Podcasts about vocals

“You know, the Dr. Pepper jingle, a year ago, there was that jingle. So I'm not going to make any claims that the jingle itself isn't great. It's a great jingle. And I do think if you analyze it, there are a lot of ways you can dissect it to actually properly represent Dr. Pepper. But I do think that the main reason it became so viral and people are still linking it to Dr. Pepper is the roll-out strategy, even though it wasn't intentional. I believe she was an influencer or an Insta or a content creator on social media who recorded a song on her phone. And there was this whole thing. It went viral and they published it in the Super Bowl or whatever it is. But I really think it's the roll-out that made it so big.” – Sami El-QuqaThis week's guest is the founder and CEO of MusicGrid, a leading sonic branding agency serving brands across the GCC and wider MENA region. With over a decade of experience in the music industry, he blends creative expertise with strategic business insight to help organizations translate their brand identity into sound. A graduate of Berklee College of Music in Contemporary Music Composition and Production, he also holds a Master's degree in International Business Management, specializing in music licensing and intellectual property in the digital age.He's worked with over three hundred brands across government, financial, and commercial sectors, leading projects that position sound as a core driver of brand recognition and emotional connection, and he's contributed to copyright legislation in Kuwait while regularly participating in regional industry events as a speaker and advisor, shaping the future of sonic branding in the Middle East.His name is Sami El-Quqa, and in this discussion, we'll be discussing why sound is a brand's most unavoidable tool. He'll reveal how to cut through marketing noise, the psychology behind sounds we can't forget, and the secrets to blending cultural heritage with modern tech. Whether you're a CEO or a creator, you'll learn how to stop being just ‘seen' and finally start being heard.And if you like what you hear and you want to support this podcast, there are a bunch of ways to do that at audiobrandingpodcast.com, including subscribing to the YouTube channel, the newsletter, writing a review, or buying me a coffee. Because this takes a lot of coffee. Thanks so much.(00:00) – Sami's Early Memories of SoundAs our conversation starts, Sami shares an early memory of sound that helped spark his musical career. “There's a TV channel that, during Ramadan, would play this jingle,” he recalls. “It was called the NBC Ramadan jingle. And I'd say that's my earliest memory… of music that not just moved me, but music that I could attach to a specific calendar day on the year.” He tells us about his studies at Berklee and how he made the jump to music licensing, and how his father's advice helped convince him to focus on sonic branding in the Middle East. “He said, ‘You know what, this is a market that doesn't really have that. If you stay in the UK or if you go back to the US, it's a saturated market. You may not be really filling a gap there,'” Sami recalls his father telling him. “There's a need for culturally relevant Middle Eastern music or Saudi or Kuwaiti music, but there was nowhere to really find that.”(11:28) – The Secret to Creating Sonic IdentitiesSami tells us more about culturally authentic sonic branding in the MENA region vs the West, and his perspective as someone who's been on both sides. “Even Hollywood movies,” he says, “sometimes for us here in this region, when we watch a clip of a Hollywood movie and they're in the Sahara Desert, the music is often off. We call it Orientalist or Aladdinesque.” We talk about his early career in sound and how hiring an orchestra helped give a sonic brand launch an extra boost. “For the launch,” he explains, “they wanted something grand and prestigious. So we worked with an orchestra in Europe to record and film a launch film and a performance of that sonic identity…. people not only became more aware of the brand Trolley, but they are able to remember it more because of the launch film.”(20:16) – Blending Heritage with ModernityThe first half of our conversation comes to a close as Sami tells us more about the branding process and how it can change depending on the industry. “When we work in finance,” he says, “a lot of brands are looking to be digital first. That's a big initiative when it comes to finance, because their most important touchpoint is their phone app.” We discuss how each campaign's approach can depend on its region, and how the younger generation is increasingly blurring those geographical lines. “There's a large cultural influence everywhere from North America, from England,” he explains, “so often [being] modern means being attractive to the younger generation who doesn't only speak Arabic, but their second language is English, and they're also influenced by Western culture.”Episode SummarySami shares his early memories of impactful music and jingles.The process of developing sonic identities through client workshops.Sami discusses how to merge cultural heritage with modern soundscapes.Tune in for next week's episode as we discuss how Sami fused traditional and high-tech sound for the Kuwaiti Stock Exchange's sonic logos, his approach to implementing an effective branding strategy, and the dramatic changes he's seen in the audio industry just within the past seven years.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

“My grandfather used to say, aim for the moon and you might catch a star on the way down. And at his funeral, I gave a sort of eulogy and told everyone this story and said, ‘I assume everyone's heard this one from him because he was a storyteller.' There were about a hundred people there, and they were like, ' No, we've not heard that story. But afterwards, fifteen, twenty people did come up to me and say, ‘He sent me a letter, and he told me this, a different thing. And he told me that…' And I guess one of my biggest inspirations, which is why I try and mentor, because I think he mentored me without saying, ‘Greg, I'm mentoring you.' But I've realized that I need to mentor people, and actually, I think all of us need to mentor and to be mentored.” – Greig WattsThis episode is the second half of my conversation with author, songwriter, and music publisher Greig Watts as we discuss bridging the gap between creativity and the practical side of business, his tips for dealing with the inevitable rejections that come in the music industry, and how a teacher who literally washed kids' mouths out with soap influenced his own approach to teaching students.And if you like what you hear and you want to support this podcast, there are a bunch of ways to do that at audiobrandingpodcast.com, including subscribing to the YouTube channel, the newsletter, writing a review, or buying me a coffee. Because this takes a lot of coffee. Thanks so much.(00:00) – Balancing Art and BusinessAs the second half of our conversation starts, Greig tells us about some of the early influences that turned him both towards and, to some extent, away from sound. “I remember having my school's careers interview,” he recalls, “and they said, ‘What do you want to be?' ‘A songwriter and a business person.' And they were like, ‘No, you need a job.' And I was like, ‘songwriter.' And eventually I sort of said, ‘Well, you know, I am running my own business, and I am writing songs.'" He talks about the wisdom his grandfather shared with him and how he now mentors other musicians, including teaching them that rejection isn't a personal failure. “It's not that you're not good enough,” he explains, “it's that someone else's song fitted [the project] better than yours. That means you could have had the best song, but their song fitted the criteria, so [your] song can still go somewhere else.”(12:51) – Keeping the Dream AliveGreig tells us about his first book, originally written during COVID-19 when he wanted to share what he's learned with his children. “It's called Keeping the Dream Alive, [because] I'm a dreamer. So that's the main thing. But then it has the subtitle of A Songwriter's Guide to Overcoming Rejection, Finding Success, and, most importantly, I think, Enjoying the Journey Along the Way.” We discuss the power of sound and one particularly poignant memory of his grandmother, who suffered from dementia in her later years. “They'd just done their Christmas nativity play,” he recalls. “So I said to them, ‘Why don't you sing ‘Silent Night?'' And so they sang ‘Silent Night,' and up she sat, and she sang it with them. And then at the end, when we'd finished, she sang a verse that we never even knew.”(24:06) – The Difference Teachers MakeAs our conversation wraps up, Greig shares his own thoughts about the power of sound, and how deeply it can connect us with the past. “As a 35-year-old man,” he recalls hearing the 1970s Incredible Hulk theme for the first time in years, “I started crying, and I was like, ‘Why am I crying? I don't know why I'm crying.' And then I remembered I used to watch this when I was seven, and I always used to feel sad at that point. So the memory thirty years later triggered the same emotion.” He talks about the impact teachers have made on his life, both good and bad, and how he strives to use the lessons he's learned from them while teaching the next generation of songwriters. “They will never hear me shout at them,” he says. “I might shout an instruction across to just make sure, but not an aggressive shout because that's not my job. My job is to give them instructions, then they go out and do it.”Episode SummaryGreig shares how his grandfather inspired his mentoring philosophy.Our conversation about how neurodiverse people can excel in creativity.The importance of understanding the business side of songwriting.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

Hardstyle Vocals Vol. 2 by HighLife Samples is a powerful royalty-free vocal sample pack designed for producers seeking to bring energy, attitude, and character to their Hardstyle and Happy Hardcore productions. Inside, you'll find 5 complete vocal kits, each designed to give you everything you need to build memorable vocal-driven tracks. Every vocal kit includes dry and wet vocal versions and doubles, giving you the flexibility to use the vocals exactly as they are or process them to fit your own sound. But the vocals are only part of the package. Each kit is supported by a selection of WAV instrumental loops, including hard-hitting bass loops, synths, FX, and drums, making it easy to start building a complete production around the vocals. MIDI files are also included, allowing you to customize melodies, basslines, and other musical elements to match your own style, key, and arrangement. Whether you're producing modern Hardstyle, euphoric Hardstyle, or high-energy Happy Hardcore, these sounds are designed to fit naturally into fast, energetic productions. Use the vocals as the centerpiece of your track, combine them with the included loops, or take the MIDI files and create something unique. With royalty-free licensing, you can use the sounds in your own productions without worrying about additional royalties. Hardstyle Vocals Vol. 2 gives you the vocal hooks, musical loops, and production-ready elements you need to take your next high-energy track to the next level.

A quality new release from Tawiah. A new 45 release from The CJP Band. Reggae / Dub from Kabaka Pyramid, Protoje, and Violinbwoy meets Laboratorium Pieśni. Vocals and Beats from fejao & Samtheman, and Werkha feat Bryony Jarman-Pinto. Broken Beat with Alex Phountzi remixing Da Lata, and EVM128 remixing Belezamusica version of Roy Ayers' ‘Running Away', and brekkyt remixing Dele Sosemi. Rap form Shayk (with heavy bass). A new deep chugging tune from Jam City. Plus plenty more music treats.

Singer-songwriter Ashe exploded onto the scene with her hit divorce track "Moral of the Story," and has since collaborated with FINNEAS to form the group The Favors. Her upcoming solo album, "The Girl of Your Dreams," will be released on October 16th. Ashe previews the album with special live performances. Photo by Silken Weinberg Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

VOCALS ONLY VOLUME TWO by TW!STA

[REBROADCAST FROM June 10, 2026] Tori Kelly discusses her latest album, God Must Really Love Me. Photo courtesy of the artist Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

“I've been, so one of my writer friends who I published, a guy called Ian Kerner, he was one of the producers behind “Never Gonna Give You Up” by Rick Astley and “Stay Another Day” by Seventeen and Kylie. He was a big producer, and I took him to Eurovision. He was the first person I went with, and he turned to me and said, ‘This is the biggest thing I've ever done.' And I'm sitting there thinking, ‘But you were number one in America with Rick Astley.' Yet he's saying that he meant the show. The show was, ‘I've never been, it's like the Olympics. It's that big.' And then you want to go back every year. Every time I take someone new, they're like, ‘I'll come back next year. I'm trying to get in next year.'” – Greig WattsThis episode's guest is one half of the UK-based writing, production and publishing team DWB, and in recent years, he's successfully hosted several songwriting camps, catering to Asia and Eurovision. The triumph of these camps and the songs they produced has established him as an expert in the fields of songwriting for the Eurovision Song Contest. Since 2016, he's supervised eighteen Eurovision entries across eleven consecutive years, along with approximately 80 national finalists within that time frame. His expertise has also led to him becoming a sought-after conference speaker, panelist, and moderator; he was the Music Consultant for Eurovision for the BBC for 2019, and he's just released his first book, Keeping the Dream Alive, which has already become an Amazon bestseller.In this conversation, we explore the moments when he nearly walked away from music, the power of reconnecting with the sounds that first moved him, and why he believes creativity is less about ego and more about connection. His name is Greig Watts, and we talk about using Eurovision as a strategic launchpad and how understanding the business of music can protect the soul of it. If you've wondered how sound becomes strategy, or how resilience turns into resonance, this episode is for you.And if you like what you hear and you want to support this podcast, there are a bunch of ways to do that at audiobrandingpodcast.com, including subscribing to the YouTube channel, the newsletter, writing a review, or buying me a coffee. Because this takes a lot of coffee. Thanks so much.(00:00) – Greig's Transition to SongwritingOur conversation starts off with Greig's early memories of sound, particularly how, as a toddler, Manfred Mann's “Do Wah Diddy Diddy” became part of the soundtrack of his life. “Whenever I hear that song,” he explains, “my great-grandmother Goodman pops back into my head, and I can only have been three at the time, but it's a real, definite memory, and I think I've got lots of those memories.” Greig tells us how his career in sound began, including how he turned down a record deal as the lead singer to follow his true passion. “What I really wanted was the songwriting,” he tells us. “It wasn't to be a front person… I was kind of getting engaged to my first wife, and I was like, I don't really want to go to Japan and be a front person in a band. I want to be a songwriter.”(14:05) – Eurovision and the Global MarketGreig tells us about his work with Eurovision and what it's taught him about bringing new musical acts to the world. “We organized our own songwriting camp,” he recalls, “and asked people to come. Probably had thirty people out there, and that's how we got our first entry for Norway. And since then, we've had an entry every year, and actually we've had 18 entries in 11 years.” We discuss his work with boy bands, J-pop, and K-pop artists, and how the international pop scene's shifted in recent years. “Japanese [artists] don't tend to come out of Japan so much,” he explains. “It's a big market, they're not so bothered about that. But Korean culture, the government is funding Korean culture coming out. That's why we're getting, you know, Squid Game. That's why we get lots of Korean films.”(28:41) – Greig's Reflections on CreativityWe discuss how Greig's career almost took a turn away from sound, and what it took to bring him back into the industry. “Eventually, I kind of felt I needed to take a year off,” he tells us, “but I wasn't going to say that. I kind of knew it, and eventually, about two years later, my wife said, ‘You need to finish now. You need to go and take a year off.'" He talks about his foray into banking, and the breakthrough that cemented his career as a songwriter. “We did say, give me a year and if I'm not making money by the end of the year, then I go back to the bank… On month twelve, I got offered a job to set up a publishing department of a record label, which meant as a songwriter, I suddenly had income.”Episode SummaryGrieg's shift from band member to songwriter and music consultant.His insights into the Asian music market and its dynamics.Our discussion on how sound influences our feelings and memories.Tune in for next week's episode as we discuss the valuable lessons his grandfather shared with him and others in his life, how neurodiversity can almost be an advantage when it comes to certain industries, and why being the best songwriter doesn't necessarily lead to the most success.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

Vocals and music production for this Musica Amente song were created with Suno A.I. Listen to more songs by Music Amente on Spotify.

Vocals and music production for this Musica Amente song were created with Suno A.I. Listen to more songs by Music Amente on Spotify.

Kevin and Corey are back for Part Two with hosts Sean and Todd, diving into the hilariously chaotic world of music and pop culture. This episode is all about the wild ride of Milli Vanilli and the shady practices behind their rise and fall in the music industry. We explore how image sometimes trumps talent, and the absurdity of a world where looks can get you further than your vocal cords. With plenty of laughs, playful banter, and even a few jabs at the music biz, we cover everything from the duo's lip-syncing scandal to the surprising cultural expectations in Portugal's music scene. So grab your headphones, kick back, and join us for a fun-filled discussion that promises to keep you entertained and maybe even a little enlightened!Linktree: https://linktr.ee/seangeekpodcastPatreon: https://www.patreon.com/c/seangeekpodcastWe are a part of the Boneless Podcast Network: https://bonelesspodcasting.com/ Merch:Tee Public: https://www.teepublic.com/seangeekpodcastRed Bubble: https://www.redbubble.com/people/seangeekpodcast/shop@seangeekpodcast on Twitter, Instagram and FacebookTakeaways:In this episode, we dive deep into the Milli Vanilli scandal and how their story reflects the music industry's obsession with image over talent.The hosts share hilarious anecdotes about their personal experiences with karaoke, emphasizing the wild and unpredictable nature of live performances.We discuss the cultural differences in music performances, especially how Portugal's fado tradition demands live singing, contrasting with modern pop's reliance on backing tracks.There's a lighthearted debate about the impact of AI on music today and whether listeners truly care about who the artist is anymore.

Vocals and music production for this Musica Amente song were created with Suno A.I. Listen to more songs by Music Amente on Spotify.

Vocals and music production for this Musica Amente song were created with Suno A.I. Listen to more songs by Music Amente on Spotify.

Vocals and music production for this Musica Amente song were created with Suno A.I. Listen to more songs by Music Amente on Spotify.

Recorded April 5, 2026 - Sunday Evening Service Kristin on Vocals & Kris on Piano

Vocals and music production for this Musica Amente song were created with Suno A.I. Listen to more songs by Music Amente on Spotify.

Vocals and music production for this Musica Amente song were created with Suno A.I. Listen to more songs by Music Amente on Spotify.

Vocals and music production for this Musica Amente song were created with Suno A.I. Listen to more songs by Music Amente on Spotify.

“And I did get to do a session with Count Basie and his orchestra. You know, it's a lot easier to record people that play well than people who can't play well. Because, I mean, it almost records itself. I mean, yeah, you got to set up the microphones, you got to use the right techniques and so forth, and don't overload the microphones. But these great players are much easier to record than mediocre players with the same equipment.” – Robin GulcherThis episode is the second half of my conversation with sound designer Robin Gulcher as we discuss how room tone can make or break recording quality, Robin's advice to film students on making the best use of sound, and his memorable recording session with a bagpipe-and-jazz band.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) – The Importance of Dynamic RangeAs the second half of our discussion begins, Robin reveals when and how commercials became so much louder than the shows we're watching. “That was sort of intentional,” he explains, “because back when radio and television were broadcast through the air, the way they could increase their advertising rates was getting to more people. And since the [signal] of a compressed commercial is denser, it could travel through air farther.” He tells us about his work with film directors, and the dangers of overlooking the importance of room tone in a recording session. “The director that I was working with said, ‘You know, in this digital age, we don't need to stop and take the time to do the room tone because you can just do your digital stuff.' I said, ‘Yeah, but the problem with that is, what do the actors do between sentences? They breathe. So that's not room tone – that's breathing.'”(12:39) – Robin's Most Memorable SessionsRobin tells us about some of the artists he's recorded over the years, such as Count Basie and the Orchestra, and what he learned from setting up the microphones for a bagpipe-and-jazz jam session. “I've recorded a lot of, you know, great instrumentalists,” he tells us. “And it's just, when you're recording great players, and the Count Basie Orchestra was full of great players, it's just an easier job.” He shares the lessons he gives his students about the power of sound in marketing, and why jingles aren't necessarily his go-to branding approach. “It really cramps creativity,” he explains. “Clients say, ‘Well, I spent all that money on that jingle, and I want to hear it. I want to hear my name sung.' And so it sort of limits the agency's creativity options by selling them things like jingles.”(24:26) – Cinematic Soundscapes and Sonic LogosAs our discussion comes to a close, Robin tells us about what his work in cinematography has taught him about the power of sound. “In films, whether it's animation or drama or comedy, I think it's more environment branding,” he explains, “putting them in a space. And you know, if this particular space is seen in other areas of the movie, it sounds the same because it's the same space.” We discuss how brands can take the same approach to sonic logos, and talk about the art of creating impossible sounds. “They were in that big castle,” he recalls a climactic scene from Peter Jackson's The Hobbit trilogy, “and the dragon was in there, and no one had ever been in that space before. And the sound design team had to create something that nobody had ever heard before for that environment.”Episode SummaryWe discuss Robin's sound design approach at Columbus College.The importance of dynamic range in sound design and commercials.Exploring the untapped potential of sound in film and advertising.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

Vocals and music production for this Musica Amente song were created with Suno A.I. Listen to more songs by Music Amente on Spotify.

Vocals and music production for this Musica Amente song were created with Suno A.I. Listen to more songs by Music Amente on Spotify.

Vocals and music production for this Musica Amente song were created with Suno A.I. Listen to more songs by Music Amente on Spotify.

Vocals and music production for this Musica Amente song were created with Suno A.I. Listen to more songs by Music Amente on Spotify.

Vocals and music production for this Musica Amente song were created with Suno A.I. Listen to more songs by Music Amente on Spotify.

Vocals and music production for this Musica Amente song were created with Suno A.I. Listen to more songs by Music Amente on Spotify.

Vocals and music production for this Musica Amente song were created with Suno A.I. Listen to more songs by Music Amente on Spotify.

Get your copy in high quality and make your support here: https://li.sten.to/mblomdualismsingle Composed & produced by Martina Budde & Ladies On Mars. Mastered by Matias Parisi Mastering. Vocals by Ivo Borda.

Apparently guitars have been hogging the distortion for far too long, so Chris & Jody have decided it's time to redistribute the dirt. Welcome to another episode of Inside the Recording Studio, where clean audio is perfectly acceptable right up until somebody decides it needs hot sauce. This time, Chris & Jody are talking distortion. Yes, guitar distortion is invited. Obviously. But stopping there would be far too sensible. Bass gets distortion. Drums get distortion. And distortion on vocals? Absolutely. Why should guitar players have all the fun? The idea is simple: distortion does not have to belong to one instrument or one style of music. You can use it as another creative tool when shaping sounds in your studio. Sometimes a little dirt is exactly what a track needs. Or maybe a lot of dirt. We're not judging. Chris & Jody take the hot sauce approach to the subject. Sprinkle some on and see what happens. The goal is not to turn every recording into a fuzzy mess. It's to stop assuming that distortion has only one job. When you start trying it on guitars, bass, vocals, and drums, you give yourself more ways to change the character of the sounds already sitting in your session. That's where creative distortion becomes interesting. If you're working with home studio gear, experimentation is part of the fun. You already have tracks in front of you. Why not find out what happens when something that normally stays clean gets a little less polite? Vocals can get dirty. Bass can get nasty. Drums can apparently be fried too. Somewhere, a perfectly clean waveform is becoming nervous. Along the way, Chris & Jody keep the conversation practical while providing the expected amount of nonsense. Because if you're going to talk about intentionally adding distortion to perfectly usable audio, you might as well enjoy yourself while doing it. And after all that sonic abuse, Friday Finds returns. That means once Chris & Jody have encouraged you to start throwing distortion around your mix, they'll also give you some new toys to investigate afterward. Responsible? Maybe not. Fun? That's another matter. The takeaway is not that everything needs distortion. It's that distortion deserves a wider job description. If you've automatically associated it with guitars and metal, there are bass tracks, vocal tracks, and drum tracks waiting to challenge that idea. So open a session, find something suspiciously clean, and consider adding a little dirt. Subscribe to Inside the Recording Studio for more studio tricks, home studio gear talk, Friday Finds, and the occasional questionable decision that somehow makes the mix more interesting.   #HomeStudioGear #CreativeDistortion #GuitarDistortion #BassDistortion #VocalDistortion #DrumDistortion #StudioGear #FridayFinds 

  Vocals and music production for this Musica Amente song were created with Suno A.I. Listen to more songs by Music Amente on Spotify.

“I think that making images come to life with sound helps the audience with the story and with the emotion of the story. It puts them in the right place. They know what it is they're supposed to pay attention to. We talked earlier in our first meeting about this line-of-sight editing, that is, a video editing thing that they do to get the audience's eyes to move to what's important on screen. And we can do the same thing with audio. We can tell them, ‘OK, this is important over here.' And whether or not they saw it, now they know it, if that makes sense.” – Robin GulcherThis week's guest provides sound design, mixing, and recording services for Advertising Agencies, Film/Video production companies, Publishing Companies, Independent Filmmakers, and Corporate clients, and he's been the production sound mixer for countless commercial and film shoots over the years. Through his work at audibleRicochet, he's rescued imperfect recordings, crafted immersive soundscapes, and helped brands and filmmakers bring clarity and emotion to their projects. And as an adjunct instructor in the Cinematic Arts Department at the Columbus College of Art and Design, he continues to further his craft, as well as the future of the filmmakers and animators he teaches.His name is Robin Gulcher, and in this episode, he shares how sound can transform the ordinary into something memorable – and why what we hear often matters more than what we see.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) – Navigating the AI LandscapeOur conversation starts as Robin shares his experiences with AI sound and voices, including the surprising impact it made after one recent session. “It was a long, educational VO thing,” he tells us, “The client asked for this particular voice,… they directed it, and the voice talent sent the invoice and an AI disclaimer after the fact, and so they fired us all.” He recalls his own use of AI in a very different situation, and how it helped avoid a recording crisis. “She picked up the phone, and she was in labor,” he says about a voiceover artist scheduled to record that day. “But she picked up the phone, you know, and so what I did was, we sampled her voice, and the sentence that had this person who was coming up on stage with [a] mispronunciation, we put that in phonetically and did it a couple of times.”(13:50) – How Robin's Audio Journey BeganWe circle back to Robin's early memories of sound, and what inspired him to begin his career in audio. “Music was always in my house,” he says, “whether it was, you know, on the RCA phonograph or whether it was a couple of live players that stopped by the house and jammed and stuff. And I just grew up around it.” He tells us more about how he formed his remote studio, audibleRicochet, and how its timing coincided with the COVID pandemic. “Things had changed so much,” he explains, “and I had actually had facilities here at the house. And so, you know, if there was a snow day, I'd stay home and work and stuff. And it just became more obvious to me that we didn't need that facility.”(24:32) – The Emotional Impact of SoundAs the first half of our conversation wraps up, Robin shares his thoughts on how the power of sound shapes our cinematic experience in ways we don't fully realize. “Sometimes with sound design, you can do things that are unexpected that also help the story,” he says, “but they have to believe it, and you have to do it in a way that they'll believe it.” He gives us an example of a memorable use of sound in filmmaking from the 2014 film A Most Wanted Man: “The talking and stuff, that faded away, and the only thing you heard was his footsteps… As he got to the door to the elevator, the footsteps stopped, and then the crowd and the background went back to normal as if we went back to reality.”Episode SummaryOur conversation about the voiceover challenges and opportunities posed by AI.An exploration of the audio techniques that help guide audience focus.Robin and I discuss how sound enhances storytelling and audience engagement.Tune in for next week's episode as we discuss the surprising history behind why commercials are so much louder than television, why Robin advises his students against writing jingles, and what sonic logos can learn from the techniques used to create consistent cinematic soundscapes.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

Vocals from Juls "Summer In The Ends" married with LNTG's rework of Sade "I Never Thought I'd See The Day" Hope this brings you some calm

Amazing Grace Traditional American Folk Song - Bob Dana, guitar and vocals by First Community Church

The Old Rugged Cross George Bennard (1873-1958) - Bob Dana, guitar and vocals by First Community Church

“I don't think AI quite has us figured out yet because, as human beings, we'll listen to sad songs to feel better. I don't think it understands that. That's true, it's contrary… Yeah, I mean, I think that AI has its place. I'm not all against it, just as a matter of course, I just think that it shouldn't replace our creativity. That's what makes us human, and I don't want to see a computer replace that. Yeah, I want it to clean my house and cook my meals so that I can create.” – Jodi Krangle & Laney McCormickThis episode is the second half of my conversation with music supervisors Laney and Matt McCormick as we talk about how AI music's changing the way human musicians approach their work, striking the right balance between playing it safe and making a memorable sonic impression, and how COVID and the rise of social media have changed sound editing and our approach to sonic branding.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) – AI and CreativityOur conversation continues as Laney and Matt talk about the impact of AI on their industry, such as how fast musicians who find themselves competing with AI feel they have to work. “The speed's definitely an issue,” Matt says. “It's not easy to crank out an authentic song, and it's not even easy to crank out an inauthentic song. In a lot of ways, it's even harder.” Laney notes some of the trends she's seen in music marketing and how positive messaging is making a comeback. “I see more for that whole motivational lyrical content,” she explains, “They want rap and hip hop beat, female vocal, clean lyrics, and we see a lot of requests come in with female vocals. I think that's really cool.”(12:45) – Trends in Music LicensingThe discussion turns to pop culture and how sound is becoming more and more important in making a strong impression. “Stranger Things has a huge budget for music,” Laney tells us, “and they're using huge tunes, and those are, you know, those are the supervisors acting as influencers in many ways. ‘Running Up That Hill' was a B-side, and here it is, huge again.” Matt adds his thoughts on the musical risks brands are willing to take in order to stand out. “Everybody always wants to do something different, but that's a risk, right?” he explains. “I mean your large brands, whether it's Coca-Cola, Amazon, Nike, Taco Bell… Are those brands willing to take, like, a really huge risk with music and with sound? And the answer for me is, I don't know. But I don't see it very often.”(20:00) – The Role of Sound in AdvertisingAs our conversation comes to a close, Laney and Matt tell listeners how they can get in touch, and they both share their thoughts on the power of sound and its importance in our lives. “Music specifically for me is a therapy of sorts,” Laney says. “It doesn't matter what my problem is, what my mood is, or what activity I need to do, want to do, or have to do. There is a genre and a record that will make that easier for me.” Matt talks about sound's ability to connect us to one another, and how it creates a common ground for people from every walk of life. “Sound moves you,” he tells us. “And it can be a common ground for everybody in a way. It's hard to listen to an emotional piece of music and not be emotional and not feel that with the person that's next to you or multiple people next to you.”Episode SummaryOur discussion on how AI affects human creativity in music.Laney and Matt reveal the current trends in music requests and licensing.Matt and Laney discuss why they prioritize authentic music in their work.Connect with the GuestConnect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

Send us Fan MailCam Allen returns to the Star Volta Podcast for the second time. The Oklahoma native was a featured artist in Season 1 - Episode 10 back in 2023. Later that year we filmed Cam's Grand Theater debut at Choctaw Casino when he opened up for country headliner Carly Pearce. Since then Cam signed with the talent agency CAA, collaborated with country writers in Nashville and opened up for Redferrin, Koe Wetzel, Wade Bowen, Dwight Yoakam, Huser Brothers, and Whiskey Myers.    

In this episode Toby sits down with author and Earth Crisis vocalist Karl Buechner! He chats about touring, his book The Unraveling: The Counsel of Crows, possible cartoon plans for the book, the world changing, behind the scenes of the book process, Earth Crisis & veganism in 2025 and more! Please remember to rate, review and subscribe and visit us at https://www.youtube.com/tobymorseonelifeonechance Please visit our sponsors! Trust Records- https://trusttrecords.com/ Rockabilia- use code OLOC10 Rockabilia Athletic Greens https://athleticgreens.com/oloc Removery- code TOBYH2O https://removery.com  Liquid Death https://liquiddeath.com/toby  

In this week's Bob Dylan Hotline, we're talking about Bob Dylan's vocals! What do YOU think his sexiest, spookiest, and most moving vocals are? This question comes from Graley Herren, one of the most referenced people on this podcast because we think he's great, and he has a new book coming out in September, which traces Dylan's career through the lens of his performances in just one city! Pre-order your copy of Dylan in Cincinnati here.Also check out Graley's Substack.You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.Book your Bob Dylan Walking Tour of NYC with Rebecca on ramblintours.com.Get your Definitely Dylan baseball cap here.Rebecca's bootleg version is here.

Hey, is that a voice in there? This week the boys are focusing on tracks with vocals. Some of these tracks have a sampled voice saying just one word, some having people talking in the background, and some are full blown songs! A surprisingly fun topic brings out some bangers!

Send us Fan MailElias Soriano of Nonpoint joins Micah and Zack on the Vulgar Display of Podcast for an in-depth conversation about the band's upcoming album The Last Word, arriving September 18, 2026, via 361 Degrees Records. Elias breaks down the meaning behind the band's latest single "Is It," discusses Nonpoint's incredible longevity, and shares why the band feels more focused and energized than ever as they enter their next era.We also spotlight Nonpoint's upcoming Midwest tour dates, including their August 12 stop at Pop's Nightclub in Sauget, Illinois, alongside Spineshank and Hed PE, as well as their August 15 performance at The Rave in Milwaukee, Wisconsin. Elias talks about bringing new material from The Last Word to the stage while continuing to deliver the high-energy performances that have made Nonpoint one of hard rock's most respected live bands.For more than two decades, Nonpoint has built a reputation on relentless touring, powerful songwriting, and a deep connection with their fans. With The Last Word on the horizon and the Even More Outta Control Tour underway, the band is proving they are far from finished.Nonpoint / Spineshank / Hed PE

“That's one of the biggest things that scares me the most about composing with AI. It's that, whatever AI model you're on, how was it trained, and was that material copyrighted? And was there any kind of permission for that to happen? And you, as the end user, don't know.” – Laney McCormickThis episode features a pair of guests who are passionate about helping creatives elevate their stories through music. As the founders of Scene Support Music, they specialize in pairing authentic music with visual media, ensuring that brands and stories stand out. As former music educators, they prioritize education in every collaboration, guiding filmmakers and musicians through the creative and legal intricacies of music licensing. Based in the Midwest, outside the traditional film and advertising hubs, they bring a fresh perspective to the intersection of music and storytelling. Between them, they hold multiple advanced degrees in conducting, education, percussion, and communications, but they believe their most valuable lessons come from lived experience, along with the occasional failure.Their names are Laney and Matt McCormick, and, beyond their work in music and licensing, Laney serves on the board of Women in Film Cincinnati and Cindependent Film Festival. Together, Laney and Matt continue to perform as musicians on stages across the country and internationally. If you've ever wondered what makes music truly move us, this is a conversation you'll really enjoy!As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) – From Teaching to Music LicensingOur conversation starts as Laney and Matt recall their earliest memories of sound and how they got into the business of music licensing. “Hearing that band play for the first time,” Laney says, recounting a memory from elementary school, “and seeing her band director, who was… very proper and wearing a black suit, and I thought, ‘I want to make that sound in this environment with those kind of people.' Like, I want to be a band director. And that's what I did for a really long time.” Matt shares his experience as an indie musician and how it segued into commercial music. “I remember this is the exact one where light bulbs started to go off in my head,” he recalls. “A music supervisor had reached out and said, ‘I need thirty seconds of upbeat, positive music for an apparel commercial that's for the holidays, but it doesn't have to be holiday music.' And he was like, ‘money's kind of low for it, $7,000.' And honestly, for me at the time, and even now, $7,000, that doesn't sound too low.”(10:00) – The Challenge of AI in MusicLaney and Matt tell us more about their role as music supervisors and how it ties into the process of music licensing. “A sync agent represents a catalog of music for licensing,” Laney explains. “A music supervisor can contact sync agents to find music and make playlists for a director, and then a clearance specialist, which is what we're doing, like one-offs for ad agencies who will come in and say, ‘I want this specific song.' There's no searching involved. ‘Will you just get me the rights for that?' And a music supervisor will use the skills of both other things at the same time.” Our conversation turns to how AI is impacting their side of the music business and the differences between traditional musicians and AI artists. “Some artists will contact us and be super odd,” Matt adds. “And it's like, ‘Hey, I'm an AI artist,' and I don't want to be like, ‘Hey, AI is a bad thing. We're not going to do it.' And I've only talked to one person, but when that artist contacted me, and he's like, ‘I'm an AI artist,' I was like, I definitely want to have a conversation because I want to know what is going on there.”(25:00) – The Importance of AuthenticityAs we wrap up the first half of our discussion, Laney explains the different processes involved between licensed tracks and licensed covers. “That can drastically affect your bottom line,” she tells us. “Like, my cover of a Beatles song is not as expensive as the original recording. But the publishing is going to be the same whether you use the original or whether you use a cover.” Matt talks about the explosion of the licensed cover market in recent years and how it's helped streamline the process for finding the right song track for the right client. “There are so many covers that are already out there,” he explains, “that chances are, like, if we're working on a film and we need a cover song, my first thought doesn't go, ‘Hey, let's get somebody to record that.' My first thought goes, ‘I'm going to send an email to every catalog holder that we know to see what they already have of that.'"Episode SummaryLaney and Matt share personal stories about how sound influenced their lives.Exploring the implications and challenges posed by AI-generated music.Laney and Matt discuss why they prioritize authentic music in their work.Tune in for next week's episode as we discuss how sometimes even the best composer might not be the right composer, how vintage songs and positivity are making a surprising comeback, and what shows like Stranger Things have taught us about both following and setting musical trends.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

This week, I'm breaking down exactly why Taylor's a far better singer than she gets credit for. Plus, Anne Hathaway is an ally and she's not being quiet about it — her HRC speech has me feeling a way. And that Cut article on Gen Z women financing their loser boyfriends' entire lives? We need to talk about it. Plus a quick check-in on your World Cup halftime show comments and where things stand with Jen Hamilton.Subscribe for monthly bonus episodes:https://www.patreon.com/c/queenthingspodhttps://queenthings.substack.com/Join the conversation:TikTok -@queenthingspod⁠,⁠ @iam_kjmiller⁠YouTube - www.youtube.com/@iamkjmillerIG:⁠@kjmillerGoodreads: https://www.goodreads.com/user/show/200570826-kj-millerReferences:My take on the World Cup Halftime Show:https://www.tiktok.com/@iam_kjmiller/video/7665729153613843726Anne Hathaway at the HRC:https://www.tiktok.com/@nowthisimpact/video/7667292202774695181?_r=1&_t=ZT-98RFKHIYzVdTaylor's Vocals:https://www.tiktok.com/@iam_kjmiller/video/7666631252493061390Jen Hamilton:https://www.tiktok.com/@_jen_hamilton_?is_from_webapp=1&sender_device=pcChelsea Fagan's take on ageism:https://www.tiktok.com/@faganchelsea/video/7667893903130938646?is_from_webapp=1&sender_device=pc&web_id=7626447009641842206The Cut Article “Call Her Mommy”:https://www.thecut.com/article/young-women-earning-more-money-boyfriends.htmlYesteryear, by Caro Claire Burke:https://www.penguinrandomhouse.com/books/780686/yesteryear-a-gma-book-club-pick-by-caro-claire-burke/Runner, by Ashton Lattimore:https://www.penguinrandomhouse.com/books/773544/runner-by-ashton-lattimore/

“We did a sort of special launch episode with the King, um, who's so knowledgeable, so passionate, you know. I don't know whether he'd just read up about it, but it doesn't feel like it. It feels like it really tapped into something that he wants to talk about and knows how to talk about. Um, so yeah, a dream guest, frankly, in so many ways. Um, and Kate's a great interviewer, and there are another three episodes of that after it, but yeah, it was. When you talk about sonic branding, you know, there aren't many people in the world whose voice everybody recognizes.” – Neil CowlingThis episode is the second half of my conversation with podcast and audio promotions expert Neil Cowling as we discuss the scams and pitfalls of podcast promotion, why podcasting's evolved a more collaborative culture than traditional radio, and what the King of England has for breakfast.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(12:28) – How Sound Influences Brand IdentityMy conversation with Neil continues as he tells us his process for building an authentic connection between a brand and podcast. “We do try and spend an extended amount of time saying, ‘What is your tone of voice? If you can imagine a celebrity that would be your dream spokesperson, who would that be? What words do you use and not use in your other communication?'” he explains. “And all of that feeds into a general vibe that hopefully when people are listening to a podcast, they'll understand that it's from you.” We discuss podcasting metrics, from clicks and listens to downloads, and the perils of paying for services that promise a quick boost. “Someone goes in and promises they'll have a million downloads or that it will create an instant ROI for your product,” he cautions. “We avoid saying that because we are really talking about it as a long-term brand building exercise.”(00:00) – Podcasting With the KingWe discuss the transition from broadcast radio to podcasting in the 21st century, and why, in Neil's experience, radio's competitive culture hasn't carried over to podcasting. “Radio is a real kind of dog-eat-dog medium,” he says, “partly because there are only so many radio listeners and you're all fighting over the same time slot. Everybody wants to be the biggest breakfast show… whereas in podcasting, there's more of a sense that somebody else's success is not at everybody else's detriment.” He tells us about some of his most memorable podcasting experiences, including his team's surprise interview at Windsor Castle with not only Cate Blanchett but His Majesty, King Charles III. “Hannah had the honor of having asked the King what he had for breakfast,” Neil recalls, “you know, to test the microphone. The answer is nothing, if you're interested. He hasn't eaten breakfast for years.”(27:40) – Building Podcast EngagementAs our conversation comes to a close, Neil shares his thoughts on why radio ads are on the way out and what's replacing them in the podcast market. “Radio ads are rubbish,” he tells us. “Most radio ads are done at the last minute by an ad agency who, again, thinks it's easy. They've spent three months working on the TV, and they'll knock together a radio script and push it out there.” We discuss whether pre-roll or mid-roll ads are most effective at reaching their audience, and the unique outreach that host reads offer podcast sponsors. “Give us your bullet points, give us the things that absolutely have to be in there,” he says. “But also allow a bit of levity and a bit of leeway for those presenters so that they can take what the audience already loves about them and transfer it to your brand.”Episode SummaryBalancing brand consistency with collaborative podcasting.Neil explains the key metrics for measuring podcasting success.Exploring the branding benefits of podcast collaborations.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

This episode features hosts Britt Lightning and Tommy London with founder David Fishof, welcoming the internet's latest rock sensation, John Torra. The group dives into John's recent viral explosion after his powerhouse vocal covers of Quiet Riot's “Metal Health” and “Come on Feel the Noize” took the metal world by storm. John shares the story behind the videos, his recent audition for Skid Row, and the surreal experience of receiving calls from rock legends and industry icons like Mark Weiss and Jeff Scott Soto. The conversation explores John's journey through the Rock and Roll Fantasy Camps, highlighting his "best-kept secret" status and his recent impromptu stage appearance with Dokken. David Fishof provides invaluable industry mentorship, sharing cautionary tales from his time managing The Monkees to emphasize the importance of legal protection, the necessity of a great publicist, and why every aspiring artist needs to read the "Don Passman book." The group also discusses the current "80s revival" scene in Brooklyn and Los Angeles, speculating on John's potential future with legacy bands like Aerosmith or Mötley Crüe. John breaks down his self-taught vocal techniques and the importance of studying isolated tracks to capture the nuances of his heroes. The episode wraps up with a look at John's band, Fire N Ice, their upcoming residency at the Whisky a Go Go, and a special preview of their track “High Roller.” Learn more about your ad choices. Visit megaphone.fm/adchoices

“So the answer to why is that podcasts, whether they're audio only or, nowadays, the vast majority are including video as well, provide a depth and a nuance and a detail of conversation that is almost impossible to get anywhere else. So, you know, we live in an age where people are scanning TikTok and brands are trying to catch your attention for three seconds. And they feel like that's a triumph. If you've stopped scrolling for just three seconds and looked at their thing, it doesn't really matter if you've clicked through. And so, in an age where attention is so valuable, podcasting creates a level of attention that no one else except cinema can compete with.” – Neil CowlingThis episode's guest is the founder of Fresh Air, the leading branded podcast agency in the UK and the most awarded podcast company in Europe. Before getting into podcasting, he spent years creating documentaries and promotional campaigns for some of the BBC's biggest shows, such as Doctor Who, the Olympics, and Luther. He's one of the UK's leading experts in how to use audio to build a brand's unique tone of voice, creating work that drives client results and provides entertainment for listeners. His name is Neil Cowling, and we'll be discussing how brands can earn real attention, balance creativity with business goals, and use sound to connect more deeply with audiences.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) – The Value of PodcastingAs our conversation starts, Neil shares his thoughts on when, and whether, it's okay for podcasters to take a break, and how a comedy cassette featuring Rowan Atkinson opened his eyes as a child to the power of sound. “What I love about audio is the fact that I can write something, it comes out of my head onto a page, and then I can make it and not really involve anybody else,” he explains. “I have an idea, and all I need in order to make that come alive is a brilliant script, a great voiceover artist and some sound design.” We discuss how podcasting has evolved over the past ten years, and why more companies are embracing it as a medium. “You can tell stories of extraordinary people all over the United Kingdom,” he tells us. “And a great way to do this, and, frankly, a cheap way to do this, is to do it on podcasts, because you don't need a big set, you don't need a location shoot.”(12:28) – Building a Brand's Audio IdentityOur discussion turns to branded podcasting and how it allows content creators to focus on important niche topics that might not have a chance to build an audience otherwise. “Most of the people in the world will never listen to a podcast that's aimed at insurance brokers,” Neil notes, “but those people love it and find it super valuable. And so is a lot of this kind of brand work, and that extends to all sorts of types of organizations, like, we do lots of charity work.” He tells us why downloads are no longer the key metric and what it takes for a podcast to succeed in today's world. “For some reason,” he says, “there's this residual feeling that, because so many people do make great podcasts from home, that it must be easy. It's really not. Even if you're doing it from home, it's really not.”(27:40) – The Future of Branded PodcastsThe first half of our conversation comes to a close as we look at the untapped marketing potential of sonic branding, particularly in social media spaces. “Some of the biggest brands in the world, you've no idea what they sound like,” Neil says. “They've thought really hard about what they look like, and there are tons of people employed to create the brand guidelines and make sure that they are guarded with their lives. As soon as you say, ' What's your audio brand? ', they haven't got a clue.” He talks about his work in such projects as the London Olympics and Doctor Who, and what Doctor Who in particular can teach us about audio branding. “The Doctor obviously changes every couple of years,” he notes. “You can change the characters, you could change the look of the TARDIS if you wanted to. If you change the noise of the TARDIS or the theme tune to Doctor Who, though, there would be a riot amongst fans of the show... It's probably one of the best examples of sonic branding.”Episode SummaryHow podcasting creates a deeper level of engagement than other media.Neil talks about the benefits of creating evergreen podcast content.Exploring how brands can better leverage audio in their marketing.Tune in for next week's episode as we reveal the key metrics for gauging a podcast's success, what sets the advertising culture of radio and podcasting apart, and what Neil learned from his recent podcast interview at Windsor Castle with Cate Blanchett and His Majesty, King Charles III.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

Garrett Klahn of Texas is the Reason joins us this episode to talk 30 years of Do You Know Who You Are?, the TX30 reissues that Revelation Records are releasing this year, how the band reunited, plans for the rest of 2026 and much more GARRET KLAHN www.texasisthereason.com www.instagram.com/texasisthereasonofficial www.instagram.com/staplesinger PCH Instagram - www.instagram.com/powerchordhour Facebook - www.facebook.com/powerchordhour Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8Lgg powerchordhour@gmail.com Donate to help show costs - https://www.paypal.com/paypalme/pchanthony https://cash.app/$anthmerch Check out the Power Chord Hour radio show every Friday night at 8 pm est/Tuesday at Midnight est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app/Apple CarPlay/Android Auto

KEXP presents Ora Cogan performing live in the KEXP studio. Recorded May 19, 2026. The Smoke Honey Bury Me Division Ora Cogan - Guitar, Vocals, Fiddle Nancy Pittet - Bass Ida Maidstone - Keys, Vocals Finn Smith - Drums Jesse Condradson - Guitar Host: Jewel Loree Audio Engineer: Kevin Suggs Mastering Engineer: Julian Martlew http://www.oracogan.com http://kexp.org Join this channel to get access to perks: https://www.youtube.com/channel/UC3I2GFN_F8WudD_2jUZbojA/join Photo by Carlos CruzSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

“Scientifically, it's because that voice is vibration. So when it's vibration, it needs a medium to be heard. Like, if we are in outer space, we hear nothing because there's no medium to convey the sound. And then once we're back on Earth, we have media. And when we are listening to ourselves, the sound is vibrating in the head. So, the medium, the media, they are liquid, they are solid, the bones, so that's the medium that they are resonating in. But when we're recording ourselves, the medium is air. And then of course, fortunately or unfortunately, when people hear us, the voice is also vibrating in the air. So that's why I tell my clients, if you want to know how much suffering you're putting people around you through, you must listen to yourself.” – Cynthia ZhaiThis episode is the second half of my conversation with voice coach, TEDx speaker, and best-selling author Cynthia Zhai as we discuss the value of silence in public speaking, why our recordings never seem to sound like ourselves, and her insights into the trend of AI -generated narration.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) – Understanding GravitasThe second half of our conversation begins as Cynthia elaborates on the meaning of gravitas and how speakers can best convey a sense of it. “[Gravitas] just means that seriousness in the voice,” she says, “so when a leader speaks, if they are speaking with a voice that conveys this kind of seriousness, the heaviness that it gives people the impression that these leaders know what they're doing.” We discuss the challenge of maintaining an engaging pace while speaking, and why speeches are as much about silence as sound. “One very simple example that I use in my classes,” she explains, “is when we announce the lucky draw winner. So we say, ‘The lucky draw winner is…' After that, we pause, right? We pause so long that we are building up the suspense, building up people's anticipation.”(12:56) – The Role of PresenceCynthia describes her four tips for speakers to keep in mind, such as the impact they have on listeners. “The first one is people have to know how their voice affects people physically,” she says. “Either they give people goosebumps or make people relax.” We discuss that age-old riddle of why our voices never sound like our real selves in a recording, and why she always asks for a recording of her clients as part of her teaching process. “When I hear myself in my head, ‘Oh, it's so deep.' But when it's recorded, it's not. Or they feel, ‘Oh, it's so nice,' and recorded, it's not. They have to listen to themselves.”(25:30) – The Impact of AI on VoiceOur discussion turns to AI and its growing role in narration, and how Cynthia's recent encounter with a voice clone of a teacher who'd passed away quickly revealed itself as AI. “The way that they're talking, you can tell,” she says. “The more you listen, the more you can tell it is by AI because, for example, humans, when we are talking, we can say, ‘Ah, I see,' that there's a certain emotion that we carry where the AI, when you listen, it doesn't.” She tells listeners how they can get in touch and offers her parting tips on becoming a better speaker. “Even if they don't end up working with me,” she says, “I hope that this opens up some window where they realize, ‘The voice I was born with can be changed.'"Episode SummaryCynthia explains what gravitas means and how it can be developed.Techniques for effectively using silence and pauses in speech.The growing impact of AI voice clones and where they still fall short.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

After regrouping, the survivors move to investigate the distant lights. Story by K.A. Statz & Travis Vengroff (Co Game Masters)Produced, Edited, with Sound Design by Travis Vengroff Co-Sound Design, Co-Editing, Mixing and Mastering by Finnur NielsenExecutive Producers: Dennis Greenhill, Carol Vengroff, AJ Punk'n, & Maico VillegasDialogue Editing (first round) by Kasch WilderTranscriptions by K.A. Statz & Travis Vengroff Cast:Narrator / Game Master – K.A. Statz Narrator / Game Master – Travis Vengroff Yuehai – Sam YeowAgé Ogun – Jasper William Cartwright Vind Greyview – Eric Nelsen Vivianna Bloodchamber – LilyPichu Jare Driftwood – Florian Seidler Gamma Jija – Bee Apidae Orir – Dayn Russell Leonardson Oror – Alexandria McCauley Old Renny – Richard K. Weber Halfling Children – Hildur Aagaard & Atlas Aagaard Music:Music Director / Arranged by - Travis VengroffMusic Engineer (Musiversal) - Gergő Láposi "Theme of the Realmweaver" "On Shores of Silver" "Gaelhold" "Eternal War" Written & orchestrated by Steven Melin, Copyists Peter Jones & Steven Melin, Hurdy-Gurdy & Dulcimer by Enzo Puzzovio, Budapest Strings & Choir by Musiversal "The Storm and The Sailor" Written with Lyrics and Vocals by Sam Yeow, Music Arranged by with Accordion & Percussion by Travis Vengroff, Ukulele by Studio Pros "Last Light" written by David Wise & Steven Melin, orchestrated by Christopher Siu & Catherine Nguyen (Copyist), lyrics by Travis Vengroff, Woodwinds by Kristin Naigus, Budapest Strings & Choir by Musiversal Cover art by Colin Lorimer with lettering by K.A. Statz Special Thanks to:You, our Patreon supporters! | Our Fool & Scholar Discord Lampreys! | Carol Vengroff This is a Fool and Scholar Production. We are a two person creative team and we can only create this show because of your support. Thank you for making this show possible! Check out our Merch: www.DarkDice.comFree Transcripts are also available: https://www.patreon.com/posts/84864738 Content Warnings: Death, Eating Sounds (a single slurp from Jare - otherwise it's technically just "references to eating sounds"), Gaslighting Learn more about your ad choices. Visit megaphone.fm/adchoices

What happens when you finally stop chasing every plugin and build a mix workflow that actually works?My guest today is Grammy-winning mixer, producer, and musician Jason Lehning, returning to the show after RSR074. If the name sounds familiar, it should - we've also had his brother Jordan (RSR104) and his dad Kyle (RSR094), the legendary producer behind Randy Travis. Jason grew up in studios and learned early on that songwriting, engineering, and mixing all feed the same creative impulse. In this episode, we dig into what it really means to build a mix template that supports musical decisions rather than cluttering your session with endless “maybe” options.We talk about Jason's approach to vocal mixing - using parallels, dynamics, and tonal shifts to keep the performance feeling alive without over-processing it. He explains why he often duplicates vocals instead of relying on automation, how he thinks about track folders the way engineers used to think about console returns, and why an SM7 still wins sessions where expensive mics fall apart in a dense arrangement. He breaks down his low-end philosophy too: removing anything that fights the bass, organizing the bottom octave early, and using phase, arrangement, and smart routing to keep kick and bass speaking clearly together. Jason also explains why balancing quietly on NS10s helps him find the real center of a mix without getting fooled by loudness.We also dive into the Nashville writing world - how titles and wordplay drive sessions, why so many guitars are tuned down or in E-flat, and what it actually looks like to be in a writers' room where ideas come fast, bad lines get tossed quickly, and everyone is aiming for the same emotional center. Jason talks about working with Luke Dick (“Birthday Suit”), how even great writers have mountains of uncut songs, and why creativity depends more on vibe than perfection. We wrap with thoughts on AI, the future of songwriting, and Jason's simple advice to his younger self: keep doing it, and keep it fun.Get access to FREE mixing mini-course: https://MixMasterBundle.comTHANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off!https://www.native-instruments.com Use code ROCK10 to get 10% off!https://www.spectra1964.comhttps://gracedesign.com/https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusicListen to this guest's discography on Spotify:https://open.spotify.com/playlist/2M4JyTaCC2vd7U6cOERpup?si=8SERaORbTbSr_eV5zDSqAAIf you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/565

In this episode Toby sits down with Greg Attonito of The Bouncing Souls! He chats about the ECFU tour, still playing at this age, touring, their new record, soccer, early life, City Gardens, Chunksaah, DIY instead of a major, BYO, Johnny X, coffee, Epitaph, K8, making futons, moving to NY, their albums, his family, Play Date, all of his art and more! Please remember to rate, review and subscribe and visit us at https://www.youtube.com/tobymorseonelifeonechance Please visit our sponsors! Flatspot Records- https://flatspotrecords.com/ The Field Dream- https://thefielddream.com/ Rockabilia- use code OLOC10 Rockabilia Athletic Greens https://athleticgreens.com/oloc Removery- code TOBYH2O https://removery.com  Liquid Death https://liquiddeath.com/toby