Podcast appearances and mentions of Asghar Farhadi

Se confirma que habrá una segunda parte de “Érase una vez en Hollywood”, con Quentin Tarantino detrás del guión, pero no en el papel de director.  Mientras, el iraní Asghar Farhadi vuelve a rodar en Francia y realizamos una crítica al “El contable 2”.

L'actu culture-médias de ce vendredi 25 avril : L'autrice australienne Robyn Bavati a remporté le Prix Première Victor du livre jeunesse pour son roman "Un weekend avec Oscar". Une nette baisse de la fréquentation des salles pour le groupe Kinepolis en ce début d'année. Virginie Efira au casting du prochain film du cinéaste iranien Asghar Farhadi. Le festival Cannes séries a démarré hier, avec deux séries belges en sélection officielle. "Je t'accuse" un titre de l'artiste Suzane pour dénoncer les violences sexuelles et un clip auquel ont participé de nombreuses personnalités dont Muriel Robin ou Catherine Ringer. Merci pour votre écoute N'hésistez pas à vous abonner également aux podcasts des séquences phares de Matin Première: L'Invité Politique : https://audmns.com/LNCogwPL'édito politique « Les Coulisses du Pouvoir » : https://audmns.com/vXWPcqxL'humour de Matin Première : https://audmns.com/tbdbwoQRetrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Retrouvez également notre offre info ci-dessous : Le Monde en Direct : https://audmns.com/TkxEWMELes Clés : https://audmns.com/DvbCVrHLe Tournant : https://audmns.com/moqIRoC5 Minutes pour Comprendre : https://audmns.com/dHiHssrEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Karaoke, todos juntos, vamos: No eres guapo pero con abrigo bien. Qué look Sean Baker te ha quedado. Librería, peli rara y un café.Molas bastante, licenciado. Síiiiii, ooooh. Eres tendencia. Tu podcast es La Cultureta.Eres la fucking referencia, entérate. Tú planchas con La Cultureeeeeeeeta. Frente al mainstream, tú eres más cine iraní: Asghar Farhadi, Kiarostami. Flaubert, Verdi, Dickens, Frida y Marilyn Gauguin, Kandinsky, Joe Satriani. Tu molas todo. Tu podcast es La Cultureta. Tu running y La Cultureeeeeeeta.Yo digo John Wayne, qué bien. Yo digo Bad Bunny para un poco y pon Schopin. Yo digo Van Gogh, Hitchcock, Woodstock, Pollock, Pol Pot. O sea Pol Pot, no. Adelante Shostakovic. Vamos. Dale. Tu podcast es La Cultureta.Cultureeeeeeeeta. Tu podcast es La Cultureta.

Karaoke, todos juntos, vamos: No eres guapo pero con abrigo bien. Qué look Sean Baker te ha quedado. Librería, peli rara y un café.Molas bastante, licenciado. Síiiiii, ooooh. Eres tendencia. Tu podcast es La Cultureta.Eres la fucking referencia, entérate. Tú planchas con La Cultureeeeeeeeta. Frente al mainstream, tú eres más cine iraní: Asghar Farhadi, Kiarostami. Flaubert, Verdi, Dickens, Frida y Marilyn Gauguin, Kandinsky, Joe Satriani. Tu molas todo. Tu podcast es La Cultureta. Tu running y La Cultureeeeeeeta.Yo digo John Wayne, qué bien. Yo digo Bad Bunny para un poco y pon Schopin. Yo digo Van Gogh, Hitchcock, Woodstock, Pollock, Pol Pot. O sea Pol Pot, no. Adelante Shostakovic. Vamos. Dale. Tu podcast es La Cultureta.Cultureeeeeeeeta. Tu podcast es La Cultureta.

Editor -Juliette Welfling EMILIA PÉREZ editor Juliette Welfling took on the job of editing her first musical without knowing the rigor and precision that would be required for the job.  For better or worse, neither did writer/director Jacques Audiard, himself new to the world of making a musical.  It turns out, experience might be overrated, as the Netflix Oscar-hopeful has won over critics since its premiere at the 2024 Cannes Film Festival. Written and directed by Jacques Audiard, EMILIA PÉREZ is based on Audiard's opera libretto of the same name.  Audiard's opera was loosely adapted from Boris Razon's 2018 novel, Écoute.  The film stars Zoe Saldaña, Selena Gomez, Adriana Paz and Karla Sofía Gascón in the title role.  EMILIA PÉREZ tells the story of a feared cartel leader who enlists a lawyer to help her disappear and achieve her dream of transitioning into a woman. Its original songs were contributed by French singer Camille, while its original score was provided by her partner and collaborator, Clément Ducol. Juliette Welfling Juliette Welfling began her career at age eighteen as an intern on Jean-Charles Tachella's Cousin cousine. She later befriended Jacques Audiard while both were working as assistant editors, and she earned her first editor credit on his directorial debut See How They Fall. Welfling has received César nominations for each of Audiard's eight films, winning four times: for See How They Fall, The Beat That My Heart Skipped, A Prophet, and Rust and Bone. She received an additional César nomination for Asghar Farhadi's The Past, as well as a César win and Oscar nomination for Julian Schnabel's The Diving Bell and the Butterfly. Welfling has also collaborated with other directors including Michel Gondry (The Science of Sleep) and Gary Ross (The Hunger Games, Ocean's Eight). Editing EMILIA PÉREZ In our discussion with EMILIA PÉREZ editor Juliette Welfling, we talk about: Knowing the rules, when you don't want to know them, so you can apply them without knowing Not being a prisoner of precision Managing the menace within Fixing problems within the cutting room by finding inspiration outside of it Respect for fromage The Credits Visit ExtremeMusic for all your production audio needs Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

A Separation (2011) is an Iranian drama written and directed by Asghar Farhadi. The film depicts the martial separation between a middle-class couple, Nadar (Peyman Moaadi) and his wife Simin (Leila Hatami). Simin wants the family to leave Iran to make a better life for their 10-year-old daughter Termeh, but Nadar does not want to leave his father who is suffering from Alzheimer's disease. So Nadar refuses to go and also refuses to give permission for their daughter to leave. The film also depicts the conflict that results when Nadar allegedly pushes his father's new, lower-income caregiver, Razieh (Sareh Bayat) down the stairs during an altercation, causing her to miscarry. A Separation centers around the two legal cases: the divorce proceedings between Nadar and Simin; and the criminal proceedings against Nadar. It provides a window not only into law in Iran but also into the complex forces of politics, class, and religion that shape modern Iranian society. To discuss this universally acclaimed and award-winning film, I'm joined by Golbarg Rekabtalaei, a professor of history at Seton Hall University and expert on Iran and Iranian cinema.Timestamps:0:00    Introduction2:21      An introduction to Iranian cinema7:21      The cosmopolitanism of Iranian cinema 10:45   Navigating government restrictions on cinema in Iran14:17    The legal context for A Separation16:18    Divorce law in Iran20:09  The film's opening scene24:02   Abortion and criminal law in A Separation31:13    Diyat (or “blood money” payments in Iran)35:44   Criminal investigations and procedure in Iran 39:30   Imprisonment of debtors41:44   A social drama that uses the court to broader themes46:25   The Green Movement and the political context for the film48:46   Other recommended films about Iranian law and societyFurther reading:Becker, Ben, “‘A Separation': Exploring Class, Marriage, and Morality through Iranian Culture,” Cinemablography Burke, Jospeh, “Rediscovering Morality through Asghar Farhadi's ‘A Separation,'” Senses of Cinema (Dec. 2011)Haqshenas, Saleh, Badiei, Sediqeh & Narmani, Hamid, “Iran's Perspective: A Deconstructive Analysis of "A Separation Movie" Through Application of Binary Opposition,” International Researchers vol 2, no. 1 (Mar. 2013)Kirshner, Jonathan, “Secrets, Lies, and Censorship: The Revelation of Asghar Farhadi's Films,” Boston Review (Aug. 14, 2024)Rekabtalaei, Golbarg, Iranian Cosmopolitanism: A Cinematic History (2019)Romig, Rollo, “Blood Money: Crime and Punishment in ‘A Separation,'” New Yorker (Feb. 24, 2012) Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/profiles/hafetzjo.htmlYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

La periodista Zahida Membrado ha sido Corresponsal en Teherán para diversos medios de comunicación. Nos lleva directamente a la vida y la situación de las mujeres iraníes, a través de la pantalla. La situación ahora es crítica y ella tuvo que volver al Mediterráneo en un momento de crisis extrema. Analizamos películas que tratan el tema de la reclusión y la falta de derechos para las mujeres en Irán, como “Una separación” de ASGHAR FARHADI o Hair de MAHMOUD GHAFFARI. Escuchamos la música de: NIYAZ- Mazaar; ALI- Suktha; MOHSEN YEGANEH- Behet Gol Midam; STELLAMARA- Yemen Turkusu; EHAAM - Bezan Baran; SAHAR ZIBAEI+MOSLEM ALIPOUR- Spring; AIDA NADEEM- Hin; DJ CLICK+ VALENTINA CASULA- Ma Facut. Escuchar audio

Part 1: Zach, Michael, and Andrew talk about movies they saw this week, including: Challengers, The People's Joker, SPERMWORLD and Civil War.Part 2 (46:44): The group concludes their Javier Bardem series with 2018's Everybody Knows.See movies discussed in this episode here.Don't want to listen? Watch the podcast on our YouTube channel.Also follow us on:FacebookTwitterLetterboxd

This week, we discuss two films which competed for the Palme d'Or in 2021. The first is A Hero (2021), an Iranian-French drama film written and directed by Asghar Farhadi and starring Amir Jadidi, Mohsen Tanabandeh and Sahar Goldoost. The film was screened at the 2021 Cannes Film Festival, ultimately winning the Grand Prix. The second is Annette (2021), a musical romantic drama film directed by Leos Carax in his English-language directorial debut. The film's story and music were co-written by Carax and the band Sparks. The film follows a stand-up comedian (Adam Driver) and his opera singer wife (Marion Cotillard), and how their lives are changed when they have their first child. At the 2021 Cannes Film Festival, Carax received the Best Director award.   Timestamps What we've been watching (00:01:10) – Civil War, The Beach, Spider-Man, Mr Inbetween season one, Tesis A Hero (00:28:45) Annette (01:00:45) Coin toss (01:30:15)   Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie   Letterboxd – @andycifpod @fat-tits mcmahon   Justwatch.com – streaming and rental links - https://www.justwatch.com

In this episode, Dhruv and Amartya welcome Devi (@film.trance) back to talk about two Malayalam movies recently released on OTT: Anand Ekarshi's morally complex drama/thriller "Aattam" (on Amazon Prime Video) and Rahul Sadasivan's folk horror film "Bramayugam" (on Sony Liv). Both films serve up narratives and, especially, aesthetic styles largely underexplored by contemporary Indian cinema. Reference points range from international—Iranian filmmaker Asghar Farhadi and A24's elevated horror films—to local—legendary Malayalam filmmaker K.C. George and Rahi Anil Barve's "Tumbbad." But these films feel wholly original, either wanting to tackle thorny subject matters in contemporary society in thorny ways ("Aattam") or creating a new Old world whose order -- even in the wilderness -- eerily resembles that of our reality ("Bramayugam"). Listen to the full, spoiler-filled episode to know what we thought about each of these movies and how their superior quality makes Dhruv and Amartya want to tear their hearts out when they see contemporary B'wood movies. TIMECODES INTRODUCTION - [00:00 - 03:40] "AATTAM" - [03:40 - 01:11:10] "BRAMAYUGAM" - [01:11:10 - 02:21:00] Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people! You can also follow our Instagram page: https://instagram.com/queenisdead.filmpodcast Amartya: https://www.instagram.com/amartya25/ Devi: https://www.instagram.com/film.trance Dhruv: https://www.instagram.com/terminalcinema/ Follow us on Letterboxd at: Devi: https://letterboxd.com/cinemamadhuram/ Amartya: https://letterboxd.com/amartya/ Dhruv - https://letterboxd.com/aterminalcinema/

Hasan Cömert ve Kaan Karsan, her Perşembe saat 22.00'de haftanın sinema, televizyon gündemini ve ilgilerini çeken her şeyi konuşuyor.00:00 | Giriş04:43 | Oscar'dan Kalanlar: Protestolar ve Glazer'ın Konuşması07:40 | Son of Saul'un Yönetmeni Glazer'ı Eleştirdi12:05 | Törendeki Soytarılıklar15:06 | Sandra Hüller'den Shitshow'a Geçit Yok18:02 | Haftanın Klasiği Adayları: The Graduate, The Face of Another, Walkabout, A Woman Under the Influence21:50 | Yeni Alien Filmi28:37 | Asghar Farhadi ve İntihal Davası 33:15 | Ferhat Göçer, Şarkısının Kuru Otlar Üstünde'de İzinsiz Kullanıldığını Söyledi38:00 | Giancarlo Esposito ve Robert De Niro'nun Saçma Açıklamaları42:55 | Ayo Edebiri Yönetmenlik Yapacak 47:45 | Mark Ruffalo'nun Kalitesi50:30 | Ari Aster ve Lanthimos'un Yeni Filmleri1:00:10 | Michael Jackson'ın Biopic'i Geliyor1:05:02 | All of Us Strangers ve Poor Things Disney+'a Geliyor1:07:15 | Lily Gladstone'un Dizisi Geliyor1:08:28 | Hirokazu Kore-eda'dan Samuray Dizisi1:11:23 | Paul Thomas Anderson'ın Yeni Filminin Vizyon Tarihi  1:13:48 | Tarkan'dan Yeni Albüm1:19:50 | X-Men 97 Haftaya Yayında1:20:30 | Ready Player One'ın Devamı Geliyor1:24:44 | Bahar ile Taş Kağıt Makas'ın Yapımcısı Aynı1:29:45 | The Holdovers'a İntihal Suçlaması1:33:37 | Soru: Todd Field Sineması1:39:35 | Letterboxd'a Diziler Geliyor1:42:06 | Sam Raimi'li Spider-Man 4 İhtimali 1:51:20 | The Batman 2 Vizyon Tarihi Ertelendi 2:02:14 | Sydney Sweeney Scorsese ile Çalışmak İstiyor2:05:14 | Benny Safdie'den OpenAI'ya Tepki2:13:50 | Ev Köşesi: Sahip Olmaktan Memnun Olduğumuz Şeyler2:17:44 | Haftanın Klasiği: The French Connection (1971)

"As a distributor, I've learned that you have to be agile and ready to embrace change" Elba McAllister CEO and Co-Founder Cineplex Elba McAllister is the Co-founder of Cineplex, the Colombia-based Independent film distributor and other countries in Latin America since 1993. In this episode, Eliba discussed her distirbution jouney, the changing face of Colombian distirbution, international sales and how she found herself exec producing content for major streaming platforms. In her 30 years of the film distribution, Elba has succeeded in promoting over 500 titles in Colombia and Internationally in all media (theatrical, video & TV) from well-known directors such: Ang Lee, Asghar Farhadi, Wong Kar Wai, Susanne Bier, Ken Loach, Lars von trier, Katherine Bigelow, Aki Kaurismaki, Nadine Labaki among others. Elba represents Colombian productions for international sales and has Executive Produced content for SVOD Platforms (Netflix & Amazon). Cineplex content for Colombia is available in www.cineplex.com.co and international in www.cineplexusa.com

INSHALLAH A BOY is Jordan's official entry for Best International Feature Film at the 2024 Academy Awards®. It begins with the sudden death of the husband of Nawal, a young Arab woman. The tragedy leaves her and her daughter without rights or property under Islamic law—and at the mercy of male relatives. Both her own brother and brother-in-law at first show sympathy. But soon it's clear that any whiff of assertion—I paid for half this house; I will keep my job; I will raise my daughter as I see fit—is met with the forces of patriarchy. Amjad Al Rasheed's gripping, taut debut INSHALLAH A BOY immerses us in the tangled impossibilities for a woman who simply wants to keep her home and protect her daughter, without a husband or male heir to legitimize her. Her acts of resistance (including necessary deception) enmesh multiple players in a complex web of risk and hope – reminiscent of Asghar Farhadi's masterpiece A SEPARATION – as we root and fear for her at every turn. Director/Co-writer Amjad Al Rasheed stops by to talk about the inspiration for his multi-faceted, finding his lead actor Mouna Hawa to play Nawal and the superb supporting cast as well as the pride tken from the wide recognition the film has received from the Cannes Film Festival and other prestigious film festivals from around the world. US Premiere Friday, January 12 at Film Forum in NYC To watch go to: greenwichentertainment.com/inshallah-a-boy

El otoño se ha hecho presente en nuestras vidas, los colores cambian y el aire nos trae aroma de brezo, buñuelos y castañas. Este programa lo hemos dedicado al número ocho, que no es cuatro más cuatro ni seis más dos. Ocho en su plenitud de infinita presencia. La tetera: Los carteles que encuentra Mar o le envían dan pie a que el equipo de “Te cuento a gotas” realice sus propias reflexiones acerca de la polisemia de su mensaje. ¡Atentos todos, porque no dejan impasible a nadie! NOTA: Si alguien tiene o se topa con un cartel curioso, puede mandar una foto del mismo a hola@mardelrey.com y se comentará en el podcast. En paralelo: Amparo Quintana es la encargada de traer noticias de plena actualidad en cualquiera de los planos que la circundan. Alrededor del ocho salta la justicia de la mano de un Montesquieu deprimido capaz de dar a traste con todo, mientras hermosas aves prehistóricas renacen en las laderas de Nueva Zelanda, con ecos de la Escuela de Salamanca. Súper Cinexin: Sonia Jiménez Romero analiza “A propósito de Elly”, del comprometido cineasta iraní Asghar Farhadi, donde con maestría superior elabora un relato veraz y sin concesiones de lo que es una comunidad destructiva e injusta, advirtiéndonos de que todo puede dar un giro de la noche a la mañana y hacer que los prejuicios salgan a flote. Mercado de pulgas: Mar del Rey retoma tan mítica sección entrevistando a José Luis Moriano, ese vecino a quien no dudaríamos en invitar a un café mientras nos va desgranando el ocho de su vida: cómo aquel niño a quien una profesora poco inspirada le vaticinó que solo servía para recoger cartones, es un artista plástico conectado con el universo y las gentes que cuida y sana a través de la osteopatía y la naturopatía. Simone Negrin cerrará el programa hablando de los desayunos y almuerzos mexicanos. La cosa va de huevos. ¡Ándele!

In another edition of the Thunderdome Showdown we try to figure out who the best film director is of the 21st Century. We're focusing on directors whose feature debut released in the year 2000 or later. We each brought 4 directors to the table and hashed it out to see which was best. The directors are: Greta Gerwig, Taika Waititi, Damien Chazelle, Rian Johnson, Alejandro Inarritu, Bong Joon Jo, Ryan Coogler, and Asghar Farhadi.

Neste Guia Prático, Jacqueline Lafloufa e Rodrigo Ghedin comentam as assinaturas pagas lançadas por Meta (Facebook, Instagram) e Twitter — a segurança como produto, as implicações do aumento da visibilidade dos usuários pagantes —, e Jacque entrevista Marcela Gava, da consultoria Gartner, para tratar de uma pesquisa que mostrou o brasileiro bastante interessado em fazer compras no metaverso. Apoie o Guia Prático Na última semana, o Manual do Usuário — e, por consequência, o Guia Prático — ganhou seis novos apoiadores: Luís Amorim, Rafael Vannucci Leda, Leandro Paganelli, Raphael de Andrade Moura Souza, Marta Skoober e Fernanda Gabriela de Andrade Coutinho. Obrigado! Gosta do podcast? Se puder, apoie o nosso trabalho e ajude a mantê-lo no ar. A assinatura custa apenas R$ 9 por mês, ou menos de R$ 0,30 por dia. Se preferir, assine com desconto no plano anual por Pix, a partir de R$ 99. Novidade: agora, os planos mensais são feitos via Stripe. Você pode pagar via boleto bancário ou cartão de crédito, incluindo Apple Pay ou Google Pay. Dê uma olhada. Indicações culturais Ghedin: O filme O apartamento [Belas Artes À La Carte], de Asghar Farhadi. Jacque: O livro Via Ápia, de Geovani Martins, publicado pela Companhia das Letras.

On this episode of Gaybros Face Moral Ambiguity, we talk about A Separation (2011) by Asghar Farhadi

Filmåret 2022 består av runt 60 svenska filmpremiärer, 220 utländska filmer och en Guldpalm i Cannes. P1 Kulturs filmkritiker listar också årets snöstorm och årets bästa skådespelerska. EMMA ENGSTRÖM TIPSAR OM FEM FILMER FRÅN 2022:"Nope", regi Jordan Peele, "A Hero", regi Asghar Farhadi, "Memoria", regi Apichatpong Weerasethakul, "Boy from heaven", regi Tarik Saleh "Bad luck banging or loony porn", regi Radu JudeEmma Engström nämnde också filmerna "Top Gun: Maverick", "Ali & Ava", "Licorice Pizza", "Butterfly Vision", Don't worry darling", "Miraklet" och "Ett hus byggt av skärvor".BJÖRN JANSSON TIPSAR OM FEM FILMER FRÅN 2022:"C'mon C'mon", regi Mike Mills   "Kupé nr 6", regi Juho Kuosmanen   "The lost daughter", regi Maggie Gyllenhaal   "Min vackra stjärna", regi Hirokazu Kore-eda "Vitt brus", regi Noah BaumbachBjörn Jansson nämnde också filmerna "Triangle of Sadness", "Holy Spider", "Comedy Queen" och "Jag är Zlatan".SEXISTISK FILMKRITIK ÄR ÅRETS UPPTÄCKT FÖR REGIDEBUTERANDE ERIKA WASSERMANVi får besök av två av årets långfilmsdebutanter: Erika Wasserman som regisserat livspussel-komedin "Året då jag slutade prestera och började onanera och Lovisa Sirén som gjort roadmovien "Maya Nilo (Laura)". Båda filmernas kvinnliga huvudrollsinnehavare är Guldbaggenominerade, Katia Winter och Bahar Pars.Programledare: Lisa Bergström Producent: Nina Asarnoj och Ulph Nyström 

Justin and Laura Khoo (Cows in the Field podcast) are back for Asghar Farhadi's thriller from 2011 with A Separation. Together we touch on Farhadi's recent controversy, divorce as a bureaucratic crisis, and God's Not Dead --- Send in a voice message: https://anchor.fm/exitingthroughthe2010s/message

Women are not the only victims of patriarchy -- men are also diminished by it. Nikhil Taneja joins Amit Varma in episode 303 of The Seen and the Unseen to discuss what he has learnt about mental health, young people in India, the epidemic of loneliness in our country -- and the enormous power of storytelling. (For full linked show notes, go to SeenUnseen.in.) Also check out: 1. The Loneliness of the Indian Woman — Episode 259 of The Seen and the Unseen (w Shrayana Bhattacharya).  2. Nikhil Taneja on Twitter, Instagram, LinkedIn, IMDb and HT Brunch. 3. Yuvaa. 4. The internet—a toxic love story -- Nikhil Taneja. 5. The pandemic pretence of being ‘okay' -- Nikhil Taneja. 6. Keeping up with the algorithms -- Nikhil Taneja. 7. It is okay for men to cry -- Nikhil Taneja. 8. Reject the mission statement of your gender -- Nikhil Taneja. 9. Kindness: Don't be an A**hole! -- Nikhil Taneja. 10. Why young Indians are lonelier than ever before -- Nikhil Taneja. 11. How stories can heal our divided world -- Nikhil Taneja. 12. Nikhil Taneja on Advertising is Dead with Varun Duggirala. 13. Nikhil Taneja on the Filter Koffee Podcast with Karthik Nagarajan. 14. The Hunter Becomes the Hunted — Episode 200 of The Seen and the Unseen. 15. Episodes on The Seen and the Unseen that touched on feminism & gender with Paromita Vohra, Kavita Krishnan, Mrinal Pande, Kavitha Rao, Namita Bhandare, Shrayana Bhattacharya, Mukulika Banerjee, Manjima Bhattacharjya, Nilanjana Roy, Urvashi Butalia, Mahima Vashisht, Alice Evans, Ashwini Deshpande and Natasha Badhwar. 16. Hitesh Kewalya on Twitter, Instagram and IMDb. 17. Shubh Mangal Saavdhan and Shubh Mangal Zyada Saavdhan. 18. Dev Anand and Roger Corman. 19. The Reflections of Samarth Bansal -- Episode 299 of The Seen and the Unseen. 20. This Be The Verse — Philip Larkin. 21. Caste, Capitalism and Chandra Bhan Prasad — Episode 296 of The Seen and the Unseen. 22. Gendered Leadership Course by Angellica Aribam. 23. Young India — Episode 83 of The Seen and the Unseen (w Snigdha Poonam). 24. Dreamers — Snigdha Poonam. 25. Men Must Step Up Now -- Amit Varma. 26. Beedi Jali Le -- Song from Omkara. 27. NH 10 (Navdeep Singh), Hichki (Siddharth Malhotra), Chhapaak (Meghna Gulzar), Rashmi Rocket (Akarsh Khurana) and Queen (Vikas Bahl). 28. Ghostbusters (2016, Paul Feig) and The Lost City (Nee Brothers). 29. 3 Idiots (Rajkumar Hirani), Dangal (Nitesh Tiwari), Badhaai Ho (Amit Ravindernath Sharma), Kantara (Rishab Shetty) and Thugs of Hindostan (Vijay Krishna Acharya). 30. Aamir Khan on Koffee With Karan (2018). 31. Parasite -- Bong Joon-ho. 32. Asghar Farhadi on Wikipedia and IMDb. 33. Delhi Crime. 34. TikTok and Indian Society -- The online course conducted by Amit Varma, now no longer on offer. 35. Vicky Donor (Shoojit Sircar) and RRR (SS Rajamouli). 36. Salim-Javed. 37. Range Rover — The archives of Amit Varma's poker column for the Economic Times. 38. Dilwale Dulhania Le Jayenge (Aditya Chopra) and Kaho Naa... Pyaar Hai (Rakesh Roshan). 39. Dev D (Anurag Kashyap), Udaan (Vikramaditya Motwane) and Oye Lucky Oye Lucky (Dibakar Banerjee). 40. Bhuvam Bam, Prajakta Koli and Amit Bhadana. 41. Man's World (Y-Films) and Ki & Ka (R Balki). 42. The Refreshing Audacity of Vinay Singhal — Episode 291 of The Seen and the Unseen. 43. Mumbai Diaries 26/11 -- NIkhil Advani. 44. 1000 True Fans — Kevin Kelly. 45. 1000 True Fans? Try 100 — Li Jin. 46. If You Are a Creator, This Is Your Time -- Amit Varma. 47. Episodes of The Seen and the Unseen on the creator ecosystem with Roshan Abbas, Varun Duggirala, Neelesh Misra, Snehal Pradhan, Chuck Gopal, Nishant Jain, Deepak Shenoy and Abhijit Bhaduri. 48. One Cut of the Dead — Shin'ichirō Ueda. 49. Dance Dance For the Halva Waala -- Episode 294 of The Seen and the Unseen (w Jai Arjun Singh and Subrat Mohanty). 50. Steven Soderbergh, Kevin Smith (Clerks), Sofia Coppola and Richard Linklater. 51. The Life and Work of Ashwini Deshpande -- Episode 298 of The Seen and the Unseen. 52. Ingmar Bergman, Federico Fellini and Mani Kaul. 53. Andaz Apna Apna (Rajkumar Santoshi), Gunda (Kanti Shah) and Disco Dancer (Babbar Subhash). 54. Womaning in India With Mahima Vashisht -- Episode 293 of The Seen and the Unseen. 55. Womaning in India — Mahima Vashisht's newsletter. 56. Desperately Seeking Shah Rukh: India's Lonely Young Women and the Search for Intimacy and Independence — Shrayana Bhattacharya. 57. Memories and Things — Episode 195 of The Seen and the Unseen (w Aanchal Malhotra). 58. Remnants of a Separation — Aanchal Malhotra. 59. Shravana Kumara, the pious son. 60. Kavitha Rao and Our Lady Doctors — Episode 235 of The Seen and the Unseen (w Kavitha Rao). 61. Lady Doctors: The Untold Stories of India's First Women in Medicine — Kavitha Rao. 62. Penelope Fitzgerald on Amazon and Wikipedia. 63. Roshan Abbas and the Creator Economy -- Episode 239 of The Seen and the Unseen. 64. Kuch Kuch Hota Hai -- Karan Johar. 65. The Chaos Machine -- Max Fisher. 66. The Social Dilemma -- Jeff Orlowski. 67. The Flying Spaghetti Monster. 68. Coming Out as Bisexual -- Mohit's talk at Main Hoon Yuvaa. 69. Nikhil Taneja's Twitter thread on his anxiety. 70. Nikhil Taneja's Facebook post on his anxiety. 71. Chandrahas Choudhury's Country of Literature — Episode 288 of The Seen and the Unseen. 72. Turtles All the Way Down -- John Green. 73. Don't think too much of yourself. You're an accident — Amit Varma's column on Chris Cornell's death. 74. The Road to Freedom — Arthur C Brooks. 75. Amit Varma's favourite shower gel. 76. The Prem Panicker Files — Episode 217 of The Seen and the Unseen. 77.  Amitava Kumar Finds the Breath of Life — Episode 265 of The Seen and the Unseen. 78. Schitt's Creek, Kim's Convenience and Parks and Recreation. 79. Greatest Events of WWII in Colour -- The Netflix docuseries mentioned by Nikhil. 80. Zeynep Tufekci's newsletter, Twitter and column archive. 81. Ed Yong on Twitter, Amazon, The Atlantic and his own website. 82. My Friend Dropped His Pants -- Amit Varma. 83. Love Actually, Four Weddings and a Funeral and Notting Hill by Richard Curtis. 84. Project Everyone. 85. Ladies Room, 6 Pack Band and Bang Baaja Baaraat. 86. Maja Ma -- Anand Tiwari. 87. Phone Bhoot, Badhaai Ho and Crash Course. 88. Let's Talk Consent. 89. Queeristan -- Episode 190 of The Seen and the Unseen (w Parmesh Shahani).. 90. Gray (Sakshi Gurnani) and Tasalli Se (Tarun Dudeja). 91. Dear Teenage Me.-- A podcast by Yuvaa on Spotify. 92. Humankind: A Hopeful History -- Rutger Bregman. 93. The Stanford Prison Experiment. 94. Invisible Women — Caroline Criado Perez. 95. Will -- Will Smith's autobiography. 96. Homeland Elegies -- Ayad Akhtar. 97. Yearbook -- Seth Rogan. 98. Shamoon Ismail on YouTube and Spotify. 99. Vampire Weekend on YouTube and Spotify. 100. Dev D by Amit Trivedi. 101. Hum Hai Rahi Pyar Ke -- Song from Nau Do Gyarah, starring Dev Anand. 102. The Before Trilogy by Richard Linklater. 103. Rambling Man -- An interview of Richard Linklater by Nikhil Taneja. 104. Superchor -- Song from Oye Lucky Lucky Oye. 104. Succession, Ted Lasso and Bojack Horseman. 105. Someone Who Will Love You in All Your Damaged Glory -- Raphael Bob-Waksberg. 106. The Lord of the Rings -- JRR Tolkein. 107. The Lord of the Rings -- The films. 108. The Lord of the Rings: The Rings of Power. 109. 8 Book Recommendations by Nikhil Taneja on Chalchitra Talks. 110. Weekly Movie Recommendations by Nikhil Taneja on Chalchitra Talks. 111. 80 Marvelous Recommendations by Nikhil Taneja on Chalchitra Talks. 112. Nikhil Taneja's 2020 and 2021 recommendations on Instagram. 113. Nikhil Taneja's 2022 favourites, specially compiled for The Seen and the Unseen. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art: ‘I'm not lonely' by Simahina.

Prowadzenie: Agnieszka Szydłowska Goście: Boguś Deptuła, Karolina Felberg, Błażej Hrapkowicz, Ola Salwa, Jacek Wakar Gość specjalny: Ziemowit Szczerek

Bu hafta, vizyon filmlerini, festival haberlerini ve Asghar Farhadi'nin kendi filmlerini andıran intihal davasını konuşuyoruz.

Un vieux dicton dit que le féminisme mène à la sorcellerie, au lesbianisme, à l'infanticide… Et on pourrait ajouter, au divorce ! Cette semaine, Clémentine Gallot et Pauline Verduzier s'attaquent à ce sujet, qui peut être douloureux, banal, ou avoir l'effet d'une déflagration. Comment se sépare-t-on ? Comment même si, dans 75% des cas, ce sont les femmes qui demandent le divorce, ce sont le plus souvent elles qui sont lésées dans ces processus ? Enfin, comment aborder la séparation au prisme des questions de genre et de féminisme ? Ensemble, elles reviennent sur l'histoire du divorce, de sa place dans les féminismes, mais aussi dans l'économie et bien entendu, de sa représentation dans la pop culture ! Les références entendues dans l'épisode : Le divorce et l'amour pendant la révolution de Dominique Dessertine, dans Combats de femmes 1789-1799 de Évelyne Morin-RotureauIndiana - Une critique du mariage de Des femmes et des lettresBachelor Girl de Betsy Israël (2002)Dangerous de Bette Davis (1935)La femme mystifiée de Berry Friedan (1978)Gaël Octavia : "Le mythe de la femme Potomitan est un piège", #MaParole, Le Portail des Outre-Mer (2021)Séparation : quand la maladie tue le couple de Gaétane Poissonnier et Juliette Chaignon, Causette (2020)Réduire les asymétries de genre dues au divorce de Anne-Marie Leroyer (2016)Le genre du capital de Céline Bessière, Sibylle Gollac (2019)Le prix à payer. Ce que le couple hétéro coûte aux femmes de Lucile Quillet (2021)Séparée: Vivre l'expérience de la rupture de François de Singly (2011)Chez soi de Mona Chollet (2015)La séparation chez les couples corésidents de même sexe et de sexe différent de Benjamin Marteau (2019)You Need Help: How Do I Survive My First Breakup to Stay Friends on the Other Side?, de Kayla, Autostraddle (2021)Do Lesbian Breakups Really Hit Harder ? de Amelia Abraham (2021)Paye ta séparation ; Vivons heureux avant la fin du Monde, Delphine Saltel, Arte Radio (2021)Les sentiments du prince Charles de Liv Strömquist (2016)Je sors d'une rupture et je vais très bien, Les Histoires derrière les stories, Marion (2021)Le compte Instagram @ExRelou Comment ne pas devenir une marâtre de Fiona Schmidt (2021)Une séparation de Asghar Farhadi (2011)Le procès de Viviane Amsalem de Shlomi Elkabetz et Ronit Elkabetz (2014)Divorce, quand la religion s'en mêle, Les Pieds sur Terre (2022)Rupture(s) de Claire Marin (2019)Heartburn de Nora Ephron (2013)Wild de Jean-Marc Vallée (2014)Divorce de Sharon Horgan (2016)Scenes from a marriage de Hagai Levi (2021)L'amour flou de Romane Bohringer et Philippe Rebbot (2018)Marriage story de Noah Baumbach (2020)Les Berkman se séparent de Noah Baumbach (2006)We are never getting back together de Taylor Swift (2012)Thank U, next de Ariana Grande (2018)Good 4 u de Olivia Rodrigo (2021)Sages femmes de Marie Richeux (2021)La Vérité sur la lumière de Auður Ava Ólafsdóttir (2022) Quoi de Meuf est une émission de Nouvelles Écoutes. Rédaction en chef : Clémentine Gallot. Journaliste chroniqueuse : Pauline verduzier Mixage et montage : Laurie Galligani. Prise de son par Thibault Delage à l'Arrière Boutique. Générique réalisé par Aurore Meyer Mahieu. Réalisation et coordination : Cassandra de Carvalho et Mathilde Jonin.Vous pouvez consulter notre politique de confidentialité sur https://art19.com/privacy ainsi que la notice de confidentialité de la Californie sur https://art19.com/privacy#do-not-sell-my-info.

A week after Iranian filmmaker Asghar Farhadi urged artists to show support for protesters in Iran, French actress Juliette Binoche posted a video of herself and over 50 other French performers cutting off pieces of their hair in solidarity. Film critic Lisa Nesselson reminds us that French producers and distributors have been investing in Iranian filmmakers for decades, such as French-Iranian graphic novelist Marjane Satrapi, whose autobiographical film "Persepolis" was made in France.

Filmes em pauta: Memória (Apichatpong Weerasethakul), Um Herói (Asghar Farhadi), Competência Oficial (Mariano Cohn e Gaston Duprat) E mais: Puxadinho da Varanda com destaques para os filmes Uma Fábrica de Pão, The Souvenir Parte 2, Agente Oculto, e o documentário Uprising. Cantinho do Ouvinte com os comentários sobre o episódio anterior. Bom Podcast!

Presenter Flick Ford speaks with former Director of Film Programs at ACMI (and now Creative Director of Edinburgh International Film Festival) Kristy Matheson, about ACMI's new retrospective on the works of Iranian Director Abbas Kiarostami. Flick is then joined by Melbourne filmmaker Subah Kamal to talk about Asghar Farhadi's A HERO.Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

Nashen Moodley, artistic director of Sydney Film Festival is in to talk festival highlights as the event opens this week. He's joined by the curators of Screenability, a section of SFF that shines a spotlight on people with disability, and also the Travelling Film Festival, which showcases this world-class cinema in regional locations Amir Jadidi, Iranian star of Oscar and Cannes winning director Asghar Farhadi's new film A Hero, talks about the complex themes raised in this powerful drama about family, vulnerability and debt, and as the great British filmmaker Terence Davies' mesmerising new film Benediction releases, we revisit an excerpt of a conversation he had with Jason Di Rosso as it premiered at the 2021 British Film Festival.

Nashen Moodley, artistic director of Sydney Film Festival is in to talk festival highlights as the event opens this week. He's joined by the curators of Screenability, a section of SFF that shines a spotlight on people with disability, and also the Travelling Film Festival, which showcases this world-class cinema in regional locations Amir Jadidi, Iranian star of Oscar and Cannes winning director Asghar Farhadi's new film A Hero, talks about the complex themes raised in this powerful drama about family, vulnerability and debt, and as the great British filmmaker Terence Davies' mesmerising new film Benediction releases, we revisit an excerpt of a conversation he had with Jason Di Rosso as it premiered at the 2021 British Film Festival.

Nashen Moodley, artistic director of Sydney Film Festival is in to talk festival highlights as the event opens this week. He's joined by the curators of Screenability, a section of SFF that shines a spotlight on people with disability, and also the Travelling Film Festival, which showcases this world-class cinema in regional locations Amir Jadidi, Iranian star of Oscar and Cannes winning director Asghar Farhadi's new film A Hero, talks about the complex themes raised in this powerful drama about family, vulnerability and debt, and as the great British filmmaker Terence Davies' mesmerising new film Benediction releases, we revisit an excerpt of a conversation he had with Jason Di Rosso as it premiered at the 2021 British Film Festival.

Nashen Moodley, artistic director of Sydney Film Festival is in to talk festival highlights as the event opens this week. He's joined by the curators of Screenability, a section of SFF that shines a spotlight on people with disability, and also the Travelling Film Festival, which showcases this world-class cinema in regional locations Amir Jadidi, Iranian star of Oscar and Cannes winning director Asghar Farhadi's new film A Hero, talks about the complex themes raised in this powerful drama about family, vulnerability and debt, and as the great British filmmaker Terence Davies' mesmerising new film Benediction releases, we revisit an excerpt of a conversation he had with Jason Di Rosso as it premiered at the 2021 British Film Festival.

No good deed goes unpunished in Asghar Farhadi's latest moral drama.

「我很驕傲的將這個獎獻給我國家的人們，一個尊重所有文化與文明、且鄙視戰爭與怨恨的民族！」 2012年的奧斯卡金像獎頒獎典禮上，以《分居風暴》（A Separation）奪得最佳外語片的伊朗導演阿斯哈．法哈蒂（Asghar Farhadi），在美國好萊塢的舞台上這樣意有所指地表示，一語道盡了在當今國際局勢下伊朗人的心聲。 曾經在EP14、EP15分享自行車橫越沙烏地阿拉伯的單車背包客Yoga，睽違近兩年重磅回歸旅行熱炒店！立志單車橫越歐亞大陸的她，從吉爾吉斯出發穿過帕米爾高原與中亞各國，來到伊朗這個不得不經過的國家；原本不太了解伊朗的她，沒想到竟然愛上這片土地，在這裡一待就是兩個半月！ 自行車旅行的路上，究竟是什麼樣神奇的現象每天照三餐上演，讓Yoga被牢牢地黏在這片土地上？在這個人才輩出的優秀民族中，教育程度極高的伊朗人，如何看待自己的國家與政治？伊斯蘭教法下的伊朗女性，又是怎樣擁抱自我，在看似受限的社會現實中活出一片天？ 這集節目不僅僅是個單車遊記，更充滿著關於歷史、民族、性別與自我的觀察與反思；在此邀請各位和我一起加入Yoga的旅程，一起感受旅行路上的所有驚喜、溫暖、荒謬與委屈，並且在經歷這些後遇見最真實的自己！ 本集節目錄音時間為2022年2月中。 (00:13:33) 更新：核協議的大約2022年2月底開始在維也納談，最近已經到了最後階段。 (00:38:28) 更正：Yoga住在沙烏地旅館的時間應為近5個月。

A Hero is the latest from Iranian master Asghar Farhadi (A Separation, The Salesman). A winner at the Cannes Film Festival last year, it tells of a bankrupt man who gains a popular reputation when he finds a bag of money, and nobly returns it to its owner. But is the story quite as straightforward as it seems?

I discuss and review the critically acclaimed film by Iranian director Asghar FarhadiTwitter : @bendyourearpodInstagram : @bendyourearpodTwitch: bendyourearpod Facebook: facebook.com/LetMeBendYourEarYouTube: Let Me Bend Your Ear Podcastwebsite: www.LetMeBendYourEar.comemail: BendYourEarPodcast@gmail.com

In this episode, Dhruv, Sanjeet, Aryan, and Amartya take on the never-ending Art vs. Artist debate fueled by the breaking news of two widely respected international auteurs - Asghar Farhadi and Sian Sono - being charged for two very different offenses. Discussing the severity of the charges leveled at these filmmakers, they get into unsolvable debates about the fine line between plagiarism and inspiration, the inseparability of auteurist art from the artist, and the dynamic role of the spectator. Plenty of other (in some cases, infinitely more) controversial directors and their works are referenced here not to promote them or their work but to engage in a healthy debate that is hopefully productive in promoting healthy discourse. Do listen to the episode for some healthy disagreements! Follow our Instagram page: https://instagram.com/queenisdead.filmpodcast You can also follow us on Instagram at: Aryan: https://www.instagram.com/aryantalksfilm/ Sanjeet: https://www.instagram.com/pixel_baba/ Amartya: https://www.instagram.com/amartya25/ Dhruv: https://www.instagram.com/terminalcinema/ Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people! Follow us on Letterboxd at: Dhruv: https://letterboxd.com/aterminalcinema/ Sanjeet: https://letterboxd.com/Sanjeet_Singh/ Aryan: https://letterboxd.com/aryantalksfilms/ Amartya: https://letterboxd.com/amartya/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/queenisdead/support

We discuss episodes 1-2 of the new MCU Disney+ series 'Moon Knight' starring Oscar Isaac, May Calamawy, and Ethan Hawke. What did we enjoy about this series? What did head director Mohamed Diab (who's actually Egyptian!) bring to the story? Why is Layla the best character? Where could it be better? We also discuss the unfortunate news of the plagiarism accusations against Iranian director Asghar Farhadi for 'A Hero", give our recommendations, and much more!   Our music is composed by Ashley Hefnawy. You can find more of her music here.   We are a proud member of the Hard NOC podcast family.   Follow us on Twitter: @TheMiddleGeeks, @MaeAbdu, @spiderswarz   Subscribe to The Middle Geeks on Hard NOC Media

Deep Cut hits the panic button as our beloved Asghar Farhadi is embroiled in scandal! Iranian documentary filmmaker and former student of Farhadi, Azadeh Masihzadeh, has sued him over the claim that he stole the story for his 2021 release, A Hero, from her 2015 documentary, All Winners, All Losers and pressured her into signing over the rights to her film. Wilson, Ben, and Eli discuss the dismaying news before talking about A Hero itself. The conversation includes Wilson's love for Amir Jadidi's lead performance (what a smile!), Ben's questions about the main character's naivete, Eli's classification of the types of Farhadi movie, and Farhadi's unusual use of editing to convey emotion. Be *OUR* hero on our Discord server. Keep up with Deep Cut on Instagram, Twitter, Facebook, and Letterboxd.

Günaydın. Bu hafta sonu gündemde; 2021 Dünya Hava Kirliliği Raporu'nun detayları, Andy Warhol imzalı Marilyn Monroe portresinin satışı, Asghar Farhadi'ye yönelik intihal iddiaları var. Bugünün bülteni GAİN destekleriyle ulaşıyor. Fotoğraf: WSJ

Pese a todas las restricciones, persecuciones y censura, el cine iraní siempre nos ofrece un retrato complejo y rico de su país. Uno de sus grandes estandartes es Asghar Farhadi. El director de ‘Nader y Simín, una separación' y ‘El viajante' propone ahora reflexionar sobre el honor, las redes sociales y la gestión de la reputación en ‘Un héroe', un thriller-laberinto que ganó el Gran Premio del Jurado en Cannes. Ese es el héroe del cine de autor esta semana, pero también hay otro con previsión de arrasar en taquilla, el Batman de Robert Pattinson. Os contamos por qué es un acierto esta nueva versión del hombre murciélago, os hablamos de literatura, deseo y amores virtuales y, por supuesto, de series.

Abrimos marzo con una de las películas más esperadas del año. Ya está aquí el Batman de Robert Pattinson, más oscuro, siniestro y vampírico. Con el actor, con Zoe Kravitz y con el villano Paul Dano hemos charlado sobre esta nueva visión del hombre murciélago. Un pequeño spoiler: nos ha gustado. Otro héroe muy distinto es el que propone el iraní Asghar Farhadi. El director, doble ganador del Óscar, regresa con ‘Un héroe', un thriller sobre el honor y la reputación en su país.  A la cartelera también llegan comedias francesas, amor virtual y cine de autor. Y en series, analizamos ‘La edad de la ira' con el autor de esta historia, Nando López. Un episodio completito. Pónganse cómodos

El Batman de Robert Pattinson bajo la dirección de Matt Reeves llega a la cartelera y a De película, donde repasamos todas las caras de El hombre murciélago a lo largo de su historia cinematográfica. Con Charo López y Chema de la Peña hablamos del documental, Me cuesta hablar de mí. Repasamos otros estrenos como Hive (Colmena), ópera prima de la kosovar Blerta Basholli, gran triunfadora de Sundance y lo nuevo del cineasta iraní, Asghar Farhadi, Un héroe. Nos damos una vuelta por el Festival de cine documental Miradas Doc que se celebra en Guía de Isora, Tenerife hasta el 12 de marzo y os ofrecemos un adelanto del Festival de Málaga que tendrá lugar del 18 al 27 de marzo (04/03/2022). Escuchar audio

Fidiro Kahvesi bu bölümünde İranlı yönetmen Asghar Farhadi'nin etkileyici filmi Kahraman'ı (A Hero) konuşuyor. 2021 yılında Amazon Prime'da yayınlanan ve borcu yüzünden hapse düşmüş Rahim'in özgürlüğüne kavuşma çabalarını ahlaki bir sarmalın içinde ele alan bu düşündürücü yapım, müdavimlerimizi paranın değişen yüzleri hakkında koyu bir sohbete sürüklüyor. Aynı para hem çeyiz hem borç, hem takva, yalan ve merhamet karşılığı olabilir mi? İşte bu soruların peşinde, ödev ahlakı ile kahramanlık, şöhret ile terk edilmişlik arasındaki gerilimleri ele aldığımız muhabbetimize sizler de buyrun ve dinledikten sonra yorumlarınızı bizimle paylaşmayı unutmayın!Support the show (https://www.patreon.com/fidirokahvesi)

Happy Superbowl Sunday... and no matter which team you're supporting, in the words of Enrique Iglesias, we can kiss your pain away.If that's not your thing, check out this discussion of Asghar Farhadi's new film "A Hero" and our examination of choice, consequence and whether film characters should be judged or observed.Be a hero and email us in at onlymoviepodcast@gmail.com or pay down our debts by posting on our Twitter thread at www.twitter.com/onlymoviepodSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, Glenn and Daniel return to the elaborate moral maze of Iranian filmmaker Asghar Farhadi with A Hero (now streaming on Prime Video). They debate what’s right and wrong, and whether moral complexity that feels calculated can still effectively serve a good story. Then they venture into the rich narrative world of novelist Elena […]

We are joined by the Organizing Director of the National Iranian American Council (NIAC), Donna Farvard, and our friend and Vulture critic Roxana Hadadi to discuss acclaimed Iranian director Asghar Farhadi's latest film and award-buzzed film, "A Hero." How does this film give insight into Iranian society and systems of reputation? What is Farhadi saying about how we hold each other in esteem, and how quickly that can fade away? We also discuss the Moon Knight trailer and the news that Egyptian director Mohamed Diab will be directing four out of its six episodes, Archive 81 on Netflix, Mena Massoud's new Netflix rom-com, give our recommendations, and much more!   Our music is composed by Ashley Hefnawy. You can find more of her music here.   Dr. Assal Rad's report: "Othering Iran: How Dehumanization of Iranians Undermines Rights at Home"   Please support us on Patreon!   We are a proud member of the Hard NOC podcast family.   Follow Donna on Twitter @Donna_Farvard   Follow Rocky on Twitter @roxana_hadadi   Follow us on Twitter: @TheMiddleGeeks, @MaeAbdu, @spiderswarz   Subscribe to The Middle Geeks on Hard NOC Media

Welcome to the Directors UK Podcast! In this episode, we're treated to a conversation with a master filmmaker. The double Oscar-winning Asghar Farhadi spoke to us about the making of his powerful latest film, A Hero. In a conversation hosted by Jonathan Romney, Asghar discussed his lengthy rehearsal process, the way he strives for realism, and finding the right pitch of emotion and complexity. Translation: Massoumeh Lahidji We hope you enjoy the show!

Filmland 2021 is almost here! (And Jessica Chastain is coming!) This year Filmland is happening in the Park. Coming Sept 30 - Oct 3, the festival features film screenings, special guests, workshops, panels, local filmmakers, food trucks, and much more. Jessica Chastain will be here to screen her new film The Eyes of Tammy Faye, and there will also be screenings of the new Asghar Farhadi film A Hero and the 2018 version of Halloween, both with virtual director Q&As following the film. Plus tons of workshops featuring notable filmmakers Get tickets and learn everything you need to know at filmland.org Links Filmland.org CONNECT WITH US Instagram Facebook Twitter Letterboxd Email us at Andrew@ArthouseGarage.com Subscribe to the email newsletter: arthousegarage.com/subscribe Theme music by Apauling Productions

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. For this week's episode, I catch up with my colleague Jonathan Romney, a veteran critic of the festival circuit who regularly files for Screen Daily. For this year's blockbuster Cannes lineup, he joins the podcast to talk about a strong batch of films that we haven't heard about yet. That includes two Iranian movies: A Hero from Oscar winner Asghar Farhadi, and Hit the Road, from Panah Panahi. Plus there was a curious new movie co-directed by Miguel Gomes, who you might know from Arabian Nights; a new Jacques Audiard movie, Paris 13th District; and a highly unpredictable Russian film called Petrov's Flu. It's a mix of adventuresome films that we'll definitely be hearing more of down the road. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

We hope your ticket was round-trip, because we're headed back to the Middle East to Iran to watch A Separation (2011), directed by Asghar Farhadi, an intimate, nuanced drama following two families confrontation following an accident. Join us as we talk about the burden of justice, the convolution of lies, and Farhadi's brilliant screenplay. Follow us on Instagram @subtitledcinema and Twitter @subbedcinema, and check out our website subtitledcinema.com for more.