Podcasts about crown professor

In this episode, Xavier Bonilla has a dialogue with Wendy Pearlman about the voices from the new Syrian Diaspora. They discuss the various reasons for telling Syrian stories, protests around the world, the ongoing Syrian conflict, concept of home and internal displacement. They also talked about leaving Syria and rebuilding elsewhere, maintaining culture, future of the Syrian diaspora, and many other topics. Wendy Pearlman is Crown Professor of Middle East Studies and Interim Director of Middle East and North Africa Studies Program at Northwestern University. Her main interests are comparative politics of the Middle East. She has her Bachelors from Brown University and her PhD from Harvard University. She is the author of numerous books, including the most recent, The Home I Worked to Make: Voices from the new Syrian Diaspora. Get full access to Converging Dialogues at convergingdialogues.substack.com/subscribe

Peace processes, two-state vs one-state solutions and nonviolent protests. In conversation with Professor Wendy Pearlman from Northwestern University, we take two of her books as a foundation to examine grassroots activism historically and to consider a potential future “just” solution. Wendy shares her views on realistic outcomes for the ongoing Palestinian-Israeli condition, and takes us through the history of Palestinian grassroots activism both in Palestine and internationally, delving deeper into the parallel between the apartheid in South Africa and in Palestine. Finally, we talk about the atmosphere on US college campuses right now — both for students and teaching staff. Wendy explains why she aims to speak to all her students in the classroom, regardless of where they stand on the Palestine issue. This episode was recorded on November 8, 17:10 Palestine timePlease note that we're recording special podcast episodes relevant to understanding historical context to what is happening in Palestine. Make sure to check out the other highly informative conversations with guests from completely different disciplines who are generously sharing their time and insight in these dark times.About Wendy: Wendy is the Crown Professor of Middle East Studies and the interim Director of the Middle East and North Africa Studies Program at North Western University. She is a scholar of the comparative politics of the Middle East, social movements, and forced migration and has studied or conducted research in Morocco, Egypt, Lebanon, Jordan, Turkey, Spain, Germany, Israel and the occupied West Bank and Gaza Strip. She is the author of five books including Occupied Voices: Stories of Everyday Life from the Second Intifada (Nation Books, 2003) and Violence, Nonviolence, and the Palestinian National Movement (Cambridge, 2011).Since June 2023, Wendy has served as co-editor-in-chief of the journal Perspectives on Politics. Previously, she was a Fulbright Scholar in Spain, a Starr Foundation Fellow at the Center for Arabic Studies Abroad at the American University in Cairo, a Junior Peace Fellow at the United States Institute of Peace, and a postdoctoral Fellow at the Belfer Center for Science and International Affairs at Harvard's John F. Kennedy School of Government. ***** ABOUT THIS SERIES ***** The afikra Podcast is our flagship program featuring experts from academia, art, media and beyond who are helping document and/or shape the histories and cultures of the Arab world through their ‎work. Our hope is that by having the guest share their expertise and story, the community walks away with a new ‎found curiosity - and maybe some good recommendations about new nerdy rabbit holes to dive into head first. ‎ Explore all afikra Podcast episodes: https://www.youtube.com/watch?v=-0voh_EioBM&list=PLfYG40bwRKl5xaTkBDrUKLCulvoCE8ubX ****** ABOUT AFIKRA ******‎ afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present, and future – through conversations driven by curiosity. 

Democracy, free enterprise, and egalitarianism are central to America's self-identity. Emerging from the Cold War as the sole superpower the United States has confidently projected these values across the world through its culture, commerce, diplomacy, and military. But in recent years the United States has appeared to retreat from global leadership and waver in defense of its ideals. The rise of rival powers and the disruptive effects of globalization have also heightened the appeal of alternate ideologies. How is America viewed from abroad today, and what factors influence these attitudes? If America loses its appetite to lead, whose values will shape the world? Featuring: Reuben E. Brigety II, Dean, Elliott School of International Affairs, the George Washington University; Brian T. Edwards, Crown Professor and Director, Program in Middle East and North African Studies, Northwestern University; Richard Wike, Director, Global Attitudes Research, Pew Research Center . Moderated by Evelyn Farkas, Nonresident Senior Fellow, Atlantic Council.

American culture is ubiquitous across the globe. It travels to different social contexts and is consumed by international populations. But the relationship between American culture and the meanings attached to the United States change over time. During the 20th century, the American Century, American culture generally aided in the positive global perception of U.S. policies and governance. In After the American Century: The Ends of U.S. Culture in the Middle East (Columbia University Press, 2016), Brian T. Edwards, Crown Professor in Middle East Studies and Professor of English at Northwestern University, demonstrates how this relationship altered in recent decades. Technological innovation and the emergence of the digital age have drastically changed the nature of cultural circulation and production. Edwards explores the innovative play between global culture and local subjects in Egypt, Iran, and Morocco. He explores the exchange and interpretations between multiple publics that engage culture situated within various assumptions and social expectations. What he shows is that local cultural production often creates the ends of circulation, which are not always visible to an American audience. In our conversation we discussed the relationship between culture and politics, Egyptian fiction and graphic novels, Iranian directors Asghar Farhadi and Abbas Kiarostami, Shrek, digital piracy, Moroccan film controversies, the logics of film production, interpreting audiences, American Orientalism in television, literature, and Ben Affleck's Argo. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu.

American culture is ubiquitous across the globe. It travels to different social contexts and is consumed by international populations. But the relationship between American culture and the meanings attached to the United States change over time. During the 20th century, the American Century, American culture generally aided in the positive global perception of U.S. policies and governance. In After the American Century: The Ends of U.S. Culture in the Middle East (Columbia University Press, 2016), Brian T. Edwards, Crown Professor in Middle East Studies and Professor of English at Northwestern University, demonstrates how this relationship altered in recent decades. Technological innovation and the emergence of the digital age have drastically changed the nature of cultural circulation and production. Edwards explores the innovative play between global culture and local subjects in Egypt, Iran, and Morocco. He explores the exchange and interpretations between multiple publics that engage culture situated within various assumptions and social expectations. What he shows is that local cultural production often creates the ends of circulation, which are not always visible to an American audience. In our conversation we discussed the relationship between culture and politics, Egyptian fiction and graphic novels, Iranian directors Asghar Farhadi and Abbas Kiarostami, Shrek, digital piracy, Moroccan film controversies, the logics of film production, interpreting audiences, American Orientalism in television, literature, and Ben Affleck’s Argo. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

American culture is ubiquitous across the globe. It travels to different social contexts and is consumed by international populations. But the relationship between American culture and the meanings attached to the United States change over time. During the 20th century, the American Century, American culture generally aided in the positive global perception of U.S. policies and governance. In After the American Century: The Ends of U.S. Culture in the Middle East (Columbia University Press, 2016), Brian T. Edwards, Crown Professor in Middle East Studies and Professor of English at Northwestern University, demonstrates how this relationship altered in recent decades. Technological innovation and the emergence of the digital age have drastically changed the nature of cultural circulation and production. Edwards explores the innovative play between global culture and local subjects in Egypt, Iran, and Morocco. He explores the exchange and interpretations between multiple publics that engage culture situated within various assumptions and social expectations. What he shows is that local cultural production often creates the ends of circulation, which are not always visible to an American audience. In our conversation we discussed the relationship between culture and politics, Egyptian fiction and graphic novels, Iranian directors Asghar Farhadi and Abbas Kiarostami, Shrek, digital piracy, Moroccan film controversies, the logics of film production, interpreting audiences, American Orientalism in television, literature, and Ben Affleck’s Argo. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

American culture is ubiquitous across the globe. It travels to different social contexts and is consumed by international populations. But the relationship between American culture and the meanings attached to the United States change over time. During the 20th century, the American Century, American culture generally aided in the positive global perception of U.S. policies and governance. In After the American Century: The Ends of U.S. Culture in the Middle East (Columbia University Press, 2016), Brian T. Edwards, Crown Professor in Middle East Studies and Professor of English at Northwestern University, demonstrates how this relationship altered in recent decades. Technological innovation and the emergence of the digital age have drastically changed the nature of cultural circulation and production. Edwards explores the innovative play between global culture and local subjects in Egypt, Iran, and Morocco. He explores the exchange and interpretations between multiple publics that engage culture situated within various assumptions and social expectations. What he shows is that local cultural production often creates the ends of circulation, which are not always visible to an American audience. In our conversation we discussed the relationship between culture and politics, Egyptian fiction and graphic novels, Iranian directors Asghar Farhadi and Abbas Kiarostami, Shrek, digital piracy, Moroccan film controversies, the logics of film production, interpreting audiences, American Orientalism in television, literature, and Ben Affleck’s Argo. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

American culture is ubiquitous across the globe. It travels to different social contexts and is consumed by international populations. But the relationship between American culture and the meanings attached to the United States change over time. During the 20th century, the American Century, American culture generally aided in the positive global perception of U.S. policies and governance. In After the American Century: The Ends of U.S. Culture in the Middle East (Columbia University Press, 2016), Brian T. Edwards, Crown Professor in Middle East Studies and Professor of English at Northwestern University, demonstrates how this relationship altered in recent decades. Technological innovation and the emergence of the digital age have drastically changed the nature of cultural circulation and production. Edwards explores the innovative play between global culture and local subjects in Egypt, Iran, and Morocco. He explores the exchange and interpretations between multiple publics that engage culture situated within various assumptions and social expectations. What he shows is that local cultural production often creates the ends of circulation, which are not always visible to an American audience. In our conversation we discussed the relationship between culture and politics, Egyptian fiction and graphic novels, Iranian directors Asghar Farhadi and Abbas Kiarostami, Shrek, digital piracy, Moroccan film controversies, the logics of film production, interpreting audiences, American Orientalism in television, literature, and Ben Affleck’s Argo. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

American culture is ubiquitous across the globe. It travels to different social contexts and is consumed by international populations. But the relationship between American culture and the meanings attached to the United States change over time. During the 20th century, the American Century, American culture generally aided in the positive global perception of U.S. policies and governance. In After the American Century: The Ends of U.S. Culture in the Middle East (Columbia University Press, 2016), Brian T. Edwards, Crown Professor in Middle East Studies and Professor of English at Northwestern University, demonstrates how this relationship altered in recent decades. Technological innovation and the emergence of the digital age have drastically changed the nature of cultural circulation and production. Edwards explores the innovative play between global culture and local subjects in Egypt, Iran, and Morocco. He explores the exchange and interpretations between multiple publics that engage culture situated within various assumptions and social expectations. What he shows is that local cultural production often creates the ends of circulation, which are not always visible to an American audience. In our conversation we discussed the relationship between culture and politics, Egyptian fiction and graphic novels, Iranian directors Asghar Farhadi and Abbas Kiarostami, Shrek, digital piracy, Moroccan film controversies, the logics of film production, interpreting audiences, American Orientalism in television, literature, and Ben Affleck’s Argo. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

American culture is ubiquitous across the globe. It travels to different social contexts and is consumed by international populations. But the relationship between American culture and the meanings attached to the United States change over time. During the 20th century, the American Century, American culture generally aided in the positive global perception of U.S. policies and governance. In After the American Century: The Ends of U.S. Culture in the Middle East (Columbia University Press, 2016), Brian T. Edwards, Crown Professor in Middle East Studies and Professor of English at Northwestern University, demonstrates how this relationship altered in recent decades. Technological innovation and the emergence of the digital age have drastically changed the nature of cultural circulation and production. Edwards explores the innovative play between global culture and local subjects in Egypt, Iran, and Morocco. He explores the exchange and interpretations between multiple publics that engage culture situated within various assumptions and social expectations. What he shows is that local cultural production often creates the ends of circulation, which are not always visible to an American audience. In our conversation we discussed the relationship between culture and politics, Egyptian fiction and graphic novels, Iranian directors Asghar Farhadi and Abbas Kiarostami, Shrek, digital piracy, Moroccan film controversies, the logics of film production, interpreting audiences, American Orientalism in television, literature, and Ben Affleck’s Argo. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices