Podcasts about Metal

The Geekery returns! In Episode 275, Cary the Metal Geek, Brutal Dave, and George Tripsas reunite to talk metal news, concerts, movies, TV, books, and games. We start with upcoming shows like Death To All with Gorguts, Iron Maiden, Helloween, and Micky Dolenz, along with recaps of the Devo/B-52s show, the Helstar release show, and the Judas Priest and Alice Cooper tour stop. We move into our latest watches and reads, covering It: Welcome to Derry, Megan 2.0, The Lowdown, Predator: Badlands, our takes on Frankenstein, Freakier Friday, Epic Ride: The Story of Universal, Brutal Dave's Mike Flanagan rewatches, Weapons, Together, The Toxic Avenger, Plubris, and dive into books with Ozzy Osbourne's Last Rites, Disney Adults, and Buffalo Hunter Hunter by Stephen Graham Jones. In gaming, we talk about what we've been playing, including Painkiller, Ninja Gaiden 4, Ball x Pit, Keeper, and Angry Video Game Nerd: 8-Bit. This week's George Hates Metal features tracks from Godark (“Nightmare Walk”), Your Inland Empire (“There Is No Me”), and Sinsaenum (“Spiritual Lies”). Tune in and remember: Keep it Metal, Keep it Geeky!

Black, Death, Speed, Thrash, Doom, Folk, Shred, Power, Prog & Traditional MetalPlaylists: https://spinitron.com/WSCA/show/160737/Black-Night-MeditationsWSCA 106.1 FM is non-commercial and non-profit.

Présentée par Vivy Horny & AlexDark Decibels, c'est l'émission qui parle de musiques extrêmes au sens large, tout en ayant une approche sur la mouvance 'goth' avec la darkwave et le post-punk, par exemple. Vivi Horny et Alex ont ainsi recruté plusieurs acolytes : un prof d'histoire qui va parler du metal dans l'Histoire et inversement, un 'professeur Geek' qui traitera metal dans la pop culture, puis un autre spécialiste lui plus axé sur la culture du black metal, et d'autres acolytes d'horizons divers pour quelques reviews... Une équipe étoffée donc pour un format détonnant. Voici la douzième émission de la deuxième saison.

On this episode of Metal on Metal, we sat down with Chris Bell of the Dunnville Ontario heavy band Chore. In this interview, we discuss their new albumOswego Park. We also discuss carving out creative time, opening slots, taking your time with music, and avoiding social media. This episode is brought to you by Pull the Plug Patches and Third Moon Brewery. Use code "metalonmetal" to get free beer shipping to most places in Ontario from Third Moon Brewery at thirdmoonbrewing.com. Links mentioned in this episode: https://choreband.bandcamp.com/album/oswego-park https://www.youtube.com/watch?v=kITsv8jTYE8&list=RDkITsv8jTYE8&start_radio=1 This podcast is hosted by ZenCast.fm

MetalNet - So TRVE warst du noch nie! Willkommen zur Folge 114! Leicht winterdepressiv geht es bei uns zu...aber nach der Folge ist alles wieder super ;) Nein, wir wollen nicht zu dramatisch sein. Viel war musikalisch leider nicht los, die Charts waren eher mau und die Käufe hielten sich in Grenzen, aber schaut trotzdem gern bei Insta metalnet_plattentipps vorbei. Siffi war aber unterwegs: Winter Invasion und Albumrelease-Party von Nachtkrabb. Schaut gern bei Herr Dark auf Youtube vorbei :) Weiter aber mit den Cerealien, den News. Manowar schon wieder, aber diesmal geht es um die kommende Tour 2027, bei der wieder 2 Alben abwechselnd gespielt werden. Was nocht? Ryujin vermelden nicht so tolle Erfahrungen mit einem Label, das Rockharz teasert Bands an, eine komische "Vermisstennachricht" aus Norwegen und (ihr lest es im Titel der Folge): wir reden auch über den Toutuber/Streamer/Twitcher HandOfBlood und sein Metal-Label. Habt viel Spaß mit der Folge und bis zum nächsten Mal!

Stephen Carpenter (Steftone) is a guitarist and key member of Deftones whom earned a Grammy nomination for Best Rock Album for the album "Private Music"Stephen Carpenterhttps://deftones.comE-Zonehttp://flavorsbyezone.comXGhttp://fullytoxic.comChicletshttps://www.instagram.com/chiclets_los.angeles/

Wait, what? Is it time for the podcast again? Seems like only yesterday that Dan joined Elliot for the weekly rundown of the choicest hacks for the last 1/52 of a year. but here we are. We had quite a bit of news to talk about, including the winners of the Component Abuse Challenge -- warning, some components were actually abused for this challenge. They're also a trillion pages deep over at the Internet Archive, a milestone that seems worth celebrating. As for projects, both of us kicked things off with "Right to repair"-adjacent topics, first with a washing machine that gave up its secrets with IR and then with a car that refused to let its owner fix the brakes. We heated things up with a microwave foundry capable of melting cast iron -- watch your toes! -- and looked at a tiny ESP32 dev board with ludicrously small components.  We saw surveyors go to war, watched a Lego sorting machine go through its paces, and learned about radar by spinning up a sonar set from first principles. Finally, we wrapped things up with another Al Williams signature "Can't Miss Articles" section, with his deep dive into the fun hackers can have with the now-deprecated US penny, and his nostalgic look at pneumatic tube systems.

Chapter 665 - "Finally Hit The Vision" ...as read by Flynn Zimmer of GasketToday we welcome Gasket frontman Flynn Zimmer to the podcast! The new self-titled Gasket record is out today on Blue Grape Music. Flynn talks about the ups and downs of the Baltimore hardcore scene, the musical growth the band has gone through, signing with Blue Grape, and more.https://gasketbaltimore.bandcamp.com/https://store.bluegrapemusic.com/collections/gasketDiscordPatreonSubstackEmail: asthestorygrows@gmail.comChapter 665 Music:Gasket - "Purest Existence"Gasket - "Bled Dry"Gasket - "Guillotine"Gasket - "Blood To Bone"

This week, Robert and Kevin get back to their regional roots with some foot-stomping Southern Rock. A perfect blend of country, blues, and hard rock with just a hint of twang. While your hosts, being native Floridians and Carolinians, were exposed to this genre of music due to their proximity, it has certainly expanded its reach globally and is appreciated worldwide. Join us as we embrace our culture and play some down-home tunes. What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. We hope we turn you on to something new!Songs this week include:Blackberry Smoke (w/ Paul Rodgers) – “Run With The Pack (feat. Brann Dailor)” from Can't Get Enough: A Tribute To Bad Company (2025)Black Stone Cherry – “Soulcreek” from Folklore & Superstition (2008)Hydra – “Wasting Time” from Rock The World (1977)Pride & Glory – “Losin' Your Mind” from Pride & Glory (1994)Leif De Leeuw Band – “Hard To Hold” from Mighty Fine (2024)Point Blank – “Lone Star Fool” from Point Blank (1976)Four Wheel Drive – “Ride It Like You Stole It” from House On Fire - EP (2012)Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal work here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Send us a textWes Barlow shares his journey as a fiddle player, discussing his experiences in the music industry, the importance of mentorship through the Texas Fiddle Clinic, and the nuances of improvisation. He reflects on the impact of COVID-19 on musicians, the differences between fiddles and violins, and the art of performance. Wes emphasizes the need for community in the music scene and the future of fiddle playing, highlighting the importance of nurturing new talent and expanding educational opportunities.

Disciples! Here we go! My selections from the October submissions for Independent musicians/bands with the obligatory ‘bonus tracks’! 48 slammin’ tunes for your listening pleasure. Enjoy! Set one:0:00:03 Trahir (Czech Republic) Madness [single]https://linktr.ee/wearetrahir0:03:56 Dune Aurora (Italy) Sunless Queen [single]https://duneaurora.bandcamp.com/0:10:17 Lily Löwe (Northern Ireland) Haunted House [single]https://www.lilylowe.com/0:13:40 Mourning Wood (Finland) End of Days [single]https://www.facebook.com/Mourningwoodmetal0:17:28 Goatfather (France) … Continue reading (380) Independent Music Special V10 →

In this episode of IPS Finance, market expert V. Nagappan breaks down the recent cryptocurrency crash, explaining why digital assets have started falling sharply and what global factors triggered the decline. He also examines whether money is moving out of the Indian share market, how investor sentiment is shifting, and the current performance of the metal sector. Along with these key insights, the discussion covers various market trends and factors that every investor should pay attention to in the coming weeks.

Nik, Don and Keefy take on the new @davidgilmour ( @pinkfloyd ) live album "The Luck And Strange Concerts" live album boxed set! Is it worth the hype and the money? We will tell you the answer! Nik to proper English translation:Gilly Dilly = new David Gilmour live albumRodger Dodger = new Roger Waters live album Livestream Price Menu! Answer your questions - Still freeGeneral support $3Buy us a Coffee $6Music business consulting call $75Support us https://cash.app/$ghostcultmaghttps://ko-fi.com/F2F1F2PLPhttps://paypal.me/ghostcultmagCheck out the Ghost Cult Mag Black Sabbath/Ozzy farewell chat round table https://youtube.com/live/2FkoQtG_j0E?... Check out our last series on Ozzy Osbourne:   • Ozzy Osbourne 

While many people and critics hail certain albums as being pivotal or defining in terms of musical genres or movements, the reality is that, while undeniably a great album, whatever they are referring to was just that. A great album at a time where a musical genre was earning its stripes.But every now and then - usually with the test of time - an album stands out in their particular field of metal. An album that really did help shape and refine a movement that was later to become a genre. An album that, decades after its release, is still hailed as a masterpiece and rightfully so.One such album is Broke from HED (PE). 25 years ago an up and coming rap/metal outfit called HED (PE) had already announced themselves with their self-titled debut album, but it was the release of Broke in 2000 that really catapulted the band up the rankings. Featuring Serj Tankian (System of a Down) and Morgan Lander (Kittie) as guest artists, Broke spawned the singles Bartender, Killing Time, and Feel Good, fusing rap, funk, hip hop and metal like never before and playing a huge part in the early development of nu metal.The album has resonated with fans the world over for the last two and a half decades, and Australian audiences will get the chance to share in the beauty of Broke when HED (PE) head to this side of the world next February to celebrate the album's anniversary.HEAVY sat down with frontman Jahred Gomes to get up to speed. One of the questions was if it was difficult learning the whole album, taking into account when it was written it wasn't done with the intention of playing the whole album in the future."No, it wasn't difficult," he recalled, "but you know, at PE, we've got some really long songs. So sometimes in the live setting, we do more medleys so we can play a bunch of shit. I imagine when the show comes out there'll be some songs played in full, some songs that we just touch on, but we want to make it exciting for people. We've got some tricks that we're going to be doing. It's different. It's 25 years later, so it's got more of a straight-ahead, thrashy punk rock vibe now than it did back then."In the full interview, Jahred discussed the significance of Broke, reflecting on its themes of financial and emotional struggles, its impact on the band's rise to fame, and the evolution of their songwriting. He acknowledged some lyrics he now finds regrettable but expressed comfort in performing the older songs. He also shared his excitement about touring with Nonpoint, highlighting the importance of supporting friends in the music industry and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Hard Time Machine est une émission d'une heure revenant sur les sorties metal d'une année en particulier, depuis les 70's jusqu'à nos jours. Pour cette huitième saison, Matthieu Morand compte explorer l'ensemble des sous-genres du metal ; chaque semaine, l'histoire d'une esthétique (Heavy, Death, Black, Indus, Thrash, etc) toujours avec une approche chronologique et historique. Pour la douzième de cette saison, retour sur le hardcore !

Moin Alle! Das Jahr neigt sich dem Ende entgegen und wir starten in unsere vorletzte reguläre Sendung. Wir hören zwei Game-Soundtracks, nämlich éalú' von Wild Wood und 'Hollow Knight: Silksong' von Christopher Lakin. Und da wir schon mal bei Silksong sind, reden wir da auch gleich über dieses drollige Game. Zu guter Letzt gibt es ein Rosé Bock von der Schmucker Brauerei.

Interview by Ali WilliamsLA Outfit BLVD OF EYES have just released their latest single We Are Human, and are about to kick off their Australian Tour on November 21 in Melbourne to coincide with the release of their EP on the same day.Founder and leading lady of the band Chloe Trujillo caught up with HEAVY Mags Ali Williams on the weekend to talk about their upcoming tour and new album drop, amongst other things. Having formed during the pandemic, BLVD OF EYES is the collaborative brainchild of Trujillo and fellow artist Mark Dalbeth. Chloe, who is also the wife of Metallica's Rob Trujillo, is already in Australia supporting her husband as he tours with Metallica, in the lead up to her own tour. She shares that she has a genuine love for Australia and our people. Having formerly collaborated with other Australian companies such as The Guitar Strap Co, Chloe has formed an instant bond with the place since coming here in support of her husband band tour, Her Aussie connection doesn't just stop there as her fellow band member and founder Mark Dalbeth is probably best known for being a founder of the Australian band Bellusira.Other band members of BLVD OF EYES alongside Trujillo and Dalbeth are Kevin Hicklin on guitar, and on drums, Lullah Trujillo daughter of Rob and Chloe. Although not joining them on this current tour, their daughter has been drumming for the band since they started back in 2021 and the tender age of 15. See the full interview at the HEAVY channel on Youtube. We Are Human is available now on all streaming platforms and for tour, tickets and event info for BLVD OF EYES go to https://www.blvdofeyes.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

In an ever-increasingly frustrating world of reality, this is a world where we could be pissed off together. Rage 4 Life!Playlist: Vicious Rumors - In Blood We TrustRaven - Mind Over MetalPrimal Fear - Raise Your FistsJudgemental - F.A.F.O.Black Sabbath - Peace of MindSkeletonwitch - Sink Beneath InsanityThe Great Kat - Metal Mad MetalheadAnthrax - Metal Thrashing MadOverkill - Mad Gone WorldRevocation, featuring Travis Ryan - Confines of InfinityCattle Decapitation - ... And the World Will Go On Without YouAborted, featuring Travis Ryan - Divine ImpedimentBolt Thrower - Where Next To ConquerObituary - Don't CareMegadeth - I Don't CareEidolon - ScarredNevermore - Final ProductArch Enemy - The Eagle Flies AloneMust Kill - Terminal AfflictionThraxas! - Sentenced To DebtPower Trip - Nightmare LogicEnforced - A Leap Into the DarkHellripper - Black Mass SacrificeRanger - Satanic PanicSeax - Livin' Above the LawDekapitator - Toxic SanctuaryExhumed - Rot Your BrainPutrid Pile - Your Nightmare RealitySkinless - The Beast Smells BloodGoregasm - CarnivwhoreDecapitated - Human DustDeicide - Crawled From the ShadowsImmolation - Reluctant MessiahCryptopsy - Mutant ChristKataklysm - Mystical Plane of EvilPandemik9, featuring Kadinsky Noir - All That She Wants (Ace of Base cover)Lips - Dangerous (Roxette cover)Morgana LeFay - Voulez-Vous (ABBA cover)Whitesnake - Slow and EasyMiyako - Master of Puppets (Metallica piano instrumental cover)Metallica - Fuel (Live, Chicago, February 9, 1997)Strings Of Mass Destruction - Not This Day (Classical Version)

Reggae, Rap, Post Punk, HipHop, Country, Latin, Dub Step, Indie, Metal and Techno from the musicians of the Abenaki, Ojibwe, Inuit, Mayan, Hupa, Metis, Seminole, Cherokee, Nahua, Dakota, Nisenan and Washoe Nations. Brought to you by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Tunes From Turtle Island⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Pantheon Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. If you like the music you hear, go out and buy/stream some of it. :) All these artists need your support. Tracks on this week's show are: B-Side Players - En Paz The Uhmazing - Citlalli Evan Redsky - Am I Allowed To Heal Mimi O'Bonsawin - P8GWAS Joey Nowyuk - Kisiani Aniqsaatilluga Susan Odella & Keith Secola - Arisota Reyna Tropical - Tu Voz Cali Los Mikyo - Net Work Bial Hclap & Emanuh & Alehli - Libre Espiritu remix Desiree Dorion & Catie St.Germain & Diana Desjardins - Red Wine Blaine Bailey - 20-20 Cemican - ?Donde Estas NICK THE NATIVE - SHE Shawn Who & Trip B - Headnoddin GAELN - Moonlight Jasmine SCND CRCL & Darksiderz & CGK - CHAOS CONTROL All songs on this podcast are owned by the artist(s) and are used for educational purposes only. All songs can be found for purchase or streaming wherever you get your great music. Please pick up these amazing tracks and support these artists. More info on the show ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Viral Brick Lady: Remember Viral Brick Lady? Well she is facing comeuppance for conning people out of money with a Gofundme for a fake attack. Timbaland's AI Artist: Timabaland has embraced AI by releasing tracks through his new AI artist Tata Taktumi. Dancing With The Stars: While covering Andy's journey on DWTS we look back on Whitney Leavitt's social media controversies. THE BEAR!, FUCK YOU, WATCH THIS!, PAPA ROACH!, SCARS!, TEAR MY HEART OPEN!, LAND IT!, FRONT FLIP!, CATCH UP!, OBAMNA!, ORIGIN!, LVL UP EXPO!, PASSES!, PANEL!, LIVE!, JIM AND THEM!, ADVERTISED!, VAMPIRES BALLAD!, COVER!, METAL!, REAL!, ADRIEN SKYE!, BRICK LADY!, GOFUNDME!, MONEY!, ARRESTED!, FRAUD!, STITCHES!, BEE!, THEFT BY DECEPTION!, HAIRSTYLE!, CRAZY HAIR!, BUSINESS!, KICKSTARTER!, PRODUCTION!, HAIRCUT!, PROBATION!, SOCIAL MEDIA!, FINSTA!, TIMBALAND!, JABBOWOCKEEZ!, AI MUSIC!, AI ARTIST!, TATA TAKTUMI!, GLITCH!, DETROIT!, STYLE!, SOUL!, PULSE!, FLAVOR FLAV!, DANCING WITH THE STARS!, ANDY RICHTER!, GUEST JUDGE!, ROCK AND ROLL HALL OF FAME!, SUNGLASSES!, TIMELESS!, CELEBRATE GOOD TIMES!, GLEB!, MORMON WIVES!, WHITNEY LEAVITT!, ER DANCE!, BABY!, EMERGENCY!, POURING WATER!, DUNKED!, CRACKED UP!, COREY'S TWITTER!, CLAPPED CHEEKS!, RAT FINK!, DUNE BUGGY!, BIG BRO!, UNC!  You can find the videos from this episode at our Discord RIGHT HERE!

Ben is back and we caught up on his trip from New Orleans, family stuff, and finished things off with a pile of weird news. I think Ben and I are going into the exotic funeral business… Margarita machines decked with bunting and more….Follow Ben on IG:https://www.instagram.com/bensnure?igsh=OGZoaTgyaTg1cHhpBuy hammers from Ben:https://www.well-shod.com/search?keywords=Snure&utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAdGRleAOL1dBleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA8xMjQwMjQ1NzQyODc0MTQAAaey038OcqSJJIzJf-o49upylA1bmB25EUf7qENfZFnPubhhzzy-mg_EPoHbsA_aem_LLxcod3PBeynSMlk_rBGgQIf you want to support Full Blast Support  Feder Knives - ( go buy a shirt )https://www.federknives.com/Go to CMA's website and check out the opportunities: https://centerformetalarts.org/Take a class: https://centerformetalarts.org/Follow CMA on Instagram https://www.instagram.com/centerformetalarts/?hl=enPlease subscribe, leave a review and tell your friends about the show. it helps me out a lot! Welcome aboard Phoenix Abrasives!Phoenixabrasives.com Phoenix abrasives supplies superior abrasive products for every application. Knifemaking, Metal fabrication, glass fab, floor sanding and Crankshaft! Belts, grinding and cutting discs, Flap Discs, surface conditioning FB10 at checkout gets 10% off your order at Check out.Welcome back! Nordic Edge:@nordic_edge on IG Nordicedge.com.auNordic Edge is about the joy of making something with your own hands. our one stop shop for tools, supplies and help when it comes to knife making, blacksmithing, leatherworking, spoon carving and other crafts where you get to take some time out for yourself and turn an idea into something tangible. Nordic Edge also holds hands-on workshops in the “lost arts” of blacksmithing, knife making and spoon carving. Come spend a day with us and go home with new skills and something you made with your own hands. They have the  guidance to help accelerate your creativity and the  Tools, products, supplies to help you manifest your ideas. NordicEdge.com.auThank you Baker Forge & Tool for your beautiful Steel. Go to Bakerforge.com to see all the incredible steels they offer. ‘FullBlast' gets you 10% off your order. CHECK OUT THE NEW ADDITIONS TO THE GATOR PISS LINE - GATOR PISS MAX & GATOR PISS HEAVYWelcome to our new Sponsor- EVENHEAT- Manufacturers of the best heat treating ovens available.  To find your next oven go to Evenheat-kiln.comFollow them on Instagram: Welcome aboard Texas Farrier Supply! For all your forging and knife making supplies go to www.texasfarriersupply.com   and get 10% off your order with PROMOCODE Knifetalk10Brodbeck Ironworks Makers of an Incredibly versatile grinder, with Many different attachmentsLeather sewing equipment and even abrasives Check out Brodbeck Ironworks for yourself:https://brodbeckironworks.com/“Knifetalk10” gets you 10% off Follow Brodbeck Ironworks on Instagramhttps://www.instagram.com/brodbeck_ironworks/Trojan Horse Forge Get your THF Stabile Rail knife finishing vise at https://www.trojanhorseforge.com/And when you use the promo code “FULLBLAST10 you get 10%off everything on the site.Follow them on instagram:https://www.instagram.com/trojan_horse_forge/ TotalBoatAdhesives, paints, primers and polishing compounds.Go to http://totalboat.com/FULLBLASTTo support the podcastG.L. Hansen & Sons On Instagramhttps://instagram.com/g.l._hansenandsons?igshid=MzRlODBiNWFlZA== Gcarta.bigcartel.comG-Carta is unique composite of natural fibers and fabrics mixed with epoxy under pressure and heat Boofa, ripple cut, Tuxini, by Mikie, Mahi Mahi, Radio worm g-cartaPheasant by MikieColorama by MikieHoopla by MikeAmazing colors and razzle dazzle for your project. MARITIME KNIFE SUPPLIESMaritimeknifesupply.CAAll your knifemaking needs, belts abrasive, steals, kilns forges presses, heat treating ovens anvils and everything you need to get started or resupply. Including Dr. Thomas's book:“Knife Engineering”They're in Canada but ship to the US with ease and you can take advantage of the exchange rate The steel selection is always growing and Lawrence just got 3900 lbs. of steel in.10% off on abrasive belt packs of 10 get a hold of https://www.instagram.com/maritimeknifesupply/ and see what the fuss is about.Welcome Tormek as a sponsor to the show. Take your sharpening to a new level. I love these sharpening machines. Waterfed, easy to use. Jigs included. Definitely check out what they have to offer. If you need it sharpened, Tormek is definitely something for you:https://tormek.com/en/inspiration/woodworking--craftsVisit Tormek's website: https://tormek.com/enFollow Tormek on Instagram:https://www.instagram.com/tormek_sharpening/?hl=enFollow Tormek on TikTokhttps://www.tiktok.com/@tormek_sharpening?lang=enGo look at the course curriculum at CMA:https://centerformetalarts.org/workshops/** Taking classes from some of the best in forging at one of the best facilities in the country is an excellent opportunity to propel yourself as a blacksmith. Not to be missed. And with housing on the campus it's a great way to get yourself to the next level. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome back to When Words Fail, Music Speaks – the podcast that battles depression one riff at a time. In today's episode, host James Cox sits down with the charismatic front‑man of the 80s‑metal‑infused outfit All Singers (aka Mike Golarz) for a deep‑dive into the healing power of music, the quirks of self‑teaching, and the raw joy of live performance.We kick off with Mike's origin story: a childhood of backyard jam sessions, a classically trained girlfriend who nudged his vocal chops, and a love‑letter to the acoustic guitar that still shapes his songwriting today. He shares practical tips for aspiring guitarists—why Tom Petty's simple chords are the perfect launchpad, how to survive sore fingertips, and the surprisingly effective “belly‑rub” superstition he uses to keep his airflow in check while recording.From there, we trace the band's unlikely formation during the pandemic—how an 80s hair‑metal cover group morphed into All Singers, the serendipitous connections that landed them opening for legends like Ace Frehley, L.A. Guns, Queensryche, and even two versions of Queensryche. Mike reflects on the thrill of sharing the stage with his childhood heroes and the humility that keeps those icons grounded.The conversation then shifts to their upcoming record “We Own the Night,” slated for a November 14, 2025 release, and the quirky rituals that fuel Mike's creative process. He also reveals his “unskippable” album list — from Soundgarden's Bad Motorfinger to James' pick "Black Sabbath's Dehumanizer" — and the one record that still moves him to tears: Stevie Ray Vaughan's Texas Flood.Whether you're a budding musician, a metalhead, or simply seeking a soundtrack for life's ups and downs, this episode delivers a hearty mix of humor, honesty, and hard‑earned wisdom. Grab your headphones, turn up the volume, and let the music speak.

I'M BATMAN! Tony Sirianni from Upper Deck joins us this week to talk about the new DC release - Skybox Metal Universe Batman. Tony walks us through the concept, design, and breadth of this big release, with insights into the different inserts and some juicy teases of upcoming products from the DC universe.Thanks as ever to the team at Upper Deck for being part of the podcast and see the HUGE checklist here; https://upperdeck.com/checklist/skybox-metal-universe-batman-checklist/Our links are all here; https://linktr.ee/ThatCCPod========Music;I Got a Stick Arr Bryan Teoh Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License ⁠http://creativecommons.org/licenses/by/3.0/⁠Intro;Smooth vocals by Greg McLaughlin of The Rebel Base Card Podcast – find his show here; ⁠https://open.spotify.com/show/2T5nysLpxbK2ZpRrgcCO8I⁠

This week, Elle and Vee play time Fuck-Marry-Kill version of the card game WHOREible Life with Athena. This episode is pure chaotic pleasure — the kind where nostalgia, food, kink, and butt-stuff all swirl into one ridiculous open conversation. We go from childhood games to double-ended vegetables, from grooming disasters to pegging wins, from lingerie-in-public confessions to pee-play experimentation, from CNC fantasies to explicit photo close calls.  Strap in (or strap on)… this one gets naughty.What is Whoreible Life? Playing the Fuck, Marry, Kill version. (00:00)Fuck, Marry, Kill: Rim Job, Being Whipped by a Single Tail Whip, Being One of the Dicks in a DVP (double vaginal penetration) (4:17)Giving Rim Jobs. (5:55)Laser Hair Removal Experiences. (7:06)Receiving Rim Jobs. (10:48)Butt Plugs: Public Play. (12:32)How long can you wear a butt plug? Metal vs. silicone butt plugs. (19:20)Pegging Train Fuck & Spit Roasting Challenges. (27:20)Dildo DP to Pee Play. (30:50)Naughty Photos. (34:18)Fuck. Marry. Kill: Fuck Yourself In The Ass, Consensual Non Consent (CNC) Rape Fantasy, Or Orgasm Denial. (38:37)Free Use Vs. CNC & CNC Scene Car Fucking Scene Described. (40:35)Sex in Public Spaces. (45:46)To Go Commando or Not. (47:54)Countdown to Orgasm. (52:10)____________________________

SPECIAL EDITION :The Metal Maniacs Podcast-Horns up for the holidays benefitUnruly Brewing and The Metal Maniacs present Horns up for the Holidays. Bands to benefit local families in need for Holidays. All Ages-Pay what you can. Donations welcome.Colt Snuffer and The Dead HorsemanMore GhostsTongue CutterReinventing YesterdayIron Sharpens IronKill TomorrowFollow Us-https://linktr.ee/metalmaniacsmi

The Mighty Decibel issues it's fourth episode of The Year In Metal series on Home | Wild Dogs Radio every Wednesday at 2PM EST. Every episode we'll talk about and listen to what was going on the world of heavy music in any given year. We're attacking this chronologically, so this episode focuses on the year in heavy that was 1973. Push play and hear what metalheads were listening to way back in 1973! MONTROSE - S/T AEROSMITH - S/T NAZARETH - Loud'N'Proud THE ROLLING STONES - Goats Head Soup ZZ TOP - Tres Hombres STATUS QUO - Hello! BLACK SABBATH - Sabbath Bloody Sabbath REO SPEEDWAGON - Ridin' the Storm Out LYNYRD SKYNYRD - pronounced leh-nerd-skin-nerd LED ZEPPELIN - Houses of the Holy IGGY & THE STOOGES - Raw Power NAZARETH - Razamanaz QUEEN - S/T

In this episode, the hosts discuss the nuances of artificial intelligence and machine learning, exploring its implications for the job market and human performance. They delve into the limitations of AI, particularly in creative and nuanced tasks, and examine the impact of social media on perception and engagement. The conversation emphasizes the importance of authenticity in branding, the balance between innovation and execution in business, and the value of life experience in shaping career paths. Ultimately, the discussion highlights the need for transparency and authenticity in content creation and branding strategies.

Chapter 664 - "Weird And Imperfect" ...as read by Tyler Washington of ExcideToday we welcome Foreign Hands drummer and Excide vocalist Tyler Washington to the podcast! The new Excide record, Bastard Hymns, is out next Friday, November 28th, on Sharptone Records. Tyler talks about falling in love with the local hardcore scene, joining Foreign Hands, creating an album with no intention of playing it live, Excide trying to find it's place within the hardcore scene, and a lot more. https://sharptonerecords.co/collections/excideDiscordPatreonSubstackEmail: asthestorygrows@gmail.comChapter 664 Music:Excide - "Worth Your Salt"Foreign Hands - "A Memory In Latency"Excide - "Call Box"

Gary Rude and Brian Hawk of Patience Metal Fab come on the show to recap their awesome SEMA builds, what changes they've made to the shop in the last year, and of course their upcoming projects. High Performance Academy: https://hpcdmy.co/Minnoxide Use code "MINNOX" for 55% off ANY course Use Code "MINVIP" for $300 of the MINVIP Package Tuned By Shawn: https://www.tunedbyshawn.com Code "Minnoxide" for 5% off! Ship With Sure Thing Logistics: https://www.surethinglogistics.net MORE BIGGER Turbo T-Shirts:  https://www.minnoxide.com/products/more-bigger-t-shirt  

DIRE END [Technical Death Metal; Spain] - https://direend.bandcamp.com/SECULAR [Groove Metal; Perth, Australia] - https://open.spotify.com/artist/4ByeCqfeGjf53fhWXBydM3BORN DIVIDED [Progressive/Melodic Death Metal; Québec, Canada] - https://borndividedofficial.bandcamp.com/KHEPRA [Symphonic Death/Folk Metal; Istanbul, Türkiye] - https://khepraofficial.bandcamp.com/@direendband #deathmetal #spanishmetal #basquemetal #deathmetal #techdeath #technicaldeathmetal#secular #groovemetal #australianmetal@borndivided #melodicdeathmetal #canadianmetal #progressivedeathmetal @khepraofficial #turkishmetal #symphonicdeathmetal #symphonicmetal #folkmetal#metal #metalpodcast #heavymetalPODCAST THEM DOWNhttps://linktr.ee/pctdhttps://patreon.com/podcastthemdown

One more round? The post-show "lock-in" is just for our ⁠⁠Patreon Superfans⁠⁠ - try it for FREE!: ⁠https://www.patreon.com/c/thepriceofmusic/membership====Your weekly guide to the music biz and how it all works. In this week's episode of The Price of Music, Steve and Stu pour a couple of foaming pints of:Stu's Big Number is 10 million – but how does it relate to the premature jingling of Christmas bells?The UK government has announced that tickets will soon only be able to be resold at face value – but will the law work in reality?Why don't some venues share set times for concerts? (And if you knew when the artists were onstage would you arrive earlier or later?)Paul McCartney's released a completely silent song - but why?Why has a UK radio DJ spent 24 hours playing songs that peaked at number two in the charts? (‘Number two' is a clue.)Metal legends Megadeth have released their own beerSpotify is shaking up its subscription tiers as a test in five countries. What does it say about its future plans elsewhere in the world?Veteran British band Squeeze are releasing a brand new album... of songs written when they were teenagers.Why is streaming service Tidal adding an ‘upload' feature for DIY artists?And in the special post-show lock-in section just for our Patreon Superfans, Steve and Stu prop themselves at the bar to chat about:Steve weighs in on venues and artists announcing venue stage times - who is it good for, and how might doing this harm venues? (Read the piece this relates to here: https://markdavyd.substack.com/p/the-room-where-it-happens)Stu's Megadeth beer taste test (spoiler: it's very hoppy)Steve recalls a time when he and Suggs were forced to drink Madness' own beerMariah Carey is starting to dominate the charts again… so when is it appropriate to start playing Christmas music?As ever, we welcome your feedback, emails and – in particular – any questions you might have about how the music biz works!Email us: ⁠⁠thepriceofmusicpodcast@gmail.com⁠⁠See you next week!Steve and Stuart======Support The Price of Music on Patreon:⁠⁠https://www.patreon.com/ThePriceofMusic⁠⁠Follow Steve on X - @steve_lamacqFollow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodFor sponsorship opportunities, please email - ⁠⁠joe@musically.com

We give our thoughts on the announcement of Season 3 but with a new showrunner. Twitter/Instagram: @twistedmetalpod Email: twistedmetalpod@gmail.com Music by: CMStrikeAudio

Your weekly giftbasket of tunes is here with love from Lauz

Welcome back to When Words Fail, Music Speaks—the show that battles depression one riff at a time. I'm your host, James Cox, a proud “handicapped” rocker on a mission to prove that music has no language barriers.In today's episode we sit down with Askhan, the visionary founder, vocalist, and creative force behind Nine Treasures, the Mongolian folk‑metal outfit that's been turning heads worldwide. Fresh off the release of their new album and a landmark signing with Metal Blade Records, Oscar shares how the band fuses ancient Mongolian melodies—complete with the haunting horse‑head fiddle—into thunderous modern metal.We'll explore how Askhan balances reverence for his cultural heritage with personal storytelling, the Buddhist ideas that quietly shape his songwriting, and the collaborative shift that let his bandmates take the reins on half the new record. From his favorite global metal influences—Pantera, Megadeth, In Flames, and Children of Bodø—to his secret love of liquid drum‑and‑bass for relaxation, Askhan reveals the eclectic soundtrack that fuels his creative engine.Finally, we ask the big “what‑if” questions: which dead‑or‑alive artist would he love to collab with (hint: think Limp Bizkit), what message he wants the next generation of Mongolian metal musicians to carry forward, and the most powerful fan moment that proved music truly saves lives.Grab your headphones, settle in, and let the fusion of myth, metal, and mindfulness guide you through another powerful conversation—because when words fail, music always speaks.

This week I'm joined by Wyatt Turner, the force behind the ever-popular Wyatt's Metal YouTube channel and frontman for California death metal band, Dark Insanity.   We dive straight into Wyatt's fiery take on group-think and conformist attitudes in the metal scene, the origin story behind his YouTube channel, and a look at the future of his band. Plus, he shares his fascinating experiences working as an extra on film sets alongside legends like Paul Thomas Anderson and Philip Seymour Hoffman.   On the Weekly News Rant: I round up the latest singles by Megadeth, Enthroned, 1914, Abysmal Grief, Martröð, and more. I also give my take on Decibel Magazine's traditionally premature Top 40 Albums Of 2025 list, and Predator: Badlands director Dan Trachtenberg lines up for a dunkin' on my "Swirly of the Week".   PLUS: UK black metal band Suffering star in my Premiere Of The Sphere, with a world-first listen to a track off their forthcoming album, “Things Seen But Always Hidden”.   Subscribe to Wyatt's Metal on YouTube:  https://www.youtube.com/@wyattsmetal/videos    Please support the bands featured on this episode: Dark Insanity: https://darkinsanitylb.bandcamp.com/  Suffering: https://suffering.bandcamp.com/  Morgoth:  https://www.facebook.com/MorgothOfficial    Subscribe for weekly black and death metal interviews, news rants, and track reviews! Follow me on X, Instagram and Facebook, and check out the other podcasts by the Horsemen Of the Podcasting Apocalypse:  Horrorwolf 666, Iblis Manifestations, Everything Went Black, Necromaniacs and The Sol Nox Podcast.

This episode contains no music from the bands. Streaming has changed their policy to not allow us to use music in our show anymore. You can go to youtube to enjoy the full episode and will have another way for you to enjoy these FULL shows soon. Welcome back maniacs! In the 124th episode of The Metal Maniacs Podcast, hosts Jay Ingersoll and Modd dive headfirst into the 22nd installment of our fan-favorite Reaction Series! You already know what time it is — we're scouring the underground to find the heaviest, most creative, and most unhinged sounds the metal world has to offer.

Welcome back maniacs! In the 124th episode of The Metal Maniacs Podcast, hosts Jay Ingersoll and Modd dive headfirst into the 22nd installment of our fan-favorite Reaction Series! You already know what time it is — we're scouring the underground to find the heaviest, most creative, and most unhinged sounds the metal world has to offer.

Is gatekeeping helping or hurting the metal scene? In this episode, we dive deep into one of the most heated debates in heavy music: Is gatekeeping actually healthy for metal, or is it holding the genre back? We explore why some fans insist gatekeeping protects the culture, how elitism can damage growth and creativity, the impact gatekeeping has on new listeners, emerging artists, and the future of the metal community. From passionate defenders of tradition to those pushing for a more open and evolving scene, we break down the arguments on both sides and discuss what it really means for metal's future. Join the discussion, drop your take in the comments, and let's talk about where metal goes from here. To follow our socials, tap our link right here: https://linktr.ee/metalology

Kirk Windstein returns to talk about his new album Ethereal Waves, staying in tour shape, high end meet and greets, and more!Support Our Sponsors! Big thanks to the following folks....Visit https://prizepicks.onelink.me/LME0/JASTA and use code JASTAand get $50 in lineups when you play your first $5 lineup.https://www.martyrstore.net www.deathwishinc.comwww.bluegrapemusic.com - Official Milwaukee Metal Fest & Jasta Show sponsor! Check out bands like Grid Iron, Heavy/Hitter & many more!reigningphoenixmusic.com SumerianRecords.Comhttps://www.depop.com/jastaSubscribe to the all new GaSDigital.comFollow Jamey On Patreonhttps://www.patreon.com/jastaFollow The Show On Social Mediahttps://twitter.com/jameyjastahttps://www.instagram.com/jameyjasta/Musician, former television host, and podcaster Jamey Jasta (Hatebreed, Kingdom of Sorrow, Jasta and the former host of MTV's Headbanger's Ball) interviews your heroes every Monday and Thursday. The newest 20 episodes are always free, but if you want access to all the archives, watch live, chat live, access to the forums, and get the show a week before it comes out everywhere elseSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Garza sits down in-person with Chaney Crabb & Navene Koperweis of alternative metal band ENTHEOS. Catch them on tour now! https://instagram.com/entheosofficial00:00 - Des Moines, IA06:40 - Balancing Marriage & Entheos13:57 - Figuring Out Entheos as a Two-Piece19:54 - Chaney's Influences // Des Moines Scene25:10 - Navene's Early Musical Influences27:18 - UB40 & No Doubt29:15 - The “Pingy” Snare33:35 - Early Shows, Animosity & Hoods37:22 - Gold Foil Shirts41:22 - Growing Up In Bay Area45:35 - Fusing Death Metal, Hardcore & Deathcore Origins48:00 - Job for a Cowboy50:27 - Leveraging the Internet58:13 - Djent, Modern vs Raw Production1:02:50 - Evolving1:08:47 - Embracing Yourself as an Artist1:10:50 - I Am the Void1:14:10 - Staying Creative1:15:23 - Finally Finding Their Sound1:16:44 - Navene Being a Metal OG1:21:45 - Perseverance & Success1:24:54 - Children, Career, Life & Death

Show Notes Episode 259: “We're Not Gonna Take It” This week Host Dave Bledsoe puts a Twisted Sister pin on his uniform and drunkenly shouts at himself in the bathroom mirror just to feel like someone else is with him.  (The man is desperately lonely and drinking too much.  You know, just normal Dave stuff)  On the show this week we travel back to 1985 to examine the Parents Music Resource Council, an issue so unimportant and trivial to the modern context that it should distract you for a good half hour from all the crazy shit in the world.  (You're welcome) Along the way we meet the White Wives of Washington who decided it was their job to censor artists.  (They were the Karen's of the 1980s)  We introduce to you to each of the Filthy Fifteen the list of songs the PMRC deemed so vile and offensive that children must be protected from them at all cost.  (God forbid they learned about getting off from Cyndi Lauper!)  We hear from the artists who defended the list, even though some of the Metal songs are just BAD songs. (Not evil, just really  poorly written.)  Finally, we learn why Tipper Gore felt it was SO important we have warning labels on music.  (Hint, it was so parents didn't need to talk to their kids.) Our Sponsor this week is Columbia House Records, who want you to know they are back and they are coming for what they are owed.  We open the show with Dee Snider getting real with the Senate and close with Sunkissed Music being adorably rebellious! Show Theme: https://www.jamendo.com/track/421668/prelude-to-common-senseThe Show on Twitter: https://twitter.com/TheHell_PodcastThe Show on Facebook: https://www.facebook.com/whatthehellpodcast/The Show on Soundcloud https://soundcloud.com/david-bledsoe-4 www.whatthehellpodcast.com Give us your money on Patreon  https://www.patreon.com/WhatthehellpodcastThe Show Line: 347 687 9601 Closing Music: https://youtu.be/3fCaxOBBPQo Citations Needed: Parental Advisory Forever: An Oral History of the PMRC's War on Dirty Lyrics https://www.newsweek.com/2015/10/09/oral-history-tipper-gores-war-explicit-rock-lyrics-dee-snider-373103.html The Filthy Fifteen: Censorship, Gore And The “Parental Advisory” Sticker https://www.udiscovermusic.com/stories/filthy-fifteen-pmrc-censorship/ The Tipper Sticker at 30: The Most Entertaining (and Least Effective) Attempt at Censorship in Rock History https://www.kqed.org/pop/18111/the-tipper-sticker-at-30-the-most-entertaining-and-least-effective-attempt-at-censorship-in-rock-history Learn more about your ad choices. Visit podcastchoices.com/adchoices

Get ready for the ultimate metal debate because Rex and Duff are etching their choices in stone! This week, we're taking on the massive challenge of building our "Mount Rushmore" of Metal Musicians. Who belongs on the sacred mountain of shred? We're talking definitive lists and tough decisions across all positions: We'll be naming the four essential Metal Guitarists that defined the riff, the four Drummers who laid down the thunderous foundations, the four Bassists who commanded the low end, and maybe even a few more surprise categories! Brace yourself for some controversial omissions and bold inclusions as we finalize our pantheon of metal gods. Tune in to see if your favorite made the cut!

Send in your music story!A metal icon noticed them first, but the story gets louder from there. We're sitting with Chained Saint—teens with vintage swagger and modern force—unpacking how a Halford nod, a garage education, and a ruthless love of riffs turned into songs that hit like a live amp.We get into the DNA of their sound: Sepultura's gravity, Pantera's bite, and that Rush sheen hiding in the chorusy leads. Ethan breaks down a no-frills rig built around a JCM 800, Tube Screamer punch, and an EVH Phase 90 for lift, while Sebastian explains the SansAmp-to-Darkglass path that makes “Animosity” cut through in E♭. Cameron talks snare tuning and Grohl-level energy, proving you don't need a warehouse of gear to land a stadium-ready crack. It's a masterclass in tone discipline: choose the right tools, then play like you mean it.Beyond the gear, we talk songwriting and structure—why they refuse to pick between hooks and bridges, and how “1000 Tons” captured the band's pivot under real pressure. There's tour grit too: that DC haul up a second-floor stage, the shock on new faces when four young players launch old-soul heaviness, and the joy of making music parents and kids can share without irony. Dream collabs with Drain and Power Trip make perfect sense once you hear how they define the next era in one word: power.If you miss riffs that move a room and lyrics pulled from lived moments, you'll want this in your queue. Spin the episode, follow Chained Saint everywhere, and tell us which track you're blasting first. If this conversation hits, tap subscribe, share it with a friend who loves real guitars, and drop a review to help more listeners find the show.Check out our Youtube and Instagram! Check out our Website! Become a member!Support the showPlease give us a quick rate and review. If you enjoyed the audio version head over to our Youtube for video content! Follow the Instagram for special content and weekly updates. Check out our website and leave us a voice message to be heard on the show or find out more about the guests!Ever wanted to start your own podcast? Here is a link to get started!https://www.buzzsprout.com/?referrer_id=1964696https://www.youtube.com/channel/UCONMXkuIfpVizopNb_CoIGghttps://www.instagram.com/hook_and_bridge_podcast/https://www.thehookandbridgepodcast.com/

Look, it's really simple. The Rock N Roll Hall Of Fame hates and disrespects heavy metal. We don't. We believe that metal is one of the cornerstones in the history of rock n roll and we also need to point out the fact that it's one of the most globally-beloved genres of music. We think it's a crime that the bands highlighted in this week's playlist have been snubbed by the bluenoses and weenies that run the rock hall. Get them in! Listen to us state our cases for some obviously unjustly snubbed metal bands in Top Ten Rock N Roll Hall Of Fame Snubs: All Metal Edition Part 2, featuring our metal-loving pal Nick Baker. Picks 5-1 are featured here and damn if they don't all deserve it.If you missed Part 1, start your metal snubs journey here:https://podcasts.apple.com/us/podcast/episode-694-top-ten-rock-n-roll-hall-of-fame-snubs/id573735994?i=1000736091860Behold! The official Top Ten Rock N Roll Hall Of Fame Snubs playlist, featuring every song heard in Parts 1 & 2, bumper songs included:https://open.spotify.com/playlist/18nAflIk8264nY093Zr5hZ?si=a51d2e1416044fc3Get "Labyrinthine Rose", the latest album from pop sensation Marina V, aka Nick's better half and musical partner. Great new stuff from these guys! Go to her website for everything V:https://www.marinav.com/We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. Handsome Joe Lavelle returned for Emergency Pod #21 on November 1st! Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting it up about music over on the ATTT Facebook Group. Join us and start a conversation about music!https://www.facebook.com/groups/940749894391295

Send us a textOn this episode I talk horror novels with my friend Paul Aloisio of Restless Spirit. We also talk about some recent film watches and much more. Outro song: Restless Spirit- Judgement and Exile (Live at RPM Fest)https://restlessspirit.bandcamp.comSynth Outro by Abraxas HornMy email and social links:Brandonlegion666@yahoo.comTwitter: Horrorwolf666Instagram: Brandonlegion666 Facebook: Horrorwolf666Website: www.horrorwolf666.com(Merchandise)https://www.teepublic.com/user/the-horrorwolf666-podcast

This episode we cover the first silver mine in Japan, as well as the way that this sovereign is approaching offerings to the kami and handling family matters. For more check out: https://sengokudaimyo.com/podcast/episode-138   Rough Transcript: Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is Episode 138: Offerings and Covenants   A gentle summer breeze blew through the cherry-tree-covered hills of Yoshino valley.  The royal residence, a kind of summer home for the royal family, normally somewhat quiet, was suddenly abuzz with activity.  The regular groundskeepers and those who tended the site throughout the year mingled with servants sent from the capital to make it ready for a royal visit.  Rooms were aired out and swept. Metal fixtures were polished.  The kitchen was stocked and ready to go. It had been some years since the prince—now sovereign—had resided in the valley as an attempt to proclaim he had retired from the world.  Now he was sitting at the top of the state government, but as such, he was more often than not living in the grand palace in Asuka, which he had renovated at the start of his reign. This, the Yoshino palace, was left as more of a vacation home—though "home" hardly did it justice given its majesty compared to the meager dwellings that otherwise surrounded it. And now there was a massive royal procession on their way.  Sure, it was the sovereign and his queen, and only a handful of princes, but they would each need their own quarters and likely have their own household staff that would no doubt need to be fed and housed.  In such a way a "simple" outing for the royal family was so often anything but for those who had to make it happen. And yet, such labor was much preferred to toiling in the fields, especially as the heat of the day started to rise, and the height of summer loomed large in the all-too-immediate future.   Alright, so we are in the midst of the reign of Ohoama, aka Temmu Tennou, the brother of Naka no Ohoe, who came to power through the use of military force—purportedly used in self-defense—and the sovereign who would have a profound effect on solidifying the Ritsuryo state, as well as the Chronicles and the history of the archipelago as we know it.  We've talked about Ohoama's ascension to the throne, and even his first year.  We mentioned how, during his reign, he rewarded those who helped him, tweaked the rank system, and we talked a bit about what we know of the clothing and the material culture of the period. This episode, we continue looking at what occurred during Ohoama's reign.  Specifically we'll be covering some of the ways in which Ohoama and his court were shaping the government and the structures of power to serve him and his family.  This includes everything from ritual, such as making offerings to various kami, to the way that he seems to have centralized power to himself and his family, which would have lasting impacts through the Asuka and Nara periods. First, though, a tiny little digression about silver.  We start in the 3rd lunar month of the second year since Ohoama ascended the throne, or the year 674 by the western calendar.  We are told that Woshiumi no Miyatsuko no Ohokuni, the governor of Tsushima, the island that formed the main border between the archipelago and the mainland, reported that silver had been produced there for the first time, and sent in some as tribute.  This is the first recorded instance of silver being produced in Japan. At this time, silver mining was mostly limited to finding a vein of silver on the surface and digging it out as far as one could possibly go into the rock and stone.  Still, silver would eventually become an important resource for the archipelago.  Tsushima would continue to produce silver through modern times.  Granted, production was limited until new refining techniques were introduced from Joseon Korea in the 16th century.  This was just as Ming dynasty deposits were declining, and as such, silver would become a major export from the archipelago to the mainland.  Indeed, by the 17th century, it is said that Japan accounted for one quarter to one third of the entire world's silver production. For now, however, the discovery of native silver was certainly a good start, but the Yamato court wasn't switching to a silver coin currency just yet—rice and cloth were still the major currencies for tax and trade purposes.  Still this find seems not insignificant, and clearly the chroniclers thought so as well -- as did the court.  They granted Ohokuni, the governor of Tsushima, the rank of Lower Shoukin.  The silver produced by the mine was offered to the various kami of heaven and earth, and presents were made to the high ministers and others of the rank of Shoukin and above. Now back to the Chronicles, and to the meat of what I'll be talking about this episode. On the 3rd day of the 8th lunar month of 674, we are told that the Royal Prince Wosakabe was sent to Isonokami shrine to polish up the divine treasures, at which point the sovereign made a rather spectacular decree:  he declared that all of the precious things originally deposited in the sacred treasuries by the various houses should be returned to their descendants. This appears to be a reference to the long-standing practice by Yamato of demanding that those they had gained some level of hegemony over turn over their sacred objects for Yamato's keeping.    We talked about this back in episodes 19 and 29, for example, when we talked about how Mimaki Iribiko, aka Sujin Tenno, and Ikume Iribiko, aka Suinin Tenno, had both requested treasures from Izumo and elsewhere, to be stored in the treasure house of Isonokami. We aren't told what all of these treasures were, but we can deduce that these were sacred treasures of the different houses and localities, much as the mirror, jewel, and sword were sacred treasures of Yamato.  These were items that early on distinguished the elite class in the archipelago, and had come to be gathered in the divine store houses.  You may recall how, early on, we saw mentions in the Chroncles that ships sent out to meet with others from different lands would place such treasures on a makeshift tree on the deck as a way of depicting who they were—who they represented. It would seem that these sacred objects came to represent the divine ancestors of the elites, and so eventually were associated with the idea of power and authority.  As Yamato spread its influence, possibly as much through the spiritual authority of Mt. Miwa as through its economic and military capability, it seems to have demanded that the various lands that came under its sway place their sacred treasures in Yamato's storehouse—a powerful image of Yamato's authority.  In a sense, this was a kind of hostage situation: recognize our authority, or your most sacred treasures, representing your ancestors, will be at risk .  One wonders if this isn't part of the reason that we find buried caches of bronze ritual items, including weapons, bells, and other such things, perhaps as a means of keeping them safe from those who would steal them away. However, in the new era of the Ritsuryo system, those objects, while still considered divine and sacred, did not hold the same value as they once had.  Perhaps I'm reading too much into it, but this really seems to me to be particularly illustrative of the idea that the cultural imaginary of state power and authority had shifted.  Yamato's power and authority was no longer based on its role as a spiritual powerhouse as much as it was centered on the continental framework of a heavenly mandate and a system of laws and punishments.   And so, the sovereign could return the sacred items back to their descendants, because to do so did not cost him anything, and at the same time would no doubt earn him goodwill.  He could appear magnanimous and, in so doing, solidify his position as the supreme hegemon of this new state.  In many ways this acknowledged the importance of the divine treasures to the people and to the kami while also no doubt reinforcing Confucian stereotypes of the benevolent ruler. More importantly, this shows how Ohoama was restructuring the rituals of the state.  After all, he had the Jingikan, an entire governmental department dedicated to administering the various shrines and sacred rituals; so even if the sacred treasures were returned, they were still technically under the control of the state apparatus.  We've already talked about the Daijosai, the Feast of First Fruits for a new reign, a central ritual to which Ohoama had added further pomp and circumstance.  But as no less a scholar than Herman Ooms has written about, Ohoama also initiated the practice of ordering regular centralized offerings to not just one particular kami, but to several or even a number of kami, or shrines, at any given time.  We see this in the following year, on the 23rd day of the first lunar month of 675, in an almost off-hand remark. Later, in the 10th month of 676 offerings were made to all of the "Ahimbe" kami of Heaven and Earth—that is all of kami that were part of the festival of first fruits held on the first day of the rabbit on the 11th lunar month.  Offerings were also made to all of the Heavenly and Earthly kami on the second day of the year in 681. Of course, these offerings would not just be enriching the shrines of these various kami, but it would also reflect on the various uji connected to each of those shrines, as well. Another example of the court's involvement in these ritual innovations appears to be the worship of the deities at Tatsuta and Hirose.  The first example of that is also in 675, in the 4th month of that year.  Prince Mino and Saheki no Muraji no Hirotari were sent to the Wind-gods at Tateno, in Tatsuta.  Aston notes that there is a litany to the Wind-gods mentioned in the Engishiki, a 10th century collection of information on various rituals of the time, so this practice seems to have taken hold, at least enough to persist over 3 centuries later.  Also in the 4th month of 675, Hashibito no Muraji no Ohobuta and Sone no Muraji no Karainu were sent to worship the Oho-imi deity at Kahawa, in Hirose. The Oho-imi appears to be a "big abstinence" deity, whom Aston identifies with Waka'ukahime, responsible for food.  Worship is again paid twice in the year 676, once in 677, then twice again in 679, continuing twice a year, almost exclusively in the 4th and 7th lunar months, through the end of the reign.  Why were these particular deities chosen for special worship by the court?  Ooms notes that these shrines were built downstream along the Yamato river, which, along with its tributaries, was responsible for the irrigation of the crops in the Nara basin.  This mirrors, in some ways, the responsibility of rulers in the Yellow River and Yangzi river regions to help ensure the flow of the rivers while preventing devastating flooding – a very continental idea of the responsibilities of the sovereign, though expressed here with a particularly Japanese style. Indeed, Aston associates the deity at Hirose, with the deity of food.   Likewise, the Wind-deities at Tatsuta were also related to helping to grow crops.  After all, Tatsuta would have been situated near the break in the mountains that surrounds the Nara basin, where the Yamato River flows out towards the Kawachi plain.  As anyone who lives near a mountain gap is no doubt familiar, those areas are notorious for channeling weather phenomena, including storms, which can bring rain, but could also bring terrible winds.  So it does seem a natural point to pray for good weather for your harvest or otherwise, given the geography that made up the sovereign's world. We also have, in this reign, considerably more discussion of Ise than we've seen, previously.  In 673 we have the Royal Princess Ohoku no Himemiko entering the Saigu, the Abstinence, or Purification, Palace, where she was to be purified before going to Ise, which she did in the 10th lunar month of 674.  Ohoku is said to have been the first official Saiou, the unmarried royal princess sent to oversee shrine operations, of Ise Shrine.  This is a practice we see at multiple shrines, although it's most prominent at Ise. The term for the position in general is Saiou, although at Ise the royal princess would also be known as the Saiguu, after the purification palace.  Although Ohoku is said to have been the first Saiguu at Ise, this is muddied somewhat by some earlier mentions in the Chronicles.  There are those who are said to have been sent as Shrine Princesses to Ise back in the time of Mimaki Iribiko and Ikume Iribiko, but the process was largely discontinued—or at least rarely mentioned—until this period.  There are certainly several named individuals who are said to have served the Deity of Ise previously, starting with the presumably mythical Yamato Hime, who is credited with founding the shrine.  There are also various royal princesses are noted as either having served or as having been made ineligible due to their indiscretions. However, those earlier mentions rarely go into the detail we see here —starting with the abstinence hall, where the would-be Shrine Princess must purify herself prior to approaching the shrine, a process that took some time.  Certainly we first really see this put into action with Ohoku, and from that time the position of Saiguu or Saiou at Ise does appear to have been regularly filled.  That Ohoku was actually the first "Saiguu" shrine princess appears to be confirmed by the "Fusou Ryakki", which states that the first Saiou was appointed when then Prince Ohoama, in the midst of the Jinshin war, made a prayer to Ise and offered the royal princess Ohoku no Himemiko in exchange for victory.  In fact, a lot of the focus on Ise seems to stem from its apparent involvement, at the behest of either Ohoama or his consort, Uno no Sarara Hime, in the conflict. The following year we are told that the Royal Princesses Towochi and Abe proceeded to Ise Shrine as well, though presumably just for a brief visit.  Towochi, you may recall, was Ohoama's daughter who had been married to Ohotomo, aka Koubun Tennou, whom Ohoama had defeated to take the throne.  Abe was a daughter of Naka no Oe, half-sister to Ohoama's queen, Uno, and would eventually go on to marry the Crown Prince, Kusakabe.  That gives you some idea of the position of those were going to the shrine. Princess Towochi herself would fall ill a few years later in 678.  In fact, it was just as the sovereign himself was preparing to go pay a visit to the abstinence palace, perhaps so that he could also head out to Ise.  The court had a divination to figure out when he would leave, officers had cleared the roads, and the public functionaries were in a line of procession when word came that Princess Towochi, suddenly took ill and died within the palace.  This stopped everything in its tracks, and in that year there was no sacrifice made to the kami of heaven and earth.  I suspect that this was in part due to mourning and in part due to the pollution more generally associated with death. Two weeks later, she was buried at Akaho, and Ohoama raised a lament for her. Later, in 686, we are told that the Royal Princess Taki, the Princess Yamashiro no Hime, and the Lady Ishikawa were all sent to Ise Shrine, though Princess Taki returned in less than a fortnight. Why all this focus on Ise?  Remember that the Chronicles were begun in this era, and so the "truth" they would tell would be the truth that Ohoama and his immediate successors orchestrated. The focus on Amaterasu, her shrine at Ise, and the role of the sovereign as Heavenly Descendant was thus part of the overarching narrative that the Chroniclers tried to promote.  Still, hints that the focus on Ise shrine may have been something largely created in this era, however, are scattered throughout the existing literature, despite the Chroniclers' best efforts. For one thing, it is fairly clear that early on, the focus in the Chronicles is on  Mt. Miwa and the deity  Ohomononushi, rather than Amaterasu.  We also see the fingerprints of deities like Takami no Musubi, who in one story is the one who is actually responsible for sending the Heavenly Grandchild down to earth in the first place. It also seems telling that Amaterasu is not mentioned in earlier court rituals.  Worship of Amaterasu by the royal family takes place at Ise shrine.  Meanwhile, there are various rituals preserved within the traditions of the palace that include many other, seemingly older deities. I have also noted in the past how Ise shrine isn't even the primary shrine of Ise no Kuni.  In fact, that is claimed by Tsubaki shrine, the shrine to Saruta Hiko no Ohokami, with a separate shrine to Ame no Uzume, who are both said to have met the heavenly grandchild on his descent. None of this is to say that Ise Jingu was brand new at the time of the Chronicles' writing —there does seem to have been a shrine on that spot for some time, though even the Chronicles suggest that it might have been moved from a shrine originally housed in the Nara basin.  It is also possible, and even likely, that the rise of Ise and Amaterasu coincided with other trends at the time.  Even if the Sun Goddess had not always been centered in Yamato ritual, she was not a new deity, and it may have been the case that her prominence, and that of her shrine in Ise had been growing in prominence before this time, and so the court was now adopting that popularity for themselves.  Of course, Ohoama and Uno don't exactly spell out what they were attempting to achieve, beyond the unification of the archipelago, more broadly.  How, exactly, their focus on Ise Shrine was meant to play into that I don't know that I could fully state, but it certainly seems to have allowed the sovereign to create a new cultic focus for kami worship with a story that touched on regions from Kyushu all the way to the eastern shore of the Kii peninsula. Given the decentralized nature of kami worship, I don't believe it was possible to completely rewrite all of the stories—hence the numerous and conflicting accounts given in the Chronicles.  However, that is also what would have made it easier to hide newly fabricated—or perhaps simply exaggerated—stories in the mix.  And of course, it wasn't necessarily that the Chroniclers were creating things out of whole cloth, but they were able to choose those things that people would remember and what would be lost and forgotten over time.  They had to make the decision, for instance, which story they told was the "main" storyline, and which were listed as coming from "other books", implying a degree of separation from the truth. Through all of this, it certainly seems that propping up the royal family and its lineage was a central focus—even if that lineage was largely something that had recently been created.  As a reminder, we see a lot heavier reliance at this point on royal princes as opposed to other elite families, and an actual or implied reliance, in particular, on the royal family, as that is where Ohoama was consolidating most of the power and authority. Kitayama Shigeo coined the term "Koushin Seiji" to refer to this idea of a consolidated royal—or imperial—family managing the affairs of state.  Literally it is something like "Imperial Family Government".   In Shigeo's concept this was specifically an autocratic authority executed by the sovereign, and those of his immediate family.  Of course, writing in the post-war era, it is more than a little likely that Shigeo and others were looking at the concept of Tennou in the 20th century compared with many other world monarchs.  In that vein, the Asuka and Nara periods do seem to have been one of the rare times—perhaps even the last time—that the sovereigns had such a direct hand in the government and the making and establishment of law and tradition. That said, not everyone ascribes entirely to the idea that Ohoama was a completely autocratic despot—after all, it was clear that there were still plenty of powerful families in the archipelago, and the Ritsuryo state itself was also being strengthened.  Still, it does seem that Ohoama had brought his queen, Uno no Sarara, and his descendants into government.  And they would not only assist him, but continue his work for the next generations, such that even though the histories would not be finished until well after Ohoama's death, they would still show his influence on events. The dedication of the royal family to work as one is perhaps most clearly demonstrated in the events of the 5th lunar month of 679.  It was then that the sovereign, and his family, proceeded to the Yoshino Palace.  Now Ohoama had plenty of offspring—among them 10 sons.  And as long as he was around, there would be a certain amount of civility, but he knew all too well how things could break down after a sovereign's death.  And so he brought them together and he made them enter into a pact, which we know as the Yoshino Covenant, or Yoshino no Meiyaku.  Besides Ohoama himself, there were several others in attendance, presumably those who might stand to one day inherit the realm.  These included his partner and queen, Uno no Sarara Hime, as well as her son, Prince Kusakabe, who would be named Crown Prince, only a couple of years later.  It also included the Royal princes Ohotsu, Takechi, Kawashima, Osakabe, and Shiki.  All of these individuals were made to swear an oath to support each other, even though they were all from different mothers, and they agreed. But so what?  Why does it matter?  It is all well and good that Ohoama brought them together for a bit of kumbaya in his old digs away from the capital, but was there anything really to this covenant. This covenant is significant in several ways.  First off, it is clear that Ohoama was pulling in his family and trying to ensure they were onboard with what he was doing and what was planned.  Furthermore, it set out a clear line of succession, something that had not really been done up to this point. We have ideas on what would have made a candidate eligible, but other than naming a particular crown prince there hasn't exactly been any clear process or rules of precedence for who would assume the throne.  Here, though, we have a list that appears to be in order of precedence, since it otherwise may not seem to make sense, at least from a modern perspective. A key clue in the Chronicles is often the order of the names.  The most important or highest ranking person is usually given first, and then names are typically given in descending order of precedence.  There are clues that this is the case, but it becomes even more stark when we actually see reference to an individual's court rank or the size of their fief.  Since this period brings about court rank even for royal princes, we have some of that, at least in later records.  As such, there is the idea that this order was actually providing for a line of succession.   As I mentioned, up to this point, the contest for the throne was a toss up with each monarch's death.  Claims from competing princes were often considered equally valid until one proved their claim through a political or military victory.  Ohoama appears to have been trying to add greater structure to this.  Specifically, we see that Uno no Sarara's son, Kusakabe, is given pride of place.  In fact, throughout the Chronicle it is typical that we see the Chroniclers designate a queen—a Kougou—that is considered the primary wife.  This queen is almost always found to be the descendant of previous royalty, granting their child a doubly royal lineage, through both the maternal and paternal lines.   There has been plenty of reason to doubt that this was actually the case, and it often seems like the Chroniclers stretched things more than a bit to make it all work out.  However, now we are almost more concerned with the very *truth* that the Chroniclers were attempting to burn into the social consciousness rather than the historical facts, because that gives us direct insight into how the court of the day viewed succession and legitimacy.And that does lead to another possible thought:  since the Chroniclers knew how things turned out it is possible that they were the ones ensuring that the order was as we have it.  So we cannot definitively say that this exactly mirrors's Ohoama's idea, but it certainly seems in line with his history and intentions and helps set the stage for us, at least, regarding what would later transpire in regards to succession.. Getting back to the covenant, as I noted, the first person listed, after Ohoama and Uno no Sarara Hime, is Prince Kusakabe.  He would be about 17 or 18 years old at this time, which is probably why he wasn't formally named Crown Prince until a couple of years later.  He isn't the eldest son, however.  Rather he was the second son.  Ohoama's eldest son, Prince Takechi, was actually third in line. Takechihad been with his father helping to lead the troops during the Jinshin War. While he was some 8 years senior to Kusakabe, he was nonetheless a son of Amago no Musume, one of Ohoama's consorts from a powerful clan, but not a royal princess like Uno no Sarara, Kusakabe's mother. Between Kusakabe and Takechi, in the second place spot for succession, was actually Prince Ohotsu, whom we also mentioned during the Jinshin War.  Ohotsu was likely 16-17 years old around this time.  While he was the third eldest child, he, like Kusakabe, was the son of a Royal Princess, Princess Ota, daughter of Naka no Oe, giving him greater bonafides than Takechi, apparently. So, in the top three slots, we have: Ohoama's eldest son by a royal mother, Ohoama's second eldest son by a royal mother, and finally Ohoama's eldest son by a non-royal mother. Fourth in line, and the 4th eldest, presumably, though I don't know that we have an actual age for him, is Prince Wosakabe.  He likely wasn't too young, however, as he had been given the task, previously, to polish the divine treasures in Isonokami's storehouse. It would appear that six of Ohoama's other sons didn't even get a mention.  That includes Princes Naga and Yuge, born to another daughter of Naka no Ohoe, Ohoye no Himemiko.  Then there is Prince Toneri, son of Royal Princess Nittabe, not to be confused with Royal Prince Nittabe, Ohoama's son by way of a daughter of Fujiwara no Kamatari.  Finally there was Royal Prince Hodzumi, a maternal grandson of Soga no Akaye, and Prince Shiki, a full brother to Prince Wosakabe. Prince Toneri is particularly conspicuous in his absence.  We know that he held the 5th rank, and two positions in government—that of Nagon, or Councillor, as well as the Minister of the Household, our Kunaikyou.  This may be because he was not doing so well.  We aren't told the story until the following year, on the 2nd day of the 7th lunar month of 680, when we are told that Prince Toneri took ill and was on the point of death.  His half-brother, Prince Takechi, went to check on him, and a day later Toneri passed away.  The way these are written it would be easy to believe that it all happened in a pretty short timeframe, but it is also just as likely that illness lingered, especially without modern medicine.  So it is possible that Prince Toneri was too sick at the time of the original covenant, though there could be some other reason we weren't told. This doesn't necessarily hold for all of the others, though.  For instance, we have the Princes Naga and Yuge mentioned in 693, well over a decade later, being granted the 2nd Broader Pure Rank at the same time that Prince Takechi is granted the 1st Broader Pure Rank.  So we can at least see that they were ranked below Takechi.   Similarly we see Prince Hodzumi likewise attained 2nd Broader Pure Rank at some point, and was still around to have his own fief and to receive houses to it in the following reign.  Hozumi even ranked above some of the others were in Yoshino, and yet was not present. It is possible that the princes not mentioned, assuming they had not met with an untimely end that was not mentioned in the record somewhere, could have been too young or too junior at the time of the meeting.  After all, when we look at the known ages of those who were there, we see that Prince Takechi may have been 25 years old, but Prince Kusakabe and Prince Otsu were just under 20, and it is unclear if others were older or younger than they were. There are two other princes who were part of the covenant who were not, perhaps surprisingly, sons of Ohoama.  Rather they were his nephews, sons of Ohoama's brother, Naka no Ohoe.  They were the princes Kawashima and Shiki. Kawashima is mentioned several times throughout the record.  Kawashima's mother was from a high ranking noble family, but given that Kawashima was married to his cousin, one of Ohoama's daughters, that may have brought him closer to the family.  He was about 22 years old at the time, too.  We see him often teaming up with Prince Osakabe on various projects, including the project to compile together the history of the royal household.  In fact, Prince Kawashima always precedes Prince Osakabe when they are mentioned together.  That said, we have evidence of Kawashima only being awarded up to 3rd Greater Pure rank, below even that of some who were not present, such as Prince Hodzumi.  His importance and impact, however, is noted through his numerous appearances in the record. In contrast, Prince Shiki has almost no mentions in the record.  It doesn't help that there are two Princes Shiki, one born to Naka no Ohoye and one born to Ohoama.  Their names are spelled differently, however, and although the first character of "Shiki" used in the Yoshino record matches neither name, the second character suggests that this was the son of Naka no Ohoye and not the Shiki that was brother to Prince Osakabe—though given that one followed the other in the record, there may have been some confusion on this point. And with all of that we have our apparent line of succession, as well as an idea of who the movers and shakers might be within the royal family.  From Ohoama and Uno no Sarara, we have Princes Kusakabe, Ohotsu, Takechi, Kawashima, Osakabe, and Shiki.  Six princes, four directly descended from the current sovereign, Ohoama, and two from the Naka no Ohoe lineage. Obviously, promoting the idea of a strictly patrilineal succession of father to son would have caused some problems for Ohoama's own legitimacy, not that anyone was going to gainsay him while he was on the throne.  However, with Kusakabe they seem to have established that in a de facto format, at least.  Furthermore it provided a blueprint for succession might fall to the other lines should the main line not work out.  This put Prince Ohotsu as next in line, should anything happen to Kusakabe, followed by Takechi.  That Kawashima may have had a shot over Osakabe and then Shiki is interesting as it suggests that it wasn't strictly about who descended from whom. We'll have to wait for Ohoama's death before we can fully appreciate how well this worked, of course.  Throughout history, agreements and covenants amongst powerful interests are often only as permanent as long as all of the interests remain aligned with one another, whether through mutual benefit or threat of consequences.  Once the power shifts, as it always does, those promises and treaties are almost always up for renegotiation, unless they are supported by some higher authority, whatever that might be. Following the royal family's off-site, they returned to the palace in Asuka.  There they had a formal ceremony in the Great Hall, the Ohodono, where the six princes all demonstrated their allegiance and paid respects to Ohoama.  Given the timing of this event, one can likely assume that it was a kind of public acknowledgement of the covenant and the agreement that they would all be working together as a united front on the project of the government. And with that, I think we can bring it to  a close for now.  There is plenty more about this reign to discuss before we move on, but we'll get there. Until then, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.  

SBPC Metal Reviews #2 includes:1) Chemicide - "Violence Prevails"2) Fullminator - "Destroy Tokyo"3) Tyrants - "Baptized In Blood"4) Necronado - "Mass Of Abomination"5) Coroner - "Dissonance Theory" (c)2025 Scatterbrain Productions.

MCTAGUE: LANCASTER COUNTY ECONOMY AND AI FEAR Guest: Jim McTague Reports from Lancaster County show a strong local economy: a metal forming company is "busy as they've ever been" and actively hiring, and the mall is packed with shoppers. Tourism is thriving, exemplified by sold-out shows at the Sight and Sound Theater. However, a persistent fear of AI-driven layoffs exists among retirees, despite no personal connection to the issue. Data centers supporting AI are rapidly being built in the area.