as stand-alone singles to keep people smiling until they release a full length album next year.But in the present, Black Rheno are kicking names and taking ass with a string of entertaining singles that have to be road tested to gauge their true worth, a task looked upon favourably by the band.HEAVY sat down with frontman Ryan Miller to dig deeper, starting with the new single and its reception."Everyone loves it," he enthused. "It's a fun song. It's got a lot of energy to it, a lot of punk rock and hardcore punk vibes. It's just got that energy, then it's got some sludgey riffs as well… good club banger."We ask if it is, as the title suggests, a love song."Yeah, yeah," Miller nodded. "I met a girl last year who I fell for… sometimes you just write what's on your mind, and that's what was on my mind."In the full interview, we find out if Ryan's significant other is a fan of the song, whether this and the last two singles are stand-alone tracks or part of a bigger picture, their upcoming tour and what to expect, how Black Rheno prepare for a tour like this, the two festivals as part of the tour, future plans and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela CroudaceAfter more than 20 years of amplifying voices for justice, punk veterans Rise Against are returning with Ricochet, their tenth studio album, set for release in August. Speaking from Sweden, frontman Tim McIlrath reflects on what hitting double digits means for a band that's never been afraid to stand for something. "We've ticked a lot of the boxes," he says. "Now what is there left to do?"The answer wasn't about making a statement but following instinct this time. "It wasn't about checking boxes," McIlrath explains. "It was more like, what are you feeling right now? Just capture that." Ricochet emerged less from one defining event and more from the quiet, collective reckoning of a post-pandemic world."We made it through that crazy time… and now what's next?" he asks. "We learned a lot—about ourselves, society, misinformation, and how unprepared we really were." That mix of reflection, uncertainty, and cautious hope flows through the record's political and personal themes.Rise Against has never shied from speaking truth to power, but McIlrath admits that the landscape has shifted. "I used to assume we were always playing to a like-minded crowd," he says, going on to recall the first time the band received death threats. "Now I know better. The world is more polarized—even within families. But music can be that rare space where we communicate again."It was inspirational to hear someone so committed to change still speaking with clarity and purpose after two decades, sure of where he stands and genuinely wanting to make a difference for the better. Tim reflected on the Chicago punk rock scene of the '90s, noting how many bands and acquaintances from that era—such as Fall Out Boy and Alkaline Trio—advocated for change in many ways. He spoke about how exciting and meaningful it was to come up in such a vibrant and message-driven music scene.Newer acts like Spiritual Cramp and L.S. Dunes continue to fuel his creative fire, reminding him of Rise Against's early days in the hardcore scene. That DIY spirit, where action trumps permission, still drives him.Burnout, he admits, happens. "But then I get on stage and see people halfway across the world resonating with what we're singing about," he says. "And I remember—we're not alone. There are more of us than there are of them. We just need to be louder."As for Australia? "We're conspiring as we speak," he teases. "It's a priority—we just need to lock it in."Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersMusic runs in the blood. Sure, people can learn to play or learn to sing, but those fortunate to be born into a musical family generally have a head start on most.Melbourne artist Karly Jewell comes from the latter. Inspired by her late Grandfather - an acclaimed country singer-songwriter known for his work with Slim Dusty - Jewell was first bitten by the bug around 5 years old and has been working towards the elusive goal that is becoming a professional musician ever since.But the real part of her journey began in 2018 after teaming with fellow Aussie Mark Dalbeth at management company Rav Medic and releasing her debut album Phoenix the following year. From there, Jewell's commanding stage presence and rock n roll persona have seen her voice traverse the globe and find its way to XMusic, who signed Jewell to the emerging label in 2014. From there, she immediately set about releasing the singles, Sad Girl, In The Dark, Burn and Other Side, all of which feature on Jewell's new album, There's A Jewell In Town, which was released today.HEAVY sat down with Jewell to catch up on the new music and other things happening in the world of Karly Jewell."This is so exciting to have this album out now," she smiled. "I've been hanging on to these songs for a little while, almost two years. It sounds like a long time to do an album, but it actually only took about 14 days to actually record this whole album (laughs). Now it's finally out. Obviously, we released a few singles, but to share the whole album is just unreal."Despite the growing recognition and expansion of her musical empire, Jewell still manages to exude an almost innocent, yet defiant nature."Staying true and just being me," she shrugs when we ask what it is about her music that is resonating on a larger scale. "Not trying to be like other people and not trying to write songs to please people. I'm just writing for myself. And a lot of this stuff has that kind of country rock feel. When I say country rock, I mean when you go to places like Nashville, you're hearing these like big songs, like country songs, but they sound rock."In the full interview, Karly described the album as a fusion of pop, rock, and electronic genres, reflecting her artistic range and emotional depth. She shared her unique songwriting process, often finding inspiration in her bathroom due to its acoustics, and highlighted the significance of the title track There's A Jewell in Town, which tells a personal story. She dedicated the album to her late grandfather, emphasizing its emotional importance.We spoke about her recent tour of Japan and future touring opportunities, this weekend's double album launch party, her musical motivation and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersBrisbane-based petalcore outfit Torizon have continued their strong approach to 2025, today releasing their second single of the year with Sober.A sequel to previous single Bloom, Sober explores a more vulnerable side of Torizon's musical psyche and continues the conceptual journey that will be exemplified over the course of the band's debut EP - also announced today - Meliora, which is scheduled for release on September 19.And, in further announcements, Torizon hit the road for their first headline run of shows this October.In an attempt to keep up to date with everything happening with Torizon, HEAVY sat down to chat with vocalist Mish Sharma. We mention Torizon's blazing start to the year and welcome them back after a brief period of inactivity."Yeah, we were quiet in the background working away on a lot of things," she almost apologized. "We were working on levelling up everything, really. Our songwriting, tech, visuals, everything. And that took a couple of years to plan, write, produce, plan marketing and strategize. So here we are, back again (laughs)."Sober also marks somewhat of a transitional point in Torizon's music, showcasing raw emotion and vulnerability unlike anything the band have attempted before."We wanted to do something a little bit different with it," Mish agreed. "It is a little bit quieter, and it's got moments, but then wait till the bridge… that takes you away! And then you get the screams. So, musically it was just about, honestly, whatever felt right in the moment."In the full interview, Mish delved into the thematic connection of Sober to their previous release Bloom, focusing on a couple's journey through grief and addiction after fertility struggles. The upcoming EP, Meliora, aims to delve into these complex issues while offering a hopeful perspective. Mish highlighted the significance of inclusivity in mental health discussions, sharing her personal experiences and the need for a supportive environment.We spoke about the challenges of writing for subjects that are often shunned, detailing the conceptual journey of the EP and its desired outcome. Mish explored topics Torizon touched on as a band going into their first major release, and how Meliora reflects Torizon in 2025. She mentioned the upcoming tour and what to expect, plus more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersDirty Pagans have been on a crusade to return airwaves to the meatier sounds of hard rock and heavy metal for the best part of ten years now. Self dubbed riff n roll, the Adelaide outfit focuses on massive guitar riffs, dirty grooves and unapologetically loud undertones, hitting with the force of a sonic sledgehammer before ramming the point home.Fresh from last year's national support run with Deep Purple's Glenn Hughes, Dirty Pagans are on the cusp of releasing their next slab of goodness in the form of Forever High, with vocalist Matty Dee joining HEAVY to take us through life with Dirty Pagans."We don't really try and stray away from what we love and what we want to sound like," Matty expressed of the musical direction on Forever High. "And that's the classic 70s kind of rock and roll heavy metal stuff. We pretty much tried to stay true to that and deliver that once again, so we're hoping that we've done that, and we'll let the fans decide if we have."Dirty Pagans road tested most of the new album in the live arena, with Matty smiling at the memory."We got kind of like thrown in the deep end on that one because we were doing it for Glenn Hughes," he laughed. "So if it wasn't going to be liked, it was not going to be liked by people who love Deep Purple and Glenn Hughes' music. And they're probably old enough not to really hold back their opinion (laughs). I think we were alright. We didn't have any negative reviews."In the full interview, Matty spoke more about Forever High and what to expect, the importance to Dirty Pagans of staying true to their roots, the tour with Glenn Hughes and how the band approached it, new drummer Gareth Briggs and what he brings to the band, their upcoming hometown album launch show and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersMuch has changed in the Sinsaenum camp since the release of Repulsion for Humanity in 2018, with the loss of drummer Joey Jordison central to the personal tragedy, which was compounded by the loss of guitarist and founding member Frédéric Leclercq's father as well.It has been a tumultuous period for the band, who rightfully took their time with their third album, but the results have seen the extreme metal supergroup of sorts produce what is arguably their finest body of work to date with In Devastation, which will be unleashed on August 8.Joining Leclercq on this latest chapter are returning members Attila Csihar (Mayhem), Sean Zatorsky (Dååth), Stéphane Buriez (Loudblast), and Heimoth (Seth). Stepping in behind the kit is Andre Joyzi, formerly Jordison's drum tech and a trusted member of the band's touring family - chosen not only for his skills, but for the emotional connection he brings to continuing Jordison's legacy.HEAVY spoke with Leclercq earlier today to find out more about the new album and the personal nature of the music."We've been working on the album for quite a while," he began. "The previous one, Repulsion for Humanity, came out in 2018, and a lot happened in the meantime, so it's been a while, but we released a single a few weeks ago, and it's good to see that the reaction has been good. Throughout the years like it seems like people didn't forget about us, so it's good."We asked Leclercq to dive deeper into In Devastation musically."I think the first album was a lot closer to death metal, like paying tribute to the genre," he measured. "The second album was angry and incorporated more elements of Pantera; a bit more groove and whatnot, and for this one I started writing a good portion of the music in 2019 and there was no there was no agenda in the sense that I just wanted to write music without saying it has to be like this or be like that. There was no limitations. The base would be death metal, but then add whatever I wanted to. Because, why not?"In the full interview, Frédéric highlighted In Devastation's emotional depth and some new sonic elements, including clean vocals and instruments such as sitar and cello, while maintaining its death metal roots.We discussed the emotional feelings of playing such personal songs live and the impactful nature of the music, why the album title track was released as the first single, new drummer Andre Joyzi and what he brings to Sinsaenum, the importance of welcoming someone that has had past experience and connection with the band, with Joyzi having been Joey Jordison's personal drum tech, touring plans and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela CroudaceAfter more than a decade, A Skylit Drive is set to return to Australian stages this November—and frontman Michael “Jag” Jagmin couldn't be more excited. Speaking from the sweltering heat of Texas, Jagmin reflects on what he remembers from the band's first trip Down Under and what fans can expect this time around.“It's been so long, it almost feels like going back for the first time again,” Jagmin shares. While he admits the memories are a bit foggy, he recalls the tour as “gruelling but rewarding,” full of unforgettable shows, unique cities, and classic Aussie experiences like seeing kangaroos and cuddling koalas.Joining forces on tour with Scary Kids Scaring Kids, Jagmin looks forward to reconnecting with some familiar faces—and making new friends. While no on-stage collaborations are confirmed, fans can expect an energetic, wide-ranging set list that spans the band's entire catalogue. “Old fans, new fans—everyone's going to hear something they love,” he promises.One song he still thinks deserves more attention? X Marks the Spot from Identity on Fire. “I thought it was going to be one of the biggest tracks on that album,” he says. Despite being overshadowed by hits like Too Little Too Late, it remains a personal favourite.When he's not writing or performing, Jagmin finds joy in DIY home projects. “Ten years ago, I didn't have a handy bone in my body,” he laughs. “Now I'm building things around the house and actually know what I'm doing.”He also opened up about vocal warmups and the evolution of his approach to singing. Once a stranger to technique, Jagmin now relies on modern tools like vocal nebulizers and straw exercises, crediting his vocal longevity to a deeper understanding of muscle control.As for new music? Jagmin confirms the band is working hard behind the scenes. “We're putting a new face to the name,” he says.Whether it's nostalgia, new material, or just a chance to see the post-hardcore icons back in action, A Skylit Drive's return to Australia is one not to miss.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersFrom the fractured depths of Australia's extreme metal underground emerges Hebephrenique, a sonic entity conjured to annihilate the boundaries between chaos and control. Rooted in a volatile blend of death metal and blackened dissonance, Hebephrenique deliver auditory psychosis with surgical precision and unrelenting ferocity.Formed to embody the fractured psyche of the modern world, Hebephrenique channels themes of mental decay, institutional horror, and existential collapse through relentless blastbeats, jagged riffs, and unhinged vocal torment. Unapologetically raw yet technically calculated, Hebephrenique are not here to entertain—they're here to rupture minds. In 2023, they inflicted their debut EP Non Compos Mentis upon the masses, and with a debut album due in 2025, prepare for the sonic depravity.With Hebephrenique one of 30 bands at Necrosonic Festival 2025 playing over three stages at the Mansfield Tavern on August 23 - joining Portal, Bolzer, Abramelin, Beanflepper, Frankenbok, Alarum, Massic, DaysEnd and more - HEAVY caught up with frontman Chris to find out more."We're really, really excited," he beamed when we asked how the band are feeling about Necrosonic 2025. "We actually got asked to play last year, and unfortunately, just with scheduling, we couldn't make it happen, and luckily we got to do it this year. We're actually bringing in our debut album this time around with us, so we get to play some live songs that have never been played before, which is really exciting."In the full interview, Chris expressed excitement about the festival's strong line up and reflected on the previous year's success while emphasizing the importance of showcasing Australian talent. He acknowledged the efforts of Kent, the festival organizer, in coordinating the event with 30 bands. He also discussed Hebephrenique's musical style, which combines early Black Death Metal with themes of mental health, and highlighted the differences between their new album, set for release on August 23, and their 2023 EP Non Compos Mentis.We spoke about the band's brutal live shows and what to expect and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersTweed Heads rock outfit The Whiskeys are a time bomb waiting to go off.After a number of years honing their skills, mainly by playing a bunch of live shows, the double-edged sword of Benny Whiskey (guitar, vocals)and Josh Larkin (drums) are now in the final stages of getting ready to unleash their debut EP Old Soul Young Blood on the world.The EP cycle began in February 2024 when The Whiskeys premiered their very first single, Hoedown, through HEAVY, and after a highly promising start, it seemed as though the Metal Gods had claimed yet another victim when more than 12 months passed without a follow-up single.But there was much more happening behind the scenes than the band's lack of releasing more music implied.Instead of rushing things out and hoping for interest, The Whiskeys elected to play the long game, plugging away on the live circuit and fine-tuning their songs so that when they finally come out on June 20, they are given the best possible chance of invading the earholes of as many people as possible.After being privy to an advance listen, HEAVY can assure you the wait has been more than worth it, with Lankin joining us earlier this week for a chat about the past, present and future of The Whiskeys."We recorded this close to two years ago," he admitted, "and we've been sitting on it. We released one track already - Hoedown - which we're really happy with. We've got good feedback from that, and we're just ready to do the EP now. As life gets in the way and things happen and time just goes pretty fast, so we were like, we better drop this thing (laughs). We just made a decision, and the time is now, next Friday."We asked Larkin to dive into the musical nature of the EP."We wanted to pay homage to some old school vibe," he smiled. "Like a bit of old soul, young blood, which is the name of the EP. We wanted to hark back to the 70s and the 60s, Hendrix, Bob Dylan, and just all the vibe that just gives modern rock its soul. We just tried to dig deep into that and bring all our influences, which comes from the modern punk rock and hardcore era. Then we just threw it in a pot and served it up (laughs)."In the full interview, Josh shared insights into the creative process of The Whiskeys music, noting the blend of musical influences and the challenges of balancing genres while maintaining their unique sound.We reviewed the EP's tracks one at a time, highlighting the energetic Hoedown, the blues-influenced Places, and the catchy Break Away, with Josh affirming their goal of creating an engaging atmosphere. We discussed the intro and outro pieces and their intended effect, as well as upcoming shows and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersThe Funeral Portrait have always been true champions for the underdog; the outcasts of society who are struggling to find their identity or be accepted in a world that is often harsh and judgmental.Their musical world is one of acceptance and unequivocal belonging, with a flair for the theatrical and a need for unity.In little over a decade, The Funeral Portrait have steadily ploughed through the ranks, loudly going about their business with an air of defiant arrogance that only comes from a band who know they have something special.Since joining forces with Better Noise Music for last year's smash hit album Greetings From Suffocate City, The Funeral Portrait have become one of the most in-demand bands on the planet, touring with Ice Nine Kills, Five Finger Death Punch, Marilyn Manson and more to solidify their obvious potential. The campaign cycle for that album began long before its release, with attention to even the smallest details providing a solid platform from which the band launched their global assault.Greetings From Suffocate City expanded the group's mythology to new heights and dimensions with invigorating, authentic, and passionate anthems. Songs like Alien, Voodoo Doll, You're So Ugly When You Cry (featuring The Used's Bert McCracken), and the title track (featuring Spencer Charnas of Ice Nine Kills) have forced the world to stand up and notice, culminating in the release on June 13 of GREETINGS FROM SUFFOCATE CITY - FROM BEYOND THE ABYSS: DELUXE EDITION. The updated release contains 24 songs, including tracks from the CASSANOVA EP and the FROM BEYOND THE ABYSS EP, as well as the recently released versions of Holy Water feat. Ivan Moody of Five Finger Death Punch, Hearse for Two feat. Lilith Czar and three brand new songs: Skinny Lies, Evergreen, and Lost Boy.The album that was originally released September 13, 2024 via Better Noise Music, consisted of 14 tracks of theatrical, dramatic, unapologetic, full-throated flair with guest appearances from Bert McCracken of The Used, Spencer Charnas of Ice Nine Kills, Danny Worsnop of Asking Alexandria and Amanda Lyberg of Eva Under Fire. It was - and is - a remarkable album from a band only now starting to find their musical identity, and looks set to reach a new generation of ears with the deluxe edition on offer this week.HEAVY caught up with frontman Lee Jennings on one of his rare down days to force him to talk shop. We ask him about the response to Greetings From Suffocate City and if it was what they were hoping for."Completely, yes," he nodded. "I think at first we had been building fans along the way. So it was definitely a cool stretch at the beginning. But I think the better part is what we're building now. We're still supporting some huge tours, and it's growing every single day. Every day, we're selling copies at the merch table or online. You can go to your local record store a lot of the time and get it. And for us, it's about that growth. It's not about that direct, right when it's out, everybody's freaking out about it. To me, it's about the build. And I feel like what we're building towards is this next record that I hope that will be more that moment of like, oh, the new Funeral Portrait record is coming out. I'm very excited for that instead of right now. We're in discovery mode still now, I think, is the easiest way to say."In the full interview, Lee discussed the upcoming release of the deluxe edition of Greetings From Suffocate City - scheduled for June 13 - reflecting on the five-year journey of creating the original album, which was impacted by the pandemic and other factors. Lee expressed enthusiasm for the new songs on the deluxe edition, particularly Skinny Lies and Evergreen, which tackle personal themes and mental health, and explained the inclusion of both original and guest versions of certain tracks to showcase the band's creative evolution. We also explored the role of guest features in modern rock music, with Lee open to collaborations across genres, emphasizing a process that allows guest artists to contribute while maintaining the song's essence.We spoke about The Funeral Portrait's touring schedule, how they integrate the new songs into live performances, and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersHeavy Metal and J-Pop are two genres which, for all intents and purposes, should not be joined in sonic matrimony, but try telling that to Australian-born Japanese sensation Ladybeard and the two girls who make up Babybeard.Since 2020, the powerful trio has existed in some form or another, spearheaded throughout by wrestler turned DJ turned vocalist Ladybeard, who brings not only a sense of danger to the group, but also an abundance of energy and fun that has seen their music transcend barriers the world over. Children who have never liked metal before suddenly think it's cool because Babybeard do it, and on the other side of the fence, metalheads who would have previously been embarrassed for anyone to witness them listening to J-Pop now have a legitimate reason due to the two worlds colliding.It is a brand of music that unites genres and defies expectations, all wrapped in a pretty pink bow and pigtails. Sound strange? Well, take a listen and tell me I'm wrong…After decimating Australian audiences in 2024 with their Adorable Assault On Australia tour, Babybeard return to reclaim their throne with a special one-off performance at SMASH Convention 2025 in Sydney over July 12 and 13. Spread over the weekend, Babybeard will be doing a showcase performance as well as a meet and greet question time, along the way ushering in brand new trainee member Mizuki, who is not only performing with Babybeard for the first time in Australia, will also be making her international performing debut of any kind.As long-time friends of HEAVY, when we found out Babybeard were coming Down Under once more, we harassed Ladybeard until he agreed to an interview, with the effervescent frontman once again providing a plethora of delights."There's something for everybody," Ladybeard promised. "There's drama, there's tragedy, there's comedy, there's no romance. But, you know, apart from that, there's something for absolutely everyone."When talk turns to last year's tour, Ladybeard reveals something totally unexpected."Last year in Sydney - for the first time ever - we had a wall of death at one of our shows," he laughed. "It was awesome. It was our first show in Sydney, again, it was a weeknight, so it was not the biggest show that we had. But we're there, we're leading into the last song, and there had just been a shoey, so the stage is wet and everyone was feeling frivolous, and as I was just introducing the last song, someone in the audience yells out, 'wall of death!' So we're like, okay, if you guys want to. The girls have never seen a wall of death before because in Japan, we do shows for idol fans, right? So that was their first ever wall of death. It was interesting because there was a bunch of loose chairs on the floor, so it was a pretty dangerous wall of death, but they got through it."In the full interview, Ladybeard reflected on their previous tour in Australia, sharing memorable experiences and expressing excitement about returning to connect with fans. The conversation highlighted the unique blend of Japanese pop and heavy metal in their music, emphasizing the importance of creating a community atmosphere during performances that encourages audience participation.We spoke about the live show and what to expect, the drafting of Mizuki into the band, their expectations of Australian crowds, how blending heavy metal and Japanese pop is accepted in Japan, milking Kangaroos and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersForged from the survivors of Long Beach bands Damned Age, Black Velvet Brigade and Red River Massacre in 2018, Carsex pull no punches when they come to their sound, name or influences.After crossing paths many a time on the local circuit in Orange County, the five music veterans gradually built a sonic relationship that has become a live force, with Carsex releasing their self-titled effort in 2019 and the EP 2020 the following year.It has been a long five-year wait for fans of the band to hear a new body of work, which has now been rectified with the release of the seven-track EP Human Interest last week.HEAVY caught up with frontman Nigel Burk to talk more."This one is our third EP," he offered, "and is definitely our strongest effort I feel, just out of the development of the band over the years and everything. I feel like we're as much a part of each other as we can be.""So I feel like this one is probably the first one that is 100 per cent genuine, just straight from all of us as a unit. And yeah, we're super stoked on it. The basic idea… a lot of our material goes through a pretty wide variety of subjects - and lightly touches on politics to a certain degree - but I wouldn't say that much. Just really like the human condition as a broad explanation. Sometimes it's a little difficult for me to explain exactly what certain songs or the idea of the band is about, because I like for the audience to experience it for themselves. I feel like our presentation is more up for perception or subjective to the listener, because it is for us as well. It means something different to all of the band members individually as well."In the full interview, Nigel highlighted several tracks, including Sitting Ducks, addressing societal issues, and Fuck This, which explores personal struggles. He shared the inspiration behind Landmine, stemming from a personal tragedy, and discussed DKC, which reflects on school shootings.He also mentioned Stella, a hopeful song that encapsulates a journey of acceptance. The band's live performance style has developed over their years together, and they are preparing for their EP launch at The Vine in Long Beach, while also planning a small tour later in the year after a brief hiatus for their drummer's surgery. We ran through the seven EP tracks individually and found out their intended meaning and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersFusing modern rock with classic undertones, American rock outfit Limberlost bring together the best of two worlds to create a powerful and infectious sonic palette that transcends the underlying barriers that separate the old from the new.Known for their anthemic sound, raw energy, and emotionally charged storytelling, the band create music that resonates with fans of classic rock legends and contemporary rock revivalists alike. Their songs capture themes of strength, resilience, and empowerment, making them a force in the rock scene.Featuring two captivating, classically trained and accomplished opera singers in Brittany Lauren and Sammie Gorham, Limberlost have also just added guitarist Devon Unger on lead guitar and bass player Steve Unger (Metal Church), further expanding their musical influences while simultaneously strengthening their engine room.The band are poised to release their dynamic new album Beautiful Scars on June 13, with the whole band - including drummer Mike Burt and keyboardist Anthony Ciarochi, but excluding Gorham - joining HEAVY for an entertaining chat from their home base."It's been like getting ready to give birth," laughed Burt. "I mean, we've been cultivating this thing since last November, getting ready to be exactly where we are."We ask the band to tell us more about the musical nature of Beautiful Scars."Beautiful Scars was so much fun," Lauren enthused, "because it's a concept album. It takes on the Japanese art form of Kintsugi, which is an art form of repair, where, when a piece of pottery is shattered, they will repair it using gold. And so it becomes more beautiful because it was broken. So we took this and used it as an analogy to a person and how a person goes through their life, and they get all these scars, or they get these certain things. People make a lot of memes about it, but what if we made it mean that it made you more beautiful, and what if this is like coming to terms with who you are? So the whole concept of the album is that, and then what's cool is that Limberlost ended up kind of living that. We broke up, and then we got pieced together with some gold here, and we're making it work. It starts with Alien, and you'll hear lyrics that give you a sense of dysphoria about not feeling safe or feeling alien, and then it moves into just recognition of who you are."In the full interview, we dove deeper into the conceptual nature of Beautiful Scars, what they were going for musically and how it differs from Limberlost's previous work.The band acknowledged the challenge of balancing their diverse influences while evolving their sound to appeal to a broader audience and delved into the dynamics of having two female lead vocalists, reflecting on their classical training and how it has shaped their musical journey. The integration of new members Steve and Devon was discussed, with both expressing excitement about the album and upcoming live performances. The chat concluded with information on how fans can access Limberlost's music and exclusive content, as well as their plans for future performances, including aspirations to perform in Australia and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela CroudaceAfter 33 relentless days tearing through Europe and the UK with metal titans Pantera and Power Trip, most bands would hit pause. But not King Parrot. For frontman Matt 'Youngy' Young, the chaos of tour life was just the spark needed to kick the band's creative machine into overdrive.“By the end of it, we were knackered,” Young admits with a laugh. “The jet lag, the exhaustion—it was intense. But it was also one of those pinch-yourself moments. Just being there, on those stages, it was unreal.”Now, the Aussie thrash-grind juggernaut is channelling that whirlwind experience into their latest album. On June 6, 2025, King Parrot will release A Young Person's Guide to King Parrot—a ferocious, career-spanning collection that marks both a celebration and a reintroduction.“It's kind of a nod to the journey we've been on, but it's also for anyone new jumping into our world,” Young explains. “We wanted to package something that really captures the essence of what King Parrot is about.”While this upcoming release serves as a brutal sampler of their sonic legacy, the band isn't resting on their back catalogue. They're already deep into writing brand new material for a future album.“We've had a month or so off after that tour, and now we're back in the groove,” says Young. “There's definitely another record on the horizon. We're writing, experimenting, seeing where this next chapter takes us.”That work ethic and raw honesty have long been King Parrot's signature—onstage and off. Known for blistering live sets, DIY approach, and a no-bullshit attitude, the band has earned a cult following far beyond their Melbourne roots.“You do it because you love it,” Young smiles. “But it takes a toll. Still, when you're on stage, and you feel that energy coming back at you, it's magic. That's why we keep pushing.”With A Young Person's Guide to King Parrot set to drop and fresh tracks in the works, the band shows no signs of slowing. If anything, they're more fired up than ever. “The tour lit a fire under us,” says Young. “We're more focused, more driven. And the new stuff? It's gonna hit hard.”For King Parrot, the grind never stops—and that's exactly how they like it.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersWhat started out as a bit of fun on a Monday night at Sydney's Frankie's Pizza back in 2012 has quickly developed into a global sensation.Initially formed to beat Monday night boredom at the home of live music in Sydney, Frankie's World Famous House Band has grown from such humble beginnings to being a mainstay on the Australian music scene for both punters and international touring musicians.For ten years until its sad closing in 2022, the band rocked the stage at Frankie's Pizza, along the way collecting a healthy dose of international scalps under their belt who frequented the venue just to catch a glimpse of the house band. Members of bands such as Megadeth, Steel Panther, White Snake, White Zombie and Cheap Trick have all at one time shared the stage with the house band, while they are now also an in demand gun for hire as touring bands for stars such as Tim 'Ripper' Owens who enlists their help each time he comes over.They are a band made up of accomplished musicians, but, more importantly, people who love music, and that infectious energy night after night is one of the major reasons they survived when Frankie's fell.This weekend sees Frankie's World Famous House Band venture outside of their home base of Sydney for a rare visit North, where they will be playing at Lefty's in Brisbane on Saturday, June 7, and Mo's Desert Clubhouse in Burleigh Heads the following night. HEAVY jumped at the chance to chat with drummer and the legend behind Frankie's Pizza, Jordan McDonald to find out more."Yeah, we never do this," he replied when we mentioned the fact that the band doesn't play outside of Sydney often. "We get out of town if we're the house band for a touring artist, that happens every now and then. That's kind of, I guess, the niche of the Frankie's World Famous House Band. If there's an act of cult appeal who's coming to Australia but leaving the band behind, we'll fill in and play, so we'll take that around the country. But just as us doing it our way, it's kind of a matter of policy that we never leave Sydney, so this is something different."We question what policy could ever confine any band to one city before Jordan smiles."It was bred in Sydney, and it's kind of where it makes sense," he laughed. "It's part of the fabric of the zone, so we try and kind of keep it that way. But if an opportunity like this comes up - and it doesn't happen all that often - we say yes to most things. So here we are!"In the full interview, Jordan focused on the upcoming performances of Frankie's World Famous House Band in Queensland, scheduled for June 7 and 8. He provided background on the band, emphasizing their unique position as a house band that typically does not tour outside Sydney. He highlighted their speciality in high-energy covers of classic rock songs and their collaborations with well-known artists, which have bolstered their reputation.Jordan introduced us to the rest of the band, saying that they don't have a permanent set vocalist in preference of using a range of singers to complement each performance. He ran us through the birth of the band and how he came to be involved, the band name, some of the people they have shared a stage with, his other music and business ventures and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersIt's been 15 years since Bay Area thrash legends Testament last did a headline tour of this country. Fifteen long years for fans of the band, of which there are many.Since emerging from the San Francisco Bay Area in the early 1980s TESTAMENT have delivered some of the greatest metal anthems of all time. Over The Wall, Practice What You Preach, Rise Up, Into The Pit, Brotherhood Of The Snake, Low, The New Order, First Strike Is Deadly… the list of absolute classics seems endless as they unleashed one crushing album after another.With no shortage of critical acclaim, Testament remain one of the select few bands with two albums, (both The Legacy and The New Order) inducted into Decibel Magazine's prestigious Hall Of Fame, alongside Metallica, Black Sabbath, and Motörhead. TESTAMENT have remained steadfast over the course of literal decades; always managing to present the genuine aspects of thrash metal that defines their existence while spreading into unique horizons through new crisp and fascinating sounds.The worldwide Testament legions only continue to grow with renewed fervour and intensity as one of the most influential acts in heavy metal marches forward, never wavering and always crushing.With the tour less than two weeks away, HEAVY spent some time with founding member and guitarist Eric Peterson to find out what we can expect."It's been 12 plus years since we've been there," he enthused. "Some of the shows have sold out, and it looks like the whole thing might just be sold out, so we're excited."We ask Peterson what delights Testament have in store for us to make up for lost time."We're playing a lot of stuff that we haven't played in a long time," he offered. "We're revisiting a lot of stuff that we kind of just didn't do, but now we're doing it. And it was stuff that people wanted us to do, like more of the deep cuts and some of the slower stuff that we've got."In the full interview, Eric highlighted the addition of new drummer Chris Dovas and the release of three new records since their last tour, while also addressing the challenges of scheduling due to the pandemic.He shared insights into their recent performances, focusing on deep cuts and slower songs that resonate emotionally with fans, and discussed the complexities of creating set lists from their extensive discography. Additionally, he offered a preview of their upcoming album, which aims to blend various musical elements and reflect the band's evolution while retaining their signature sound and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela CroudaceAmerican heavyweights Baroness are headed to Tasmania this month for the famously atmospheric and provocative Dark Mofo festival — and for the band, it was precisely that mystique that made them say yes."It was a pretty interesting offer to fly 20 to 30 hours around the globe to play one show," they laughed. "But the vibe of the festival fits us."It won't be their first time in Australia, but it will mark their long-awaited return to the island state. Reflecting on a previous visit to Tasmania in 2012, vocalist John Dyer Baizley recalled a surreal show where the audience had reportedly been dosed with LSD — "It was weird. But fun."Their set promises to be just as memorable this time around, featuring new material and even some deep cuts that haven't been played in over a decade. "We're excited. It's very likely we'll play some songs we've never played in Tasmania — or anywhere in a long time."Known for their evolving sound and richly illustrated album art, Baroness have always pushed sonic and visual boundaries. "We've given ourselves not just the right, but the obligation to push forward," they explained. "We build on what we've done, but we don't stand still."The band's iconic colour-themed albums were a deliberate early concept, though they've since moved on from it. As for the relationship between their music and artwork? "Typically, the artwork is a reflection of the music — and sometimes the lyrics. Though for newer albums like Stone, the music came first."Baroness are also mindful of the personal cost and discipline it takes to endure as musicians. Staying grounded and creatively fuelled comes down to "frustration" — and exercise. "To perform the way we want to, we have to align mind, body and spirit," they said. "We work out a lot more than people think. "On stage, they thrive on energy exchange. "We're not just playing songs — we're playing the audience. The show depends on them."Despite their openness, the band values maintaining some mystery. "In the era of oversharing, we think it's important for artists to preserve something for the listener to discover on their own." Don't expect them to give too much away in the way of behind-the-scenes tour vlogs, as seems to be the trend with artists these days; the band believes in leaving a little mystery to their fans.Be sure to catch Baroness as they bring their signature intensity and introspective edge to Dark Mofo this June — a performance perfectly at home in the festival's dark and immersive atmosphere.For more information on Dark Mofo follow this link: https://darkmofo.net.au/Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersIn some quarters better known as the former clean vocalist and rhythm guitarist of Attack Attack!, Bilmuri (Johnny Franck) has been busily rebranding himself since starting the project in 2016. Over the course of 14 albums in that eight-year period, Bilmuri has developed his own unique and effective sound, blending country, metalcore, pop punk, indie, and electronic influences into one.His latest album AMERICAN MOTOR SPORTS dropped in 2024, and the resulting success of that release has seen him traverse the globe, before finally visiting Australia for the first time this month.With only one show left on the Australian Motor Tour - at The Roundhouse in Sydney (upgraded from The Metro) - Bilmuri found time to chat with HEAVY about the tour so far and what he thinks of our country."We put the tour up on sale, and I was like, I don't know if anyone's going to come out to this," he laughed, "and it sold out in one day! So it's honestly been wildly beyond my expectations, and the shows have been incredible. I just love the country as well, so it's just been great, man. Definitely one for the history books, at least for me."We ask about him starting Bilmuri in 2016 and why he decided to start his own project from scratch rather than join an existing band."Because I'm a selfish, egotistic, narcissist," he laughed. "But no, to be honest with you, I like having control over everything. So that was a big thing. I felt like a lot of times I would always be fighting someone to have something, where it was like I think this idea is good, and I don't want to have to fight a bunch of people to do it. I just want to do it. So I think that was like a lot of the beginning of Bilmuri is just kind of making exactly what I want to do, how I want to do it."In the full interview, we discussed the success of Bilmuri's Australian tour, which featured sold-out shows and enthusiastic audiences, particularly in Melbourne. Bilmuri expressed gratitude for the overwhelming support from fans and the welcome he has been given. He elaborated on his motivations for creating Bilmuri, emphasizing his desire for artistic control and emotional expression, while acknowledging the challenges of blending various musical genres authentically.He also revealed his creative process, driven by a response to wanting to keep on the move, and mentioned upcoming plans for new music and participation in major festivals such as Lollapalooza and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersWhen it comes to good old-fashioned hard rock music, there are not too many bands on the global scene that can compare with UK rockers Inglorious. Despite a rotating roster of bandmates, founding member and vocalist Nathan James has resolutely pushed forward, releasing a high-quality collection of albums leading up to 2022 when he announced the band was going on hiatus.After seven years of non-stop touring with bands such as The Winery Dogs, Steel Panther, The Dead Daisies, Last In Line, as well as their own international tours and festival appearances, recording four original albums, a live album and a covers album, everyone felt it was the right time to take a break. The announcement came as a surprise to fans, who deep down knew Inglorious would return, and more than likely be stronger than ever.Those dreams were realized earlier this year with the release of a new single, Testify, and announcement of a new album - V - set for release June 6. Using his time to reflect on the band and their musical journey, James has returned with original Inglorious bass player and main co-writer Colin Parkinson, who co-wrote and released the first three albums: Inglorious, II and Ride To Nowhere.Joining them is renowned guitarist Richard Shaw, best known for his work with English extreme metal band Cradle Of Filth, and drummer Henry Rogers, two powerful additions to the band to complement the original engine room. The result is more than a continuation of Inglorious. It is a statement of intent and an emphatic tale of triumph over adversity and the magic that can create.HEAVY sat down with James to talk about Inglorious 2025. We asked about the return of Parkinson and how it impacted V."I think anyone that knows us will know when they hear this album that he is back by the sound of his bass, but also the songwriting," James replied. "He's so crucial to the early songwriting in this band, and he's done such a great job. He also produced this record as well."To HEAVY's ears, V is tougher and harder edged than anything Inglorious have ever released before, but we ask James just what he was going for musically."We wanted to do something a bit heavier," he agreed. "I think it's good to constantly be pushing yourselves, and also just the subject matter that we had to write about now in a kind of post-COVID world, it's just heavier, everything's a bit heavier. So it made total sense to write riffs and stuff that were more in that vein, and also bringing someone in like Richard on the guitar, it made sense to have a heavy guitar player play this stuff. And I think that's why it sounds a bit different, maybe, to previous albums."In the full interview, the discussion centred on the development and themes of Inglorious's fifth album V, with Nathan detailing the band's return after a hiatus influenced by the post-COVID landscape. He introduced new members Richard Shaw and Henry Rogers, emphasizing their contributions to the band's heavier sound and classic rock influences.Nathan highlighted the significance of impactful songwriting and the unique vocal styles present in the new album, particularly in the song Believe, which he described as a ballad with emotional depth. He also shared insights into the development of vocal melodies and the personal significance of tracks like Silent and Power of Truth.We also went through V track by track and discussed the meaning behind the songs and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersSydney metal outfit Battlesnake have become a mainstay on the Australian music scene.Since bursting out of the blocks with their EP Myths and Legends from Gorbag's Domain in 2020, many have wondered if Battlesnake were just a flash in the pan or a one-trick gimmick, but time and time again the band have proven any and all doubters wrong. Their energetic and fun live show has become the stuff of legends already, with the band's uncompromising approach to their music and their seemingly carefree off-stage persona combining to provide a band and brand of music unlike any seen or heard before in this country.By harking back 20 years, Battlesnake have also brought their brand of music into the modern age, crunching riffs that would make Black Sabbath take notice while providing enough in the way of modernisation to keep the impossible to p[please youth of today engaged.This Friday, June 6, Battlesnake continue their path to world domination with the release of their third album, The Dawn of the Exaltants and the Hunt for the Shepherd, which actually acts as a prequel to their previous offering The Rise and Demise of the Motorsteeple.With the band counting down the days before boarding a flight to the UK for nearly three months worth of shows, HEAVY caught up with vocalist Sam Frank and keytarist Elliott Hitchcock to shoot the breeze."No, I'm never nervous, but this will be the first time that we've played all of these new songs live," Hitchcock answered when we asked how they are feeling about the album release. "Actually, the first time that we will be playing these songs live is on stage supporting Eagles of Death Metal."In the full interview, Sam and Elliott expressed excitement about performing new songs live for the first time. The band shared that their songwriting was influenced by 90s video game music and clarified that the album's narrative, a prequel to their previous work, developed organically. We discussed the musicality of Battlesnake's craft and how this new album represents another chapter in the band's ongoing saga.They highlighted the challenges of maintaining a consistent release schedule as their artistic scope expands. Preparations for the tour were discussed, including rehearsals and the significance of performing at major festivals, which are seen as bucket list items for many metal bands and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersFusing death metal's raw brutality with melodic depth not generally associated with the genre, Bay Area metal outfit Ominous Ruin blend technicality and brutality with catchy, melodic hooks; think mind-melting riffs, groovy drums, mesmerising bass, and chaotic, unique vocals, and you are on the right path.After parting ways with original vocalist Adam Rosado following their debut album Amidst Voices That Echo In Stone, Ominous Ruin drafted newcomer Crystal Rose into the family and set about refining their sound even more with their dynamic new focal point.The result is out in the world now for people to enjoy, with Requiem unleashed on May 9 and offering a fresh take on an age-old genre of music. Requiem marks a shift from the band's early straightforward aggression, weaving in melodic and atmospheric chaos influenced by Necrophagist, Behemoth, and more. Now crafting their next release, the band hints at symphonic twists atop their signature heaviness and with Crystal Rose now leading the charge, Ominous Ruin are a band pushing extreme music's limits.HEAVY caught up with guitarist Alex Bacey earlier today to find out more."I think one of the things that I tried to avoid was the 'you sound like another hundred other bands' comment," he replied when we asked what Ominous Ruin were going for musically on Requiem. "And a lot of people so far have said that it sounds unique; it sounds different. It's got a plethora of genres mixed into one, and obviously, at its core, it's a technical death metal album. At the time, a lot of the songs were actually written, we had a lot of chaos going on between all of us individually and as a band. We had a vocalist change in between our last album and this album, so now we have Crystal, who it's her first project; first album she's ever recorded. And I think she did a great job, which plays into trying to sound unique."In the full interview, Alex detailed the band's creative process and the emotional depth of their music. He explained how the singles Seeds of Entropy and Staring into the Abysm represent different facets of the album, with the former linking to their previous work and the latter evolving from an instrumental piece to include lyrics.He emphasized the importance of musical variety for engaging live performances and the transition from a male to a female vocalist, and the challenges that presented. Alex mentioned plans for upcoming shows, aiming for performances by September or October, and encouraged fans to connect via social media platforms like Instagram, while expressing gratitude for their support and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersAussie rockers The Wrath recently released their third studio album, Into The Arms Of Oblivion, in the process affirming their position as one of this country's finest musical offerings.With over twenty years spent honing their craft, The Wrath have a self-imposed motto of tapping into differing sides of their musical psyche with each release, combining a plethora of musical riches together to dish out a sonic palate that traverses the spectrums of rock, punk, metal, industrial and gothic metal.The Wrath are not a band who are designed to be packaged neatly into one genre-specific box, nor are they a band that throws everything against the wall and hope something sticks. They are a band who love playing and creating music, with a strike rate of three albums in 22 years showcasing the band's insistence on getting things right.HEAVY spoke with frontman Tommy Creeper to find out more."With all the previous albums, if you have listened to all our stuff, they're all very different," he measured. "So when I want to write a new album, I really put effort into doing something different. For this one, we wanted to keep it simple and challenge ourselves to write it around melody; write it around being catchy and keeping it simple.""Simple is probably not the right word," Creeper corrected himself. "It's still pretty hard to write something that's, maybe technically, not so crazy, but still have all the parts and still have it sound like us. So that's where we leaned into in this one. The backup, the melodies and keeping it catchy and simple. That was the aim."In the full interview, Tommy emphasized that the singles released showcase only a portion of the album's variety and mentioned their unique performance experiences, such as a Halloween residency at Movie World, which allowed for creative freedom. He elaborated on the band's evolution, noting a shift from an emphasis on riffs to a focus on songwriting and melody, reflecting their growth as musicians and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersAfter playing together in high school, guitarist Luke Bentham and drummer Kyle Fisher decided to take on the world by forming The Dirty Nil in 2006. The following year, they won the Juno Award for Breakthrough Group of the Year, kickstarting a career that would see the Canadian band rise to prominence over four albums and setting the band on a collision course with destiny.That meeting of superpowers seems set to transpire with the release of The Dirty Nil's fifth studio album, The Lash, on July 25. Recorded in just over two weeks, The Lash sees The Dirty Nil tap into an urgency of evolution that has been simmering quietly below the surface but has finally set itself free.Thematically, The Lash trades the band's usual romantic optimism for a cathartic scream, tackling everything from music industry burnout to heartbreak in a body of work that has been described as Luke's therapy record by Fisher. Stripping back the glitz and glam, The Dirty Nil go full-throttle on what matters most: no frills, just ferocity and good times in abundance.Bentham recently sat down with HEAVY to tell us more."We are gearing up to release our fifth studio album, The Lash, which unequivocally, in my opinion, is our best album," he began. "And I really do mean that sincerely. I know you probably get a lot of people on here saying that through perhaps gritted teeth, but this one, we do feel very strongly about it, and so we're extremely proud to present it to the world."We mention the more stripped back, raw sound promised on the album."The recording process was much faster and more stripped back than what we've pretty much ever done before," Bentham nodded. "We did it in two weeks with our friend down the street. Traditionally, we've worked with a producer from Seattle, who's an incredible producer with a huge resume of incredible albums, but this time we just did it with our friend down the street. So it was a very different process that way. During the album cycle for the last album, there wasn't a huge break or anything, and I think (with this one) we were just really feeling confident as a band, and the material came together very naturally and easily. I think that's part of the reason why I have such positive feelings about it, is because it wasn't a struggle."In the full interview, Luke highlighted the emotional depth of the album, expressing a connection to the darker aspects of human experience through music, and noted the introduction of strings as a new element in their sound. He shared an anecdote about a visit to the Vatican that inspired his songwriting, particularly a bronze relief that influenced the album's themes, although their attempt to use the artwork for the cover was halted by a cease and desist from the Vatican. He also reflected on the band's growth since their debut, emphasizing their increased musical competence and willingness to experiment, while remaining optimistic about future creative endeavours and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersEven after more than 30 years, KATATONIA continues to redefine the emotional spectrum of their genre, effortlessly shifting between haunting vulnerability and commanding artistry.With sonic landscapes that evoke dystopia, inner demons, purity, and beauty alike, the band's upcoming album Nightmares as Extensions Of The Waking State - out June 6 - stands as a testament to their enduring brilliance. It is another slab of melodic heaviness from the Swedish metal outfit, a journey into sonic bleakness that still manages to offer light and hope amid the chaos.HEAVY had a chat with bass player Niklas Sandin to find out more.Besides general album questions, we also ask Sandin if, after five albums now with Katatonia, he is starting to feel more comfortable with his role in the band."I think I'm that kind of person that, of course, I'm comfortable with the people in the band and everything and finding my place," he measured. "But as a musician, I don't think I will ever be totally comfortable. I think there's always something new to learn, and I'm always hard on myself, you know, keeping a high standard - hopefully a high standard (laughs). And so I'm always feeling that I want to push myself to be even better on the new album or make things more professional or improve on my live presence and stuff. I like to keep myself on my toes and not be too comfortable or put myself in the armchair and not evolve. That would be very, very boring and not good or fair for anyone. It's been over 15 years since I did the first live gig with Katatonia, so it would have been awkward if I didn't feel somewhat comfortable being in the band (laughs). It would have been 15 very long years."In the full interview, Niklas dove deeper into Nightmares as Extensions Of The Waking State musically, discussing the singles and how they reflect the overall dynamics of the album. We talked about how the album represents Katatonia moving forward, the awesome cover and what it depicts, the album title, and its significance, bringing in two new guitarists for the album cycle, the overall theme of the album and if it's a body of hope or despair and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersFormed in early 2007 by high school friends Alex Hofmann, Scott Carstairs, Tommy Logan, Dan Wissinger, and Suliman Arghandiwal, US technical death metal outfit Fallujah is a vastly different beast in 2025. Guitarist Scott Carstairs is the only original member remaining, but over the years, he has quietly continued his search for the ultimate line-up, which may well have finally arrived for Fallujah's upcoming sixth album, Xenotaph.A sci-fi conceptual offering influenced by Frank Herbert's Children of Dune novel, as well as other Dune stories and theatricals, Xenotaph also welcomes new members guitarist Sam Mooradian (INHALE EXISTENCE, SAM MOORADIAN) and drummer Kevin Alexander (DISEMBODIED TYRANT, BROUGHT BY PAIN) who join Carstairs and vocalist Kyle Schaefer on a sonic journey into oblivion as only Fallujah can navigate.HEAVY spoke with Mooradian earlier this week to dive deeper into Xenotaph."It's super dense with riffs and hooks and melodies and guitar solos," he offered when asked about the album. "We couldn't be prouder of it, and I cannot wait for everybody to hear it."We ask him to describe Xenotaph musically and what the band was going for this time around."We wanted to pay homage to all these albums that have eight songs on them, like these eight-track death metal records that we all love so much in the band," he explained. "So one record that comes to mind right off the bat is Epitaph from Necrophagist - and Akeldama from The Faceless is another. Man, those records just have a certain kind of vibe to them. They're fast, and there's no time to breathe. They come in, and they say what they need to say, and then they're out of there. I think we wanted to do our version of that, and we definitely wanted eight songs on this record, so that's what we did. And we also wanted it to feel dense like those other records that we loved. So there's a lot of riffs and a lot of twists and changes. It's just a very dense and diverse record that we're very happy with. We really enjoy that kind of music and stuff that keeps you interested and really honed in."In the full interview, Sam discusses the singles released so far and how they represent the album, the slightly new direction and how he thinks fans will respond, the creative process for himself and Kevin as the new members and how easy the transition was for them, having a number of writers in the band and the process of utilizing them all effectively, the science fiction concept and what it centres around, playing the songs live and slotting them into a set list and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersBilled as an Indian folk metal outfit, Bloodywood are a band much more than that. They are an amalgamation of hard rock and metal, mixed with traditional Indian elements, who create a sound comfortingly similar but also fresh, new and exciting.While the folk metal element is there, labelling them as such is doing the band a disservice musically.Bloodywood first landed on the world's sonic radar with the single Ari Ari in 2018, a Punjabi folk song made famous in the early 2000s remix boom in India by hip-hop act Bombay Rockers. The band pushed it further with help from the gritty New Delhi-based conscious hip-hop artist/rapper Raoul Kerr, offering a cultural musical alternative to the mainstream acts that were dominating the charts.Since then, Bloodywood have taken the world by storm, with their debut album Rakshak solidifying the band's growing reputation.Bloodywood have been on the road pretty much ever since, performing to packed crowds and at major global festivals, including Lollapalooza India, Download Festival, Bloodstock (UK), Hellfest (France), Summer Breeze (Germany), Brutal Assault (Czechia), Fuji Rock (Japan) and American mainstays like Louder Than Life and Aftershock.Their sophomore album Nu Delhi came out on March 21 this year, marking a new landmark in the band's short history and proving emphatically that Bloodywood are more than just a metal band from India. They are now a world-class band in their own right.HEAVY spoke with vocalist Jayant Bhadula to get the rundown."Very, very well," he smiled when we asked how the album has been received. "In terms of numbers, it's doing very good, but in terms of people showing up for the shows and singing our lyrics back from the new album, it's a great thing to see. Honestly, as an artis,t the greatest level of validation I can see is when people are singing your lyrics for you, especially the ones that are not in the language as well."We ask what Bloodywood were going for musically on Nu Delhi."In terms of music, we tried to represent the sense of New Delhi where we come from," he mused. "It is a very realistic and metal city where we come from. If you give it love you will get love 100 times back but just like we say in the album, if you fuck around you won't be found and that is what we were trying to capture. That is why this album is more in your face rather than being as subtle as the last one."In the full interview we talked more about Nu Delhi, Bloodywood's collaboration with Babymetal and how it came about, the cultural dynamics present in their music, blending Eastern and Western cultures together musically and how difficult that is to do, how Nu Delhi differs musically from Rakshak, being labelled as a folk metal band and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersPrivate Function are possibly Australia's best kept musical secret. Their infectious and highly contagious brand of punk metal is a step back into the days when music was fun and, while being abrasive, is also delivered with enough tongue firmly planted in cheek to keep them at bay from those who wish to sanitise the music scene.With album titles such as St. Anger, Whose Line Is It Anyway and 370HSSV 0773H already under their belt, the punk outfit recently unleashed ¯_(ツ)_/¯, an album that, despite being impossible to pronounce, is also impossible to resist. It is a typical slab of excellence from the band, complete with red herrings and the world's first microscopic album cover, and one which sees them embark on a national tour of Australia before heading overseas for a 35-date European tour.Never having had the pleasure of spending time with the band before, HEAVY was a little unsure of what to expect, but within 30 seconds of chatting with vocalist Chris Penney and guitarist Anthony Biancofiore we knew we were in familiar territory. We start by talking about the new album and its early reception."Great," Biancofiore smiled before Penney cut in."Everyone's loving it. It's good stuff.""I've been getting heaps of messages from people I don't even know saying they heard the album, and it's great," Biancofiore continued. "They like specific songs, so it's interesting."HEAVY asks if anyone has been able to pronounce the title yet, which was greeted by fiendish laughter from the pair."I don't care," Penney laughed. "It's not our problem.""That's for you to figure out," Biancofiore laughed over the top.We ask about the album musically and what Private Function were going for."It's kind of a different one," Penney measured, "because we wrote most of the songs in the studio. All of our previous albums, we've had the songs 100 % finished, and we'd knock them out in a weekend, but this one was a far more collaborative effort between all of us. We've all got pretty different styles of music we come from.""For sure," Biancofiore nodded in agreement. "There's room for all of it on this album. Even the songs that aren't your natural genre, there's a path for you to follow and have a moment in as well. There's a six-minute electronica song that's not really any of our forte's, but you listen to it, and you can hear everyone on it.""We've got sea shanties, we've got a sick 80s… It's like a KISS type thing…" Penney added."Like a glam rock song, it's all over the shop."In the full interview we talk more about the new album and the songs on it, the title and where and why they came up with it, starting the album with the heaviest song Animal, Chris' obsession with vegemite, their live show and what to expect, the microscopic cover and the thought process behind it, meat raffles, their cheeky sense of humour and pushing the envelope, the national tour including the final show at Thrashville, touring overseas and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersMusic and video games are no strange bedfellows, with bands such as Motorhead, Judas Priest, Dragonforce and Iron Maiden, plus a stack of others having their music forever immortalised in the popular platform.But more often than not, the songs are written first, with executives from gaming companies sensing the potential for more money by adding the songs in at a later date or as a soundtrack. But what if there was a band that actually wrote and performed music that was an amalgamation of the two? A band that combined electronic rock with gaming culture and internet anthems?Such a thing exists in the form of The Living Tombstone, an LA electronic rock outfit with both feet firmly planted across all three, making them possibly one of the most powerful and influential bands in the world.The two founding members - Yoav Landau and Sam Haft are in the unique position of being both recording artists and influencers in gaming, and as such have their fingers on the metaphorical pulse of both realms, which can only translate to something special in the right hands. And if the last decade of success is anything to go by, then The Living Tombstone have certainly cracked that elusive crossover market.With their first album in six years, Rust, coming out this Friday, May 30 and an Australian tour looming in July, HEAVY sat down for an interesting chat with both gentlemen to see if we could pinch some pointers."The name itself is inherently inspired by bands that in and of itself are things you feel for, like as a concept," Landau explained, "Like Gorillaz, for example, is a great idea. The name comes up, and you don't just think about the music; you think about the entire visual. It is almost like a snapshot or an obsession over other bands that had this sort of name and idea and big opaque."We ask about the live show and bringing all of their musical elements to life during a performance."The band is very much in and of itself, with characters that are really big and out of this world," Landau answered first. "Gaming and media culture are very much about how much you feel for them and the things you're into, so we translate and try to connect it within our own world.""We try to have characters people can connect to that are visual and exciting to look at," Sam added. "Beyond just the experience of going and seeing a band play live, you're getting to see these characters perform live."In the full interview, we had a chat about shoey's and Australian fans' insatiable appetite for the homemade craze. Sam and Yoav discussed their creative process, highlighting the collaborative nature of their work and the integration of gaming into their music, which has become increasingly relevant in pop culture. They expressed excitement for their new album, Rust, and their commitment to delivering a mix of familiar and innovative elements to connect with fans emotionally.We spoke more about their live show We spoke more about their live show and what to expect, the song they had on the movie Five Nights At Freddy's, the early days of the band and how their vision has changed, integrating gaming with music and finding the balance in the creative stage and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersThe global musical landscape shifted forever in 2001, with the release of Ill Nino's debut album, Revolution Revolución. It introduced the world to a fusion of metal and Latino-influenced brutality that gave birth to a new movement of metal that still exists in some form today.It was an experimental and daring album from a group of musicians from New Jersey who decided to combine their culture with their music and introduced the world to a band who give no quarter and have remained steadfast despite well publicized internal battles.It says much for the scope and vision of founding vocalist Dave Chavarrí, who has reassembled his dream numerous times over in search of the perfect formula. To showcase the new-look line up - and reportedly the best yet - the band are paying their first visit Down Under in eight years this September, intent on pummelling their Australian fans into musical submission.Chavarri joined HEAVY earlier this week to fill us in on the blanks."Wait until you see the new band and the new line-up," he declared straight off the bat. "We're going to fucking crush Australia, man. People ain't going to be ready for this shit right now."We ask Chavarri what has changed with Ill Nino in the eight years between visits."We have a new singer now," he replied. "We are going to release a new track and a new video and song next month, and it's from the new album that we're starting to record next week. The new album is fucking insane. It's the best thing that we've done since Revolution Revolución, I feel. And yeah, wait till you see the band live. We're in the best shape of our lives physically - the entire band - mentally and spiritually. We're firing all cylinders right now, and we just can't wait to come and fuck shit up."In the full interview, Dave spoke more about the new line-up and new song, Ill Nino's live show and what makes it so brutal, bringing Adema as touring partners, and his love for Australian crowds.He reflected on the band's evolution, influenced by his Latin music upbringing, and shared his commitment to Ill Nino despite past challenges, including member changes and conflicts. He noted recent reconciliations with former members Christian and Marcos, emphasizing a newfound positivity and supportive environment within the band. We spoke about what keeps driving him despite the setbacks, and his need to have the band and music in his life.We touched on the new material and what direction it will take, when it might come out and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersAfter playing what the band describes themselves as the worst gig they have ever done in late 1998, popular Melbourne outfit Beanflipper decided to call it a day, leaving a massive hole in the Australian music scene.Since 1993, the five-piece had been terrorizing the local music scene, with their underbelly of punk, grindcore, noise, and death metal dragging the band kicking and screaming into the hearts and ears of those who stood in their path. They released three albums in that time, touring relentlessly and fearlessly, anchoring themselves in the blood-soaked altar of Australian grind and hardcore. They weren't just part of the scene — they were the cursed heartbeat beneath it.After a brief flirtation with a second lease on life, Beanflipper faded into obscurity, but now, two decades since that last echo faded, the beast stirs once more. In 2025, to mark 30 years since Total Dysfunctional Collapse first howled into the void, Beanflipper returns — resurrected by the mad generosity of Kent Bartley and his invitation to play Necrosonic Festival 2025. It's not just a reunion. It's a reckoning.HEAVY spent some time with drummer Matti Harrod to fill in the blanks."It's actually been a lot easier than I thought, getting to know the songs, considering it's been 20 years," he smiled. "Now it's down to what I call the footy training side of it, where every week you've got to go into the rehearsal room and smash out two sets to get the fitness up. I mean, it's a bit like an endurance game, really."We ask if the approaching resurrection show is more nerve inducing or exciting, given it has been so long between drinks."Is it nervous? Is it relief? I know we're all really excited," he replied. "I've been quite humbled by the response that we've received. People are just so chuffed that we're back together again. When I first sort of sneakily announced it on my own Facebook, there were heaps of people going, what, are you bullshitting us?"In the full interview, Matti talks more about the upcoming show and how the band are going to approach it. We ask him what to expect from their live show and what surprises they have in store, as well as naming a couple of songs festival goers can listen to in order to know what to expect.The discussion also covered the band's history, including its origins in 1993 and the various line-up changes that shaped their sound. Matti reflected on the band's tumultuous past, particularly a disappointing final show in 1998, and noted the excitement surrounding their reunion, which coincides with the 30th anniversary of their first CD plus more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersToday we're going to do something a little bit different. Instead of just talking normally about an album, as people normally do, HEAVY reviewed the upcoming release from Buckcherry - Roar Like Thunder - and went through it with vocalist Josh Todd song by song and he let us know if we were on the right track before giving us a bit more of a detailed version of what the song is about.We started with the review intro. "I've long been a fan of Buckcherry and their music. It has always held an infectious air of defiance and a rebellious swagger that has defied much of the music that has punctuated the last 25 years, with the band making an immediate statement with the classic song Lit Up from their self-titled 1999 debut album. They have always been a band that skirts in the shadowy side of the rock realm, defying trends and expectations while still managing to have somewhat of a crossover appeal that evades many others.After losing track of the band for a few years, I caught up again with Buckcherry for their sensational Fuck EP in 2014 and have kept up with every release since. The band seemed to find a fresh air of rock-drenched goodness on their 2021 release Hellbound, which they carried through to Volume 10 two years later. So it is with a great deal of excitement I sit to listen to their upcoming album, Roar Like Thunder, which is scheduled for release on June 13th.""That's great. Love it," Todd smiled. "Yeah, we're very excited. You know, we've already dropped three songs off the record, Roar Like Thunder, the title track, Come On and Set It Free, and everybody's loving it. It's a great record, you know, and it rocks from beginning to end. We're really excited for it to hit the streets."The full interview features a track-by-track analysis of Roar Like Thunder, where Josh highlighted themes of focus and ambition in the title track and expressed enthusiasm for the positive reception of three already released songs. He shared insights into the songwriting process, mentioning the evolution of tracks like Talking Bout Sex, inspired by Cardi B and George Michael, and Blackout, which reflects his personal struggles with alcohol.The conversation also covered the blues influences in songs like I Go Boom, which explores sociopathic themes, and the motivational nature of Set It Free. Other tracks discussed included Hello Goodbye, which contemplates bittersweet relationships, and Machine Gun, showcasing the band's storytelling ability. The dialogue concluded with praise for Let It Burn, seen as a powerful finale, reinforcing Buckcherry's strong presence in rock music.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersTwo of the most essential things in life would have to be heavy metal and food. Hands down. No argument.But what is actually better than metal or eating? Combining the two together, which is exactly what Brett Hoag and James Pulli have done with their revolutionary, entertaining and informative show, Metal Mastication. Since 2023, Hoag and Pulli have been producing quality content, interviewing bands and artists while cooking up a storm with a personally selected favourite dish from the guest of the day.It is a novel and unique concept, and also the first of its kind, so it is no wonder the show has developed a cult following in America that promises to break through to the rest of the world at any time. Over the years, Metal Mastication has hosted David Ellefson, Jeff Young, Tony Macalpine and Steve Unger, with Unger's heat sensitive Breasts Of Fire recipe marking itself down in history as one of the most intense dishes ever created for television.The recipe was so good, in fact, that when HEAVY spoke with Metal Mastication earlier today, Unger made a special trip from his home base to Los Angeles just to run it through with us on this side of the world."Hell, Masticators and Metalheads in Australia, it's so good to be here with you guys," Hoag began the conversation, introducing the show as well as himself. "My name is Brett, and I host Metal Mastication. We are the only heavy metal interview show set in the kitchen. Where do the best conversations happen in your house, Kris?""The toilet?" HEAVY replied, before changing our answer to the kitchen."The kitchen, yeah, you're correct," Hoag laughed. "And so that's where the idea came from, and we've done 19 episodes. We have eight on our YouTube channel, and right now we are in the quarter-finals of the Colossus Favourite Chef 2025 competition. It benefits the James Beard Society, which brings equity and sustainability to professional kitchens. If we win this competition, it will allow us to buy a food truck and go to metal festivals as well. Now, say you're at a metal festival, and you're there to see Metal Church, for example. I know they're really huge in Australia, they're huge all over the world. So you see our food truck there, and you go, wow, that's fun. That's a cool logo, that's a cool purple truck. You walk up to get something, and behind the counter in the food truck is none other than Steve Unger, the bass player, the Metal Hall of Fame bass player from Metal Church."The session focused on the unique concept of blending heavy metal music with cooking, featuring discussions about the show's premise and a cooking demonstration. Brett highlighted the show's innovative format, which combines interviews with heavy metal musicians in a kitchen setting. Steve Unger discussed his signature dish, Breasts of Fire, and expressed enthusiasm for connecting with Australian fans. The conversation included humorous anecdotes about cooking and the challenges of using spicy ingredients, with Brett noting that all necessary ingredients are provided for guests to enhance their cooking experience.HEAVY inquired about the origins of the show, prompting Brett to recount how it began two years ago after discussions with Billy Sheehan about cooking on social media. He emphasized that while cooking is a component, the primary focus remains on interviews and conversations with guests, while Steve provided an update on Metal Church's hiatus while also discussing his involvement in other projects and more.Don't forget to vote for Brett and Metal Mastication here: https://favchef.com/2025/brett-Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela CroudaceSwedish rock collective The Night Flight Orchestra have always fused nostalgia and ambition, but their latest release, Give Us the Moon, dives deeper than ever before—both emotionally and sonically. Frontman Björn Strid opened up about the band's journey through loss, growth, and creative expansion following the passing of co-founder and guitarist David Andersson.Strid describes the album as “cinematic” and “dreamy,” a result of the emotional weight carried during its creation. “We had to grieve as a band,” he says, reflecting on the impact of losing Andersson. “But we also wanted to find joy again and create something uplifting—something he would be proud of.” The result is a multilayered, genre-fluid soundscape that defies classification, staying true to the band's commitment to musical freedom and sincerity.Themes of space and existential reflection permeate Give Us the Moon, inspired in part by a letter Andersson left behind, wishing to be remembered as “an astronaut floating in space.” This poetic image gave shape to the album's narrative arc and title. Despite their retro influences—pulling heavily from late '70s and early '80s AOR and classic rock—Strid emphasises that their music is not just a throwback. “It's a tradition we want to carry on, but it needs to make sense today.”The band's recent signing with Napalm Records also marked a turning point, opening up new promotional avenues and international exposure, including a surprise interview with CNN. With their growing global footprint, The Night Flight Orchestra is preparing for a return to Australia—a country that left a profound mark on Strid during their last visit, inspiring the emotionally charged track “Melbourne, May I.”Balancing his heavy metal roots (as the frontman of Soilwork) with the melodic, theatrical nature of TNFO, Strid finds fulfilment in the contrast. “I switch between genres easily,” he says, noting that each project brings out a different side of his artistry.As Give Us the Moon soars, The Night Flight Orchestra continues to celebrate both the cosmic and the deeply personal—honouring a lost friend, embracing new creative horizons, and inviting listeners on an unforgettable voyage through sound and soul.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela CroudaceFor Burning Witches bassist Jay Grob, the path to heavy metal thunder began with a red guitar—and a little persuasion. “Romana (Burning Witches' guitarist) gave it to me and said, ‘It fits your hair,'” Jay laughs. “But I thought, every idiot plays guitar! Then she handed me a bass, and I was like—yeah, that's more me.”Now a cornerstone of the Swiss all-female metal powerhouse, Jay's bass playing has become a defining force behind their sound. Guided by Romana Kalkuhl and her husband, she's never stopped learning. “You have to play continuously, even in your free time,” she says. “It never ends.”With their first-ever Australian tour about to ignite, Jay is buzzing with anticipation. “I'm so curious about the fans there,” she says. “Every country's different. We'll meet fans at VIP events, and I hope I can explore the food and culture too—maybe see a kangaroo!”Despite their fierce stage presence, the band's bond is grounded in friendship. “Off stage, we're like family,” Jay shares. “We BBQ in Switzerland, go shopping together on tour days off—it's real.”When it comes to songwriting, Jay jumps in after the drums are locked in. “Romana and Lala (drummer) get the riffs down first. Then vocals. Then I come in with the bass.”Live, it's the fans that fuel her fire. “Whether it's Wacken or a tiny club, when fans sing every lyric, that's the most beautiful thing.” But the real challenge? “Finding a washing machine on tour,” she jokes.As Burning Witches' fan base grows globally, Jay stays grounded. “We're just five crazy chicks spreading our love for metal. I hope Aussie fans feel the magic when they see us live. Real heavy metal. Real energy.”Australia, get ready—Burning Witches are about to set the stage ablaze.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela CraudaceSleep Theory is shaking up the rock world with a bold blend of anthemic choruses, polished production, and emotionally charged lyrics. Lead singer Cullen Moore opened up about the band's journey, their creative vision, and how they're building a powerful connection with fans both on and off-stage.From the start, Sleep Theory has stood out by combining elements of rock, pop, and metal in a way that resonates with a wide audience. The band's breakout single Another Way catapulted them into the spotlight, and they haven't looked back since. With millions of streams and a dedicated fan base growing by the day, their rise has been nothing short of meteoric.Moore emphasises authenticity and emotion in their songwriting. “Everything we write comes from a real place,” he says. “We want people to hear our songs and feel understood.” This genuine connection is reflected in the energy of their live shows, where fans sing every word back to them with raw emotion.Looking ahead, Sleep Theory is focused on pushing boundaries with upcoming releases. “We're experimenting more,” Moore reveals. “We're not afraid to step outside the box.” Yes, we also probed Cullen on the chances of an Australian tour; we can proudly announce that an Aussie tour is being discussed!With undeniable talent, fearless creativity, and a message that resonates, Sleep Theory is fast becoming a defining voice in the next era of rock.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Angela CroudaceNick Thomas, frontman of The Spill Canvas, is bringing something special to Australian fans this year — a long-awaited celebration of their beloved 2005 album One Fell Swoop. Speaking ahead of their debut tour Down Under, Thomas shared his excitement and gratitude for being able to continue making music nearly two decades on.“To get to do this for even a year, let alone over 20, is a marvel in and of itself,” he said. “We've never been to Australia, so to come over now and play this album in full feels really special.”The tour, a co-headlining run with fellow emo pioneers The Juliana Theory, marks a major milestone for both bands. Thomas credits Emotion Is Dead as a formative influence in his own musical journey, and says he's thrilled to share the stage with artists he once idolised. “I grew up listening to them — now we're friends. It's wild.”The Spill Canvas will perform One Fell Swoop front to back, staying true to its original sequencing. “We spent a lot of time curating the track list as a journey,” Thomas explained. “It just feels right to honour it that way.” After the final track, Self-Conclusion, Thomas plans to segue into a few more fan favourites to round out the night.Despite never visiting Australia before, Thomas is embracing the adventure with enthusiasm. “I'd love to see the Opera House, meet people, maybe spot a kangaroo. I'm also — embarrassingly — a big fan of Below Deck Down Under. Captain Jason is my hero!”Reflecting on the recording of One Fell Swoop, Thomas recalled humble beginnings at Black Lodge Studios in Kansas with producer Ed Rose. “It was our first real studio experience. I remember Ryan Pope from The Get Up Kids giving me a shoulder rub while I was recording guitar. I tried to play it cool, but I was freaking out.”Over the years, The Spill Canvas has toured with major acts like the Goo Goo Dolls and OneRepublic. Thomas fondly recalled an evening where Ryan Tedder listened to his demos and gave thoughtful feedback. “Moments like that are unforgettable. It's what makes this lifestyle feel like a shared journey.”After all these years, Thomas remains a passionate music fan, recently inspired by artists like Medium Build and Bilmuri (not the actor). “Always be a fan,” he said. “That's what keeps it exciting.”Check out the full interview for more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersNothing More are a band on the rise. And rapidly.Since the release of their seventh studio album, Carnal, last year, Nothing More have become the darlings of the hard rock scene, with three songs from that album already taking out top position on Rock Radio. And what does a band worth their promotional dollar do when they strike gold on a release? Yep, you guessed it, re-release the album as a deluxe special and draw in a whole new bunch of fans while placating existing lovers of their music.While more often than not such a move reeks of cashing on for the sake of it, with Carnal Deluxe, Nothing More have expanded on the quality provided the first time around, plus added a new song to keep diehard fans happy.HEAVY spent some time with frontman Jonny Hawkins earlier this week to go over Carnal Deluxe and why it is superior to the original version. We start by asking if Carnal was received as well as the band hoped."We knew this was going to be a strong album," he affirmed. "We felt a lot of confidence in our bones about this one. It just had good songs, and when we put it out, it performed as good as we had hoped, if not better. We have three number ones in a row, and now we have the song Freefall that will be climbing the charts, and we're - knock on wood - but we're hoping for a fourth number one."We ask if the anticipation and excitement levels are the same for a Deluxe release as opposed to the initial album."I'd say typically not," he smiled honestly. "Deluxes are fun little ways to kind of boost the album and push it back up to the top of people's streaming platforms. But that's the main goal, I think, is just reminding people and getting them to stream it again. I mean, for us, we did have a feature on a song called Freefall with Chris Daughtry. So that was kind of cool, because we hadn't released that version of the song yet.And then we had some cool remixes and stuff that were like good workout tracks or things to drive fast to that we didn't have on it before."In the full interview, Jonny spoke more about Carnal Deluxe and the value of being able to release upgraded versions of an album. We ran through each of the five bonus tracks individually, and Johnny told us more about each song and the new versions available. We spoke about K9s For Warriors and the organisations success in dealing with mental health and why Nothing More chose to help them, working with David Draimen from Disturbed, the band's pleasure at having Chris Daughtry on one song, the new song We're All Gonna Die and how it came to be on the album, touring plans and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersQueensland punk upstarts Fake News are having a stellar 2025. Starting the year with a national opening slot for Pennywise and Millencolin, the lovable punksters have just released their new album Dead Set, abody of work which sees Fake News showcase a different, yet still familiar, side to their musical psyche.The band are ready to take the next step forward with Dead Set. Whilst staying true to their 90s Skate punk sound, Fake News have evolved and raised the bar on the album. Boasting a high-energy and action packed live show, the release of Dead Set is a staunch reminder that Fake News are here to stay and create a legacy that stretches beyond their own backyard.HEAVY sat down earlier today for a chat with guitarist Darren Crowe to find out more, starting by asking how the early reception to the album has been."It's been good," he smiled. "It's moving at a steady pace in the streamage. It seems to be doing all the right things and moving in the right direction. There are a few different songs in there, which might have lost a few listeners, but there's a few different songs in there that might have gained a few listeners as well. We've stayed true to who we are, and we've evolved, and we feel like we've got a very now sound with what we've done on this album. A lot of these songs were written seven years ago when the band started, and we just knew that we wanted to get them right. We didn't have the right people for the job so we kind of went back and redid them, and there are riffs there I've had lying around for like 15 plus years, so it's nice to finally get them released. People don't understand how much work goes into a riff in a song sometimes. When you hear it on release day, itwas probably recorded two or three years prior, and then by the time it comes out and stuff… there's just a lot of work that goes on behind the scenes. But it's nice to have it out."In the full interview, Darren discussed Fake News' evolution and the challenges faced during production, emphasizing the importance of their punk roots while incorporating new elements. He highlighted the album's diverse tracks and encouraged fans to engage deeply with the music. We also discussed the unique approach to covering songs, noting the significance of drums in creating a fresh sound. We spoke about Fake News signing with Thousand Island Records, enabling international distribution and vinyl production. Darren expressed excitement for their upcoming launch show at Sol Bar and mentioned plans for more, as yet unannounced, touring this year plus more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersThe Dead Daisies have always had an underlying stream of blues coursing through their music. It is an age-old style of music that has influenced pretty much every conceivable genre over the years, although rock music has benefited the most.With vocalist John Corabi coming back on deck for last year's album Light 'em Up, The Dead Daisies embraced their blues side even more, culminating in late night jam sessions while recording that album at the legendary FAME studios progressing into recording sessions which led to their new album Nothin' But Trouble, which is due out on May 30.The album pays homage to the work of blues legends such as BB King, Muddy Waters, John Lee Hooker and Howlin Wolf, with The Dead Daisies reworking their classic songs and sprinkling enough of their own DNA through the tracks to make them their own. It is an outstanding body of work from a band with an impressively high back catalogue, and showcases some of the influences that have seen the members hone their craft.HEAVY caught up with Corabi to find out more."You know what I'm excited about so far is that the first two songs that we released have been getting great feedback from everybody," he began. "And as I was saying earlier, this was it was what we call a happy accident. This whole thing came about in such a weird, random way. We went to this legendary studio in America called Fame Studios in Muscle Shoals, and it was kind of a bucket list thing for all of us, including Marti Frederiksen (producer).So we went down there with the thought in mind that we would just maybe write and maybe do a little bit of recording down in this legendary studio. It's a legendary place, but also it's a functioning studio, and they do museum tours through this place and each night around dinner time, they bring in 20, 30 people.So we'd take a break. And then we kind of sat and thought about it. We're like, well, okay, the tour was over. We were done eating, and we'd crack open either a bottle of whiskey or some wine. And we thought we could go back to the hotel and sit and watch TV all night, or, we're here, let's just jam. Let's see. Let's just have some fun. So we kind of started jamming some blues that everybody was familiar with, obviously, like Crossroads, Going Down, and Born Under a Bad Sign. And then it was weird, we just kind of sat, and Marti kept the session rolling. We listened and thought, okay, this is really cool. This is really cool, so what we did is during the day we worked on what became the Light 'em Up record, and we just continued working at night and putting together 10 of our favourite blues songs and so far man, everybody's been raving about it."In the full interview, John spoke more about the band's intention to honour their musical roots through a collection of blues tracks. He explained the challenges of reinterpreting classic songs, emphasizing the need to make them their own while maintaining their integrity, using When the Levee Breaks as a reference for transformation. He shared insights on the evolution of specific tracks, such as Terror Plane Blues into Take My Soul, and acknowledged the blues' influence across various genres.We talked about the process behind reworking other people's music, which songs were the easiest to do and which ones more difficult and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

It was the turn of the century, and everything was meant to be crumbling.The Y2K bug had been and gone, but people were still unsure of their future - or the future of the planet for that matter - but amid all the gloom and chaos emerged a beacon of light, headed by a brother/sister combination, both still in their teens.That band was called Killing Heidi and the release that changed it all, coming out in 2000, was Reflector.Propelled by hit singles Weir, Mascara and Superman/Supergirl, Killing Heidi, and particular teenage frontwoman Ella Hooper, became the voice for disenfranchised youth everywhere. Their songs, filled with hope and belonging, gave people a view to a brighter future, which, coupled with the rags-to-riches story that accompanied the Hooper siblings, resonated with a much wider audience than the band's teenage demographic would suggest.The band would go on to release another two albums over the next 25 years, plus took a ten-year break, but will forever be known and loved for that debut album.Now, a quarter of a century on, Killing Heidi are celebrating Reflector by re-releasing the album as well as heading out on tour to take their music to the nation.Jesse and Ella both joined HEAVY to discuss 25 years of Killing Heidi."We're pretty stoked," Jesse enthused. "We're getting the band back together for the 25-year anniversary of our debut album Reflector, and doesn't that make you feel young and old (laughs). We tend to mainly do festivals with Killing Heidi over the last eight years, so we're stepping back into our own headline shows, which is really exciting for us. We're going to play Reflector in full - which we've never done before - and it's gonna be a party.""This is a big deal for us," Ella added. "We're putting on our big girl pants and doing our own headline tour with some amazing support acts as well."In the full interview, Jesse and Ella discussed the tour in greater detail, reflected on their debut album and the success it brought them, ask what the album actually means to them, their thought process going into the album and their initial hopes, which of the songs are most personal to them, their youth at the time Reflector came out and if the success of the album forced them to grow up quickly, how those songs helped shape the people they are today, playing the album in full and how difficult it was to learn all of the songs and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersFormed in Stockholm in 2015, Viagra Boys - as their name suggests - are a band here to have fun. And have fun they have, with debut album Street Worms introducing the world to their absurdist humour, with their follow-ups Welfare Jazz and Cave World only serving to solidify their reputation as a band set to conquer the world.Or at least win over a few fans.Viagra Boys have not once shown any signs of slowing down or conforming to a changing musical landscape, and have instead raised the bar even higher with the recent release of their fourth album, Viagr Aboys. In keeping with the group's token absurdist humour, Viagr Aboys is a further step into a foray into sharp observational humour, dismantling everything and nothing at the same time. They take shots at the cultural institutions that hold people down while also turning the lens inward, never shying away from their beliefs and viewpoints in the name of acceptance.HEAVY spoke with bass player Henrik Hockert earlier this week from Viagra Boys' tour bus to find out more about their fourth release."It got a really good reaction," he enthused of the early response to the new album, "people seem to like it a lot. Good reviews and people seem to like it."We ask him to explain the album more musically."I think when we started, we were just trying to make a Viagra Boys record," he shrugged. "We have kept on doing music that we like. We often start out with a bass line and go from there, and then Sebastian makes some vocals. It's a lot of different elements in there, with some slower songs as well."In the full interview, Henrik talks more about Viagr Aboys, the singles released and how they represent the album as a whole, the Australian references in the song Uno II, the burp in the opening song Man Made Of Meat and how it came to be there, the final song River King, which is a piano led softer song, next year's tour of Australia and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersThe world lost a true legend earlier this year, when vocalist/guitarist John Sykes - Whitesnake, Thin Lizzy, Tygers Of Pan Tang - lost his battle with cancer. While his legacy endures thanks to the music he created, the world has still lost a musical innovator and pioneer with a gift for writing timeless music.Around eight years ago, Sykes entered into a contract with then-fledgling music label Golden Robot Records, agreeing to terms for a new album to be released through the company. But over the ensuing few years and as life and circumstances got in the way, all that was honoured by Sykes in that contract was four songs, written by him with a view to completing a full album down the track, that have until now remained locked away from the world in their original demo state.Since Sykes' passing, the label has gone to the vault and dusted off the cobwebs and had them professionally remixed and remastered by Aussie legendary producer Paul Gommersall (Paul Weller, George Michael, GNR).Paying respect to the music and legacy of John Sykes, Golden Robot decided to allow the music world at least six months to grieve the loss of Sykes before announcing their intentions to release the four songs - the first new music from Sykes in a quarter of a century - as a four-track EP.It was a decision taken with much respect to the situation, the man, and his music, but ultimately one which Golden Robot Records believes serves the best interests of fans and enables them to release material which was to form the nucleus of a full body of work.Golden Robot Global Entertainment's Mark Alexander-Erber sat down with HEAVY to talk us through the release and the history behind four tracks, which could well be the final recording the world hears from a man who has shaped so much of its history."John was introduced to me during the formative days of Golden Robot Records' journey in Los Angeles," Mark explained. "The label officially launched around 2015, and by 2017 we had entered into an agreement with John for a full-length studio album. The original contract was straightforward — John was to deliver a minimum of ten tracks for a complete album.""As per the terms of the agreement, we made an initial payment to John, and everything was progressing well. John preferred to work at his own creative pace, which we respected. The understanding was that upon delivery of additional material, a second tranche of payment would be made. However, as time went on, it became clear that what we had originally paid for and what was ultimately being delivered were two very different things.""That said, we approached the situation the way we always have at Golden Robot — through open communication and a commitment to the relationship. Like many bands we worked with in those early years, it was never just about rigid contractual enforcement; it was about navigating challenges together in good faith.""In the end, what we received were four absolutely outstanding demos — powerful, compelling tracks that truly reflect John's immense talent and artistic voice. While it wasn't the full album we initially set out to produce, those recordings have tremendous value, and we're proud to be the ones bringing them to the world."In the full interview, Mark provided detailed insights into his professional relationship with John Sykes, which commenced in 2017. He acknowledged that while not all contractual obligations were fulfilled to the letter, all parties involved reached mutual compromises in good faith. Mark expressed sincere appreciation for their personal and professional relationship, noting the importance of approaching sensitive matters with discretion and respect.The discussion also included specifics regarding the forthcoming 4-track EP, which will feature two previously unreleased songs along with remastered versions of two existing tracks. Mark confirmed that the estate of the late artist will receive the royalties as stipulated under the terms of the agreement.He conveyed confidence in the artistic and technical quality of the recordings, stating that the work pays a respectful and authentic tribute to John's legacy. The release strategy includes the rollout of two singles ahead of the EP, with the first single scheduled for release in late June through Golden Robot Records on a global basis.We discussed Mark's personal relationship with John and the decision to delay releasing the songs after John's death, and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Words by Angela CroudaceUK death metal giants Ingested are returning to Australian shores, and drummer Lyn Jeffs gave HEAVY the inside scoop on what fans can expect. After their tour in 2023 alongside Archspire, the band was blown away by the warm reception and immediately knew they had to come back — this time for a headlining run.“We always wanted to come over and do a headliner,” Lyn shared. “The Aussie crowds were amazing — really good energy, and we made solid connections with bands like Melancholia and Werewolves. It just felt right.”Ingested's recent shift back to a five-piece line up has brought fresh energy and creativity to both the stage and studio. With the addition of guitarist Andrew and bassist Tom, the band embraces a more collaborative approach to writing and performance. “It's way more dynamic now,” said Lyn. “We've got new perspectives, and it's even influencing the sound. There's a section in the new track ‘Ultra Flesh' that's just bass — something we've never done before.”Their physical and mental preparation for tours has evolved over the years, too. Gone are the hard-partying days of trying to live out Pantera-style tour videos.Now, Lyn sticks to yoga, running, and a gym routine to stay stage-ready. “Playing the kind of music we do is like a sport,” he said. “It's not normal to play these tempos — it's f***ing stupid really — but if you prepare well, you can still perform at your best.”The band is embracing this tour as a way to connect their evolving sound with their roots. Expect older tracks to return to the set list, now that they've got longer headline slots.Despite their brutal sound, Lyn reminds us not to judge a book by its cover. “People expect us to be scary or into horror 24/7,” he laughs. “But most of us are just regular people who like football, cycling, or different kinds of music.”With their grounded approach and renewed energy, Ingested's return to Australia promises to be a tour that fans — and the band — won't soon forget.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersSince bursting onto the sonic landscape in 2010, Melbourne metal machine Ocean Grove have pushed every conceivable musical boundary known to man, and, more importantly, made a successful transition on each occasion. Blending elements of nu metal, hardcore and alternative rock to create a sound that is uniquely their own - dubbed Oddworld Music - Ocean Grove have consistently challenged themselves and their fans in search for their ultimate sound, but one gets the feeling the band are only now just scratching the surfaces of what they can ultimately achieve.Ticking off their first headline tour in Australia since the release of their 2024 album ODDWORLD next month, Ocean Grove will pay homage to their past and present via their Odd Label Tour, with 2025 marking the 10 year anniversary of the band's iconic second EP Black Label, and the upcoming headline shows also set to feature founding OG members Luke Holmes and Matthew Kopp (Running Touch) performing each night.Ocean Grove frontman Dale Tanner joined HEAVY from a baseball game while on tour in the US to discuss the tour and the growth of Ocean Grove."We've been playing some of the old stuff at soundcheck, and it's really exciting," he enthused. "The boys go up on stage, and I get to stand on the floor and be a participant in it and witness what it's going to be like. And I'm hearing these songs that we haven't played live in a very long time once again being performed with this new life and this new energy that we have now as a current live band. These songs are going to get performed in a way they have never been played before."In the full interview, Dale talks more about the run of shows and what we can expect, the challenge of playing two albums live, learning old material with newer songs and if that makes Ocean Grove reflect on their musical journey, selling out shows a month in advance and what that does for the band's confidence levels, the decision to have Luke Holmes and Matthew Kopp join the tour and what it will bring to the sound, future plans and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersChasing Ghosts have traversed a multitude of styles and genres over the course of their career, ranging from solo material to punk fuelled anthems to their current blending of indie rock and punk, but the one thing that has remained consistent with all of their work is the bands unflinching search for understanding and resolution, particularly in matters pertaining to Indigenous people and their culture.Frontman Jimmy Kyle - a Thungutti man who has emerged as one of Australia's most important voices in recent years - openly wears his heart through his lyrics, verbalizing topics and situations that are generally shied away from or pushed aside by most bands and musicians. Since the release of Chasing Ghosts' debut album Confessions From A Phone Booth in 2011, Kyle has successfully and poignantly married introspection with boldness as his stories confront, deconstruct and illuminate the challenging realities of being an Indigenous Australian; while also championing human persistence, the ability to overcome, and the recognition of beauty in even the most flawed.The bands new album, Therapy, which is released on May 16, further highlights the thoughts and feelings of Chasing Ghosts, tackling issues from domestic abuse to the mental health crisis in a confronting yet sensible way which only accentuates the strength of character and conviction that has strengthened the band and their music over the years.HEAVY sat down with Kyle to discuss Therapy in greater detail."I think it's definitely a lot more upbeat," he replied when asked to describe Therapy musically. "As you know, the Chasing Ghosts story is, I guess, acoustic punk troubadour leaves hardcore music and goes solo (laughs). It has come full circle where this is a heavier record. It's sonically a lot more polished than and bigger than anything we've done before. And the songs felt like the next progression coming out of Homeland; the next progression was kind of like, where can this go?""We had done a real lo-fi, very Melbourne sounding mix for Homelands, and then Therapy is a very produced - very shiny is the word that I tend to use - kind of polished record. And it was a real pleasure to do something different because I'd always had a history in recording the earlier records in the analogue way. So now have we not only moved into the digital realm, finally, but we've moved into it sort of with no rules, just leaning right into a modern process, and so we could give some contrast and personality difference between the other releases."In the full interview, Jimmy provided an overview of Therapy, describing it as a significant evolution in their sound. He discussed the themes of the album, which stem from his personal journey through therapy, addressing issues such as insomnia and domestic violence, and aimed at fostering understanding among listeners. The conversation also included details about the Therapy Australia tour, scheduled from June 6 to June 14, featuring a mix of classic songs and new tracks.We also discussed the meanings behind some of the songs and their significance to modern society, whether he feels people are starting to accept his messages, how Therapy represents the next chapter for Chasing Ghosts and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

For too long now, parents have had trouble convincing their children that rock and metal are the way to go, not pop and the likes. It is a never ending battle of guidance, but one that is generally destined to failure from the outset. Parents the world over have agonised on how to introduce decent music to their children's lives, and now, thanks to a new band emerging from the US, their prayers may have been answered.By converting Disney classic tunes to the dark side, Metal Mouse are using already known and loved songs for children to their advantage by adding a touch of metal madness to songs from family films such as The Little Mermaid, Frozen and The Lion King. It is an ingenious idea that is sure to at least appeal to the next generation of music lovers.Fronted by American Idol alum James Durbin, Metal Mouse taps into Disney nostalgia with the flair and theatrics of glam rock. What began as a “what-if” idea has struck a chord, especially with millennial women who grew up on Disney - and men who never gave up on hair metal.Durbin and band creator/manager Alex Pels sat down with HEAVY to discuss this exciting new creation and how Metal Mouse plans to convert as many youngsters as possible to real music."We're trying to make the connection between heavy and Disney," Pels explained. "James and I both love metal. We're both involved with tons of other metal kinds of music, but we realised that the Disney songs - in addition to being excellently written by great songwriters - the themes and the chord progressions and everything else lend themselves to a heavy architecture."It's such a simple idea, but one which has never been tried on this scale before."I've been doing a lot of heavy metal in the last five or six… even longer than that, eight years," Durbin relayed. "I was with Quiet Riot for a couple of years and have put out a couple of heavy metal albums over the last few years with different projects. So, metal has been seeping through my system. It's difficult, because sometimes there can be such a thing as too much metal - a metal overload - and metal isn't widely accepted by everybody, but here's a perfect way to make it accessible to people. With songs that are already known mixed with the classic 80s music and hair of the day, mixed with this beautifully arranged music… it's a blessing."In the full interview we discuss the genesis of Metal Mouse, how easy Disney songs convert to metal, the selection process for songs, the live show and what it looks and sounds like, future plans for Metal Mouse and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Jack HarlenMelbourne Metal Mates, an online community for metalheads to go to shows together as gig buddies, comes together for its one-year anniversary as they host a (free) gig on May 4 at The Bendigo Hotel. The line up includes Melbourne metal staples, including performances from Hybrid Nightmares, Vault Hill, The Incantus and All Monsters Are Human. HEAVY spoke with creator and founder Kat Wartooth about the creation and rapid ascension of the Melbourne Metal Community and what this unexpected success means for both herself, the fans and the bands of Melbourne's heavy music scene. In the interview we explore how the gig came to be and the connection to each band as well as the possibility of creating a tradition well after their first anniversary celebration. Kat also touches on the hardships and initial anxieties of starting a gig group before experiencing the influx of like-minded, heavy music enjoyers who latched on to the group's values and sense of community and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersBrisbane groove metal outfit Awaken The Hate are a band in transition. Transition within themselves, their membership, their direction and their sound.But one thing they are not, at least internally, is a band in conflict. Far from it.As a band, their vision for the future is clearer than ever, their goals resolute. For Awaken The Hate, the future is now, and is coming off the back of a trilogy of singles dubbed Death. War. Fire that was recently completed with the release of the third and final single, Planet Death.Each of the three songs, started by Reign Of Fire before Contradiction Of War seconded the trilogy and Planet Death rounded things out, portrays a subtle changing of musical landscape for Awaken The Hate and casts an ominous eye into what the future holds for those who dare to follow.Concluding this ambitious new movement for the band, Awaken The Hate next week take the new tracks on the road for their first full national tour, starting in Perth on May 8 before hitting Adelaide, Melbourne and Sydney over consecutive days. Welcome to Awaken The Hate, and board the train if you have the mettle.HEAVY was joined earlier today by frontman Benno and drummer Ryan to dive deeper into the Death. War. Fire trilogy and what it means for Awaken The Hate moving forward."Steve, who started Awaken The Hate, made the decision at the end of last year to step away," Benno began. "That was all for his personal reasons. These were the last of the three songs that he wrote with the band, and we thought this would be a fitting way to say goodbye. He actually came back to record them with us. He's still a very good friend of the band, and the door's always open if he ever wants to come back.""Planet Death is environmental, Contradiction of War is very political, and then Reign of Fire is a bit more spiritual about the whole thing," he continued, focusing on the three songs. "So that's what the concept about it was, and then releasing them as a trilogy was to say thanks to Steve and also finally get a bit more than two tracks out there for people (laughs)."In the full interview, we focused more on their recent single releases, particularly Planet Death, which received positive feedback from band members. We discussed the trilogy of singles honouring former member Steve, with each song addressing different themes. Reign of Fire was highlighted for its unique inspiration and straightforward approach, while Contradiction of War, released on Anzac Day, aimed to honour veterans and provoke thought about military service. We talked about recording thir latest tracks live, enhancing the emotional resonance, and are eager to test new material during their upcoming national tour. We also chat about balancing their music careers with personal responsibilities while engaging audiences and supporting local acts, plus more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.