Podcasts about vocals

@PermissionToStanPodcast on Instagram (DM us & Join Our Broadcast Channel!), TikTok & YouTube!NEW Podcast Episodes every THURSDAY! Please support us by Favoriting, Following, Subscribing, & Sharing for more KPOP talk!Comebacks: IZNA, BOYNEXTDOOR, BABYMONSTER, YENA ft. HATSUNE MIKU, LE SSERAFIM x ILLIT x KATSEYE, AHOF, RIIZE, I-DLE, STAYC, DARA (SANDARA 2NE1)Music Videos: LE SSERAFIM x ILLIT x KATSEYE, BOYNEXTDOOR, IZNA, BABYMONSTER, SHINEEBIG BANG World TourCORTIS Ticketing InsanityLE SSERAFIM in LA for schedulesJOCO wins tickets for LE SSERAFIM iHeartRadio EventLE SSERAFIM VR experience: Mind blowing!JOCO did not win the MEOVV fancall he signed up for sighBOYNEXTDOOR 1st album "HOME" review by HAYLEEBOYNEXTDOOR LEEHAN amazing vocals on LEE MUJIN Service showBTS number 13 special meaningBTS causes surge in tourism for FESTA causing complaints and cancellationsSTRAY KIDS, KATSEYE, JENNIE at Governor's BallSTRAY KIDS x Sanrio cutest collab!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

“Our brain really prioritizes vocal signals. They're super important to the brain because human communication is a really big priority for us as a species. It's a deep signal in our brain, right? And so, we were seeing a stronger reaction to the screams than to the music, and that sort of makes sense. There were more intricacies to that, but I can't really remember the exact brain areas and all that. But it was cool to see that. Yeah, it is sort of mimicking, but our brain really separates them. You know, it may still get sort of a response, a same kind of fearful response, but it's not going to be as powerful as the voice, um, which makes sense because music is not real, right? There's a difference between a real stimulus and this sort of artistic one. Yeah, so it was interesting.” – Caitlyn TrevorThis episode's guest is an award-winning researcher and musician with over a decade of experience studying how people perceive and respond to sound. She holds a PhD in Music Theory from Ohio State University and has published her work in top journals. She was awarded a Marie Skłodowska-Curie Fellowship to study music and neuroscience, and she's professionally certified in user research. As a musician, she has a Master's in Cello Performance, has composed an award-winning short film score, and has designed sound for theater and film. At SonicUXR, she leads with both credibility and creative empathy, equipping sound teams with the tools to create more intentional, impactful audio.Her name is Caitlyn Trevor, and her work is reshaping how sound is understood, valued, and designed across industries. If you've ever wondered how sound really works on us, this conversation will change the way you listen.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) – Lighting a Musical FireOur conversation starts with Caitlyn's early impressions of sound, particularly the moment that sparked her love of orchestral music. “I came across on the floor like a little cassette tape and a cassette player, and I popped it in and just hit play while we were chatting, and it was the Lord of the Rings soundtrack,” she recalls. “I was a little too young when it came out, the first one, and I was just captivated by it. I mean, I was like, ‘Wow, what is this?'” We discuss the chance encounter during her musical studies that turned her focus towards music cognition and the neuroscience behind sound. “There was a lecture I went to totally by chance,” she tells us. “It was a new music theory professor, and the lecture was about music cognition, and I had never heard of it before. And I was like, ‘This is just the coolest field I've ever heard of.' And I totally was on board after that.”(15:00) – Pianto Sighs and Psycho ViolinsOur discussion turns to her research on the connection between music and the brain's primal response to voices. “In sad music,” Caitlyn explains, “there's something called the pianto topic, which is essentially just a half-step falling motion, like, which is supposed to mimic a sigh. But, you know, that's quite abstract… Whereas the psycho violin, you know, sounds very much like a scream.” She tells us about the birth of her daughter and how her career shifted from academia to the private sector. “I think a lot of academics are scared that's going to happen, that it's going to feel like, I don't know, maybe they wasted all that time,” she says. “I was prepared that I may not be able to continue doing music cognition, and I'm very happy that that hasn't been the case. That was surprising.”(21:40) – Putting Audio Theory to PracticeCaitlyn tells us more about her work on UX research, and how it quickly and unexpectedly led to her focus on phone trees and hold-time experiences. “They hadn't thought about the phone tree for that,” she recalls. “They just mentioned it, like, ‘Oh, and we're also doing the phone tree and the on-hold music.' And I was like, ‘Wait, that would be great for me to work on… somebody needs to do UX on that [because[ it's the worst.'" She talks about the advantage of being able to put her findings to use, something that hadn't been so easy at the university. “What I like about my new position,” Caitlyn explains, “as opposed to working in academia, is synthesizing it in a way that's accessible… I never really did that in academia. It was always just about supporting your hypothesis, explaining the results. But now I get to say this research shows me that we should compose it this way.”Episode SummaryCaitlin shares her journey from Lord of the Rings to the science of sound.The evolutionary origins of music and its impact on the brain.Caitlin's work in UX research and creating a better phone-hold experience.Tune in for next week's episode as we discuss the results of Caitlyn's studies into on-hold UX design and phone trees, why unpleasant sounds are sometimes the better choice in automobile UX, and what she's learned about the long-term return on investment when it comes to sonic branding.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

In this episode, Dee Kei breaks down how he actually thinks about mixing vocals — and it's probably not what you'd expect. Before touching a plugin, an EQ, or a compressor, the most important step is understanding the intention behind the song. Is it a club banger or an intimate bedroom record? A polished pop vocal or something raw that's supposed to feel that way? Dee explains why blindly applying mixing techniques without reading context is the number one mistake engineers at every level make.From there, he dives into the fundamentals: how low-mids shape intimacy versus energy, why most beginners over-de-ess their vocals, when heavy compression works in your favor and when it fights the song, and how vocal placement in the mix is determined by the density and genre of the track. He also gets real about something not enough people talk about — the rise of intentionally "rough" sounding mixes that are racking up streams, and what that means for how you serve your clients.Whether you're a bedroom producer mixing your first song or a working engineer looking to sharpen your instincts, this episode will shift how you approach every vocal session.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

CLD gave us an EPPP of four cover tunes in 2017, three of which had been performed live on the previous tour. We sample the originals, discuss some of the circumstances of the bands being covered, and compare to the CLD effort. Overall, it's a rewarding piece that might expand your musical pallette. If you're already familiar with Flower Travellin' Band, more power to you!Get involvedInstagramFacebookEmailBurn your money 

Elevate your productions with Afro-House Vocals from HighLife Samples, a premium collection of inspiring vocal content designed to bring authentic energy, rhythm, and emotion to your tracks. Whether you're producing Afro House, House, Deep House, Melodic House, or other electronic music styles, this versatile vocal pack provides the perfect ingredients to help your music stand out. Inside this collection, you'll find a wide selection of professionally recorded vocal phrases and vocal shots, delivered in both Dry and Wet versions. The dry recordings give you complete freedom to apply your own effects and processing, while the wet versions are ready to drop directly into your productions for instant inspiration. Every vocal file has been carefully organized and labeled with its BPM and key scale, making it easy to find vocals that fit seamlessly into your project and workflow. From catchy hooks and rhythmic chants, and expressive phrases, this pack offers endless creative possibilities for producers of all skill levels. Add authentic vocal character and professional-quality performances to your music with Afro-House Vocals by HighLife Samples. Pack Content 10 Vocal Shots (Dry) 10 Vocal Shots (Wet) 144 Vocal Phrases (Dry) 144 Vocal Phrases (Wet) BPM and key-labeled files Dry and processed versions included

“I grew up near the west coast here in Denmark, so yeah, the sea has always been there. And Aarhus is also a harbor city, so definitely there's something relaxing about going down to the water and hearing the whistling. We implemented that in Necesse, actually. We have a water fountain that's spatial, so that when you get near to it, you hear it rustling. You can sit by it and actually get the feeling that you're talking about, of just, you know, [dreaming] away.” – Rune EskildsenThis episode is the second half of my conversation with composer Rune R. B. Eskildsen as we discuss the balance between AI convenience and human intuition, where the data we feed AI ends up and how it might be used, and his work on the upcoming, highly anticipated game Out of Words.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) – Navigating AI and Copyright ChallengesAs the second half of our discussion starts, Rune shares his thoughts on the growth of AI and how even a simple jingle can benefit from a human touch. “It's a story that you are trying to convey through the brand or whatever you're making that sound for,” he explains. “Yes, you could recreate the same thing with an AI, but it wouldn't be able to encapsulate the thoughts that we've spoken about.” We talk about the environmental impact of AI and the data centers that power it, and how different countries are looking to offset, and even take advantage of, that impact. “Data centers are going up,” he notes, “I just learned recently that in Amsterdam or somewhere in the Netherlands, they use data centers to heat up the city. So they build them on the ground and then they heat parts of the city.”(15:45) – The Role of Human Emotion in SoundOur conversation turns to some of the privacy concerns that have sprung up around AI, and how they affect his use of it for professional clients. “Even though it might not go anywhere, we don't know if it's going anywhere,” he says about prompts. “It takes a snapshot and puts it somewhere and hides it. And there might be some secret stuff, so yeah, that's also a concern.” He discusses some cases where, on the other hand, AI has helped clients better express their needs. “I think talking about AI as a tool,” he tells us, “maybe people would do that, say, ‘This is kind of the vibe that I want to do. And I've made it with AI or made it myself or whatever, but now I want you to do it properly.'"(22:00) – Rune's Advice for Product DesignersAs our conversation wraps up, Rune elaborates on the different, often subtle impact that AI and human compositions can have on listeners. “I guess that's sort of the same,” he explains, “[as] plastic plants and real plants. And that's definitely, you know, it lights up and there are some colors which you really can't emulate that well, even though some of the plastic ones are good.” He tells listeners how they can get in touch and talks about some of his upcoming projects, including the indie adventure platformer Out of Words. “We have some updates coming and we'll be on sale on Steam when we go into winter,” he adds. “So that is nice. And yeah, we have some bigger updates coming.”Episode SummaryRune shares insights on the current copyright landscape in Denmark.Discussion on the ethics and sustainability of AI in the audio industry.Rune gives tips on how to enhance sound quality in product design.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

The vocalist is the face and voice of a musical group. The Wonderful World of Heavy Metal have a gazilion frontpersons that are both super talented and are quite the characters. This week we figured we would once again call upon the fantastic “High Infidelity” flick and present our “Top 5” of Metal vocalists. We share some legendary names. And have a few dark horses too. In our “News, Views... The post Radioactive Metal 879: Vocals Only appeared first on Shining Wizards Network.

This Episode introduces “THE BUZZ”, my new single.   I think you know by now that I pride myself on the variety of my music. I cross a lot of genres. But this one maybe takes the cake. I like to describe “The Buzz” as short, sweet and totally different. With me today are the two extraordinary musicians who are featured on the track - Darius de Haas and Dave Eggar. Darius is the vocalist. He is a Broadway star of “Rent” and “Kiss of the Spider Woman”, and he's the singing voice of the character Shy Baldwin on the international hit “The Marvelous Mrs Maisel”. Dave Eggar plays the cello on the track. He is a world class musician who also crosses genres from rock to jazz to classical. He played on my recent single, “Ma Petite Fleur String Quartet”, and he's the guy who played the iconic cello work on Coldplay's massive hit “Viva La Vida”. Both have previously been guests on the podcast. --------------------------------------- “THE BUZZ”Click Here For The Official VideoClick Here For All Links —-------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Reflections Click here for Special Collections Click here for Legends Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- Connect with DARIUS:www.dariusdehaas.comConnect with DAVE:www.domomusicgroup.com—-------------------------------------- Audio production:Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com      

The vocalist is the face and voice of a musical group. The Wonderful World of Heavy Metal have a gazilion frontpersons that are both super talented and are quite the characters. This week we figured we would once again call upon the fantastic "High Infidelity" flick and present our "Top 5" of Metal vocalists. We share some legendary names. And have a few dark horses too. In our "News, Views and Tunes", we checked off a Bucket List concert and discuss Nicko McBrain's wrasslin niece. Musically, we crank some Bathory, The Exploited, Necrophagia, Bitch, Sortilege, Mortuary, Putred, Rotheads, The Whatevermen and we introduce Arizona 80s rocker Show 'N Tell in our "Indie Spotlight". Raise your voices and Horns Up!!

Static Temptations – Lucid Machines feels like a transmission picked up between sleep and circuitry, where human memory starts to hum like a server farm dreaming in slow motion. The album lives in a world where thoughts don't stay inside the mind anymore. They leak outward as sound, spinning into analog static and crystalline digital pulses. Vocals drift like half-remembered conversations you swear you had in a room that doesn't exist anymore, while the instrumentation constantly flickers between warmth and machine logic. Guitars feel slightly detuned on purpose, like they've been left out in an electromagnetic storm. Synth layers rise and collapse in shimmering cycles, sometimes behaving like rhythm, sometimes like weather. Drums are tight but never fully obedient, as if the tempo is being negotiated rather than commanded. Beneath it all, there's a faint mechanical heartbeat, not threatening, just aware. Lyrically and sonically, Lucid Machines explores the moment consciousness becomes self-aware inside repetition. Dreams trying to debug themselves. Love messages encoded in corrupted files. Identity refracted through interfaces that almost understand you but never fully resolve. By the time the final track fades, nothing feels fully “awake” or fully “asleep” anymore. Just somewhere in between, where static becomes language and machines start to feel uncomfortably close to remembering.  

“When I started on the project of Necesse, we had maybe thirty sound effects. I've made around 400, 350 sound effects, so it's become much more immersive. You can hear animals when you wander around in the different environments. And just the feedback you get by playing the game, it's quite nice compared to before, which were much more… maybe empty is the right word.” – Rune EskildsenThis week's guest is a media composer, sound designer, and drummer based in Denmark. He writes music and builds sonic identities across formats, from commercials and podcast jingles to film scores, game music, and in-game sound design. He holds a Master of Science in Strategic Communication, which he applies to creative direction, collaboration, and clear, audience-first storytelling.More recently, he's become the Composer and Sound Designer of the indie game Necesse, selling more than 2,000,000 copies. His name is Rune R. B. Eskildsen, and he bridges classical training and cutting-edge technology to tell stories through sound. This episode will give you a fresh, behind-the-scenes perspective on how sound can shape emotion, imagination, and even player behavior.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) – Growing Up in a Musical HomeOur conversation starts with the movies and music that inspire Rune's career in sound. “I clearly remember watching Star Wars,” he recalls, “and all of the soundscapes that are in, you know, just that huge universe, [with] TIE-fighters flying by and Darth Vader, that scary sound.” He shares his memories of growing up in a home that doubled as a music studio, and of studying classical music from a young age. “When I went to this special school in Denmark that is only for classical music,” he says, “and being there, being part of that, I played the French horn. At this time, I started to have ear training and music theory and all of that, which kind of led me on a path to try to make my own.”(15:00) – From Classical Music to Video GamesThe discussion turns to his work in the video game industry and how he got his start in composing video-game soundtracks. “I showed up at this incubator with game companies,” he tells us, “and I was, like, ‘This is me, I do music, I want to do music for games.' And then some of the guys there, they said, ‘Hey, we want to work with you.'" Rune gives us a behind-the-scenes look at game development and recalls his sound work on MineRalph, a game where the soundtrack had to keep pace with the action. “So, because you gain speed if you're, like, going down a hill or something like that, or down a hole,” he explains, “if you have high speed, the music will change into different adaptive layers.”(21:40) – Creating Immersive Gaming SoundscapesAs the first half of our talk comes to a close, Rune tells us more about his work with video games and shares another memorable project that took some outside-the-box thinking. “That was like a dystopian world sci-fi thing,” he recalls, “and that was actually mainly symphonic music. But again, it was sci-fi, so I was able to design a lot of, you know, sounds that people did not hear before.” He shares his thoughts on where indie games are heading next and how organic creativity is becoming an increasingly valuable asset in the industry. “I think in terms of trends,” he explains, “people are trying to make immersive worlds that are standing out more than just being, you know, if you use Unity... making it more creative, making your own world, making it hand-drawn instead.”Episode SummaryRune shares his early memories of sound, particularly from sci-fi films.Rune explains his journey from classical music to video game soundtracks.Discussion on current trends in game audio and the role of AI.Tune in for next week's episode as we talk more about the influence of AI in video games and cinema, Rune's advice to musicians for juggling the rapid-fire demands of modern freelancing, and how countries around the world are managing the environmental impact of the AI boom.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

Text us about this show.The description of City Fathers' music from Instagram says this: "Tony & friends make dreamy alternative pop that make you want to dance and cry at the same time." One listen to Tony Knuppel's originals is proof of this statement. That dreamy alternative pop includes splashes of ambient music, exotica, a touch of soul, and dashes of emotional elements blended into some of the Wisconsin music scene's most unique sounds. The great thing about it is this is some of the most accessible music out there in any scene. City Fathers' debut album, Make Mistakes, has something for everyone without the compromises. You owe it to yourself to discover and enjoy the music of City Fathers."Stone Tape" performed by City Fathers written by Tony Knuppel ℗ 2025 City Fathers. Used with permission of Tony Knuppel."The Real Last I Love You" and "Follow Me" performed by City Fathers written by Tony Knuppel ℗ 2026 City Fathers. Used with permission of Tony Knuppel.Melody Audiology LLCAudiology services for all. Specializing in music industry professionals and hearing conservation.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.comYouTubeFacebookInstagramINTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2026 by Project X Productions. All rights reserved....

Hast du dich gefragt, ob du ein teures Plugin kaufen musst, um den klassischen Gated Reverb Sound in Cubase zu bekommen? Die Antwort ist: Nein! In diesem Video zeige ich dir Schritt für Schritt, wie du mit den internen Bordmitteln von Cubase einen professionellen Gated Reverb Effekt erstellst – völlig kostenlos. Wir nutzen dafür den internen Hall und das Gate/Dynamics-Tool. Ideal für den 80er-Jahre Drum-Sound oder um Vocals durchsetzungsfähig zu machen Nuendo-Workshop 2026 nuendo.sounth.de Wenn ich Dir helfen konnte, freue ich mich über einen virtuellen Kaffee ;-) https://ko-fi.com/timheinrich Zum kostenlosen Cubase-Stammtisch anmelden: subscribepage.io/1D69jt Podcast: https://sounthcast.podbean.com/ https://sounth.de https://www.facebook.com/tim.heinrich.524/ https://www.instagram.com/tim_heinrich/ Facebook Gruppe 'Filmmusik komponieren & Sounddesign': https://www.facebook.com/groups/309751689699537 Perfekte Orchester-Mockup-Balance: Orchestra Guide https://www.sounth.de/orchestra-guide/ Dieses Video ist auch auf YouTube zu sehen: https://youtu.be/DaueD4sraTs

Cross Road Blues is a slow-moving vocal blues music podcast. Imagine neon lights reflecting through rainy windows, cigarette smoke hanging in the air, and a slow blues guitar filling the silence of a nearly empty bar.This playlist captures the feeling of being awake long after midnight — sitting alone with a glass of whiskey while the city fades into the background. Warm vintage tones, emotional blues melodies, and a smoky late-night atmosphere create the perfect soundtrack for reflection, solitude, and quiet nights. Thanks for listening to Ken Steele Music.

In this episode Toby sits down with Evan Seinfeld! He talks about Biohazard coming back, freedom, Mantorship, his history, redefining a "man", his current lifestyle, dancing to techno and house, being intentional, influences, social media, their new album and tour and more! Please remember to rate, review and subscribe and visit us at https://www.youtube.com/tobymorseonelifeonechance Please visit our sponsors! Flatspot Records- https://flatspotrecords.com/ The Field Dream- https://thefielddream.com/ Rockabilia- use code OLOC10 Rockabilia Athletic Greens https://athleticgreens.com/oloc Removery- code TOBYH2O https://removery.com  Liquid Death https://liquiddeath.com/toby  

A partir dels anys 60 del segle XX, Ligeti esdev

A soulful and uplifting song about seeking support and reassurance when life gets challenging. 'Lift Me Up' explores themes of vulnerability, the need for connection, and finding strength through others. With its heartfelt lyrics and emotive vocals, this track resonates with anyone who has ever felt overwhelmed and in need of a helping hand.

Qool DJ Marv presents Buttamilk-FM | The Departure Lounge Episode 19 – May 22 2026Video of this previously live streamed set:https://www.youtube.com/watch?v=i-4LQ2upK6sHere's To Life - Shirley HornFix It - Lady BlackbirdThe Math - Jill ScottMake Me Whole - YukimiDreams [feat. Robert Glasper] - Dianne ReevesSweeter (feat. Terrace Martin) - Leon BridgesMedicine - MusiqHuman Beings - OsunladeLove - Dj Moar feat. Raashan Ahmad & Aïma The DreamerThe Bird - Anderson PaakTomorrow [feat. Raheem DeVaughn] - The RootsMaking Music - Chung King (4 Hero Mix)Gotta Get Up (Another Day) ((Minnie Version)) - 4 Hero featuring Jill ScottAir - SaultConstellations (Original Mix) - Dwight Trible, The Life Force TrioLove Can Save the Day - The EssenceIn The Waiting Line - Zero 7Watching Me - Jill ScottKiss The Sky (Mark Pritchard Remix) - Shawn Lee's Ping Pong Orchestra vs. Nino MoschellaBlack Truck -  MerebaSincerely Do - Jill ScottConscious - JennoraJust - P SolNo Government - NicoletteGrow - Headnodz feat Zaki IbrahimWonderful World (Acoustic Version w/ Strings) - Clara Hill's FolkwavesCounter Culture feat. Ben Westbeech (Original Mix) - Henrik Schwarz, Ben Westbeech, Metropole Orkest, Jules BuckleyAfrica (Daniel Crawford Remix) - D'Angelo---  https://www.youtube.com/channel/UC5gQLsodBsCys1_3Zbm83vg      https://podcasts.apple.com/gb/podcast/qool-dj-marv-aural-memoirs-and-buttamilk-archives/id269880758  https://music.apple.com/us/artist/qool-dj-marv/1558418894   https://bsky.app/profile/qooldjmarv.bsky.social   https://www.instagram.com/qooldjmarv/   https://qooldjmarv.bandcamp.com/album/sound-paths-v-1   https://tidal.com/browse/artist/23883666   https://www.mixcloud.com/qooldjmarv/   https://open.spotify.com/artist/48vhJ2d1hVaFHf6gqXeTm0?si=fWO0N456QeWRMWLUtqe4Yg   https://soundcloud.com/qooldjmarv   https://www.twitch.tv/qooldjmarv   https://www.paypal.com/paypalme/QoolDJMarvMusic

Welcome to Season 6 of the Metalcore & Muscle Podcast! In this eighth episode of season six, we will be discussing the following topics: New Metalcore Songs From Spring: In this segment we discuss some of the best metalcore releases so far this Spring from April-May. Coaches Corner: This segment continues from season 5 of the pod, where Evan discusses a fitness topic in depth and provides his health coaching insight. For this week, Evan discusses how he shaved off 7 minutes off his 5k time in about a year. He discusses his training, nutrition, and other variables that helped make this possible. Song of the Week: In this segment, we share/highlight a new song recently released and provide some general commentary. This week's song of the week is "Afterlife" by The Amity Affliction. Follow us on Instagram @mc_muscle! Follow us on Instagram @mc_muscle! 

“I think that sound drives the emotion of a scene, right? As much as dialogue, right? Sound and music, score in particular… I just think it helps to create emotion in a scene or augments the performances. Because you gotta have great performances, but great performance coupled with, you know, great sound design or a great score, it just makes you feel, it does something, it makes you tingle. It does something to you that just envelops you in that moment, right?” – Kenneth JohnsonThis episode is the second half of my conversation with sonic storyteller and founder of Artistry in Sound, Kenneth Johnson, as we talk about his experiences as one of the earliest Black sound designers in Hollywood, the changes that AI and streaming media have brought to sound design, and how horror movies in particular combine a variety of sound approaches to make a powerful impact.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) – The Role of Sound in FilmOur discussion continues as Kenneth walks us through the process of sound design, from shooting script to the recording booth.“As I'm reading the script,” he tells us, “I'm sort of envisioning the project and thinking about, okay, well, what do I think it should sound like? And what can I do to embellish those scenes? And so once I've kind of digested that, then we do what's called the spotting session with the creatives.” He tells us more about creating a cinematic soundscape and reveals just how little of what the audience hears comes from the action onscreen. “Everything, usually, other than the dialogue, we recreate,” he says. “Whether that's a car race, a spaceship, or it's by a river, everything that you hear, all the ambience, all the sound effects are redone. We've recreated that whole soundscape.”(15:45) – Production Recording vs. Post-ProductionKenneth tells us about his up-and-coming experiences in Hollywood and the importance of diversity in the sound industry. “What I do is I try to give people opportunities,” he explains. “My team, you know, are from their early twenties to forty, and the majority are African American, and the majority of them, well, all of them, basically, I trained and mentored. And they're very talented.” We discuss the growing role of AI and streaming content in sound editing, and how much software apps have changed the process since his audio career began in the ‘90s. “Once we put [the audio track] into iZotope RX,” he tells us, “we could see it, and so I had to figure out what's making this resonance. I had to take some things out, and it turns out it was a metal music stand that was vibrating and causing that frequency.”(25:30) – The Future of Sound DesignOur conversation comes to a close as we talk about the different roles and responsibilities involved in cinematic sound, from soundtracks to dialogue to each layer of Foley sound. “We want it to be able to breathe because if you just throw everything on the wall,” he says, “then it's not going to be as nice as if you selectively pick what's going up there. That's important to figure out, who's going to handle what, because a lot of times sound design and score can overlap.” Kenneth tells listeners how they can get in touch, and he offers his advice for newcomers in the sound industry, including the value of hands-on experience. “I can take you to a class and talk for a few hours about techniques… Are you going to retain that? Probably not,” he says. “If you're able to get in there like I did and have access to being able to work and try out different things and get advice, you're going to move faster.”Episode SummaryWe discuss how sound drives emotion and shapes a movie's narrative.Kenneth outlines his creative process from script reading to ambient sound design.Insights and advice from Kenneth for the next generation of sound designers.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

KEXP presents Valgur performing live in the KEXP studio. Recorded March 30, 2026. Hijos Del Caos Vanidad Máscara de Niña Vampiro Elizabeth Valdivieso Gurrión - Vocals Hugo Valdivieso Gurrión - Vocals, Drum Machine & Sequences Host: Albina CabreraAudio Engineer: Julian Martlew Audio Mixer: Guillermo Mandrafina Mastering Engineer: Julian Martlew https://valgurband.bandcamp.comhttp://kexp.org Join this channel to get access to perks:https://www.youtube.com/channel/UC3I2GFN_F8WudD_2jUZbojA/join Photo by Carlos CruzSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Inject seductive club energy into your productions with Tech House Sexy Vocals by HighLife Samples, a premium collection of royalty-free female vocal phrases and adlibs designed for modern dance music producers.Inside this pack, you'll find catchy vocal phrases and emotional adlibs, ready to elevate your next club anthem. Perfect for creating infectious drops, breakdowns, intros, and groove-driven arrangements.All vocal samples are professionally processed and organised, with key/scale labels and BPM information for fast, easy workflow integration in any DAW. Whether you produce underground Tech House grooves or more melodic crossover tracks, these vocals are built to fit seamlessly into Tech House, House, Progressive House, Pop, and other electronic dance music genres. This pack includes royalty-free female vocal phrases, sexy female ad-libs, high-quality WAV files, professionally mixed and processed samples, and drag-and-drop-ready content for instant inspiration in the studio. Create unforgettable dancefloor moments with vocals that bring attitude, emotion, and club-ready energy to your tracks. Pack Content: 38 Dry Vocal Phrase 38 Wet Vocal Phrase 16 Dry Ad-Libs 16 Wet Ad-Libs Wet

This episode's guest is an award–winning supervising sound designer whose groundbreaking work has shaped the sound of some of television and film's most iconic projects, including Netflix's hit series Forever and Kevin Hart's animated comedy Lil Kev. Born and raised in South Central Los Angeles, he rose through the ranks of Hollywood post-production, breaking barriers as one of the few Black sound designers in the industry and earning multiple MPSE Golden Reel Awards and Emmy nominations. Today, he's not only redefining sonic storytelling but also championing greater diversity behind the scenes, ensuring the voices shaping what we hear are as dynamic as the stories themselves.His name is Kenneth Johnson, and in this episode, we'll discover how he transforms silence into emotion and builds powerful storytelling through every note, tone, and texture.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) – Kenneth's Early InfluencesWe start things off with a look at Kenneth's journey from a childhood in the South Central projects to an award-winning Hollywood career. “Something just came over me, and I said, you know what? This is it, I'm kind of done,” he recalls a pivotal moment early in life. “I had to make a decision as to what I wanted to do with the rest of my life, and, you know, I've always liked music.” He tells us about his early career in post-production sound and a chance encounter with producer J.R. DeLang. “He said, ‘That's great, but you can't come in and just sit in that chair. You've got to work your way up to that.'” Kenneth tells us of their first meeting. “He said, ‘we've got two positions that usually work their way up to being [soundtrack] mixers, and that's a dialogue editor and a sound effects editor.'”(12:45) – The Journey to Sound DesignKenneth tells us more about his work as a sound designer and the art of creating impossible sounds, such as the wild inventions in the Honey, I Shrunk the Kids series. “They were always creating these contraptions and things that don't exist,” he says, “so you had to figure it out in your mind. You'd have to say, ‘Well, what do I think it sounds like?' Or what should it sound like? And then you start putting pieces together.” He recalls his sound editing work from a memorable scene in the award-winning movie Road to Perdition and the thought process behind it. “We started out with just hearing the sounds of winter,” Kenneth explains. “And then he tries to start the car, and the car is not really functioning and he's having an issue starting it. And so that whole sequence of him trying to start the car and then finally getting it started was, it was just really beautiful.”(25:30) – The Power of SilenceAs the first half of our conversation wraps up, Kenneth emphasizes the importance of testing sound work in its native format as well as the studio. “I think a lot of times people don't do that,” he says. “They don't play it back in the medium that it's meant to be played on. They just play it in the room and it sounds fantastic, right? But then when you squash it all down to a stereo file, it will sound different.” We talk about what goes into setting up an ideal sound studio and about the importance of “tuning” a room. “Say there's a dip in the low end,” he explains, “and the room hasn't been compensated. We're going to push the low end, which means that possibly when it gets to another playback format, the bass is going to be really loud. So we try to mix in a neutral environment where everything is flat.”Episode SummaryKenneth discusses his childhood and transition to film and television sound design.We discuss the challenge of creating sound effects for things that don't exist.Kenneth emphasizes the importance of maintaining an ideal studio sound space.Tune in for next week's episode as we discuss how Kenneth puts sound to work in shaping a narrative, how his role as a sound designer has changed since digital sound editing became the norm, and his advice for people who are just starting out in post-production and sound editing.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

Aster has begun to root, the automaton and it's controller continue their pursuit and Kidanah feels her world crack a little... honeysuckle tea anyone? In the ruins of an ancient tree Clodagh and Trepp find themselves nostalgic for home but fate, destiny and everything in between has other plans. One lump or two? Help our tales travel further: leave a review, drop a comment, or share the episode link on your socials. Tag us @d8dungeon so we can thank you properly. Join our ⁠Discord⁠ for more shenanigans! Are you following us on ⁠Twitch⁠? Check out our other shows!Cast Dungeon Master -⁠ Declan⁠ Clodagh Meadowmoon - Eilis Trep Kindly - ⁠Ben⁠ Aster - Daithí Rova - Jacob Wolf Lefton Kidana - Ashtyn Title Card Art by ⁠DaithiCDesign⁠ Theme Song 'Fight for Each Other' by ⁠Steven Tynan⁠ Vocals by ⁠Abe Soare⁠ Get in touch with us: ⁠d8dungeon@gmail.com⁠

Selkies rise from the sea in Celtic legend. Wild. Powerful. Unstoppable. This week on the Irish & Celtic Music Podcast, we celebrate the women of Celtic music who carry that same energy. From the north shore to the black water, Show 757 is an hour of music that will pull you under in the best possible way. It's the Irish & Celtic Music Podcast #757  -  -  Subscribe now at CelticMusicPodcast.com! One Street Over, Gillian Boucher & Bob McNeill, Fialla, Eloise & Co., The Leftovers, The Bow Tides, Low Lily, Tara's Folk, Sue Spencer, Eimear Arkins, Sora, Louise Bichan, Kim Carnie, THE DIVINERS GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2026 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2 - 3 weeks. THIS WEEK IN CELTIC MUSIC 0:08 - Boxing Robin "Ned Coleman's #2/The Orphan" from Land of the Noon - Day Moon Gypsy Youngraven - vocals, guitar, and bodhrán 3:28 - WELCOME 5:25 - Gillian Boucher & Bob McNeill "Mountain Road #2" from Race for the Sun Gillian Boucher: fiddle, piano 11:22 - Fialla "Maid in Her Father's Garden" from Home & Away Katie: Vocals, Guitar, Bodhrán, Irish Stepdancing 14:44 - Eloise & Co. "Hanter Dro 1953 Kraozon/Hanter Dro 1930 Gregam/Meetinghouse Hanter Dro" from avec Elodie Becky Tracy (fiddle, octave fiddle) Rachel Bell (accordion) Rachel Aucoin (piano) 18:35 - The Leftovers "Down By the Glenside" from Heart of Buffalo Elizabeth Shea: vocals 21:34 - FEEDBACK 24:17 - The Bow Tides "Trip to Gaelicia" from Sailing On Ellery Klein: fiddle Jessie Burns: fiddle Katie Grennan: fiddle, champion Irish dancer 28:29 - Low Lily "Where We Belong" from Angels in the Wreckage LIZ SIMMONS: Guitar & Vocals NATALIE PADILLA: Fiddle, Banjo & Vocals 32:06 - Tara's Folk "How many Roads" from remember how we fall Julien Casanova -  fiddle Catherine de Vençay -  cello 36:19 - Sue Spencer "Free in the Harbour" from North Shore Sue Spencer: Guitar, Vocals 40:22 - THANKS 42:51 - Eimear Arkins "The St. Louis Waltz (Waltz)" from Here & There Eimear Arikins: Fiddle, Vocals 47:10 - Sora "Selkie" from Ghostlines Sora -  Voice, Piano, Violin 50:09 - Louise Bichan "Auch" from The Lost Summer Louise Bichan: fiddle 53:58 - Kim Carnie "Eolas Gradhaich" from A' Chailleach Kim Carnie: vocals 57:20 - CLOSING 58:40 - THE DIVINERS "Daychovo Horo" from earshot (EP) ILSE DE ZIAH: Cello; Fiddle; Vocals 1:01:23 - CREDITS Support for this program comes from Hank Woodward. Support for this program comes from Dr. Annie Lorkowski of Centennial Animal Hospital in Corona, California. Support for this program comes from John Sharkey White, II. Support for this program comes from International speaker, Joseph Dumond, teaching the ancient roots of the Gaelic people. Learn more about their origins at Sightedmoon.com Support for this program comes from Cascadia Cross Border Law Group, Creating Transparent Borders for more than twenty five years, serving Alaska and the world. Find out more at   www.CascadiaLawAlaska.com The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Clean energy is the single most powerful tool we have to fight climate change. Solar, wind, hydro  -  every kilowatt of clean power displaces the fossil fuels warming our planet. The big picture matters. So do the small choices you make every day. This week's tip comes from the 5 Rs of Sustainability: Refuse. Before you buy something new, ask yourself if you actually need it. Every item you don't buy is one that never had to be made, shipped, or eventually thrown away. Refusing is the most underrated act of sustainability there is. Start there. Your wallet and the planet will both thank you. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Pub Songs & Stories. Every song has a story, every episode is a toast to Celtic and folk songwriters. Discover the stories behind the songs from the heart of the Celtic pub scene. This podcast is for fans of all kinds of Celtic music. We are here to build a diverse Celtic community and help the incredible artists who so generously share their music with you. If you hear music you love, please email the artists to let them know you heard them on the Irish & Celtic Music Podcast. These musicians are not part of some corporation. They are small indie groups that rely on people just like you to support their music so they can keep creating it. Please show your generosity. Buy a CD, Album Pin, Shirt, Digital Download, or join their community on Patreon. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. ALBUM PINS ARE CHANGING THE WAY WE HEAR CELTIC MUSIC Looking for a fresh way to support the music you love? Meet the Album Pin. Album Pins are lapel pins themed to a specific album — and each one comes with a digital download. Wear your music. All of my latest pins are wood - burned and locally produced, which means a smaller footprint and a one - of - a - kind feel you won't find anywhere else. Pick yours up at magerecords.com THANK YOU PATRONS OF THE PODCAST! Every episode of the Irish & Celtic Music Podcast exists because of you. Your support makes this possible, week after week, year after year. That is not a small thing. Your generosity covers real costs: audio engineering, graphic design, the Celtic Music Magazine, show promotion, and buying music directly from the independent Celtic artists we feature. You are the reason this music reaches new ears every single week. Not a patron yet? Here is what you are missing. Patrons get early access to episodes, music - only editions, free MP3 downloads, exclusive stories and artist interviews, and a vote in the Celtic Top 20. Join us today and help keep Celtic music alive, independent, and growing. Every single patron matters. Slainte! A special thanks to our Celtic Legends: Fuzzy, Dave and Rosie Donnelly, Rick Boyce, Bruce, Daniel Ide, Brian McReynolds, Marti Meyers, Alan Schindler, Margreta Silverstone, Emma Bartholomew, Dan mcDade, Jeff A, Gerald F Boyle, Miranda Nelson, Nancie Barnett, Gary R Hook, Lynda MacNeil, Kelly Garrod, Mike Schock, Shawn Cali HERE IS YOUR THREE STEP PLAN TO SUPPORT THE PODCAST Go to our Patreon page. Decide how much you want to pledge every month, $4, $12, $25. Keep listening to the Irish & Celtic Music Podcast to celebrate Celtic culture through music. You can become a generous Patron of the Podcast on Patreon at SongHenge.com. TRAVEL WITH CELTIC INVASION VACATIONS Every year, I take a small group of Celtic music fans on the relaxing adventure of a lifetime. We don't see everything. Instead, we stay in one area. We get to know the region through its culture, history, and legends. You can join us with an auditory and visual adventure through podcasts and videos. Learn more about the invasion at http://celticinvasion.com/ #celticmusic #irishmusic #celticmusicpodcast I WANT YOUR FEEDBACK What are you doing today while listening to the podcast? Send me a photo. If you're in a Celtic band, send me an audio recording of you performing live. Just audio. I'll use it in a podcast episode later this year. Email me at follow@bestcelticmusic. Asa Swain commented on Patreon: "I like hearing you talk, but thanks for releasing a "music only" version for everyone. I appreciate it." woodland folk replied to question, "how does the podcast make your life better?": I listen to ur podcast on my phone. on my closed fiddle case, mingled with birdsong, gentle hissing wood,the sun comes up early over the Mendips.the wind is still fresh... A battle of wills, my playlist rarely is enough....two tunes I play in the city right now I heard on one of my favourite episodes to date(man of the house),"the silver spear"& the blue idol.... I listened to this episode in a wood near the coast. maby five yrs ago, a deep cashcrop, scented pine. the needles leave a sponge rug moss covers old stumps & oaks, older by far than the rest of the wood that grow in crearings. deer whistle & bark in the night "home is were the heart is" & have on occasion gone back to listen again... The music u play suits the wood my friend..."  

Most mathematicians take the notion of infinity for granted — it's deeply rooted in math's most fundamental assumptions. But a small group of researchers hopes to banish infinity completely. On this episode of The Quanta Podcast, host Samir Patel speaks with math editor Jordana Cepelewicz about the philosophy of ultrafinitism. This topic was covered in a recent story for Quanta Magazine. Each week on The Quanta Podcast, Quanta Magazine editor in chief Samir Patel speaks with the people behind the award-winning publication to navigate through some of the most important and mind-expanding questions in science and math. Audio coda music & lyrics by Michael Tilson Thomas. Vocals performed by Ben Jones. Piano performed by John Wilson.

“To your point, like it can make or break campaigns, can make or break TV and film. I mean, you know, there's mumblegate that's happening, like with all the streamers where I can't understand half the things that are being spoken... And in the interview, he was like, ‘Well, it's just not important to me.' I'm like, what?” – David GielanThis week's guest is a six-time founder and creative strategist who knows the power of sound in shaping stories that stick. As founder of Dominant Creative, a global agency and production company, he helps brands harness audio to spark connection and inspire change. His name is David Gielan, and in this episode, he shares how sound influences branding, fuels emotion, and helps organizations stand out in a noisy world. If you care about where audio is headed, you'll want to hear this one.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) – David's Journey from Music to MarketingAs our conversation starts, David recalls his early memories of sound and how he's passing on the lessons he learned to his own children. “Being even two or three years old,” he says, “I have these memories of dancing to records in my home and, you know, I just try to impart that on my kids too when they were very young.” He tells us more about his experience in marketing and ad production, and how having a background in music can sometimes be a mixed blessing. “I am not a person who can go to live music events as just an appreciator of music,” David explains. “It makes it absolutely impossible for me…. I'm just going to be sitting there in my head trying to pick it apart, not in a negative way, but just in a way of trying to understand how it was all put together.”(08:15) – Mumblegate and Audio ClarityThe discussion continues as David tells us more about the role sound plays in his approach to branding. “ I also have always been the kind of director and creative who is considering sound at each stage of the process,” he tells us. “And so I'm also doing the edit in my head and I'm doing the sound design in my head while we're filming, while we're working on it, and so it just gives me a greater level of control, but also creative inspiration as I'm working.” Our conversation turns to “mumblegate,” the sound editing trend that's making streaming audio harder to hear than ever, and how it can work against a marketing campaign. “I think for a lot of people,” he adds, “sound is usually an afterthought, especially because advertising a lot of time is a very visual medium… The creatives that I love working with most are the ones who come from post before they started getting into the director's chair, because they understand how something incredibly simple can make such a massive impact.”(22:35) – The Role of Sound DesignAs the first half of our conversation closes, the topic turns to how David puts sound to use in his own marketing work, such as an ad campaign he created for Yonex. “It was a very dark and emotive and impactful round of spots that were mainly driven by sound design,” he recalls. “It was just the visuals of a racket spinning. But it really came to life when, you know, when those moments were accented by key sound effects.” Our discussion returns to his insights on mumblegate, and how often it comes down to a struggle between sound editors and producers. “I've worked with a number of rerecording mixers over the years that bury dialogue because they're forced to do so, not because they want to. They're like, ‘No, I want to bring clarity to this project and so people can follow the story and understand what's going on.' And then they're, you know, shouted down by the folks at the top.”Episode SummaryDavid talks about his career journey and personal experiences with sound.Why audio clarity seems to be less of a focus in today's media.David shares the impact of sound design in his advertising campaigns.Tune in for next week's episode as we talk about the human creativity premium that the AI rush is helping to create, how David's balancing automation and his personal approach to building a campaign, and why he feels that sound is an untapped resource when it comes to branding.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

Under the cover of the storm and the night; the gang abandon their lodgings hoping to shake off their mysterious stalker. While speed is key , Kidanah is reluctant to share a shortcut but when an enemy closes in; it seems they have more to fear than canyon and it's inhabitants and the unsafe route might be their only option. Help our tales travel further: leave a review, drop a comment, or share the episode link on your socials. Tag us @d8dungeon so we can thank you properly. Join our ⁠Discord⁠ for more shenanigans! Are you following us on ⁠Twitch⁠? Check out our other shows!Cast Dungeon Master -⁠ Declan⁠ Clodagh Meadowmoon - Eilis Trep Kindly - ⁠Ben⁠ Aster - Daithí Rova - Jacob Wolf Lefton Kidana - Ashtyn Title Card Art by ⁠DaithiCDesign⁠ Theme Song 'Fight for Each Other' by ⁠Steven Tynan⁠ Vocals by ⁠Abe Soare⁠ Get in touch with us: ⁠d8dungeon@gmail.com⁠

“Live is always going to be great. Human connection is the only thing that will differentiate AI from people and from artists. And that is, I think, going to be the key lever that artists have left. So in the same way as you might go and buy a handmade coffee cup for $20 from an artisan stall when you can buy one for a dollar in Walmart, music will still hold great value.” – David Courtier-DuttonThis episode is the second half of my conversation with the founder and CEO of SoundOut, David Courtier-Dutton, as we discuss the catch-22 financial companies can face when it comes to making a sonic impression, how some companies are reaching old and new customers alike by reviving the radio jingles of years past, and the role of audio branding in an increasingly AI-driven world.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) – Surprising Trends in Sonic BrandingThe second half of our conversation starts as David shares more of SoundOut's discoveries about the effectiveness of branding, including why Visa and Mastercard's sonic logos haven't made the impact they'd hoped. “Listening to their sonic logo in isolation with no brand association,” David explains, “20% and 31% respectively said, yeah, we know the brand. But not one person out of those 400 across the two brands could actually write the brand name when asked what the brand was.” We talk about the old radio jingles and how some companies are finding success in reviving them for a new generation. “Both Maybelline and Pillsbury,” he tells us, “are sort of historic logos that were retired for a long time, and you just cannot underestimate the power of bringing back an old, beloved sonic logo… I wouldn't say it's an easy win, but it is, because those neural pathways are absolutely locked in.”(8:45) – The Role of AI in Music and MarketingDavid and I talk about the elephant in the room, AI and its impact on marketing, and the shift he's seen over the past year. “Up until about six months ago,” he observes, “we were seeing very little of it. There are some obvious concerns around legalities … brands won't want to use music created by AI in case it is actually breaching copyright. [But[ that will get sorted in the next six months or so, I think.”He shares his thoughts on how search processes are being increasingly handled by AI, and how audio can help brands stand out from the crowd. “The brand will go nowhere near the consumer,” he tells us. “So anything that you can do to make your brand more distinctive when you are advertising online and through music, anything to make a brand more prominent, can only help.”(20:30) – The Power of Authenticity in BrandingAs our discussion comes to a close, David elaborates on his observation that AI is increasingly talking to itself rather than users. “We're basically talking agents talking to agents,” he explains, “so AI agents talking to AI agents… I would imagine within 12 months it'll become quite a big thing. And within three years, it'll be everywhere. Everywhere.” We talk about the role human creativity might still play in a marketplace driven by AI, and one advantage musicians still have over machine-generated content. “It can feign emotion,” he says, “but you'll never move an AI with a song because it doesn't do emotion, and it literally, it never will… Emotion and empathy are all that we have as humans to distinguish ourselves from machines. And so music will… music will survive forever.”Episode SummaryThe challenges and surprising innovations in building a distinctive audio brand.How AI audio content has already begun to reshape the digital landscape.David shares his insights on what the growth of AI means for human artists.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

Send us Fan MailBorn From Good Times, Bad Times, & the Blues. Herald-Palladium Readers Choice Award Winners of 2024. Best local entertainment and Blues Rock Band. Rodney Mills on Vocals and Guitar, Frank Rotondo on Bass, Billy Canty on Drums and Percussion. Newest EP out in May 2025 with another EP set for late spring of 2026. Breaking boundaries with crossover songs such as Good, Bad, & the Blues, and One Way Woman the Resurrection Blues Band is making waves on both the Blues Radio and Rock Radio Stations. Broke Down In Clarksville has been a favorite on the United Kingdom Radio Circuit as well as Blame Game and Sugar Daddy, while Happy Days has had a contemporary Rock Success. Any way you look at it, the Resurrection Blues Band is focused on not being pigeonholed into one category.Support the showPodcast edited by Paul Martin.Theme song courtesy of M&R Rush.www.rocknrollchicagopodcast.com

In this episode Toby sits down with return guest (check out episode #164) and TUI/AngelDust vocalist Justice Tripp and AngelDust bassist Zechariah Ghostribe! They chat about TUI, AngelDust, expressing himself through music, Chad Gilbert, their own sound, new TUI, authenticity, gatekeeping, denim addiction, east vs. west coast, ADHD, night terrors, what comes next, influences, fitness and health, gold teeth and much more!  Please remember to rate, review and subscribe and visit us at https://www.youtube.com/tobymorseonelifeonechance Please visit our sponsors! Flatspot Records- https://flatspotrecords.com/ The Field Dream- https://thefielddream.com/ Rockabilia- use code OLOC10 Rockabilia Athletic Greens https://athleticgreens.com/oloc Removery- code TOBYH2O https://removery.com  Liquid Death https://liquiddeath.com/toby Refine Recovery https://www.instagram.com/refinerecoverycenter/  

“When you hand it to the composer in sonic branding, at that point, it becomes an art, because the job of the composer, of course, is to translate those desired emotions into music. And it's not [the] music that the composer feels, it is what it makes the audience feel when they hear it, and that is almost pure art. We have done some science around it, and we know what might help in terms of instrumentation and timbre and pitch and all that sort of stuff, but, at the bottom line, the sonic logo is only going to be as good as the composer. They are the most important person in a sonic branding project, bar none.” – David Courtier-DuttonThis episode's guest is the founder and CEO of SoundOut, and he's on a mission to prove that sound isn't just art – it's strategy. From building the world's largest music testing platform to decoding how sonic logos tap straight into our memory and emotions, he's turned the science of sound into a tool that brands can't ignore, and he's worked with such brands as Amazon, TikTok, Netflix, Sky, and Target to help optimize their sonic branding and marketing.His name is David Courtier-Dutton, and we'll be talking about what makes audio unforgettable, how data reveals our hidden reactions to music, and where the future of audio branding might be headed.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) – David's Earliest Memories of SoundOur discussion starts off with a pivotal moment in David's childhood, and in the years that followed, that taught him the power of sound. “It seared that moment in my brain,” he says, recalling George Harrison's song “Give Me Love (Give Me Peace on Earth), “of all the very few memories you have when you're six, seven years old. It just stuck with me. And I lost the song for probably about thirty years or so. And then when I heard it again, I was straight back in that little car, absolutely transfixed by the radio at that point.” We talk about his journey from corporate law to sonic branding, and how it coincided with the dramatic changes that MySpace and social media brought to the music industry. “The industry appeared to be facing existential moments,” David recalls. “So I thought, ‘well, wouldn't it be great, if the industry is going to go away and fans can connect with the bands, why don't we create a business that enables the fans to invest in the bands themselves and actually finance them?”(15:00) – Understanding the Role of Sonic BrandingDavid shares his observations on audio branding and the mistakes that can derail an agency's search for the right sonic logo. “They get really attached to the sounds,” he explains, “and they start reading things into the options and the logos that perhaps don't exist. They forget that this sonic logo will just be pinged out across the airwaves and listened to fleetingly by consumers, and you can really overthink it.” He tells us about SoundOut's pioneering brand study, its methodology, and what it's revealed so far about successful sonic branding. “From that historic data,” he says, “the key data point was that if you have your [brand] name in your sonic logo, then people were twice as likely to attribute it to the brand as if it wasn't in. So that's powerful. That's a good argument for putting the name in.”(23:00) – Insights from the SoundOut IndexAs the first half of our conversation wraps up, David offers more insights from the SoudOut study and what they tell us about successful sonic branding. “If you've got three seconds or two seconds to create a logo,” he notes, “you're not going to create something that has a hook as strong as Katy Perry or whatever it may be. It's always going to be a short snippet of a melody.” We discuss the surprising gap the index revealed between what consumers think they know and what they actually know when it comes to brand recognition, and the advantage sound has over other, more traditional marketing. “People can't block their ears,” David tells us. “They can look away, they can be doing something else at the same time, but you can't close off your ears [or] your ability to listen and for those connections to be made. So it's a very subversive way of marketing, but highly effective.”Episode SummaryDavid shares his journey from a London law firm to music and marketing.How traditional branding can lead agencies astray when it comes to sonic logos.David discusses SoundOut's five-year study of audio branding and recognition.Tune in for next week's episode as we talk about the unique audio branding challenge companies like Visa and Mastercard face, what role human creatives might play in a market that's increasingly giving way to AI, and how audio branding can help companies rise above the algorithmic noise.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

Indie-Bands mit hörbarem Country-Einschlag gibt es mittlerweile ja einige – nur kommen die meisten aus den USA, nicht aus Norwich. Dort, im Osten Englands, ist das Quartett Brown Horse – sie bezeichnen ihre Musik als «Slacker Twang» – zuhause und veröffentlicht ein neues Album. Schon wieder. «Schon wieder», weil: «Total Dive» ist bereits ihr drittes Album in ebenso vielen Jahren. Sattgehört haben wir uns an dieser Band aber noch lange nicht. Auch, weil in den emotionalen, herzzerreissenden Vocals von Sänger Patrick Turner immer wieder Songwriter-Gott Jason Molina (R.I.P.), aka Songs: Ohia aka Magnolia Electric Co., durchschimmert.

In this episode of the Metal Maniacs Podcast, hosts Jay Ingersoll and Modd sit down with Fedaykin for a deep-dive interview on their unique sound: heavy indie rock with metal vocals. If you're into Clutch, CKY, Eyehategod, Tool, and that gritty “heavy-but-not-overly-distorted” groove, this conversation is for you. We talk tone, dynamics, and why Fedaykin's approach lands in that indie clutch territory—less guitar distortion, not a constant double-bass assault, but still heavy as hell when it counts. We also revisit “Keter” (from our Reaction 22 / Episode 124), and break down how their riffs, patterns, and vocal diversity create such an aggressive-yet-artsy feel.Interview topics include:The inception of Fedaykin + the story behind the nameBand members: James Barbour (vocals), Rafael Ohli (guitar), Nick Rhodes (bass), Matt Younker (drums)Writing process: riff patterns, structure, and “how do you know it's the part?”When/why to add solos, suggestions/changes, and band collaborationProduction talk: bass tone, “live in the room” feel, and capturing dynamicsShows, what's next, and where Fedaykin is headedFedaykin Links (Music)Bandcamp (start here): https://fedaykinband.bandcamp.com/If you want more underground heavy rock, metal-adjacent indie, and real band-conversation deep dives, subscribe/follow The Metal Maniacs and drop a comment with what track we should react to next.Get episodes early-https://www.patreon.com/cw/TheMetalManiacsPodcastFollow us here-https://tr.ee/YA-9eUZGnCSupport Our Sponsor- https://www.starkrealestatemi.com/

Hey Beautiful People I'm back once again like a Renegade master this Wednesday for another journey into Musical Paradise so try and control your excitement!! So in Wednesdays's show We take the Stars on 45's feature out for a spin again featuring the amazing celestial vocals of Marc Evans. !! Plus we have a fantastic Awesome 4Some tracks from the blender DJ Allan Singleton . So be prepared for another high energy uplifting radio show that brings sunshine and smiles on a a Humpday. It's a Specially Prepped for your aural pleasure. Much Love Marky MMP Cruise FM, and hope you can join me on this special weekly journey delivered with love.. I love you all Trax Title Artist Down Time (A Drink B4 We Dance) Marc Evans You Change My World Jamie Lewis & Marc Evans Given Me Joy (Muthafunkaz 12 Mix)" Marc Evans Dontcha Wanna Dance (feat. Marc Evans) [12 Mix]" Cool Million Beneath the Crescent Moon Marc Evans This Thing Called Love (DJ Meme Remix) Marc Evans The Way You Love Me (Dim's TSOP Version) Ron Hall & The MuthaFunkaz Feat. Marc Evans A Spiritual Love (Groove Junkies Re-Edit) Marc Evans, Groove Junkies What Can I Do For You The More I Get, The More I Want (Soul Disco Mix) Jay Caruso Bass Goes (Stacy Kidd House 4 Life Remix) DJ Dre Hart, Stacy Kidd Get Back To You (Original Mix) Odyssey Inc. Nights Like This (Dave Lee Extended Remix) [thatpeopleplay.com] Donae'o, Omar, Lemar, Dave Lee ZR Spank (Eric Kupper Remix) Jimmy Bo" Horne Dusty (Geoffrey C & DJ Spen Mix) Geoffrey C, DJ Spen Always There (DJ Bert Bevans Disco Mix) Jocelyn Brown, Incognito, DJ Bert Bevans Mood (Dr Packer Extended Mix) Sweet Georgie, Tosha Marie, Dr Packer It's Up To You (Extended Mix) Mark Funk, Danny Cruz, Anna Ingram

Stephen and Brendon discuss the entirety of Persona 4 Golden and answer questions about friendship, social psychology, and what it's like to be a maligned cartoon bear in the human world.Discussed: Persona 4 GoldenITA's PS1 PlaylistMatt Horton's video essay on P4G for Flow State"It's Time to Talk About it: Atlus, Naoto, and Transphobia" by Mattie Brice"Atlus, We Haven't Forgotten Your Mishandling of LGBTQ Characters" by Carol Grant"Persona 4's Identity Crisis Invalidates its Themes" by Lucas White"Denial of the Self: Queer Characters in Persona 4" by Carolyn PetitFind us everywhere: https://intothecast.onlineBuy some merch, if you'd like: https://shop.intothecast.onlineJoin the Patreon: https://www.patreon.com/intothecast---Follow Stephen Hilger: https://bsky.app/profile/stephenhilger.bsky.socialFollow Brendon Bigley: https://bsky.app/profile/bb.wavelengths.onlineProduced by AJ Fillari: https://bsky.app/profile/ajfillari.bsky.social---Season 8 cover art by Scout Wilkinson: https://scoutwilkinson.myportfolio.com/Theme song by Will LaPorte: https://ghostdown.online/---Timecodes:(00:00) - "Shadow World" composed by Shoji Meguro, Vocals by Shihoko Hirata, lyrics by Benjamin Franklin (00:10) - There's no way you thought this would actually be lowkey right? (02:52) - Hey welcome to the show! (05:12) - The culmination of an eight year journey (13:30) - Stephen's history with the franchise (23:28) - General thoughts (01:05:42) - Should you start with this one? (01:11:32) - Spoiler checkpoint! (01:11:53) - "Time to Make History" Composed by Shoji Meguro, Vocals by Shihoko Hirata, lyrics by Benjamin Franklin (01:12:29) - FINAL SPOILER WARNING (01:14:10) - How it begins (01:25:24) - The first dungeon (01:27:22) - Teddie pt. 1 (01:31:29) - Yukiko and the first dungeon (01:46:28) - The progress-gating (02:00:09) - "Signs of Love" Composed by Shoji Meguro, Vocals by Shihoko Hirata (02:00:34) - It's Kanji time (02:21:48) - Dojima and Nanako (02:27:50) - The fridge (02:29:08) - The family unit (02:31:53) - Rise (02:40:47) - Teddie pt. 2 (02:51:35) - The Summer (02:57:46) - Naoto (03:06:17) - We've got the full party! (03:08:20) - "Heartbeat, Heartbreak" Composed by Shoji Meguro, Vocals by Shihoko Hirata (03:08:54) - The endings (03:18:51) - How was the final reveal? (03:25:31) - SPOILERS FOR PERSONA 5 INCOMING (03:26:56) - The culprit's motivations and moving toward the true ending (03:35:31) - Fighting God (03:38:21) - The Jungian lectures (03:48:10) - The final months (04:04:28) - The ski trip (04:16:30) - The epilogue (04:20:21) - "Reach Out To The Truth" Composed by Shoji Meguro, Vocals by Shihoko Hirata (04:20:45) - Listener questions (04:20:59) - Favorite way to make tofu from Jared (feat Percia) (04:26:44) - Stephen's prop (04:39:28) - Favorite and least favorite social links from Everyone (05:08:04) - Dream/Nightmare blunt rotations from Neo Geo Pocket (05:09:35) - Adjusting arcana from Lex (05:13:34) - What is it like replaying Personas from Neo Geo Pocket (05:18:43) - Favorite vocal performance from Ashley (05:20:59) - Best visual/mechanical boss design AND best track from Matt (05:25:03) - Era appropriate albums from Brittlemoon (05:29:15) - Arcana resonance from Brady (05:31:36) - Antagonist comparison from King Blackjack (05:33:50) - What music genre from Biscuit (05:38:08) - Chapter 50 (05:50:22) - THAT'S IT ---Thanks to all of our amazing patrons, including our Eternal Gratitude members:Brian MSuperThisWayNick GStarfallrondoSusan H0nlygh0stsVincent JPatrick KEd ASamantha DNorth HeroSam HSnzznGregory Mark SCmndr BiscuiticemanChristian HRydan BCaleb HArden FEye of the DuckKaleNathan EJ. H. AjoelchronoMellowMatthew BRobin LPSeekingSeakingJimmerszoey!Vinny MMattKerry KBrian MNoah DZach DChristopher TDHugo WToddChris BLukerfuffleStephen YDaniel GEric FTaran WBrendan OChris ZClayton MZach RDylan NFederico VTigerz RevengeLogan HAlan RJohn AMike LmattjanzzDavid MHeavyPixelsKaleb HTyler JCorey ZSusan HBarry TRobert RChris JBrett Allen HDan SJack SGarrett CjimiiboJohn HDirch FJim EJim WTristan LEvan BAwfulHanzomin2Aaron GJean HTodd Nred_wagonNeilPeter BJohn VvErik MRedmage77Joshua JTony LDanny KGibson GKate Duncan BRichard MDaniel NSeth MJamesAndy HDemoEmmaLyn ECorey TCaleb WJake LJesse WMike TCodesMatt BWesleymebezacAlex LSergio LninjadeathdogRory BA42PoundMooseRobert MMichael WAndrewthis_JUSTINRyan O14.3 billion yearsBrendan KMegan BSecretAgentKoalaNoah OArcturusAndrew WhepaheChase ALoveDiesNick QChris MRBKaren HAdam FScott HAlexander SMatt HMurrayDavid PJason KMicah OKamrin HAndrew DKyle SPhilip N  ★ Support this podcast on Patreon ★

Step a little closer… this one's different. Velvety Grooves VG003 isn't just a mix, it's a mood. A slow burn. The kind of energy that wraps around you, pulls you in, and doesn't let go. From the very first drop, you feel it. That deep, rolling groove, smooth, confident, a little bit dangerous. A sun-kissed rework of Sylvester's “Mighty” sets the tone, and before you know it, you're locked into something hypnotic. Then “Zeus” glides in, warm, euphoric, effortless, like golden hour on a dancefloor that never sleeps. This mix moves, but it doesn't rush. It teases. Basslines that slide instead of hit. Chords that shimmer instead of shout. Vocals that feel like they're meant just for you. There's a certain kind of confidence running through this one. The playful bounce of “We Like to Party”, the irresistible pull of “Amore Automatico”, the sun-soaked glow of Nu Genea, it's all curated to make you feel something. And then it lifts. “Wake Up!” hits and suddenly the room feels lighter, brighter, like everyone's locked into the same moment. “Love Ain't Over” softens things just enough, before “Wonderful Life '25” takes you somewhere higher, eyes closed, hands up, completely gone. By the time “It's Alright” closes things out, you're not the same as when you pressed play. This is that late-night energy. The kind that turns heads without trying. The kind that makes you move a little slower, a little closer. Whether it's pre-drinks, the dancefloor, or that moment after when the music's still playing and nobody wants to leave, VG003 knows exactly what it's doing. Press play. Feel it build. And let the velvet do the talking.

“I give them a lot of credit because they use that so frequently, and that's why they have so much success. I mean, it is an iconic melody in and of itself, but it's that repetition and that usage, you know, whereas I feel like a lot of sound logo projects that come in, we'll get to the finish line and they'll be excited to use it, and then a month or two later, they'll be like, ‘We're not seeing quite the results that we'd hoped.' It's like, A, you're not going to see it after a month, and B, you've got to use it consistently, you know, and potentially in multiple places. State Farm does it right.” – Connor MooreThis episode is the second half of my conversation with founder and creative director of CMoore Sound, Connor Moore, as we talk about where AI voices might be taking sound design, how he became a juror at the International Sound Awards, and how sonic logos are making a comeback.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) – Current Trends in Sound DesignThe second half of our discussion starts as Connor talks about neural voices, the latest breakthrough in AI voice clones, and how popular they're becoming with clients. “It's a very interesting space,” he says, “having a customized brain and voice that can constantly adapt, you know, and so we're seeing a lot more of that come through.” He talks about his work on Google Glass and how he might approach its UX design differently in today's world, and how he helped reshape the famous State Farm sonic logo. “'Here's a simple tweak at a foundational level,'” he recalls saying, “'Take away the square wave and use a sine wave at a base level.' And they were like, ‘Oh.' And we're already 65% there.”(10:47) – The Importance of SimplicityWe discuss his work with the International Sound Awards and the insights he's gained from seeing nominees from all over the world. “Most of the work I've reviewed in the last four years has been more kind of traditional sonic branding,” he tells us. “It's just great to be a part of that community and to hear all the cool work coming, because it's at a global scale.” He talks about the resurgence of sound logos in today's market, and the lesson to be learned from State Farm's branding success. “The iconic nature of that example is the melody,” he says, “the melody that's been around for so long. But I think that what I would say is just, you know, use it lightly. Be careful with overusing it.”(24:47) – The Future of Sonic BrandingOur conversation wraps up with what he's working on now, and the trends he's seeing in branding and audio UX design. “Industries that you might not expect,” Connor explains, “old school industries that are becoming more tech focused, for example... which I think is interesting, because I think sound as a technology [is] starting to touch industries of old that are modernizing.” He tells listeners how they can get in touch, and shares his perspective as someone on the forefront of sonic branding. “I'm working on very emerging technologies,” he says. “I'm working on older industry segments that are stepping into new technology, I'm working in automotive... it's a good balance that keeps me engaged.”Episode SummaryOur discussion on the rise of wearable technology and voice-driven experiences.Exploring how simplicity impacts sound design and brand perception.Connor's predictions on the evolution of audio branding and its applications.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

Rolling Stone has called Charlotte Cornfield “Canada's best kept secret.” But now, with the release of her sixth record featuring artists like Feist and Buck Meek of Big Thief fame, it's safe to say the secret's out. Charlotte talks to Tom about writing her first record since becoming a mom, collaborating with one of her favourite artists, Feist, and why she's feeling optimistic in her songwriting these days.

In the wind-worn town of Sable, old companions reunite. Clodagh and Trepp join Aster, soon followed by Rova and Kidanah and there's a chance to rest. As plans take shape under darkening skies, Aster feels a pull from beyond the dunes. Something is waiting. The question is not what... but who... Help our tales travel further: leave a review, drop a comment, or share the episode link on your socials. Tag us @d8dungeon so we can thank you properly. Join our ⁠Discord⁠ for more shenanigans! Are you following us on ⁠Twitch⁠? Check out our other shows!Cast Dungeon Master -⁠ Declan⁠ Clodagh Meadowmoon - Eilis Trep Kindly - ⁠Ben⁠ Aster - Daithí Rova - Jacob Wolf Lefton Kidana - Ashtyn Title Card Art by ⁠DaithiCDesign⁠ Theme Song 'Fight for Each Other' by ⁠Steven Tynan⁠ Vocals by ⁠Abe Soare⁠ Get in touch with us: ⁠d8dungeon@gmail.com⁠

“Too much sound complicates things, it confuses things, and it causes annoyance and fatigue, too much brain power needed. Too much cognitive load, and it's a known fact. So oftentimes companies will come to me and say, ‘Hey, we have, you know, sixty sounds we want to create.' And I go, ‘Okay, cool. Let's take a look at the list. Let me understand your product a little better and let's try to find ways to strip it back.' Because, you know, that can be very overwhelming for users.” – Connor MooreThis episode's guest is a leading expert in audio UX and audio branding. As the founder of CMoore Sound, he's shaped how major brands like Google, Uber, Peloton, and Airbnb use sound to enhance their products and connect with audiences. Over the past fifteen years, he's helped define how sound influences everything from brand identity to user experience, and he's been featured in The New Yorker, NPR, and Google's Design series. He's also a fellow judge for the International Sound Awards, which is how we met. His name is Connor Moore and his work shows how sound isn't just decoration, it's a powerful tool that shapes how we feel, navigate, and interact with the world.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) – Connor's Audio Eureka MomentOur conversation starts with Connor's early memories of sound, and how quickly he came to realize in college that audio branding wasn't really a thing in marketing. “It really begged the question for me of why aren't brands thinking about sound and music like they are for their visual branding,” he explains. “So that, to me, was a bit of a eureka moment and really kind of set me on my path.” He talks about how both old-time jingles and current audio brands like Netflix get it right when it comes to repetition, and his process for getting clients what they need to establish their audio brand. “With my business,” Connor tells us, “I'm involved at every stage… that's a big value add. Having a veteran in the industry in the room at all times and really guiding the work, that is really the biggest differentiator.”(12:23) – The Evolution of Sonic BrandingConnor tells us about some of his current projects, including a major car company that needs a creative approach to sonic branding. “They're a product first company,” he says. “It's an automotive company. Without the product, you don't have the brand. So that is the biggest touch point for their customers. And you can do the audio branding process through UX. It's really the same process.” He shares the insights he gained from working with companies like Samsung and Lucid Motors, and tells us about the early days of audio-first UX. “Back then they were just very simple kind of ringtones and alarms,” he says. “And what I did is I went in and really crafted really long form compositions that gradually pick up over time, you know, with volume, percussion, harmonics, [and] complexity.”(26:15) – Creating a More Thoughtful SoundscapeAs we come to the end of the first half of our discussion, Conner tells us how he balances the functionality of UX with the distinctiveness of audio branding. “There should be a level of cohesion across the experience,” he explains. “But there should also be levels of distinction. So a welcome sound for an in-car experience could be very soft and inviting, whereas, like, for a collision sound, it can't be soft. You know, it has to be kind of in your face.” We talk about the value of silence, and how knowing when not to make a sonic impression can be as important as making one. “There's a lot of power in simplicity and silence,” he says. “That is the biggest takeaway of my time in this space.”Episode SummaryConnor discusses his first experiences with sound and sonic branding.We explore how sonic branding has become more intentional over the years.Our discussion turns to the need for thoughtful, pleasing soundscapes.Tune in for next week's episode as we talk about the latest developments in AI-driven neural voices, Connor's pioneering work at Google Glass and on State Farm's famous sonic logo, and how companies that don't necessarily need a musical jingle can still take advantage of an audio brand.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

KEXP presents Iron Lung performing live in the KEXP studio. Recorded January 28, 2026. 1. Failure / Purgatory Dust / Virus / Purgatory Dust (Finale) / Final Say / Acres Of Skin2. Lifeless Life / Perfect Ending3. Cauterization / Pain Directive / Cog II / Internal Monologue / A Veiled Eye4. Survived By / Shift Work5. Future Corpses / Sexless No Sex / Monolith6. No Contact Visit / Everything Is A Void Jensen Ward - Drums, Vocals, NoiseJon Kortland - Guitar, Vocals Host: Jennifer GovolaAudio Engineer: Kevin SuggsAudio Mixer: Greg WilkinsonMastering Engineer: Julian Martlew https://ironlungrecords.bandcamp.comhttp://kexp.org Join this channel to get access to perks:https://www.youtube.com/channel/UC3I2GFN_F8WudD_2jUZbojA/join Photo by Eric TraSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

“I think, you know, what I mentioned before would really apply, and that's sit down and really come up with a plan over the next twelve months. What do I want to do? Do I want to release a single every month or maybe it's a couple of singles leading up to an EP and then actually execute that. And, you know, at the same time, be consistent. You don't want to be an artist that puts out a few tracks and then, you know, goes away for about four years and tries to come back and do it again, because you're going to have to really start over. I mean, there's just too much out there, you know, to consume that, you know, you're going to lose a lot of your fan base if you don't engage with them. You have to consistently engage with the fan base, consistently release music and devise a plan, like I said, for each of the platforms so you can gauge and analyze exactly what's working and what's not. So the next time you put something out, you know what to do.” – Jesse FloresThis episode is the second half of my conversation with Vice President of Artist and Label Partnerships at Intercept Music Jesse Flores, as we talk about how Intercept Records is balancing AI advances and human creativity, his thoughts on what music genres might take off next, and why rushing to upload your next single might not be the best long-term strategy for building a fan base.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) – AI in Music MarketingOur conversation picks up as Jesse talks about how Intercept is putting AI to use for its clients without undermining its artists. “We definitely support AI when it comes to a marketing tool,” he explains, “[but] content creation, not so much, because we really support human-made content that has some soul put behind it, an actual human behind it.” He also offers his advice to musicians on social media. “You have to consistently engage with their fan base, consistently release music and devise a plan,” he says, “for each of the platforms so you can gauge and analyze exactly what's working.”(9:30) – Strategies for Emerging ArtistsJesse tells us where he sees the future of music heading, and whether AI music could someday become a genre of its own. “Talent is a priority,” he says. “You know, you've got to have talent if you're an artist nowadays. I think that's always been the case since day one. Making music that is timeless, making music that is undeniable… that's what's going to keep you in this for the long run.” As our conversation comes to a close, he shares his thoughts on the power of sound, and what artists can do to help set themselves apart from the background noise. “There are different points and moments in your life when you hear a song,” he tells us, “[and] you know what you were doing when you first heard it, or, you know, it brings back memories of this person that you were dating at the time, or where you were or who your friends were. Like, it's just always going to be there for me.”Episode SummaryExploring the benefits and challenges of AI in marketing versus music creation.Jesse offers his advice on building a music career and engaging with fans.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

Scheim rips it on the vocals with some guitar and allows callers to guess what song he's singing for some concert tickets.

“What can we do to make that number a thousand? That's the kind of stuff we really focus on. We have tools and analytics within our dashboard to kind of help guide you with that and provide insight onto what strategies are needed to get to that place. But also, I think what makes a lot of sense is to have the right team around you for independent artists. You've got to have a really good manager, obviously a great distributor, a good entertainment lawyer, a good publicist, and a good online marketing and social media strategist. If you have those five people in your camp, you're off to good start.” – Jesse FloresThis week's guest was recently named VP, Artist and Label Partnerships at Intercept Music. He's a seasoned music industry executive with over two decades of experience in business development, artist partnerships and label relations, and, as Senior Director of Label and Business Development at Virgin Music Group, he played a pivotal role in securing and managing relationships with high-profile artists and independent labels, working with artists such as Stephen Marley, Slum Village, Carla Morrison, Dax and more. With a background in both tech and sound, he's built tools that treat music not just as art but as a powerful business asset.His name is Jesse Flores, and in this episode, we'll be talking about what it really means for artists to own their sound, why marketing is part of the creative process, and how the right tools can help great music get the recognition it deserves.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) – Jesse's Journey into the Music BusinessOur conversation starts off with Jesse's early memories of sound, particularly an unforgettable concert when he was a child. “It was my first concert ever,” he recalls. “I was seven years old, and it was the Jacksons' Victory Tour. Obviously, at the time, Michael Jackson was probably the biggest artist in the planet. And I was young, but I was a fan.” He shares his professional journey, from music student to music executive in Los Angeles, and how narrowly he avoided an early career pitfall. “I really had a good time to, you know, sit down and think about it and weigh the pros and cons,” he explains, recalling a job transfer that would've sent him across the country. “And, at the end of the day, I decided to stay in L.A., which was a blessing and the right decision because if I'd moved to Miami, I probably would have lost my job in the next year or two because they closed that office down.”(9:45) – Working with Independent ArtistsJesse tells us more about his work at Universal and what goes into building an up-and-coming musician's brand. “We had a team just nationwide of people where, you know, they bring them into our market and we were the experts in our region,” he says. “So we knew exactly where to take them, what stations made the most sense, what retailers were really supporting them, where we were selling the records.” He talks about his transition from Universal to Intercept records and explains how he's still leveraging his connections to help indie artists. “Any artist that was coming off their major label deal but still wanted to release music,” he tells us, “we gave them that opportunity to do that, and not only just put out their music and using our pipes, but also have major label services.”(13:00) – Rising Above the Digital NoiseJesse and I take a closer look at social media, and the double-edged sword that music platforms can represent for musicians who are just starting out. “Anybody can release music,” he says, “so there's just so much clutter out there, you kind of have to sift through it. And in order to rise above the noise, I think the key thing is to have a good distribution partner.” We discuss which platforms are the best choices for artists, and his strategies for helping bands find success. “Not everybody is gonna perform as well as some other platform,” he says. “One might have great success on YouTube, but not so much on Spotify and Apple Music. So what we want to do is sit down with the artists, figure out what they've done up to this point, and what we can do to really augment what they've been doing.”Episode SummaryJesse discusses his lifelong progression from music fan to music industry insider.His strategies for helping independent artists succeed via social media.We discuss whether live performances are still important in the digital age.Be sure to tune in for next week's episode as Jesse shares his thoughts on AI, why consistency is key for both new and established artists, and his tips for standing out from the musical crowd.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

In this episode Toby sits down with birthday girl Dani Miller! They chat about her new album Reality Star, Darren Aronofsky, growing up in Cali, young wild life, her parents, sports, performing as a kid, Pratt, the Tenderloin, Surfbort, Coachella, Gucci, UK, DJing, health, veganism, social media, current obsessions, Health Punx and more!  Please remember to rate, review and subscribe and visit us at https://www.youtube.com/tobymorseonelifeonechance Please visit our sponsors! The Field Dream- https://thefielddream.com/ Rockabilia- use code OLOC10 Rockabilia Athletic Greens https://athleticgreens.com/oloc Removery- code TOBYH2O https://removery.com  Liquid Death https://liquiddeath.com/toby Refine Recovery https://www.instagram.com/refinerecoverycenter/  

“In this age of AI and, you knew I was going to go here at some point, so how can an artist differentiate themselves now that AI can basically create music with the push of a button? Like, it's hard. It was hard before, and now we have this to worry about. I think you touched on it maybe indirectly earlier in the connection, the spirit of creating and being a human. I think it is the dopest superpower that we have, and I do believe that everyone has it. It's just, you know, what level it's in, but just because it's not, like, music or visual art or dance or something doesn't mean you're not creative.” – Jastin ArtisThis episode is the second half of my conversation with artist, producer, and creative sound leader and founder of A&R in Your Pocket Jastin Artis, as we talk about what musicians need to know when they're starting out as professionals, whether record deals still matter in the digital music scene, and how AI, from digital assistants to licensed voice cloning, is reshaping the industry.As always, if you have questions for my guest, you're welcome to reach out through the links in the show notes. If you have questions for me, visit audiobrandingpodcast.com, where you'll find a lot of ways to get in touch. Plus, subscribing to the newsletter will let you know when the new podcasts are available, along with other interesting bits of audio-related news. And if you're getting some value from listening, the best ways to show your support are to share this podcast with a friend and leave an honest review. Both those things really help, and I'd love to feature your review on future podcasts. You can leave one either in written or in voice format from the podcast's main page. I would so appreciate that.(00:00) – Navigating the Fine PrintWe start the second half of our conversation with a focus on some of the lingo of the music industry, such as PRO, short for performance rights organization, payments. “That's how you get paid royalties on the back end,” Jastin explains. “You might hear that phrase, right? For when your stuff is played on these different avenues and, you know, obviously streaming.” We talk about split sheets and how payments are divided in a group, and the importance of figuring things out ahead of time. “It's easy if it's just you, which I know most of us are often doing, right?” he says. “But you have your producer, maybe you have another songwriter, that's three people. You wanna make sure you have your equally splits or whatever share… you guys agree to. Do not do that after the song is out.”(13:13) - Creativity in the Age of AIThe conversation shifts to building the foundation for musical success early and the challenge of starting out in the industry. “There's people obviously we've seen in music that are A-list artists because they did have the team,” he tells us. “But if you talk to them in the beginning, they didn't know what they were doing. They felt like they could figure it out, and they did.” He shares how AI has changed his workflow and approach to music, and his confidence that the human touch isn't going away anytime soon. “We still have to just believe in, like, the human aspect of what we do,” Jastin says. “That can't ever go away. I don't care, regardless of what is happening now, what could happen. It just, and maybe that's just my belief, that's just where I'm gonna keep my eyes on the prize.”(28:55) - Human Connections in MusicOur discussion comes to a close as Jastin tells us how listeners can get in touch and what he's working on right now, including a leadership coaching program. “It's a 12-week program that's centered around being sync-ready,” he explains. “Like, that's a big thing that I'm leading with, and we'll continue now that I've seen how it works. And, I know I'm still learning too, but man, I'm getting paid for beats that I made in, like, 2006.” He also shares his latest musical successes, including his upcoming album. “There will be new music coming,” he says. “Probably not by the end of [2025], but… I'm working on my thirteenth album. That's kind of like, wow, I can't even believe I'm saying that.”Episode SummaryJasten shares his insights on forming a strong musical career foundation.Our discussion on how AI and the digital music scene has affected musicians.Jasten's thoughts on the necessity of human creativity amidst AI growth.Connect with the Audio Branding Podcast:Book your project with Voice Overs and Vocals by visiting https://voiceoversandvocals.comConnect with me on Instagram - https://www.instagram.com/jodikrangle/Watch the Audio Branding Podcast on YouTube - https://www.youtube.com/c/JodiKrangleVOConnect with me on LinkedIn - https://www.linkedin.com/in/jodikrangle/Leave the Audio Branding Podcast a review at https://lovethepodcast.com/audiobranding (Thank you!)Share your passion effectively with these Tips for Sounding Your Best as a Podcast Guest!https://voiceoversandvocals.com/tips-for-sounding-your-best-as-a-podcast-guest/Get my Top Five Tips for Implementing an Intentional Audio Strategyhttps://voiceoversandvocals.com/audio-branding-strategy/Editing/Production by Humberto Franco - https://humbertofranco.com/This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

In this episode Toby sits down with Lamb Of God vocalist Randy Blythe! He chats about his second book, new song Into Oblivion, writing the book, sobriety, substances, getting his bandmates sober, skating, surfing, his shark experience, phone self control, social media, punk rock guilt, billionaires, community and needing to reconnect, taking care of yourself and more! Please remember to rate, review and subscribe and visit us at https://www.youtube.com/tobymorseonelifeonechance Please visit our sponsors! The Field Dream- https://thefielddream.com/ Rockabilia- use code OLOC10 Rockabilia Athletic Greens https://athleticgreens.com/oloc Removery- code TOBYH2O https://removery.com  Liquid Death https://liquiddeath.com/toby Refine Recovery https://www.instagram.com/refinerecoverycenter/  

Parker K. Park (Peter Kim) is a backup singer with aspirations of moving to the front. For the full Mega experience, join Supercast. Learn more about your ad choices. Visit megaphone.fm/adchoices